1 00:00:12,712 --> 00:00:19,386 * THIS IS THE VOICE * 2 00:00:19,386 --> 00:00:26,292 * [ CHEERING ] 3 00:00:26,292 --> 00:00:28,361 >> Carson: THIS IS IT, WELCOME TO THE TOP 12, LADIES AND 4 00:00:28,361 --> 00:00:30,196 GENTLEMEN. WE ARE LIVE. 5 00:00:30,196 --> 00:00:34,668 GIVE IT UP FOR YOUR COACHES, JOHN LEGEND! 6 00:00:34,668 --> 00:00:43,910 [ CHEERING ] IN THE DOUBLE CHAIR, DAN + SHAY! 7 00:00:43,910 --> 00:00:47,347 HE IS CHANCE THE RAPPER! [ CHEERING ] 8 00:00:47,347 --> 00:00:50,116 AND THE ONE AND ONLY REBA McENTIRE IS HERE. 9 00:00:50,116 --> 00:00:58,324 [ CHEERING ] WOW, GREAT ENERGY IN THE ROOM. 10 00:00:58,324 --> 00:01:00,460 WELCOME TO THE VOICE. TOMORROW NIGHT THREE ARTISTS ARE 11 00:01:00,460 --> 00:01:02,562 GOING TO GO HOME. IT DOESN'T MATTER WHAT TEAM THEY 12 00:01:02,562 --> 00:01:04,931 ARE ON. AND FOR THE FIRST TIME THIS 13 00:01:04,931 --> 00:01:06,733 SEASON, THEIR FATE IS IN YOUR HANDS. 14 00:01:06,733 --> 00:01:09,135 FINALLY, EVERYBODY AT HOME, YOU GET TO VOTE. 15 00:01:09,135 --> 00:01:14,274 VOTING IS OPEN RIGHT NOW FOR ALL THE ARTISTS ON "THE VOICE" 16 00:01:14,274 --> 00:01:20,080 OFFICIAL APP AS WELL AS NBC.COM. IT WILL REMAIN OPEN ALL NIGHT 17 00:01:20,080 --> 00:01:25,151 LONG. IT'S GOING TO BE A TOUGH 18 00:01:25,151 --> 00:01:29,689 DECISION. YOU CAN CHANGE YOUR MIND UNTIL 19 00:01:29,689 --> 00:01:30,924 THAT VOTING CHANGES. AND SPEAKING OF VOTING, A BIG 20 00:01:30,924 --> 00:01:32,359 THANKS TO OUR OFFICIAL VOTING PARTNER THIS SEASON THROUGHOUT 21 00:01:32,359 --> 00:01:33,927 THE LIVE SHOWS, THE WELLS FARGO ACTIVE CASH CREDIT CARD, WHICH 22 00:01:33,927 --> 00:01:36,529 IS WITH YOU AS YOU PURSUE NEW INTERESTS AND EXPLORE PASSIONS, 23 00:01:36,529 --> 00:01:42,469 JUST LIKE THE TOP 12 ARE DOING TONIGHT. 24 00:01:42,469 --> 00:01:45,972 LET'S GET STARTED. THERE THEY ARE. 25 00:01:45,972 --> 00:01:47,841 DON'T THEY LOOK GREAT? DAN + SHAY ARE HERE, EVERYBODY, 26 00:01:47,841 --> 00:01:50,744 AND LIVE FOR THE FIRST TIME. [ CHEERING ] 27 00:01:50,744 --> 00:01:53,780 HOW YOU GUYS FEELING TONIGHT? >> DUDE, I'M FIRED UP. 28 00:01:53,780 --> 00:01:56,216 YOU LOOK AMAZING, CARSON. >> THANK YOU, BROTHER. 29 00:01:56,216 --> 00:01:58,251 >> I'M FIRED UP. THIS IS OUR FIRST TIME. 30 00:01:58,251 --> 00:02:01,421 >> Carson: I KNOW! >> THE STAKES ARE HIGH. 31 00:02:01,421 --> 00:02:03,189 THE TALENT IN THE TOP 12 IS UNBELIEVABLE. 32 00:02:03,189 --> 00:02:07,594 I HAVE NO IDEA WHAT'S GOING TO HAPPEN, BUT WE'RE IN FOR AMAZING 33 00:02:07,594 --> 00:02:20,540 PERFORMANCES. >> I AGREE WITH DAN. 34 00:02:20,540 --> 00:02:21,841 YOU LOOK UNBELIEVABLE. I'M EXCITED TO BE OUT HERE, MAN. 35 00:02:21,841 --> 00:02:22,909 THIS IS ELECTRICITY GOING ON OVER HERE. 36 00:02:22,909 --> 00:02:23,943 [ CHEERING ] >> WE MADE IT ALL THE WAY 37 00:02:23,943 --> 00:02:25,078 THROUGH. I DIDN'T GET KICKED OFF THE SHOW 38 00:02:25,078 --> 00:02:25,879 SOMEHOW. THAT'S PRETTY COOL. 39 00:02:25,879 --> 00:02:27,380 >> Carson: NOTHING BETTER THAN THE LIVE SHOWS. 40 00:02:27,380 --> 00:02:30,717 YOU GUYS ARE GOING TO LOVE THIS. YOU WERE BUILT FOR IT. 41 00:02:30,717 --> 00:02:32,452 WE HAVE A LOT TO GET TO. 12 PERFORMANCES. 42 00:02:32,452 --> 00:02:33,553 GOOD LUCK TO YOU TONIGHT, ALL THE COACHES. 43 00:02:33,553 --> 00:02:36,690 WE'LL BE CHATTING THROUGHOUT THE NIGHT. 44 00:02:36,690 --> 00:02:41,594 LET'S KICK OFF THE NIGHT WITH A LEGENDARY SONG BY TEAM LEGEND'S 45 00:02:41,594 --> 00:02:45,432 NEBRASKA POP ROCKER, HERE'S MORE FROM BRYAN OLESEN. 46 00:02:45,432 --> 00:02:48,101 >> ALL RIGHT, FRIENDS, TIME TO GO. 47 00:02:48,101 --> 00:02:50,637 BRYAN, WE'RE IN THE LIVES, BABY! >> SO GOOD TO SEE YOU. 48 00:02:50,637 --> 00:02:54,207 >> GOOD TO SEE YOU, MAN. >> OH, MY GOSH, TO BE IN THE TOP 49 00:02:54,207 --> 00:02:58,111 12, WHAT A DREAM. TURNING 50, SOMETIMES YOU HAVE 50 00:02:58,111 --> 00:03:01,081 THESE VOICES THAT WHISPER TIME TO HANG THE HAT ON THIS AND GO 51 00:03:01,081 --> 00:03:03,917 GET A REAL JOB OR SOMETHING. AND I NEVER THOUGHT I'D GET THE 52 00:03:03,917 --> 00:03:06,252 OPPORTUNITY THAT I'M ABOUT TO HAVE ON THE LIVES. 53 00:03:06,252 --> 00:03:09,889 >> THIS IS A VERY SPECIAL TIME. THIS IS THE FIRST TIME THAT 54 00:03:09,889 --> 00:03:11,758 AMERICA IS GOING TO HAVE THEIR SAY. 55 00:03:11,758 --> 00:03:13,960 AND WE HAVE NO IDEA WHAT AMERICA THINKS OF BRYAN. 56 00:03:13,960 --> 00:03:17,464 >> I KNOW THERE ARE SOME PEOPLE OUT THERE THAT HATE THIS HAIR. 57 00:03:17,464 --> 00:03:19,165 >> OH MY GOD, I HAVE A GOOD FEELING THEY'RE GOING TO LOVE 58 00:03:19,165 --> 00:03:21,634 YOU. AND YOU PICKED A VERY, VERY, 59 00:03:21,634 --> 00:03:25,905 VERY FUN SONG. >> AND THAT IS A SONG THAT YOU 60 00:03:25,905 --> 00:03:28,575 GOT TO BRING IT ALL CYLINDERS. * CAUSE I'M HAVING A GOOD TIME, 61 00:03:28,575 --> 00:03:31,878 HAVING A GOOD TIME * * I'M A SHOOTING STAR * 62 00:03:31,878 --> 00:03:35,382 >> RYAN IS LIKE OUR OWN BONO ON THE VOICE. 63 00:03:35,382 --> 00:03:37,317 HE'S GOT THE TONE, RANGE, CHARISMA. 64 00:03:37,317 --> 00:03:42,889 HE'S JUST EVERYTHING YOU WANT IN A ROCK SINGER. 65 00:03:42,889 --> 00:03:49,095 * LIKE LADY GODIVA * >> BRYAN IS A ROCK STAR. 66 00:03:49,095 --> 00:03:51,898 >> I REMEMBER TURNING 40 THINKING OH, MY MUSIC CAREER IS 67 00:03:51,898 --> 00:03:53,500 OVER. I GOT TO FIGURE SOMETHING ELSE 68 00:03:53,500 --> 00:03:57,003 OUT. AND NOW HERE I AM TEN YEARS 69 00:03:57,003 --> 00:03:59,739 LATER IN "THE VOICE," JUST IGNITES SOMETHING IN ME. 70 00:03:59,739 --> 00:04:02,275 I DO NOT WANT THIS JOURNEY TO END. 71 00:04:02,275 --> 00:04:08,048 * DON'T STOP ME NOW, HAVING SUCH A GOOD TIME, I'M HAVING A BALL * 72 00:04:08,048 --> 00:04:11,251 >> THE KEY IS JUST GOING TO BE LIKE EXUDING ALL THAT POSITIVE 73 00:04:11,251 --> 00:04:14,487 ENERGY THAT'S COMING FROM YOUR VOICE AND FROM THE SONG. 74 00:04:14,487 --> 00:04:15,755 YOU HAVE IDEAS FOR THE STAGE PERFORMANCE? 75 00:04:15,755 --> 00:04:19,693 >> OH, TOO MANY. >> YOU'RE ALREADY LIKE -- THIS 76 00:04:19,693 --> 00:04:22,929 IS A FINALE PERFORMANCE. >> WELL, YOU KNOW, THINKING BIG. 77 00:04:22,929 --> 00:04:24,064 >> YOU GOT THINK BIG, THAT'S RIGHT. 78 00:04:24,064 --> 00:04:25,665 IT'S GOING TO BE SO GOOD. >> THANKS, JOHN. 79 00:04:25,665 --> 00:04:27,901 APPRECIATE YOU. >> I'VE GOT A UNIQUE SPOT IN 80 00:04:27,901 --> 00:04:30,437 THIS COMPETITION. I'M THE OLDEST CONTESTANT. 81 00:04:30,437 --> 00:04:35,842 I WANT TO SHOW AMERICA THAT MY LIFE IS NOWHERE NEAR ON CRUISE 82 00:04:35,842 --> 00:04:38,111 CONTROL, YOU KNOW, SETTLING IN. I WANT TO MAKE TO IT THE TOP 83 00:04:38,111 --> 00:04:40,447 NINE. I FEEL LIKE I'M JUST GETTING 84 00:04:40,447 --> 00:04:42,549 GOING, YOU KNOW. >> YES! 85 00:04:42,549 --> 00:04:44,651 >> AT THE SAME TIME, I'M HERE IN THE LIVES. 86 00:04:44,651 --> 00:04:47,387 AMERICA, DON'T STOP ME NOW. THIS IS WAY TOO MUCH FUN. 87 00:04:47,387 --> 00:04:49,823 >> THAT'S RIGHT, AMERICA. DON'T STOP BRYAN! 88 00:04:49,823 --> 00:04:53,893 >> LET'S GO RIGHT TO THE END. >> VOTE THIS MAN THROUGH! 89 00:04:53,893 --> 00:04:57,731 >> LET'S GO! [ APPLAUSE ] 90 00:04:57,731 --> 00:05:04,104 * TONIGHT I'M GOING TO HAVE MYSELF A REAL GOOD 91 00:05:04,104 --> 00:05:13,880 I FEEL ALIVE AND THE WORLD * 92 00:05:13,880 --> 00:05:18,785 * WE'LL TURN IT INSIDE OUT, YEAH I'M FLOATING AROUND 93 00:05:18,785 --> 00:05:23,523 IN ECSTASY SO * * DON'T STOP ME NOW 94 00:05:23,523 --> 00:05:31,464 DON'T STOP ME 'CAUSE I'M HAVING 95 00:05:31,464 --> 00:05:33,199 A GOOD TIME * * I'M A SUPER STAR LEAPING 96 00:05:33,199 --> 00:05:35,335 THROUGH THE SKY * * LIKE A TIGER DEFYING 97 00:05:35,335 --> 00:05:39,506 THE LAWS OF GRAVITY I'M A RACING CAR PASSING BY 98 00:05:39,506 --> 00:05:44,277 LIKE LADY GODIVA * * I'M GONNA GO, GO, GO 99 00:05:44,277 --> 00:05:48,515 THERE'S NO STOPPING ME I'M BURNIN' THROUGH 100 00:05:48,515 --> 00:05:49,549 THE SKY, YEAH * * 200 DEGREES 101 00:05:49,549 --> 00:05:53,753 THAT'S WHY THEY CALL ME MISTER FAHRENHEIT * 102 00:05:53,753 --> 00:05:56,423 * I'M TRAVELING AT THE SPEED OF LIGHT 103 00:05:56,423 --> 00:06:01,194 I WANNA MAKE A SUPERSONIC MAN OUT OF YOU * 104 00:06:01,194 --> 00:06:04,330 * DON'T STOP ME NOW I'M HAVING SUCH A GOOD TIME 105 00:06:04,330 --> 00:06:08,601 I'M HAVING A BALL DON'T STOP ME NOW * 106 00:06:08,601 --> 00:06:11,771 * IF YOU WANNA HAVE A GOOD TIME 107 00:06:11,771 --> 00:06:14,941 JUST GIVE ME A CALL DON'T STOP ME NOW * 108 00:06:14,941 --> 00:06:25,218 * 'CAUSE I'M HAVING A GOOD TIME 109 00:06:25,218 --> 00:06:31,891 DON'T WANT TO STOP AT ALL * * DON'T STOP ME, DON'T STOP ME, 110 00:06:31,891 --> 00:06:35,161 DON'T STOP ME * >> GOOD EVENING, AMERICA! 111 00:06:35,161 --> 00:06:47,107 LET'S HAVE A GOOD TIME, GOOD TIME! 112 00:06:47,107 --> 00:06:52,879 * * BURNING THROUGH THE SKY, 200 113 00:06:52,879 --> 00:06:53,880 DEGREES, THAT'S WHY THEY CALL ME * 114 00:06:53,880 --> 00:06:54,914 * MISTER FAHRENHEIT I'M TRAVELING AT 115 00:06:54,914 --> 00:06:56,883 THE SPEED OF LIGHT I WANNA MAKE A * 116 00:06:56,883 --> 00:07:00,587 * SUPERSONIC MAN OUT OF YOU DON'T STOP ME NOW 117 00:07:00,587 --> 00:07:05,325 I'M HAVING SUCH A GOOD TIME I'M HAVING A BALL * 118 00:07:05,325 --> 00:07:07,627 * DON'T STOP ME NOW IF YOU WANNA HAVE A GOOD TIME 119 00:07:07,627 --> 00:07:11,664 ALRIGHT JUST GIVE ME A CALL * 120 00:07:11,664 --> 00:07:13,833 * DON'T STOP ME NOW 'CAUSE I'M HAVING A GOOD TIME 121 00:07:13,833 --> 00:07:17,470 DON'T STOP ME NOW * * YES, I'M HAVIN' 122 00:07:17,470 --> 00:07:22,242 A GOOD TIME I DON'T WANT 123 00:07:22,242 --> 00:07:32,085 TO STOP AT ALL * [ CHEERS AND APPLAUSE ] 124 00:07:32,085 --> 00:07:37,323 >> Carson: AND THAT IS OUR RESIDENT ROCK STAR FROM LINCOLN, 125 00:07:37,323 --> 00:07:41,728 NEBRASKA, BRYAN OLESEN KICKS OFF THE TOP 12 TONIGHT AS WE ARE 126 00:07:41,728 --> 00:07:47,967 LIVE ON "THE VOICE." FIRING UP THE CROWD AND THE 127 00:07:47,967 --> 00:07:50,603 COACHES ON THEIR FEET. THANK YOU TO THE BAND BACK THERE 128 00:07:50,603 --> 00:07:57,577 FOR ROCKING IT OUT. BRYAN, NICE WORK. 129 00:07:57,577 --> 00:08:00,547 >> FEELING SO GOOD. >> Carson: REBA? 130 00:08:00,547 --> 00:08:02,315 >> WHAT A WAY TO OPEN THE SHOW. OH, MY GOSH! 131 00:08:02,315 --> 00:08:05,251 YOU ARE HAVING A GOOD TIME. BUT YOU KNOW WHAT, BRYAN? 132 00:08:05,251 --> 00:08:07,754 YOU'VE BEEN HAVING A GOOD TIME EVERY TIME YOU STEP UP ON THAT 133 00:08:07,754 --> 00:08:09,022 STAGE. >> YES. 134 00:08:09,022 --> 00:08:10,523 >> YOU'RE A GREAT PERFORMER. I LOVE YOUR SINGING. 135 00:08:10,523 --> 00:08:13,193 I LOVE YOUR LOOK. I LOVE YOUR HAIR. 136 00:08:13,193 --> 00:08:16,830 >> THANK YOU. >> YOU'RE THE TOTAL PACKAGE, AND 137 00:08:16,830 --> 00:08:18,098 CONGRATULATIONS. I'M SO PROUD YOU HAVE. 138 00:08:18,098 --> 00:08:21,267 >> THANK YOU SO MUCH. >> GREAT PERFORMANCE. 139 00:08:21,267 --> 00:08:23,203 WONDERFUL! >> Carson: CHANCE? 140 00:08:23,203 --> 00:08:25,038 >> YEAH, I PROBABLY AGREE WITH REBA. 141 00:08:25,038 --> 00:08:28,108 IT WAS LOT OF ENERGY, MAN, A LOT OF FIRE, A LOT OF CRAZY 142 00:08:28,108 --> 00:08:30,577 PRODUCTION. IT FELT LIKE THE INTRO TO AN 143 00:08:30,577 --> 00:08:32,812 AWARDS SHOW OR SOMETHING. IT WAS THE GREAT WAY TO KICK OFF 144 00:08:32,812 --> 00:08:36,349 THE LIVES. GREAT VOLK CALLS, GREAT 145 00:08:36,349 --> 00:08:38,351 PERFORMANCE. >> THANK YOU, CHANCE. 146 00:08:38,351 --> 00:08:40,186 >> Carson: AND YOUR COACH, JOHN LEGEND. 147 00:08:40,186 --> 00:08:42,689 >> THE INTRO TO AN AWARDS SHOW. I'M LIKE HOW IS THIS GUY NOT 148 00:08:42,689 --> 00:08:48,061 ALREADY SELLING OUT ARENAS. THIS IS AMAZING TO ME. 149 00:08:48,061 --> 00:08:51,531 [ CHEERING ] AFTER WE FINISHED REHEARSAL, 150 00:08:51,531 --> 00:08:54,434 THEY'VE EITHER GOT TO START THE SHOW OR END THE SHOW WITH THIS 151 00:08:54,434 --> 00:08:58,872 BECAUSE THIS IS TOO MUCH MAGIC TO PUT IN THE MIDDLE. 152 00:08:58,872 --> 00:09:01,341 AND I PITY EVERYBODY THAT'S GOT TO GO AFTER YOU, BRYAN. 153 00:09:01,341 --> 00:09:04,010 >> THANK YOU, COACH. >> Carson: IF YOU WANT BRYAN IN 154 00:09:04,010 --> 00:09:07,380 THE SEMIFINALS, YOU CAN VOTE ON NBC.COM AND "THE VOICE" OFFICIAL 155 00:09:07,380 --> 00:09:11,418 APP. ONE MORE TIME, GIVE IT UP FOR 156 00:09:11,418 --> 00:09:16,389 BRYAN OLESEN! [ APPLAUSE ] 157 00:09:16,389 --> 00:09:18,491 WHEN WE COME BACK, TAE SINGS AN IMPORTANT SONG THAT CHANGED THE 158 00:09:18,491 --> 00:09:22,162 LIVES OF HIS COACHES. AND LATER, MADDI AND L. RODGERS 159 00:09:22,162 --> 00:09:24,764 GIVE IT EVERYTHING THEY'VE GOT 160 00:09:39,446 --> 00:09:40,113 * THIS IS THE VOICE * 161 00:09:40,113 --> 00:09:44,951 >> Carson: AND WE'RE BACK LIVE WITH THE TOP 12. 162 00:09:44,951 --> 00:09:47,053 LET'S KEEP THE PERFORMANCES GOING WITH THE NASHVILLE COUNTRY 163 00:09:47,053 --> 00:09:50,890 SINGER WHO'S PROVING THAT TEAM DAN + SHAY IS EXACTLY WHERE HE 164 00:09:50,890 --> 00:09:59,199 NEEDS TO BE. HERE IS MORE FROM TAE LEWIS. 165 00:09:59,199 --> 00:10:02,102 >> OKAY, Y'ALL, SO I'M SINGING "19 YOU + ME". 166 00:10:02,102 --> 00:10:05,605 >> THAT'S CRAZY, RIGHT? I AM A LITTLE NERVOUS. 167 00:10:05,605 --> 00:10:07,607 BECAUSE I WANT TO MAKE DAN + SHAY SO PROUD OF ME. 168 00:10:07,607 --> 00:10:11,211 >> THERE HE IS! >> I CAN'T WAIT TO SHOW THEM 169 00:10:11,211 --> 00:10:14,147 WHAT I GOT. >> THIS SONG CHANGED OUR LIVES. 170 00:10:14,147 --> 00:10:18,051 THIS IS THE FIRST SINGLE WE EVER PUT OUT TO COUNTRY RADIO. 171 00:10:18,051 --> 00:10:19,119 THAT WAS SUCH A PIVOTAL MOMENT FOR US. 172 00:10:19,119 --> 00:10:22,689 THIS IS A PIVOTAL MOMENT FOR YOU, MAN. 173 00:10:22,689 --> 00:10:25,425 >> MADE TO IT THE LIVES, BRO! >> THAT'S BIG, THAT'S BIG. 174 00:10:25,425 --> 00:10:27,761 >> I THOUGHT I WAS GOING HOME DURING THE KNOCKOUT, AND THEN 175 00:10:27,761 --> 00:10:30,363 Y'ALL HIT THAT BUTTON. >> WE'RE GOING STEAL! 176 00:10:30,363 --> 00:10:35,535 >> I TELL YOU WHAT, WE KNEW WHAT WE WERE DOING THE WHOLE TIME. 177 00:10:35,535 --> 00:10:41,307 >> HE ENDED UP EXACTLY THE TEAM HE WAS SUPPOSED TO BE. 178 00:10:41,307 --> 00:10:46,312 TEAM DAN + SHAY, I'M SO EXCITED. TAE LEWIS, THE STOLEN ONE. 179 00:10:46,312 --> 00:10:48,848 * 19 YOU + ME * >> SINGING THEIR SON IS 180 00:10:48,848 --> 00:10:54,721 MONUMENTAL BECAUSE DAN + SHAY HAVE INSPIRED ME SO MUCH. 181 00:10:54,721 --> 00:10:56,589 I WAS A PREACHER'S KID. SHAY WAS BROUGHT UP IN THE 182 00:10:56,589 --> 00:11:00,527 CHURCH AS WELL. WE BOTH HAVE THE SOUND THAT IS 183 00:11:00,527 --> 00:11:02,562 VERY CHURCHY, BUT ALSO MAINSTREAM. 184 00:11:02,562 --> 00:11:05,565 THE FACT THAT THEY'VE BEEN DOING IT IN NASHVILLE, THEY'VE SEEN 185 00:11:05,565 --> 00:11:11,104 THE STRUGGLE, IT REALLY SHOWS THAT YOU CAN SURPASS ANYTHING IF 186 00:11:11,104 --> 00:11:12,105 YOU JUST KEEP GRINDING AWAY ON IT. 187 00:11:12,105 --> 00:11:13,139 * >> YES, SIR! 188 00:11:13,139 --> 00:11:17,210 >> DUDE! >> IT HURTS YOUR HEART WHEN 189 00:11:17,210 --> 00:11:20,747 SOMEONE SINGS YOUR SONG BETTER THAN YOU DO. 190 00:11:20,747 --> 00:11:21,948 >> I WAS IS HE GOING FOR THE HIGH NOTE? 191 00:11:21,948 --> 00:11:23,717 HE NAILED THE HIGH *! 192 00:11:23,717 --> 00:11:27,287 >> I THINK IT SHOWS THE SOFTER SIDE THAN WHAT I'VE SEEN. 193 00:11:27,287 --> 00:11:28,655 >> THAT MEANS A LOT COMING FROM BOTH OF YOU ALL. 194 00:11:28,655 --> 00:11:31,491 >> SO GOOD. ONE NOTE AT THE END OF THE SONG, 195 00:11:31,491 --> 00:11:33,593 IT GOT A LITTLE PITCHY IN THE LOWER STUFF. 196 00:11:33,593 --> 00:11:37,397 JUST HIT THAT, * THE SUMMER OF 19, YOU AND ME * 197 00:11:37,397 --> 00:11:38,398 AND REALLY CONNECT IN THAT MOMENT. 198 00:11:38,398 --> 00:11:41,234 >> OKAY. >> NOBODY CAN SING LIKE THIS 199 00:11:41,234 --> 00:11:44,404 GUY. TO CHOOSE THIS SONG IS A 200 00:11:44,404 --> 00:11:47,607 DAUNTING UNDERTAKING, BUT TAE CAN DO IT. 201 00:11:47,607 --> 00:11:49,743 HE IS SUCH A GREAT PERFORMER AND SINGER. 202 00:11:49,743 --> 00:11:53,380 TO HEAR HIM SING IT, I THINK IT'S GOING TO BLOW PEOPLE'S 203 00:11:53,380 --> 00:11:54,948 MINDS. >> I'M SO PROUD TOE CALL YOU 204 00:11:54,948 --> 00:11:55,615 FRIEND. >> BRO! 205 00:11:55,615 --> 00:11:59,386 >> LET'S GO! >> THAT'S CRAZY, RIGHT? 206 00:11:59,386 --> 00:12:01,955 OKAY. >> JUST GO OUT THERE AND BE YOU, 207 00:12:01,955 --> 00:12:04,057 MAN. YOU'RE FRIGGING AWESOME, DUDE. 208 00:12:04,057 --> 00:12:06,259 >> YOU BELONG HERE. >> YOUR PERSONALITY IS 209 00:12:06,259 --> 00:12:08,061 UNBELIEVABLE. THIS IS HAS BEEN OUR TED TALK, 210 00:12:08,061 --> 00:12:09,062 AND WE APPRECIATE YOU COMING OUT. 211 00:12:09,062 --> 00:12:12,599 [ LAUGHTER ] [ CHEERING ] 212 00:12:14,534 --> 00:12:18,238 * 213 00:12:18,238 --> 00:12:21,441 * WOOO IT WAS OUR FIRST WEEK 214 00:12:21,441 --> 00:12:29,149 AT MYRTLE BEACH * * WHERE IT ALL BEGAN 215 00:12:29,149 --> 00:12:30,216 IT WAS 102 NOTHIN' TO DO * 216 00:12:30,216 --> 00:12:32,852 * MAN IT WAS HOT SO WE JUMPED IN * 217 00:12:32,852 --> 00:12:41,594 * WE WERE SUMMERTIME SIPPIN' SIPPIN 218 00:12:41,594 --> 00:12:42,662 SWEET TEA KISSIN IT OFF OF YOUR LIPS * 219 00:12:42,662 --> 00:12:43,596 * T-SHIRT DRIPPIN DRIPPIN WET 220 00:12:43,596 --> 00:12:45,999 HOW COULD I FORGET * * WATCHIN THAT 221 00:12:45,999 --> 00:12:50,737 BLONDE HAIR SWING TO EVERY SONG I'D SING * 222 00:12:50,737 --> 00:12:53,940 * YOU WERE CALIFORNIA BEAUTIFUL 223 00:12:53,940 --> 00:12:56,576 I WAS PLAYIN EVERYTHING BUT COOL * 224 00:12:56,576 --> 00:12:59,212 * I CAN STILL HEAR THAT SOUND 225 00:12:59,212 --> 00:13:03,450 TO EVERY WAVE CRASHIN' DOWN * 226 00:13:03,450 --> 00:13:09,289 * LIKE THE TEARS WE CRIED THAT DAY WE HAD TO LEAVE * 227 00:13:09,289 --> 00:13:12,959 * IT WAS EVERYTHING WE WANTED IT TO BE 228 00:13:12,959 --> 00:13:17,697 THE SUMMER OF 19 YOU AND ME * 229 00:13:17,697 --> 00:13:21,935 * OOOO YEAH * 230 00:13:21,935 --> 00:13:27,207 * TIL THE SUN STARTS CREEPIN CREEPIN UP 231 00:13:27,207 --> 00:13:30,877 RIGHT THEN I KNEW JUST WHAT YOU WERE THINKIN * 232 00:13:30,877 --> 00:13:34,080 * THINKIN OF WHEN I LOOKED AT YOU 233 00:13:34,080 --> 00:13:39,886 WATCHIN THAT BLONDE HAIR SWING * 234 00:13:39,886 --> 00:13:42,555 * TO EVERY SONG I'D SING LIKE THE TEARS WE CRIED 235 00:13:42,555 --> 00:13:47,827 THAT DAY WE HAD TO LEAVE OH * 236 00:13:47,827 --> 00:13:50,997 * IT WAS EVERYTHING WE WANTED IT TO BE * 237 00:13:50,997 --> 00:13:57,871 * THE SUMMER OF 19 YOU AND ME 238 00:13:57,871 --> 00:14:06,312 YEAH YOU AND ME * 239 00:14:06,312 --> 00:14:11,051 * WATCHIN THAT BLONDE HAIR SWING * 240 00:14:11,051 --> 00:14:14,754 * TO EVERY SONG I'D SING YOU WERE 241 00:14:14,754 --> 00:14:21,628 CALIFORNIA BEAUTIFUL BEAUTIFUL, BEAUTIFUL * 242 00:14:21,628 --> 00:14:25,899 * HEAR THAT SOUND OF EVERY WAVE CRASHIN DOWN 243 00:14:25,899 --> 00:14:30,103 LIKE THE TEARS WE CRIED * * THAT DAY WE HAD TO LEAVE 244 00:14:30,103 --> 00:14:35,542 WE HAD TO LEAVE IT WAS EVERYTHING 245 00:14:35,542 --> 00:14:40,714 WE WANTED IT TO BE * * THE SUMMER OF 19 246 00:14:40,714 --> 00:14:51,524 YOU AND ME YEAH YEAH * 247 00:14:51,524 --> 00:14:54,994 [ CHEERS AND APPLAUSE ] >> Carson: ALL FOUR COACHES ON 248 00:14:54,994 --> 00:14:58,898 THEIR FEET FOR TAE LEWIS, THE SECOND PERFORMANCE TONIGHT AS 249 00:14:58,898 --> 00:15:00,033 THE TOP 12 ARE GOING LIVE ON "THE VOICE." 250 00:15:00,033 --> 00:15:03,336 NICE WORK, TAE. >> WHAT'S UP, BROTHER? 251 00:15:03,336 --> 00:15:05,271 >> YOU SOUND GREAT. >> THANK YOU. 252 00:15:05,271 --> 00:15:07,340 >> Carson: THE VOICE OF TEN MEN, THAT IS FOR SURE. 253 00:15:07,340 --> 00:15:11,077 REBA, WHAT DID YOU THINK? >> OH, MY GOSH, I'M SO THRILLED 254 00:15:11,077 --> 00:15:14,047 TO SEE YOU. EVEN WITH YOU BEING ON THEIR 255 00:15:14,047 --> 00:15:16,950 TEAM, I HAD TO LET YOU GO OFF MINE, BUT I'M SO GLAD YOU'RE 256 00:15:16,950 --> 00:15:20,653 STILL IN THE COMPETITION BECAUSE YOU DESERVE IT. 257 00:15:20,653 --> 00:15:22,622 >> THANK YOU SO MUCH. >> YOU'RE PERSONALITY, YOUR 258 00:15:22,622 --> 00:15:23,857 GREAT SMILE, YOUR WONDERFUL SING. 259 00:15:23,857 --> 00:15:25,625 I JUST LOVE YOU TO PIECES. >> I LOVE YOU TOO. 260 00:15:25,625 --> 00:15:28,962 >> CONGRATULATIONS. THAT'S SUCH A GREAT PERFORMANCE. 261 00:15:28,962 --> 00:15:30,363 >> THANK YOU, MAMA REBA, THANK YOU. 262 00:15:30,363 --> 00:15:33,366 >> Carson: LET'S SEE WHAT YOUR COACHES THINK, TAE, DAN + SHAY. 263 00:15:33,366 --> 00:15:35,935 >> OH MY GOODNESS. DO YOU FEEL THAT, DUDE? 264 00:15:35,935 --> 00:15:38,071 YOU ABSOLUTELY CRUSHED. I'M SO PROUD. 265 00:15:38,071 --> 00:15:40,674 >> YES, MAN. THANK YOU SO MUCH. 266 00:15:40,674 --> 00:15:43,743 >> I'M GETTING EMOTIONAL, MAN. I TRULY AM GETTING EMOTIONAL, 267 00:15:43,743 --> 00:15:46,079 BECAUSE THIS WHOLE JOURNEY GETTING TO WATCH YOU, MAN. 268 00:15:46,079 --> 00:15:48,081 I DO CALL YOU FRIEND. I'M PROUD TO SAY THAT. 269 00:15:48,081 --> 00:15:50,850 >> THANK YOU. >> I'M SO PROUD OF YOU. 270 00:15:50,850 --> 00:15:55,488 AND I HOPE YOU SOAK THIS MOMENT IN, BECAUSE YOU ABSOLUTELY 271 00:15:55,488 --> 00:15:57,090 CRUSHED THAT PERFORMANCE. >> THANK YOU. 272 00:15:57,090 --> 00:16:00,193 >> I'M JUST PUMPED. >> I'M SO PROUD OF YOU, MAN. 273 00:16:00,193 --> 00:16:01,795 THAT'S YOUR BEST PERFORMANCE YET. 274 00:16:01,795 --> 00:16:03,763 YOU FELT LIKE YOU BELONG HERE, YOU FELT COMFORTABLE IN YOUR 275 00:16:03,763 --> 00:16:04,731 SKIN. THAT WAS INCREDIBLE. 276 00:16:04,731 --> 00:16:08,435 ABSOLUTELY CRUSHED IT. WE LOVE YOU, MAN. 277 00:16:08,435 --> 00:16:14,040 >> Carson: IF YOU WANT TAE IN THE SEMIFINALS, VOTE ON "THE 278 00:16:14,040 --> 00:16:16,042 VOICE" OFFICIAL APP. GIVE IT UP ONE MORE TIME FOR TAE 279 00:16:16,042 --> 00:16:18,278 LEWIS. [ APPLAUSE ] 280 00:16:18,278 --> 00:16:19,879 WHEN WE COME BACK, MADDI SINGS AN EMOTIONAL BILLIE EILISH HIT 281 00:16:19,879 --> 00:16:22,515 THAT HAS SPECIAL MEANING FOR HER. 282 00:16:22,515 --> 00:16:28,688 AND LATER, L. RODGERS AND MADISON RISK IT ALL TO MOVE ON 283 00:16:28,688 --> 00:16:47,874 NEXT WEEK. * THIS IS THE VOICE * 284 00:16:47,874 --> 00:16:48,875 >> Carson: ALL RIGHT. WELCOME BACK. 285 00:16:48,875 --> 00:16:50,110 TOP 12 GOING TONIGHT. WE ARE TWO WEEKS AWAY FROM 286 00:16:50,110 --> 00:16:51,111 FINDING OUT YOUR SEASON 25 WINNER. 287 00:16:51,111 --> 00:16:54,748 YOUR VOTES ARE ABSOLUTELY CRUCIAL TONIGHT. 288 00:16:54,748 --> 00:16:55,849 YES, REBA IS HERE. LET'S CONTINUE WITH THE 289 00:16:55,849 --> 00:16:57,384 DETERMINED POP SINGER FROM CHICAGO WHO'S LEARNING EXACTLY 290 00:16:57,384 --> 00:17:00,053 WHO SHE IS AS AN ARTIST WITH HELP FROM HER COACH. 291 00:17:00,053 --> 00:17:09,295 HERE'S MORE FROM TEAM CHANCE'S MADDI JANE. 292 00:17:09,295 --> 00:17:11,264 WORKING WITH CHANCE AGAIN. I CAN'T WAIT. 293 00:17:11,264 --> 00:17:13,767 BYE, GUYS. >> HEY! 294 00:17:13,767 --> 00:17:19,139 >> HI, CHANCE! >> I LOVE MADDI J. 295 00:17:19,139 --> 00:17:24,477 EVERY TIME SHE COMES ON STAGE, SHE MAKES SURE EVERY BOX IS 296 00:17:24,477 --> 00:17:27,647 CHECKED FROM STAGE PRESENCE TO VOCAL ABILITY TO JUST BEING A 297 00:17:27,647 --> 00:17:29,616 KIND PERSON AFTER SHE GETS HER REMARKS. 298 00:17:29,616 --> 00:17:31,651 MADDI IS MY PERFECTIONIST. I THINK YOU'RE GOING KILL THIS 299 00:17:31,651 --> 00:17:32,852 SONG. >> WE'RE GOING ROCK IT. 300 00:17:32,852 --> 00:17:35,655 SHE IS FIERY. LIKE SHE DEFINITELY HAS 301 00:17:35,655 --> 00:17:39,325 SOMETHING TO SAY. * YOU CALL ME AGAIN, DRUNK IN 302 00:17:39,325 --> 00:17:43,563 YOUR BED * >> I THINK THAT BILLIE EILISH 303 00:17:43,563 --> 00:17:46,266 MADE THIS SONG ABOUT A ROMANTIC RELATIONSHIP, BUT I'M SINGING IT 304 00:17:46,266 --> 00:17:49,202 ABOUT THINGS THAT I'VE BEEN THROUGH IN THE ENTERTAINMENT 305 00:17:49,202 --> 00:17:51,171 INDUSTRY. * AND I DON'T TALK BAD ABOUT 306 00:17:51,171 --> 00:17:54,074 YOU * >> I WAS 11 YEARS OLD, THE 307 00:17:54,074 --> 00:17:57,844 COVERS I WAS POSTING GOT HUNDREDS OF MILLIONS OF VIEWS, 308 00:17:57,844 --> 00:18:00,914 AND I THOUGHT THAT THAT WAS THE DEFINITION OF SUCCESS. 309 00:18:00,914 --> 00:18:04,484 BUT I'VE REALIZED THAT HOW I'M DOING AS A PERSON COMES FIRST. 310 00:18:04,484 --> 00:18:09,823 NOW THAT I'M HERE ON "THE VOICE," I'M COMFORTABLE WITH WHO 311 00:18:09,823 --> 00:18:11,591 I AM, AND I'M HAVING SO MUCH FUN. 312 00:18:11,591 --> 00:18:15,462 >> YOU'RE DOING GREAT, SWEETIE. >> AWW, THANK YOU. 313 00:18:15,462 --> 00:18:19,032 >> THIS HAS BEEN AN AMAZING EXPERIENCE, AND I DEFINITELY 314 00:18:19,032 --> 00:18:21,034 FEEL HAPPIER THAN EVER. >> I LIKED THAT A LOT. 315 00:18:21,034 --> 00:18:27,540 >> THANK YOU. >> I LOVE YOUR VIBRATTO. 316 00:18:27,540 --> 00:18:29,109 THE LITTLE THINGS YOU DO. TECHNICALLY GREAT, AS WAS. 317 00:18:29,109 --> 00:18:32,445 >> THANK YOU. >> BUT I THINK WHEN IT GOES FOR 318 00:18:32,445 --> 00:18:34,280 THE REGULAR EPISODES TO LIVE ONES, YOU'RE STILL INTRODUCING 319 00:18:34,280 --> 00:18:36,182 YOURSELF TO NEW PEOPLE. >> YEAH. 320 00:18:36,182 --> 00:18:47,660 >> SO WHAT I WAS THINKING IS YOU HAVE THIS REALLY COOL FIERY 321 00:18:47,660 --> 00:18:48,962 ENERGY THAT'S LIKE DOPE. THE WAY WE JUST DID, IT FELT 322 00:18:48,962 --> 00:18:50,063 KIND OF LIKE YOU'RE POUNCING ON THEM. 323 00:18:50,063 --> 00:18:51,464 YOUR ENERGY SHOULD DYNAMICALLY SHIFT, BUT JUST DO IT GRADUALLY 324 00:18:51,464 --> 00:18:53,066 AND BUILD ALL THE WAY TO THE END, AND YOU GET A FULL 325 00:18:53,066 --> 00:18:54,901 TRANSFORMATION IN ONE SONG. >> YEAH. 326 00:18:54,901 --> 00:18:56,603 >> THAT WILL ALSO BRING IN PEOPLE. 327 00:18:56,603 --> 00:18:58,705 THEN PEOPLE WILL BE LIKE THIS IS THE GIRL THAT NEEDS TO WIN THE 328 00:18:58,705 --> 00:19:00,573 SHOW. >> I'M REALLY STOKED TO BE ON 329 00:19:00,573 --> 00:19:03,009 CHANCE'S TEAM. I COULDN'T BE MORE GRATEFUL THAT 330 00:19:03,009 --> 00:19:11,151 I GET THESE MOMENTS TO LEARN. MERRICKING THE INING INING THE M 331 00:19:11,151 --> 00:19:12,285 SEMIFINALS WOULD BE A HUGE ACCOMPLISHMENT. 332 00:19:12,285 --> 00:19:13,453 >> THANK YOU. >> I THINK AMERICA IS GOING TO 333 00:19:13,453 --> 00:19:17,457 FALL IN LOVE WITH MADDI. SHE HAS SUCH A GREAT CONTROL 334 00:19:17,457 --> 00:19:19,592 OVER HER VOCAL. AND I THINK THAT'S HER SECRET 335 00:19:19,592 --> 00:19:20,827 WEAPON. SHE GOING TO BLOW EVERYBODY'S 336 00:19:20,827 --> 00:19:29,469 MIND. [ CHEERING ] 337 00:19:29,469 --> 00:19:36,876 * WHEN I'M AWAY FROM YOU I'M HAPPIER THAN EVER 338 00:19:36,876 --> 00:19:46,853 WISH I COULD EXPLAIN IT BETTER * 339 00:19:46,853 --> 00:19:52,692 * I WISH IT WASN'T TRUE GIVE ME A DAY OR TWO 340 00:19:52,692 --> 00:20:02,702 TO THINK OF SOMETHING CLEVER * 341 00:20:02,702 --> 00:20:17,984 * TO WRITE MYSELF A LETTER TO TELL ME WHAT TO DO * 342 00:20:17,984 --> 00:20:21,121 * YOU CALL ME AGAIN DRUNK IN YOUR BENZ 343 00:20:21,121 --> 00:20:26,426 DRIVING HOME UNDER THE INFLUENCE * 344 00:20:26,426 --> 00:20:32,298 * YOU SCARED ME TO DEATH BUT I'M WASTING MY BREATH 345 00:20:32,298 --> 00:20:36,436 'CAUSE YOU ONLY LISTEN TO ALL YOUR FRIENDS * 346 00:20:36,436 --> 00:20:42,842 * I DON'T RELATE TO YOU AND I DON'T RELATE 347 00:20:42,842 --> 00:20:43,877 TO YOU, NO * * 'CAUSE I'D NEVER 348 00:20:43,877 --> 00:20:51,151 TREAT ME THIS BADLY * * YOU MADE ME 349 00:20:51,151 --> 00:20:52,218 HATE THIS CITY * * AND I WILL NOT 350 00:20:52,218 --> 00:20:55,355 TALK ABOUT YOU ON THE INTERNET * 351 00:20:55,355 --> 00:20:57,991 * NEVER TOLD ANYONE ANYTHING BAD 352 00:20:57,991 --> 00:21:01,695 'CAUSE THAT JUST EMBARRASSING * 353 00:21:01,695 --> 00:21:03,830 * YOU WERE MY EVERYTHING AND ALL THAT 354 00:21:03,830 --> 00:21:09,669 YOU DID WAS MAKE ME REALLY SAD * 355 00:21:09,669 --> 00:21:17,210 * YOU RUINED EVERYTHING GOOD 356 00:21:17,210 --> 00:21:20,380 SAID YOU WERE MISUNDERSTOOD * * MADE ALL MY 357 00:21:20,380 --> 00:21:32,092 MOMENTS YOUR OWN WHY CAN'T YOU 358 00:21:32,092 --> 00:21:40,467 LEAVE ME ALONE * * WHY DON'T YOU 359 00:21:40,467 --> 00:21:46,806 LEAVE ME ALONE WHY DON'T YOU 360 00:21:46,806 --> 00:21:57,684 LEAVE ME ALONE * [ CHEERS AND APPLAUSE ] 361 00:21:57,684 --> 00:22:01,554 >> Carson: DUBBED THE PERFECTIONIST, THAT IS MADDI 362 00:22:01,554 --> 00:22:02,555 JANE FROM CHICAGO AND TEAM CHANCE. 363 00:22:02,555 --> 00:22:10,830 NICE WORK, MADDI. >> THANK YOU. 364 00:22:10,830 --> 00:22:12,732 IT FELT LIKE WE WERE AT THE MADDI JANE SHOW. 365 00:22:12,732 --> 00:22:15,168 JOHN, TALK TO US. WHAT DID YOU THINK? 366 00:22:15,168 --> 00:22:17,404 >> YOU'RE SUCH A STAR, MADDI. YOU HAVE BEEN SINCE THE 367 00:22:17,404 --> 00:22:19,572 BEGINNING. [ CHEERING ] 368 00:22:19,572 --> 00:22:22,842 AND WHAT I LIKE IS WE GET A LOT OF PEOPLE COVERING BILLIE ON 369 00:22:22,842 --> 00:22:25,311 THIS SHOW, AND A LOT OF TIMES THE TEMPTATION IS TO SOUND LIKE 370 00:22:25,311 --> 00:22:29,683 HER. AND I REALLY LIKED HOW YOU 371 00:22:29,683 --> 00:22:31,718 REALLY MADE THE VOCAL YOUR OWN PERFORMANCE. 372 00:22:31,718 --> 00:22:35,221 IT SOUNDED LIKE YOU, NOT LIKE YOU TRYING TO BE HERE. 373 00:22:35,221 --> 00:22:41,795 AND IT WAS REALLY WELL DONE. >> THANK YOU. 374 00:22:41,795 --> 00:22:42,796 >> MADDI, LET'S TALK TO YOUR COACH. 375 00:22:42,796 --> 00:22:44,130 CHANCE, WHAT DID YOU THINK? >> I'M JUST SO PROUD AND SO 376 00:22:44,130 --> 00:22:45,632 BLOWN AWAY, MAN. SHE IS -- YOU'VE JUST BEEN 377 00:22:45,632 --> 00:22:47,801 INCREDIBLE THE WHOLE COMPETITION. 378 00:22:47,801 --> 00:22:50,737 EVERY TIME YOU PERFORM, YOU SHOW OFF ANOTHER TALENT. 379 00:22:50,737 --> 00:22:54,174 YOU'VE ALWAYS HAD THE STAGE PRESENCE. 380 00:22:54,174 --> 00:22:57,110 BUT WHAT I REALLY ENJOY IS HOW MUCH MOVEMENT YOU WERE DOING AND 381 00:22:57,110 --> 00:22:59,579 KEEPING IN PITCH AND KEEPING THE SONG WITH YOU AND JUST GUIDING 382 00:22:59,579 --> 00:23:02,716 IT. IT IS PROBABLY MY FAVORITE 383 00:23:02,716 --> 00:23:04,784 PERFORMANCE YOU'VE DONE SO FAR. [ CHEERING ] 384 00:23:04,784 --> 00:23:06,553 >> THANK YOU FOR TAKING A CHANCE ON ME. 385 00:23:06,553 --> 00:23:09,723 >> Carson: HIGH PRAISE FROM YOUR COACH, MADDI. 386 00:23:09,723 --> 00:23:11,925 IF YOU WANT MADDI JANE IN THE SEMIFINALS, YOU CAN VOTE ON 387 00:23:11,925 --> 00:23:15,061 NBC.COM AND "THE VOICE" OFFICIAL APP. 388 00:23:15,061 --> 00:23:20,934 GIVE IT UP AGAIN FOR MADDI JANE. [ CHEERING ] 389 00:23:20,934 --> 00:23:24,104 STRAIGHT AHEAD, AN INSPIRATIONAL PATTI GRIFFIN SONG BY 390 00:23:24,104 --> 00:23:25,672 L. RODGERS. PLUS, MADISON AND ASHER LAY IT 391 00:23:25,672 --> 00:23:42,222 ALL ON THE LINE TO SECURE A SPOT IN THE SEMI-FINALS. 392 00:23:42,222 --> 00:23:44,157 * THIS IS THE VOICE * >> Carson: AND WE'RE BACK LIVE 393 00:23:44,157 --> 00:23:47,994 WITH THE TOP 12, AND OUR PERFORMANCES CONTINUE WITH THE 394 00:23:47,994 --> 00:23:50,130 BALTIMORE SINGER WHOSE TIME ON "THE VOICE" IS HELPING HER 395 00:23:50,130 --> 00:23:51,331 FINALLY FEEL SEEN. HERE'S MORE FROM TEAM REBA'S 396 00:23:51,331 --> 00:24:02,942 L. RODGERS. NEVER REALLY THOUGHT IT WOULD 397 00:24:02,942 --> 00:24:04,678 HAPPEN. AND YET SOMEHOW I AM HERE. 398 00:24:04,678 --> 00:24:05,912 IT'S AN HONOR. IT'S A PRIVILEGE. 399 00:24:05,912 --> 00:24:09,649 >> I KNOW YOU SAW THIS ON INSTAGRAM. 400 00:24:09,649 --> 00:24:11,518 >> I DID! I LOVED IT. 401 00:24:11,518 --> 00:24:12,619 >> I GOT IT. IT'S SO PERFECT. 402 00:24:12,619 --> 00:24:19,259 >> THAT IS SO COOL. THANK YOU FOR THAT. 403 00:24:19,259 --> 00:24:23,430 >> I DECIDED TO GET A TATTOO. REBA'S LYRIC FROM "I'M A 404 00:24:23,430 --> 00:24:26,366 SURVIVOR" AND IT'S KIND OF LIKE MY TRIBUTE TO HER. 405 00:24:26,366 --> 00:24:29,302 >> YOU KNOW, YOU BEING A ONE-CHAIR TURN AND MAKING IT 406 00:24:29,302 --> 00:24:33,073 HERE WE ALL LOVE YOU. L. IS MY SOULFUL FIRECRACKER, 407 00:24:33,073 --> 00:24:46,553 BECAUSE WHEN SHE STEPS ON STAGE, SHE IS JUST LIKE A POP. 408 00:24:46,553 --> 00:24:47,787 SHE SINGING "UP TO THE MOUNTAIN" BY PATTY GRIFFIN. 409 00:24:47,787 --> 00:24:49,189 IT'S A POWERFUL SONG THAT'S HEARTFELT AND SHE'S STRONG, BUT 410 00:24:49,189 --> 00:24:50,490 SHE'S GOT EMOTION TOO. IT'S A PERFECT COMBINATION FOR 411 00:24:50,490 --> 00:24:51,891 HER TO BE SINGING THIS SONG. >> THIS SONG IS ABOUT SOMEONE 412 00:24:51,891 --> 00:24:55,495 WHO UNDERSTANDS YOU. BEING AUTISTIC, IT'S ALWAYS MORE 413 00:24:55,495 --> 00:25:00,133 DIFFICULT TO HAVE THAT CONNECTION WITH SOMEONE ELSE. 414 00:25:00,133 --> 00:25:03,436 BUT REBA, SEES ME. * YOU ASKED ME TO. 415 00:25:03,436 --> 00:25:08,108 >> I'VE HAD A LOT OF TIMES WHERE I HAVE BEEN FILLED WITH DOUBT. 416 00:25:08,108 --> 00:25:13,179 BUT IT'S FEEL LIKE MISS REBA WHO HAVE PICKED ME UP AND KEPT ME 417 00:25:13,179 --> 00:25:17,250 GOING. >> THIS IS THE MOST VULNERABLE 418 00:25:17,250 --> 00:25:19,052 THAT I HAVE EVER BEEN ON THIS STAGE. 419 00:25:19,052 --> 00:25:23,823 I WOULD BE SO HONORED TO BE A PART OF THE SEMIFINALS BECAUSE 420 00:25:23,823 --> 00:25:26,393 IT WOULD SHOW THAT WHAT I HAVE TO GIVE IS RESONATING WITH 421 00:25:26,393 --> 00:25:33,433 AMERICA. * 422 00:25:33,433 --> 00:25:34,634 >> L., YOU TELL A STORY SO WELL IN A SONG. 423 00:25:34,634 --> 00:25:39,239 >> THANK YOU. >> AND WHEN YOU HIT THAT HIGH 424 00:25:39,239 --> 00:25:42,876 NOTE, IF YOU'RE GOING HERE, IT'S KIND OF LIKE WHEN YOU SHOOT A 425 00:25:42,876 --> 00:25:44,477 FREE THROW, YOU VISUALIZE IT. VISUALIZE IT WHERE YOU'RE GOING. 426 00:25:44,477 --> 00:25:47,681 >> I LOVE THAT. >> IF YOU LOWER THE MICROPHONE, 427 00:25:47,681 --> 00:25:51,284 JUST BACK TO YOUR CHIN, YOU'RE STILL GOING TO BE ABLE TO SING 428 00:25:51,284 --> 00:25:54,421 INTO THE MICROPHONE, BUT THEN WE CAN SEE MORE OF YOUR MOUTH. 429 00:25:54,421 --> 00:25:56,356 >> WHY HAVE I NEVER REALIZED THAT? 430 00:25:56,356 --> 00:25:58,625 >> WELL, I DIDN'T EITHER. DICK CLARK TOLD ME THAT. 431 00:25:58,625 --> 00:26:01,061 >> I LOVE YOU! >> WHAT L. NEEDS DO IN THIS 432 00:26:01,061 --> 00:26:03,763 PERFORMANCE TO GET AMERICA'S VOTE IS TO SELL IT. 433 00:26:03,763 --> 00:26:06,566 JUST PERFORM IT FROM HER HEART, LIKE SHE DID AT REHEARSALS 434 00:26:06,566 --> 00:26:08,234 TODAY. IT'S IN AMERICA'S HANDS NOW. 435 00:26:08,234 --> 00:26:09,836 >> YEAH, IT IS. >> YOU STAND ALONE. 436 00:26:09,836 --> 00:26:16,142 YOUR VOICE IS TOTALLY DIFFERENT SO, JUST LET THAT SHINE. 437 00:26:16,142 --> 00:26:16,476 [ CHEERING ] 438 00:26:19,512 --> 00:26:27,454 * 439 00:26:27,454 --> 00:26:44,404 * I WENT UP TO THE MOUNTAIN BECAUSE YOU ASKED ME TO 440 00:26:44,404 --> 00:26:53,880 UP OVER THE CLOUDS TO WHERE THE SKY WAS BLUE * 441 00:26:53,880 --> 00:27:06,026 * SOMETIMES I LAY DOWN NO MORE CAN I DO 442 00:27:06,026 --> 00:27:20,273 BUT THEN I GO ON AGAIN BECAUSE YOU ASK ME TO * 443 00:27:20,273 --> 00:27:31,851 * SOME DAYS I LOOK DOWN AFRAID I WILL FALL 444 00:27:31,851 --> 00:27:40,326 AND THOUGH THE SUN SHINES I SEE NOTHING AT ALL * 445 00:27:40,326 --> 00:27:49,302 * AND THEN I HEAR YOUR SWEET VOICE 446 00:27:49,302 --> 00:27:55,608 OH COME AND THEN GO * 447 00:27:55,608 --> 00:28:03,516 * COME AND THEN GO TELLING ME SOFTLY 448 00:28:03,516 --> 00:28:17,764 YOU LOVE ME SO BUT SOONER OR LATER * 449 00:28:17,764 --> 00:28:19,366 * IT'S THERE I WILL GO SOONER OR LATER 450 00:28:19,366 --> 00:28:26,206 IT'S THERE I WILL * 451 00:28:26,206 --> 00:28:44,090 * GO SOONER OR LATER 452 00:28:44,090 --> 00:28:46,526 IT'S THERE I WILL GO 453 00:28:46,526 --> 00:28:55,769 * [ CHEERING AND APPLAUSE ] 454 00:28:55,769 --> 00:29:02,575 >> Carson: TEAM REBA'S L. RODGERS, EVERYBODY. 455 00:29:02,575 --> 00:29:04,010 >> THANK YOU, MA'AM. >> Carson: NICE JOB. 456 00:29:04,010 --> 00:29:05,545 >> HOW YOU? >> I'M GOOD. 457 00:29:05,545 --> 00:29:08,148 GOOD TO SEE YOU. >> I MISSED YOU. 458 00:29:08,148 --> 00:29:09,849 >> Carson: YOU SOULFUL FIRECRACKER, YOU, THAT WAS 459 00:29:09,849 --> 00:29:12,852 GREAT. >> I LOVE THAT. 460 00:29:12,852 --> 00:29:15,355 >> DAN + SHAY, TALK TO US. >> L., YOU LOOK BEAUTIFUL 461 00:29:15,355 --> 00:29:19,159 TONIGHT AND SOUND GOOD. I COULD NOT AGREE MORE. 462 00:29:19,159 --> 00:29:22,729 EVERY TIME REBA SAYS YOU ARE SUCH A GREAT STORYTELLER, EVER 463 00:29:22,729 --> 00:29:27,267 TIME YOU SING A SONG. PATTY GRIFFIN IS ONE OF THE 464 00:29:27,267 --> 00:29:30,170 GREATEST SINGERS AND SONGWRITERS OF ALL TIME. 465 00:29:30,170 --> 00:29:31,371 BEAUTIFUL, WE'RE SO LUCKY TO YOU ON THE VOICE, L. 466 00:29:31,371 --> 00:29:32,639 YOU'RE AMAZING. >> THANK YOU SO MUCH. 467 00:29:32,639 --> 00:29:37,577 [ APPLAUSE ] >> Carson: REBA? 468 00:29:37,577 --> 00:29:38,478 >> WAY TO GO, GIRL. WOW. 469 00:29:38,478 --> 00:29:40,747 >> THANK YOU. >> YOU NAILED IT. 470 00:29:40,747 --> 00:29:44,751 EVERYTHING THAT WE TALKED ABOUT IN REHEARSALS, YOU NAILED IT, 471 00:29:44,751 --> 00:29:47,654 THE EMOTION. I ALWAYS SAID WHEN YOU START 472 00:29:47,654 --> 00:29:49,255 SINGING, I CAN FEEL IT, BECAUSE YOU FEEL IT FIRST. 473 00:29:49,255 --> 00:29:51,257 I'M SO PROUD YOU HAVE. WAY TO GO. 474 00:29:51,257 --> 00:29:52,759 LOVE YOU. >> THANK YOU SO MUCH. 475 00:29:52,759 --> 00:29:54,861 >> Carson: IF YOU WANT L. RODGERS IN THE SEMI-FINALS, 476 00:29:54,861 --> 00:30:02,168 YOU CAN VOTE ON NBC.COM AND "THE VOICE" OFFICIAL APP. 477 00:30:02,168 --> 00:30:03,636 GIVE IT UP AGAIN FOR L. RODGERS. COMING UP, MADISON TAKES ON ONE 478 00:30:03,636 --> 00:30:06,406 OF THE MOST ICONIC SONGS OF ALL TIME. 479 00:30:06,406 --> 00:30:09,042 THEN, ASHER AND ZOE PULL OUT ALL THE STOPS TO GET TO THE 480 00:30:09,042 --> 00:30:23,623 SEMI-FINALS. THIS IS THE TOP 12 LIVE SHOW. 481 00:30:23,623 --> 00:30:25,959 * THIS IS THE VOICE * >> Carson: WELL, WE'RE OFF TO A 482 00:30:25,959 --> 00:30:29,596 GREAT START. SOME GREAT PERFORMANCES SO FAR. 483 00:30:29,596 --> 00:30:30,930 TOP 12 ALL SINGING LIVE TONIGHT. THREE GO HOME TOMORROW. 484 00:30:30,930 --> 00:30:37,437 MAKE SURE THAT YOUR FAVORITE ART ITSELF ARTIST STAYS IN THE 485 00:30:37,437 --> 00:30:38,638 COMPETITION. VOTING IS OPEN NOW FOR ALL 486 00:30:38,638 --> 00:30:41,841 ARTISTS ON ALL METHODS. LET'S KEEP THE MUSIC GOING WITH 487 00:30:41,841 --> 00:30:43,243 DAN + SHAY'S MASSACHUSETTS SINGER- SONGWRITER WHO'S ALREADY 488 00:30:43,243 --> 00:30:44,310 HAD A MONUMENTAL JOURNEY ON "THE VOICE." 489 00:30:44,310 --> 00:30:52,552 HERE'S MORE FROM MADISON CURBELO. 490 00:30:52,552 --> 00:30:54,120 >> TO BE HONEST, I'M JUST EXCITED. 491 00:30:54,120 --> 00:30:56,289 I KNOW AMERICA IS GOING TO FALL IN LOVE WITH EVERYONE ON TEAM 492 00:30:56,289 --> 00:30:57,824 DAN + SHAY. WE HAVE TO MAKE SURE THEY'RE 493 00:30:57,824 --> 00:30:59,959 READY, PREPARED. >> THE LIVES, BABY. 494 00:30:59,959 --> 00:31:03,496 LET'S GET IT. >> WE ARE THE FIRST EVER TEAM 495 00:31:03,496 --> 00:31:07,133 DAN + SHAY LIVE! >> BEING BACK HERE FOR THE LIVE 496 00:31:07,133 --> 00:31:09,969 SHOWS FEELS UNREAL. I'M SO EXCITED. 497 00:31:09,969 --> 00:31:13,406 TO GO FROM NO CHAIR TURN IN SEASON 20 TO BE AT THE TOP 12 ON 498 00:31:13,406 --> 00:31:15,975 SEASON 25, I HAVE TO PINCH MYSELF. 499 00:31:15,975 --> 00:31:17,844 THIS IS MY REAL LIFE. WISH ME LUCK. 500 00:31:17,844 --> 00:31:19,979 >> OH MY GOODNESS! >> MADISON IS OUR RAY OF 501 00:31:19,979 --> 00:31:22,549 SUNSHINE. I FEEL LIKE EVERY TIME SHE WALKS 502 00:31:22,549 --> 00:31:26,886 INTO THE ROOM, EVERYBODY SMILES. SHE RADIATES POSITIVITY. 503 00:31:26,886 --> 00:31:31,191 AND WHEN SHE SINGS, IT'S A WHOLE DIFFERENT THING. 504 00:31:31,191 --> 00:31:34,327 I COULD WATCH A FOUR-HOUR CONCERT FROM MADISON AND NOT GET 505 00:31:34,327 --> 00:31:37,364 BOARD. >> SOAK IT IN. 506 00:31:37,364 --> 00:31:39,833 >> I'M WATCHING ON SOCIAL MEDIA. EVERYBODY IS I'M TEAM MADISON. 507 00:31:39,833 --> 00:31:42,302 SOAK IT UP. I KNOW EVERYBODY IS GOING TO 508 00:31:42,302 --> 00:31:45,405 LOVE THIS. MADISON IS SINGING "YESTERDAY" 509 00:31:45,405 --> 00:31:47,607 FOR HER FIRST LIVE PERFORMANCE. SHE COULDN'T HAVE PICKED A 510 00:31:47,607 --> 00:31:50,210 BETTER SONG. SHE SANG "LANDSLIDE" EARLIER IN 511 00:31:50,210 --> 00:31:54,314 THE SHOW. I FEEL THIS IS A EVOLUTION IN 512 00:31:54,314 --> 00:31:58,118 THAT TRAJECTORY OF WHAT WE FEEL MADISON CAN BE AS AN ARTIST. 513 00:31:58,118 --> 00:32:01,254 * I BELIEVE IN YESTERDAY * >> THIS SONG IS REALLY SPECIAL 514 00:32:01,254 --> 00:32:03,323 BECAUSE IT MAKES ME THINK OF MY BROTHERS. 515 00:32:03,323 --> 00:32:05,325 WE ALL PLAY DIFFERENT INSTRUMENTS. 516 00:32:05,325 --> 00:32:08,695 AND WE ALL USED TO LOVE TO JAM TO BEATLES SONGS. 517 00:32:08,695 --> 00:32:11,965 IT MEANS SO MUCH. THINKING ABOUT THE PAST, I FEEL 518 00:32:11,965 --> 00:32:14,567 I WOULDN'T BE THE PERSON I AM TODAY WITHOUT MY THREE AMAZING 519 00:32:14,567 --> 00:32:16,636 BROTHERS. THANK YOU, GUYS, SO MUCH FOR 520 00:32:16,636 --> 00:32:23,643 BELIEVING IN ME WHEN NO ONE ELSE DID WHEN I FIRST STARTED. 521 00:32:23,643 --> 00:32:26,179 I THINK, TOO TO THINK BACK ON EVERYTHING, I'M NOT ONLY PROUD 522 00:32:26,179 --> 00:32:27,547 OF MYSELF, BUT I'M PROUD OF ALL OF US FOR GETTING TO THIS 523 00:32:27,547 --> 00:32:39,292 MOMENT. I REALLY AM. 524 00:32:39,292 --> 00:32:40,760 * SUCH AN EASY GAME TO PLAY * >> YOU ARE ONE OF THE BEST 525 00:32:40,760 --> 00:32:41,728 SINGERS I'VE EVER HEARD. HONESTLY. 526 00:32:41,728 --> 00:32:43,096 >> OH, MY GOSH. >> YOU MAKE ME FEEL SOMETHING 527 00:32:43,096 --> 00:32:44,197 EVERY TIME YOU SING, I FEEL IT IN MY HEART. 528 00:32:44,197 --> 00:32:45,565 I THINK MADISON HAS WHAT IT TAKES TO WIN THIS ENTIRE SHOW. 529 00:32:45,565 --> 00:32:46,599 I'M PROUD OF HOW MUCH SHE HAS GROWN. 530 00:32:46,599 --> 00:32:48,268 >> YOU'RE JUST A SUPERSTAR. >> GOODNESS. 531 00:32:48,268 --> 00:32:51,137 >> SO MUCH ARTISTRY IN THAT PERFORMANCE. 532 00:32:51,137 --> 00:32:53,440 >> I FEEL LIKE FOR YOU THE MOST IMPORTANT THING GOING INTO THE 533 00:32:53,440 --> 00:32:54,841 LIVES IS BRING MADISON INTO THE PERFORMANCE. 534 00:32:54,841 --> 00:32:56,676 DON'T BE AFRAID TO SMILE. IF YOU'RE THINKING ABOUT YOUR 535 00:32:56,676 --> 00:32:58,912 BROTHERS IN THIS MOMENT, THE CROWD CAN FEEL THAT. 536 00:32:58,912 --> 00:33:02,782 >> I CAN'T WAIT TO HEAR THE ALBUM SHE MAKES. 537 00:33:02,782 --> 00:33:04,284 HOPEFULLY SHE'LL FEATURE US AS GUEST ARTISTS ON IT. 538 00:33:04,284 --> 00:33:07,721 WHO KNOWS. FINGERS CROSSED. 539 00:33:07,721 --> 00:33:08,054 [ CHEERING ] 540 00:33:14,127 --> 00:33:15,161 * YESTERDAY 541 00:33:15,161 --> 00:33:25,205 ALL MY TROUBLES SEEMED SO FAR AWAY * 542 00:33:25,205 --> 00:33:30,477 * NOW IT LOOKS AS THOUGH THEY'RE HERE TO STAY 543 00:33:30,477 --> 00:33:34,714 OH, I BELIEVE IN YESTERDAY * 544 00:33:34,714 --> 00:33:41,087 * SUDDENLY I'M NOT HALF THE MAN 545 00:33:41,087 --> 00:33:47,327 I USED TO BE * * THERE'S A SHADOW 546 00:33:47,327 --> 00:33:54,200 HANGING OVER ME OH, YESTERDAY 547 00:33:54,200 --> 00:34:00,540 CAME SUDDENLY * * WHY SHE HAD TO GO 548 00:34:00,540 --> 00:34:10,050 I DON'T KNOW SHE WOULDN'T SAY * 549 00:34:10,050 --> 00:34:24,197 * I SAID SOMETHING WRONG NOW I LONG FOR YESTERDAY 550 00:34:24,197 --> 00:34:28,935 YESTERDAY * * YESTERDAY, LOVE WAS SUCH AN 551 00:34:28,935 --> 00:34:39,813 EASY GAME TO PLAY * NOW I NEED A PLACE 552 00:34:39,813 --> 00:34:40,814 TO HIDE AWAY * * OH, I BELIEVE 553 00:34:40,814 --> 00:34:48,154 IN YESTERDAY * WHY SHE HAD TO GO 554 00:34:48,154 --> 00:34:57,664 I DON'T KNOW SHE WOULDN'T SAY, YEAH * 555 00:34:57,664 --> 00:35:10,043 * I SAID SOMETHING WRONG NOW I LONG FOR YESTERDAY 556 00:35:10,043 --> 00:35:14,080 OH YESTERDAY * * YESTERDAY LOVE WAS SUCH AN 557 00:35:14,080 --> 00:35:18,852 EASY GAME TO PLAY * NOW I NEED A PLACE 558 00:35:18,852 --> 00:35:40,373 TO HIDE AWAY * * OH, I BELIEVE 559 00:35:40,373 --> 00:35:41,808 IN YESTERDAY * * 560 00:35:41,808 --> 00:35:45,912 [ CHEERS AND APPLAUSE ] >> Carson: THAT IS MADISON 561 00:35:45,912 --> 00:35:49,816 CURBELO. GOOD JOB, MADISON. 562 00:35:49,816 --> 00:35:51,851 >> THANK YOU SO MUCH. >> Carson: WE HAVE SOME COMMENTS 563 00:35:51,851 --> 00:35:54,921 FROM OUR COACHES. MR. JOHN LEGEND? 564 00:35:54,921 --> 00:35:59,893 >> MADISON, YOU'VE ALWAYS BEEN ONE OF MY FAVORITES, AND I FELT 565 00:35:59,893 --> 00:36:04,030 THIS PERFORMANCE WAS SO BEAUTIFUL AND TASTEFUL. 566 00:36:04,030 --> 00:36:06,800 ALL THE CHOICES YOU MADE I THOUGHT WERE LIKE WITHIN THE 567 00:36:06,800 --> 00:36:10,036 CONTEXT OF THE CLASSIC NATURE OF THE SONG, BUT ALSO ADDED JUST 568 00:36:10,036 --> 00:36:11,271 ENOUGH FLAVOR AND PERSONALITY. IT WAS REALLY LOVELY. 569 00:36:11,271 --> 00:36:15,642 >> THANK YOU SO MUCH. [ APPLAUSE ] 570 00:36:15,642 --> 00:36:18,745 >> Carson: DAN + SHAY? >> I JUST GOT TO SAY I'M SO 571 00:36:18,745 --> 00:36:21,548 PROUD. I LOVE HAVING THAT KIND OF CLOCK 572 00:36:21,548 --> 00:36:24,784 BEHIND YOU THERE, BECAUSE IT REMINDS ME, AND WILL FOREVER BE 573 00:36:24,784 --> 00:36:28,221 BURNED INTO MY MEMORY OF THE TIME WE GOT TO BE A PART OF YOUR 574 00:36:28,221 --> 00:36:40,300 LIFE AND A PART OF YOUR JOURNEY. I'M GETTING CHOKED UP UP HERE. 575 00:36:40,300 --> 00:36:41,735 WHEN I HEAR YOU SING, IT TRULY, I FEEL SOMETHING, AND I'M SO 576 00:36:41,735 --> 00:36:43,069 GLAD THAT THE WORLD IS NOW GETTING TO HEAR YOUR VOICE. 577 00:36:43,069 --> 00:36:44,204 IT'S NOT JUST YOUR VOICE THAT IS COMING OUT. 578 00:36:44,204 --> 00:36:45,171 IT'S YOUR SOUL, IT'S YOUR SPIRIT. 579 00:36:45,171 --> 00:36:46,339 IT'S JOY LITERALLY GOING OUT INTO THE WORLD. 580 00:36:46,339 --> 00:36:47,407 I'M SO PROUD WE GOT TO BE A PART OF THIS. 581 00:36:47,407 --> 00:36:48,708 IT'S UNBELIEVABLE. >> THANK YOU SO MUCH. 582 00:36:48,708 --> 00:36:50,777 THANK YOU. >> Carson: IF YOU WANT MADISON 583 00:36:50,777 --> 00:36:52,178 IN THE SEMIFINALS, YOU CAN VOTE ON NBC.COM AND "THE VOICE" 584 00:36:52,178 --> 00:36:55,582 OFFICIAL APP. LET'S HEAR IT FOR 585 00:36:55,582 --> 00:37:02,922 MADISON CURBELO. LADIES AND GENTLEMEN. 586 00:37:02,922 --> 00:37:07,861 ALL RIGHT. STRAIGHT AHEAD, ASHER HEATS UP 587 00:37:07,861 --> 00:37:09,462 "THE VOICE" WITH A BOYZ II MEN 588 00:37:21,741 --> 00:37:24,778 * THIS IS THE VOICE * 589 00:37:24,778 --> 00:37:28,882 >> Carson: DOING GOOD? CHATTING WITH REBA HERE. 590 00:37:28,882 --> 00:37:31,184 WE'RE BACK LIVE TOP 12. ANOTHER QUICK REMINDER, WE'RE 591 00:37:31,184 --> 00:37:33,753 VOTING. WE'RE VOTING TONIGHT, TRYING TO 592 00:37:33,753 --> 00:37:35,655 GET FROM 12 TO 9 NEXT WEEK. YOU'RE WATCHING THE SHOW. 593 00:37:35,655 --> 00:37:38,324 SO MANY GREAT PERFORMANCES TONIGHT, REMEMBER BALL. 594 00:37:38,324 --> 00:37:40,060 SO FOR YOU AT HOME, VOTING IS IMPORTANT. 595 00:37:40,060 --> 00:37:42,862 IT'S OPEN NOW. IF YOU SAW SOMEBODY YOU LIKE AND 596 00:37:42,862 --> 00:37:46,499 YOU WANT TO CHANGE IT, YOU CAN DO THAT UNTIL THE WINDOW CLOSES. 597 00:37:46,499 --> 00:37:47,801 IT'S AVAILABLE TO ALL ARTISTS ON ALL METHODS. 598 00:37:47,801 --> 00:37:50,537 SO WE ENCOURAGE YOU DON'T FORGET TO VOTE. 599 00:37:50,537 --> 00:37:56,309 AND LET'S CONTINUE WITH TEAM REBA'S ALABAMA SOUL SINGER AND A 600 00:37:56,309 --> 00:37:58,078 90s NUMBER ONE HIT THAT LETS A NEW SIDE OF HIMSELF. 601 00:37:58,078 --> 00:38:15,895 HERE'S MORE FROM ASHER HAVON. HE IS VERY VERSATILE. 602 00:38:15,895 --> 00:38:18,164 HE CAN DO THE R&B AND THE GOSPEL. 603 00:38:18,164 --> 00:38:20,467 WHEN HE SINGS A SONG, IT DOES TOUCH YOUR HEART. 604 00:38:20,467 --> 00:38:37,283 * I'LL MAKE LOVE TO YOU * >> FOR THE TOP 12, I'M SINGING 605 00:38:37,283 --> 00:38:39,119 "I'LL MAKE LOVE TO YOU" BY BOYS IIMEN. 606 00:38:39,119 --> 00:38:42,455 >> WHEN I REALLY DISCOVERED SECULAR MUSIC, I WAS ABOUT 28. 607 00:38:42,455 --> 00:38:46,459 I HEARD THESE DUDES SINGING, AND I WAS LIKE MAN, IS THIS A GOSPEL 608 00:38:46,459 --> 00:38:52,399 SONG? AND TO MY SURPRISE, IT WAS THE 609 00:38:52,399 --> 00:38:57,971 BOYZ II MEN. >> YOU KNOCKED IT OUT. 610 00:38:57,971 --> 00:39:00,106 WITH THE BACKGROUND NOISE AND ALL COMBINED, IT'S GOING TO BE 611 00:39:00,106 --> 00:39:01,241 WONDERFUL. >> THANK YOU. 612 00:39:01,241 --> 00:39:02,342 SO OF COURSE THIS SONG IS A LITTLE SPICY. 613 00:39:02,342 --> 00:39:05,111 >> UH-HUH. >> I KNOW YOU GOT SPICY SONGS 614 00:39:05,111 --> 00:39:06,880 TOO. >> SURE. 615 00:39:06,880 --> 00:39:11,384 >> HOW DO YOU TELL A STORY THAT'S NOT YOUR STORY? 616 00:39:11,384 --> 00:39:13,820 >> IF THE SONG YOU DON'T RELATE TO IT, THERE IS SOMEBODY YOU ME 617 00:39:13,820 --> 00:39:17,857 THAT CAN RELATE TO IT. LIKE SOMEBODY SHOULD LEAVE. 618 00:39:17,857 --> 00:39:21,027 SOMEBODY SAID Y'ALL HAVING TROUBLE? 619 00:39:21,027 --> 00:39:23,763 OH, NO, WE'RE VERY HAPPY. BUT THIS SONG, YOU SOUNDED -- 620 00:39:23,763 --> 00:39:26,132 YOU SOUND SO CONVINCING. WELL, MY FRIEND WENT THROUGH A 621 00:39:26,132 --> 00:39:28,868 DIVORCE. >> OKAY. 622 00:39:28,868 --> 00:39:33,206 >> SO I JUST CHANNELED HER. >> I'M GOING TO TALK TO MY BEST 623 00:39:33,206 --> 00:39:37,644 FRIEND AND HAVE HER TALK TO ME ABOUT HER MARRIAGE AND SELL IT 624 00:39:37,644 --> 00:39:42,782 AS I'M THE ONE. >> CHANNEL HER, ABSOLUTELY. 625 00:39:42,782 --> 00:39:45,251 * I'LL MAKE LOVE TO YOU * >> YEAH. 626 00:39:45,251 --> 00:39:49,589 >> YOU KNOW, REBA, I WAS GOING TO FOR THE FIRST LIVE SHOW NOT 627 00:39:49,589 --> 00:39:52,559 HAVE ANY HAIR, JUST COME OUT VERY GIVING OFF THIS MASCULINE 628 00:39:52,559 --> 00:39:55,929 ENERGY FOR THE FIRST TIME. >> WOW, INTERESTING. 629 00:39:55,929 --> 00:39:58,431 >> AND JUST BE LIKE THIS IS ME. >> IT'S THE FIRST WEEK OF THE 630 00:39:58,431 --> 00:40:01,835 LIVES. AMERICA IS VOTING. 631 00:40:01,835 --> 00:40:05,505 HE WALKS UP THERE, I THINK IT'S THE PERFECT THING TO DO. 632 00:40:05,505 --> 00:40:08,341 >> THANK YOU SO MUCH, REBA. >> I LOVE YOU. 633 00:40:08,341 --> 00:40:11,311 >> I LOVE YOU TOO. MAKING THE SEMIFINALS PROVES 634 00:40:11,311 --> 00:40:14,280 THAT MY GIFT IS VALID. IT IS ENOUGH, AND IT HAS FINALLY 635 00:40:14,280 --> 00:40:20,520 ARRIVED. [ CHEERING AND APPLAUSE ] 636 00:40:28,495 --> 00:40:34,601 * 637 00:40:34,601 --> 00:40:37,103 * CLOSE YOUR EYES MAKE A WISH AND BLOW 638 00:40:37,103 --> 00:40:43,443 OUT THE CANDLELIGHT * * FOR TONIGHT IS YOUR NIGHT 639 00:40:43,443 --> 00:40:48,748 WE'RE GONNA CELEBRATE ALL THROUGH THE NIGHT * 640 00:40:48,748 --> 00:40:52,452 * POUR THE WINE LIGHT THE FIRE 641 00:40:52,452 --> 00:40:59,826 GIRL YOUR WISH IS MY COMMAND * 642 00:40:59,826 --> 00:41:05,598 * I SUBMIT TO YOUR DEMANDS I WILL DO ANYTHING 643 00:41:05,598 --> 00:41:10,870 GIRL YOU NEED ONLY ASK * * I'LL MAKE LOVE TO YOU 644 00:41:10,870 --> 00:41:15,108 LIKE YOU WANT ME TO AND I'LL HOLD YOU TIGHT 645 00:41:15,108 --> 00:41:20,380 BABY ALL THROUGH THE NIGHT * * I'LL MAKE LOVE TO YOU 646 00:41:20,380 --> 00:41:25,685 WHEN YOU WANT ME TO * * AND I WILL NOT LET GO 647 00:41:25,685 --> 00:41:33,593 'TIL YOU TELL ME TO TELL ME TO * 648 00:41:33,593 --> 00:41:37,297 * GIRL RELAX LET'S GO SLOW 649 00:41:37,297 --> 00:41:43,636 I AIN'T GOT NOWHERE TO GO * 650 00:41:43,636 --> 00:41:46,806 * I MADE PLANS TO BE WITH YOU * 651 00:41:46,806 --> 00:41:51,011 * GIRL WHATEVER YOU ASK ME 652 00:41:51,011 --> 00:41:58,151 YOU KNOW, I WILL DO * * I'LL MAKE LOVE TO YOU 653 00:41:58,151 --> 00:42:04,391 YES I WILL YEAH LIKE YOU WANT ME TO 654 00:42:04,391 --> 00:42:07,594 LIKE YOU WANT ME TO BABE * * BABY TONIGHT IS YOUR NIGHT * 655 00:42:07,594 --> 00:42:17,103 * ANYTHING THAT YOU ASK I WILL GIVE YOU * 656 00:42:17,103 --> 00:42:18,171 * THE LOVE OF YOUR LIFE YOUR LIFE 657 00:42:18,171 --> 00:42:22,409 YOUR LIFE * * I'LL MAKE LOVE TO YOU 658 00:42:22,409 --> 00:42:24,544 I'LL MAKE LOVE * * LIKE YOU WANT ME TO 659 00:42:24,544 --> 00:42:39,125 AND I'LL HOLD YOU TIGHT * * BABY ALL THROUGH THE NIGHT 660 00:42:39,125 --> 00:42:40,293 I'LL MAKE LOVE TO YOU WHEN YOU WANT ME TO * 661 00:42:40,293 --> 00:42:41,461 * AND I WILL NOT LET GO 'TIL YOU TELL ME TO 662 00:42:41,461 --> 00:42:56,176 YEAH I'M GONNA MAKE LOVE TO YOU * 663 00:42:56,176 --> 00:43:01,147 [ CHEERS AND APPLAUSE ] >> ASHER HAVON TAKING US BACK. 664 00:43:01,147 --> 00:43:02,282 TOP 12 LIVE TONIGHT. NICE WORK, ASHER. 665 00:43:02,282 --> 00:43:04,818 >> THANK YOU. >> Carson: NICE WORK. 666 00:43:04,818 --> 00:43:12,258 LET'S GET SOME THOUGHTS FROM OUR COACHES. 667 00:43:12,258 --> 00:43:14,127 CHANCE THE RAPPER? >> YEAH, MAN, YOU KNOW WHAT YOU 668 00:43:14,127 --> 00:43:19,833 DID. THAT WAS CRAZY. 669 00:43:19,833 --> 00:43:22,769 I'VE BEEN SAYING THIS SINCE THE BEGINNING OF THE COMPETITION. 670 00:43:22,769 --> 00:43:26,072 I FEEL LIKE IF ANYBODY OUTSIDE OF TEAM CHANCE SHOULD WIN, I'VE 671 00:43:26,072 --> 00:43:29,709 BEEN SAYING THIS, YOU DO. I'M SO GLAD THAT AMERICA GOT TO 672 00:43:29,709 --> 00:43:31,144 SEE THIS LIVE, BECAUSE YOU'RE AN INCREDIBLY TALENTED VOCALIST. 673 00:43:31,144 --> 00:43:35,882 >> THANK YOU SO MUCH. THANK YOU. 674 00:43:35,882 --> 00:43:39,085 >> Carson: REBA? >> ASHER, GOD PUT YOU ON THIS 675 00:43:39,085 --> 00:43:42,355 EARTH TO SING. YOU SAID THAT YOU HADN'T HEARD 676 00:43:42,355 --> 00:43:46,826 SECULAR MUSIC UNTIL YOU WERE IN YOUR 20s, AND THEN GOD LET YOU 677 00:43:46,826 --> 00:43:51,398 COME OUT HERE AND BE WITH US. SO THANK YOU, LORD FOR LETTING 678 00:43:51,398 --> 00:43:55,235 US HAVE ASHER FOR THIS TIME. >> REBA, I LOVE YOU SO MUCH. 679 00:43:55,235 --> 00:44:01,274 >> Carson: IF YOU WANT ASHER IN THE SEMIFINALS, YOU CAN VOTE ON 680 00:44:01,274 --> 00:44:04,044 NBC.COM AND THE OFFICIAL APP. LET'S GIVE IT UP ONE MORE TIME 681 00:44:04,044 --> 00:44:06,680 FOR ASHER HAVON. WHEN WE COME BACK, THE 682 00:44:06,680 --> 00:44:12,252 SINGER-SONGWRITER SIDE OF ZOE LEVERT. 683 00:44:12,252 --> 00:44:14,954 AND LATER, KAREN AND SERENITY THEY'RE READY TO GO TO FIGHT FOR 684 00:44:31,204 --> 00:44:32,272 * THIS IS THE VOICE * 685 00:44:32,272 --> 00:44:35,442 >> Carson: AND WE'RE BACK WITH THE TOP 12 LIVE TONIGHT FOR THE 686 00:44:35,442 --> 00:44:36,676 FIRST TIME. AND WE CONTINUE NOW WITH TEAM 687 00:44:36,676 --> 00:44:38,278 LEGEND'S LOUISIANA SINGER-SONGWRITER WHOSE PERSONAL 688 00:44:38,278 --> 00:44:46,653 LIFE HAS COME FULL CIRCLE. HERE'S MORE FROM ZOE LEVERT. 689 00:44:46,653 --> 00:44:48,888 THE LAST TIME I SAW YOU? >> I GOT MARRIED. 690 00:44:48,888 --> 00:44:51,791 I HAVE A HUSBAND NOW. >> AMAZING. 691 00:44:51,791 --> 00:44:54,828 >> I HAVE A WEDDING PICTURE. >> I WANT TO SEE, I WANT TO SEE. 692 00:44:54,828 --> 00:44:57,864 >> THE WEDDING WAS AMAZING. I FELT LIKE A PRINCESS THE WHOLE 693 00:44:57,864 --> 00:45:00,734 DAY. >> BEAUTIFUL! 694 00:45:00,734 --> 00:45:04,504 >> WE DID DANCE "FROM GROUND UP" BY DAN + SHAY AT THE WEDDING. 695 00:45:04,504 --> 00:45:09,042 BACK IN THE BLINDS, THEY SANG OUR FIRST DANCE SONG. 696 00:45:09,042 --> 00:45:13,380 SO AT THE WEDDING, THAT MOMENT WAS SO MUCH MORE SPECIAL. 697 00:45:13,380 --> 00:45:15,849 WE MET THEM AND THEY SANG TO US. >> HOW YOU FEELING ABOUT BEING 698 00:45:15,849 --> 00:45:18,151 IN THE LIVES? >> I'M SUPER THANKFUL TO BE 699 00:45:18,151 --> 00:45:20,587 HERE. YOU HAD GREAT ARTISTS TO CHOOSE 700 00:45:20,587 --> 00:45:22,856 FROM, AND YOU CHOSE ME. THAT MEANS A LOT. 701 00:45:22,856 --> 00:45:24,657 >> ROUND AFTER ROUND, YOU WERE GETTING BETTER AND BETTER AND 702 00:45:24,657 --> 00:45:25,825 BETTER. >> YEAH. 703 00:45:25,825 --> 00:45:27,127 >> AND YOU EARNED YOUR WAY INTO THE LIVES. 704 00:45:27,127 --> 00:45:33,867 >> THANK YOU. >> SO WHAT SONG ARE WE DOING? 705 00:45:33,867 --> 00:45:36,569 >> "STICK SEASON" BY NOAH KAHAN. >> HE WAS NOMINATED AT THE 706 00:45:36,569 --> 00:45:40,240 GRAMMYS THIS YEAR. >> WHEN HE RELEASED THE SONG, I 707 00:45:40,240 --> 00:45:44,511 DID A TIKTOK COVER. HE COMMENTED AND THEN HE 708 00:45:44,511 --> 00:45:45,612 REPOSTED IT ON HIS PAGE. >> THAT'S HUGE. 709 00:45:45,612 --> 00:45:49,082 LET'S GO! * SO I THOUGHT THAT IF I PILED 710 00:45:49,082 --> 00:45:53,520 SOMETHING GOOD * >> THIS FOLKY SINGER/SONGWRITER 711 00:45:53,520 --> 00:45:55,355 STYLE IS ME. >> THIS IS WHO YOU WANT AMERICA 712 00:45:55,355 --> 00:45:57,624 TO KNOW YOU AS. >> YEAH. 713 00:45:57,624 --> 00:46:00,927 * AND I LOVE VERMONT, BUT IT'S THE SEASON OF THE STICKS * 714 00:46:00,927 --> 00:46:03,730 >> THIS SONG IS PERFECT FOR HER. IT'S GOT THAT CONFESSIONAL 715 00:46:03,730 --> 00:46:07,467 LYRIC. IT'S KIND OF RAPID-FIRE, AND ZOE 716 00:46:07,467 --> 00:46:08,501 BRINGS HER OWN VIBE, HER OWN ENERGY. 717 00:46:08,501 --> 00:46:11,705 THERE IS NO ONE ELSE DOING WHAT SHE IS DOING. 718 00:46:11,705 --> 00:46:14,074 ZOE IS OUR SINGER/SONGWRITER WITH A LITTLE SPRINKLE OF 719 00:46:14,074 --> 00:46:15,408 COUNTRY. * 720 00:46:15,408 --> 00:46:18,278 >> WOO! IT'S SO GOOD! 721 00:46:18,278 --> 00:46:19,879 IT SOUNDS LIKE YOU SHOULD BE MAKING RECORDS. 722 00:46:19,879 --> 00:46:22,515 I REALLY FEEL THAT. >> THANK YOU SO MUCH. 723 00:46:22,515 --> 00:46:24,784 >> LET'S JUST THINK ABOUT THE ENDING. 724 00:46:24,784 --> 00:46:28,088 I WONDER IF WE BRING THE DRUMS OUT AND LET BIT MORE DRAMATIC. 725 00:46:28,088 --> 00:46:38,765 >> I'M DOWN. I'M NOT THE POWERHOUSE OF THE 726 00:46:38,765 --> 00:46:39,833 SEASON, BUT I'M A VERY TECHNICAL SINGER. 727 00:46:39,833 --> 00:46:41,301 AND SO I'M EXCITED THAT I'M WITH A COACH THAT KNOWS HOW TO WORK 728 00:46:41,301 --> 00:46:42,635 WITH THAT TYPE OF VOICE. EVERY ROUND THE EXPECTATION IS 729 00:46:42,635 --> 00:46:44,838 HIGHER, THE STAKES ARE HIGHER. AND I'M NOT READY TO GO HOME 730 00:46:44,838 --> 00:46:46,206 YET. >> I LOVED HEARING YOUR VOICE 731 00:46:46,206 --> 00:46:47,640 LIKE THAT. >> WELL, I FELT IT. 732 00:46:47,640 --> 00:46:49,175 >> OOH, OKAY, THIS IS MOVING. >> THAT WAS COOL. 733 00:46:49,175 --> 00:46:54,748 >> THIS IS FUN. >> I CAN SEE WHY NOAH LIKED IT. 734 00:46:54,748 --> 00:46:57,083 >> NOAH, WATCH THIS EPISODE. >> I'M PREDICTING MORE GROWTH. 735 00:46:57,083 --> 00:46:59,085 >> YEAH. >> MORE BLOSSOMING. 736 00:46:59,085 --> 00:47:05,392 SO AMERICA, YOU'VE GOT TO KEEP ZOE ON THE SHOW. 737 00:47:05,392 --> 00:47:08,028 LET'S GO! * AS YOU PROMISED ME 738 00:47:08,028 --> 00:47:10,663 THAT I WAS MORE THAN ALL THE MILES COMBINED * 739 00:47:10,663 --> 00:47:13,299 * YOU MUST HAVE HAD YOURSELF A CHANGE OF HEART 740 00:47:13,299 --> 00:47:14,401 LIKE HALFWAY THROUGH THE DRIVE * 741 00:47:14,401 --> 00:47:18,071 * BECAUSE YOUR VOICE TRAILED OFF EXACTLY 742 00:47:18,071 --> 00:47:22,809 AS YOU PASSED MY EXIT SIGN * * KEPT ON DRIVIN' STRAIGHT 743 00:47:22,809 --> 00:47:24,377 AND LEFT OUR FUTURE TO THE RIGHT * 744 00:47:24,377 --> 00:47:25,945 * AND I LOVE VERMONT BUT IT'S THE SEASON 745 00:47:25,945 --> 00:47:29,616 OF THE STICKS * * AND I SAW YOUR MOM 746 00:47:29,616 --> 00:47:31,751 SHE FORGOT THAT I EXISTED AND IT'S HALF MY FAULT 747 00:47:31,751 --> 00:47:36,056 BUT I JUST LIKE * * TO PLAY THE VICTIM 748 00:47:36,056 --> 00:47:39,159 I'LL DRINK ALCOHOL 'TIL MY FRIENDS COME HOME 749 00:47:39,159 --> 00:47:42,328 FOR CHRISTMAS * * AND I'LL DREAM EACH NIGHT 750 00:47:42,328 --> 00:47:47,600 OF SOME VERSION OF YOU THAT I MIGHT NOT HAVE 751 00:47:47,600 --> 00:47:50,770 BUT I DID NOT LOSE * * NOW YOU'RE TIRE TRACKS 752 00:47:50,770 --> 00:47:58,712 AND ONE PAIR OF SHOES AND I'M SPLIT IN HALF 753 00:47:58,712 --> 00:48:02,382 BUT THAT'LL HAVE TO DO * * SO I THOUGHT THAT 754 00:48:02,382 --> 00:48:04,484 IF I PILED SOMETHING GOOD ON ALL MY BAD * 755 00:48:04,484 --> 00:48:07,654 * THAT I COULD CANCEL OUT THE DARKNESS I INHERITED 756 00:48:07,654 --> 00:48:09,789 FROM DAD * * AND I AM NO LONGER FUNNY 757 00:48:09,789 --> 00:48:13,026 'CAUSE I MISS THE WAY YOU LAUGH * 758 00:48:13,026 --> 00:48:15,562 * YOU ONCE CALLED ME FOREVER NOW YOU STILL CAN'T 759 00:48:15,562 --> 00:48:17,764 CALL ME BACK * * AND I LOVE VERMONT 760 00:48:17,764 --> 00:48:20,867 BUT IT'S THE SEASON OF THE STICKS * 761 00:48:20,867 --> 00:48:25,071 * AND I SAW YOUR MOM SHE FORGOT THAT I EXISTED 762 00:48:25,071 --> 00:48:27,173 AND IT'S HALF MY FAULT BUT I JUST LIKE * 763 00:48:27,173 --> 00:48:40,053 * TO PLAY THE VICTIM I'LL DRINK ALCOHOL 764 00:48:40,053 --> 00:48:41,154 'TIL MY FRIENDS COME HOME FOR CHRISTMAS * 765 00:48:41,154 --> 00:48:42,422 * AND I'LL DREAM EACH NIGHT OF SOME VERSION OF YOU 766 00:48:42,422 --> 00:48:43,590 THAT I MIGHT NOT HAVE BUT I DID NOT LOSE * 767 00:48:43,590 --> 00:48:48,261 * NOW YOU'RE TIRE TRACKS AND ONE PAIR OF SHOES 768 00:48:48,261 --> 00:48:54,534 AND I'M SPLIT IN HALF BUT THAT'LL HAVE TO DO * 769 00:48:54,534 --> 00:49:00,373 * OH, IT'LL HAVE TO DO MY OTHER HALF WAS YOU 770 00:49:00,373 --> 00:49:05,111 AND I HOPE THIS PAIN'S JUST PASSIN' THROUGH 771 00:49:05,111 --> 00:49:09,315 BUT I DOUBT IT * * AND I'LL DREAM EACH NIGHT 772 00:49:09,315 --> 00:49:13,053 OF SOME VERSION OF YOU THAT I MIGHT NOT HAVE 773 00:49:13,053 --> 00:49:17,791 BUT I DID NOT LOSE * * NOW YOU'RE TIRE TRACKS 774 00:49:17,791 --> 00:49:25,765 AND ONE PAIR OF SHOES AND I'M SPLIT IN HALF 775 00:49:25,765 --> 00:49:27,901 BUT THAT'LL HAVE TO DO * * WHOA, 776 00:49:27,901 --> 00:49:33,740 YEAH I'M SPLIT IN HALF BUT THAT'LL HAVE TO DO 777 00:49:33,740 --> 00:49:44,250 HAVE TO DO * [ CHEERS AND APPLAUSE ] 778 00:49:44,250 --> 00:49:49,556 >> Carson: TEAM LEGEND'S ZOE LEVERT, LADIES AND GENTLEMEN. 779 00:49:49,556 --> 00:49:51,825 THANK YOU, FELLOWS. NICE WORK, ZOE. 780 00:49:51,825 --> 00:49:54,361 CONGRATULATIONS ON THE WEDDING AS WELL. 781 00:49:54,361 --> 00:49:55,829 DAN + SHAY, SOME THOUGHTS, PLEASE. 782 00:49:55,829 --> 00:49:59,199 >> ZOE, THAT WAS AMAZING. FIRST OF ALL, LIKE CARSON SAID, 783 00:49:59,199 --> 00:50:01,935 CONGRATULATIONS ON THE WEDDING. THANK YOU FOR USING OUR SONG AS 784 00:50:01,935 --> 00:50:04,671 PART OF YOUR WEDDING THAT SONG MEANS SO MUCH TO US. 785 00:50:04,671 --> 00:50:07,640 TO KNOW IT MEANT A LOT TO YOU GUYS, MEANS THE WORLD. 786 00:50:07,640 --> 00:50:12,512 [ APPLAUSE ] THAT PERFORMANCE, I'M LIKE THE 787 00:50:12,512 --> 00:50:16,049 BIGGEST NOAH KAHAN SONG FAN. YOUR PITCH IS ALWAYS SO GOOD. 788 00:50:16,049 --> 00:50:20,787 I LOVE YOUR TONE, SO ENDEARING. THAT SONG IS SO RHYTHMIC. 789 00:50:20,787 --> 00:50:22,956 YOU NAILED IT. SPOT ON. 790 00:50:22,956 --> 00:50:26,426 CONGRATULATIONS. >> ZOE, LIKE I SAID, YOU'RE 791 00:50:26,426 --> 00:50:38,004 BLOSSOMING AND GETTING BETTER EVERY TIME. 792 00:50:38,004 --> 00:50:39,039 I REALLY LOVE YOUR TONE ON THIS SONG. 793 00:50:39,039 --> 00:50:40,340 IT FELT SO CONFIDENT. YOU SOUND LIKE A REAL RECORDING 794 00:50:40,340 --> 00:50:41,708 ARTIST WHEN YOU'RE SINGING. IT SOUNDS LIKE YOU WERE MEANT 795 00:50:41,708 --> 00:50:42,876 FOR THE STAGE. I'M SO EXCITED THAT YOU'RE HERE 796 00:50:42,876 --> 00:50:43,943 IN THE LIVES. AMERICA, VOTE FOR ZOE. 797 00:50:43,943 --> 00:50:45,378 >> Carson: IF YOU WANT ZOE IN THE SEMI-FINALS, YOU CAN VOTE ON 798 00:50:45,378 --> 00:50:49,549 NBC.COM AND "THE VOICE" OFFICIAL APP. 799 00:50:49,549 --> 00:50:53,186 GIVE IT UP ONE MORE TIME FOR ZOE LEVERT. 800 00:50:53,186 --> 00:50:55,321 A HUG FROM COACH, AND WE'LL TAKE A BREAK. 801 00:50:55,321 --> 00:50:58,491 COMING UP, KAREN SINGS AN EMOTIONAL LEE ANN WOMACK NUMBER 802 00:50:58,491 --> 00:51:00,593 ONE COUNTRY SONG. THEN, SERENITY AND NADEGE 803 00:51:00,593 --> 00:51:15,775 COMPETE FOR A COVETED SPOT IN * THIS IS THE VOICE * 804 00:51:15,775 --> 00:51:17,243 >> Carson: WELCOME BACK TO TOP 12. 805 00:51:17,243 --> 00:51:18,878 WE ARE LIVE FOR THE FIRST TIME THIS SEASON, AND NOW IT'S YOUR 806 00:51:18,878 --> 00:51:22,849 TURN TO VOTE. VOTING IS OPEN NOW FOR ALL 807 00:51:22,849 --> 00:51:25,485 ARTISTS ON ALL METHODS. WE'LL CONTINUE OUR PERFORMANCES 808 00:51:25,485 --> 00:51:28,254 WITH A SONG THAT DAN + SHAY THINK IS THE PERFECT FIT FOR 809 00:51:28,254 --> 00:51:34,794 THEIR LOUISIANA COUNTRY SINGER. HERE'S MORE FROM KAREN WALDRUP. 810 00:51:34,794 --> 00:51:36,930 [ APPLAUSE ] >> KENDALL, DO YOU REMEMBER THAT 811 00:51:36,930 --> 00:51:38,932 DRAWING YOU DID? >> YEAH. 812 00:51:38,932 --> 00:51:40,433 >> I CAN'T WAIT TO SHOW IT TO DAN + SHAY. 813 00:51:40,433 --> 00:51:42,869 THEY'RE GOING TO BE SO HAPPY TO SEE YOUR ARTWORK. 814 00:51:42,869 --> 00:51:43,937 WHAT'S YOUR FAVORITE SONG BY DAN + SHAY? 815 00:51:43,937 --> 00:51:46,206 >> A DOZEN HOURS. >> THAT'S A GREAT ONE. 816 00:51:46,206 --> 00:51:49,309 >> AND SPEECHLESS. >> AND SPEECHLESS! 817 00:51:49,309 --> 00:51:50,610 >> GOOD LUCK, KAREN! I'M SO PROUD OF YOU. 818 00:51:50,610 --> 00:51:54,781 >> THANK YOU! LOVE YOU! 819 00:51:54,781 --> 00:51:56,449 >> SO MY NIECE, SHE DREW SOMETHING FOR YOU GUYS. 820 00:51:56,449 --> 00:52:00,053 >> OH MY GOODNESS. THAT'S AMAZING. 821 00:52:00,053 --> 00:52:02,389 >> I WANT TO GET YOU GUYS TO SIGN IT. 822 00:52:02,389 --> 00:52:06,059 LOOK SO SWEET. >> NO WAY. 823 00:52:06,059 --> 00:52:08,128 THIS LOOKS LIKE AUDREY. LOOK AT THIS ART. 824 00:52:08,128 --> 00:52:12,098 >> I THINK KENDALL ALREADY THINKS I'M A COOL AUNT. 825 00:52:12,098 --> 00:52:14,434 BUT NOW WHEN I BRING HER THE ARTWORK SIGNED BY DAN + SHAY, I 826 00:52:14,434 --> 00:52:15,869 DON'T THINK I'M GOING TO GO UP IN THE COOL METER. 827 00:52:15,869 --> 00:52:18,938 I'M JUST SAYING. >> WE'RE IN THE FREAKIN' LIVES. 828 00:52:18,938 --> 00:52:20,140 YOU MADE IT. ISN'T THAT INCREDIBLE? 829 00:52:20,140 --> 00:52:23,109 >> ABSOLUTELY. >> I KNOW YOU'RE GOING KILL IT. 830 00:52:23,109 --> 00:52:33,386 * I HOPE YOU NEVER LOSE YOUR SENSE OF WONDER * 831 00:52:33,386 --> 00:52:35,088 * YOU GET YOUR FILL TO EAT BUT ALWAYS KEEP THAT HUNGER * 832 00:52:35,088 --> 00:52:37,557 >> I ABSOLUTELY THINK KAREN HAS WHAT IT TAKES TO MAKE IT IN THE 833 00:52:37,557 --> 00:52:42,362 COUNTRY MUSIC INDUSTRY. SHE HAS A THROWBACK VIBE THAT IS 834 00:52:42,362 --> 00:52:44,531 SUPER HOT IN COUNTRY RIGHT NOW. >> KAREN IS OUR COUNTRY 835 00:52:44,531 --> 00:52:47,100 POWERHOUSE. SHE IS SUCH A PRO. 836 00:52:47,100 --> 00:52:49,436 SHE HAS BEEN PLAYING IN BARS AND CLUBS, A LOT LIKE WE WERE IN THE 837 00:52:49,436 --> 00:52:52,772 EARLY DAYS. I FEEL LIKE IF SHE IS ABLE TO 838 00:52:52,772 --> 00:52:56,009 REALLY STEP INTO THIS SONG, LETTING AMERICA SEE THAT SOFTER 839 00:52:56,009 --> 00:52:59,879 SIDE OF HER, IT'S GOING TO BE A VERY POWERFUL MOMENT. 840 00:52:59,879 --> 00:53:01,381 * I HOPE YOU DANCE * >> WOW! 841 00:53:01,381 --> 00:53:03,450 >> THAT'S AMAZING. >> THANK YOU. 842 00:53:03,450 --> 00:53:04,851 >> I LOVE YOU PLAYING THE GUITAR. 843 00:53:04,851 --> 00:53:06,886 >> I DID TOO. 100%. 844 00:53:06,886 --> 00:53:08,621 >> BUT I FEEL LIKE DURING THAT BREAKDOWN SECTION, YOU CAN TAKE 845 00:53:08,621 --> 00:53:11,191 THE MIC. THAT'S SUCH AN IMPORTANT LYRIC 846 00:53:11,191 --> 00:53:13,693 AND MOMENT. >> OKAY. 847 00:53:13,693 --> 00:53:16,763 >> SOMETIMES THE MOST IMPACTFUL MOMENTS OF A PERFORMANCE WHEN 848 00:53:16,763 --> 00:53:18,965 YOU'RE WATCHING SOMEONE LIKE AN ADELE, SITTING IN THAT MOMENT IS 849 00:53:18,965 --> 00:53:21,468 OKAY. >> THE MESSAGE OF "I HOPE YOU 850 00:53:21,468 --> 00:53:22,535 DANCE" IS LIVE YOUR LIFE TO THE FULLEST. 851 00:53:22,535 --> 00:53:28,675 THE THING THAT MAKES ME EMOTIONAL IS TO THINK ABOUT MY 852 00:53:28,675 --> 00:53:31,444 LIFE WITHOUT "THE VOICE." I DON'T KNOW WHAT I WOULD HAVE 853 00:53:31,444 --> 00:53:36,282 DONE TO GET TO THE NEXT LEVEL. * I HOPE YOU STILL FEEL SMALL 854 00:53:36,282 --> 00:53:37,917 WHEN YOU STAND BESIDE THE OCEAN * 855 00:53:37,917 --> 00:53:40,754 >> THIS IS PROBABLY THE BIGGEST MOMENT OF HER MUSIC CAREER SO 856 00:53:40,754 --> 00:53:43,890 FAR. BUT I FEEL LIKE SHE IS READY. 857 00:53:43,890 --> 00:53:46,526 KAREN IS GOING TO STEP UP AND DELIVER AND ABSOLUTELY KILL IT. 858 00:53:46,526 --> 00:53:47,627 >> I'M SO STOKED FOR THIS. >> THANK YOU. 859 00:53:47,627 --> 00:53:51,498 >> IT'S GOING TO BE AMAZING. [ APPLAUSE ] 860 00:53:58,605 --> 00:54:02,842 * I HOPE YOU NEVER LOSE 861 00:54:02,842 --> 00:54:08,081 YOUR SENSE OF WONDER YOU GET YOUR FILL TO EAT BUT 862 00:54:08,081 --> 00:54:14,421 ALWAYS KEEP THAT HUNGER * * MAY YOU NEVER TAKE ONE 863 00:54:14,421 --> 00:54:20,260 SINGLE BREATH FOR GRANTED GOD FORBID LOVE EVER 864 00:54:20,260 --> 00:54:22,896 LEAVE YOU EMPTY-HANDED * * DON'T LET SOME 865 00:54:22,896 --> 00:54:31,504 HELL-BENT HEART LEAVE YOU BITTER * 866 00:54:31,504 --> 00:54:33,473 * WHEN YOU COME CLOSE TO SELLING OUT, RECONSIDER 867 00:54:33,473 --> 00:54:38,178 GIVE THE HEAVENS ABOVE * * MORE THAN JUST 868 00:54:38,178 --> 00:54:43,483 A PASSING GLANCE AND WHEN YOU GET THE CHOICE 869 00:54:43,483 --> 00:54:56,162 TO SIT IT OUT OR DANCE * * I HOPE YOU DANCE 870 00:54:56,162 --> 00:54:59,332 I HOPE YOU DANCE I HOPE YOU STILL 871 00:54:59,332 --> 00:55:02,035 FEEL SMALL * * WHEN YOU STAND 872 00:55:02,035 --> 00:55:07,807 BESIDE THE OCEAN WHENEVER ONE DOOR CLOSES 873 00:55:07,807 --> 00:55:10,410 I HOPE ONE MORE OPENS * * PROMISE ME 874 00:55:10,410 --> 00:55:14,647 THAT YOU'LL GIVE FAITH A FIGHTING CHANCE * 875 00:55:14,647 --> 00:55:19,919 * AND WHEN YOU GET THE CHOICE TO 876 00:55:19,919 --> 00:55:33,800 SIT IT OUT OR DANCE DANCE * 877 00:55:33,800 --> 00:56:05,031 * I HOPE YOU DANCE * * TIME IS A WHEEL, I HOPE YOU 878 00:56:05,031 --> 00:56:12,038 DANCE, I HOPE YOU DANCE * 879 00:56:12,038 --> 00:56:21,948 * I HOPE YOU DANCE * 880 00:56:21,948 --> 00:56:23,316 [ CHEERING AND APPLAUSE ] >> Carson: KAREN WALDRUP, LADIES 881 00:56:23,316 --> 00:56:28,788 AND GENTLEMEN! [ APPLAUSE ] 882 00:56:28,788 --> 00:56:29,789 THANK YOU, LADIES. KAREN, NICE WORK. 883 00:56:29,789 --> 00:56:33,226 >> THANK YOU SO MUCH. >> REBA, WHAT DO YOU GOT? 884 00:56:33,226 --> 00:56:34,861 >> OH, KAREN, I'M SO HAPPY FOR YOU. 885 00:56:34,861 --> 00:56:38,298 WORKING SO HARD AS YOU HAVE IN THE PAST AND GET TO STAND ON 886 00:56:38,298 --> 00:56:43,503 THIS STAGE IN FRONT OF MILLIONS OF PEOPLE, SINGING MY GOOD BUDDY 887 00:56:43,503 --> 00:56:45,805 LEE ANN WOMACK'S SONG. YOU JUST DID A WONDERFUL JOB 888 00:56:45,805 --> 00:56:47,807 TONIGHT. I'M VERY PROUD OF YOU. 889 00:56:47,807 --> 00:56:49,075 YOU LOOK SPECTACULAR AND YOU SANG BEAUTIFULLY. 890 00:56:49,075 --> 00:56:55,615 WAY TO GO. >> THANK YOU SO MUCH. 891 00:56:55,615 --> 00:56:59,319 >> Carson: DAN + SHAY? >> I'M SO PROUD OF YOU. 892 00:56:59,319 --> 00:57:02,355 I COULDN'T HELP WATCHING THAT PERFORMANCE, I FELT LIKE YOUNGER 893 00:57:02,355 --> 00:57:04,224 YOU, THIS IS THE SONG SHE WOULD HAVE SANG TO YOU. 894 00:57:04,224 --> 00:57:06,726 I HOPE YOU DANCE AND TAKE THAT SHOT AND COME ON A SHOW LIKE 895 00:57:06,726 --> 00:57:08,795 THIS. I'M JUST BLOWN AWAY BY YOU, AND 896 00:57:08,795 --> 00:57:11,231 I'M SO PROUD OF YOU. AND YOU SHOULD BE PROUD OF 897 00:57:11,231 --> 00:57:13,433 YOURSELF. AND I KNOW THAT AMERICA IS 898 00:57:13,433 --> 00:57:15,402 WATCHING AND BLOWN AWAY RIGHT NOW. 899 00:57:15,402 --> 00:57:23,243 >> AMEN. >> THANK YOU SO MUCH, DAN AND 900 00:57:23,243 --> 00:57:28,548 SHAY, I LOVE YOU ALL IF YOU WANT TO VOTE ON THE FINALS? 901 00:57:28,548 --> 00:57:29,549 YOU CAN VOTE ON NBC.COM AND THE APP. 902 00:57:29,549 --> 00:57:36,756 GIVE IT UP ONE MORE TIME FOR KAREN WALDRUP, EVERYONE. 903 00:57:36,756 --> 00:57:37,791 WHEN WE COME BACK, WE HAVE 904 00:57:53,540 --> 00:57:54,207 * THIS IS THE VOICE * 905 00:57:54,207 --> 00:57:55,675 >> Carson: WELCOME BACK TO TOP 12 LIVE SHOW. 906 00:57:55,675 --> 00:58:00,480 BACK-TO-BACK PERFORMANCES RIGHT NOW. 907 00:58:00,480 --> 00:58:03,016 WE'RE GOING TO START WITH THE 17-YEAR-OLD POP SINGER FROM 908 00:58:03,016 --> 00:58:05,085 FLORIDA WHO IS SENDING OUT A GRAMMY-WINNING HIT TO ALL OF HER 909 00:58:05,085 --> 00:58:09,489 PEERS. HERE'S MORE FROM TEAM CHANCE'S 910 00:58:09,489 --> 00:58:11,324 SERENITY ARCE. >> SERENITY! 911 00:58:11,324 --> 00:58:14,094 >> HI. >> WE'VE GOT SERENITY ARCE. 912 00:58:14,094 --> 00:58:16,830 SHE IS SUCH A COOL SUCCESS STORIMENT SHE WAS ON THE SHOW 913 00:58:16,830 --> 00:58:19,899 BEFORE AND DIDN'T MAKE IT PAST THE BLINDS. 914 00:58:19,899 --> 00:58:24,170 AND NOW SHE IS GOING TO THE LIVES, TOP 12. 915 00:58:24,170 --> 00:58:26,740 SHE'S THE COMEBACK KID. AND A BIRTHDAY TOO, RIGHT? 916 00:58:26,740 --> 00:58:27,941 >> YES, I'M 17 NOW. >> HAPPY BIRTHDAY! 917 00:58:27,941 --> 00:58:31,911 17. HOW HAS IT BEEN? 918 00:58:31,911 --> 00:58:33,079 HOW ARE YOU FEELING GOING TO THE LIVE STUFF? 919 00:58:33,079 --> 00:58:36,449 >> IT'S BEEN VERY DIFFERENT. I WENT BACK TO SCHOOL, MY 920 00:58:36,449 --> 00:58:48,561 SCHOOL. EVERYONE IS KIND OF GIVING ME 921 00:58:48,561 --> 00:58:49,963 THOSE LOOKS BECAUSE THEY'VE SEEN ME MY WHOLE JOURNEY ON HERE. 922 00:58:49,963 --> 00:58:51,297 I EVEN GOT FOR MY BLIND AUDITION, I GOT REPOSTED BY SAM 923 00:58:51,297 --> 00:58:52,365 FISCHER. AND HE EVEN INVITED ME TO SING 924 00:58:52,365 --> 00:58:53,500 ON ONE OF HIS TOUR SHOWS. >> IT'S DESERVED. 925 00:58:53,500 --> 00:58:54,601 KILLING IT ON THE SHOW. PEOPLE LOVE YOU. 926 00:58:54,601 --> 00:58:56,403 >> THANK YOU. >> I'M EXCITED. 927 00:58:56,403 --> 00:58:58,405 YEAH, YOU PICKED "TRAITOR". >> YES. 928 00:58:58,405 --> 00:59:02,008 OLIVIA RODRIGO. >> I THINK A LOT ABOUT HIGH 929 00:59:02,008 --> 00:59:04,477 SCHOOL BOYS, THEY'RE MOSTLY STUPID. 930 00:59:04,477 --> 00:59:07,914 THE WORDS IN THE SONG SPEAK VOLUMES TO THAT. 931 00:59:07,914 --> 00:59:13,119 * BROWN GUILTY EYES AND LITTLE WHITE LIES, YEAH, I PLAYED DUMB 932 00:59:13,119 --> 00:59:17,023 BUT I ALWAYS KNEW * >> I THINK SERENITY REALLY LEANS 933 00:59:17,023 --> 00:59:18,825 ON EMOTIONAL CONNECTIONS TO THE SONGS. 934 00:59:18,825 --> 00:59:22,162 SHE DELIVERS EVERY PERFORMANCE WITH THIS INTENT AND EMOTION 935 00:59:22,162 --> 00:59:27,033 THAT REALLY FEELS LIKE SOMEBODY WAY BEYOND HER YEARS. 936 00:59:27,033 --> 00:59:29,302 * YOU BETRAYED ME * >> THIS IS THE PERFECT ROUND FOR 937 00:59:29,302 --> 00:59:32,739 ME TO SING THIS SONG, BECAUSE IT'S ALL ABOUT CONNECTING WITH 938 00:59:32,739 --> 00:59:35,275 AMERICA. I WANT TO SHOWCASE 939 00:59:35,275 --> 00:59:40,580 VULNERABILITY, AND I THINK WITH A LOT OF GIRLS MY AGE, I'M KIND 940 00:59:40,580 --> 00:59:44,317 OF SINGING THIS TO THEM, BECAUSE THEIR FEELINGS ARE VALID, AND 941 00:59:44,317 --> 00:59:49,055 THEY SHOULD BE HEARD. * YEAH, YOU'RE STILL A TRAITOR * 942 00:59:49,055 --> 00:59:52,225 >> WHEN YOU GET BIG ON THE FIRST "YOU BETRAYED ME" IT'S PULLING 943 00:59:52,225 --> 00:59:56,096 ME OUT OF THE LYRICS. I FEEL LIKE THAT LINE, YOU 944 00:59:56,096 --> 00:59:58,565 BETRAYED ME COULD BE DONE IN A COOL SIMPLISTIC WAY. 945 00:59:58,565 --> 01:00:02,035 >> YEAH. >> THAT DOESN'T FOCUS SO MUCH ON 946 01:00:02,035 --> 01:00:04,337 BELTING. >> MORE ON VULNERABLE. 947 01:00:04,337 --> 01:00:08,541 >> YOU BETRAYED ME. >> I LOVE THAT TONE. 948 01:00:08,541 --> 01:00:11,878 REALLY GIVING THAT BROKENNESS, OF I FEEL BETRAYED IS WHAT IS 949 01:00:11,878 --> 01:00:14,614 GOING TO PEEK THROUGH. >> I REALLY WANT TO MAKE IT TO 950 01:00:14,614 --> 01:00:17,784 THE TOP NINE FOR THE SEMIFINALS. I STILL HAVE SO MUCH TO SHOW. 951 01:00:17,784 --> 01:00:20,987 I MEAN, AMERICA WON'T REALLY KNOW THAT UNTIL THEY VOTE FOR ME 952 01:00:20,987 --> 01:00:22,088 AND GET ME TO THE NEXT ROUND. THANK YOU. 953 01:00:22,088 --> 01:00:25,992 >> CONGRATULATIONS! YOU'RE GOING TO THE LIVES! 954 01:00:25,992 --> 01:00:30,096 >> I'M SO EXCITED. [ APPLAUSE ] 955 01:00:32,966 --> 01:00:34,534 * BROWN GUILTY EYES 956 01:00:34,534 --> 01:00:48,948 AND LITTLE WHITE LIES YEAH, I PLAYED DUMB 957 01:00:48,948 --> 01:00:50,183 BUT I ALWAYS KNEW * * THAT YOU TALKED TO HER 958 01:00:50,183 --> 01:00:51,117 MAYBE DID EVEN WORSE I KEPT QUIET 959 01:00:51,117 --> 01:00:54,054 SO I COULD KEEP YOU * * AIN'T IT FUNNY 960 01:00:54,054 --> 01:00:57,724 HOW YOU RAN TO HER THE SECOND THAT 961 01:00:57,724 --> 01:01:03,563 WE CALLED IT QUITS * * AIN'T IT FUNNY 962 01:01:03,563 --> 01:01:07,233 HOW YOU SAID YOU WERE FRIENDS NOW IT SURE AS HELL 963 01:01:07,233 --> 01:01:11,971 DON'T LOOK LIKE IT * * YOU BETRAYED ME 964 01:01:11,971 --> 01:01:17,744 AND I KNOW THAT YOU'LL NEVER FEEL SORRY 965 01:01:17,744 --> 01:01:23,083 FOR THE WAY I HURT, YEAH * * YOU TALKED TO HER 966 01:01:23,083 --> 01:01:28,788 WHEN WE WERE TOGETHER LOVED YOU AT YOUR WORST 967 01:01:28,788 --> 01:01:34,561 AND THAT DIDN'T MATTER * * IT TOOK YOU TWO WEEKS 968 01:01:34,561 --> 01:01:43,003 TO GO OFF AND DATE HER GUESS YOU DIDN'T CHEAT 969 01:01:43,003 --> 01:01:44,104 BUT YOU'RE STILL A TRAITOR * * AHH 970 01:01:44,104 --> 01:01:45,305 GOD, I WISH THAT YOU HAD THOUGHT THIS THROUGH * 971 01:01:45,305 --> 01:01:51,478 * BEFORE I WENT AND FELL IN LOVE WITH YOU 972 01:01:51,478 --> 01:01:54,114 AHH * * WHEN SHE'S SLEEPING 973 01:01:54,114 --> 01:01:55,215 IN THE BED WE'D MADE DON'T YOU DARE FORGET 974 01:01:55,215 --> 01:01:59,953 ABOUT THE WAY * * YOU BETRAYED ME 975 01:01:59,953 --> 01:02:06,292 'CAUSE I KNOW THAT YOU'LL NEVER FEEL SORRY 976 01:02:06,292 --> 01:02:11,064 FOR THE WAY I HURT, YEAH * * YOU TALKED TO HER 977 01:02:11,064 --> 01:02:15,301 WHEN WE WERE TOGETHER YOU GAVE ME YOUR WORD * 978 01:02:15,301 --> 01:02:20,073 * AND THAT DIDN'T MATTER IT TOOK YOU TWO WEEKS 979 01:02:20,073 --> 01:02:23,276 TO GO OFF AND DATE HER GUESS YOU DIDN'T CHEAT * 980 01:02:23,276 --> 01:02:33,219 * BUT YOU'RE STILL YOU'RE STILL A TRAITOR 981 01:02:33,219 --> 01:02:49,869 AHH * * YOU'RE STILL A TRAITOR 982 01:02:49,869 --> 01:02:50,637 AHH YEAH, YOU'RE STILL 983 01:02:50,637 --> 01:02:52,472 A TRAITOR * * GOD, I WISH THAT YOU HAD 984 01:02:52,472 --> 01:02:53,506 THOUGHT THIS THROUGH BEFORE I WENT AND 985 01:02:53,506 --> 01:03:12,392 FELL IN LOVE WITH YOU * THE COMEBACK KID. 986 01:03:12,392 --> 01:03:14,194 FROM JUPITER, FLORIDA. GREAT JOB, SERENITY. 987 01:03:14,194 --> 01:03:17,797 >> THANK YOU SO MUCH. >> Carson: ALL RIGHT, GUYS. 988 01:03:17,797 --> 01:03:20,600 DAN, SHAY, TALK TO US. >> SERENITY, THAT WAS SO SICK. 989 01:03:20,600 --> 01:03:22,836 WHAT A PERFORMANCE. THAT WAS SUCH A POWERFUL 990 01:03:22,836 --> 01:03:25,672 PERFORMANCE. I FEEL LIKE EVERY PERFORMANCE 991 01:03:25,672 --> 01:03:27,741 YOU'VE DONE ON THE SHOW HAS ALWAYS HAD SO MUCH CONVICTION IN 992 01:03:27,741 --> 01:03:30,343 THE DELIVERY. I CAN'T BELIEVE YOU'RE ONLY 17. 993 01:03:30,343 --> 01:03:32,112 THAT BLOWS MY MIND. HAPPY BIRTHDAY. 994 01:03:32,112 --> 01:03:35,281 WHEN WAS YOUR BIRTHDAY? >> IT WAS DECEMBER. 995 01:03:35,281 --> 01:03:36,249 DECEMBER 8th. >> HAPPY BIRTHDAY. 996 01:03:36,249 --> 01:03:38,685 >> THANK YOU. >> AMAZING PERFORMANCE. 997 01:03:38,685 --> 01:03:40,086 I LOVED IT. KILLER DELIVERY. 998 01:03:40,086 --> 01:03:44,391 >> RIGHT ON TIME, DAN. >> EXACTLY. 999 01:03:44,391 --> 01:03:46,960 >> HAPPY BELATED. CHANCE, WHAT DID YOU THINK? 1000 01:03:46,960 --> 01:03:49,763 >> I'M SO PROUD. JUST LIKE ALWAYS, MAN, YOU 1001 01:03:49,763 --> 01:03:55,769 REALLY MAKE THE STAGE YOUR OWN EVERY TIME YOU COME IN. 1002 01:03:55,769 --> 01:03:58,905 YOU GIVE A REAL LIKE DAN WAS SAYING A HEARTFELT EMOTIONAL, 1003 01:03:58,905 --> 01:04:02,142 INTENTIONAL PERFORMANCE. AND YEAH, YOU'RE ON LIVE TV. 1004 01:04:02,142 --> 01:04:05,378 SHE IS YOUR SHOW. YOU SHOULD BE VERY, VERY HAPPY. 1005 01:04:05,378 --> 01:04:06,946 VERY PROUD OF YOURSELF. >> THANK YOU SO MUCH. 1006 01:04:06,946 --> 01:04:10,417 >> Carson: IF YOU WANT SERENITY IN THE SEMIFINALS, YOU CAN VOTE 1007 01:04:10,417 --> 01:04:13,720 ON NBC.COM AND “THE VOICE” OFFICIAL 1008 01:04:13,720 --> 01:04:15,722 APP. GIVE IT UP AGAIN FOR SERENITY 1009 01:04:15,722 --> 01:04:27,400 ARCE. [ CHEERING ] 1010 01:04:27,400 --> 01:04:29,502 ALL RIGHT. BEFORE WE GET TO MORE MUSIC, 1011 01:04:29,502 --> 01:04:32,138 “VOICE” FANS, LISTEN UP. WE'VE GOT SOMETHING EXCITING 1012 01:04:32,138 --> 01:04:38,345 THIS SEASON. WE WANT TO SEND YOU AND THREE 1013 01:04:38,345 --> 01:04:43,717 OTHERS ON A VACATION OF A LIFETIME. 1014 01:04:43,717 --> 01:04:45,085 YOU WOULD GET YOUR CHOICE, EITHER UNIVERSAL STUDIOS 1015 01:04:45,085 --> 01:04:46,486 HOLLYWOOD. THAT'S HERE, IT'S FANTASTIC. 1016 01:04:46,486 --> 01:04:48,788 OR UNIVERSAL ORLANDO RESORT. THAT'S ALSO AWESOME. 1017 01:04:48,788 --> 01:04:51,958 [ CHEERING ] I WAS JUST THERE WITH MY FAMILY. 1018 01:04:51,958 --> 01:04:53,660 WE HAD A BLAST. CAN'T GO WRONG. 1019 01:04:53,660 --> 01:04:55,795 TWO GREAT SPOTS. FOR MORE INFORMATION AND TO 1020 01:04:55,795 --> 01:04:58,798 ENTER FOR A CHANCE TO WIN HEAD OVER TO “THE VOICE” OFFICIAL APP 1021 01:04:58,798 --> 01:05:02,335 OR NBC.COM/VOICE SWEEPS. AND GOOD LUCK. 1022 01:05:02,335 --> 01:05:05,205 ALL RIGHT. WE'RE GOING CONTINUE WITH OUR 1023 01:05:05,205 --> 01:05:08,174 TOP 12 PERFORMANCES NOW WITH TEAM CHANCE'S SOULFUL SINGER 1024 01:05:08,174 --> 01:05:11,311 FROM FLORIDA, AND A BIG LIFE UPDATE THAT'S INSPIRING HER 1025 01:05:11,311 --> 01:05:14,247 PASSIONATE PERFORMANCE TONIGHT. HERE'S MORE FROM NADÈGE. 1026 01:05:14,247 --> 01:05:17,050 >> HOW YOU? >> I'M GOOD. 1027 01:05:17,050 --> 01:05:22,522 LOOK AT YOU, GOING TO THE LIVES! >> LET'S GO, EXCITED. 1028 01:05:22,522 --> 01:05:25,792 >> "HE LOVES ME", ONE OF MY FAVORITE SONGS OF JILL SCOTT, 1029 01:05:25,792 --> 01:05:28,461 MUSICALLY AND PERSONALLY, I SUGGESTED THIS BECAUSE YOU HAVE 1030 01:05:28,461 --> 01:05:31,097 THIS INHERENT JAZZ TECHNIQUE THAT SHOWS LIKE YOUR TECHNICAL 1031 01:05:31,097 --> 01:05:33,700 SKILLS. AND I THOUGHT BECAUSE THE SONG 1032 01:05:33,700 --> 01:05:36,469 IS A LITTLE BIT MORE SIMPLE AND RHYTHMIC, YOU COULD DO WHATEVER 1033 01:05:36,469 --> 01:05:39,873 YOU WANT TO DO WITH IT AND FLOW WITH IT. 1034 01:05:39,873 --> 01:05:42,575 NADEGE, SHE'S JUST GOT A BUTTERY VOICE AND A LOT OF SOUL WITH 1035 01:05:42,575 --> 01:05:53,086 EVERY PERFORMANCE. SHE IS MY SULTRY SOUL SINGER. 1036 01:05:53,086 --> 01:05:54,454 >> I HAVE A FIANCE NOW. >> OH! 1037 01:05:54,454 --> 01:05:57,991 CONGRATULATIONS, DUDE. >> THAT'S WHY I LOVE THIS SONG. 1038 01:05:57,991 --> 01:06:00,627 BECAUSE NOW I GET TO SING ABOUT ALL THE LOVE. 1039 01:06:00,627 --> 01:06:06,266 >> ABOUT THE LOVE. >> YEAH. 1040 01:06:06,266 --> 01:06:08,168 * YOU, ME, YOU CAUGHT ME, YOU TEASE ME * 1041 01:06:08,168 --> 01:06:11,938 >> I DEFINITELY RELATE TO THIS SONG BECAUSE I JUST GOT ENGAGED 1042 01:06:11,938 --> 01:06:14,507 TO THE MOST INCREDIBLE MAN IN THE WORLD. 1043 01:06:14,507 --> 01:06:18,445 IT WAS A COMPLETE SURPRISE. I GOT TO THE SITE, AND IT 1044 01:06:18,445 --> 01:06:22,215 OVERLOOKED THE OCEAN. THE SUN WAS SETTING. 1045 01:06:22,215 --> 01:06:24,050 CANDLES WERE LIT. IT WAS PERFECT. 1046 01:06:24,050 --> 01:06:28,088 MITCHELL GOT DOWN ON ONE KNEE AND ASKED ME TO BE HIS WIFE. 1047 01:06:28,088 --> 01:06:31,658 I WAS JUST LIKE YES, I WOULD LOVE TO BE YOUR WIFE. 1048 01:06:31,658 --> 01:06:35,929 I'M SO EXCITED. >> I REALLY, REALLY LOVE THE 1049 01:06:35,929 --> 01:06:37,230 MELODIES FOR THE OOHS AND THE AHS. 1050 01:06:37,230 --> 01:06:49,275 AND I'M WONDERING IF THERE IS NOT A WAY TO START OFF THE SONG. 1051 01:06:49,275 --> 01:06:50,076 >> OOH! >> WITH THAT. 1052 01:06:50,076 --> 01:06:51,478 I THINK LIKE THE WAY YOU SHOULD BE THINKING ABOUT IT IS MAYA 1053 01:06:51,478 --> 01:06:52,178 ANGELOU. >> YEAH. 1054 01:06:52,178 --> 01:06:53,446 >> A GROWN WOMAN LOVE, BECAUSE THAT'S HOW JILL IS. 1055 01:06:53,446 --> 01:06:54,581 SHE HAS THIS PRESENCE THAT IS FULL OF LOVE. 1056 01:06:54,581 --> 01:06:57,150 SHE IS A LOVER. >> CHANCE IS THE PERFECT COACH 1057 01:06:57,150 --> 01:06:58,518 FOR ME BECAUSE HE TRULY PULLS OUT A NEW LEVEL OF ARTISTRY. 1058 01:06:58,518 --> 01:06:59,786 >> JUST THINK OF EACH LINE BEING INCREASINGLY POETIC. 1059 01:06:59,786 --> 01:07:02,722 >> OKAY. >> AND IF YOU CAN MAKE THE 1060 01:07:02,722 --> 01:07:15,502 AUDIENCE FEEL LIKE THAT, IT'S ALMOST LIKE THEY'RE YOUR WORDS. 1061 01:07:15,502 --> 01:07:18,371 OOH, SHE REALLY LOVES HIM, YOU KNOW WHAT I MEA 1062 01:07:18,371 --> 01:07:19,406 >> I LOVE THAT. TODAY WAS REALLY COOL. 1063 01:07:19,406 --> 01:07:20,807 TO SEE HIS CREATIVE MIND COME ALIVE, IT BROUGHT MORE OF AN 1064 01:07:20,807 --> 01:07:22,075 ENERGY OUT OF ME AND A PASSION WHILE I WAS SINGING. 1065 01:07:22,075 --> 01:07:23,510 >> I THINK DELIVERY OF THE SONGS IS ONE OF THE BIGGEST THINGS, 1066 01:07:23,510 --> 01:07:24,944 AND SHE IS REALLY PERFORMING THIS SONG FOR HER LOVER AND FOR 1067 01:07:24,944 --> 01:07:26,946 HER LOVE. * YOUR SMILE * 1068 01:07:26,946 --> 01:07:36,523 >> AND, YOU KNOW, WHEN IT'S REAL, IT WINS. 1069 01:07:36,523 --> 01:07:36,856 [ APPLAUSE ] 1070 01:07:48,134 --> 01:07:50,804 * AHHH 1071 01:07:50,804 --> 01:08:01,381 YOU LOVE ME ESPECIALLY DIFFERENT * 1072 01:08:01,381 --> 01:08:04,050 * EVERY TIME YOU KEEP ME ON MY FEET 1073 01:08:04,050 --> 01:08:11,925 HAPPILY EXCITED BY YOUR COLOGNE * 1074 01:08:11,925 --> 01:08:17,197 * YOUR HANDS YOUR SMILE 1075 01:08:17,197 --> 01:08:20,900 YOUR INTELLIGENCE YOU WOO ME * 1076 01:08:20,900 --> 01:08:26,706 * YOU COURT ME YOU TEASE ME 1077 01:08:26,706 --> 01:08:28,842 AND YOU PLEASE ME * * YOU SCHOOL ME 1078 01:08:28,842 --> 01:08:33,613 GIVE ME SOME THINGS TO THINK ABOUT * 1079 01:08:33,613 --> 01:08:36,750 * IGNITE ME YOU INVITE ME 1080 01:08:36,750 --> 01:08:46,159 YOU CO-WRITE ME YOU LOVE ME * 1081 01:08:46,159 --> 01:08:55,201 * YOU LIKE ME YOU INCITE ME TO 1082 01:08:55,201 --> 01:09:03,143 WOOO WOOO * 1083 01:09:03,143 --> 01:09:08,915 * WOOO WOAH 1084 01:09:08,915 --> 01:09:14,220 YOU LOVE ME * * ESPECIALLY DIFFERENT 1085 01:09:14,220 --> 01:09:21,061 EVERY TIME YOU KEEP ME 1086 01:09:21,061 --> 01:09:27,934 ON MY FEET HAPPILY * * EXCITED BY YOUR COLOGNE 1087 01:09:27,934 --> 01:09:33,206 AND YOUR HANDS YOUR SMILE 1088 01:09:33,206 --> 01:09:39,512 YOUR INTELLIGENCE * * YOU WOO ME 1089 01:09:39,512 --> 01:09:44,818 YOU COURT ME YOU TEASE ME 1090 01:09:44,818 --> 01:09:50,123 AND YOU PLEASE ME * * THE EMOTION INSIDE OF ME 1091 01:09:50,123 --> 01:09:57,530 I CAN FEEL IT AH, AH 1092 01:09:57,530 --> 01:10:04,371 * DA DA DA DE DA DA DUM DA DA DA MM DA DA 1093 01:10:04,371 --> 01:10:11,745 * DA DA DA DE DA DA DUM DA DA DA MM DA DA 1094 01:10:11,745 --> 01:10:29,529 WOOO * THAT'S NADEGE FROM TEAM CHANCE. 1095 01:10:29,529 --> 01:10:31,965 >> THANK YOU. >> Carson: THANK YOU FOR THAT 1096 01:10:31,965 --> 01:10:32,966 ACCOMPANIMENT, EVERYBODY BEHIND US. 1097 01:10:32,966 --> 01:10:36,736 NADEGE, NICE WORK. WOW, THAT WAS GREAT. 1098 01:10:36,736 --> 01:10:38,204 >> THANK YOU. CROWD LOVES THAT. 1099 01:10:38,204 --> 01:10:45,378 YOU COULD HAVE CHARGED US ADMISSION FOR THAT ONE. 1100 01:10:45,378 --> 01:10:50,316 LET'S GO TO JOHN. JOHN? 1101 01:10:50,316 --> 01:10:53,553 >> I JUST -- YES, MITCHELL! NADEGE'S FIANCE IS OUT HERE 1102 01:10:53,553 --> 01:10:56,523 GETTING A LOT OF ENERGY. AND WE LOVE TO SEE IT. 1103 01:10:56,523 --> 01:10:59,626 BUT I LOVE TO SAY WHAT A PERFECT SONG THIS IS FOR YOU. 1104 01:10:59,626 --> 01:11:02,395 I LOVE WATCHING CHANCE COACH YOU THROUGH THIS SONG, BECAUSE I CAN 1105 01:11:02,395 --> 01:11:06,066 TELL HOW MUCH HE LOVES IT, AND YOU LOVE IT. 1106 01:11:06,066 --> 01:11:07,233 THIS PERFORMANCE FELT LIKE THIS IS YOU, NADEGE. 1107 01:11:07,233 --> 01:11:09,102 THIS IS YOU. >> THANK YOU. 1108 01:11:09,102 --> 01:11:11,604 >> Carson: AND YOUR COACH, CHANCE? 1109 01:11:11,604 --> 01:11:14,274 >> YEAH, I AGREE WITH EVERYTHING JOHN SAID, MAN. 1110 01:11:14,274 --> 01:11:15,675 YOU'VE HAD SO MANY GREAT PERFORMANCES THROUGHOUT THE 1111 01:11:15,675 --> 01:11:19,212 SHOW. BUT THIS WAS THE ONE THAT I FEEL 1112 01:11:19,212 --> 01:11:21,981 LIKE WAS -- IT WAS RIGHT IN YOUR -- UP YOUR ALLEY. 1113 01:11:21,981 --> 01:11:25,385 AND I THINK AMERICA SHOULD VOTE FOR YOU, MAN. 1114 01:11:25,385 --> 01:11:26,486 I THINK YOU SHOULD GO ON THE FINAL NINE. 1115 01:11:26,486 --> 01:11:28,388 >> THANK YOU. THANK YOU SO MUCH. 1116 01:11:28,388 --> 01:11:29,622 >> Carson: IF YOU WANT NADEGE IN THE 1117 01:11:29,622 --> 01:11:32,625 SEMI-FINALS, YOU CAN VOTE ON NBC.COM AND “THE VOICE” OFFICIAL 1118 01:11:32,625 --> 01:11:33,693 APP. ONE MORE TIME, GIVE IT UP FOR 1119 01:11:33,693 --> 01:11:41,101 NADEGE. >> THANK YOU! 1120 01:11:41,101 --> 01:11:51,611 >> Carson: WHEN WE COME BACK, JOSH POURS HIS HEART OUT WITH A 1121 01:11:51,611 --> 01:11:56,416 * THIS IS THE VOICE * >> Carson: WELCOME BACK. 1122 01:11:56,416 --> 01:11:58,551 IT HAS BEEN A HUGE NIGHT OF BIG TOP 12 PERFORMANCES. 1123 01:11:58,551 --> 01:12:00,120 LET'S CONTINUE WITH TEAM REBA'S NORTH CAROLINA COUNTRY SINGER 1124 01:12:00,120 --> 01:12:01,488 WHOSE PERFORMANCE TONIGHT REFLECTS ALL THE UPS AND DOWNS 1125 01:12:01,488 --> 01:12:02,522 HE'S EXPERIENCED THROUGHOUT HIS LIFE. 1126 01:12:02,522 --> 01:12:12,532 HERE'S MORE FROM JOSH SANDERS. 3-YEAR-OLD IS FINALLY POTTY 1127 01:12:12,532 --> 01:12:16,069 TRAINED. >> YAY! 1128 01:12:16,069 --> 01:12:20,340 >> SHE WAS HOLDING OUT. * I'M A MESS OF A MAN, LESSONS 1129 01:12:20,340 --> 01:12:24,778 TO LEARN * >> JOSH IS MY HOMEGROWN COUNTRY 1130 01:12:24,778 --> 01:12:27,380 SUPERSTAR. HIS VOICE, IT REMINDS ME OF '90s 1131 01:12:27,380 --> 01:12:29,716 COUNTRY. AND THAT'S WHAT I SURE WOULD 1132 01:12:29,716 --> 01:12:31,384 LIKE TO HEAR BECOME ON THE RADIO. 1133 01:12:31,384 --> 01:12:33,219 >> I CAN'T WAIT TO DO THIS SONG FOR AMERICA. 1134 01:12:33,219 --> 01:12:44,397 TO SHOW THEM A DIFFERENT SIDE. >> IT'S TIME TO DO IT NOW. 1135 01:12:44,397 --> 01:12:45,532 >> I THINK OF MY WIFE. SHE IS PUT UP WITH ME. 1136 01:12:45,532 --> 01:12:47,000 * YOU SHOULD HAVE SLAMMED THE DOOR AND CHANGED THE LOX AND 1137 01:12:47,000 --> 01:12:48,668 SAID ADIOS * >> I MET MY WIFE KENDRA WHEN WE 1138 01:12:48,668 --> 01:12:53,873 WERE KIDS. NEVER WANTED ANYTHING TO DO WITH 1139 01:12:53,873 --> 01:12:56,876 EACH OTHER BACK THEN. * DON'T KNOW WHY YOU WHY * 1140 01:12:56,876 --> 01:13:00,947 >> Reporter: IT WASN'T UNTIL MY DAD PASSED AWAY IN 2013 THAT SHE 1141 01:13:00,947 --> 01:13:02,549 SIMPLY REACHED OUT TO CHECK ON ME. 1142 01:13:02,549 --> 01:13:04,284 IT WAS A TERRIBLE TIME IN MY LIFE. 1143 01:13:04,284 --> 01:13:06,219 SOMEHOW SHE LOVED ME THROUGH IT ANY WAY. 1144 01:13:06,219 --> 01:13:09,289 >> I DO ALWAYS HAVE YOUR BACK. I'M ALWAYS GOING TO BE YOUR 1145 01:13:09,289 --> 01:13:12,926 BIGGEST FAN. AND I DON'T GET TO BE THERE. 1146 01:13:12,926 --> 01:13:15,595 AND I'M SO EXCITED. I'LL BE THE LAST ONE IN THE 1147 01:13:15,595 --> 01:13:16,830 CROWD. >> I LOVE YOU. 1148 01:13:16,830 --> 01:13:20,533 >> I LOVE YOU MORE. >> I'M GOING TO DO EVERYTHING TO 1149 01:13:20,533 --> 01:13:22,469 MAKE SURE THAT SHE FEELS HONORED. 1150 01:13:22,469 --> 01:13:23,770 I CAN'T WAIT TO SING IT FOR HER. >> WOW, JOSH. 1151 01:13:23,770 --> 01:13:25,538 >> THANK YOU. >> OKAY. 1152 01:13:25,538 --> 01:13:28,208 THERE IS A LOT OF THIS. >> RIGHT. 1153 01:13:28,208 --> 01:13:30,977 >> THERE IS PLACES WHERE YOU CAN REALLY GIVE ARM GESTURES THAT 1154 01:13:30,977 --> 01:13:32,579 SLAM THE DOOR. >> RIGHT. 1155 01:13:32,579 --> 01:13:35,415 >> THAT'S ALL YOU NEED. WHEN I WAS DOING THE NATIONAL 1156 01:13:35,415 --> 01:13:40,987 ANTHEM AT THE SUPER BOWL, AND I POINTED AT THE FLAG, I GOT MORE 1157 01:13:40,987 --> 01:13:42,589 COMMENTS ON THAT BECAUSE I WAS EMPHASIZING WHERE THE EMPHASIS 1158 01:13:42,589 --> 01:13:45,625 NEEDED TO BE. >> SO SIMPLE, BUT SO GOOD. 1159 01:13:45,625 --> 01:13:47,627 >> SO PUT YOUR HANDS IN YOUR POCKET. 1160 01:13:47,627 --> 01:13:51,097 >> OKAY. NOW YOU'RE GOING TO DO MORE OUT 1161 01:13:51,097 --> 01:13:52,632 OF THE SHOW. BUT DON'T YOU DELIVER THE SONG 1162 01:13:52,632 --> 01:13:54,200 WITHOUT ANY MOVEMENT. >> OKAY. 1163 01:13:54,200 --> 01:13:55,702 >> BECAUSE IT'S UP TO AMERICA NOW. 1164 01:13:55,702 --> 01:14:00,173 WE NEED TO PULL THEIR HEART STRINGS AS MUCH AS POSSIBLE. 1165 01:14:00,173 --> 01:14:03,810 * DON'T KNOW WHY YOU WERE PATIENT, YOU WASTED GOOD SAVING 1166 01:14:03,810 --> 01:14:07,747 ON ME * >> REBA TEARED UP AND GOT 1167 01:14:07,747 --> 01:14:09,683 MISTY-EYED. >> I GOT CHILLS. 1168 01:14:09,683 --> 01:14:13,453 I FELT IT. IT HIT MY HEART REALLY HARD. 1169 01:14:13,453 --> 01:14:15,789 I'M JUST BAWLING LIKE A BABY HERE. 1170 01:14:15,789 --> 01:14:18,958 >> TO KNOW THAT I MOVED HER OFF OF TAKING ADVICE THAT SHE HAD 1171 01:14:18,958 --> 01:14:21,461 GIVEN ME, IT'S A MOMENT I'LL NEVER FORGET. 1172 01:14:21,461 --> 01:14:22,862 >> YOU HAVE GROWN LEAPS AND BOUNDS, AND YOU WERE GREAT WHEN 1173 01:14:22,862 --> 01:14:27,133 YOU FIRST GOT HERE. [ APPLAUSE ] 1174 01:14:31,071 --> 01:14:42,282 * 1175 01:14:42,282 --> 01:14:43,350 * I DON'T TALK TO GOD LIKE YOU ALWAYS 1176 01:14:43,350 --> 01:14:45,819 TELL ME I SHOULD * * I DON'T LIVE MY LIFE 1177 01:14:45,819 --> 01:14:56,396 EVERY DAY LIKE YOU PRAYED THAT I WOULD * 1178 01:14:56,396 --> 01:15:01,134 * I'M A MESS OF A MAN WITH LESSONS TO LEARN 1179 01:15:01,134 --> 01:15:04,804 YOU'RE THE LAST THING ON EARTH I DESERVE * 1180 01:15:04,804 --> 01:15:06,906 * YOU SHOULD HAVE SLAMMED THE DOOR 1181 01:15:06,906 --> 01:15:13,747 CHANGED THE LOCK * * AND SAID ADIOS 1182 01:15:13,747 --> 01:15:15,915 TO MY SELFISH HEART TORN IT APART 1183 01:15:15,915 --> 01:15:18,118 AND LEFT ME ALONE * * DON'T KNOW WHY 1184 01:15:18,118 --> 01:15:23,923 YOU WERE PATIENT * * AND WASTED GOOD 1185 01:15:23,923 --> 01:15:31,364 SAVIN' ON ME MAYBE ANGELS DON'T 1186 01:15:31,364 --> 01:15:35,068 ALWAYS HAVE WINGS * * 1187 01:15:35,068 --> 01:15:44,077 * I AIN'T THAT TYPE OF GUY THAT MIRACLES 1188 01:15:44,077 --> 01:15:49,816 WAKE UP NEXT TO * * IF I MAKE IT TO HEAVEN 1189 01:15:49,816 --> 01:15:53,987 IT'LL BE BY A HAIR JUST ONE LOOK AT YOU 1190 01:15:53,987 --> 01:15:56,089 AND I'M THERE * * YOU SHOULD HAVE 1191 01:15:56,089 --> 01:15:59,793 SLAMMED THE DOOR CHANGED THE LOCK * 1192 01:15:59,793 --> 01:16:03,496 * AND SAID ADIOS DON'T KNOW WHY 1193 01:16:03,496 --> 01:16:08,768 YOU WERE PATIENT * * AND WASTED GOOD 1194 01:16:08,768 --> 01:16:13,039 SAVIN' ON ME MAYBE ANGELS DON'T 1195 01:16:13,039 --> 01:16:18,778 ALWAYS HAVE * * WINGS AND HALOS 1196 01:16:18,778 --> 01:16:24,584 BUT HEY, WHAT DO I KNOW 'CAUSE I DANG NEAR DRUG 1197 01:16:24,584 --> 01:16:27,253 ONE THROUGH HELL * * YOU SHOULDA 1198 01:16:27,253 --> 01:16:30,957 SLAMMED THE DOOR AND CHANGED THE LOCK * 1199 01:16:30,957 --> 01:16:36,062 * AND SAID ADIOS TO MY SELFISH HEART 1200 01:16:36,062 --> 01:16:39,933 TORE IT APART AND LEFT ME ALONE * 1201 01:16:39,933 --> 01:16:42,535 * DON'T KNOW WHY YOU WERE PATIENT 1202 01:16:42,535 --> 01:16:51,611 AND WASTED GOOD SAVIN' ON ME * 1203 01:16:51,611 --> 01:16:58,985 * WELL, NOW I BELIEVE MAYBE ANGELS DON'T 1204 01:16:58,985 --> 01:17:07,494 ALWAYS HAVE WINGS * * 1205 01:17:07,494 --> 01:17:12,165 [ CHEERING AND APPLAUSE ] >> Carson: THAT IS JOSH SANDERS, 1206 01:17:12,165 --> 01:17:14,901 LADIES AND GENTLEMEN. >> OH, MAN. 1207 01:17:14,901 --> 01:17:16,369 >> Carson: SINGING TO HIS WIFE KENDRA, AND THE KIDS ARE HERE. 1208 01:17:16,369 --> 01:17:22,242 GOOD TO SEE YOU GUYS. [ CHEERING ] 1209 01:17:22,242 --> 01:17:23,243 HAS YOUR OWN CHEERING SECTION THERE. 1210 01:17:23,243 --> 01:17:28,481 LIFE AT WORK. LET'S GET TO COMMENTS FROM DAN 1211 01:17:28,481 --> 01:17:31,051 AND SHAY. >> I'M GOING TO CRY. 1212 01:17:31,051 --> 01:17:33,887 QUIT IT! THAT WAS UNBELIEVABLE, MAN. 1213 01:17:33,887 --> 01:17:37,057 I'M SUPER HAPPY FOR YOU THAT YOU GOT TO HAVE THAT MOMENT. 1214 01:17:37,057 --> 01:17:39,359 YOU SHOULD BE REALLY PROUD OF HOW YOU HAVE DONE IN THIS 1215 01:17:39,359 --> 01:17:41,695 COMPETITION. SINCE THE VERY BEGINNING YOU 1216 01:17:41,695 --> 01:17:44,798 HAVE BEEN ONLY YOU. AND THAT WAS ENOUGH, MAN. 1217 01:17:44,798 --> 01:17:47,200 I KNOW AMERICA IS AS TOUCHED AS I AM RIGHT NOW. 1218 01:17:47,200 --> 01:17:52,806 THAT WAS AMAZING. >> WELL DONE, REBA. 1219 01:17:52,806 --> 01:17:57,243 >> Carson: COACH REBA? >> BEHIND EVERY GREAT MAN, THERE 1220 01:17:57,243 --> 01:17:59,145 IS A GOOD WOMAN TOO. OH, MY GOSH, THAT TOUCHED MY 1221 01:17:59,145 --> 01:18:02,015 HEART SO MUCH. I LOVE Y'ALL'S RELATIONSHIP 1222 01:18:02,015 --> 01:18:05,919 TOGETHER. IF YOU DON'T HAVE THAT, I FEEL 1223 01:18:05,919 --> 01:18:08,254 FOR YOU. THANKS SO MUCH FOR DOING SUCH A 1224 01:18:08,254 --> 01:18:10,924 GREAT JOB, JOSH. YOU -- IT CAME FROM YOUR HEART. 1225 01:18:10,924 --> 01:18:14,361 [ CHEERING ] YOU'RE A GREAT SINGER, BUT BOY, 1226 01:18:14,361 --> 01:18:15,895 YOU CAN SELL A SONG WITH YOUR HEART. 1227 01:18:15,895 --> 01:18:18,164 AND THAT'S WHAT'S SO SPECIAL. WAY TO GO. 1228 01:18:18,164 --> 01:18:21,668 >> Carson: IF YOU WANT JOSH IN THE SEMIFINALS, YOU CAN VOTE ON 1229 01:18:21,668 --> 01:18:25,572 NBC.COM AND “THE VOICE” OFFICIAL APP. 1230 01:18:25,572 --> 01:18:28,308 GIVE IT UP FOR JOSH SANDERS. ALL RIGHT. 1231 01:18:28,308 --> 01:18:30,443 WE'RE GETTING DOWN TO IT. WHEN WE COME BACK, NATHAN CLOSES 1232 01:18:30,443 --> 01:18:40,387 OUT THE NIGHT WITH HIS OWN SPIN >>> THANKS AGAIN TO THE WELLS 1233 01:18:40,387 --> 01:18:44,758 FARGO ACTIVE CASH CREDIT CARD. NOW BACK TO MORE OF "THE VOICE." 1234 01:18:44,758 --> 01:18:50,697 * THIS IS THE VOICE * >> Carson: WELCOME BACK. 1235 01:18:50,697 --> 01:18:53,600 ONE MORE PERFORMANCE TO GO. BUT FIRST, AN INCREDIBLE JOB 1236 01:18:53,600 --> 01:18:54,801 BY PAUL MIRKOVICH AND “THE VOICE” BAND. 1237 01:18:54,801 --> 01:18:57,137 GIVE IT UP FOR THEM. 25 SEASONS, AND THEY'VE NEVER 1238 01:18:57,137 --> 01:19:00,707 MISSED A BEAT. THANK YOU, GUYS. 1239 01:19:00,707 --> 01:19:03,343 [ APPLAUSE ] AND ALSO TO OUR CREW WHO DURING 1240 01:19:03,343 --> 01:19:05,578 THE COMMERCIALS DO AN INCREDIBLE JOB. 1241 01:19:05,578 --> 01:19:08,248 THANK YOU, GUYS. LET'S CLOSE OUT THE NIGHT 1242 01:19:08,248 --> 01:19:09,683 WITH TEAM LEGEND'S RETRO SOUL SINGER FROM CHICAGO WITH A SONG 1243 01:19:09,683 --> 01:19:10,650 THAT TAKES HIM BACK TO HIS ROOTS. 1244 01:19:10,650 --> 01:19:21,194 HERE'S MORE FROM NATHAN CHESTER. >> WHAT HAVE YOU BEEN DOING 1245 01:19:21,194 --> 01:19:25,031 SINCE YOU'VE BEEN AWAY FROM "THE VOICE"? 1246 01:19:25,031 --> 01:19:36,643 >> I'VE BEEN TRYING A LOT OF CHEESECAKE. 1247 01:19:36,643 --> 01:19:37,644 >> I THINK I OWE YOU A CHEESECAKE. 1248 01:19:37,644 --> 01:19:39,045 >> MY WIFE MAKES CHEESECAKE AND YOU CAN COME TO THE HOUSE. 1249 01:19:39,045 --> 01:19:40,280 >> YOU DID MENTION YOUR WIFE MAKES A CHEESECAKE. 1250 01:19:40,280 --> 01:19:41,581 >> I LOVE CHEESECAKE. >> IF THERE WERE A CHEESECAKE IN 1251 01:19:41,581 --> 01:19:42,916 MY FUTURE, I WOULD NOT TURN DOWN THE CLASSIC OR THE OREO. 1252 01:19:42,916 --> 01:19:44,284 I'LL THROW THAT OUT IN THE UNIVERSE AND SEE WHAT HAPPEN. 1253 01:19:44,284 --> 01:19:45,652 >> YOU DID SOME FANTASTIC MOVES THE LAST TIME I SAW YOU. 1254 01:19:45,652 --> 01:19:47,220 >> YEAH. >> NATHAN ALWAYS BRINGS IT ON 1255 01:19:47,220 --> 01:19:50,790 STAGE. LAST TIME HE GAVE US THE TWIST. 1256 01:19:50,790 --> 01:19:54,227 WHO KNOWS WHAT HE IS GOING TO DO THIS TIME. 1257 01:19:54,227 --> 01:19:58,398 NATHAN IS A THROWBACK PERFORMER. >> THE TOP 12, I'M SINGING 1258 01:19:58,398 --> 01:19:59,432 JACKIE WILSON'S "HIGHER AND HIGHER". 1259 01:19:59,432 --> 01:20:04,137 >> YES! THIS IS SO IN YOUR WHEEL HOUSE. 1260 01:20:04,137 --> 01:20:07,974 YOU'VE BEEN SO CLEAR FOR YOUR VISION ABOUT YOURSELF AS AN 1261 01:20:07,974 --> 01:20:08,942 ARTIST. 1262 01:20:08,942 --> 01:20:12,479 >>. * YOUR LOVE IS LISTING ME HIGHER 1263 01:20:12,479 --> 01:20:16,883 THAN I'VE EVER BEEN LISTED * >> NATHAN KNOWS WHAT HE WANTS TO 1264 01:20:16,883 --> 01:20:19,019 DO. THE FOUNDATION FOR ROCK 'N ROLL 1265 01:20:19,019 --> 01:20:23,590 AND RHYTHM AND BLUES. HE REALLY LOVES THAT MUSIC, BUT 1266 01:20:23,590 --> 01:20:26,526 HE GIVES IT HIS OWN FLAIR. >> FOREVER MORE. 1267 01:20:26,526 --> 01:20:30,196 >> DOES THIS SONG HAVE ANY MEANING IN PARTICULAR FOR YOU? 1268 01:20:30,196 --> 01:20:35,001 >> I'VE BEEN LISTENING TO THIS SONG SINCE I WAS A WEE LAD. 1269 01:20:35,001 --> 01:20:36,536 MY MOM BROUGHT ME AROUND THIS MUSIC. 1270 01:20:36,536 --> 01:20:38,838 YOUR SUPPORT AS LIFTED ME HIGHER IN MY LIFE. 1271 01:20:38,838 --> 01:20:42,108 I KNEW I WOULDN'T BE ABLE TO BE AT IF IT WEREN'T FOR YOU. 1272 01:20:42,108 --> 01:20:45,412 I'M GRATEFUL FOR YOU. >> YOU ARE GOING TO KILL IT. 1273 01:20:45,412 --> 01:20:47,914 >> THANKS, MA. >> HER SUPPORTING ME AND 1274 01:20:47,914 --> 01:20:52,719 DEFINITELY GIVEN ME WINGS. >> HIGHER AND HIGHER. 1275 01:20:52,719 --> 01:20:54,187 * HIGHER * >> YOU SOUND GREAT. 1276 01:20:54,187 --> 01:20:58,491 >> THANKS. >> EVERYTHING IS GOOD. 1277 01:20:58,491 --> 01:21:03,530 I THINK THE KEY, FIND MOMENTS TO GIVE IT SOME DYNAMIC AND 1278 01:21:03,530 --> 01:21:07,133 VARIATION, SWAG IT OUT A LITTLE. LIKE SEDUCTION A LILT BIT. 1279 01:21:07,133 --> 01:21:14,474 >> FOR THE ENDING, I WAS THINKING THAT SAME TEMPO, WE 1280 01:21:14,474 --> 01:21:15,742 COULD TAKE THE COURT TO -- * HIGHER, HIGHER * 1281 01:21:15,742 --> 01:21:17,844 >> THAT'S COOL. >> I'M ALL IN. 1282 01:21:17,844 --> 01:21:21,114 THE STAKES ARE VERY HIGH. I WANT TO MAKE THE TOP NINE SO 1283 01:21:21,114 --> 01:21:22,716 BADLY BECAUSE THIS IS THE VOCAL OLYMPICS, AND WE'RE GOING FOR 1284 01:21:22,716 --> 01:21:25,151 THE GOLD MEDAL. * 1285 01:21:25,151 --> 01:21:31,491 >> YEAH! YEAH, YEAH YEAH. 1286 01:21:31,491 --> 01:21:32,792 >> GIVE IT SOME DRAMA. NATHAN IS EVERYTHING YOU WANT IN 1287 01:21:32,792 --> 01:21:34,227 A SOUL SINGER, AND I'M EXCITED TO SEE WHAT HE DOES WITH THIS 1288 01:21:34,227 --> 01:21:38,932 SONG, AND I'M EXCITED TO SEE WHAT AMERICA THINKS ABOUT IT. 1289 01:21:38,932 --> 01:21:39,265 [ CHEERING ] 1290 01:21:47,407 --> 01:21:50,110 * YOUR LOVE 1291 01:21:50,110 --> 01:21:55,849 IS LIFTING ME HIGHER THAN I'VE EVER BEEN 1292 01:21:55,849 --> 01:22:00,086 LIFTED BEFORE * * SO KEEP IT UP 1293 01:22:00,086 --> 01:22:06,393 QUENCH MY DESIRE AND I'LL BE AT YOUR SIDE 1294 01:22:06,393 --> 01:22:10,630 FOREVER MORE * * YOU KNOW YOUR LOVE 1295 01:22:10,630 --> 01:22:13,833 YOUR LOVE KEEPS LIFTING ME UP 1296 01:22:13,833 --> 01:22:16,069 KEEP ON LIFTING * * LOVE KEEPS LIFTING ME 1297 01:22:16,069 --> 01:22:18,071 HIGHER LIFTING ME 1298 01:22:18,071 --> 01:22:19,639 HIGHER AND HIGHER * * HIGHER 1299 01:22:19,639 --> 01:22:22,809 I SAID YOUR LOVE YOUR LOVE KEEPS LIFTING ME 1300 01:22:22,809 --> 01:22:25,979 KEEP ON * * LOVE KEEPS LIFTING ME 1301 01:22:25,979 --> 01:22:30,717 LIFTING ME HIGHER AND HIGHER * 1302 01:22:30,717 --> 01:22:36,089 NOW ONCE I WAS DOWNHEARTED DISAPPOINTMENT WAS 1303 01:22:36,089 --> 01:22:41,294 MY CLOSEST FRIEND * * BUT THEN YOU CAME 1304 01:22:41,294 --> 01:22:42,962 AND IT SOON DEPARTED * * AND YOU KNOW HE NEVER 1305 01:22:42,962 --> 01:22:47,667 NEVER SHOWED HIS FACE AGAIN * 1306 01:22:47,667 --> 01:22:52,906 * THAT'S WHY YOUR LOVE YOUR LOVE 1307 01:22:52,906 --> 01:22:55,542 KEEP ON LIFTING * * LOVE KEEPS LIFTING ME 1308 01:22:55,542 --> 01:22:59,245 HIGHER HIGHER AND HIGHER * 1309 01:22:59,245 --> 01:23:01,348 I SAID YOUR LOVE YOUR LOVE 1310 01:23:01,348 --> 01:23:03,450 KEEPS LIFTING ME UP * * KEEPS ON LIFTING 1311 01:23:03,450 --> 01:23:07,120 LOVE KEEPS LIFTING ME HIGHER 1312 01:23:07,120 --> 01:23:11,191 LIFTING ME * COME ON! 1313 01:23:11,191 --> 01:23:21,401 HEY! * LET'S BREAK IT DOWN ONE MORE 1314 01:23:21,401 --> 01:23:22,469 TIME. * I'M SO GLAD I FINALLY FOUND 1315 01:23:22,469 --> 01:23:32,512 YOU * * YES THAT ONE 1316 01:23:32,512 --> 01:23:33,646 IN A MILLION GIRLS AND I WHIP MY LOVING ARMS 1317 01:23:33,646 --> 01:23:36,649 AROUND YOU HONEY * * I CAN STAND UP 1318 01:23:36,649 --> 01:23:38,752 AND FACE THE WORLD * * LET ME TELL YA YOUR LOVE 1319 01:23:38,752 --> 01:23:40,420 YOUR LOVE KEEPS LIFTING ME UP * 1320 01:23:40,420 --> 01:23:41,521 * KEEP ON LIFTING LOVE KEEPS LIFTING ME 1321 01:23:41,521 --> 01:23:42,989 HIGHER LIFTING ME * 1322 01:23:42,989 --> 01:23:46,659 * HIGHER AND HIGHER HIGHER * 1323 01:23:46,659 --> 01:23:50,897 * I SAID YOUR LOVE YOUR LOVE 1324 01:23:50,897 --> 01:23:54,567 KEEPS LIFTING ME UP * * KEEP ON LIFTING 1325 01:23:54,567 --> 01:23:57,771 LOVE KEEPS LIFTING ME HIGHER 1326 01:23:57,771 --> 01:24:05,145 LIFTING ME * * OH YEAH 1327 01:24:05,145 --> 01:24:08,314 HIGHER AND HIGHER * HIGHER 1328 01:24:08,314 --> 01:24:09,382 KEEPS ON LIFTING ME THERE AHHH 1329 01:24:09,382 --> 01:24:12,085 KEEPS ON LIFTING ME * * HIGHER 1330 01:24:12,085 --> 01:24:16,256 HIGHER HIGHER 1331 01:24:16,256 --> 01:24:29,069 AHHH * * 1332 01:24:29,069 --> 01:24:30,737 IT OUT! NATHAN CHESTER, LADIES AND 1333 01:24:30,737 --> 01:24:34,474 GENTLEMEN. PUTS AN EXCLAMATION POINT ON AN 1334 01:24:34,474 --> 01:24:37,577 INCREDIBLE NIGHT AS OUR TOP 12 HAS LEFT IT ALL OUT ON THE 1335 01:24:37,577 --> 01:24:44,184 STAGE. >> YES! 1336 01:24:44,184 --> 01:24:46,753 >> Carson: WELL, THE ROOM WAS JUST INFATUATED WITH THAT. 1337 01:24:46,753 --> 01:24:50,824 THEY'RE GOING ABSOLUTELY NUTS. LET'S TRY TO GET SOME WORDS FROM 1338 01:24:50,824 --> 01:24:52,258 NATHAN'S COACH, JOHN, IF WE CAN HEAR. 1339 01:24:52,258 --> 01:24:53,526 IT'S GOING TO BE DIFFICULT. JOHN? 1340 01:24:53,526 --> 01:24:56,096 >> I CAN'T TALK. THE CROWD IS TOO LOUD. 1341 01:24:56,096 --> 01:24:59,099 THE CROWD IS TOO LOUD. I CAN'T TALK. 1342 01:24:59,099 --> 01:25:03,036 THEY LOVE HIM TOO MUCH [ CHEERING ] 1343 01:25:03,036 --> 01:25:06,339 THEY LOVE HIM TOO MUCH! >> Carson: GOOD AHEAD, JOHN. 1344 01:25:06,339 --> 01:25:08,575 >> I JUST LOVE THE CLARITY OF YOUR VISION. 1345 01:25:08,575 --> 01:25:11,711 YOU KNEW WHO YOU WANTED TO BE WHEN YOU CAME TO THIS SHOW. 1346 01:25:11,711 --> 01:25:13,847 YOU KNEW BEFORE YOU CAME TO THIS SHOW, AND I LOVE YOUR 1347 01:25:13,847 --> 01:25:16,483 COMMITMENT. EVERY TIME YOU COME OUT HERE, 1348 01:25:16,483 --> 01:25:20,120 YOU GIVE EVERYTHING. YOU SING AMAZINGLY. 1349 01:25:20,120 --> 01:25:22,288 YOU PERFORM AMAZINGLY. [ CHEERING ] 1350 01:25:22,288 --> 01:25:25,291 I LOVE WORKING WITH YOU, NATHAN. IT'S SUCH A PLEASURE. 1351 01:25:25,291 --> 01:25:39,506 >> Carson: IF YOU WANT NATHAN IN THE SEMIFINALS, YOU CAN VOTE ON 1352 01:25:39,506 --> 01:25:40,674 NBC.COM AND “THE VOICE” OFFICIAL APP. 1353 01:25:40,674 --> 01:25:41,841 GIFT UP FOR NATHAN CHESTER. THERE YOU HAVE IT. 1354 01:25:41,841 --> 01:25:42,909 VOTING IS OPEN NOW. GET THOSE VOTES IN. 1355 01:25:42,909 --> 01:25:44,077 TOMORROW NIGHT, A BIG NIGHT, ALL YOUR RESULTS. 1356 01:25:44,077 --> 01:25:45,378 INSTANT SAVE IS BACK. PLUS BIG PERFORMANCES BY COACHES 1357 01:25:45,378 --> 01:25:48,314 JOHN LEGEND AND REBA McENTIRE. THANK YOU, EVERYBODY. 1358 01:25:48,314 --> 01:25:49,616 I'M CARSON DALY IN LOS ANGELES.