1 00:00:04,796 --> 00:00:10,260 ** 2 00:00:10,301 --> 00:00:12,303 Chance, what's happening? What's up, bro? 3 00:00:12,345 --> 00:00:13,805 How you doing? What's going on? Hey! 4 00:00:13,847 --> 00:00:14,848 How are you? 5 00:00:14,889 --> 00:00:16,766 Carson, long time no see. 6 00:00:16,808 --> 00:00:18,143 Hey! 7 00:00:19,102 --> 00:00:22,188 He left me. I don't know where he is. 8 00:00:22,230 --> 00:00:24,232 I guess John and I are gonna start a duo now. 9 00:00:24,274 --> 00:00:25,608 Hmm. Dan + John. 10 00:00:25,650 --> 00:00:28,153 That kind of has a ring to it. 11 00:00:28,194 --> 00:00:29,904 There you are! Where have you been? 12 00:00:29,946 --> 00:00:32,115 Did you miss me? I missed you. 13 00:00:32,157 --> 00:00:34,701 We're going in to work today. Can't wait! 14 00:00:34,743 --> 00:00:37,996 Daly: Give it up for your Season 25 coaches -- 15 00:00:38,038 --> 00:00:41,082 John Legend, Dan + Shay, 16 00:00:41,124 --> 00:00:46,379 Chance the Rapper, and Reba McEntire! 17 00:00:46,421 --> 00:00:48,798 [ Cheers and applause ] 18 00:00:48,840 --> 00:00:50,050 Here it is! 19 00:00:50,091 --> 00:00:54,554 ** 20 00:00:54,596 --> 00:00:55,805 Yoo-hoo! 21 00:00:55,847 --> 00:00:57,307 Daly: We're gonna get to more knockouts. 22 00:00:57,349 --> 00:00:58,600 Let's chat with the coaches here. 23 00:00:58,641 --> 00:01:01,311 Chance the Rapper's in the building! 24 00:01:01,353 --> 00:01:04,230 Reba, this is your second knockouts now. 25 00:01:04,272 --> 00:01:05,732 What did you learn from the first time around 26 00:01:05,774 --> 00:01:07,067 that you can apply now? 27 00:01:07,108 --> 00:01:08,443 It's very competitive, it's very tough, 28 00:01:08,485 --> 00:01:10,278 and it gets very emotional. 29 00:01:10,320 --> 00:01:12,489 And I see that John's got on his stealing jacket. 30 00:01:12,530 --> 00:01:15,116 It was specifically made to intimidate me. 31 00:01:15,158 --> 00:01:16,868 And honestly, it's working a little bit. 32 00:01:16,910 --> 00:01:19,371 Ah, come on! 33 00:01:19,412 --> 00:01:21,748 Thank you, Coaches. Let's get to it. 34 00:01:22,791 --> 00:01:24,376 Keith: I love this part. 35 00:01:24,417 --> 00:01:25,752 I love that they get to choose their own songs. Yeah. 36 00:01:25,794 --> 00:01:27,253 A lot of people that come on the show, 37 00:01:27,295 --> 00:01:29,005 like, their whole lives have been, 38 00:01:29,047 --> 00:01:30,590 "I can't wait to be on 'The Voice.'" 39 00:01:30,632 --> 00:01:33,385 And then they're on, and they're taking all this advice, 40 00:01:33,426 --> 00:01:35,804 but really, it's their moment to shine and sing the song 41 00:01:35,845 --> 00:01:37,889 that they've been singing in the mirror their whole lives, 42 00:01:37,931 --> 00:01:39,432 on national television. Totally. 43 00:01:39,474 --> 00:01:42,352 Next up, we've got Kamalei and Maddi. 44 00:01:42,394 --> 00:01:44,688 Kamalei sang "Redemption Song." 45 00:01:44,729 --> 00:01:49,442 I'd never heard a song that's so radical sound so peaceful. 46 00:01:49,484 --> 00:01:52,362 Maddi, on the other hand, she did, like, a rap at the end. 47 00:01:52,404 --> 00:01:54,114 So, she has this diva energy. 48 00:01:54,155 --> 00:01:56,825 But they're probably two of my strongest people on my team. 49 00:01:56,866 --> 00:01:57,909 Let's meet them. 50 00:01:57,951 --> 00:01:59,077 Hey! Hello! 51 00:01:59,119 --> 00:02:00,370 What it do? 52 00:02:00,412 --> 00:02:01,788 Whoa! What's up? 53 00:02:01,830 --> 00:02:02,872 Hi! 54 00:02:02,914 --> 00:02:04,624 What?! Come on in. 55 00:02:04,666 --> 00:02:05,917 Oh, my God! 56 00:02:05,959 --> 00:02:08,753 When I saw Keith Urban, I was just blown away. 57 00:02:08,795 --> 00:02:10,213 Aloha! Aloha! 58 00:02:10,255 --> 00:02:11,673 I'm a huge Keith Urban fan, 59 00:02:11,715 --> 00:02:13,341 so I was just ready to work with him 60 00:02:13,383 --> 00:02:15,468 and so excited to hear his feedback. 61 00:02:15,510 --> 00:02:16,970 What song are you singing today? 62 00:02:17,012 --> 00:02:18,596 I'm singing "All of Me." 63 00:02:18,638 --> 00:02:20,140 By John Legend? Oh, my gosh. 64 00:02:20,181 --> 00:02:21,808 I'm his nemesis. This is crazy. 65 00:02:21,850 --> 00:02:24,644 I was hoping you wouldn't say that. It's the wrong team! 66 00:02:24,686 --> 00:02:26,396 No, John Legend is my biggest inspiration in the world. 67 00:02:26,438 --> 00:02:27,939 I just keep joking about him being my nemesis. 68 00:02:27,981 --> 00:02:30,275 I love John. Why did you choose "All of Me"? 69 00:02:30,316 --> 00:02:32,944 It takes me home to my wife. 70 00:02:32,986 --> 00:02:34,404 I love her. I miss her. 71 00:02:34,446 --> 00:02:36,489 So, this is, like, my little gift to her. 72 00:02:36,531 --> 00:02:38,450 * What I do without... * 73 00:02:38,491 --> 00:02:39,993 The song means a lot to me 74 00:02:40,035 --> 00:02:42,495 because this was the first song that I sang for my wife. 75 00:02:42,537 --> 00:02:45,331 * 'Cause all of me * 76 00:02:45,373 --> 00:02:47,000 Cierra and I went to high school together. 77 00:02:47,042 --> 00:02:49,336 * Loves all of you * 78 00:02:49,377 --> 00:02:51,963 She took a young, immature boy, 79 00:02:52,005 --> 00:02:53,340 and she turned him into a man. 80 00:02:53,381 --> 00:02:55,133 She changed the whole path of my life. 81 00:02:55,175 --> 00:02:58,303 She pushed me to pursue music. 82 00:02:58,345 --> 00:03:00,180 And if I didn't meet her 10 years ago, 83 00:03:00,221 --> 00:03:01,222 I wouldn't be here. 84 00:03:01,264 --> 00:03:02,557 So, doing this song 85 00:03:02,599 --> 00:03:04,351 allows me to say thank you to her. 86 00:03:04,392 --> 00:03:05,977 * 'Cause I give you all... * 87 00:03:06,019 --> 00:03:08,938 I feel drawn to soulful type of music. 88 00:03:08,980 --> 00:03:11,191 And I feel like this song is a good representation 89 00:03:11,232 --> 00:03:12,984 of who I want to be as an artist. 90 00:03:13,026 --> 00:03:17,280 * Oh * Incredible. 91 00:03:17,322 --> 00:03:18,907 When you sing a song, 92 00:03:18,948 --> 00:03:21,451 it's your song and the lyrics in that moment. 93 00:03:21,493 --> 00:03:23,870 To hear a John song not sound like John 94 00:03:23,912 --> 00:03:25,455 is a huge feat. 95 00:03:25,497 --> 00:03:27,040 Oh, that means a lot. Thank you. 96 00:03:27,082 --> 00:03:29,334 I'm a guitar player, so it's been a little challenge 97 00:03:29,376 --> 00:03:30,835 figuring out what to do with my hands. 98 00:03:30,877 --> 00:03:33,213 Several places you can always put your hands. 99 00:03:33,254 --> 00:03:36,633 On the mic. One on the stand. 100 00:03:36,675 --> 00:03:38,426 You could put them in your pockets, 101 00:03:38,468 --> 00:03:41,346 but I did not notice your hands one time. 102 00:03:41,388 --> 00:03:43,181 That song is so suited to you. 103 00:03:43,223 --> 00:03:47,602 The only thing is, I would rein it in just a little bit. 104 00:03:47,644 --> 00:03:49,396 Like, when you start the song, 105 00:03:49,437 --> 00:03:51,731 you could be even a little more tender, 106 00:03:51,773 --> 00:03:54,484 and you're going to pull me in with your voice and your heart, 107 00:03:54,526 --> 00:03:57,404 'cause it's completely one. Thank you. 108 00:03:57,445 --> 00:03:59,906 Kamalei, there's a vulnerability about him, 109 00:03:59,948 --> 00:04:02,826 but also a nice spiritual, calming energy 110 00:04:02,867 --> 00:04:04,035 about him, as well. 111 00:04:04,077 --> 00:04:05,245 Alright, Maddi. 112 00:04:05,286 --> 00:04:07,080 You know how I get, man. 113 00:04:07,122 --> 00:04:09,958 Let's see -- Let's see -- Let's see it. Maddi: Yes! Yes! 114 00:04:10,000 --> 00:04:11,584 I think Kamalei is amazing. 115 00:04:11,626 --> 00:04:14,421 It was like every note was perfect. 116 00:04:14,462 --> 00:04:16,923 It definitely lit a fire in me 117 00:04:16,965 --> 00:04:18,967 to continue on in this competition. 118 00:04:19,009 --> 00:04:22,178 So, today, I'm gonna be singing "New Rules" by Dua Lipa. 119 00:04:22,220 --> 00:04:23,638 Oh, nice. 120 00:04:23,680 --> 00:04:26,266 * Talkin' in my sleep at night * 121 00:04:26,307 --> 00:04:27,559 I chose this song 122 00:04:27,600 --> 00:04:30,437 because Dua Lipa brings a lot of energy. 123 00:04:30,478 --> 00:04:32,439 * One, don't pick up the phone * 124 00:04:32,480 --> 00:04:34,691 It's a song that everyone can dance to. 125 00:04:34,733 --> 00:04:36,609 I definitely want to be pop. 126 00:04:36,651 --> 00:04:39,612 I want to bring the party. I also love telling stories. 127 00:04:39,654 --> 00:04:41,156 So, I'm very interested in rap. 128 00:04:41,197 --> 00:04:43,491 * But I've been still trying to work it * 129 00:04:43,533 --> 00:04:44,951 You said it. I told you! 130 00:04:44,993 --> 00:04:46,286 * Yeah, I eat, sleep, and breathe it * 131 00:04:46,327 --> 00:04:47,537 * Rehearse and repeat it * 132 00:04:47,579 --> 00:04:49,456 My little sister loves this song, 133 00:04:49,497 --> 00:04:52,625 and I know that it's inspired a lot of women 134 00:04:52,667 --> 00:04:54,461 to keep their standards high. 135 00:04:54,502 --> 00:04:56,254 My little sister's name is Mia. 136 00:04:56,296 --> 00:04:57,714 We've grown up doing theater 137 00:04:57,756 --> 00:04:59,799 and so many activities together. 138 00:04:59,841 --> 00:05:02,510 She's out here pursuing music with me now, 139 00:05:02,552 --> 00:05:04,471 and having family close to me 140 00:05:04,512 --> 00:05:06,097 while I'm going through something like this 141 00:05:06,139 --> 00:05:07,766 has been such a huge blessing. 142 00:05:07,807 --> 00:05:11,478 * You ain't gettin' over him * 143 00:05:13,855 --> 00:05:16,649 You're so explosive, ma'am. Aww, thanks. 144 00:05:16,691 --> 00:05:20,195 I brought you on the show 'cause I liked the rap that you did. 145 00:05:20,236 --> 00:05:23,365 But when we did the battles, you really surprised me 146 00:05:23,406 --> 00:05:25,158 with your vocal ability. Mm-hmm. 147 00:05:25,200 --> 00:05:28,161 There's a part -- there's a bridge that you do... 148 00:05:28,203 --> 00:05:31,456 * Practice makes perfect, I'm still tryna learn it * 149 00:05:31,498 --> 00:05:33,833 Do you like singing that part, or you wanted to rap that part? 150 00:05:33,875 --> 00:05:36,461 I think that my rapping needs work. 151 00:05:36,503 --> 00:05:38,755 It is a singing song. Like, why not sing it? 152 00:05:38,797 --> 00:05:40,256 You know what I mean? Yeah, for sure. Yeah. 153 00:05:40,298 --> 00:05:41,675 Hey, I would also add, 154 00:05:41,716 --> 00:05:44,511 the first time you hit the [Vocalizes] 155 00:05:44,552 --> 00:05:46,137 I would hold that longer. Yeah. Okay. 156 00:05:46,179 --> 00:05:47,764 'Cause it's the first time we've heard that range, 157 00:05:47,806 --> 00:05:49,516 really, from you. Mm-hmm. 158 00:05:49,557 --> 00:05:51,476 And it's just too good a moment that you're sort of 159 00:05:51,518 --> 00:05:53,019 pulling the rug out from under it too quick. 160 00:05:53,061 --> 00:05:54,270 Yeah, absolutely. 161 00:05:54,312 --> 00:05:55,814 * You ain't gettin' over him * 162 00:05:55,855 --> 00:05:57,774 Chance: Maddi, she's got that energy, that charisma 163 00:05:57,816 --> 00:06:01,152 that you immediately recognize as star power when you see it. 164 00:06:01,194 --> 00:06:04,030 * Whoo! * Chance: She's a good singer. She loves rap. 165 00:06:04,072 --> 00:06:06,449 She's got great rhythm. She's got great melody. 166 00:06:06,491 --> 00:06:07,659 She's gonna kill it. 167 00:06:07,701 --> 00:06:09,035 You're a star, man. Yeah. 168 00:06:09,077 --> 00:06:11,496 Well, you guys are both huge inspirations. 169 00:06:11,538 --> 00:06:12,956 Thanks, Maddi. Thank you. 170 00:06:12,997 --> 00:06:15,208 Kamalei, can you come up, too? Yeah, for sure. 171 00:06:15,250 --> 00:06:16,710 The scary part for me is that 172 00:06:16,751 --> 00:06:18,878 I don't have a playoff pass for this round. 173 00:06:18,920 --> 00:06:22,090 It's really gonna come down to who's really pushing it. 174 00:06:22,132 --> 00:06:24,926 I would sing, like, "Even if Chance doesn't pick me, 175 00:06:24,968 --> 00:06:27,012 one of the other coaches would be stupid 176 00:06:27,053 --> 00:06:28,304 not to steal me." 177 00:06:28,346 --> 00:06:29,806 You're both bringing equal strengths. 178 00:06:29,848 --> 00:06:31,641 They're different from one another. 179 00:06:31,683 --> 00:06:33,184 It's gonna be a great night for both of you, I think. 180 00:06:33,226 --> 00:06:34,519 Thank you so much. Thank you. 181 00:06:34,561 --> 00:06:37,022 Kamalei, Maddi, both, like, top tier. 182 00:06:37,063 --> 00:06:39,774 Best all-time Team Chance talent. 183 00:06:39,816 --> 00:06:41,443 I really don't know what I'm gonna do. 184 00:06:41,484 --> 00:06:42,527 We killed it. Great job. 185 00:06:42,569 --> 00:06:43,945 Keith: That was fantastic. 186 00:06:43,987 --> 00:06:45,238 It's gonna be tough to make these decision. 187 00:06:45,280 --> 00:06:47,365 Brutal. Yeah. 188 00:06:47,407 --> 00:06:49,242 John: Go, Maddi Jane! 189 00:06:49,284 --> 00:06:51,453 [ Cheers and applause ] 190 00:06:51,494 --> 00:06:54,581 Now singing "New Rules," here is Maddi Jane. 191 00:06:56,249 --> 00:07:00,253 ** 192 00:07:00,295 --> 00:07:02,339 * Talkin' in my sleep at night * 193 00:07:02,380 --> 00:07:05,175 * Makin' myself crazy * 194 00:07:05,216 --> 00:07:06,676 * Out of my mind * 195 00:07:06,718 --> 00:07:08,470 * Out of my mind * 196 00:07:08,511 --> 00:07:10,305 * My love * 197 00:07:10,347 --> 00:07:13,433 * He makes me feel like nobody else * 198 00:07:13,475 --> 00:07:16,019 Yes! * Nobody else * 199 00:07:16,061 --> 00:07:19,773 * But my love, he doesn't love me * 200 00:07:19,814 --> 00:07:22,275 * So I tell myself * 201 00:07:22,317 --> 00:07:24,944 * I tell myself * 202 00:07:24,986 --> 00:07:27,030 * One, don't pick up the phone * 203 00:07:27,072 --> 00:07:29,282 * You know he's only calling 'cause he's drunk and alone * 204 00:07:29,324 --> 00:07:30,950 * Two, don't let him in * 205 00:07:30,992 --> 00:07:33,078 * You'll have to kick him out again * 206 00:07:33,119 --> 00:07:35,205 * Three, don't be his friend * 207 00:07:35,246 --> 00:07:38,041 * You know you're gonna wake up in his bed in the morning * Wow! 208 00:07:38,083 --> 00:07:41,836 * And if you're under him, you ain't gettin' over him * 209 00:07:41,878 --> 00:07:44,130 * I got new rules, I count 'em * 210 00:07:45,757 --> 00:07:48,802 * I got new rules, I count 'em * 211 00:07:49,803 --> 00:07:52,972 * I gotta tell them to myself * 212 00:07:54,015 --> 00:07:57,143 * I got new rules, I count 'em * 213 00:08:00,355 --> 00:08:02,023 * Practice makes perfect * 214 00:08:02,065 --> 00:08:06,611 * I'm still tryna learn it by heart * 215 00:08:06,653 --> 00:08:08,530 * Yeah * 216 00:08:08,571 --> 00:08:10,407 * Eat, sleep, and breathe it * 217 00:08:10,448 --> 00:08:12,534 * Rehearse and repeat it * 218 00:08:12,575 --> 00:08:14,911 * 'Cause I * 219 00:08:14,953 --> 00:08:16,663 * I got new rules, I count 'em * 220 00:08:16,705 --> 00:08:18,623 * One, don't pick up the phone * 221 00:08:18,665 --> 00:08:20,875 * You know he's only calling 'cause he's drunk and alone * 222 00:08:20,917 --> 00:08:22,711 * Two, don't let him in * 223 00:08:22,752 --> 00:08:24,963 * You'll have to kick him out again * 224 00:08:25,005 --> 00:08:26,923 * Three, don't be his friend * 225 00:08:26,965 --> 00:08:29,884 * You know you're gonna wake up in his bed in the morning * 226 00:08:29,926 --> 00:08:35,265 * If you're under him, you ain't gettin' over hiiiim * 227 00:08:35,306 --> 00:08:40,854 * If you're under him, you ain't gettin' over hiiiim * 228 00:08:40,895 --> 00:08:45,817 * Hey, you ain't gettin' over him now, baby * 229 00:08:45,859 --> 00:08:48,903 * I got new rules, I count 'em * 230 00:08:49,904 --> 00:08:52,866 * You ain't gettin' over him * 231 00:08:52,907 --> 00:08:55,452 [ Cheers and applause ] 232 00:08:55,493 --> 00:08:57,662 Yeah, Maddi! 233 00:09:00,623 --> 00:09:02,709 Whoo-hoo! 234 00:09:06,755 --> 00:09:10,175 With "All of Me," here's Kamalei Kawa'a. 235 00:09:11,343 --> 00:09:19,434 ** 236 00:09:19,476 --> 00:09:23,396 * What would I do without your smart mouth * 237 00:09:23,438 --> 00:09:27,400 * Drawing me in, and you kicking me out? * 238 00:09:27,442 --> 00:09:30,111 * You've got my head spinning * 239 00:09:30,153 --> 00:09:34,991 * No kidding, I can't pin you down * 240 00:09:35,033 --> 00:09:38,912 * What's going on in that beautiful mind? * 241 00:09:38,953 --> 00:09:42,749 * I'm on your magical mystery ride * 242 00:09:42,791 --> 00:09:47,420 * And I'm so dizzy don't know what hit me * 243 00:09:47,462 --> 00:09:51,049 * But I'll be alright * 244 00:09:51,091 --> 00:09:57,472 * My head's under water, but I'm breathing fire * 245 00:09:57,514 --> 00:09:58,932 Yeah, Kamalei! 246 00:09:58,973 --> 00:10:04,312 * You're crazy and I'm out of my mind * 247 00:10:04,354 --> 00:10:10,944 * 'Cause all of me loves all of you * 248 00:10:10,985 --> 00:10:15,073 * I love your curves and all your edges * 249 00:10:15,115 --> 00:10:18,868 * All your perfect imperfections * 250 00:10:18,910 --> 00:10:22,664 * Give your all to me * 251 00:10:22,706 --> 00:10:26,292 * I'll give my all to you * 252 00:10:26,334 --> 00:10:30,171 * You're my end and my beginning * 253 00:10:30,213 --> 00:10:33,925 * Even when I lose I'm winning * 254 00:10:33,967 --> 00:10:39,806 * 'Cause I give you all of me * 255 00:10:39,848 --> 00:10:41,641 Yes, Kamalei! 256 00:10:41,683 --> 00:10:49,107 * And you give me all of you * 257 00:10:49,149 --> 00:10:56,823 * And I give you all of me * 258 00:10:56,865 --> 00:11:03,496 * And you give me all of you * 259 00:11:03,538 --> 00:11:06,708 * Oh * 260 00:11:06,750 --> 00:11:08,335 [ Cheers and applause ] 261 00:11:08,376 --> 00:11:10,295 Yes, Kamalei! 262 00:11:14,382 --> 00:11:16,259 Man! Yes! 263 00:11:20,013 --> 00:11:21,514 -Such a good job. -So sick. 264 00:11:21,556 --> 00:11:22,974 That was so crazy. 265 00:11:23,016 --> 00:11:25,352 That was two, very, very different performances 266 00:11:25,393 --> 00:11:26,728 in the best kind of way. 267 00:11:26,770 --> 00:11:28,646 Kamalei, that's such an incredible song. 268 00:11:28,688 --> 00:11:30,023 It's an all-timer, but you took it 269 00:11:30,065 --> 00:11:31,399 and made it sound not like a cover. 270 00:11:31,441 --> 00:11:32,859 It sounded like Kamalei singing that song. 271 00:11:32,901 --> 00:11:34,903 Thank you. Mahalo. 272 00:11:36,279 --> 00:11:37,864 Shay: Maddi Jane, in a song like that, 273 00:11:37,906 --> 00:11:39,240 you know, that's very dance-y, 274 00:11:39,282 --> 00:11:41,034 and you were able to bring out your voice. 275 00:11:41,076 --> 00:11:43,578 And I mean, some of those high notes were ridiculous. 276 00:11:43,620 --> 00:11:44,829 Thank you so much. 277 00:11:44,871 --> 00:11:46,373 I feel like Chance has his hands full 278 00:11:46,414 --> 00:11:48,124 because you guys both deserve to be here, 279 00:11:48,166 --> 00:11:50,251 and it was just a phenomenal performance. 280 00:11:51,252 --> 00:11:53,338 Kamalei, thank you for singing my song. 281 00:11:53,380 --> 00:11:55,173 One of the things that I'm known for in this show 282 00:11:55,215 --> 00:11:57,967 is that I'm a bit tough on people covering my songs, 283 00:11:58,009 --> 00:12:00,512 but I was just really into your version. 284 00:12:00,553 --> 00:12:02,013 It was beautiful. 285 00:12:02,055 --> 00:12:04,057 The whole demeanor with which you carry yourself 286 00:12:04,099 --> 00:12:05,725 with, like, gratitude and in your spirit, 287 00:12:05,767 --> 00:12:08,895 we feel that, and it comes through in your voice as well. 288 00:12:08,937 --> 00:12:10,230 Thank you so much. Mahalo. 289 00:12:10,271 --> 00:12:12,023 It means the world coming from you. 290 00:12:12,065 --> 00:12:14,984 And Maddi, I love that you take on songs 291 00:12:15,026 --> 00:12:16,611 that require a lot of breath control, 292 00:12:16,653 --> 00:12:18,238 a lot of rhythmic singing. 293 00:12:18,279 --> 00:12:20,365 Not easy to do in a singing competition. 294 00:12:20,407 --> 00:12:22,409 You were really creative and artistic 295 00:12:22,450 --> 00:12:26,037 in finding ways to also show, "Hey, I can sing, too." 296 00:12:26,079 --> 00:12:27,706 I don't know who Chance is going to choose, 297 00:12:27,747 --> 00:12:29,874 but I know I have a steal left. 298 00:12:30,625 --> 00:12:34,421 Kamalei, your voice, it just makes me feel good. 299 00:12:34,462 --> 00:12:36,172 Kind of like every time I go to Hawaii. 300 00:12:36,214 --> 00:12:39,092 Your people are so warm and welcoming, 301 00:12:39,134 --> 00:12:41,302 and you brought that. 302 00:12:41,344 --> 00:12:43,096 I quite literally brought Hawaii to you. 303 00:12:43,138 --> 00:12:45,765 My family's here in the audience. 304 00:12:45,807 --> 00:12:47,934 Love that. Wonderful. 305 00:12:47,976 --> 00:12:50,854 Maddi, you are a force of nature. 306 00:12:50,895 --> 00:12:53,273 The sassiness of it, the attitude. 307 00:12:53,314 --> 00:12:54,941 Thank you so much. Very talented. 308 00:12:54,983 --> 00:12:56,776 Yeah, you're on your own on this one. 309 00:12:56,818 --> 00:12:58,445 I have no idea. 310 00:12:58,486 --> 00:13:00,447 Thank you, Coaches. 311 00:13:00,488 --> 00:13:02,949 Alright, Chance, it comes down to you, buddy. 312 00:13:02,991 --> 00:13:04,743 Amazing performances. 313 00:13:04,784 --> 00:13:06,870 Kamalei, it's hard to cover John 314 00:13:06,911 --> 00:13:09,205 because he has such specific tone. 315 00:13:09,247 --> 00:13:10,999 Though we have seen you do it successfully 316 00:13:11,041 --> 00:13:12,584 with "Ordinary People." [ Laughter ] 317 00:13:12,625 --> 00:13:14,753 That's so different, impersonating someone's tone 318 00:13:14,794 --> 00:13:17,922 and being able to invoke the feeling of these lyrics 319 00:13:17,964 --> 00:13:20,175 that John wrote is a talent in and of itself. 320 00:13:20,216 --> 00:13:22,052 It makes it easy when you have a beautiful wife... 321 00:13:22,093 --> 00:13:23,970 Ah! ...to think of when you do this. 322 00:13:24,012 --> 00:13:25,805 Let's go, dude! Yeah! 323 00:13:25,847 --> 00:13:27,640 How can you not love this guy? 324 00:13:27,682 --> 00:13:30,352 [ Laughter ] 325 00:13:30,393 --> 00:13:34,439 Maddi, you have such confidence and attitude on stage, 326 00:13:34,481 --> 00:13:37,150 but then you also have the vocal talent to back it up, 327 00:13:37,192 --> 00:13:38,777 which is a big deal, and like John was saying, 328 00:13:38,818 --> 00:13:42,947 doing a song that's so rhythmic is a difficult thing. 329 00:13:42,989 --> 00:13:44,449 I thought that was awesome. 330 00:13:44,491 --> 00:13:46,993 Chance, it's time. 331 00:13:47,035 --> 00:13:48,411 Who's the winner of this knockout? 332 00:13:48,453 --> 00:13:49,412 Oh, damn. 333 00:13:49,454 --> 00:13:51,373 [ Laughter ] 334 00:13:51,414 --> 00:13:52,749 This is tough, Chance. 335 00:13:52,791 --> 00:13:54,292 Honestly... 336 00:13:55,710 --> 00:13:58,338 ...I think both you guys are amazing vocalists, 337 00:13:58,380 --> 00:14:01,299 but the winner of this knockout is... 338 00:14:02,842 --> 00:14:04,511 ...uh... 339 00:14:04,552 --> 00:14:09,516 ** 340 00:14:14,729 --> 00:14:16,064 * This is "The Voice" * 341 00:14:16,106 --> 00:14:17,440 Daly: Welcome back. 342 00:14:18,400 --> 00:14:20,944 Chance, who is the winner of this knockout? 343 00:14:20,985 --> 00:14:23,154 [ Laughter ] 344 00:14:23,196 --> 00:14:24,572 This is tough, Chance. 345 00:14:24,614 --> 00:14:26,282 Chance: Honestly... 346 00:14:27,659 --> 00:14:30,245 ...I think both you guys are amazing vocalists, 347 00:14:30,286 --> 00:14:33,540 but the winner of this knockout is... 348 00:14:33,581 --> 00:14:34,833 Maddi. 349 00:14:34,874 --> 00:14:36,126 Maddi, congratulations! 350 00:14:36,167 --> 00:14:37,711 You're moving on to the playoffs! 351 00:14:37,752 --> 00:14:39,879 Chance: Maddi is just an amazing performer. 352 00:14:39,921 --> 00:14:41,965 Like, through and through, she's an entertainer. 353 00:14:42,007 --> 00:14:44,050 She can sing, she can rap. 354 00:14:44,092 --> 00:14:46,928 Maddi really showcased her superstar power. 355 00:14:46,970 --> 00:14:49,723 Coaches, let me remind you that Kamalei is available to steal. 356 00:14:49,764 --> 00:14:51,850 Anything you'd like to say to your coach? 357 00:14:51,891 --> 00:14:54,102 I really can't repay you for the moments 358 00:14:54,144 --> 00:14:56,604 that you gave me here, so thank you. 359 00:14:56,646 --> 00:14:58,440 Oh, man. 360 00:14:58,481 --> 00:15:01,693 Whoa! We got a steal! 361 00:15:01,735 --> 00:15:04,362 We got two steals! 362 00:15:04,404 --> 00:15:05,739 Yeah! 363 00:15:05,780 --> 00:15:07,991 [ Cheers and applause ] 364 00:15:08,867 --> 00:15:10,827 You are back in this competition. 365 00:15:10,869 --> 00:15:13,788 Let's hear from John. He hit his steal button first. 366 00:15:13,830 --> 00:15:17,459 You bring so much of you to this competition, 367 00:15:17,500 --> 00:15:21,421 and this would be the most poetic outcome to this moment. 368 00:15:21,463 --> 00:15:22,756 [ Laughter ] 369 00:15:22,797 --> 00:15:24,716 Alright, John, you got some stiff competition. 370 00:15:24,758 --> 00:15:25,884 Queen Reba. 371 00:15:25,925 --> 00:15:27,302 The greatest singers in the world 372 00:15:27,344 --> 00:15:29,471 sometimes don't touch my heart. 373 00:15:29,512 --> 00:15:32,932 So, you've got a big heart, and you share it with people. 374 00:15:32,974 --> 00:15:34,559 Thank you so much for your kind words. 375 00:15:34,601 --> 00:15:36,019 Mahalo. 376 00:15:36,895 --> 00:15:39,105 Cool. [ Chuckles ] 377 00:15:39,147 --> 00:15:41,524 Kamalei, who do you pick as your coach? 378 00:15:42,650 --> 00:15:44,611 [ Audience shouting ] 379 00:15:44,652 --> 00:15:51,993 ** 380 00:15:52,035 --> 00:15:53,620 We're gonna go with John Legend. 381 00:15:53,661 --> 00:15:54,871 There it is! 382 00:15:54,913 --> 00:15:58,375 John Legend steals Kamalei Kawa'a! 383 00:15:58,416 --> 00:15:59,918 Come on! 384 00:15:59,959 --> 00:16:02,379 Kamalei gave such a beautiful interpretation of the song. 385 00:16:02,420 --> 00:16:04,798 So proud of you, man. You're amazing. Thank you. 386 00:16:04,839 --> 00:16:07,509 I felt his heart. I felt his emotion. 387 00:16:07,550 --> 00:16:10,053 I had to push for him. He came to Team Legend. 388 00:16:10,095 --> 00:16:12,555 What better ending could there be? 389 00:16:16,559 --> 00:16:18,395 Hi, honey. 390 00:16:19,396 --> 00:16:20,772 I'm so proud of you. Thank you. 391 00:16:20,814 --> 00:16:21,981 I love you so much. 392 00:16:22,023 --> 00:16:23,274 Love you more. 393 00:16:23,316 --> 00:16:26,027 Yeah, he's got a huge heart, man. 394 00:16:26,069 --> 00:16:27,987 He got me. He really did. 395 00:16:28,029 --> 00:16:29,781 Kamalei brought me to tears. 396 00:16:29,823 --> 00:16:33,034 I was bummed out because John got him on the steal. 397 00:16:33,076 --> 00:16:34,994 But it was meant to be. 398 00:16:35,036 --> 00:16:38,581 So, I'm the only one of the coaches with a steal left. 399 00:16:38,623 --> 00:16:40,125 Keith: Is Legend your real name? 400 00:16:40,166 --> 00:16:42,335 John: No. My last name is Stevens. Wow. 401 00:16:42,377 --> 00:16:44,004 John Roger Stevens. 402 00:16:44,045 --> 00:16:45,880 And yours? Is true. 403 00:16:45,922 --> 00:16:47,007 Urban? Yeah. 404 00:16:47,048 --> 00:16:48,133 Keith Urban works. 405 00:16:48,174 --> 00:16:50,010 I think it served you well. 406 00:16:50,051 --> 00:16:51,094 It is what it is. 407 00:16:51,136 --> 00:16:52,554 How do you feel? 408 00:16:52,595 --> 00:16:54,889 I'm a little nervous. I'm excited. 409 00:16:54,931 --> 00:16:56,016 John: We've got Gene. 410 00:16:56,057 --> 00:16:58,351 He's got this great tenor voice. 411 00:16:58,393 --> 00:16:59,894 He's really talented. 412 00:16:59,936 --> 00:17:02,480 And then Mafe, she has this gorgeous, 413 00:17:02,522 --> 00:17:04,399 classical, beautiful voice. 414 00:17:04,441 --> 00:17:05,567 Ready to meet them? Oh, yeah. 415 00:17:05,608 --> 00:17:06,901 Alright, bring them out. Let's do it. 416 00:17:06,943 --> 00:17:08,236 Oh, my God! 417 00:17:08,278 --> 00:17:10,947 We've got Keith Urban here! 418 00:17:10,989 --> 00:17:12,407 Our mega mentor. 419 00:17:12,449 --> 00:17:14,701 This is like a country rock star. 420 00:17:14,743 --> 00:17:16,786 He rocks really hard. He plays guitar. 421 00:17:16,828 --> 00:17:18,329 This guy is a heavy hitter, 422 00:17:18,371 --> 00:17:21,708 and it's a huge, huge plus to get as many tips 423 00:17:21,750 --> 00:17:23,001 as I can get from him. 424 00:17:23,043 --> 00:17:24,461 Keith: What song did you pick, Gene? 425 00:17:24,502 --> 00:17:26,504 I picked "I Don't Want to Miss a Thing." 426 00:17:26,546 --> 00:17:29,090 Aerosmith. Chance: Oh, nice. Classic. 427 00:17:29,132 --> 00:17:30,508 I love Aerosmith. 428 00:17:30,550 --> 00:17:32,135 That was actually one of the first bands 429 00:17:32,177 --> 00:17:33,678 that I remember hearing as a kid growing up. 430 00:17:33,720 --> 00:17:36,014 Is that where you see yourself musically? Yes. 431 00:17:36,056 --> 00:17:37,682 I've always been in rock bands, 432 00:17:37,724 --> 00:17:39,392 so it's just, like, my favorite thing to do. Excellent. 433 00:17:39,434 --> 00:17:41,770 When I was a kid, I would hear Aerosmith. 434 00:17:41,811 --> 00:17:44,105 It just stayed in my head. It was like an earworm. 435 00:17:44,147 --> 00:17:47,275 And that was the first time I was like [Vocalizes] 436 00:17:47,317 --> 00:17:48,985 like, figuring out high notes like that. 437 00:17:49,027 --> 00:17:54,532 * I could stay awake just to hear you breathing * 438 00:17:54,574 --> 00:17:56,117 Then, like my teen years, 439 00:17:56,159 --> 00:17:58,912 I would get ideas from Steven Tyler. 440 00:17:58,953 --> 00:18:00,372 How does he do his rock poses? 441 00:18:00,413 --> 00:18:02,624 How does he sing these songs? 442 00:18:02,665 --> 00:18:05,168 I don't really see too many people of color doing rock. 443 00:18:05,210 --> 00:18:06,795 * ...is a moment I treasure * 444 00:18:06,836 --> 00:18:09,297 That's a genre that's kind of slept on right now. 445 00:18:09,339 --> 00:18:10,965 So, here I am. 446 00:18:11,007 --> 00:18:12,550 * I don't wanna close my eyes * 447 00:18:12,592 --> 00:18:14,260 "Don't Want to Miss a Thing" is a really bold choice 448 00:18:14,302 --> 00:18:15,261 for Gene. 449 00:18:15,303 --> 00:18:16,513 I love him for that. 450 00:18:16,554 --> 00:18:18,973 He actually had an amazing range. 451 00:18:19,015 --> 00:18:21,226 He really took charge. 452 00:18:21,267 --> 00:18:24,854 Yeah! * ...a thing * 453 00:18:24,896 --> 00:18:27,065 Wow. Alright! Well done. 454 00:18:27,107 --> 00:18:28,274 Thank you. 455 00:18:28,316 --> 00:18:29,567 I'd like you to think about 456 00:18:29,609 --> 00:18:31,611 how to dirty it up a little bit, 457 00:18:31,653 --> 00:18:34,572 'cause you sound very proper. 458 00:18:34,614 --> 00:18:37,075 But it doesn't sound like rock 'n' roll, 459 00:18:37,117 --> 00:18:39,869 because rock has a little bit dirt to it. Like [Growls] Yeah. 460 00:18:39,911 --> 00:18:42,372 I think it's about throwing off some of the syllables 461 00:18:42,414 --> 00:18:44,666 in ways that are, like, a little more casual. 462 00:18:44,708 --> 00:18:46,668 I'm down. Yeah. Is this the original key? 463 00:18:46,710 --> 00:18:47,961 Original key. 464 00:18:48,003 --> 00:18:49,462 I'm hearing the D at the end, right? Yeah. 465 00:18:49,504 --> 00:18:51,089 You're hitting that, which is crazy. 466 00:18:51,131 --> 00:18:53,008 Yeah. But 80% of the song 467 00:18:53,049 --> 00:18:55,343 is in around G-flat, E, D. 468 00:18:55,385 --> 00:18:56,678 That's kind of where you're living. 469 00:18:56,720 --> 00:18:58,096 And I almost feel like your voice sits 470 00:18:58,138 --> 00:18:59,305 a little higher than that. 471 00:18:59,347 --> 00:19:01,057 And I don't know if it's okay, 472 00:19:01,099 --> 00:19:04,519 but to explore maybe even a half step up or something. Right. 473 00:19:04,561 --> 00:19:07,022 * And I don't wanna miss a thing * 474 00:19:07,063 --> 00:19:08,648 I'm learning from John 475 00:19:08,690 --> 00:19:11,568 that you can be the best technical singer in the world, 476 00:19:11,609 --> 00:19:14,279 but if you're not making people feel something, 477 00:19:14,320 --> 00:19:15,780 what's the point? 478 00:19:15,822 --> 00:19:17,699 Oh, I desperately want to win this knockout 479 00:19:17,741 --> 00:19:19,701 because I want to get to the playoffs. 480 00:19:19,743 --> 00:19:21,411 I feel like I'm just getting started. 481 00:19:21,453 --> 00:19:23,371 * ...a thing * 482 00:19:23,413 --> 00:19:25,874 I like the key. I think so. 483 00:19:25,915 --> 00:19:27,083 Fantastic, Gene. 484 00:19:27,125 --> 00:19:29,461 Mafe, come on up. Hello! 485 00:19:29,502 --> 00:19:33,506 I chose "Almost Is Never Enough" by Ariana Grande. 486 00:19:33,548 --> 00:19:36,926 * I'd like to say we gave it a try * 487 00:19:36,968 --> 00:19:40,555 I've been a fan of Ariana Grande since I can remember. 488 00:19:40,597 --> 00:19:42,599 When I do my own music, 489 00:19:42,640 --> 00:19:47,562 I want to go through that R&B path like Ariana Grande. 490 00:19:47,604 --> 00:19:50,899 This song helped a lot to learn English. 491 00:19:50,940 --> 00:19:53,818 From trying to understand the words 492 00:19:53,860 --> 00:19:57,781 to now being in front of this coaches, 493 00:19:57,822 --> 00:20:00,909 singing this song, is mind-blowing. 494 00:20:00,950 --> 00:20:02,744 I just want them to see my passion 495 00:20:02,786 --> 00:20:04,454 and that I want to stay here. 496 00:20:04,496 --> 00:20:09,626 * The truth is every one knows * 497 00:20:09,668 --> 00:20:12,754 Mafe has a really soulful voice, a really inviting voice. 498 00:20:12,796 --> 00:20:14,422 And this song means a lot to her, 499 00:20:14,464 --> 00:20:16,716 and I can feel it when I see her performing. 500 00:20:16,758 --> 00:20:20,762 * ...enough * Oh, my goodness. 501 00:20:20,804 --> 00:20:22,389 Beautiful! 502 00:20:22,430 --> 00:20:24,140 The key will be just making sure 503 00:20:24,182 --> 00:20:26,559 that you're able to connect on that lower part of the song. 504 00:20:26,601 --> 00:20:28,728 It's about breath support because low notes 505 00:20:28,770 --> 00:20:31,648 are often harder to support, especially live. 506 00:20:31,690 --> 00:20:33,983 Be mindful of the nervousness 507 00:20:34,025 --> 00:20:36,444 of moving hands on the microphone too much. Yeah. 508 00:20:36,486 --> 00:20:37,946 Particularly in a setting where the camera's 509 00:20:37,987 --> 00:20:40,448 going to come in really close and be right here, 510 00:20:40,490 --> 00:20:42,784 'cause this will pick up huge. Okay. 511 00:20:42,826 --> 00:20:44,244 Gosh, you've got a good voice. 512 00:20:44,285 --> 00:20:49,749 * ...is never enough * 513 00:20:49,791 --> 00:20:51,543 How are we gonna pick a winner? 514 00:20:51,584 --> 00:20:54,129 I'm gonna wait and see who steps up to that moment 515 00:20:54,170 --> 00:20:56,256 because the knockouts are high pressure. 516 00:20:56,297 --> 00:20:57,841 Everyone is a great singer, 517 00:20:57,882 --> 00:20:59,634 but it's gonna make a difference who really comes 518 00:20:59,676 --> 00:21:02,220 with their A-plus game for this performance. 519 00:21:02,262 --> 00:21:04,973 [ Cheers and applause ] 520 00:21:05,015 --> 00:21:06,808 Beautiful! 521 00:21:09,519 --> 00:21:11,104 Daly: With "I Don't Want to Miss a Thing," 522 00:21:11,146 --> 00:21:13,815 here's Gene Taylor. 523 00:21:14,858 --> 00:21:21,406 ** 524 00:21:21,448 --> 00:21:28,913 * I could stay awake just to hear you breathing * 525 00:21:28,955 --> 00:21:35,754 * I could stay lost in this moment forever * 526 00:21:35,795 --> 00:21:39,507 * Oh, every moment spent with you * 527 00:21:39,549 --> 00:21:45,430 * Is a moment I treasure * 528 00:21:45,472 --> 00:21:49,225 * I don't wanna close my eyes * 529 00:21:49,267 --> 00:21:51,519 * I don't wanna fall asleep * 530 00:21:51,561 --> 00:21:53,438 * 'Cause I'd miss you, baby * 531 00:21:53,480 --> 00:21:56,483 * And I don't wanna miss a thing * 532 00:21:56,524 --> 00:22:00,362 * Well, I don't wanna miss one smile * 533 00:22:00,403 --> 00:22:03,698 * No, I don't wanna miss one kiss * 534 00:22:03,740 --> 00:22:06,451 * Oh, I just wanna be with you * 535 00:22:06,493 --> 00:22:09,120 * Right here with you * 536 00:22:09,162 --> 00:22:11,539 * Just like this * 537 00:22:11,581 --> 00:22:15,210 * Oh, I just wanna hold you close * 538 00:22:15,251 --> 00:22:19,589 * I feel your heart so close to mine * 539 00:22:19,631 --> 00:22:22,967 * And just stay here in this moment * 540 00:22:23,009 --> 00:22:27,722 * For all the rest of time * 541 00:22:27,764 --> 00:22:31,935 * Yeah, yeah, yeah * 542 00:22:31,976 --> 00:22:35,897 * I don't wanna close my eyes * 543 00:22:35,939 --> 00:22:38,024 * I don't wanna fall asleep * 544 00:22:38,066 --> 00:22:40,235 * 'Cause I'd miss you, baby * 545 00:22:40,276 --> 00:22:43,613 * And I don't wanna miss a thing * 546 00:22:43,655 --> 00:22:46,533 * 'Cause even when I dream of you * 547 00:22:46,574 --> 00:22:48,993 * Oh, the sweetest dream would never do * 548 00:22:49,035 --> 00:22:51,663 * Oh, I'd still miss you, baby * 549 00:22:51,705 --> 00:22:54,708 * And I don't wanna miss a thing * 550 00:22:54,749 --> 00:22:57,836 * I don't wanna close my eyes * 551 00:22:57,877 --> 00:23:02,841 * I don't wanna fall asleep, yeah * 552 00:23:02,882 --> 00:23:10,181 * And I don't wanna miss a thing * 553 00:23:10,223 --> 00:23:12,475 [ Cheers and applause ] 554 00:23:23,319 --> 00:23:24,654 * This is "The Voice" * 555 00:23:24,696 --> 00:23:26,531 Daly: Welcome back to the knockouts. 556 00:23:28,158 --> 00:23:30,118 Now with "Almost Is Never Enough," 557 00:23:30,160 --> 00:23:32,037 here's Mafe. 558 00:23:33,121 --> 00:23:34,664 Come on, Mafe! 559 00:23:34,706 --> 00:23:36,958 [ Cheers and applause ] 560 00:23:38,168 --> 00:23:42,088 ** 561 00:23:42,130 --> 00:23:47,260 * I'd like to say we gave it a try * 562 00:23:48,094 --> 00:23:53,892 * I'd like to blame it all on life * 563 00:23:53,933 --> 00:23:58,355 * Maybe we just weren't right * 564 00:23:58,396 --> 00:24:01,358 * But that's a lie * 565 00:24:01,399 --> 00:24:04,110 * That's a lie * 566 00:24:04,152 --> 00:24:09,699 * And we can deny it as much as we want * 567 00:24:09,741 --> 00:24:15,747 * But in time, our feelings will show * 568 00:24:15,789 --> 00:24:18,750 * 'Cause sooner or later * 569 00:24:18,792 --> 00:24:21,711 * We'll wonder why we gave up * 570 00:24:21,753 --> 00:24:26,883 * The truth is everyone knows * 571 00:24:26,925 --> 00:24:30,679 * Oh, almost * 572 00:24:30,720 --> 00:24:36,518 * Almost is never enough * 573 00:24:36,559 --> 00:24:42,065 * So close to being in love * 574 00:24:42,107 --> 00:24:47,487 * If I would have known that you wanted me * 575 00:24:47,529 --> 00:24:51,074 * The way I wanted you * 576 00:24:51,116 --> 00:24:56,413 * Then maybe we wouldn't be two worlds apart * 577 00:24:56,454 --> 00:25:01,918 * But right here in each other's arms * 578 00:25:01,960 --> 00:25:05,880 * And we almost * 579 00:25:05,922 --> 00:25:11,052 * We almost knew what love was * Yeah! 580 00:25:11,094 --> 00:25:17,100 * But almost is never enough * 581 00:25:17,142 --> 00:25:23,106 * But almost is never enough * 582 00:25:23,148 --> 00:25:29,154 * Almost is never enough * 583 00:25:29,195 --> 00:25:37,620 * Almost is never enough * 584 00:25:37,662 --> 00:25:39,873 [ Cheers and applause ] 585 00:25:40,665 --> 00:25:42,250 Beautiful! 586 00:25:44,461 --> 00:25:45,712 Killed it! 587 00:25:46,713 --> 00:25:48,048 Way to go! 588 00:25:48,089 --> 00:25:50,008 Gene, I'll start with you. 589 00:25:50,050 --> 00:25:52,802 You put your own personality and style 590 00:25:52,844 --> 00:25:54,888 into a great Aerosmith song. 591 00:25:54,929 --> 00:25:56,806 Steven Tyler would be proud. 592 00:25:56,848 --> 00:25:58,433 See how I dropped that name just right there? 593 00:25:58,475 --> 00:25:59,726 -Yeah. -That was nice. 594 00:25:59,768 --> 00:26:01,186 I'm just gonna pick that up now. 595 00:26:01,227 --> 00:26:02,896 You know your way around a stage. 596 00:26:02,937 --> 00:26:04,731 You're a great entertainer. 597 00:26:04,773 --> 00:26:07,442 And Mafe, I love that tone. 598 00:26:07,484 --> 00:26:10,320 It makes you want to snuggle up in a real cozy blanket 599 00:26:10,362 --> 00:26:13,323 and just sit there and listen to you all night long. 600 00:26:13,365 --> 00:26:15,158 Thank you so much. 601 00:26:15,200 --> 00:26:17,369 Mafe, I always love your performances. 602 00:26:17,410 --> 00:26:19,829 This is a Ariana song. You didn't sound like Ariana. 603 00:26:19,871 --> 00:26:21,206 You sounded like yourself, 604 00:26:21,247 --> 00:26:22,707 and if you can make us feel the song, 605 00:26:22,749 --> 00:26:24,084 like, it goes a long way, 606 00:26:24,125 --> 00:26:25,835 and I really felt connected. 607 00:26:25,877 --> 00:26:27,295 Thank you so much. 608 00:26:27,337 --> 00:26:29,589 Gene, you always give passionate performances, 609 00:26:29,631 --> 00:26:32,300 but I think this time it kind of messed with your pitch 610 00:26:32,342 --> 00:26:33,718 in a few moments. 611 00:26:33,760 --> 00:26:35,428 If I had to choose, I'd probably lean 612 00:26:35,470 --> 00:26:37,514 a little bit more towards Mafe. 613 00:26:37,555 --> 00:26:38,682 Okay. 614 00:26:38,723 --> 00:26:40,100 Gene, your voice is phenomenal. 615 00:26:40,141 --> 00:26:42,018 I mean, it's technically -- 616 00:26:42,060 --> 00:26:44,562 you have one of the best voices on the show. 617 00:26:44,604 --> 00:26:46,189 Dan: Mafe, you have such 618 00:26:46,231 --> 00:26:47,816 an incredible control of your voice. 619 00:26:47,857 --> 00:26:49,401 It feels like a world-class painter. 620 00:26:49,442 --> 00:26:51,444 You know when to dip in and out of vibrato. 621 00:26:51,486 --> 00:26:53,571 You're just such an unbelievably talented singer. 622 00:26:53,613 --> 00:26:54,864 You both are. 623 00:26:54,906 --> 00:26:55,907 This was a great, great knockout. 624 00:26:55,949 --> 00:26:57,367 Thank you so much. 625 00:26:57,409 --> 00:26:59,285 Daly: Thank you, Coaches. 626 00:26:59,327 --> 00:27:01,204 Alright, John, it comes down to you, of course. 627 00:27:01,246 --> 00:27:03,039 Give us some thoughts before you tell us who won. 628 00:27:03,081 --> 00:27:05,625 Well, both of you are such a joy to work with. 629 00:27:05,667 --> 00:27:08,545 Gene, I feel like you exude just positive light 630 00:27:08,586 --> 00:27:10,422 and a love for being on stage. 631 00:27:10,463 --> 00:27:11,881 It's really infectious. 632 00:27:11,923 --> 00:27:14,342 And then, Mafe, your energy is more like warmth. 633 00:27:14,384 --> 00:27:15,719 It feels like love. 634 00:27:15,760 --> 00:27:17,554 You feel so connected to the songs. 635 00:27:17,595 --> 00:27:18,847 For both of you, it's a joy 636 00:27:18,888 --> 00:27:21,182 to be around people like that. 637 00:27:21,224 --> 00:27:22,559 Thank you for giving us that. 638 00:27:22,600 --> 00:27:24,477 Thank you. Thank you. 639 00:27:24,519 --> 00:27:26,187 Daly: John, you got a tough decision here. 640 00:27:26,229 --> 00:27:28,398 Who is the winner of this knockout? 641 00:27:28,440 --> 00:27:38,241 ** 642 00:27:38,283 --> 00:27:40,952 The winner of this knockout is Mafe. 643 00:27:40,994 --> 00:27:42,704 Mafe, congratulations! 644 00:27:42,746 --> 00:27:44,372 You're moving on to the playoffs! 645 00:27:44,414 --> 00:27:46,833 John: I love Mafe. Her tone is so beautiful. 646 00:27:46,875 --> 00:27:51,880 Her energy is so warm and calm, and it's just really special. 647 00:27:51,921 --> 00:27:54,841 Wonderful. Thank you so much. 648 00:27:54,883 --> 00:27:56,426 She's shown us some versatility 649 00:27:56,468 --> 00:27:58,178 in the type of song she can perform. 650 00:27:58,219 --> 00:28:00,221 I can't wait to see what she does next. 651 00:28:00,263 --> 00:28:03,641 Give it up for Gene Taylor, ladies and gentlemen. 652 00:28:03,683 --> 00:28:06,436 John: We're really getting down to the best of the best. 653 00:28:06,478 --> 00:28:08,188 Inevitably, we're gonna send some 654 00:28:08,229 --> 00:28:10,607 incredibly talented artists home. 655 00:28:10,648 --> 00:28:13,276 It's so frustrating, but these are the knockouts. 656 00:28:13,318 --> 00:28:15,278 We've got to make some tough decisions. 657 00:28:15,320 --> 00:28:18,823 Daly: Still to come on the final night of knockouts... 658 00:28:18,865 --> 00:28:20,200 expert coaching... 659 00:28:20,241 --> 00:28:22,077 I'd get up on the mic just a little bit more 660 00:28:22,118 --> 00:28:24,037 and get a bit more intimate. Okay. 661 00:28:24,079 --> 00:28:26,956 * The Georgia rain * 662 00:28:26,998 --> 00:28:28,958 Daly: ...extraordinary performances... 663 00:28:29,000 --> 00:28:32,962 * Your sweet love * Yes! 664 00:28:33,004 --> 00:28:34,339 I thought you slayed that. 665 00:28:34,381 --> 00:28:36,633 Absolutely sang the mess out of that song. 666 00:28:36,675 --> 00:28:39,260 My Lord, that was beautiful. 667 00:28:40,011 --> 00:28:41,638 -Yeah! -Oh! 668 00:28:41,680 --> 00:28:44,974 Daly: ...and Reba uses the last steal of the season. 669 00:28:51,690 --> 00:28:52,899 * This is "The Voice" * 670 00:28:52,941 --> 00:28:55,068 Daly: Welcome back to "The Voice." 671 00:28:56,361 --> 00:28:58,613 Alright, so, this is my last chance. 672 00:28:58,655 --> 00:29:00,115 I have one steal. 673 00:29:00,156 --> 00:29:01,866 You're the only one with a steal. Yeah. 674 00:29:01,908 --> 00:29:03,284 I'm jealous of the steal. 675 00:29:03,326 --> 00:29:04,994 There's still some great talent left. 676 00:29:05,036 --> 00:29:06,579 Yeah, I have some great people on Team Legend 677 00:29:06,621 --> 00:29:09,457 that they would love to be on Team Reba. 678 00:29:09,499 --> 00:29:11,418 [ Laughter ] 679 00:29:11,459 --> 00:29:13,503 We're campaigning to have two steals. 680 00:29:13,545 --> 00:29:14,921 We've got two chairs. 681 00:29:14,963 --> 00:29:16,423 Wait a minutes. Is that right? 682 00:29:16,464 --> 00:29:17,507 Can they do that? 683 00:29:17,549 --> 00:29:19,551 They are one coach, as a team 684 00:29:19,592 --> 00:29:22,887 'cause each of them is like half a coach, really, honestly. 685 00:29:22,929 --> 00:29:24,681 Oh! Wow! 686 00:29:24,723 --> 00:29:26,141 Wow! Oh, no. 687 00:29:26,182 --> 00:29:27,934 Unbelievable. Did I say that? 688 00:29:27,976 --> 00:29:29,352 I'm excited. 689 00:29:29,394 --> 00:29:31,521 When we're here, there's something so pure 690 00:29:31,563 --> 00:29:33,356 about seeing these artists compete. 691 00:29:33,398 --> 00:29:35,066 And still stay friends. Yeah. 692 00:29:35,108 --> 00:29:36,609 They come in, they hug, they compete. 693 00:29:36,651 --> 00:29:38,236 That's one of the best parts of the show, honestly. 694 00:29:38,278 --> 00:29:40,196 Somebody had a secret handshake earlier. 695 00:29:40,238 --> 00:29:41,531 You remember our secret handshake, Chance, 696 00:29:41,573 --> 00:29:42,907 that we came up with? I forgot it 697 00:29:42,949 --> 00:29:43,992 as soon as you taught it to me. 698 00:29:44,034 --> 00:29:45,243 Oh, man. [ Laughs ] 699 00:29:45,285 --> 00:29:46,619 We started out, it was like this. 700 00:29:46,661 --> 00:29:48,246 I remember that part. And it comes off, 701 00:29:48,288 --> 00:29:50,457 and then we elbow, and then we punch John. 702 00:29:50,498 --> 00:29:51,583 [ Laughter ] 703 00:29:51,624 --> 00:29:53,126 You remember. Well, we changed it. 704 00:29:53,168 --> 00:29:54,586 Listen, I don't know the handshake. 705 00:29:54,627 --> 00:29:56,755 I'm gonna remember this. It's a work in process. 706 00:29:56,796 --> 00:29:59,132 I'm ready to do this. More knockouts! Let's go! 707 00:29:59,174 --> 00:30:01,509 Let's fire it up. Reba's got a steal to use. 708 00:30:01,551 --> 00:30:02,969 I'm nervous. 709 00:30:03,011 --> 00:30:06,014 Shay: Being able to mentor these contestants is incredible. 710 00:30:06,056 --> 00:30:07,140 You've really done that for us over the years, 711 00:30:07,182 --> 00:30:08,475 which we're very grateful for. 712 00:30:08,516 --> 00:30:09,726 Dan: These people all look up to you, man. 713 00:30:09,768 --> 00:30:10,977 And that means a lot. 714 00:30:11,019 --> 00:30:12,395 The words that you give them, 715 00:30:12,437 --> 00:30:13,772 I feel like they're gonna carry with them 716 00:30:13,813 --> 00:30:15,190 the rest of their lives. Awesome. 717 00:30:15,231 --> 00:30:16,608 Dan: Love you, brother. Love you, too, Dan. 718 00:30:16,649 --> 00:30:19,361 Doing squats. Whew! Get rid of the nerves. 719 00:30:19,402 --> 00:30:21,112 How are you still nervous? 720 00:30:21,154 --> 00:30:22,655 I don't know. You got it. You got it. 721 00:30:22,697 --> 00:30:24,991 Ducote, Karen, they're very different singers. 722 00:30:25,033 --> 00:30:28,453 Karen is this powerhouse, Carrie Underwood-type singer. 723 00:30:28,495 --> 00:30:30,789 And Ducote has a special grit to his voice, 724 00:30:30,830 --> 00:30:32,665 and I think it's gonna make for a great pairing. 725 00:30:32,707 --> 00:30:34,626 Adios! After you, lady. 726 00:30:36,002 --> 00:30:38,129 What's up, guys? Let's go! 727 00:30:38,171 --> 00:30:39,798 Come on! No way! 728 00:30:39,839 --> 00:30:41,257 Let's go! How are you, Karen? 729 00:30:41,299 --> 00:30:43,301 Oh, my gosh! Yes, yes! Nice to see you. 730 00:30:43,343 --> 00:30:45,261 Yes! Nice to meet you! 731 00:30:45,303 --> 00:30:46,638 Ducote: Keith Urban can do everything. 732 00:30:46,680 --> 00:30:48,306 He performs. He puts on a great show. 733 00:30:48,348 --> 00:30:50,475 It's crazy to be able to get input 734 00:30:50,517 --> 00:30:53,353 from a guy that's done amazing with his career. 735 00:30:53,395 --> 00:30:55,522 I literally just was at your show in Nashville. 736 00:30:55,563 --> 00:30:57,273 Were you? To walk in the room 737 00:30:57,315 --> 00:31:00,610 and see that level of a performer about to help me? 738 00:31:00,652 --> 00:31:02,195 I was like, "Yes!" 739 00:31:02,237 --> 00:31:04,489 Let's dive in. Alright. Let's do this. 740 00:31:04,531 --> 00:31:06,157 Dan: It's gonna be a good one. 741 00:31:06,199 --> 00:31:07,701 Tell me what song are you gonna do? 742 00:31:07,742 --> 00:31:09,160 Oh, I'm gonna be doing "She Got the Best of Me" 743 00:31:09,202 --> 00:31:10,745 by Luke Combs. Oh, cool. 744 00:31:10,787 --> 00:31:14,708 * 17, you don't think that much about life * 745 00:31:14,749 --> 00:31:16,167 * You just live it * 746 00:31:16,209 --> 00:31:18,795 I look back on life when I was way younger, 747 00:31:18,837 --> 00:31:21,840 three years ago, when I was [Laughing] 17, 748 00:31:21,881 --> 00:31:25,135 going to the lake all day, staying up all night, 749 00:31:25,176 --> 00:31:26,761 living free. 750 00:31:26,803 --> 00:31:28,388 And then 18 comes along, 751 00:31:28,430 --> 00:31:30,515 got into fire school and became a firefighter. 752 00:31:30,557 --> 00:31:32,350 And then school on top of all that. 753 00:31:32,392 --> 00:31:34,269 * She got the best of me * 754 00:31:34,310 --> 00:31:37,355 This whole experience has been a great reminder 755 00:31:37,397 --> 00:31:39,315 that you got to do what makes you happy. 756 00:31:39,357 --> 00:31:40,608 Live in the moment now, while you can, 757 00:31:40,650 --> 00:31:42,360 'cause eventually, it's gonna end 758 00:31:42,402 --> 00:31:44,195 and you're gonna have to go back to your real world. 759 00:31:44,237 --> 00:31:46,197 This song showcases the artist I want to be 760 00:31:46,239 --> 00:31:48,366 because it's a rough country song. 761 00:31:48,408 --> 00:31:50,493 But it also has some very vulnerable parts. 762 00:31:50,535 --> 00:31:53,913 * You get what's left of me * 763 00:31:53,955 --> 00:31:56,541 What a sick song. Such a smash on country radio. 764 00:31:56,583 --> 00:31:59,127 I feel like this allows him to show a more vulnerable, 765 00:31:59,169 --> 00:32:00,920 more soft side, which I think is important. 766 00:32:00,962 --> 00:32:03,381 He's got the charisma. He's got the personality. 767 00:32:03,423 --> 00:32:05,425 I think that's really going to translate. 768 00:32:05,467 --> 00:32:06,926 -Yeah, buddy. -Yeah, man. 769 00:32:06,968 --> 00:32:08,470 Dan: Obviously, I think you're most at home 770 00:32:08,511 --> 00:32:09,888 when you're doing, like, the growl, 771 00:32:09,929 --> 00:32:11,348 kind of, like, tougher thing. 772 00:32:11,389 --> 00:32:12,515 I just want to feel the same confidence 773 00:32:12,557 --> 00:32:13,975 in the tender part. Yep. 774 00:32:14,017 --> 00:32:15,393 To this point in the competition, 775 00:32:15,435 --> 00:32:16,353 we haven't heard anything kind of soft 776 00:32:16,394 --> 00:32:17,437 like that from you. 777 00:32:17,479 --> 00:32:18,897 Keith: Right out of the gate, 778 00:32:18,938 --> 00:32:20,815 might be nice if there was just piano and you. 779 00:32:20,857 --> 00:32:22,734 Okay. And then maybe the band can build up. 780 00:32:22,776 --> 00:32:24,694 And when we hit the chorus, then we go into that. 781 00:32:24,736 --> 00:32:26,905 I really want you to sell that part -- 782 00:32:26,946 --> 00:32:28,073 "She got the best of me." 783 00:32:28,114 --> 00:32:30,909 * She got the best of me * 784 00:32:30,950 --> 00:32:33,203 And just really, like, let that sink in. Okay. 785 00:32:33,244 --> 00:32:35,413 I would save, like, the big gritty growl 786 00:32:35,455 --> 00:32:37,957 for the last line of that to really make it matters. 787 00:32:37,999 --> 00:32:42,587 * Is beating in this guitar every night * 788 00:32:42,629 --> 00:32:44,255 Okay. Let that be the moment. 789 00:32:44,297 --> 00:32:45,965 I like changing things up. 790 00:32:46,007 --> 00:32:49,969 * 17, you don't think that much about life * 791 00:32:50,011 --> 00:32:51,429 * You just live it * 792 00:32:51,471 --> 00:32:53,765 Breaking down that beginning really helped. 793 00:32:53,807 --> 00:32:55,266 Thank you so much, man. Thank y'all. 794 00:32:55,308 --> 00:32:56,267 Shay: Thanks for listening to us. 795 00:32:56,309 --> 00:32:59,062 Ducote is so unique. 796 00:32:59,104 --> 00:33:00,605 I've lived in Nashville a long time, 797 00:33:00,647 --> 00:33:02,399 and I've played music with a lot of people, 798 00:33:02,440 --> 00:33:04,442 and I've never heard anybody sing quite like him, 799 00:33:04,484 --> 00:33:06,778 so I really have to bring it. 800 00:33:06,820 --> 00:33:08,655 Tell us about where you're singing today. 801 00:33:08,697 --> 00:33:10,740 I'm singing "Georgia Rain" by Trisha Yearwood. 802 00:33:10,782 --> 00:33:14,577 * Barefoot in the bed of your truck * 803 00:33:14,619 --> 00:33:18,581 This song is really emotional and is a storytelling song. 804 00:33:18,623 --> 00:33:20,750 It's about everybody's love story 805 00:33:20,792 --> 00:33:24,838 that they look back on and reminisce in a positive way. 806 00:33:24,879 --> 00:33:27,507 I moved to Nashville, Tennessee, after college. 807 00:33:27,549 --> 00:33:30,218 I was living in a really run-down house, 808 00:33:30,260 --> 00:33:31,970 playing bar gigs, 809 00:33:32,012 --> 00:33:34,097 and I was in a relationship 810 00:33:34,139 --> 00:33:36,391 where I was traveling to see a guy 811 00:33:36,433 --> 00:33:38,101 that was living in Georgia. 812 00:33:38,143 --> 00:33:42,355 It was a conflicting emotional roller coaster for years. 813 00:33:42,397 --> 00:33:45,316 Finally, I decided I'm going to put music first. 814 00:33:45,358 --> 00:33:47,402 * The Georgia rain * 815 00:33:47,444 --> 00:33:49,654 I feel like I'm getting better, 816 00:33:49,696 --> 00:33:52,574 working with the coaches, pushing myself. 817 00:33:52,615 --> 00:33:54,659 I don't want the ride to be over. 818 00:33:54,701 --> 00:33:56,661 You sound like a record when you sing. 819 00:33:56,703 --> 00:33:58,830 You got such a great voice. Thank you. 820 00:33:58,872 --> 00:34:01,791 Don't think about performing so much right out of the gate. Okay. 821 00:34:01,833 --> 00:34:03,501 I'd get up on the mic just a little bit more 822 00:34:03,543 --> 00:34:05,420 and get a bit more intimate. Okay. 823 00:34:05,462 --> 00:34:07,088 Let yourself be vulnerable on that. 824 00:34:07,130 --> 00:34:08,548 That's it. How would Adele do it? 825 00:34:08,590 --> 00:34:10,342 She knows how to tell the story, 826 00:34:10,383 --> 00:34:11,968 and she pulls you in. Yeah. 827 00:34:12,010 --> 00:34:13,178 Save some of the big, 828 00:34:13,219 --> 00:34:15,013 expansive arms motions and stuff, 829 00:34:15,055 --> 00:34:16,931 till when you're really going for it at the end. Karen: Okay. 830 00:34:16,973 --> 00:34:19,184 'Cause I think that'll make it pay off a little bit more. 831 00:34:19,225 --> 00:34:23,355 * Barefoot in the bed of your truck * 832 00:34:23,396 --> 00:34:24,856 Keith: Dan + Shay have a couple 833 00:34:24,898 --> 00:34:27,067 of really legit country artists on their team. 834 00:34:27,108 --> 00:34:28,735 Karen came with this big voice. 835 00:34:28,777 --> 00:34:30,528 But when you're choosing a Trisha Yearwood song, 836 00:34:30,570 --> 00:34:31,988 you have to be a storyteller. 837 00:34:32,030 --> 00:34:34,491 That's what Trisha does so exceptionally well. 838 00:34:34,532 --> 00:34:39,788 * Georgia rain * 839 00:34:39,829 --> 00:34:42,749 Yeah! Yeah, yeah, yeah! 840 00:34:42,791 --> 00:34:44,209 Did that help? Oh, my -- 841 00:34:44,250 --> 00:34:45,502 That was night and day. 842 00:34:45,543 --> 00:34:46,836 The more restraint that you use, 843 00:34:46,878 --> 00:34:48,588 that sells it 10 times more to me 844 00:34:48,630 --> 00:34:49,881 'cause I believe it. Okay, yeah. 845 00:34:49,923 --> 00:34:51,549 Come on up here, Ducote. 846 00:34:51,591 --> 00:34:53,885 We're all lucky to get to hang with this guy today. 847 00:34:53,927 --> 00:34:55,553 I mean, absolute legend, dude. Ducote: Thank you, guys. 848 00:34:55,595 --> 00:34:57,263 Thank you, Keith, for being here today. 849 00:34:57,305 --> 00:34:59,265 You are the ultimate inspiration for performers. Seriously. 850 00:34:59,307 --> 00:35:01,309 Our country knockout, Karen versus Ducote. 851 00:35:01,351 --> 00:35:02,811 Karen's a tough competitor. 852 00:35:02,852 --> 00:35:04,896 She's such a good singer. She's a seasoned pro. 853 00:35:04,938 --> 00:35:07,899 Ducote's got that gravel in his voice, the growl kind of thing. 854 00:35:07,941 --> 00:35:09,734 This is gonna be an impossible decision. 855 00:35:09,776 --> 00:35:11,903 This is the worst decision we're gonna have to make. 856 00:35:11,945 --> 00:35:14,239 In country music, the words are the most important thing. 857 00:35:14,280 --> 00:35:17,200 Whoever connects to those lyrics more, I think is gonna move on. 858 00:35:17,242 --> 00:35:18,451 Dude, we need a triple chair. 859 00:35:18,493 --> 00:35:19,994 We got to keep you around, man. 860 00:35:20,036 --> 00:35:21,746 Just don't give any good advice to the other teams 861 00:35:21,788 --> 00:35:23,581 and we'll be all set. Exactly. We'll be good to go. 862 00:35:25,542 --> 00:35:26,960 Shay: Okay, Karen! 863 00:35:29,129 --> 00:35:30,130 Let's go. 864 00:35:30,171 --> 00:35:31,214 Now singing "Georgia Rain," 865 00:35:31,256 --> 00:35:32,966 here's Karen Waldrup. 866 00:35:33,008 --> 00:35:34,968 [ Cheers and applause ] 867 00:35:35,010 --> 00:35:39,806 ** 868 00:35:39,848 --> 00:35:44,602 * Barefoot in the bed of your truck * 869 00:35:44,644 --> 00:35:48,481 * On a blanket lookin' up * 870 00:35:49,482 --> 00:35:53,778 * Half a moon peeking down at us * 871 00:35:53,820 --> 00:35:58,783 * From underneath the clouds * 872 00:35:58,825 --> 00:36:01,995 * Teenage kids sneakin' out again * 873 00:36:02,037 --> 00:36:03,455 Whoo! 874 00:36:03,496 --> 00:36:06,750 * I heard the thunder rollin' in * 875 00:36:06,791 --> 00:36:08,043 Wow. 876 00:36:08,084 --> 00:36:11,880 * We were fallin' the moment when * 877 00:36:11,921 --> 00:36:18,219 * It all came pourin' down * 878 00:36:18,261 --> 00:36:21,139 * The Georgia rain * 879 00:36:21,181 --> 00:36:27,187 * On the Jasper County clay * 880 00:36:27,228 --> 00:36:30,315 * Couldn't wash away * 881 00:36:30,357 --> 00:36:36,738 * What I felt for you that day * 882 00:36:38,531 --> 00:36:42,702 * Just you and me down an ol' dirt road * 883 00:36:42,744 --> 00:36:47,332 Yes! * Nothin' in our way * 884 00:36:47,374 --> 00:36:50,710 * Except for * 885 00:36:50,752 --> 00:37:00,053 * The Georgia raaaain * 886 00:37:00,095 --> 00:37:02,514 * Couldn't wash away * 887 00:37:02,555 --> 00:37:09,479 * The way I loved you to this day * 888 00:37:11,606 --> 00:37:16,528 * The ol' dirt road's paved over now * 889 00:37:16,569 --> 00:37:22,367 * Nothin' here's the same * 890 00:37:22,409 --> 00:37:26,246 * Except for * 891 00:37:26,287 --> 00:37:32,210 * The Georgia rain * 892 00:37:32,252 --> 00:37:33,503 Yes! 893 00:37:33,545 --> 00:37:36,297 [ Cheers and applause ] 894 00:37:36,339 --> 00:37:38,049 Reba: Whoo! 895 00:37:46,266 --> 00:37:47,600 * This is "The Voice" * 896 00:37:47,642 --> 00:37:49,060 Daly: Welcome back to the knockouts. 897 00:37:50,103 --> 00:37:52,272 Looking good, Ducote. Let's go! 898 00:37:52,313 --> 00:37:53,606 It's all country these days. 899 00:37:53,648 --> 00:37:55,108 You look like a stud. 900 00:37:55,150 --> 00:37:59,112 With "She Got the Best of Me," here's Ducote Talmage. 901 00:37:59,154 --> 00:38:01,114 [ Cheers and applause ] 902 00:38:01,156 --> 00:38:06,077 ** 903 00:38:06,119 --> 00:38:10,248 * 17, you don't think that much about life * 904 00:38:10,290 --> 00:38:12,584 * You just live it * 905 00:38:12,625 --> 00:38:16,463 * Like kerosene dancing 'round a fire * 906 00:38:16,504 --> 00:38:18,131 * But you're in it * 907 00:38:18,173 --> 00:38:21,301 * So you jump right in * 908 00:38:21,343 --> 00:38:23,803 * Ain't afraid to fall * 909 00:38:23,845 --> 00:38:26,931 * And you give it all * 910 00:38:26,973 --> 00:38:30,143 * She got the best of me * 911 00:38:31,019 --> 00:38:33,355 * She broke my heart * 912 00:38:33,396 --> 00:38:36,775 * And all that's left of me * 913 00:38:36,816 --> 00:38:39,194 * Is beating in this guitar * 914 00:38:39,235 --> 00:38:43,281 * Oh, every night, a different town * 915 00:38:43,323 --> 00:38:45,492 * She follows me around * 916 00:38:45,533 --> 00:38:48,661 * So you get what's left of me * 917 00:38:48,703 --> 00:38:52,374 * Yeah, you get what's left of me * 918 00:38:52,415 --> 00:38:57,962 * She got the best of me * 919 00:38:59,464 --> 00:39:03,927 * Whoa * 920 00:39:04,719 --> 00:39:07,681 * She got the best of me * 921 00:39:08,515 --> 00:39:10,892 * She broke my heart * 922 00:39:10,934 --> 00:39:14,145 * Now all that's left of me * 923 00:39:14,187 --> 00:39:18,149 * Is beating in this guitar * 924 00:39:18,191 --> 00:39:20,819 * Every night, a different town * 925 00:39:20,860 --> 00:39:23,071 * She follows me around * 926 00:39:23,113 --> 00:39:26,199 * So you get what's left of me * 927 00:39:26,241 --> 00:39:29,786 * Yeah, you get what's left of me * 928 00:39:29,828 --> 00:39:35,125 * She got the best of me * 929 00:39:36,126 --> 00:39:41,589 * She got the best of me * 930 00:39:42,424 --> 00:39:45,635 * She got the best of me * 931 00:39:45,677 --> 00:39:49,264 * Ohhh * 932 00:39:49,305 --> 00:39:51,349 [ Cheers and applause ] 933 00:39:53,643 --> 00:39:56,021 Good job, Ducote! 934 00:39:56,062 --> 00:39:57,605 Not bad! 935 00:39:59,649 --> 00:40:01,401 Congratulations. That was wonderful. 936 00:40:01,443 --> 00:40:05,405 Ducote, I love your cool rasp in your voice. 937 00:40:05,447 --> 00:40:09,075 You used it in a way that was really well chosen. 938 00:40:09,117 --> 00:40:10,744 Thank you so much. Mm-hmm. 939 00:40:10,785 --> 00:40:14,748 And, Karen, my Lord, that was beautiful. 940 00:40:14,789 --> 00:40:17,792 Your tone has this really nice openness to it. 941 00:40:17,834 --> 00:40:20,879 I was really impressed. 942 00:40:20,920 --> 00:40:23,631 Ducote, that texture in your voice, I love it. 943 00:40:23,673 --> 00:40:24,924 Sexy. 944 00:40:24,966 --> 00:40:26,468 That was a great song for you. 945 00:40:26,509 --> 00:40:30,347 And, Karen, you were that person in the Georgia rain. 946 00:40:30,388 --> 00:40:33,308 You stayed in the moment throughout the whole song. 947 00:40:33,350 --> 00:40:36,144 I just loved your performance of it. Thanks. 948 00:40:36,186 --> 00:40:38,521 Ducote, I think that was your best performance so far. 949 00:40:38,563 --> 00:40:41,941 I thought it was passionate but also, like, controlled. 950 00:40:41,983 --> 00:40:44,027 Karen, that was so raw. 951 00:40:44,069 --> 00:40:46,112 It felt a little like Celine Dion. 952 00:40:46,154 --> 00:40:48,823 Yeah, it was like big pop diva vocal. Yeah. 953 00:40:48,865 --> 00:40:51,284 You just have a very angelic, delicate voice, 954 00:40:51,326 --> 00:40:52,619 but it's very intentional. 955 00:40:52,660 --> 00:40:54,329 I'm leaning towards Karen. 956 00:40:54,371 --> 00:40:56,706 Thank you, Coaches. Alright, Dan + Shay. 957 00:40:56,748 --> 00:40:57,999 Give us some thoughts on the knockout, 958 00:40:58,041 --> 00:40:59,626 and then tell us who won. 959 00:40:59,668 --> 00:41:01,878 Ducote, I think the first verse of that performance 960 00:41:01,920 --> 00:41:03,672 really showcased that more tender, 961 00:41:03,713 --> 00:41:05,090 kind of soft, real breathy thing, 962 00:41:05,131 --> 00:41:06,633 and you nailed it. Thank you. 963 00:41:06,675 --> 00:41:08,343 I love the way that you light up the room 964 00:41:08,385 --> 00:41:09,761 whenever you walk in it. 965 00:41:09,803 --> 00:41:11,137 I feel like I'm writing him a love letter. 966 00:41:11,179 --> 00:41:12,180 "Dear Ducote..." 967 00:41:12,222 --> 00:41:13,473 You were so thoughtful in the way 968 00:41:13,515 --> 00:41:14,641 that you delivered this song. 969 00:41:14,683 --> 00:41:15,684 That was the best performance 970 00:41:15,725 --> 00:41:16,643 I think that I've heard you do 971 00:41:16,685 --> 00:41:18,436 this entire competition. 972 00:41:18,478 --> 00:41:20,897 Dan: Karen, you just have one of the most incredible voices. 973 00:41:20,939 --> 00:41:23,108 A lot of people need an engineer in the studio, 974 00:41:23,149 --> 00:41:24,943 twisting knobs to make a voice push and pull like that. 975 00:41:24,984 --> 00:41:27,612 Yeah. Giving Chance the Celine Dion feels 976 00:41:27,654 --> 00:41:28,697 on some of that tender stuff. 977 00:41:28,738 --> 00:41:30,490 Straight up. Straight up. 978 00:41:30,532 --> 00:41:33,827 That's an incredible ability that not everybody has, really. 979 00:41:33,868 --> 00:41:36,996 Yeah, straight up. Yeah, shout out Celine, dude. 980 00:41:37,038 --> 00:41:38,790 Chance's heart will go on. 981 00:41:38,832 --> 00:41:40,500 [ Laughter ] 982 00:41:40,542 --> 00:41:42,794 I have just fallen in love with both of you guys. 983 00:41:42,836 --> 00:41:44,546 This is a tough decision. 984 00:41:44,587 --> 00:41:45,922 Dan + Shay, the time has come. 985 00:41:45,964 --> 00:41:48,258 Who is the winner of this knockout? 986 00:41:48,299 --> 00:41:53,680 ** 987 00:41:53,722 --> 00:41:54,764 [ Sighs ] 988 00:41:54,806 --> 00:41:57,058 The winner... 989 00:41:57,100 --> 00:41:58,435 is Karen. 990 00:41:58,476 --> 00:42:00,270 Karen, congratulations! 991 00:42:00,311 --> 00:42:02,522 Karen and Ducote, our country pairing, 992 00:42:02,564 --> 00:42:04,024 both really brought the heat. 993 00:42:04,065 --> 00:42:05,734 I just think Karen edged it out a little bit. 994 00:42:05,775 --> 00:42:07,360 She really just was super dynamic 995 00:42:07,402 --> 00:42:09,487 in her performance and super precise. 996 00:42:09,529 --> 00:42:10,697 Karen is a superstar, man. 997 00:42:10,739 --> 00:42:12,115 I think she's so good. 998 00:42:12,157 --> 00:42:13,992 She can sing any song we throw her way. 999 00:42:14,034 --> 00:42:15,994 She wants to be a country artist through and through, 1000 00:42:16,036 --> 00:42:17,537 and she's gonna crush it on this show. 1001 00:42:17,579 --> 00:42:19,414 She has so much potential. 1002 00:42:19,456 --> 00:42:22,751 Give it up for Ducote Talmage, ladies and gentlemen! 1003 00:42:22,792 --> 00:42:24,669 Man, I was tough to see Ducote go. 1004 00:42:24,711 --> 00:42:26,504 We love that guy. It's heartbreaking. 1005 00:42:26,546 --> 00:42:28,298 You know, we have developed relationships with these people, 1006 00:42:28,340 --> 00:42:30,008 and it's hard to see them go home. 1007 00:42:30,050 --> 00:42:31,551 You're so beautiful. Thank you. 1008 00:42:31,593 --> 00:42:33,553 Hey, you know, you go to my cousin's store -- 1009 00:42:33,595 --> 00:42:35,221 He's working it. Working it. 1010 00:42:35,263 --> 00:42:37,849 Tell him you know me next time. You got it. 1011 00:42:37,891 --> 00:42:39,559 Thank you, everybody! 1012 00:42:39,601 --> 00:42:41,311 Reba, did he just get your number? 1013 00:42:41,353 --> 00:42:42,479 He did. 1014 00:42:42,520 --> 00:42:44,064 [ Laughter ] 1015 00:42:44,105 --> 00:42:46,232 Dan + Shay believed in me first. 1016 00:42:46,274 --> 00:42:48,985 That's right, we did. That's right, we did! 1017 00:42:49,027 --> 00:42:51,237 Let's go! Oh, you crushed that. 1018 00:42:51,279 --> 00:42:53,698 What a performance. You're such a star. 1019 00:42:53,740 --> 00:42:54,949 This is gonna be so fun. 1020 00:42:54,991 --> 00:42:57,077 Let's go. Let's go! 1021 00:42:57,118 --> 00:42:59,245 Come on. Crushed it, Karen. It's the playoffs! 1022 00:43:05,627 --> 00:43:07,462 * This is "The Voice" * 1023 00:43:07,504 --> 00:43:08,922 Daly: Welcome back. 1024 00:43:10,215 --> 00:43:11,841 L. Rodgers: Hi, Miss Reba! Reba: Hey, hey! 1025 00:43:11,883 --> 00:43:13,093 How are you? Good. 1026 00:43:13,134 --> 00:43:14,302 So, what's it like sitting up there, 1027 00:43:14,344 --> 00:43:16,054 watching all of this? So nice 1028 00:43:16,096 --> 00:43:17,806 because we haven't heard everybody sing. 1029 00:43:17,847 --> 00:43:19,974 And so, like, getting to see everybody... 1030 00:43:20,016 --> 00:43:21,851 Yeah. It's amazing. 1031 00:43:21,893 --> 00:43:23,186 And, like, Kamalei already made me sob. 1032 00:43:23,228 --> 00:43:25,313 Me, too, as you saw. I know. 1033 00:43:25,355 --> 00:43:27,982 Thank you so much for this opportunity. You're welcome! 1034 00:43:28,024 --> 00:43:29,359 Like, I'm so grateful. 1035 00:43:29,401 --> 00:43:31,194 I'm very grateful you're on my team. 1036 00:43:31,236 --> 00:43:32,904 And we're gonna have fun at the playoffs. 1037 00:43:32,946 --> 00:43:34,614 Oh, yeah, we're gonna do it. 1038 00:43:34,656 --> 00:43:39,119 So, the two -- now, really, it's three that are coming out. 1039 00:43:39,160 --> 00:43:42,831 One is a duo, Justin and Jeremy Garcia. 1040 00:43:42,872 --> 00:43:45,417 I stole him from Dan + Shay. 1041 00:43:45,458 --> 00:43:48,670 And then Zeya, she's got a great range, powerful voice. 1042 00:43:48,712 --> 00:43:50,755 Let me know what you think. I can't wait to hear them. 1043 00:43:50,797 --> 00:43:52,590 Yeah. Well, bring them on in! 1044 00:43:52,632 --> 00:43:54,509 Yeah! 1045 00:43:54,551 --> 00:43:55,802 -Oh! -What?! 1046 00:43:55,844 --> 00:43:57,470 Oh, my God! 1047 00:43:57,512 --> 00:43:58,930 Hi, there. Hi! 1048 00:43:58,972 --> 00:44:01,016 Keith Urban -- I couldn't believe my eyes. 1049 00:44:01,057 --> 00:44:03,018 He is one of my favorite country artists. 1050 00:44:03,059 --> 00:44:04,477 So, for me, it was a big deal. 1051 00:44:04,519 --> 00:44:06,021 Good to see you, man. 1052 00:44:06,062 --> 00:44:07,439 Justin: You don't even need to be into country 1053 00:44:07,480 --> 00:44:08,440 to know Keith Urban. 1054 00:44:08,481 --> 00:44:10,316 And him standing next to Reba? 1055 00:44:10,358 --> 00:44:12,861 Two of the biggest country artists in one room. 1056 00:44:12,902 --> 00:44:14,696 Right? That's crazy. 1057 00:44:14,738 --> 00:44:16,239 We're so excited to work with Reba 1058 00:44:16,281 --> 00:44:18,033 because she has so much experience. 1059 00:44:18,074 --> 00:44:20,368 She can definitely teach us how to really perform. 1060 00:44:20,410 --> 00:44:22,037 So, what are y'all singing today? 1061 00:44:22,078 --> 00:44:23,663 "You Are the Reason" by Calum Scott. 1062 00:44:23,705 --> 00:44:25,081 Why'd you pick it? 1063 00:44:25,123 --> 00:44:27,417 The lyrics really embody our brotherly bond. 1064 00:44:27,459 --> 00:44:28,668 Aww! Keith: Wow. 1065 00:44:28,710 --> 00:44:30,253 * There goes my heart... * 1066 00:44:30,295 --> 00:44:33,089 The story to the song shows that there is a reason 1067 00:44:33,131 --> 00:44:34,632 why you keep moving, 1068 00:44:34,674 --> 00:44:37,927 and for the both of us, it's each other. 1069 00:44:37,969 --> 00:44:40,722 * I'd climb every mountain * 1070 00:44:40,764 --> 00:44:43,308 Growing up, we weren't always the best of friends, 1071 00:44:43,350 --> 00:44:45,643 'cause Justin was the sports dude, 1072 00:44:45,685 --> 00:44:46,978 and I was in the band. 1073 00:44:47,020 --> 00:44:48,688 So, we definitely had a little separation. 1074 00:44:48,730 --> 00:44:50,357 But as we got older, we knew 1075 00:44:50,398 --> 00:44:53,777 that singing was a passion that we both shared. 1076 00:44:53,818 --> 00:44:56,071 Music was that one thing that brought us together. 1077 00:44:56,112 --> 00:44:57,906 [ Vocalizing ] 1078 00:44:57,947 --> 00:45:00,909 I really love this pop acoustic style. 1079 00:45:00,950 --> 00:45:03,161 We get to show this vulnerable side. 1080 00:45:03,203 --> 00:45:06,081 * ...broken * 1081 00:45:06,122 --> 00:45:08,792 Justin and Jeremy do such a good job together. 1082 00:45:08,833 --> 00:45:12,253 I like to work with harmonies. That's what I grew up with. 1083 00:45:12,295 --> 00:45:14,214 I think it's really good for them being a duo. 1084 00:45:14,255 --> 00:45:16,049 They're gonna stand out in the competition. 1085 00:45:16,091 --> 00:45:17,092 They're different. 1086 00:45:17,133 --> 00:45:20,929 * ...the reason * 1087 00:45:20,970 --> 00:45:22,389 Keith: Alright. 1088 00:45:22,430 --> 00:45:24,557 Reba: Bravo! Good job. 1089 00:45:24,599 --> 00:45:26,142 Okay, since this is the first time 1090 00:45:26,184 --> 00:45:28,103 I've got to visit with you guys -- 1091 00:45:28,144 --> 00:45:29,604 Right. ...your singing's great. 1092 00:45:29,646 --> 00:45:31,439 Now, let's work on communication with the audience. 1093 00:45:31,481 --> 00:45:33,775 For sure. Jeremy, you were so cute. 1094 00:45:33,817 --> 00:45:35,777 You got through with your part and you were like, 1095 00:45:35,819 --> 00:45:37,570 "Whew! Got that done. 1096 00:45:37,612 --> 00:45:40,949 Whoo! I'm tickled to pieces. Now it's your turn." 1097 00:45:40,990 --> 00:45:42,826 You got to stay in that moment. 1098 00:45:42,867 --> 00:45:44,953 And, Justin, smile with your eyes. 1099 00:45:44,994 --> 00:45:46,621 Barry Manilow told me one time, 1100 00:45:46,663 --> 00:45:48,998 "Are you smiling when you're singing that line?" 1101 00:45:49,040 --> 00:45:50,792 I said, "No." He said, "Do it." 1102 00:45:50,834 --> 00:45:53,378 Because if you smile when you're singing, we can hear it. 1103 00:45:53,420 --> 00:45:55,255 Good advice, Reba. Thank you. 1104 00:45:55,296 --> 00:45:56,798 Have you had to learn all this the hard way? 1105 00:45:56,840 --> 00:45:57,966 Yes, I did. 1106 00:45:58,008 --> 00:45:59,592 [ Laughter ] 1107 00:45:59,634 --> 00:46:02,637 When you guys sing the high broken line... Yeah. 1108 00:46:02,679 --> 00:46:04,389 ...it's the only part of the song 1109 00:46:04,431 --> 00:46:06,474 that feels like it's forced, vocally. 1110 00:46:06,516 --> 00:46:08,893 What are you singing on that part? 1111 00:46:08,935 --> 00:46:10,311 * Broken * 1112 00:46:10,353 --> 00:46:11,855 * ...en * You there? 1113 00:46:11,896 --> 00:46:13,690 And you're * ...en * You're there. Yeah. 1114 00:46:13,732 --> 00:46:15,233 What if they went in their head voice? 1115 00:46:15,275 --> 00:46:17,694 * Broken * 1116 00:46:17,736 --> 00:46:19,988 * Broken * 1117 00:46:20,030 --> 00:46:22,240 Instead of full voice. Keith: Yeah. 1118 00:46:22,282 --> 00:46:26,536 * And fix what I've broken * 1119 00:46:26,578 --> 00:46:28,580 Yeah. That was a lot, lot better. 1120 00:46:28,621 --> 00:46:30,498 'Cause it's also vulnerable. Thank you. 1121 00:46:30,540 --> 00:46:33,335 Okay, Zeya. Come on up, girl. 1122 00:46:33,376 --> 00:46:35,670 It's very hard to go against a duo. 1123 00:46:35,712 --> 00:46:37,255 Kill it. It did scare me a bit, 1124 00:46:37,297 --> 00:46:39,341 but I want to win this knockout 1125 00:46:39,382 --> 00:46:43,386 because I just feel so complete doing music every day. 1126 00:46:43,428 --> 00:46:44,804 What are you gonna sing for us? 1127 00:46:44,846 --> 00:46:48,058 I am singing "River" by Bishop Briggs. 1128 00:46:48,099 --> 00:46:52,020 This song is about empowerment. 1129 00:46:52,062 --> 00:46:53,938 * Shut your mouth, baby * 1130 00:46:53,980 --> 00:46:56,232 My mom has really inspired me. 1131 00:46:56,274 --> 00:46:58,193 With everything in music and in life, 1132 00:46:58,234 --> 00:47:01,237 she's always pushed me to never give up. 1133 00:47:01,279 --> 00:47:03,448 She had me at 16. 1134 00:47:03,490 --> 00:47:06,368 She was a single mom, and it was really, really hard on her. 1135 00:47:06,409 --> 00:47:08,661 She had to grow up very fast. 1136 00:47:08,703 --> 00:47:13,124 But she always made sure that she had a smile on her face, 1137 00:47:13,166 --> 00:47:16,044 and she never showed that she was struggling. 1138 00:47:16,086 --> 00:47:18,296 My mom is very proud of me. 1139 00:47:18,338 --> 00:47:20,840 She calls me every day, and she just can't believe 1140 00:47:20,882 --> 00:47:22,842 that I'm finally living my dream. 1141 00:47:22,884 --> 00:47:25,053 * Choke this love till the veins start to shiver * 1142 00:47:25,095 --> 00:47:26,471 I chose this song because I feel 1143 00:47:26,513 --> 00:47:28,682 like it shows my powerhouse side. 1144 00:47:28,723 --> 00:47:32,811 So, I'm really hoping Reba can hear this other side of my voice 1145 00:47:32,852 --> 00:47:34,396 that she hasn't heard before. 1146 00:47:34,437 --> 00:47:39,442 * Shut your mouth and run me like a river * 1147 00:47:40,485 --> 00:47:41,778 What a song! 1148 00:47:41,820 --> 00:47:43,196 That's a great song. 1149 00:47:43,238 --> 00:47:46,783 The only thing I see is breath. Yes. 1150 00:47:46,825 --> 00:47:48,410 Get your lyrics out 1151 00:47:48,451 --> 00:47:50,912 and start marking where you take a breath. Okay. 1152 00:47:50,954 --> 00:47:52,205 I'm assuming you guys get 1153 00:47:52,247 --> 00:47:53,790 little to no sleep during this period. 1154 00:47:53,832 --> 00:47:55,250 I didn't get a lot of sleep. 1155 00:47:55,291 --> 00:47:57,210 I was thinking about today. 1156 00:47:57,252 --> 00:47:59,129 When your voice is not quite there for you, 1157 00:47:59,170 --> 00:48:01,423 'cause you're tired, the vocal gets affected. 1158 00:48:01,464 --> 00:48:03,216 Mm-hmm. You can't hit the note you want to go for 1159 00:48:03,258 --> 00:48:04,968 'cause you didn't have the breath under it. 1160 00:48:05,010 --> 00:48:07,637 [ Vocalizing ] 1161 00:48:07,679 --> 00:48:09,556 * That note's really high * You know? 1162 00:48:09,597 --> 00:48:12,475 Forget that high note and find the lower note 1163 00:48:12,517 --> 00:48:14,769 that you could hit that lyric right there 1164 00:48:14,811 --> 00:48:16,396 and maybe one note up there. 1165 00:48:16,438 --> 00:48:18,023 Okay. Make the lyric be the thing. 1166 00:48:18,064 --> 00:48:19,441 My voice is not there? Alright. 1167 00:48:19,482 --> 00:48:21,776 I'm gonna tell the story even more. 1168 00:48:21,818 --> 00:48:23,278 Okay. Good note. 1169 00:48:23,319 --> 00:48:24,904 I want to use that. 1170 00:48:24,946 --> 00:48:26,656 I might have use it myself. 1171 00:48:26,698 --> 00:48:27,866 [ Laughter ] 1172 00:48:27,907 --> 00:48:30,285 Write that down. 1173 00:48:30,326 --> 00:48:32,537 I thought Zeya had a really good song choice. 1174 00:48:32,579 --> 00:48:35,290 She's got a real innate swagger about her. 1175 00:48:35,331 --> 00:48:37,334 And that song -- a very good match. 1176 00:48:37,375 --> 00:48:38,877 Thank you so much. 1177 00:48:38,918 --> 00:48:41,421 This pairing is hard because Justin and Jeremy 1178 00:48:41,463 --> 00:48:43,798 have the singer/songwriter thing, 1179 00:48:43,840 --> 00:48:47,635 and then Zeya has more of a vocal ability. 1180 00:48:47,677 --> 00:48:51,264 But that may not connect if she over-sings. 1181 00:48:51,306 --> 00:48:53,183 This is going to be a really tough decision. 1182 00:48:53,224 --> 00:48:54,351 Bye-bye. One more. 1183 00:48:54,392 --> 00:48:55,935 One more. One more. 1184 00:48:55,977 --> 00:48:57,187 Y'all are cute as a button. 1185 00:48:57,228 --> 00:49:00,315 John: Alright, Garcias. Let's go! 1186 00:49:00,357 --> 00:49:01,649 Singing "You Are the Reason," 1187 00:49:01,691 --> 00:49:04,319 here are Justin and Jeremy Garcia. 1188 00:49:04,361 --> 00:49:05,987 Go, baby! 1189 00:49:06,029 --> 00:49:08,740 [ Cheers and applause ] 1190 00:49:08,782 --> 00:49:11,576 ** 1191 00:49:11,618 --> 00:49:15,497 * There goes my heart beating * 1192 00:49:15,538 --> 00:49:19,834 * 'Cause you are the reason * 1193 00:49:19,876 --> 00:49:23,963 * I'm losing my sleep * 1194 00:49:24,005 --> 00:49:26,841 * Please come back now * 1195 00:49:26,883 --> 00:49:28,426 Alright. 1196 00:49:28,468 --> 00:49:32,514 * If I could turn back the clock * 1197 00:49:32,555 --> 00:49:36,518 * And make sure the light defeated the dark * 1198 00:49:36,559 --> 00:49:41,022 * I'd spend every hour of every day * 1199 00:49:41,064 --> 00:49:44,526 * Keeping you safe * 1200 00:49:44,567 --> 00:49:49,197 * And I'd climb every mountain * 1201 00:49:49,239 --> 00:49:53,451 * And swim every ocean * 1202 00:49:53,493 --> 00:49:57,288 * Just to be with you * 1203 00:49:57,330 --> 00:50:02,043 * And fix what I've broken * 1204 00:50:02,085 --> 00:50:06,131 * Oh, 'cause I need you * 1205 00:50:06,172 --> 00:50:10,051 * To see * 1206 00:50:10,093 --> 00:50:17,350 * That you are the reason * 1207 00:50:17,392 --> 00:50:21,563 * I need you to hold me tonight * * Come a little closer * 1208 00:50:21,604 --> 00:50:24,482 * Come a little closer * * Come a little closer now * 1209 00:50:24,524 --> 00:50:25,900 * Come a little closer now * 1210 00:50:25,942 --> 00:50:31,614 * I need you to hold me tonight * 1211 00:50:32,782 --> 00:50:37,328 * I'd climb every mountain * 1212 00:50:37,370 --> 00:50:42,709 * And swim every ocean * 1213 00:50:42,751 --> 00:50:46,546 * Just to be with you * 1214 00:50:46,588 --> 00:50:51,217 * And fix what I've broken * 1215 00:50:51,259 --> 00:50:55,221 * Oh, 'cause I need you * 1216 00:50:55,263 --> 00:51:00,518 * To see * 1217 00:51:01,311 --> 00:51:06,441 * That you are the reason * 1218 00:51:06,483 --> 00:51:08,735 [ Cheers and applause ] 1219 00:51:25,210 --> 00:51:26,503 * This is "The Voice" * 1220 00:51:26,544 --> 00:51:30,382 Daly: Welcome back to the knockouts. 1221 00:51:30,423 --> 00:51:33,426 Alright, Zeya. 1222 00:51:33,468 --> 00:51:36,137 Now with "River," Zeya Rae. 1223 00:51:37,597 --> 00:51:41,309 * Like a river, like a river * 1224 00:51:41,351 --> 00:51:44,688 * How do you fall in love * 1225 00:51:44,729 --> 00:51:48,483 * Harder than a bullet could hit ya * 1226 00:51:48,525 --> 00:51:52,404 * How do we fall apart * 1227 00:51:52,445 --> 00:51:55,532 * Faster than a hairpin trigger * 1228 00:51:55,573 --> 00:51:59,661 * Don't you say, don't you say it * 1229 00:51:59,703 --> 00:52:03,707 * Don't say, don't you say it * 1230 00:52:03,748 --> 00:52:05,208 * One breath * 1231 00:52:05,250 --> 00:52:07,669 * It'll just break it * 1232 00:52:07,711 --> 00:52:11,840 * So shut your mouth and run me like a river * 1233 00:52:11,881 --> 00:52:15,552 * Shut your mouth, baby, stand and deliver * 1234 00:52:15,593 --> 00:52:19,931 * Holy hands, will they make me a sinner * 1235 00:52:19,973 --> 00:52:21,725 * Like a river * 1236 00:52:21,766 --> 00:52:23,309 * Like a river * 1237 00:52:23,351 --> 00:52:27,063 * Shut your mouth and run me like a river * 1238 00:52:27,105 --> 00:52:30,859 * Choke this love till the veins start to shiver * 1239 00:52:30,900 --> 00:52:35,196 * One last breath till the tears start to wither * 1240 00:52:35,238 --> 00:52:37,115 * Like a river * 1241 00:52:37,157 --> 00:52:38,700 * Like a river * 1242 00:52:38,742 --> 00:52:44,122 * Shut your mouth and run me like a river * 1243 00:52:44,164 --> 00:52:47,417 * Woah * 1244 00:52:47,459 --> 00:52:51,504 * Oh woah * 1245 00:52:51,546 --> 00:52:56,468 * Oh woah * 1246 00:52:56,509 --> 00:53:01,931 * Like a river * 1247 00:53:01,973 --> 00:53:05,769 * Stand and deliver * * Stand and deliver * 1248 00:53:05,810 --> 00:53:07,312 * Holy hands, will they make me a sinner * 1249 00:53:07,354 --> 00:53:09,731 * Make me a sinner * 1250 00:53:09,773 --> 00:53:11,649 * Like a river * 1251 00:53:11,691 --> 00:53:13,151 * Like a river * 1252 00:53:13,193 --> 00:53:16,946 * Shut your mouth and run me like a river * 1253 00:53:16,988 --> 00:53:20,784 * Choke this love till the veins start to shiver * 1254 00:53:20,825 --> 00:53:25,246 * One last breath till the tears start to wither * 1255 00:53:25,288 --> 00:53:27,082 * Like a river * 1256 00:53:27,123 --> 00:53:28,625 * Like a river * 1257 00:53:28,667 --> 00:53:33,296 * Shut your mouth and run me like a river * 1258 00:53:33,338 --> 00:53:37,384 [ Cheers and applause ] 1259 00:53:37,425 --> 00:53:40,470 ** 1260 00:53:40,512 --> 00:53:42,972 Good job. Wonderful. 1261 00:53:43,014 --> 00:53:45,225 Shay: Zeya, your intensity matched the song. 1262 00:53:45,266 --> 00:53:47,435 The whole production, shout out to everybody doing the lights 1263 00:53:47,477 --> 00:53:49,896 and the screens and the band and everything was awesome. 1264 00:53:49,938 --> 00:53:51,648 I still can't see right now. Yeah. 1265 00:53:51,690 --> 00:53:53,191 There was one single light that hit me in the eyeball, 1266 00:53:53,233 --> 00:53:54,984 and I -- I think I passed away for a second. 1267 00:53:55,026 --> 00:53:56,820 Yeah. But it was worth it. 1268 00:53:56,861 --> 00:53:58,655 He has risen. That's right. 1269 00:53:58,697 --> 00:54:01,157 Zeya, vocally, technically, 1270 00:54:01,199 --> 00:54:03,284 you've grown a lot to this competition. 1271 00:54:03,326 --> 00:54:05,370 Don't pull away from the mic. That happens to me all the time. 1272 00:54:05,412 --> 00:54:07,706 Sometimes I just put down the mic and just run around 1273 00:54:07,747 --> 00:54:09,499 and hope that Dan's got my back. 1274 00:54:09,541 --> 00:54:11,001 Uh, thank you. Got you, due. 1275 00:54:11,042 --> 00:54:12,836 But I thought it was a great performance. 1276 00:54:12,877 --> 00:54:14,462 Justin and Jeremy, 1277 00:54:14,504 --> 00:54:16,923 your confidence has boosted with every performance. 1278 00:54:16,965 --> 00:54:18,675 For sure, for sure. Thank you. 1279 00:54:18,717 --> 00:54:20,176 It's the blood harmony thing, like Reba said. 1280 00:54:20,218 --> 00:54:21,678 It's just so dialed. 1281 00:54:21,720 --> 00:54:23,346 I got to go with my boys, Justin and Jeremy, man. 1282 00:54:23,388 --> 00:54:26,850 You guys, the voice. 1283 00:54:26,891 --> 00:54:28,685 Man, that was fire. 1284 00:54:28,727 --> 00:54:31,604 Zeya, I sense a little lack of confidence 1285 00:54:31,646 --> 00:54:33,314 in the very early parts of the song. 1286 00:54:33,356 --> 00:54:35,525 When a person runs into that and fights back 1287 00:54:35,567 --> 00:54:38,194 and ends up giving one of their better performances, 1288 00:54:38,236 --> 00:54:39,738 I always have to call that out. Yeah. 1289 00:54:39,779 --> 00:54:42,198 You gave a bad ass performance. 1290 00:54:42,240 --> 00:54:43,491 Thank you. 1291 00:54:43,533 --> 00:54:45,076 Justin and Jeremy, I wish there was 1292 00:54:45,118 --> 00:54:47,454 a little bit more energy in the performance. 1293 00:54:47,495 --> 00:54:48,663 Right. 1294 00:54:48,705 --> 00:54:50,081 You're so technically talented 1295 00:54:50,123 --> 00:54:53,418 that it's still just a beautiful performance. 1296 00:54:53,460 --> 00:54:55,211 John: Justin and Jeremy, 1297 00:54:55,253 --> 00:54:57,047 I really loved a lot of the falsetto stuff 1298 00:54:57,088 --> 00:54:58,715 where you're doing harmonies together. 1299 00:54:58,757 --> 00:55:00,967 But you guys can work on being a little more 1300 00:55:01,009 --> 00:55:03,094 in sync together so you can open up 1301 00:55:03,136 --> 00:55:05,889 and do what you know you can do as vocalist, okay? 1302 00:55:05,930 --> 00:55:07,432 Got it. Thank you so much. Thank you so much. 1303 00:55:07,474 --> 00:55:10,352 Zeya, I really love those higher chest voice 1304 00:55:10,393 --> 00:55:12,312 notes you were doing. 1305 00:55:12,354 --> 00:55:15,231 I felt a little bit more connected to Zeya's performance. 1306 00:55:15,273 --> 00:55:17,067 Daly: Thank you, coaches. 1307 00:55:17,108 --> 00:55:19,569 Alright, Queen Reba, give us some thoughts on the knockout. 1308 00:55:19,611 --> 00:55:21,529 Reba: Zeya, you did a great job. 1309 00:55:21,571 --> 00:55:23,323 I would've loved to have seen you stay 1310 00:55:23,365 --> 00:55:25,075 in one position in that song. 1311 00:55:25,116 --> 00:55:28,453 But your voice is great, you know that. Zeya: Thank you. 1312 00:55:28,495 --> 00:55:31,456 Justin and Jeremy, y'all are cute as a button. 1313 00:55:31,498 --> 00:55:32,582 Look at that smile. 1314 00:55:32,624 --> 00:55:34,209 Oh, my gosh. [ Laughs ] 1315 00:55:34,250 --> 00:55:36,044 I thought you did a great job. 1316 00:55:36,086 --> 00:55:37,671 There were a few little things 1317 00:55:37,712 --> 00:55:39,172 where I thought you might have gotten lost, 1318 00:55:39,214 --> 00:55:41,758 but congratulations on pulling this off, 1319 00:55:41,800 --> 00:55:43,009 and you did a wonderful job. 1320 00:55:43,051 --> 00:55:44,344 Thank you. Thank you so much. 1321 00:55:44,386 --> 00:55:45,720 Daly: Alright, Reba. 1322 00:55:45,762 --> 00:55:48,390 Who is the winner of this knockout? 1323 00:55:48,431 --> 00:55:50,225 [ Sighs ] 1324 00:55:50,266 --> 00:55:53,353 [ Dramatic music plays ] 1325 00:55:53,395 --> 00:55:56,981 Winner of this knockout... 1326 00:55:57,023 --> 00:55:59,776 is Justin and Jeremy. 1327 00:55:59,818 --> 00:56:03,988 Justin and Jeremy Garcia, you are in the playoffs. 1328 00:56:04,030 --> 00:56:07,033 It like really makes us feel like we have something to offer, 1329 00:56:07,075 --> 00:56:09,160 and we belong in this competition. 1330 00:56:09,202 --> 00:56:11,329 We're going to the playoffs, whoo! We're going to the playoffs! 1331 00:56:11,371 --> 00:56:13,832 Give it up for Zeya Rae, ladies and gentlemen. 1332 00:56:13,873 --> 00:56:17,210 Reba: It was a hard decision because Zeya is so good, 1333 00:56:17,252 --> 00:56:19,671 but I had to choose Justin and Jeremy 1334 00:56:19,713 --> 00:56:22,340 because of the uniqueness of their act. 1335 00:56:22,382 --> 00:56:24,259 Everybody's great singers, 1336 00:56:24,300 --> 00:56:26,136 but we have to have something a little different. 1337 00:56:26,177 --> 00:56:29,806 And going with the brothers was part of my strategy. 1338 00:56:29,848 --> 00:56:32,183 Reba, you're the only one with the steal left. 1339 00:56:32,225 --> 00:56:33,685 I am. 1340 00:56:39,524 --> 00:56:40,608 * This is "The Voice" * 1341 00:56:40,650 --> 00:56:42,444 Daly: Welcome back. 1342 00:56:44,821 --> 00:56:47,157 Hey, what are you singing today? 1343 00:56:47,198 --> 00:56:48,575 Alright, turn your chairs around. 1344 00:56:48,616 --> 00:56:50,535 * I can hear... * 1345 00:56:50,577 --> 00:56:52,912 [ Cheers and applause ] 1346 00:56:52,954 --> 00:56:55,040 Turn your chairs around, see if he passes the test. 1347 00:56:55,081 --> 00:56:58,335 * Here's you one chance, Fancy, don't let me down * 1348 00:56:58,376 --> 00:57:00,378 [ Cheers and applause ] 1349 00:57:00,420 --> 00:57:01,796 That's -- You know? 1350 00:57:01,838 --> 00:57:03,173 Rletto: You're now Team Chance, like... 1351 00:57:03,214 --> 00:57:04,883 Alyssa: I was thinking about that today, 1352 00:57:04,924 --> 00:57:06,551 and everybody's so excited about the mega mentor. 1353 00:57:06,593 --> 00:57:08,386 I'm like, this is my first time working with Chance. 1354 00:57:08,428 --> 00:57:09,971 That's what I'm saying. Hey just stole me. 1355 00:57:10,013 --> 00:57:11,514 Alyssa's brand new to my team. 1356 00:57:11,556 --> 00:57:13,892 I stole her from Reba. 1357 00:57:13,933 --> 00:57:15,393 Daly: Whoa! 1358 00:57:15,435 --> 00:57:17,395 Chance: Alyssa has a really soulful voice, 1359 00:57:17,437 --> 00:57:20,065 and she also has this tenacity to work through performances. 1360 00:57:20,106 --> 00:57:21,733 And so, I put her up against Rletto. 1361 00:57:21,775 --> 00:57:23,610 He's an amazingly talented singer. 1362 00:57:23,651 --> 00:57:24,736 And if you're new to Team Chance, 1363 00:57:24,778 --> 00:57:25,904 you got to prove your worth. 1364 00:57:25,945 --> 00:57:28,323 Hey! Oh, my God! 1365 00:57:28,365 --> 00:57:30,825 [ Laughs ] What's good? Rletto, how are you? 1366 00:57:30,867 --> 00:57:32,744 He said my name. I'm great. How are you? 1367 00:57:32,786 --> 00:57:34,079 Yeah, I'm good. 1368 00:57:34,120 --> 00:57:36,373 When I saw Keith, I was like, Yo. 1369 00:57:36,414 --> 00:57:37,999 This is crazy. 1370 00:57:38,041 --> 00:57:40,001 He's won so many Grammys and has number one singles. 1371 00:57:40,043 --> 00:57:41,419 Did you get stolen? I'm the steal. 1372 00:57:41,461 --> 00:57:42,837 How about that? 1373 00:57:42,879 --> 00:57:44,547 Alyssa: Keith was actually my first concert 1374 00:57:44,589 --> 00:57:47,676 after I had begun my sobriety journey. 1375 00:57:47,717 --> 00:57:51,763 Also, he just oozes stardom. 1376 00:57:51,805 --> 00:57:53,306 I want to say again thank you 1377 00:57:53,348 --> 00:57:56,434 for giving me another opportunity. 1378 00:57:56,476 --> 00:57:59,104 I appreciate you so much. Chance: Thank you. 1379 00:57:59,145 --> 00:58:01,815 This is the way it was supposed to go down. 1380 00:58:01,856 --> 00:58:03,900 * Don't wish it away * 1381 00:58:03,942 --> 00:58:08,405 * Don't look at it like it's forever * 1382 00:58:08,446 --> 00:58:11,449 I am singing "I Guess That's Why They Call it the Blues" 1383 00:58:11,491 --> 00:58:13,118 by Elton John, 1384 00:58:13,159 --> 00:58:15,161 but I'm doing the Alessia Cara version. 1385 00:58:15,203 --> 00:58:16,788 * I could honestly say * 1386 00:58:16,830 --> 00:58:20,083 It's about loving somebody that's far away from you. 1387 00:58:20,125 --> 00:58:22,377 I'm, of course, singing to my fiancé, Dan, 1388 00:58:22,419 --> 00:58:23,962 because he's the love of my life 1389 00:58:24,004 --> 00:58:26,798 and he's lots of miles away from me, 1390 00:58:26,840 --> 00:58:29,968 unfortunately, and this whole process has been really, 1391 00:58:30,010 --> 00:58:32,804 really hard being away from our life together. 1392 00:58:32,846 --> 00:58:34,180 * And it won't be long * 1393 00:58:34,222 --> 00:58:36,057 But at the same time, 1394 00:58:36,099 --> 00:58:38,309 this song is also about being able to find yourself 1395 00:58:38,351 --> 00:58:41,146 while you're away from the person you love. 1396 00:58:41,187 --> 00:58:43,023 And we've learned so much about ourselves 1397 00:58:43,064 --> 00:58:45,817 and how we're able to live our lives separately, 1398 00:58:45,859 --> 00:58:49,070 but still be in a really strong connected relationship together. 1399 00:58:49,112 --> 00:58:51,072 * Time on my hands * 1400 00:58:51,114 --> 00:58:53,533 He is biggest support in my musical journey. 1401 00:58:53,575 --> 00:58:56,661 He's taken over paying our bills and taking care of our house 1402 00:58:56,703 --> 00:58:59,497 and our animals, while I'm out here living my dream. 1403 00:58:59,539 --> 00:59:02,584 I want to win this knockout so badly for him. 1404 00:59:02,625 --> 00:59:07,172 * And I guess that's why they call it the blues * 1405 00:59:07,213 --> 00:59:08,673 Chance: I loved Alyssa's pick, and I think 1406 00:59:08,715 --> 00:59:11,551 what it really showcased to me is her voice. 1407 00:59:11,593 --> 00:59:14,596 She has this, like, soulful rock tinge 1408 00:59:14,637 --> 00:59:16,890 to it, almost like a country tinge to it. 1409 00:59:16,931 --> 00:59:18,767 Even though she's not a country artist, 1410 00:59:18,808 --> 00:59:20,643 she brings a little soulful southern feel to it. 1411 00:59:20,685 --> 00:59:22,520 That's what makes her so unique. 1412 00:59:22,562 --> 00:59:27,192 * The blues * 1413 00:59:27,233 --> 00:59:29,027 Nice. Alright. 1414 00:59:29,069 --> 00:59:30,987 Do you feel comfortable with the key it's in? 1415 00:59:31,029 --> 00:59:32,322 I'm just still working the kinks out. 1416 00:59:32,364 --> 00:59:33,948 'Cause to me, it sounded like you were 1417 00:59:33,990 --> 00:59:35,617 flatting a lot of parts. Did you guys go up? 1418 00:59:35,658 --> 00:59:38,912 Yes. We started F, and we went to F Sharp. 1419 00:59:38,953 --> 00:59:40,205 You just gonna rain in your adrenaline. 1420 00:59:40,246 --> 00:59:42,207 Yeah. 1421 00:59:42,248 --> 00:59:43,958 You're so excited to get to those big notes at the end, 1422 00:59:44,000 --> 00:59:46,044 that you're not in the moment you're in. 1423 00:59:46,086 --> 00:59:48,129 So just be in the moments. 1424 00:59:48,171 --> 00:59:49,881 The first time you did laughing like children 1425 00:59:49,923 --> 00:59:51,049 was the first time you got pitchy, 1426 00:59:51,091 --> 00:59:54,010 so keep rehearsing it. Okay. 1427 00:59:54,052 --> 00:59:55,303 The ownership you had at the end of the song 1428 00:59:55,345 --> 00:59:57,055 after you hit that high note, 1429 00:59:57,097 --> 00:59:58,515 and then you just let it sit for as long 1430 00:59:58,556 --> 01:00:00,225 as you wanted before you came back in, right? 1431 01:00:00,266 --> 01:00:02,185 The whole band's waiting on you. [ Chuckles ] 1432 01:00:02,227 --> 01:00:04,437 Have that ownership from the very beginning to the end. 1433 01:00:04,479 --> 01:00:05,689 Alright. 1434 01:00:05,730 --> 01:00:09,526 * And dust out the demons inside * 1435 01:00:09,567 --> 01:00:12,195 This sounds great. It's so much better. 1436 01:00:12,237 --> 01:00:13,863 Let's give Rletto a shot. 1437 01:00:13,905 --> 01:00:15,740 Dude, you sound fire, man. 1438 01:00:15,782 --> 01:00:17,075 What song are you singing? 1439 01:00:17,117 --> 01:00:18,493 "Stay" by Justin Bieber and Kid Laroi. 1440 01:00:18,535 --> 01:00:20,787 And Kid Laroi. I'm like ahh! Okay. 1441 01:00:20,829 --> 01:00:22,455 Justin Bieber, that's my ace. 1442 01:00:22,497 --> 01:00:25,750 I know. I want to do it as much justice as I possibly can. 1443 01:00:25,792 --> 01:00:27,627 * I get drunk, wake up * 1444 01:00:27,669 --> 01:00:30,422 The line "I realize time that I wasted here"... 1445 01:00:30,463 --> 01:00:32,590 * The time that I've wasted here * 1446 01:00:32,632 --> 01:00:34,342 ...that has so much weight to it. 1447 01:00:34,384 --> 01:00:36,594 I did a lot of odd jobs growing up. 1448 01:00:36,636 --> 01:00:38,805 I worked at a coffee shop when I could have been doing 1449 01:00:38,847 --> 01:00:40,140 something music related. 1450 01:00:40,181 --> 01:00:42,183 I was just wasting time in these spots 1451 01:00:42,225 --> 01:00:43,852 that weren't meant for me. 1452 01:00:43,893 --> 01:00:47,772 And now I'm working with someone that's so great. 1453 01:00:47,814 --> 01:00:52,402 Chance is literally one of the most humblest human beings ever. 1454 01:00:52,444 --> 01:00:55,613 I want to stay on Team Chance. I want to win bad. 1455 01:00:55,655 --> 01:00:57,198 Yeah, sing for real. 1456 01:00:57,240 --> 01:00:59,617 Rletto, he's just unapologetically himself. 1457 01:00:59,659 --> 01:01:02,579 He's very open with how he feels about the arrangements, 1458 01:01:02,620 --> 01:01:04,122 with why he picks songs. 1459 01:01:04,164 --> 01:01:06,499 He's like, I'm me, I'm Rletto. This is what I do. 1460 01:01:06,541 --> 01:01:10,670 * I need you to stay, need you to stay * 1461 01:01:10,712 --> 01:01:12,255 Alright. Yeah. 1462 01:01:12,297 --> 01:01:13,840 That song is so fast. 1463 01:01:13,882 --> 01:01:16,593 Would you feel comfortable slowing it down at all? 1464 01:01:16,634 --> 01:01:18,553 I'm down to slow it down. 1465 01:01:18,595 --> 01:01:20,805 You've thrived so much when you did the Whitney song. 1466 01:01:20,847 --> 01:01:22,640 If you do ballad and soul stuff on the show, 1467 01:01:22,682 --> 01:01:24,351 people are gonna love it every time. 1468 01:01:24,392 --> 01:01:26,019 Make it a real ballad. I like all this. 1469 01:01:26,061 --> 01:01:27,812 I need all of this. 1470 01:01:27,854 --> 01:01:29,898 Turning these pop rap songs into ballads, 1471 01:01:29,939 --> 01:01:32,901 this can be a cool new venture of my artistry. 1472 01:01:32,942 --> 01:01:35,070 I haven't heard anyone do this song slow yet. 1473 01:01:35,111 --> 01:01:36,571 The biggest challenge for me right now 1474 01:01:36,613 --> 01:01:38,156 is going to be getting comfortable 1475 01:01:38,198 --> 01:01:39,949 with this new arrangement. 1476 01:01:39,991 --> 01:01:42,327 But I got this. I can do this. 1477 01:01:42,369 --> 01:01:44,662 When you get to the end of need you to stay, 1478 01:01:44,704 --> 01:01:46,581 need you to stay, you change the melody a little bit. 1479 01:01:46,623 --> 01:01:49,459 Yeah. I think you need to do that in the slow bit as well. 1480 01:01:49,501 --> 01:01:52,170 Okay. 'Cause when you do the * stay, stay *, 1481 01:01:52,212 --> 01:01:53,838 it's just not going to be there... 1482 01:01:53,880 --> 01:01:56,383 Mm-hmm. ...when you're in that fragile moment. 1483 01:01:56,424 --> 01:01:58,426 Yeah. * Need you to stay * 1484 01:01:58,468 --> 01:01:59,928 Whatever you do there... Yeah. 1485 01:01:59,969 --> 01:02:01,346 ...it is so much better. 1486 01:02:01,388 --> 01:02:03,181 Dang, you just hit that note so easily. 1487 01:02:03,223 --> 01:02:04,849 Whenever I turn a song into a ballad, 1488 01:02:04,891 --> 01:02:06,893 you would think that because you have more time, 1489 01:02:06,935 --> 01:02:09,646 you're saying more words, but I'm usually cutting out words. 1490 01:02:09,688 --> 01:02:12,065 You should be remembering the emotion on each bar. 1491 01:02:12,107 --> 01:02:13,858 Yeah. 1492 01:02:13,900 --> 01:02:16,277 * I told you I'd change, even when I knew I never could * 1493 01:02:16,319 --> 01:02:18,029 Yeah. Yeah. 1494 01:02:18,071 --> 01:02:20,365 There's a lot of pressure going into these knockout rounds. 1495 01:02:20,407 --> 01:02:22,867 I'm really feeling for all the artists. 1496 01:02:22,909 --> 01:02:24,619 * Need you stay * 1497 01:02:24,661 --> 01:02:28,331 Keith: There's this incredible balancing act of being calm, 1498 01:02:28,373 --> 01:02:31,626 centered, but energized that every one of them 1499 01:02:31,668 --> 01:02:33,545 gotta strike because it's do or Die. 1500 01:02:33,586 --> 01:02:36,673 "The Voice" is so much more about you as an individual. 1501 01:02:36,715 --> 01:02:40,343 This is really your opportunity to platform who you are, 1502 01:02:40,385 --> 01:02:45,181 so get up there and show yourself. 1503 01:02:45,223 --> 01:02:46,891 Thank you. Thank you. 1504 01:02:46,933 --> 01:02:50,395 [ Cheers and applause ] 1505 01:02:54,065 --> 01:02:55,984 Let's go. 1506 01:02:56,026 --> 01:02:58,778 With "I Guess That's Why They Call It The Blues," 1507 01:02:58,820 --> 01:03:00,905 here's Alyssa Crosby. 1508 01:03:00,947 --> 01:03:02,949 [ Cheers and applause ] 1509 01:03:02,991 --> 01:03:08,455 ** 1510 01:03:08,496 --> 01:03:10,373 * Don't wish it away * 1511 01:03:10,415 --> 01:03:15,587 * Don't look at it like it's forever * 1512 01:03:15,628 --> 01:03:17,505 ** 1513 01:03:17,547 --> 01:03:21,217 * Between you and me * 1514 01:03:21,259 --> 01:03:24,262 * I could honestly say that things * 1515 01:03:24,304 --> 01:03:29,059 * Can only get better * 1516 01:03:29,100 --> 01:03:33,605 * And while I'm away * 1517 01:03:33,646 --> 01:03:38,401 * Dust out the demons inside * 1518 01:03:38,443 --> 01:03:40,653 * And it won't be long * 1519 01:03:40,695 --> 01:03:43,490 * Before you and me run * 1520 01:03:43,531 --> 01:03:53,458 * To the place in our hearts where we hide * 1521 01:03:53,500 --> 01:03:58,213 * And I guess that's why they call it the blues * 1522 01:03:58,254 --> 01:04:00,715 * Time on my hands * 1523 01:04:00,757 --> 01:04:03,968 * Could be time spent with you * 1524 01:04:04,010 --> 01:04:06,971 * Laughing like children * 1525 01:04:07,013 --> 01:04:09,557 * Living like lovers * 1526 01:04:09,599 --> 01:04:16,606 * Rolling like thunder under the covers * 1527 01:04:16,648 --> 01:04:22,654 * And I guess that's why they call it the blues * 1528 01:04:22,696 --> 01:04:26,616 * I guess that's why they call it the blues * 1529 01:04:26,658 --> 01:04:29,661 * Time on my hands * 1530 01:04:29,703 --> 01:04:32,664 * Could be time spent with you * 1531 01:04:32,706 --> 01:04:35,458 * Laughing like children * 1532 01:04:35,500 --> 01:04:38,503 * Living like lovers * 1533 01:04:38,545 --> 01:04:47,012 * Rolling like thunder under the covers * 1534 01:04:47,053 --> 01:04:49,556 Yeah. Hey. 1535 01:04:51,641 --> 01:04:59,190 * And I guess that's why they call it * 1536 01:04:59,232 --> 01:05:05,196 * The blues * 1537 01:05:05,238 --> 01:05:07,782 That's great. 1538 01:05:07,824 --> 01:05:09,534 [ Cheers and applause ] 1539 01:05:09,576 --> 01:05:10,994 Whoo! 1540 01:05:11,036 --> 01:05:12,787 [ Cheers and applause ] 1541 01:05:19,085 --> 01:05:20,420 * This is "The Voice" * 1542 01:05:20,462 --> 01:05:22,130 Daly: Welcome back to the knockouts 1543 01:05:22,172 --> 01:05:24,174 at Universal Studios, Hollywood. 1544 01:05:24,215 --> 01:05:26,134 Rletto! 1545 01:05:26,176 --> 01:05:28,428 Whoo! 1546 01:05:28,470 --> 01:05:30,889 Now with "Stay," here's our Rletto. 1547 01:05:30,930 --> 01:05:32,974 [ Cheers and applause ] 1548 01:05:33,016 --> 01:05:37,103 ** 1549 01:05:37,145 --> 01:05:39,272 * I do the same thing * 1550 01:05:39,314 --> 01:05:41,274 * I told you that I never would * 1551 01:05:41,316 --> 01:05:42,650 * I told you I'd change * 1552 01:05:42,692 --> 01:05:45,111 * Even when I knew I never could * 1553 01:05:45,153 --> 01:05:49,407 * Know that I can't find nobody else as good as you * 1554 01:05:49,449 --> 01:05:53,953 * I need you to stay, oh * 1555 01:05:53,995 --> 01:05:55,622 * I get drunk * 1556 01:05:55,663 --> 01:05:58,124 * Wake up, I'm wasted still * 1557 01:05:58,166 --> 01:06:02,128 * Realize the time that I wasted here * 1558 01:06:02,170 --> 01:06:05,799 * I feel like you can't feel the way I feel * 1559 01:06:05,840 --> 01:06:10,095 * I'll be messed up if I can't be right here * 1560 01:06:10,136 --> 01:06:14,974 * Oh * 1561 01:06:15,016 --> 01:06:18,228 * Oh * 1562 01:06:18,269 --> 01:06:22,023 * Oh * 1563 01:06:22,065 --> 01:06:26,403 * I'll be messed up if I can't be right here * 1564 01:06:26,444 --> 01:06:28,154 * I do the same thing * 1565 01:06:28,196 --> 01:06:30,323 * I told you that I never would * 1566 01:06:30,365 --> 01:06:31,991 * I told you I'd change * 1567 01:06:32,033 --> 01:06:34,285 * Even when I knew I never could * 1568 01:06:34,327 --> 01:06:38,331 * Know that I can't find nobody else as good as you * 1569 01:06:38,373 --> 01:06:43,003 * I need you to stay, I need you to stay, hey * 1570 01:06:43,044 --> 01:06:46,923 * When I'm away from you, I miss your touch * 1571 01:06:46,965 --> 01:06:51,553 * You're the reason I believe in love * 1572 01:06:51,594 --> 01:06:55,140 * It's been difficult for me to trust * 1573 01:06:55,181 --> 01:06:59,561 * And I'm afraid that I'ma mess it up * 1574 01:06:59,602 --> 01:07:03,231 * Ain't no way that I can leave you stranded * 1575 01:07:03,273 --> 01:07:07,527 * 'Cause you ain't never leave me empty-handed * 1576 01:07:07,569 --> 01:07:09,738 * And you know that I know * 1577 01:07:09,779 --> 01:07:13,783 * That I can't live without you * 1578 01:07:13,825 --> 01:07:19,039 * So won’t you stay * 1579 01:07:19,080 --> 01:07:22,083 * Ooh * 1580 01:07:22,125 --> 01:07:23,335 He's on fire. 1581 01:07:23,376 --> 01:07:26,629 * Stay * 1582 01:07:26,671 --> 01:07:30,508 * I need you to stay * 1583 01:07:30,550 --> 01:07:35,430 * So won’t you stay * 1584 01:07:35,472 --> 01:07:40,185 [ Cheers and applause ] 1585 01:07:40,226 --> 01:07:42,062 That was sick. 1586 01:07:43,063 --> 01:07:45,774 Man, that was such a great performance by both of you guys. 1587 01:07:45,815 --> 01:07:48,068 Alyssa, your technique is just insane. 1588 01:07:48,109 --> 01:07:50,737 Elton's not an easy singer, but you absolutely crushed it. 1589 01:07:50,779 --> 01:07:52,113 This was one of the best knockout performances 1590 01:07:52,155 --> 01:07:53,907 of the day, for sure. It genuinely was. 1591 01:07:53,948 --> 01:07:56,701 Y'all crushed it. That was such a fun performance. 1592 01:07:56,743 --> 01:07:58,036 Song selection was phenomenal. 1593 01:07:58,078 --> 01:07:59,954 It just had something a little extra, 1594 01:07:59,996 --> 01:08:01,831 and it just showed a lot about who you want to be as an artist, 1595 01:08:01,873 --> 01:08:04,042 and I was very impressed with that, so well done. 1596 01:08:04,084 --> 01:08:05,085 Thank you so much. 1597 01:08:05,126 --> 01:08:06,503 Rletto, dude, 1598 01:08:06,544 --> 01:08:07,754 always bringing the heat with the outfits. 1599 01:08:07,796 --> 01:08:09,255 Just a legend, man. 1600 01:08:09,297 --> 01:08:10,799 I don't know who came up with that arrangement, 1601 01:08:10,840 --> 01:08:12,425 if that was you and Chance or Chance? 1602 01:08:12,467 --> 01:08:13,843 I think that was so dope. 1603 01:08:13,885 --> 01:08:15,637 It's got so much soul and body to it. 1604 01:08:15,679 --> 01:08:16,971 I thought you slayed that. Thank you. 1605 01:08:17,013 --> 01:08:19,099 That was crazy. 1606 01:08:19,140 --> 01:08:21,017 You could put on a master class on what it means to perform 1607 01:08:21,059 --> 01:08:23,478 because you brought me into that performance, 1608 01:08:23,520 --> 01:08:27,399 and I believe every word that you sang. 1609 01:08:27,440 --> 01:08:29,734 Rletto, you really are just cool. 1610 01:08:29,776 --> 01:08:31,486 Your tone is just fresh. 1611 01:08:31,528 --> 01:08:33,279 You feel like a tastemaker, You know what I'm saying? 1612 01:08:33,321 --> 01:08:35,907 Yeah. Like Rihanna, she can really sing. 1613 01:08:35,949 --> 01:08:38,159 But also, everybody just thinks she's cooler than them, 1614 01:08:38,201 --> 01:08:39,953 and they want to know what she likes. 1615 01:08:39,994 --> 01:08:42,580 I think I'd placed my bets on Rletto going forward. 1616 01:08:42,622 --> 01:08:45,250 Thank you. 1617 01:08:45,291 --> 01:08:49,129 Alyssa, you have grown leaps and bounds. 1618 01:08:49,170 --> 01:08:52,632 You really showcase that. with the real gritty 1619 01:08:52,674 --> 01:08:54,718 I'm going to get in there, and then the very 1620 01:08:54,759 --> 01:08:57,178 soft little whisper and tender moments. 1621 01:08:57,220 --> 01:08:59,180 I'm just real proud of you. 1622 01:08:59,222 --> 01:09:03,810 And Rletto, great stage presence, great performance. 1623 01:09:03,852 --> 01:09:07,480 I'm going to go with Alyssa because of your growth. 1624 01:09:07,522 --> 01:09:10,525 Thank you. Daly: Thank you, coaches. 1625 01:09:10,567 --> 01:09:12,360 Chance, you got a tough decision here. 1626 01:09:12,402 --> 01:09:14,446 But first, give us some thoughts on the knockout. 1627 01:09:14,487 --> 01:09:16,906 Alyssa, you killed the song. Like top to bottom, 1628 01:09:16,948 --> 01:09:19,617 it was an amazing performance on a brand new team. 1629 01:09:19,659 --> 01:09:21,536 I thought it was awesome. 1630 01:09:21,578 --> 01:09:24,372 Rletto, you showed a mastery of the song 1631 01:09:24,414 --> 01:09:26,666 and an intention with the lyrics 1632 01:09:26,708 --> 01:09:30,295 that really made it personal for me. 1633 01:09:30,337 --> 01:09:32,672 When Justin and The Kid Laroi see it, 1634 01:09:32,714 --> 01:09:34,341 they'll be proud of the performance. 1635 01:09:34,382 --> 01:09:36,343 I kind of wish that you went a little bit harder 1636 01:09:36,384 --> 01:09:37,552 in your higher register. 1637 01:09:37,594 --> 01:09:38,553 Why not go hard, you know? 1638 01:09:38,595 --> 01:09:40,722 I feel that. Sorry. 1639 01:09:40,764 --> 01:09:42,223 That's the end of what I was going to say. 1640 01:09:42,265 --> 01:09:44,392 [ Laughter and applause ] 1641 01:09:44,434 --> 01:09:45,894 Alright, Chance. 1642 01:09:45,935 --> 01:09:47,187 Thanks for letting us know you're done. 1643 01:09:47,228 --> 01:09:48,563 Yeah, man. 1644 01:09:48,605 --> 01:09:50,398 Not an easy decision. We need to know. 1645 01:09:50,440 --> 01:09:52,984 Who's the winner of this knockout? 1646 01:09:53,026 --> 01:09:55,028 There's a very, very difficult decision. 1647 01:09:55,070 --> 01:09:56,905 Both you guys are amazing artists. 1648 01:09:56,946 --> 01:10:00,658 But the winner of this knockout... 1649 01:10:00,700 --> 01:10:03,370 [ Dramatic music plays ] 1650 01:10:03,411 --> 01:10:04,746 ...is Rletto. 1651 01:10:04,788 --> 01:10:06,623 Rletto, congratulations. 1652 01:10:06,664 --> 01:10:10,335 You're moving on the playoffs for Team Chance. 1653 01:10:10,377 --> 01:10:11,753 Oh, this is crazy. 1654 01:10:11,795 --> 01:10:13,380 I'm going to the playoffs. This is wild. 1655 01:10:13,421 --> 01:10:16,800 Give it up for Alyssa Crosby, ladies and gentlemen. 1656 01:10:16,841 --> 01:10:19,302 Chance: A decision like this is incredibly difficult. 1657 01:10:19,344 --> 01:10:22,430 Alyssa really grew so much every round so far, 1658 01:10:22,472 --> 01:10:23,973 but I had to go with Rletto. 1659 01:10:24,015 --> 01:10:25,934 He's just a world class talent. 1660 01:10:25,975 --> 01:10:29,854 My favorite part about Rletto is his ability to improvise 1661 01:10:29,896 --> 01:10:31,898 and make every performance of any song sound 1662 01:10:31,940 --> 01:10:33,858 like a brand new song. 1663 01:10:33,900 --> 01:10:35,652 He's honestly, sneakily, like, one of my favorites. 1664 01:10:35,694 --> 01:10:37,237 He's super dope. 1665 01:10:43,451 --> 01:10:44,744 * This is "The Voice" * 1666 01:10:44,786 --> 01:10:46,913 Daly: Welcome back to "The Voice." 1667 01:10:46,955 --> 01:10:50,750 Okay, we got this. I'm so excited! 1668 01:10:50,792 --> 01:10:53,003 So we've got Jackie and Zoe. 1669 01:10:53,044 --> 01:10:55,922 Jackie, she's got this crackle in her tone. 1670 01:10:55,964 --> 01:10:57,257 Oh, cool. Nice. It's super cool, I love it. 1671 01:10:57,298 --> 01:10:59,801 And then Zoe is my only country artist. 1672 01:10:59,843 --> 01:11:02,595 She won against a trio, which was pretty difficult. 1673 01:11:02,637 --> 01:11:04,389 In John we trust. In John we trust. 1674 01:11:04,431 --> 01:11:06,016 Look at who's here. Look. 1675 01:11:06,057 --> 01:11:07,976 We've got a mega mentor. His name is Keith Urban. 1676 01:11:08,018 --> 01:11:10,103 [ Squeals ] Oh, my God. 1677 01:11:10,145 --> 01:11:11,730 Zoe: I'm kind of freaked out a little bit. 1678 01:11:11,771 --> 01:11:13,273 I grew up listening to him. 1679 01:11:13,314 --> 01:11:15,734 He knows how to really elevate a performance, 1680 01:11:15,775 --> 01:11:17,318 'cause he's worked so hard on his own, 1681 01:11:17,360 --> 01:11:19,654 and he's worked with so many other talented artists. 1682 01:11:19,696 --> 01:11:21,698 So, Jackie, tell me what song you chose. 1683 01:11:21,740 --> 01:11:23,992 I'm singing "Love on the Brain" by Rihanna. 1684 01:11:24,034 --> 01:11:26,119 Oh, I love this song. 1685 01:11:26,161 --> 01:11:29,164 It's exactly everything that I want to be as an artist. 1686 01:11:29,205 --> 01:11:30,498 Yeah. You know, that pop soul genre. 1687 01:11:30,540 --> 01:11:31,875 Yep. 1688 01:11:31,916 --> 01:11:35,754 * And you got me like oh * 1689 01:11:35,795 --> 01:11:37,839 This is my first ballad, 1690 01:11:37,881 --> 01:11:41,134 and I'm excited to show how much I can let loose 1691 01:11:41,176 --> 01:11:44,095 and just be totally raw and unfiltered. 1692 01:11:44,137 --> 01:11:47,223 * Baby you got me like oh * 1693 01:11:47,265 --> 01:11:50,518 I vividly remember the first time I heard this song. 1694 01:11:50,560 --> 01:11:52,896 I was in the car with my mom. 1695 01:11:52,937 --> 01:11:57,359 My mom has given up so much for me to be here. 1696 01:11:57,400 --> 01:12:00,070 Even just for me to record in a studio, 1697 01:12:00,111 --> 01:12:01,821 she sold her wedding ring. 1698 01:12:01,863 --> 01:12:04,032 I want to pay my mom back for everything 1699 01:12:04,074 --> 01:12:06,034 that she's done for me, 1700 01:12:06,076 --> 01:12:08,244 and I'm gonna keep fighting every single round. 1701 01:12:08,286 --> 01:12:13,124 * Must be love on the brain * 1702 01:12:13,166 --> 01:12:14,751 What do you think, Keith? 1703 01:12:14,793 --> 01:12:16,711 She can sing. Yeah. 1704 01:12:16,753 --> 01:12:17,879 [ Laughter ] 1705 01:12:17,921 --> 01:12:19,381 She can sing. 1706 01:12:19,422 --> 01:12:21,091 It's so great you get to choose your own songs. 1707 01:12:21,132 --> 01:12:23,635 Tells us so much about where you see yourself. 1708 01:12:23,677 --> 01:12:25,303 I can feel a bit of nerves. 1709 01:12:25,345 --> 01:12:28,223 I felt like I was hearing your voice more than feeling you. 1710 01:12:28,264 --> 01:12:30,392 I think you need to get into character. 1711 01:12:30,433 --> 01:12:33,228 Yeah. Feel like you're in a sweaty blues club. 1712 01:12:33,269 --> 01:12:35,730 Put more stank on your personality. 1713 01:12:35,772 --> 01:12:36,898 You know what I'm saying? Yeah. 1714 01:12:36,940 --> 01:12:38,191 And you got it. It's that look. 1715 01:12:38,233 --> 01:12:40,360 [ Laughs ] It's that swag. 1716 01:12:40,402 --> 01:12:41,861 Yes. 1717 01:12:41,903 --> 01:12:44,114 * I can for miles * 1718 01:12:44,155 --> 01:12:46,533 * Just to get a taste * 1719 01:12:46,574 --> 01:12:48,868 Whoa! * Must be love * 1720 01:12:48,910 --> 01:12:50,745 John: I love the crackle in Jackie's voice. 1721 01:12:50,787 --> 01:12:51,996 I love that tone. 1722 01:12:52,038 --> 01:12:54,916 Rihanna also has that kind of ugh 1723 01:12:54,958 --> 01:12:56,918 that you love to feel in a voice. 1724 01:12:56,960 --> 01:12:58,712 And I think Jackie can do this song justice. 1725 01:12:58,753 --> 01:13:02,132 That was really great progress from take one to take two. 1726 01:13:02,173 --> 01:13:04,009 I'm over here being staged at, like... 1727 01:13:04,050 --> 01:13:06,011 Yes. [ Laughter ] 1728 01:13:06,052 --> 01:13:07,887 Jackie killed it in rehearsal. 1729 01:13:07,929 --> 01:13:09,889 She is such a powerhouse, 1730 01:13:09,931 --> 01:13:12,600 and that's not necessarily my strength, 1731 01:13:12,642 --> 01:13:14,185 just the big, cool high note. 1732 01:13:14,227 --> 01:13:16,438 But I'm just going to continue to focus and sing 1733 01:13:16,479 --> 01:13:18,606 true to myself and play to my strengths. 1734 01:13:18,648 --> 01:13:20,025 So, I am singing 1735 01:13:20,066 --> 01:13:22,777 "Cowboy Take Me Away" by the Chicks. 1736 01:13:22,819 --> 01:13:24,779 Alright. 1737 01:13:24,821 --> 01:13:27,657 I sit in the singer/songwriter, folk kind of country genre, 1738 01:13:27,699 --> 01:13:30,452 and I feel like this song is right in my sweet spot. 1739 01:13:30,493 --> 01:13:33,955 * I said I wanna touch the earth * 1740 01:13:33,997 --> 01:13:36,541 * I wanna break it in my hands * 1741 01:13:36,583 --> 01:13:39,336 This song brings up so many fond memories for me. 1742 01:13:39,377 --> 01:13:42,964 My family and I love to do a backyard jam session 1743 01:13:43,006 --> 01:13:44,299 at my parents' house. 1744 01:13:44,341 --> 01:13:46,968 We've sang this song so many times, 1745 01:13:47,010 --> 01:13:49,054 and so it just makes me think of home. 1746 01:13:49,095 --> 01:13:51,723 * Set me free * 1747 01:13:51,765 --> 01:13:54,100 * Oh, I pray * 1748 01:13:54,142 --> 01:13:55,435 I grew up listening to The Chicks. 1749 01:13:55,477 --> 01:13:57,771 They were like, the first girls I saw 1750 01:13:57,812 --> 01:13:59,147 that were writing their own songs 1751 01:13:59,189 --> 01:14:01,149 and playing their own instruments. 1752 01:14:01,191 --> 01:14:02,609 I owe a lot of my song writing style to them. 1753 01:14:02,650 --> 01:14:07,197 * Clothes to you * 1754 01:14:07,238 --> 01:14:09,574 Whoo! It was so good. 1755 01:14:09,616 --> 01:14:11,284 Keith: It's really nice. 1756 01:14:11,326 --> 01:14:14,662 Is it a choice to do the sensitive first chorus? 1757 01:14:14,704 --> 01:14:18,500 Yes. You don't sound confident in that angelic place. 1758 01:14:18,541 --> 01:14:20,502 You're confident at the end of the song. Yeah. 1759 01:14:20,543 --> 01:14:23,213 But in the first chorus, I'm a little bit unsure. 1760 01:14:23,254 --> 01:14:26,007 Keith is right, because you only have two minutes. 1761 01:14:26,049 --> 01:14:27,676 You got to win, you know? That's your goal. 1762 01:14:27,717 --> 01:14:30,845 Falsetto is the first thing to betray you in a live -- 1763 01:14:30,887 --> 01:14:32,222 in a live performance. [ Laughs ] It so is. 1764 01:14:32,263 --> 01:14:33,515 Yeah, yeah, yeah. Yeah. 1765 01:14:33,556 --> 01:14:35,183 Just go for it on both choruses. 1766 01:14:35,225 --> 01:14:37,686 I think you would be good if you visualize 1767 01:14:37,727 --> 01:14:40,021 your own Cowboy, whoever that is. 1768 01:14:40,063 --> 01:14:41,648 Well, she's engaged to be married. 1769 01:14:41,690 --> 01:14:43,024 Yeah. Oh, really? 1770 01:14:43,066 --> 01:14:44,526 So is your future husband a cowboy? 1771 01:14:44,567 --> 01:14:46,528 In this song he is. I mean, he's from Louisiana. 1772 01:14:46,569 --> 01:14:48,029 So, you know, it works. So we'll -- we'll call him a cowboy. 1773 01:14:48,071 --> 01:14:49,989 Absolutely. Yeah. 1774 01:14:50,031 --> 01:14:51,408 You got to think more about the story... 1775 01:14:51,449 --> 01:14:53,743 Yeah. ...and sing it to your guy. 1776 01:14:53,785 --> 01:14:55,829 That's the difference between a good performance 1777 01:14:55,870 --> 01:14:56,871 and a great performance... Yeah. 1778 01:14:56,913 --> 01:14:58,206 ...Is that connection. 1779 01:14:58,248 --> 01:15:02,544 * Cowboy, take me away * 1780 01:15:02,585 --> 01:15:04,295 The biggest challenge for this song 1781 01:15:04,337 --> 01:15:07,298 is I can get so focused on hitting the right notes 1782 01:15:07,340 --> 01:15:09,592 that I forget to just enjoy myself. 1783 01:15:09,634 --> 01:15:12,595 * Set me free, oh * 1784 01:15:12,637 --> 01:15:14,431 I really am so new at this, 1785 01:15:14,472 --> 01:15:16,725 but every time I get on that stage, 1786 01:15:16,766 --> 01:15:18,435 I get more confident, 1787 01:15:18,476 --> 01:15:20,687 I get more relaxed because John continues 1788 01:15:20,729 --> 01:15:22,856 to affirm my natural voice. 1789 01:15:22,897 --> 01:15:26,484 I can't wait to keep showing John who I am as an artist 1790 01:15:26,526 --> 01:15:27,652 and what I'm able to do. 1791 01:15:27,694 --> 01:15:31,322 * Closer to you * 1792 01:15:31,364 --> 01:15:32,574 You're gonna have a tough call, John. 1793 01:15:32,615 --> 01:15:33,742 It's always tough, 1794 01:15:33,783 --> 01:15:35,118 but I want it to be tough... Hi. 1795 01:15:35,160 --> 01:15:36,619 ...and I want everybody to get stolen. 1796 01:15:36,661 --> 01:15:38,538 Go out there and just be your best self. 1797 01:15:38,580 --> 01:15:40,290 Let's do it. Yay! 1798 01:15:40,331 --> 01:15:42,584 Zoe and Jackie are my two youngest artists, 1799 01:15:42,625 --> 01:15:45,587 and I'm seeing growth in both Zoe and Jackie. 1800 01:15:45,628 --> 01:15:47,297 It's gonna be a difficult decision, 1801 01:15:47,339 --> 01:15:49,341 but I'm gonna allow myself to be in the moment 1802 01:15:49,382 --> 01:15:51,426 and see who steps up to the plate. 1803 01:15:51,468 --> 01:15:52,969 So good. 1804 01:15:53,011 --> 01:15:55,430 [ Cheers and applause ] 1805 01:15:55,472 --> 01:15:58,558 Singing "Love on the Brain," here is Jackie Romeo. 1806 01:15:58,600 --> 01:16:01,770 [ Cheers and applause ] 1807 01:16:01,811 --> 01:16:08,985 ** 1808 01:16:09,027 --> 01:16:14,032 * And you got me like oh * 1809 01:16:14,074 --> 01:16:16,326 * What you want from me * 1810 01:16:16,368 --> 01:16:19,037 * What you want from me * 1811 01:16:19,079 --> 01:16:22,082 * I tried to buy your pretty heart * 1812 01:16:22,123 --> 01:16:25,251 * But the price too high * 1813 01:16:25,293 --> 01:16:30,465 * Baby you got me like oh * 1814 01:16:30,507 --> 01:16:33,468 * You love when I fall apart * 1815 01:16:33,510 --> 01:16:34,886 * Fall apart * Yeah. 1816 01:16:34,928 --> 01:16:37,639 * So you can put me together * 1817 01:16:37,681 --> 01:16:42,018 * And throw me against the wall * 1818 01:16:42,060 --> 01:16:48,483 * Baby you got me like ah * 1819 01:16:48,525 --> 01:16:51,945 * Ah * 1820 01:16:51,986 --> 01:16:53,530 * Don't stop loving me * 1821 01:16:53,571 --> 01:16:55,615 * Loving me * * Just start loving me * 1822 01:16:55,657 --> 01:16:57,826 * Loving me * * Don't quit loving me * 1823 01:16:57,867 --> 01:17:00,537 * Loving me * 1824 01:17:00,578 --> 01:17:02,205 * And babe * 1825 01:17:02,247 --> 01:17:04,374 * I'm fist fighting with fire * 1826 01:17:04,416 --> 01:17:06,835 * Just to get close to you * 1827 01:17:06,876 --> 01:17:10,296 * Can we burn something baby * 1828 01:17:10,338 --> 01:17:12,382 * I could run for miles * 1829 01:17:12,424 --> 01:17:15,343 * Just to get a taste * 1830 01:17:15,385 --> 01:17:18,680 * Must be love on the brain * 1831 01:17:18,722 --> 01:17:21,016 Yeah, Jackie! Yeah! 1832 01:17:21,057 --> 01:17:23,935 * That's got me feeling this way * 1833 01:17:23,977 --> 01:17:25,311 * Feeling this way * 1834 01:17:25,353 --> 01:17:27,856 * It beats me black and blue * 1835 01:17:27,897 --> 01:17:30,025 * But it loves me so good * 1836 01:17:30,066 --> 01:17:32,569 * And I can't get enough * 1837 01:17:32,610 --> 01:17:37,365 * Must be love on the brain * 1838 01:17:37,407 --> 01:17:40,452 * And it keeps cursing my name * 1839 01:17:40,493 --> 01:17:42,328 * Cursing my name * 1840 01:17:42,370 --> 01:17:44,372 * No matter what I do * 1841 01:17:44,414 --> 01:17:46,541 * I'm no good without you * 1842 01:17:46,583 --> 01:17:49,419 * And I can't get enough * 1843 01:17:49,461 --> 01:17:51,671 * Must be love on the * 1844 01:17:51,713 --> 01:17:55,967 * Brain * 1845 01:17:56,009 --> 01:17:58,553 Hey, hey! 1846 01:17:58,595 --> 01:18:00,972 Yeah, Jackie! 1847 01:18:01,014 --> 01:18:02,807 Whoo! 1848 01:18:08,938 --> 01:18:10,273 * This is "The Voice" * 1849 01:18:10,315 --> 01:18:12,025 Daly: Welcome back to the knockouts. 1850 01:18:12,067 --> 01:18:14,110 [ Cheers and applause ] 1851 01:18:14,152 --> 01:18:16,946 Let's go! 1852 01:18:16,988 --> 01:18:18,323 Now with "Cowboy Take Me Away," 1853 01:18:18,365 --> 01:18:20,450 Here's Zoe Levert. 1854 01:18:20,492 --> 01:18:22,911 [ Cheers and applause ] 1855 01:18:22,952 --> 01:18:27,290 ** 1856 01:18:27,332 --> 01:18:30,960 * I said I wanna touch the earth * 1857 01:18:31,002 --> 01:18:33,797 * I wanna break it in my hands * 1858 01:18:33,838 --> 01:18:39,219 * I wanna grow something wild and unruly * 1859 01:18:39,260 --> 01:18:45,058 * Oh, it sounds good to me * 1860 01:18:45,100 --> 01:18:50,313 * Cowboy, take me away * 1861 01:18:50,355 --> 01:18:53,274 * Fly this girl as high as you can * 1862 01:18:53,316 --> 01:18:56,486 * Into the wild blue * 1863 01:18:56,528 --> 01:19:02,158 * Set me free oh, I pray * 1864 01:19:02,200 --> 01:19:04,994 * Closer to heaven above * 1865 01:19:05,036 --> 01:19:08,748 * And closer to you * 1866 01:19:08,790 --> 01:19:11,793 * I wanna walk and not run * 1867 01:19:11,835 --> 01:19:14,713 * I wanna skip and not fall * 1868 01:19:14,754 --> 01:19:17,549 * I wanna look at the horizon * 1869 01:19:17,590 --> 01:19:20,760 * And not see a building standing tall * 1870 01:19:20,802 --> 01:19:23,972 * I wanna be the only one * 1871 01:19:24,014 --> 01:19:27,017 * For miles and miles * 1872 01:19:27,058 --> 01:19:29,144 Yeah. * Except for maybe you * 1873 01:19:29,185 --> 01:19:31,855 * And your simple smile * 1874 01:19:31,896 --> 01:19:37,986 * Oh, it sounds so good to me, oh * 1875 01:19:38,028 --> 01:19:42,866 * Cowboy, take me away * 1876 01:19:42,907 --> 01:19:45,660 * Fly this girl as high as you can * 1877 01:19:45,702 --> 01:19:49,372 * Into the wild blue * 1878 01:19:49,414 --> 01:19:55,003 * Set me free, oh, I pray * 1879 01:19:55,045 --> 01:19:57,422 * Closer to heaven above * 1880 01:19:57,464 --> 01:20:01,217 * And closer to you * 1881 01:20:01,259 --> 01:20:07,098 * Closer to you, oh * 1882 01:20:07,140 --> 01:20:15,648 * Closer to you, yeah * 1883 01:20:15,690 --> 01:20:17,734 Yeah, Zoe! 1884 01:20:17,776 --> 01:20:19,194 [ Chuckles ] 1885 01:20:19,235 --> 01:20:23,907 * Closer to you * 1886 01:20:23,948 --> 01:20:25,784 Yes! 1887 01:20:25,825 --> 01:20:27,619 Who-oa. 1888 01:20:29,371 --> 01:20:31,289 What a great job both of you did. 1889 01:20:31,331 --> 01:20:34,584 Jackie, you've got a wonderful voice. 1890 01:20:34,626 --> 01:20:37,087 Love the way you commanded the stage. 1891 01:20:37,128 --> 01:20:40,256 Zoe, I love your tone and I love the runs. 1892 01:20:40,298 --> 01:20:41,925 They're so effortless. Thank you. 1893 01:20:41,966 --> 01:20:44,010 You just to them like, ah, I did that. 1894 01:20:44,052 --> 01:20:45,553 [ Laughs ] 1895 01:20:45,595 --> 01:20:49,474 Zoe, you just have an amazing control of pitch. 1896 01:20:49,516 --> 01:20:51,351 I think you're going to be a star. 1897 01:20:51,393 --> 01:20:52,894 Thank you so much. 1898 01:20:52,936 --> 01:20:56,564 Jackie, absolutely sang the mess out of that song. 1899 01:20:56,606 --> 01:20:58,942 Oh, my gosh. I just have a new understanding and respect for that song. 1900 01:20:58,983 --> 01:21:01,986 I mean, it was really cool to see your artistry at work. 1901 01:21:02,028 --> 01:21:03,446 Thank you. 1902 01:21:03,488 --> 01:21:04,948 Would you like to make a suggestion, Chance? 1903 01:21:04,989 --> 01:21:06,783 Being honest, no. No, I want. 1904 01:21:06,825 --> 01:21:08,785 Okay. Awesome, perfect. Moving on. 1905 01:21:08,827 --> 01:21:10,286 Because they were both so good. 1906 01:21:10,328 --> 01:21:12,122 Okay, okay. 1907 01:21:12,163 --> 01:21:13,915 Jackie, you just have such a powerful voice, 1908 01:21:13,957 --> 01:21:15,917 such amazing control. You were feeling it. 1909 01:21:15,959 --> 01:21:17,711 In that moment you threw that mic stand, 1910 01:21:17,752 --> 01:21:19,087 I was like, "Yeah, that's what I'm talking about." 1911 01:21:19,129 --> 01:21:20,588 That was dope. 1912 01:21:20,630 --> 01:21:21,965 You remind me a lot of my sister, Gabby. 1913 01:21:22,007 --> 01:21:23,508 Whenever she starts to sing, she's, like, 1914 01:21:23,550 --> 01:21:25,385 throwing stuff down on the ground. 1915 01:21:25,427 --> 01:21:27,721 Zoe, you know that your range is here, 1916 01:21:27,762 --> 01:21:29,848 and you just absolutely nail it inside of your range. 1917 01:21:29,889 --> 01:21:31,808 You flip to the falsetto at the right time. 1918 01:21:31,850 --> 01:21:33,852 I feel like we're watching the butterfly moment 1919 01:21:33,893 --> 01:21:35,437 where you've come out of the cocoon. 1920 01:21:35,478 --> 01:21:36,980 I'm not talking about your outfit. 1921 01:21:37,022 --> 01:21:39,315 [ Laughter ] 1922 01:21:39,357 --> 01:21:41,776 You remind me so much of Taylor Swift. 1923 01:21:41,818 --> 01:21:44,988 Yeah. You are unapologetically yourself, just like Taylor is. 1924 01:21:45,030 --> 01:21:47,240 I feel like we're watching you kind of come into your own. 1925 01:21:47,282 --> 01:21:49,117 I would say Zoe. John: Okay. 1926 01:21:49,159 --> 01:21:50,827 She's one of my favorite of the competition so far. 1927 01:21:50,869 --> 01:21:53,830 Whew! Daly: Thank you, coaches. 1928 01:21:53,872 --> 01:21:55,999 Buddy, it all comes down to you, of course. 1929 01:21:56,041 --> 01:22:00,670 Jackie, I saw you really embracing the energy of the song 1930 01:22:00,712 --> 01:22:02,339 and emotionally connecting to it. 1931 01:22:02,380 --> 01:22:05,925 But you also knew when to finesse the notes as well, 1932 01:22:05,967 --> 01:22:08,303 and it was very in control the way 1933 01:22:08,345 --> 01:22:10,472 you handled the dynamics of the song. 1934 01:22:10,513 --> 01:22:12,349 Thank you. 1935 01:22:12,390 --> 01:22:15,310 And, Zoe, I do feel like everybody's watching you 1936 01:22:15,352 --> 01:22:18,229 continue to grow and surprise us. 1937 01:22:18,271 --> 01:22:21,316 You sounded like a great artist who needs to be heard. 1938 01:22:21,358 --> 01:22:22,692 Thank you so much. 1939 01:22:22,734 --> 01:22:26,446 John, who is the winner of this knockout? 1940 01:22:26,488 --> 01:22:28,782 * I don't know what I want to do * 1941 01:22:28,823 --> 01:22:30,658 * I don't know what I want to do * 1942 01:22:30,700 --> 01:22:34,412 [ Dramatic music plays ] 1943 01:22:34,454 --> 01:22:36,956 The winner of this knockout... 1944 01:22:36,998 --> 01:22:41,419 ** 1945 01:22:41,461 --> 01:22:42,629 ...is Zoe. 1946 01:22:42,671 --> 01:22:46,716 Zoe moves on. Congratulations. 1947 01:22:46,758 --> 01:22:48,885 John: Zoe, she's been kind of an underdog. 1948 01:22:48,927 --> 01:22:50,804 She was a one-chair turn in the blinds, 1949 01:22:50,845 --> 01:22:53,306 but she keeps rising to the occasion, 1950 01:22:53,348 --> 01:22:54,557 and we're watching her blossom. 1951 01:22:54,599 --> 01:22:56,643 Oh, my God. Great job. 1952 01:22:56,685 --> 01:22:59,646 I think Zoe's definitely going to be a lovable artist 1953 01:22:59,688 --> 01:23:01,523 for our country fans. 1954 01:23:01,564 --> 01:23:03,233 So I was like, we got to keep going. 1955 01:23:03,274 --> 01:23:04,734 Let's go, Zoe. 1956 01:23:04,776 --> 01:23:06,194 Zoe: I'm so excited. 1957 01:23:06,236 --> 01:23:07,779 I feel like I've really grown, 1958 01:23:07,821 --> 01:23:09,781 and I just can't wait to explore 1959 01:23:09,823 --> 01:23:13,243 new sides to my artistry with John. 1960 01:23:13,284 --> 01:23:15,829 Coaches, let me remind you that Jackie's available to steal. 1961 01:23:15,870 --> 01:23:17,997 Jackie, anything you'd like to say to John? 1962 01:23:18,039 --> 01:23:20,583 You've been an absolutely incredible coach. 1963 01:23:20,625 --> 01:23:22,252 Thank you so much. 1964 01:23:22,293 --> 01:23:24,212 Give it up for Jackie Romeo. 1965 01:23:24,254 --> 01:23:25,588 One more time, everybody. 1966 01:23:25,630 --> 01:23:26,756 Thank you. 1967 01:23:26,798 --> 01:23:29,592 Yeah! Hold it, Jackie! 1968 01:23:29,634 --> 01:23:31,720 That's the sound of a steal! 1969 01:23:31,761 --> 01:23:33,471 I was hoping that would happen. 1970 01:23:33,513 --> 01:23:36,433 From Queen Reba! Let's go! 1971 01:23:36,474 --> 01:23:37,851 Reba: Jackie can sing country, 1972 01:23:37,892 --> 01:23:39,769 Jackie could sing anything she wants 1973 01:23:39,811 --> 01:23:42,063 'cause she's that strong of a singer. 1974 01:23:42,105 --> 01:23:45,233 I'm very excited we get to work with her on the playoffs. 1975 01:23:45,275 --> 01:23:47,193 [ Laughs, sobbing ] 1976 01:23:47,235 --> 01:23:50,488 [ Laughs ] 1977 01:23:50,530 --> 01:23:51,948 I hope you're having fun. I am. 1978 01:23:51,990 --> 01:23:53,658 Excellent. Continue to have fun. 1979 01:23:53,700 --> 01:23:55,452 Absolutely. I love you. 1980 01:23:55,493 --> 01:23:57,620 Thank you so much. I love you, too. 1981 01:23:57,662 --> 01:23:58,663 Man: Thank you, Reba! 1982 01:23:58,705 --> 01:24:00,290 Thank you, thank you. 1983 01:24:00,331 --> 01:24:01,458 I love you, Reba! 1984 01:24:01,499 --> 01:24:02,417 Who said that? 1985 01:24:02,459 --> 01:24:04,377 [ Laughter ] 1986 01:24:04,419 --> 01:24:14,095 ** 1987 01:24:14,137 --> 01:24:22,312 ** 1988 01:24:22,354 --> 01:24:31,029 ** 1989 01:24:31,071 --> 01:24:34,240 **