1
00:00:02,627 --> 00:00:04,504
**
2
00:00:05,005 --> 00:00:08,967
Daly: Tonight,
the final night of battles...
3
00:00:09,009 --> 00:00:10,385
Gwen: Wow.
Yay!
4
00:00:10,427 --> 00:00:12,345
So far,
battles are riveting.
I love you.
5
00:00:12,387 --> 00:00:15,348
I have a lot of young artists
on my team this season.
Sing, girl!
6
00:00:15,390 --> 00:00:17,726
And you can see
how much they want it.
Yes!
7
00:00:17,767 --> 00:00:19,686
It's always super inspiring.
Daly: Congratulations.
8
00:00:19,728 --> 00:00:21,521
Gwen:
This is everything to them.
9
00:00:21,563 --> 00:00:22,897
Oh, my God.
I love you, I love you,
I love you.
10
00:00:22,939 --> 00:00:23,898
They're so cute!
11
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[ Whoosh ]
Yay!
12
00:00:25,692 --> 00:00:27,694
Daly: That's the sound
of a steal times two!
Two times.
13
00:00:27,736 --> 00:00:30,780
So much fun!
Camila: I'm so proud
of Team Camila so far.
14
00:00:30,822 --> 00:00:32,949
Great job, bro.
I feel like I have
so much talent on my team.
15
00:00:32,991 --> 00:00:34,451
Camila, wow.
16
00:00:34,492 --> 00:00:36,411
I know!
17
00:00:36,453 --> 00:00:38,038
And I still feel like
they haven't even scratched...
18
00:00:38,079 --> 00:00:39,414
Bye.
...their potential.
19
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Still in the game, baby!
Whoo!
20
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Blake: I haven't used
my save yet.
21
00:00:44,044 --> 00:00:45,879
I definitely want to have
the artists that I feel like
22
00:00:45,920 --> 00:00:48,506
are ready for this competition.
Come on, Bodie!
23
00:00:48,548 --> 00:00:50,967
This year, we're doing
three-way knockouts.
24
00:00:51,009 --> 00:00:52,385
Thank you very much.
25
00:00:52,427 --> 00:00:53,887
Every time I think
we've thought of every way
26
00:00:53,928 --> 00:00:57,057
to throw something crazy
at these contestants,
27
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I'm proven wrong.
28
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Hey!
How we doing, guys?
Ah!
29
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Oh, my gosh.
Blake: It'd be one thing if
you got to select two winners,
30
00:01:02,228 --> 00:01:04,731
but we only get one person
out of three.
Hey.
Hey.
31
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That's going to be nuts.
32
00:01:06,858 --> 00:01:08,360
Whoa!
33
00:01:08,401 --> 00:01:10,236
John: This has been a really fun
season so far.
34
00:01:10,278 --> 00:01:12,322
Team Legend is looking so good.
Whoo!
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I'll put my best artists
against anybody else.
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We're ready to go.
37
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Team Legend's ready to win.
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**
39
00:01:20,121 --> 00:01:22,248
So, Jazmine,
I need you to tell me
40
00:01:22,290 --> 00:01:24,125
what you think
about Team Legend.
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00:01:24,167 --> 00:01:25,794
Team Legend is amazing.
42
00:01:25,835 --> 00:01:28,088
It's a different
array of singers.
Yeah.
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00:01:28,129 --> 00:01:30,340
That's what makes it legendary.
[ Laughs ]
44
00:01:30,382 --> 00:01:32,717
Yeah, it's legendary.
And they're all really good.
45
00:01:32,759 --> 00:01:33,927
Yeah.
And they are all
46
00:01:33,968 --> 00:01:34,969
very excited to see you.
47
00:01:35,011 --> 00:01:36,262
Thanks. [ Laughs ]
48
00:01:36,304 --> 00:01:38,390
Well, we've got
Omar and Lana.
49
00:01:38,431 --> 00:01:41,434
John: I love Lana's voice --
it's powerful, piercing.
50
00:01:41,476 --> 00:01:43,019
I think it's really great.
51
00:01:43,061 --> 00:01:45,522
Omar, like, his voice
is otherworldly.
Daly: Four chairs!
52
00:01:45,563 --> 00:01:47,107
Crazy that we
didn't know each other...
This is crazy.
53
00:01:47,148 --> 00:01:48,775
...literally
a couple of days ago.
54
00:01:48,817 --> 00:01:50,402
I know.
And now we're doing this.
55
00:01:50,443 --> 00:01:52,404
Best friends?
Be-- [ Laughs ]
56
00:01:52,445 --> 00:01:53,780
Team Legend.
Bring it on.
57
00:01:53,822 --> 00:01:55,073
Let's go!
58
00:01:55,115 --> 00:01:56,866
Hello!
Yes. Yes!
Yay!
59
00:01:56,908 --> 00:01:59,494
The great
Jazmine Sullivan is here.
Oh, my gosh!
60
00:01:59,536 --> 00:02:01,746
Aahhhh!
61
00:02:01,788 --> 00:02:03,790
Hit that note! [ Laughs ]
Oh, my God!
62
00:02:03,832 --> 00:02:06,292
Omar: So I walk in,
I saw Jazmine Sullivan.
63
00:02:06,334 --> 00:02:09,212
Literally, all I could do was...
"Aahhhh!"
64
00:02:09,254 --> 00:02:11,423
It's so surreal
to see someone
65
00:02:11,464 --> 00:02:13,508
you've respected
for so many years.
66
00:02:13,550 --> 00:02:14,718
Wow, your --
Nice to meet you.
67
00:02:14,759 --> 00:02:16,302
This is gonna be fun.
Queen energy.
68
00:02:16,344 --> 00:02:18,221
Lana:
She's won two Grammys,
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00:02:18,263 --> 00:02:20,306
has multiple hit singles,
70
00:02:20,348 --> 00:02:22,642
and I'm kind of fangirling
over here.
71
00:02:22,684 --> 00:02:25,603
They're gonna sing
some "Frozen" -- "Frozen II."
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00:02:25,645 --> 00:02:26,813
[ Exhales deeply ]
Incredible.
73
00:02:26,855 --> 00:02:29,315
As a father
of a 6-year-old girl,
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I'm very familiar.
75
00:02:30,525 --> 00:02:31,985
This one's a classic...
Yeah.
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00:02:32,027 --> 00:02:33,737
..."Into the Unknown."
77
00:02:33,778 --> 00:02:36,156
So there's the original version,
which is Idina Menzel.
Okay.
78
00:02:36,197 --> 00:02:37,657
But then Panic! At The Disco
79
00:02:37,699 --> 00:02:39,784
did, like, a modern
rock version of it.
Okay.
80
00:02:39,826 --> 00:02:44,497
John: I thought with
a kind of '80s rock singer
81
00:02:44,539 --> 00:02:47,167
and a pop singer,
both with a little experience,
82
00:02:47,208 --> 00:02:49,252
thought it'd be cool
to have them
83
00:02:49,294 --> 00:02:52,547
singing this rock-pop
classic.
84
00:02:52,589 --> 00:02:55,008
John: Have you sung this song
before, either of you?
85
00:02:55,050 --> 00:02:56,718
Oh, you work in Orlando --
do you --
I do.
86
00:02:56,760 --> 00:02:58,845
You work at some of the --
the theme parks, too, right?
87
00:02:58,887 --> 00:03:01,097
Yeah, yeah, yeah,
my band does a lot of events.
88
00:03:01,139 --> 00:03:02,766
I work for
an entertainment company.
89
00:03:02,807 --> 00:03:05,769
I've sung in a lot
of theme parks around the world.
90
00:03:05,810 --> 00:03:07,479
I sing with
my own personal band.
91
00:03:07,520 --> 00:03:09,272
Been doing it
for 15 years now.
92
00:03:09,314 --> 00:03:12,567
* If we can't go on *
93
00:03:12,609 --> 00:03:14,986
* To survive the tide *
94
00:03:15,028 --> 00:03:18,615
* Love divides *
Sing!
95
00:03:18,656 --> 00:03:22,452
The first time
I learned a song in harmony
96
00:03:22,494 --> 00:03:24,079
was with my family.
97
00:03:24,120 --> 00:03:25,497
You know,
as the younger brother,
98
00:03:25,538 --> 00:03:27,207
I grew up playing baseball.
99
00:03:27,248 --> 00:03:29,209
My brother and my sister
were in music.
100
00:03:29,250 --> 00:03:31,002
And then, once I found singing,
101
00:03:31,044 --> 00:03:34,297
I felt like that was such
a big part of who I am.
102
00:03:34,339 --> 00:03:37,884
Graduating high school and going
right into the music industry,
103
00:03:37,926 --> 00:03:42,055
I live for a dream
of doing more.
104
00:03:42,097 --> 00:03:44,140
Now, being on "The Voice,"
105
00:03:44,182 --> 00:03:47,227
I think John's gonna help me
step into a new realm.
Welcome. Welcome, brother.
106
00:03:47,268 --> 00:03:48,978
And we're going
for that trophy, baby.
107
00:03:49,020 --> 00:03:50,605
We're going for it.
108
00:03:50,647 --> 00:03:54,859
* Oo-oo *
* Into the unknown *
109
00:03:54,901 --> 00:03:58,279
* Into the unknown *
110
00:03:58,321 --> 00:04:00,573
Jazmine: Team Legend is amazing,
especially on this song...
* Into the unknown *
111
00:04:00,615 --> 00:04:04,494
because it's definitely
a battle of the performers.
* Ah, ah, ah, ah *
112
00:04:04,536 --> 00:04:06,079
* Ah-ah, ah-ah *
Omar, when he was rehearsing,
113
00:04:06,121 --> 00:04:07,288
he, like, did the same run
exactly the same each time.
114
00:04:07,330 --> 00:04:08,957
* Into the unknown *
115
00:04:08,998 --> 00:04:11,418
And I was like,
"Is he gonna mess up at all?"
Whoo!
116
00:04:11,459 --> 00:04:13,086
* Ah-ah, ah-ah *
* Ah-ah, ah-ah *
117
00:04:13,128 --> 00:04:15,797
He didn't mess up.
[ Laughs ]
* Ah-ah, ah-ah *
118
00:04:15,839 --> 00:04:17,757
And he sings it
technically well.
* Ah-ah, ah-ah *
119
00:04:17,799 --> 00:04:20,593
To me, he's one
of the biggest threats.
* Ah-ah, ah-ah *
120
00:04:20,635 --> 00:04:24,097
* Oh-oh, oh-oh *
* Ah-ah, ah-ah *
121
00:04:24,139 --> 00:04:26,141
John: Lana has this...
* Where are you going? *
122
00:04:26,182 --> 00:04:28,268
...musical theater energy.
* Don't leave me alone *
123
00:04:28,309 --> 00:04:32,272
* How do I follow you... *
124
00:04:32,313 --> 00:04:35,483
She loves the theatrics,
the drama of it.
125
00:04:35,525 --> 00:04:37,986
You know,
she just has that passion.
126
00:04:38,028 --> 00:04:40,363
Whoo!
Beautiful!
127
00:04:40,405 --> 00:04:41,948
Whoo!
Cool.
128
00:04:41,990 --> 00:04:43,616
My Lord,
y'all sound great.
Mm!
129
00:04:43,658 --> 00:04:45,827
But, y'all,
there's a couple of times
130
00:04:45,869 --> 00:04:47,829
when I don't think
you should harmonize.
131
00:04:47,871 --> 00:04:49,247
Okay.
Sometimes less is more.
132
00:04:49,289 --> 00:04:50,457
Yeah.
Less is more.
133
00:04:50,498 --> 00:04:51,958
One is I don't think
134
00:04:52,000 --> 00:04:54,544
you should sing the "oh-oh"
together on the intro.
135
00:04:54,586 --> 00:04:56,713
I think Lana should do it,
so...
Okay.
136
00:04:56,755 --> 00:04:59,007
* Into the unknown,
into the unknown *
137
00:04:59,049 --> 00:05:01,134
* Into the unkno-o-own *
* Oh-oh *
138
00:05:01,176 --> 00:05:02,844
Cool.
139
00:05:02,886 --> 00:05:04,721
Everyone feeling good?
I'm here for emotional support.
140
00:05:04,763 --> 00:05:07,766
[ Laughter ]
Sorry.
141
00:05:07,807 --> 00:05:10,268
I started going into
choir director mode.
142
00:05:10,310 --> 00:05:11,770
You guys got this.
143
00:05:11,811 --> 00:05:14,647
Khhht! Khhht!
Waah! Ha ha!
Yeah!
144
00:05:14,689 --> 00:05:16,399
Show -- Show out.
Alright, we're ready.
145
00:05:16,441 --> 00:05:18,151
Show out.
146
00:05:18,193 --> 00:05:19,694
* Oo-oo, oo-oo *
147
00:05:19,736 --> 00:05:21,738
Lana: Omar is amazing.
148
00:05:21,780 --> 00:05:25,325
But I've been doing theater
since I was yea big.
149
00:05:25,367 --> 00:05:26,993
When I step out onstage,
150
00:05:27,035 --> 00:05:31,498
I feel like
I'm 10 times the size that I am.
151
00:05:31,539 --> 00:05:36,836
* I'm missing you like candy *
152
00:05:36,878 --> 00:05:40,256
I definitely think I'm paired
with the right coach
153
00:05:40,298 --> 00:05:41,675
for this moment.
* Ahhh *
154
00:05:41,716 --> 00:05:44,010
John, I mean, he has an EGOT,
155
00:05:44,052 --> 00:05:47,013
so [Laughs]
I'm just hoping that
156
00:05:47,055 --> 00:05:49,974
he can share
some of his wisdom...
Thank you, John.
157
00:05:50,016 --> 00:05:52,102
...and I'll be able
to channel it.
158
00:05:52,143 --> 00:05:59,275
* Into the unknown *
159
00:05:59,317 --> 00:06:02,445
[ Laughs ] Just make sure
y'all are looking at each other
160
00:06:02,487 --> 00:06:03,905
at the same time.
161
00:06:03,947 --> 00:06:05,824
Sorry, I didn't look at you
at all during that last one.
162
00:06:05,865 --> 00:06:08,535
Yes, just feed off
each other's energy.
163
00:06:08,576 --> 00:06:11,663
I go based off
of feeling and gut,
164
00:06:11,705 --> 00:06:14,874
and Omar
is just, like, technique.
165
00:06:14,916 --> 00:06:19,713
So we have totally different
ways of approaching music.
166
00:06:19,754 --> 00:06:23,633
So may the best man win --
or woman.
167
00:06:23,675 --> 00:06:25,552
Thank you guys so much.
John: Great to see you guys.
168
00:06:25,593 --> 00:06:26,845
You sound incredible.
Appreciate it.
169
00:06:26,886 --> 00:06:28,304
You're --
You're just ridiculous.
170
00:06:28,346 --> 00:06:29,472
Omar's a four-chair turn.
171
00:06:29,514 --> 00:06:32,017
These shoes are crazy.
They hurt, girl.
172
00:06:32,058 --> 00:06:33,893
But Lana is no slouch.
173
00:06:33,935 --> 00:06:35,520
She is coming with...
So great.
174
00:06:35,562 --> 00:06:37,731
...full passion.
I just love your energy.
175
00:06:37,772 --> 00:06:40,066
Lana's up to the challenge.
She's ready.
176
00:06:40,108 --> 00:06:42,068
So this is gonna be tough.
177
00:06:42,110 --> 00:06:43,987
[ Cheers and applause ]
178
00:06:44,029 --> 00:06:45,530
Man:
Okay, here we go.
179
00:06:45,572 --> 00:06:47,824
[ Cheers and applause ]
180
00:06:47,866 --> 00:06:49,409
Wait till y'all watch this.
181
00:06:49,451 --> 00:06:51,494
This is gonna be fun.
182
00:06:51,536 --> 00:06:52,996
[ Cheers and applause continue ]
183
00:06:53,038 --> 00:06:54,497
Whoo!
184
00:06:54,539 --> 00:06:55,790
Daly: Still to come...
185
00:06:55,832 --> 00:06:58,752
* Into the unknoooown *
Yeah!
186
00:06:58,793 --> 00:07:00,378
Daly: ...Our coaches
and their advisers
187
00:07:00,420 --> 00:07:02,380
help craft
epic battle performances.
188
00:07:02,422 --> 00:07:05,425
Alright, alright, alright.
I just want to feel
a little bit more of what --
189
00:07:05,467 --> 00:07:06,926
Like, more of the energy
of the song.
190
00:07:06,968 --> 00:07:08,928
When you do the super high thing
on the last chorus,
191
00:07:08,970 --> 00:07:11,222
full voice
is more powerful.
192
00:07:11,264 --> 00:07:14,809
* It's where I found Jesus *
193
00:07:14,851 --> 00:07:17,145
* Where I wrecked
my first car *
194
00:07:17,187 --> 00:07:21,024
* I tore it all to pieces *
Wow.
195
00:07:21,066 --> 00:07:22,067
Daly: And then...
196
00:07:22,108 --> 00:07:23,276
Oh!
197
00:07:23,318 --> 00:07:25,278
Well,
there you have it --
198
00:07:25,320 --> 00:07:26,780
one and only save!
199
00:07:26,821 --> 00:07:28,281
[ Cheers and applause ]
200
00:07:28,323 --> 00:07:30,325
I like that.
So awesome!
201
00:07:30,367 --> 00:07:31,826
My boy!
202
00:07:37,332 --> 00:07:38,500
* This is "The Voice" *
203
00:07:38,541 --> 00:07:39,751
Daly: Welcome back
to the battles
204
00:07:39,793 --> 00:07:42,504
at Universal Studios Hollywood.
205
00:07:42,545 --> 00:07:44,339
Whoo!
206
00:07:44,381 --> 00:07:46,925
This battle begins right now.
207
00:07:49,386 --> 00:07:53,723
**
208
00:07:53,765 --> 00:07:57,894
* Oo-oo, oo-oo *
209
00:07:57,936 --> 00:08:00,522
* Oo-oo, oo-oo *
210
00:08:00,563 --> 00:08:04,359
* Into the unknown *
211
00:08:04,401 --> 00:08:08,655
* Into the unknown *
212
00:08:08,697 --> 00:08:14,369
* Into the unknown *
213
00:08:14,411 --> 00:08:17,497
* Oo-oo, oo-oo *
214
00:08:17,539 --> 00:08:20,917
* I can hear you,
but I won't *
215
00:08:20,959 --> 00:08:23,253
* Some look for trouble *
216
00:08:23,294 --> 00:08:25,672
* While others don't *
217
00:08:25,714 --> 00:08:27,716
* There's a thousand reasons *
218
00:08:27,757 --> 00:08:29,718
* I should go about my day *
219
00:08:29,759 --> 00:08:31,886
* And ignore your whispers *
220
00:08:31,928 --> 00:08:35,682
* Which I wish would
go away, oh *
221
00:08:35,724 --> 00:08:38,101
[ Chuckles ] Whoo!
222
00:08:38,143 --> 00:08:41,396
* Oh-oh *
223
00:08:41,438 --> 00:08:43,898
* You're not a voice *
224
00:08:43,940 --> 00:08:45,817
* You're just a ringing
in my ear *
225
00:08:45,859 --> 00:08:48,278
* And if I heard you,
which I don't *
226
00:08:48,319 --> 00:08:50,363
* I'm spoken for, I fear *
227
00:08:50,405 --> 00:08:54,409
* Everyone I've ever loved
is here within these walls *
228
00:08:54,451 --> 00:08:58,747
* I'm sorry, secret siren, but
I'm blocking out your calls *
229
00:08:58,788 --> 00:09:00,623
* I've had my adventure *
230
00:09:00,665 --> 00:09:02,375
* I don't need something new *
231
00:09:02,417 --> 00:09:04,836
* I'm afraid of
what I'm risking if I *
232
00:09:04,878 --> 00:09:06,296
* Follow you *
233
00:09:06,338 --> 00:09:09,966
* Into the unknown *
234
00:09:10,008 --> 00:09:13,970
* Into the unknown *
235
00:09:14,012 --> 00:09:18,433
* Into the unknown *
236
00:09:18,475 --> 00:09:19,601
Yes!
237
00:09:19,642 --> 00:09:21,394
**
238
00:09:21,436 --> 00:09:23,188
* Oh-oh-oh *
239
00:09:23,229 --> 00:09:24,939
* Are you out there? *
* Do you know me? *
240
00:09:24,981 --> 00:09:28,818
* Can you feel me? *
* Can you show me? *
241
00:09:28,860 --> 00:09:30,945
* Ah-ah, ah-ah *
242
00:09:30,987 --> 00:09:33,156
* Ah-ah, ah-ah *
243
00:09:33,198 --> 00:09:35,450
* Ah-ah, ah-ah *
244
00:09:35,492 --> 00:09:37,452
* Ah-ah, ah-ah *
245
00:09:37,494 --> 00:09:39,621
* Ah-ah, ah-ah *
246
00:09:39,662 --> 00:09:42,499
* Ah-ah, ah-ah *
247
00:09:42,540 --> 00:09:44,459
* Ah-ah, ah-ah *
248
00:09:44,501 --> 00:09:46,044
[ Vocalizes ]
249
00:09:46,086 --> 00:09:47,796
* Where are you going? *
250
00:09:47,837 --> 00:09:50,006
* Don't leave me alone *
251
00:09:50,048 --> 00:09:56,680
* How do I follow you *
252
00:09:57,263 --> 00:10:04,270
* Into the unknooown? *
253
00:10:04,312 --> 00:10:06,272
Hey!
254
00:10:06,314 --> 00:10:10,985
**
255
00:10:11,027 --> 00:10:14,322
[ Cheers and applause ]
256
00:10:14,364 --> 00:10:17,492
Hey! They got Blake
out of his seat!
257
00:10:17,534 --> 00:10:19,285
Gwen: Oh, yeah!
Whoo!
258
00:10:19,327 --> 00:10:20,370
Yeah!
259
00:10:20,412 --> 00:10:21,663
John: [ Chuckles ]
260
00:10:21,705 --> 00:10:23,123
Let's go!
261
00:10:23,164 --> 00:10:26,001
I think I speak for
everybody here when I say,
262
00:10:26,042 --> 00:10:29,129
"What the hell?"
[ Laughter ]
263
00:10:29,671 --> 00:10:33,550
How is there enough time
on this show to even rehearse?
264
00:10:33,591 --> 00:10:34,759
That would be like after,
265
00:10:34,801 --> 00:10:38,638
like, an eight-month run
on Broadway.
266
00:10:38,680 --> 00:10:40,432
Lana, you're incredible.
Thank you.
267
00:10:40,473 --> 00:10:42,142
You stepped into character
268
00:10:42,183 --> 00:10:44,519
when you got onstage
and you became...
Elsa.
269
00:10:44,561 --> 00:10:46,187
...that moment, you know.
270
00:10:46,229 --> 00:10:48,064
You became Elsa.
Yeah.
It was really incredible.
271
00:10:48,106 --> 00:10:50,066
You did.
Thank you so much.
Thank you.
272
00:10:50,108 --> 00:10:53,028
Omar,
that was unbelievable.
273
00:10:53,069 --> 00:10:54,821
You're -- You're one
of the best singers
274
00:10:54,863 --> 00:10:56,072
I've ever heard.
Wow.
275
00:10:56,114 --> 00:10:57,866
[ Cheers and applause ]
276
00:10:57,907 --> 00:10:59,492
Thank you, thank you.
277
00:10:59,534 --> 00:11:00,702
You can't go wrong here.
278
00:11:00,744 --> 00:11:02,537
I-I would probably
choose Omar.
279
00:11:02,579 --> 00:11:07,208
Thank you.
That was probably my top two
favorite moments
280
00:11:07,250 --> 00:11:09,169
of this season.
That's awesome.
281
00:11:09,210 --> 00:11:11,880
I just feel so inspired
after that.
That's awesome.
282
00:11:11,921 --> 00:11:14,507
It just felt so pro.
283
00:11:14,549 --> 00:11:18,553
When you locked into
the verse in character,
284
00:11:18,595 --> 00:11:21,973
I was just like, "Whoa,
like, star power."
285
00:11:22,015 --> 00:11:26,019
Omar, I mean, bro,
you're an entertainer.
286
00:11:26,061 --> 00:11:29,397
Like, you just remind me
of Freddie Mercury
287
00:11:29,439 --> 00:11:30,732
and the ease with which,
288
00:11:30,774 --> 00:11:32,192
like Bruno
and Anderson perform --
289
00:11:32,233 --> 00:11:33,943
like, you were born
to do this.
290
00:11:33,985 --> 00:11:36,321
Thank you.
[ Cheers and applause ]
291
00:11:36,363 --> 00:11:39,032
I feel like I was, like,
shot up in a rocket
292
00:11:39,074 --> 00:11:40,867
and then went around the moon,
and then I'm like,
293
00:11:40,909 --> 00:11:42,952
"Wait, can we just,
like, rewind?"
294
00:11:42,994 --> 00:11:44,621
Why aren't you just,
like, on Broadway
295
00:11:44,662 --> 00:11:46,748
singing every single night?
296
00:11:46,790 --> 00:11:48,541
And it was such
a great pairing.
297
00:11:48,583 --> 00:11:50,251
You know, it's sad,
because it's, like,
298
00:11:50,293 --> 00:11:52,337
somebody has to go home,
and you guys should just keep
299
00:11:52,379 --> 00:11:55,006
doing what you do,
which is sing songs
300
00:11:55,048 --> 00:11:57,050
and use the gift
that God gave you.
301
00:11:57,092 --> 00:11:58,426
Thank you so much, Gwen.
Thank you, Gwen.
302
00:11:58,468 --> 00:11:59,719
Daly: Thank you, coaches.
303
00:11:59,761 --> 00:12:01,096
John, you've got
the final decision.
304
00:12:01,137 --> 00:12:02,514
Give us some thoughts
first on the battle.
305
00:12:02,555 --> 00:12:05,767
John: Wow. I mean, Lana,
I just love your passion,
306
00:12:05,809 --> 00:12:08,645
your -- the way you -- you move
your body when you sing.
307
00:12:08,687 --> 00:12:10,021
And everyone's right,
308
00:12:10,063 --> 00:12:12,065
like, you should be
on Broadway right now,
309
00:12:12,107 --> 00:12:13,733
like, you have
the voice for it.
310
00:12:13,775 --> 00:12:15,360
Thank you.
311
00:12:15,402 --> 00:12:17,987
Omar, I mean, I've never heard
anyone sing like you, dude.
312
00:12:18,029 --> 00:12:20,532
You're not just singing --
you're, like, giving
313
00:12:20,573 --> 00:12:22,117
the physical performance.
314
00:12:22,158 --> 00:12:23,785
You're, like,
getting into it.
315
00:12:23,827 --> 00:12:26,246
I like the way you just even
toss the mic to yourself.
316
00:12:26,287 --> 00:12:29,582
You just felt
confident, in control.
317
00:12:29,624 --> 00:12:31,209
Just know that, both of you,
318
00:12:31,251 --> 00:12:34,212
it was phenomenal to watch and
just inspiring for us, honestly.
319
00:12:34,254 --> 00:12:35,797
Bro.
320
00:12:35,839 --> 00:12:37,716
All right, John,
the time has come.
321
00:12:37,757 --> 00:12:39,759
Who is the winner
of this battle?
322
00:12:39,801 --> 00:12:41,803
[ Dramatic music plays ]
323
00:12:41,845 --> 00:12:43,847
The winner of this battle...
324
00:12:43,888 --> 00:12:47,726
**
325
00:12:47,767 --> 00:12:48,810
...is Omar.
326
00:12:48,852 --> 00:12:50,979
Omar, Congratulations!
327
00:12:51,021 --> 00:12:53,106
You're doing
on to the knockouts.
[ Speaking indistinctly ]
328
00:12:53,148 --> 00:12:58,028
Oh, my God, Lana and Omar
just rocked this audience.
329
00:12:58,069 --> 00:12:59,988
[ Cheers and applause ]
330
00:13:00,030 --> 00:13:01,906
Lana -- this was
the best vocal performance
331
00:13:01,948 --> 00:13:03,450
that she's delivered.
332
00:13:03,491 --> 00:13:06,161
Incredible. Incredible.
But there's very few voices
333
00:13:06,202 --> 00:13:10,874
in the world with the range,
the quality, the soul,
334
00:13:10,915 --> 00:13:13,043
the control that Omar has.
335
00:13:13,084 --> 00:13:15,253
I think Omar could
definitely win "The Voice."
336
00:13:15,295 --> 00:13:17,881
Congratulations.
Ah!
337
00:13:17,922 --> 00:13:19,466
I can't even.
I'm, like, shaking.
338
00:13:19,507 --> 00:13:21,259
It's so cool.
It's so cool.
339
00:13:21,301 --> 00:13:22,927
Thank you.
Thank you, "The Voice,"
340
00:13:22,969 --> 00:13:24,387
for letting me be on here.
341
00:13:24,429 --> 00:13:26,514
Lana, anything you want
to say to John?
342
00:13:26,556 --> 00:13:30,268
John, I just love you.
I have been a fan since day one.
343
00:13:30,310 --> 00:13:32,395
And thank you
for this opportunity.
344
00:13:32,437 --> 00:13:34,314
Thank you.
You have such a gift.
345
00:13:34,356 --> 00:13:36,941
You're such
a great performer.
Thank you.
346
00:13:36,983 --> 00:13:38,985
Give it up for Lana Love
one more time!
347
00:13:39,027 --> 00:13:40,195
[ Cheers and applause ]
348
00:13:40,236 --> 00:13:41,696
You guys were...up there.
Thank you.
349
00:13:41,738 --> 00:13:43,615
You killed it.
Thank you.
350
00:13:43,656 --> 00:13:44,991
Yes.
351
00:13:45,033 --> 00:13:46,659
Thank you, Gwen.
352
00:13:46,701 --> 00:13:49,120
[ Cheers and applause continue ]
353
00:13:49,162 --> 00:13:50,622
Oh, my God, that guy.
354
00:13:50,663 --> 00:13:51,873
That guy's unreal.
355
00:13:51,915 --> 00:13:53,291
He's unbelievable.
356
00:13:53,333 --> 00:13:54,584
Unreal.
357
00:14:02,258 --> 00:14:04,427
* This is "The Voice" *
Daly: Welcome back.
358
00:14:04,469 --> 00:14:06,971
**
359
00:14:07,013 --> 00:14:09,140
Oh, it's Camila's camera.
360
00:14:09,182 --> 00:14:10,809
I bet she'd love it
if we take some pictures.
361
00:14:10,850 --> 00:14:12,519
Oh, my God,
yes, let's do it.
Let's take --
362
00:14:12,560 --> 00:14:14,479
I'll take a --
take a selfie first.
363
00:14:14,521 --> 00:14:16,606
Here -- Here we go.
[ Camera shutter clicks,
camera whirring ]
364
00:14:16,648 --> 00:14:17,899
Let's do a silly one.
365
00:14:17,941 --> 00:14:19,359
Okay.
I'll put some bunny ears
366
00:14:19,401 --> 00:14:21,736
behind you.
* I'm famous *
367
00:14:21,778 --> 00:14:23,029
Oh, my God.
368
00:14:23,071 --> 00:14:24,364
**
369
00:14:24,406 --> 00:14:28,410
* Bright lights
and pretty things *
370
00:14:28,451 --> 00:14:30,704
Little gift for you there,
Camila.
371
00:14:30,745 --> 00:14:34,916
**
372
00:14:34,958 --> 00:14:36,292
Dorks.
373
00:14:37,210 --> 00:14:38,586
**
374
00:14:38,628 --> 00:14:41,297
Oh, my God, everybody on my team
is really special.
375
00:14:41,339 --> 00:14:43,008
I think you're a bit biased.
376
00:14:43,550 --> 00:14:44,926
Because they are on your team.
I think that this
377
00:14:44,968 --> 00:14:46,636
is the objective truth.
378
00:14:46,678 --> 00:14:48,263
I mean, I guess I chose them
for a reason...
They are all good.
379
00:14:48,304 --> 00:14:49,639
...so of course
I would think they're special,
380
00:14:49,681 --> 00:14:51,266
because
that's why I picked them.
381
00:14:51,307 --> 00:14:52,809
Like, they've all
really been incredible.
382
00:14:52,851 --> 00:14:54,686
Well, wait till you hear
these next two.
Yeah.
383
00:14:54,728 --> 00:14:56,438
Andrew and Zach are their names.
They're singing
384
00:14:56,479 --> 00:14:58,523
"I Wanna Dance with Somebody"
by Whitney Houston.
385
00:14:58,565 --> 00:15:00,775
One of them was
a four-chair turn.
386
00:15:00,817 --> 00:15:02,277
Oh, wow.
387
00:15:02,318 --> 00:15:08,408
* Don't you know
I'm no good for you? *
388
00:15:08,450 --> 00:15:11,202
* I've learned to lose... *
389
00:15:11,244 --> 00:15:12,746
That's, like, one
of my favorite songs.
390
00:15:12,787 --> 00:15:17,834
It's a pop song, but you added
these crazy runs to it,
391
00:15:17,876 --> 00:15:19,085
and I love your tone.
392
00:15:19,127 --> 00:15:21,087
Camila.
Yeah!
393
00:15:21,129 --> 00:15:23,840
Oh, my God!
What?!
394
00:15:23,882 --> 00:15:27,177
Both, you could definitely
hear, like, on a pop record.
Okay.
395
00:15:27,218 --> 00:15:31,723
* You know that
I could use somebody *
396
00:15:31,765 --> 00:15:34,184
[ Cheers and applause ]
397
00:15:34,225 --> 00:15:35,685
Gwen: You're only 19.
398
00:15:35,727 --> 00:15:38,063
And I promise you,
if you went with me,
399
00:15:38,104 --> 00:15:39,564
it would be so much fun.
400
00:15:39,606 --> 00:15:40,607
I was like, wow,
401
00:15:40,648 --> 00:15:42,734
he has an amazing voice,
amazing tone.
402
00:15:42,776 --> 00:15:44,527
Zach: I'm still pretty new
to performing.
403
00:15:44,569 --> 00:15:46,696
I'm gonna have to
go with Camila.
404
00:15:46,738 --> 00:15:48,114
Yeah!
405
00:15:48,156 --> 00:15:49,908
I'm about to work with Camila
for the first time...
406
00:15:49,949 --> 00:15:51,618
I'm so excited.
...and I am so happy
about that,
407
00:15:51,659 --> 00:15:53,912
because I've never had
an experience
408
00:15:53,953 --> 00:15:56,998
with somebody
who's been in the industry.
409
00:15:57,040 --> 00:15:58,416
Should we meet them?
410
00:15:58,458 --> 00:15:59,918
Yeah, I'd love to.
Okay.
411
00:15:59,959 --> 00:16:01,252
Oh, this is cool.
412
00:16:01,294 --> 00:16:03,213
Hey, guys.
Charlie: Hey, guys.
413
00:16:03,254 --> 00:16:04,714
Charlie.
What's happening?
414
00:16:04,756 --> 00:16:06,007
I'm super excited to be working
with Charlie.
415
00:16:06,049 --> 00:16:07,759
How are you?
How you doing?
416
00:16:07,801 --> 00:16:10,512
As an artist, you sort of hope
for moments like these...
Hi!
417
00:16:10,553 --> 00:16:11,763
...to be able to work
with people
418
00:16:11,805 --> 00:16:14,265
as well-versed
and knowledgeable.
419
00:16:14,307 --> 00:16:16,434
This is just insane.
You're a little intimidating.
420
00:16:16,476 --> 00:16:17,769
I walked in here and I was like,
"I want to run out!"
421
00:16:17,811 --> 00:16:19,354
Really?
No, I'm kidding.
I'm kidding.
422
00:16:19,396 --> 00:16:20,772
I try -- I try not to be.
Look at this face.
423
00:16:20,814 --> 00:16:22,565
It's the scariest face
I've ever seen.
424
00:16:22,607 --> 00:16:24,526
Everyone always talks
about his perfect pitch,
425
00:16:24,567 --> 00:16:28,613
but the way he's able to apply
that to music theory is awesome.
426
00:16:28,655 --> 00:16:30,490
I'm very inspired
by the both of them.
427
00:16:30,532 --> 00:16:32,117
He's like
a golden retriever.
428
00:16:32,158 --> 00:16:33,493
He's a golden retriever
for sure.
429
00:16:33,535 --> 00:16:34,911
Andrew and Zach are singing
430
00:16:34,953 --> 00:16:37,122
"I Wanna Dance with Somebody
(Who Loves Me)"
431
00:16:37,163 --> 00:16:38,206
by Whitney Houston.
432
00:16:38,248 --> 00:16:40,166
They are emotive singers,
433
00:16:40,208 --> 00:16:43,795
and I wanted them to do
a sad, emotional piano version
434
00:16:43,837 --> 00:16:45,130
of the song.
435
00:16:45,171 --> 00:16:48,550
How are we feeling?
Put it all out on the table.
436
00:16:48,591 --> 00:16:51,136
Andrew: When we first found out,
we were, like, very confused,
437
00:16:51,177 --> 00:16:54,222
but then we heard the version,
and it made more sense.
Yeah.
438
00:16:54,264 --> 00:16:57,183
Yeah. Yeah, that's fair.
And we're both, like,
emotive singers, you know, so...
439
00:16:57,225 --> 00:16:58,768
100%.
440
00:16:58,810 --> 00:17:00,437
...I think it was
a super smart choice.
441
00:17:00,478 --> 00:17:02,480
And how are you guys feeling
about how you sound?
442
00:17:02,522 --> 00:17:04,774
I'm a little tight today,
but I'm, like, okay.
443
00:17:04,816 --> 00:17:09,154
I think it's nerves,
but I'm just gonna push it out.
444
00:17:09,195 --> 00:17:11,906
* And when the night falls *
445
00:17:11,948 --> 00:17:14,659
* My lonely heart calls *
446
00:17:14,701 --> 00:17:19,497
Andrew is one of the best
singers on the show.
* Oh, I wanna dance
with somebody *
447
00:17:19,539 --> 00:17:21,875
Honestly, he could do
anything he wants.
* I wanna feel the heat... *
448
00:17:21,916 --> 00:17:26,171
* Hey, I wanna dance
with somebody *
449
00:17:26,212 --> 00:17:28,048
* With somebody who loves me *
Charlie:
For a young kid like Zach,
450
00:17:28,089 --> 00:17:29,507
it's just the beginning
for him.
451
00:17:29,549 --> 00:17:32,177
He has a very mature voice
and a very deep voice.
452
00:17:32,218 --> 00:17:33,553
Yeah.
Alright, alright, alright.
453
00:17:33,595 --> 00:17:34,846
Yeah.
Alright, alright, alright.
454
00:17:34,888 --> 00:17:36,348
First of all,
you both should feel great.
455
00:17:36,389 --> 00:17:37,682
You both really shine
in this song.
456
00:17:37,724 --> 00:17:40,143
When I was watching you
both perform it,
457
00:17:40,185 --> 00:17:43,438
you seemed to care more about,
like, hitting every note
458
00:17:43,480 --> 00:17:47,484
when it's really about
the emotional sentiment
459
00:17:47,525 --> 00:17:49,444
that's attached
to all this melodic stuff.
460
00:17:49,486 --> 00:17:52,072
I just want to feel
a little bit more of what --
461
00:17:52,113 --> 00:17:53,365
Like, more of the energy
of the song.
462
00:17:53,406 --> 00:17:54,866
You just kind of have
to showcase
463
00:17:54,908 --> 00:17:57,452
what you're internally feeling
without telling us.
464
00:17:57,494 --> 00:17:59,162
You tell us with the --
the music
465
00:17:59,204 --> 00:18:00,538
and the band
that's behind you.
466
00:18:00,580 --> 00:18:03,875
Let's try and find an intention
for the song.
467
00:18:03,917 --> 00:18:07,962
Does this song feel more happy
to you or more sad to you?
468
00:18:08,004 --> 00:18:09,255
It feels more sad to me.
469
00:18:09,297 --> 00:18:10,548
I think sad, as well.
470
00:18:10,590 --> 00:18:12,092
You should run with that.
471
00:18:12,133 --> 00:18:14,219
Zach: This song does take me
back to my childhood.
472
00:18:14,260 --> 00:18:15,762
It wasn't the best situation.
473
00:18:15,804 --> 00:18:18,223
When I was in seventh grade,
my parents got divorced.
474
00:18:18,264 --> 00:18:21,184
I'd always go to my room,
and I'd sit down at the piano,
475
00:18:21,226 --> 00:18:22,811
rather than, like,
476
00:18:22,852 --> 00:18:25,063
sitting there crying about it or
trying to release it that way.
477
00:18:25,105 --> 00:18:28,400
The best way for me was to just
write about what's on my mind.
478
00:18:28,441 --> 00:18:30,068
For me to win
this battle round,
479
00:18:30,110 --> 00:18:31,778
I think I need to make sure that
I stay connected to the song.
480
00:18:31,820 --> 00:18:35,198
Think about who do you love
the most in the world?
481
00:18:35,240 --> 00:18:37,575
Andrew: The song makes me think
about my entire family, really,
482
00:18:37,617 --> 00:18:39,953
because we always used to listen
to Whitney's greatest hits
483
00:18:39,994 --> 00:18:43,748
during, like, holidays and
just us cooking and having fun.
484
00:18:43,790 --> 00:18:47,877
My parents had to fight
tooth and nail as immigrants.
485
00:18:47,919 --> 00:18:51,339
They provided me with this life
and this possibility to pursue
486
00:18:51,381 --> 00:18:55,176
whatever I want to pursue,
so I-I don't want to waste it.
487
00:18:55,218 --> 00:18:56,678
Andrew, what's helped me
488
00:18:56,720 --> 00:18:59,014
with my performance anxiety
or -- or nerves --
489
00:18:59,055 --> 00:19:02,392
I remember when I sang this song
at the Grammys for my dad,
490
00:19:02,434 --> 00:19:04,561
and it was just the most
intimidating crowd ever.
491
00:19:04,602 --> 00:19:06,688
It's scary,
but I remember being like,
492
00:19:06,730 --> 00:19:09,441
"You know what?
More important than anybody here
493
00:19:09,482 --> 00:19:10,817
that I'm trying to impress
494
00:19:10,859 --> 00:19:13,945
is what an amazing dad
my dad has been to me,
495
00:19:13,987 --> 00:19:15,697
so I'm just gonna focus
on him."
496
00:19:15,739 --> 00:19:17,574
And anytime I get
a little thought like,
497
00:19:17,615 --> 00:19:18,992
"Oh my God,
what if I forget the words?"
498
00:19:19,034 --> 00:19:21,953
I want to be like,
"Camila, who cares?"
499
00:19:21,995 --> 00:19:23,621
Andrew: I'm self-taught
for the most part.
500
00:19:23,663 --> 00:19:25,790
I haven't really taken
that many vocal lessons.
501
00:19:25,832 --> 00:19:28,585
So I was feeling nerves,
and that was making me tense.
502
00:19:28,626 --> 00:19:30,295
But talking to Camila --
503
00:19:30,337 --> 00:19:31,546
she's really
helping me understand
504
00:19:31,588 --> 00:19:32,964
how to be in the moment
505
00:19:33,006 --> 00:19:35,925
instead of being
too over-critical of my voice,
506
00:19:35,967 --> 00:19:37,427
and it's really helpful.
507
00:19:37,469 --> 00:19:38,762
You just got to own it.
Yeah.
508
00:19:38,803 --> 00:19:40,430
Even if you go off-pitch
a little.
509
00:19:40,472 --> 00:19:41,806
It doesn't matter.
Who cares? Just own it.
510
00:19:41,848 --> 00:19:43,975
Stevie Nicks, Bonnie Raitt --
all the greats --
511
00:19:44,017 --> 00:19:45,602
never were unbelievably
pitch-perfect.
512
00:19:45,643 --> 00:19:47,187
You're not a robot.
You're not a robot.
513
00:19:47,228 --> 00:19:51,066
It's not gonna be human
if it's perceived as perfect.
514
00:19:51,107 --> 00:19:55,445
* Oh, I wanna dance
with somebody *
515
00:19:55,487 --> 00:19:58,740
* I wanna feel the heat
with somebody *
516
00:19:58,782 --> 00:20:01,159
Camila: In this battle,
I'm looking for growth.
Whoo!
517
00:20:01,201 --> 00:20:03,244
It doesn't have to be perfect,
doesn't have to be flawless,
518
00:20:03,286 --> 00:20:06,039
doesn't have to be
the most technically perfect
519
00:20:06,081 --> 00:20:07,499
vocal performance ever,
520
00:20:07,540 --> 00:20:09,626
but I want to see, like,
star power.
521
00:20:09,668 --> 00:20:14,422
* With somebody who loves me *
522
00:20:14,464 --> 00:20:16,257
That ending.
That was way better.
523
00:20:16,299 --> 00:20:17,884
That is lit.
I'm gonna toss this
right here.
524
00:20:17,926 --> 00:20:20,887
How do you feel?
I feel okay.
525
00:20:20,929 --> 00:20:22,847
Why just okay?
'Cause I feel like
I could've done better.
526
00:20:22,889 --> 00:20:24,891
What?
You're lit, bro.
Thank you so much.
527
00:20:24,933 --> 00:20:26,601
I appreciate that.
I think that you're being
too hard on yourself.
528
00:20:26,643 --> 00:20:28,186
I'm very hypercritical.
I'm very hypercritical, too.
529
00:20:28,228 --> 00:20:29,979
Just look at the audience.
I'm very hypercritical.
530
00:20:30,021 --> 00:20:32,273
It's gonna make a -- a lot
of -- of big, big difference.
531
00:20:32,315 --> 00:20:34,776
What should I do?
Here's the thing --
you have to remind yourself,
532
00:20:34,818 --> 00:20:37,821
"I don't have to be perfect.
I will probably mess up.
533
00:20:37,862 --> 00:20:40,407
Why? Because I'm human,
and that's normal."
534
00:20:40,448 --> 00:20:42,367
Andrew was being so hard
on himself,
535
00:20:42,409 --> 00:20:44,911
but once he realizes...
'Cause you're
already 200%...
536
00:20:44,953 --> 00:20:47,288
...how special
and how gifted he is...
...everybody else.
537
00:20:47,330 --> 00:20:49,207
...he is going to,
like, really fly.
538
00:20:49,249 --> 00:20:52,293
Don't worry about the nerves,
bro, you're good.
539
00:20:52,335 --> 00:20:53,545
I'm trying.
I shook him.
540
00:20:53,586 --> 00:20:55,046
I tried to get
the nerves out of him.
541
00:20:55,088 --> 00:20:56,589
They're coming out.
He got like half of them.
542
00:20:56,631 --> 00:20:58,216
Shake me, like,
I need it more than he does.
543
00:20:58,258 --> 00:20:59,759
We're doing the same thing.
I'll shake you, too, bro.
544
00:20:59,801 --> 00:21:01,928
I think the person that connects
with the message
545
00:21:01,970 --> 00:21:04,639
is going to ultimately connect
the most with Camila.
546
00:21:04,681 --> 00:21:06,391
All right, y'all.
Thank you.
547
00:21:06,433 --> 00:21:08,685
This is gonna be
a really hard decision.
548
00:21:15,275 --> 00:21:16,609
* This is "The Voice" *
549
00:21:16,651 --> 00:21:18,570
Daly: Welcome back
to the battle rounds.
550
00:21:18,611 --> 00:21:23,199
[ Cheers and applause ]
551
00:21:23,241 --> 00:21:24,868
Hey, look at that jacket.
552
00:21:25,243 --> 00:21:28,288
Cutie, cutie, cutie boys.
553
00:21:28,329 --> 00:21:30,206
[ Laughs ]
554
00:21:32,584 --> 00:21:34,794
Let the battle begin.
555
00:21:36,629 --> 00:21:41,134
**
556
00:21:41,176 --> 00:21:44,512
* Clock strikes
upon the hour *
557
00:21:44,554 --> 00:21:49,059
* And the sun begins
to fade *
558
00:21:49,100 --> 00:21:52,479
* Still enough time
to figure out *
559
00:21:52,520 --> 00:21:57,484
* How to chase
my blues away *
560
00:21:57,525 --> 00:22:01,071
* I've done alright
up 'til now *
561
00:22:01,112 --> 00:22:05,408
* It's the light of day
that shows me how *
562
00:22:05,450 --> 00:22:08,161
* And when the night falls *
563
00:22:08,203 --> 00:22:12,123
Hey!
* My lonely heart calls *
564
00:22:12,165 --> 00:22:16,336
* Oh, I wanna dance
with somebody *
565
00:22:16,378 --> 00:22:20,173
* I wanna feel the heat
with somebody *
566
00:22:20,215 --> 00:22:24,928
* Hey, I wanna dance
with somebody *
567
00:22:24,969 --> 00:22:28,723
* With somebody
who loves me *
568
00:22:28,765 --> 00:22:32,644
* Oh, I wanna dance
with somebody *
569
00:22:32,686 --> 00:22:36,981
* I wanna feel the heat
with somebody *
Yeah!
570
00:22:37,023 --> 00:22:41,528
* Hey, I wanna dance
with somebody *
571
00:22:41,569 --> 00:22:44,614
* With somebody
who loves me *
572
00:22:44,656 --> 00:22:46,449
* Somebody who *
573
00:22:46,491 --> 00:22:49,536
* Somebody who *
574
00:22:49,577 --> 00:22:52,872
* Somebody who loves me *
575
00:22:52,914 --> 00:22:54,666
Whoo!
Zach: * Somebody who *
576
00:22:54,708 --> 00:22:57,961
* Somebody who *
577
00:22:58,003 --> 00:23:01,673
* Somebody who loooves me *
578
00:23:01,715 --> 00:23:05,093
* I've been all right
up to now *
579
00:23:05,135 --> 00:23:09,514
* It's the light of day
that shows me how *
580
00:23:09,556 --> 00:23:12,600
* And when the night falls *
Wow.
581
00:23:12,642 --> 00:23:18,231
* My lonely heart *
* Calls *
582
00:23:18,273 --> 00:23:22,527
* Oh, I wanna dance
with somebody *
583
00:23:22,569 --> 00:23:26,364
Whoo!
* I wanna feel the heat
with somebody *
584
00:23:26,406 --> 00:23:31,036
* Hey, I wanna dance
with somebody *
585
00:23:31,077 --> 00:23:34,914
* With somebody who loves me *
586
00:23:34,956 --> 00:23:39,210
* Oh, I wanna dance
with somebody *
587
00:23:39,252 --> 00:23:43,089
* I wanna feel the heat
with somebody *
588
00:23:43,131 --> 00:23:47,761
* Hey, I wanna dance
with somebody *
589
00:23:47,802 --> 00:23:51,890
* With somebody
who loves me *
590
00:23:51,931 --> 00:23:56,186
* With somebody
who loves me *
591
00:23:56,227 --> 00:24:01,107
Yeah!
* With somebody who loves *
592
00:24:01,149 --> 00:24:04,778
* Me *
593
00:24:04,819 --> 00:24:06,404
[ Cheers and applause ]
594
00:24:06,446 --> 00:24:08,323
Yeah!
595
00:24:08,365 --> 00:24:09,824
All right!
596
00:24:09,866 --> 00:24:12,619
[ Cheers and applause ]
[ Speaking indistinctly ]
597
00:24:12,660 --> 00:24:15,663
Yeah, my boys!
Hello.
598
00:24:15,705 --> 00:24:18,625
[ Speaking indistinctly ]
Wow, that's
a hard song to do.
599
00:24:18,667 --> 00:24:19,793
I know.
Oh, my gosh.
600
00:24:19,834 --> 00:24:22,087
Zach, your voice
really shined.
601
00:24:22,128 --> 00:24:24,798
It was like
an alternative-sounding voice
602
00:24:24,839 --> 00:24:26,466
in a pop song.
Yeah.
603
00:24:26,508 --> 00:24:28,134
I like the contrast
of that.
604
00:24:28,176 --> 00:24:30,303
Andrew, what I love
about your voice
605
00:24:30,345 --> 00:24:32,430
is some of the unexpected
runs that you do.
606
00:24:32,472 --> 00:24:33,973
They're just not normal.
607
00:24:34,015 --> 00:24:36,476
I love the range in your voice
that you can go so low,
608
00:24:36,518 --> 00:24:37,977
and you are very beautiful.
609
00:24:38,019 --> 00:24:39,854
You -- It was stunning
when you came out.
610
00:24:39,896 --> 00:24:41,398
[ Cheers and applause ]
611
00:24:41,439 --> 00:24:42,732
Thank you, thank you.
612
00:24:42,774 --> 00:24:44,109
John: Something
about Andrew --
613
00:24:44,150 --> 00:24:46,569
you do a lot of unexpected
things as a vocalist,
614
00:24:46,611 --> 00:24:48,029
and I think that's
very cool.
615
00:24:48,071 --> 00:24:50,323
You have an interesting
approach to music,
616
00:24:50,365 --> 00:24:55,036
but Zach was just
more consistently on point.
617
00:24:55,078 --> 00:24:56,663
Your tone is really lovely.
Thank you.
618
00:24:56,705 --> 00:24:58,581
It was just well-executed.
619
00:24:58,623 --> 00:24:59,916
Thank you.
Thanks so much.
620
00:24:59,958 --> 00:25:01,459
[ Cheers and applause ]
621
00:25:01,501 --> 00:25:04,546
Andrew, almost felt like
something was holding you back.
622
00:25:04,587 --> 00:25:06,006
Every time there was
an opportunity
623
00:25:06,047 --> 00:25:08,758
to get up to a note,
they just didn't quite land.
624
00:25:08,800 --> 00:25:10,176
I just think
you're better than --
625
00:25:10,218 --> 00:25:12,012
than what happened here
today.
626
00:25:12,053 --> 00:25:15,974
Zach, you were both kind of
handed a -- a tall task here,
627
00:25:16,016 --> 00:25:17,600
but that's what I love
about the battle rounds
628
00:25:17,642 --> 00:25:20,854
is when you are handed something
that's almost impossible to do
629
00:25:20,895 --> 00:25:22,522
and you figure out
how to make it work.
630
00:25:22,564 --> 00:25:25,400
And I figure that Zach --
he came through the best
631
00:25:25,442 --> 00:25:28,486
in this performance for me,
so I'd go with Zach.
632
00:25:28,528 --> 00:25:31,197
Thank you. Appreciate that.
Daly: Thank you, coaches.
633
00:25:31,239 --> 00:25:33,033
Camila, you have
the final decision.
634
00:25:33,074 --> 00:25:35,201
I'm really, really proud
of you guys.
635
00:25:35,243 --> 00:25:38,997
Andrew, I was so happy when I
saw you dancing and having fun.
636
00:25:39,039 --> 00:25:40,915
You have this incredible
talent,
637
00:25:40,957 --> 00:25:44,044
but I think that
your hypercriticism of yourself
638
00:25:44,085 --> 00:25:46,046
is keeping you
from accessing the freedom
639
00:25:46,087 --> 00:25:49,966
and the fun
to go to that next level.
Mm-hmm.
640
00:25:50,008 --> 00:25:51,926
But the talent is there.
Thank you.
641
00:25:51,968 --> 00:25:54,888
And Zach singing
a Whitney song --
642
00:25:54,929 --> 00:25:56,264
I was like,
"This is gonna be interesting.
643
00:25:56,306 --> 00:25:59,726
I want to see
if he steps up to the plate,"
644
00:25:59,768 --> 00:26:02,270
and you really did.
You were consistent.
645
00:26:02,312 --> 00:26:04,272
And I saw a lot of growth
from rehearsal.
646
00:26:04,314 --> 00:26:07,025
And I'm really, really,
really proud of you.
Thanks.
647
00:26:07,067 --> 00:26:08,985
I think you guys are both
really talented,
648
00:26:09,027 --> 00:26:12,405
and I know
that you guys are growing.
649
00:26:12,447 --> 00:26:15,241
Camila, tough decision,
but the time has come.
650
00:26:15,283 --> 00:26:17,410
Who is the winner
of this battle?
651
00:26:17,452 --> 00:26:19,079
Ugh!
652
00:26:19,120 --> 00:26:20,538
[ Dramatic music plays ]
653
00:26:20,580 --> 00:26:21,748
[ Screams ]
654
00:26:21,790 --> 00:26:23,583
[ Laughter ]
655
00:26:23,625 --> 00:26:25,502
Pbht.
656
00:26:25,543 --> 00:26:28,088
**
657
00:26:28,129 --> 00:26:30,674
The winner
of this battle is...
658
00:26:30,715 --> 00:26:34,177
**
659
00:26:39,641 --> 00:26:40,809
* This is "The Voice" *
660
00:26:40,850 --> 00:26:42,686
Daly: Welcome back
to the battles.
661
00:26:42,727 --> 00:26:45,188
Camila, tough decision,
but the time has come.
662
00:26:45,230 --> 00:26:47,524
Who is the winner
of this battle?
663
00:26:47,565 --> 00:26:49,901
Ugh!
664
00:26:49,943 --> 00:26:51,820
The winner
of this battle is...
665
00:26:51,861 --> 00:26:54,406
[ Dramatic music plays ]
666
00:26:54,447 --> 00:26:55,990
...Andrew.
667
00:26:56,032 --> 00:26:58,410
[ Cheers and applause ]
668
00:26:58,451 --> 00:27:01,162
Zach did a great job,
but I had to go with Andrew
669
00:27:01,204 --> 00:27:04,624
because Andrew's voice and tone
is so special.
670
00:27:04,666 --> 00:27:08,336
I don't think that there's
any voice like his on the show.
Thank you.
671
00:27:08,378 --> 00:27:10,088
I don't think he knows
how good he is,
672
00:27:10,130 --> 00:27:13,675
and I just want to pull
that confidence out of him.
673
00:27:13,717 --> 00:27:15,885
Zach, anything you want to say
to your coach?
674
00:27:15,927 --> 00:27:17,846
This was a great experience.
675
00:27:17,887 --> 00:27:19,514
I feel like I grew
so much from it.
676
00:27:19,556 --> 00:27:21,683
Thank you guys so much.
This is awesome.
You did so good.
677
00:27:21,725 --> 00:27:25,645
You did so good.
Give it up for Zach Newbould,
ladies and gentlemen!
678
00:27:25,687 --> 00:27:27,689
Andrew and Zach
were both really good.
679
00:27:27,731 --> 00:27:30,650
I can see why Camila
ended up going with Andrew.
680
00:27:30,692 --> 00:27:33,862
But if I had a steal, I would
have probably stolen Zach.
681
00:27:33,903 --> 00:27:36,031
I wish I had another save.
Thank you.
682
00:27:36,072 --> 00:27:38,116
It's just hard
to see people go home.
683
00:27:38,158 --> 00:27:39,409
Great job, Zach.
684
00:27:39,451 --> 00:27:42,871
But it's so cool
to see these performances,
685
00:27:42,912 --> 00:27:44,873
to see all this talent,
686
00:27:44,914 --> 00:27:46,624
and to be surprised.
687
00:27:46,666 --> 00:27:48,251
**
688
00:27:48,293 --> 00:27:49,961
* I ain't playin' no games *
689
00:27:50,003 --> 00:27:53,715
* Every word that I say is
coming straight from the heart *
690
00:27:53,757 --> 00:27:58,928
* So if you tryna lay
in these arms *
691
00:27:58,970 --> 00:28:03,475
* I'ma leave the door open *
692
00:28:03,516 --> 00:28:06,895
Camila: Chello, you have
this magical star quality.
693
00:28:06,936 --> 00:28:09,064
I think I'm gonna go
with Chello.
694
00:28:09,105 --> 00:28:11,358
[ Cheers and applause ]
Chello!
695
00:28:11,399 --> 00:28:12,901
John: There are underdogs
and favorites,
696
00:28:12,942 --> 00:28:16,029
but sometimes, the performances
say something else,
697
00:28:16,071 --> 00:28:18,239
and you've got to go
with your heart.
698
00:28:18,281 --> 00:28:23,161
* Then you couldn't make
things new *
699
00:28:23,203 --> 00:28:29,918
* Just by saying I love you *
700
00:28:29,959 --> 00:28:31,127
* La da da *
Peyton, your voice
701
00:28:31,169 --> 00:28:33,046
has an edge
and a power to it.
702
00:28:33,088 --> 00:28:34,255
I appreciate that.
Thank you.
703
00:28:34,297 --> 00:28:36,091
The winner of
this battle is Peyton.
704
00:28:36,132 --> 00:28:38,635
Daly:
Peyton, congratulations!
705
00:28:38,677 --> 00:28:40,136
Gwen: I think Peyton has a lot
of potential.
706
00:28:40,178 --> 00:28:42,472
He has a really big voice
and a big range.
707
00:28:42,514 --> 00:28:43,682
Great job.
708
00:28:43,723 --> 00:28:45,350
The performances so far
709
00:28:45,392 --> 00:28:47,060
have been
kind of mind-blowing.
710
00:28:47,102 --> 00:28:48,812
I haven't been here for a while,
711
00:28:48,853 --> 00:28:51,272
so I feel like they're
even better than I remember.
Whoo!
712
00:28:51,314 --> 00:28:58,113
* I would give
everything I own *
713
00:28:58,154 --> 00:29:00,949
* Just to have you *
714
00:29:00,990 --> 00:29:04,160
* Back again *
715
00:29:04,202 --> 00:29:06,663
Your voice is such
a storytelling voice.
716
00:29:06,705 --> 00:29:08,498
It's so personal to you.
717
00:29:08,540 --> 00:29:11,001
I'm gonna say that Kayla
won this -- this battle.
Thank you so much.
718
00:29:11,042 --> 00:29:12,794
Daly:
Kayla, congratulations.
719
00:29:12,836 --> 00:29:14,129
You're moving on
to the knockouts,
720
00:29:14,170 --> 00:29:15,964
representing Team Gwen.
721
00:29:16,006 --> 00:29:18,091
[ Cheers and applause ]
722
00:29:18,133 --> 00:29:19,300
Man: Here we go, folks.
Stand by.
723
00:29:19,342 --> 00:29:21,386
The pressure's on,
Blake Shelton.
724
00:29:21,428 --> 00:29:22,178
Yep.
725
00:29:22,220 --> 00:29:23,930
So how about the trio, guys?
726
00:29:23,972 --> 00:29:26,141
Yeah.
I know. How do -- How do you
feel singing with a duo?
727
00:29:26,182 --> 00:29:27,142
Is it weird?
Are you cool with it?
728
00:29:27,183 --> 00:29:28,518
It's -- It's so incredible.
729
00:29:28,560 --> 00:29:31,104
It's just that
our sound is so unique.
730
00:29:31,146 --> 00:29:32,731
All right, these are
always tough to me
731
00:29:32,772 --> 00:29:36,651
because you have a solo artist
to go against a duo.
Mm-hmm.
732
00:29:36,693 --> 00:29:38,987
Yeah.
Both of these artists
are country.
733
00:29:39,029 --> 00:29:40,572
I mean, The Dryes
probably go
734
00:29:40,613 --> 00:29:42,115
a couple
of different directions.
Yeah, I know.
735
00:29:42,157 --> 00:29:44,117
It's not --
It's not The Wets...
736
00:29:44,159 --> 00:29:45,994
It's The Dryes.
It's The Dryes.
737
00:29:46,036 --> 00:29:47,912
That'd be embarrassing
if you said it the wrong way.
Not The Wets.
738
00:29:47,954 --> 00:29:49,414
Yeah, The Wet--
[ Chuckles ]
739
00:29:49,456 --> 00:29:51,249
Here they come.
Coming in hot.
Ah. Yeah!
740
00:29:51,291 --> 00:29:53,043
Y'all come meet my buddy,
Jimmie Allen.
So, how y'all doing, man?
741
00:29:53,084 --> 00:29:54,586
What's up, man?
How you doing, bro?
What's up?
742
00:29:54,627 --> 00:29:56,421
So, Jimmie --
Jimmie Allen's here today,
743
00:29:56,463 --> 00:29:58,673
and it's just such an honor
to be in the presence of him.
744
00:29:58,715 --> 00:30:00,675
How are you? I'm Jimmie,
good to meet you...
Hi, nice to meet you.
745
00:30:00,717 --> 00:30:02,719
I'm gonna give you a hug.
...as well, come on in.
746
00:30:02,761 --> 00:30:04,429
Nice to meet you.
Shaking Jimmie Allen's hand
reminded me of, like,
747
00:30:04,471 --> 00:30:06,473
what it takes to be
an independent artist.
748
00:30:06,514 --> 00:30:08,683
With us living in Nashville,
it's been a long road,
749
00:30:08,725 --> 00:30:11,311
but someone like Jimmie
and many others before us
750
00:30:11,353 --> 00:30:13,521
have really
paved the way.
751
00:30:13,563 --> 00:30:15,190
You all live
in Nashville, right?
We do, mm-hmm.
752
00:30:15,231 --> 00:30:16,858
Y'all been gigging
any or what?
753
00:30:16,900 --> 00:30:18,526
Yeah. Yeah.
Yeah, we did a few shows
while we were home.
754
00:30:18,568 --> 00:30:20,320
Jimmie: Nice.
We did one
at 3rd & Lindsley.
755
00:30:20,362 --> 00:30:21,905
Derek: Some writers rounds.
So...
Love that.
756
00:30:21,946 --> 00:30:23,281
We'll hang out at Robert's
or something.
Nice.
757
00:30:23,323 --> 00:30:24,532
Yeah.
I love Robert's.
758
00:30:24,574 --> 00:30:25,909
What about Ole Red,
for God's sakes?
759
00:30:25,950 --> 00:30:27,410
We do! We do!
I was milking it.
760
00:30:27,452 --> 00:30:28,620
Ain't nobody missing Ole Red.
I was waiting on it.
761
00:30:28,661 --> 00:30:30,497
I was milking it.
Oh, my God.
762
00:30:30,538 --> 00:30:32,499
* Islands in the stream *
763
00:30:32,540 --> 00:30:35,168
* That is what we are *
764
00:30:35,210 --> 00:30:37,212
* No on in between *
765
00:30:37,253 --> 00:30:38,797
How long have you guys
been married?
766
00:30:38,838 --> 00:30:40,048
10 years in November.
767
00:30:40,090 --> 00:30:42,217
There's no better way
to duet
768
00:30:42,258 --> 00:30:44,552
than if you're
doing et.
769
00:30:44,594 --> 00:30:46,388
"Doing et."
Oh, my God.
And so -- And so...
770
00:30:46,429 --> 00:30:47,681
We're going
to go with Blake.
771
00:30:47,722 --> 00:30:48,973
Alright!
772
00:30:49,015 --> 00:30:50,183
Where do you live now?
773
00:30:50,225 --> 00:30:52,018
I live
in Statesboro, Georgia.
774
00:30:52,060 --> 00:30:54,562
College town.
Yeah.
775
00:30:54,604 --> 00:30:57,232
Bryce: Going to college,
I went for a degree in business
776
00:30:57,273 --> 00:30:58,900
and fell
in love with music there.
777
00:30:58,942 --> 00:31:03,238
I went from showing up to open
mic nights to booking shows,
778
00:31:03,279 --> 00:31:06,032
playing in front of 100 people
to 1,500 people
779
00:31:06,074 --> 00:31:09,077
to selling out my first concert.
780
00:31:09,119 --> 00:31:11,079
I'm small-town famous, maybe.
781
00:31:11,121 --> 00:31:12,414
Maybe on a good day.
[ Chuckles ]
782
00:31:12,455 --> 00:31:17,419
* How can you walk away? *
783
00:31:17,460 --> 00:31:21,840
* Don't I matter anymore? *
784
00:31:21,881 --> 00:31:23,299
Man, I was blown away.
785
00:31:23,341 --> 00:31:27,137
And what a great country name.
Leather...wood.
786
00:31:27,178 --> 00:31:28,722
My man!
Shake your hand.
787
00:31:28,763 --> 00:31:30,598
I'm trying to take my talents
from Statesboro, Georgia,
788
00:31:30,640 --> 00:31:33,685
all the way here to L.A. and
show "The Voice" what I can do.
789
00:31:33,727 --> 00:31:37,188
* I was raised off
of Rural Route 3 *
790
00:31:37,230 --> 00:31:38,773
* Out past where
the blacktop ends *
Blake: I gave these guys
"Red Dirt Road"
791
00:31:38,815 --> 00:31:41,818
because it's a great song
for a duo, obviously,
792
00:31:41,860 --> 00:31:45,405
but the message of it
is just so, so country.
793
00:31:45,447 --> 00:31:48,199
Bryce has got that cowboy
George Strait thing about him
794
00:31:48,241 --> 00:31:52,120
that I knew they would all have
a great time singing this thing.
795
00:31:52,162 --> 00:31:54,789
* I learned
the path to heaven *
796
00:31:54,831 --> 00:31:58,084
* Is full of sinners
and believers *
797
00:31:58,126 --> 00:32:03,214
I love just that raw Georgia
country in Bryce's voice.
798
00:32:03,256 --> 00:32:06,634
* Down that red dirt road *
799
00:32:06,676 --> 00:32:10,305
* It's where I drank
my first beer *
800
00:32:10,347 --> 00:32:13,391
* It's where I found Jesus *
801
00:32:13,433 --> 00:32:14,684
Katelyn's killing it.
802
00:32:14,726 --> 00:32:16,561
And Derek,
he's got a really good tone
803
00:32:16,603 --> 00:32:18,938
that actually fits really well
with his wife.
804
00:32:18,980 --> 00:32:21,691
* Of that red dirt road *
805
00:32:21,733 --> 00:32:23,318
Bryce: Well, after hearing
The Dryes singing,
806
00:32:23,360 --> 00:32:24,652
you know,
I am intimidated by them.
807
00:32:24,694 --> 00:32:27,113
by the soulful harmonies
that they have --
808
00:32:27,155 --> 00:32:28,281
something I'd never done.
809
00:32:28,323 --> 00:32:29,574
It's gonna be
a hard struggle,
810
00:32:29,616 --> 00:32:31,076
but I couldn't be
more blessed to be here.
811
00:32:31,117 --> 00:32:32,285
That's a cool arrangement.
812
00:32:32,327 --> 00:32:33,536
Oh, yeah.
Thank y'all.
813
00:32:33,578 --> 00:32:35,163
This sounds real good, man.
814
00:32:35,205 --> 00:32:37,040
The main thing to work on
is just the three-part harmony.
815
00:32:37,082 --> 00:32:39,459
Mm-hmm. Yeah.
Just tightening that up,
you know.
816
00:32:39,501 --> 00:32:41,920
Everybody's kind of trickling
off at different places.
817
00:32:41,961 --> 00:32:44,339
You guys probably aren't
because it's automatic to you,
818
00:32:44,381 --> 00:32:47,801
but Bryce is trying to figure
out how to be in a trio now.
Katelyn: Totally.
819
00:32:47,842 --> 00:32:50,345
[ Laughs ] Right, yeah.
Solo artist, you know.
820
00:32:50,387 --> 00:32:52,389
Bryce definitely
has a plateful.
821
00:32:52,430 --> 00:32:53,765
He's trying to quickly learn
822
00:32:53,807 --> 00:32:55,684
how to blend
with these other two singers.
823
00:32:55,725 --> 00:32:58,436
And -- And he definitely has
the biggest challenge.
824
00:32:58,478 --> 00:33:00,355
You're the only
female voice in it,
825
00:33:00,397 --> 00:33:02,190
so you really kind of
got to drive this thing.
826
00:33:02,232 --> 00:33:04,442
Totally.
'Cause when you came in
the beginning, you're strong.
827
00:33:04,484 --> 00:33:05,735
Yeah.
When you came in
kind of after
828
00:33:05,777 --> 00:33:08,238
the guys started singing,
it wasn't as...
829
00:33:08,279 --> 00:33:09,364
Yeah.
...powerful.
830
00:33:09,406 --> 00:33:10,740
Like, still bring it.
831
00:33:10,782 --> 00:33:12,534
This song is
so special to us.
832
00:33:12,575 --> 00:33:14,911
You know, the song talks about
where I first saw Mary,
833
00:33:14,953 --> 00:33:16,204
where I drank my first beer,
834
00:33:16,246 --> 00:33:18,373
where I found Jesus and --
A lot of firsts.
835
00:33:18,415 --> 00:33:19,791
I mean, it kind of reminded me
of us 'cause, like,
836
00:33:19,833 --> 00:33:22,210
we moved to Nashville,
and we have a house now,
837
00:33:22,252 --> 00:33:23,920
and we're planting
our own roots
838
00:33:23,962 --> 00:33:27,048
and our own firsts
in -- in Nashville.
Mm-hmm.
839
00:33:27,090 --> 00:33:30,552
* It's where I found Jesus *
840
00:33:30,593 --> 00:33:32,887
Just to think about
our growth as a couple
841
00:33:32,929 --> 00:33:35,390
and, also, like,
our music career.
842
00:33:35,432 --> 00:33:37,350
We're gonna be doing music
in some facet
843
00:33:37,392 --> 00:33:38,893
for the rest
of our lives...
Yeah.
844
00:33:38,935 --> 00:33:41,438
...whether we have kids
next year
845
00:33:41,479 --> 00:33:43,606
or five years from now
or whatever,
846
00:33:43,648 --> 00:33:46,484
and wherever that --
those two roads lead,
847
00:33:46,526 --> 00:33:48,778
I just know that we're gonna
get through it together.
848
00:33:48,820 --> 00:33:51,406
When you do the super high thing
on the last chorus,
849
00:33:51,448 --> 00:33:53,283
full voice
is more powerful.
Yeah.
850
00:33:53,324 --> 00:33:54,993
Like, the song
has built to that.
851
00:33:55,035 --> 00:33:56,202
Yeah.
Yeah.
852
00:33:56,244 --> 00:33:58,663
* It's where I found Jesus *
853
00:33:58,705 --> 00:34:00,248
Stay up there.
Okay, cool.
854
00:34:00,290 --> 00:34:01,750
I-I think it'll be --
All right.
855
00:34:01,791 --> 00:34:03,251
Sounds really good.
[ Singing indistinctly ]
856
00:34:03,293 --> 00:34:04,836
The thing I feel
about country music, man,
857
00:34:04,878 --> 00:34:06,838
what gives us an advantage is,
a lot of times, you know,
858
00:34:06,880 --> 00:34:09,924
we have songs that connect with
our listeners on a deeper level.
859
00:34:09,966 --> 00:34:12,552
I think that was a great
song choice for them.
860
00:34:12,594 --> 00:34:13,970
Just gotta wait
for lights, camera, action,
861
00:34:14,012 --> 00:34:17,682
and...see who shows up.
Jimmie, thank you so much.
862
00:34:24,314 --> 00:34:25,482
* This is "The Voice" *
863
00:34:25,523 --> 00:34:27,359
Daly: Welcome back
to the battles.
864
00:34:27,400 --> 00:34:30,153
[ Cheers and applause ]
865
00:34:30,195 --> 00:34:34,115
Ha ha! It's country.
That's country right there.
866
00:34:34,157 --> 00:34:35,492
Leatherwood.
867
00:34:35,533 --> 00:34:37,077
[ Cheers and applause continue ]
868
00:34:37,118 --> 00:34:39,120
This battle starts right now.
869
00:34:41,373 --> 00:34:49,923
**
870
00:34:49,964 --> 00:34:53,677
* I was raised off
of Rural Route 3 *
871
00:34:53,718 --> 00:34:57,722
* Out past where
the blacktop ends *
872
00:34:57,764 --> 00:35:01,184
* We'd walked to church
on Sunday morning *
873
00:35:01,226 --> 00:35:06,189
* Race barefoot back
to the Johnson's fence *
874
00:35:06,231 --> 00:35:09,234
* That's where
I first saw Mary *
875
00:35:09,275 --> 00:35:13,446
* On that roadside
pickin' blackberries *
876
00:35:13,488 --> 00:35:17,701
* That summer I turned
a corner in my soul *
877
00:35:17,742 --> 00:35:21,037
* Down that red dirt road *
878
00:35:21,079 --> 00:35:24,541
* It's where
I drank my first beer *
879
00:35:24,582 --> 00:35:28,169
* It's where I found Jesus *
880
00:35:28,211 --> 00:35:30,630
* Where I wrecked
my first car *
881
00:35:30,672 --> 00:35:35,552
* I tore it all to pieces *
882
00:35:35,593 --> 00:35:38,555
* I learned the path
to heaven *
883
00:35:38,596 --> 00:35:42,434
* Is full of sinners
and believers *
884
00:35:42,475 --> 00:35:45,103
* Learned that happiness
on Earth *
885
00:35:45,145 --> 00:35:48,732
* Ain't just
for high achievers *
886
00:35:48,773 --> 00:35:50,108
* I've learned *
887
00:35:50,150 --> 00:35:51,568
* I've come to know *
888
00:35:51,609 --> 00:35:55,238
* There's life
at both ends *
889
00:35:55,280 --> 00:35:58,408
* Of that red dirt road *
890
00:35:58,450 --> 00:35:59,701
[ Audience cheers ]
891
00:35:59,743 --> 00:36:03,413
* I went out
into the world *
892
00:36:03,455 --> 00:36:08,251
* And I came back in *
893
00:36:08,293 --> 00:36:10,295
* I lost Mary *
894
00:36:10,337 --> 00:36:13,840
* Oh, I got her back again *
895
00:36:13,882 --> 00:36:15,008
**
896
00:36:15,050 --> 00:36:17,052
* And driving home tonight *
897
00:36:17,093 --> 00:36:22,932
* Feels like I've found
a long lost friend *
898
00:36:22,974 --> 00:36:24,893
Wow.
899
00:36:24,934 --> 00:36:27,145
Yeah.
That was pretty.
900
00:36:27,187 --> 00:36:30,982
* It's where I drank
my first beer *
Wow.
901
00:36:31,024 --> 00:36:34,527
* It's where I found Jesus *
902
00:36:34,569 --> 00:36:36,613
* Where I wrecked
my first car *
903
00:36:36,654 --> 00:36:40,158
* I tore it all to pieces *
904
00:36:40,200 --> 00:36:41,284
* I've learned *
905
00:36:41,326 --> 00:36:42,911
* I've come to know *
906
00:36:42,952 --> 00:36:47,290
* There's life
at both ends *
907
00:36:47,332 --> 00:36:48,750
* Yes, I've learned *
908
00:36:48,792 --> 00:36:50,710
* I've come to know *
909
00:36:50,752 --> 00:36:53,755
* There's life
at both ends *
910
00:36:53,797 --> 00:37:02,555
* Of that red dirt road *
911
00:37:02,597 --> 00:37:10,522
* Ooohhh *
912
00:37:10,563 --> 00:37:13,233
[ Cheers and applause ]
913
00:37:16,027 --> 00:37:17,821
Yeah!
914
00:37:17,862 --> 00:37:20,281
Thank you, buddy.
Good job, guys.
915
00:37:20,323 --> 00:37:21,324
Great job.
916
00:37:21,366 --> 00:37:22,701
[ Cheers and applause continue ]
917
00:37:22,742 --> 00:37:25,203
That was good!
Camila: All righty.
918
00:37:25,245 --> 00:37:26,663
All righty, righty, righty.
919
00:37:26,705 --> 00:37:28,164
That was so cool.
920
00:37:28,206 --> 00:37:30,000
[ Laughter ]
All righty, righty, righty.
921
00:37:30,041 --> 00:37:32,544
Is it just me
or was the tempo kind of --
922
00:37:32,585 --> 00:37:34,295
Completely out of the pocket
in the...
923
00:37:34,337 --> 00:37:36,339
In the beginning, right?
The beginning
of the song, yeah.
924
00:37:36,381 --> 00:37:37,674
But they
finally caught up.
925
00:37:37,716 --> 00:37:38,800
Was that just nerves,
excitement, or...?
926
00:37:38,842 --> 00:37:40,385
Hearing.
I think it was lack --
927
00:37:40,427 --> 00:37:41,928
Yeah, we just couldn't hear
the drums.
Yeah, hearing.
928
00:37:41,970 --> 00:37:43,596
Couldn't hear.
Camila: Yeah, fair enough.
929
00:37:43,638 --> 00:37:45,682
You guys all had
different strengths.
930
00:37:45,724 --> 00:37:48,184
Like your harmonies
were really, really tight.
931
00:37:48,226 --> 00:37:50,603
You guys hit every note.
932
00:37:50,645 --> 00:37:54,816
But Mr. Leatherwood
really shined for me.
933
00:37:54,858 --> 00:37:57,819
I felt more at ease hearing
and watching him, like
934
00:37:57,861 --> 00:38:00,822
there was a calm confidence.
Mm-hmm.
935
00:38:00,864 --> 00:38:02,907
For whatever reason,
I resonated with Bryce
936
00:38:02,949 --> 00:38:04,451
more on this performance.
937
00:38:04,492 --> 00:38:07,370
But I think that you guys
are also really talented.
938
00:38:07,412 --> 00:38:08,705
Well, thank you.
939
00:38:08,747 --> 00:38:10,498
These guys are incredible.
It has been nothing
940
00:38:10,540 --> 00:38:12,000
but a pleasure to work with
these guys.
Thank you, buddy.
941
00:38:12,042 --> 00:38:13,918
Oh, my God,
that's so sweet.
942
00:38:13,960 --> 00:38:15,879
Thank you, Bryce.
Thanks, man.
I can't state that enough.
943
00:38:15,920 --> 00:38:18,006
I didn't know what was going on
in the beginning either,
944
00:38:18,048 --> 00:38:21,718
but I did notice that
as the performance was going on,
945
00:38:21,760 --> 00:38:23,386
it just kept getting
better and better.
946
00:38:23,428 --> 00:38:26,723
And by the end, you guys were
all glued together.
Yeah.
947
00:38:26,765 --> 00:38:28,725
The Dryes --
it's fun to watch you.
948
00:38:28,767 --> 00:38:30,310
You can see the chemistry.
949
00:38:30,352 --> 00:38:32,562
Your voices blend
very well together.
950
00:38:32,604 --> 00:38:34,773
And when Mr. Leatherwood
came in...
951
00:38:34,814 --> 00:38:36,066
[ Laughter ]
952
00:38:36,107 --> 00:38:38,651
It's just good --
Mr. Leatherwood.
953
00:38:38,693 --> 00:38:40,236
Your voice is so warm.
954
00:38:40,278 --> 00:38:42,530
The three of your voices
together...
955
00:38:42,572 --> 00:38:44,741
Woman: Whoo!
...was so beautiful.
956
00:38:44,783 --> 00:38:46,409
The Dryewoods.
[ John laughs ]
957
00:38:46,451 --> 00:38:48,286
Yes, I like that.
[ Laughs ]
958
00:38:48,328 --> 00:38:49,662
[ Laughs ]
959
00:38:49,704 --> 00:38:50,872
If I had to choose someone,
Blake,
960
00:38:50,914 --> 00:38:52,499
I would probably go
with Bryce.
961
00:38:52,540 --> 00:38:54,000
Thank you.
962
00:38:54,042 --> 00:38:57,587
Bryce, your voice
is so pure and warm.
963
00:38:57,629 --> 00:38:59,089
You just execute everything
964
00:38:59,130 --> 00:39:02,008
with precision and, like,
confidence and ease.
965
00:39:02,050 --> 00:39:05,095
The only issue I had with it
was that it felt just so easy
966
00:39:05,136 --> 00:39:08,431
that it didn't have any punch
or oomph or fire to it.
967
00:39:08,473 --> 00:39:10,600
Yes, sir.
But I did feel that
from The Dryes.
968
00:39:10,642 --> 00:39:14,020
I felt like the dynamic
was just more electric.
969
00:39:14,062 --> 00:39:17,899
Bryce may be the most purely
on-point vocalist,
970
00:39:17,941 --> 00:39:21,611
but I find myself
more drawn to The Dryes.
971
00:39:21,653 --> 00:39:23,029
Daly: Thank you, coaches.
972
00:39:23,071 --> 00:39:24,739
All right, buddy,
final decision is yours.
973
00:39:24,781 --> 00:39:26,449
Give us some thoughts first
on the battle.
974
00:39:26,491 --> 00:39:27,826
You know,
this pocket thing --
975
00:39:27,867 --> 00:39:30,120
I wish we could have
a do-over, which --
976
00:39:30,161 --> 00:39:31,955
I've been texting
with the legal department.
977
00:39:31,996 --> 00:39:34,040
Apparently,
that's a no-go, so...
[ Laughter ]
978
00:39:34,082 --> 00:39:36,918
But it happened,
and you were able to recover.
979
00:39:36,960 --> 00:39:39,170
Kudos to you guys
for just being veterans
980
00:39:39,212 --> 00:39:41,131
and powering on through it,
you know.
981
00:39:41,172 --> 00:39:43,383
Bryce,
I'm still learning about you.
982
00:39:43,425 --> 00:39:44,968
You're 22 years old,
983
00:39:45,010 --> 00:39:48,388
and -- and I don't know how much
experience you have onstage,
984
00:39:48,430 --> 00:39:51,850
but it seems like you've got
about 40 years of experience.
985
00:39:51,891 --> 00:39:53,685
Played a few bars.
Just your presence
986
00:39:53,727 --> 00:39:55,186
standing there, I mean...
Thank you.
987
00:39:55,228 --> 00:39:56,771
Does he not seem like
an old man up there?
988
00:39:56,813 --> 00:39:58,064
Like...
John: Yeah.
989
00:39:58,106 --> 00:39:59,315
I feel like one, man.
You'd be surprised.
990
00:39:59,357 --> 00:40:01,317
He's got a half-smile.
He does the...
991
00:40:01,359 --> 00:40:03,028
And that's -- that's all
it takes, you know?
992
00:40:03,069 --> 00:40:05,030
And it doesn't hurt the fact
that, you know,
993
00:40:05,071 --> 00:40:06,823
you're a great singer.
994
00:40:06,865 --> 00:40:08,324
You're one of those guys
that's like a George Strait.
995
00:40:08,366 --> 00:40:10,493
And you deliver,
and you're solid,
996
00:40:10,535 --> 00:40:12,203
and people react to that.
997
00:40:12,245 --> 00:40:13,830
And The Dryes --
the same thing, you know?
998
00:40:13,872 --> 00:40:16,750
So, I'm sitting here
talking through all this,
999
00:40:16,791 --> 00:40:18,293
because I --
this is how I make decisions.
1000
00:40:18,335 --> 00:40:22,172
I'm actually talking this out
for myself right now.
1001
00:40:22,213 --> 00:40:24,507
Blake, who's the winner
of this battle?
1002
00:40:24,549 --> 00:40:27,218
[ Audience shouting ]
1003
00:40:27,260 --> 00:40:31,639
I try to, if I can,
always base it on
1004
00:40:31,681 --> 00:40:33,600
what happened
in this moment.
1005
00:40:33,641 --> 00:40:35,518
[ Dramatic music plays ]
1006
00:40:35,560 --> 00:40:37,103
And today...
1007
00:40:37,145 --> 00:40:38,271
**
1008
00:40:38,313 --> 00:40:40,398
...Bryce is the winner
of this battle.
1009
00:40:40,440 --> 00:40:41,900
Congratulations.
Thank you.
1010
00:40:41,941 --> 00:40:44,069
Bryce moving on
to the knockouts.
Thank y'all.
1011
00:40:44,110 --> 00:40:46,571
This was truly
a tough choice for me,
1012
00:40:46,613 --> 00:40:48,823
but I feel like Bryce
is one of these guys --
1013
00:40:48,865 --> 00:40:50,158
he's almost unshakable.
1014
00:40:50,200 --> 00:40:52,035
I mean, he's only 22 years old.
1015
00:40:52,077 --> 00:40:54,037
He's focused.
He knows what he wants to say.
1016
00:40:54,079 --> 00:40:55,538
Great job, man.
Thank you so much.
1017
00:40:55,580 --> 00:40:58,541
Great job.
And Bryce has
the countriest name
1018
00:40:58,583 --> 00:41:00,877
that maybe I have ever heard
in my life --
1019
00:41:00,919 --> 00:41:04,214
Bryce Leatherwood --
Leather...wood.
1020
00:41:04,255 --> 00:41:07,092
I mean, is there anything
countrier than that?
1021
00:41:07,133 --> 00:41:09,386
That's almost like a cologne.
1022
00:41:09,427 --> 00:41:10,887
[ Crying ]
I'm just happy that
1023
00:41:10,929 --> 00:41:13,056
Blake saw the light in me,
and --
1024
00:41:13,098 --> 00:41:15,016
Oh, I'm ready to go!
Let's go do this thing.
1025
00:41:15,058 --> 00:41:16,226
I'm -- I'm sorry.
I'm crying, man.
1026
00:41:16,267 --> 00:41:18,645
I'll cry at a wedding,
I swear.
1027
00:41:18,687 --> 00:41:19,854
Coaches, let me remind you
1028
00:41:19,896 --> 00:41:21,773
that The Dryes
are available to save.
1029
00:41:21,815 --> 00:41:23,900
Anything you guys want to say
to your coach?
1030
00:41:23,942 --> 00:41:26,486
We've loved you and your music
for many years.
1031
00:41:26,528 --> 00:41:28,405
Well, that's enough.
Ohh!
1032
00:41:28,446 --> 00:41:29,823
Well, there you have it!
1033
00:41:29,864 --> 00:41:33,243
Blake uses
his one and only save...
Yes!
1034
00:41:33,284 --> 00:41:34,619
Yes!
...on his own artists.
1035
00:41:34,661 --> 00:41:36,413
Yes!
Love you, babe.
1036
00:41:36,454 --> 00:41:39,916
The married duo, The Dryes,
aren't going anywhere.
Oh, yay!
1037
00:41:39,958 --> 00:41:41,584
I like that.
1038
00:41:41,626 --> 00:41:43,503
Flattery will
get you everywhere, right?
I know, right?
1039
00:41:43,545 --> 00:41:46,673
The Dryes are super talented.
They just got behind the beat.
1040
00:41:46,715 --> 00:41:49,217
And I know that they're better
musicians than that.
1041
00:41:49,259 --> 00:41:51,469
Let's have a do-over.
That's so awesome!
1042
00:41:51,511 --> 00:41:55,140
If there's anything I can do
to give someone a second chance,
1043
00:41:55,181 --> 00:41:57,559
then I'm gonna do that,
and that's why I used my save.
1044
00:41:57,600 --> 00:41:58,768
John: We did it, guys.
1045
00:41:58,810 --> 00:42:00,311
Good job, everybody.
1046
00:42:00,353 --> 00:42:01,521
Hell yeah.
1047
00:42:01,563 --> 00:42:08,903
**
1048
00:42:08,945 --> 00:42:16,494
**
1049
00:42:16,536 --> 00:42:23,877
**
1050
00:42:23,918 --> 00:42:31,217
**