1 00:00:13,747 --> 00:00:15,148 * 2 00:00:15,148 --> 00:00:20,920 >>> CHATTANOOGA, TENNESSEE, TURN IT UP, COME ON! 3 00:00:20,920 --> 00:00:29,462 * ALL I WANT TO DO IS MAKE MY OWN TOWN PROUD * 4 00:00:29,462 --> 00:00:30,463 >> IT'S THE SEMIFINALS! >> LET'S GO! 5 00:00:30,463 --> 00:00:32,499 >> TONIGHT IS ALL ABOUT HOMETOWN PRIDE. 6 00:00:32,499 --> 00:00:36,369 >> IT'S ALL FOR YOU, KANNAPOLIS, NORTH CAROLINA. 7 00:00:36,369 --> 00:00:39,239 >> GOING TO BRING IT! >> LET'S GO, WINDY CITY! 8 00:00:39,239 --> 00:00:43,977 >> NASHVILLE! >> DOING THIS FOR YOU. 9 00:00:43,977 --> 00:00:46,046 * ALL I WANT TO DO * >> I'M GOING LEAVE IT ALL ON THE 10 00:00:46,046 --> 00:00:47,514 STAGE. >> THIS IS THE BIGGEST 11 00:00:47,514 --> 00:00:52,886 PERFORMANCE OF MY LIFE. >> SUPER EXCITED TO GET BACK TO 12 00:00:52,886 --> 00:01:06,566 "THE VOICE." * THIS IS THE VOICE * 13 00:01:06,566 --> 00:01:10,770 [ CHEERING ] >> Carson: THAT'S RIGHT, IT IS 14 00:01:10,770 --> 00:01:12,539 HOMETOWN WEEK, AND THE TOP NINE LIVE SEMIFINALS. 15 00:01:12,539 --> 00:01:16,976 SAY HI TO YOUR COACHES JOHN LEGEND! 16 00:01:16,976 --> 00:01:23,249 [ CHEERING AND APPLAUSE ] THEY'RE BOTH HERE, DAN + SHAY! 17 00:01:23,249 --> 00:01:27,587 [ CHEERING AND APPLAUSE ] CHANCE THE RAPPER! 18 00:01:27,587 --> 00:01:32,892 AND REBA! [ CHEERING AND APPLAUSE ] 19 00:01:32,892 --> 00:01:35,528 HI, EVERYBODY, I'M CARSON DALY. WE ARE ONE WEEK AWAY FROM THE 20 00:01:35,528 --> 00:01:37,931 FINALE. WE'VE GOT A JAM-PACKED SHOW 21 00:01:37,931 --> 00:01:39,499 TONIGHT. EACH SEMIFINALIST WILL PERFORM 22 00:01:39,499 --> 00:01:41,935 TWICE. THEY'RE GOING TO DO A NEW SONG 23 00:01:41,935 --> 00:01:45,405 BY THEMSELVES AS DEDICATIONS TO THE PEOPLE AND THE PLACES THAT 24 00:01:45,405 --> 00:01:47,807 HAVE SHAPED THEM AS ARTISTS. THAT SONG WILL BE ELIGIBLE FOR 25 00:01:47,807 --> 00:01:51,678 ALL OF YOUR VOTES. THEY'RE ALSO GOING TO BE COMING 26 00:01:51,678 --> 00:01:54,314 TOGETHER FOR A SPECIAL TRIO PERFORMANCES, 27 00:01:54,314 --> 00:01:55,682 ALL IN CELEBRATION OF "IF," THE NEW MOVIE FROM PARAMOUNT 28 00:01:55,682 --> 00:02:01,521 PICTURES, IN THEATERS THIS FRIDAY. 29 00:02:01,521 --> 00:02:03,223 WE'VE GOT SPECIAL APPEARANCES BY STARS FROM THE FILM JOHN 30 00:02:03,223 --> 00:02:06,326 KRASINSKI AND CAILEY FLEMMING. 31 00:02:06,326 --> 00:02:07,961 MORE ON THAT IN A BIT. WE'RE EXCITED FOR IT. 32 00:02:07,961 --> 00:02:10,063 VOTING IS OPEN NOW FOR ALL ARTISTS ON ALL METHODS ON "THE 33 00:02:10,063 --> 00:02:16,903 VOICE" OFFICIAL APP AND NBC.COM. THAT'S ALSO WHERE YOU'LL FIND 34 00:02:16,903 --> 00:02:19,372 ANY QUESTIONS ABOUT VOTING. LET'S GOAT RIGHT TO IT. 35 00:02:19,372 --> 00:02:33,186 OUR HOMETOWN DEDICATION WEEK KICKS OFF WITH A FUN 36 00:02:33,186 --> 00:02:34,487 PERFORMANCE FROM TEAM REBA'S 234K NORTH CAROLINA MAN. 37 00:02:34,487 --> 00:02:35,955 FAMILY MAN WHO'S TAKING ON A BIG UPBEAT SONG THAT HAS EVERYTHING 38 00:02:35,955 --> 00:02:37,357 HE LOVES ABOUT COUNTRY MUSIC. HERE'S MORE FROM JOSH SANDERS. 39 00:02:37,357 --> 00:02:38,324 >> THAT TOUCHED MY HEART SO MUCH. 40 00:02:38,324 --> 00:02:39,759 BOY, YOU CAN SELL A SONG WITH YOUR HEART, AND THAT'S WHAT'S SO 41 00:02:39,759 --> 00:02:41,094 SPECIAL. WAY TO GO. 42 00:02:41,094 --> 00:02:44,330 >> THANK YOU SO MUCH. >> HAVING MY FAMILY HERE, MY 43 00:02:44,330 --> 00:02:48,101 DAUGHTERS AND MY -- HEY! >> DADDY! 44 00:02:48,101 --> 00:02:53,106 >> I LOVE YOU! I'M SO PROUD OF YOU, SO PROUD OF 45 00:02:53,106 --> 00:02:55,008 YOU. >> YOUR WHOLE FAMILY, IT WAS SO 46 00:02:55,008 --> 00:02:57,544 SPECIAL TO ME. I LOVED THAT. 47 00:02:57,544 --> 00:03:00,413 >> IT WAS A VERY SPECIAL MOMENT. >> IT WAS WONDERFUL. 48 00:03:00,413 --> 00:03:02,115 SO YOU'RE DOING A CHRIS STAPLETON SONG TODAY? 49 00:03:02,115 --> 00:03:05,318 >> YES, MA'AM. >> YOU REPRESENT YOUR TOWN WELL. 50 00:03:05,318 --> 00:03:11,658 AND THAT IS A GREAT SONG. THIS COULD REALLY KICK YOU RIGHT 51 00:03:11,658 --> 00:03:15,061 INTO THE FINALS. * THIS LIFE IS FEELING KIND OF 52 00:03:15,061 --> 00:03:16,796 DANGEROUS * >> THIS IS THE PERFECT KIND OF 53 00:03:16,796 --> 00:03:20,266 SONG FOR THIS MOMENT. IF YOU CAN PUT ALL OF WHAT I 54 00:03:20,266 --> 00:03:23,536 LIKE ABOUT COUNTRY IN A CROCKPOT AND LET IT SIMMER FOR A WHILE, 55 00:03:23,536 --> 00:03:25,805 THIS IS THE SONG. FRIENDS, YOU BETTER BUCKLE UP 56 00:03:25,805 --> 00:03:27,774 AND ENJOY THE RIDE. IT'S GOING TO BE FAST. 57 00:03:27,774 --> 00:03:31,211 IT'S GOING TO BE FUN. I'M HOPING THAT'S ENOUGH TO GET 58 00:03:31,211 --> 00:03:32,912 ME TO THE FINALE. >> VERY GOOD. 59 00:03:32,912 --> 00:03:36,883 WE LIKE THAT SONG. >> YES, MA'AM. 60 00:03:36,883 --> 00:03:39,753 CAN YOU HIT THAT ELECTRIC GUITAR LINE AGAIN? 61 00:03:39,753 --> 00:03:42,789 I JUST FEEL LIKE I'M ABOUT TO JUMP IN A STOCK CAR AND TAKE 62 00:03:42,789 --> 00:03:46,860 OFF! I HAD TO SAY, MY HOMETOWN, IT'S 63 00:03:46,860 --> 00:03:49,262 RACING COUNTRY. WHERE I'M FROM, KANNAPOLIS, 64 00:03:49,262 --> 00:03:51,598 NORTH CAROLINA, YOU CAN STILL ROLL IN LITTLE MOM AND POP 65 00:03:51,598 --> 00:03:54,100 COUNTRY DINER. YOU DON'T EVEN HAVE TO GIVE THEM 66 00:03:54,100 --> 00:03:57,003 YOUR DRINK ORDER. >> A SHOT OF ESPRESSO. 67 00:03:57,003 --> 00:04:00,473 >> AND A LITTLE BIT OF HONEY. >> IT'S THAT KIND OF VIBE. 68 00:04:00,473 --> 00:04:02,609 >> WE GOT A CELEBRITY IN THE HOUSE! 69 00:04:02,609 --> 00:04:04,944 >> ONE OF THE BIGGEST ATTRACTIONS, THE LOCAL BASEBALL 70 00:04:04,944 --> 00:04:08,782 TEAM, THEY HAVE 24 BRAND-NEW HUGE FACILITY THERE. 71 00:04:08,782 --> 00:04:12,919 ACTUALLY HAD THE HONOR TO SING THE NATIONAL ANTHEM. 72 00:04:12,919 --> 00:04:17,223 * SO PROUDLY WE * >> IT'S BEEN A GREAT EXPERIENCE 73 00:04:17,223 --> 00:04:21,428 TO SEE THE PRIDE IN MY HOMETOWN. KANNAPOLIS, Y'ALL HAVE REALLY 74 00:04:21,428 --> 00:04:33,173 OUTDONE YOURSELF. * SOME DAY, MAYBE YOU CAN HAVE 75 00:04:33,173 --> 00:04:34,341 YOUR WAY * >> I THINK JOSH WILL BE GREAT ON 76 00:04:34,341 --> 00:04:35,642 COUNTRY RADIO BECAUSE HE DOESN'T SOUND LIKE EVERYBODY. 77 00:04:35,642 --> 00:04:37,277 HE'S GOT A SOFTNESS, A SWEETNESS, AND THEN HE'S GOT 78 00:04:37,277 --> 00:04:38,745 THAT GROWL LIKE CHRIS STAPLETON HAS. 79 00:04:38,745 --> 00:04:40,580 I THINK COUNTRY MUSIC WOULD BE THRILLED AND GRATE TO FEEL HAVE 80 00:04:40,580 --> 00:04:42,315 HIM. I DON'T KNOW THAT IT'S A SMILING 81 00:04:42,315 --> 00:04:43,850 SONG. >> OKAY. 82 00:04:43,850 --> 00:04:46,386 >> I THINK IT'S JUST A DELIVERY OF A MESSAGE. 83 00:04:46,386 --> 00:04:49,489 ROUGH AND TOUGH. >> I PICK UP WHAT YOU'RE PUTTING 84 00:04:49,489 --> 00:04:54,160 DOWN, OKAY. >> WELL, I'M VERY PROUD OF YOU. 85 00:04:54,160 --> 00:04:55,328 AS YOUR WHOLE FAMILY IN TOWN IS. >> YES, MA'AM. 86 00:04:55,328 --> 00:05:03,203 [ APPLAUSE ] >> Carson: ALL RIGHT. 87 00:05:03,203 --> 00:05:05,538 LET'S TURN THINGS OVER TO WHAT'S HAPPENING IN KANNAPOLIS. 88 00:05:05,538 --> 00:05:09,909 TAKE IT AWAY. >> WE'RE OUTSIDE OF KANNAPOLIS 89 00:05:09,909 --> 00:05:12,879 WITH JOSH SANDERS' FRIENDS AND FAMILY TODAY. 90 00:05:12,879 --> 00:05:14,581 GIVE IT UP! [ CHEERING ] 91 00:05:14,581 --> 00:05:17,484 WE HAVE GOT HIS FATHER-IN-LAW TOMMY RIGHT HERE WITH US. 92 00:05:17,484 --> 00:05:19,452 I MEAN, WHAT DOES IT MEAN TO YOU TO SEE HIM ON "THE VOICE" DOING 93 00:05:19,452 --> 00:05:23,289 SO WELL? >> THIS IS SO AWESOME, BECAUSE 94 00:05:23,289 --> 00:05:25,525 I'VE KNOWN HIM SINCE HE WAS A PUPPY. 95 00:05:25,525 --> 00:05:27,460 AND SO HE'S LIVING HIS DREAM, AND I'M SO PROUD OF HIM. 96 00:05:27,460 --> 00:05:29,696 >> ABSOLUTELY. WELL, GIVE IT UP FOR YOUR 97 00:05:29,696 --> 00:05:37,270 HOMETOWN HERO JOSH SANDERS [ CHEERING ] 98 00:05:42,308 --> 00:05:45,478 * 99 00:05:45,478 --> 00:05:50,750 * THIS LOVE IS GETTING KINDA DANGEROUS 100 00:05:50,750 --> 00:05:59,192 FEELS LIKE IT'S A LOADED GUN * 101 00:05:59,192 --> 00:06:03,396 * MY MIND IT'S TURNING LIKE 102 00:06:03,396 --> 00:06:08,668 A CLOUD OF DUST * * MY HEART ALWAYS 103 00:06:08,668 --> 00:06:12,372 WANTS TO RUN OH, OH, OH * 104 00:06:12,372 --> 00:06:18,144 * IF YOU WANT A COWBOY ON A WHITE HORSE 105 00:06:18,144 --> 00:06:21,314 RIDING OFF INTO THE SUNSET * * IF THAT'S THE KINDA LOVE 106 00:06:21,314 --> 00:06:31,124 YOU WANNA WAIT FOR HOLD ON TIGHT, GIRL 107 00:06:31,124 --> 00:06:50,844 I AIN'T THERE YET * * WILD HORSE * 108 00:06:50,844 --> 00:06:56,082 * SOME DAY, YOU CAN FIND YOUR WAY * 109 00:06:56,082 --> 00:06:57,650 * RIGHT NOW IS NOT THE TIME * * IF YOU WANT A COWBOY 110 00:06:57,650 --> 00:06:59,219 ON A WHITE HORSE RIDING OFF INTO THE SUNSET * 111 00:06:59,219 --> 00:07:01,321 * IF THAT'S THE KINDA LOVE YOU WANNA WAIT FOR 112 00:07:01,321 --> 00:07:09,462 HOLD ON TIGHT, GIRL I AIN'T THERE YET * 113 00:07:09,462 --> 00:07:18,271 * I AIN'T THERE YET, NO, I AIN'T THERE YET * 114 00:07:33,053 --> 00:07:34,154 * 115 00:07:34,154 --> 00:07:35,255 * IF YOU WANT A COWBOY ON A WHITE HORSE 116 00:07:35,255 --> 00:07:38,358 RIDING OFF INTO THE SUNSET * * IF THAT'S THE KINDA LOVE 117 00:07:38,358 --> 00:07:52,205 YOU WANNA WAIT FOR HOLD ON TIGHT, GIRL 118 00:07:52,205 --> 00:07:58,144 WHOA OH, THAT'S THE KIND OF LOVE YOU WANT TO WAIT FOR, HOLD ON 119 00:07:58,144 --> 00:08:11,791 TIGHT, GIRL, I AIN'T THERE YET * NO I AIN'T THERE YET 120 00:08:11,791 --> 00:08:12,592 NO I AIN'T THERE YET WHOA 121 00:08:12,592 --> 00:08:17,564 WHITE HORSE, YEAH * 122 00:08:29,075 --> 00:08:29,709 [ CHEERING AND APPLAUSE ] 123 00:08:29,709 --> 00:08:31,177 >> Carson: THAT'S HOW YOU DO IT! THAT IS JOSH SANDERS, STARTING 124 00:08:31,177 --> 00:08:35,181 OFF "THE VOICE" LIVE SEMIFINALS TONIGHT. 125 00:08:35,181 --> 00:08:37,951 WOW! THAT WAS TERRIFIC, MAN. 126 00:08:37,951 --> 00:08:40,153 >> THANK YOU. >> Carson: KANNAPOLIS FREAKING 127 00:08:40,153 --> 00:08:43,490 OUT RIGHT NOW. MAN, JOSH, YOU JUST SET THE BAR 128 00:08:43,490 --> 00:08:44,858 SO HIGH FOR TONIGHT. WE JUST ARE GETTING THINGS 129 00:08:44,858 --> 00:08:50,096 GOING. JOHN, WHAT DID YOU THINK? 130 00:08:50,096 --> 00:08:54,167 >> JOSH, THAT WAS GREAT! WHAT I LOVED ABOUT IT IS YOU 131 00:08:54,167 --> 00:08:55,568 SHOWING US A DIFFERENT SIDE OF YOU. 132 00:08:55,568 --> 00:08:58,738 I THINK YOU PICKED A LOT OF BIG SONG WITH A LOT OF BIG 133 00:08:58,738 --> 00:09:01,107 ACCOMPANIMENT. YOU COULD HAVE GOTTEN LOST IN 134 00:09:01,107 --> 00:09:05,311 ALL OF THAT, BUT I FEEL LIKE YOU CUT THROUGH IN A WAY THAT SHOWED 135 00:09:05,311 --> 00:09:07,514 YOU'RE A STAR TO BE RECKONED WITH, AND THE SONG DIDN'T 136 00:09:07,514 --> 00:09:09,282 OVERWHELM YOU. YOU WERE BIG ENOUGH FOR THE 137 00:09:09,282 --> 00:09:10,383 SONG. AND THAT WAS REALLY GREAT. 138 00:09:10,383 --> 00:09:12,552 I LOVED IT. IT WAS A GREAT PERFORMANCE. 139 00:09:12,552 --> 00:09:14,020 >> THANK YOU, MAN. THANK YOU. 140 00:09:14,020 --> 00:09:16,823 >> Carson: THANK YOU, JOHN. WE'LL CHECK IN WITH YOUR COACH, 141 00:09:16,823 --> 00:09:18,558 REBA. >> ABSOLUTELY WONDERFUL. 142 00:09:18,558 --> 00:09:22,295 YOU DREW THE AUDIENCE IN. WE WERE ALL LEANING FORWARD. 143 00:09:22,295 --> 00:09:25,331 YOUR VOCAL WAS INCREDIBLE. THAT ENDING NOTE WAS SO 144 00:09:25,331 --> 00:09:29,035 POWERFUL. STAGE PRESENT, FIRM, STRONG. 145 00:09:29,035 --> 00:09:31,805 YOU DIDN'T SMILE. YOU WERE VERY TOUGH, JUST LIKE 146 00:09:31,805 --> 00:09:37,043 WE TALKED ABOUT. [ APPLAUSE ] 147 00:09:37,043 --> 00:09:38,378 EXCELLENT! >> Carson: IF YOU WANT JOSH IN 148 00:09:38,378 --> 00:09:41,514 THE FINALE, YOU CAN VOTE ON NBC.COM AND "THE VOICE" OFFICIAL 149 00:09:41,514 --> 00:09:44,351 APP. GIVE IT UP AGAIN FOR JOSH 150 00:09:44,351 --> 00:09:49,789 SANDERS. [ CHEERING AND APPLAUSE ] 151 00:09:49,789 --> 00:09:51,758 WOW. WE ARE OFF TO A RIP-ROARING 152 00:09:51,758 --> 00:09:53,493 START. STRAIGHT AHEAD, AN EMOTIONAL 153 00:09:53,493 --> 00:09:57,664 HOMETOWN DEDICATION BY MADISON CURBELO. 154 00:09:57,664 --> 00:10:01,568 AND THEN WE'LL START THE TRIOS. GREAT PERFORMANCES TONIGHT. 155 00:10:15,448 --> 00:10:18,518 >> Carson: AND WE'RE BACK LIVE 156 00:10:18,518 --> 00:10:19,619 SEMIFINALS. BEFORE WE GET TO MORE 157 00:10:19,619 --> 00:10:21,388 PERFORMANCES, WE WANT TO THANK OUR OFFICIAL VOTING PARTNER, THE 158 00:10:21,388 --> 00:10:24,357 WELLS FARGO ACTIVE CASH CREDIT CARD. 159 00:10:24,357 --> 00:10:28,061 WELLS FARGO IS ALL ABOUT HELPING PEOPLE PURSUE NEW INTERESTS AND 160 00:10:28,061 --> 00:10:31,898 EXPLORING THEIR PASSIONS, JUST LIKE OUR SEMI-FINALISTS ARE 161 00:10:31,898 --> 00:10:34,934 DOING TONIGHT. SO THANKS TO OUR FRIENDS AT 162 00:10:34,934 --> 00:10:38,772 WELLS FARGO. WE'RE GOING THE CONTINUE RIGHT 163 00:10:38,772 --> 00:10:41,775 AWAY WITH DAN + SHAY'S YOUNG ARTIST AND A LOVE SONG TO HER 164 00:10:41,775 --> 00:10:48,381 HOMETOWN OF MASSACHUSETTS. SHE'LL TELL YOU MORE. 165 00:10:48,381 --> 00:10:51,084 HERE IS MADISON CURBELO. >> AMERICA SAVED MADISON 166 00:10:51,084 --> 00:10:52,652 CURBELO! CONGRATS! 167 00:10:52,652 --> 00:10:54,921 >> BEING IN THE TOP NINE, IT FEELS LIKE A DREAM. 168 00:10:54,921 --> 00:10:58,258 JUST KNOWING THAT THE FANS HAVE TAKEN THE TIME OUT OF THEIR DAY 169 00:10:58,258 --> 00:11:01,194 TO VOTE MEANS THE WORLD. >> I'M READY TO DIVE IN, GUYS. 170 00:11:01,194 --> 00:11:04,264 >> LET'S DO IT. >> LET'S HEAD TO THE OFFICE. 171 00:11:04,264 --> 00:11:08,435 >> I'M SO, SO, SO LUCKY AND SO THANKFUL TO AMERICA. 172 00:11:08,435 --> 00:11:10,070 >> ALL THREE OF OUR TOP THREE. THAT'S CRAZY. 173 00:11:10,070 --> 00:11:12,872 >> YOU GUYS DID THAT. >> WE DIDN'T DO ANYTHING. 174 00:11:12,872 --> 00:11:15,775 YOU GUYS DID THAT THAT'S HOW GOOD YOU ARE. 175 00:11:15,775 --> 00:11:18,078 >> IN SPITE OF US, YOU SOMEHOW MADE IT. 176 00:11:18,078 --> 00:11:21,114 >> STOP IT! FOR THE TOP NINE. 177 00:11:21,114 --> 00:11:25,552 >> I'M SINGING "TIME AFTER TIME" BY CYNDI LAUPER. 178 00:11:25,552 --> 00:11:28,755 * YOU LOST, YOU LOOK, AND YOU WILL FIND ME * 179 00:11:28,755 --> 00:11:31,791 >> IN SEASON 1 OF THE VOICE, JAVIER COLON SANG THE SONG, AND 180 00:11:31,791 --> 00:11:34,594 IT WAS REALLY INSPIRING TO ME. I REMEMBER TUNING IN AND MY MOM 181 00:11:34,594 --> 00:11:41,101 WOULD ELBOW ME AND THAT'S GOING TO BE YOU ONE DAY. 182 00:11:41,101 --> 00:11:44,671 IT'S CRAZY THAT IS ME RIGHT NOW. * I WILL BE WAITING TIME AFTER 183 00:11:44,671 --> 00:11:47,107 TIME * >> THIS IS HOMETOWN WEEK. 184 00:11:47,107 --> 00:11:50,377 LOOKING AT THESE LYRICS, IN A WEIRD WAY, I FEEL THAT THAT CAN 185 00:11:50,377 --> 00:11:53,113 BE A LOVE SONG TO YOUR HOMETOWN. >> TIME AFTER TIME, WESTFIELD, 186 00:11:53,113 --> 00:11:55,248 MASSACHUSETTS AND EVERYONE IN MY COMMUNITY HAS SUPPORTED ME SO 187 00:11:55,248 --> 00:11:57,550 MUCH. MY CONFIDENCE HAS GROWN SO MUCH, 188 00:11:57,550 --> 00:12:00,120 ESPECIALLY BUZZ OF MY SUPPORT FROM WESTFIELD. 189 00:12:00,120 --> 00:12:04,057 AND I TEACH KIDS NOW. I TEACH THEM HOW TO SING. 190 00:12:04,057 --> 00:12:05,825 MY STUDENTS, THEY SENT ME VIDEO MESSAGES. 191 00:12:05,825 --> 00:12:08,695 >> GOOD LUCK, MISS MADISON, YOU'RE GOING TO DO GREAT! 192 00:12:08,695 --> 00:12:11,498 >> KIDS ARE NOW SAYING OH, I CAN'T WAIT UNTIL I'M ON "THE 193 00:12:11,498 --> 00:12:14,067 VOICE" AND MADISON IS A COACH, AND THEN SHE CAN TURN FOR ME. 194 00:12:14,067 --> 00:12:17,137 >> THANK YOU, MADISON FOR HELPING ME FACE MY FEARS. 195 00:12:17,137 --> 00:12:20,440 >> IT MAKES ME A LITTLE BIT EMOTIONAL TO THINK ABOUT. 196 00:12:20,440 --> 00:12:22,242 BECAUSE WHEN I WAS YOUNGER, I STRUGGLED WITH CONFIDENCE A 197 00:12:22,242 --> 00:12:26,279 LITTLE BIT. TO SEE THEM NOW DREAMING EVEN 198 00:12:26,279 --> 00:12:30,116 BIGGER BY SEEING ME ON THE SHOW, IT JUST -- IT MEANS SO MUCH. 199 00:12:30,116 --> 00:12:31,818 >> IT'S COOL TO HEAR YOU DO SOMETHING WITH THE FULL BAND. 200 00:12:31,818 --> 00:12:35,622 >> YEAH. >> EVERYTHING TO THIS POINT HAS 201 00:12:35,622 --> 00:12:37,857 BEEN CHILLED, STRAIGHT DOWN. TAKE IT SLOW AT THE END AND 202 00:12:37,857 --> 00:12:44,864 THEY'LL FOLLOW YOU. THAT IS SUCH A BEAUTIFUL MOMENT, 203 00:12:44,864 --> 00:12:45,932 I WANT YOU STLAECH OUT AND LIVE IN IT. 204 00:12:45,932 --> 00:12:47,233 >> ON THE YOU'LL HAVE PEOPLE OVER HERE AND OVER HERE. 205 00:12:47,233 --> 00:12:49,569 TRUST YOUR GUT. >> MADISON, TO MAKE TO IT THE 206 00:12:49,569 --> 00:12:52,839 FINALE, I THINK SHE HAS TO CONTINUE TO BE 100% HERSELF. 207 00:12:52,839 --> 00:12:57,877 *LY BE WAITING * >> SHE IS SUCH A PURE VOCALIST. 208 00:12:57,877 --> 00:13:01,214 SHE REMINDS ME OF COLBIE CAILLAT, VERY AUTHENTIC, HAS HER 209 00:13:01,214 --> 00:13:04,117 OWN MADISON THING. >> THAT WAS GREAT! 210 00:13:04,117 --> 00:13:06,386 TAKE CARE. OUR WORK HERE IS DONE. 211 00:13:06,386 --> 00:13:08,154 >> EVERYBODY IS SO FIRED UP. MADISON HAS WHAT IT TAKES TO WIN 212 00:13:08,154 --> 00:13:11,458 THIS SHOW. I AGREE WITH THEM, MAN. 213 00:13:11,458 --> 00:13:12,792 >> Carson: TO DO THE HONORS TONIGHT, LET'S GO OVER TO A 214 00:13:12,792 --> 00:13:14,127 FAMILY VIEWING PARTY IN MADISON'S HOMETOWN OF WESTFIELD. 215 00:13:14,127 --> 00:13:19,065 HI, EVERYBODY. >> HI! 216 00:13:19,065 --> 00:13:21,634 WE'RE MADISON CURBELO'S FAMILY FROM WESTFIELD, MASSACHUSETTS. 217 00:13:21,634 --> 00:13:44,891 >> WE'RE SO PROUD OF MADISON BECAUSE SHE HAS WORKED SO HARD 218 00:13:44,891 --> 00:13:53,299 TO GET TO THIS POINT, AND CAUGHT UP IN CIRCLES * 219 00:13:53,299 --> 00:14:00,173 * CONFUSION IS NOTHING NEW FLASHBACK TO WARM NIGHTS 220 00:14:00,173 --> 00:14:08,114 ALMOST LEFT BEHIND SUITCASE OF MEMORIES * 221 00:14:08,114 --> 00:14:13,386 * TIME AFTER SOMETIMES YOU PICTURE ME 222 00:14:13,386 --> 00:14:21,327 I'M WALKING TOO FAR AHEAD YOU'RE CALLING TO ME * 223 00:14:21,327 --> 00:14:26,066 * I CAN'T HEAR WHAT YOU'VE SAID 224 00:14:26,066 --> 00:14:35,075 THEN YOU SAY GO SLOW I FALL BEHIND * 225 00:14:35,075 --> 00:14:37,143 * THE SECOND HAND UNWINDS IF YOU'RE LOST 226 00:14:37,143 --> 00:14:42,982 YOU CAN LOOK AND YOU WILL FIND ME * 227 00:14:42,982 --> 00:14:45,618 * TIME AFTER TIME IF YOU FALL 228 00:14:45,618 --> 00:14:50,890 I WILL CATCH YOU I'LL BE WAITING * 229 00:14:50,890 --> 00:14:53,526 * TIME AFTER TIME IF YOU'RE LOST 230 00:14:53,526 --> 00:14:59,866 YOU CAN LOOK AND YOU WILL FIND ME * 231 00:14:59,866 --> 00:15:02,502 * TIME AFTER TIME IF YOU FALL 232 00:15:02,502 --> 00:15:08,341 I WILL CATCH YOU I'LL BE WAITING * 233 00:15:08,341 --> 00:15:13,646 * TIME AFTER TIME AFTER MY PICTURE FADES 234 00:15:13,646 --> 00:15:20,053 AND DARKNESS HAS TURNED TO GRAY * 235 00:15:20,053 --> 00:15:39,673 * WATCHING THROUGH WINDOWS YOU'RE WONDERING 236 00:15:39,673 --> 00:15:40,674 IF I'M OKAY * * SECRETS STOLEN 237 00:15:40,674 --> 00:15:41,875 FROM DEEP INSIDE THE DRUM BEATS OUT OF TIME * 238 00:15:41,875 --> 00:15:42,809 * IF YOU'RE LOST YOU CAN LOOK 239 00:15:42,809 --> 00:15:45,345 AND YOU WILL FIND ME TIME AFTER TIME * 240 00:15:45,345 --> 00:15:49,082 * IF YOU FALL I WILL CATCH YOU 241 00:15:49,082 --> 00:15:52,752 I'LL BE WAITING TIME AFTER TIME * 242 00:15:52,752 --> 00:15:56,456 * OH IF YOU'RE LOST YOU CAN LOOK 243 00:15:56,456 --> 00:16:01,695 AND YOU WILL FIND ME TIME AFTER TIME * 244 00:16:01,695 --> 00:16:09,102 * IF YOU FALL I WILL CATCH YOU 245 00:16:09,102 --> 00:16:20,146 I'LL BE WAITING TIME AFTER TIME * 246 00:16:20,146 --> 00:16:29,456 * MMMM TIME AFTER TIME * * 247 00:16:29,456 --> 00:16:33,493 [ CHEERING AND APPLAUSE ] >> Carson: WOW, WE GOT OUR NINE 248 00:16:33,493 --> 00:16:37,063 BEST GOING TONIGHT. MADISON CURBELO, LADIES AND 249 00:16:37,063 --> 00:16:38,064 GENTLEMEN. >> THANK YOU SO MUCH. 250 00:16:38,064 --> 00:16:44,938 >> Carson: BEAUTIFUL, MADISON, BEAUTIFUL. 251 00:16:44,938 --> 00:16:47,974 IF YOU WOULD HAVE FALLEN, I WOULD HAVE CAUGHT YOU. 252 00:16:47,974 --> 00:16:50,243 >> I APPRECIATE THAT. >> Carson: WHAT'S GET SOME 253 00:16:50,243 --> 00:16:52,779 THOUGHTS FROM YOUR COACHES. WHAT DID YOU THINK? 254 00:16:52,779 --> 00:16:58,184 >> I WAS BLOWN AWAY, MAN. EVERY TIME YOU PERFORM, IT'S 255 00:16:58,184 --> 00:17:00,420 SOMETHING SPECIAL. YOU JUST HAVE LIKE SUCH A UNIQUE 256 00:17:00,420 --> 00:17:03,156 TONE AND THE STYLE YOU PUT IN ALL THESE SONGS. 257 00:17:03,156 --> 00:17:07,527 AND IT'S SO ANGELIC AND BROKEN, BUT IT REMINDS ME I DON'T KNOW, 258 00:17:07,527 --> 00:17:09,829 '90s DISNEY SOUNDTRACKS. I DON'T KNOW. 259 00:17:09,829 --> 00:17:11,898 YOU HAVE AN AMAZING FUTURE AHEAD OF YOU. 260 00:17:11,898 --> 00:17:13,099 YOU SHOULD BE REALLY PROUD OF THAT PERFORMANCE. 261 00:17:13,099 --> 00:17:16,336 >> THANK YOU SO MUCH. I APPRECIATE THAT. 262 00:17:16,336 --> 00:17:18,371 >> Carson: THANK YOU, CHANCE. MADISON, LET'S CHECK WITH YOUR 263 00:17:18,371 --> 00:17:21,041 COACHES DAN + SHAY. WHAT DID YOU THINK? 264 00:17:21,041 --> 00:17:43,963 >> MADISON, YOU JUST KEEP GETTING BETTER AND BETTER. 265 00:17:43,963 --> 00:17:47,400 CHANCE LEANED OVER AND SAID I KNOW YOUR FAMILY IS TOO. 266 00:17:47,400 --> 00:17:50,937 I ALMOST TEARED UP WATCHING YOUR STUDENTS MAKE YOU MESSAGES. 267 00:17:50,937 --> 00:17:55,342 YOU ARE SOMEONE I WOULD WANT MY KIDS TO LOOK UP TO, SOMEONE THAT 268 00:17:55,342 --> 00:17:59,179 RADIATES LIFE. WHEN YOU SING, IT MAKES ITS WAY 269 00:17:59,179 --> 00:18:00,847 DOWN TO THEIR HEARTS AND SPIRITS. 270 00:18:00,847 --> 00:18:03,516 I'M SO INCREDIBLY PROUD TO BE PART OF THIS JOURNEY. 271 00:18:03,516 --> 00:18:05,552 VOTE FOR MADISON! >> THANK YOU SO MUCH! 272 00:18:05,552 --> 00:18:09,889 >> Carson: IF YOU WANT MADISON IN THE FINALE, YOU CAN GO ON 273 00:18:09,889 --> 00:18:16,896 NBC.COM AND "THE VOICE" OFFICIAL APP. 274 00:18:16,896 --> 00:18:18,031 GIFT UP FOR MADISON CURBELO! [ APPLAUSE ] 275 00:18:18,031 --> 00:18:20,400 >> Carson: ALL RIGHT, COMING UP, THE FIRST TRIO OF THE NIGHT. 276 00:18:20,400 --> 00:18:21,935 BRYAN, NATHAN, AND MADDI JOIN 277 00:18:35,749 --> 00:18:36,416 * THIS IS THE VOICE * 278 00:18:36,416 --> 00:18:43,156 >> Carson: AND WE ARE BACK WITH OUR LIVE SEMIFINALISTS TONIGHT. 279 00:18:43,156 --> 00:18:46,593 IN ADDITION TO THEIR SOLO SONGS, THEY'RE ALSO TEAMING UP FOR 280 00:18:46,593 --> 00:18:50,430 THESE SPECIAL TRIOS, ALL IN CELEBRATION OF THE NEW RELEASE 281 00:18:50,430 --> 00:18:54,334 OF THE FILM "IF." IT'S A GREAT COMEDY ABOUT A GIRL 282 00:18:54,334 --> 00:18:57,804 THAT GUESS ON ADVENTURE AFTER DISCOVERING SHE CAN SEE 283 00:18:57,804 --> 00:19:04,678 EVERYBODY'S IMAGINARY FRIENDS. ALL THE TRIOS TONIGHT ARE THEMED 284 00:19:04,678 --> 00:19:07,647 AROUND THE POWER OF IMAGINATION. THIS WEEK OUR ARTISTS GOT A BIG 285 00:19:07,647 --> 00:19:12,285 SURPRISE. TAKE A LOOK. 286 00:19:12,285 --> 00:19:15,055 >> I'M SO TO WORK WITH YOU GUY. >> EVERYBODY, I'M JOHN 287 00:19:15,055 --> 00:19:18,792 KRASINSKI. >> AND I'M CAILEY FLEMING. 288 00:19:18,792 --> 00:19:21,094 >> AND OUR NEW "IF" IS ABOUT BELIEVING SOMETHING BIGGER AND 289 00:19:21,094 --> 00:19:22,662 BELIEVING IN SOMETHING BEAUTIFUL. 290 00:19:22,662 --> 00:19:24,898 NOW TO GET ON "THE VOICE," YOU HAVE TO BELIEVE IN YOUR TALENT. 291 00:19:24,898 --> 00:19:28,835 I SHOULD KNOW, BECAUSE I'VE AUDITIONED FIVE TIMES. 292 00:19:28,835 --> 00:19:30,136 >> WOW. >> YEAH. 293 00:19:30,136 --> 00:19:32,038 DIDN'T GET IT. BUT TRIED. 294 00:19:32,038 --> 00:19:35,041 >> WELL, WITH THIS PERFORMANCE, WE WANT YOU TO BELIEVE IN 295 00:19:35,041 --> 00:19:37,377 SOMETHING BIGGER, AND REALLY USE YOUR IMAGINATION TO CREATE 296 00:19:37,377 --> 00:19:39,946 SOMETHING ASTONISHING. I BELIEVE YOU CAN DO IT. 297 00:19:39,946 --> 00:19:43,683 >> I BELIEVE YOU CAN DO IT. >> THAT'S SO COOL. 298 00:19:43,683 --> 00:19:58,865 >> YEAH, THAT'S AWESOME. >> I THINK THINGS WORKED OUT FOR 299 00:19:58,865 --> 00:19:59,833 HIM. EVEN THOUGH HE DIDN'T GET ON 300 00:19:59,833 --> 00:20:01,101 "THE VOICE," HE IS PRETTY GOOD. >> HE IS GOOD, YEAH. 301 00:20:01,101 --> 00:20:02,535 >> I ALREADY KNOW WHAT IT'S LIKE TO SING WITH NATHAN AND MADDI 302 00:20:02,535 --> 00:20:03,503 AND NATHAN. IT'S GOING TO BE DOPE. 303 00:20:03,503 --> 00:20:04,671 I CAN'T WAIT. >> I'M REALLY EXCITED TO GIVE A 304 00:20:04,671 --> 00:20:08,074 GREAT PERFORMANCE. >> YOU GUYS HAVE IMAGINARY 305 00:20:08,074 --> 00:20:11,144 FRIENDS GROWING UP? >> I HAD AN IMAGINARY PET ROCK 306 00:20:11,144 --> 00:20:13,546 NAMED ELVIS. >> YOU EVER SING A SONG? 307 00:20:13,546 --> 00:20:15,648 >> NO, WE HAD A FALLING OUT. >> THE ROCK? 308 00:20:15,648 --> 00:20:19,919 >> HE WASN'T A REAL FRIEND. >> IMAGINATION ON THREE, ONE, 309 00:20:19,919 --> 00:20:24,057 TWO, THREE, IMAGINATION! >> COOL. 310 00:20:24,057 --> 00:20:24,391 [ APPLAUSE ] 311 00:20:38,638 --> 00:20:40,206 * 312 00:20:40,206 --> 00:20:43,943 * SHOW ME SHOW ME SHOW ME HOW YOU DO THAT TRICK 313 00:20:43,943 --> 00:20:47,113 THE ONE THAT MAKES ME SCREAM SHE SAID * 314 00:20:47,113 --> 00:20:50,283 * THE ONE THAT MAKES ME LAUGH SHE SAID 315 00:20:50,283 --> 00:20:55,055 AND THREW HER ARMS AROUND MY NECK * 316 00:20:55,055 --> 00:20:58,725 * SHOW ME HOW YOU DO IT AND I PROMISE YOU 317 00:20:58,725 --> 00:21:17,210 I PROMISE THAT I'LL RUN AWAY WITH YOU * 318 00:21:17,210 --> 00:21:20,380 * I'LL RUN AWAY WITH YOU SPINNING ON THAT 319 00:21:20,380 --> 00:21:24,084 DIZZY EDGE * * I KISSED HER FACE 320 00:21:24,084 --> 00:21:28,855 AND KISSED HER HEAD AND DREAMED OF 321 00:21:28,855 --> 00:21:32,692 ALL THE DIFFERENT WAYS * * I HAD TO MAKE HER GLOW 322 00:21:32,692 --> 00:21:36,763 WHY ARE YOU SO FAR AWAY SHE SAID 323 00:21:36,763 --> 00:21:43,470 WHY WON'T YOU EVER KNOW * * THAT I'M IN LOVE WITH YOU 324 00:21:43,470 --> 00:21:51,745 THAT I'M IN LOVE WITH YOU YOU SOFT AND ONLY 325 00:21:51,745 --> 00:21:53,713 YOU LOST AND LONELY * * YOU STRANGE AS ANGELS 326 00:21:53,713 --> 00:22:00,053 DANCING IN THE DEEPEST OCEAN 327 00:22:00,053 --> 00:22:11,664 TWISTING IN THE WATER * * YOU'RE JUST LIKE A DREAM 328 00:22:11,664 --> 00:22:14,834 YOU'RE JUST LIKE A DREAM DAYLIGHT LICKED ME 329 00:22:14,834 --> 00:22:18,071 INTO SHAPE * * I MUST HAVE BEEN 330 00:22:18,071 --> 00:22:21,174 ASLEEP FOR DAYS AND MOVED THE LIPS 331 00:22:21,174 --> 00:22:25,412 TO BREATHE HER NAME * * I OPENED UP MY EYES 332 00:22:25,412 --> 00:22:30,684 AND FOUND MYSELF ALONE ALONE 333 00:22:30,684 --> 00:22:33,853 ALONE ABOVE A RAGING SEA * * THAT STOLE THE ONLY GIRL 334 00:22:33,853 --> 00:22:37,090 I LOVED AND DROWNED HER DEEP 335 00:22:37,090 --> 00:22:43,363 INSIDE OF ME * * YOU SOFT AND ONLY 336 00:22:43,363 --> 00:22:46,666 YOU LOST AND LONELY YOU JUST LIKE HEAVEN * 337 00:22:46,666 --> 00:23:08,755 * MADDI, EVERYBODY. 338 00:23:08,755 --> 00:23:10,290 WHAT A FUN PERFORMANCE. 339 00:23:13,593 --> 00:23:14,294 >> XFINITY, BRING ON THE GOOD 340 00:23:14,294 --> 00:23:15,295 STUFF! WATCH "THE VOICE" ON NBC AND 341 00:23:15,295 --> 00:23:15,562 PEACOCK. 342 00:23:22,168 --> 00:23:22,836 * THIS IS THE VOICE * 343 00:23:22,836 --> 00:23:24,204 >> Carson: WELCOME BACK TO OUR TOP NINE LIVE SEMI-FINALS. 344 00:23:24,204 --> 00:23:27,907 IT'S A WEEK OF HOMETOWN DEDICATIONS. 345 00:23:27,907 --> 00:23:30,110 WE'RE GOING TO CONTINUE WITH THE YOUNGEST ARTIST IN THIS 346 00:23:30,110 --> 00:23:35,348 COMPETITION. SERENITY ARCE'S MOM, TAMMIE, IS 347 00:23:35,348 --> 00:23:58,938 WITH US TONIGHT. GOOD TO HAVE YOU 348 00:23:58,938 --> 00:24:02,075 >> SERENITY ARCE. >> BEING ONLY 17 I THINK WHAT 349 00:24:02,075 --> 00:24:04,644 I'M DOING IS PRETTY CRAZY. AND EVERYONE IS JUST ROOTING FOR 350 00:24:04,644 --> 00:24:07,547 ME BACK HOME. I GET CONSTANT MESSAGES ALL THE 351 00:24:07,547 --> 00:24:10,183 TIME FROM EACH AND EVERY ONE OF MY FRIENDS. 352 00:24:10,183 --> 00:24:12,318 >> I ALWAYS KNEW HOW AMAZING YOU WERE. 353 00:24:12,318 --> 00:24:15,655 SO I'M NOT SURPRISED AT ALL THAT YOU MADE IT THIS FAR. 354 00:24:15,655 --> 00:24:17,457 >> WE'RE ROOTING FOR YOU FROM JUPITER, FLORIDA. 355 00:24:17,457 --> 00:24:19,759 >> WE'RE ROOTING FOR YOU, AND I THINK YOU CAN WIN THIS WHOLE 356 00:24:19,759 --> 00:24:22,062 THING. >> GO SERENITY! 357 00:24:22,062 --> 00:24:24,597 >> SO A LOT OF THEM ARE DON'T COME BACK, BUT COME BACK, BUT 358 00:24:24,597 --> 00:24:27,167 STAY OUT THERE, BECAUSE WE WANT YOU TO WIN. 359 00:24:27,167 --> 00:24:31,838 MY LITTLE BROTHER IS TELLING ALL THE THIRD-GRADERS, HE WANTS TO 360 00:24:31,838 --> 00:24:33,940 BE MY SECURITY GUARD. I HAVE A LOT OF PEOPLE 361 00:24:33,940 --> 00:24:36,843 SUPPORTING ME BACK HOME. >> YOU'RE LIKE A VESSEL FOR A 362 00:24:36,843 --> 00:24:39,379 LOT OF PEOPLE THAT LOVE YOU AND SUPPORT YOU AND APPRECIATE YOUR 363 00:24:39,379 --> 00:24:41,214 GIFTS. >> YEAH. 364 00:24:41,214 --> 00:24:44,417 >> SO IT'S PROBABLY A PROFOUND SENSE OF PRIDE THAT THEY ALL 365 00:24:44,417 --> 00:24:46,252 FEEL SEEING YOU GO THIS FAR. >> YEAH. 366 00:24:46,252 --> 00:24:48,988 >> AND FROM GETTING NO CHAIR TURNS THIS FIRST TIME YOU CAME 367 00:24:48,988 --> 00:24:50,890 TO FOUR CHAIR TURNS. >> TO SEMIFINAL. 368 00:24:50,890 --> 00:24:57,097 >> SEMIFINALS. I'M EXCITED FOR THIS ARIANA 369 00:24:57,097 --> 00:25:04,704 GRANDE SONG. * B 370 00:25:04,704 --> 00:25:06,573 >> I WANT TO SHOW DIFFERENT SIDES OF ME. 371 00:25:06,573 --> 00:25:09,943 DOING THIS SONG IS GOING TO SHOW A MORE STRIPPED DOWN VERSION OF 372 00:25:09,943 --> 00:25:12,045 MY SINGING. IT'S NOT SO MUCH IN YOUR FACE. 373 00:25:12,045 --> 00:25:15,715 >> I LIKE THAT. SERENITY IS IN A COOL PLACE 374 00:25:15,715 --> 00:25:20,487 BECAUSE SHE CAN DO R&B AND POP. GOING WITH THE ACOUSTIC VERSION 375 00:25:20,487 --> 00:25:22,489 OF THIS SONG IS A GOOD PLAY FOR SERENITY. 376 00:25:22,489 --> 00:25:24,758 SHE HAS GIVEN ALL THESE EMOTIONAL AND IMPACTFUL 377 00:25:24,758 --> 00:25:27,727 PERFORMANCES, BUT WE HAVEN'T GOTTEN TO REALLY HONE IN ON HER 378 00:25:27,727 --> 00:25:29,262 VOICE AS MUCH AS WE HAVE THE PERFORMANCE. 379 00:25:29,262 --> 00:25:32,399 I THINK THIS IS GOING TO GO OVER WELL WITH A LOT OF PEOPLE. 380 00:25:32,399 --> 00:25:35,201 * LOVE * >> IT SOUNDS REALLY GOOD. 381 00:25:35,201 --> 00:25:59,092 AND WHAT YOU WERE SAYING EARLIER ABOUT EVERYBODY THAT IS AT HOME 382 00:25:59,092 --> 00:26:00,827 JUPITER, FLORIDA, READY FOR THIS. 383 00:26:00,827 --> 00:26:03,029 >> WORKING WITH CHANCE, I FEEL LIKE I'M PICKING UP LOT OF STUFF 384 00:26:03,029 --> 00:26:05,198 FROM HIM. I'M GETTING MORE COMFORTABLE 385 00:26:05,198 --> 00:26:08,368 BEING IN THIS ENVIRONMENT. AND IT'S ACTUALLY REALLY 386 00:26:08,368 --> 00:26:11,771 EXCITING. THIS IS THE LIFE I WANT TO HAVE. 387 00:26:11,771 --> 00:26:13,239 AND I'M REALLY PRAYING THAT ALL OF MY SUPPORTERS AND FANS PULL 388 00:26:13,239 --> 00:26:20,580 THROUGH. >> SEE YOU SOON! 389 00:26:24,317 --> 00:26:26,386 * 390 00:26:26,386 --> 00:26:34,327 * I DIDN'T THINK YOU'D UNDERSTAND ME 391 00:26:34,327 --> 00:26:42,769 HOW COULD YOU EVER EVEN TRY * 392 00:26:42,769 --> 00:26:47,474 * I DON'T WANNA TIPTOE BUT I DON'T WANNA HIDE 393 00:26:47,474 --> 00:26:51,177 BUT I DON'T WANNA FEED THIS MONSTROUS FIRE * 394 00:26:51,177 --> 00:26:56,983 * JUST WANNA LET THIS STORY DIE 395 00:26:56,983 --> 00:27:01,721 AND I'LL BE ALRIGHT * * WE CAN'T BE FRIENDS 396 00:27:01,721 --> 00:27:04,391 BUT I'D LIKE TO JUST PRETEND * 397 00:27:04,391 --> 00:27:08,595 * YOU CLING TO YOUR PAPERS AND PENS 398 00:27:08,595 --> 00:27:14,401 WAIT UNTIL YOU LIKE ME AGAIN * 399 00:27:14,401 --> 00:27:17,037 * I'LL WAIT FOR YOUR LOVE MY LOVE 400 00:27:17,037 --> 00:27:23,410 AH-AH-AH I'LL WAIT FOR YOUR LOVE * 401 00:27:23,410 --> 00:27:32,352 * AH-AH-AH MY LOVE 402 00:27:32,352 --> 00:27:34,054 I'LL WAIT FOR YOUR LOVE KNOW THAT YOU MADE ME * 403 00:27:34,054 --> 00:27:49,302 * I DON'T LIKE HOW YOU PAINT ME 404 00:27:49,302 --> 00:27:50,670 YET I'M STILL HERE HANGING * * NOT WHAT YOU MADE ME 405 00:27:50,670 --> 00:27:51,671 IT'S SOMETHING LIKE A DAYDREAM * 406 00:27:51,671 --> 00:27:52,672 * BUT I FEEL SO SEEN IN THE NIGHT 407 00:27:52,672 --> 00:27:53,540 SO FOR NOW IT'S ONLY ME * 408 00:27:53,540 --> 00:27:59,846 * AND MAYBE THAT'S ALL I NEED 409 00:27:59,846 --> 00:28:04,617 OH SO FOR NOW IT'S ONLY ME * * AND MAYBE THAT'S 410 00:28:04,617 --> 00:28:08,822 ALL I NEED WE CAN'T BE FRIENDS * 411 00:28:08,822 --> 00:28:11,458 * BUT I'D LIKE TO JUST PRETEND 412 00:28:11,458 --> 00:28:15,695 YOU CLING TO YOUR PAPERS AND PENS * 413 00:28:15,695 --> 00:28:19,399 * WAIT UNTIL YOU LIKE ME AGAIN 414 00:28:19,399 --> 00:28:26,773 WAIT FOR YOUR LOVE AH-AH-AH * 415 00:28:26,773 --> 00:28:35,248 * MY LOVE I'LL WAIT FOR YOUR LOVE 416 00:28:35,248 --> 00:28:44,724 AH-AH-AH * * I'LL WAIT FOR YOUR LOVE 417 00:28:44,724 --> 00:28:54,701 I'LL WAIT FOR YOUR LOVE I'LL WAIT FOR YOUR LOVE * 418 00:28:54,701 --> 00:28:55,902 * AH-AH-AH I'LL WAIT FOR YOUR LOVE * 419 00:28:55,902 --> 00:29:11,117 * LADIES AND GENTLEMEN. 420 00:29:11,117 --> 00:29:17,457 GREAT JOB, SERENITY. >> THANK YOU SO MUCH. 421 00:29:17,457 --> 00:29:22,028 THANK YOU. >> Carson: REBA? 422 00:29:22,028 --> 00:29:26,199 >> YOU LOOK ABSOLUTELY GORGEOUS. AND YOU SANG SO BEAUTIFULLY. 423 00:29:26,199 --> 00:29:30,170 BUT YOU WON BEFORE YOU EVEN STARTED SINGING WITH THE 424 00:29:30,170 --> 00:29:37,777 APPROVAL OF YOUR LITTLE BROTHER. IT IS SO IMPORTANT TO HAVE THE 425 00:29:37,777 --> 00:29:39,145 APPROVAL OF YOUR SIBLINGS. IT'S SO IMPORTANT SO, WAY TO GO. 426 00:29:39,145 --> 00:29:41,815 YOU'RE A WINNER. >> THANK YOU, REBA. 427 00:29:41,815 --> 00:29:44,184 AND LET'S SEE WHAT YOUR COACH THINKS. 428 00:29:44,184 --> 00:29:46,119 CHANCE? >> I'M PROUD LIKE I ALWAYS AM. 429 00:29:46,119 --> 00:29:48,588 IT WAS BEAUTIFUL PERFORMANCE. I THINK YOU MADE A GREAT CHOICE 430 00:29:48,588 --> 00:29:51,858 IN CHOOSING THAT SONG. I THINK IT REALLY HIGHLIGHTED 431 00:29:51,858 --> 00:29:55,862 YOUR VOCAL AND GAVE US ALL A MOMENT TO REALLY TAKE IT ALL IN 432 00:29:55,862 --> 00:29:58,431 AND HEAR THE LYRICS AND SEE YOU FOR REAL. 433 00:29:58,431 --> 00:30:03,336 BRAVO. >> THANK YOU SO MUCH. 434 00:30:03,336 --> 00:30:04,804 >> Carson: IF YOU WANT SERENITY IN THE FINALE, YOU CAN VOTE ON 435 00:30:04,804 --> 00:30:12,579 NBC.COM AND "THE VOICE" OFFICIAL APP. 436 00:30:12,579 --> 00:30:22,756 LET'S HEAR IT FOR SERENITY ARCE. [ CHEERING AND APPLAUSE ] 437 00:30:22,756 --> 00:30:24,190 OKAY. WHEN WE COME BACK, BACK-TO-BACK 438 00:30:24,190 --> 00:30:27,360 PERFORMANCES. FIRST, JOSH, KAREN AND TAE TEAM 439 00:30:27,360 --> 00:30:32,098 UP FOR A BOB DYLAN CLASSIC. THEN, MADDI JANE TACKLES A BIG 440 00:30:32,098 --> 00:30:45,845 SONG BY TATE McRAE. * THIS IS THE VOICE * 441 00:30:45,845 --> 00:30:47,047 >> Carson: WE'RE BACK LIVE WITH OUR SEMIFINALS. 442 00:30:47,047 --> 00:30:52,118 BACK-TO-BACK PERFORMANCES RIGHT NOW. 443 00:30:52,118 --> 00:30:55,655 WE'RE GOING START WITH ANOTHER IMAGINATION-THEMED TRIO, THREE 444 00:30:55,655 --> 00:30:58,024 POWERFUL COUNTRY SINGERS JOINING FORCES TO BRING A NOSTALGIC 445 00:30:58,024 --> 00:31:00,894 CLASSIC TO "THE VOICE" STAGE. HAVE A LOOK. 446 00:31:00,894 --> 00:31:03,797 >> THIS IS DOPE. >> WOW, LOOK AT THIS! 447 00:31:03,797 --> 00:31:06,266 SO COLORFUL. I'M WITH THE HAT GUYS AND I HAVE 448 00:31:06,266 --> 00:31:08,968 NO HAT ON. >> I CAN GET YOU ONE IF YOU 449 00:31:08,968 --> 00:31:11,604 WANT. >> LET ME KNOW. 450 00:31:11,604 --> 00:31:14,207 >> WHAT DO THEY SAY? YOUR SWAG IS SO HEAVY IT SWINGS 451 00:31:14,207 --> 00:31:16,176 TO ONE SIDE. >> THAT'S EXACTLY WHAT THEY 452 00:31:16,176 --> 00:31:19,079 SAID. >> YOU GUYS LOOKING FOR 453 00:31:19,079 --> 00:31:20,513 INSPIRATION? >> INSPIRATION. 454 00:31:20,513 --> 00:31:26,286 >> YEAH, THAT NEVER HURTS. >> HEY, EVERYBODY, IN OUR NEW 455 00:31:26,286 --> 00:31:28,388 MOTOR VEHICLE "IF" WE SEE FIRSTHAND THE POWER OF THE 456 00:31:28,388 --> 00:31:31,257 CHILD'S IMAGINATION. AS KIDS, YOU PROBABLY ALL 457 00:31:31,257 --> 00:31:33,793 IMAGINED YOURSELVES BEING ON A STAGE JUST LIKE THIS. 458 00:31:33,793 --> 00:31:36,162 NOW IT'S YOUR CHANCE TO MAKE ALL THOSE DREAMS COME TRUE. 459 00:31:36,162 --> 00:31:38,898 SO FOR YOUR PERFORMANCE, SHOW US THAT POWER YOU HAD WHEN YOU WERE 460 00:31:38,898 --> 00:31:40,567 YOUNGER. CREATE SOMETHING THAT SHOWS OFF 461 00:31:40,567 --> 00:31:43,770 YOUR IMAGINATION. AND JUST LIKE WE NEED TO BELIEVE 462 00:31:43,770 --> 00:31:44,904 IN OUR IMAGINARY FRIENDS, I BELIEVE IN YOU. 463 00:31:44,904 --> 00:31:49,142 YOU CAN DO IT. GOOD LUCK! 464 00:31:49,142 --> 00:31:52,112 >> THANK YOU! >> ALL RIGHT. 465 00:31:52,112 --> 00:31:54,581 MY GIRLS ARE ALREADY TUGGING ON DADDY'S JACKET. 466 00:31:54,581 --> 00:31:57,584 WHEN WE GOING TO SEE IT? CAN UNCLE TAE GO TOO? 467 00:31:57,584 --> 00:32:01,221 >> THAT'S AMAZING. >> SO WE'RE SINGING "FOREVER 468 00:32:01,221 --> 00:32:02,288 YOUNG." I'M SO EXCITED TO BE PERFORMING 469 00:32:02,288 --> 00:32:13,233 WITH Y'ALL. WE'RE LIKE THE ONLY COUNTRY 470 00:32:13,233 --> 00:32:14,534 PEOPLE THAT IS LEFT. >> CHOREOGRAPHY, I HAD AN IDEA. 471 00:32:14,534 --> 00:32:15,702 SOMETHING LIKE THIS. >> A LITTLE JACKSON 5. 472 00:32:15,702 --> 00:32:16,703 >> ALL RIGHT, TEAM, LET'S KILL IT! 473 00:32:16,703 --> 00:32:17,470 >> HERE WE GO! [ APPLAUSE ] 474 00:32:21,641 --> 00:32:21,975 * 475 00:32:21,975 --> 00:32:24,277 * MAY GOD BLESS AND KEEP YOU ALWAYS 476 00:32:24,277 --> 00:32:27,447 MAY YOUR WISHES ALL COME TRUE * 477 00:32:27,447 --> 00:32:29,549 * MAY YOU ALWAYS DO FOR OTHERS 478 00:32:29,549 --> 00:32:35,355 AND LET OTHERS DO FOR YOU * 479 00:32:35,355 --> 00:32:40,126 * MAY YOU BUILD A LADDER TO THE STARS 480 00:32:40,126 --> 00:32:47,000 AND CLIMB ON EVERY RUNG * * AND MAY YOU STAY 481 00:32:47,000 --> 00:32:59,112 FOREVER YOUNG FOREVER YOUNG 482 00:32:59,112 --> 00:33:09,689 FOREVER YOUNG * * MAY YOU STAY 483 00:33:09,689 --> 00:33:12,292 FOREVER YOUNG MAY YOU GROW UP 484 00:33:12,292 --> 00:33:15,462 TO BE RIGHTEOUS * * MAY YOU GROW UP 485 00:33:15,462 --> 00:33:18,098 TO BE TRUE MAY YOU ALWAYS 486 00:33:18,098 --> 00:33:22,335 KNOW THE TRUTH * * AND SEE THE LIGHT 487 00:33:22,335 --> 00:33:25,071 SURROUNDING YOU MAY YOU ALWAYS 488 00:33:25,071 --> 00:33:28,174 BE COURAGEOUS * * STAND UPRIGHT 489 00:33:28,174 --> 00:33:36,082 AND BE STRONG AND MAY YOU STAY 490 00:33:36,082 --> 00:33:45,091 FOREVER YOUNG * * FOREVER YOUNG 491 00:33:45,091 --> 00:34:08,948 FOREVER YOUNG MAY YOU STAY 492 00:34:08,948 --> 00:34:10,050 FOREVER YOUNG * * MAY YOUR HANDS 493 00:34:10,050 --> 00:34:10,850 ALWAYS BE BUSY MAY YOUR FEET 494 00:34:10,850 --> 00:34:11,885 ALWAYS BE SWIFT * * MAY YOU HAVE 495 00:34:11,885 --> 00:34:12,819 A FIRM FOUNDATION WHEN THE WINDS 496 00:34:12,819 --> 00:34:14,621 OF CHANGES SHIFT * * MAY YOUR HEART 497 00:34:14,621 --> 00:34:17,791 ALWAYS BE JOYFUL AND MAY YOUR SONG 498 00:34:17,791 --> 00:34:27,167 ALWAYS BE SUNG * * AND MAY YOU STAY 499 00:34:27,167 --> 00:34:39,312 MAY YOU SAY FOREVER YOUNG FOREVER YOUNG 500 00:34:39,312 --> 00:34:51,458 FOREVER YOUNG * * MAY YOU STAY 501 00:34:51,458 --> 00:34:57,364 FOREVER YOUNG FOREVER YOUNG 502 00:34:57,364 --> 00:35:02,802 * [ CHEERING AND APPLAUSE ] 503 00:35:02,802 --> 00:35:12,679 >> Carson: JOSH, TAE, AND KAREN, EVERYBODY. 504 00:35:12,679 --> 00:35:14,848 AND OUR FRIENDS FROM THE NEW MOVIE "IF" LOVED THAT ONE. 505 00:35:14,848 --> 00:35:20,320 HEY, GUYS. AS WE GET READY FOR OUR NEXT 506 00:35:20,320 --> 00:35:21,688 PERFORMANCE, JUST ANOTHER QUICK REMINDER. 507 00:35:21,688 --> 00:35:25,325 I MENTIONED THIS LAST WEEK, THAT YOU COULD WIN A KILLER TRIP FOR 508 00:35:25,325 --> 00:35:27,127 FOUR TO YOUR CHOICE EITHER RIGHT HERE AT UNIVERSAL STUDIOS 509 00:35:27,127 --> 00:35:29,496 HOLLYWOOD OR UNIVERSAL ORLANDO RESORT. 510 00:35:29,496 --> 00:35:32,665 BOTH AWESOME. FOR MORE INFORMATION AND TO 511 00:35:32,665 --> 00:35:40,073 ENTER FOR A CHANCE TO WIN, HEAD OVER TO "THE VOICE" OFFICIAL APP 512 00:35:40,073 --> 00:35:42,342 OR NBC.COM/VOICESWEEPS. BY THE WAY, THAT DEADLINE IS 513 00:35:42,342 --> 00:35:44,177 TOMORROW. SO BE SURE AND ENTER NOW. 514 00:35:44,177 --> 00:35:49,082 WE'RE GOING TO CONTINUE RIGHT AWAY WITH CHANCE'S POP SINGER 515 00:35:49,082 --> 00:35:53,553 WHO'S GETTING SO MUCH SUPPORT FROM HER NEW FANS BACK HOME. 516 00:35:53,553 --> 00:36:21,648 HERE'S MORE FROM MADDI JANE. >> HI, WE'RE FROM ILLINOIS. 517 00:36:21,648 --> 00:36:24,884 WE JUST WANTED TO SAY WE MOVED FROM CHICAGO TO LOS ANGELES TO 518 00:36:24,884 --> 00:36:26,820 FURTHER MY MUSIC CAREER. MY LOS ANGELES COMMUNITY IS 519 00:36:26,820 --> 00:36:29,556 INCREDIBLY SUPPORTIVE. I WILL FOREVER BE A MIDWEST 520 00:36:29,556 --> 00:36:31,758 GIRL. >> SO I'M FROM CHICAGO. 521 00:36:31,758 --> 00:36:33,660 YOU'RE FROM CHICAGO. >> YEAH. 522 00:36:33,660 --> 00:36:37,564 >> HOW DO YOU THINK CHICAGO MOLDED YOU AS AN ARTIST? 523 00:36:37,564 --> 00:36:40,533 >> I THINK THERE IS A GROUNDEDNESS TO CHICAGO. 524 00:36:40,533 --> 00:36:43,837 A LOT OF HARD WORKERS. ALSO HAD A GREAT THEATER GROUP. 525 00:36:43,837 --> 00:36:45,638 >> DID YOU START IN HEATER? >> YEAH. 526 00:36:45,638 --> 00:36:47,540 >> I DIDN'T KNOW THAT. OKAY. 527 00:36:47,540 --> 00:36:51,745 IT'S A CITY WHERE A LOT OF BLUES, GHETTO TECH, HOUSE MUSIC, 528 00:36:51,745 --> 00:36:54,481 SO MANY DIFFERENT GENRES COME OUT OF CHICAGO. 529 00:36:54,481 --> 00:36:59,452 AND I THINK MADDI IS PROBABLY OWES A LOT OF HER SUCCESS TO THE 530 00:36:59,452 --> 00:37:04,024 FACT THAT IT'S A MUSIC CITY. * I SEE YOU EYEING ME DOWN BUT 531 00:37:04,024 --> 00:37:09,629 YOU'LL NEVER KNOW MUCH PAST MY NAME * 532 00:37:09,629 --> 00:37:11,698 >> I AM SINGING "GREEDY" BY TATE McRAE. 533 00:37:11,698 --> 00:37:14,534 I THINK IT'S A PERFECT SONG FOR ME BECAUSE SHE DANCES, SHE IS A 534 00:37:14,534 --> 00:37:17,137 POP ARTIST, WHICH IS EXACTLY WHAT I WOULD LIKE TO BE IN THE 535 00:37:17,137 --> 00:37:20,940 FUTURE. >> SO ONE THING I LEARNED, IF 536 00:37:20,940 --> 00:37:23,777 I'M DOING A FOUR OR FIFE-MINUTE LONG SONG, I'M GOING TO BE 537 00:37:23,777 --> 00:37:27,280 DANCING, A LOT OF TIMES I'M GOING TO SAVE THE DANCING UNTIL 538 00:37:27,280 --> 00:37:32,452 TWO OR THREE MINUTES IN UNTIL IT STARTS OFF SMALL AND GROWS. 539 00:37:32,452 --> 00:37:36,056 * BABY, PLEASE * >> I FEEL LUCKY TO HAVE A COACH 540 00:37:36,056 --> 00:37:37,657 THAT I CAN RELATE TO ON SO MANY DIFFERENT LEVELS. 541 00:37:37,657 --> 00:37:40,794 HE IS VERY CREATIVE. HE IS OUTSIDE THE BOX, AND LOVES 542 00:37:40,794 --> 00:37:44,764 CHOREOGRAPHY TOO. >> I THINK IT'S DOPE. 543 00:37:44,764 --> 00:37:46,466 BUT I THINK WE'RE ON A VOCAL COMPETITION. 544 00:37:46,466 --> 00:37:49,602 AND I KNOW THAT LAST TAKE, THAT ONE WAS A LITTLE BIT MORE LIKE 545 00:37:49,602 --> 00:37:50,837 SPOKEN. I WOULDN'T WASTE ANY 546 00:37:50,837 --> 00:37:54,074 OPPORTUNITY. I WOULD TRY AND -- IF I COULD 547 00:37:54,074 --> 00:37:56,076 SING LIKE YOU, I WOULD SING ALL THE TIME. 548 00:37:56,076 --> 00:38:01,081 THIS WEEK FOUR PEOPLE GO HOME. THIS IS THE ONE WHERE YOU WANT 549 00:38:01,081 --> 00:38:02,148 TO SET YOURSELF APART. THANK YOU, MADDI! 550 00:38:02,148 --> 00:38:26,339 I THINK MADDI'S GOT IT. SHE IS MADDI FOR 551 00:38:26,339 --> 00:38:27,440 HER PASSION AND STAYED TRUE TO HERSELF. 552 00:38:27,440 --> 00:38:34,614 >> WE LOVE YOU! GIVE IT UP FOR MADDI J! 553 00:38:41,788 --> 00:38:43,390 * 554 00:38:43,390 --> 00:38:44,657 * HE SAID ARE YOU SERIOUS I'VE TRIED, BUT I CAN'T 555 00:38:44,657 --> 00:38:46,526 FIGURE OUT * * I'VE BEEN 556 00:38:46,526 --> 00:38:50,230 NEXT TO YOU ALL NIGHT AND STILL DON'T KNOW 557 00:38:50,230 --> 00:38:58,171 WHAT YOU'RE ABOUT * * YOU KEEP TALKING 558 00:38:58,171 --> 00:39:02,409 BUT NOT MUCH COMING OUT I WOULD WANT MYSELF 559 00:39:02,409 --> 00:39:04,711 BABY, PLEASE BELIEVE ME * * I'LL PUT YOU THROUGH HELL 560 00:39:04,711 --> 00:39:08,782 JUST TO KNOW ME YEAH-YEAH * 561 00:39:08,782 --> 00:39:12,452 * SO SURE OF YOURSELF BABY, DON'T GET GREEDY 562 00:39:12,452 --> 00:39:18,792 THAT WON'T END TOO WELL TOO WELL * 563 00:39:18,792 --> 00:39:21,428 * I SEE YOU EYEING ME DOWN BUT YOU'LL NEVER KNOW MUCH 564 00:39:21,428 --> 00:39:24,064 PAST MY NAME * * OR HOW I'M RUNNING 565 00:39:24,064 --> 00:39:26,700 THIS ROOM AROUND AND THAT I'M STILL 566 00:39:26,700 --> 00:39:28,935 HALF YOUR AGE * * YEAH, YOU'RE LOOKING 567 00:39:28,935 --> 00:39:32,539 AT ME LIKE I'M SOME SWEET ESCAPE 568 00:39:32,539 --> 00:39:36,743 OBVIOUS THAT YOU WANT ME * * I WOULD WANT MYSELF 569 00:39:36,743 --> 00:39:41,047 BABY, PLEASE BELIEVE ME I'LL PUT YOU THROUGH HELL 570 00:39:41,047 --> 00:39:45,185 JUST TO KNOW ME, YEAH-YEAH * * SO SURE OF YOURSELF 571 00:39:45,185 --> 00:39:51,524 BABY, DON'T GET GREEDY THAT WON'T END WELL TOO WELL 572 00:39:51,524 --> 00:39:54,160 DON'T GET GREEDY * * HE SAID I'M JUST CURIOUS 573 00:39:54,160 --> 00:39:56,296 IS THIS FOR REAL OR JUST AN ACT * 574 00:39:56,296 --> 00:39:58,365 * CAN'T TELL IF YOU LOVE OR HATE ME 575 00:39:58,365 --> 00:40:15,949 NEVER EVER MET SOMEONE LIKE THAT * 576 00:40:15,949 --> 00:40:17,017 * DRIVE ME SO SO SO CRAZY DID YOU KNOW 577 00:40:17,017 --> 00:40:18,151 YOU GOT THAT EFFECT I SAID LEMME CHECK * 578 00:40:18,151 --> 00:40:19,352 * I WOULD WANT MYSELF BABY, PLEASE BELIEVE ME 579 00:40:19,352 --> 00:40:20,720 I'LL PUT YOU THROUGH HELL JUST TO KNOW ME, YEAH-YEAH * 580 00:40:20,720 --> 00:40:21,888 * SO SURE OF YOURSELF BABY, DON'T GET GREEDY 581 00:40:21,888 --> 00:40:31,731 * THAT WON'T END WELL TOO WELL * 582 00:40:31,731 --> 00:40:42,842 * TOO WELL * * DON'T GET GREEDY * 583 00:40:42,842 --> 00:41:03,196 * BABY DON'T GET GREEDY * * I WOULD WANT MYSELF * 584 00:41:03,196 --> 00:41:12,172 LET'S GO! HEY! 585 00:41:12,172 --> 00:41:18,545 * I WOULD WANT MYSELF * 586 00:41:18,545 --> 00:41:21,081 [ CHEERING AND APPLAUSE ] >> Carson: SEMIFINALS NOT 587 00:41:21,081 --> 00:41:31,091 MESSING AROUND TONIGHT. THAT IS MADDI JANE. 588 00:41:31,091 --> 00:41:35,462 >> MADDI, MADDI, MADDI! >> Carson: WELL, THE CHANTS FOR 589 00:41:35,462 --> 00:41:37,097 MADDI ARE FROM CHICAGO, LOS ANGELES TONIGHT. 590 00:41:37,097 --> 00:41:39,733 MADDI, GREAT WORK. LET'S GO RIGHT TO YOUR COACH, 591 00:41:39,733 --> 00:41:41,334 CHANCE THE RAPPER. TALK TO US. 592 00:41:41,334 --> 00:41:47,507 >> THAT WAS INSANE. THAT WAS INCREDIBLE. 593 00:41:47,507 --> 00:41:50,877 [ CHEERING ] WE TALKED A LOT ABOUT TRYING TO 594 00:41:50,877 --> 00:41:55,749 MAKE SURE THAT WE DIDN'T HAVE TO SACRIFICE LIKE, YOU KNOW, THE 595 00:41:55,749 --> 00:41:58,284 VOCAL FOR THE CHOREOGRAPHY. YOU MADE SURE ALL YOUR 596 00:41:58,284 --> 00:42:22,909 HARMONIES, ALL YOUR INTENTIONAL MOMENTS WERE THERE. 597 00:42:22,909 --> 00:42:24,477 IT WAS GRAMMY LEVEL PERFORMANCE. LET'S HEAR IT FOR MADDI JANE. 598 00:42:24,477 --> 00:42:28,515 COMING UP, NATHAN PUTS HIS SPIN ON AN OTIS REDDING CLASSIC. 599 00:42:28,515 --> 00:42:29,883 AND OF COURSE THE TRIOS CONTINUE. 600 00:42:29,883 --> 00:42:31,985 ON THE WAY, ASHER, MADISON AND SERENITY. 601 00:42:43,163 --> 00:42:45,565 * THIS IS THE VOICE * 602 00:42:45,565 --> 00:42:51,771 >> Carson: WE ARE BACK WITH THE LIVE SEMI-FINALS. 603 00:42:51,771 --> 00:42:54,007 VOTING OPEN, AGAIN, YOU'RE ONLY VOTING FOR ONE ARTIST. 604 00:42:54,007 --> 00:42:57,911 BUT IF YOU SEE ANOTHER ARTIST YOU LIKE, YOU CAN CHANGE THAT 605 00:42:57,911 --> 00:42:59,312 VOTE UNTIL THAT VOTING WINDOW CHANGES TOMORROW AT 7:00 A.M. 606 00:42:59,312 --> 00:43:00,213 EASTERN. SO GOOD LUCK. 607 00:43:00,213 --> 00:43:02,816 OUR HOMETOWN DEDICATIONS CONTINUE WITH TEAM LEGEND'S 608 00:43:02,816 --> 00:43:06,753 RETRO SOUL SINGER FROM CHICAGO WHO NEVER FEELS FAR FROM HOME. 609 00:43:06,753 --> 00:43:11,791 HERE'S MORE FROM NATHAN CHESTER. [ CHEERING AND APPLAUSE ] 610 00:43:11,791 --> 00:43:13,493 >> CONGRATULATIONS, YOU'RE IN THE TOP NINE. 611 00:43:13,493 --> 00:43:16,963 >> THANK YOU VERY MUCH. >> MY KIDS CAME TO THE SHOW WITH 612 00:43:16,963 --> 00:43:18,698 ME, AND IT WAS THEIR FAVORITE PERFORMANCE OF THE NIGHT. 613 00:43:18,698 --> 00:43:20,834 >> RIGHT ON! >> MY DAUGHTER LIKES TO DO THE 614 00:43:20,834 --> 00:43:23,069 SPLITS TOO. >> OH, COME ON, NOW. 615 00:43:23,069 --> 00:43:25,872 >> SHE WAS ESPECIALLY FOND OF THE WAY YOU CLOSED YOUR 616 00:43:25,872 --> 00:43:27,941 PERFORMANCE. >> I APPRECIATE THAT. 617 00:43:27,941 --> 00:43:30,510 >> THIS IS HOMETOWN WEEK. >> SO I'M FROM CHICAGO, 618 00:43:30,510 --> 00:43:34,881 ILLINOIS. CHICAGO IS A GREAT LAUNCHING PAD 619 00:43:34,881 --> 00:43:37,617 TO PUSH ME INTO SOUL-MOTOWN MUSIC. 620 00:43:37,617 --> 00:43:39,753 I'M FROM THE MIDWEST TOO. AND SOMETHING ABOUT AMERICAN 621 00:43:39,753 --> 00:43:41,821 FOLKS, WE MAKE EVERY PLACE FEEL LIKE IT CAN BE HOME FOR US. 622 00:43:41,821 --> 00:43:44,124 >> YEAH, YEAH. >> YOU HAVE YOUR HOME ON THE SEA 623 00:43:44,124 --> 00:43:47,594 AS WELL. >> THAT'S RIGHT, THAT'S RIGHT. 624 00:43:47,594 --> 00:43:50,230 FOR THE PAST SEVEN TO EIGHT YEARS, CRUISE SHIPS HAVE BEEN MY 625 00:43:50,230 --> 00:43:55,101 HOME. I WORK AS A GUEST ENTERTAINER. 626 00:43:55,101 --> 00:43:58,138 MY CRUISE SHIP FAMILY IS THE WARMEST, MOST VERSATILE FAMILY I 627 00:43:58,138 --> 00:44:00,073 THINK ANYBODY COULD EVER HAVE. >> NATHAN CHESTER IS GOING TO 628 00:44:00,073 --> 00:44:02,842 WIN "THE VOICE"! >> I FELL IN LOVE ON CRUISES. 629 00:44:02,842 --> 00:44:05,845 WHEREVER WE'RE AT IN THE WORLD, THAT IS HOME. 630 00:44:05,845 --> 00:44:08,381 >> YOU'RE SO EASY TO BE HAPPY FOR BECAUSE YOU GIVE SO MUCH 631 00:44:08,381 --> 00:44:10,750 LOVE TO EVERYBODY AROUND YOU. >> THANKS, BABY. 632 00:44:10,750 --> 00:44:16,756 >> I'M JUST SO PROUD OF YOU. >> I WANT TO MAKE IT TO THE 633 00:44:16,756 --> 00:44:19,726 FINALE FOR HER. >> TRY A LITTLE TENDERNESS. 634 00:44:19,726 --> 00:44:21,528 THIS SONG IS TRULY AN ICONIC SONG. 635 00:44:21,528 --> 00:44:24,864 THERE REALLY AREN'T A LOT OF ARTISTS THAT ARE CHANNELING THIS 636 00:44:24,864 --> 00:44:28,335 ERA IN THE WAY THAT NATHAN IS DOING IT. 637 00:44:28,335 --> 00:44:30,670 HE PUTS HIS OWN TWIST TO IT. THING IS A WIDE OPEN LANE FOR 638 00:44:30,670 --> 00:44:35,742 HIM IN OUR INDUSTRY. * 639 00:44:35,742 --> 00:44:39,079 >> BEAUTIFUL! IT'S GOING TO BE GREAT. 640 00:44:39,079 --> 00:44:44,084 I REALLY WANT YOU TO SUAVE IT OUT EVEN A LITTLE MORE. 641 00:44:44,084 --> 00:44:48,121 * SHE WON'T REGRET IT, NO, NO, NO * 642 00:44:48,121 --> 00:44:49,856 >> I LIKE SHOWING THE ROMANCER AND BELTER. 643 00:44:49,856 --> 00:44:55,362 AND THEN GO CRAZY AT THE END. >> GOT IT. 644 00:44:55,362 --> 00:45:00,633 * * WOO * 645 00:45:00,633 --> 00:45:03,169 >> THIS MAN IS A VISIONARY. JOHN IS SO GOOD AT GIVING 646 00:45:03,169 --> 00:45:07,040 DIRECTION AND SETTING UP A ROAD MAP FOR SUCCESS. 647 00:45:07,040 --> 00:45:10,343 * TRY * >> I LOVE TO BRING A MODERN FEEL 648 00:45:10,343 --> 00:45:14,214 TO THESE OLD SONGS. I GET SUCH A JOY FROM SURPRISING 649 00:45:14,214 --> 00:45:18,084 THE AUDIENCE. I'M GOING TO KEEP SURPRISING 650 00:45:18,084 --> 00:45:21,654 AMERICA AS BEST I CAN SO THAT I FEEL THAT I AM WORTHY OF THE 651 00:45:21,654 --> 00:45:25,358 HONOR TOP FIVE. >> YES! 652 00:45:25,358 --> 00:45:27,560 IF YOU DO LIKE WHAT YOU JUST DID, THAT'S AMAZING. 653 00:45:27,560 --> 00:45:31,398 YOU'RE QUITE THE PERFORMER. I CANNOT DO THE SPLITS, BUT I'M 654 00:45:31,398 --> 00:45:33,533 GLAD YOU CAN DO IT. YOU SET A STANDARD NOW. 655 00:45:33,533 --> 00:45:39,072 MY DAUGHTER IS LIKE WHERE THE SPLITS AT? 656 00:45:39,072 --> 00:45:42,075 [ APPLAUSE ] >> Carson: THAT IS SO FUN 657 00:45:42,075 --> 00:45:43,910 WATCHING JOHN COACH NATHAN. PERFECT COACH. 658 00:45:43,910 --> 00:45:46,312 I'M HERE WITH NATHAN'S BIGGEST FAN YOU SAW IN THAT PIECE, HIS 659 00:45:46,312 --> 00:45:50,083 GIRLFRIEND EMILY. WELCOME, EMILY. 660 00:45:50,083 --> 00:45:52,085 GREAT TO HAVE YOU HERE. >> THANK YOU FOR HAVING ME. 661 00:45:52,085 --> 00:45:53,687 >>. >> Carson: I HAVE SO MANY 662 00:45:53,687 --> 00:45:56,756 QUESTIONS ABOUT THE CRUISE SHIP. I'M GOING STICK TO ONE. 663 00:45:56,756 --> 00:45:59,426 WHAT HAS SUPPORT BEEN LIKE FOR NATHAN FROM THE CRUISE FAMILY? 664 00:45:59,426 --> 00:46:02,562 >> IT'S AMAZING. SHIPS ARE HOME AWAY FROM HOME. 665 00:46:02,562 --> 00:46:04,764 BECAUSE OF THAT, WE HAVE PEOPLE ALL OVER THE WORLD SUPPORTING 666 00:46:04,764 --> 00:46:10,603 HIM AND CHEERING HIM ON. IT'S BEEN AMAZING. 667 00:46:10,603 --> 00:46:12,739 >> Carson: THAT'S FANTASTIC. IF YOU DON'T MIND? 668 00:46:12,739 --> 00:46:48,775 >> I'D BE HONORED. GIVE IT UP FOR NATHAN CHESTER! 669 00:46:48,775 --> 00:47:03,523 BUT WHEN SHE GETS WEARY TRY A LITTLE TENDERNESS, YEAH * 670 00:47:03,523 --> 00:47:11,464 * IT'S NOT JUST SENTIMENTAL NO, NO, NO 671 00:47:11,464 --> 00:47:18,304 IT MAKES IT EASIER EASIER TO BEAR * 672 00:47:18,304 --> 00:47:22,509 * YOU WON'T REGRET IT NO, NO 673 00:47:22,509 --> 00:47:28,314 SOME GIRLS THEY WON'T FORGET IT * 674 00:47:28,314 --> 00:47:38,358 * LOVE IS THEIR ONLY HAPPINESS, YEAH 675 00:47:38,358 --> 00:47:45,732 BUT IT'S ALL SO EASY ALL YOU GOTTA DO IS TRY * 676 00:47:45,732 --> 00:47:49,436 * TRY A LITTLE TENDERNESS YEAH, ALL YOU GOTTA DO IS 677 00:47:49,436 --> 00:47:52,639 MAN, HOLD HER WHERE YOU WANT HER * 678 00:47:52,639 --> 00:47:55,809 * SQUEEZE HER DON'T TEASE HER 679 00:47:55,809 --> 00:47:58,978 NEVER LEAVE HER LOOK AT TO HER * 680 00:47:58,978 --> 00:48:02,682 * TRY, TRY JUST TRY A LITTLE TENDERNESS 681 00:48:02,682 --> 00:48:06,353 HEY HEY HEY YOU GOT TO KNOW 682 00:48:06,353 --> 00:48:09,522 HOW TO LOVE HER, MAN * * YOU'LL BE SURPRISED, MAN 683 00:48:09,522 --> 00:48:13,760 YOU'VE GOT TO HOLD HER SQUEEZE HER 684 00:48:13,760 --> 00:48:17,564 NEVER LEAVE HER * * GOT TO, GOT TO 685 00:48:17,564 --> 00:48:40,653 NAH, NAH, NAH YOU GOT TO TRY 686 00:48:40,653 --> 00:48:41,955 A LITTLE TENDERNESS * * YOU'LL BE SURPRISED, MAN 687 00:48:41,955 --> 00:48:43,089 YOU GOT TO KNOW * YOU'VE GOT TO HOLD HER 688 00:48:43,089 --> 00:48:43,957 SQUEEZE HER NEVER LEAVE HER 689 00:48:43,957 --> 00:48:46,493 YOU GOTTA TRY * * YOU GOTTA TRY 690 00:48:46,493 --> 00:48:55,835 YOU GOTTA TRY A LITTLE TENDERNESS 691 00:48:55,835 --> 00:49:04,811 * [ CHEERING AND APPLAUSE ] 692 00:49:04,811 --> 00:49:08,348 >> Carson: THAT IS NATHAN CHESTER, TEAM JOHN LEGEND IN THE 693 00:49:08,348 --> 00:49:15,755 SEMIFINALS OF "THE VOICE." I THANK YOU, FELLOWS. 694 00:49:15,755 --> 00:49:18,358 APPRECIATE YOU. >> NATHAN, NATHAN! 695 00:49:18,358 --> 00:49:24,931 >> Carson: THAT IS FANTASTIC, PER USUAL, MAN. 696 00:49:24,931 --> 00:49:28,101 CROWD WENT CRAZY FOR THAT. CAN'T DO THAT OUT AT SEA, MAN. 697 00:49:28,101 --> 00:49:29,302 GOT TO DO THAT FOR EVERYBODY AROUND THE WORLD. 698 00:49:29,302 --> 00:49:34,040 >> THE ONLY THING MISSING WAS THE SPLITS, NATHAN! 699 00:49:34,040 --> 00:49:37,344 STOP. THAT WAS INCREDIBLE. 700 00:49:37,344 --> 00:49:38,912 THE JOURNEY YOU TOOK US ON. THE PERFORMANCE FROM BEGINNING 701 00:49:38,912 --> 00:49:42,215 TO END. YOU SHOWED EVERY SIDE OF YOUR 702 00:49:42,215 --> 00:49:43,550 VOICE, YOUR SKILL AS A PERFORMER, AND THE CROWD JUST 703 00:49:43,550 --> 00:49:48,521 WENT CRAZY FOR IT. [ CHEERING ] 704 00:49:48,521 --> 00:49:53,126 YOU KNOW WHAT TO DO, YOU KNOW WHAT TO DO. 705 00:49:53,126 --> 00:49:55,161 WE GOT TO SEE YOU IN THE FINALE. LET'S GO! 706 00:49:55,161 --> 00:49:59,232 >> Carson: YOU WANT TO GIVE YOUR MOM A SHOUT OUT TOO. 707 00:49:59,232 --> 00:50:05,105 NEXT TO EMILY OVER THERE. IF YOU WANT NATHAN IN THE 708 00:50:05,105 --> 00:50:07,540 FINALE, YOU CAN VOTE, GIVE IT UP AGAIN FOR NATHAN CHESTER! 709 00:50:07,540 --> 00:50:08,775 [ CHEERING ] >> Carson: WHEN WE COME BACK, 710 00:50:08,775 --> 00:50:13,146 ASHER, MADISON AND SERENITY COME TOGETHER FOR A COLDPLAY CLASSIC. 711 00:50:23,656 --> 00:50:24,691 * THIS IS THE VOICE * 712 00:50:24,691 --> 00:50:27,360 >> Carson: WELCOME BACK. THIS WEEK, OUR SEMI-FINALISTS 713 00:50:27,360 --> 00:50:32,665 ARE TEAMING UP FOR SPECIAL TRIO PERFORMANCES THEMED AROUND THE 714 00:50:32,665 --> 00:50:37,504 POWER OF IMAGINATION. WE'LL CONTINUE NOW WITH 715 00:50:37,504 --> 00:50:38,938 THREE SINGERS WHO ARE GETTING TOGETHER TO PUT THEIR OWN STAMP 716 00:50:38,938 --> 00:50:42,575 ON A COLDPLAY HIT. HERE'S MORE. 717 00:50:42,575 --> 00:50:44,177 >> WE ARE HERE WITH THE TWO OF US. 718 00:50:44,177 --> 00:50:48,014 >> I'M SO EXCITED TO SING WITH YOU GUYS. 719 00:50:48,014 --> 00:50:50,050 >> IT WILL BE AMAZING. >> I THINK WITH MADISON AND 720 00:50:50,050 --> 00:50:55,221 SERENITY. >> YEAH, YEAH. 721 00:50:55,221 --> 00:50:57,957 >> WHAT KIND OF PERFORMANCE DO YOU GUYS THINK WE'RE GOING TO 722 00:50:57,957 --> 00:51:00,827 DO? >> I DON'T KNOW. 723 00:51:00,827 --> 00:51:02,529 >> OUR MOVIE "IF" IS ABOUT IMAGINARY FRIENDS. 724 00:51:02,529 --> 00:51:05,065 THEY'RE ALWAYS THERE AND ALWAYS HAVE YOUR BACK. 725 00:51:05,065 --> 00:51:06,066 I MYSELF HAD AN IMAGINARY FRIEND. 726 00:51:06,066 --> 00:51:08,134 >> DID YOU? >> YEAH. 727 00:51:08,134 --> 00:51:11,738 HE WAS A BEAUTIFUL HUMAN WHO SHARED MY SAME NAME ACTUALLY. 728 00:51:11,738 --> 00:51:13,973 HE ALSO SANG A SONG CALLED "ORDINARY PEOPLE." 729 00:51:13,973 --> 00:51:15,875 I'M SO THRILLED HE COULD BE THERE WITH YOU TONIGHT. 730 00:51:15,875 --> 00:51:19,646 HI, JOHN. >> WELL, IN YOUR PERFORMANCE, WE 731 00:51:19,646 --> 00:51:22,248 ASK THAT YOU REIMAGINE A TIME WHEN SOMEONE OR SOMETHING 732 00:51:22,248 --> 00:51:23,650 SUPPORTED YOU OR INSPIRED YOU IN YOUR LIFE. 733 00:51:23,650 --> 00:51:26,252 JUST HAVE FUN. >> THAT'S THE MOST IMPORTANT 734 00:51:26,252 --> 00:51:27,687 THING. >> I THINK WE CAN DO THIS. 735 00:51:27,687 --> 00:51:29,689 >> QUESTION DO THIS. >> YEAH. 736 00:51:29,689 --> 00:51:31,391 >> WE CAN LEAN ON EACH OTHER AND SUPPORT EACH OTHER AND IT WILL 737 00:51:31,391 --> 00:51:34,260 BE AMAZING. >> HONEY, I AIN'T TRYING TO 738 00:51:34,260 --> 00:51:35,161 LEAN. I'M TRYING TO FOLLOW. 739 00:51:35,161 --> 00:51:38,865 >> WE GOT YOU. WE GOT YOU. 740 00:51:38,865 --> 00:51:42,168 >> BECAUSE I'M CURRENTLY STILL A TEENAGER, JUST LIKE THE ENERGY I 741 00:51:42,168 --> 00:51:45,105 CAN BRING AROUND YOU GUYS, I THINK WE COULD MAKE IT REALLY 742 00:51:45,105 --> 00:51:47,240 LIKE DREAM-LIKE. I'M ALREADY PICTURING WHAT WE'RE 743 00:51:47,240 --> 00:51:50,910 GOING TO DO ON STAGE. >> YOU KNOW I'M ALL ABOUT THE 744 00:51:50,910 --> 00:51:54,247 FASHION. >> WE KNOW REAL COOL OUTFITS. 745 00:51:54,247 --> 00:51:56,850 >> A TRAIN, YES. >> YES, WE NEED THAT. 746 00:51:56,850 --> 00:51:57,851 >> LET'S DO THAT! >> I'M SO EXCITED. 747 00:51:57,851 --> 00:52:02,288 LET'S GO! [ APPLAUSE ] 748 00:52:06,726 --> 00:52:09,396 * WHEN YOU TRY YOUR BEST 749 00:52:09,396 --> 00:52:15,702 BUT YOU DON'T SUCCEED WHEN YOU GET WHAT YOU WANT 750 00:52:15,702 --> 00:52:22,075 BUT NOT WHAT YOU NEED * * WHEN YOU FEEL SO TIRED 751 00:52:22,075 --> 00:52:32,952 BUT YOU CAN'T SLEEP STUCK IN REVERSE 752 00:52:32,952 --> 00:52:36,856 AND THE TEARS COME * * STREAMING DOWN YOUR FACE 753 00:52:36,856 --> 00:52:44,230 WHEN YOU LOSE SOMETHING YOU CAN'T REPLACE 754 00:52:44,230 --> 00:52:57,410 * WHEN YOU LOVE SOMEONE BUT IT GOES TO WASTE 755 00:52:57,410 --> 00:53:11,124 COULD IT BE WORSE LIGHTS WILL GUIDE YOU HOME * 756 00:53:11,124 --> 00:53:28,508 * AND IGNITE YOUR BONES AND I WILL TRY TO FIX YOU 757 00:53:28,508 --> 00:53:36,983 TEARS STREAM DOWN YOUR FACE WHEN YOU LOSE SOMETHING * 758 00:53:36,983 --> 00:53:49,162 * YOU COULD NOT REPLACE TEARS STREAM DOWN YOUR FACE 759 00:53:49,162 --> 00:53:54,934 AND I * * TEARS STREAM 760 00:53:54,934 --> 00:54:01,808 DOWN YOUR FACE WHEN YOU LOSE SOMETHING 761 00:54:01,808 --> 00:54:08,181 YOU COULD NOT REPLACE TEARS STREAM DOWN * 762 00:54:08,181 --> 00:54:15,055 * YOUR FACE AND I 763 00:54:15,055 --> 00:54:27,167 LIGHTS WILL GUIDE YOU HOME AND IGNITE YOUR BONES * 764 00:54:27,167 --> 00:54:49,456 * AND I WILL TRY TO FIX YOU * 765 00:54:49,456 --> 00:54:53,860 [ CHEERING AND APPLAUSE ] >> Carson: THERE IS ASHER, 766 00:54:53,860 --> 00:54:58,098 MADISON, AND SERENITY. AND SPECIAL GUESTS, EVERYBODY. 767 00:54:58,098 --> 00:54:59,566 ALSO, OUR SPECIAL CHEERING SECTION FROM THE MOVIE "IF" 768 00:54:59,566 --> 00:55:01,067 BACKSTAGE LOVING THAT ONE AS WELL. 769 00:55:01,067 --> 00:55:02,869 WHEN WE COME BACK -- BRYAN RETURNS TO SEND OUT AN EMOTIONAL 770 00:55:02,869 --> 00:55:04,237 PHIL COLLINS POWER BALLAD TO HIS HOMETOWN FRIENDS. 771 00:55:04,237 --> 00:55:17,784 AND KAREN AND ASHER RETURN TO * THIS IS THE VOICE * 772 00:55:17,784 --> 00:55:20,553 >> Carson: WELCOME BACK. WE ARE ONE WEEK AWAY FROM 773 00:55:20,553 --> 00:55:21,521 CROWNING THE WINNER OF SEASON 25. 774 00:55:21,521 --> 00:55:23,590 YOUR VOTES ARE ABSOLUTELY CRUCIAL. 775 00:55:23,590 --> 00:55:29,729 VOTING IS OPEN NOW FOR ALL ARTISTS ON ALL METHODS. 776 00:55:29,729 --> 00:55:33,566 WE'LL CONTINUE WITH THE TOP NINE SEMI-FINALS WITH A PASSIONATE 777 00:55:33,566 --> 00:55:35,535 '80s BALLAD THAT ALLOWS THIS POP ROCKER TO SHINE. 778 00:55:35,535 --> 00:55:39,239 HERE'S MORE FROM TEAM LEGEND'S BRYAN OLESEN. 779 00:55:39,239 --> 00:55:45,445 >> GOOD EVENING, AMERICA! >> I LOVE THAT WE OPENED THE 780 00:55:45,445 --> 00:55:50,517 SHOW WITH BRYAN SINGING "DON'T STOP ME NOW." 781 00:55:50,517 --> 00:55:53,653 WHAT A JOLT OF ENERGY OF ROCK STAR VIBE, AND I THINK AMERICA 782 00:55:53,653 --> 00:55:56,656 LOVED IT. >> BRYAN OLESEN! 783 00:55:56,656 --> 00:55:59,559 >> AMERICA DECIDED FOR ME TO STAY HERE. 784 00:55:59,559 --> 00:56:01,661 AT THIS STAGE OF MY LIFE TO HAVE SOMETHING THIS COOL IS A GIFT 785 00:56:01,661 --> 00:56:04,431 FROM GOD. AND I'M JUST EMBRACING IT AND 786 00:56:04,431 --> 00:56:08,435 ENJOYING EVERY MINUTE. >> LOOK WHO IS IN THE 787 00:56:08,435 --> 00:56:09,235 SEMIFINALS! >> I KNOW! 788 00:56:09,235 --> 00:56:12,038 IT FEELS SO GOOD. >> I KNEW IT WAS GOING TO HAPPEN 789 00:56:12,038 --> 00:56:16,042 DAY ONE. * YOU COMING BACK TO ME IS 790 00:56:16,042 --> 00:56:19,612 AGAINST ALL ODDS * >> I THINK THIS IS A GREAT 791 00:56:19,612 --> 00:56:24,050 CHOICE BECAUSE IT'S A GOOD COUNTER WEIGHT AGAINST WHAT HE 792 00:56:24,050 --> 00:56:25,952 DID LAST WEEK WHICH WAS SO HIGH ENERGY. 793 00:56:25,952 --> 00:56:29,222 * I WISH I COULD JUST MAKE YOU TURN AROUND * 794 00:56:29,222 --> 00:56:32,459 >> AND THIS SONG HAS MORE EMOTION AND SADNESS. 795 00:56:32,459 --> 00:56:36,830 I COME FROM LINCOLN, NEBRASKA. TO MOST MUSICIANS USUALLY MOVE 796 00:56:36,830 --> 00:56:42,702 TO NASHVILLE, BIG MUSIC CITIES. IF YOU THINK ABOUT IT, I AM HERE 797 00:56:42,702 --> 00:56:43,737 AGAINST ALL ODDS. IT'S HOMETOWN WEEK. 798 00:56:43,737 --> 00:56:45,138 >> WHAT IS IT ABOUT NEBRASKA THAT MADE YOU WANT TO MAKE IT 799 00:56:45,138 --> 00:56:47,273 HOME? >> LINCOLN IS JUST A BEAUTIFUL 800 00:56:47,273 --> 00:56:50,410 COLLEGE TOWN, GREAT PEOPLE, GREAT MUSIC SCENE AS WELL. 801 00:56:50,410 --> 00:56:54,314 >> I KNOW MOST OF AMERICA THINKS NEBRASKA IS ALL FULL OF CORN 802 00:56:54,314 --> 00:56:56,983 FIELDS. BUT THAT'S NOT TRUE. 803 00:56:56,983 --> 00:57:00,887 >> LINCOLN IS SUCH A SPECIAL PLACE BECAUSE WE'RE HOME TO 804 00:57:00,887 --> 00:57:02,756 HUSKER FOOTBALL AND BRYAN OLESEN. 805 00:57:02,756 --> 00:57:06,226 >> TO ENCOURAGE ME, HAS LIFTED ME UP. 806 00:57:06,226 --> 00:57:09,562 WE HAD A HOMETOWN PARTY AT A THEATER, AND THEY PUT MY NAME ON 807 00:57:09,562 --> 00:57:13,466 THE MARQUEE. AND MY DAUGHTER'S '80s COVER 808 00:57:13,466 --> 00:57:16,369 BAND GRACIOUSLY CAME IN AND I GOT TO SING WITH HER ON THE 809 00:57:16,369 --> 00:57:18,872 STAGE. TO SEE HOW LINCOLN RALLIED FOR 810 00:57:18,872 --> 00:57:21,541 ME BEING HERE ON "THE VOICE," IT'S A BEAUTIFUL FEELING AND I 811 00:57:21,541 --> 00:57:24,744 LOVED EVERY SECOND OF IT. >> THAT MUST HAVE BEEN FUN. 812 00:57:24,744 --> 00:57:27,480 THE KEY IS MAKING THAT EMOTIONAL CONNECTION, MAKING PEOPLE FEEL 813 00:57:27,480 --> 00:57:31,284 THE LOSS AND MAKE THEM CRY. MAKE THEM FEEL IT. 814 00:57:31,284 --> 00:57:35,422 >> THIS SONG, I HAVE TO BECOME VULNERABLE, DRAW FROM THAT FULL 815 00:57:35,422 --> 00:57:40,160 LIFE EXPERIENCE OF UPS AND DOWNS, FULLY EMBODY THE EMOTION 816 00:57:40,160 --> 00:57:41,294 OF WHAT THESE LYRICS ARE AND DELIVER THAT. 817 00:57:41,294 --> 00:57:45,265 >> THAT'S WHAT TAKES YOU FROM BEING A REALLY GOOD SINGER TO 818 00:57:45,265 --> 00:57:46,666 MAKING EVERYBODY VOTE FOR YOU. AND I THINK THAT'S GOING THE 819 00:57:46,666 --> 00:57:48,935 DIFFERENCE. >> THANK YOU, JOHN. 820 00:57:48,935 --> 00:57:51,805 >> BRYAN IS GOING TO TAP INTO THE EMOTION OF THIS SONG. 821 00:57:51,805 --> 00:57:53,673 HE IS GOING MAKE AMERICA CRY, AND HE IS GOING TO EARN HIS WAY 822 00:57:53,673 --> 00:57:59,145 INTO THE FINALE. [ CHEERING ] 823 00:57:59,145 --> 00:58:03,016 >> Carson: TO INTRODUCE HIS PERFORMANCE TONIGHT, TAKE A LOOK 824 00:58:03,016 --> 00:58:05,285 AT A BIG VIEWING PARTY IN BRYAN'S HOMETOWN, LINCOLN, 825 00:58:05,285 --> 00:58:09,122 NEBRASKA. >> I'M HERE IN LINCOLN, NEBRASKA 826 00:58:09,122 --> 00:58:15,028 CELEBRATING WITH BRYAN OLESEN'S FAMILY AND FRIENDS. 827 00:58:15,028 --> 00:58:20,600 [ CHEERING ] >> TELL ME ABOUT WHAT MAKES YOU 828 00:58:20,600 --> 00:58:23,036 PROUD FOR BRYAN REPRESENTING YOUR HOMETOWN? 829 00:58:23,036 --> 00:58:32,545 >> I THINK WHAT I'M MOST PROUD OF HIM FOR IS HIS DEDICATION, 830 00:58:32,545 --> 00:58:33,713 NOT ONLY TO MUSIC, BUT HIS FAITH, HIS FAMILY. 831 00:58:33,713 --> 00:58:37,417 >> Cars >> GIVE IT UP FOR OUR HOMETOWN 832 00:58:37,417 --> 00:58:37,884 HERO, BRYAN OLESEN! 833 00:58:43,056 --> 00:58:47,961 * HOW CAN I JUST 834 00:58:47,961 --> 00:58:52,866 LET YOU WALK AWAY LET YOU LEAVE WITHOUT A TRACE * 835 00:58:52,866 --> 00:58:56,569 * WHEN I STAND HERE TAKING EVERY BREATH WITH YOU 836 00:58:56,569 --> 00:59:10,083 OOO, OOO * * YOU'RE THE ONLY ONE 837 00:59:10,083 --> 00:59:14,421 WHO REALLY KNEW ME AT ALL * HOW REQUEST YOU JUST WALK AWAY 838 00:59:14,421 --> 00:59:20,126 WHEN ALL I CAN DO IS WATCH YOU LEAVE * 839 00:59:20,126 --> 00:59:23,830 * ‘CAUSE WE'VE SHARED THE LAUGHTER AND THE PAIN 840 00:59:23,830 --> 00:59:25,131 AND EVEN SHARED THE TEARS * * YOU'RE THE ONLY ONE 841 00:59:25,131 --> 00:59:33,340 WHO REALLY KNEW ME AT ALL * 842 00:59:33,340 --> 00:59:35,442 * SO TAKE A LOOK AT ME NOW 843 00:59:35,442 --> 00:59:39,145 WELL THERE'S JUST AN EMPTY SPACE * 844 00:59:39,145 --> 00:59:43,350 * THERE'S NOTHING LEFT HERE TO REMIND ME 845 00:59:43,350 --> 00:59:52,759 JUST THE MEMORY OF YOUR FACE * 846 00:59:52,759 --> 01:00:00,266 * TAKE A LOOK AT ME NOW * * THERE'S JUST AN EMPTY SPACE, 847 01:00:00,266 --> 01:00:09,242 AND YOU COMING BACK TO ME IS AGAINST THE ODDS, AND THAT'S 848 01:00:09,242 --> 01:00:12,412 WHAT I'VE GOT TO SAY * * I WISH I COULD JUST 849 01:00:12,412 --> 01:00:16,116 MAKE YOU TURN AROUND TURN AROUND AND 850 01:00:16,116 --> 01:00:20,320 SEE ME CRY * * THERE'S SO MUCH I NEED 851 01:00:20,320 --> 01:00:26,092 TO SAY TO YOU SO MANY REASONS WHY * 852 01:00:26,092 --> 01:00:31,998 * YOU'RE THE ONLY ONE WHO REALLY KNEW ME AT ALL 853 01:00:31,998 --> 01:00:37,170 * SO TAKE A LOOK AT ME NOW 854 01:00:37,170 --> 01:00:43,843 WELL THERE'S JUST AN EMPTY SPACE * 855 01:00:43,843 --> 01:00:45,612 * THERE'S NOTHING LEFT HERE TO REMIND ME 856 01:00:45,612 --> 01:00:53,019 JUST THE MEMORY OF YOUR FACE * 857 01:00:53,019 --> 01:01:02,062 * TAKE A GOOD LOOK AT ME NOW 'CAUSE I'LL STILL 858 01:01:02,062 --> 01:01:05,131 BE STANDING HERE * * TO WAIT FOR YOU IS ALL I CAN 859 01:01:05,131 --> 01:01:18,378 DO, AND THAT'S WHAT I'VE GOT TO SAY * 860 01:01:18,378 --> 01:01:19,546 * TAKE A LOOK AT ME NOW 861 01:01:19,546 --> 01:01:24,984 * [ CHEERING AND APPLAUSE ] 862 01:01:24,984 --> 01:01:38,631 >> Carson: BRYAN OLESEN, EVERYBODY. 863 01:01:38,631 --> 01:01:41,868 >> Carson: ALL RIGHT. LET'S GO RIGHT TO YOUR COACH, 864 01:01:41,868 --> 01:01:43,737 THE GREAT JOHN LEGEND. JOHN? 865 01:01:43,737 --> 01:01:47,640 >> I LOVED IT. I LOVED IT! 866 01:01:47,640 --> 01:01:50,810 WE ALL LOVED IT. I REALLY FELT YOU CONNECTING TO 867 01:01:50,810 --> 01:01:57,584 THE LYRIC OF THE SONG. I LOVED HOW YOU HELD EACH NOTE 868 01:01:57,584 --> 01:02:00,053 LIKE WITH A CERTAIN PATIENCE AND SUBTLETY AND GRACE, AND IT 869 01:02:00,053 --> 01:02:02,489 REALLY MADE THE PERFORMANCE SO BEAUTIFUL AND EFFECTIVE AND 870 01:02:02,489 --> 01:02:05,325 MOVING. IT WAS JUST WHAT YOU NEEDED TO 871 01:02:05,325 --> 01:02:08,595 DO. THANK YOU SO MUCH, BRYAN. 872 01:02:08,595 --> 01:02:09,596 THAT WAS BEAUTIFUL. >> THANKS, JOHN. 873 01:02:09,596 --> 01:02:11,064 >> Carson: IF YOU WANT BRYAN IN THE FINALE, YOU CAN VOTE ON 874 01:02:11,064 --> 01:02:14,801 NBC.COM AND “THE VOICE” OFFICIAL APP. 875 01:02:14,801 --> 01:02:18,271 GIVE IT UP AGAIN FOR BRYAN OLESEN. 876 01:02:18,271 --> 01:02:22,709 WHEN WE COME BACK, KAREN TAPS INTO HER STORYTELLING SIDE WITH 877 01:02:37,524 --> 01:02:38,191 * THIS IS THE VOICE * 878 01:02:38,191 --> 01:02:39,426 >> Carson: WELCOME BACK TO THE LIVE SEMI-FINALS. 879 01:02:39,426 --> 01:02:41,728 INCREDIBLE NIGHT OF MUSIC -- LET'S HEAR IT FOR PAUL MIRKOVICH 880 01:02:41,728 --> 01:02:46,966 AND “THE VOICE” BAND FOR MAKING IT ALL POSSIBLE. 881 01:02:46,966 --> 01:02:49,969 [ APPLAUSE ] AND OUR INCREDIBLE CREW. 882 01:02:49,969 --> 01:02:59,579 UNBELIEVABLE. TONIGHT THEY'RE PULLING OUT ALL 883 01:02:59,579 --> 01:03:01,614 THE STOPSTOPS. CONTINUING NOW WITH 884 01:03:01,614 --> 01:03:03,049 TEAM DAN + SHAY'S LOUISIANA COUNTRY SINGER AND AN EMOTIONAL 885 01:03:03,049 --> 01:03:04,317 SONG THAT SHE HOPES WILL SHOW HOW DYNAMIC SHE CAN BE. 886 01:03:04,317 --> 01:03:05,552 HERE'S MORE FROM KAREN WALDRUP. >> HOWDY, AMERICA. 887 01:03:05,552 --> 01:03:07,787 VOTE ME THROUGH. IT FELT SO GOOD. 888 01:03:07,787 --> 01:03:11,358 I HAVE SPENT A LONG TIME PLAYING MUSIC ALL OVER THE COUNTRY. 889 01:03:11,358 --> 01:03:15,195 FOR THEM TO FEEL IT TO THE POINT WHERE THEY GOT THEIR PHONE OUT 890 01:03:15,195 --> 01:03:18,631 AND VOTED FOR ME, IT JUST GETS ME EVEN MORE EXCITED TO GET BACK 891 01:03:18,631 --> 01:03:20,900 OUT THERE AND KEEP PLAYING COUNTRY MUSIC. 892 01:03:20,900 --> 01:03:25,805 >> PEOPLE HAVE BEEN VOTING FOR YOU BECAUSE THEY LOVE YOU. 893 01:03:25,805 --> 01:03:36,716 WE HAD SOMEBODY COME UP TO US YESTERDAY, HEY, I'M ROOTING FOR 894 01:03:36,716 --> 01:03:37,684 KAREN. >> I ABSOLUTELY LOVE THAT 895 01:03:37,684 --> 01:03:38,518 PERSON. >> IT WAS AWESOME. 896 01:03:38,518 --> 01:03:39,786 >> I'M REMEMBERING HOW MUCH I REALLY LOVE THIS SONG. 897 01:03:39,786 --> 01:03:40,854 IT'S BEEN A LONG TIME SINCE I HEARD IT. 898 01:03:40,854 --> 01:03:42,188 >> IT'S A GREAT SONG. * WHAT DO I HAVE TO DO TO MAKE 899 01:03:42,188 --> 01:03:43,323 YOU SEE * >> I THINK IT'S THE PERFECT SONG 900 01:03:43,323 --> 01:03:44,924 FOR KAREN TO SING IN THE SEMIFINALS. 901 01:03:44,924 --> 01:03:49,129 OBVIOUSLY SHE IS A STAGE ROCK STAR PERFORMER. 902 01:03:49,129 --> 01:03:51,464 WE WANT TO SEE A LITTLE MORE. >> I THINK SHE IS GOING TO STEP 903 01:03:51,464 --> 01:03:53,366 UP TO THE PLATE IN THIS PERFORMANCE. 904 01:03:53,366 --> 01:03:55,635 IT'S GOING TO BE A GOOD ONE. >> ALL YOUR OTHER PERFORMANCES 905 01:03:55,635 --> 01:03:58,905 HAVE BEEN INCREDIBLE. I HOPE YOUR DANCE IS AMAZING. 906 01:03:58,905 --> 01:04:01,675 HAVING SOMETHING LIKE THIS WHERE WE CAN FOCUS ON KAREN, I THINK 907 01:04:01,675 --> 01:04:03,143 THIS IS A GAME-CHAINING PERFORMANCE FOR YOU. 908 01:04:03,143 --> 01:04:06,279 >> YEAH. >> I THINK THE BIGGEST PART OF 909 01:04:06,279 --> 01:04:08,381 THIS SONG IS GOING TO BE REALLY TAPPING INTO THAT STORYTELLING 910 01:04:08,381 --> 01:04:10,283 SIDE. >> RIGHT, TOTALLY. 911 01:04:10,283 --> 01:04:14,254 >> THAT VULNERABILITY, THAT TONE IN YOUR VOICE, THAT'S WHAT 912 01:04:14,254 --> 01:04:15,789 PEOPLE ARE GOING TO FEEL FAR BEYOND JUST THE NOTES THAT 913 01:04:15,789 --> 01:04:18,091 YOU'RE HITTING. >> BEING ON THE ROAD IS A ROLLER 914 01:04:18,091 --> 01:04:21,094 COASTER BECAUSE YOU HAVE TO LEARN HOW TO DEAL WITH THE 915 01:04:21,094 --> 01:04:24,164 CHALLENGES OF THE ROAD. AND I THINK IT MAKES YOU HAVE 916 01:04:24,164 --> 01:04:31,504 TOUGH SKIN. SO IT'S SCARY TO BE THIS OPEN 917 01:04:31,504 --> 01:04:35,408 AND VULNERABLE. DAN AND SHAY ARE PUSHING ME 918 01:04:35,408 --> 01:04:37,911 OUTSIDE OF MY COMFORT ZONE, AND I'M HAPPY THEY'RE DOING THAT, 919 01:04:37,911 --> 01:04:41,948 BECAUSE I HAVE TO GROW. * BABY WHY DON'T YOU STAY * 920 01:04:41,948 --> 01:04:45,552 >> WHETHER IT'S A PAST BREAKUP, WHETHER YOU'RE JUST THINKING 921 01:04:45,552 --> 01:04:47,921 ABOUT YOUR FAMILY BACK HOME. >> RIGHT. 922 01:04:47,921 --> 01:04:52,258 >> WHATEVER IT TAKES, FULLY LET YOURSELF LIVE IN THAT MOMENT. 923 01:04:52,258 --> 01:04:54,361 >> MANDEVILLE, LOUISIANA IS MY HOMETOWN. 924 01:04:54,361 --> 01:05:17,083 IT WILL ALWAYS BE MY HOMETOWN. BUT AS A PROFESSIONAL MUSICIAN,W 925 01:05:17,083 --> 01:05:18,885 >> AND HOPEFULLY I CAN MAKE INTO IT THE TOP FIVE. 926 01:05:18,885 --> 01:05:20,720 >> 100%. >> AND THEN I'D GET TO SING WITH 927 01:05:20,720 --> 01:05:23,289 YOU GUYS. >> LET'S GO! 928 01:05:23,289 --> 01:05:24,858 >> Carson: WITH US TONIGHT ARE A BUNCH OF KAREN'S BIGGEST FANS AT 929 01:05:24,858 --> 01:05:28,728 A BIG VIEWING PARTY IN LOUISIANA. 930 01:05:28,728 --> 01:05:33,066 HI EVERYBODY! >> HELLO! 931 01:05:33,066 --> 01:05:36,803 WE ARE IN LOUISIANA ALONGSIDE KAREN WALDRUP'S FRIENDS, FAMILY, 932 01:05:36,803 --> 01:05:40,807 AND SUPPORTERS, CHEERING HER ON. AND WE'VE ALSO GOT A SPECIAL 933 01:05:40,807 --> 01:05:43,777 GUEST HERE WITH US TONIGHT. >> I'M LIEUTENANT GOVERNOR OF 934 01:05:43,777 --> 01:05:46,913 THE GREAT STATE OF LOUISIANA. WE'RE SO PROUD OF KAREN'S 935 01:05:46,913 --> 01:05:48,214 SUCCESS HERE IN LOUISIANA. LET'S GIVE IT UP FOR KAREN 936 01:05:48,214 --> 01:05:51,751 WALDRUP! [ CHEERING ] 937 01:05:54,154 --> 01:05:55,155 * I'VE BEEN SITTING HERE 938 01:05:55,155 --> 01:05:59,893 STARING AT THE CLOCK ON THE WALL * 939 01:05:59,893 --> 01:06:04,664 * AND I'VE BEEN LAYING HERE PRAYING 940 01:06:04,664 --> 01:06:07,834 PRAYING SHE WON'T CALL * * IT'S JUST ANOTHER 941 01:06:07,834 --> 01:06:18,878 CALL FROM HOME YOU'LL GET IT AND BE GONE 942 01:06:18,878 --> 01:06:26,286 AND I'LL BE CRYING * * WHAT DO I HAVE TO DO 943 01:06:26,286 --> 01:06:33,727 TO MAKE YOU SEE SHE CAN'T LOVE YOU LIKE ME 944 01:06:33,727 --> 01:06:37,931 WHY DON'T YOU STAY * * I'M DOWN ON MY KNEES 945 01:06:37,931 --> 01:06:41,634 I'M SO TIRED OF BEING LONELY * 946 01:06:41,634 --> 01:06:46,940 * DON'T I GIVE YOU WHAT YOU NEED 947 01:06:46,940 --> 01:06:50,610 WHEN SHE CALLS YOU TO GO * * THERE IS ONE THING 948 01:06:50,610 --> 01:07:02,355 YOU SHOULD KNOW WE DON'T HAVE TO 949 01:07:02,355 --> 01:07:06,026 LIVE THIS WAY * * BABY WHY DON'T YOU STAY 950 01:07:06,026 --> 01:07:11,798 IT'S TOO MUCH PAIN TO HAVE TO BEAR * 951 01:07:11,798 --> 01:07:19,172 * TO LOVE A MAN YOU HAVE TO SHARE 952 01:07:19,172 --> 01:07:24,477 I CAN'T TAKE IT ANY LONGER * * BUT MY WILL 953 01:07:24,477 --> 01:07:30,250 IS GETTING STRONGER AND I THINK I KNOW 954 01:07:30,250 --> 01:07:33,953 JUST WHAT I HAVE TO DO * * I CAN'T WASTE 955 01:07:33,953 --> 01:07:37,123 ANOTHER MINUTE AFTER ALL THAT 956 01:07:37,123 --> 01:07:41,327 I'VE PUT IN IT * * I'VE GIVEN YOU MY BEST 957 01:07:41,327 --> 01:07:45,065 WHY DOES SHE GET THE BEST OF YOU * 958 01:07:45,065 --> 01:07:50,370 * SO THE NEXT TIME THAT YOU FIND 959 01:07:50,370 --> 01:07:59,879 YOU WANNA LEAVE HER BED FOR MINE * 960 01:07:59,879 --> 01:08:03,049 * WHY DON'T YOU STAY I'M UP OFF MY KNEES 961 01:08:03,049 --> 01:08:06,219 I'M SO TIRED OF BEING LONELY * 962 01:08:06,219 --> 01:08:10,423 * YOU CAN'T GIVE ME WHAT I NEED 963 01:08:10,423 --> 01:08:13,593 WHEN SHE BEGS YOU NOT TO GO * 964 01:08:13,593 --> 01:08:18,865 * THERE IS ONE THING YOU SHOULD KNOW 965 01:08:18,865 --> 01:08:30,477 I DON'T HAVE TO LIVE THIS WAY * 966 01:08:30,477 --> 01:08:36,483 * BABY WHY DON'T YOU STAY BABY WHY DON'T YOU STAY * 967 01:08:36,483 --> 01:08:43,056 * [ CHEERING AND APPLAUSE ] 968 01:08:43,056 --> 01:08:49,295 >> Carson: THAT WAS KAREN WALDRUP, LADIES AND GENTLEMEN. 969 01:08:49,295 --> 01:08:56,236 WHAT A NIGHT OF SEMIFINALS. FROM OUR TOP NINE. 970 01:08:56,236 --> 01:08:57,804 THANK YOU. KAREN, GREAT JOB. 971 01:08:57,804 --> 01:09:00,106 THAT WAS AWESOME. LOOK AT YOUR COACHES. 972 01:09:00,106 --> 01:09:01,841 THEY'RE FREAKING OUT. GUYS? 973 01:09:01,841 --> 01:09:05,378 >> KAREN, THAT WAS UNBELIEVABLE. I'M SO PROUD OF YOU, AND I KNOW 974 01:09:05,378 --> 01:09:08,782 THAT THAT WAS KIND OF A SCARY SONG TO SING BECAUSE IT WAS VERY 975 01:09:08,782 --> 01:09:10,283 VULNERABLE MOMENT, BUT I FELT IT. 976 01:09:10,283 --> 01:09:12,052 YOU WORE YOUR HEART ON YOUR SLEEVE IN THAT MOMENT. 977 01:09:12,052 --> 01:09:14,554 I'M SO PROUD OF YOU. THANK YOU FOR TRUSTING US. 978 01:09:14,554 --> 01:09:17,490 I THINK IT PAID OFF, AMERICA, YOU KNOW WHAT I'M SAYING? 979 01:09:17,490 --> 01:09:21,161 [ CHEERING ] >> AMAZING. 980 01:09:21,161 --> 01:09:23,763 >> KAREN, WE WANTED TO CHALLENGE YOU WITH THAT SONG BECAUSE WE 981 01:09:23,763 --> 01:09:26,132 KNEW IN OUR HEARTS THAT YOU WOULD DELIVER, LIKE YOU HAVE 982 01:09:26,132 --> 01:09:28,268 DONE THE ENTIRE COMPETITION. AND THAT'S EXACTLY WHAT YOU DID. 983 01:09:28,268 --> 01:09:30,270 YOU DELIVERED. THANK YOU FOR PUTTING ALL THE 984 01:09:30,270 --> 01:09:33,073 WORK INTO THAT SONG. YOU SHOWED AMERICA RIGHT THERE, 985 01:09:33,073 --> 01:09:36,409 THAT WAS THE FINAL PIECE OF THE PUZZLE TO SHOW EVERYBODY THAT 986 01:09:36,409 --> 01:09:38,578 YOU CAN DO ABSOLUTELY EVERYTHING. 987 01:09:38,578 --> 01:09:42,349 PEOPLE SHOULD VOTE FOR YOU. YOU'RE CONSTABLE, KAREN. 988 01:09:42,349 --> 01:09:45,218 ABSOLUTELY GREAT. >> Carson: IF YOU WANT KAREN, 989 01:09:45,218 --> 01:09:55,528 YOU CAN VOTE. LET'S GIVE IT UP AGAIN FOR KAREN 990 01:09:55,528 --> 01:09:58,898 WALDRUP. COMING UP, ASHER BRINGS DOWN THE 991 01:09:58,898 --> 01:10:00,500 HOUSE WITH A NUMBER ONE HIT. THEN, TAE CLOSES OUT THE NIGHT. 992 01:10:00,500 --> 01:10:15,515 THIS IS THE TOP NINE SEMI-FINAL * THIS IS THE VOICE * 993 01:10:15,515 --> 01:10:20,987 >> Carson: WELCOME BACK. YOU READY, REBA? 994 01:10:20,987 --> 01:10:23,390 IT IS TIME FOR TEAM ALABAMA'S SOUL SINGER WHO CREDITS 995 01:10:23,390 --> 01:10:31,231 HIS HISTORIC HOMETOWN FOR TEACHING HIM RESILIENCE. 996 01:10:31,231 --> 01:10:40,674 HERE'S MORE FROM ASHER HAVON. * 997 01:10:40,674 --> 01:10:43,109 >> I WOULD NOT BE HERE WITHOUT SELMA. 998 01:10:43,109 --> 01:10:45,512 SELMA HAS GIVEN ME A FOUNDATION I DON'T BELIEVE I WOULD HAVE 999 01:10:45,512 --> 01:10:50,517 GOTTEN ANYWHERE ELSE. THE PEOPLE THAT ARE IN SELMA 1000 01:10:50,517 --> 01:10:55,388 UNDERSTAND WHAT IT MEANS TO COME FROM SMALL BEGINNINGS AND FACE 1001 01:10:55,388 --> 01:11:00,360 THE WORLD. SEE THE BEAUTIFUL EXAMPLE ON HOW 1002 01:11:00,360 --> 01:11:03,596 TO HANDLE ADVERSITY GRACEFULLY AND RISE ABOVE IT, AND STILL 1003 01:11:03,596 --> 01:11:16,443 STAND. AND AS AN ARTIST, EVERY TIME I 1004 01:11:16,443 --> 01:11:17,911 STAND ON STAGE, I JUST FEEL LIKE THIS TRICK THAT SELMA HAS TAUGHT 1005 01:11:17,911 --> 01:11:19,079 ME ALWAYS SHOWS UP AND CATAPULTS ME FORWARD. 1006 01:11:19,079 --> 01:11:20,547 >> HOW ARE YOU FEELING TODAY? >> I AM HONESTLY FILLED WITH 1007 01:11:20,547 --> 01:11:23,750 ANXIETY ABOUT THIS SONG. >> WHY? 1008 01:11:23,750 --> 01:11:27,654 >> BEYONCE, UPTEMPO. THIS SONG IS GOING TO PUSH ME. 1009 01:11:27,654 --> 01:11:30,724 >> YOU KNOW WHAT? YOU'RE HARDER ON YOURSELF THAN 1010 01:11:30,724 --> 01:11:31,725 ANYBODY COULD EVER BE HARD ON YOU. 1011 01:11:31,725 --> 01:11:33,493 >> THANK YOU. >> TAKE A DEEP BREATH AND HAVE 1012 01:11:33,493 --> 01:11:37,897 FUN. >> AND I LOVE YOU SO MUCH, REBA 1013 01:11:37,897 --> 01:11:41,935 McENTIRE! [ LAUGHTER ] 1014 01:11:41,935 --> 01:11:47,974 * TO THE LEFT, TO THE LEFT, EVERYTHING YOU OWN IS IN THE 1015 01:11:47,974 --> 01:11:51,644 FWOBOX TO THE LEFT * 1016 01:11:51,644 --> 01:11:53,580 >> ASHER HAS NO IDEA HOW GOOD HE IS. 1017 01:11:53,580 --> 01:11:56,383 HE IS BLOSSOMING AND GROWING SO FAST. 1018 01:11:56,383 --> 01:11:58,118 >> I WANT TO SHOW AMERICA I'M VERSATILE. 1019 01:11:58,118 --> 01:12:00,487 I WANT THE AUDIENCE TO FEEL THE ELECTRICAL CHARGE THAT THIS SONG 1020 01:12:00,487 --> 01:12:02,622 BRINGS. WE'RE GOING TURN UP ON "THE 1021 01:12:02,622 --> 01:12:05,258 VOICE" THIS WEEK. >> GOLLY AGNES, THAT'S A LOT OF 1022 01:12:05,258 --> 01:12:08,128 WORDS! >> SO MANY WORDS. 1023 01:12:08,128 --> 01:12:12,132 >> THIS IS A LITTLE TONGUE AND CHEEK SONG, KIND OF LIKE HA, 1024 01:12:12,132 --> 01:12:14,868 YOU'RE NOTHING. >> YEAH, THAT'S WHAT IT IS. 1025 01:12:14,868 --> 01:12:16,503 I LOVE THAT SO MUCH. >> YOU STILL HAVING FUN? 1026 01:12:16,503 --> 01:12:19,339 >> I'M HAVING THE BEST TIME OF MY LIFE. 1027 01:12:19,339 --> 01:12:21,241 THIS IS A DREAM THAT I DON'T WANT TO WAKE UP FROM. 1028 01:12:21,241 --> 01:12:25,378 >> YEAH. >> BEING FROM THE COUNTRY TO 1029 01:12:25,378 --> 01:12:28,515 HOLLYWOOD. WHO WOULD HAVE EVER THOUGHT. 1030 01:12:28,515 --> 01:12:31,651 >> I GREW UP IN A LITTLE BITTY TOWN SOUTHEASTERN OKLAHOMA, 1031 01:12:31,651 --> 01:12:32,886 CHOCKEE, OKLAHOMA. 18 PEOPLE. 1032 01:12:32,886 --> 01:12:41,461 >> OH, WOW. >> WHO WOULD HAVE THUNK IT. 1033 01:12:41,461 --> 01:12:45,098 >> I WORKED FROM SLA BOY FROM SELMA WITH A DREAM. 1034 01:12:45,098 --> 01:12:47,300 NOW TOP FIVE? I'M STILL MANY THIS THING. 1035 01:12:47,300 --> 01:12:48,702 >> Carson: LET'S GO OVER TO WSFA, THE NEWS STATION IN SELMA, 1036 01:12:48,702 --> 01:12:53,406 ALABAMA. THEY HAVE THE HONOR OF 1037 01:12:53,406 --> 01:12:58,345 INTRODUCE ASHER'S PERFORMANCE TONIGHT. 1038 01:12:58,345 --> 01:13:01,448 HI EVERYONE! >> FROM MONTGOMERY, ALABAMA 1039 01:13:01,448 --> 01:13:04,884 SUPPORTING ASHER HAVON. WE'RE SO PROUD OF ASHER 1040 01:13:04,884 --> 01:13:08,288 REPRESENTING SELMA AND THE ENTIRE RIVER REGION. 1041 01:13:08,288 --> 01:13:12,058 GIVE IT UP FOR OUR HOMETOWN HERO ASHER HAVON! 1042 01:13:12,058 --> 01:13:20,934 [ CHEERING ] * TO THE LEFT 1043 01:13:20,934 --> 01:13:23,570 TO THE LEFT TO THE LEFT 1044 01:13:23,570 --> 01:13:24,637 TO THE LEFT * * TO THE LEFT 1045 01:13:24,637 --> 01:13:30,076 TO THE LEFT EVERYTHING YOU OWN 1046 01:13:30,076 --> 01:13:38,785 IS IN THE BOX TO THE LEFT * * IN THE CLOSET, THAT'S MY 1047 01:13:38,785 --> 01:13:40,220 STUFF, BABY PLEASE DON'T TOUCH * AND KEEP TALKING THAT MESS 1048 01:13:40,220 --> 01:13:41,554 THAT'S FINE COULD YOU WALK AND TALK * 1049 01:13:41,554 --> 01:13:42,956 * AT THE SAME TIME AND YEAH 1050 01:13:42,956 --> 01:13:54,768 THAT'S MY NAME ON THAT JAG * 1051 01:13:54,768 --> 01:13:59,272 * STANDING IN THE FRONT YARD TALKING ABOUT I'M SUCH A FOOL * 1052 01:13:59,272 --> 01:14:02,142 * YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME * 1053 01:14:02,142 --> 01:14:04,044 I CAN HAVE ANOTHER YOU IN A MINUTE * 1054 01:14:04,044 --> 01:14:05,612 * MATTER FACT HE'LL BE HERE 1055 01:14:05,612 --> 01:14:09,049 IN A MINUTE, BABY YOU MUST NOT KNOW 'BOUT ME * 1056 01:14:09,049 --> 01:14:11,484 * YOU MUST NOT KNOW 'BOUT ME I CAN HAVE ANOTHER YOU 1057 01:14:11,484 --> 01:14:13,553 BY TOMORROW DON'T YOU EVER 1058 01:14:13,553 --> 01:14:21,461 FOR A SECOND * * GET TO THINKIN' 1059 01:14:21,461 --> 01:14:25,165 YOU'RE IRREPLACEABLE SO SINCE I'M NOT 1060 01:14:25,165 --> 01:14:29,402 YOUR EVERYTHING * * HOW ABOUT I'LL BE NOTHING 1061 01:14:29,402 --> 01:14:30,970 NOTHING AT ALL TO YOU NOTHING 1062 01:14:30,970 --> 01:14:35,208 BABY, I WON'T SHED * * A TEAR FOR YOU 1063 01:14:35,208 --> 01:14:36,776 I WON'T SHED A TEAR I WON'T LOSE 1064 01:14:36,776 --> 01:14:40,980 A WINK OF SLEEP * * 'CAUSE THE TRUTH 1065 01:14:40,980 --> 01:14:43,283 OF THE MATTER IS REPLACING YOU IS SO EASY * 1066 01:14:43,283 --> 01:14:48,388 * TO THE LEFT TO THE LEFT 1067 01:14:48,388 --> 01:14:49,422 UH, YEAH, YEAH * TO THE LEFT 1068 01:14:49,422 --> 01:14:51,558 TO THE LEFT TO THE LEFT 1069 01:14:51,558 --> 01:14:58,898 TO THE LEFT * * TO THE LEFT 1070 01:14:58,898 --> 01:15:00,033 YEAH, YEAH, YEAH, EVERYTHING YOU OWN 1071 01:15:00,033 --> 01:15:01,201 YEAH, TO THE LEFT BABY IN THE BOX TO THE LEFT * 1072 01:15:01,201 --> 01:15:03,636 * TO THE LEFT TO THE LEFT 1073 01:15:03,636 --> 01:15:19,619 DON'T YOU EVER FOR A SECOND GET TO THINKING * 1074 01:15:19,619 --> 01:15:20,887 * YOU'RE IRREPLACEABLE YOU MUST NOT KNOW 'BOUT ME 1075 01:15:20,887 --> 01:15:22,188 YOU MUST NOT KNOW 'BOUT ME I CAN HAVE ANOTHER YOU * 1076 01:15:22,188 --> 01:15:23,056 * IN A MINUTE MATTER FACT 1077 01:15:23,056 --> 01:15:24,057 HE'LL BE HERE IN A MINUTE BABY * 1078 01:15:24,057 --> 01:15:25,425 * YOU MUST NOT KNOW 'BOUT ME YOU MUST NOT KNOW 'BOUT ME 1079 01:15:25,425 --> 01:15:26,459 I CAN HAVE ANOTHER YOU BY TOMORROW * 1080 01:15:26,459 --> 01:15:29,462 * SO DON'T YOU EVER FOR A SECOND 1081 01:15:29,462 --> 01:15:32,732 GET TO THINKIN' YOU'RE IRREPLACABLE * 1082 01:15:32,732 --> 01:15:36,369 * YOU MUST NOT KNOW 'BOUT ME YEAH 1083 01:15:36,369 --> 01:15:41,274 YOU MUST NOT KNOW 'BOUT ME * * OH, I COULD HAVE 1084 01:15:41,274 --> 01:15:45,745 ANOTHER YOU IN A MINUTE, DON'T YOU EVER 1085 01:15:45,745 --> 01:15:48,114 FOR A SECOND * * GET TO THINKIN' 1086 01:15:48,114 --> 01:15:58,124 YOU'RE IRREPLACEABLE * 1087 01:15:58,124 --> 01:16:05,365 [ CHEERING AND APPLAUSE ] >> Carson: THAT IS ASHER HAVON 1088 01:16:05,365 --> 01:16:07,033 FROM TEAM REBA. IN THE SEMIFINALS. 1089 01:16:07,033 --> 01:16:12,505 THANK YOU, LADIES AND GENTLEMEN, FOR THAT. 1090 01:16:12,505 --> 01:16:13,473 ALL THE DANCERS IN THE BACK THERE. 1091 01:16:13,473 --> 01:16:19,279 ASHER, NICE WORK. [ CHEERING ] 1092 01:16:19,279 --> 01:16:24,684 JOHN? >> ASHER, MY DAD TEXTED ME THIS 1093 01:16:24,684 --> 01:16:30,123 WEEK AND SAID "ASHER IS THE VOICE." 1094 01:16:30,123 --> 01:16:33,626 [ CHEERING ] NOW I'M A LITTLE BIASED TO MY 1095 01:16:33,626 --> 01:16:37,831 TEAM, BUT I WOULD SAY THIS. NO MATTER WHAT OTHER FACTORS 1096 01:16:37,831 --> 01:16:42,335 PEOPLE ARE VOTING ON, I BELIEVE YOU'RE THE BEST VOCALIST IN THIS 1097 01:16:42,335 --> 01:16:44,504 COMPETITION. AND YOU SHOW THAT WITH EVERY 1098 01:16:44,504 --> 01:16:50,276 SONG, NO MATTER WHAT YOU SING, YOU CAN SING, MAN, JUST 1099 01:16:50,276 --> 01:16:53,246 FLAT-OUT. >> Carson: YOU GUYS HAVE SIMILAR 1100 01:16:53,246 --> 01:16:55,382 TASTE IN CLOTHES TOO, I NOTICE. >> WE SHINE! 1101 01:16:55,382 --> 01:16:58,084 >> Carson: YOU ARE SHINING. REBA? 1102 01:16:58,084 --> 01:17:01,354 >> THE TRIO A WHILE AGO WAS SPECTACULAR. 1103 01:17:01,354 --> 01:17:03,523 YOU COMING OUT AND SINGING THIS BEYONCE SONG, ABSOLUTELY FLOORED 1104 01:17:03,523 --> 01:17:18,338 ME. I'M SO PROUD OF YOU. 1105 01:17:18,338 --> 01:17:19,639 YOU HAVE GROWN SO MUCH. YOUR STAGE PRESENCE AND YOUR 1106 01:17:19,639 --> 01:17:20,640 SINGING HAS ALWAYS BEEN MAGNIFICENT. 1107 01:17:20,640 --> 01:17:21,875 THANK YOU FOR SHINING FOR GOD. YOU DID A GREAT JOB. 1108 01:17:21,875 --> 01:17:23,276 >> Carson: IF YOU WANT ASHER IN THE FINALE, YOU CAN VOTE ON 1109 01:17:23,276 --> 01:17:24,444 NBC.COM AND “THE VOICE” OFFICIAL APP. 1110 01:17:24,444 --> 01:17:28,148 ASHER HAVON. [ CHEERING ] 1111 01:17:28,148 --> 01:17:32,385 OKAY. WHEN WE COME BACK, TAE IS GOING 1112 01:17:32,385 --> 01:17:50,170 TO CLOSE OUT THE NIGHT WITH A * THIS IS THE VOICE * 1113 01:17:50,170 --> 01:17:51,471 >> Carson: WELCOME BACK. WE'RE GOING TO CLOSE OUT THE 1114 01:17:51,471 --> 01:17:52,872 NIGHT WITH THE COUNTRY SINGER AMERICA INSTANTLY SAVED LAST 1115 01:17:52,872 --> 01:17:55,108 WEEK. TONIGHT, HE'S SENDING OUT A SONG 1116 01:17:55,108 --> 01:17:57,744 TO THE CITY THAT'S FULLY EMBRACING HIM. 1117 01:17:57,744 --> 01:18:03,149 HERE'S MORE FROM TEAM DAN + SHAY'S TAE LEWIS. 1118 01:18:03,149 --> 01:18:05,018 >> TELL ME HOW IT FEELS TO BE ON THE BOTTOM FOR. 1119 01:18:05,018 --> 01:18:08,722 THAT'S A TERRIFYING MOMENT. >> I HAD TO GO BACK TO THE ROOM 1120 01:18:08,722 --> 01:18:13,093 BECAUSE I BAWLED, CRYING. WAS I NOT GOOD ENOUGH? 1121 01:18:13,093 --> 01:18:15,628 >> HAVING FACED ADVERSITY LIKE THAT SHOWS AMERICA WHAT YOU'RE 1122 01:18:15,628 --> 01:18:19,332 MADE OF. >> AMERICA INSTANTLY SAVES TAE 1123 01:18:19,332 --> 01:18:20,734 LEWIS. >> EVERYBODY WAS ROOTING FOR 1124 01:18:20,734 --> 01:18:24,170 YOU, MAN. >> YOUR MOM, SHE SAID YOU DID SO 1125 01:18:24,170 --> 01:18:29,542 GREAT! >> SHE LOVES YOU, MAN. 1126 01:18:29,542 --> 01:18:34,781 >> WHAT ARE YOU SINGING? >> "AMAZED" BY LONE STAR. 1127 01:18:34,781 --> 01:18:38,485 WE WOULD GO TO THE ROLLER SKATING RINK AND HEAR THIS SONG 1128 01:18:38,485 --> 01:18:40,053 ALL THE TIME. * 1129 01:18:40,053 --> 01:18:42,856 >> I GREW UP IN NORTH CAROLINA, BUT THIS SONG REMINDS ME SO MUCH 1130 01:18:42,856 --> 01:18:45,558 OF NASHVILLE. I'M GRATEFUL OF THE LOVE THEY'VE 1131 01:18:45,558 --> 01:18:49,429 BEEN SHOWING ME, AND I DON'T THINK I'M EVER GOING LEAVE. 1132 01:18:49,429 --> 01:18:53,233 MOVING SO SO MANY DIFFERENT STATES, I'VE STRUGGLED TRYING TO 1133 01:18:53,233 --> 01:18:55,402 DO COUNTRY MUSIC. NASHVILLE HAS HELPED ME TO FIND 1134 01:18:55,402 --> 01:18:58,138 THAT SENSE OF COMMUNITY. >> WE ARE SO, SO, SO PROUD OF 1135 01:18:58,138 --> 01:19:02,042 YOU. WE KNOW YOU'RE GOING TO MAKE IT 1136 01:19:02,042 --> 01:19:05,078 ALL THE WAY IN "THE VOICE"! >> I KNOW YOU WEREN'T BORN 1137 01:19:05,078 --> 01:19:08,348 THERE, MAN. NEITHER WERE WE. 1138 01:19:08,348 --> 01:19:10,750 I'M GETTING TEXTS, RAFFY AND RAY. 1139 01:19:10,750 --> 01:19:13,219 WE'RE SO STOKED YOU GOT TAE ON YOUR TEAM. 1140 01:19:13,219 --> 01:19:15,355 I FEEL THAT TOWN EMBRACING YOU, MAN. 1141 01:19:15,355 --> 01:19:16,923 >> I GREW UP IN THE SAME CITY AS TAE. 1142 01:19:16,923 --> 01:19:21,261 SANG IN THE CHURCH GROWING UP. THIS SONG HAS A LOT OF GOSPEL 1143 01:19:21,261 --> 01:19:24,497 INFLUENCE, THE CHORDS AND THE MELODIES. 1144 01:19:24,497 --> 01:19:26,866 AMAZED BY LONE STAR IS THE PERFECT SONG FOR TAE TO SING. 1145 01:19:26,866 --> 01:19:30,570 >> WHEN WE GET TO THE END, I WANT TO GO UP HALF A STEP. 1146 01:19:30,570 --> 01:19:36,876 >> MODULATE. * SPEND THE WHOLE NIGHT, IN YOUR 1147 01:19:36,876 --> 01:19:51,591 EYES * >> I THINK YOU M ODO OMODDING OV 1148 01:19:51,591 --> 01:19:52,726 BAN RESTING. >> YOU HAVE TO CREATE WHO YOU 1149 01:19:52,726 --> 01:19:53,960 ARE AS AN ARTIST. IT'S AWESOME TO SEE TAE COMING 1150 01:19:53,960 --> 01:19:59,532 INTO HIS OWN. >> I HAD TO PUT TAE ON IT. 1151 01:19:59,532 --> 01:20:01,601 >> SHAY AND I ALMOST GOT UP AND STARTED SLOW DANCING. 1152 01:20:01,601 --> 01:20:04,838 >> THE STAKES ARE HIGH TO GET TO THE FINALE. 1153 01:20:04,838 --> 01:20:06,706 I WANT TO MAKE IT SO, SO, SO BAD. 1154 01:20:06,706 --> 01:20:09,609 DAN AND SHAY HAVE BEEN HELPING ME TO REALLY ELEVATE AND SEE 1155 01:20:09,609 --> 01:20:12,012 MYSELF AS AN ARTIST. >> I AM SO FIRED UP FOR THIS 1156 01:20:12,012 --> 01:20:14,581 MOMENT, DUDE. >> I LOVE THIS GUY. 1157 01:20:14,581 --> 01:20:16,916 >> I LOVE Y'ALL, BRO. >> I LOVE YOU. 1158 01:20:16,916 --> 01:20:18,985 >> I LOVE YOU, DAWG. >> WELL, I LOVE YOU A LITTLE 1159 01:20:18,985 --> 01:20:19,853 MORE. >> WHO IS THERE? 1160 01:20:19,853 --> 01:20:24,391 THE BOYS, DUDE. LET'S HIT IT. 1161 01:20:24,391 --> 01:20:26,192 >> Carson: NOW LET'S GO TO A VIEWING PARTY IN NASHVILLE WHERE 1162 01:20:26,192 --> 01:20:29,596 A BUNCH OF TAE'S FAMILY AND FRIENDS ARE WATCHING. 1163 01:20:29,596 --> 01:20:32,966 TAKE IT AWAY. >> HEY, Y'ALL, WE'RE TAE'S 1164 01:20:32,966 --> 01:20:36,102 FRIENDS AND FAMILY RIGHT HERE IN NASHVILLE, TENNESSEE. 1165 01:20:36,102 --> 01:20:37,737 AND WE ARE SO PROUD AND EXCITED THAT TAE HAS MADE IT AS FAR AS 1166 01:20:37,737 --> 01:20:40,306 HE HAS. WE'RE NOT SHOCKED AT ALL BECAUSE 1167 01:20:40,306 --> 01:20:43,009 HE HAS SUCH A GIFT. AND WE'RE SO EXCITED THAT HE IS 1168 01:20:43,009 --> 01:20:43,977 GOING TO SHARE IT WITH ALL OF YOU. 1169 01:20:43,977 --> 01:20:49,015 NOW GIVE IT UP FOR THE ONE AND ONLY TAE LEWIS! 1170 01:20:49,015 --> 01:20:49,349 [ CHEERING ] 1171 01:21:03,830 --> 01:21:07,534 * EVERY TIME OUR EYES MEET 1172 01:21:07,534 --> 01:21:14,908 THIS FEELING INSIDE ME IS ALMOST MORE 1173 01:21:14,908 --> 01:21:17,077 THAN I CAN TAKE * * CAUSE BABY WHEN 1174 01:21:17,077 --> 01:21:20,714 YOU TOUCH ME I CAN FEEL HOW MUCH 1175 01:21:20,714 --> 01:21:27,587 YOU LOVE ME * * AND IT JUST 1176 01:21:27,587 --> 01:21:36,096 BLOWS ME AWAY I'VE NEVER BEEN THIS CLOSE 1177 01:21:36,096 --> 01:21:40,767 TO ANYONE OR ANYTHING * * I CAN HEAR YOUR THOUGHTS 1178 01:21:40,767 --> 01:21:52,479 I CAN SEE YOUR DREAMS I DON'T KNOW HOW 1179 01:21:52,479 --> 01:21:53,580 YOU DO WHAT YOU DO * * CAUSE I'M SO 1180 01:21:53,580 --> 01:21:56,116 IN LOVE WITH YOU IT JUST KEEPS 1181 01:21:56,116 --> 01:21:59,786 GETTING BETTER * * I WANNA SPEND 1182 01:21:59,786 --> 01:22:09,295 THE REST OF MY LIFE WITH YOU BY MY SIDE 1183 01:22:09,295 --> 01:22:12,499 FOREVER AND EVER * * CAUSE EVERY LITTLE THING 1184 01:22:12,499 --> 01:22:19,439 THAT YOU DO BABY I'M AMAZED BY YOU 1185 01:22:19,439 --> 01:22:25,745 OOO * * THE SMELL OF YOUR SKIN 1186 01:22:25,745 --> 01:22:33,653 THE TASTE OF YOUR LIPS THE WAY YOU WHISPER 1187 01:22:33,653 --> 01:22:36,823 IN THE DARK * * OH IT FEELS LIKE 1188 01:22:36,823 --> 01:22:39,959 THE FIRST TIME EVERY TIME * 1189 01:22:39,959 --> 01:22:46,833 * I WANNA SPEND THE WHOLE NIGHT 1190 01:22:46,833 --> 01:22:50,537 IN YOUR EYES * * EVERY LITTLE THING 1191 01:22:50,537 --> 01:22:58,478 THAT YOU DO I'M SO IN LOVE WITH YOU * 1192 01:22:58,478 --> 01:23:01,648 * IT JUST KEEPS GETTING BETTER 1193 01:23:01,648 --> 01:23:07,454 I WANNA SPEND THE REST OF MY LIFE 1194 01:23:07,454 --> 01:23:14,294 WITH YOU BY MY SIDE * * FOREVER AND EVER 1195 01:23:14,294 --> 01:23:20,667 EVERY LITTLE THING THAT YOU DO 1196 01:23:20,667 --> 01:23:26,439 OH * * EVERY LITTLE THING 1197 01:23:26,439 --> 01:23:34,214 THAT YOU DO * BABY I'M AMAZED 1198 01:23:34,214 --> 01:23:34,614 BY YOU * 1199 01:23:50,397 --> 01:23:51,097 [ CHEERING AND APPLAUSE ] 1200 01:23:51,097 --> 01:23:52,465 >> Carson: AND THAT WILL DO IT. TAE LEWIS WRAPS IT UP FOR OUR 1201 01:23:52,465 --> 01:23:54,534 TOP NINE SEMIFINALISTS TONIGHT. YOU WERE ALL INCREDIBLE. 1202 01:23:54,534 --> 01:23:59,372 COME ON DOWN, TAE. [ CHEERING ] 1203 01:23:59,372 --> 01:24:00,774 GOOD JOB, MAN. >> THANK YOU. 1204 01:24:00,774 --> 01:24:03,777 >> Carson: EXCELLENT WORK. LET'S GO TO YOUR COACHES DAN + 1205 01:24:03,777 --> 01:24:05,912 SHAY FOR SOME THOUGHTS. >> HEY, LOOKING GOOD, BY THE 1206 01:24:05,912 --> 01:24:08,415 WAY. THERE IS THE REASON THEY GOT YOU 1207 01:24:08,415 --> 01:24:12,485 CLOSING OUT THE SHOW. SAVE THE BEST FOR LAST. 1208 01:24:12,485 --> 01:24:15,522 THAT WAS AN ICONIC PERFORMANCE. AFTER WEEK YOU CONTINUE TO STEP 1209 01:24:15,522 --> 01:24:19,926 UP AND PROVE THAT YOU DESERVE FOB IN THIS POSITION. 1210 01:24:19,926 --> 01:24:21,361 YOU DESERVE AMERICA'S VOTES. INCREDIBLE, MAN. 1211 01:24:21,361 --> 01:24:23,930 INCREDIBLE. >> THANK YOU, THANK YOU. 1212 01:24:23,930 --> 01:24:28,968 >> YOU CAN'T SEND THIS MAN HOME. LOOK AT THIS GUY! 1213 01:24:28,968 --> 01:24:32,706 HOW DO YOU NOT VOTE FOR HIM? I'M SO PROUD OF YOU. 1214 01:24:32,706 --> 01:24:34,741 YOU HAVE FOUGHT FOR EVERY SINGLE OUNCE OF SUCCESS THAT YOU'VE HAD 1215 01:24:34,741 --> 01:24:37,143 ON THE SHOW. I'M SO PROUD OF YOU. 1216 01:24:37,143 --> 01:24:38,878 KEEP ROCKING. NASHVILLE IS SO PROUD OF YOU, 1217 01:24:38,878 --> 01:24:43,116 AND WE'RE PROUD OF YOU FOREVER. THANK YOU SO MUCH. 1218 01:24:43,116 --> 01:24:45,251 >> Carson: IF YOU WANT TAE IN THE FINALE, YOU CAN VOTE ON 1219 01:24:45,251 --> 01:24:48,888 NBC.COM AND “THE VOICE” OFFICIAL APP. 1220 01:24:48,888 --> 01:24:52,759 GIVE IT UP AGAIN FOR TAE LEWIS. [ CHEERING ] 1221 01:24:52,759 --> 01:24:54,928 THERE YOU HAVE IT. VOTING IS NOW OPEN NOW. 1222 01:24:54,928 --> 01:24:56,996 GET THOSE VOTES IN. TOMORROW NIGHT AT 1223 01:24:56,996 --> 01:25:04,304 8:00/7:00 CENTRAL -- THE LAST INSTANT SAVE OF THE SEASON. 1224 01:25:04,304 --> 01:25:08,074 GLOBAL MUSIC SUPERSTAR ANITTA TAKES THE STAGE. 1225 01:25:08,074 --> 01:25:11,778 CHANCE IS GOING TO PERFORM. AND THE FINAL FIVE WILL BE 1226 01:25:11,778 --> 01:25:12,846 REVEALED. IN LOS ANGELES, WE'LL SEE YOU 1227 01:25:12,846 --> 01:25:13,313 TOMORROW.