1 00:00:22,394 --> 00:00:26,564 WE ARE LIVE WITH THE TOP 13. 2 00:00:26,564 --> 00:00:37,742 GIVE IT UP FOR OUR KOECOACHES. THE ONE AND ONLY JOHN LEGEND. 3 00:00:37,742 --> 00:00:41,613 THE LOVELY GWEN STEPSTEFANI. CAMILA CABELLO. 4 00:00:41,613 --> 00:00:44,149 AND BLAKE SHELTON. WHAT A GREAT CROWD. 5 00:00:44,149 --> 00:00:49,854 WELCOME TO THE SHOW. I'M CARSON DALY. 6 00:00:49,854 --> 00:00:52,223 WE'RE AT UNIVERSAL STUDIOS HOLLYWOOD. 7 00:00:52,223 --> 00:00:54,826 OUR TOP 13 ARTISTS ARE GOING TO COME OUT ON THE STAGE WITH 8 00:00:54,826 --> 00:00:57,462 REALLY SPECIAL SONGS THAT HAVE ABSOLUTELY CHANGED THEIR LIVES. 9 00:00:57,462 --> 00:00:59,264 THEY'RE DOING TO SING THOSE SONGS, THEY'RE ALSO GOING TO 10 00:00:59,264 --> 00:01:03,068 EXPLAIN WHY. WE'RE LOOKING FORWARD TO THAT. 11 00:01:03,068 --> 00:01:04,335 TWO ARTISTS ARE GOING TO GO HOME. 12 00:01:04,335 --> 00:01:05,937 YOUR VOTES CLEARLY VERY IMPORTANT. 13 00:01:05,937 --> 00:01:12,811 VOTING IS OPEN NOW FOR ALL OF THE ARTISTS. 14 00:01:12,811 --> 00:01:15,380 YOU CAN DO THAT ON TOIS OFFICIAL APP. 15 00:01:15,380 --> 00:01:20,485 WE'RE GOING TO KICK THINGS OFF WITH TEAM GWEN'S 19-YEAR-OLD POP 16 00:01:20,485 --> 00:01:26,558 SINGER AND A SONG, A SPECIAL ONE, THAT BROUGHT HIM OUT OF HIS 17 00:01:26,558 --> 00:01:30,095 SHELL. TOP 13 IS CRAZY. 18 00:01:30,095 --> 00:01:32,864 BEING 19 AND COMING OUT OF HIGH SCHOOL, DOING SO WELL IN THE 19 00:01:32,864 --> 00:01:34,766 COMPETITION, I DON'T THINK HIGH SCHOOL ANYBODY WOULD BELIEVE 20 00:01:34,766 --> 00:01:36,634 THIS IS SOMETHING I WAS DOING. HI. 21 00:01:36,634 --> 00:01:39,938 I'M SO PROUD OF YOU. SO HONORED TO BE YOUR COACH. 22 00:01:39,938 --> 00:01:43,708 I'M HONORED TO BE HERE. PRETTY EXCITING TO BE AROUND 23 00:01:43,708 --> 00:01:46,945 SUCH A CREATIVE PERSON. I COULD SAY THE SAME. 24 00:01:46,945 --> 00:01:49,581 TO HAVE AT YOUR AGE A CLEAR VIEW OF HOW YOU CAN SEE A SONG 25 00:01:49,581 --> 00:01:53,184 AND YOU MAKE IT YOURS, THAT'S REALLY SPECIAL. 26 00:01:53,184 --> 00:01:55,754 MY MUSIC TEACHER FROM MY SCHOOL SHOWED ME STEVIE WONDER. 27 00:01:55,754 --> 00:01:58,690 OH, REALLY? THIS IS WHAT I STARTED OFF 28 00:01:58,690 --> 00:02:00,959 SINGING. SUPERSTITION TRULY CHANGED MY 29 00:02:00,959 --> 00:02:04,696 LIFE. I WASN'T COMFORTABLE BEING 30 00:02:04,696 --> 00:02:07,732 MYSELF IN HIGH SCHOOL UNTIL MY BAND TEACHER INVITED ME TO JOIN 31 00:02:07,732 --> 00:02:12,370 THE JAZZ BAND. MR. COOPER IS THE DEFINITION OF 32 00:02:12,370 --> 00:02:15,774 WHAT A TEACHER SHOULD BE. SOMEONE WHO SUPPORT YOU AND 33 00:02:15,774 --> 00:02:20,578 SHAPES YOU ALONG THE WAY, AND BRINGING THE SONG TO "THE VOICE 34 00:02:20,578 --> 00:02:24,683 STAGE" IS DIFFERENT. THIS IS DIFFERENT FROM 35 00:02:24,683 --> 00:02:33,091 EVERYTHING ELSE I HAVE DONE. * VERY SUPERSTITIOUS 36 00:02:33,091 --> 00:02:36,461 WRITING'S ON THE WALL * SUPERSTISHZSTITION BY STEVIE 37 00:02:36,461 --> 00:02:42,901 WONDER, TALL ORDER. THAT'S KIND OF WHAT HE DOES. 38 00:02:42,901 --> 00:02:46,104 YOU WOULD NEVER THINK THIS 19-YEAR-OLD BOY FROM FLORIDA 39 00:02:46,104 --> 00:02:49,507 WOULD BE SINGING A STEVIE WONDER SONG AND DO IT JUSTICE, BUT I 40 00:02:49,507 --> 00:02:53,111 THINK AMERICA IS GOING TO SEE THAT HE HAS SKILLS. 41 00:02:53,111 --> 00:02:58,116 THERE'S KIND OF THESE GAPS SO YOU'LL DO A MELODY. 42 00:02:58,116 --> 00:03:00,618 THEN THERE'S A SPACE. WHAT ARE YOU GOING TO DO THERE? 43 00:03:00,618 --> 00:03:03,488 YEAH. FINDING MOMENTS WHERE YOU CAN 44 00:03:03,488 --> 00:03:06,324 BE LIKE, ATTITUDE. AND ALSO FUN. 45 00:03:06,324 --> 00:03:08,059 LIKE, THIS SONG IS JUST EUPHORIC. 46 00:03:08,059 --> 00:03:09,928 LOOK LIKE I'M HAVING FUN. YEAH. 47 00:03:09,928 --> 00:03:12,330 I SAW PEOPLE ON TWITTER SAYING YOU COULD WIN. 48 00:03:12,330 --> 00:03:15,734 WE'RE GOING FOR GOLD. I'M LITERALLY ON MY PHONE 49 00:03:15,734 --> 00:03:19,237 TEXTING PEOPLE THAT I KNOW, YOU SHOULD SEE THIS GUY. 50 00:03:19,237 --> 00:03:21,239 LIKE, HE JUST HAS SO MUCH POTENTIAL. 51 00:03:21,239 --> 00:03:33,451 HE'S A STAR, ALREADY. NOT EVERYONE HAS SEEN HIM YET. 52 00:03:35,954 --> 00:03:45,630 * VERY SUPERSTITIOUS WRITING'S ON THE WALL * 53 00:03:45,630 --> 00:03:55,006 * VERY SUPERSTITIOUS LADDER'S ‘BOUT TO FALL * 54 00:03:55,006 --> 00:04:03,815 * 13-MONTH-OLD BABY BROKE THE LOOKIN' GLASS * 55 00:04:03,815 --> 00:04:10,088 * SEVEN YEARS OF BAD LUCK THE GOOD THINGS 56 00:04:10,088 --> 00:04:14,059 IN YOUR PAST * * WHEN YOU BELIEVE IN THINGS 57 00:04:14,059 --> 00:04:19,197 THAT YOU DON'T UNDERSTAND * * THEN YOU SUFFER 58 00:04:19,197 --> 00:04:33,144 SUPERSTITION AIN'T THE WAY * 59 00:04:33,144 --> 00:04:44,522 * VERY SUPERSTITIOUS WASH YOUR FACE AND HANDS * 60 00:04:44,522 --> 00:04:51,629 * VERY SUPERSTITIOUS DO ALL THAT YOU CAN * 61 00:04:51,629 --> 00:05:02,140 * KEEP ME IN A DAYDREAM KEEP ME GOIN' STRONG * 62 00:05:02,140 --> 00:05:09,047 * YOU DON'T WANNA SAVE ME SAD IS MY SONG * 63 00:05:09,047 --> 00:05:14,386 * WHEN YOU BELIEVE IN THINGS THAT YOU DON'T UNDERSTAND * 64 00:05:14,386 --> 00:05:20,625 * THEN YOU SUFFER SUPERSTITION AIN'T 65 00:05:20,625 --> 00:05:25,263 THE WAY * * WHEN YOU BELIEVE IN THINGS 66 00:05:25,263 --> 00:05:36,841 THAT YOU DON'T UNDERSTAND THEN YOU SUFFER * 67 00:05:36,841 --> 00:05:50,555 * SUPERSTITION AIN'T THE WAY WHOA * 68 00:05:50,555 --> 00:05:57,562 Carson: THAT A NICE WAY TO KICK OFF THE SHOW. 69 00:05:57,562 --> 00:06:01,833 KIQUE, TEAM GWEN. CAMILA, WHAT DID YOU THINK? 70 00:06:01,833 --> 00:06:05,203 KIQUE, MIAMI BOY REPRESENTING. 71 00:06:05,203 --> 00:06:11,176 REPRESENT, 305. GWEN, YOU'RE RIGHT. 72 00:06:11,176 --> 00:06:13,311 STEVIE WONDER IS A TALL ORDER, AND I FEEL LIKE YOU MADE IT YOUR 73 00:06:13,311 --> 00:06:16,514 OWN. EVERY PERFORMANCE YOU JUST GROW 74 00:06:16,514 --> 00:06:20,085 MORE INTO THAT BIG, HEAVY VOICE OF YOURS. 75 00:06:20,085 --> 00:06:23,521 I FEEL LIKE YOU WERE HAVING FUN. AND I JUST LOVE YOUR VOICE. 76 00:06:23,521 --> 00:06:26,491 I LOVE THAT YOU CHALLENGE YOURSELF, AND I AGREE. 77 00:06:26,491 --> 00:06:29,794 I THINK YOU REALLY DO HAVE SOMETHING SO SPECIAL. 78 00:06:29,794 --> 00:06:32,931 YOU'RE A STAR, DARLING. THANK YOU SO MUCH. 79 00:06:32,931 --> 00:06:37,302 Carson: GWEN. THAT WAS AMAZING. 80 00:06:37,302 --> 00:06:40,972 HONESTLY, I WAS NERVOUS, GUYS. THIS WAS LIKE WHAT ARE WE DOING 81 00:06:40,972 --> 00:06:43,908 HERE? BUT I LOVED HOW YOU CAME BACK TO 82 00:06:43,908 --> 00:06:47,145 THE ORIGINAL BUT THEN YOU JUST TWEAKED WITH YOUR LITTLE 83 00:06:47,145 --> 00:06:50,081 PERSONALITY, NOT LITTLE, BUT YOUR GREAT, HUGE, AMAZING 84 00:06:50,081 --> 00:06:54,686 PERSONALITY. AND MADE IT YOUR OWN. 85 00:06:54,686 --> 00:06:57,922 AND I JUST I'M SO HONORED THAT I GET TO BE YOUR COACH AND WITNESS 86 00:06:57,922 --> 00:07:00,525 THAT RIGHT NOW. SO CONGRATULATIONS. 87 00:07:00,525 --> 00:07:02,060 YOU ARE A STAR AND YOU'RE INCREDIBLE. 88 00:07:02,060 --> 00:07:06,698 THANK YOU SO MUCH. Carson: IF YOU WANT KIQUE IN 89 00:07:06,698 --> 00:07:10,335 THE TOP TEN, YOU CAN VOTE ON NBC.COM AND THE VOICE OFFICIAL 90 00:07:10,335 --> 00:07:13,204 APP. GIVE IT UP AGAIN FOR KIQUE AND 91 00:07:13,204 --> 00:07:16,875 TEAM GWEN. OFF TO A GREAT START. 92 00:07:16,875 --> 00:07:19,544 WHEN WE COME BACK, BRYCE SINGS A COUNTRY CLASSIC HIS COACH CALLS 93 00:07:19,544 --> 00:07:23,448 SACRED GROUND. AND LATER, THEY GIVE IT 94 00:07:23,448 --> 00:07:24,816 AND LATER, THEY GIVE IT EVERYTHING THEY HAVE TO MOVE ON 95 00:07:40,899 --> 00:07:42,067 SONGS THAT MADE A HUGE IMPACT ON THEIR LIVES. 96 00:07:42,067 --> 00:07:44,602 ONLY TEN MOVE ON TOMORROW. VOTING IS OPEN NOW FOR ALL 97 00:07:44,602 --> 00:07:47,172 ARTISTS ON ALL METHODS. LET'S CONTINUE WITH TEAM BLAKE'S 98 00:07:47,172 --> 00:07:50,075 SINGER FROM GEORGIA WHO WAS INSTANTLY SAVED LAST WEEK. 99 00:07:50,075 --> 00:07:51,776 TONIGHT HE RETURNS TO ONE OF HIS FAVORITE COUNTRY CLASSICS. 100 00:07:51,776 --> 00:07:59,617 HERE'S MORE FROM BRYCE LEATHERWOOD. 101 00:07:59,617 --> 00:08:03,722 WHAT A TIME THAT WAS. IT WAS ONE OF THE MOST HECTIC 102 00:08:03,722 --> 00:08:06,591 YET ONE OF THE MOST BEAUTIFUL MOMENT OF MY LIFE. 103 00:08:06,591 --> 00:08:10,128 TO COMPLETE THE TOP 13, THE WILD CARD ARTIST IS BRYCE 104 00:08:10,128 --> 00:08:15,166 LEATHERWOOD. MAN, THAT WAS NERVE-RACKING. 105 00:08:15,166 --> 00:08:16,201 LUCKILY, TEAM BLAKE IS STILL INTACT. 106 00:08:16,201 --> 00:08:19,104 YES, SIR. HERE HE COMES WALKING IN WITH 107 00:08:19,104 --> 00:08:22,440 A LITTLE SWAGGER. MY MOM WAS SO MAD AT ME FOR 108 00:08:22,440 --> 00:08:25,043 PUTTING YOU IN THE SAVE DEAL. MOM, HE'LL MAKE IT OUT OF 109 00:08:25,043 --> 00:08:29,047 THERE. CALM DOWN. 110 00:08:29,047 --> 00:08:31,850 MY MOM MAY NOT SPEAK TO ME FOR A COUPLE WEEKS BECAUSE I PUT 111 00:08:31,850 --> 00:08:35,286 BRYCE IN THAT SITUATION. I KNEW HE WOULD FIND A WAY TO 112 00:08:35,286 --> 00:08:38,156 PULL HIMSELF OUT OF IT AND STILL BE ON THE SHOW. 113 00:08:38,156 --> 00:08:42,293 HERE WE ARE, SONGS THAT CHANGED MY LIFE. 114 00:08:42,293 --> 00:08:45,263 YOU'RE DOING AMARU ARILLO MORNIN GEORGE STRAIT. 115 00:08:45,263 --> 00:08:46,598 YOU HAVE TO BRING IT. IF YOU COME AT THE KING, YOU 116 00:08:46,598 --> 00:08:49,667 BEST NOT MISS. LET'S DO THIS. 117 00:08:49,667 --> 00:08:55,974 * AMARILLO BY MORNING UP FROM SAN ANTONE * 118 00:08:55,974 --> 00:08:59,511 I CUT ME TEETH WITH THIS SA 119 00:08:59,511 --> 00:09:02,013 SONG, LITTLE TINY BARS IN MY HOMETOWN. 120 00:09:02,013 --> 00:09:03,348 I REMEMBER PEOPLE ENJOYING MY SINGING. 121 00:09:03,348 --> 00:09:08,153 IT SPOKE VOLUMES TO ME. THIS IS A SONG THAT'S BEEN IN MY 122 00:09:08,153 --> 00:09:10,822 SET LIST FROM DAY ONE AND IT CONTINUES TO BE. 123 00:09:10,822 --> 00:09:12,424 HOW LONG HAVE YOU HAD THE BAND TOGETHER? 124 00:09:12,424 --> 00:09:16,161 CLOSE TO A YEAR. I KIND OF MANAGED IT IN A 125 00:09:16,161 --> 00:09:18,463 SENSE,O BOOKING CONDITIONS. USING THE BUSINESS MANAGEMENT 126 00:09:18,463 --> 00:09:21,566 DEGREE THE RIGHT WAY. EVEN THOUGH BEING A MUSICIAN CAN 127 00:09:21,566 --> 00:09:23,802 BE A HARD GRIND, I'M ALWAYS LOOKING FORWARD TO THE NEXT BIG 128 00:09:23,802 --> 00:09:26,838 THING. I WANT TO MAKE THE TOP TEN SO 129 00:09:26,838 --> 00:09:29,741 BAD, MY GOAL IS TO GO OUT THERE AND PERFORM THIS SONG TO THE 130 00:09:29,741 --> 00:09:33,545 BEST OF MY ABILITY AND DO THE KING JUSTICE. 131 00:09:33,545 --> 00:09:36,648 MAN, I DON'T HAVE ONE NOTE THAT'S INCREDIBLE. 132 00:09:36,648 --> 00:09:40,185 IT SOUNDS PERFECT FOR YOU. DON'T MAKE ME CRY. 133 00:09:40,185 --> 00:09:43,421 GEORGE STRAIT IS SACRED GROUND FOR ANY COUNTRY ARTIST. 134 00:09:43,421 --> 00:09:46,591 HE KNOWS HOW IMPORTANT THIS SONG IS TO COUNTRY MUSIC FANS. 135 00:09:46,591 --> 00:09:51,529 AND I TRULY BELIEVE THIS IS GOING TO BE BRYCE'S BEST 136 00:09:51,529 --> 00:09:56,568 PERFORMANCE HE'S HAD SO FAR. YOU'RE GOING TO LIVE TO SEE 137 00:09:56,568 --> 00:09:59,237 ANOTHER WYEEK AFTER THIS. THAT SONG IS SO GOOD. 138 00:09:59,237 --> 00:10:09,180 YOU'RE GOING TO MAKE IT WAY BEYOND THE TOP 13. 139 00:10:09,180 --> 00:10:09,547 BEYOND THE TOP 13. I HOPE SO. 140 00:10:18,857 --> 00:10:27,665 UP FROM SAN ANTONE * * EVERYTHING THAT I'VE GOT 141 00:10:27,665 --> 00:10:30,535 IS JUST WHAT I'VE GOT ON * * WHEN THAT SUN IS HIGH 142 00:10:30,535 --> 00:10:36,474 IN THAT TEXAS SKY * * I'LL BE BUCKING 143 00:10:36,474 --> 00:10:45,583 AT THE COUNTY FAIR * * AMARILLO BY MORNING 144 00:10:45,583 --> 00:10:49,854 AMARILLO I'LL BE THERE * * THEY TOOK MY 145 00:10:49,854 --> 00:10:54,426 SADDLE IN HOUSTON BROKE MY LEG IN SANTA FE * 146 00:10:54,426 --> 00:11:02,100 * LOST MY WIFE AND A GIRLFRIEND 147 00:11:02,100 --> 00:11:05,503 SOMEWHERE ALONG THE WAY * * WELL I'LL BE 148 00:11:05,503 --> 00:11:08,340 LOOKING FOR EIGHT * * WHEN THEY PULL THAT GATE 149 00:11:08,340 --> 00:11:15,747 AND I HOPE THAT JUDGE AIN'T BLIND * 150 00:11:15,747 --> 00:11:25,423 * AMARILLO BY MORNING AMARILLO'S ON MY MIND * 151 00:11:25,423 --> 00:11:31,963 * AMARILLO BY MORNING UP FROM SAN ANTONE * 152 00:11:31,963 --> 00:11:38,503 * EVERYTHING THAT I'VE GOT IS JUST WHAT 153 00:11:38,503 --> 00:11:41,639 I'VE GOT ON * * I AIN'T GOT A DIME 154 00:11:41,639 --> 00:11:47,012 BUT WHAT I GOT IS MINE * * I AIN'T RICH 155 00:11:47,012 --> 00:11:54,452 BUT LORD I'M FREE * * AMARILLO BY MORNING 156 00:11:54,452 --> 00:12:07,232 AMARILLO'S WHERE I'LL BE * * AMARILLO BY MORNING 157 00:12:07,232 --> 00:12:11,803 AMARILLO'S WHERE I'LL BE IT'S WHERE I'LL BE * 158 00:12:24,249 --> 00:12:27,318 TRYING TO MAKE IT A TOP TEN. NICE NIGHT'S WORK. 159 00:12:27,318 --> 00:12:29,954 A PROUD COACH STANDING UP. LET'S GO OVER TO MR. LEGEND. 160 00:12:29,954 --> 00:12:36,394 JOHN. BRYCE, I'M NO COUNTRY EXPERT, 161 00:12:36,394 --> 00:12:40,432 AS BLAKE WILL REMIND YOU OFTEN. BUT I HAVE TO SAY, IT SOUNDED SO 162 00:12:40,432 --> 00:12:44,669 PERFECT AND SO NATURAL. A MAN NAMED BRYCE LEATHERWOOD 163 00:12:44,669 --> 00:12:48,440 SINGING A GEORGE STRAIT SONG, AND YOU JUST SOUNDED LIKE YOU'RE 164 00:12:48,440 --> 00:12:51,876 PERFECTLY IN YOUR COMFORT ZONE. YOU SOUNDED SO CONFIDENT. 165 00:12:51,876 --> 00:12:54,813 YOU LOOK LIKE A STAR UP THERE. YOUR VOICE SOUNDED PURE AND 166 00:12:54,813 --> 00:12:57,115 BEAUTIFUL. THANK YOU, JOHN. 167 00:12:57,115 --> 00:13:01,186 TRULY A PERFECT EXECUTION OF THAT SONG. 168 00:13:01,186 --> 00:13:04,389 VERY WELL DONE, BRYCE. THANK YOU. 169 00:13:04,389 --> 00:13:08,093 Carson: BLAKE? I FELT LIKE THIS MAY BE THE 170 00:13:08,093 --> 00:13:11,563 FIRST TIME I EVER FELT LIKE A STAGE MOM OVER HERE WATCHING. 171 00:13:11,563 --> 00:13:15,266 I WAS SINGING EVERY WORD. HERE COMES THE MODULATION. 172 00:13:15,266 --> 00:13:18,203 SMILE. SMILE. 173 00:13:18,203 --> 00:13:22,741 I MEAN, I WAS SO INTO THAT. HE WAS DOING THE DANCE MOVES. 174 00:13:22,741 --> 00:13:26,511 I WAS, I LOVE GEORGE STRAIT AND I LOVE BRYCE. 175 00:13:26,511 --> 00:13:27,645 AND DUDE, LET ME TELL YOU SOMETHING. 176 00:13:27,645 --> 00:13:31,316 THE POSITION YOU WERE IN LAST WEEK, I MEAN, WHO KNOWS HOW IT 177 00:13:31,316 --> 00:13:35,353 HAPPENS, BUT THAT HOW YOU FIX IT, MAN. 178 00:13:35,353 --> 00:13:36,354 THAT WAS A GREAT, SOLID PERFORMANCE. 179 00:13:36,354 --> 00:13:37,989 THANK YOU, COACH. THANK YOU. 180 00:13:37,989 --> 00:13:44,095 Carson: IF YOU WANT BRYCE IN THE TOP TEN, YOU CAN VOTE ON 181 00:13:44,095 --> 00:13:45,096 NBC.COM AND "THE VOICE" OFFICIAL APP. 182 00:13:45,096 --> 00:13:50,935 LET'S HEAR IT FOR BRYCE LEATHERWOOD. 183 00:13:50,935 --> 00:13:53,204 OFF TO A SOLID START. WHEN WE COME BACK, DEVIX LETS 184 00:13:53,204 --> 00:13:57,942 LOOSE ON A BIG INDIE ROCK SONG. AND LATER, ROWAN AND OMAR FIGHT 185 00:13:57,942 --> 00:14:15,660 FOR YOUR VOTES AND A CHANCE TO Carson: FIRED UP TONIGHT. 186 00:14:15,660 --> 00:14:18,563 WELCOME BACK. OUR TOP 13 ALL SINGING TONIGHT. 187 00:14:18,563 --> 00:14:21,766 PERFORMANCES ARE GOING TO CONTINUE WITH TEAM CAMILA'S 188 00:14:21,766 --> 00:14:26,504 PENNSYLVANIA INDIE POP SINGER AND A VERY SPECIAL SONG THAT 189 00:14:26,504 --> 00:14:27,539 ALLOWS HIM TO SHINE AS AN ARTIST. 190 00:14:27,539 --> 00:14:32,243 HERE'S DEVIX. COOL, LET'S DO IT. 191 00:14:32,243 --> 00:14:35,213 HEY, DEVIX. BEEN TOO LONG. 192 00:14:35,213 --> 00:14:38,416 I'M FEELING REALLY EXCITED TO HEAR YOUR VOICE ON THIS SONG. 193 00:14:38,416 --> 00:14:40,518 THIS IS ARE YOU MINE. HOW DOES THIS SONG CHANGE 194 00:14:40,518 --> 00:14:45,890 YOUR LIFE? GROWING UP, I GOT TO BE A 195 00:14:45,890 --> 00:14:49,427 GUITARIST OR INSTRUMENTALEST. BUT AFTER THE VOCALS PICKED UP 196 00:14:49,427 --> 00:14:52,997 FOR ME, I WANTED TO PLAY SOMETHING MORE INTRICATE AT THE 197 00:14:52,997 --> 00:14:56,668 SAME TIME AS SINGING. THIS IS THE FIRST TIME THE 198 00:14:56,668 --> 00:15:01,506 DEVIX WE SEE ON STAGE WAS BORN. KIND OF, YEAH. 199 00:15:01,506 --> 00:15:08,046 * I GO CRAZY 'CAUSE HERE ISN'T WHERE I WANNA BE * 200 00:15:08,046 --> 00:15:15,053 HEESZ F HE'S SUCH AN IMPORTANT ARTIST FOR THE SHOW. 201 00:15:15,053 --> 00:15:20,692 HE'S SO DEDICATED TO HIS KRCRAFT IN THE SAME WAY THAT SO MANY 202 00:15:20,692 --> 00:15:24,329 ARTISTS HAVE BEEN, LIKE PRINCE. I AM SO EXCITED AMERICA VOTED 203 00:15:24,329 --> 00:15:26,965 HIM THROUGH LAST WEEK. YOU HAVE GOOD TASTE. 204 00:15:26,965 --> 00:15:30,068 I HAVE BEEN WORKING ON GETTING OUT OF MY HEAD. 205 00:15:30,068 --> 00:15:32,470 IT'S SO PRACTICAL, FILMING YOURSELF IN REHEARSAL. 206 00:15:32,470 --> 00:15:36,074 TRYING THINGS AND WATCHING YOURSELF BACK. 207 00:15:36,074 --> 00:15:40,345 I GET CAUGHT UP IN THE PERFECTIONISM OF PERFORMING. 208 00:15:40,345 --> 00:15:42,814 I FEEL LIKE WE GOT CERTAIN PARTS NAILED DOWN AND NOW I GET TO 209 00:15:42,814 --> 00:15:46,084 WORK ON STAGE PRESENCE AND PHYSICAL ENERGY AND ATTITUDE. 210 00:15:46,084 --> 00:15:54,592 DO WE WANT TO START REALLY CREEPY DEVIX WHERE IT'S LIKE -- 211 00:15:54,592 --> 00:15:58,697 * I'M A PUPPET ON A STRING * * ARE YOU MINE * 212 00:15:58,697 --> 00:16:01,232 THAT'S IT, YEP. * I'M A PUPPET ON A STRING 213 00:16:01,232 --> 00:16:08,673 * THE SONG AND THE ENERGYGENRE 214 00:16:08,673 --> 00:16:13,278 ROOM TO PUT THE PROFESSIONALISM ON AUTOPILOT AND HAVE FUN 215 00:16:13,278 --> 00:16:16,247 BREAKING LOOSE ON STAGE. YOU HAVE TO DO THE DEVIX 216 00:16:16,247 --> 00:16:21,720 THING WHERE YOU ADD MORE RANGE. YOU CAN BE LIKE, ARE YOU MINE. 217 00:16:21,720 --> 00:16:29,060 FOR DEVIX TO GET TO THE TOP TEN, HE NEEDS TO KEEP SHOWING WHO HE 218 00:16:29,060 --> 00:16:30,428 IS AND KEEP SHOWING HIS INSANE MUSICIANSHIP AND HE'S CLEARLY 219 00:16:30,428 --> 00:16:44,809 MEANT TO DO THIS. BIG FAN. 220 00:16:44,809 --> 00:16:50,181 THANKS. * I GO CRAZY 'CAUSE HERE 221 00:16:50,181 --> 00:16:54,753 ISN'T WHERE I WANNA BE * * SATISFACTION FEELS 222 00:16:54,753 --> 00:16:58,456 LIKE A DISTANT MEMORY * * AND I CAN'T HELP MYSELF 223 00:16:58,456 --> 00:17:07,565 ALL I WANNA HEAR HER SAY IS ARE YOU MINE * 224 00:17:07,565 --> 00:17:22,347 * ARE YOU MINE ARE YOU MINE * 225 00:17:22,347 --> 00:17:24,049 * I'M A PUPPET ON A STRING TIME TRAVELING * 226 00:17:24,049 --> 00:17:26,885 * DIAMOND CUTTER SHAPED HEARTACHES * 227 00:17:26,885 --> 00:17:29,754 * COME TO FIND YOU FOUR IN SOME VELVET MORNING 228 00:17:29,754 --> 00:17:33,425 YEARS TOO LATE * * SHE'S A SILVER LINING 229 00:17:33,425 --> 00:17:37,128 LONE RANGER RIDING * * THROUGH AN OPEN SPACE 230 00:17:37,128 --> 00:17:41,399 IN MY MIND WHEN SHE'S NOT RIGHT THERE BESIDE ME * 231 00:17:41,399 --> 00:17:45,970 * I GO CRAZY 'CAUSE HERE ISN'T WHERE I WANNA BE * 232 00:17:45,970 --> 00:17:51,643 * AND SATISFACTION FEELS LIKE A DISTANT MEMORY * 233 00:17:51,643 --> 00:17:59,617 * AND I CAN'T HELP MYSELF ALL I WANNA HEAR HER SAY 234 00:17:59,617 --> 00:18:02,454 IS ARE YOU MINE * * AND THE THRILL 235 00:18:02,454 --> 00:18:09,561 OF THE CHASE MOVES IN MYSTERIOUS WAYS * 236 00:18:09,561 --> 00:18:12,430 * SO IN CASE I'M MISTAKEN I JUST WANNA HEAR YOU SAY * 237 00:18:12,430 --> 00:18:20,672 * YOU GOT ME BABY ARE YOU MINE * 238 00:18:20,672 --> 00:18:31,750 * SHE'S A SILVER LINING LONE RANGER RIDING 239 00:18:31,750 --> 00:18:47,132 ARE YOU MINE * * ARE YOU MINE 240 00:18:47,132 --> 00:18:56,341 ARE YOU MINE ARE YOU MINE * 241 00:18:56,341 --> 00:19:01,880 Carson: THAT IS DEVIX, LADIES AND GENTLEMEN. 242 00:19:01,880 --> 00:19:05,750 COACH CAMILA CABELLO. THANK YOU FOR THAT, DEVIX. 243 00:19:05,750 --> 00:19:08,620 THANK YOU FOR BRINGING BACK ROCK 'N' ROLL ON "THE VOICE." 244 00:19:08,620 --> 00:19:10,221 A SOUND AND FEEL WE MISSED FOR A WHILE. 245 00:19:10,221 --> 00:19:12,023 THAT WAS SUPER FUN. LET'S GO TO GWEN. 246 00:19:12,023 --> 00:19:18,329 WHAT DID YOU THINK? I LOVE WHEN SHE DOES THAT. 247 00:19:18,329 --> 00:19:22,067 DEVIX, HONESTLY, IT'S CRAZY TO SEE THE REHEARSAL AND THEN 248 00:19:22,067 --> 00:19:25,704 SEE WHAT IT GOT TO, BECAUSE YOUR LAST PERFORMANCE, YOUR VOICE IS 249 00:19:25,704 --> 00:19:31,576 RIDICULOUS. IT'S PERFECT FOR ALTERNATIVE. 250 00:19:31,576 --> 00:19:36,081 WHAT'S DIFFERENT ABOUT IT FOR ALTERNATIVE, R ATIVE IT'S SO GOO 251 00:19:36,081 --> 00:19:37,549 YOUR LAST PERFORMANCE, THIS IS LIKE, YOU JUST -- YOU GREW SO 252 00:19:37,549 --> 00:19:40,385 MUCH. IT'S INCREDIBLE. 253 00:19:40,385 --> 00:19:43,621 THANK YOU SO MUCH. Carson: JOHN? 254 00:19:43,621 --> 00:19:46,291 DEVIX, I REALLY THINK IT'S ALL ABOUT THE SONG. 255 00:19:46,291 --> 00:19:50,261 I THINK IT WAS THE RIGHT SONG TO MAKE THE MOST OF YOU WHO ARE AS 256 00:19:50,261 --> 00:19:53,331 A VOCALIST, AND YOU FELT LIKE YOU WERE COMFORTABLE, YOU WERE 257 00:19:53,331 --> 00:19:56,067 LOOSE. YOUR VOICE SOUNDED INCREDIBLE. 258 00:19:56,067 --> 00:19:59,204 I LOVE THE RASP IN YOUR VOICE IN THIS PERFORMANCE. 259 00:19:59,204 --> 00:20:01,606 I FELT LIKE I'M SEEING NEW AND IMPROVED THINGS FROM YOU. 260 00:20:01,606 --> 00:20:04,976 BUT PART OF IT I THINK IS PICKING THE RIGHT SONG FOR WHO 261 00:20:04,976 --> 00:20:06,044 YOU ARE AS AN ARTIST AND AS A VOIKALIST. 262 00:20:06,044 --> 00:20:10,415 IT WAS REALLY, REALLY GOOD. THANK YOU SO MUCH. 263 00:20:10,415 --> 00:20:13,251 Carson: CAMILA. DEVIX. 264 00:20:13,251 --> 00:20:15,320 DEVIX, YOU WENT SUPERSTAR ON THIS ONE. 265 00:20:15,320 --> 00:20:19,424 I MEAN, THREE. I MEAN, NOT INCLUDING ME BECAUSE 266 00:20:19,424 --> 00:20:22,927 I'M YOUR COACH, BUT JOHN AND GWEN BOTH STOOD UP. 267 00:20:22,927 --> 00:20:25,530 HE'S CRAZY, HE SHOULD HAVE STOOD UP. 268 00:20:25,530 --> 00:20:29,034 BUT SERIOUSLY. DOESN'T MEAN I DON'T LOVE IT. 269 00:20:29,034 --> 00:20:32,303 EVERYBODY WAS GOING CRAZY. HE'S TIRED. 270 00:20:32,303 --> 00:20:35,373 HIS LEGS HURT. BUT AMERICA, LIKE, EVERYBODY 271 00:20:35,373 --> 00:20:38,176 WATCHING THIS SHOW CLEARLY HAS GREAT TASTE BECAUSE THEY VOTED 272 00:20:38,176 --> 00:20:42,347 THROUGH THE LAST ROUND. AND I FEEL LIKE YOU ARE -- I 273 00:20:42,347 --> 00:20:45,884 FEEL LIKE YOU'RE A FINALIST ON THIS SEASON. 274 00:20:45,884 --> 00:20:47,752 YOU ARE JUST AMAZING. YOU'RE AMAZING. 275 00:20:47,752 --> 00:20:50,889 I WANT TO SCREAM. I WANT TO SCREAM. 276 00:20:50,889 --> 00:20:54,793 Carson: IF YOU WANT DEVIX IN THE TOP TEN, YOU CAN VOTE ON 277 00:20:54,793 --> 00:20:55,794 NBC.COM AND "THE VOICE" OFFICIAL APP. 278 00:20:55,794 --> 00:20:57,562 ONE MORE TIME, GIVE IT UP FOR DEVIX. 279 00:21:06,271 --> 00:21:09,407 Carson: STRAIGHT AHEAD,AD ROW SINGS A SPECIAL SONG SHE'S BEEN 280 00:21:09,407 --> 00:21:11,743 PERFORMANCE SINCE SHE WAS JUST 3 YEARS OLD. 281 00:21:11,743 --> 00:21:12,911 YEARS OLD. AND THEN OMAR AND MELISSA DO 282 00:21:30,862 --> 00:21:32,997 13. THESE ARE THE SONGS THAT CHANGED 283 00:21:32,997 --> 00:21:35,567 THEIR LIVES. WE'LL CONTINUE WITH THE SOUTH 284 00:21:35,567 --> 00:21:38,002 DAKOTA POP ARTIST BLAKE SAVED LAST WEEK. 285 00:21:38,002 --> 00:21:43,375 TONIGHT SHE'S SINGING A SONG THAT STARTED IT ALL FOR HER. 286 00:21:43,375 --> 00:21:46,111 HERE'S MORE FROM ROWAN GRACE. YOU WANT TO MOVE FORWARD WITH 287 00:21:46,111 --> 00:21:49,647 ROWAN. I MADE IT TO THE TOP 13, AND 288 00:21:49,647 --> 00:21:55,887 THE FIRST THING I WANTED TO DO WAS CALL MY TWO SISTERS. 289 00:21:55,887 --> 00:21:58,223 I MADE IT ON TO THE NEXT ROUND. BEING A BIG SISTER MEANS A LOT 290 00:21:58,223 --> 00:22:03,895 TO ME. I LOVE THEM SO MUCH. 291 00:22:03,895 --> 00:22:05,563 AND I JUST WANT TO MAKE THEM PROUD. 292 00:22:05,563 --> 00:22:08,500 YOU KILLED LAST NIGHTS. PEOPLE LOVED IT. 293 00:22:08,500 --> 00:22:09,834 MY WIFE, YOU'RE HER FAVORITE ON MY TEAM. 294 00:22:09,834 --> 00:22:12,070 DO YOU MISS HER? OF COURSE, I MISS HER, BUT I 295 00:22:12,070 --> 00:22:16,307 LOVE YOU. OKAY, THAT'S CORRECT. 296 00:22:16,307 --> 00:22:19,244 THAT'S THE CORRECT ANSWER. SO AN ABBA SONG CHANGED YOUR 297 00:22:19,244 --> 00:22:25,550 LIFE. YOU HAVE TO EXPLAIN THIS TO ME. 298 00:22:25,550 --> 00:22:27,686 THE FIRST MEMORY I HAVE OF PERFORMING. 299 00:22:27,686 --> 00:22:32,090 I WAS 3 YEARS OLD IN THE LIVING ROOM WITH MY PARENT. 300 00:22:32,090 --> 00:22:33,158 I WOULD MAKE THEM WATCH ME AND FILM ME. 301 00:22:33,158 --> 00:22:36,895 THEY WERE ANNOYED BUT I THINK THEY'RE OKAY WITH IT NOW. 302 00:22:36,895 --> 00:22:42,434 * I DON'T WANNA TALK ABOUT THINGS 303 00:22:42,434 --> 00:22:49,774 WE'VE GONE THROUGH * FOR THE TOP 13, I'M SINGING 304 00:22:49,774 --> 00:22:50,975 THE WINNER TAKES IT ALL BY ABBAH. 305 00:22:50,975 --> 00:22:54,679 MY JOURNEY STARTED WITH THIS SONG AND WITH ABBA. 306 00:22:54,679 --> 00:22:56,614 WHERE IS THAT AT IN YOUR RANGE? 307 00:22:56,614 --> 00:22:58,717 I WONDER IF YOU CAN GO FURTHER, JUST BECAUSE I LOSE YOU IN THE 308 00:22:58,717 --> 00:23:00,518 VERSE. YOU SAY PUSH MORE? 309 00:23:00,518 --> 00:23:07,792 YEAH. WHY NOT, I'M ON "THE VOICE." 310 00:23:07,792 --> 00:23:10,795 GOT TO GO BIG, RIGHT? I PICKED ROWAN FOR A LOT OF 311 00:23:10,795 --> 00:23:12,464 REASONS. SELFISHLY, I LOVE WORKING WITH 312 00:23:12,464 --> 00:23:16,768 THE KID. I LOVE BEING ABLE TO KEEP MY 313 00:23:16,768 --> 00:23:19,070 TEAM DIVERSE, AND I BELIEVE SHE DESERVES TO MAKE IT TO THE TOP 314 00:23:19,070 --> 00:23:21,072 TEN. YOU NEVER TAKE THE EASY WAY OUT, 315 00:23:21,072 --> 00:23:23,541 DO YOU? NO. 316 00:23:23,541 --> 00:23:26,444 THAT'S REALLY GOOD, ROWAN. THANKS, BLAKE. 317 00:23:26,444 --> 00:23:29,581 ROWAN IS ONLY 17, BUT SHE KEEPS PICKING ICONIC ARTISTS AND 318 00:23:29,581 --> 00:23:32,350 SONGS THAT SHE LOVES. SHE'S AMAZING. 319 00:23:32,350 --> 00:23:35,820 COMING FROM SOUTH DAKOTA, I'M IN LIKE HOLLYWOOD, WHAT'S GOING 320 00:23:35,820 --> 00:23:37,756 ON? YOU HAVE TO HAVE THE WHOLE 321 00:23:37,756 --> 00:23:39,691 STATE PUMPED. THEY'RE PUMPED. 322 00:23:39,691 --> 00:23:50,402 I LOVE IT. I'M HAPPY FOR YOU, BUDDY. 323 00:23:50,402 --> 00:23:50,869 I'M HAPPY FOR YOU, BUDDY. THANK YOU, BLAKE. 324 00:23:56,107 --> 00:24:03,448 ABOUT THINGS WE'VE GONE THROUGH * 325 00:24:03,448 --> 00:24:10,288 * THOUGH IT'S HURTING ME NOW IT'S HISTORY 326 00:24:10,288 --> 00:24:15,126 I'VE PLAYED ALL MY CARDS * * AND THAT'S WHAT 327 00:24:15,126 --> 00:24:22,801 YOU'VE DONE TOO * * NOTHING MORE TO SAY 328 00:24:22,801 --> 00:24:29,908 NO MORE ACE TO PLAY * * THE WINNER TAKES IT ALL 329 00:24:29,908 --> 00:24:38,450 THE LOSER'S STANDING SMALL * * BESIDE THE VICTORY 330 00:24:38,450 --> 00:24:45,290 THAT'S HER DESTINY * * BUT TELL ME DOES SHE KISS 331 00:24:45,290 --> 00:24:53,231 LIKE I USED TO KISS YOU * * DOES IT FEEL THE SAME 332 00:24:53,231 --> 00:25:01,206 WHEN SHE CALLS YOUR NAME * * SOMEWHERE DEEP INSIDE 333 00:25:01,206 --> 00:25:08,580 YOU MUST KNOW I MISS YOU * * BUT WHAT CAN I SAY 334 00:25:08,580 --> 00:25:16,287 RULES MUST BE OBEYED * * THE JUDGES WILL DECIDE 335 00:25:16,287 --> 00:25:23,928 THE LIKES OF ME ABIDE * * SPECTATORS OF THE SHOW 336 00:25:23,928 --> 00:25:32,203 ALWAYS STAYING LOW * * THE GAME IS ON AGAIN 337 00:25:32,203 --> 00:25:45,283 A LOVER OR A FRIEND * * A BIG THING OR A SMALL 338 00:25:45,283 --> 00:26:04,202 THE WINNER TAKES IT ALL * * THE WINNER TAKES IT ALL 339 00:26:04,202 --> 00:26:07,605 THE WINNER TAKES IT ALL * Carson: THAT IS 17-YEAR-OLD 340 00:26:07,605 --> 00:26:12,877 ROWAN GRACE, FORMER MEMBER OF TEAM GWEN, NOW WITH TEAM BLAKE. 341 00:26:12,877 --> 00:26:15,847 GREAT JOB. THANK YOU, CARSON. 342 00:26:15,847 --> 00:26:18,950 Carson: YOU'RE VERY WELCOME. JOHN, WHAT DID YOU THINK? 343 00:26:18,950 --> 00:26:21,453 I FIND YOUR VOICE SO COOL AND INTERESTING BECAUSE I LOVE THE 344 00:26:21,453 --> 00:26:26,191 SOFTER PARTS OF IT. IT SOUNDS REALLY LIKE GRACEFUL 345 00:26:26,191 --> 00:26:30,061 AND SUPPLE AND LIKE YOU'RE ABLE TO DO THOSE LITTLE SUBTLE THINGS 346 00:26:30,061 --> 00:26:33,198 WITH YOUR VOICE THAT ARE REALLY COOL AND REFLECT A LOT OF 347 00:26:33,198 --> 00:26:36,835 MATURITY THAT IT'S CRAZY THAT YOU HAVE AT AGE 17. 348 00:26:36,835 --> 00:26:39,337 AND THEN WHEN YOU HAVE TO GO FOR THOSE BIG NOTES, IT SOUNDS SO 349 00:26:39,337 --> 00:26:42,374 EASY. IT'S LIKE, IT JUST SOUNDS LIKE 350 00:26:42,374 --> 00:26:45,944 YOU'RE SO COMFORTABLE AND POWERFUL AS A VOCALIST. 351 00:26:45,944 --> 00:26:48,246 IT'S REALLY IMPRESSIVE, ROWAN. I LOVE WATCHING YOUR SING. 352 00:26:48,246 --> 00:26:51,182 YOU'RE REALLY GREAT. THANK YOU SO MUCH. 353 00:26:51,182 --> 00:26:52,417 Carson: LET'S TALK TO THE MAN. 354 00:26:52,417 --> 00:26:55,820 BLAKE. FIRST OFF, WE HAVE TO TALK 355 00:26:55,820 --> 00:26:59,290 ABOUT THOSE HOME MOVIES THEY WERE SHOWING UP THERE. 356 00:26:59,290 --> 00:27:01,459 IT'S NO WONDER WHY YOU'RE SO RELAXED. 357 00:27:01,459 --> 00:27:03,695 I MEAN, YOU HAVE BEEN PERFORMING LITERALLY SINCE IT LOOKS LIKE 358 00:27:03,695 --> 00:27:08,633 YOU COULD WALK. I HAVE. 359 00:27:08,633 --> 00:27:13,638 I HAVE TO SAY, I DON'T KNOW WHAT'S MORE IMPRESSIVE IS YOUR 360 00:27:13,638 --> 00:27:16,074 UNIQUE SOUND, WHICH IS LIKE A BLEND OF LIKE YOUR CHEST VOICE 361 00:27:16,074 --> 00:27:18,343 AND YOUR HEAD VOICE. I DON'T EVEN KNOW HOW YOU DO 362 00:27:18,343 --> 00:27:23,915 THAT. IT'S SO COOL, YOUR TONE. 363 00:27:23,915 --> 00:27:27,352 OR JUST YOUR DEPTH OF KNOWLEDGE OF THESE OLD COOL SONGS THAT ARE 364 00:27:27,352 --> 00:27:29,587 CLASSICS. AND THE WAY YOU ATTACK THEM WHEN 365 00:27:29,587 --> 00:27:32,190 YOU'RE PERFORMING. IT'S SO GOOD. 366 00:27:32,190 --> 00:27:35,927 THAT'S WHY PEOPLE LOVE YOU. THAT'S WHY I LOVE YOU. 367 00:27:35,927 --> 00:27:42,067 Carson: IF YOU WANT ROWAN IN THE TOP TEN, VOTE ON NBC.COM AND 368 00:27:42,067 --> 00:27:48,673 "THE VOICE" OFFICIAL APP. GIVE IT UP AGAIN FOR ROWAN 369 00:27:48,673 --> 00:27:51,276 GRACE. COMING UP, BACK TO BACK 370 00:27:51,276 --> 00:27:54,813 PERFORMANCES. OMAR SHOWS HIS VULNERABILITY ON 371 00:27:54,813 --> 00:28:13,732 A HUGE CHART TOPPING SONG. LATER, ALYSSA TAKES ON SELENA. 372 00:28:13,732 --> 00:28:18,036 LIVE MUSIC TONIGHT AS THE TOP 13 ARE ALL GOING HERE. 373 00:28:18,036 --> 00:28:21,106 LIVE ON THE SHOW. WE'RE ALSO SHOWING BIG SONGS 374 00:28:21,106 --> 00:28:24,943 THAT HAVE MADE AN IMPACT ON THE LIVES OF OUR ARTISTS. 375 00:28:24,943 --> 00:28:27,946 WE HAVE A COUPLE PERFORMANCES BACK-TO-BACK WE'RE GOING TO TART 376 00:28:27,946 --> 00:28:32,083 WITH A SONG THAT PUT HIM ON A MUCH BETTER PATH. 377 00:28:32,083 --> 00:28:33,084 HERE'S MORE FROM OMAR JOSE CARDONA. 378 00:28:33,084 --> 00:28:34,552 OMAR. HEY. 379 00:28:34,552 --> 00:28:38,056 GREAT TO SEE YOU. WHAT'S UP, JOHN? 380 00:28:38,056 --> 00:28:41,760 YOU'RE IN THE TOP 13, BUDDY. OMAR JOSE CARDONA. 381 00:28:41,760 --> 00:28:43,061 YOU EARNED IT. THANK YOU. 382 00:28:43,061 --> 00:28:47,065 WELL DONE. NOW, YOU KNOW, AMERICA IS 383 00:28:47,065 --> 00:28:49,667 DECIDING. HOW DOES IT TEAL? 384 00:28:49,667 --> 00:28:52,237 JOHN, EVEN PEOPLE I DIDN'T THINK LIKED ME -- 385 00:28:52,237 --> 00:28:54,739 THEY LIKE YOU NOW. THEY LIKE ME NOW. 386 00:28:54,739 --> 00:28:57,108 ANOTHER WEEK WHERE YOU GET TO PICK YOUR OWN SONG. 387 00:28:57,108 --> 00:29:00,812 TALK ABOUT WHAT IT MEANS TO YOU. A FEW YEARS AGO, I WAS HEADED 388 00:29:00,812 --> 00:29:06,484 DOWN A REALLY DARK PATH. I WAS PARTYING A LOT. 389 00:29:06,484 --> 00:29:08,553 DURING THAT TIME, I WAS PUSHING EVERYBODY AWAY. 390 00:29:08,553 --> 00:29:11,189 I HEARD THIS SONG AND IT TALKS ABOUT ASKING FOR HELP AND 391 00:29:11,189 --> 00:29:13,925 RELYING ON OTHER PEOPLE. THANK GOD THIS MOMENT HAPPENED 392 00:29:13,925 --> 00:29:15,060 FOR ME, BECAUSE WHO KNOWS WHERE I WOULD BE. 393 00:29:15,060 --> 00:29:19,831 I DEFINITELY WOULDN'T BE HERE RIGHT NOW. 394 00:29:19,831 --> 00:29:21,032 * IF I TOLD YOU THIS WAS ONLY GONNA HURT * 395 00:29:21,032 --> 00:29:24,035 * IF I WARNED YOU THAT THE FIRE'S 396 00:29:24,035 --> 00:29:27,572 GONNA BURN * I REMEMBER SEEING A PHOTO OF 397 00:29:27,572 --> 00:29:29,374 MYSELF. I WAS VERY SKINNY. 398 00:29:29,374 --> 00:29:33,878 I WAS PALE. MY EYES WERE LIFELESS, AND I 399 00:29:33,878 --> 00:29:37,182 DIDN'T EVEN RECOGNIZE WHO I WAS. * WHEN THERE'S NO ONE BY YOUR 400 00:29:37,182 --> 00:29:40,418 SIDE * I REALIZED THAT, YOU KNOW, IF 401 00:29:40,418 --> 00:29:44,055 I DON'T CHANGE NOW, I'M NEVER GOING TO MAKE IT TO WHERE I WANT 402 00:29:44,055 --> 00:29:51,863 TO BE. THIS SONG HAS WITHOUT A DOUBT 403 00:29:51,863 --> 00:29:56,067 CHANGED MY LIFE. I WANT TO FIND PLACES TO 404 00:29:56,067 --> 00:30:07,912 INJECT A LITTLE MORE EMOTION. MAYBE AT THE END, DO AB-LIBS. 405 00:30:07,912 --> 00:30:10,215 JOHN, YOU SING. TAKE IT TO CHURCH A LITTLE 406 00:30:10,215 --> 00:30:12,217 BIT. I WANT THEM TO FALL IN LOVE WITH 407 00:30:12,217 --> 00:30:15,420 YOU. LET PEOPLE FEEL YOUR PASSION. 408 00:30:15,420 --> 00:30:19,424 OMAR PICKED THE PERFECT SONG. IT ALLOWS HIM TO BE A LITTLE 409 00:30:19,424 --> 00:30:21,860 MORE VULNERABLE, A LITTLE MORE SPIRITUAL THIS TIME. 410 00:30:21,860 --> 00:30:24,562 I THINK PEOPLE WILL REALLY FEEL THAT, AND I THINK IT'S WHAT HE 411 00:30:24,562 --> 00:30:26,398 WANTS TO BE AS AN ARTIST. GOING TO BE INCREDIBLE. 412 00:30:26,398 --> 00:30:38,276 THANK YOU, BROTHER. I'LL SEE YOU SOON. 413 00:30:38,276 --> 00:30:41,413 * IF I TOLD YOU THIS WAS ONLY GONNA HURT * 414 00:30:41,413 --> 00:30:43,982 * IF I WARNED YOU THAT THE FIRE'S 415 00:30:43,982 --> 00:30:45,684 GONNA BURN * * WOULD YOU WALK IN 416 00:30:45,684 --> 00:30:48,219 WOULD YOU LET ME DO IT FIRST * 417 00:30:48,219 --> 00:30:52,223 * DO IT ALL IN THE NAME OF LOVE * 418 00:30:52,223 --> 00:30:55,060 * WOULD YOU LET ME LEAD YOU EVEN WHEN YOU'RE 419 00:30:55,060 --> 00:30:57,595 BLIND IN THE DARKNESS * * IN THE MIDDLE 420 00:30:57,595 --> 00:30:59,597 OF THE NIGHT IN THE SILENCE * 421 00:30:59,597 --> 00:31:02,467 * WHEN THERE'S NO ONE BY YOUR SIDE * 422 00:31:02,467 --> 00:31:08,707 * WOULD YOU CALL IN THE NAME OF LOVE * 423 00:31:08,707 --> 00:31:15,246 * IN THE NAME OF LOVE NAME OF LOVE * 424 00:31:15,246 --> 00:31:22,654 * IN THE NAME OF LOVE NAME OF LOVE * 425 00:31:22,654 --> 00:31:27,492 * IN THE NAME OF IN THE NAME NAME LOVE 426 00:31:27,492 --> 00:31:33,765 HEY * * IN THE NAME OF 427 00:31:33,765 --> 00:31:41,706 IN THE NAME NAME LOVE * * I WANNA TESTIFY 428 00:31:41,706 --> 00:31:45,710 SCREAM IN THE HOLY LIGHT YOU BRING ME BACK TO LIFE * 429 00:31:45,710 --> 00:31:52,217 * AND IT'S ALL IN THE NAME OF LOVE * 430 00:31:52,217 --> 00:31:57,922 * I WANNA TESTIFY SCREAM IN THE HOLY LIGHT * 431 00:31:57,922 --> 00:32:03,628 * YOU BRING ME BACK TO LIFE AND IT'S ALL 432 00:32:03,628 --> 00:32:08,466 IN THE NAME OF LOVE * * IN THE NAME OF LOVE 433 00:32:08,466 --> 00:32:31,222 NAME OF LOVE * * IN THE NAME OF LOVE 434 00:32:31,222 --> 00:32:37,462 LOVE * * YEAH 435 00:32:37,462 --> 00:32:52,911 IN THE NAME NAME LOVE * 436 00:32:52,911 --> 00:32:54,679 Carson: THAT IS OMAR JOSE CARDONA. 437 00:32:54,679 --> 00:32:57,982 THE ROOM STANDING ON THEIR FEET AFTER THAT TOP 13 PERFORMANCE. 438 00:32:57,982 --> 00:33:02,087 WHAT AN INCREDIBLE JOB, MAN. WOW. 439 00:33:02,087 --> 00:33:06,091 INSANE POWER RIGHT THERE. HAD THE ROOM TOTALLY LIT UP. 440 00:33:06,091 --> 00:33:09,694 AND ELECTRIFIED. THAT HAD LIKE FINALE VIBES, 441 00:33:09,694 --> 00:33:14,065 CAMILA. MY FAVORITE PART OF THAT 442 00:33:14,065 --> 00:33:16,768 PERFORMANCE, OMAR, WAS SEEING THAT EMOTION, THAT RAWNESS IN 443 00:33:16,768 --> 00:33:20,805 YOUR FACE. YOU KNOW, IT'S LIKE FROM THE 444 00:33:20,805 --> 00:33:23,641 BEGINNING, FROM YOUR BLIND AUDITION, WE ALL KNEW THAT YOU 445 00:33:23,641 --> 00:33:26,644 HAVE ONE -- YOU'RE ONE OF THE MOST SKILLFUL SINGERS IN THIS 446 00:33:26,644 --> 00:33:29,681 WHOLE SEASON, BUT I THINK THIS WAS SOMETHING I WAS REALLY 447 00:33:29,681 --> 00:33:32,283 WAITING ON FROM YOU, THAT VULNERABILITY, THAT MESSINESS, 448 00:33:32,283 --> 00:33:35,587 THAT JUST HUMANITY. YOU KNOW WHAT I MEAN? 449 00:33:35,587 --> 00:33:39,424 NOT THE PERFECTION, JUST THE RAWNESS OF IT. 450 00:33:39,424 --> 00:33:41,760 THAT WAS MY FAVORITE PART, WAS WHEN YOUR FACE JUST BROKE DOWN 451 00:33:41,760 --> 00:33:44,262 AND YOU SAW YOU'RE RELIVING THAT PART OF YOUR LIFE. 452 00:33:44,262 --> 00:33:46,464 I THINK IT WAS REALLY BRAVE OF YOU TO SHARE THAT WITH ALL OF US 453 00:33:46,464 --> 00:33:48,099 TONIGHT. THANK YOU. 454 00:33:48,099 --> 00:33:53,805 Carson: JOHN. I LOVE THAT WORD SHE USED, 455 00:33:53,805 --> 00:33:56,941 THE HUMANITY OF YOUR PERFORMANCE. 456 00:33:56,941 --> 00:34:01,246 AND THE THING IS, YOUR VOICE IS SO OTHER WORLDLY THAT WE FORGET 457 00:34:01,246 --> 00:34:05,050 YOU'RE HUMAN SOMETIMES. AND TRULY. 458 00:34:05,050 --> 00:34:08,053 AND WHAT I WANTED PEOPLE TO FEEL WAS YOUR HEART TODAY. 459 00:34:08,053 --> 00:34:10,321 AND WE TALKED ABOUT THAT IN REHEARSAL. 460 00:34:10,321 --> 00:34:12,624 AND OH, MY GOD. OMAR, THIS JUST UNLOCKED ANOTHER 461 00:34:12,624 --> 00:34:17,262 LEVEL. IT'S LIKE YOU'RE SUCH A GREAT 462 00:34:17,262 --> 00:34:20,465 SINGER ALREADY. AND WE FELT YOU AS A PERSON, AND 463 00:34:20,465 --> 00:34:23,601 IT WAS BEAUTIFUL. IT WAS MAGICAL. 464 00:34:23,601 --> 00:34:26,071 IT WAS POWERFUL. AMAZING PERFORMANCE. 465 00:34:26,071 --> 00:34:29,741 Carson: IF YOU WANT OMAR IN THE TOP TEN, YOU CAN VOTE ON 466 00:34:29,741 --> 00:34:33,378 NBC.COM AND "THE VOICE" OFFICIAL APP. 467 00:34:33,378 --> 00:34:36,648 GIVE IT UP FOR OMAR JOSE CARDONA. 468 00:34:36,648 --> 00:34:39,684 WE'RE GOING TO CONTINUE WITH ANOTHER PERFORMANCE RIGHT AWAY 469 00:34:39,684 --> 00:34:43,154 HERE WITH TEAM GWEN'S ALTERNATIVE POP SINGER FROM 470 00:34:43,154 --> 00:34:45,557 CALIFORNIA, AND A HIT THAT HELPED HER BECOME THE PASSIONATE 471 00:34:45,557 --> 00:34:53,398 SINGER SHE IS TODAY. HERE'S MORE FROM ALYSSA. 472 00:34:53,398 --> 00:34:56,101 I'M GOING TO GO WITH ALYSSA. I'M FEELING REALLY HAPPY 473 00:34:56,101 --> 00:35:00,305 RIGHT NOW BECAUSE I DIDN'T THINK THAT WADS GOING TO HAPPEN, AND 474 00:35:00,305 --> 00:35:03,274 I'M REALLY APPRECIATIVE. TEAM GWEN. 475 00:35:03,274 --> 00:35:05,543 PUT IT BACK. YEP. 476 00:35:05,543 --> 00:35:07,545 YOU GOT IT. PROFESSIONAL. 477 00:35:07,545 --> 00:35:10,181 GWEN IS LIKE A MOTHERLY FIGURE TO ME. 478 00:35:10,181 --> 00:35:12,283 AND BECAUSE SHE SAVED ME, I WANT TO STEP MY GAME UP A LITTLE 479 00:35:12,283 --> 00:35:14,719 MORE. TELL ME ABOUT THIS SONG. 480 00:35:14,719 --> 00:35:17,956 A LITTLE SAD. IT'S A LITTLE SAD? 481 00:35:17,956 --> 00:35:19,057 IT MAKES ME CRY. * LATE AT NIGHT 482 00:35:19,057 --> 00:35:23,395 WHEN ALL THE WORLD IS SLEEPING * 483 00:35:23,395 --> 00:35:26,865 YEARS BACK, MY GRANDFATHER HAD PASSED AWAY. 484 00:35:26,865 --> 00:35:30,902 I REMEMBER JUST LISTENING TO THIS SONG AND LIKE FEELING THAT 485 00:35:30,902 --> 00:35:32,871 EMOTION THAT SELENA BROUGHT, AND IT BROUGHT ME TO TEARS. 486 00:35:32,871 --> 00:35:39,978 I WAS LIKE WOW, I REALLY MISS HIM. 487 00:35:39,978 --> 00:35:42,614 SO WITH BEING A YOUNG SINGER, IT SOUGHT ME HOW TO BRING EMOTION 488 00:35:42,614 --> 00:35:46,418 INTO SINGING. IT CHANGED MY LIFE IN THAT WAY. 489 00:35:46,418 --> 00:35:49,788 WHAT I WANT TO COME OUT IN THIS NEXT PERFORMANCE IS ALYSSA. 490 00:35:49,788 --> 00:35:53,358 WHO ARE YOU? YEAH, I NEED TO BE ABLE TO 491 00:35:53,358 --> 00:35:56,728 READ YOUR FACIAL CUES. I'M STILL LIKE, FOR EXAMPLE, 492 00:35:56,728 --> 00:36:00,932 EACH PART OF THE SONG NEEDS TO BE THOUGHT OUT. 493 00:36:00,932 --> 00:36:03,334 IF I WERE DOING IT, I WOULD BE LIKE -- 494 00:36:03,334 --> 00:36:08,039 * LATE AT NIGHT WHEN ALL THE WORLD IS SLEEPING * 495 00:36:08,039 --> 00:36:10,308 YOU'RE IN YOUR HEAD. YOU'RE DREAMING. 496 00:36:10,308 --> 00:36:14,813 I WANT TO BE ABLE TO SEE YOU'RE DREAMING ON YOUR FACE. 497 00:36:14,813 --> 00:36:17,082 DO IT EXTREME, AS IF YOU WERE IN A PLAY. 498 00:36:17,082 --> 00:36:20,719 THEN WE CAN ALWAYS CUT AWAY WHAT WE DON'T LIKE. 499 00:36:20,719 --> 00:36:22,554 MOTHER HELPING ME, SHE'S LIKE, HERE, HERE. 500 00:36:22,554 --> 00:36:26,491 I'M LIKE OKAY, OKAY. PUT IT IN MY BRAIN. 501 00:36:26,491 --> 00:36:29,060 YES. WITH ALYSSA, I COMPLETELY 502 00:36:29,060 --> 00:36:32,664 BELIEVE IN HER. SHE HAS SO MUCH RAW TALENT. 503 00:36:32,664 --> 00:36:38,269 YES! I CAN'T WAIT TO SEE HER BLOSSOM. 504 00:36:38,269 --> 00:36:39,471 WHAT THE -- THAT WAS LIKE A DIFFERENT PERSON. 505 00:36:39,471 --> 00:36:41,706 REALLY? YES. 506 00:36:41,706 --> 00:36:45,477 IT'S IN THE HANDS OF AMERICA. I CAN'T SAVE HER ANYMORE, SO SHE 507 00:36:45,477 --> 00:36:57,422 HAS TO BRING IT. ALYSSA DEFINITELY HAS SOMETHING 508 00:36:57,422 --> 00:37:01,393 SPECIAL. * LATE AT NIGHT 509 00:37:01,393 --> 00:37:05,663 WHEN ALL THE WORLD IS SLEEPING * 510 00:37:05,663 --> 00:37:12,504 * I STAY UP AND THINK OF YOU * 511 00:37:12,504 --> 00:37:20,178 * AND I WISH ON A STAR THAT SOMEWHERE YOU ARE 512 00:37:20,178 --> 00:37:26,151 THINKING OF ME TOO * * 'CAUSE I'M DREAMING 513 00:37:26,151 --> 00:37:33,825 OF YOU TONIGHT * * TILL TOMORROW 514 00:37:33,825 --> 00:37:36,961 I'LL BE HOLDING YOU TIGHT * * AND THERE'S NOWHERE AHH 515 00:37:36,961 --> 00:37:42,333 IN THE WORLD I'D RATHER BE * 516 00:37:42,333 --> 00:37:48,340 * THAN HERE IN MY ROOM DREAMING ABOUT 517 00:37:48,340 --> 00:37:52,077 YOU AND ME * * LATE AT NIGHT 518 00:37:52,077 --> 00:37:56,081 WHEN ALL THE WORLD IS SLEEPING * 519 00:37:56,081 --> 00:38:02,554 * I STAY UP AND THINK OF YOU * 520 00:38:02,554 --> 00:38:08,526 * AND I STILL CAN'T BELIEVE THAT YOU CAME UP TO ME * 521 00:38:08,526 --> 00:38:13,932 * AND SAID I LOVE YOU I LOVE YOU TOO * 522 00:38:13,932 --> 00:38:18,203 * NOW I'M DREAMING WITH YOU TONIGHT * 523 00:38:18,203 --> 00:38:24,442 * TILL TOMORROW TILL TOMORROW 524 00:38:24,442 --> 00:38:27,045 AND FOR ALL OF MY LIFE * * AND THERE'S NOWHERE 525 00:38:27,045 --> 00:38:33,051 IN THE WORLD I'D RATHER BE * 526 00:38:33,051 --> 00:38:46,131 * THEN HERE IN MY ROOM DREAMING WITH 527 00:38:46,131 --> 00:38:52,337 YOU ENDLESSLY * SNLT SNTD AND THERE'S NOWHERE IN 528 00:38:52,337 --> 00:39:05,050 THE WORLD I WOULD RATHER BE * * THAN HERE IN MY ROOM I'LL BE 529 00:39:05,050 --> 00:39:07,085 DREAMING * Carson: TOMORROW, 13 BECOME 530 00:39:07,085 --> 00:39:14,926 10. THAT'S ALYSSA WITRADO TRYING TO 531 00:39:14,926 --> 00:39:17,829 MOVE ON. ALL RIGHT, CAMILA, GIVE HER SOME 532 00:39:17,829 --> 00:39:20,365 THOUGHTS. HEY, ALYSSA. 533 00:39:20,365 --> 00:39:23,735 HI, CAMILA. WELL, FIRST OF ALL, THANK YOU 534 00:39:23,735 --> 00:39:27,072 FOR SHARING THAT BEAUTIFUL STORY WITH US ABOUT YOUR GRANDPA. 535 00:39:27,072 --> 00:39:29,708 I THINK THAT'S REALLY BEAUTIFUL THAT YOU CHOSE THIS SONG FOR 536 00:39:29,708 --> 00:39:33,044 HIM. AND I THINK THAT, YOU KNOW, MY 537 00:39:33,044 --> 00:39:38,650 FAVORITE PART ABOUT YOU IS LIKE, I FEEL LIKE YOUR ENERGY, LIKE 538 00:39:38,650 --> 00:39:41,853 YOU'RE SO CHARISMATIC AND YOU HAVE THIS PERSONALITY THAT 539 00:39:41,853 --> 00:39:43,388 OVERFLOWS INTO ALL OF YOUR PERFORMANCE. 540 00:39:43,388 --> 00:39:46,224 SINGING WISE, I THINK YOU HAVE MORE LEARNING AND SKILLS TO 541 00:39:46,224 --> 00:39:49,928 LEARN, BUT I THINK YOU'RE SO YOUNG, THAT'S GOING TO HAPPEN. 542 00:39:49,928 --> 00:39:52,797 BUT I THINK THAT YOU'RE JUST SO -- LIKE YOUR ENERGY IS SO 543 00:39:52,797 --> 00:39:56,167 CONTAGIOUS. I HAVE TO STOP TALKING BECAUSE 544 00:39:56,167 --> 00:39:57,402 WE'RE ON LIVE TV, BUT I LOVE YOU. 545 00:39:57,402 --> 00:40:00,872 Carson: COACH GWEN. HI, ALYSSA. 546 00:40:00,872 --> 00:40:04,609 THAT WAS REALLY, REALLY GOOD. I AGREE WITH CAMILA SO MUCH. 547 00:40:04,609 --> 00:40:08,179 I THINK THE WHOLE REASON THAT WE HAVE GOTTEN THIS FAR IS JUST 548 00:40:08,179 --> 00:40:11,182 YOUR SPIRIT AND JUST THERE'S SOMETHING ABOUT YOU. 549 00:40:11,182 --> 00:40:13,084 IT'S HARD TO EVEN PUT INTO WORDS. 550 00:40:13,084 --> 00:40:15,987 BUT YOU MAKE ME SMILE EVERY SINGLE TIME I SEE YOU. 551 00:40:15,987 --> 00:40:18,289 I THINK THAT YOUR SINGING WAS BEAUTIFUL TONIGHT. 552 00:40:18,289 --> 00:40:21,993 AND I THINK THAT WHAT PEOPLE DON'T UNDERSTAND IS SOMETIMES A 553 00:40:21,993 --> 00:40:27,665 VOICE LIKE YOURS IS SO -- IT HAS SO MANY SIDES TO IT, IT'S HARD 554 00:40:27,665 --> 00:40:29,601 ON LEIVE TV, BUT I THINK IT WAS GORGEOUS, BEAUTIFUL. 555 00:40:29,601 --> 00:40:33,638 I GOT TO HEAR ALL THOSE SIDES AND I'M REALLY PROUD OF YOU. 556 00:40:33,638 --> 00:40:37,208 Carson: IF YOU WANT ALYSSA IN THE TOP TEN, YOU CAN VOTE ON 557 00:40:37,208 --> 00:40:57,729 NBC.COM AND "THE VOICE" APP. GIVE IT UP FOR ALYSSA WITRADO. 558 00:40:57,729 --> 00:41:02,333 Carson: AND WE'RE BACK WITH THE TOP 13 ALL SINGING SONGS 559 00:41:02,333 --> 00:41:04,636 THAT CHANGED THEIR LIVES. THREE ARTISTS GO HOME TOMORROW. 560 00:41:04,636 --> 00:41:07,072 LET'S GET BACK TO OUR PERFORMANCES WITH TEAM BLAKE'S 561 00:41:07,072 --> 00:41:12,177 CALIFORNIA SOUL ARTIST. HE'S PUTTING HIS UNIQUE SPIN ON 562 00:41:12,177 --> 00:41:15,313 A VERY PERSONAL SONG. HERE'S MORE FROM BODIE. 563 00:41:15,313 --> 00:41:16,815 GETTING IN THE TOP 13 REHEARSALS WITH BLAKE. 564 00:41:16,815 --> 00:41:19,417 SO EXCITED. TO KNOW AMERICA VOTED ME INTO 565 00:41:19,417 --> 00:41:22,654 THE TOP 13, I'M SO HONORED AND BLOWN AWAY. 566 00:41:22,654 --> 00:41:26,458 GET OVER HERE. WHAT UP. 567 00:41:26,458 --> 00:41:28,626 PEOPLE SEEM TO LIKE YOU, BODIE. 568 00:41:28,626 --> 00:41:32,764 MY SISTER IS ONE OF THEM. YOUR SISTER LIKES ME? 569 00:41:32,764 --> 00:41:35,233 SHE CRIED WATCHING YOUR PERFORMANCE, AND SHE'S COLD AND 570 00:41:35,233 --> 00:41:38,136 JADED AND CALLOUS. I BROKE THROUGH. 571 00:41:38,136 --> 00:41:40,939 THAT'S AN ACCOMPLISHMENT. SO, WHAT IS GOING ON WITH 572 00:41:40,939 --> 00:41:43,842 THIS SONG? THE SONG IMPACTED ME. 573 00:41:43,842 --> 00:41:48,113 I'M EXCITED I GET TO SING IT. I'M SINGING I'M GOING TO BE 500 574 00:41:48,113 --> 00:41:50,882 MILES BY THE PROCLAIMERS. THE ORIGINAL VERSION IS VERY 575 00:41:50,882 --> 00:41:54,185 UPBEAT, BUT I WANTED TO MAKE IT MORE EMOTIONAL. 576 00:41:54,185 --> 00:41:57,455 WHERE DO YOU WANT TO START? I THOUGHT IT WOULD BE COOL IN 577 00:41:57,455 --> 00:42:00,892 THE START OF THE SONG. * WHEN I WAKE UP 578 00:42:00,892 --> 00:42:06,398 WELL I KNOW I'M GONNA BE * LIKE THAT. 579 00:42:06,398 --> 00:42:10,702 DO YOU WANT GUITAR OR PIANO? TRY PIANO. 580 00:42:10,702 --> 00:42:14,773 ONCE AGAIN, BODIE'S TAKEN A SONG THAT WE ALL KNOW AND HE'S 581 00:42:14,773 --> 00:42:19,210 BODIEIZING IT. I MEAN HE'S MADE ME ALLOOK AT 582 00:42:19,210 --> 00:42:24,416 THESE LYRICS IN A WAY I NEVER HAVE BEFORE. 583 00:42:24,416 --> 00:42:27,652 THIS WAS MY WIFE AND I'S WEDDING SONG. 584 00:42:27,652 --> 00:42:30,422 I CAN SEE IT VIVIDLY IN MY MIND. MY WIFE WALKING DOWN THE AISLE 585 00:42:30,422 --> 00:42:34,359 LIKE AN ANGEL. I DON'T GET EMOTIONAL OFTEN, BUT 586 00:42:34,359 --> 00:42:41,900 THIS SONG CHANGED MY LIFE. SINGING THIS SONG REMINDS ME OF 587 00:42:41,900 --> 00:42:44,669 WHO I WANT TO BE AS A HUSBAND. THE SONG AND HOW THAT REALLY 588 00:42:44,669 --> 00:42:47,739 IS OUR LIFE. YOU MAKE ME CRY. 589 00:42:47,739 --> 00:42:49,441 CAN'T WAIT TO SING IT FOR YOU. 590 00:42:49,441 --> 00:42:53,244 I'LL BE CRYING IN THE AUDIENCE. 591 00:42:53,244 --> 00:42:57,015 I'LL BE CRYING ONSTAGE. YOU ALMOST DON'T REALIZE WHAT 592 00:42:57,015 --> 00:42:59,184 SONG THAT IS UNTIL YOU GET TO THE CHORUS. 593 00:42:59,184 --> 00:43:02,687 BODIE IS A VISIONARY. THAT'S WHAT MAKES HIM THE MOST 594 00:43:02,687 --> 00:43:04,756 UNIQUE ARTIST I HAVE EVER WORKED WITH. 595 00:43:04,756 --> 00:43:14,966 YOU SING THE HELL OUT OF IT. THANK YOU GUYS FOR PUTTING UP 596 00:43:14,966 --> 00:43:19,537 WITH MY HALF BAKED IDEAS. * WHEN I WAKE UP 597 00:43:19,537 --> 00:43:24,943 WELL I KNOW I'M GONNA BE * * I'M GONNA BE THE MAN 598 00:43:24,943 --> 00:43:28,913 WHO WAKES UP NEXT TO YOU * * AND WHEN I GO OUT 599 00:43:28,913 --> 00:43:34,085 YEAH I KNOW I'M GONNA BE * * I'M GONNA BE THE MAN 600 00:43:34,085 --> 00:43:37,722 WHO GOES ALONG WITH YOU * * AND WHEN I COME HOME 601 00:43:37,722 --> 00:43:43,428 YEAH I KNOW I'M GONNA BE * * I'M GONNA BE THE MAN 602 00:43:43,428 --> 00:43:45,463 WHO'S COMING HOME TO YOU * * AND WHEN I'M DREAMIN' 603 00:43:45,463 --> 00:43:48,266 WELL I KNOW I'M GONNA DREAM * 604 00:43:48,266 --> 00:43:54,806 * I'M GONNA DREAM ABOUT THE TIME WHEN 605 00:43:54,806 --> 00:44:01,913 I'M WITH YOU * * AND I WOULD WALK 500 MILES 606 00:44:01,913 --> 00:44:08,453 AND I WOULD WALK 500 MORE * * JUST TO BE THE MAN 607 00:44:08,453 --> 00:44:12,724 WHO WALKED 1,000 MILES TO FALL DOWN AT YOUR DOOR * 608 00:44:12,724 --> 00:44:16,695 * AND WHEN I'M LONELY WELL I KNOW I'M GONNA BE * 609 00:44:16,695 --> 00:44:22,100 * I'M GONNA BE THE MAN WHO'S LONELY WITHOUT YOU * 610 00:44:22,100 --> 00:44:26,938 * AND IF I GROW OLD WELL I KNOW I'M GONNA BE * 611 00:44:26,938 --> 00:44:38,083 * I'M GONNA BE THE MAN WHO'S GROWING OLD WITH YOU * 612 00:44:38,083 --> 00:44:44,589 * BUT I WOULD WALK 500 MILES AND I WOULD WALK 500 MORE * 613 00:44:44,589 --> 00:44:52,530 * JUST TO BE THE MAN WHO WALKED 1,000 MILES 614 00:44:52,530 --> 00:44:56,801 TO FALL DOWN AT YOUR DOOR * * AHH 615 00:44:56,801 --> 00:45:11,082 OH * * OH 616 00:45:11,082 --> 00:45:16,721 OH * * WHEN I WAKE UP 617 00:45:16,721 --> 00:45:24,396 WELL I HOPE I'M GONNA BE * * I'M GONNA BE THE MAN 618 00:45:24,396 --> 00:45:25,063 * I'M GONNA BE THE MAN WHO'S WAKING UP TO YOU * 619 00:45:43,581 --> 00:45:45,350 THEIR FEET, LET'S GET THOUGHTS FROM THEM. 620 00:45:45,350 --> 00:45:47,986 LET'S START WITH GWEN. OH, WOW. 621 00:45:47,986 --> 00:45:49,988 I MEAN. WOW. 622 00:45:49,988 --> 00:45:53,158 CRYING, FIRST OF ALL. SECOND OF ALL, YOU ARE SO 623 00:45:53,158 --> 00:45:57,328 UNBELIEVABLY GIFTED. YOU'RE SO TALENTED. 624 00:45:57,328 --> 00:45:58,563 I THINK YOUR VOICE IS RIDICULOUS. 625 00:45:58,563 --> 00:46:01,199 WHAT I LOVE ABOUT TONIGHT AND WHAT YOU DO, YOU HAVE SO MUCH 626 00:46:01,199 --> 00:46:04,369 ACCESS TO YOUR HEART. IT'S SO REAL. 627 00:46:04,369 --> 00:46:06,938 I BELIEVE YOU SO MUCH. I CAN'T BELIEVE YOU'RE NOT LIKE 628 00:46:06,938 --> 00:46:12,544 A HUGE STAR YET. LIKE, LET'S GO, GUYS. 629 00:46:12,544 --> 00:46:17,849 Carson: BLAKE. HEY, BODIE, I MEAN, SOMETIMES 630 00:46:17,849 --> 00:46:21,553 IN MUSIC, AN ARTIST COMES ALONG THAT'S SO DIFFERENT AND 631 00:46:21,553 --> 00:46:24,556 BRILLIANT THAT PEOPLE MISS IT. MAYBE IT'S OVER THEIR HEAD. 632 00:46:24,556 --> 00:46:27,692 MAYBE THE TIMING IS WRONG. BUT THEN SOMETIMES IT HAPPENS 633 00:46:27,692 --> 00:46:29,761 LIKE IT'S HAPPENING I THINK RIGHT NOW FOR YOU. 634 00:46:29,761 --> 00:46:33,498 PEOPLE GET IT. THEY'RE CONNECTING WITH IT, AND 635 00:46:33,498 --> 00:46:36,234 IT'S EXACTLY WHAT WE ALL NEED RIGHT NOW. 636 00:46:36,234 --> 00:46:38,069 DUDE, THIS IS YOUR MOMENT. CONGRATULATIONS. 637 00:46:38,069 --> 00:46:41,306 Carson: IF YOU WANT BODIE IN THE TOP TEN, VOTE ON NBC.COM AND 638 00:46:41,306 --> 00:46:44,075 "THE VOICE" OFFICIAL APP. GIVE IT UP FOR BODIE. 639 00:46:44,075 --> 00:46:47,145 WHEN WE COME BACK, KIM TAKES ON WILLIE NELSON. 640 00:46:47,145 --> 00:47:04,496 LATER, BRAYDEN AND ERIC FIGHT FOR YOUR VOTES AND A CHANCE TO 641 00:47:04,496 --> 00:47:08,033 Carson: WE'RE BACK LIVE WITH THE TOP 13. 642 00:47:08,033 --> 00:47:12,670 THREE GO HOME TOMORROW. NEXT, TWO LEGENDS, TEXAS 643 00:47:12,670 --> 00:47:15,273 POWERHOUSE AND AN UNEXPECTED CHOICE THAT WAS INSPIRED BY A 644 00:47:15,273 --> 00:47:20,145 SPECIAL PERSON. HERE'S MORE FROM KIM CRUSE. 645 00:47:20,145 --> 00:47:23,481 MOY CHOICE IS KIM. I'M SUPER GRATEFUL TO JOHN 646 00:47:23,481 --> 00:47:27,252 FOR USING HIS LAST SAVE OF THE SEASON ON ME. 647 00:47:27,252 --> 00:47:32,657 TOP 13. TEAM LEGEND, LET'S GET IT, BABY. 648 00:47:32,657 --> 00:47:35,260 KIM CRUSE. HEY. 649 00:47:35,260 --> 00:47:38,363 SO EXCITED YOU'RE BACK. I SAVED KIM LAST WEEK FOR 650 00:47:38,363 --> 00:47:41,066 OBVIOUS REASONS. BUT SHE HAS SOMETHING TO PROVE. 651 00:47:41,066 --> 00:47:43,735 YOU HAVE TO SHOW AMERICA THAT YOU DESERVE TO GO TO THE NEXT 652 00:47:43,735 --> 00:47:46,404 ROUND. AND I'M CONFIDENT THAT YOU'RE 653 00:47:46,404 --> 00:47:49,240 GOING TO SHOW THAT. THIS ROUND, IT'S SONGS THAT HAVE 654 00:47:49,240 --> 00:47:56,381 CHANGED YOUR LIFE. YES. 655 00:47:56,381 --> 00:48:00,185 * MAYBE I DIDN'T LOVE YOU THIS ROUND, I AM BRANCHING 656 00:48:00,185 --> 00:48:03,621 OUT, SINGING A COUNTRY SONG. I DON'T THINK PEOPLE WILL EXPECT 657 00:48:03,621 --> 00:48:06,825 THIS, BUT BEING FROM A SMALL TOWN IN TEXAS, I HAVE ALWAYS 658 00:48:06,825 --> 00:48:11,629 LOVED COUNTRY MUSIC. IT WASN'T UNTIL MY GRAMMY PASSED 659 00:48:11,629 --> 00:48:15,567 IN 2017 THAT THIS SONG REALLY DEVELOPED A NEW MEANING FOR ME. 660 00:48:15,567 --> 00:48:19,037 IT JUST MADE ME REALIZE IN THAT MOMENT HOW IMPORTANT IT IS TO 661 00:48:19,037 --> 00:48:23,041 LET THE PEOPLE THAT MEAN THE MOST TO YOU KNOW HOW MUCH THEY 662 00:48:23,041 --> 00:48:27,078 MEAN TO YOU BECAUSE WHEN THEY'RE GONE, THERE'S NOTHING ELSE YOU 663 00:48:27,078 --> 00:48:31,249 CAN DO BUT WISH. MY GRAMMY'S OLD APARTMENT. 664 00:48:31,249 --> 00:48:34,119 SHE WAS ALWAYS ONE OF MY BIGGEST SUPPORTERS, AND THIS IS THE 665 00:48:34,119 --> 00:48:38,857 MOMENT THAT I THINK SHE ALWAYS SAW FOR ME. 666 00:48:38,857 --> 00:48:41,659 IF I COULD DO ANYTHING TO HAVE HER WITNESS WHAT'S HAPPENING IN 667 00:48:41,659 --> 00:48:45,063 MY LIFE, I WOULD. I LOST MY GRANDMOTHER LAST 668 00:48:45,063 --> 00:48:48,500 YEAR. SO I FEEL THE HEARTACHE EVERY 669 00:48:48,500 --> 00:48:52,203 TIME I HEAR YOUR NOTE FLUTTER. THE KEY WILL BE MAKING SURE IT 670 00:48:52,203 --> 00:48:56,741 STILL FEELS LIKE IT'S CONNECTED TO THE ORIGINAL IN SOME WAY. 671 00:48:56,741 --> 00:48:58,943 STICK PRETTY CLOSE TO THE MELODY AND LET TONE DO THE 672 00:48:58,943 --> 00:49:01,780 STORYTELLING. SHE PICKED THE SOFTEST MOST 673 00:49:01,780 --> 00:49:06,251 VULNERABLE SONG SHE COULD DO, AND I THINK IT'S ACTUALLY A 674 00:49:06,251 --> 00:49:09,554 REALLY SMART, EFFECTIVE CHOICE. SHE'S SHOWN US THE SOULFUL SONGS 675 00:49:09,554 --> 00:49:12,424 THAT MAKE YOU STOMP YOUR FEET, BUT THIS IS A SOULFUL SONG 676 00:49:12,424 --> 00:49:14,559 THAT'S GOING TO MAKE YOU CRY. YES, DO IT LIKE THAT. 677 00:49:14,559 --> 00:49:16,494 I THINK AMERICA WILL SEE A DIFFERENT SIDE OF YOU, WHICH I 678 00:49:16,494 --> 00:49:29,240 THINK IS POWERFUL. THAT'S WHAT I HOPE. 679 00:49:29,240 --> 00:49:36,381 YES. * MAYBE I DIDN'T LOVE YOU 680 00:49:36,381 --> 00:49:47,459 QUITE AS OFTEN AS I COULD HAVE * 681 00:49:47,459 --> 00:49:55,734 * MAYBE I DIDN'T TREAT YOU QUITE AS GOOD 682 00:49:55,734 --> 00:50:03,108 AS I SHOULD HAVE * * IF I MADE YOU 683 00:50:03,108 --> 00:50:09,080 FEEL SECOND BEST I'M SORRY I WAS BLIND * 684 00:50:09,080 --> 00:50:14,753 * YOU WERE ALWAYS ON MY MIND * 685 00:50:14,753 --> 00:50:21,893 * YOU WERE ALWAYS ON MY MIND * 686 00:50:21,893 --> 00:50:31,569 * BABY TELL ME TELL ME THAT YOUR 687 00:50:31,569 --> 00:50:38,943 SWEET LOVE HASN'T DIED * * AND BABY GIVE ME 688 00:50:38,943 --> 00:50:41,780 GIVE ME ONE MORE CHANCE TO KEEP YOU SATISFIED * 689 00:50:41,780 --> 00:50:50,622 * BECAUSE YOU'RE ALWAYS ON MY MIND * 690 00:50:50,622 --> 00:50:56,027 * LITTLE THINGS I SHOULD HAVE SAID 691 00:50:56,027 --> 00:51:00,565 AND DONE YEAH * * I JUST NEVER EVER EVER 692 00:51:00,565 --> 00:51:03,401 TOOK THE TIME * * BUT OH 693 00:51:03,401 --> 00:51:10,241 YOU WERE ALWAYS ON MY MIND * 694 00:51:10,241 --> 00:51:16,548 * YOU WERE ALWAYS ON MY MIND * 695 00:51:16,548 --> 00:51:32,163 * YOU WERE ALWAYS ON MY MIND * 696 00:51:32,163 --> 00:51:40,605 * YOU WERE ALWAYS ON MY MIND * 697 00:51:40,605 --> 00:51:42,774 Carson: THAT IS TEAM LEGEND PFTSD CRIMCRUSE TRYING TO SING 698 00:51:42,774 --> 00:51:47,379 HER WAY INTO THE TOP TEN NEXT WEEK. 699 00:51:47,379 --> 00:51:52,017 NICE WORK, KIM. THAT WAS BEAUTIFUL. 700 00:51:52,017 --> 00:51:54,486 BLAKE, LET'S GET SOME THOUGHTS FROM YOU FIRST, PLEASE. 701 00:51:54,486 --> 00:51:58,957 I'M PRETTY SURE THEY HEARD THAT UP IN THE HEAVENS. 702 00:51:58,957 --> 00:52:01,259 THEY HEAR IT EVERY TIME YOU SING. 703 00:52:01,259 --> 00:52:05,964 YOUR VOICE, YOU KNOW, THAT SONG, ELVIS DID THAT TOO. 704 00:52:05,964 --> 00:52:07,399 SO I HEAR SOME ELVIS IN THERE WHEN YOU SING IT, TOO, ALONG 705 00:52:07,399 --> 00:52:10,735 WITH WILLIE. THE TRUTH IS WHEN YOU SING IT, 706 00:52:10,735 --> 00:52:14,339 IT JUST BECOMES KIM. THAT WAS BEAUTIFUL. 707 00:52:14,339 --> 00:52:16,074 IT WAS INCREDIBLE. UNBELIEVABLE. 708 00:52:16,074 --> 00:52:20,412 CONGRATULATIONS. Carson: COACH JOHN. 709 00:52:20,412 --> 00:52:24,949 KIM, I LOVE SEEING YOU GOING BACK TO YOUR GRANDMOTHER'S HOUSE 710 00:52:24,949 --> 00:52:28,687 AND REMEMBERING HER AND DEDICATING THIS SONG TO HER. 711 00:52:28,687 --> 00:52:31,089 LIKE I SAID, I JUST LOST MIRE GRANDMOTHER PROBABLY AROUND THE 712 00:52:31,089 --> 00:52:34,726 SAME TIME YOU LOST YOURS. I WAS SO EMOTIONAL JUST 713 00:52:34,726 --> 00:52:37,762 LISTENING TO YOU AND THINKING ABOUT HER, THINKING ABOUT ALL 714 00:52:37,762 --> 00:52:41,232 THE LOVED ONES WE LOST AND WHAT WE NEED TO DO TO MAKE SURE WE 715 00:52:41,232 --> 00:52:43,735 TELL THEM WE LOVE THEM WHEN WE HAVE THEM. 716 00:52:43,735 --> 00:52:45,103 THAT WAS SO BEAUTIFUL, SO SOULFUL. 717 00:52:45,103 --> 00:52:47,539 YOU MADE IT YOUR OWN. AND YOU HONORED THE ORIGINAL 718 00:52:47,539 --> 00:52:49,908 SONG SO BEAUTIFULLY. IT WAS REALLY GORGEOUS. 719 00:52:49,908 --> 00:52:53,411 Carson: IF YOU WANT KIM IN THE TOP TEN, YOU CAN VOTE ON 720 00:52:53,411 --> 00:52:55,213 NBC.COM AND "THE VOICE" OFFICIAL APP. 721 00:52:55,213 --> 00:52:58,016 GIVE IT UP FOR KIM CRUSE, LADIES AND GENTLEMEN. 722 00:52:58,016 --> 00:53:02,587 THANK YOU, KIM. COMING UP, BRAYDEN TAKES ON A 723 00:53:18,470 --> 00:53:21,740 OUR BIG PERFORMANCES CONTINUE WITH THE YOUNGEST IN THE 724 00:53:21,740 --> 00:53:24,309 COMPETITION, AND THE ICONIC COUNTRY SONG THAT MADE HIM FALL 725 00:53:24,309 --> 00:53:28,947 IN LOVE WITH SINGING. HERE'S MORE FROM 16-YEAR-OLD 726 00:53:28,947 --> 00:53:31,116 BRAYDEN LAPE. SOMEBODY IS GOING TO BE 727 00:53:31,116 --> 00:53:36,921 WORKING LATE TONIGHT, BECAUSE ALL FOUR OF MY CONTESTANTS MADE 728 00:53:36,921 --> 00:53:39,090 IT THROUGH. WE'RE STILL THE ONLY TEAM 729 00:53:39,090 --> 00:53:42,627 WITH FOUR PEOPLE. THE FOUR OF YOU GUYS RUNNING 730 00:53:42,627 --> 00:53:45,697 OUT, HUGGING EACH OTHER. KNOWING YOU'RE ALL STILL 731 00:53:45,697 --> 00:53:47,866 TOGETHER AS ONE BIG FAMILY IS PRETTY COOL. 732 00:53:47,866 --> 00:53:50,935 YOU THINK THIS IS THE RIGHT HEIGHT? 733 00:53:50,935 --> 00:53:54,139 I'M GOING TO BE SINGING SAM HUNT'S VERSION OF COME OVER BY 734 00:53:54,139 --> 00:53:58,109 KENNY CHESNEY. SAM HUNT IS A LITTLE BIT OF WHAT 735 00:53:58,109 --> 00:53:59,744 I WANT TO BE, A COUNTRY POP ARTIST. 736 00:53:59,744 --> 00:54:06,184 THE FIRST SONG I SANG IN FRONT OF PEOPLE WAS A SAM HUNT SONG. 737 00:54:06,184 --> 00:54:11,122 MY DAD HAD BEEN TALKING TO A BAND PLAYING AT THIS BAR. 738 00:54:11,122 --> 00:54:12,390 THEY LET ME GO UP, I THINK I WAS 14. 739 00:54:12,390 --> 00:54:19,864 I WAS SO NERVOUS. I GOT UP ON THE MIC AND I 740 00:54:19,864 --> 00:54:24,102 STARTED SINGING. THAT DAY CHANGED MY LIFE. 741 00:54:24,102 --> 00:54:25,203 IT MADE ME FALL IN LOVE WITH PERFORMING. 742 00:54:25,203 --> 00:54:29,808 AND IT LED ME TO WHERE I AM TODAY. 743 00:54:29,808 --> 00:54:35,213 FIRST THREE OR FOUR TIMES I EVER HEARD THIS SONG, I THOUGHT 744 00:54:35,213 --> 00:54:37,515 HE WAS SINGING COMB OVER. BRAYDEN HAS THIS INNOCENCE ABOUT 745 00:54:37,515 --> 00:54:41,086 HIM. AM I SUPPOSED TO PUT THESE 746 00:54:41,086 --> 00:54:43,988 THINGS IN? YOU CAN'T HELP BUT ROOT FOR 747 00:54:43,988 --> 00:54:47,392 THIS KID BECAUSE YOU CAN TELL MUSIC IS NEW TO HIM. 748 00:54:47,392 --> 00:54:50,662 YOU'RE NEVER GOING TO MAKE IT IN THE BUSINESS IF YOU CAN'T FIGURE 749 00:54:50,662 --> 00:54:53,264 OUT HOW TO USE A MIC STAND. HE'S SO NATURALLY GIFTED AT 750 00:54:53,264 --> 00:54:56,801 PERFORMANCE. I HAVE A SONG IN A SIMILAR VEIN 751 00:54:56,801 --> 00:55:00,205 CALLED SANGRIA. WHEN I LISTEN TO THE RECORD, 752 00:55:00,205 --> 00:55:03,375 IT'S LIKE, THAT SONG SOUNDS SO LAID BACK. 753 00:55:03,375 --> 00:55:06,244 WHEN I PERFORM IT, I DON'T FEEL THAT WAY AT ALL. 754 00:55:06,244 --> 00:55:09,814 DON'T GET TOO LAID BACK. BRAYDEN IS SHOWING HE'S A STAR, 755 00:55:09,814 --> 00:55:14,786 AND THIS WEEK IS GOING TO BE ANOTHER INCREDIBLE PERFORMANCE. 756 00:55:14,786 --> 00:55:18,623 THE JOURNEY HAS BEEN AWESOME. I'M GLAD I GOT TO MEET ALL THE 757 00:55:18,623 --> 00:55:20,525 CAST AND CREW AND YOU AND GWEN AND CAMILA AND JOHN. 758 00:55:20,525 --> 00:55:23,428 IT'S AWESOME. PEOPLE RESPONDED TO YOU, MAN. 759 00:55:23,428 --> 00:55:35,874 NOBODY ELSE? AND THAT'S IT. 760 00:55:35,874 --> 00:55:38,143 * I TURN THE TV OFF TO TURN IT ON AGAIN * 761 00:55:38,143 --> 00:55:45,550 * STARING AT THE BLADES OF THE FAN 762 00:55:45,550 --> 00:55:48,119 AS IT SPINS AROUND * * COUNTING EVERY CRACK 763 00:55:48,119 --> 00:55:58,630 THE CLOCK IS WIDE AWAKE * * TALKING TO MYSELF 764 00:55:58,630 --> 00:56:02,734 ANYTHING TO MAKE A SOUND * * TOLD YOU I WOULDN'T CALL 765 00:56:02,734 --> 00:56:08,039 I TOLD YOU I WOULDN'T CARE * 766 00:56:08,039 --> 00:56:10,575 * BUT BABY CLIMBING THE WALLS 767 00:56:10,575 --> 00:56:16,047 GETS ME NOWHERE * * I DON'T THINK THAT I 768 00:56:16,047 --> 00:56:20,285 CAN TAKE THIS BED GETTING ANY COLDER * 769 00:56:20,285 --> 00:56:30,195 * COME OVER COME OVER COME OVER COME OVER 770 00:56:30,195 --> 00:56:33,898 COME OVER * * WE DON'T HAVE 771 00:56:33,898 --> 00:56:37,302 TO MISS EACH OTHER COME OVER * 772 00:56:37,302 --> 00:56:42,974 * YOU DON'T HAVE TO STAY FOREVER 773 00:56:42,974 --> 00:56:47,245 COME OVER * * I TOLD YOU I WOULDN'T CALL 774 00:56:47,245 --> 00:56:50,949 I TOLD YOU I WOULDN'T CARE * * BUT BABY 775 00:56:50,949 --> 00:56:57,222 CLIMBING THE WALLS GETS ME NOWHERE * 776 00:56:57,222 --> 00:57:03,461 * I DON'T THINK THAT I CAN TAKE THIS BED 777 00:57:03,461 --> 00:57:06,598 GETTING ANY COLDER * * COME OVER COME OVER 778 00:57:06,598 --> 00:57:16,841 COME OVER COME OVER COME OVER * 779 00:57:16,841 --> 00:57:23,682 * GRAB YOUR KEYS CLIMB IN YOUR CAR 780 00:57:23,682 --> 00:57:27,919 WALK INSIDE * * UNDERNEATH MY STARS 781 00:57:27,919 --> 00:57:42,300 I'LL BE WAITING * * I'LL BE WAITING 782 00:57:42,300 --> 00:57:48,173 COME OVER * Carson: THAT IS THE YOUNGEST 783 00:57:48,173 --> 00:57:52,177 IN THE COMPETITION, EVERYBODY. BRAYDEN LAPE. 784 00:57:52,177 --> 00:57:53,478 SHOUT OUT TO JUSTIN FOR THAT ACCOMPANIMENT. 785 00:57:53,478 --> 00:57:55,747 AND NICE WORK, BRAYDEN. REALLY GOOD WORK. 786 00:57:55,747 --> 00:57:57,749 HI, BRAYDEN. WOW. 787 00:57:57,749 --> 00:58:01,219 YOU KNOW WHAT, YOU'RE JUST SOMETHING ABOUT YOU, LIKE, YOU 788 00:58:01,219 --> 00:58:05,323 DON'T REALLY HAVE TO DO MUCH. AND THAT'S RARE, HONESTLY, YOU 789 00:58:05,323 --> 00:58:07,792 JUST BE YOU, AND I WANT YOU TO REMEMBER THAT ABOUT YOURSELF, 790 00:58:07,792 --> 00:58:09,928 BECAUSE YOU'RE 16, AND YOU'RE JUST GOING TO GET TO KNOW 791 00:58:09,928 --> 00:58:13,098 YOURSELF BETTER. I THINK THAT WHAT YOU DO IS JUST 792 00:58:13,098 --> 00:58:16,901 BE SO PURE AND THAT'S WHAT PEOPLE LOVE ABOUT YOU. 793 00:58:16,901 --> 00:58:21,239 AND NOT THE FACT THAT YOU'RE GORGEOUS AND TALL AND HAVE A 794 00:58:21,239 --> 00:58:25,877 GOOD VOICE, BUT ALL THOSE THINGS. 795 00:58:25,877 --> 00:58:27,846 THANK YOU SO MUCH. Carson: BLAKE. 796 00:58:27,846 --> 00:58:32,250 TRUST ME -- TELL HIM HOW GORGEOUS AND 797 00:58:32,250 --> 00:58:34,953 TALL HE IS. OTHER PEOPLE ON THE PANEL 798 00:58:34,953 --> 00:58:40,058 REALLY LIKE YOU, TOO, JUST SO YOU KNOW. 799 00:58:40,058 --> 00:58:41,659 I HAVE TO TELL YOU. YOU HAVE THAT THING. 800 00:58:41,659 --> 00:58:44,596 SHE'S RIGHT. BUT I WANT TO TALK TO YOU ABOUT 801 00:58:44,596 --> 00:58:49,267 YOUR VOICE, MAN. YOU HAVE A SOLID COUNTRY VOICE 802 00:58:49,267 --> 00:58:51,770 THAT'S DIFFERENT, AND IT'S UNIQUE. 803 00:58:51,770 --> 00:58:52,804 AND YOU HAVE A FUTURE IN COUNTRY MUSIC. 804 00:58:52,804 --> 00:58:55,340 YES. NOT TO MENTION HOW FAR YOU'RE 805 00:58:55,340 --> 00:58:58,977 GOING TO GO OPTHIS SHOW. NO WONDER PEOPLE LOVE YOU. 806 00:58:58,977 --> 00:59:00,912 YOU HAVE IT ALL, MAN. CONGRATULATIONS. 807 00:59:00,912 --> 00:59:06,284 Carson: IF YOU WANT BRAYDEN IN THE TOP TN, YOU CAN VOTE ON 808 00:59:06,284 --> 00:59:08,019 NBC.COM AND "THE VOICE" OFFICIAL APP. 809 00:59:08,019 --> 00:59:14,025 GIVE IT UP FOR BRAYDEN LAPE. WHEN WE COME BACK, ANOTHER SET 810 00:59:14,025 --> 00:59:33,311 OF BACK-TO-BACK PERFORMANCES. ERIC WHO WILL PLAY ELVIS. 811 00:59:33,311 --> 00:59:37,082 TOP 13 LIVE SHOW. WE HAVE ANOTHER BACK-TO-BACK 812 00:59:37,082 --> 00:59:40,518 PERFORMANCE FOR YOU NOW. WE'RE GOING TO BEGIN WITH TEAM 813 00:59:40,518 --> 00:59:42,187 CAMILA'S POP SINGER FROM SOUTH CAR 814 00:59:42,187 --> 00:59:43,288 CAROLINA. TONIGHT HE'S SHOWING A SOFTER, 815 00:59:43,288 --> 00:59:47,559 MORE SENSITIVE SIDE WITH AN ICONIC LOVE SONG. 816 00:59:47,559 --> 00:59:51,796 HERE'S MORE FROM ERIC WHO. TOP 13 REHEARSALS. 817 00:59:51,796 --> 00:59:56,968 LET'S GO. LAST WEEK, I SAVED ERIC, AND 818 00:59:56,968 --> 01:00:00,071 I SAVED HIM BECAUSE HE PUTS ON SUCH A GREAT SHOW. 819 01:00:00,071 --> 01:00:04,142 THAT KIND OF SHOWMANSHIP TO ME IS SOMEBODY THAT I FEEL LIKE CAN 820 01:00:04,142 --> 01:00:08,113 TRIUMPH IN THE INDUSTRY. IT'S SO SPECIAL. 821 01:00:08,113 --> 01:00:12,250 I'M SO EXCITED. IT REALLY CHANGED MY LIFE. 822 01:00:12,250 --> 01:00:17,489 IT'S LIKE THE PERFECT LOVE SONG. AND WHAT I'M TRYING TO DO IS 823 01:00:17,489 --> 01:00:20,625 SHOW AMERICA VOCALLY, THIS KID SHOULD BE ON "THE VOICE." 824 01:00:20,625 --> 01:00:29,501 I LIKE THIS BE THE VULNERABILITY OF ERIC WHO. 825 01:00:29,501 --> 01:00:32,370 YES, PERFECTLY SAID. * WISE MEN SAY * 826 01:00:32,370 --> 01:00:37,008 THIS SONG SHOWED ME THE POWER OF MUSIC AND SONGWRITING. 827 01:00:37,008 --> 01:00:39,644 WHEN I FIRST HEARD THE SONG, I WAS ALWAYS ENVIOUS OF THE 828 01:00:39,644 --> 01:00:41,746 LYRICS. I NEVER THOUGHT I WOULD LOVE 829 01:00:41,746 --> 01:00:46,151 SOMEBODY IN A ROMANTIC WAY, WHICH IS A SAD THING, BUT THAT'S 830 01:00:46,151 --> 01:00:48,286 WHERE I WAS, AND THEN I FOUND MY FIRST LOVE. 831 01:00:48,286 --> 01:00:51,856 I SING THE SONG DIFFERENTLY NOW BECAUSE I UNDERSTAND IT. 832 01:00:51,856 --> 01:00:54,592 I'M HOPING MY PERFORMANCE OF THE SONG IMPACTS THE VIEWERS HOW IT 833 01:00:54,592 --> 01:00:57,996 SONG IMPACTED ME. I WANT AMERICA TO FALL IN LOVE 834 01:00:57,996 --> 01:01:00,899 WITH ME AND VOTE, TOO, HONEY. ERIC, THIS IS SUCH A SMART 835 01:01:00,899 --> 01:01:05,203 CHOICE. IS IT POSSIBLE FOR IT TO BE, 836 01:01:05,203 --> 01:01:09,074 LIKE, HIM ON A STOOL, COUNTRIFYING IT A LITTLE BIT 837 01:01:09,074 --> 01:01:13,945 WITH LIKE BACKGROUND VOCALS HOLDING THE MELODY DOWN? 838 01:01:13,945 --> 01:01:17,582 SMART WOMAN YOU ARE. I NO LONGER HAVE A SAVE, SO 839 01:01:17,582 --> 01:01:21,453 ERIC HAS GOT TO WIN OVER AMERICA, AND I THINK THAT THIS 840 01:01:21,453 --> 01:01:23,488 IS THE WAY TO DO IT. MOTHER. 841 01:01:23,488 --> 01:01:27,792 HEY, BOO. I HAD THIS CRAZY IDEA TO KIND 842 01:01:27,792 --> 01:01:30,862 OF CHANGE MY HAIR FOR THIS PERFORMANCE AND GO BACK TO 843 01:01:30,862 --> 01:01:33,732 NATURAL BLACK HAIR ERIC. BE ON STAGE, MAYBE HOODIE AND 844 01:01:33,732 --> 01:01:36,935 JEANS. BACK TO BASICS. 845 01:01:36,935 --> 01:01:39,704 I COULD JUST STAND HERE AND BARE MY SOUL TO YOU GUYS. 846 01:01:39,704 --> 01:01:41,973 I'M GOING TO DO IT. I'M SCARED BUT I'M GOING TO DO 847 01:01:41,973 --> 01:01:46,644 IT, HONEY. GOING TO BE SO GOOD. 848 01:01:46,644 --> 01:01:49,114 IT'S GOING TO BE ONE OF MY FAVORITES OF YOURS BECAUSE IT'S 849 01:01:49,114 --> 01:02:03,128 SO HEARTFELT. THANK YOU FOR EVERYTHING. 850 01:02:03,128 --> 01:02:11,369 LOVE YOU SO MUCH. * WISE MEN SAY 851 01:02:11,369 --> 01:02:21,079 ONLY FOOLS RUSH RUSH IN * 852 01:02:21,079 --> 01:02:32,123 * BUT I CAN'T HELP FALLING IN LOVE 853 01:02:32,123 --> 01:02:38,963 WITH YOU * * SHALL I STAY 854 01:02:38,963 --> 01:02:48,106 WOULD IT BE A SIN * 855 01:02:48,106 --> 01:02:58,883 * IF I CAN'T HELP FALLING IN LOVE 856 01:02:58,883 --> 01:03:05,957 WITH YOU * * LIKE A RIVER FLOWS 857 01:03:05,957 --> 01:03:13,064 SURELY TO THE SEA * * DARLING SO IT GOES 858 01:03:13,064 --> 01:03:24,175 SOME THINGS ARE MEANT TO BE * 859 01:03:24,175 --> 01:03:36,121 * TAKE MY HAND TAKE MY WHOLE LIFE TOO * 860 01:03:36,121 --> 01:03:40,658 * 'CAUSE I CAN'T FALLING IN LOVE * 861 01:03:40,658 --> 01:03:49,801 * I CAN'T HELP WITH YOU * 862 01:03:49,801 --> 01:04:12,557 * FOR I CAN'T HELP FALLING IN LOVE 863 01:04:12,557 --> 01:04:16,761 WITH YOU * Carson: THAT IS ERIC WHO FROM 864 01:04:16,761 --> 01:04:20,231 TEAM CAMILA TRYING TO MAKE IT TO THE TOP TEN. 865 01:04:20,231 --> 01:04:23,535 ERIC, GREAT JOB. JOHN, SOME THOUGHTS PLEASE. 866 01:04:23,535 --> 01:04:27,305 WELL, WHAT AN UNEXPECTED SONG CHOICE FOR YOU. 867 01:04:27,305 --> 01:04:31,209 I FEEL LIKE IT'S VERY COOL AND VERY VULNERABLE OF YOU TO PICK 868 01:04:31,209 --> 01:04:39,084 SOMETHING LIKE THIS BECAUSE YOU HAVE SHOWN US SO MUCH 869 01:04:39,084 --> 01:04:42,087 FABULOUSNESS AND YOU HAVE BEEN DANCING. 870 01:04:42,087 --> 01:04:45,824 AND I THINK IT WAS A REALLY COOL CHOICE TO GO UNDERSTATED THIS 871 01:04:45,824 --> 01:04:47,826 TIME BECAUSE YOU'RE SHOWING A DIFFERENT SIDE. 872 01:04:47,826 --> 01:04:51,396 I THINK IT'S JUST GIVING AMERICA A CHANCE TO KNOW ALL OF WHO YOU 873 01:04:51,396 --> 01:04:55,900 ARE. I THINK THATCAMILA. 874 01:04:55,900 --> 01:04:59,804 YOU KNOW WHAT, GUYS. ERIC WHO IS ONE OF THE MOST IF 875 01:04:59,804 --> 01:05:03,274 NOT THE MOST DYNAMIC PERFORMERS ON THE SEASON. 876 01:05:03,274 --> 01:05:06,878 THE FACT THAT IN ALL OF HIS PERFORMANCES HE HAS BEEN RUNNING 877 01:05:06,878 --> 01:05:10,915 AROUND, COSTUME CHANGE, YOU KNOW, BOUNCING FROM CORNER OF 878 01:05:10,915 --> 01:05:13,718 THE STAGE TO CORNER OF THE STAGE. 879 01:05:13,718 --> 01:05:18,289 THIS TIME FOR YOU TO STRIP IT ALL BACK, JUST YOU, YOUR VOICE, 880 01:05:18,289 --> 01:05:22,060 JUST SITTING DOWN ON A STOOL AND BARING YOUR SOUL AND YOU KNOW, 881 01:05:22,060 --> 01:05:24,863 TELLING YOUR STORY THROUGH THIS SONG AND ALSO LITERALLY TELLING 882 01:05:24,863 --> 01:05:29,234 YOUR STORY THROUGH THE PACKAGE WE JUST SAW. 883 01:05:29,234 --> 01:05:30,702 I JUST THINK YOU'RE SO BRAVE AND FEARLESS AND THAT'S WHY I LOVE 884 01:05:30,702 --> 01:05:33,905 YOU. Carson: IF YOU WANT ERIC IN 885 01:05:33,905 --> 01:05:36,207 THE TOP TEN, YOU CAN VOTE ON NBC.COM AND "THE VOICE" OFFICIAL 886 01:05:36,207 --> 01:05:40,512 APP. ONE MORE TIME GIVE IT UP FOR 887 01:05:40,512 --> 01:05:43,648 ERIC WHO. WE ARE GOING TO CONTINUE RIGHT 888 01:05:43,648 --> 01:05:47,152 AWAY WITH TEAM CAMILA'S NASHVILLE BLUES ROCKER AND A 889 01:05:47,152 --> 01:05:52,991 SONG THAT EMBRACES HER JOURNEY AS AN ARTIST. 890 01:05:52,991 --> 01:05:58,129 HERE'S MORE FROM MORGAN MYLES. TEAM CAMILA. 891 01:05:58,129 --> 01:06:01,666 HERE WE GO. HERE WE GO. 892 01:06:01,666 --> 01:06:03,902 IT'S SO AMAZING TO BE IN THE TOP 13. 893 01:06:03,902 --> 01:06:06,438 SOMETIMES YOU'RE LIKE, SHOULD I BE DOING THIS STILL? 894 01:06:06,438 --> 01:06:09,674 SO "THE VOICE" HAS HELPED MAKE ME FEEL LIKE I CAN DO THIS. 895 01:06:09,674 --> 01:06:13,945 I LIKE THAT YOU CALLED ME THE TRUTH TELLER. 896 01:06:13,945 --> 01:06:16,114 THAT'S LIKE YOUR NEW TWITTER BIO. 897 01:06:16,114 --> 01:06:20,051 I AM THE TRUTH TELLER. I LIKE THAT. 898 01:06:20,051 --> 01:06:23,088 THAT'S WHY PEOPLE LIKE YOU, BECAUSE YOU'RE SO GENUINE. 899 01:06:23,088 --> 01:06:25,323 TELL ME WHY YOU CHOSE THIS SONG? THIS SONG RESONATES WITH ME 900 01:06:25,323 --> 01:06:30,795 BECAUSE I LIVED IT. I'M GOING TO SING IF I WERE A 901 01:06:30,795 --> 01:06:34,566 BOY BY BEYONCE. COUNTRY MUSIC, IT IS MORE MALE 902 01:06:34,566 --> 01:06:37,869 DOMINATED. AND THERE WERE DAYS THAT I 903 01:06:37,869 --> 01:06:41,873 REMEMBER CRYING TO MYSELF, SAYING IF I WERE A BOY, MAYBE I 904 01:06:41,873 --> 01:06:47,645 WOULD HAVE HAD A BETTER CHANCE. I REMEMBER BEING REALLY DEFEATED 905 01:06:47,645 --> 01:06:50,515 AND REBA McENTIRE COVERED THIS SONG. 906 01:06:50,515 --> 01:06:52,283 REBA, DID YOU WATCH MORGAN'S BLIND AUDITION? 907 01:06:52,283 --> 01:06:55,387 I DID. YOU DID REALLY GOOD. 908 01:06:55,387 --> 01:06:59,157 I'M SO PROUD OF YOU. REBA IS THIS PIONEER FOR 909 01:06:59,157 --> 01:07:02,527 FEMALES, AND I HAD THE HONOR OF BEING ON THE REBA TOUR. 910 01:07:02,527 --> 01:07:05,196 AND SHE STARTS PLAYING THIS SONG. 911 01:07:05,196 --> 01:07:12,437 IT JUST COMPLETELY MOVED ME. * IF I WERE A BOY * 912 01:07:12,437 --> 01:07:16,041 I WANT TO BE WHO I AM. IF I DIDN'T HAVE FEMALES TO SEE. 913 01:07:16,041 --> 01:07:19,310 SAME. I'M SO FAMILIAR WITH THE 914 01:07:19,310 --> 01:07:21,646 BEYONCE VERSION THAT COUNTRIFYING IT WOULD MAKE IT 915 01:07:21,646 --> 01:07:25,583 DIFFERENT. CAN WE TRY THE FIDDLE MORE 916 01:07:25,583 --> 01:07:28,653 AGAIN? REALLY CAN'T BE DEFINED BY A 917 01:07:28,653 --> 01:07:32,057 GENRE. AWESOME TO HEAR THE FULL 918 01:07:32,057 --> 01:07:35,560 DRUMS FOR DRAMATIC EFFECT. MADE UP OF COUNTRY AND POP 919 01:07:35,560 --> 01:07:40,365 AND SOUL AND ONE THING THAT I THINK THEY ALL HAVE IN COMMON IS 920 01:07:40,365 --> 01:07:44,069 THAT SHE'S BEING HERSELF. MIGHT BE MY SAVE. 921 01:07:44,069 --> 01:07:54,245 I DEFINITELY THINK THIS IS A PERFORMANCE THAT CAN BRING DOWN 922 01:07:54,245 --> 01:08:05,623 THE HOUSE. * IF I WERE A BOY 923 01:08:05,623 --> 01:08:09,027 EVEN JUST FOR A DAY * * I'D ROLL OUTTA BED 924 01:08:09,027 --> 01:08:16,434 IN THE MORNING * * THROW ON WHAT I WANTED 925 01:08:16,434 --> 01:08:27,245 AND GO * * I'D PUT MYSELF FIRST 926 01:08:27,245 --> 01:08:30,382 AND MAKE THE RULES AS I GO * * 'CAUSE I KNOW 927 01:08:30,382 --> 01:08:39,190 THAT SHE'D BE FAITHFUL * * WAITIN' FOR ME 928 01:08:39,190 --> 01:08:45,163 TO COME HOME * * IF I WERE A BOY 929 01:08:45,163 --> 01:08:51,703 I THINK I COULD UNDERSTAND * 930 01:08:51,703 --> 01:08:55,674 * HOW IT FEELS TO LOVE A GIRL * 931 01:08:55,674 --> 01:09:00,512 * I SWEAR I'D BE A BETTER MAN 932 01:09:00,512 --> 01:09:06,751 OOOO * * I'D LISTEN TO HER 933 01:09:06,751 --> 01:09:13,324 ‘CAUSE I KNOW HOW IT HURTS * 934 01:09:13,324 --> 01:09:15,326 * WHEN YOU LOSE THE ONE YOU WANTED * 935 01:09:15,326 --> 01:09:19,564 * 'CAUSE HE'S TAKEN YOU FOR GRANTED * 936 01:09:19,564 --> 01:09:27,539 * AND EVERYTHING YOU HAD GOT DESTROYED * 937 01:09:27,539 --> 01:09:31,509 * IT'S A LITTLE TOO LATE FOR YOU TO COME BACK * 938 01:09:31,509 --> 01:09:34,079 * SAY IT'S JUST A MISTAKE THINK I'D FORGIVE 939 01:09:34,079 --> 01:09:38,049 YOU LIKE THAT * * IF YOU THOUGHT 940 01:09:38,049 --> 01:09:55,433 I WOULD WAIT YOU THOUGHT WRONG * 941 01:09:55,433 --> 01:10:17,922 * BUT YOU'RE JUST A BOY AND YOU DON'T UNDERSTAND * 942 01:10:17,922 --> 01:10:20,759 Carson: THAT'S MORGAN MYLES. A LOT OF LOVE FOR MORGAN'S 943 01:10:20,759 --> 01:10:23,561 PERFORMANCE TONIGHT FROM THE CROWD AND THE COACHES. 944 01:10:23,561 --> 01:10:25,864 LET'S GET SOME COMMENTS. LET'S START WITH GWEN. 945 01:10:25,864 --> 01:10:29,467 HI, MORGAN. I'M SO HAPPY FOR YOU RIGHT NOW. 946 01:10:29,467 --> 01:10:31,903 I FEEL LIKE YOU PICKED THE PERFECT SONG TO KIND OF DEFINE 947 01:10:31,903 --> 01:10:34,539 YOU AS AN ARTIST. I MEAN, WE TALK SO MUCH ABOUT 948 01:10:34,539 --> 01:10:38,443 THAT. OR YOU HAVE IN YOUR STORY, OF 949 01:10:38,443 --> 01:10:39,978 LIKE WHO I AM, WHERE DO I FIT IN? 950 01:10:39,978 --> 01:10:43,148 I THINK THAT WAS NOT ONLY A GREAT BALANCE. 951 01:10:43,148 --> 01:10:45,383 YOUR VOCALS WERE ABSOLUTELY RIDICULOUS, BUT ALSO YOUR STAGE 952 01:10:45,383 --> 01:10:47,919 PERFORMANCE AND EVERYTHING YOU DID TONIGHT WAS LIKE, IT ALL 953 01:10:47,919 --> 01:10:51,923 CAME TOGETHER. I'M JUST EXCITED FOR YOU. 954 01:10:51,923 --> 01:10:55,293 SO SWEET. YOU LOOK SO BEAUTIFUL TONIGHT. 955 01:10:55,293 --> 01:10:58,596 Carson: CAMILA. YOU GOT FOUR COACHES STANDING 956 01:10:58,596 --> 01:11:02,400 UP FOR YOU TONIGHT. I FEEL LIKE -- 957 01:11:02,400 --> 01:11:04,536 THANK YOU. THANK YOU SO MUCH. 958 01:11:04,536 --> 01:11:08,673 I FEEL LIKE I HAD THE SAME FEELING IN THE ROOM AS MORGAN 959 01:11:08,673 --> 01:11:12,477 FROM THE BLIND AUDITIONS. IT WAS THE SONG AND YOUR STORY. 960 01:11:12,477 --> 01:11:15,213 YOU'RE INSPIRING SO MANY YOUNG WOMEN, TOO, THAT ARE WATCHING 961 01:11:15,213 --> 01:11:24,389 THIS RIGHT NOW WITH YOUR STORY, AND YOU KNOW WHAT, IN AMERICA, 962 01:11:24,389 --> 01:11:25,590 YOU KEEP DOING THIS, AND THAT'S WHY YOU'RE HERE. 963 01:11:25,590 --> 01:11:27,092 Carson: IF YOU WANT MORGAN IN THE TOP TEN, YOU CAN VOTE ON 964 01:11:27,092 --> 01:11:30,662 NBC.COM AND "THE VOICE" OFFICIAL APP. 965 01:11:30,662 --> 01:11:33,531 GIVE IT UP FOR MORGAN MYLES. WHEN WE RETURN, PARIJITA SINGS A 966 01:11:33,531 --> 01:11:49,714 PASSIONATE ADELE SONG. THEN, JUSTIN CLOSES OUT THE 967 01:11:49,714 --> 01:11:51,116 Carson: WELCOME BACK. AS ALWAYS, AN INCREDIBLE JOB BY 968 01:11:51,116 --> 01:11:54,219 PAUL MIRKOVICH AND "THE VOICE" BAND. 969 01:11:54,219 --> 01:12:00,759 GIVE IT UP FOR THEM. LADIES AND GENTLEMEN. 970 01:12:00,759 --> 01:12:03,461 ALSO TO OUR INCREDIBLE CREW WHO MAKE THE IMPOSSIBLE SOMEHOW 971 01:12:03,461 --> 01:12:05,397 POSSIBLE DURING COMMERCIAL BREAKS. 972 01:12:05,397 --> 01:12:09,100 WE APPRECIATE ALL THEIR EFFORTS. WE'RE CONTINUING OUR 13 973 01:12:09,100 --> 01:12:10,802 PERFORMANCES WITH TEAM LEGEND'S 17-YEAR-OLD SINGER AND A 974 01:12:10,802 --> 01:12:13,104 POWERFUL SONG THAT SHAPED HER AS AN ARTIST. 975 01:12:13,104 --> 01:12:17,776 HERE'S MORE FROM PARIJITA BASTOLA. 976 01:12:17,776 --> 01:12:20,912 HEY, JOHN. HOW ARE YOU? 977 01:12:20,912 --> 01:12:21,946 YOU'RE SO STELLAR ON YOUR MONDAY. 978 01:12:21,946 --> 01:12:24,215 THANK YOU. IT WAS LIKE THE BEST YOU HAVE 979 01:12:24,215 --> 01:12:30,755 DONE SO FAR. AND IT WAS VERY SPECIAL. 980 01:12:30,755 --> 01:12:33,258 I REALLY SAW PARIJITA ELEVATE HERSELF IN MY MIND AND I THINK 981 01:12:33,258 --> 01:12:37,228 IN THE AUDIENCE'S MIND THIS PAST WEEK AND SHE REALLY TAPPED INTO 982 01:12:37,228 --> 01:12:39,397 IT IN A WAY I HAVE NEVER SEEN HER DO. 983 01:12:39,397 --> 01:12:42,801 THIS IS A VERY COOL WEEK. SONGS THAT CHANGED YOUR LIFE. 984 01:12:42,801 --> 01:12:46,971 I PICKED ALL I ASK BY ADELE. I LOVE THE IDEA OF YOU 985 01:12:46,971 --> 01:12:50,675 SINGING ADELE. * I WON'T SAY A WORD * 986 01:12:50,675 --> 01:12:54,279 THE FIRST TIME I SANG THIS SONG, IT WAS A YOUTH 987 01:12:54,279 --> 01:12:59,818 COMPETITION, AND I TRANSLATED THE CHORUS AND I PERFORMED IT IN 988 01:12:59,818 --> 01:13:02,821 NEPALY AND ENGLISH AND I WON FIRST PLACE. 989 01:13:02,821 --> 01:13:06,157 LAST YEAR, THE WINNER OF "THE VOICE" OF NEPAL CAME TO MARYLAND 990 01:13:06,157 --> 01:13:08,793 AND DID A SHOW, SO THEY ASKED ME TO OPEN UP FOR HIM. 991 01:13:08,793 --> 01:13:10,895 I DID THE SAME SONG. THIS IS A PERFECT SONG FOR 992 01:13:10,895 --> 01:13:13,798 YOU TO SING HERE. IT'S THE FIRST TIME I 993 01:13:13,798 --> 01:13:23,508 INCORPORATED THAT CULTURE IN MY MUSIC. 994 01:13:23,508 --> 01:13:26,544 I THINK THAT MOMENT WAS REALLY IMPORTANT. 995 01:13:26,544 --> 01:13:31,449 THAT WAS MY SHIFT INTO LIKE WHO I WANTED TO BECOME AS A SINGER. 996 01:13:31,449 --> 01:13:39,924 I'M REALLY PROUD TO BE ABLE TO REPRESENT MY NEPALESE CULTURE ON 997 01:13:39,924 --> 01:13:42,827 NATIONAL TELEVISION. I LOVE THAT. 998 01:13:42,827 --> 01:13:46,865 PICKING AN ADELE SONG IS ALWAYS A CHALLENGE BECAUSE ADELE IS ONE 999 01:13:46,865 --> 01:13:49,834 OF OUR GREAT VOICES IN PAULURAL MUSIC, BUT I BELIEVE PARIJITA IS 1000 01:13:49,834 --> 01:13:53,338 UP TO THE CHALLENGE. I'M SEEING HER GROWTH, I'M 1001 01:13:53,338 --> 01:13:55,840 SEEING HER LOCK IN AND SEEING HER ELEVATE HERSELF TO A WHOLE 1002 01:13:55,840 --> 01:13:59,644 NEW LEVEL. FOCUS ON BEING PRESENT. 1003 01:13:59,644 --> 01:14:04,649 GIVING EMOTION, AND JUST BE IN IT, LIKE YOUR EYES, EVERYTHING. 1004 01:14:04,649 --> 01:14:08,319 I NEED TO BE SO GOOD THAT ADELE SEES IT. 1005 01:14:08,319 --> 01:14:12,157 I FEEL LIKE ARTISTS NOTICE THESE THINGS MORE THAN PEOPLE 1006 01:14:12,157 --> 01:14:14,359 THINK THEY DO. IF ADELE WOULD SEE THIS, I 1007 01:14:14,359 --> 01:14:26,705 WOULD DIE. I WOULD DIE, I THINK. 1008 01:14:26,705 --> 01:14:33,244 * I WILL LEAVE MY HEART AT THE DOOR * 1009 01:14:33,244 --> 01:14:37,248 * I WON'T SAY A WORD THEY'VE ALL BEEN 1010 01:14:37,248 --> 01:14:43,788 SAID BEFORE YOU KNOW * * SO WHY DON'T WE 1011 01:14:43,788 --> 01:14:45,757 JUST PLAY PRETEND * * LIKE WE'RE NOT SCARED 1012 01:14:45,757 --> 01:14:51,162 OF WHAT IS COMING NEXT * * OR SCARED OF 1013 01:14:51,162 --> 01:14:54,299 HAVING NOTHING LEFT * * LOOK DON'T 1014 01:14:54,299 --> 01:15:02,040 GET ME WRONG * * I KNOW 1015 01:15:02,040 --> 01:15:09,681 THERE IS NO TOMORROW * * SO ALL I ASK IS 1016 01:15:09,681 --> 01:15:16,755 IF THIS IS MY LAST NIGHT WITH YOU * 1017 01:15:16,755 --> 01:15:22,761 * HOLD ME LIKE I'M MORE THAN JUST A FRIEND * 1018 01:15:22,761 --> 01:15:30,135 * GIVE ME A MEMORY I CAN USE * 1019 01:15:30,135 --> 01:15:35,840 * TAKE ME BY THE HAND WHILE WE DO 1020 01:15:35,840 --> 01:15:46,084 WHAT LOVERS DO * * IT MATTERS HOW THIS ENDS 1021 01:15:46,084 --> 01:15:53,191 'CAUSE ALL I ASK IS * * IF THIS IS MY LAST 1022 01:15:53,191 --> 01:15:56,094 NIGHT WITH YOU * * HOLD ME LIKE 1023 01:15:56,094 --> 01:16:03,134 I'M MORE THAN JUST A FRIEND * 1024 01:16:03,134 --> 01:16:09,674 * GIVE ME A MEMORY I CAN USE 1025 01:16:09,674 --> 01:16:15,647 TAKE ME BY THE HAND * * WHILE WE DO 1026 01:16:15,647 --> 01:16:26,191 WHAT LOVERS DO * * IT MATTERS HOW THIS ENDS 1027 01:16:26,191 --> 01:16:40,472 'CAUSE WHAT IF I NEVER LOVE AGAIN * 1028 01:16:40,472 --> 01:16:42,707 Carson: THAT IS PARIJITA BASTOLA, THE 17-YEAR-OLD FROM 1029 01:16:42,707 --> 01:16:46,077 MARYLAND. TRYING TO SING HER WAY INTO THE 1030 01:16:46,077 --> 01:16:48,079 TOP TEN NEXT WEEK. PARIJITA, GREAT JOB. 1031 01:16:48,079 --> 01:16:49,981 THANK YOU FOR THAT. THANK YOU. 1032 01:16:49,981 --> 01:16:51,783 BLAKE, WE'LL GET THOUGHTS FROM YOU. 1033 01:16:51,783 --> 01:16:56,788 WELL, THEY TOLD ME TO KEEP THIS REALLY QUICK, SO I'LL JUST 1034 01:16:56,788 --> 01:17:00,925 SAY THAT YOU ARE EASILY ONE OF MY FAVORITES IN THIS COMPETITION 1035 01:17:00,925 --> 01:17:04,295 THAT ISN'T ON MY TEAM. YOU KNOW WHAT, SCREW THAT. 1036 01:17:04,295 --> 01:17:09,401 YOU'RE ONE OF MY FAVORITES IN THIS COMPETITION, PERIOD. 1037 01:17:09,401 --> 01:17:11,736 AND I LOVE YOU BECAUSE YOU ARE 100% YOU. 1038 01:17:11,736 --> 01:17:15,173 YOU'RE NOT TRYING TO BE ANYBODY ELSE BUT PARIJITA. 1039 01:17:15,173 --> 01:17:18,209 AND I APPRECIATE THAT SO MUCH. THANK YOU. 1040 01:17:18,209 --> 01:17:24,582 Carson: JOHN. I 100% AGREE WITH BLAKE ABOUT 1041 01:17:24,582 --> 01:17:26,484 YOU JUST REPRESENTING WHO YOU ARE AND WHERE YOU COME FROM SO 1042 01:17:26,484 --> 01:17:29,587 BEAUTIFULLY. BUT ALSO WANT TO TALK ABOUT HOW 1043 01:17:29,587 --> 01:17:32,323 TECHNICALLY AMAZING YOUR VOICE IS. 1044 01:17:32,323 --> 01:17:36,728 THE WAY YOU JUST LIKE GO BACK AND FORTH BETWEEN YOUR HEAD 1045 01:17:36,728 --> 01:17:40,298 VOICE AND YOUR CHEST VOICE AND YOUR VIBRATO IS SO COMFORTABLE 1046 01:17:40,298 --> 01:17:42,434 AND EASY AND GORGEOUS. WHAT A BEAUTIFUL VOCAL 1047 01:17:42,434 --> 01:17:44,669 PERFORMANCE. IT WAS REALLY, REALLY WONDERFUL. 1048 01:17:44,669 --> 01:17:46,137 Carson: IF YOU WANT PARIJITA IN THE TOP TEN, YOU CAN VOTE ON 1049 01:17:46,137 --> 01:17:52,377 NBC.COM AND "THE VOICE" OFFICIAL APP. 1050 01:17:52,377 --> 01:17:57,415 GIVE IT UP FOR PARIJITA BASTOLA. WHEN WE COME BACK, AN INSPIRING 1051 01:18:11,029 --> 01:18:16,368 Carson: WELCOME BACK. OUR EPIC TOP 13 PERFORMANCES, 1052 01:18:16,368 --> 01:18:19,037 WE'RE GOING TO WRAP UP WITH TEAM GWEN'S KANSAS R&B SINGER. 1053 01:18:19,037 --> 01:18:22,807 TONIGHT A GRAMMY-WINNING SONG THAT CAME INTO HIS LIFE AT THE 1054 01:18:22,807 --> 01:18:24,909 PERFECT TIME. HE'LL TELL YOU MORE. 1055 01:18:24,909 --> 01:18:28,313 HERE'S JUSTIN AARON. WE'RE ABOUT TO GO SING. 1056 01:18:28,313 --> 01:18:30,648 HI, FRIEND. HELLO, GUYS. 1057 01:18:30,648 --> 01:18:33,351 THIS IS NICE. JUSTIN. 1058 01:18:33,351 --> 01:18:36,354 HI. CAREFUL. 1059 01:18:36,354 --> 01:18:40,358 YOUR SUPERFAN IS HERE, ME. HOW ARE YOU DOING? 1060 01:18:40,358 --> 01:18:42,227 I'M SO GOOD, AFTER LAST NIGHT. 1061 01:18:42,227 --> 01:18:44,829 AND YOU, YOU ARE INCREDIBLE. THANK YOU SO MUCH. 1062 01:18:44,829 --> 01:18:47,532 I THINK THE THING THAT PEOPLE LOVED SO MUCH ON THE SHOW IS 1063 01:18:47,532 --> 01:18:50,368 WATCHING SOMEONE GROW, AND YOU HAVE BECOME LIKE A BABE, LIKE 1064 01:18:50,368 --> 01:18:52,704 BEFORE OUR EYES. LIKE, YOU LOOK LIKE A STAR TO ME 1065 01:18:52,704 --> 01:18:54,272 NOW. YOU KNOW WHAT I'M SAYING? 1066 01:18:54,272 --> 01:18:57,475 YEAH, YEAH. I CAN'T WAIT TO HEAR THIS 1067 01:18:57,475 --> 01:19:01,012 SONG. I CHOSE BREAK EVERY CHAIN 1068 01:19:01,012 --> 01:19:05,016 BECAUSE IT HAS A LOT OF, LIKE, DEEPER MEANING WITH ME. 1069 01:19:05,016 --> 01:19:06,718 BECAUSE I WENT THROUGH THIS DEPRESSION. 1070 01:19:06,718 --> 01:19:12,023 THIS SONG CAME INTO MY LIFE AT ONE OF THE DARKEST MOMENTS IN MY 1071 01:19:12,023 --> 01:19:15,293 LIFE. WHEN THE LYRIC CAME ON, THERE IS 1072 01:19:15,293 --> 01:19:18,697 POWER IN THE NAME OF JESUS TO BREAK EVERY CHAIN, I LITERALLY 1073 01:19:18,697 --> 01:19:22,734 FELT THE CHAINS THAT HAD BEEN HOLDING ME IN DEPRESSION BEGIN 1074 01:19:22,734 --> 01:19:28,840 TO FALL OFF, AND I GOT HELP. AND SO I'M NO LONGER LOOKING AT 1075 01:19:28,840 --> 01:19:33,578 MYSELF LIKE I DON'T DESERVE IT. NOW, I AM IN THE TOP 13. 1076 01:19:33,578 --> 01:19:37,148 SO THIS SONG LITERALLY CHANGED THE TRAJECTORY OF MY LIFE. 1077 01:19:37,148 --> 01:19:39,651 WOW. YOU'RE AMAZING. 1078 01:19:39,651 --> 01:19:42,287 THANK YOU SO MUCH. BUT I THINK YOU NEED TO BE 1079 01:19:42,287 --> 01:19:44,956 VERY CLEAR WITH THE INTENTION OF WHAT YOU'RE SAYING. 1080 01:19:44,956 --> 01:19:47,225 I THINK YOU CAN GET REALLY PHYSICAL, YOU KNOW WHAT I MEAN? 1081 01:19:47,225 --> 01:19:49,060 I WANT YOU TO CRY. OKAY. 1082 01:19:49,060 --> 01:19:53,865 I WANT YOU TO LOOK UP. I WANT YOU TO SING TO GOD. 1083 01:19:53,865 --> 01:19:58,269 * BREAK EVERY CHAIN * I'M ALWAYS TRYING TO PUSH HIM 1084 01:19:58,269 --> 01:20:05,076 TO BE MORE JUSTIN, BECAUSE HIS SINGING ABILITY IS MASTERFUL. 1085 01:20:05,076 --> 01:20:06,945 YES, I LOVE THE END WHEN YOU'RE DOWN. 1086 01:20:06,945 --> 01:20:12,917 BUT I THINK YOU CAN GO FURTHER. I MEAN, GO LOOK UP A PUNK BAND 1087 01:20:12,917 --> 01:20:16,054 OR SOMETHING. LIKE BREAK EVERY CHAIN! 1088 01:20:16,054 --> 01:20:17,722 COME ON. THIS IS IT. 1089 01:20:17,722 --> 01:20:20,358 YEAH. THIS IS YOUR MOMENT. 1090 01:20:20,358 --> 01:20:31,503 I'M GOING TO DO IT. I'M SO EXCITED FOR YOU. 1091 01:20:31,503 --> 01:20:40,311 OH, MY GOD, I'M EXCITED. * THERE IS POWER 1092 01:20:40,311 --> 01:20:48,853 IN THE NAME OF JESUS * * THERE IS POWER 1093 01:20:48,853 --> 01:20:56,261 IN THE NAME OF JESUS * * THERE IS POWER 1094 01:20:56,261 --> 01:21:01,966 IN THE NAME OF JESUS * * TO BREAK EVERY CHAIN 1095 01:21:01,966 --> 01:21:07,072 BREAK EVERY CHAIN BREAK EVERY CHAIN * 1096 01:21:07,072 --> 01:21:14,179 * TO BREAK EVERY CHAIN BREAK EVERY CHAIN 1097 01:21:14,179 --> 01:21:27,258 BREAK EVERY CHAIN * * THERE'S AN ARMY 1098 01:21:27,258 --> 01:21:37,502 RISING UP YEAH * * THERE'S AN ARMY RISING UP 1099 01:21:37,502 --> 01:21:41,206 YEAH THERE'S AN ARMY RISING UP YEAH * 1100 01:21:41,206 --> 01:21:46,611 * TO BREAK EVERY CHAIN BREAK EVERY CHAIN 1101 01:21:46,611 --> 01:21:52,317 BREAK EVERY CHAIN * * TO BREAK EVERY CHAIN 1102 01:21:52,317 --> 01:22:01,960 BREAK EVERY CHAIN BREAK EVERY CHAIN YEAH * 1103 01:22:01,960 --> 01:22:06,531 * I HEAR THE CHAINS I HEAR THE CHAINS FALLING * 1104 01:22:06,531 --> 01:22:13,905 * HEY I HEAR THE CHAINS FALLING * 1105 01:22:13,905 --> 01:22:22,714 * YEAH I HEAR THE CHAINS FALLING * 1106 01:22:22,714 --> 01:22:31,856 * BREAK EVERY CHAIN BREAK EVERY CHAIN 1107 01:22:31,856 --> 01:22:42,167 BREAK EVERY CHAIN * * BREAK EVERY CHAIN * 1108 01:22:42,167 --> 01:22:45,303 Carson: THAT'S GOING TO DO IT. 1109 01:22:45,303 --> 01:22:47,906 THAT IS JUSTIN AARON WHO CLOSES IT OUT HERE. 1110 01:22:47,906 --> 01:22:49,474 THE TOP 13 ALL TRYING TO MOVE ON. 1111 01:22:49,474 --> 01:22:56,815 AMAZING. HARD TO BELIEVE. 1112 01:22:56,815 --> 01:23:00,652 THEY NOW HAVE ALL FOUR COACHES ON THEIR FEET. 1113 01:23:00,652 --> 01:23:04,055 LET'S GO TO JOHN. JUSTIN. 1114 01:23:04,055 --> 01:23:07,492 JUSTIN. I GOTTA TELL JUSTIN A QUICK 1115 01:23:07,492 --> 01:23:10,762 STORY. I WAS AT THE LATIN GRAMMYS THIS 1116 01:23:10,762 --> 01:23:13,698 PAST WEEK AND MET A BROTHER FROM YOUR HOMETOWN IN KANSAS. 1117 01:23:13,698 --> 01:23:19,137 ALL HE COULD SAY TO ME IS WHY DIDN'T YOU TURN FOR JUSTIN. 1118 01:23:19,137 --> 01:23:23,074 AND HE WAS ABSOLUTELY RIGHT. WHY DIDN'T I TURN FOR JUSTIN? 1119 01:23:23,074 --> 01:23:25,543 YOU KEEP SHOWING US MORE AND MORE OF WHO YOU ARE AND YOUR 1120 01:23:25,543 --> 01:23:29,814 ABILITY. AND IT'S INCREDIBLE TO WATCH. 1121 01:23:29,814 --> 01:23:31,750 YOU'RE AMAZING, JUSTIN. Carson: 30 SECONDS. 1122 01:23:31,750 --> 01:23:33,985 OH, MY GOSH. LIKE, I MEAN, I CAN'T BELIEVE 1123 01:23:33,985 --> 01:23:37,088 IT. YOU DID IT. 1124 01:23:37,088 --> 01:23:40,091 YOU TOOK IT TO THE NEXT LEVEL. AND IT WAS SO BEAUTIFUL. 1125 01:23:40,091 --> 01:23:44,095 IT WAS SO MOVING. AND I'M SO UNBELIEVABLE -- I 1126 01:23:44,095 --> 01:23:46,631 CAN'T EVEN SPEAK. I'M IN AWE OF YOU. 1127 01:23:46,631 --> 01:23:49,467 I'M SO EXCITED TO BE ABLE TO BE PART OF THIS WITH YOU. 1128 01:23:49,467 --> 01:23:51,803 THANK YOU SO MUCH. Carson: IF YOU WANT JUSTIN IN 1129 01:23:51,803 --> 01:23:56,107 THE TOP TEN, YOU CAN VOTE ON NBC.COM AND "THE VOICE" OFFICIAL 1130 01:23:56,107 --> 01:23:58,610 APP. GIVE IT UP ONE MORE TIME. 1131 01:23:58,610 --> 01:24:08,753 TEAM GWEN'S JUSTIN AARON, LADIES AND GENTLEMEN. 1132 01:24:08,753 --> 01:24:10,855 WOW, WHAT A NIGHT OF MUSIC. BOY, DO YOU HAVE IT HARD AT 1133 01:24:10,855 --> 01:24:12,724 HOME. YOU HAVE TO VOTE. 1134 01:24:12,724 --> 01:24:15,860 13 BECOMES 10. VOTING IS OPEN. 1135 01:24:15,860 --> 01:24:20,765 IF YOU SAW SOMEBODY WHO MOVED YOU, GET VOTING. 1136 01:24:20,765 --> 01:24:23,268 WE'LL HAVE THE RESULTS TOMORROW. CAMILA AND BLAKE BOTH SING WITH 1137 01:24:23,268 --> 01:24:24,469 THEIR TEAMS TOMORROW. WE'LL SEE YOU THEN.