1 00:00:01,784 --> 00:00:06,397 [MUSIC PLAYING] 2 00:00:06,441 --> 00:00:08,791 Ira, voice-over: THERE ARE APPROXIMATELY 200 BARS AND NIGHTCLUBS 3 00:00:08,834 --> 00:00:10,880 IN SOUTH BEACH. 4 00:00:10,923 --> 00:00:13,230 ASSUMING THE AVERAGE CAPACITY IS 500 PERSONS 5 00:00:13,274 --> 00:00:17,452 AND 52% OF THOSE ARE WOMEN AND 65% OF THOSE WOMEN ARE SINGLE, 6 00:00:17,495 --> 00:00:20,846 ON ANY GIVEN SATURDAY NIGHT, THERE ARE 33,800 WOMEN 7 00:00:20,890 --> 00:00:23,414 AVAILABLE FOR A POTENTIAL ROMANTIC LIAISON. 8 00:00:23,458 --> 00:00:24,937 32,000 SINGLE WOMEN? 9 00:00:24,981 --> 00:00:26,722 THAT'S A SOBERING STATISTIC. 10 00:00:26,765 --> 00:00:28,202 DID YOU JUST DO THAT MATH IN YOUR HEAD? 11 00:00:28,245 --> 00:00:29,855 IT'S ELEMENTARY FOR A MAN OF MY INTELLIGENCE. 12 00:00:29,899 --> 00:00:32,945 I SOLVED THE CALOGERO EQUATION ON A NAPKIN IN MIDDLE SCHOOL. 13 00:00:32,989 --> 00:00:35,078 SO YOU SMILED AT HER, SHE SMILED AT YOU. 14 00:00:35,122 --> 00:00:36,384 WHAT HAPPENED NEXT? 15 00:00:36,427 --> 00:00:38,429 I'M IRA MESSING. 16 00:00:38,473 --> 00:00:40,083 HI. I'M LISA. 17 00:00:40,127 --> 00:00:41,780 SO WHAT BRINGS YOU HERE, IRA? 18 00:00:41,824 --> 00:00:44,000 I READ A STUDY THAT IF A SINGLE MAN OF MY AGE 19 00:00:44,044 --> 00:00:46,437 GOES WITHOUT SEX FOR A YEAR AND A HALF, 20 00:00:46,481 --> 00:00:48,613 HIS CHANCES OF NEVER HAVING SEX AGAIN 21 00:00:48,657 --> 00:00:50,354 INCREASE BY A FACTOR OF 6. 22 00:00:50,398 --> 00:00:54,097 IT'S BEEN A YEAR AND A HALF SINCE YOU HAD SEX? 23 00:00:54,141 --> 00:00:55,229 YES, IT HAS. 24 00:00:55,272 --> 00:00:57,970 AND YOU WERE HOPING TO HAVE SEX WITH ME? 25 00:00:58,014 --> 00:00:59,494 NOT YOU SPECIFICALLY. 26 00:00:59,537 --> 00:01:01,713 BUT IT MAKES SENSE THAT IN ORDER TO INCREASE MY CHANCES 27 00:01:01,757 --> 00:01:04,107 OF HAVING SEX, I SHOULD GO OUT INTO THE WORLD 28 00:01:04,151 --> 00:01:05,152 AND HAVE DRINKS WITH WOMEN. 29 00:01:05,195 --> 00:01:08,894 ZERO EFFORT PRODUCES ZERO OUTCOME. 30 00:01:08,938 --> 00:01:11,897 IRA, ARE YOU SOME KIND OF MATH NUT? 31 00:01:11,941 --> 00:01:13,334 YES, I AM. 32 00:01:13,377 --> 00:01:17,077 I HEAD UP THE PROGRAM TO CALCULATE ASTEROID VECTORS. 33 00:01:17,120 --> 00:01:19,644 SO YOU'LL BE THE FIRST PERSON TO KNOW 34 00:01:19,688 --> 00:01:23,561 IF LIFE AS WE KNOW IT IS GONNA BE OBLITERATED? 35 00:01:23,605 --> 00:01:25,128 YES. 36 00:01:25,172 --> 00:01:28,305 AND HOPEFULLY COME UP WITH A PLAN TO PREVENT THE COLLISION. 37 00:01:28,349 --> 00:01:29,785 SAVE THE EARTH? 38 00:01:29,828 --> 00:01:31,265 YES. 39 00:01:31,308 --> 00:01:33,049 Ira, voice-over: I TOLD HER WHAT I DO FOR A LIVING. 40 00:01:33,093 --> 00:01:34,572 SHE WAS DEFINITELY IMPRESSED. 41 00:01:34,616 --> 00:01:36,008 HOW DO YOU KNOW SHE WAS IMPRESSED? 42 00:01:36,052 --> 00:01:37,880 Ira, voice-over: SHE KISSED ME. 43 00:01:37,923 --> 00:01:40,187 RIGHT ON THE LIPS. 44 00:01:42,667 --> 00:01:45,453 THAT'S MY THANKS FOR SAVING THE WORLD. 45 00:01:45,496 --> 00:01:47,281 IN THE FUTURE WHEN TRYING TO IMPRESS WOMEN, 46 00:01:47,324 --> 00:01:49,544 SAVING THE EARTH SHOULD BE YOUR OPENING LINE. 47 00:01:49,587 --> 00:01:51,328 I'VE BEEN TOLD THAT DESPITE THE FACT IT'S TRUE 48 00:01:51,372 --> 00:01:53,287 I MIGHT COME OFF AS BOASTAL. 49 00:01:53,330 --> 00:01:54,375 WHAT HAPPENED AFTER SHE KISSED YOU? 50 00:01:56,333 --> 00:01:59,075 I REMOVED BIRD FECES FROM HER HAIR. 51 00:02:01,382 --> 00:02:06,126 WOW. IRA, NOW YOU'RE PULLING OUT ALL THE STOPS. 52 00:02:06,169 --> 00:02:08,258 AND THEN IT HAPPENED. 53 00:02:08,302 --> 00:02:09,607 MY NAME IS INDIGO MONTOYA. 54 00:02:09,651 --> 00:02:12,567 YOU KILLED MY FATHER. YOU KILLED MY FATHER. 55 00:02:12,610 --> 00:02:16,223 PREPARE TO DIE.PREPARE TO DIE. 56 00:02:16,266 --> 00:02:18,834 I LOVE THAT MOVIE. 57 00:02:18,877 --> 00:02:19,922 SO DO I. 58 00:02:19,965 --> 00:02:21,750 [CELL PHONE RINGS] 59 00:02:21,793 --> 00:02:23,882 HELLO. 60 00:02:23,926 --> 00:02:25,754 WHY ARE YOU CALLING ME? NO. 61 00:02:25,797 --> 00:02:30,585 WILL YOU JUST LEAVE ME ALONE? PLEASE. 62 00:02:30,628 --> 00:02:33,675 I PERCEIVE THAT YOU ARE DISTRAUGHT. 63 00:02:33,718 --> 00:02:35,720 IT'S FINE. 64 00:02:39,637 --> 00:02:41,117 MAY I HAVE MY PHONE BACK, PLEASE? 65 00:02:41,161 --> 00:02:43,685 LISA, IF SOMETHING'S WRONG, 66 00:02:43,728 --> 00:02:47,167 I'D LIKE TO HELP. 67 00:02:54,652 --> 00:02:57,133 PAL, YOUR BILL. 68 00:03:17,284 --> 00:03:19,024 SUBSEQUENT TO LISA'S DISAPPEARANCE, 69 00:03:19,068 --> 00:03:22,724 I PERFORMED A CLASSIC EXPANDING SPIRAL GRID SEARCH PATTERN ON FOOT. 70 00:03:22,767 --> 00:03:24,204 I CALLED ALL THE CAB COMPANIES. 71 00:03:24,247 --> 00:03:26,510 I ALSO CALLED MY FRIEND AT THE NATIONAL SECURITY AGENCY 72 00:03:26,554 --> 00:03:28,382 TO LOOK AT SATELLITE PHOTOS OF THE AREA 73 00:03:28,425 --> 00:03:30,253 TO SEE IF THERE WAS ANY SIGN OF LISA. 74 00:03:30,297 --> 00:03:31,472 WHAT WOULD YOU TELL THEM TO LOOK FOR, 75 00:03:31,515 --> 00:03:33,735 A CARRIAGE MADE OUT OF PUMPKINS? 76 00:03:33,778 --> 00:03:35,258 I DON'T FOLLOW YOU. 77 00:03:35,302 --> 00:03:37,739 WHAT DID SHE WRITE ON THE NAPKIN? 78 00:03:37,782 --> 00:03:41,133 WHATEVER IT WAS, IT BECAME SATURATED WITH BEER. 79 00:03:41,177 --> 00:03:42,309 I DRIED IT OUT IN THE OVEN-- 80 00:03:42,352 --> 00:03:44,311 HOW'D YOU GET MY NAME? 81 00:03:44,354 --> 00:03:45,312 MY FRIEND AT THE NSA. 82 00:03:45,355 --> 00:03:46,922 WHO MIGHT THAT BE EXACTLY? 83 00:03:46,965 --> 00:03:47,923 I REALLY CANNOT SAY. 84 00:03:47,966 --> 00:03:50,055 STAN, RIGHT? IN BLACK OPS? 85 00:03:50,099 --> 00:03:51,274 I'M NOT ALLOWED TO SAY. 86 00:03:51,318 --> 00:03:52,014 CAN YOU FIND LISA, PLEASE? 87 00:03:52,057 --> 00:03:53,494 SHE'S IN DANGER. 88 00:03:53,537 --> 00:03:55,409 IF LISA ACTUALLY LOOKS THE WAY YOU DESCRIBED HER, 89 00:03:55,452 --> 00:03:57,062 THEN SHE'S A 9. 90 00:03:57,106 --> 00:04:00,240 I AM AWARE OF THE POPULAR SCALE SUBJECTIVELY RANKING 91 00:04:00,283 --> 00:04:02,024 INTERPERSONAL MEASURES OF SEXUAL ATTRACTION. 92 00:04:02,067 --> 00:04:03,591 YOU ARE PROBABLY RANKING ME AS A 6, 93 00:04:03,634 --> 00:04:06,420 BUT IF SO, YOU MUST ALSO ACCOUNT FOR THE FACT 94 00:04:06,463 --> 00:04:07,769 THAT AMONGST SOME WOMEN, 95 00:04:07,812 --> 00:04:10,424 INTELLIGENCE RAISES THAT NUMBER SUBSTANTIALLY. 96 00:04:10,467 --> 00:04:15,342 VOILA! TO YOUR NEW SIGNATURE DRINK. 97 00:04:15,385 --> 00:04:17,474 IT'S BASED ON A RECIPE THAT RASPUTIN CREATED 98 00:04:17,518 --> 00:04:20,477 FOR THE LAST CZAR OF RUSSIA. 99 00:04:21,565 --> 00:04:22,827 WHOA! 100 00:04:22,871 --> 00:04:25,134 THAT IS VOMITOUS. 101 00:04:25,177 --> 00:04:27,092 SOMETIMES A WOMAN LOSES A MAN IN A BAR 102 00:04:27,136 --> 00:04:29,573 BECAUSE SHE SUDDENLY REMEMBERS SHE MET HIM IN A BAR. 103 00:04:29,617 --> 00:04:32,315 OUR ENCOUNTER ENCOMPASSED ALL 5 INDICATORS 104 00:04:32,359 --> 00:04:33,534 OF A DEEP CONNECTION: 105 00:04:33,577 --> 00:04:35,318 CHEMISTRY, TOUCH, VOICE PITCH, 106 00:04:35,362 --> 00:04:37,102 EYE CONTACT, UNCENSORED SPEECH. 107 00:04:37,146 --> 00:04:38,234 WHAT UNCENSORED SPEECH? 108 00:04:38,278 --> 00:04:40,280 WE DISCUSSED THE BIRD FECES IN HER HAIR. 109 00:04:42,194 --> 00:04:45,720 I WILL PAY YOU $10,000. 110 00:04:47,112 --> 00:04:48,418 AND AFTER YOUR DEATH, 111 00:04:48,462 --> 00:04:50,986 I CAN ARRANGE TO HAVE YOUR ASHES SHOT INTO THE SUN. 112 00:04:51,029 --> 00:04:54,642 WOW. HOW CAN YOU REFUSE AN OFFER LIKE THAT? 113 00:04:54,685 --> 00:04:56,644 THANK YOU. 114 00:04:58,428 --> 00:04:59,864 WHAT IS THAT FOR? 115 00:04:59,908 --> 00:05:02,302 OUR RECORDS. 116 00:05:38,381 --> 00:05:40,383 Leo: SO THIS ONE IS DONE BY AN ARTIST 117 00:05:40,427 --> 00:05:43,386 WHO STARTED OUT IN A GANG, TAGGING BUILDINGS. 118 00:05:43,430 --> 00:05:46,215 A CRIMINAL WHO TURNED HIS LIFE AROUND. 119 00:05:46,258 --> 00:05:47,651 REAL SUBTLE, LEO. 120 00:05:47,695 --> 00:05:49,261 I'M NOT TRYING TO BE SUBTLE. 121 00:05:49,305 --> 00:05:52,177 I'M TRYING TO OPEN YOUR MIND. 122 00:05:54,397 --> 00:05:56,617 OH! HEY, WATCH IT! 123 00:05:56,660 --> 00:05:58,575 SORRY. 124 00:06:01,709 --> 00:06:03,319 WHAT? 125 00:06:03,363 --> 00:06:06,496 GO TELL THAT MAN HE DROPPED HIS WALLET AND GIVE IT BACK. 126 00:06:06,540 --> 00:06:09,717 AND IF HE OFFERS YOU A REWARD, SAY NO. 127 00:06:12,067 --> 00:06:16,071 AHH... WHATEVER. 128 00:06:16,114 --> 00:06:18,073 Willa: EXCUSE ME. 129 00:06:18,116 --> 00:06:22,817 SIR? YOU DROPPED YOUR WALLET. 130 00:06:36,134 --> 00:06:38,659 LEO? 131 00:06:38,702 --> 00:06:41,139 DO YOU KNOW THAT MAN? 132 00:06:41,183 --> 00:06:43,751 YES. 133 00:06:43,794 --> 00:06:45,230 WHO IS HE? 134 00:06:45,274 --> 00:06:49,104 WE ALL GOT PEOPLE FROM OUR PAST WE NEED TO SHAKE. 135 00:06:49,147 --> 00:06:53,674 YEAH, IT LOOKS LIKE YOU'RE DOING A GREAT JOB OF THAT. 136 00:06:53,717 --> 00:06:56,328 LET'S GO. 137 00:06:56,372 --> 00:06:59,375 [MUSIC PLAYING] 138 00:07:11,343 --> 00:07:12,606 YOU COME HERE OFTEN? 139 00:07:12,649 --> 00:07:16,827 WOW. YOU COULD REALLY USE A FRESH PICK-UP LINE. 140 00:07:16,871 --> 00:07:18,220 IT'S NOT A LINE. IT'S A QUESTION. 141 00:07:18,263 --> 00:07:21,702 YEAH, I COME HERE OFTEN. I'M THERESE. 142 00:07:21,745 --> 00:07:24,661 WALTER. I'M LOOKING FOR SOMEONE. 143 00:07:24,705 --> 00:07:26,358 LET ME GUESS. CINDERELLA. 144 00:07:26,402 --> 00:07:28,012 I THOUGHT YOU MIGHT RECOGNIZE THE SHOE. 145 00:07:28,056 --> 00:07:30,319 IT'S POSSIBLE THAT THE OWNER'S A PROSTITUTE. 146 00:07:30,362 --> 00:07:31,755 LIKE YOU. 147 00:07:31,799 --> 00:07:32,713 [SCOFFS] 148 00:07:32,756 --> 00:07:34,279 HONEY, WE'RE CALLED PARTY GIRLS. 149 00:07:34,323 --> 00:07:36,368 IT'S A MATTER OF SEMIOTICS. 150 00:07:36,412 --> 00:07:38,545 THAT'S PRETTY SMART TALK FOR A PARTY GIRL. 151 00:07:38,588 --> 00:07:40,677 YOU HAVE NO IDEA HOW MUCH IT COSTS 152 00:07:40,721 --> 00:07:42,897 TO GET A DOCTORATE IN STATISTICS FROM RUTGERS. 153 00:07:42,940 --> 00:07:48,163 I AM UP TO HERE IN STUDENT LOANS. 154 00:07:48,206 --> 00:07:51,035 WOW. VERY LIMBER. 155 00:07:51,079 --> 00:07:52,254 AND AS YOU CAN SEE, 156 00:07:52,297 --> 00:07:55,518 I'M WEARING THE EXACT SAME SHOE IN BLACK. 157 00:07:55,562 --> 00:07:57,259 LOOKING FOR A BLONDE GIRL. 158 00:07:57,302 --> 00:07:59,304 SHE WAS HERE AT THE BAR LAST NIGHT. 159 00:07:59,348 --> 00:08:00,697 BEAUTY MARK RIGHT HERE. 160 00:08:00,741 --> 00:08:02,307 LISA. SHE'S NOT ONE OF US. 161 00:08:02,351 --> 00:08:05,528 SHE'S STRICTLY A LONELY HEARTS GIVE-IT-AWAY-FOR-FREE TYPE. 162 00:08:05,572 --> 00:08:06,790 YET YOU HAVE THE EXACT SAME SHOE? 163 00:08:06,834 --> 00:08:09,706 SHE ASKED ME WHERE I GOT MY SHOES. I TOLD HER. 164 00:08:09,750 --> 00:08:10,577 GIRL THING. 165 00:08:10,620 --> 00:08:11,229 WILL YOU TELL ME? 166 00:08:11,273 --> 00:08:12,927 HUH. WHY SHOULD I? 167 00:08:12,970 --> 00:08:14,711 I'LL TELL YOU SOMETHING YOU DON'T KNOW BUT YOU'D LIKE TO KNOW. 168 00:08:14,755 --> 00:08:16,496 MADISON BOUTIQUE ON SAND DOLLAR. 169 00:08:16,539 --> 00:08:18,759 ASK FOR JOHNNY. TELL HIM THERESE SENT YOU. 170 00:08:18,802 --> 00:08:20,630 OK, YOUR TURN. 171 00:08:20,674 --> 00:08:23,024 YOU KNOW THOSE ARE KNOCK-OFFS, RIGHT? 172 00:08:23,067 --> 00:08:24,068 EXCUSE ME? 173 00:08:24,112 --> 00:08:27,594 GLUED, NOT STITCHED. 174 00:08:28,899 --> 00:08:30,771 I'LL KILL JOHNNY. 175 00:08:30,814 --> 00:08:34,731 CAN YOU NOT KILL JOHNNY UNTIL AFTER I TALK TO HIM? 176 00:09:00,409 --> 00:09:03,673 HOW DID YOU KNOW MY PASSWORD? 177 00:09:03,717 --> 00:09:06,720 YOU SAY IT TO YOURSELF WHEN YOU TYPE IT IN. 178 00:09:06,763 --> 00:09:10,506 IN CASE YOU DIDN'T NOTICE, YOUR VOICE KIND OF CARRIES. 179 00:09:10,550 --> 00:09:12,552 [AS LEO] OZYMANDIAS. 180 00:09:12,595 --> 00:09:14,379 IF YOU WANTED TO KNOW ABOUT MY PAST, 181 00:09:14,423 --> 00:09:17,687 YOU COULD HAVE ASKED ME. 182 00:09:17,731 --> 00:09:21,865 THIS DUDE KILLED YOUR FAMILY? 183 00:09:21,909 --> 00:09:25,565 GET OFF MY COMPUTER, PLEASE. 184 00:09:32,615 --> 00:09:36,663 GO BACK TO WORK, PLEASE. 185 00:09:36,706 --> 00:09:41,145 WE'D BE THE SAME AGE. 186 00:09:41,189 --> 00:09:44,148 IS THAT WHY YOU TOOK ME IN? 187 00:09:45,672 --> 00:09:47,891 YOU GOT SOME BENT PSYCHOLOGY 188 00:09:47,935 --> 00:09:51,808 THAT I'D REPLACE YOUR DEAD DAUGHTER? 189 00:10:01,992 --> 00:10:03,733 YOU WANT TO BUY ME SOMETHING? 190 00:10:03,777 --> 00:10:05,300 WHY NOT? 191 00:10:05,343 --> 00:10:06,780 BECAUSE MOST OF THE TIME YOU FORGET TO CHARGE PEOPLE 192 00:10:06,823 --> 00:10:08,129 TO FIND THE THINGS THAT YOU FIND. 193 00:10:08,172 --> 00:10:09,957 PEOPLE ARE VERY GRATEFUL FOR WHAT I DO. 194 00:10:10,000 --> 00:10:11,175 I HAVE MORE THAN ENOUGH MONEY 195 00:10:11,219 --> 00:10:12,786 OR THINGS THAT COULD BE TURNED INTO MONEY. 196 00:10:12,829 --> 00:10:14,439 YEAH, OK, PLEASE DON'T SAY ANYMORE. 197 00:10:14,483 --> 00:10:17,834 AS A FEDERAL AGENT, I MIGHT HAVE TO REPORT YOU TO THE TAX MAN. 198 00:10:17,878 --> 00:10:20,315 WHAT ARE YOU GONNA BUY ME? 199 00:10:20,358 --> 00:10:21,403 SHOES. 200 00:10:21,446 --> 00:10:22,752 HA. I LOVE SHOES. 201 00:10:22,796 --> 00:10:24,667 I'M VERY GIRLY IN THAT WAY. 202 00:10:24,711 --> 00:10:26,277 AMONGST OTHER WAYS. 203 00:10:26,321 --> 00:10:27,627 WAIT A MINUTE. 204 00:10:27,670 --> 00:10:29,629 WHAT DO I HAVE TO DO? 205 00:10:29,672 --> 00:10:32,196 OH, JUST BE YOURSELF. 206 00:10:32,240 --> 00:10:33,371 I LOVE THESE. 207 00:10:33,415 --> 00:10:35,243 I LOVE THESE SO MUCH I COULD CRY. 208 00:10:35,286 --> 00:10:38,028 Clerk: I WANT TO CRY JUST SEEING HOW PERFECT THOSE LOOK ON YOU. 209 00:10:38,072 --> 00:10:40,727 ISABEL HASN'T CRIED SINCE THE DOCTOR SLAPPED HER ASS. 210 00:10:40,770 --> 00:10:42,946 A DOCTOR SLAPPED MY ASS YESTERDAY. 211 00:10:42,990 --> 00:10:43,947 I DIDN'T CRY EITHER. 212 00:10:43,991 --> 00:10:46,384 I'LL LET YOU HAVE THEM FOR 1,060. 213 00:10:46,428 --> 00:10:47,516 PLUS TAX. 214 00:10:47,559 --> 00:10:49,213 HA HA! 215 00:10:49,257 --> 00:10:50,475 OH, GOD. HERE WE GO. 216 00:10:50,519 --> 00:10:51,912 THESE SHOES MIGHT AS WELL BE CHAINS. 217 00:10:51,955 --> 00:10:54,610 I MEAN, YOU CHARGE A WOMAN $1,000 218 00:10:54,654 --> 00:10:55,872 FOR SOMETHING THAT SUBJUGATES HER TO MEN. 219 00:10:55,916 --> 00:10:58,222 WHAT SUBJUGATES? THEY MAKE HER 4 INCHES TALLER. 220 00:10:58,266 --> 00:10:59,310 THEY REALLY DO. 221 00:10:59,354 --> 00:11:02,139 WELL, SHE CAN'T RUN IN THEM, CAN SHE? 222 00:11:02,183 --> 00:11:03,575 YOU KNOW, LET ME TELL YOU SOMETHING. 223 00:11:03,619 --> 00:11:06,013 THOSE SHOES ARE DESIGNED TO POSITION HER GLUTE IN A WAY 224 00:11:06,056 --> 00:11:07,710 WHICH, AMONGST THE PRIMATES, 225 00:11:07,754 --> 00:11:09,233 SUGGESTS THAT SHE IS IN HEAT. 226 00:11:09,277 --> 00:11:12,062 THESE ARE THE SAME IMPULSES THAT MAKE FASHION PHOTOGRAPHERS 227 00:11:12,106 --> 00:11:14,021 PHOTOGRAPH WOMEN LYING ON THE GROUND 228 00:11:14,064 --> 00:11:18,460 OR SLUMPED TO TAKE AWAY THEIR DIGNITY AND THEIR POWER. 229 00:11:18,503 --> 00:11:21,855 SISTERS ARISE AND RESIST! 230 00:11:21,898 --> 00:11:23,770 I DON'T UNDERSTAND WHAT YOU'RE SAYING 231 00:11:23,813 --> 00:11:26,642 'CAUSE YOU'RE MAKING GOOD THINGS SOUND BAD. 232 00:11:26,686 --> 00:11:28,775 MY LEGS LOOK 4 INCHES LONGER. 233 00:11:28,818 --> 00:11:32,343 RIGHT. WOULD YOU EXCUSE US FOR A SECOND? 234 00:11:32,387 --> 00:11:36,260 OH, SURE. 235 00:11:37,784 --> 00:11:41,439 THIS IS SO GOING ON MY BLOG. 236 00:11:41,483 --> 00:11:42,614 THERESE SENT ME. 237 00:11:42,658 --> 00:11:44,878 AY, CRAPPITY CRAP, CRAP, CRAP. 238 00:11:44,921 --> 00:11:46,575 CAN YOU GIVE ME A HAND? 239 00:11:46,618 --> 00:11:47,532 YES, MISTER. 240 00:11:47,576 --> 00:11:51,754 I MEANT I WANT THE SPECIAL PRICE. 241 00:11:51,798 --> 00:11:53,669 600 BUCKS A PAIR. 242 00:11:53,713 --> 00:11:54,801 COME ON, THEY'RE KNOCK-OFFS. 243 00:11:54,844 --> 00:11:56,150 I PREFER THE TERM COUNTERFEIT. 244 00:11:56,193 --> 00:11:59,327 I CAN DO 200 BUCKS. FINAL ANSWER? 245 00:11:59,370 --> 00:12:01,155 I'M GONNA LEVEL WITH YOU. 246 00:12:01,198 --> 00:12:02,330 YES? 247 00:12:02,373 --> 00:12:04,419 I'M NOT HERE FOR THE SHOES. 248 00:12:04,462 --> 00:12:05,507 YES? 249 00:12:05,550 --> 00:12:07,770 I'M LOOKING FOR A WOMAN. 250 00:12:07,814 --> 00:12:09,032 NO... 251 00:12:09,076 --> 00:12:10,555 ONE OF YOUR COUNTERFEIT CUSTOMERS NAMED LISA. 252 00:12:10,599 --> 00:12:14,342 LISA IS A VERY COMMON NAME. 253 00:12:14,385 --> 00:12:16,692 YOU SEE THIS WEAR PATTERN? 254 00:12:16,736 --> 00:12:19,042 COMES FROM GRIPPING THE TOES TIGHTLY 255 00:12:19,086 --> 00:12:20,043 'CAUSE THE SHOE IS TOO BIG. 256 00:12:20,087 --> 00:12:21,610 NOW, LISA HAS DIFFERENT SIZE FEET, 257 00:12:21,653 --> 00:12:23,960 SO YOU PROBABLY TRIES TO GET YOU TO SELL HER MISMATCHED PAIRS 258 00:12:24,004 --> 00:12:27,790 WHICH YOU PROBABLY SAY NO TO, SO SHE SCRUNCHES. 259 00:12:27,834 --> 00:12:29,487 OH, THAT LISA. 260 00:12:29,531 --> 00:12:32,752 YOU'RE GONNA HAVE TO GIVE ME A GOOD REASON TO TELL YOU MORE. 261 00:12:32,795 --> 00:12:35,972 NIPPLE CLAMPS WOULD BE A GOOD START. 262 00:12:37,844 --> 00:12:39,759 YOU SEE THE WOMAN OUT THERE I CAME WITH? 263 00:12:39,802 --> 00:12:40,977 MM-HMM. 264 00:12:41,021 --> 00:12:42,979 SHE IS A COP. 265 00:12:43,023 --> 00:12:45,329 SO EITHER YOU TELL ME WHERE I CAN FIND LISA, 266 00:12:45,373 --> 00:12:50,073 OR I'LL ASK ISABEL BACK HERE TO LOOK INTO YOUR SPECIAL CLOSET. 267 00:12:50,117 --> 00:12:51,945 Isabel: I'M GONNA KEEP THESE IN THE BOX 268 00:12:51,988 --> 00:12:55,992 UNTIL I ASK LEO IF HE CAN ACTUALLY AFFORD 1,000 BUCKS. 269 00:12:56,036 --> 00:12:57,515 THEY WERE ONLY 200 BUCKS. 270 00:12:57,559 --> 00:12:58,690 THEY'RE FAKES. WHAT? 271 00:12:58,734 --> 00:13:00,040 I FEEL I SHOULD POINT OUT THAT EVEN THOUGH 272 00:13:00,083 --> 00:13:01,868 YOU THINK YOU LOOK MORE BEAUTIFUL IN THOSE SHOES, 273 00:13:01,911 --> 00:13:03,652 YOU ACTUALLY DON'T. 274 00:13:03,695 --> 00:13:04,914 I'M PRETTY SURE I DO. 275 00:13:04,958 --> 00:13:06,307 NO. THE KIND OF BEAUTIFUL YOU ARE 276 00:13:06,350 --> 00:13:09,397 HAS NOTHING TO DO WITH THOSE SHOES. 277 00:13:13,270 --> 00:13:14,576 BONUS. I FIGURE YOU POINT OUT 278 00:13:14,619 --> 00:13:17,405 THE COUNTERFEIT SHOE RING TO CUSTOMS ENFORCEMENT. 279 00:13:17,448 --> 00:13:19,146 IT'S A FINE FEATHER IN YOUR CAREER CAP, 280 00:13:19,189 --> 00:13:21,235 WHICH IS NOW 4 INCHES FURTHER FROM THE GROUND 281 00:13:21,278 --> 00:13:23,324 BECAUSE OF THOSE COUNTERFEIT HEELS. 282 00:13:23,367 --> 00:13:24,455 [HORN HONKS] 283 00:13:24,499 --> 00:13:28,503 THANK YOU FOR MY LOVELY GIFT, WALTER. 284 00:13:47,696 --> 00:13:50,177 HELLO? 285 00:13:50,220 --> 00:13:52,527 ON TV WHEN A DOOR SWINGS OPEN WHEN YOU KNOCK ON IT, 286 00:13:52,570 --> 00:13:55,095 IT MEANS YOU'RE GONNA FIND THE PLACE ALL RIFLED THROUGH 287 00:13:55,138 --> 00:13:57,445 AND A MYSTERY. 288 00:14:06,193 --> 00:14:11,067 OK. AND IF THE APARTMENT ISN'T TOSSED, 289 00:14:11,111 --> 00:14:14,810 THERE'S A DEAD BODY. 290 00:14:14,854 --> 00:14:17,073 IN A BATHROOM. 291 00:14:18,509 --> 00:14:22,296 USUALLY BEHIND THE SHOWER CURTAIN. 292 00:14:23,906 --> 00:14:25,342 HUH. 293 00:14:33,873 --> 00:14:35,962 [SNIFFS] 294 00:14:43,926 --> 00:14:46,233 [CLICK] 295 00:14:46,276 --> 00:14:48,626 [ELECTRICAL CRACKLING] 296 00:14:48,670 --> 00:14:51,194 AH! 297 00:14:53,153 --> 00:14:57,200 THAT WAS CHOICE NUMBER 3. 298 00:15:06,688 --> 00:15:09,082 OH, WOW. 299 00:15:09,125 --> 00:15:10,300 CAN I TAKE THESE OUT? 300 00:15:10,344 --> 00:15:12,172 NOT SO FAST. WHO ARE YOU? 301 00:15:12,215 --> 00:15:14,130 WALTER. I'M LOOKING FOR LISA. 302 00:15:14,174 --> 00:15:15,392 WHO ARE YOU? 303 00:15:15,436 --> 00:15:18,134 AMANDA. LISA'S ROOMMATE. ARE YOU A CREEP? 304 00:15:18,178 --> 00:15:21,181 NOT FOR THE MOST PART. 305 00:15:22,878 --> 00:15:27,665 YOU CAN TAKE THOSE OUT, BUT YOU SHOULD KNOW I'M RELOADED. 306 00:15:27,709 --> 00:15:31,104 HOW'D YOU CARRY 2 BASKETS OF LAUNDRY? 307 00:15:31,147 --> 00:15:33,193 HUH. THERE'S ONLY 1. 308 00:15:33,236 --> 00:15:35,499 THIS IS A REALLY GOOD TASER. 309 00:15:38,241 --> 00:15:42,158 OH, CAN I HAVE SOME WATER, PLEASE? 310 00:15:43,464 --> 00:15:45,988 HOW COME YOU NEVER ASKED ME WHAT I WANT FROM LISA? 311 00:15:46,032 --> 00:15:48,077 OW. 312 00:15:48,121 --> 00:15:52,560 YOU WANT WHAT EVERY MAN WANTS FROM LISA. 313 00:15:52,603 --> 00:15:55,737 WHICH THEY ALWAYS GET, BY THE WAY. 314 00:15:55,780 --> 00:15:56,694 I DON'T WANT THAT. 315 00:15:56,738 --> 00:15:58,958 I JUST...WANT TO RETURN HER SHOE. 316 00:15:59,001 --> 00:16:00,133 OH. THAT'S NEW. 317 00:16:00,176 --> 00:16:01,395 ANYWAY, I DON'T KNOW WHERE LISA IS. 318 00:16:01,438 --> 00:16:03,005 I HAVEN'T SEEN HER IN DAYS. 319 00:16:03,049 --> 00:16:04,876 IS THAT NORMAL? YES. 320 00:16:04,920 --> 00:16:06,443 SHE GOES PLACES WITH GUYS... 321 00:16:06,487 --> 00:16:09,229 AND SHE ALWAYS COMES HOME ALONE. 322 00:16:09,272 --> 00:16:11,883 THEN SHE GOES AND BUYS HERSELF ONE OF THESE THINGS 323 00:16:11,927 --> 00:16:12,972 TO CHEER HERSELF UP. 324 00:16:13,015 --> 00:16:16,540 PERSONALLY THESE MAKE ME FEEL SUICIDAL. 325 00:16:16,584 --> 00:16:18,586 BUT WHATEVER. 326 00:16:20,849 --> 00:16:24,157 HEY. HAVE YOU SEEN THIS GUY? 327 00:16:24,200 --> 00:16:25,114 OF COURSE. 328 00:16:25,158 --> 00:16:26,507 REALLY? 329 00:16:26,550 --> 00:16:29,031 YEAH. I SUBSCRIBE TO "SCIENTIFIC AMERICAN." 330 00:16:29,075 --> 00:16:30,293 THAT'S IRA MESSING. 331 00:16:30,337 --> 00:16:31,860 HE WORKS FOR NASA. 332 00:16:31,903 --> 00:16:35,864 IT'S HIS JOB TO PROTECT THE EARTH FROM ROGUE ASTEROIDS. 333 00:16:35,907 --> 00:16:36,996 DID LISA KNOW WHO HE IS? 334 00:16:37,039 --> 00:16:38,823 LISA WOULDN'T RECOGNIZE STEPHEN HAWKING 335 00:16:38,867 --> 00:16:42,305 IF HE KNOCKED HER OVER WITH HIS WHEELCHAIR. 336 00:16:42,349 --> 00:16:44,568 HAWKING'S A REALLY FAMOUS PHYSICIST. 337 00:16:44,612 --> 00:16:49,660 I KNOW. I ONCE FOUND A POCKET PARTICLE ACCELERATOR HE LOST. 338 00:16:49,704 --> 00:16:51,619 THAT'S COOL. 339 00:16:53,925 --> 00:16:56,015 IT'S NOT IN THE LEAST SURPRISING SHE KNEW ME. 340 00:16:56,058 --> 00:16:57,581 I'M VERY FAMOUS IN CERTAIN CIRCLES. 341 00:16:57,625 --> 00:17:00,106 VERY SMALL CIRCLES. LIKE DOTS. 342 00:17:00,149 --> 00:17:01,716 THE POINT WALTER'S TRYING TO MAKE 343 00:17:01,759 --> 00:17:05,415 IS THAT LISA MAKES A HABIT OF DISAPPEARING. 344 00:17:05,459 --> 00:17:06,938 WITH MEN. 345 00:17:06,982 --> 00:17:09,854 YOU SAY THAT WITH GREAT PORTENT AS THOUGH I SHOULD CARE. 346 00:17:09,898 --> 00:17:11,030 MOST MEN DO. 347 00:17:11,073 --> 00:17:11,943 LISA WAS TERRIFIED. 348 00:17:11,987 --> 00:17:12,596 SHE WAS IN DANGER. 349 00:17:12,640 --> 00:17:13,902 I HAVE TO HELP HER. 350 00:17:13,945 --> 00:17:15,121 WHY DOES A GUY WHO CAN SAVE THE WHOLE WORLD 351 00:17:15,164 --> 00:17:16,818 WORRY ABOUT 1 WOMAN? 352 00:17:16,861 --> 00:17:23,085 BECAUSE SAVING THE WORLD DOESN'T MAKE YOU ANY LESS LONELY. 353 00:17:23,129 --> 00:17:25,870 HAVE EITHER OF YOU EVER HAD CHILDREN? 354 00:17:25,914 --> 00:17:27,089 YES. 355 00:17:27,133 --> 00:17:29,396 AND WOULDN'T YOU GIVE UP THE WORLD FOR THEM? 356 00:17:29,439 --> 00:17:30,310 YES. 357 00:17:30,353 --> 00:17:31,702 I WANT A WOMAN TO LOVE ME. 358 00:17:31,746 --> 00:17:33,356 I WANT A FAMILY. 359 00:17:33,400 --> 00:17:35,750 NOT TO MENTION I OWE IT TO THE WORLD TO PASS ON MY INTELLIGENCE. 360 00:17:35,793 --> 00:17:39,754 DON'T WORRY. WALTER WON'T STOP LOOKING UNTIL HE FINDS HER. 361 00:17:39,797 --> 00:17:40,407 I CAN HELP. 362 00:17:40,450 --> 00:17:41,930 I DON'T LIKE HELP. 363 00:17:41,973 --> 00:17:44,454 I HATE HELP. 364 00:17:44,498 --> 00:17:45,325 PLEASE. 365 00:17:45,368 --> 00:17:47,588 WALTER, AFTER YOU FIND LISA, 366 00:17:47,631 --> 00:17:50,721 IT WOULD BE NICE FOR IRA IF HE HAD PLAYED A PART IN IT. 367 00:17:50,765 --> 00:17:52,375 HE CAN TAKE ALL THE CREDIT. I DON'T CARE. 368 00:17:52,419 --> 00:17:54,116 NO, MR. SHERMAN, YOU DON'T UNDERSTAND. 369 00:17:54,160 --> 00:17:58,686 I WOULD ACTUALLY LIKE TO HELP LISA. FOR REAL. 370 00:17:58,729 --> 00:18:00,688 MAYBE IRA SHOULD STAKE OUT THE BAR. 371 00:18:00,731 --> 00:18:02,429 WHAT GOOD IS THAT GONNA DO? 372 00:18:02,472 --> 00:18:04,344 IN CASE LISA RETURNS THERE. 373 00:18:04,387 --> 00:18:06,911 YOU THINK SHE MIGHT DO THAT? 374 00:18:06,955 --> 00:18:08,826 [MOUTHS WORD] 375 00:18:08,870 --> 00:18:11,394 COUNT ON ME. 376 00:18:11,438 --> 00:18:13,396 CHECK. 377 00:18:16,573 --> 00:18:18,314 I SEE WHAT YOU'RE DOING. 378 00:18:18,358 --> 00:18:19,576 GETTING HIM OUT OF MY HAIR. 379 00:18:19,620 --> 00:18:21,839 OK. LET'S GO WITH THAT. 380 00:18:21,883 --> 00:18:25,104 WHAT IS WRONG WITH YOU? 381 00:18:25,147 --> 00:18:26,801 I SAW HIM. 382 00:18:26,844 --> 00:18:29,325 NATHAN STEIN. 383 00:18:30,500 --> 00:18:32,154 DID YOU KILL HIM? 384 00:18:32,198 --> 00:18:34,548 NOT SO FAR. 385 00:18:34,591 --> 00:18:36,202 WILLA WAS THERE WHEN I SAW HIM. 386 00:18:36,245 --> 00:18:38,117 THEN SHE LOOKED US UP ON THE INTERNET. 387 00:18:38,160 --> 00:18:39,379 SHE'S NOT SUPPOSED TO HAVE ACCESS. 388 00:18:39,422 --> 00:18:40,989 SHE HACKED MY COMPUTER. 389 00:18:41,032 --> 00:18:44,166 IT'S NOT EXACTLY HACKING WHEN YOU SAY YOUR PASSWORD OUT LOUD 390 00:18:44,210 --> 00:18:46,168 EVERY TIME YOU LOG ON. 391 00:18:46,212 --> 00:18:48,431 OZYMANDIAS. 392 00:18:48,475 --> 00:18:51,173 SHE SAYS I'M LOOKING FOR A DAUGHTER REPLACEMENT. 393 00:18:51,217 --> 00:18:54,829 LEO, WILLA'S REALLY GOOD AT PUSHING PEOPLE'S BUTTONS. 394 00:18:54,872 --> 00:18:56,613 IT'S HER SPECIAL GIFT. 395 00:18:56,657 --> 00:18:57,875 YOU JUST NEED TO CHANGE YOUR PASSWORD 396 00:18:57,919 --> 00:18:59,790 OR SHE'S GONNA BE ON THERE ALL THE TIME. 397 00:18:59,834 --> 00:19:03,229 THAT'S ONE WAY TO SOLVE THE PROBLEM. 398 00:19:03,272 --> 00:19:06,232 [CELL PHONE RINGS] 399 00:19:12,194 --> 00:19:13,239 WHO IS THIS? 400 00:19:13,282 --> 00:19:16,198 HEY, IT'S ME. WE BUSTED THE SHOE STORE. 401 00:19:16,242 --> 00:19:17,068 OH, YEAH. 402 00:19:17,112 --> 00:19:18,635 WELL, I GOT TASED TODAY. 403 00:19:18,679 --> 00:19:20,333 I'M SURE YOU DESERVED IT. 404 00:19:20,376 --> 00:19:21,682 I'M INVOKING MY RIGHT TO SILENCE 405 00:19:21,725 --> 00:19:23,553 'CAUSE PEOPLE LIKE TO TALK IN THIS SITUATION. 406 00:19:23,597 --> 00:19:25,076 OH, MY GOD, IS THAT JOHNNY? 407 00:19:25,120 --> 00:19:28,210 YEAH, HE'S INVOKING HIS RIGHT TO REMAIN SILENT. 408 00:19:28,254 --> 00:19:29,429 WELL, SAY HI FOR ME. 409 00:19:29,472 --> 00:19:32,040 IF I CAN GET A WORD IN EDGEWAYS. 410 00:19:32,083 --> 00:19:34,651 LET ME HAVE A PAIR OF THOSE COUNTERFEIT SHOES. 411 00:19:34,695 --> 00:19:35,478 SIZE 12. 412 00:19:35,522 --> 00:19:37,611 WHY, YOU DATING AN AMAZON? 413 00:19:37,654 --> 00:19:40,396 NOPE. THEY'RE FOR ME. 414 00:19:40,440 --> 00:19:42,964 OF COURSE THEY ARE. 415 00:19:47,273 --> 00:19:52,626 HEY, LOOK, I'VE HAD A CHANCE TO COOL DOWN SINCE LAST NIGHT. 416 00:19:52,669 --> 00:19:55,411 YEAH, WHAT WAS THAT ALL ABOUT? 417 00:19:55,455 --> 00:19:57,326 IF I FIRE YOU, THEN YOUR PROBATION OFFICER 418 00:19:57,370 --> 00:20:00,024 WILL PUT YOU BACK IN DETENTION. 419 00:20:00,068 --> 00:20:01,243 FIRE ME? 420 00:20:01,287 --> 00:20:03,289 YOU CAN STAY HERE UNTIL YOU FIND ANOTHER JOB 421 00:20:03,332 --> 00:20:05,291 OR LIVING ARRANGEMENTS. 422 00:20:05,334 --> 00:20:09,164 WAIT. YOU'RE GETTING RID OF ME? 423 00:20:09,208 --> 00:20:10,600 YES. 424 00:20:10,644 --> 00:20:13,560 OK, OK. YOU'VE MADE YOUR POINT. 425 00:20:13,603 --> 00:20:14,517 I'VE LEARNED MY LESSON. 426 00:20:14,561 --> 00:20:16,040 NEVER MENTION THE DEAD DAUGHTER. 427 00:20:18,347 --> 00:20:21,220 I'LL GIVE YOU GOOD RECOMMENDATIONS, BUT YOU HAVE TO LEAVE. 428 00:20:23,874 --> 00:20:27,661 YOU AREN'T WELCOME HERE ANYMORE. 429 00:20:43,416 --> 00:20:45,853 MAYBE YOU SHOULD START OUT SMALL, YOU KNOW? 430 00:20:45,896 --> 00:20:48,290 LITTLE EYE SHADOW AND SILK PANTIES. 431 00:20:48,334 --> 00:20:49,509 WHAT ARE YOU DOING? 432 00:20:49,552 --> 00:20:52,163 FINDING STUFF. WHAT ARE YOU DOING? 433 00:20:52,207 --> 00:20:53,556 DID YOU TELL LEO TO FIRE ME? 434 00:20:53,600 --> 00:20:56,690 NOPE. I TOLD HIM TO CHANGE HIS PASSWORDS. 435 00:20:56,733 --> 00:20:57,430 HE FIRED YOU? 436 00:20:57,473 --> 00:20:58,953 I MADE HIM MAD I GUESS. 437 00:20:58,996 --> 00:21:02,304 OH, YOU GUESS. ISN'T MAKING PEOPLE MAD YOUR TOP TALENT? 438 00:21:02,348 --> 00:21:04,045 LEO TAKES THINGS TOO SERIOUS. 439 00:21:04,088 --> 00:21:07,004 WILLA, LEO CAME FACE TO FACE WITH THE MAN 440 00:21:07,048 --> 00:21:09,180 RESPONSIBLE FOR THE DEATHS OF HIS FAMILY. 441 00:21:09,224 --> 00:21:10,660 IT'S PRETTY SERIOUS. 442 00:21:10,704 --> 00:21:12,967 THEN YOU COMPARED YOURSELF TO HIS DEAD DAUGHTER. 443 00:21:13,010 --> 00:21:16,710 ARGH. GOD. THESE SHOES MAKE MY FEET HURT WORSE 444 00:21:16,753 --> 00:21:18,755 THEN WHEN THEY GOT WHIPPED IN BAHRAIN. 445 00:21:18,799 --> 00:21:21,062 HOW DO I MAKE LEO NOT MAD? 446 00:21:21,105 --> 00:21:23,543 BUILD A TIME MACHINE, DON'T BE SO HORRIBLE, 447 00:21:23,586 --> 00:21:25,153 DON'T BE BORN IN THE FIRST PLACE. 448 00:21:25,196 --> 00:21:29,244 HEY, IT'S NOT LIKE I DON'T WANT TO GET THE HELL OUT OF HERE. 449 00:21:29,288 --> 00:21:30,419 LIAR. 450 00:21:30,463 --> 00:21:31,507 YOU DON'T WANT TO GO ANYWHERE 451 00:21:31,551 --> 00:21:32,726 UNTIL YOU BREAK INTO MY VAULT. 452 00:21:32,769 --> 00:21:35,119 WHAT? I DON'T WANT TO BREAK INTO YOUR VAULT. 453 00:21:35,163 --> 00:21:36,207 WHAT VAULT? 454 00:21:36,251 --> 00:21:37,339 OH, PLEASE. 455 00:21:37,383 --> 00:21:38,340 YOU'RE EASIER TO READ THAN A LARGE PRINT 456 00:21:38,384 --> 00:21:39,950 HARLAN COBEN NOVEL. 457 00:21:39,994 --> 00:21:43,563 ANYWAY, YOU SAID YOUR VAULT'S IMPOSSIBLE TO BREAK INTO . 458 00:21:43,606 --> 00:21:44,651 IT IS. 459 00:21:44,694 --> 00:21:45,913 THEN YOU'VE GOT NOTHING TO WORRY ABOUT 460 00:21:45,956 --> 00:21:49,873 AND SHOULD TELL ME WHAT TO DO SO I CAN STAY. 461 00:21:49,917 --> 00:21:52,485 PLEASE, WALTER. 462 00:21:52,528 --> 00:21:54,748 YOU GOT 3 OPTIONS. 463 00:21:54,791 --> 00:21:57,272 1, APOLOGIZE. 464 00:21:57,316 --> 00:21:59,013 TRIED IT. DIDN'T WORK. 465 00:21:59,056 --> 00:22:00,101 2, BEG FOR MERCY. 466 00:22:00,144 --> 00:22:01,276 I DON'T BEG. WHAT'S NUMBER 3? 467 00:22:03,583 --> 00:22:05,193 A TEAK SPLINTER. 468 00:22:05,236 --> 00:22:07,151 HOW DO YOU THINK YOU GET A TEAK SPLINTER 469 00:22:07,195 --> 00:22:08,675 IN THE BOTTOM OF A SHOE? 470 00:22:08,718 --> 00:22:09,676 A BOAT. 471 00:22:09,719 --> 00:22:11,634 VERY GOOD. 472 00:22:11,678 --> 00:22:14,724 3, YOU FIND A WAY TO MAKE IT UP TO LEO 473 00:22:14,768 --> 00:22:16,509 AND YOU MAKE IT GOOD. 474 00:22:16,552 --> 00:22:17,771 LIKE WHAT? 475 00:22:17,814 --> 00:22:21,122 THAT IS YOUR PROBLEM. 476 00:22:23,211 --> 00:22:24,299 SO WE'RE LOOKING FOR A BOAT. 477 00:22:24,343 --> 00:22:25,866 WITH TEAK DECKS, YEAH. 478 00:22:25,909 --> 00:22:29,043 I SEE ABOUT A HUNDRED BOATS IN THIS MARINA WITH TEAK DECKS. 479 00:22:29,086 --> 00:22:30,479 I COUNT 87. 480 00:22:30,523 --> 00:22:33,395 THERE'S GOT TO BE A THOUSAND MARINAS IN FLORIDA. 481 00:22:33,439 --> 00:22:34,570 1,527. 482 00:22:34,614 --> 00:22:36,529 AND YOU PICKED THIS ONE MARINA BECAUSE... 483 00:22:36,572 --> 00:22:38,226 BEFORE SHOWING UP AT THE NIGHT CLUB, 484 00:22:38,269 --> 00:22:40,402 LISA GOT TEAK SPLINTERS IN HER SHOES. 485 00:22:40,446 --> 00:22:42,012 FROM A BOAT? 486 00:22:42,056 --> 00:22:43,492 IRA CHECKED WITH THE CAB COMPANIES. NOBODY PICKED HER UP. 487 00:22:43,536 --> 00:22:45,364 SHE WAS WITHIN WALKING DISTANCE OF THE CLUB. 488 00:22:45,407 --> 00:22:46,582 IN HIGH HEELS. 489 00:22:46,626 --> 00:22:49,455 BELIEVE ME, IT'S LIKE WALKING ON HOT COALS. 490 00:22:49,498 --> 00:22:52,936 AND THIS IS THE ONLY MARINA WITHIN STILETTO HOT COAL WALKING DISTANCE. 491 00:22:52,980 --> 00:22:55,852 I FIGURED LISA MEETS A BIG BAD WOLF ON HIS BOAT, 492 00:22:55,896 --> 00:22:58,420 HE CREEPS HER OUT, SHE TOTTERS OFF ON HER HIGH HEELS 493 00:22:58,464 --> 00:23:01,380 LOOKING FOR PRINCE CHARMING. 494 00:23:01,423 --> 00:23:03,469 YOU'RE JUST MESSING WITH WILLA, RIGHT, 495 00:23:03,512 --> 00:23:04,687 ABOUT THIS WHOLE GET GONE THING? 496 00:23:04,731 --> 00:23:08,561 NOPE. YOU WERE RIGHT ABOUT HER. I WAS WRONG. 497 00:23:08,604 --> 00:23:09,692 I CAN'T HELP HER. 498 00:23:09,736 --> 00:23:13,043 SO WHICH BOAT IS THE BIG BAD WOLF BOAT? 499 00:23:13,087 --> 00:23:17,831 LISA ALSO HAD BIRD POOP IN HER HAIR. 500 00:23:17,874 --> 00:23:20,355 [GULLS CRYING] 501 00:23:23,097 --> 00:23:24,272 THIS GUY IS A DIAMOND COURIER? 502 00:23:24,315 --> 00:23:26,840 AND RUBIES AND EMERALDS, LIKE THAT. 503 00:23:26,883 --> 00:23:28,450 WHAT'S THE CON? 504 00:23:28,494 --> 00:23:30,104 NO CON. SMASH AND GRAB. 505 00:23:32,149 --> 00:23:34,325 NO. THAT'S NOT HOW WE ROLL. 506 00:23:34,369 --> 00:23:36,197 WE STEAL. WE DON'T ROB. 507 00:23:36,240 --> 00:23:37,677 WHAT'S THE DIFFERENCE? 508 00:23:37,720 --> 00:23:40,549 YOU HURT CIVILIANS, THE POLICE GET THEIR INTEREST UP. 509 00:23:40,593 --> 00:23:42,464 YOU TAKE STUFF, THE COPS LET IT SLIDE. 510 00:23:42,508 --> 00:23:47,338 TIMO, IT'S A QUARTER MILLION DOLLARS WORTH OF JEWELS. 511 00:23:47,382 --> 00:23:49,428 FINE. IF YOU'RE TOO CHICKEN, 512 00:23:49,471 --> 00:23:50,429 I'LL JUST ASK COSTA. 513 00:23:50,472 --> 00:23:52,300 HE'S SCARIER THAN YOU ANYWAY. 514 00:23:52,343 --> 00:23:54,476 WILL YOU JUST... GIVE ME A MINUTE? 515 00:23:54,520 --> 00:23:59,089 JUST... I NEED TO THINK. 516 00:24:08,229 --> 00:24:10,492 FLORIDA STATUTE 8.10 SECTION HC 517 00:24:10,536 --> 00:24:12,538 DEFINES TRESPASS AS WILLFULLY ENTERING 518 00:24:12,581 --> 00:24:15,279 WITHOUT AUTHORIZATION OF INVITATION. 519 00:24:15,323 --> 00:24:17,194 WHAT IF I JUST TRIP AND FALL ON IT? 520 00:24:17,238 --> 00:24:19,980 IT'S AMERICA. WE SUE. 521 00:24:20,023 --> 00:24:21,677 I'LL RISK IT. 522 00:24:21,721 --> 00:24:24,288 OH! 523 00:24:24,332 --> 00:24:26,465 IT'S TEAK. 524 00:24:30,991 --> 00:24:32,079 WALTER? 525 00:24:32,122 --> 00:24:33,341 YOU REMEMBER WHAT HAPPENED 526 00:24:33,384 --> 00:24:35,822 THE LAST TIME YOU WALKED THROUGH AN OPEN DOOR? 527 00:24:37,345 --> 00:24:42,437 YES. THAT'S WHY YOU SHOULD GO FIRST. 528 00:24:42,481 --> 00:24:43,743 LET'S MAKE THIS FAST. 529 00:24:43,786 --> 00:24:47,442 YOU KNOW HOW I FEEL ABOUT BOATS. 530 00:24:51,011 --> 00:24:54,841 OH, MAN. WHAT DIED IN HERE? 531 00:24:54,884 --> 00:24:58,497 IT'S A FISHING BOAT. I'M GUESSING FISH. 532 00:25:11,771 --> 00:25:14,469 DO FISH HAVE MOLARS? 533 00:25:20,475 --> 00:25:23,434 DO FISH HAVE FEET? 534 00:25:31,007 --> 00:25:32,356 Walter: I NEED YOU TO FIND OUT WHO OWNS A BOAT. 535 00:25:32,400 --> 00:25:34,837 I NEED YOU NOT TO CONFUSE ME WITH YOUR SECRETARY. 536 00:25:34,881 --> 00:25:35,708 I'M ALWAYS GAME FOR A LITTLE ROLE PLAY, 537 00:25:35,751 --> 00:25:37,100 BUT THIS IS TIME SENSITIVE. 538 00:25:37,144 --> 00:25:39,799 WALTER, I DON'T HAVE TIME TO FLIRT WITH YOU. 539 00:25:39,842 --> 00:25:42,323 TELL HER ABOUT THE BIRD, THE TOOTH, AND THE SHOES. 540 00:25:42,366 --> 00:25:44,412 WHAT? WHAT TOOTH? 541 00:25:44,455 --> 00:25:47,197 LEO SAYS HI. ISABEL SENDS HER LOVE. 542 00:25:47,241 --> 00:25:48,242 NO, SHE DID NOT. 543 00:25:48,285 --> 00:25:49,548 WHAT ARE YOU HIDING? 544 00:25:49,591 --> 00:25:50,853 BOAT'S CALLED STARDUST. 545 00:25:50,897 --> 00:25:52,289 FORGET IT, WALTER. 546 00:25:52,333 --> 00:25:53,987 THANK YOU. 547 00:25:54,030 --> 00:25:56,380 WALTER-- WALTER? 548 00:25:56,424 --> 00:25:58,295 WE NEED TO TAKE THE SHOES. 549 00:25:58,339 --> 00:26:00,297 STATUTE 9.18, SECTION 13A. 550 00:26:00,341 --> 00:26:02,430 TAMPERING WITH OR FABRICATING EVIDENCE 551 00:26:02,473 --> 00:26:03,692 5 YEARS IN PRISON. 552 00:26:03,736 --> 00:26:04,606 IF WE TURN THIS OVER TO THE POLICE, 553 00:26:04,650 --> 00:26:06,042 I'LL NEVER FIND CINDERELLA. 554 00:26:06,086 --> 00:26:08,218 WALTER, DOESN'T THIS LOOK LIKE A SERIAL KILLER TO YOU? 555 00:26:08,262 --> 00:26:11,482 YES. LIKE A SERIAL KILLER WHO KILLS WOMEN WITH SIZE 8 FEET. 556 00:26:11,526 --> 00:26:13,441 AND WHO HANDLES SERIAL KILLERS? THE FBI. 557 00:26:13,484 --> 00:26:16,575 WHAT ABOUT BY THE TIME THE FBI CATCH UP TO WHERE WE ARE NOW 558 00:26:16,618 --> 00:26:18,098 CINDERELLA WILL BE HAMBURGER. 559 00:26:18,141 --> 00:26:22,842 IF LISA'S NOT DEAD, WE SHOULD TRY TO SAVE HER LIFE, RIGHT? 560 00:26:22,885 --> 00:26:26,149 AW, MAN, YOU ARE NOT PLAYING FAIR. 561 00:26:26,193 --> 00:26:28,630 I'M IRA. YOU'RE LISA. 562 00:26:28,674 --> 00:26:30,284 IRA'S THE SERIAL KILLER? 563 00:26:30,327 --> 00:26:31,459 FITS THE PROFILE. 564 00:26:31,502 --> 00:26:35,071 SMART, AWKWARD, FOCUSED, AN OUTSIDER. 565 00:26:35,115 --> 00:26:36,420 YOU JUST DESCRIBED YOURSELF. 566 00:26:36,464 --> 00:26:39,467 I'M IRA. I MEET YOU IN A BAR. 567 00:26:39,510 --> 00:26:42,992 BUY YOU A DRINK. WE CHAT. WE CHUG. 568 00:26:43,036 --> 00:26:43,906 WE FLIRT. 569 00:26:43,950 --> 00:26:46,256 WHY DO I HAVE TO BE THE GIRL? 570 00:26:46,300 --> 00:26:47,736 A LIFE IS AT STAKE HERE, LEO. 571 00:26:47,780 --> 00:26:52,393 YOU LOOK ESPECIALLY DAPPER THIS EVENING. 572 00:26:52,436 --> 00:26:53,873 BEST YOU CAN DO? 573 00:26:53,916 --> 00:26:55,004 YES. 574 00:26:55,048 --> 00:26:56,136 OK. 575 00:26:56,179 --> 00:26:57,790 I LURE YOU BACK TO MY BOAR LAIR 576 00:26:57,833 --> 00:26:59,792 WHERE YOU GET A SLIVER OF TEAK IN YOUR SHOE, POOP IN YOUR HAIR, 577 00:26:59,835 --> 00:27:04,448 - THEN THINGS GET WEIRD. - THEN THINGS GET WEIRD? 578 00:27:04,492 --> 00:27:07,277 GET A LITTLE CREEPY WITH THE SHOE. 579 00:27:07,321 --> 00:27:08,496 [SNIFFS] 580 00:27:08,539 --> 00:27:10,193 MMM... 581 00:27:10,237 --> 00:27:12,413 WHAT ARE YOU DOING? 582 00:27:13,719 --> 00:27:14,676 OW! 583 00:27:14,720 --> 00:27:15,546 THAT'S WHAT I'D DO. 584 00:27:15,590 --> 00:27:16,983 THEN I'D RUN AWAY AND HIDE 585 00:27:17,026 --> 00:27:19,246 LEAVING MY SHOE BEHIND BECAUSE YOU'RE SLOBBERING ON IT. 586 00:27:19,289 --> 00:27:21,378 IT'S A PRETTY GOOD THEORY, THOUGH. 587 00:27:21,422 --> 00:27:23,163 A VERY GOOD THEORY. 588 00:27:23,206 --> 00:27:24,860 WHERE ARE YOU GOING? 589 00:27:24,904 --> 00:27:28,081 IF PRINCE CHARMING IS OUT THERE GRINDING UP WOMEN INTO HAMBURGER, 590 00:27:28,124 --> 00:27:29,952 SOMEONE SHOULD KEEP AN EYE ON HIM. 591 00:27:29,996 --> 00:27:33,434 I'LL KEEP LOOKING FOR CINDERELLA. 592 00:27:37,612 --> 00:27:39,266 THERE HE IS. 593 00:27:40,528 --> 00:27:42,530 CAN YOU DO THIS? 594 00:27:42,573 --> 00:27:43,705 DON'T BE SHY. 595 00:27:43,749 --> 00:27:46,490 BE A MAN. 596 00:27:47,753 --> 00:27:50,973 HAND OVER THE BRIEFCASE. 597 00:27:52,583 --> 00:27:55,456 I DON'T THINK SO. 598 00:27:58,720 --> 00:27:59,765 AH! HELP! 599 00:27:59,808 --> 00:28:02,376 I'M BEING ROBBED! 600 00:28:03,769 --> 00:28:04,770 Timo: THE HELL WITH THIS. 601 00:28:05,858 --> 00:28:08,121 UH! OH! 602 00:28:08,164 --> 00:28:10,993 NOW, YOU WORM, NOW! 603 00:28:14,823 --> 00:28:17,608 AH! 604 00:28:20,524 --> 00:28:22,483 AH... 605 00:28:24,311 --> 00:28:25,704 NOW WHAT DO YOU WANT? 606 00:28:27,357 --> 00:28:29,490 OW! 607 00:28:29,533 --> 00:28:33,015 YOU CAN'T KILL PEOPLE AND JUST WALK AROUND 608 00:28:33,059 --> 00:28:35,888 BEING RICH AND HAPPY. 609 00:28:35,931 --> 00:28:37,280 OK, OK, OK. 610 00:28:38,499 --> 00:28:40,762 OW! OW! 611 00:28:40,806 --> 00:28:43,896 [MOANING] 612 00:28:43,939 --> 00:28:46,942 OZYMANDIAS. 613 00:28:51,077 --> 00:28:56,517 UH. UH. ARGH... 614 00:29:33,684 --> 00:29:34,816 YOU GOT THE SHOE? 615 00:29:34,860 --> 00:29:37,645 YOU WANT TO TRY IT ON? 616 00:29:37,688 --> 00:29:41,431 WHAT GIRL COULD RESIST HAPPILY EVER AFTER? 617 00:29:46,872 --> 00:29:48,961 WHAT'S THE MATTER WITH YOU? 618 00:29:49,004 --> 00:29:50,658 THAT'S NOT THE RIGHT QUESTION. 619 00:29:50,701 --> 00:29:53,835 THE RIGHT QUESTION IS, WHAT'S THE MATTER WITH THE SLIPPER? 620 00:29:53,879 --> 00:29:56,316 THIS ISN'T WORKING. 621 00:29:56,359 --> 00:29:57,534 IT'S COMPLICATED. 622 00:29:57,578 --> 00:30:01,016 AFTER ALL, NOT ALL WOMEN HAVE THE SIZE FEET. 623 00:30:01,060 --> 00:30:02,409 WELL, I CAN MAKE IT FIT. 624 00:30:02,452 --> 00:30:05,978 DON'T. WALTER? WALTER? 625 00:30:06,021 --> 00:30:07,806 WALTER? WALTER? 626 00:30:07,849 --> 00:30:10,025 WALTER? 627 00:30:11,548 --> 00:30:12,636 HI. 628 00:30:12,680 --> 00:30:16,075 DON'T HI ME. WHAT ARE YOU AND LEO UP TO? 629 00:30:17,380 --> 00:30:19,034 I THINK WE MAY HAVE BLUNDERED ONTO A SERIAL KILLER. 630 00:30:19,078 --> 00:30:21,428 WHAT? WHAT DID YOU SAY? 631 00:30:21,471 --> 00:30:22,777 THESE ARE SHOES I FOUND ON A BOAT 632 00:30:22,821 --> 00:30:24,779 THAT MIGHT BELONG TO A SERIAL KILLER. 633 00:30:24,823 --> 00:30:27,695 ARE YOU TELLING ME YOU REMOVED EVIDENCE FROM A CRIME SCENE? 634 00:30:27,738 --> 00:30:30,350 YES. DID THOSE SHOES BELONG TO THE VICTIMS? 635 00:30:30,393 --> 00:30:33,701 THAT'S WHAT I THOUGHT. BUT LOOK. SEE? 636 00:30:33,744 --> 00:30:35,355 WALTER, YOU'VE POTENTIALLY COMPROMISED AN INVESTIGATION 637 00:30:35,398 --> 00:30:38,967 NOT TO MENTION OPENED YOURSELF UP TO CRIMINAL CHARGES. 638 00:30:39,011 --> 00:30:42,014 THE WEAR PATTERN IS THE EXACT SAME IN EVERY SHOE. 639 00:30:42,057 --> 00:30:44,320 FROM THE TOES GRIPPING. 640 00:30:44,364 --> 00:30:45,626 SO? 641 00:30:45,669 --> 00:30:46,540 SO THESE SHOES DON'T BELONG TO THE VICTIMS. 642 00:30:46,583 --> 00:30:48,847 THEY BELONG TO THE SAME PERSON. 643 00:30:48,890 --> 00:30:49,804 THE KILLER? 644 00:30:49,848 --> 00:30:54,287 THANK YOU FOR PAYING ATTENTION. 645 00:31:00,206 --> 00:31:03,078 [MUSIC PLAYING] 646 00:31:12,131 --> 00:31:15,090 [CELL PHONE RINGS] 647 00:31:46,121 --> 00:31:47,470 [CELL PHONE RINGS] 648 00:31:47,514 --> 00:31:49,777 WALTER, I CAN'T TALK RIGHT NOW. 649 00:31:49,820 --> 00:31:51,083 IRA'S ON THE MOVE. 650 00:31:51,126 --> 00:31:53,955 THE WOMAN HE'S FOLLOWING FITS LISA'S DESCRIPTION. 651 00:31:53,999 --> 00:31:56,349 PRINCE CHARMING IS NOT THE KILLER. 652 00:31:56,392 --> 00:31:58,220 IT'S CINDERELLA. 653 00:31:58,264 --> 00:31:59,091 WHAT? 654 00:31:59,134 --> 00:32:00,179 ALL OF THESE SHOES WERE WORN 655 00:32:00,222 --> 00:32:02,050 BY THE SAME PERSON-- LISA. 656 00:32:02,094 --> 00:32:03,399 SHE DROPS THEM AND THEN KILLS 657 00:32:03,443 --> 00:32:05,575 ALL THE PRINCE CHARMINGS THAT TRACK HER DOWN. 658 00:32:05,619 --> 00:32:06,968 ARE YOU SURE? YEAH. 659 00:32:07,012 --> 00:32:09,014 LISA'S THE KILLER? 660 00:32:09,057 --> 00:32:11,146 AM I NOT BEING CLEAR? 661 00:32:12,408 --> 00:32:13,148 THEY'RE LEAVING. 662 00:32:13,192 --> 00:32:15,411 YOU GOT TO STOP 'EM, LEO. 663 00:32:23,811 --> 00:32:25,682 DO YOU HAVE 'EM?NO! 664 00:32:25,726 --> 00:32:28,424 MEET US AT THE BOAT. 665 00:32:37,303 --> 00:32:40,741 WE ATTACKED AND CRIPPLED A STRAIGHT FOR A ROLEX 666 00:32:40,784 --> 00:32:42,612 AND A GRAND IN CASH? 667 00:32:42,656 --> 00:32:44,005 OOPS. 668 00:32:44,049 --> 00:32:47,226 OOPS? THERE'S NO OOPS, WILLA. 669 00:32:49,706 --> 00:32:51,317 YOU DID THIS ON PURPOSE. 670 00:32:51,360 --> 00:32:52,971 RELAX, TIMO. 671 00:32:53,014 --> 00:32:58,280 RELAX? WE JUST CRIPPLED A GUY AND YOU WON'T EVEN TELL ME WHY. 672 00:32:59,803 --> 00:33:04,417 I'M BEGINNING TO THINK WHAT THEY SAY ABOUT YOU IS TRUE. 673 00:33:04,460 --> 00:33:06,985 WHAT DO THEY SAY? 674 00:33:07,028 --> 00:33:09,030 THAT YOU'RE ONLY HALF ROMANI. 675 00:33:09,074 --> 00:33:10,249 WHO SAYS THAT? 676 00:33:10,292 --> 00:33:11,380 YOUR FATHER WASN'T GYPSY. 677 00:33:11,424 --> 00:33:14,166 AND SOME PEOPLE SAY THAT MAKES YOU GAJE. 678 00:33:14,209 --> 00:33:16,342 WHAT ARE YOU GONNA TELL UNCLE SHAD? 679 00:33:16,385 --> 00:33:18,083 WELL, WHAT DO I SAY? WILLA MADE ME DO IT? 680 00:33:18,126 --> 00:33:21,608 IT MAKES ME LOOK WEAK AND STUPID. 681 00:33:21,651 --> 00:33:22,739 TAKE IT EASY. 682 00:33:22,783 --> 00:33:24,567 YOU DON'T GET IT, DO YOU? 683 00:33:24,611 --> 00:33:27,483 YOU LIED TO ME. FAMILY. 684 00:33:27,527 --> 00:33:31,618 UNCLE SHAD FINDS OUT, HE'LL DECLARE YOU GAJE, 685 00:33:31,661 --> 00:33:33,837 BANISH YOU. 686 00:33:33,881 --> 00:33:36,797 WITHOUT THE FAMILY, YOU'RE NOTHING. 687 00:33:36,840 --> 00:33:41,497 YOU'RE ALL ALONE IN THIS WORLD. 688 00:33:49,375 --> 00:33:51,203 THIS LISA PERSON FAKES THAT SHE'S SCARED, 689 00:33:51,246 --> 00:33:52,247 THEN SHE TAKES OFF, LEAVING HER SHOE BEHIND. 690 00:33:52,291 --> 00:33:53,466 THAT'S RIGHT. 691 00:33:53,509 --> 00:33:55,033 THE MEN FIND HER, AND THEN SHE KILLS THEM. 692 00:33:55,076 --> 00:33:57,687 SO HOW DO REGULAR NON-FINDER PRINCE CHARMINGS FIND HER? 693 00:33:57,731 --> 00:33:58,427 REMEMBER THE NAPKIN? 694 00:33:58,471 --> 00:33:59,994 THE ONE THAT GOT SOAKED? 695 00:34:00,038 --> 00:34:02,388 SHE WRITES SOMETHING ON IT, PROBABLY THE NAME OF THE BOAT. 696 00:34:02,431 --> 00:34:03,824 LUCKY FOR IRA IT GOT SOAKED, 697 00:34:03,867 --> 00:34:05,695 OR HE'D BE DEAD NOW. 698 00:34:05,739 --> 00:34:06,740 AW, MAN. 699 00:34:06,783 --> 00:34:09,047 SHE CAN'T BE MUCH AHEAD OF US. 700 00:34:09,090 --> 00:34:11,440 WALTER. WALTER! 701 00:34:11,484 --> 00:34:14,878 YOU'RE THE FINDER. HOW DO YOU FIND THESE PEOPLE? 702 00:34:18,186 --> 00:34:19,883 WE FOLLOW THE BIRD POOP. 703 00:34:19,927 --> 00:34:21,885 HOW DO WE FOLLOW BIRD POOP? 704 00:34:21,929 --> 00:34:24,149 THE BEST WAY IS TO FOLLOW THE BIRDS. 705 00:34:24,192 --> 00:34:25,933 STATUTE 8.12 SECTION 14. 706 00:34:25,976 --> 00:34:30,068 A PERSON COMMITS THEFT IF HE OBTAINS OR USES A PROPERTY OF ANOTHER. 707 00:34:30,111 --> 00:34:31,547 I WILL RISK IT. 708 00:34:31,591 --> 00:34:34,420 WALTER? WALTER! 709 00:34:48,042 --> 00:34:50,914 [GULLS CRYING] 710 00:35:31,738 --> 00:35:34,219 [MUFFLED YELLING] 711 00:35:37,222 --> 00:35:40,355 [ELECTRICAL CRACKLING] 712 00:35:47,057 --> 00:35:51,105 2 PRINCE CHARMINGS FOR THE PRICE OF 1. 713 00:35:58,286 --> 00:36:00,419 THIS REALLY IS A GOOD TASER. 714 00:36:03,073 --> 00:36:04,684 [ELECTRICAL CRACKLING] 715 00:36:04,727 --> 00:36:06,990 AH! ARGH! 716 00:36:12,692 --> 00:36:14,694 WOULD YOU EVER CONSIDER TYING YOURSELF TO THE ANCHOR? 717 00:36:14,737 --> 00:36:17,958 THE WORLD WOULD BE A BETTER PLACE IF ALL SERIAL KILLERS 718 00:36:18,001 --> 00:36:20,221 STARTED WITH THEMSELVES. 719 00:36:20,265 --> 00:36:21,527 HUH. 720 00:36:21,570 --> 00:36:25,183 YOU KNOW, YOU ARE THE FIRST CHARMING TO FIND ME 721 00:36:25,226 --> 00:36:26,619 WITHOUT THE NAPKIN. 722 00:36:26,662 --> 00:36:29,143 GUESS THAT MAKES YOU THE SMARTEST. 723 00:36:29,187 --> 00:36:30,666 WELL... 724 00:36:30,710 --> 00:36:32,668 [MUFFLED] 725 00:36:34,235 --> 00:36:35,367 NOT TO BOAST, 726 00:36:35,410 --> 00:36:37,238 BUT TECHNICALLY I'M THE SMARTEST CHARMING. 727 00:36:37,282 --> 00:36:39,980 AND YET HERE YOU BOTH ARE, TIED TO CHAIRS, 728 00:36:40,023 --> 00:36:42,374 ABOUT TO BECOME SNACKS FOR FISH. 729 00:36:42,417 --> 00:36:44,463 WELL, THAT MAKES YOU THE SMARTEST. 730 00:36:44,506 --> 00:36:46,900 YOU KNOW YOU ALL THINK YOU'RE THE SMARTEST CHARMING. 731 00:36:46,943 --> 00:36:51,687 BUT NONE OF YOU KNOWS THE FIRST THING ABOUT REAL ROMANCE. 732 00:36:51,731 --> 00:36:55,387 IT'S JUST ALL ABOUT SEX. 733 00:36:55,430 --> 00:36:57,563 YOU TOLD ME SO YOURSELF. 734 00:36:57,606 --> 00:37:00,653 I WAS HOPING SHE'D FIND MY HONESTY REFRESHING. 735 00:37:00,696 --> 00:37:01,784 NAH, THEY NEVER DO. 736 00:37:01,828 --> 00:37:04,918 WHY DO YOU HATE PRINCE CHARMING SO MUCH? 737 00:37:04,961 --> 00:37:06,963 I DON'T HATE PRINCE CHARMING. 738 00:37:07,007 --> 00:37:10,228 I'M STILL WAITING FOR HIM TO WALK THROUGH THAT DOOR. 739 00:37:10,271 --> 00:37:13,100 SO FAR YOU'VE JUST ALL BEEN IMPOSTERS. 740 00:37:13,143 --> 00:37:15,015 WHAT EMPIRICAL RESULTS WOULD YOU HAVE TO OBSERVE 741 00:37:15,058 --> 00:37:19,846 IN ORDER TO CONCLUDE YOU'D FOUND THE REAL PRINCE CHARMING? 742 00:37:21,413 --> 00:37:25,504 SHE NEEDS SOMEONE TO SEE PAST HER BEAUTIFUL EXTERIOR, 743 00:37:25,547 --> 00:37:30,509 TO GET TO KNOW THE REAL HER LIKE I DO. 744 00:37:32,685 --> 00:37:35,427 YOUR FAVORITE SCENT IS JASMINE. 745 00:37:35,470 --> 00:37:39,518 IT'S ALSO YOUR FAVORITE FLOWER. 746 00:37:39,561 --> 00:37:41,650 YOU HATE "GHOST" AND HEATHCLIFF 747 00:37:41,694 --> 00:37:47,265 BUT LOVE "LADYHAWKE" AND LANCELOT. 748 00:37:47,308 --> 00:37:49,963 YOU FELL IN LOVE WHEN YOU WERE YOUNG. 749 00:37:50,006 --> 00:37:52,139 BUT IT WAS FORBIDDEN LOVE. 750 00:37:52,182 --> 00:37:56,491 A COUSIN MAYBE OR...ANOTHER GIRL. 751 00:37:56,535 --> 00:37:59,320 AND EVER SINCE THEN, YOU HAVE BEEN SEARCHING 752 00:37:59,364 --> 00:38:04,064 FOR THAT SPECIAL PERSON, THE ONE. 753 00:38:04,107 --> 00:38:05,457 BUT IN YOUR HEART, 754 00:38:05,500 --> 00:38:09,504 YOU KNOW THAT YOU ALWAYS WANT WHAT YOU CANNOT HAVE, 755 00:38:09,548 --> 00:38:14,292 AND THAT, THAT IS NOT FAIR. 756 00:38:17,382 --> 00:38:20,385 I BROUGHT YOU SOMETHING. 757 00:38:22,082 --> 00:38:24,650 IT'S IN THE BAG. 758 00:38:24,693 --> 00:38:27,392 GO AHEAD. 759 00:38:34,268 --> 00:38:36,096 JUST LET ME PUT IT ON YOUR FOOT. 760 00:38:36,139 --> 00:38:39,447 I JUST NEED 1 HAND. 761 00:39:04,167 --> 00:39:06,256 UH! 762 00:39:12,915 --> 00:39:14,003 WHOA! 763 00:39:14,047 --> 00:39:18,181 [ELECTRICAL CRACKLING] 764 00:39:22,098 --> 00:39:25,580 AAH! AH! 765 00:39:27,321 --> 00:39:29,802 [BANGING, MUFFLED YELLING] 766 00:39:29,845 --> 00:39:31,847 OH... 767 00:39:31,891 --> 00:39:33,109 YOU OK? 768 00:39:33,153 --> 00:39:34,197 YES. 769 00:39:34,241 --> 00:39:35,634 OH. OH. 770 00:39:38,941 --> 00:39:40,552 DO YOU REALIZE HOW CLOSE YOU WERE TO GETTING KILLED? 771 00:39:40,595 --> 00:39:41,988 YOU SHOULD BE HAPPY. 772 00:39:42,031 --> 00:39:43,293 YOU GET ALL THE CREDIT FOR CATCHING A SERIAL KILLER. 773 00:39:43,337 --> 00:39:44,338 TASTE THIS. 774 00:39:44,382 --> 00:39:46,645 BELIEVE ME, I LOVE GETTING CREDIT, 775 00:39:46,688 --> 00:39:48,821 BUT NOT IF IT MEANS YOU'RE DEAD. 776 00:39:48,864 --> 00:39:52,390 DON'T GET ALL SOFT ON ME, ZAMBADA. 777 00:39:52,433 --> 00:39:53,652 OH, MY GOD. 778 00:39:56,437 --> 00:40:01,137 THIS IS THE BEST DRINK I EVER HAD IN MY LIFE. 779 00:40:01,181 --> 00:40:03,923 YEAH? I CALL IT THE KNOX ME OUT. 780 00:40:03,966 --> 00:40:05,490 AFTER LEO. GET IT? 781 00:40:05,533 --> 00:40:07,448 I GET IT. VERY CLEVER. 782 00:40:07,492 --> 00:40:08,754 'CAUSE HIS NAME IS LEO KNOX? 783 00:40:08,797 --> 00:40:11,496 AND THIS PLACE NEEDS A SIGNATURE DRINK. 784 00:40:11,539 --> 00:40:13,454 Ira: THE ASTEROID KNOWN AS APOPHIS 785 00:40:13,498 --> 00:40:15,587 COULD PASS CLOSE ENOUGH TO EARTH IN 2029 786 00:40:15,630 --> 00:40:18,024 TO AFFECT A PERAMBULATION IN ITS PATH. 787 00:40:18,067 --> 00:40:20,722 WELL, I ESTIMATE THE CHANCES OF THAT HAPPENING 788 00:40:20,766 --> 00:40:25,814 AS APPROXIMATELY 1 IN 250,000. 789 00:40:25,858 --> 00:40:28,034 OOH! 790 00:40:28,077 --> 00:40:31,690 QUIT TALKING SMUT OVER HERE. 791 00:40:31,733 --> 00:40:33,256 HA HA! 792 00:40:35,389 --> 00:40:37,260 WHAT IS GOING ON OVER THERE? 793 00:40:37,304 --> 00:40:41,177 I PROMISED TO FIND HIS CINDERELLA. 794 00:40:41,221 --> 00:40:42,483 THAT'S HER. 795 00:40:42,527 --> 00:40:46,966 TRUE LOVE IS A STRANGE ANIMAL. 796 00:40:47,009 --> 00:40:50,404 SO WHAT ARE YOU DOING RUNNING THE BAR? 797 00:40:50,448 --> 00:40:51,753 WHERE'S LEO? 798 00:40:51,797 --> 00:40:56,410 LEO'S TAKING CARE OF A HUMAN RESOURCES PROBLEM. 799 00:41:00,153 --> 00:41:01,633 CAN I SAY SOMETHING? 800 00:41:01,676 --> 00:41:04,940 IF YOU LIE TO ME, I WON'T BE ABLE TO DO THE RIGHT THING. 801 00:41:04,984 --> 00:41:06,420 WHAT'S THE RIGHT THING? 802 00:41:06,464 --> 00:41:08,727 KEEP YOU AT THE ENDS OF THE EARTH. 803 00:41:08,770 --> 00:41:10,555 I WON'T LIE. 804 00:41:10,598 --> 00:41:13,296 OK. WHO HELPED YOU? 805 00:41:13,340 --> 00:41:15,603 MY COUSIN TIMO. 806 00:41:15,647 --> 00:41:16,778 GYPSIES STEAL. THEY CON. 807 00:41:16,822 --> 00:41:20,303 THEY DON'T BEAT PEOPLE WITH BASEBALL BATS. 808 00:41:20,347 --> 00:41:22,915 I BAMBOOZLED TIMO INTO IT. 809 00:41:22,958 --> 00:41:25,265 IF HE TELLS THE FAMILY I LIED TO HIM, 810 00:41:25,308 --> 00:41:28,442 THEY'LL KICK ME OUT. 811 00:41:31,489 --> 00:41:34,013 ARE THERE ANY RULES YOU WON'T BREAK? 812 00:41:34,056 --> 00:41:34,883 IT'S WALTER'S FAULT. 813 00:41:34,927 --> 00:41:36,363 HE SAID MAKE IT UP TO YOU. 814 00:41:36,406 --> 00:41:38,452 SO I DID. 815 00:41:38,496 --> 00:41:40,498 WALTER MEANT BAKE ME A CAKE. 816 00:41:40,541 --> 00:41:43,196 THE VIOLENCE WAS TOTALLY ON YOU. 817 00:41:43,239 --> 00:41:45,981 VIOLENCE COMES FROM ANGER. I KNOW WHAT I'M TALKING ABOUT. 818 00:41:46,025 --> 00:41:48,114 BECAUSE NATHAN STEIN MADE DECISIONS 819 00:41:48,157 --> 00:41:50,986 HE KNEW WOULD KILL YOUR WIFE AND DAUGHTER? 820 00:41:51,030 --> 00:41:54,381 WHEN I SET OUT TO KILL NATHAN STEIN, 821 00:41:54,424 --> 00:41:56,775 WALTER STOPPED ME. THAT'S WHY WE'RE ALL TOGETHER NOW. 822 00:41:59,299 --> 00:42:02,911 I KNOW IT MADE YOU GLAD TO SEE THAT MAN ALL BRUISED AND BEATEN UP. 823 00:42:02,955 --> 00:42:05,000 MY HEART SOARED. 824 00:42:05,044 --> 00:42:06,872 BUT WHAT MY HEART NEEDS IS TO FORGIVE. 825 00:42:06,915 --> 00:42:08,743 HE DOESN'T DESERVE IT. 826 00:42:08,787 --> 00:42:12,878 I DESERVE IT. YOU DESERVE IT. 827 00:42:15,445 --> 00:42:17,230 WHAT WAS YOUR DAUGHTER'S NAME? 828 00:42:23,453 --> 00:42:25,194 ELLIE. 829 00:42:27,675 --> 00:42:30,635 HER NAME WAS ELLIE, AND I LOVED HER. 830 00:42:36,292 --> 00:42:38,773 THANK YOU FOR FORGIVING ME. 831 00:42:38,817 --> 00:42:40,296 THAT'S RIGHT. THANK YOU. 832 00:42:40,340 --> 00:42:41,602 YOU BETTER SAY THANK YOU. 833 00:42:41,646 --> 00:42:43,517 WELL, I DID. 834 00:42:46,259 --> 00:42:47,521 IT'S PRETTY. 835 00:42:47,565 --> 00:42:49,131 THAT'S RIGHT IT'S PRETTY. 836 00:42:49,175 --> 00:42:50,872 YOU BETTER SAY IT'S PRETTY. 837 00:42:50,916 --> 00:42:53,353 WELL, I DID. 838 00:43:36,701 --> 00:43:37,876 WHAT'S THAT MEAN?