1 00:00:05,922 --> 00:00:07,465 [ Cheers and applause ] 2 00:00:07,507 --> 00:00:11,469 Season 25 knockouts -- so many talented singers. 3 00:00:11,511 --> 00:00:14,848 * Un-break my heart, oh, baby * 4 00:00:14,889 --> 00:00:18,101 One of the best performances on this TV show, period, ever. 5 00:00:18,143 --> 00:00:20,520 John: It’s such a powerful experience for so many artists, 6 00:00:20,562 --> 00:00:22,188 and you really see them coming into their own 7 00:00:22,230 --> 00:00:23,523 in the knockouts, and I love it. 8 00:00:23,565 --> 00:00:26,443 This is my favorite part of the show. 9 00:00:26,484 --> 00:00:29,070 There’s a place for you at Team Legend. 10 00:00:29,112 --> 00:00:30,530 You can’t do that. 11 00:00:30,572 --> 00:00:32,782 The knockouts is super cutthroat. 12 00:00:32,824 --> 00:00:36,286 Daly: We got a steal! And now we've got a war. 13 00:00:36,327 --> 00:00:38,371 It’s super important to pick the right people 14 00:00:38,413 --> 00:00:39,456 to move on to the playoffs. 15 00:00:39,497 --> 00:00:41,249 I’m really in a pickle, Dan. 16 00:00:41,291 --> 00:00:43,001 Dan: We’re looking for our artists to step up 17 00:00:43,043 --> 00:00:44,294 and show us that they’re ready 18 00:00:44,336 --> 00:00:45,837 for the pressure of the playoffs. 19 00:00:45,879 --> 00:00:47,672 This is a very important part of the competition. 20 00:00:47,714 --> 00:00:49,883 The best kind of rises to the top. 21 00:00:49,924 --> 00:00:51,551 Here we are -- knockouts. 22 00:00:51,593 --> 00:00:53,386 I love the knockouts, man. I love it, too. 23 00:00:53,428 --> 00:00:55,055 I do, too. They're fun. This is our first knockout. 24 00:00:55,096 --> 00:00:56,848 So, are we going to be like -- it’s gonna be tough. 25 00:00:56,890 --> 00:00:58,433 You're gonna love it, too. There’s a lot of talent. 26 00:00:58,475 --> 00:00:59,642 No saves this round, though. No saves. 27 00:00:59,684 --> 00:01:01,561 No saves. Only steals, only theft. 28 00:01:01,603 --> 00:01:03,313 And we had a great Mega Mentor. 29 00:01:03,355 --> 00:01:04,814 Yeah. Keith Urban. 30 00:01:04,856 --> 00:01:06,024 You guys also had Keith Urban? 31 00:01:06,066 --> 00:01:07,525 I thought he was only ours. 32 00:01:07,567 --> 00:01:09,569 Oh, man. I thought Keith Urban was American. 33 00:01:09,611 --> 00:01:10,904 [ Laughter ] 34 00:01:10,945 --> 00:01:12,989 We’ve got Keith Urban here! 35 00:01:13,031 --> 00:01:16,284 Oh, my God! 36 00:01:17,118 --> 00:01:18,578 John: He’s prolific. 37 00:01:18,620 --> 00:01:20,622 He’s been making great music for many years. 38 00:01:20,663 --> 00:01:22,415 He’s been a huge influence on us 39 00:01:22,457 --> 00:01:24,000 since the very beginning of our career. 40 00:01:24,042 --> 00:01:25,418 Keith has so much experience. 41 00:01:25,460 --> 00:01:26,920 He’s been on "The Voice" in Australia. 42 00:01:26,961 --> 00:01:29,839 He’s a walking Wikipedia for country music. 43 00:01:29,881 --> 00:01:31,466 Great to look at, too. 44 00:01:31,508 --> 00:01:33,009 He’s obviously a legend. 45 00:01:33,051 --> 00:01:34,552 He’s won so many awards, 46 00:01:34,594 --> 00:01:36,429 collaborated with so many people. 47 00:01:36,471 --> 00:01:38,139 Keith: What I love about "The Voice"... 48 00:01:38,181 --> 00:01:40,266 This is fire. ...is the discovery... 49 00:01:40,308 --> 00:01:41,601 No way! ...the journey, 50 00:01:41,643 --> 00:01:43,895 watching an artist go from this point 51 00:01:43,937 --> 00:01:45,230 to this point to that point. 52 00:01:45,271 --> 00:01:46,606 You can do runs all day long. 53 00:01:46,648 --> 00:01:48,775 You’re like an Olympic skier, right? 54 00:01:48,817 --> 00:01:49,984 I love that. 55 00:01:50,026 --> 00:01:51,945 If you pace yourself emotionally, 56 00:01:51,986 --> 00:01:54,364 it’s gonna have more impact. 57 00:01:54,406 --> 00:01:57,242 Reba: Yee-haw! Keith: Yee-haw! 58 00:01:57,283 --> 00:01:58,660 Thank you very much for doing this. 59 00:01:58,702 --> 00:02:00,453 Oh, thanks for having us at your house, Reba. 60 00:02:00,495 --> 00:02:02,706 [ Laughing ] You’re very welcome. 61 00:02:02,747 --> 00:02:04,791 Quite the electricity bill you have. I know, right? 62 00:02:04,833 --> 00:02:06,918 "The Voice" is a real family vibe. 63 00:02:06,960 --> 00:02:08,294 It’s always been that way. 64 00:02:08,336 --> 00:02:09,421 I love mentoring. 65 00:02:09,462 --> 00:02:10,797 I love being able to offer 66 00:02:10,839 --> 00:02:12,507 any advice that might be helpful. 67 00:02:12,549 --> 00:02:15,343 They've got a little miniature of the big set. 68 00:02:15,385 --> 00:02:17,137 Oh, yeah. This is nice. That's beautiful. 69 00:02:17,178 --> 00:02:19,097 I’ve known Keith forever. 70 00:02:19,139 --> 00:02:20,932 Keith is a genius 71 00:02:20,974 --> 00:02:24,144 with music, with lyrics, with performance. 72 00:02:24,185 --> 00:02:26,312 [ Laughs ]. Look at your fancy, big Team Reba logo up there, Reba. 73 00:02:26,354 --> 00:02:28,481 How about that? Are you happy with your team? 74 00:02:28,523 --> 00:02:31,609 Every pairing I have, I like both of them. 75 00:02:31,651 --> 00:02:33,653 I’m nervous about this knockout 76 00:02:33,695 --> 00:02:35,530 because you are freaking amazing. 77 00:02:35,572 --> 00:02:37,157 You are, too! But I’m excited to share the stage. 78 00:02:37,198 --> 00:02:38,658 I couldn’t even sleep last night 79 00:02:38,700 --> 00:02:40,952 'cause I was thinking about -- Well, I slept. 80 00:02:40,994 --> 00:02:42,328 [ Laughter ] 81 00:02:42,370 --> 00:02:43,663 Asher and Tae. 82 00:02:43,705 --> 00:02:47,083 Tae is country-soul. Asher is R&B soul. 83 00:02:47,125 --> 00:02:48,251 They’re going to blow you away. 84 00:02:48,293 --> 00:02:50,211 Asher is a force of nature. 85 00:02:50,253 --> 00:02:53,548 Stoic, huge voice. Solid. 86 00:02:53,590 --> 00:02:55,884 Alright. Tae is a ball of energy. 87 00:02:55,925 --> 00:02:59,846 And that smile of his -- like diamonds. 88 00:02:59,888 --> 00:03:01,181 Here they come. 89 00:03:01,222 --> 00:03:04,434 Oh, my God! 90 00:03:04,476 --> 00:03:06,436 I know! Reba McEntire. 91 00:03:06,478 --> 00:03:08,021 Unbelievable. No! 92 00:03:08,063 --> 00:03:09,939 Keith freaking Urban! 93 00:03:09,981 --> 00:03:11,524 I sung your song, y’all. 94 00:03:11,566 --> 00:03:14,611 Four-time Grammy Award winner. ACM Award winner. 95 00:03:14,652 --> 00:03:18,823 Not only a magical musician and a great singer, 96 00:03:18,865 --> 00:03:21,910 but great to look at, too, on the stage. [ Laughs ] 97 00:03:21,951 --> 00:03:26,122 It’s just crazy to see such a pivotal person 98 00:03:26,164 --> 00:03:27,707 that has changed the trajectory 99 00:03:27,749 --> 00:03:30,043 of what country music looks like. 100 00:03:30,085 --> 00:03:32,545 You guys need to come out of your shell more. Yeah, exactly. 101 00:03:32,587 --> 00:03:34,214 Yeah, a little more excitement. 102 00:03:34,255 --> 00:03:35,632 A little more. Okay. Okay. 103 00:03:35,674 --> 00:03:37,384 The difference about the knockout rounds 104 00:03:37,425 --> 00:03:39,969 is that the artists get to pick their own songs. 105 00:03:40,011 --> 00:03:41,388 Who wants to go first? 106 00:03:41,429 --> 00:03:42,889 I think I’m gonna go first. Alright, Asher. 107 00:03:42,931 --> 00:03:45,141 That's wonderful, because you can tell a lot 108 00:03:45,183 --> 00:03:48,436 about a person and their talent by the songs they sing. 109 00:03:48,478 --> 00:03:51,231 I’m going to sing "Unbreak My Heart" by Toni Braxton. 110 00:03:51,272 --> 00:03:53,775 Cool! I just went through a breakup. 111 00:03:53,817 --> 00:03:57,487 I love to get on stage and kind of be in character, 112 00:03:57,529 --> 00:03:59,197 but this time, there is no character. 113 00:03:59,239 --> 00:04:01,157 It’s just me. Oh, I love that. 114 00:04:01,199 --> 00:04:03,952 This is my first time, like, facing those emotions. 115 00:04:03,993 --> 00:04:05,787 Yeah, music is the best way to do it. 116 00:04:05,829 --> 00:04:07,956 It’ll heal your heart. It’ll help it. 117 00:04:07,997 --> 00:04:09,124 Thank you. Yeah. 118 00:04:09,165 --> 00:04:11,292 Alright, we’re ready. 119 00:04:11,334 --> 00:04:12,544 [ Exhales sharply ] 120 00:04:12,585 --> 00:04:16,631 * Un-break my heart * 121 00:04:16,673 --> 00:04:20,468 * Say you'll love me again * 122 00:04:20,510 --> 00:04:23,596 Being with my partner was everything. 123 00:04:23,638 --> 00:04:27,976 To have that taken away is gut-wrenching. 124 00:04:28,018 --> 00:04:34,232 I chose my dreams over my relationship. 125 00:04:34,274 --> 00:04:36,609 I chose, and I lost. 126 00:04:36,651 --> 00:04:38,445 But I feel like I’ve gained everything. 127 00:04:38,486 --> 00:04:41,781 * I just can’t go on * Whoo! 128 00:04:41,823 --> 00:04:45,827 Asher sang, and I was not expecting that voice from him. 129 00:04:45,869 --> 00:04:48,079 [ Vocalizing ] 130 00:04:48,121 --> 00:04:49,622 Like, what is going on? 131 00:04:49,664 --> 00:04:53,585 * Un-break my heart * Such a unique timbre. 132 00:04:54,836 --> 00:04:58,006 Aww! That hurt, didn’t it? 133 00:04:58,048 --> 00:04:59,299 Yes. Yeah. 134 00:04:59,341 --> 00:05:01,468 You got an amazing voice. Thank you. 135 00:05:01,509 --> 00:05:03,053 I think you’re in a really unique position 136 00:05:03,094 --> 00:05:05,722 to own it more by doing less. 137 00:05:05,764 --> 00:05:08,725 You don’t need all your skill set to sing it. 138 00:05:08,767 --> 00:05:11,353 You just need what’s going on in your life right now. 139 00:05:11,394 --> 00:05:14,689 Be still. Nic does it all the time. 140 00:05:14,731 --> 00:05:18,485 Nicole Kidman -- when you watch her act, she’s still. 141 00:05:18,526 --> 00:05:19,986 But you know what’s not? 142 00:05:20,028 --> 00:05:22,280 Everything coming out of her eyes. 143 00:05:22,322 --> 00:05:24,032 Because you can do runs all day long. 144 00:05:24,074 --> 00:05:26,284 You’re like an Olympic skier, right? 145 00:05:26,326 --> 00:05:28,578 It’s so easy for you. I love that. 146 00:05:28,620 --> 00:05:29,996 You can take us to the mountaintop at the end. 147 00:05:30,038 --> 00:05:31,664 It’s so good. 148 00:05:31,706 --> 00:05:34,376 But I think if you pace yourself emotionally -- Okay. 149 00:05:34,417 --> 00:05:36,169 ...it’s going to have more impact. 150 00:05:36,211 --> 00:05:39,422 * Don’t leave me in all this pain * 151 00:05:39,464 --> 00:05:41,591 Tae: As I’m watching Asher sing... 152 00:05:41,633 --> 00:05:43,176 Oh, my gosh. Yeah. ...it’s kind of scary. 153 00:05:43,218 --> 00:05:45,887 I’m not even going to lie. He can belt. 154 00:05:45,929 --> 00:05:48,723 But he also has this baritone voice 155 00:05:48,765 --> 00:05:51,309 that carries so much weight. 156 00:05:51,351 --> 00:05:52,977 But I have to rise to the occasion 157 00:05:53,019 --> 00:05:54,688 and be like, "It is what it is. 158 00:05:54,729 --> 00:05:57,023 Let’s go. Let’s get it. I got to eat." 159 00:05:57,065 --> 00:05:58,692 [ Applause ] 160 00:05:58,733 --> 00:05:59,734 Whew! 161 00:05:59,776 --> 00:06:02,112 Oh, Asher, you got me. 162 00:06:02,153 --> 00:06:03,822 I felt your heart breaking. 163 00:06:03,863 --> 00:06:05,907 That’s what you want, and you got it. 164 00:06:05,949 --> 00:06:07,033 So, bravo. 165 00:06:07,075 --> 00:06:08,410 Thank you so much, Reba. 166 00:06:08,451 --> 00:06:10,120 I love watching you watch him. 167 00:06:10,161 --> 00:06:13,790 I’m just like, "Give me more." [ Laughter ] 168 00:06:13,832 --> 00:06:15,709 This is such a true emotion. 169 00:06:15,750 --> 00:06:18,086 Oh, my gosh, Becky. Beautiful. 170 00:06:18,128 --> 00:06:19,713 Here we go. Here we go. 171 00:06:19,754 --> 00:06:21,548 Okay. You got Mama Reba over here crying. 172 00:06:21,589 --> 00:06:23,717 My song is not a crying song. 173 00:06:23,758 --> 00:06:25,802 "Nothin' on You" by Cody Johnson. 174 00:06:25,844 --> 00:06:28,847 Cody grew up in the church, and my dad is also a pastor, 175 00:06:28,888 --> 00:06:32,142 so I want to bring that flair where I have my gospel roots. 176 00:06:32,183 --> 00:06:35,729 This song, the emotion that he gives about his wife, 177 00:06:35,770 --> 00:06:38,106 this could possibly talk about my future wife. 178 00:06:38,148 --> 00:06:39,983 This is going to be a challenge for me, 179 00:06:40,025 --> 00:06:41,568 because it’s very difficult for me 180 00:06:41,609 --> 00:06:43,695 to be vulnerable on stage. 181 00:06:43,737 --> 00:06:48,491 * 'Cause when you got nothin' on * 182 00:06:48,533 --> 00:06:49,784 Growing up, being a church, 183 00:06:49,826 --> 00:06:51,244 my dad would always tell me, 184 00:06:51,286 --> 00:06:53,580 "The people that you’re singing to 185 00:06:53,621 --> 00:06:55,081 have so much emotion. 186 00:06:55,123 --> 00:06:56,750 So, why aren’t you, like, actually 187 00:06:56,791 --> 00:06:58,084 having emotion yourself?" 188 00:06:58,126 --> 00:06:59,586 And I think a lot of it had to do with 189 00:06:59,627 --> 00:07:03,089 because I was picked on a lot. 190 00:07:03,131 --> 00:07:04,632 "You're too short," or "You're too fat," 191 00:07:04,674 --> 00:07:06,217 or "You're this," or "You’re that." 192 00:07:06,259 --> 00:07:07,677 I just kind of held it inside, 193 00:07:07,719 --> 00:07:10,180 and it’s hard for me to have emotion 194 00:07:10,221 --> 00:07:12,098 and vulnerability when I hit the stage. 195 00:07:12,140 --> 00:07:17,562 * 'Cause I've seen the mountains high * 196 00:07:17,604 --> 00:07:19,022 Keith: Tae is awesome. 197 00:07:19,064 --> 00:07:22,025 Equally great voice, whole different thing, 198 00:07:22,067 --> 00:07:23,610 much more country. 199 00:07:23,651 --> 00:07:25,945 And he’s got gospel in there. 200 00:07:25,987 --> 00:07:29,240 I thought, well, that’s legit country singer right there. 201 00:07:29,282 --> 00:07:33,203 * ...on you * Reba: Oh, my gosh. 202 00:07:33,244 --> 00:07:35,580 Tae, way to sing your butt off, buddy. 203 00:07:35,622 --> 00:07:36,748 Thank you. Yes, ma’am. 204 00:07:36,790 --> 00:07:38,458 I loved your hand gestures. 205 00:07:38,500 --> 00:07:39,834 You can preach that even more. 206 00:07:39,876 --> 00:07:41,628 Man, you lose yourself in it. 207 00:07:41,670 --> 00:07:43,129 "I've got nothin', I've got nothin', 208 00:07:43,171 --> 00:07:44,464 nothin', nothin' on you." 209 00:07:44,506 --> 00:07:46,257 You know what I mean? Yes, sir. 210 00:07:46,299 --> 00:07:47,717 Take ownership of it. Okay. 211 00:07:47,759 --> 00:07:49,928 You got the pipes to support you, so why not? 212 00:07:49,969 --> 00:07:51,888 And just have fun. Thank you. 213 00:07:51,930 --> 00:07:53,390 Alright, Asher, come on up. Let’s visit. 214 00:07:53,431 --> 00:07:55,350 Tae is incredibly vulnerable. 215 00:07:55,392 --> 00:07:57,143 So, he has this persona 216 00:07:57,185 --> 00:08:00,271 and this larger-than-life way of protecting 217 00:08:00,313 --> 00:08:02,982 all that sensitivity in him. 218 00:08:03,024 --> 00:08:05,819 If he actually lets that out, he’ll be in full flight. 219 00:08:05,860 --> 00:08:08,071 Remember, each coach gets a steal. 220 00:08:08,113 --> 00:08:09,823 You never know what’s going to happen, alright? 221 00:08:09,864 --> 00:08:13,159 On Asher’s song, I want the gut-wrenching pain 222 00:08:13,201 --> 00:08:15,662 that he’s feeling while he’s singing this song. 223 00:08:15,704 --> 00:08:16,871 Love you, Mama Reba. 224 00:08:16,913 --> 00:08:18,998 On Tae's, I got chill bumps. 225 00:08:19,040 --> 00:08:21,042 That’s the sign of a good singer 226 00:08:21,084 --> 00:08:23,545 that can make the audience feel something. 227 00:08:23,586 --> 00:08:25,005 I don’t care what it is. 228 00:08:25,046 --> 00:08:27,257 I love you, too, Mama Reba. I love you, too. 229 00:08:27,298 --> 00:08:28,717 I have no idea 230 00:08:28,758 --> 00:08:31,302 how I’m going to make the choice. 231 00:08:31,344 --> 00:08:32,971 Daly: Ladies and gentlemen, say hi to your four 232 00:08:33,013 --> 00:08:35,223 playoff pass artists up here. 233 00:08:35,265 --> 00:08:36,516 [ Cheers and applause ] 234 00:08:36,558 --> 00:08:38,476 They were sent directly to the playoffs 235 00:08:38,518 --> 00:08:39,853 by their coaches. 236 00:08:39,894 --> 00:08:41,438 How are you guys feeling tonight? You good? 237 00:08:41,479 --> 00:08:42,772 Together: So good! 238 00:08:42,814 --> 00:08:44,524 The knockouts start right now. 239 00:08:44,566 --> 00:08:47,402 [ Cheers and applause ] 240 00:08:47,444 --> 00:08:49,446 Tae's getting pumped. 241 00:08:49,487 --> 00:08:51,197 Get him, Asher! 242 00:08:51,239 --> 00:08:54,617 With "Unbreak My Heart," here’s Asher Havon. 243 00:08:54,659 --> 00:08:56,369 [ Cheers and applause ] 244 00:08:56,411 --> 00:08:59,706 ** 245 00:08:59,748 --> 00:09:03,960 * Don’t be in all this pain * 246 00:09:04,002 --> 00:09:08,214 * Don't leave me out in the rain * 247 00:09:08,256 --> 00:09:11,176 * Come back and bring back my smile * 248 00:09:11,217 --> 00:09:14,054 * Come and take these tears away * 249 00:09:14,095 --> 00:09:15,680 Whoo! 250 00:09:15,722 --> 00:09:20,560 * I need your arms to hold me now * 251 00:09:20,602 --> 00:09:24,147 * The nights are so unkind * 252 00:09:25,648 --> 00:09:31,404 * Bring back those nights when I held you beside me * 253 00:09:31,446 --> 00:09:35,658 * Un-break my heart * 254 00:09:35,700 --> 00:09:39,788 * Say you'll love me again * 255 00:09:39,829 --> 00:09:45,752 * Undo this hurt you caused when you walked out the door * 256 00:09:45,794 --> 00:09:48,755 * And walked out of my life * 257 00:09:48,797 --> 00:09:52,926 * Un-cry these tears * 258 00:09:52,967 --> 00:09:57,597 * I cried so many nights * 259 00:09:57,639 --> 00:10:02,644 * Un-break my heart * 260 00:10:02,686 --> 00:10:04,312 Sing, Asher! 261 00:10:05,105 --> 00:10:09,317 * Don't leave me in all this pain * 262 00:10:09,359 --> 00:10:13,571 * Don’t leave me out in the rain * 263 00:10:13,613 --> 00:10:19,411 * Bring back those nights when I held you beside me * 264 00:10:19,452 --> 00:10:23,665 * Un-break my heart * 265 00:10:23,707 --> 00:10:27,794 * Say you'll love me again * 266 00:10:27,836 --> 00:10:33,591 * Undo this hurt you caused when you walked out the door * 267 00:10:33,633 --> 00:10:39,514 * And walked out of my life, my, my, my, my, my life * 268 00:10:39,556 --> 00:10:43,810 * Un-break my heart, oh, baby * 269 00:10:43,852 --> 00:10:52,110 * Without you, I just can't go on * 270 00:10:52,152 --> 00:10:54,821 * Yeah * 271 00:10:54,863 --> 00:10:59,492 * Un-b-b-b-b-break my heart * 272 00:10:59,534 --> 00:11:01,828 Sing, Asher! Whoo-hoo! 273 00:11:01,870 --> 00:11:03,830 Oh, my God! Oh, my God! 274 00:11:03,872 --> 00:11:06,541 [ Cheers and applause ] Wow! 275 00:11:06,583 --> 00:11:07,917 Come on, now! 276 00:11:07,959 --> 00:11:10,962 Let's go, Tae! Come on, Tae! 277 00:11:11,004 --> 00:11:13,506 Now singing "Nothin' on you," here’s Tae Lewis. 278 00:11:13,548 --> 00:11:15,800 [ Cheers and applause ] 279 00:11:17,177 --> 00:11:20,972 ** 280 00:11:21,014 --> 00:11:23,391 * Wearing your black dress * 281 00:11:23,433 --> 00:11:31,232 * Red shoes, makeup, perfume, and diamonds * 282 00:11:31,274 --> 00:11:34,027 * 'Cause you always impress * 283 00:11:34,069 --> 00:11:40,241 * Turn heads the second you walk through the door * 284 00:11:40,283 --> 00:11:41,701 Alright. 285 00:11:41,743 --> 00:11:47,040 * 'Cause you're like a real life work of fine art * 286 00:11:47,082 --> 00:11:51,836 * Baby, you’re priceless * 287 00:11:51,878 --> 00:11:54,964 * And I just wanna get home * 288 00:11:55,006 --> 00:12:02,555 * Get that black dress down on the floor * 289 00:12:02,597 --> 00:12:08,311 * 'Cause when you got nothin' on * 290 00:12:08,353 --> 00:12:13,066 * There ain't nothin' wrong * 291 00:12:13,108 --> 00:12:17,987 * 'Cause lovin' you all night long's * 292 00:12:18,029 --> 00:12:21,658 * All I wanna do * 293 00:12:21,700 --> 00:12:23,410 Alright. 294 00:12:23,451 --> 00:12:28,790 * 'Cause I've seen the mountains high * 295 00:12:28,832 --> 00:12:34,004 * I've sailed the ocean blue * 296 00:12:34,045 --> 00:12:37,424 * When you got nothin' on * 297 00:12:37,465 --> 00:12:42,512 * Ain't nothin' got nothin' on you * 298 00:12:42,554 --> 00:12:44,389 * Yeah * 299 00:12:44,431 --> 00:12:50,020 * 'Cause I've seen the mountains high * 300 00:12:50,061 --> 00:12:54,899 * I've sailed the ocean blue * 301 00:12:54,941 --> 00:12:58,194 * When you got nothin' on * 302 00:12:58,236 --> 00:13:02,907 * Ain't nothin' ain't nothin' on you, no * 303 00:13:02,949 --> 00:13:06,327 * When you got nothin' on * 304 00:13:06,369 --> 00:13:15,712 * Ain't nothin' ain't nothin' on you * 305 00:13:15,754 --> 00:13:17,714 [ Cheers and applause ] 306 00:13:17,756 --> 00:13:24,471 ** 307 00:13:24,512 --> 00:13:26,514 Asher and Tae, that was just so raw. 308 00:13:26,556 --> 00:13:31,519 One of the best performances on this TV show, period, ever. 309 00:13:31,561 --> 00:13:33,480 You're just an incredible talent. 310 00:13:33,521 --> 00:13:36,983 You had a crazy run at the end that reminded me of Rance Allen. 311 00:13:37,025 --> 00:13:38,818 You could tap into all these different spaces 312 00:13:38,860 --> 00:13:40,653 'cause your range is so big. Thank you. 313 00:13:40,695 --> 00:13:42,947 So, at some point I’m going to figure out a way to steal you. 314 00:13:42,989 --> 00:13:44,532 [ Laughter ] 315 00:13:44,574 --> 00:13:48,495 Tae, everybody got to see you rise to an occasion. 316 00:13:48,536 --> 00:13:51,706 It’s about your voice as much as it is about star power. 317 00:13:51,748 --> 00:13:53,333 I want to just say congratulations 318 00:13:53,375 --> 00:13:55,835 to both of y’all. Thank you. Thank you. 319 00:13:55,877 --> 00:13:57,295 Dan: I’ll start with Asher. 320 00:13:57,337 --> 00:13:59,005 You exercised so much restraint in that. 321 00:13:59,047 --> 00:14:00,465 I felt like you were doing your thing. 322 00:14:00,507 --> 00:14:02,509 Then you opened up your arms at the perfect time. 323 00:14:02,550 --> 00:14:06,096 And the runs were so intentional, so accurate. 324 00:14:06,137 --> 00:14:08,098 Thank you. It was from your heart. 325 00:14:08,139 --> 00:14:09,891 And it just -- it went straight to our souls, 326 00:14:09,933 --> 00:14:11,601 and it was unbelievable. Thank you. 327 00:14:11,643 --> 00:14:13,937 Shay: Tae, you really stepped up in that moment. 328 00:14:13,978 --> 00:14:15,522 You kind of took it to that next level. 329 00:14:15,563 --> 00:14:18,191 I used to watch this show called "Bonanza" growing up, 330 00:14:18,233 --> 00:14:20,068 and I feel like you got this little Joe Cartwright -- 331 00:14:20,110 --> 00:14:22,404 like, he always had his hat on a little sideways. 332 00:14:22,445 --> 00:14:23,530 Just swagger. 333 00:14:23,571 --> 00:14:25,198 Just, like, your swagger is so heavy 334 00:14:25,240 --> 00:14:27,075 that you had to lean a little bit to one side. 335 00:14:27,117 --> 00:14:28,743 Just a little bit. Great job, guys. 336 00:14:28,785 --> 00:14:30,370 That was incredible, man. Thank you. 337 00:14:30,412 --> 00:14:31,913 Thank you. 338 00:14:31,955 --> 00:14:34,624 John: For whoever Reba does not choose, 339 00:14:34,666 --> 00:14:37,252 there’s a place for you at Team Legend. 340 00:14:37,293 --> 00:14:38,712 You can’t do that. 341 00:14:38,753 --> 00:14:41,131 I have been in this show for nine seasons now. 342 00:14:41,172 --> 00:14:43,091 I can do what I want. You're cheating! 343 00:14:43,133 --> 00:14:44,759 That is disqualification, right? 344 00:14:44,801 --> 00:14:46,219 [ Laughter ] 345 00:14:46,261 --> 00:14:47,554 Anyway. 346 00:14:47,595 --> 00:14:51,099 Asher, I just feel like your presence is so regal. 347 00:14:51,141 --> 00:14:53,685 I was like, "This is King Asher up on this stage." 348 00:14:53,727 --> 00:14:57,814 Almost never seen an artist be able to sing that low 349 00:14:57,856 --> 00:15:00,233 with that much power. 350 00:15:00,275 --> 00:15:03,403 Thank you. After that, like, what do you do, Tae? 351 00:15:03,445 --> 00:15:05,238 And what you did was just go out there 352 00:15:05,280 --> 00:15:06,906 and sing the hell out of that song. 353 00:15:06,948 --> 00:15:08,908 Yeah. [ Laughs ] 354 00:15:08,950 --> 00:15:11,536 You guys should be so proud of yourselves. 355 00:15:11,578 --> 00:15:13,079 Thank you, Coaches. 356 00:15:13,121 --> 00:15:15,206 Alright, Reba, what did you think of the knockout? 357 00:15:15,248 --> 00:15:19,377 You guys give me chills, make me cry. 358 00:15:19,419 --> 00:15:21,921 I felt like a proud mama sitting here. 359 00:15:21,963 --> 00:15:23,965 You both got so much soul. 360 00:15:24,007 --> 00:15:25,425 I mean, it comes from your toenails 361 00:15:25,467 --> 00:15:27,886 when you guys start singing. [ Laughter ] 362 00:15:27,927 --> 00:15:30,972 Asher, you open your mouth and this stuff comes out. 363 00:15:31,014 --> 00:15:34,517 Like, where did that come from? And I’m in awe. Wow. 364 00:15:34,559 --> 00:15:37,562 And then, Tae, you come up here, and you’re a ball of energy. 365 00:15:37,604 --> 00:15:39,439 You’re a giver. Yes, ma'am. 366 00:15:39,481 --> 00:15:42,192 You just exude "I want to be your best friend." 367 00:15:42,233 --> 00:15:43,651 That's right. I love that. 368 00:15:43,693 --> 00:15:47,113 Reba, this is a tough one for you, I know. 369 00:15:47,155 --> 00:15:49,657 Who is the winner of this knockout? 370 00:15:52,911 --> 00:15:55,038 The winner of this knockout... 371 00:15:57,499 --> 00:15:58,708 ...is Asher. 372 00:15:58,750 --> 00:16:00,251 Asher, congratulations! 373 00:16:00,293 --> 00:16:02,045 You're moving on to the playoffs! 374 00:16:02,087 --> 00:16:03,838 Reba: Asher and Tae are so talented. 375 00:16:03,880 --> 00:16:05,382 I did choose Asher. 376 00:16:05,423 --> 00:16:07,967 Something about him is different than anybody. 377 00:16:08,009 --> 00:16:09,552 I love you so much! I love you, too. 378 00:16:09,594 --> 00:16:11,596 He looks like he’s fixing to say a sentence, 379 00:16:11,638 --> 00:16:14,307 and he goes up on this run that's incredible. 380 00:16:14,349 --> 00:16:16,434 I definitely think Asher could win. 381 00:16:16,476 --> 00:16:19,312 Coaches, let me remind you that Tae's available to steal. 382 00:16:19,354 --> 00:16:21,398 Tae, anything you want to say to Reba? 383 00:16:21,439 --> 00:16:23,817 Reba, I’m gonna miss you. 384 00:16:23,858 --> 00:16:25,276 [ Laughs ] But... 385 00:16:26,194 --> 00:16:28,363 Daly: We've got a steal! 386 00:16:30,365 --> 00:16:31,366 Oh! 387 00:16:31,408 --> 00:16:33,159 Whoo! John: Damn! 388 00:16:33,201 --> 00:16:34,536 Let's go, baby! 389 00:16:34,577 --> 00:16:35,912 Come on home. 390 00:16:35,954 --> 00:16:38,790 All the other coaches used their steal for Tae! 391 00:16:38,832 --> 00:16:40,125 Come on. Okay! 392 00:16:40,166 --> 00:16:41,668 And now we've got a war! 393 00:16:41,710 --> 00:16:43,420 I was the first one to push the steal button, 394 00:16:43,461 --> 00:16:45,672 but I was also the only other coach 395 00:16:45,714 --> 00:16:49,175 in the blind auditions who turned for you. 396 00:16:49,217 --> 00:16:50,885 Hey, some things need to be left in the past. 397 00:16:50,927 --> 00:16:53,722 There’s a home for you -- Isn't he disqualified? 398 00:16:53,763 --> 00:16:56,516 ...on Team Legend, Tae. Thank you. Thank you. 399 00:16:56,558 --> 00:16:59,185 On my team, I might give you some challenges. 400 00:16:59,227 --> 00:17:00,770 A little bit of R&B, a little bit of stuff 401 00:17:00,812 --> 00:17:02,522 to just, you know, have fun with it. 402 00:17:02,564 --> 00:17:04,524 The whole point of the show is to platform you. 403 00:17:04,566 --> 00:17:06,901 Whatever happens, I would love to coach you. 404 00:17:06,943 --> 00:17:08,528 Thank you, brother. 405 00:17:08,570 --> 00:17:10,530 We could really help you kind of get to that next level 406 00:17:10,572 --> 00:17:13,283 and find exactly who it is that, you know, you want to be. 407 00:17:13,324 --> 00:17:15,535 You have one of my favorite tenor country voices 408 00:17:15,577 --> 00:17:17,370 that I’ve heard in a long, long time. 409 00:17:17,412 --> 00:17:19,622 And there’s no better person to learn that from 410 00:17:19,664 --> 00:17:22,042 than possibly the greatest tenor country singer 411 00:17:22,083 --> 00:17:24,210 of all time, Mr. Shay Mooney, right? 412 00:17:24,252 --> 00:17:26,338 Well, thank you, Coaches. Tae -- One more thing. 413 00:17:26,379 --> 00:17:27,839 ...you certainly have a big -- oh, John. 414 00:17:27,881 --> 00:17:29,799 John: One more thing, Carson. Oh, of course he does. 415 00:17:29,841 --> 00:17:33,345 A clear choice could be let me go with a country group here. 416 00:17:33,386 --> 00:17:35,305 But they also have plenty of country artists 417 00:17:35,347 --> 00:17:36,723 on their team as well. 418 00:17:36,765 --> 00:17:39,225 I think that is a key thing to think about. 419 00:17:39,267 --> 00:17:42,103 Strategy. I see what you did there. 420 00:17:42,145 --> 00:17:43,688 That stumped him. Look at him. 421 00:17:43,730 --> 00:17:45,398 Shay: I don’t know of any country artists 422 00:17:45,440 --> 00:17:47,108 who is like, "I think I'm going to move to Vermont 423 00:17:47,150 --> 00:17:49,110 to do this country thing." 424 00:17:49,152 --> 00:17:50,737 I feel like every country artist 425 00:17:50,779 --> 00:17:52,947 comes to Nashville because that’s where it starts. 426 00:17:52,989 --> 00:17:54,532 If you want to do country music, 427 00:17:54,574 --> 00:17:56,201 I think you know the right choice. 428 00:17:56,242 --> 00:17:58,244 [ Cheers and applause ] 429 00:17:58,286 --> 00:18:01,206 Tae, who do you pick as your coach? 430 00:18:04,417 --> 00:18:07,087 John: Come on. This is a hard decision, y’all. 431 00:18:07,128 --> 00:18:08,254 Come on, Tae. 432 00:18:08,296 --> 00:18:11,257 But...I'm gonna go with... 433 00:18:16,971 --> 00:18:18,306 * This is "The Voice" * 434 00:18:18,348 --> 00:18:19,891 Daly: Welcome back. 435 00:18:21,476 --> 00:18:25,230 Tae, who do you pick as your coach? 436 00:18:27,107 --> 00:18:28,316 Come on, Tae. Come on. 437 00:18:28,358 --> 00:18:30,652 This is a hard decision, y'all. 438 00:18:30,694 --> 00:18:31,820 Come on, Tae. 439 00:18:31,861 --> 00:18:33,446 But... 440 00:18:33,488 --> 00:18:34,864 I’m gonna go with Dan + Shay. 441 00:18:34,906 --> 00:18:36,825 Let's go! 442 00:18:36,866 --> 00:18:39,452 Shay: You know, Chance, John, it was so sweet of you guys 443 00:18:39,494 --> 00:18:42,163 to, you know, try to steal Tae from us. 444 00:18:42,205 --> 00:18:45,750 I’m so glad! But Tae knew exactly where he wanted to be. 445 00:18:45,792 --> 00:18:47,544 Team Dan + Shay, Team Country. 446 00:18:47,585 --> 00:18:49,879 Sorry, fellas. Tae is Team Dan + Shay all the way. 447 00:18:49,921 --> 00:18:51,256 Let’s go. 448 00:18:53,550 --> 00:18:55,343 Oh, man! John: How many times 449 00:18:55,385 --> 00:18:57,262 did you utter the word "country" in that pitch? 450 00:18:57,303 --> 00:18:59,681 As many times as I possibly could. 451 00:18:59,723 --> 00:19:02,350 You’re like, "Country. Country. Nashville. Country. Country. 452 00:19:02,392 --> 00:19:03,518 Nashville. Country." Country music artists. 453 00:19:03,560 --> 00:19:06,062 I'm about to go to playoffs! 454 00:19:06,104 --> 00:19:07,605 What the heck?! 455 00:19:08,398 --> 00:19:10,692 Let's go! Let's go! 456 00:19:10,734 --> 00:19:12,193 Come on now! 457 00:19:12,235 --> 00:19:13,528 Dan: Oh, my goodness. 458 00:19:13,570 --> 00:19:14,863 Come on, baby! Look at this guy. 459 00:19:14,904 --> 00:19:16,406 Look at you guys. How are you, brother? 460 00:19:16,448 --> 00:19:17,866 How are you, Dan? So good to see you. 461 00:19:17,907 --> 00:19:19,034 Dan: Having Keith Urban here as a Mega Mentor 462 00:19:19,075 --> 00:19:20,410 is so special for us. 463 00:19:20,452 --> 00:19:21,494 We grew up listening to Keith Urban. 464 00:19:21,536 --> 00:19:22,787 He’s one of the reasons 465 00:19:22,829 --> 00:19:24,539 that we fell in love with country music. 466 00:19:24,581 --> 00:19:25,957 Do you guys have to sit in the order of Dan + Shay? 467 00:19:25,999 --> 00:19:27,792 Always. That’s part of the contract? 468 00:19:27,834 --> 00:19:29,836 We’ll forget if we don’t. We will. Exactly. 469 00:19:29,878 --> 00:19:31,379 He has won Grammys. 470 00:19:31,421 --> 00:19:33,006 He’s won every award that you could think of. 471 00:19:33,048 --> 00:19:35,258 He’s one of the coolest guitar players in the world, 472 00:19:35,300 --> 00:19:37,594 and we’re so grateful that he’s going to be this Mega Mentor. 473 00:19:37,635 --> 00:19:39,888 Thinking back, it feels like yesterday when we first met you. 474 00:19:39,929 --> 00:19:41,723 And you came up and said the kindest things to us. 475 00:19:41,765 --> 00:19:43,808 This was right after we put out our first single. 476 00:19:43,850 --> 00:19:45,769 And you said you love the song "19 You + Me." 477 00:19:45,810 --> 00:19:47,062 And I was like -- I carried that with me 478 00:19:47,103 --> 00:19:48,688 the rest of our career, man. 479 00:19:48,730 --> 00:19:50,357 That meant a lot. Well, you guys are great writers. 480 00:19:50,398 --> 00:19:51,941 And that was what -- Scott Hendricks called me, 481 00:19:51,983 --> 00:19:53,443 and he goes, "Man, you got to hear these guys' songs." 482 00:19:53,485 --> 00:19:54,944 That’s awesome. That's awesome. 483 00:19:54,986 --> 00:19:56,571 Should we meet your team? Let’s do it, man. 484 00:19:56,613 --> 00:19:57,572 I’m stoked. Let’s get after it. 485 00:19:57,614 --> 00:19:58,907 Ah, I love you so much. 486 00:19:58,948 --> 00:20:00,241 I’m so excited. It's gonna be great. 487 00:20:00,283 --> 00:20:01,576 This one’s gonna be good. 488 00:20:01,618 --> 00:20:02,827 We got Frank, and we got Olivia. 489 00:20:02,869 --> 00:20:04,412 We stole Olivia from Team Legend, 490 00:20:04,454 --> 00:20:06,289 which felt really good. 491 00:20:06,331 --> 00:20:07,916 Daly: Whoa! We got a steal! 492 00:20:07,957 --> 00:20:10,293 Dan: Olivia’s got an old soul vibe to her. 493 00:20:10,335 --> 00:20:11,920 She loves a lot of classic music. 494 00:20:11,961 --> 00:20:14,214 But we love Frank, too. Man, Frank is a super talent. 495 00:20:14,255 --> 00:20:16,007 What did he do for the blind auditions? 496 00:20:16,049 --> 00:20:17,759 He did "Love in the Dark" by Adele. 497 00:20:17,801 --> 00:20:19,761 And then he did Lady Gaga, "A Million Reasons." 498 00:20:19,803 --> 00:20:21,179 Like, the two hardest singers ever to cover. Oh, cool! 499 00:20:21,221 --> 00:20:22,514 And he just crushed them. Wow. 500 00:20:22,555 --> 00:20:24,015 Obviously they're picking their own songs. 501 00:20:24,057 --> 00:20:25,767 That says a lot about them. So, I’m excited. 502 00:20:25,809 --> 00:20:27,394 Should we get them in here? Yeah, let’s say hi. 503 00:20:27,435 --> 00:20:29,604 -Hello! -Whoo-hoo-hoo! 504 00:20:29,646 --> 00:20:30,939 That's Keith Urban. Shay: Come on down! 505 00:20:30,980 --> 00:20:32,273 Dan: Come on. 506 00:20:32,315 --> 00:20:33,692 Frank: It’s like, oh, my goodness, 507 00:20:33,733 --> 00:20:35,443 my dad's gonna scream when he finds out 508 00:20:35,485 --> 00:20:36,820 that I’m, like, in front of Keith Urban. 509 00:20:36,861 --> 00:20:38,446 My dad’s a huge fan of him. 510 00:20:38,488 --> 00:20:40,448 -Hey, how are you? -So good to see you. 511 00:20:40,490 --> 00:20:42,200 Olivia: He’s got a bunch of hits. 512 00:20:42,242 --> 00:20:44,160 Me and Frank were both so giddy. We couldn’t stop laughing. 513 00:20:44,202 --> 00:20:46,621 We were just like, "Oh, my God, no way. He’s an icon." 514 00:20:46,663 --> 00:20:48,373 Such an honor that you guys stole me. 515 00:20:48,415 --> 00:20:51,459 I feel like you’re gonna have so much great stuff to say 516 00:20:51,501 --> 00:20:52,752 and help me through it. We have great stuff to say 517 00:20:52,794 --> 00:20:54,462 because we have Keith Urban here. 518 00:20:54,504 --> 00:20:55,630 Oh, please. We actually have him here today. 519 00:20:55,672 --> 00:20:57,132 It's an unbelievable honor for us 520 00:20:57,173 --> 00:20:58,591 and really cool for everybody. 521 00:20:58,633 --> 00:20:59,968 I felt like it gave us an upper hand, 522 00:21:00,010 --> 00:21:01,428 being part of Dan + Shay, 523 00:21:01,469 --> 00:21:03,346 because we get like three brains in one. 524 00:21:03,388 --> 00:21:04,931 Tell me about the song that you chose. 525 00:21:04,973 --> 00:21:07,267 The song is called "El Triste" by José José. 526 00:21:07,308 --> 00:21:10,478 I competed in another TV show singing this song. 527 00:21:10,520 --> 00:21:13,732 And online, I was getting cyber-bullied a lot 528 00:21:13,773 --> 00:21:15,275 because I was very feminine. 529 00:21:15,316 --> 00:21:16,693 I was still, back then, in the closet. 530 00:21:16,735 --> 00:21:18,987 Now I’m, like, ready to sing the song 531 00:21:19,029 --> 00:21:21,197 the way I want to, like, present. 532 00:21:21,239 --> 00:21:22,365 There you go. Shay: I love it. 533 00:21:22,407 --> 00:21:23,616 You know who you are. 534 00:21:23,658 --> 00:21:24,993 That’s such an important thing. 535 00:21:25,035 --> 00:21:27,370 * El triste * 536 00:21:27,412 --> 00:21:30,582 * Todos dicen que soy * 537 00:21:30,623 --> 00:21:32,834 Not only does this song allow me to be able 538 00:21:32,876 --> 00:21:35,795 to present my heritage and my roots, 539 00:21:35,837 --> 00:21:39,007 but also this song just holds a lot of memories for me. 540 00:21:39,049 --> 00:21:41,176 It has been with me throughout the process 541 00:21:41,217 --> 00:21:42,844 of my self-identity journey. 542 00:21:42,886 --> 00:21:45,180 I like being different. That’s what makes me special. 543 00:21:45,221 --> 00:21:48,767 I’m also able to show that we queer Mexican Latino boys 544 00:21:48,808 --> 00:21:51,186 can make it, as anyone else can. 545 00:21:51,227 --> 00:21:57,317 * Ohhhh * 546 00:21:57,359 --> 00:21:58,443 Keith: Well, Frank's a good example 547 00:21:58,485 --> 00:22:00,070 of someone who's got star power. 548 00:22:00,111 --> 00:22:01,821 If there was 10 people on that stage, 549 00:22:01,863 --> 00:22:03,490 you’d be looking at Frank. 550 00:22:03,531 --> 00:22:05,450 Oh, my goodness. 551 00:22:05,492 --> 00:22:07,160 Frank, can you tell us a little bit 552 00:22:07,202 --> 00:22:08,787 about what the song is about? 553 00:22:08,828 --> 00:22:10,580 The song talks a lot about how grief 554 00:22:10,622 --> 00:22:13,291 is able to help you, like, rejuvenate. 555 00:22:13,333 --> 00:22:15,085 So, with the theme, I sense that 556 00:22:15,126 --> 00:22:19,589 there’s a triumphant victory in it as well. Uh-huh. 557 00:22:19,631 --> 00:22:21,716 I should be able to see your face 558 00:22:21,758 --> 00:22:24,636 and have a good feeling what that song is probably about. 559 00:22:24,678 --> 00:22:26,513 And I wasn't quite sure. I agree with Keith. 560 00:22:26,554 --> 00:22:27,847 I feel like that triumph -- 561 00:22:27,889 --> 00:22:29,599 you almost went there a couple times, 562 00:22:29,641 --> 00:22:31,351 but you didn’t quite go all the way way there. 563 00:22:31,393 --> 00:22:32,977 And do it unapologetically. 564 00:22:33,019 --> 00:22:34,896 Yeah,and I think when you’re directing the band, 565 00:22:34,938 --> 00:22:36,773 almost, like, think of, like, a Freddie Mercury kind of moment 566 00:22:36,815 --> 00:22:38,441 where you turn around and you point 567 00:22:38,483 --> 00:22:39,859 when the drums hit. 568 00:22:39,901 --> 00:22:41,736 That kind of confidence really plays well 569 00:22:41,778 --> 00:22:43,405 with the message of the song. 570 00:22:43,446 --> 00:22:45,907 Music is a universal language. Let that emotion shine. 571 00:22:45,949 --> 00:22:49,035 And, man, I think it's going to be a really great performance. 572 00:22:49,077 --> 00:22:50,120 Thank you so much. 573 00:22:50,161 --> 00:22:51,663 Good job. Well done. Yay! 574 00:22:51,705 --> 00:22:53,415 -Alright. -Olivia. 575 00:22:53,456 --> 00:22:55,250 We’ve got "Tiny Dancer" by Elton John. Olivia: Yes, sir. 576 00:22:55,291 --> 00:22:57,585 I wanted to sort of, like, reel it back a little bit, 577 00:22:57,627 --> 00:22:59,254 have it be more intimate. 578 00:22:59,295 --> 00:23:01,089 I love it. It’s one of my favorite songs of all time. 579 00:23:01,131 --> 00:23:03,758 Let’s hear it. Oh, God. I got to do it justice. 580 00:23:03,800 --> 00:23:05,802 * Blue jean baby * 581 00:23:05,844 --> 00:23:08,471 From my understanding, this song was written 582 00:23:08,513 --> 00:23:10,056 sort of the first time 583 00:23:10,098 --> 00:23:13,685 Elton had come to L.A. in, like, the early '70s. 584 00:23:13,727 --> 00:23:15,061 The song is just about embodying 585 00:23:15,103 --> 00:23:17,105 that new sense of, like, excitement. 586 00:23:17,147 --> 00:23:20,692 I’m sort of at that same point in my life. 587 00:23:20,734 --> 00:23:22,694 It’s inspiring to me. 588 00:23:22,736 --> 00:23:25,780 * Hold me closer, tiny dancer * 589 00:23:25,822 --> 00:23:27,866 I feel like this is the most authentic 590 00:23:27,907 --> 00:23:31,161 I’ve ever felt in my artist journey, 591 00:23:31,202 --> 00:23:33,413 and I really just want to prove to Dan + Shay 592 00:23:33,455 --> 00:23:35,623 that they stole me for a reason. 593 00:23:35,665 --> 00:23:37,917 I want to win this knockout so bad. 594 00:23:39,669 --> 00:23:41,171 Dan: Melodically, I feel like this song 595 00:23:41,212 --> 00:23:42,839 is really cool for her voice, 596 00:23:42,881 --> 00:23:44,424 and I think this song will be a bit of a stretch for her, 597 00:23:44,466 --> 00:23:46,843 a bit of a challenge, but I think that’s great. 598 00:23:46,885 --> 00:23:49,346 It allows her the opportunity to really step up. 599 00:23:49,387 --> 00:23:52,265 I think Olivia is going to crush it on "Tiny Dancer." 600 00:23:54,142 --> 00:23:56,144 Yeah! Thanks. 601 00:23:56,186 --> 00:23:57,979 That was cool. I’ve never heard you sing that low before. 602 00:23:58,021 --> 00:23:59,814 That was awesome to hear that register of your voice. 603 00:23:59,856 --> 00:24:01,274 I’m probably going to throw a big spanner in the works, 604 00:24:01,316 --> 00:24:03,735 but I think you should do it in a higher key 605 00:24:03,777 --> 00:24:06,780 and do the highest note falsetto if you have to, 606 00:24:06,821 --> 00:24:08,990 because 80, 90% of the song 607 00:24:09,032 --> 00:24:11,493 is going to be in a way better key for you. Totally. 608 00:24:11,534 --> 00:24:13,953 You can’t channel Elton in your head singing that song 609 00:24:13,995 --> 00:24:15,622 because he didn’t do it in that key, 610 00:24:15,663 --> 00:24:17,707 which allows you to now be Olivia, 611 00:24:17,749 --> 00:24:20,168 versus just replicate the record in your head. 612 00:24:20,210 --> 00:24:22,253 Yeah, absolutely. Shay: You know who you are. 613 00:24:22,295 --> 00:24:23,755 Show us your side. 614 00:24:23,797 --> 00:24:24,839 And even when you’re telling the story, 615 00:24:24,881 --> 00:24:26,341 put yourself in the song 616 00:24:26,383 --> 00:24:28,343 and make sure that you’re so comfortable 617 00:24:28,385 --> 00:24:29,969 with the message of the song 618 00:24:30,011 --> 00:24:31,471 and tell the story that you want to tell, 619 00:24:31,513 --> 00:24:32,889 and it’ll be believable. 620 00:24:32,931 --> 00:24:37,060 Hypothetically, sing * Blue jean baby * 621 00:24:37,102 --> 00:24:38,687 Oh, that? Can you sing to that? 622 00:24:38,728 --> 00:24:41,731 * Blue jean baby * 623 00:24:41,773 --> 00:24:45,026 Yeah, that’s it. * L.A. lady * 624 00:24:45,068 --> 00:24:48,154 That was really surreal. Like, Keith Urban is helping me. 625 00:24:48,196 --> 00:24:50,323 The song is just way more energetic, 626 00:24:50,365 --> 00:24:54,369 hitting stratospheric levels, so I’m excited. 627 00:24:54,411 --> 00:24:55,495 Okay. I’m in. Yeah. 628 00:24:55,537 --> 00:24:56,788 Okay, sweet. I buy it. 629 00:24:56,830 --> 00:24:57,914 That, like, was a game changer. 630 00:24:57,956 --> 00:24:59,499 Great call, Keith. Awesome. 631 00:24:59,541 --> 00:25:01,334 Shay: Olivia, I know that she knows 632 00:25:01,376 --> 00:25:02,669 that the stakes are high. 633 00:25:02,711 --> 00:25:04,254 We stole her from John’s team. 634 00:25:04,295 --> 00:25:05,714 This is her second chance. 635 00:25:05,755 --> 00:25:07,215 The friendships that are being formed 636 00:25:07,257 --> 00:25:09,634 through this show is just such a unique -- 637 00:25:09,676 --> 00:25:12,512 We’re, like, the mullet queens. We’re the mullet queens of the season. 638 00:25:12,554 --> 00:25:14,139 I love it, man. 639 00:25:14,180 --> 00:25:16,099 Shay: I think the winner of this knockout is going to be 640 00:25:16,141 --> 00:25:18,268 whoever is really going to put themselves out there the most 641 00:25:18,309 --> 00:25:19,894 and lay it all on the line. 642 00:25:19,936 --> 00:25:22,063 Looking good. [ Cheers and applause ] 643 00:25:22,105 --> 00:25:24,274 Let’s go, Frank. Let’s go, Frank. 644 00:25:24,315 --> 00:25:27,527 With "El Triste," here’s Frank Garcia. 645 00:25:27,569 --> 00:25:29,529 [ Cheers and applause continue ] 646 00:25:29,571 --> 00:25:33,616 ** 647 00:25:33,658 --> 00:25:36,244 * El triste * 648 00:25:36,286 --> 00:25:40,665 * Todos dicen que soy * 649 00:25:40,707 --> 00:25:42,876 * Que siempre * 650 00:25:42,917 --> 00:25:47,589 * Estoy hablando di * 651 00:25:47,630 --> 00:25:49,007 * No saben * 652 00:25:49,049 --> 00:25:52,510 * Que pensando en tu amor * 653 00:25:52,552 --> 00:25:55,805 * En tu amor * 654 00:25:55,847 --> 00:25:57,807 * He podido * 655 00:25:57,849 --> 00:26:02,771 * Ayudarme a vivir * 656 00:26:02,812 --> 00:26:05,398 * He podido * 657 00:26:05,440 --> 00:26:10,362 * Ayudarme a vivir * 658 00:26:10,403 --> 00:26:17,160 * Ahhh * 659 00:26:17,202 --> 00:26:23,166 * Ahhh * 660 00:26:23,208 --> 00:26:30,298 * Oh * 661 00:26:30,340 --> 00:26:32,425 * Hoy quiero * 662 00:26:32,467 --> 00:26:35,387 * Saborear mi dolor * 663 00:26:35,428 --> 00:26:38,765 * No pido * 664 00:26:38,807 --> 00:26:44,270 * Compasión ni piedad * 665 00:26:44,312 --> 00:26:45,647 * La historia * 666 00:26:45,689 --> 00:26:51,528 * De este amor se escribió * 667 00:26:51,569 --> 00:26:55,824 * Para la eternidad * 668 00:26:55,865 --> 00:26:57,701 * He podido * 669 00:26:57,742 --> 00:27:02,831 * Ayudarme a vivir * 670 00:27:02,872 --> 00:27:04,624 * He podido * 671 00:27:04,666 --> 00:27:09,754 * Ayudarme a vivir * 672 00:27:09,796 --> 00:27:12,465 * He podido * 673 00:27:12,507 --> 00:27:18,096 * Ayudarme a vivir * 674 00:27:18,138 --> 00:27:24,436 * Ayudarme a vivir * 675 00:27:24,477 --> 00:27:26,312 [ Cheers and applause ] 676 00:27:26,354 --> 00:27:28,064 Muchas gracias. 677 00:27:29,899 --> 00:27:32,110 Geez, Louise. 678 00:27:32,152 --> 00:27:33,862 Whew! 679 00:27:42,579 --> 00:27:44,414 * This is "The Voice" * 680 00:27:44,456 --> 00:27:45,707 Daly: Welcome back. 681 00:27:45,749 --> 00:27:47,959 [ Cheers and applause ] 682 00:27:50,420 --> 00:27:54,466 Now with "Tiny Dancer, here is Olivia Rubini. 683 00:27:55,800 --> 00:27:59,679 ** 684 00:27:59,721 --> 00:28:02,766 * Blue jean baby * 685 00:28:02,807 --> 00:28:06,936 * L.A. lady * 686 00:28:06,978 --> 00:28:10,815 * Seamstress for the band * 687 00:28:12,859 --> 00:28:15,779 * Pretty eyed * 688 00:28:15,820 --> 00:28:19,949 * Pirate smile * Okay. 689 00:28:19,991 --> 00:28:24,371 * You'll marry a music man * 690 00:28:25,789 --> 00:28:28,667 * Ballerina * 691 00:28:28,708 --> 00:28:32,837 * You must have seen her * 692 00:28:32,879 --> 00:28:38,635 * Dancing in the sand * 693 00:28:38,677 --> 00:28:41,638 * Now she's in me * 694 00:28:41,680 --> 00:28:44,974 * Always with me * 695 00:28:45,016 --> 00:28:52,440 * Tiny dancer in my hand * 696 00:28:52,482 --> 00:28:53,858 Hey! 697 00:28:53,900 --> 00:28:57,028 * Oh, yeah * 698 00:28:58,029 --> 00:29:00,740 * But, oh, how it feels so real * 699 00:29:00,782 --> 00:29:03,868 * Lying here with no one near * 700 00:29:03,910 --> 00:29:06,246 * Only you * 701 00:29:06,287 --> 00:29:09,207 * And you can hear me * 702 00:29:09,249 --> 00:29:13,503 * When I say softly * 703 00:29:13,545 --> 00:29:17,716 * Slowly * 704 00:29:17,757 --> 00:29:22,429 * Hold me closer, tiny dancer * 705 00:29:24,055 --> 00:29:30,520 * Count the headlights on the highway * 706 00:29:30,562 --> 00:29:35,900 * Lay me down in sheets of linen * 707 00:29:36,985 --> 00:29:40,572 * You had a busy day today * 708 00:29:40,613 --> 00:29:42,699 * You had a busy day today * Whoa! 709 00:29:42,741 --> 00:29:48,288 * You had a busy day today * 710 00:29:49,372 --> 00:29:53,043 * Ohhh * 711 00:29:53,084 --> 00:29:55,253 [ Cheers and applause ] 712 00:29:55,295 --> 00:29:58,965 ** 713 00:29:59,007 --> 00:30:01,509 That's what's up. Wow! 714 00:30:01,551 --> 00:30:04,596 I really loved both song choices. 715 00:30:04,637 --> 00:30:08,475 Frank, your voice is so rich. Thank you. 716 00:30:08,516 --> 00:30:12,562 The depth coming from your baritone is just so robust. 717 00:30:12,604 --> 00:30:16,066 Thank you. Olivia, all the different ways 718 00:30:16,107 --> 00:30:17,901 you went in and out of your chest voice, 719 00:30:17,942 --> 00:30:20,904 your head voice, and even that little crackle you were doing. 720 00:30:20,945 --> 00:30:22,614 This one’s tough because I would say 721 00:30:22,655 --> 00:30:24,908 I liked Olivia’s performance just slightly more. 722 00:30:24,949 --> 00:30:26,326 Thank you so much. 723 00:30:26,368 --> 00:30:28,828 So many talented people on this show. 724 00:30:28,870 --> 00:30:31,331 Frank, your singing was wonderful. 725 00:30:31,373 --> 00:30:33,416 I couldn’t understand a word you said, though. 726 00:30:33,458 --> 00:30:36,920 [ Laughter ] That’s an old joke. I’ll use it forever. 727 00:30:36,961 --> 00:30:39,130 You had your choreography down, right. 728 00:30:39,172 --> 00:30:40,507 You’re so talented. Thank you. 729 00:30:40,548 --> 00:30:42,759 And, Olivia, I love this song. 730 00:30:42,801 --> 00:30:46,096 I’m a huge fan of your voice and this performance. 731 00:30:46,137 --> 00:30:48,515 It didn’t let me down. You did a great job. 732 00:30:48,556 --> 00:30:49,724 Thank you so much. 733 00:30:49,766 --> 00:30:51,267 I'd have to go with Olivia on this one. 734 00:30:51,309 --> 00:30:52,811 Frank, I feel like every time 735 00:30:52,852 --> 00:30:54,854 that you come out on stage, you wow everybody. 736 00:30:54,896 --> 00:30:56,815 Thank you. I don’t even know how to describe your style. 737 00:30:56,856 --> 00:31:00,777 It’s so, like, a very robust, strong, like, sound to it, 738 00:31:00,819 --> 00:31:03,571 but it’s also, like, gently dramatic, if that makes sense. 739 00:31:03,613 --> 00:31:06,032 It’s like a telenovela. [ Laughs ] 740 00:31:06,074 --> 00:31:07,325 It was very close. 741 00:31:07,367 --> 00:31:08,868 I would probably lean towards Frank. 742 00:31:08,910 --> 00:31:09,911 Thank you, thank you. 743 00:31:09,953 --> 00:31:11,621 Thank you, Coaches. 744 00:31:11,663 --> 00:31:13,748 Alright, Dan + Shay, it all comes down to you guys. 745 00:31:13,790 --> 00:31:15,917 Dan: I’ll start with you, Frank. I was blown away by that. 746 00:31:15,959 --> 00:31:17,919 Your performances are always very dramatic 747 00:31:17,961 --> 00:31:19,212 to me in the best way. 748 00:31:19,254 --> 00:31:20,714 You sell it with your presence. 749 00:31:20,755 --> 00:31:22,132 You were working the stage. 750 00:31:22,173 --> 00:31:24,426 Olivia, I feel like that came 751 00:31:24,467 --> 00:31:26,469 such a long way from rehearsals. 752 00:31:26,511 --> 00:31:28,430 Shout-out Keith Urban. Shout-out Keith Urban. 753 00:31:28,471 --> 00:31:30,765 Doesn’t he smell so good too? [ Laughter ] 754 00:31:30,807 --> 00:31:31,975 Oh, my gosh, he does. 755 00:31:32,017 --> 00:31:33,351 You guys are obsessed with cologne. 756 00:31:33,393 --> 00:31:34,519 If you would have stopped to smell him, 757 00:31:34,561 --> 00:31:35,395 you would get it. 758 00:31:35,437 --> 00:31:36,813 Stop and smell the Keith. 759 00:31:36,855 --> 00:31:38,189 Maybe it’s Nicole Kidman. 760 00:31:38,231 --> 00:31:39,399 [ Laughter ] 761 00:31:39,441 --> 00:31:41,109 Shay: Frank, I’m super proud. 762 00:31:41,151 --> 00:31:42,402 I can’t speak Spanish, but I didn’t need to. 763 00:31:42,444 --> 00:31:43,820 That’s the beauty in it. 764 00:31:43,862 --> 00:31:45,196 I felt it, you know what I mean? 765 00:31:45,238 --> 00:31:46,489 Thank you. That’s all that matters. 766 00:31:46,531 --> 00:31:48,116 Olivia. I mean, changing the key, 767 00:31:48,158 --> 00:31:49,743 it really turned into something very special. 768 00:31:49,784 --> 00:31:52,495 I’m really in a pickle, Dan, I don’t know. 769 00:31:52,537 --> 00:31:54,622 Daly: Obviously a very difficult decision for you. 770 00:31:54,664 --> 00:31:56,666 Who is the winner of this knockout? 771 00:31:56,708 --> 00:31:59,586 [ Audience shouts ] 772 00:31:59,627 --> 00:32:01,129 Man. 773 00:32:03,214 --> 00:32:06,634 The winner of this knockout is Olivia. 774 00:32:06,676 --> 00:32:08,345 [ Cheers and applause ] 775 00:32:08,386 --> 00:32:11,389 There’s something special about what Olivia did. 776 00:32:11,431 --> 00:32:14,309 Her voice just inherently has a bit of a retro thing to it. 777 00:32:14,351 --> 00:32:16,227 She was spot on with all her notes. 778 00:32:16,269 --> 00:32:18,480 She showed us that she was very coachable 779 00:32:18,521 --> 00:32:20,398 and that she was ready to go to that next level. 780 00:32:20,440 --> 00:32:23,610 I’m going to the playoffs! [ Squeals ] 781 00:32:23,651 --> 00:32:25,779 Daly: Give it up for Frank Garcia, 782 00:32:25,820 --> 00:32:26,905 ladies and gentlemen! 783 00:32:26,946 --> 00:32:28,531 So proud of you, man. 784 00:32:28,573 --> 00:32:30,700 I’ll be watching you, man. We'll be watching you. 785 00:32:30,742 --> 00:32:33,036 You’re gonna do so good. We’ll be following you. 786 00:32:33,078 --> 00:32:34,954 Oh, that was tough. He’s so good. 787 00:32:34,996 --> 00:32:35,997 Shay: Yeah, he is. 788 00:32:36,039 --> 00:32:37,540 Daly: Coming up... 789 00:32:37,582 --> 00:32:41,378 * Fooled around and fell in love * Yeah! 790 00:32:41,419 --> 00:32:43,171 I'm looking at you, Reba. 791 00:32:43,922 --> 00:32:45,256 Daly: And later... 792 00:32:45,298 --> 00:32:47,592 That’s the sound of a steal! 793 00:32:47,634 --> 00:32:49,094 This guy is devious! 794 00:32:49,135 --> 00:32:51,388 [ Laughter ] 795 00:32:57,936 --> 00:32:59,270 * This is "The Voice" * 796 00:32:59,312 --> 00:33:02,691 Daly: Welcome back to the knockouts. 797 00:33:02,732 --> 00:33:04,234 Another day at the office, John. 798 00:33:04,275 --> 00:33:05,902 Good to see you, sir. Good to see you. 799 00:33:05,944 --> 00:33:09,614 Our Mega Mentor this season is the great Keith Urban, 800 00:33:09,656 --> 00:33:13,535 and he’s a real musician, so he gets the intricacies 801 00:33:13,576 --> 00:33:16,663 of arranging and getting the right key, 802 00:33:16,705 --> 00:33:18,790 all these things that our artists need. 803 00:33:18,832 --> 00:33:20,625 Let’s go! Let's do it. 804 00:33:20,667 --> 00:33:24,295 These two artists, one of them I stole from Team Chance. 805 00:33:24,337 --> 00:33:25,797 Oh, did you now? Yes. 806 00:33:25,839 --> 00:33:27,924 John: Val is wonderful. She was a four chair turn. 807 00:33:27,966 --> 00:33:31,553 She’s just got range, power, clarity. 808 00:33:31,594 --> 00:33:33,179 And Nathan, he’s a wonderful singer. 809 00:33:33,221 --> 00:33:35,265 He’s kind of got a soul, funk vibe. 810 00:33:35,306 --> 00:33:37,100 He actually sings on cruise ships, too, 811 00:33:37,142 --> 00:33:40,562 so that’s his day job right now, and we’ll see how it goes. 812 00:33:40,603 --> 00:33:41,521 Excellent. 813 00:33:41,563 --> 00:33:43,148 Are you ready? Let’s go. 814 00:33:43,189 --> 00:33:45,608 Hello. Look who’s here. 815 00:33:45,650 --> 00:33:47,485 We have a Mega Mentor. 816 00:33:47,527 --> 00:33:51,239 I was super stoked when I saw the Mega Mentor. 817 00:33:51,281 --> 00:33:53,992 It’s definitely a little added pressure 818 00:33:54,034 --> 00:33:55,660 to sing in front of Keith Urban. 819 00:33:55,702 --> 00:33:57,620 So, Nathan, what song did you choose? 820 00:33:57,662 --> 00:33:59,414 "Fooled Around and Fell in Love." 821 00:33:59,456 --> 00:34:01,166 Right on. Elvin Bishop. * Fooled around * 822 00:34:01,207 --> 00:34:04,002 Come on! * Fell in love * Okay. 823 00:34:04,044 --> 00:34:06,338 I got asked to sing this song with Elvin Bishop 824 00:34:06,379 --> 00:34:08,298 one time on the Grammys. 825 00:34:08,340 --> 00:34:10,508 We get to the rehearsal and I’m singing a verse, 826 00:34:10,550 --> 00:34:11,676 and I go, "You want to take the second verse?" 827 00:34:11,718 --> 00:34:13,345 And he looks at me, he goes, 828 00:34:13,386 --> 00:34:14,512 "Oh, you don’t want to hear mesing. 829 00:34:14,554 --> 00:34:15,972 Mickey Thomas sang the song. 830 00:34:16,014 --> 00:34:17,724 He’s the singer, but I just wrote it." 831 00:34:17,766 --> 00:34:19,601 Okay, good to know. That was a good fact. 832 00:34:19,642 --> 00:34:21,353 An Urban Legend, you might say. 833 00:34:21,394 --> 00:34:23,188 No. [ Laughs ] 834 00:34:23,229 --> 00:34:24,689 We're a duo. 835 00:34:24,731 --> 00:34:26,191 This is just a given. We have to be a duet now. 836 00:34:26,232 --> 00:34:27,901 I know. We have to have a group. 837 00:34:27,942 --> 00:34:29,527 Nathan, you’ve just always loved the song? 838 00:34:29,569 --> 00:34:31,654 My grandpa and I saw a movie, 839 00:34:31,696 --> 00:34:33,698 and this song was playing in the soundtrack of that movie 840 00:34:33,740 --> 00:34:35,367 before he passed. Right. 841 00:34:35,408 --> 00:34:36,868 So every time I hear it, I think of him. 842 00:34:36,910 --> 00:34:38,495 * Then the grass * 843 00:34:38,536 --> 00:34:43,124 * Got a little greener on the other side * 844 00:34:43,166 --> 00:34:46,169 There’s a lot of reasons why this is the song I chose. 845 00:34:46,211 --> 00:34:49,547 The two main reasons is to pay homage to my grandpa, 846 00:34:49,589 --> 00:34:51,216 but also show love to my girlfriend. 847 00:34:51,257 --> 00:34:54,177 It’s taken 27 years until I’ve met the person 848 00:34:54,219 --> 00:34:55,261 that I want to be with. 849 00:34:55,303 --> 00:34:56,930 I traveled, working on cruises, 850 00:34:56,971 --> 00:34:59,099 and I’ve had the privilege of meeting people 851 00:34:59,140 --> 00:35:00,684 and dating just around the world. 852 00:35:00,725 --> 00:35:03,478 So the lyrics mean something to me, legitimately. 853 00:35:03,520 --> 00:35:06,439 * Fooled around and I fell in love * 854 00:35:06,481 --> 00:35:07,857 When I say I fooled around, 855 00:35:07,899 --> 00:35:10,235 I had some fun and I fell in love. 856 00:35:10,276 --> 00:35:12,237 And I’m on ships singing all the time 857 00:35:12,278 --> 00:35:13,905 with my girlfriend, loving my life. 858 00:35:13,947 --> 00:35:17,033 But it’s preparation for an opportunity like this, 859 00:35:17,075 --> 00:35:21,079 and I’m glad that she encouraged me and supported me to be here. 860 00:35:21,121 --> 00:35:22,831 * Yeahhh * 861 00:35:22,872 --> 00:35:25,458 John: Nathan, oh, he picked the perfect song. 862 00:35:25,500 --> 00:35:27,210 That kind of classic soul, 863 00:35:27,252 --> 00:35:30,964 that kind of Sam Cooke, Otis Redding, that kind of vibe. 864 00:35:31,006 --> 00:35:33,466 And I think this song is perfect for him. 865 00:35:33,508 --> 00:35:35,427 * Yeahhh * 866 00:35:35,468 --> 00:35:38,763 [ Cheering ] 867 00:35:38,805 --> 00:35:40,557 I feel like I need to send money somewhere in a second. 868 00:35:40,598 --> 00:35:41,975 This is like, you’re preaching here. 869 00:35:42,017 --> 00:35:43,059 That was so good. 870 00:35:43,101 --> 00:35:44,728 Hey, thank you guys. 871 00:35:44,769 --> 00:35:46,438 I think the key will be just getting in that character 872 00:35:46,479 --> 00:35:49,774 and like, really embracing it physically too. 873 00:35:49,816 --> 00:35:52,110 The dichotomy about being a performer on stage 874 00:35:52,152 --> 00:35:55,655 is being completely present and completely lost in the moment. 875 00:35:55,697 --> 00:35:57,449 I’d always go to the story -- 876 00:35:57,490 --> 00:36:00,952 the story, a place, a color, a person's smells. 877 00:36:00,994 --> 00:36:03,371 I can see it in my head as I’m singing it, 878 00:36:03,413 --> 00:36:04,831 so it’s very real to me. 879 00:36:04,873 --> 00:36:09,627 * I fooled around and fell in love * 880 00:36:09,669 --> 00:36:11,963 I love when he does the soft notes. Oh, yeah. 881 00:36:12,005 --> 00:36:14,883 Keith: Nathan, he can do a lot with his voice. 882 00:36:14,924 --> 00:36:17,052 Sometimes that’s something you got to really watch for, 883 00:36:17,093 --> 00:36:19,554 because it can get in the way of the emotion. 884 00:36:19,596 --> 00:36:21,806 But I thought he did a really, really good job of it. 885 00:36:21,848 --> 00:36:24,100 * Yeah * 886 00:36:24,142 --> 00:36:25,310 [ Cheering ] 887 00:36:25,352 --> 00:36:26,936 I felt your character too. 888 00:36:26,978 --> 00:36:29,147 I saw you even finding people to sing to 889 00:36:29,189 --> 00:36:30,357 in the imaginary crowd. 890 00:36:30,398 --> 00:36:31,858 It’s so good. Yes. 891 00:36:31,900 --> 00:36:33,151 Do that. Thank you guys. Thank you. 892 00:36:33,193 --> 00:36:34,819 Alright, Val T. Webb. 893 00:36:34,861 --> 00:36:37,113 I really want to win this knockout and go to the playoffs. 894 00:36:37,155 --> 00:36:38,615 There's just a lot to learn, 895 00:36:38,656 --> 00:36:39,783 and I don’t want to stop learning quite yet. 896 00:36:39,824 --> 00:36:41,326 What song did you pick? 897 00:36:41,368 --> 00:36:42,994 I picked "Sweet Love" by Anita Baker. 898 00:36:43,036 --> 00:36:44,662 Ooh, Anita. Yes. 899 00:36:44,704 --> 00:36:46,331 It’s not easy to sing Anita Baker, 900 00:36:46,373 --> 00:36:47,749 but if you do it right, 901 00:36:47,791 --> 00:36:49,626 you’re gonna make the audience very happy. 902 00:36:49,668 --> 00:36:53,421 The lyrics say, "With all my heart, I love you, baby." 903 00:36:53,463 --> 00:36:56,049 * Never leave * 904 00:36:56,091 --> 00:36:59,969 For me, this is a beautiful picture painted 905 00:37:00,011 --> 00:37:03,390 of how I actually feel about my husband. 906 00:37:03,431 --> 00:37:05,183 * I’m in love * 907 00:37:05,225 --> 00:37:07,477 It’s an incredible love story. 908 00:37:07,519 --> 00:37:11,272 My husband is also a singer-musician. 909 00:37:11,314 --> 00:37:13,983 He understands the sacrifice 910 00:37:14,025 --> 00:37:18,154 sometimes that having a career in music entails. 911 00:37:18,196 --> 00:37:19,864 You can sing, Val. Wow. 912 00:37:19,906 --> 00:37:22,909 I wonder if we should slow it down a hair. 913 00:37:22,951 --> 00:37:25,495 I just want to luxuriate in your voice a little bit more. 914 00:37:25,537 --> 00:37:27,163 Ooh. Thank you. 915 00:37:27,205 --> 00:37:29,916 Yeah, I think it’ll just let you air it out a little bit. 916 00:37:29,958 --> 00:37:31,626 Yeah. Yeah. 917 00:37:31,668 --> 00:37:35,714 * And you will see, my arms * 918 00:37:35,755 --> 00:37:38,049 Keith: Anita Baker is tough singer’s territory, 919 00:37:38,091 --> 00:37:40,093 but she was really good with it. 920 00:37:40,135 --> 00:37:42,053 There’s a lot of emotion in the song, 921 00:37:42,095 --> 00:37:47,267 and that was a good call, to give her a bit more space. 922 00:37:47,308 --> 00:37:48,810 Woo! 923 00:37:48,852 --> 00:37:50,979 You got to really breathe your way through it, 924 00:37:51,021 --> 00:37:52,397 support every note. 925 00:37:52,439 --> 00:37:54,441 Even at the end, when you’re going from head voice 926 00:37:54,482 --> 00:37:56,943 into that major seven in real voice. 927 00:37:56,985 --> 00:37:59,195 I feel like you’re nervous about hitting that, 928 00:37:59,237 --> 00:38:01,865 but I feel like you can float through there 929 00:38:01,906 --> 00:38:03,241 with a lot more confidence. 930 00:38:03,283 --> 00:38:04,743 Okay. Alright? 931 00:38:04,784 --> 00:38:06,202 Thank you. Fantastic. 932 00:38:06,244 --> 00:38:07,912 Wow, you picked some good singers, John. 933 00:38:07,954 --> 00:38:09,789 Oh, man. I’m lucky. 934 00:38:09,831 --> 00:38:11,416 This is gonna be a tough choice. 935 00:38:11,458 --> 00:38:12,751 Both of these guys are pros. 936 00:38:12,792 --> 00:38:14,294 I know they’re gonna hit their notes, 937 00:38:14,336 --> 00:38:16,004 but I want to know who makes me feel something, 938 00:38:16,046 --> 00:38:17,464 and that’s who I’m going to choose. 939 00:38:17,505 --> 00:38:18,923 [ Cheers and applause ] 940 00:38:18,965 --> 00:38:21,259 Y'all look good! You look good! 941 00:38:21,301 --> 00:38:23,970 [ Cheering ] 942 00:38:24,012 --> 00:38:25,638 With "Fooled Around and Fell in Love," 943 00:38:25,680 --> 00:38:28,099 here’s Nathan Chester! 944 00:38:28,141 --> 00:38:35,273 ** 945 00:38:35,315 --> 00:38:41,780 * I must've been through about a million girls * 946 00:38:41,821 --> 00:38:46,034 * I'd love 'em, and I'd leave 'em alone * 947 00:38:46,076 --> 00:38:47,827 Yeah! 948 00:38:47,869 --> 00:38:55,126 * I didn't care how much they cried, no, sir * 949 00:38:55,168 --> 00:38:59,798 * Their tears left me cold as a stone * 950 00:38:59,839 --> 00:39:06,888 * But then I fooled around and fell in love * 951 00:39:06,930 --> 00:39:13,103 * I fooled around and fell in love * 952 00:39:13,144 --> 00:39:19,651 * I fooled around and fell in love * 953 00:39:19,693 --> 00:39:25,240 * Fooled around and fell in love * 954 00:39:25,281 --> 00:39:31,413 * It used to be when I'd see a girl that I liked * 955 00:39:31,454 --> 00:39:35,834 * I'd get out my book and write down her name * 956 00:39:35,875 --> 00:39:38,378 I'm lookin' at you, Reba. 957 00:39:38,420 --> 00:39:39,963 * But when the grass * 958 00:39:40,005 --> 00:39:45,510 * Got a little greener on the other side * 959 00:39:45,552 --> 00:39:50,098 * I'd just tear out that page * 960 00:39:50,140 --> 00:39:57,105 * But then I fooled around and fell in love * 961 00:39:57,147 --> 00:40:03,361 * I fooled around, ohhh * 962 00:40:03,403 --> 00:40:09,868 * I fooled around and fell in love * 963 00:40:09,909 --> 00:40:13,413 * I fell in love, yes, I did * 964 00:40:13,455 --> 00:40:16,166 * Since I met you, baby * 965 00:40:16,207 --> 00:40:25,216 * I been in love with you, baby * 966 00:40:25,258 --> 00:40:29,596 * I fell in love * 967 00:40:29,637 --> 00:40:35,602 * Yeahhhh * 968 00:40:35,643 --> 00:40:39,064 [ Cheers and applause ] 969 00:40:39,105 --> 00:40:40,565 Yes! 970 00:40:40,607 --> 00:40:45,236 ** 971 00:40:48,448 --> 00:40:50,241 * This is "The Voice" * 972 00:40:50,283 --> 00:40:51,701 Daly: Welcome back. 973 00:40:51,743 --> 00:40:56,373 Now with "Sweet Love," here's Val T. Webb. 974 00:40:56,414 --> 00:41:03,505 ** 975 00:41:03,546 --> 00:41:09,803 * With all my heart, I love you, baby * 976 00:41:09,844 --> 00:41:14,349 * Stay with me and you will see * 977 00:41:14,391 --> 00:41:20,480 * My arms will hold you, baby * 978 00:41:20,522 --> 00:41:27,987 * Never leave, 'cause, baby, I believe I'm in love * 979 00:41:28,029 --> 00:41:31,032 * Sweet love * 980 00:41:31,074 --> 00:41:34,661 * Hear me callin' out your name * 981 00:41:34,703 --> 00:41:36,538 * I feel no shame * 982 00:41:36,579 --> 00:41:41,835 * I'm in love, sweet love * 983 00:41:41,876 --> 00:41:45,005 * Don't you ever go away * 984 00:41:45,046 --> 00:41:47,882 * It'll always be this way * 985 00:41:47,924 --> 00:41:52,721 * There's no stronger love in this world * 986 00:41:52,762 --> 00:41:54,556 * Oh, baby, no * 987 00:41:54,597 --> 00:41:58,476 * You're my man, I'm your girl * 988 00:41:58,518 --> 00:42:03,940 * I'll never go, wait and see, can't do wrong * 989 00:42:03,982 --> 00:42:09,029 * Don't you know this is where you belong? * 990 00:42:09,070 --> 00:42:12,699 * Ohh, ooh * 991 00:42:12,741 --> 00:42:15,118 * Sweet love * 992 00:42:15,160 --> 00:42:18,663 * Hear me calling out your name * 993 00:42:18,705 --> 00:42:20,665 * I feel no shame * 994 00:42:20,707 --> 00:42:23,793 * I'm in love * 995 00:42:23,835 --> 00:42:26,046 * Sweet love * Wow. 996 00:42:26,087 --> 00:42:30,550 * Don't you ever go away * 997 00:42:30,592 --> 00:42:33,720 * Oh, oh, oh * 998 00:42:33,762 --> 00:42:36,139 * Give me your sweet love * 999 00:42:36,181 --> 00:42:37,432 Hey! 1000 00:42:37,474 --> 00:42:39,100 * Sweet love * 1001 00:42:39,142 --> 00:42:41,102 * You give me your sweet love * 1002 00:42:41,144 --> 00:42:42,604 Ohh! 1003 00:42:42,645 --> 00:42:49,486 * Sweet loooove * 1004 00:42:49,527 --> 00:42:53,865 * Ooh * 1005 00:42:53,907 --> 00:42:56,326 * Sweet * 1006 00:42:56,368 --> 00:43:00,330 * Loooove * 1007 00:43:00,372 --> 00:43:04,459 [ Cheers and applause ] 1008 00:43:04,501 --> 00:43:06,836 Yes. 1009 00:43:06,878 --> 00:43:09,881 Just want to shake your hand. 1010 00:43:09,923 --> 00:43:12,634 I didn't do anything. 1011 00:43:12,676 --> 00:43:14,177 It's crazy, they're so good. 1012 00:43:14,219 --> 00:43:17,097 This is my favorite part of the show. 1013 00:43:17,138 --> 00:43:19,641 Nathan, I was blown away by your tone. 1014 00:43:19,683 --> 00:43:22,394 Crisp and clear. It’s magical. 1015 00:43:22,435 --> 00:43:23,978 And I liked you singing to me, too. 1016 00:43:24,020 --> 00:43:25,730 That was good. 1017 00:43:25,772 --> 00:43:26,981 Thank you. 1018 00:43:27,023 --> 00:43:28,608 And Val, well, 1019 00:43:28,650 --> 00:43:29,693 you took us to church. 1020 00:43:29,734 --> 00:43:32,779 That range you have, whew. 1021 00:43:32,821 --> 00:43:34,197 Thank you. 1022 00:43:34,239 --> 00:43:35,782 John, I’m absolutely no help with you. 1023 00:43:35,824 --> 00:43:36,783 I’d take both of them. 1024 00:43:36,825 --> 00:43:37,826 Oh, my goodness. 1025 00:43:37,867 --> 00:43:39,119 Oh , my God. 1026 00:43:39,160 --> 00:43:41,371 Chance: Nathan, that was incredible. 1027 00:43:41,413 --> 00:43:43,164 The energy and confidence that you have 1028 00:43:43,206 --> 00:43:45,458 when you’re on stage is magnetic. 1029 00:43:45,500 --> 00:43:47,669 It’s not that I’m super familiar with the song, 1030 00:43:47,711 --> 00:43:48,920 but I like this song now. 1031 00:43:48,962 --> 00:43:50,463 I’m probably going to get it. 1032 00:43:50,505 --> 00:43:51,673 He made you a fan. 1033 00:43:51,715 --> 00:43:53,299 Shout out to Elvin Bishop. 1034 00:43:53,341 --> 00:43:55,343 Shout out to Elvin Bishop, as one does. 1035 00:43:55,385 --> 00:43:58,930 Val, when it first started off, there were a couple 1036 00:43:58,972 --> 00:44:00,932 of what felt like pitch issues. 1037 00:44:00,974 --> 00:44:03,852 But you have a very strong jazz influence, 1038 00:44:03,893 --> 00:44:05,812 it seems sometimes, with your choices. 1039 00:44:05,854 --> 00:44:07,689 It just makes it all the more beautiful. 1040 00:44:07,731 --> 00:44:09,649 Alright. 1041 00:44:09,691 --> 00:44:11,818 Nathan, I just love you getting down there, 1042 00:44:11,860 --> 00:44:14,571 working it, man, working Queen Reba. 1043 00:44:14,612 --> 00:44:17,449 Shay: Val, your voice is beautiful. It’s so powerful. 1044 00:44:17,490 --> 00:44:20,618 It’s so elegant. I got lost in that performance. 1045 00:44:20,660 --> 00:44:22,620 I’m really glad that I’m not John Legend right now. 1046 00:44:22,662 --> 00:44:24,789 And I never say that. I always usually want to be John. 1047 00:44:24,831 --> 00:44:26,166 No, stop it. 1048 00:44:26,207 --> 00:44:27,500 There’s just something that really, 1049 00:44:27,542 --> 00:44:29,919 really moved me from beginning to end 1050 00:44:29,961 --> 00:44:31,338 about Nathan’s performance, 1051 00:44:31,379 --> 00:44:32,672 and I think maybe I would give him the edge. 1052 00:44:32,714 --> 00:44:34,966 Daly: Thank you, coaches. 1053 00:44:35,008 --> 00:44:36,843 Alright, John, it all comes down to you. 1054 00:44:36,885 --> 00:44:38,178 Give us some thoughts first. 1055 00:44:38,219 --> 00:44:41,097 Val, your highs were so high. 1056 00:44:41,139 --> 00:44:42,807 It was so stunning. 1057 00:44:42,849 --> 00:44:45,018 It was some of the best moments I’ve seen on this stage. 1058 00:44:45,060 --> 00:44:47,395 And then Nathan, it felt cinematic, 1059 00:44:47,437 --> 00:44:49,064 the way you delivered the performance, 1060 00:44:49,105 --> 00:44:51,566 because it felt like we were kind of in a movie 1061 00:44:51,608 --> 00:44:53,234 about that era of music, 1062 00:44:53,276 --> 00:44:56,946 and you were playing this amazing character 1063 00:44:56,988 --> 00:44:58,782 that you understood really powerfully. 1064 00:44:58,823 --> 00:45:00,450 Thank you. 1065 00:45:00,492 --> 00:45:02,160 Daly: John, with such high praise for both of your artists, 1066 00:45:02,202 --> 00:45:04,371 I think everybody is dying to know 1067 00:45:04,412 --> 00:45:09,793 who is the winner of this knockout. 1068 00:45:09,834 --> 00:45:13,588 The winner of this knockout... 1069 00:45:13,630 --> 00:45:14,631 is Nathan. 1070 00:45:14,673 --> 00:45:16,716 Nathan, congratulations! 1071 00:45:16,758 --> 00:45:18,468 You're moving on to the playoffs! 1072 00:45:18,510 --> 00:45:21,054 John: Nathan picked the perfect song 1073 00:45:21,096 --> 00:45:22,806 that really embodies the kind of style of music 1074 00:45:22,847 --> 00:45:24,557 that he wants to bring back. 1075 00:45:24,599 --> 00:45:27,435 It had power, but it also had finesse in the right moments. 1076 00:45:27,477 --> 00:45:30,188 He’s going to be formidable throughout this competition. 1077 00:45:30,230 --> 00:45:32,023 Give it up for Val T. Webb one more time, 1078 00:45:32,065 --> 00:45:33,108 ladies and gentlemen. 1079 00:45:33,149 --> 00:45:35,235 You’re amazing, Val. 1080 00:45:35,276 --> 00:45:36,903 Dan: This is our first time doing this, Season 25. 1081 00:45:36,945 --> 00:45:39,072 These performances are blowing my mind. 1082 00:45:39,114 --> 00:45:40,740 The talent level is just insane. 1083 00:45:40,782 --> 00:45:42,867 I really liked Nathan’s performance. 1084 00:45:42,909 --> 00:45:44,536 I’d listen to that album, for sure. 1085 00:45:44,577 --> 00:45:48,581 ** 1086 00:45:51,793 --> 00:45:53,670 * This is "The Voice" * 1087 00:45:53,712 --> 00:45:55,130 Daly: Welcome back to the knockouts. 1088 00:45:55,171 --> 00:45:56,798 Bryan! John. 1089 00:45:56,840 --> 00:45:59,509 Now, I’ve never had a playoff pass before, 1090 00:45:59,551 --> 00:46:01,219 and you’re just sitting there watching 1091 00:46:01,261 --> 00:46:02,846 all your fellow team members. 1092 00:46:02,887 --> 00:46:04,139 Yeah. What does it feel like? 1093 00:46:04,180 --> 00:46:06,099 It’s been the most awesome day. 1094 00:46:06,141 --> 00:46:07,851 Do you miss performing out there? 1095 00:46:07,892 --> 00:46:09,477 Or are you like, I’m just happy I don’t have to deal 1096 00:46:09,519 --> 00:46:11,104 with the stress of this round? 1097 00:46:11,146 --> 00:46:12,856 Uh, a little of both. 1098 00:46:12,897 --> 00:46:15,025 I mean, I really would have loved to smell Keith’s cologne. 1099 00:46:15,066 --> 00:46:16,735 I’m glad I’m still around for you. 1100 00:46:16,776 --> 00:46:17,902 I can’t wait to hear 1101 00:46:17,944 --> 00:46:19,571 what you do in the playoffs. 1102 00:46:19,612 --> 00:46:21,489 It’s going to be so fun. I can’t wait either. 1103 00:46:21,531 --> 00:46:23,825 Chance: Keith, I’m so happy to have you on the show, man. 1104 00:46:23,867 --> 00:46:25,160 Thanks, Chance. How do you feel about your team? 1105 00:46:25,201 --> 00:46:26,661 My team is all winners. 1106 00:46:26,703 --> 00:46:29,080 You’re not biased, obviously. Yeah, no, no. 1107 00:46:29,122 --> 00:46:31,166 Chance: For knockouts, we got Keith Urban, 1108 00:46:31,207 --> 00:46:33,335 an icon of a country star. 1109 00:46:33,376 --> 00:46:36,463 This is a incredible gift, 1110 00:46:36,504 --> 00:46:38,965 that they’re going to get, to just hear from you. 1111 00:46:39,007 --> 00:46:40,633 And I don’t know if you have this, 1112 00:46:40,675 --> 00:46:42,385 but you give advice to someone and you’re driving home 1113 00:46:42,427 --> 00:46:44,387 and you’re like, "I should probably do that myself." 1114 00:46:44,429 --> 00:46:45,555 Yeah. 1115 00:46:45,597 --> 00:46:47,265 I learn so much just being on this show. 1116 00:46:47,307 --> 00:46:48,516 He’s going to bring a lot of experience. 1117 00:46:48,558 --> 00:46:49,851 He’s going to be helping my team. 1118 00:46:49,893 --> 00:46:51,561 I think if we get past 1119 00:46:51,603 --> 00:46:54,814 the like, nervous part of it, it’s not that bad. 1120 00:46:54,856 --> 00:46:58,068 Dani: It’s just our famous coach and his famous mentor 1121 00:46:58,109 --> 00:47:00,862 on a stage with cameras. 1122 00:47:00,904 --> 00:47:02,030 Let’s bring them in. 1123 00:47:02,072 --> 00:47:04,074 Okay. 1124 00:47:04,115 --> 00:47:06,117 Hey. 1125 00:47:06,159 --> 00:47:08,370 Hey, come on in. [ Laughs ] 1126 00:47:08,411 --> 00:47:09,871 When I saw Keith Urban, 1127 00:47:09,913 --> 00:47:12,874 I was honestly, like, giggling uncontrollably. 1128 00:47:12,916 --> 00:47:13,917 How are you, Dani? 1129 00:47:13,958 --> 00:47:15,919 And he smells so good. 1130 00:47:15,960 --> 00:47:19,839 Warm vanilla. He does. 1131 00:47:19,881 --> 00:47:20,965 Is that weird to say? 1132 00:47:21,007 --> 00:47:22,467 I'm gonna go first. Okay. 1133 00:47:22,509 --> 00:47:25,470 I put Serenity and Dani together. 1134 00:47:25,512 --> 00:47:28,556 They're both four-chair turns. 1135 00:47:28,598 --> 00:47:31,059 They both kind of have, like, a pop background, 1136 00:47:31,101 --> 00:47:32,936 Even though Serenity is sixteen, 1137 00:47:32,977 --> 00:47:36,439 she’s very mature and professional in how she sings. 1138 00:47:36,481 --> 00:47:37,857 I think it’s going to be a good matchup. 1139 00:47:37,899 --> 00:47:39,025 Chance: What song are you gonna sing? 1140 00:47:39,067 --> 00:47:40,694 "Jaded" by Miley Cyrus. 1141 00:47:40,735 --> 00:47:42,529 Ooh. Oh, good song. 1142 00:47:42,570 --> 00:47:44,572 I’m just excited to kind of, like, work the stage. 1143 00:47:44,614 --> 00:47:46,324 I’m gonna need some pointers on that. 1144 00:47:46,366 --> 00:47:48,284 I have, like, a very stiff hand syndrome. 1145 00:47:48,326 --> 00:47:49,536 You have a what? A stiff hand syndrome? 1146 00:47:49,577 --> 00:47:50,578 My hand. 1147 00:47:50,620 --> 00:47:51,871 Every time I watch the videos, 1148 00:47:51,913 --> 00:47:53,248 I’m, like, doing this. 1149 00:47:53,289 --> 00:47:54,082 I want to see the stiff hand, then. 1150 00:47:54,124 --> 00:47:55,125 Me, too. 1151 00:47:55,166 --> 00:47:56,584 Why did I say that? 1152 00:47:56,626 --> 00:48:01,047 * I’m sorry that you're jaded * 1153 00:48:01,089 --> 00:48:02,716 My best friend, 1154 00:48:02,757 --> 00:48:06,094 she would always play the "Bangerz" record by Miley Cyrus. 1155 00:48:06,136 --> 00:48:09,681 She passed away about five years ago in a boating accident. 1156 00:48:09,723 --> 00:48:12,100 I’m super excited to dedicate a song 1157 00:48:12,142 --> 00:48:13,810 to her in like, a fun way. 1158 00:48:13,852 --> 00:48:17,480 She always believed in me more than I believed in myself, 1159 00:48:17,522 --> 00:48:21,359 and I feel like her passing kind of 1160 00:48:21,401 --> 00:48:22,902 was like that fire under my butt to, 1161 00:48:22,944 --> 00:48:28,700 like, actually live the life that I want. 1162 00:48:28,742 --> 00:48:31,911 Chance: I think what really makes Dani's voice so unique 1163 00:48:31,953 --> 00:48:34,622 is it does have a lot of character to it. 1164 00:48:34,664 --> 00:48:36,166 There’s a little bit of rasp, 1165 00:48:36,207 --> 00:48:38,752 but she also has a soulfulness to her 1166 00:48:38,793 --> 00:48:41,796 that I think is what makes pop stars. 1167 00:48:41,838 --> 00:48:44,049 * Jaded * 1168 00:48:44,090 --> 00:48:47,510 Yeah! I did like this. 1169 00:48:47,552 --> 00:48:49,888 When you were asking about working the stage, 1170 00:48:49,929 --> 00:48:52,390 decide exactly where your focus is going to be, 1171 00:48:52,432 --> 00:48:54,726 if it’s going to be on me on the day of, 1172 00:48:54,768 --> 00:48:56,603 or a specific side of the crowd, 1173 00:48:56,644 --> 00:48:59,105 and that’ll kind of help map out your movements. 1174 00:48:59,147 --> 00:49:00,648 It’s a great song choice, 1175 00:49:00,690 --> 00:49:02,901 but because it matches your tone, 1176 00:49:02,942 --> 00:49:05,320 it’s almost like it’s too Miley, right? 1177 00:49:05,362 --> 00:49:07,447 I’m waiting to discover who you are. 1178 00:49:07,489 --> 00:49:08,782 Any of those times, I think that 1179 00:49:08,823 --> 00:49:10,367 you can own the phrasing a little bit. 1180 00:49:10,408 --> 00:49:11,701 I think you can tell the story better. 1181 00:49:11,743 --> 00:49:12,869 Thank you. 1182 00:49:12,911 --> 00:49:15,372 I think it’s time for Serenity. 1183 00:49:15,413 --> 00:49:17,082 What song are you gonna sing? 1184 00:49:17,123 --> 00:49:18,833 "Unfaithful" by Rihanna. 1185 00:49:18,875 --> 00:49:20,251 Oh, I can’t wait for her to see this. This is awesome. 1186 00:49:20,293 --> 00:49:22,545 I’m excited to hear you. 1187 00:49:22,587 --> 00:49:24,255 * Story of my life * 1188 00:49:24,297 --> 00:49:27,425 Keith: Serenity is really bold, because to be 16 and tackle 1189 00:49:27,467 --> 00:49:31,596 that Rihanna song shows me who she wants to be. 1190 00:49:31,638 --> 00:49:33,515 I know about punching above my weight. 1191 00:49:33,556 --> 00:49:35,350 I think I’ve done that my whole life. 1192 00:49:35,392 --> 00:49:39,187 But that’s how you are always reaching. 1193 00:49:39,229 --> 00:49:42,565 That’s a great way to be. 1194 00:49:42,607 --> 00:49:46,027 Serenity: "Unfaithful" is about a love triangle 1195 00:49:46,069 --> 00:49:47,445 and going for the better man. 1196 00:49:47,487 --> 00:49:49,823 It's not easy let someone down, 1197 00:49:49,864 --> 00:49:52,242 but you have to do it for self-respect. 1198 00:49:52,283 --> 00:49:53,827 I channel that in the way of, 1199 00:49:53,868 --> 00:49:56,746 I know my standards and my worth, 1200 00:49:56,788 --> 00:50:00,291 and I want to have a successful life. 1201 00:50:00,333 --> 00:50:03,169 Rihanna is one of the biggest people 1202 00:50:03,211 --> 00:50:04,546 to be known in R&B 1203 00:50:04,587 --> 00:50:07,007 and the genre that want to fit into. 1204 00:50:07,048 --> 00:50:09,259 * Whoa * 1205 00:50:09,300 --> 00:50:10,635 One, you smashed it, 1206 00:50:10,677 --> 00:50:11,761 so let me start off by saying that. 1207 00:50:11,803 --> 00:50:13,388 Thank you. 1208 00:50:13,430 --> 00:50:15,056 A lot of the runs that you’re doing where you’re breaking, 1209 00:50:15,098 --> 00:50:16,808 if you could just make those in the slides. 1210 00:50:16,850 --> 00:50:18,476 Especially when you’re doing transitions that are 1211 00:50:18,518 --> 00:50:20,103 such big drops and jumps. 1212 00:50:20,145 --> 00:50:21,563 Yeah. There's a big note 1213 00:50:21,604 --> 00:50:24,566 that you sing early on in the song. 1214 00:50:24,607 --> 00:50:26,901 * I don't want to do this anymore * Right. 1215 00:50:26,943 --> 00:50:29,487 * Oh, I don't wanna * -- Even if you did that, 1216 00:50:29,529 --> 00:50:31,740 you have a chance to kind of connect them a little bit. 1217 00:50:31,781 --> 00:50:34,784 A lot of the coaches, in battles, they all commented 1218 00:50:34,826 --> 00:50:37,704 on the raw emotion of your performance. 1219 00:50:37,746 --> 00:50:39,581 I think you definitely want to lean into that. 1220 00:50:39,622 --> 00:50:41,041 Alright, Dani, can you come back up? 1221 00:50:41,082 --> 00:50:42,542 Dani: So good. 1222 00:50:42,584 --> 00:50:44,252 Dani, she really surprised me with her range 1223 00:50:44,294 --> 00:50:45,920 when she really went up there. 1224 00:50:45,962 --> 00:50:50,050 And Serenity, her control is really in her lower register. 1225 00:50:50,091 --> 00:50:51,968 It’s not something everybody could do. 1226 00:50:52,010 --> 00:50:54,429 The main thing is, I don’t have a save or a playoff pass. 1227 00:50:54,471 --> 00:50:56,306 We only get one steal. 1228 00:50:56,348 --> 00:50:58,266 It’s really cutthroat at this point. 1229 00:50:58,308 --> 00:50:59,601 No. 1230 00:50:59,642 --> 00:51:01,353 Get all the hugs in now, right? 1231 00:51:01,394 --> 00:51:03,021 [ Cheers and applause ] 1232 00:51:03,063 --> 00:51:06,232 With "Jaded," Here’s Dani Stacy. 1233 00:51:06,274 --> 00:51:13,198 ** 1234 00:51:13,239 --> 00:51:15,658 * I don't wanna call and talk too long * 1235 00:51:15,700 --> 00:51:20,705 * I know it was wrong, but never said I was sorry * 1236 00:51:20,747 --> 00:51:23,667 ** 1237 00:51:23,708 --> 00:51:26,002 * Now I've had time to think it over * 1238 00:51:26,044 --> 00:51:33,635 * We're much older but the bone's too big to bury * 1239 00:51:33,677 --> 00:51:37,639 * Oh, isn't it a shame that it ended like that? * 1240 00:51:37,681 --> 00:51:40,100 * Said goodbye forever, but you never came back * 1241 00:51:40,141 --> 00:51:43,520 * We went to Hell, but we never came back * 1242 00:51:43,561 --> 00:51:48,400 * I'm sorry that you're jaded * 1243 00:51:48,441 --> 00:51:53,697 * I could've taken you places * 1244 00:51:53,738 --> 00:51:59,244 * You're lonely now and I hate it * 1245 00:51:59,285 --> 00:52:06,710 * I'm sorry that you're jaded * 1246 00:52:06,751 --> 00:52:11,589 * I won't lie, it won't be easy * 1247 00:52:11,631 --> 00:52:16,845 * When somebody new's on your body * 1248 00:52:16,886 --> 00:52:22,017 * I'll change my number but keep your T-shirt * 1249 00:52:22,058 --> 00:52:25,562 * I don't mind it's torn up and faded * 1250 00:52:25,603 --> 00:52:30,525 * I'm sorry that you're jaded * 1251 00:52:30,567 --> 00:52:35,864 * I could've taken you places * 1252 00:52:35,905 --> 00:52:39,701 * You're lonely now and I hate it * 1253 00:52:39,743 --> 00:52:41,411 * I hate it * 1254 00:52:41,453 --> 00:52:48,168 * I'm sorry that you're jaded * 1255 00:52:48,209 --> 00:52:51,379 * Jaded * 1256 00:52:51,421 --> 00:52:57,385 * I'm sorry that you're jaded * 1257 00:52:57,427 --> 00:53:01,389 * Oh, no * 1258 00:53:01,431 --> 00:53:07,437 * I'm sorry that you're jaded * 1259 00:53:07,479 --> 00:53:10,065 [ Cheers and applause ] 1260 00:53:10,106 --> 00:53:12,192 I love that song. 1261 00:53:12,233 --> 00:53:16,905 ** 1262 00:53:20,283 --> 00:53:21,910 * This is "The Voice" * 1263 00:53:21,951 --> 00:53:23,953 Daly: Welcome back to the knockouts at Universal Studios. 1264 00:53:23,995 --> 00:53:26,831 Now with "Unfaithful," here's Serenity Arce. 1265 00:53:26,873 --> 00:53:34,839 ** 1266 00:53:34,881 --> 00:53:38,301 * Story of my life, searching for the right * 1267 00:53:38,343 --> 00:53:41,471 * But it keeps avoiding me * 1268 00:53:41,513 --> 00:53:44,808 * Sorrow in my soul 'cause it seems that wrong * 1269 00:53:44,849 --> 00:53:48,103 * Really loves my company * 1270 00:53:48,144 --> 00:53:51,398 * I say I won't be long, just hanging with the girls * 1271 00:53:51,439 --> 00:53:54,359 * A lie I didn't have to tell * 1272 00:53:54,401 --> 00:53:58,321 * Because we both know where I'm about to go * 1273 00:53:58,363 --> 00:54:02,325 * And we know it very well * 1274 00:54:02,367 --> 00:54:06,413 * 'Cause I know that he knows I'm unfaithful * 1275 00:54:06,454 --> 00:54:08,998 * And it kills him inside * 1276 00:54:09,040 --> 00:54:15,422 * To know that I am happy with some other guy * 1277 00:54:15,463 --> 00:54:17,799 * I can see him dying * 1278 00:54:17,841 --> 00:54:20,677 *I don't wanna do this anymore * 1279 00:54:20,719 --> 00:54:24,014 * I don't wanna be the reason why * 1280 00:54:24,055 --> 00:54:27,183 * Every time I walk out the door * 1281 00:54:27,225 --> 00:54:30,812 * I see him die a little more inside * 1282 00:54:30,854 --> 00:54:34,024 * I don't wanna hurt him anymore * 1283 00:54:34,065 --> 00:54:38,194 * I don't wanna take away his life * 1284 00:54:38,236 --> 00:54:47,537 * I don't wanna be a murderer * 1285 00:54:47,579 --> 00:54:51,791 * Oh, ohh * 1286 00:54:51,833 --> 00:54:55,628 * I don't wanna do this anymore * 1287 00:54:55,670 --> 00:54:58,882 * I don't wanna be the reason why * 1288 00:54:58,923 --> 00:55:02,218 * Every time I walk out the door * 1289 00:55:02,260 --> 00:55:05,805 * I see him die a little more inside * 1290 00:55:05,847 --> 00:55:08,933 * I don't wanna hurt him anymore * 1291 00:55:08,975 --> 00:55:13,313 * I don't wanna take away his life * 1292 00:55:13,355 --> 00:55:19,569 * I don't wanna be a murderer * 1293 00:55:19,611 --> 00:55:23,490 * No, no, no * 1294 00:55:23,531 --> 00:55:26,910 * A murderer * 1295 00:55:26,951 --> 00:55:30,872 [ Cheers and applause ] 1296 00:55:30,914 --> 00:55:34,417 Whoa! 1297 00:55:34,459 --> 00:55:36,252 Y'all are awesome. 1298 00:55:36,294 --> 00:55:37,962 Dani, you showcased something in your voice 1299 00:55:38,004 --> 00:55:39,339 that I thought was really special, 1300 00:55:39,381 --> 00:55:41,049 and made it stand out in a big way. 1301 00:55:41,091 --> 00:55:42,759 That lower register in the beginning of the song 1302 00:55:42,801 --> 00:55:44,427 was really cool, and then you really do have 1303 00:55:44,469 --> 00:55:46,680 a lot of power whenever you hit that higher register. 1304 00:55:46,721 --> 00:55:48,890 Serenity, you’re 16 years old. 1305 00:55:48,932 --> 00:55:50,600 You sang that with so much conviction 1306 00:55:50,642 --> 00:55:53,186 that I felt like I was listening to someone who had been through, 1307 00:55:53,228 --> 00:55:54,187 like, three divorces. 1308 00:55:54,229 --> 00:55:55,397 It was unbelievable. 1309 00:55:55,438 --> 00:55:58,066 A lot of drama in this 16-year-old's life. 1310 00:55:58,108 --> 00:56:00,568 If I had to choose one, I would probably say Serenity, 1311 00:56:00,610 --> 00:56:03,113 because I just man, it was phenomenal. 1312 00:56:03,154 --> 00:56:05,657 Dani, I feel you didn’t all the way, like, 1313 00:56:05,699 --> 00:56:08,576 sell your passion about the song, 1314 00:56:08,618 --> 00:56:09,994 but you sounded so good. 1315 00:56:10,036 --> 00:56:11,454 Thank you. Your voice sounded amazing. 1316 00:56:11,496 --> 00:56:12,789 And then Serenity, 1317 00:56:12,831 --> 00:56:15,417 this was not as accurate of a performance 1318 00:56:15,458 --> 00:56:16,710 as you normally give. 1319 00:56:16,751 --> 00:56:18,420 This was a little pitchier for me, 1320 00:56:18,461 --> 00:56:21,131 but I also just really love Serenity’s voice, 1321 00:56:21,172 --> 00:56:24,050 and I’ve loved her throughout the competition, so... 1322 00:56:24,092 --> 00:56:25,385 Thank you. 1323 00:56:25,427 --> 00:56:27,262 The thing that’s really important, Dani, 1324 00:56:27,303 --> 00:56:29,264 is to connect with your audience. 1325 00:56:29,305 --> 00:56:31,141 When you connect with your audience, 1326 00:56:31,182 --> 00:56:33,852 you’ve given them so much more of yourself 1327 00:56:33,893 --> 00:56:35,645 than just your beautiful voice. 1328 00:56:35,687 --> 00:56:37,981 Serenity, you did do that. 1329 00:56:38,023 --> 00:56:40,316 Both of your vocals are really stellar. 1330 00:56:40,358 --> 00:56:41,776 Great job. 1331 00:56:41,818 --> 00:56:43,486 Thank you, coaches. 1332 00:56:43,528 --> 00:56:45,655 Alright, buddy, give us some thoughts on the knockout. 1333 00:56:45,697 --> 00:56:48,450 Dani, you are a talented vocalist. 1334 00:56:48,491 --> 00:56:52,078 I felt like you had a lot of passion on stage. 1335 00:56:52,120 --> 00:56:54,247 I really wished you had tried 1336 00:56:54,289 --> 00:56:56,666 to do a little bit more with the song. 1337 00:56:56,708 --> 00:56:57,959 And Serenity, 1338 00:56:58,001 --> 00:56:59,461 you were willing to take a lot of risks, 1339 00:56:59,502 --> 00:57:01,504 but in comparison to your past performances, 1340 00:57:01,546 --> 00:57:05,592 it was definitely not as technically solid. 1341 00:57:05,633 --> 00:57:07,052 Tough decision, Chance. 1342 00:57:07,093 --> 00:57:08,553 Who’s the winner of this knockout? 1343 00:57:08,595 --> 00:57:10,764 I literally have no idea. 1344 00:57:10,805 --> 00:57:15,185 ** 1345 00:57:15,226 --> 00:57:17,270 The winner of this knockout 1346 00:57:17,312 --> 00:57:18,772 is Serenity. 1347 00:57:18,813 --> 00:57:20,231 Daly: Serenity! 1348 00:57:20,273 --> 00:57:22,067 Chance: I went with Serenity just because 1349 00:57:22,108 --> 00:57:24,402 I think she has the passion. 1350 00:57:24,444 --> 00:57:26,738 In a competition like this where everybody can sing, 1351 00:57:26,780 --> 00:57:28,531 you have to be willing to go for it. 1352 00:57:28,573 --> 00:57:29,699 Thank you. 1353 00:57:29,741 --> 00:57:30,992 Every time she gets on stage, 1354 00:57:31,034 --> 00:57:32,535 she does it with the professionalism 1355 00:57:32,577 --> 00:57:36,247 and intent of somebody way beyond her years. 1356 00:57:36,289 --> 00:57:39,584 Give it up for Dani! 1357 00:57:39,626 --> 00:57:42,379 It gets so hard to make a decision in the knockouts. 1358 00:57:42,420 --> 00:57:46,508 Everybody’s so good. Everybody survived a battle. 1359 00:57:46,549 --> 00:57:47,884 Nobody deserves to go home. 1360 00:57:47,926 --> 00:57:50,387 Crowd: We love you, John. Oh. 1361 00:57:50,428 --> 00:57:53,056 Stop, stop. Shay: That was adorable. That was cute. 1362 00:57:53,098 --> 00:57:54,891 You’re gonna make Dan + Shay jealous. 1363 00:57:54,933 --> 00:57:56,017 I am jealous. 1364 00:57:56,059 --> 00:57:58,353 Crowd: We love you, Reba! 1365 00:57:58,395 --> 00:57:59,562 Thank you so much. 1366 00:57:59,604 --> 00:58:01,773 Crowd: We love you, Chance! 1367 00:58:01,815 --> 00:58:03,400 Oh, me? It's a thing now. 1368 00:58:03,441 --> 00:58:05,110 We’re feeling left out now. 1369 00:58:05,151 --> 00:58:06,403 Anybody, just step up. 1370 00:58:06,444 --> 00:58:07,612 Crowd: We love you, Dan + Shay! 1371 00:58:07,654 --> 00:58:11,908 Yeah, there we go. 1372 00:58:11,950 --> 00:58:15,245 ** 1373 00:58:18,623 --> 00:58:19,958 * This is "The Voice" * 1374 00:58:20,000 --> 00:58:21,876 Daly: Welcome back to the knockouts. 1375 00:58:21,918 --> 00:58:23,920 Ashley: Who do you think the mentor is gonna be? 1376 00:58:23,962 --> 00:58:25,046 I don’t know. 1377 00:58:25,088 --> 00:58:26,256 Is this against the rules? 1378 00:58:26,297 --> 00:58:27,799 Like, can we...? I don’t know. 1379 00:58:27,841 --> 00:58:30,635 Ashley’s from Kentucky. Country singer. 1380 00:58:30,677 --> 00:58:33,346 * Gonna run * 1381 00:58:33,388 --> 00:58:34,806 She’s got 30% hearing in one ear. 1382 00:58:34,848 --> 00:58:36,891 The person that she was teamed up with 1383 00:58:36,933 --> 00:58:38,393 taught her how to do harmony. 1384 00:58:38,435 --> 00:58:40,478 Really? Yeah. Here on the show. 1385 00:58:40,520 --> 00:58:43,356 And Josh, great singer, very country. 1386 00:58:43,398 --> 00:58:44,649 Got a wonderful voice. 1387 00:58:44,691 --> 00:58:46,151 Reba: I paired Ashley and Josh 1388 00:58:46,192 --> 00:58:48,028 because they’re both in the country lane. 1389 00:58:48,069 --> 00:58:50,280 Josh has a more gritty, raspy, 1390 00:58:50,321 --> 00:58:52,365 kind of like Chris Stapleton voice, 1391 00:58:52,407 --> 00:58:56,036 where Ashley is a little more pop in her singing. 1392 00:58:56,077 --> 00:58:58,455 You know, country music has a contemporary way 1393 00:58:58,496 --> 00:59:00,290 over here and traditional way over there, 1394 00:59:00,331 --> 00:59:02,834 with all of this other stuff in between. 1395 00:59:02,876 --> 00:59:05,754 Well, they both nailed the in-between. 1396 00:59:05,795 --> 00:59:07,547 Lord have mercy, Reba! 1397 00:59:07,589 --> 00:59:09,507 [ Laughing ] 1398 00:59:09,549 --> 00:59:11,509 Reba gets that reaction all the time. 1399 00:59:11,551 --> 00:59:12,635 Oh, my God. 1400 00:59:12,677 --> 00:59:13,970 How are you doing, Ashley? 1401 00:59:14,012 --> 00:59:15,513 When I saw Keith Urban standing there, 1402 00:59:15,555 --> 00:59:16,806 I almost passed out. 1403 00:59:16,848 --> 00:59:17,849 Hi. Nice to meet you. 1404 00:59:17,891 --> 00:59:19,476 So nice to meet you. 1405 00:59:19,517 --> 00:59:21,061 Josh: He’s somebody I’ve always looked to, 1406 00:59:21,102 --> 00:59:22,687 and even vocally, the things that he does 1407 00:59:22,729 --> 00:59:24,147 are kind of out of the box. 1408 00:59:24,189 --> 00:59:25,899 Certainly a jaw-dropping kind of moment for me. 1409 00:59:25,940 --> 00:59:27,317 I’m going to be singing 1410 00:59:27,359 --> 00:59:29,194 "Heads, Carolina, Tails, California." 1411 00:59:29,235 --> 00:59:30,695 by Jo Dee Messina. Keith: Oh, cool. I love this song. 1412 00:59:30,737 --> 00:59:32,530 The thing that connects me to this song most, 1413 00:59:32,572 --> 00:59:35,033 my Mamaw was always wanting to push me and travel 1414 00:59:35,075 --> 00:59:36,534 and do all the fun things with music. 1415 00:59:36,576 --> 00:59:39,204 * Baby, what do you say we just get lost * 1416 00:59:39,245 --> 00:59:42,665 This song is about really just traveling. 1417 00:59:42,707 --> 00:59:47,087 I’ve always been kind of secluded to Kentucky, 1418 00:59:47,128 --> 00:59:49,673 but now that I’m here, it makes me want 1419 00:59:49,714 --> 00:59:51,216 to kind of just see the world. 1420 00:59:51,257 --> 00:59:54,302 * Somewhere greener, somewhere warmer * 1421 00:59:54,344 --> 00:59:57,806 My Mamaw was always one that pushed me to keep on singing. 1422 00:59:57,847 --> 00:59:59,349 She isn’t here with us anymore, 1423 00:59:59,391 --> 01:00:03,019 so my Mamaw never got to come to any performances. 1424 01:00:03,061 --> 01:00:05,063 She started getting sick about the time 1425 01:00:05,105 --> 01:00:06,564 that I started singing out, 1426 01:00:06,606 --> 01:00:08,566 and I know that she’d be so proud. 1427 01:00:08,608 --> 01:00:10,944 Um... 1428 01:00:10,985 --> 01:00:13,780 And the fact that I’m on Team Reba, 1429 01:00:13,822 --> 01:00:15,740 and she loved her some Reba. 1430 01:00:15,782 --> 01:00:18,910 Alright. Good job. 1431 01:00:18,952 --> 01:00:20,328 Thank you. Lord. 1432 01:00:20,370 --> 01:00:22,455 That’s the big exhale at the end, right? 1433 01:00:22,497 --> 01:00:24,082 Whew! 1434 01:00:24,124 --> 01:00:26,668 However you’re feeling up here, we’ll feel that out here. 1435 01:00:26,710 --> 01:00:29,754 I’m just a very nervous person, 24/7. 1436 01:00:29,796 --> 01:00:31,214 That's a long time. 1437 01:00:31,256 --> 01:00:33,049 I put a lot of pressure on myself. 1438 01:00:33,091 --> 01:00:36,678 My son Shelby was a race car driver, 1439 01:00:36,720 --> 01:00:38,138 and they told him, 1440 01:00:38,179 --> 01:00:40,473 your subconscious is going to rule it all. 1441 01:00:40,515 --> 01:00:44,644 So when he would get to a turn that he knew he wasn’t good at, 1442 01:00:44,686 --> 01:00:47,063 start it, saying, "Here comes that turn, 1443 01:00:47,105 --> 01:00:48,606 I’m gonna nail this turn." Okay. 1444 01:00:48,648 --> 01:00:51,151 Subconscious takes over. You’re going to nail it. 1445 01:00:51,192 --> 01:00:54,112 Also, have a bit of fun with the phrasing. 1446 01:00:54,154 --> 01:00:56,406 * Mm, we gotta get out of here * 1447 01:00:56,448 --> 01:00:57,949 * If I gotta ride a Greyhound bus * 1448 01:00:57,991 --> 01:00:59,617 Right? 1449 01:00:59,659 --> 01:01:02,120 If you if you went -- * We gotta get out of here * 1450 01:01:02,162 --> 01:01:05,331 * If we gotta ride a Greyhound bus * 1451 01:01:05,373 --> 01:01:06,750 Ooh, I like that. If you made it your own, 1452 01:01:06,791 --> 01:01:08,752 suddenly I’m hearing an Ashley song, 1453 01:01:08,793 --> 01:01:10,253 not a Jo Dee Messina song. 1454 01:01:10,295 --> 01:01:13,965 * Heads, Carolina, tails, California * 1455 01:01:14,007 --> 01:01:15,383 Yeah! 1456 01:01:15,425 --> 01:01:17,260 Keith: Ashley was a good choice for Reba, 1457 01:01:17,302 --> 01:01:19,554 because she’s got something really pure about her. 1458 01:01:19,596 --> 01:01:21,014 I like what she did today a lot. 1459 01:01:21,056 --> 01:01:22,682 That felt so much better. 1460 01:01:22,724 --> 01:01:24,809 It sounded much better. Great job, Ashley. 1461 01:01:24,851 --> 01:01:26,561 Thank you so much. 1462 01:01:26,603 --> 01:01:28,146 This knockout round, I get one pitch, 1463 01:01:28,188 --> 01:01:30,190 and I either swing and miss, 1464 01:01:30,231 --> 01:01:31,649 or I swing and I put it in the freeway. 1465 01:01:31,691 --> 01:01:33,276 What are you going to play for us today? 1466 01:01:33,318 --> 01:01:35,820 "Wild as Her" by Corey Kent. 1467 01:01:35,862 --> 01:01:37,030 Okay. 1468 01:01:37,072 --> 01:01:38,448 He was on "The Voice." 1469 01:01:38,490 --> 01:01:39,991 It goes to show, hard work in this process, 1470 01:01:40,033 --> 01:01:41,618 in this show, if you ride it out, 1471 01:01:41,659 --> 01:01:43,536 there’s no telling where it’ll take you. 1472 01:01:43,578 --> 01:01:44,996 Absolutely. 1473 01:01:45,038 --> 01:01:46,498 This song speaks to me and my wife, 1474 01:01:46,539 --> 01:01:48,833 but also that part of my children, my girls that -- 1475 01:01:48,875 --> 01:01:51,294 I just want them to be able to be themselves. 1476 01:01:51,336 --> 01:01:54,464 * Seaside breeze'll bring her to life * 1477 01:01:54,506 --> 01:01:58,051 * And all them other boys say, she's a goodbye girl * 1478 01:01:58,093 --> 01:01:59,386 I have four girls. 1479 01:01:59,427 --> 01:02:03,223 First I took notice of the impact 1480 01:02:03,264 --> 01:02:05,016 that this song was having on my children, 1481 01:02:05,058 --> 01:02:07,686 was sitting in the back of that truck with their hair 1482 01:02:07,727 --> 01:02:11,147 blowing out the window, just not a care in the world. 1483 01:02:11,189 --> 01:02:12,857 I want to protect that side of them 1484 01:02:12,899 --> 01:02:16,069 that each one of them have, in their own special way. 1485 01:02:16,111 --> 01:02:20,699 * She's wi-i-i-ld * 1486 01:02:20,740 --> 01:02:22,826 Man, you got some Travis Tritt in there. 1487 01:02:22,867 --> 01:02:24,828 Man, that ain’t the first time I’ve heard that. It's really good. 1488 01:02:24,869 --> 01:02:28,164 That song particularly, it’s written very rhythmically. 1489 01:02:28,206 --> 01:02:30,500 * Dun dun dun dun dun dun * 1490 01:02:30,542 --> 01:02:32,335 So everything is kind of in this rhythm. 1491 01:02:32,377 --> 01:02:34,879 If you sang even a bit behind the beat occasionally -- 1492 01:02:34,921 --> 01:02:37,924 * She ain’t living for a diamond ring * 1493 01:02:37,966 --> 01:02:40,885 It’s just those little bit of, just occasionally. 1494 01:02:40,927 --> 01:02:42,804 Okay. Then you’ll take ownership of it. 1495 01:02:42,846 --> 01:02:44,431 It’ll keep my attention. 1496 01:02:44,472 --> 01:02:47,475 * The windows down and the wind in her hair * 1497 01:02:47,517 --> 01:02:49,394 Keith: Josh has got a really good voice, 1498 01:02:49,436 --> 01:02:51,271 that blend of Southern rock, soul, 1499 01:02:51,312 --> 01:02:53,481 country in there, kind of all fused together, 1500 01:02:53,523 --> 01:02:55,400 a bit of Travis Tritt’s growl. 1501 01:02:55,442 --> 01:02:57,986 Travis is very Southern rock influenced, 1502 01:02:58,028 --> 01:02:59,070 and you definitely hear that. 1503 01:02:59,112 --> 01:03:02,198 Hey! Come on. 1504 01:03:02,240 --> 01:03:04,826 Do you ever see a visual to the lyric when you’re singing? 1505 01:03:04,868 --> 01:03:05,910 Sometimes. 1506 01:03:05,952 --> 01:03:07,579 It just helps. 1507 01:03:07,620 --> 01:03:09,581 If you have a little video of what you’re doing, 1508 01:03:09,622 --> 01:03:11,916 you’re going to portray that to whoever you’re looking at. 1509 01:03:11,958 --> 01:03:13,918 Sing from your heart, and the crowd will feel it, 1510 01:03:13,960 --> 01:03:15,086 and they’ll have chills and they won’t even know why. 1511 01:03:15,128 --> 01:03:16,421 Yep. Yeah. 1512 01:03:16,463 --> 01:03:18,131 Josh: This is kind of a make or break. 1513 01:03:18,173 --> 01:03:20,633 You know, I’m 35, I’m a husband, I’m a dad, 1514 01:03:20,675 --> 01:03:23,136 and there’s people relying on me to succeed. 1515 01:03:23,178 --> 01:03:25,263 Alright. We’ll see you at the knockout round. 1516 01:03:25,305 --> 01:03:26,681 Keith: Josh, he’s got the experience, 1517 01:03:26,723 --> 01:03:28,767 but Ashley has a vulnerability about her 1518 01:03:28,808 --> 01:03:30,727 that you can also feel. 1519 01:03:30,769 --> 01:03:33,646 So it’ll be interesting to see how they perform on the night 1520 01:03:33,688 --> 01:03:36,107 and what connection that makes with everybody. 1521 01:03:36,149 --> 01:03:40,487 Bye-bye. Bye-bye. 1522 01:03:40,528 --> 01:03:44,824 Now singing "Wild as Her," here’s Josh Sanders. 1523 01:03:44,866 --> 01:03:52,957 ** 1524 01:03:52,999 --> 01:03:56,586 * She never wanted to be white picket fenced in * 1525 01:03:56,628 --> 01:03:59,714 * Her heart's like a feather in a Tulsa wind * 1526 01:03:59,756 --> 01:04:02,676 * Seaside breeze'll bring her to life * 1527 01:04:02,717 --> 01:04:07,430 * And all them other boys say she's a goodbye girl * 1528 01:04:07,472 --> 01:04:08,890 * She'll wreck your world * 1529 01:04:08,932 --> 01:04:11,643 * And leave before the mornin' sun * 1530 01:04:11,685 --> 01:04:15,480 * But she is free layin' next to me * 1531 01:04:15,522 --> 01:04:18,775 * 'Cause I ain't tryna to tame her love * 1532 01:04:18,817 --> 01:04:21,903 * I keep the windows down and the wind in her hair * 1533 01:04:21,945 --> 01:04:24,989 * Keep her heart hangin' on 'round every turn * 1534 01:04:25,031 --> 01:04:28,618 * She ain't scared to get tied down, scared to get burned * 1535 01:04:28,660 --> 01:04:32,497 * Just looking for somebody as wild as her * 1536 01:04:32,539 --> 01:04:38,044 * Wild, wild * 1537 01:04:38,086 --> 01:04:43,842 * Wild, wild * 1538 01:04:43,883 --> 01:04:47,554 * Saw that highway unwind in her deep brown eyes * 1539 01:04:47,595 --> 01:04:50,807 * She saw a long stretch of dirt road dreamin' in mine * 1540 01:04:50,849 --> 01:04:53,893 * She ain't living for a diamond ring * 1541 01:04:53,935 --> 01:04:57,772 * Just living like rock 'n roll song * 1542 01:04:57,814 --> 01:04:59,190 * I ain't trying to fix her * 1543 01:04:59,232 --> 01:05:00,734 * I just wanna kiss her * 1544 01:05:00,775 --> 01:05:03,570 * Fuel a little fire in her soul * 1545 01:05:03,611 --> 01:05:06,948 * We don't say forever, but when we're together * 1546 01:05:06,990 --> 01:05:09,451 * Swear that she ain't ever lettin' go * 1547 01:05:09,492 --> 01:05:11,703 * 'Cause she knows * 1548 01:05:11,745 --> 01:05:14,748 * I keep the windows down and the wind in her hair * 1549 01:05:14,789 --> 01:05:17,792 * Keep her heart hanging on 'round every turn * 1550 01:05:17,834 --> 01:05:21,379 * She ain't scared to get tied down, scared to get burned * 1551 01:05:21,421 --> 01:05:25,216 * Just looking for somebody as wild as her * 1552 01:05:25,258 --> 01:05:31,181 * Wild, yeah * 1553 01:05:31,222 --> 01:05:36,311 * Wild, ohh * 1554 01:05:36,353 --> 01:05:45,028 * Yeahhhh * 1555 01:05:45,070 --> 01:05:46,571 [ Cheers and applause ] 1556 01:05:46,613 --> 01:05:50,075 Nice ending. Stuck the landing. 1557 01:05:50,116 --> 01:05:53,411 Well done! Thank you. 1558 01:05:53,453 --> 01:05:55,080 Thank y'all. 1559 01:05:55,121 --> 01:05:58,750 ** 1560 01:06:02,128 --> 01:06:03,588 * This is "The Voice" * 1561 01:06:03,630 --> 01:06:05,590 Daly: Welcome back. 1562 01:06:05,632 --> 01:06:08,259 With "Heads, Carolina, Tails, California," 1563 01:06:08,301 --> 01:06:09,803 here’s Ashley Bryant. 1564 01:06:09,844 --> 01:06:11,805 Now, that’s a country title. 1565 01:06:11,846 --> 01:06:12,972 Yeah. 1566 01:06:13,014 --> 01:06:17,894 ** 1567 01:06:17,936 --> 01:06:24,442 * Baby, what do you say we just get lost * 1568 01:06:24,484 --> 01:06:31,658 * Leave this one-horse town like two rebels without a cause * 1569 01:06:31,700 --> 01:06:33,660 * I've got people in Boston * 1570 01:06:33,702 --> 01:06:38,415 * Ain't your daddy still in Des Moines * 1571 01:06:38,456 --> 01:06:45,922 * We can pack up tomorrow, tonight, let's flip a coin * 1572 01:06:45,964 --> 01:06:49,759 * Heads Carolina, tails California * 1573 01:06:49,801 --> 01:06:53,054 * Somewhere greener, somewhere warmer * 1574 01:06:53,096 --> 01:06:56,558 * Up in the mountains, down by the ocean * 1575 01:06:56,599 --> 01:07:00,061 * Where it don't matter, long as we're goin' * 1576 01:07:00,103 --> 01:07:03,690 * Somewhere together, I've got a quarter * 1577 01:07:03,732 --> 01:07:10,321 * Heads Carolina, tails California * 1578 01:07:10,363 --> 01:07:11,865 * We're gonna get out of here * 1579 01:07:11,906 --> 01:07:16,995 * If we gotta ride a Greyhound bus * 1580 01:07:17,037 --> 01:07:24,044 * Boy, we're bound to outrun the bad luck that's tailin' us * 1581 01:07:24,085 --> 01:07:28,048 * Oh, heads Carolina, tails California * 1582 01:07:28,089 --> 01:07:31,843 * Somewhere greener, somewhere warmer * 1583 01:07:31,885 --> 01:07:35,096 * Up in the mountains, down by the ocean * 1584 01:07:35,138 --> 01:07:38,641 * Where, it don't matter, long as we're goin' * 1585 01:07:38,683 --> 01:07:42,020 * Somewhere together, I've got a quarter * 1586 01:07:42,062 --> 01:07:48,526 * Heads Carolina, tails California, yeah * 1587 01:07:48,568 --> 01:07:58,036 * Ohh, California * 1588 01:07:58,078 --> 01:08:04,334 * Carolina * 1589 01:08:04,376 --> 01:08:09,506 * California * 1590 01:08:09,547 --> 01:08:10,590 [ Cheers and applause ] 1591 01:08:10,632 --> 01:08:14,094 Very good! Very good! 1592 01:08:14,135 --> 01:08:15,595 Okay. 1593 01:08:15,637 --> 01:08:18,515 Chance: Great job, both of y'all. 1594 01:08:18,556 --> 01:08:19,933 I’ll start off with you, Ashley. 1595 01:08:19,974 --> 01:08:21,559 I thought it was a really cool performance. 1596 01:08:21,601 --> 01:08:23,561 I’m not super familiar with the song, 1597 01:08:23,603 --> 01:08:25,313 but I did learn to love the song. 1598 01:08:25,355 --> 01:08:27,190 Shout out to Jo Dee Messina, one of my favorite artists. 1599 01:08:27,232 --> 01:08:29,317 Yeah, yeah, it’s one of your favorite artists. 1600 01:08:29,359 --> 01:08:30,610 Yeah, yeah. 1601 01:08:30,652 --> 01:08:32,362 I think you did great, 1602 01:08:32,404 --> 01:08:35,073 but I do wish that there was a little bit more risk-taking. 1603 01:08:35,115 --> 01:08:38,201 Josh, you took all the risks and it paid off. 1604 01:08:38,243 --> 01:08:39,953 This song I do know. 1605 01:08:39,994 --> 01:08:42,122 Just kidding. I don’t know this song either. 1606 01:08:42,163 --> 01:08:43,790 [ Laughter ] 1607 01:08:43,832 --> 01:08:45,250 I really like the rasp that you use in certain parts. 1608 01:08:45,291 --> 01:08:47,293 You put a lot of energy and passion into it, 1609 01:08:47,335 --> 01:08:49,963 and that’s what translates, so I’m leaning towards Josh. 1610 01:08:50,005 --> 01:08:51,840 Okay. 1611 01:08:51,881 --> 01:08:53,341 Dan: Ashley, you were working that stage 1612 01:08:53,383 --> 01:08:54,634 from the minute you hit it, 1613 01:08:54,676 --> 01:08:56,428 and it was awesome to see that. 1614 01:08:56,469 --> 01:08:58,304 That’s what country music’s all about, right there. 1615 01:08:58,346 --> 01:08:59,472 Thank you so much. 1616 01:08:59,514 --> 01:09:01,558 Man, Josh, that was fire, dude. 1617 01:09:01,599 --> 01:09:03,977 That last note was absolute flames. 1618 01:09:04,019 --> 01:09:05,603 Sometimes when Shay does that, 1619 01:09:05,645 --> 01:09:06,604 I fear that he’s gonna pass out. 1620 01:09:06,646 --> 01:09:08,523 Sometimes I do. 1621 01:09:08,565 --> 01:09:09,858 Your tone is almost -- 1622 01:09:09,899 --> 01:09:11,484 it reminds me of Eli Young Band, in a way, 1623 01:09:11,526 --> 01:09:13,028 but it’s very unique to you. 1624 01:09:13,069 --> 01:09:16,823 It just blasted everybody away, especially Chance. 1625 01:09:16,865 --> 01:09:18,450 To see that spin on it, you know what I mean? 1626 01:09:18,491 --> 01:09:20,493 Because the original version, you remember, it was like -- 1627 01:09:20,535 --> 01:09:21,870 And this one is like... 1628 01:09:21,911 --> 01:09:23,329 completely different. 1629 01:09:23,371 --> 01:09:24,873 It was so good. 1630 01:09:24,914 --> 01:09:28,126 Josh, you've got that rough and tough vocal thing 1631 01:09:28,168 --> 01:09:29,669 that’s really popping off in country music right now. 1632 01:09:29,711 --> 01:09:30,962 If I had to choose, 1633 01:09:31,004 --> 01:09:32,172 I'd probably give the edge to Josh 1634 01:09:32,213 --> 01:09:33,757 just by a little bit. 1635 01:09:33,798 --> 01:09:34,966 Thank you, man. 1636 01:09:35,008 --> 01:09:37,344 Ashley, you being a country artist 1637 01:09:37,385 --> 01:09:41,473 singing that song with such clarity and power, 1638 01:09:41,514 --> 01:09:44,684 it was just really illuminating for us to see you in that light. 1639 01:09:44,726 --> 01:09:48,021 And I really love that little cry in your voice. 1640 01:09:48,063 --> 01:09:50,065 With Josh, your performance, it just kept gaining momentum, 1641 01:09:50,106 --> 01:09:51,775 and then you stuck the landing 1642 01:09:51,816 --> 01:09:53,693 with that big, long note at the end. 1643 01:09:53,735 --> 01:09:57,655 It was just so powerful in exactly the right way. 1644 01:09:57,697 --> 01:09:58,865 Thank you, man. 1645 01:09:58,907 --> 01:10:00,700 Daly: Thank you, coaches. 1646 01:10:00,742 --> 01:10:02,202 Reba, you got a tough decision here. 1647 01:10:02,243 --> 01:10:03,870 But what did you think of the knockout first? 1648 01:10:03,912 --> 01:10:05,705 Ashley, you did great. Thank you. 1649 01:10:05,747 --> 01:10:08,041 You hit that big note at the end, 1650 01:10:08,083 --> 01:10:10,043 and I know you’ve got the pipes to support it. 1651 01:10:10,085 --> 01:10:15,715 And Josh, you can sell a song so well that I believe it. 1652 01:10:15,757 --> 01:10:16,966 That’s one of your talents. 1653 01:10:17,008 --> 01:10:18,385 Thank you. 1654 01:10:18,426 --> 01:10:20,845 I love you both, and thanks for taking the journey. 1655 01:10:20,887 --> 01:10:24,140 Alright, Reba, who is the winner of this knockout? 1656 01:10:24,182 --> 01:10:27,644 ** 1657 01:10:27,686 --> 01:10:29,979 The winner of this knockout... 1658 01:10:30,021 --> 01:10:31,272 is Josh. 1659 01:10:31,314 --> 01:10:33,316 Josh, congratulations! 1660 01:10:33,358 --> 01:10:34,693 Reba: Ashley and Josh, 1661 01:10:34,734 --> 01:10:36,736 I just love those people so much. 1662 01:10:36,778 --> 01:10:38,780 Josh, he really gets into the songs 1663 01:10:38,822 --> 01:10:40,281 that he chooses. 1664 01:10:40,323 --> 01:10:41,741 You did it again, buddy. 1665 01:10:41,783 --> 01:10:43,243 He relates to them, 1666 01:10:43,284 --> 01:10:46,204 and I think that he’ll be a huge contender. 1667 01:10:46,246 --> 01:10:50,250 Give it up for Ashley Bryant, everybody! 1668 01:10:50,291 --> 01:10:51,751 [ Cheers and applause ] 1669 01:10:51,793 --> 01:10:53,253 Thank you guys. Wonderful job. 1670 01:10:53,294 --> 01:10:56,589 That hurts to have to say goodbye. 1671 01:10:56,631 --> 01:10:57,966 Josh, he killed it. 1672 01:10:58,008 --> 01:11:02,095 ** 1673 01:11:05,473 --> 01:11:06,933 * This is "The Voice" * 1674 01:11:06,975 --> 01:11:09,477 Daly: Welcome back. 1675 01:11:09,519 --> 01:11:12,147 Well, well, well. How are you? 1676 01:11:12,188 --> 01:11:13,898 It’s so good to see you. 1677 01:11:13,940 --> 01:11:15,150 It’s so good to see you. How you doing? 1678 01:11:15,191 --> 01:11:16,484 Good. Your hair looks amazing. 1679 01:11:16,526 --> 01:11:18,028 Thank you. 1680 01:11:18,069 --> 01:11:20,321 What is it like, watching everything go down? 1681 01:11:20,363 --> 01:11:23,658 It’s crazy to get to see everyone and kind of, like, 1682 01:11:23,700 --> 01:11:24,743 live it from a different perspective. 1683 01:11:24,784 --> 01:11:26,202 Spirits are high, man. 1684 01:11:26,244 --> 01:11:27,495 I’m feeling good about Team Dan + Shay. 1685 01:11:27,537 --> 01:11:28,955 We’re fired up. 1686 01:11:28,997 --> 01:11:30,457 I feel so awesome to get to work with you guys. 1687 01:11:30,498 --> 01:11:32,459 I always feel like I'm trying to be a sponge. 1688 01:11:32,500 --> 01:11:34,502 That’s how we’ve been throughout our entire career. 1689 01:11:34,544 --> 01:11:36,212 We got to work with Keith Urban last week and we’ve watched him, 1690 01:11:36,254 --> 01:11:37,505 and obviously, Reba. 1691 01:11:37,547 --> 01:11:38,923 It makes you a better artist, so feeling good. 1692 01:11:38,965 --> 01:11:40,508 Let’s go. Team Dan + Shay. 1693 01:11:40,550 --> 01:11:41,551 We’re coming for you. 1694 01:11:41,593 --> 01:11:43,345 Dan + Shay. Come on. 1695 01:11:43,386 --> 01:11:47,015 Shay: Alright, guys, I’m pretty fired up. 1696 01:11:47,057 --> 01:11:48,808 We have Kyle and Anya. 1697 01:11:48,850 --> 01:11:50,226 One, two. Oh. 1698 01:11:50,268 --> 01:11:52,228 Dan: We paired Anya versus Kyle. 1699 01:11:52,270 --> 01:11:54,189 They both have a really cool, almost singer-songwriter thing, 1700 01:11:54,230 --> 01:11:56,358 but they have a little bit of an alt edge. 1701 01:11:56,399 --> 01:11:58,485 Super, super excited. So excited. 1702 01:11:58,526 --> 01:12:00,070 I’m shaking a bit. 1703 01:12:00,111 --> 01:12:01,905 They’re both so talented, and I feel like we need 1704 01:12:01,946 --> 01:12:03,740 to put on a cohesive performance 1705 01:12:03,782 --> 01:12:05,867 that makes the other person very stealable. 1706 01:12:05,909 --> 01:12:07,535 Should we bring them in? Let's bring them out. 1707 01:12:07,577 --> 01:12:10,288 Come on. Hey! 1708 01:12:10,330 --> 01:12:11,998 Keith Urban? 1709 01:12:12,040 --> 01:12:14,292 Oh, nice to see you. 1710 01:12:14,334 --> 01:12:15,543 He’s a producer. 1711 01:12:15,585 --> 01:12:17,253 He’s a writer. He’s a performer. 1712 01:12:17,295 --> 01:12:19,297 He’s worked with people like Taylor Swift. 1713 01:12:19,339 --> 01:12:20,882 Anya, what are you going to be singing today? 1714 01:12:20,924 --> 01:12:22,634 I’m singing "Runaway" by AURORA. 1715 01:12:22,676 --> 01:12:23,927 Yeah, that's so cool. 1716 01:12:23,968 --> 01:12:25,220 She started writing when she was 11. 1717 01:12:25,261 --> 01:12:26,805 I started writing when I was 9, 1718 01:12:26,846 --> 01:12:28,348 so it’s a similar kind of thing. 1719 01:12:28,390 --> 01:12:30,266 No guitar today? 1720 01:12:30,308 --> 01:12:32,811 It’s the first time I’ve ever played live without a guitar. 1721 01:12:32,852 --> 01:12:34,562 Why did you choose to do that? 1722 01:12:34,604 --> 01:12:36,523 It’s definitely a risk I’m taking to not play it. 1723 01:12:36,564 --> 01:12:38,900 I’m nervous, but it’s "The Voice." 1724 01:12:38,942 --> 01:12:40,318 You have to take risks, 1725 01:12:40,360 --> 01:12:41,903 and I really want to focus on just my vocals. 1726 01:12:41,945 --> 01:12:43,279 Keith: Good for you. Yeah, I love that. 1727 01:12:43,321 --> 01:12:47,409 * I was listenin' to the ocean * 1728 01:12:47,450 --> 01:12:49,494 The message of the song. I really relate to it. 1729 01:12:49,536 --> 01:12:52,747 * No, take me home, take me home * 1730 01:12:52,789 --> 01:12:56,418 "Home" in the song, that’s my parents and my sister. 1731 01:12:56,459 --> 01:12:57,961 When I’m away from them, 1732 01:12:58,003 --> 01:12:59,587 especially my sister who’s now in college, 1733 01:12:59,629 --> 01:13:01,589 it’s really hard for me, so when I sing this song, 1734 01:13:01,631 --> 01:13:02,841 I just really think about her. 1735 01:13:02,882 --> 01:13:04,426 I just wanted to call you, 1736 01:13:04,467 --> 01:13:07,554 because you’re my home and I miss you. 1737 01:13:07,595 --> 01:13:09,597 I miss you, too. 1738 01:13:09,639 --> 01:13:11,766 I’m really proud of you. 1739 01:13:11,808 --> 01:13:17,480 * I was running far away, would I run off the world someday? * 1740 01:13:17,522 --> 01:13:19,190 * No, take me home * 1741 01:13:19,232 --> 01:13:22,027 Dan: Anya obviously is inspired by artists like Phoebe Bridgers. 1742 01:13:22,068 --> 01:13:24,738 Really cool indie, almost alt-folk stuff. 1743 01:13:24,779 --> 01:13:27,574 Shay: She might be young, but whenever I was her age, 1744 01:13:27,615 --> 01:13:29,409 I didn’t sound like that. 1745 01:13:29,451 --> 01:13:31,119 You couldn’t even tie your own shoes, I don’t think. 1746 01:13:31,161 --> 01:13:32,662 I still can’t. That’s why I wear boots. 1747 01:13:32,704 --> 01:13:34,414 Yeah. Come on. Thank you. 1748 01:13:34,456 --> 01:13:36,082 Dan: That was awesome. 1749 01:13:36,124 --> 01:13:37,542 With a song like this, I think the most important thing is 1750 01:13:37,584 --> 01:13:39,919 that you’re really selling this story. 1751 01:13:39,961 --> 01:13:41,463 If you believe it, other people will too. 1752 01:13:41,504 --> 01:13:42,922 Yeah. 1753 01:13:42,964 --> 01:13:44,382 One moment you were sort of a little unsteady, 1754 01:13:44,424 --> 01:13:45,884 and you closed your eyes, and I could feel you 1755 01:13:45,925 --> 01:13:47,260 center into the song. 1756 01:13:47,302 --> 01:13:48,386 It was great. 1757 01:13:48,428 --> 01:13:49,971 If you start to feel a little nervous, 1758 01:13:50,013 --> 01:13:51,931 just see if you can center yourself again 1759 01:13:51,973 --> 01:13:53,641 and lose yourself in the song, 1760 01:13:53,683 --> 01:13:55,977 and you literally will draw us in. 1761 01:13:56,019 --> 01:13:57,395 Fantastic job. 1762 01:13:57,437 --> 01:13:59,314 I got to give it to Keith Urban right here 1763 01:13:59,356 --> 01:14:00,523 for giving you some of the greatest coaching and advice. 1764 01:14:00,565 --> 01:14:01,524 Yeah, give it up. 1765 01:14:01,566 --> 01:14:02,859 Thank you guys. 1766 01:14:02,901 --> 01:14:05,111 Anya has a very great stage presence, 1767 01:14:05,153 --> 01:14:07,864 and she also has a beautiful voice. 1768 01:14:07,906 --> 01:14:10,158 I think that’s going to be really tough to go up against. 1769 01:14:10,200 --> 01:14:12,160 * I met you in the dark * 1770 01:14:12,202 --> 01:14:15,163 I chose to sing "Say You Won’t Let Go" by James Arthur. 1771 01:14:15,205 --> 01:14:17,415 This song is special to me, because it reminds me 1772 01:14:17,457 --> 01:14:18,541 of my Grandma Mary. 1773 01:14:18,583 --> 01:14:21,294 She passed away about three years ago. 1774 01:14:21,336 --> 01:14:24,005 When I was first getting into songwriting and recording, 1775 01:14:24,047 --> 01:14:25,799 she was able to get me a new guitar, 1776 01:14:25,840 --> 01:14:27,842 and any time we’d have a family dinner night, 1777 01:14:27,884 --> 01:14:32,263 I’d go over to the house and I play some songs for her. 1778 01:14:32,305 --> 01:14:35,850 She cried for the first time that I had seen 1779 01:14:35,892 --> 01:14:37,519 when I played her this song. 1780 01:14:37,560 --> 01:14:39,521 I mean, she probably cried for the other grandchildren 1781 01:14:39,562 --> 01:14:41,690 a couple of times, but not me. 1782 01:14:41,731 --> 01:14:43,942 I’m just super excited to sing this song for her. 1783 01:14:43,983 --> 01:14:45,610 * You were always there for me * 1784 01:14:45,652 --> 01:14:47,946 Dan: I feel like this is an amazing song choice for Kyle. 1785 01:14:47,987 --> 01:14:49,406 He’s got really cool texture 1786 01:14:49,447 --> 01:14:51,032 when he really belts and goes for it. 1787 01:14:51,074 --> 01:14:52,367 This is a great opportunity for Kyle. 1788 01:14:52,409 --> 01:14:54,994 I think he’s going to do amazing. 1789 01:14:55,036 --> 01:14:56,579 Yeah, man. Yeah, buddy. 1790 01:14:56,621 --> 01:15:00,250 That little raspy edge is just so good. 1791 01:15:00,291 --> 01:15:02,127 Let us see your eyes just a little bit more. 1792 01:15:02,168 --> 01:15:04,087 It’s going to make it raw and real. 1793 01:15:04,129 --> 01:15:05,714 Let the small, intimate stuff 1794 01:15:05,755 --> 01:15:07,298 be small and intimate, 1795 01:15:07,340 --> 01:15:10,010 but on those big moments, just like, really go for it. 1796 01:15:10,051 --> 01:15:11,386 I feel like your transition to the -- 1797 01:15:11,428 --> 01:15:13,722 * Say you won’t let go * 1798 01:15:13,763 --> 01:15:14,931 If it feels better to go -- 1799 01:15:14,973 --> 01:15:17,350 * Say you won’t let go * 1800 01:15:17,392 --> 01:15:18,852 You know, go into that full voice 1801 01:15:18,893 --> 01:15:20,145 if that helps you hit that note. 1802 01:15:20,186 --> 01:15:21,688 Do you ever sing without your guitar? 1803 01:15:21,730 --> 01:15:24,065 Yeah, I’ve never sang without my guitar. 1804 01:15:24,107 --> 01:15:25,442 It’s kind of just like, a comfort thing. 1805 01:15:25,483 --> 01:15:27,027 I think you should try one without it, 1806 01:15:27,068 --> 01:15:28,778 because it’s all voice. 1807 01:15:28,820 --> 01:15:30,238 But I also understand as a player, 1808 01:15:30,280 --> 01:15:32,115 that sometimes the two go together. 1809 01:15:32,157 --> 01:15:33,533 Just what you did right there with your hands, 1810 01:15:33,575 --> 01:15:34,701 running your fingers through your hair, 1811 01:15:34,743 --> 01:15:35,994 that looked pretty sick. 1812 01:15:36,036 --> 01:15:37,454 Maybe throw that move in there. 1813 01:15:37,495 --> 01:15:39,122 Wow. Maybe we get that in slow-mo. 1814 01:15:39,164 --> 01:15:40,582 Yeah, just -- whew. 1815 01:15:40,623 --> 01:15:42,459 Kyle: I got two of the best coaches 1816 01:15:42,500 --> 01:15:44,961 and just an amazing producer sitting right next to him, 1817 01:15:45,003 --> 01:15:46,129 Keith Urban. 1818 01:15:46,171 --> 01:15:47,547 That’s crazy. 1819 01:15:47,589 --> 01:15:49,257 I’ve definitely grown as a singer. 1820 01:15:49,299 --> 01:15:52,218 Keith: Kyle’s got a great voice. 1821 01:15:52,260 --> 01:15:55,930 Anya, she’s not a big sort of ta-da performer. 1822 01:15:55,972 --> 01:15:59,434 She’s more interior and works really well with that. 1823 01:15:59,476 --> 01:16:01,269 They genuinely have different strengths. 1824 01:16:01,311 --> 01:16:02,604 I’m so proud of you both. 1825 01:16:02,645 --> 01:16:04,439 Y’all have come into your own, 1826 01:16:04,481 --> 01:16:05,982 and I could feel true artistry from both of you guys. 1827 01:16:06,024 --> 01:16:08,109 Your voices are great and you guys have got 1828 01:16:08,151 --> 01:16:09,110 your work cut out for you. 1829 01:16:09,152 --> 01:16:10,403 We do, indeed. 1830 01:16:10,445 --> 01:16:12,364 I have no idea who is going to win. 1831 01:16:12,405 --> 01:16:14,115 Who’s going to move on? They’re both so good, so good. 1832 01:16:14,157 --> 01:16:15,867 I feel like this is going to be a great opportunity 1833 01:16:15,909 --> 01:16:17,452 for one of the other coaches to steal. 1834 01:16:17,494 --> 01:16:19,120 Kyle’s already so comfortable without his guitar, 1835 01:16:19,162 --> 01:16:20,205 he left it behind. 1836 01:16:20,246 --> 01:16:22,540 Yeah, he did. [ Laughs ] 1837 01:16:22,582 --> 01:16:28,129 [ Cheers and applause ] 1838 01:16:28,171 --> 01:16:30,507 With "Runaway," here’s Anya True. 1839 01:16:30,548 --> 01:16:36,388 ** 1840 01:16:36,429 --> 01:16:40,558 * I was listenin' to the ocean * 1841 01:16:40,600 --> 01:16:44,062 * I saw a face in the sand * 1842 01:16:44,104 --> 01:16:46,189 * But when I picked it up * 1843 01:16:46,231 --> 01:16:52,654 * Then it vanished away from my hands now * 1844 01:16:52,696 --> 01:16:56,491 * I had a dream, I was seven * 1845 01:16:56,533 --> 01:17:00,495 * Climbin' my way in a tree * 1846 01:17:00,537 --> 01:17:03,373 * I saw a piece of heaven * 1847 01:17:03,415 --> 01:17:08,503 * Waiting in patience for me, now * 1848 01:17:08,545 --> 01:17:11,631 * And I was runnin' far away * 1849 01:17:11,673 --> 01:17:14,009 * Would I run off the world someday? * 1850 01:17:14,050 --> 01:17:17,303 * Nobody knows, nobody knows * 1851 01:17:17,345 --> 01:17:19,681 * And I was dancing in the rain * 1852 01:17:19,723 --> 01:17:22,308 * I felt alive, I can't complain * 1853 01:17:22,350 --> 01:17:24,310 * But no, take me home * 1854 01:17:24,352 --> 01:17:28,356 * Take me home where I belong * 1855 01:17:28,398 --> 01:17:32,986 * I can't take it anymore * 1856 01:17:33,028 --> 01:17:41,828 * And I kept runnin' for a soft place to fall * 1857 01:17:41,870 --> 01:17:50,587 * And I kept runnin' for a soft place to fall * 1858 01:17:50,628 --> 01:17:52,547 * And I was runnin' far away * 1859 01:17:52,589 --> 01:17:55,467 * Would I run off the world someday? * 1860 01:17:55,508 --> 01:17:57,510 * No, take me home * 1861 01:17:57,552 --> 01:18:03,350 * Take me home where I belong * 1862 01:18:03,391 --> 01:18:05,602 * No, take me home * 1863 01:18:05,643 --> 01:18:09,272 * Take me home where I belong * 1864 01:18:09,314 --> 01:18:11,900 * I got no other place to go * 1865 01:18:11,941 --> 01:18:14,235 * No, take me home * 1866 01:18:14,277 --> 01:18:18,990 * Home, where I belong * 1867 01:18:19,032 --> 01:18:22,410 * No, take me home * 1868 01:18:22,452 --> 01:18:26,039 * Home, where I belong * 1869 01:18:26,081 --> 01:18:30,835 * I can't take it anymore * 1870 01:18:30,877 --> 01:18:34,964 [ Cheers and applause ] 1871 01:18:35,006 --> 01:18:37,759 ** 1872 01:18:37,801 --> 01:18:40,637 Yeah, Kyle! 1873 01:18:40,679 --> 01:18:43,598 ** 1874 01:18:47,018 --> 01:18:48,311 * This is "The Voice" * 1875 01:18:48,353 --> 01:18:51,272 Daly: Welcome back to the knockouts. 1876 01:18:51,314 --> 01:18:53,024 Now singing "Say You Won’t Let Go," 1877 01:18:53,066 --> 01:18:56,945 here’s Kyle Schuesler. 1878 01:18:56,986 --> 01:19:00,240 ** 1879 01:19:00,281 --> 01:19:04,744 * I met you in the dark, you lit me up * 1880 01:19:04,786 --> 01:19:09,582 * You made me feel as though I was enough * 1881 01:19:09,624 --> 01:19:15,255 * We danced the night away, we drank too much * 1882 01:19:15,296 --> 01:19:18,049 * I held your hair back when * 1883 01:19:18,091 --> 01:19:19,676 * You were throwing up * 1884 01:19:19,718 --> 01:19:22,721 * Then you smiled over your shoulder * 1885 01:19:22,762 --> 01:19:25,348 * For a minute, I was stone-cold sober * 1886 01:19:25,390 --> 01:19:30,228 * I pulled you closer to my chest * 1887 01:19:30,270 --> 01:19:32,731 * And you asked me to stay over * 1888 01:19:32,772 --> 01:19:35,400 * I said, I already told ya * 1889 01:19:35,442 --> 01:19:40,030 * I think that you should get some rest * 1890 01:19:40,071 --> 01:19:42,657 * I knew I loved you then * 1891 01:19:42,699 --> 01:19:45,201 * But you'd never know * 1892 01:19:45,243 --> 01:19:50,331 * 'Cause I played it cool when I was scared of letting go * 1893 01:19:50,373 --> 01:19:53,043 * I knew I needed you * 1894 01:19:53,084 --> 01:19:55,462 * But I never showed * 1895 01:19:55,503 --> 01:20:00,216 * I wanna stay with you until we're grey and old * 1896 01:20:00,258 --> 01:20:04,721 * Just say you won't let go * 1897 01:20:04,763 --> 01:20:10,477 * Just say you won't let go * 1898 01:20:10,518 --> 01:20:13,104 * I wanna live with you * 1899 01:20:13,146 --> 01:20:15,065 * Even when we're ghosts * 1900 01:20:15,106 --> 01:20:17,567 * 'Cause you were always there for me * 1901 01:20:17,609 --> 01:20:20,528 * When I needed you most * 1902 01:20:20,570 --> 01:20:25,742 * So I wrote this song for you, everybody knows * 1903 01:20:25,784 --> 01:20:30,330 * That it's just you and me 'til we're grey and old * 1904 01:20:30,372 --> 01:20:35,085 * Just say you won't let go * 1905 01:20:35,126 --> 01:20:40,507 * Just say you won't let go * 1906 01:20:40,548 --> 01:20:44,928 * Just say you won't let go * 1907 01:20:44,969 --> 01:20:50,475 * Oh, just say you won't let go * 1908 01:20:50,517 --> 01:20:54,938 [ Cheers and applause ] 1909 01:20:54,979 --> 01:21:01,778 ** 1910 01:21:01,820 --> 01:21:03,571 Excellent job by both of you. 1911 01:21:03,613 --> 01:21:06,700 Anya, your tone is really gorgeous. 1912 01:21:06,741 --> 01:21:08,410 I like the way you express yourself. 1913 01:21:08,451 --> 01:21:09,953 It’s very unique. 1914 01:21:09,994 --> 01:21:13,289 It feels very authentic coming from you. 1915 01:21:13,331 --> 01:21:15,500 Kyle, that higher part of your chest voice 1916 01:21:15,542 --> 01:21:18,003 it's got a crunch to it that’s really cool. 1917 01:21:18,044 --> 01:21:20,630 It sounds really magical and powerful. 1918 01:21:20,672 --> 01:21:23,925 I guess I would lean a little bit towards Kyle. 1919 01:21:23,967 --> 01:21:25,552 Thanks, man. 1920 01:21:25,593 --> 01:21:29,806 Anya, your lows are great, and then when you did go on up 1921 01:21:29,848 --> 01:21:31,975 to a higher register, it was really pretty too. 1922 01:21:32,017 --> 01:21:35,020 You have a wonderful voice, and I love your outfit. 1923 01:21:35,061 --> 01:21:36,771 Thank you so much. 1924 01:21:36,813 --> 01:21:39,482 Kyle, love your tone of your voice. 1925 01:21:39,524 --> 01:21:40,984 I love the way you went into falsetto 1926 01:21:41,026 --> 01:21:42,902 and then came back full voice. 1927 01:21:42,944 --> 01:21:44,487 It was really good. 1928 01:21:44,529 --> 01:21:46,614 Thank you. 1929 01:21:46,656 --> 01:21:49,284 Kyle, I get so excited to see you perform, 1930 01:21:49,325 --> 01:21:51,494 and I felt like this one started so low 1931 01:21:51,536 --> 01:21:53,329 and maybe threw you off a little bit, 1932 01:21:53,371 --> 01:21:54,873 but I still think you're an awesome singer. 1933 01:21:54,914 --> 01:21:55,999 And Anya, 1934 01:21:56,041 --> 01:21:58,626 I really, really, really like your voice. 1935 01:21:58,668 --> 01:22:00,837 There’s some nice very, like -- so delicate. 1936 01:22:00,879 --> 01:22:03,006 It reminds me of Joni Mitchell. 1937 01:22:03,048 --> 01:22:05,008 She’s one of my favorite singers. Thank you so much. 1938 01:22:05,050 --> 01:22:08,511 Yeah. I'd probably lean towards Anya. 1939 01:22:08,553 --> 01:22:10,388 Daly: Thank you, coaches. 1940 01:22:10,430 --> 01:22:11,848 Alright, boys. 1941 01:22:11,890 --> 01:22:13,767 You got a tough decision coming up in a minute. 1942 01:22:13,808 --> 01:22:15,935 Give us some thoughts on the knockout first. 1943 01:22:15,977 --> 01:22:17,228 We need more time. 1944 01:22:17,270 --> 01:22:18,855 Shay: This sucks, man. 1945 01:22:18,897 --> 01:22:21,858 Anya, I just love the way that you approach every note, 1946 01:22:21,900 --> 01:22:23,902 and I felt your heart in the performance. 1947 01:22:23,943 --> 01:22:26,696 Just a super fan of your voice. 1948 01:22:26,738 --> 01:22:28,782 Kyle, I thought you had amazing breath control. 1949 01:22:28,823 --> 01:22:30,575 You’re holding out those long notes. 1950 01:22:30,617 --> 01:22:32,952 You did a great job with really owning it 1951 01:22:32,994 --> 01:22:34,704 and stepping up in this moment. 1952 01:22:34,746 --> 01:22:35,997 This is the hardest choice I think we’ve had 1953 01:22:36,039 --> 01:22:37,207 on this show so far. 1954 01:22:37,248 --> 01:22:38,541 We need to go behind these chairs 1955 01:22:38,583 --> 01:22:39,584 and talk about it for a little bit. 1956 01:22:39,626 --> 01:22:41,336 Dan + Shay, 1957 01:22:41,378 --> 01:22:44,464 it is time to find out who is the winner of this knockout. 1958 01:22:44,506 --> 01:22:45,757 God, this sucks. 1959 01:22:45,799 --> 01:22:48,551 ** 1960 01:22:48,593 --> 01:22:53,515 [ Conversing quietly ] 1961 01:22:53,556 --> 01:22:57,894 The winner of this knockout... 1962 01:22:57,936 --> 01:22:59,229 is Anya. 1963 01:22:59,270 --> 01:23:01,314 Anya, congratulations! 1964 01:23:01,356 --> 01:23:02,565 The reason we chose Anya, 1965 01:23:02,607 --> 01:23:04,275 she sings straight from her heart, 1966 01:23:04,317 --> 01:23:05,902 and just kind of pulls you in 1967 01:23:05,944 --> 01:23:07,529 and makes you believe the words that she’s saying. 1968 01:23:07,570 --> 01:23:08,863 She has a lot of potential 1969 01:23:08,905 --> 01:23:10,782 to do really well in this competition. 1970 01:23:10,824 --> 01:23:12,534 Coaches, I'm gonna remind you that Kyle is available to steal. 1971 01:23:12,575 --> 01:23:16,746 Daly: That's the sound of a steal from Chance the Rapper! 1972 01:23:16,788 --> 01:23:19,791 You don't gotta remind me, Carson! 1973 01:23:19,833 --> 01:23:21,960 I was playing the long game, baby. 1974 01:23:22,002 --> 01:23:26,047 Chance, you waited... not at all. 1975 01:23:26,089 --> 01:23:29,426 I was just like a leopard waiting to pounce. 1976 01:23:29,467 --> 01:23:31,594 I knew that I was gonna get you on my team at some point. 1977 01:23:31,636 --> 01:23:33,513 I just had to play my cards right. 1978 01:23:33,555 --> 01:23:35,682 Chance, are you saying that 1979 01:23:35,724 --> 01:23:40,645 you tried to convince Dan + Shay to pick Anya? 1980 01:23:40,687 --> 01:23:42,439 Unbelievable. This guy right here. 1981 01:23:42,480 --> 01:23:44,024 This guy is devious! 1982 01:23:44,065 --> 01:23:46,943 Anya was amazing. I believed what I was saying. 1983 01:23:46,985 --> 01:23:49,571 I’m just saying I’ve been waiting to get Kyle, 1984 01:23:49,612 --> 01:23:51,156 and it just worked out like that. 1985 01:23:51,197 --> 01:23:53,283 I've had my eye on Kyle since day one. 1986 01:23:53,324 --> 01:23:55,618 My team was full, so I couldn't grab him up. 1987 01:23:55,660 --> 01:23:57,454 He can do pop, he can do folk, he can do country. 1988 01:23:57,495 --> 01:24:00,790 I think he can do anything with his voice. 1989 01:24:00,832 --> 01:24:02,208 Pleasure doing business with you. 1990 01:24:02,250 --> 01:24:04,085 Yeah, no, that was great. That was great. 1991 01:24:04,127 --> 01:24:06,963 Ohhh. 1992 01:24:07,005 --> 01:24:16,014 ** 1993 01:24:16,056 --> 01:24:25,023 ** 1994 01:24:25,065 --> 01:24:34,074 ** 1995 01:24:34,115 --> 01:24:37,243 **