1 00:00:01,914 --> 00:00:04,961 [MUSIC PLAYING] 2 00:00:05,005 --> 00:00:06,180 WHEN YOU'RE A YOUNG MAGICIAN, 3 00:00:06,223 --> 00:00:08,138 YOU DREAM OF PLAYING THE BIG VENUES, 4 00:00:08,182 --> 00:00:09,444 IN VEGAS OR MONTE CARLO, 5 00:00:09,487 --> 00:00:12,447 NOT THE EARLYBIRD DINNER SHOW IN THE NECTAR ROOM 6 00:00:12,490 --> 00:00:14,101 OF A THIRD-RATE CASINO. 7 00:00:14,144 --> 00:00:15,928 BUT, AN AUDIENCE IS AN AUDIENCE 8 00:00:15,972 --> 00:00:19,323 AND YOU HAVE TO GIVE THE PEOPLE WHAT THEY CAME FOR. 9 00:00:19,367 --> 00:00:20,150 MAGIC. 10 00:00:20,194 --> 00:00:22,544 IS PRESTON MILLER YOUR STAGE NAME? 11 00:00:22,587 --> 00:00:24,763 NO, MR. SHERMAN, I AM BETTER KNOWN 12 00:00:24,807 --> 00:00:28,071 AS PRESTO MALATESTA. 13 00:00:28,115 --> 00:00:29,855 HOW'D YOU FIND ME? 14 00:00:29,899 --> 00:00:32,293 IN CERTAIN CIRCLES, YOU ARE WELL KNOWN 15 00:00:32,336 --> 00:00:36,732 AS THE MAN WHO FOUND HARRY HOUDINI'S STRAITJACKET. 16 00:00:36,775 --> 00:00:38,081 LEO. 17 00:00:38,125 --> 00:00:40,605 WHEN I SAY "LEO" LIKE THAT, IT MEANS GET THE BOOK. 18 00:00:40,649 --> 00:00:43,608 I HEARD OF YOU FROM PROFESSOR RANDARIUS. 19 00:00:43,652 --> 00:00:45,132 TELL YOUR STORY WHILE I LOOK. 20 00:00:45,175 --> 00:00:46,655 ANGELICA AND I WERE EXCITED 21 00:00:46,698 --> 00:00:49,701 BECAUSE THERE WAS A VEGAS BOOKING AGENT CHECKING US OUT. 22 00:00:49,745 --> 00:00:50,702 SMILE. 23 00:00:50,746 --> 00:00:53,270 IF I SMILE ANY WIDER MY HEAD WILL FALL OFF. 24 00:00:55,316 --> 00:00:57,927 [MUSIC PLAYING] 25 00:00:57,970 --> 00:01:01,844 [INDISTINCT] 26 00:01:08,633 --> 00:01:09,852 OHH! 27 00:01:09,895 --> 00:01:12,246 HE WAS NOT IMPRESSED. 28 00:01:12,289 --> 00:01:14,422 SO EVEN THOUGH I HAD DESIGNED THE PHOENIX 29 00:01:14,465 --> 00:01:15,640 TO BE THE BIG FINALE, 30 00:01:15,684 --> 00:01:16,989 ANGELICA TOLD ME TO DO IT NOW 31 00:01:17,033 --> 00:01:20,254 OR KISS OUR CHANCES FOR THE VEGAS STAGE GOOD-BYE. 32 00:01:20,297 --> 00:01:22,082 PHOENIX--A FIRE TRICK, RIGHT? 33 00:01:22,125 --> 00:01:23,431 I PREFER THE TERM "ILLUSION." 34 00:01:23,474 --> 00:01:25,868 LET'S CALL A TRICK A TRICK, OK? 35 00:01:25,911 --> 00:01:26,869 THERE'S NO REAL MAGIC. 36 00:01:26,912 --> 00:01:28,958 DON'T TAKE IT PERSONAL. WALTER HATES MAGIC. 37 00:01:29,001 --> 00:01:31,134 NO, I'D LOVE MAGIC IF IT ACTUALLY EXISTED. 38 00:01:31,178 --> 00:01:33,180 WHAT I DON'T LIKE IS SOME GUY GETTING ALL SMUG ABOUT IT 39 00:01:33,223 --> 00:01:35,399 'CAUSE HE FIGURED OUT A WAY TO FOOL PEOPLE. 40 00:01:35,443 --> 00:01:38,446 BIG DEAL. WHAT'D YOU LOSE? 41 00:01:38,489 --> 00:01:41,362 HE'S LEAVING. DO IT NOW. 42 00:01:41,405 --> 00:01:43,886 SEÑORES Y SEÑORAS, 43 00:01:43,929 --> 00:01:48,456 I, PRESTO MALATESTA, WILL NOW AMAZE YOU 44 00:01:48,499 --> 00:01:51,981 WITH THE WORLD PREMIERE OF... 45 00:01:52,024 --> 00:01:54,026 THE PHOENIX. 46 00:01:55,680 --> 00:01:59,206 [APPLAUSE] 47 00:02:01,947 --> 00:02:05,212 BECAUSE THIS ILLUSION IS DEATH-DEFYING 48 00:02:05,255 --> 00:02:07,214 AND NEVER BEFORE PERFORMED IN PUBLIC, 49 00:02:07,257 --> 00:02:10,826 I WILL REQUIRE ABSOLUTE SILENCE. 50 00:02:10,869 --> 00:02:14,046 I ADVISE THOSE WITH HEART PROBLEMS 51 00:02:14,090 --> 00:02:18,355 TO PLEASE LEAVE THE THEATER. 52 00:02:20,183 --> 00:02:24,231 MA'AM, HAVE A GOOD EVENING. 53 00:03:02,312 --> 00:03:03,270 FOUND IT. 54 00:03:03,313 --> 00:03:04,227 PROFESSOR RANDARIUS. 55 00:03:04,271 --> 00:03:07,491 HOUDINI'S STRAITJACKET. HE'S TELLING THE TRUTH. 56 00:03:07,535 --> 00:03:09,319 WELL, HE LIED TO THE AUDIENCE. 57 00:03:09,363 --> 00:03:09,885 WHEN? 58 00:03:09,928 --> 00:03:10,494 DEATH-DEFYING? 59 00:03:10,538 --> 00:03:11,365 NEVER PERFORMED IN PUBLIC? 60 00:03:11,408 --> 00:03:13,018 HEART-STOPPING? 61 00:03:13,062 --> 00:03:15,760 IT WAS TRUE THAT I HAD NEVER PERFORMED THE PHOENIX BEFORE. 62 00:03:15,804 --> 00:03:18,285 THE REST I LIKE TO CALL SHOWMANSHIP. 63 00:03:18,328 --> 00:03:21,288 NOW, WHAT'D YOU LOSE? YOUR BAG OF TRICKS? 64 00:03:21,331 --> 00:03:22,332 YOUR WAND? 65 00:03:22,376 --> 00:03:23,377 YOUR SLEIGHT? YOUR HAND? 66 00:03:23,420 --> 00:03:25,727 YOUR RABBIT? YOUR, UH, FALSE-BOTTOM HAT? 67 00:03:25,770 --> 00:03:27,729 MY CAREER, MY REPUTATION, MY GOOD STANDING 68 00:03:27,772 --> 00:03:32,342 IN THE FELLOWSHIP OF MAGIC. MY PRESTIGE, MY ECLAT. 69 00:03:32,386 --> 00:03:35,563 YOU'VE NEVER LOOKED FOR ECLAT BEFORE. 70 00:03:35,606 --> 00:03:38,653 FINDING SOMEONE'S ECLAT WOULD BE A NICE FEATHER IN MY CAP. 71 00:03:38,696 --> 00:03:41,786 SO, EVERYTHING WAS GOING ACCORDING TO PLAN. 72 00:03:41,830 --> 00:03:45,355 FROM THE EARTH TO THE SKY I SHALL EXCLAIM 73 00:03:45,399 --> 00:03:48,315 TRANSFORM ANGELICA INTO FLAME! 74 00:03:50,317 --> 00:03:54,016 [CHEERING AND APPLAUSE] 75 00:03:55,322 --> 00:03:58,238 I KNEW IT! FIRE TRICK. 76 00:03:58,281 --> 00:04:01,066 [INCANTATION] 77 00:04:01,110 --> 00:04:03,417 THE SECOND INCANTATION WAS SUPPOSED TO PUT OUT THE FIRE, 78 00:04:03,460 --> 00:04:07,247 BUT INSTEAD, IT GOT BIGGER, SO I TRIED AGAIN. 79 00:04:07,290 --> 00:04:11,599 [INCANTATION] 80 00:04:16,952 --> 00:04:20,347 [CROWD SHOUTING] 81 00:04:25,482 --> 00:04:29,399 [CROWD SHOUTING, SCREAMING] 82 00:04:29,443 --> 00:04:30,835 ANGELICA! ANGELICA! 83 00:04:30,879 --> 00:04:33,577 I RUSHED OVER TO THE TRAP-DOOR AND OPENED IT. 84 00:04:33,621 --> 00:04:36,319 ANGELICA WASN'T THERE. 85 00:04:36,363 --> 00:04:41,063 THEN I HAD A TERRIBLE THOUGHT. 86 00:04:52,814 --> 00:04:56,861 YOU INCINERATED YOUR BEAUTIFUL ASSISTANT. 87 00:05:00,387 --> 00:05:01,475 THANK GOD, NO. 88 00:05:01,518 --> 00:05:03,564 ANGELICA HAD ACTUALLY DISAPPEARED. 89 00:05:03,607 --> 00:05:06,436 BUT AS YOU SAID, MR. SHERMAN, THERE'S-- 90 00:05:06,480 --> 00:05:07,872 THERE'S NO SUCH THING AS REAL MAGIC. 91 00:05:07,916 --> 00:05:13,400 I NEED YOU TO FIND OUT WHAT HAPPENED TO ANGELICA ANGEL. 92 00:05:13,443 --> 00:05:17,491 [LAUGHING] 93 00:05:17,534 --> 00:05:18,883 IT'S NOT FUNNY. 94 00:05:18,927 --> 00:05:22,234 THE ENTIRE MEANING OF MY LIFE VANISHED WITH HER. 95 00:05:22,278 --> 00:05:23,540 BECAUSE YOU LOVED ANGELICA WITH ALL YOUR HEART. 96 00:05:23,584 --> 00:05:26,195 YOU JUST DIDN'T HAVE THE COURAGE TO TELL HER? 97 00:05:26,238 --> 00:05:27,544 NO. 98 00:05:27,588 --> 00:05:28,719 MAGIC IS MY MISTRESS. 99 00:05:28,763 --> 00:05:32,419 BUT ANGELICA WAS MY PARTNER AND MY FRIEND. 100 00:05:32,462 --> 00:05:33,463 WE WERE A TEAM, 101 00:05:33,507 --> 00:05:35,465 AS I PERCEIVE YOU AND MR. KNOX ARE. 102 00:05:35,509 --> 00:05:37,728 IF I INADVERTENTLY DID HER HARM-- 103 00:05:37,772 --> 00:05:38,947 YOU KNOW WHAT'S FUNNY? 104 00:05:38,990 --> 00:05:41,166 A MAGICIAN WHO LOSES HIS BEAUTIFUL ASSISTANT. 105 00:05:41,210 --> 00:05:42,254 THAT'S FUNNY. 106 00:05:42,298 --> 00:05:46,433 DO YOU HAVE A PHOTOGRAPH WE CAN USE, MR. MILLER? 107 00:05:53,614 --> 00:05:56,617 COME ON. 108 00:05:59,533 --> 00:06:01,796 WILL YOU HELP ME? 109 00:06:04,712 --> 00:06:08,280 WE'LL START FIRST THING IN THE MORNING AT THE CRIME SCENE. 110 00:06:08,324 --> 00:06:10,065 NOBODY SAID ANYTHING ABOUT A CRIME, WALTER. 111 00:06:10,108 --> 00:06:12,633 THE MAN JUST ADMITTED THERE'S NO SUCH THING AS MAGIC. 112 00:06:12,676 --> 00:06:16,506 SO WHAT'S THAT LEAVE? SKULLDUGGERY AND MONKEY BUSINESS. 113 00:06:16,550 --> 00:06:18,813 TRUST ME, THERE'S A CRIME. 114 00:07:16,697 --> 00:07:17,828 WHAT'S YOUR PROBLEM? 115 00:07:17,872 --> 00:07:20,614 AH, DID THE RACCOONS GET IN THE GARBAGE AGAIN? 116 00:07:20,657 --> 00:07:24,748 WHAT KIND OF EXAMPLE ARE YOU SETTING FOR A 16-YEAR-OLD GIRL? 117 00:07:24,792 --> 00:07:27,577 INDEPENDENT CAREER WOMAN ON THE RUN. 118 00:07:27,621 --> 00:07:29,884 PRETTY GOOD. 119 00:07:32,234 --> 00:07:33,583 I'M SORRY. 120 00:07:33,627 --> 00:07:35,933 I SAW TIMO LEAVING WILLA'S TRAILER. 121 00:07:35,977 --> 00:07:39,720 TIMO? OH. WILLA'S COUSIN. 122 00:07:39,763 --> 00:07:41,504 ARE YOU SURE THAT'S HER COUSIN? 123 00:07:41,548 --> 00:07:43,680 THAT'S WHAT SHE TOLD ME. 124 00:07:43,724 --> 00:07:45,595 MM-HMM. 125 00:07:45,639 --> 00:07:48,555 WHAT IS MY RESPONSIBILITY HERE? 126 00:07:48,598 --> 00:07:51,732 YOU'RE WILLA'S EMPLOYER. 127 00:07:59,783 --> 00:08:04,527 HOW LONG WAS ANGELICA YOUR BEAUTIFUL ASSISTANT BEFORE SHE DISAPPEARED? 128 00:08:04,571 --> 00:08:05,746 A YEAR. 129 00:08:05,789 --> 00:08:08,575 OH. LEO'S BEEN MY BEAUTIFUL ASSISTANT FOR 3 YEARS. 130 00:08:08,618 --> 00:08:09,750 I AM NOT HIS BEAUTIFUL ASSISTANT. 131 00:08:12,579 --> 00:08:14,145 WHOO! 132 00:08:16,626 --> 00:08:19,237 [CREAKING] 133 00:08:19,281 --> 00:08:22,066 OPTION NUMBER ONE-- ANGELICA RAN AWAY. 134 00:08:22,110 --> 00:08:23,720 SHE HAD NO REASON TO RUN. 135 00:08:23,764 --> 00:08:25,330 DID ANGELICA RESENT YOU FOR ANY REASON? 136 00:08:25,374 --> 00:08:25,983 NO. 137 00:08:26,027 --> 00:08:27,724 NO INAPPROPRIATE BEHAVIOR? 138 00:08:27,768 --> 00:08:28,725 WE WERE STRICTLY PROFESSIONAL. 139 00:08:28,769 --> 00:08:31,380 OPTION NUMBER TWO-- ALIEN ABDUCTION. 140 00:08:31,423 --> 00:08:33,295 FARFETCHED, BUT IT HAD TO BE MENTIONED. 141 00:08:33,338 --> 00:08:38,126 NUMBER 3--SHE WAS INCINERATED, BUT SHE DIDN'T LEAVE ANY ASHES. 142 00:08:38,169 --> 00:08:38,996 [BANGING] 143 00:08:39,040 --> 00:08:40,694 WHAT DO YOU THINK HAPPENED? 144 00:08:40,737 --> 00:08:45,089 UH--SHE COULD HAVE BEEN KIDNAPPED, I SUPPOSE, BUT I DON'T SEE HOW. 145 00:08:45,133 --> 00:08:47,788 HOW MUCH WOULD THE PHOENIX BE WORTH? 146 00:08:47,831 --> 00:08:51,618 UH, $100,000, GIVE OR TAKE. 147 00:08:51,661 --> 00:08:54,795 [CLIP, POP] 148 00:08:54,838 --> 00:08:56,361 A SECOND SECRET HATCH. 149 00:08:56,405 --> 00:08:58,799 I DON'T UNDERSTAND WHAT HAPPENED HERE. 150 00:08:58,842 --> 00:09:00,670 ONE THING'S FOR SURE-- SHE WASN'T KIDNAPPED. 151 00:09:00,714 --> 00:09:03,368 THERE'S A MILLION EASIER WAYS TO KIDNAP SOMEBODY. 152 00:09:03,412 --> 00:09:05,675 SHE DID THIS ON PURPOSE. 153 00:09:05,719 --> 00:09:08,417 YOU MEAN ANGELICA STOLE MY TRICK IDEA? 154 00:09:08,460 --> 00:09:11,638 I NEED A LIGHT. 155 00:09:16,686 --> 00:09:18,906 THANKS, BEAUTIFUL ASSISTANT. 156 00:09:18,949 --> 00:09:22,823 YOU EVER CONSIDER MAYBE YOU'RE MY BEAUTIFUL ASSISTANT? 157 00:09:22,866 --> 00:09:26,130 [CELL PHONE RINGS] 158 00:09:26,174 --> 00:09:27,175 HI.HELLO. 159 00:09:27,218 --> 00:09:29,786 I'M IN AN ELECTRICAL CUT HEADING SOUTH. 160 00:09:29,830 --> 00:09:31,658 ANY SIGN THAT ANGELICA WAS THERE? 161 00:09:31,701 --> 00:09:33,268 ONE WHITE FEATHER. 162 00:09:33,311 --> 00:09:37,446 I'M AT A JUNCTION BOX. ONE OF THESE WIRES HAS BEEN CUT. 163 00:09:37,489 --> 00:09:38,839 WHAT KIND OF WIRE? 164 00:09:38,882 --> 00:09:40,710 IT'S AN ALARM BOX. 165 00:09:40,754 --> 00:09:43,104 WAIT, DID YOU SAY AN ALARM BOX? 166 00:09:43,147 --> 00:09:44,671 I'M FOLLOWING THE CUT WIRE NORTH. 167 00:09:44,714 --> 00:09:45,715 WHY WOULD ANGELICA CUT THAT WIRE? 168 00:09:45,759 --> 00:09:46,934 TO ROB SOMEBODY, OF COURSE. 169 00:09:46,977 --> 00:09:49,850 NOW WE JUST HAVE TO FIGURE OUT WHAT. WHERE ARE YOU NOW? 170 00:09:49,893 --> 00:09:51,286 WE'RE BY THE FRONT DESK. 171 00:09:51,329 --> 00:09:53,462 THE ALARM WIRE IS TAKING ME EAST NOW. 172 00:09:53,505 --> 00:09:56,421 THIS CUT LOOKS LIKE IT ENDS IN 100 FEET. 173 00:09:56,465 --> 00:10:00,556 I'M GONNA MAKE SOME NOISE. SEE IF YOU CAN LOCATE ME. 174 00:10:01,775 --> 00:10:03,690 CAN I HELP YOU GENTLEMEN? 175 00:10:03,733 --> 00:10:05,735 DO YOU HAVE ANYTHING WORTH STEALING BACK THERE? 176 00:10:05,779 --> 00:10:08,303 THIS CAN'T BE A GOOD CONVERSATION. 177 00:10:08,346 --> 00:10:09,826 AAH! [BANG] 178 00:10:09,870 --> 00:10:11,132 OH, MY GOD. 179 00:10:11,175 --> 00:10:13,003 I SEEN THIS MOVIE. THIS IS THE PART WHERE YOU PUT ON MASKS 180 00:10:13,047 --> 00:10:13,961 OF EX-PRESIDENTS OF THE UNITED STATES 181 00:10:14,004 --> 00:10:15,484 AND PULL GUNS OUT OF DUFFEL BAGS. 182 00:10:15,527 --> 00:10:19,357 AND YOU'RE THE MAGICIAN WHO BURNED DOWN THE NECTAR ROOM. 183 00:10:19,401 --> 00:10:21,098 AAH![BANG] 184 00:10:21,142 --> 00:10:25,625 EXCUSE ME. MR. GIANT, HELLO, WHERE ARE YOU GOING? 185 00:10:25,668 --> 00:10:27,235 HELLO! 186 00:10:27,278 --> 00:10:28,453 AAH! 187 00:10:31,282 --> 00:10:32,719 YOU. 188 00:10:32,762 --> 00:10:34,503 WALTER SHERMAN. 189 00:10:34,546 --> 00:10:36,810 JOHNNY! 190 00:10:36,853 --> 00:10:39,160 I THOUGHT YOU SOLD KNOCK-OFF SHOES. 191 00:10:39,203 --> 00:10:44,556 I DID. UNTIL I WAS ARRESTED AND LOST MY JOB BECAUSE OF YOU. 192 00:10:44,600 --> 00:10:47,385 THIS IS FROM ANGELICA'S WINGS. WHAT DOES THIS MEAN? 193 00:10:47,429 --> 00:10:51,694 WELL, THIS MEANS THAT YOUR BEAUTIFUL ASSISTANT IS A ROBBER. 194 00:10:51,738 --> 00:10:53,348 JOHNNY, CAN YOU OPEN THAT SAFE? 195 00:10:53,391 --> 00:10:54,741 I CAN. 196 00:10:54,784 --> 00:10:55,742 BUT I WON'T. 197 00:10:55,785 --> 00:10:56,830 AND IF ANYBODY HERE ASKS, 198 00:10:56,873 --> 00:10:58,788 MY NAME IS JOHNNY ABADIANO NOW. 199 00:10:58,832 --> 00:11:01,922 AND UNLESS LA VIRGEN DE GUADALUPE HAS ANSWERED MY DAILY PRAYER 200 00:11:01,965 --> 00:11:03,837 AND YOU'RE GONNA BE MY BOYFRIEND, 201 00:11:03,880 --> 00:11:06,796 DEÉJAME EN PAZ, POR FAVOR. 202 00:11:06,840 --> 00:11:07,841 HUH? JOHNNY... 203 00:11:07,884 --> 00:11:08,885 YOU GOT ROBBED. 204 00:11:08,929 --> 00:11:09,799 [DOOR OPENS] 205 00:11:09,843 --> 00:11:14,935 YOU ARE NOT AUTHORIZED TO OPEN THAT SAFE. 206 00:11:14,978 --> 00:11:16,763 HOW'D YOU DO THAT? 207 00:11:18,242 --> 00:11:20,636 THIS MONEY SHOULD BE GONE. 208 00:11:20,680 --> 00:11:21,811 AH! 209 00:11:23,683 --> 00:11:27,121 WHY AREN'T YOU AND WALTER OUT FINDING THE BEAUTIFUL ASSISTANT? 210 00:11:27,164 --> 00:11:29,819 WE HIT A DEAD END. WALTER'S FLUMMOXED. 211 00:11:29,863 --> 00:11:31,908 - WHAT'S THE DEAD END? - STACKS OF MONEY. 212 00:11:31,952 --> 00:11:34,868 I'D LOVE TO FIND STACKS OF MONEY. 213 00:11:34,911 --> 00:11:36,739 WHY ARE YOU ALL WEIRDED OUT TODAY? 214 00:11:36,783 --> 00:11:40,177 I SAW TIMO SNEAKING OUT OF YOUR TRAILER EARLY THIS MORNING. 215 00:11:40,221 --> 00:11:44,225 TIMO CAME TO VISIT ME. IT GOT LATE, HE STAYED OVER. 216 00:11:44,268 --> 00:11:48,882 REALLY? COME ON, PERV, HE'S MY COUSIN. 217 00:11:48,925 --> 00:11:51,493 HE SLEPT ON THE FLOOR, LEO. 218 00:11:51,536 --> 00:11:53,408 JEEZ! 219 00:12:04,462 --> 00:12:06,334 WALTER? 220 00:12:08,031 --> 00:12:10,338 CAN YOU HEAR ME? 221 00:12:10,381 --> 00:12:12,819 WALTER. 222 00:12:12,862 --> 00:12:13,907 PUDDING POP? 223 00:12:13,950 --> 00:12:14,516 HMM. 224 00:12:14,559 --> 00:12:15,517 OH, THANK GOD. 225 00:12:15,560 --> 00:12:16,866 LEO CALLED AND SAID YOU DIDN'T FIND SOMETHING. 226 00:12:16,910 --> 00:12:19,782 I WAS WORRIED YOU'D TURNED CATATONIC. 227 00:12:19,826 --> 00:12:21,915 I SHOULD HAVE FOUND NO MONEY, 228 00:12:21,958 --> 00:12:23,220 BUT I FOUND MONEY. 229 00:12:23,264 --> 00:12:26,223 WALTER, I NEED YOU TO PULL YOUR HEAD OUT OF YOUR ASS 230 00:12:26,267 --> 00:12:28,008 FOR JUST A SECOND AND PAY ATTENTION, OK? 231 00:12:28,051 --> 00:12:31,141 I SPOKE TO WILLA'S PROBATION OFFICER. 232 00:12:31,185 --> 00:12:33,274 TIMO PROUD IS NOT RELATED TO WILLA MONDAY. 233 00:12:33,317 --> 00:12:36,103 APPARENTLY ALL GYPSIES CALL EACH OTHER COUSIN. 234 00:12:36,146 --> 00:12:39,062 BUT WHEN LEO ASKED WILLA ABOUT IT, 235 00:12:39,106 --> 00:12:40,194 SHE CALLED HIM A PERVERT. 236 00:12:40,237 --> 00:12:41,848 WILLA WENT ON THE ATTACK. 237 00:12:41,891 --> 00:12:46,026 [INDISTINCT] IT'S A CLASSIC MISDIRECT. 238 00:12:46,069 --> 00:12:47,854 I NEED YOU TO COME WITH ME. 239 00:12:47,897 --> 00:12:48,811 BRING YOUR BADGE AND GUN. 240 00:12:48,855 --> 00:12:51,814 I CAN'T ARREST WILLA FOR LYING. 241 00:12:51,858 --> 00:12:54,556 WALTER! 242 00:12:57,428 --> 00:12:59,822 AHEM. 243 00:12:59,866 --> 00:13:00,736 JOHNNY! 244 00:13:00,780 --> 00:13:02,346 OH, GOD. NOW IT'S BOTH OF YOU? 245 00:13:02,390 --> 00:13:06,002 I JUST THINK OF ISABEL AS MY BEAUTIFUL ASSISTANT. 246 00:13:06,046 --> 00:13:07,830 NO, DON'T. 247 00:13:07,874 --> 00:13:08,918 OPEN UP THE SAFE. 248 00:13:08,962 --> 00:13:11,616 COME ON. [SIGHS] 249 00:13:12,922 --> 00:13:15,664 STAND BACK. 250 00:13:15,707 --> 00:13:17,884 FARTHER. 251 00:13:17,927 --> 00:13:20,800 FARTHER! 252 00:13:25,892 --> 00:13:26,980 IT'S FULL OF CASH. 253 00:13:27,023 --> 00:13:28,677 JUST LIKE BEFORE. 254 00:13:28,720 --> 00:13:30,505 WALTER! 255 00:13:31,549 --> 00:13:32,812 SHAZAM! 256 00:13:32,855 --> 00:13:35,510 HUH? LOOK AT THE BILLS. NOTICE ANYTHING STRANGE? 257 00:13:35,553 --> 00:13:39,079 YOU MEAN ASIDE FROM THE FACT THAT THEY'RE ALL OVER THE FLOOR 258 00:13:39,122 --> 00:13:40,123 AND NOT IN THE SAFE? 259 00:13:40,167 --> 00:13:43,039 EVERY BILL LANDED FACEDOWN. 260 00:13:43,083 --> 00:13:44,736 YEP. IT WASN'T A HEIST. 261 00:13:44,780 --> 00:13:46,956 IT WAS A SWITCHEROO. 262 00:13:47,000 --> 00:13:48,653 PRESTO! COUNTERFEITO. 263 00:13:48,697 --> 00:13:50,133 [GASP] 264 00:13:50,177 --> 00:13:53,658 GO AHEAD AND CLEAN THAT UP. 265 00:14:06,933 --> 00:14:09,065 HMM? HEY. 266 00:14:09,109 --> 00:14:11,111 OH. OK, RIGHT. 267 00:14:11,154 --> 00:14:14,418 WALTER, THIS IS SECRET SERVICE AGENT JUDY GREEN. 268 00:14:14,462 --> 00:14:17,117 NO, I KNOW WHO YOU ARE.JUDY, THIS IS-- 269 00:14:17,160 --> 00:14:18,379 MR. SHERMAN, YOU, 270 00:14:18,422 --> 00:14:21,208 YOU FOUND AN INCREDIBLY IMPORTANT AMBASSADOR'S 271 00:14:21,251 --> 00:14:23,036 KIDNAPPED CHILD LAST YEAR. 272 00:14:23,079 --> 00:14:25,952 THE ENTIRE SECRET SERVICE OWES YOU A DEBT OF GRATITUDE. 273 00:14:25,995 --> 00:14:29,520 JUDY, COULD YOU FILL ME IN ON THIS COUNTERFEIT OPERATION-- 274 00:14:29,564 --> 00:14:31,087 NO, ACTUALLY, I CAN'T INVOLVE THE MARSHALS 275 00:14:31,131 --> 00:14:34,264 UNLESS THE MISSING BEAUTIFUL ASSISTANT IS ALSO A FUGITIVE. 276 00:14:34,308 --> 00:14:35,483 THE GAY GENTLEMAN IS AWAKE. 277 00:14:35,526 --> 00:14:38,051 HE'S RESTING HIS HEAD ON YOUR SHOULDER 278 00:14:38,094 --> 00:14:39,095 UNDER FALSE PRETENSES. 279 00:14:39,139 --> 00:14:41,532 I WILL BE BLAMED FOR THIS, SO EXCUSE ME 280 00:14:41,576 --> 00:14:46,842 FOR TAKING SOME COMFORT WHERE I CAN FIND IT, OK? 281 00:14:46,886 --> 00:14:49,323 MMM... 282 00:14:49,366 --> 00:14:51,368 HOW MUCH COUNTERFEIT MONEY DID YOU FIND? 283 00:14:51,412 --> 00:14:53,849 OH, NO, THE SECRET SERVICE IS VERY CLOSE-MOUTHED-- 284 00:14:53,893 --> 00:14:55,111 NO, IT'S OK. 170,000. 285 00:14:55,155 --> 00:14:56,765 ISN'T IT HARD GETTING THE PAPER? 286 00:14:56,808 --> 00:14:58,593 I CAN'T TALK TO YOU ABOUT THAT. HI. EXCUSE ME. 287 00:14:58,636 --> 00:15:00,290 WE'RE GONNA HAVE TO TAKE YOU IN FOR MORE QUESTIONING. 288 00:15:00,334 --> 00:15:03,598 I KNEW IT! YOU KNOW WHAT YOU ARE? 289 00:15:03,641 --> 00:15:04,077 A JINX! 290 00:15:04,120 --> 00:15:05,252 I DEMAND A SOLICITOR. 291 00:15:05,295 --> 00:15:08,211 NOT A LAWYER, A SOLICITOR. 292 00:15:08,255 --> 00:15:11,693 WERE YOU ABLE TO DISCOVER ANGELICA ANGEL'S REAL NAME? 293 00:15:11,736 --> 00:15:15,001 ANGELICA ANGEL, AKA ANGELICA DIRA, DIED 25 YEARS AGO 294 00:15:15,044 --> 00:15:16,219 IN GARDEN CITY, GEORGIA. 295 00:15:16,263 --> 00:15:17,177 OH! FAKE IDENTITY. 296 00:15:17,220 --> 00:15:19,222 OK, YOU KNOW WHAT? I CAN'T TALK TO YOU 297 00:15:19,266 --> 00:15:21,137 ABOUT A SECRET SERVICE INVESTIGATION, OK? 298 00:15:21,181 --> 00:15:22,791 WHAT ABOUT THE PAPER? 299 00:15:22,834 --> 00:15:27,100 IT'S THE SAME COMPOSITION USED IN TELEPHONE BOOKS, OLD NEWSPRINT. 300 00:15:27,143 --> 00:15:29,972 WHAT THE JURY DUTY? YOU CAN'T TELL ME ABOUT THE PAPER, 301 00:15:30,016 --> 00:15:31,365 BUT YOU CAN TELL WALTER? 302 00:15:31,408 --> 00:15:33,149 ANY CHANCE SHE COULD HAVE DONE THIS ON HER OWN? 303 00:15:33,193 --> 00:15:34,194 WELL-- 304 00:15:34,237 --> 00:15:35,412 THAT'S THE TRICKY THING ABOUT COUNTERFEITING. 305 00:15:35,456 --> 00:15:36,674 IT'S NOT ABOUT MAKING THE BILLS, 306 00:15:36,718 --> 00:15:38,154 IT'S ABOUT SWAPPING THEM OUT FOR REAL CURRENCY. 307 00:15:38,198 --> 00:15:42,115 SO, IF SHE'S AN ARTIST AND IF SHE'S GOOD WITH A LASER PRINTER, 308 00:15:42,158 --> 00:15:43,464 OR IF SHE'S A SAFECRACKER... 309 00:15:43,507 --> 00:15:46,510 IT'S POSSIBLE SHE COULD HAVE ACTED ALONE. 310 00:15:46,554 --> 00:15:48,904 YOU SHOULD CHECK THE MAGICIAN'S ENTIRE TOUR. 311 00:15:48,948 --> 00:15:51,689 I BET YOU THEY PULLED THIS SWITCHEROO BEFORE. 312 00:15:51,733 --> 00:15:52,560 OR, YOU KNOW WHAT? 313 00:15:52,603 --> 00:15:53,996 I BET YOU SHE TOOK OFF ON THE MAGICIAN, 314 00:15:54,040 --> 00:15:56,825 THEN HE HIRED WALTER TO FIND HER SO THAT HE COULD GET HIS SHARE. 315 00:15:56,868 --> 00:16:00,307 OK, YOU KNOW, I'M GONNA HAVE TO ASK YOU TO BUTT OUT. OK? 316 00:16:00,350 --> 00:16:01,873 UNITED STATES DEPUTY MARSHAL. 317 00:16:01,917 --> 00:16:03,571 TALL GUY WEARING FLIP-FLOPS. 318 00:16:03,614 --> 00:16:05,790 DID YOU MAKE ANY HEADWAY ON FINDING ANGELICA? 319 00:16:05,834 --> 00:16:06,748 THAT'S THE MAN 320 00:16:06,791 --> 00:16:09,142 WHO OPENED MY SAFE LIKE A MICROWAVE DOOR. 321 00:16:09,185 --> 00:16:10,273 I'M ARRESTING YOU AS AN ACCOMPLICE 322 00:16:10,317 --> 00:16:12,188 IN A COUNTERFEITING OPERATION. 323 00:16:12,232 --> 00:16:13,885 WHY IS IT, WHEN YOU RANDOMLY SHOW UP, 324 00:16:13,929 --> 00:16:15,409 OTHER PEOPLE GO TO JAIL? 325 00:16:15,452 --> 00:16:19,065 MR. SHERMAN, COULD YOU REMOVE THE JOURNAL FROM MY POCKET? 326 00:16:19,108 --> 00:16:20,240 IT'S OK. 327 00:16:20,283 --> 00:16:24,026 MY MAGICAL SECRETS MUST NOT FALL INTO THE WRONG HANDS. 328 00:16:24,070 --> 00:16:26,028 LET'S GO. 329 00:16:26,072 --> 00:16:29,075 WHOA, WHOA. HE SAID WRONG HANDS. 330 00:16:29,118 --> 00:16:31,555 PRESTO'S PLAN FOR THE PHOENIX 331 00:16:31,599 --> 00:16:32,861 CALLS FOR A FLASH OF FLAMES 332 00:16:32,904 --> 00:16:36,125 THAT TRANSFORMS THE BOX INTO A PILE OF ASHES. 333 00:16:36,169 --> 00:16:38,127 THEN, ANGELICA RISES FROM THE ASHES. 334 00:16:38,171 --> 00:16:40,521 OBVIOUSLY SHE BOOBY-TRAPPED IT WITH ACCELERANT, 335 00:16:40,564 --> 00:16:42,740 THEN USING THE ENSUING FLAME AND PANIC, 336 00:16:42,784 --> 00:16:45,134 JUST WALKED OFF WITH THE COUNTERFEIT BILLS. 337 00:16:45,178 --> 00:16:47,093 HMM. NO NAME, NO HISTORY, NO CLUES. 338 00:16:47,136 --> 00:16:49,138 HOW ARE YOU GONNA FIND HER? 339 00:16:49,182 --> 00:16:50,487 I GOTTA FIND OUT WHO BOUGHT THE PAPER. 340 00:16:50,531 --> 00:16:53,142 WE'LL NEED WARRANTS TO ACCESS RETAIL AND WHOLESALE 341 00:16:53,186 --> 00:16:54,535 BUYING RECORDS FOR HOW MANY STATES? 342 00:16:54,578 --> 00:16:55,927 YOU WON'T NEED ANY WARRANTS, 343 00:16:55,971 --> 00:16:57,233 BECAUSE AGENT GREEN IS PROVIDING THEM FOR YOU. 344 00:16:57,277 --> 00:17:01,933 SHE WON'T LET ME IN, HER SISTER IN LAW ENFORCEMENT. 345 00:17:01,977 --> 00:17:04,023 BUT WALTER IS GOLD. 346 00:17:04,066 --> 00:17:06,329 HOW ARE YOU MAD AT ME FOR THAT? 347 00:17:06,373 --> 00:17:08,810 I'M NOT MAD AT YOU. I RESENT YOU. 348 00:17:08,853 --> 00:17:11,030 MUCH MORE REASONABLE. 349 00:17:11,073 --> 00:17:13,858 ISABEL, I WANT A FAVOR. 350 00:17:13,902 --> 00:17:14,903 OOH, NO. 351 00:17:14,946 --> 00:17:16,470 I DIDN'T ASK. 352 00:17:16,513 --> 00:17:19,081 YOU WANT ME TO DO SOMETHING HEART-TO-HEART GIRLY WITH WILLA. 353 00:17:19,125 --> 00:17:20,213 PLEASE? 354 00:17:20,256 --> 00:17:21,214 I'M NOT GIRLY. 355 00:17:21,257 --> 00:17:22,693 WILLA NEEDS TO TALK TO A WOMAN. 356 00:17:22,737 --> 00:17:25,870 YOU WANT ME TO ASK AGENT GREEN? 357 00:17:27,133 --> 00:17:28,438 IF YOU TALK TO WILLA, 358 00:17:28,482 --> 00:17:31,267 I'LL MAKE WALTER GET YOU IN ON THE COUNTERFEIT INVESTIGATION. 359 00:17:31,311 --> 00:17:36,098 WHAT IS WALTER GONNA FIND THAT 3 SUPER COMPUTERS AND THE SECRET SERVICE MISSED? 360 00:17:36,142 --> 00:17:37,099 BINGO. 361 00:17:37,143 --> 00:17:38,753 THIS ART STUDENT BOUGHT 200 POUNDS OF PAPER 362 00:17:38,796 --> 00:17:42,235 ORDERED TO HIS SCHOOL BUT NOT THROUGH HIS SCHOOL. 363 00:17:42,278 --> 00:17:43,584 THUS... 364 00:17:43,627 --> 00:17:48,197 SACRIFICING HIS STUDENT DISCOUNT. 365 00:17:48,241 --> 00:17:49,155 WHAT? 366 00:17:49,198 --> 00:17:51,026 AMOUNT OF PAPER PLUS ART STUDENT 367 00:17:51,070 --> 00:17:55,900 DIVIDED BY DELIVERY TO SCHOOL TIMES THE CASH PAYMENT... 368 00:17:55,944 --> 00:17:58,164 MINUS THE SQUARE ROOT... 369 00:17:58,207 --> 00:18:03,343 VERY SUSPICIOUS BEHAVIOR EQUALS... 370 00:18:03,386 --> 00:18:05,301 ONE COUNTERFEITER. 371 00:18:05,345 --> 00:18:06,215 WALTER MATH. 372 00:18:06,259 --> 00:18:09,175 IT NEVER FAILS. 373 00:18:11,002 --> 00:18:13,222 ON THE WILLA THING... 374 00:18:13,266 --> 00:18:15,311 YOU GOT A DEAL. 375 00:18:19,402 --> 00:18:20,142 THAT IS TERRIBLE. 376 00:18:20,186 --> 00:18:22,797 WHAT'S IT SUPPOSED TO BE, A HORSIE? 377 00:18:22,840 --> 00:18:24,973 WELL, YOU CAN TEACH STUDENTS TO DRAW, 378 00:18:25,016 --> 00:18:27,715 YOU CAN TEACH THEM SYMMETRY AND PROPORTION, 379 00:18:27,758 --> 00:18:29,934 YOU CAN EVEN TEACH THEM DISCERNMENT. 380 00:18:29,978 --> 00:18:32,981 THE ONE THING YOU CANNOT TEACH IS TALENT. 381 00:18:33,024 --> 00:18:34,374 HOW CAN I HELP YOU? 382 00:18:34,417 --> 00:18:38,291 I'M LOOKING FOR ONE OF YOUR STUDENTS-- MADDOX HOLT. 383 00:18:38,334 --> 00:18:39,335 WHY? 384 00:18:39,379 --> 00:18:40,206 WHAT DO YOU CARE? 385 00:18:40,249 --> 00:18:41,946 I DON'T. 386 00:18:41,990 --> 00:18:42,947 WHO ARE YOU? 387 00:18:42,991 --> 00:18:44,427 MY NAME IS WALTER SHERMAN. 388 00:18:44,471 --> 00:18:46,212 I WORK FOR A BOOKING AGENCY THAT TROLLS SOCIAL NETWORKS 389 00:18:46,255 --> 00:18:47,822 LOOKING FOR UNINHIBITED YOUNG MEN AND WOMEN 390 00:18:47,865 --> 00:18:51,782 WHO MIGHT BE, UH, INTERESTED IN OUTRE MODELING OPPORTUNITIES. 391 00:18:51,826 --> 00:18:55,917 HA! MADDOX HOLT POSING NAKED ON THE INTERNET. 392 00:18:55,960 --> 00:18:59,399 WELL, WE FIND YOUNG ARTISTS ARE OFTEN EAGER TO EMBRACE NEW THINGS. 393 00:18:59,442 --> 00:19:02,097 YES, WELL, MADDOX DROPPED OUT 3 WEEKS AGO. 394 00:19:02,141 --> 00:19:03,098 WHY? 395 00:19:03,142 --> 00:19:05,013 I LIKE TO THINK IT'S BECAUSE 396 00:19:05,056 --> 00:19:06,188 HE WOKE UP ONE DAY 397 00:19:06,232 --> 00:19:09,539 AND REALIZED THAT HE BELONGED IN REAL ESTATE. 398 00:19:09,583 --> 00:19:12,325 OR NUDE MODELING, AS THE CASE MAY BE. 399 00:19:12,368 --> 00:19:14,109 ANY CHANCE YOU CAN TELL ME WHERE HE LIVES? 400 00:19:14,153 --> 00:19:18,548 MR. SHERMAN, I CAN BARELY REMEMBER MY STUDENTS' NAMES. 401 00:19:18,592 --> 00:19:21,421 I DON'T KNOW WHERE MADDOX HOLT LIVES. 402 00:19:21,464 --> 00:19:23,901 CAN I KEEP THIS? 403 00:19:23,945 --> 00:19:26,121 AS YOU WISH. 404 00:19:27,427 --> 00:19:28,558 WAS HE THERE? 405 00:19:28,602 --> 00:19:31,866 NO. BUT I FOUND OUT WHERE HE LIVES. 406 00:19:31,909 --> 00:19:32,867 THAT DRAWING SUCKS. 407 00:19:32,910 --> 00:19:33,998 YEAH, IT DOES. 408 00:19:34,042 --> 00:19:35,391 BUT IT HAS A POINT OF VIEW, 409 00:19:35,435 --> 00:19:38,046 AND THAT POINT OF VIEW IS FROM A VERY TALL PENTHOUSE 410 00:19:38,089 --> 00:19:39,482 LOOKING SOUTHWEST. 411 00:19:39,526 --> 00:19:41,615 THE LARGO BUILDING. 412 00:19:44,444 --> 00:19:46,359 [ELEVATOR BELL RINGS] 413 00:19:46,402 --> 00:19:47,838 A 19-YEAR-OLD ART STUDENT WHO LIVES 414 00:19:47,882 --> 00:19:50,058 IN A MULTI-MILLION-DOLLAR CONDO. 415 00:19:50,101 --> 00:19:52,539 IT'S MORE BELIEVABLE IF YOU REFER TO HIM 416 00:19:52,582 --> 00:19:55,977 AS A 19-YEAR-OLD COUNTERFEITER. 417 00:19:56,020 --> 00:19:57,761 [GLASS SHATTERS] 418 00:19:59,459 --> 00:20:00,938 WHY AREN'T YOU SAYING WE'RE LAWBREAKERS? 419 00:20:00,982 --> 00:20:03,898 IT'S A MATTER OF INTENT. IT SOUNDS LIKE MR. MADDOX IS IN TROUBLE 420 00:20:03,941 --> 00:20:07,989 AND YOU'RE BREAKING IN TO RENDER AID. 421 00:20:09,425 --> 00:20:11,210 ANGELICA. 422 00:20:12,298 --> 00:20:14,169 FOUND HER. 423 00:20:19,261 --> 00:20:22,873 NOW, THAT'S A MAGIC TRICK I HAVEN'T SEEN BEFORE. 424 00:20:36,147 --> 00:20:38,019 AND WE LOST HER. 425 00:20:38,062 --> 00:20:41,327 THIS BOY'S DEAD. 426 00:20:47,420 --> 00:20:50,423 THAT'S A CLASSIC MISDIRECT. 427 00:20:50,466 --> 00:20:52,381 HOLT THOUGHT HE WAS GETTING LUCKY, 428 00:20:52,425 --> 00:20:55,254 ALL HE GOT WAS POISONED. 429 00:21:07,353 --> 00:21:09,268 THANKS. 430 00:21:09,311 --> 00:21:10,573 HEY, YOU WANT HALF? 431 00:21:10,617 --> 00:21:14,055 I DIDN'T SPIT IN IT IF THAT'S WHAT YOU'RE WORRIED ABOUT. 432 00:21:14,098 --> 00:21:18,538 I WASN'T WORRIED BEFORE YOU SAID THAT. 433 00:21:18,581 --> 00:21:20,583 TIMO'S NOT YOUR COUSIN. 434 00:21:20,627 --> 00:21:22,455 LOOK, I DON'T CARE WHAT YOU DO. 435 00:21:22,498 --> 00:21:26,415 JUST TRY TO CONDUCT YOUR LOVE LIFE WITH A LITTLE DISCRETION. 436 00:21:26,459 --> 00:21:27,547 FOR LEO'S SAKE. 437 00:21:27,590 --> 00:21:31,246 YOU ARE THE LAST PERSON I'D DISCUSS MY LOVE LIFE WITH. 438 00:21:31,290 --> 00:21:33,944 WHY? I'M EXTREMELY SAVVY. 439 00:21:33,988 --> 00:21:35,250 YOUR LOVE LIFE IS CRAZY STUPID. 440 00:21:35,294 --> 00:21:39,298 MY LOVE LIFE IS THE OPPOSITE OF CRAZY STUPID. 441 00:21:39,341 --> 00:21:40,647 IT'S SANE SMART. 442 00:21:42,518 --> 00:21:43,998 YOU HAVE THIS THING WITH WALTER. 443 00:21:44,041 --> 00:21:47,741 THEN YOU GO WITH A FAMOUS BASEBALL PLAYER, WHO'S PERFECT, 444 00:21:47,784 --> 00:21:50,309 EXCEPT HE ISN'T, SO THEN YOU GO BACK TO WALTER, 445 00:21:50,352 --> 00:21:54,574 WHO ISN'T PERFECT. STOP ME WHEN I GET TO THE SANE SMART PART. 446 00:21:54,617 --> 00:21:56,315 IT'S COMPLICATED. 447 00:21:56,358 --> 00:22:00,362 YOU EITHER LOVE SOMEONE AND WANT TO BE WITH THEM OR YOU DON'T. 448 00:22:00,406 --> 00:22:01,189 WHAT'S COMPLICATED? 449 00:22:01,232 --> 00:22:02,843 [CELL PHONE RINGS]I--UM-- 450 00:22:02,886 --> 00:22:05,976 ANSWER THAT. IT'LL BUY YOU SOME TIME. 451 00:22:06,020 --> 00:22:07,500 [RING] 452 00:22:07,543 --> 00:22:08,457 HELLO. 453 00:22:08,501 --> 00:22:10,241 I WANT TO BAIL OUT PRESTON MILLER. 454 00:22:10,285 --> 00:22:12,026 WHY ARE YOU TELLING ME? 455 00:22:12,069 --> 00:22:13,201 TELL HER TO COME DOWN AND SPRING US. 456 00:22:13,244 --> 00:22:15,421 I'M TEMPORARILY CAUGHT UP IN SOMETHING HERE. 457 00:22:15,464 --> 00:22:17,597 SO IS MY LOVELY ASSISTANT. I'M ASKING YOU 458 00:22:17,640 --> 00:22:20,121 TO GO INTO MY VAULT, TAKE 4 PACES FORWARD, 459 00:22:20,164 --> 00:22:21,601 LOOK IN THE EYE-LEVEL SHELF ON YOUR LEFT, 460 00:22:21,644 --> 00:22:26,214 WHERE THERE IS A 1.5 PRINCESS-CUT DIAMOND RING IN A WHITE GOLD SETTING. 461 00:22:26,257 --> 00:22:26,910 THAT'S MILLER'S BAIL. 462 00:22:26,954 --> 00:22:28,521 WALTER, WAIT. I HAVE NO IDEA 463 00:22:28,564 --> 00:22:30,436 HOW TO GET THROUGH YOUR BIZARRO HATCH. 464 00:22:30,479 --> 00:22:32,699 9 IS FINE, 7 IS GREAT, 465 00:22:32,742 --> 00:22:35,615 FLY THE COOP 2-4-6-8. 466 00:22:35,658 --> 00:22:36,529 2 FLEW WEST, 5 FLEW EAST, 467 00:22:36,572 --> 00:22:38,487 12 FLEW OVER AND HAD A FEAST. 468 00:22:38,531 --> 00:22:39,488 WHAT WAS THAT? 469 00:22:39,532 --> 00:22:40,533 IT'S A MNEMONIC. 470 00:22:40,576 --> 00:22:41,577 DO YOU WANT ME TO REPEAT IT? 471 00:22:41,621 --> 00:22:43,927 NO. I TAKE GINKOBILOBA EVERY MORNING. 472 00:22:43,971 --> 00:22:45,886 TELL HER TO BRING THE RING HERE. 473 00:22:45,929 --> 00:22:47,757 COULD YOU BRING THE RING TO THE LARGO BUILDING 474 00:22:47,801 --> 00:22:48,932 AND TELL THE HOMICIDE COPS THAT LEO AND I 475 00:22:48,976 --> 00:22:51,152 WOULDN'T KILL A KID IN HIS UNDERPANTS. 476 00:22:51,195 --> 00:22:52,066 WHAT? 477 00:22:52,109 --> 00:22:54,285 Leo: THANK YOU. MUCH APPRECIATED. 478 00:22:55,591 --> 00:22:57,027 WALTER? WAIT-- 479 00:22:58,942 --> 00:23:00,248 I GOTTA GO. 480 00:23:00,291 --> 00:23:01,205 NICE TALK. 481 00:23:01,249 --> 00:23:04,470 YEAH, GREAT TALK. I FEEL BETTER. 482 00:23:09,257 --> 00:23:12,173 [GRUNTS] 483 00:23:14,044 --> 00:23:20,486 [MUTTERING MNEMONIC INDISTINCTLY] 484 00:23:31,584 --> 00:23:34,064 [CONTINUES MUTTERING] 485 00:23:54,041 --> 00:23:56,783 ALL RIGHT. SO, THE DOWNSTAIRS NEIGHBOR 486 00:23:56,826 --> 00:23:58,959 REPORTED SEEING A WOMAN SWINGING OVER THE BALCONY, 487 00:23:59,002 --> 00:24:00,482 RUNNING THROUGH THE APARTMENT. 488 00:24:00,526 --> 00:24:03,833 SO THE POLICE NO LONGER THINK THAT YOU GUYS ARE INSANE. 489 00:24:03,877 --> 00:24:06,575 IS THE DEAD KID DEFINITELY MADDOX HOLT? 490 00:24:06,619 --> 00:24:09,926 YEP. HIS WALLET, HIS KEYS, AND HIS PHONE ARE ALL MISSING. 491 00:24:09,970 --> 00:24:11,580 THIS IS WHERE THE COUNTERFEIT BILLS WERE PRINTED. 492 00:24:11,624 --> 00:24:14,278 THAT BACK BEDROOM IS FULL OF HIGH-END LASER PRINTERS. 493 00:24:14,322 --> 00:24:16,542 IT'S HARD TO BELIEVE THERE ARE ONLY TWO IN THE COUNTERFEITING RING. 494 00:24:16,585 --> 00:24:19,762 YOU REALLY WANT TO BAIL OUT THE GREAT WAZOO? 495 00:24:19,806 --> 00:24:21,634 MAYBE THE ANGEL BETRAYED THE MAGICIAN. 496 00:24:21,677 --> 00:24:25,246 TOOK OFF WITH HIS MONEY. NOW HE WANTS YOU TO TRY TO HELP HIM GET IT BACK. 497 00:24:25,289 --> 00:24:27,204 IF PRESTON WAS IN ON THE COUNTERFEITING, 498 00:24:27,248 --> 00:24:31,121 HE'S NO USE TO US LOCKED UP, IS HE? 499 00:24:34,734 --> 00:24:36,779 ANGELICA MURDERED SOMEONE? 500 00:24:36,823 --> 00:24:40,087 A KID NAMED MADDOX HOLT. 19 YEARS OLD, ART STUDENT. 501 00:24:40,130 --> 00:24:41,610 DOES THAT RING A BELL FOR YOU? 502 00:24:41,654 --> 00:24:42,785 I DON'T KNOW ANYONE WHO'S 19. 503 00:24:42,829 --> 00:24:44,526 HE WAS PART OF A COUNTERFEITING RING. 504 00:24:44,570 --> 00:24:45,788 ANGELICA POISONED HIM. 505 00:24:45,832 --> 00:24:47,398 WHAT IS WRONG WITH ME? 506 00:24:47,442 --> 00:24:48,791 EVERY ASSISTANT LEAVES. 507 00:24:48,835 --> 00:24:51,968 SOME FOR FLASHIER MAGICIANS, SOME FOR A NORMAL LIFE. 508 00:24:52,012 --> 00:24:54,144 ONE LEFT ME TO BECOME A NUN. 509 00:24:54,188 --> 00:24:57,104 THIS ONE TURNS OUT TO BE A MURDEROUS COUNTERFEITER. 510 00:24:57,147 --> 00:24:59,149 JUST AN OBSERVATION, BUT UNLIKE ME, 511 00:24:59,193 --> 00:25:03,545 YOU ARE NO GOOD AT PICKING YOUR BEAUTIFUL ASSISTANTS. 512 00:25:03,589 --> 00:25:05,547 OH, DON'T LOOK AT ME WHEN YOU SAY THAT. 513 00:25:05,591 --> 00:25:07,070 I AM NOT WALTER'S BEAUTIFUL ASSISTANT. 514 00:25:07,114 --> 00:25:10,117 THE WHOLE TIME SHE WAS HELPING ME WITH THE PHOENIX, 515 00:25:10,160 --> 00:25:11,858 SHE WAS SETTING ME UP TO BE THE FALL GUY. 516 00:25:11,901 --> 00:25:16,950 I KNOW THEY SAY YOU SHOULD NEVER GIVE UP ON YOUR DREAMS... 517 00:25:16,993 --> 00:25:20,475 MY BROTHER OWNS A WINDOW INSTALLATION COMPANY 518 00:25:20,519 --> 00:25:22,259 IN WENATCHEE, WASHINGTON. 519 00:25:22,303 --> 00:25:24,697 EVERY TIME I TALK TO HIM, HE SAYS, 520 00:25:24,740 --> 00:25:27,264 QUIT FOOLING AROUND WITH MAGIC. I HAVE A JOB FOR YOU. 521 00:25:27,308 --> 00:25:30,746 YOU KNOW WHAT? I'M GONNA TAKE HIM UP ON IT. 522 00:25:30,790 --> 00:25:34,402 WINDOWS IN WENATCHEE. THAT'S MY FUTURE. 523 00:25:34,445 --> 00:25:35,969 IT'S A GOOD DECISION. 524 00:25:36,012 --> 00:25:37,536 MAGIC'S FOR KIDS, ANYWAY. 525 00:25:37,579 --> 00:25:38,667 WALTER. 526 00:25:38,711 --> 00:25:40,451 MR. MILLER, YOU SHOULDN'T MAKE A DECISION LIKE THAT 527 00:25:40,495 --> 00:25:41,888 WHEN YOU'RE AT A LOW POINT. 528 00:25:41,931 --> 00:25:43,846 IF YOU DO FIND ANGELICA, 529 00:25:43,890 --> 00:25:47,197 THANK HER FOR SETTING MY LIFE ON THE RIGHT TRACK. 530 00:25:47,241 --> 00:25:51,550 I WILL FIND HER AND I WILL DELIVER THE MESSAGE. 531 00:25:56,555 --> 00:26:00,863 [MAN SINGING IN FRENCH] 532 00:26:12,266 --> 00:26:13,484 DRAW ME. DRAW ME. 533 00:26:13,528 --> 00:26:18,141 BECAUSE THE BEST MODEL MAKES FOR THE BEST ART. 534 00:26:18,185 --> 00:26:22,885 IT'S TRADITION. YOU HAVE TO KNOW THE RULES BEFORE YOU CAN BREAK THEM. 535 00:26:22,929 --> 00:26:25,801 WOULDN'T THE ARTIST WHO MADE THE WORST MODEL LOOK GOOD BE THE BEST? 536 00:26:25,845 --> 00:26:28,630 WHAT DO YOU KNOW ABOUT RULES? YOU'RE A GYPSY. 537 00:26:28,674 --> 00:26:29,631 MAGIC IS PASSED ON. 538 00:26:29,675 --> 00:26:33,548 MASTER TO APPRENTICE, GENERATION TO GENERATION. 539 00:26:33,592 --> 00:26:35,768 I'M JUST ANOTHER DEAD END. 540 00:26:35,811 --> 00:26:37,378 YOU KNOW WHAT YOU ARE? 541 00:26:37,421 --> 00:26:39,293 YOU ARE MOROSE PEOPLE. 542 00:26:39,336 --> 00:26:42,209 JUST DANCE MORE. [FOREIGN LANGUAGE] 543 00:26:55,701 --> 00:26:57,398 SOME THINGS CAN'T BE TAUGHT. 544 00:26:57,441 --> 00:27:02,969 SOME ABILITIES COME ONLY WITH TIME AND EXPERIENCE. 545 00:27:08,714 --> 00:27:09,628 WALTER. 546 00:27:09,671 --> 00:27:11,499 OH, GOOD, YOU'RE AWAKE. 547 00:27:11,542 --> 00:27:13,153 SOME THINGS COME ONLY WITH TIME AND EXPERIENCE. 548 00:27:13,196 --> 00:27:16,504 I'M NOT GONNA LET SOME LITTLE TEENAGE GIRL TELL ME HOW TO LIVE. 549 00:27:16,547 --> 00:27:17,636 I TELL HER HOW TO LIVE. 550 00:27:17,679 --> 00:27:21,683 THERE WAS A THIRD PERSON IN THAT COUNTERFEITING RING. 551 00:27:21,727 --> 00:27:22,641 WHAT? 552 00:27:22,684 --> 00:27:24,033 WAIT, WHAT LITTLE TEENAGE GIRL? 553 00:27:24,077 --> 00:27:25,295 WILLA. 554 00:27:25,339 --> 00:27:27,776 HOW DO YOU KNOW THAT THERE'S A THIRD COUNTERFEITER? 555 00:27:27,820 --> 00:27:29,473 WHAT DID WILLA SAY TO YOU? 556 00:27:29,517 --> 00:27:33,390 HUH! SHE SAID THAT MY LOVE LIFE IS CRAZY STUPID. 557 00:27:33,434 --> 00:27:34,565 I'M YOUR LOVE LIFE. 558 00:27:34,609 --> 00:27:35,915 SHE DIDN'T MEAN THAT YOU'RE CRAZY STUPID. 559 00:27:35,958 --> 00:27:38,482 SHE MEANT THAT OUR RELATIONSHIP IS CRAZY STUPID. 560 00:27:38,526 --> 00:27:42,138 SHE'S A DUMB TEENAGER. SHE THINKS BOYS HAVE COOTIES. 561 00:27:42,182 --> 00:27:44,575 THE FACT IS, I CHOKED IN THE CLUTCH. 562 00:27:44,619 --> 00:27:46,229 SHE CAUGHT YOU BY SURPRISE. 563 00:27:46,273 --> 00:27:48,971 WHY ARE THERE 3 COUNTERFEITERS? 564 00:27:49,015 --> 00:27:51,844 WE HAVE THE MASTERMIND WHO CAN SQUEEZE INTO TIGHT SPACES. 565 00:27:51,887 --> 00:27:53,280 ANGELICA. 566 00:27:53,323 --> 00:27:55,586 WE HAVE THE PATSY WHO ORDERS SUPPLIES AND PRINTS THE MONEY. 567 00:27:55,630 --> 00:27:56,805 THE DEAD KID. 568 00:27:56,849 --> 00:28:00,679 THE ARTIST. WE HAVEN'T FOUND THE ARTIST, THE THIRD MAN. 569 00:28:00,722 --> 00:28:02,202 I OWE IT TO WILLA 570 00:28:02,245 --> 00:28:05,379 TO SHOW HER THE WAY THE WORLD REALLY IS. 571 00:28:05,422 --> 00:28:07,207 WAIT. HOW DID WE GET BACK TO WILLA AGAIN? 572 00:28:07,250 --> 00:28:10,950 BECAUSE I'M THE WOMAN AND SHE'S THE GIRL. 573 00:28:10,993 --> 00:28:14,040 [SIGHS] YEAH, YOU'RE THE WOMAN. 574 00:28:14,083 --> 00:28:18,174 COME ON, GO TO SLEEP. 575 00:28:20,307 --> 00:28:22,831 HOW DO WE KNOW WHICH ONE'S THE COUNTERFEITER? 576 00:28:22,875 --> 00:28:25,094 JUST LIKE THE MONEY IN THE VAULT, 577 00:28:25,138 --> 00:28:27,706 WITH GREAT ART YOU LOOK FOR THE LACK. 578 00:28:27,749 --> 00:28:28,445 WHAT? 579 00:28:28,489 --> 00:28:29,795 THE MAN IS BRILLIANT. 580 00:28:29,838 --> 00:28:32,319 WE LOOK FOR WHAT ISN'T THERE. THE NEGATIVE SPACE. 581 00:28:32,362 --> 00:28:35,104 WE RAN THE MODUS OPERANDI. WE CAME UP WITH THIS WOMAN. 582 00:28:35,148 --> 00:28:38,760 PAMELA TATE. WHAT IS SHE, A FUGITIVE? 583 00:28:38,804 --> 00:28:41,981 MM-HMM. SHE'S WANTED IN CONNECTION WITH 3 OTHER COUNTERFEITING SCAMS, 584 00:28:42,024 --> 00:28:43,983 SHE ALWAYS HAS TWO ACCOMPLICES, 585 00:28:44,026 --> 00:28:46,463 AND SHE VANISHES.THEY ALWAYS GET CAUGHT. 586 00:28:46,507 --> 00:28:47,595 AWESOME. 587 00:28:47,638 --> 00:28:49,336 LOOK FOR THE LACK. 588 00:28:49,379 --> 00:28:52,469 HOW ABOUT THAT KID WHO HASN'T GOT ANY MUSCLE DEFINITION? 589 00:28:52,513 --> 00:28:57,083 MM, YEAH, NO, MY MONEY'S ON THE GIRL WHO TOTALLY LACKS INHIBITION. 590 00:28:57,126 --> 00:29:01,522 MR. TOWERS WON'T BE IN TODAY. 591 00:29:01,565 --> 00:29:04,046 CLASS CANCELED. 592 00:29:04,090 --> 00:29:05,961 THE NEGATIVE SPACE. 593 00:29:06,005 --> 00:29:09,748 THE TEACHER IS OUR BAD GUY. 594 00:29:21,847 --> 00:29:25,198 I OWE YOU AN APOLOGY. I'M GONNA TELL YOU ABOUT ME AND WALTER. 595 00:29:25,241 --> 00:29:28,941 THAT'S NOT AN APOLOGY. THAT'S LIKE CHILD ABUSE. 596 00:29:28,984 --> 00:29:31,857 CAN YOU IMAGINE WALTER LEAVING THE ENDS OF THE EARTH? 597 00:29:31,900 --> 00:29:33,075 NO. 598 00:29:33,119 --> 00:29:34,947 THERE YOU GO. 599 00:29:34,990 --> 00:29:35,948 WAIT. 600 00:29:35,991 --> 00:29:36,905 THAT'S YOUR EXPLANATION, 601 00:29:36,949 --> 00:29:39,081 ASKING IF WALTER LIKES TO TRAVEL? 602 00:29:39,125 --> 00:29:44,260 WANT ME TO LAY IT OUT FOR YOU? OK, FINE. 603 00:29:44,304 --> 00:29:48,525 CAN YOU IMAGINE ME LEAVING FLORIDA? 604 00:29:48,569 --> 00:29:50,092 NO. 605 00:29:50,136 --> 00:29:50,876 WHAT? 606 00:29:50,919 --> 00:29:52,312 I CAN'T. 607 00:29:52,355 --> 00:29:53,966 YOU'RE WRONG. 608 00:29:54,009 --> 00:29:54,967 WHERE ARE YOU GOING? 609 00:29:55,010 --> 00:29:56,795 WASHINGTON, D.C. 610 00:29:56,838 --> 00:29:59,449 LIKE ON A TRIP? 611 00:29:59,493 --> 00:30:00,494 NO. 612 00:30:00,537 --> 00:30:01,451 I'M GOING TO BE THE ATTORNEY GENERAL 613 00:30:01,495 --> 00:30:03,540 OF THE UNITED STATES OF AMERICA. 614 00:30:03,584 --> 00:30:04,541 YEAH, RIGHT. 615 00:30:04,585 --> 00:30:05,978 I AM. I GO TO LAW SCHOOL AT NIGHT, 616 00:30:06,021 --> 00:30:07,283 AND I GET FIELD EXPERIENCE AS A MARSHAL. 617 00:30:07,327 --> 00:30:09,111 I'M GOING TO WASHINGTON, LITTLE GIRL. 618 00:30:09,155 --> 00:30:10,373 YOU MARK MY WORDS. 619 00:30:10,417 --> 00:30:13,115 SO YOU'RE GOING TO LEAVE WALTER IN YOUR DUST? 620 00:30:13,159 --> 00:30:15,726 I WILL BE EATING DINNER IN THE WHITE HOUSE WITHIN 6 YEARS. 621 00:30:15,770 --> 00:30:18,991 THAT'S MY GOAL. I SET GOALS AND I REACH THEM. 622 00:30:19,034 --> 00:30:20,993 YOU SHOULD TRY IT. 623 00:30:21,036 --> 00:30:24,953 LOOK, THE WHITE HOUSE LIFE AND WALTER LIFE, 624 00:30:24,997 --> 00:30:26,041 THEY DON'T MIX. 625 00:30:26,085 --> 00:30:28,957 SO WALTER IS JUST YOUR FLORIDA BOYFRIEND. 626 00:30:29,001 --> 00:30:33,962 DON'T MAKE IT SEEM LIKE I HAVE A DIFFERENT BOYFRIEND IN EVERY STATE. 627 00:30:34,006 --> 00:30:35,268 OK, YOU KNOW WHAT? 628 00:30:35,311 --> 00:30:38,706 CAN YOU IMAGINE SPENDING THE REST OF YOUR LIFE WITH TIMO? 629 00:30:38,749 --> 00:30:41,143 OH, SO YOU'RE NOT SO QUICK TO ANSWER WHEN THE QUESTIONS GET TOUGH. 630 00:30:41,187 --> 00:30:43,972 I'M BETROTHED TO TIMO. 631 00:30:44,016 --> 00:30:45,147 WHAT? 632 00:30:45,191 --> 00:30:46,061 BETROTHED? 633 00:30:46,105 --> 00:30:47,976 COME ON, THAT'S RIDICULOUS. 634 00:30:48,020 --> 00:30:48,934 YOU AND TIMO ARE ENGAGED? 635 00:30:48,977 --> 00:30:53,155 SINCE I WAS 5 AND TIMO WAS 10. 636 00:30:53,199 --> 00:30:56,028 IS THIS THE 12th CENTURY? 637 00:30:56,071 --> 00:30:58,857 IT'S THE GYPSY WAY. 638 00:31:00,946 --> 00:31:03,339 DO YOU LOVE TIMO? 639 00:31:04,601 --> 00:31:06,125 LIKE A BROTHER. 640 00:31:06,168 --> 00:31:09,041 DOES TIMO LOVE YOU? 641 00:31:09,084 --> 00:31:12,000 HE'S IN LOVE WITH SOMEONE ELSE. 642 00:31:12,044 --> 00:31:16,048 AND I MEAN REALLY IN LOVE. 643 00:31:16,091 --> 00:31:17,310 THE KIND OF LOVE THAT MAKES HIM CRY 644 00:31:17,353 --> 00:31:20,095 WHEN HE THINKS THAT NO ONE'S LOOKING. 645 00:31:20,139 --> 00:31:23,055 SO, YOU AREN'T GOING TO MARRY HIM. 646 00:31:23,098 --> 00:31:25,492 UNCLE SHADRACH'S THE HEAD OF THE FAMILY. 647 00:31:25,535 --> 00:31:30,062 HE'S THE ONLY ONE THAT CAN CALL OFF THE WEDDING. 648 00:31:30,105 --> 00:31:31,106 AND FOR THAT TO HAPPEN, 649 00:31:31,150 --> 00:31:34,022 TIMO NEEDS TO GIVE SHAD MONEY. 650 00:31:34,066 --> 00:31:36,459 A LOT OF MONEY. 651 00:31:36,503 --> 00:31:41,116 TIMO'S GONNA DO SOMETHING DANGEROUS TO GET THAT MONEY. 652 00:31:41,160 --> 00:31:47,514 MY GOD, HONEY, YOU'RE WORRIED SICK, AREN'T YOU? 653 00:31:47,557 --> 00:31:50,125 [CRYING] 654 00:31:58,612 --> 00:31:59,961 WHAT'S GOING ON? 655 00:32:00,005 --> 00:32:04,096 AH, GOOD, YOU'RE HERE. 656 00:32:04,139 --> 00:32:07,142 HI. DO YOU SEE THAT PRINTER LIGHT FLASHING? 657 00:32:07,186 --> 00:32:10,537 WHATEVER'S JAMMING THAT COULD BE THE LAST THING THAT TOWERS PRINTED. 658 00:32:10,580 --> 00:32:14,367 FOR THE HUNDREDTH TIME, YOU'RE NOT SEEING WHAT IS IN THAT PRINTER. 659 00:32:14,410 --> 00:32:16,717 CONFOUND HER WITH LEGAL JARGON. GO ON. 660 00:32:16,760 --> 00:32:18,327 IT'S EVIDENCE, WALTER. 661 00:32:18,371 --> 00:32:19,198 EHH. 662 00:32:19,241 --> 00:32:21,548 THIS IS A SECRET SERVICE CRIME SCENE. 663 00:32:21,591 --> 00:32:23,028 AND YOU JUST OPENED IT UP AND LET-- 664 00:32:23,071 --> 00:32:24,812 NO, NO, NO, NO, NO. NO. 665 00:32:24,855 --> 00:32:27,336 THE SECRET SERVICE HAS ITS OWN TIME-PROVEN INVESTIGATORY PROTOCOLS 666 00:32:27,380 --> 00:32:29,077 WHICH ENSURE A VERY HIGH CONVICTION RATE. 667 00:32:29,121 --> 00:32:31,645 I DON'T CARE ABOUT THE COURTS. I JUST WANT TO FIND ANGELICA ANGEL. 668 00:32:31,688 --> 00:32:35,127 LOOK, IF YOU TAINT THIS EVIDENCE, IT'S MY CAREER. 669 00:32:35,170 --> 00:32:37,651 I'M SORRY. WHY ARE YOU-- 670 00:32:40,567 --> 00:32:44,136 WALTER'S SORRY. IT'S JUST THAT WHEN HE'S GETTING CLOSE-- 671 00:32:44,179 --> 00:32:47,139 ONE BUS LINE E-TICKET FOR DREW SKEETER 672 00:32:47,182 --> 00:32:50,011 TRAVELING TO LINA, NORTH DAKOTA. 673 00:32:50,055 --> 00:32:51,926 LET ME JUST TAKE THIS BACK. 674 00:32:51,970 --> 00:32:52,753 SORRY. 675 00:32:52,796 --> 00:32:54,581 STOP TOUCHING ME. 676 00:32:56,148 --> 00:32:59,238 HE DID THAT WITHOUT MY PERMISSION. 677 00:33:03,329 --> 00:33:06,462 DREW SKEETER IS AN ANAGRAM FOR DEREK TOWERS. 678 00:33:06,506 --> 00:33:08,247 THAT'S THE NAME THE ART TEACHER IS TRAVELING UNDER? 679 00:33:08,290 --> 00:33:11,293 YEP. AND THE TICKET IS FOR LINA, NORTH DAKOTA. 680 00:33:11,337 --> 00:33:14,601 TOWERS AND ANGELICA ARE MAKING A RUN FOR CANADA? 681 00:33:16,168 --> 00:33:18,387 THAT'S EXACTLY WHAT THEY ARE NOT DOING. 682 00:33:18,431 --> 00:33:19,867 AND YOU KNOW THIS BECAUSE... 683 00:33:19,910 --> 00:33:22,261 IT'S EXACTLY WHAT ANGELICA WANTS US TO THINK SHE'S DOING-- 684 00:33:22,304 --> 00:33:24,045 THAT ANAGRAM, THE TICKET LEFT BEHIND. 685 00:33:24,089 --> 00:33:25,133 IT'S A MISDIRECT. 686 00:33:25,177 --> 00:33:27,092 ANGELICA HAS MADE A FATAL MISTAKE. 687 00:33:27,135 --> 00:33:28,615 WALTER, ALL WE KNOW IS WHERE THEY AREN'T GOING. 688 00:33:28,658 --> 00:33:30,051 THAT LEAVES A LOT OF OTHER POSSIBILITIES. 689 00:33:30,095 --> 00:33:35,100 ANGELICA HAS A TELL. SHE DOES THE EXACT OPPOSITE OF WHAT WE'D EXPECT. 690 00:33:35,143 --> 00:33:36,101 WHAT'S THE OPPOSITE OF CANADA? 691 00:33:36,144 --> 00:33:38,973 IF WE TURN THE MAP UPSIDE DOWN, 692 00:33:39,017 --> 00:33:41,062 YOU CAN EASILY SEE THAT-- 693 00:33:41,106 --> 00:33:42,194 MEXICO. 694 00:33:42,237 --> 00:33:43,108 MEJICO. 695 00:33:43,151 --> 00:33:45,327 MEXICO'S A PRETTY BIG PLACE. 696 00:33:45,371 --> 00:33:46,024 SIÍ, SEÑOR. 697 00:33:46,067 --> 00:33:47,155 WHERE DO YOU WANT TO GO NOW? 698 00:33:47,199 --> 00:33:48,200 TO THE BUS STATION. 699 00:33:48,243 --> 00:33:50,941 THEY'RE ON A BUS TO MEXICO. 700 00:33:50,985 --> 00:33:52,291 YOU ARE GOOD. 701 00:33:52,334 --> 00:33:53,205 OH, I'M REALLY GOOD. 702 00:33:53,248 --> 00:33:54,467 DON'T GET A BIG HEAD. 703 00:33:54,510 --> 00:33:55,946 !¡RAÁPIDO! [SNAPS FINGERS] 704 00:34:01,996 --> 00:34:03,737 OK. 705 00:34:06,609 --> 00:34:11,005 [REPEATING MNEMONIC INDISTINCTLY] 706 00:34:25,193 --> 00:34:27,500 [GRUNTING] 707 00:34:34,072 --> 00:34:37,292 ALL RIGHT. 708 00:34:44,430 --> 00:34:47,346 OH, MY GOD. 709 00:34:47,389 --> 00:34:50,262 OH, MY GOD! 710 00:34:50,305 --> 00:34:54,179 HEY, YOU GUYS HEADING TO LAREDO, TEXAS? 711 00:34:54,222 --> 00:34:55,441 WHY LAREDO? 712 00:34:55,484 --> 00:34:57,878 IT'S LITERALLY THE EXACT OPPOSITE OF LINA, NORTH DAKOTA. 713 00:34:57,921 --> 00:35:00,141 I'M STARTING TO SEE HOW THIS WOMAN THINKS. I LIKE IT. 714 00:35:00,185 --> 00:35:03,275 HEY, PROFESSOR! PLAYING HOOKY FROM ART SCHOOL? 715 00:35:03,318 --> 00:35:05,364 DO THAT THING! 716 00:35:08,671 --> 00:35:09,890 WHOO-HOO! 717 00:35:09,933 --> 00:35:12,197 SHAZAM! HEY, BUDDY. 718 00:35:12,240 --> 00:35:14,242 I'M NOT YOUR BEAUTIFUL ASSISTANT, 719 00:35:14,286 --> 00:35:16,201 AND ONE OF THESE DAYS I'M GOING TO MISS. 720 00:35:16,244 --> 00:35:18,290 AH. GOOD SHOT. 721 00:35:18,333 --> 00:35:20,335 PONCHO'S OKAY FOR AN ART TEACHER, 722 00:35:20,379 --> 00:35:22,381 BUT THE COWBOY HAT? IT'S GOTTA GO. 723 00:35:28,735 --> 00:35:31,390 HOW IRONIC IS IT THAT HE'S THE BEAUTIFUL ASSISTANT 724 00:35:31,433 --> 00:35:33,305 TO THE MISSING BEAUTIFUL ASSISTANT? 725 00:35:33,348 --> 00:35:34,697 THAT'S NOT IRONY. 726 00:35:34,741 --> 00:35:36,830 IRONY IS WHEN THE APPARENT MEANING OF SOMETHING 727 00:35:36,873 --> 00:35:38,310 DIFFERS FROM THE ACTUAL MEANING. 728 00:35:38,353 --> 00:35:41,530 HEY. HOW COME TOWERS WASN'T YOUR BUST? 729 00:35:41,574 --> 00:35:42,879 BECAUSE I'M SUSPENDED. 730 00:35:42,923 --> 00:35:47,275 WHY? BECAUSE YOUR LITTLE T-SHIRT STRAITJACKET TRICK. 731 00:35:47,319 --> 00:35:49,408 WILL CATCHING TOWERS MAKE UP FOR THAT? 732 00:35:49,451 --> 00:35:50,626 NO. HE'S NOT THE RINGLEADER. 733 00:35:50,670 --> 00:35:52,759 NOW, THE E-TICKET WAS IRONIC. 734 00:35:52,802 --> 00:35:56,415 LOOKED LIKE A CLUE, IT WAS ACTUALLY A DIVERSION. 735 00:35:56,458 --> 00:35:58,982 CAN YOU STILL FOOL THE HIGHWAY PATROL 736 00:35:59,026 --> 00:36:02,421 INTO THINKING YOU'RE STILL A LEGIT SECRET SERVICE AGENT? 737 00:36:02,464 --> 00:36:04,336 AND RUIN MY CAREER COMPLETELY? 738 00:36:04,379 --> 00:36:06,381 MM...YEAH, NO, THANKS. 739 00:36:06,425 --> 00:36:08,427 THE BEST WAY TO GET YOUR CAREER BACK 740 00:36:08,470 --> 00:36:09,993 IS TO CATCH ANGELICA ANGEL. 741 00:36:12,257 --> 00:36:15,434 HE'S GOT A POINT. 742 00:36:15,477 --> 00:36:17,218 NOBODY ON THIS BUS MATCHES ANGELICA ANGEL'S DESCRIPTION. 743 00:36:17,262 --> 00:36:18,654 THAT'S A VERY GOOD SIGN. 744 00:36:18,698 --> 00:36:20,613 OK, NOW, THAT RESPONSE IS IRONIC. 745 00:36:20,656 --> 00:36:22,441 YOU KNOW, YOU'RE LIKE A BOMB. 746 00:36:22,484 --> 00:36:23,746 IF THAT MAGICIAN HAD NEVER HIRED YOU, 747 00:36:23,790 --> 00:36:25,400 HE NEVER WOULD HAVE BEEN CHARGED WITH COUNTERFEITING, 748 00:36:25,444 --> 00:36:28,142 AND HE NEVER WOULD HAVE HAD TO QUIT DOING WHAT HE LOVES DOING. 749 00:36:28,186 --> 00:36:30,840 AND I WOULD STILL HAVE A BRIGHT FUTURE WITH THE SECRET SERVICE. 750 00:36:30,884 --> 00:36:32,538 WE'RE NOT LOOKING FOR ANGELICA. 751 00:36:32,581 --> 00:36:34,279 THAT'S WHAT SHE WOULD EXPECT US TO DO. 752 00:36:34,322 --> 00:36:36,803 - WHAT ARE WE LOOKING FOR? - DEREK TOWERS' LUGGAGE. 753 00:36:45,899 --> 00:36:48,467 GOT IT. 754 00:36:52,514 --> 00:36:56,910 OH--I LET YOU GET ME ALL EXCITED AGAIN AND THEN-- 755 00:36:56,953 --> 00:36:58,259 I HATE YOU. 756 00:36:58,303 --> 00:36:59,434 POOR ISABEL. 757 00:36:59,478 --> 00:37:00,783 I SHOULD BE DISCOURAGED, 758 00:37:00,827 --> 00:37:03,873 BUT I AM TOTALLY EXHILARATED BY HER ZIGS AND ZAGS. 759 00:37:03,917 --> 00:37:06,441 AGENT GREEN AND I BOTH FEEL TOTALLY ZAGGED. 760 00:37:06,485 --> 00:37:11,403 MAY I SEE THAT PASSENGER MANIFEST, PLEASE? 761 00:37:11,446 --> 00:37:12,404 ALL RIGHT, WHAT ARE WE LOOKING FOR? 762 00:37:12,447 --> 00:37:15,885 WHAT HAVE WE BEEN LOOKING FOR FROM THE BEGINNING? 763 00:37:15,929 --> 00:37:17,409 A GIRL IN A BOX. 764 00:37:17,452 --> 00:37:19,541 WHAT'S THE OPPOSITE OF A GIRL IN A BOX? 765 00:37:19,585 --> 00:37:23,458 NEGATIVE SPACE AGAIN? A BOY NOT IN A BOX. 766 00:37:23,502 --> 00:37:25,155 REAL HELPFUL. 767 00:37:27,462 --> 00:37:32,946 I HAVE TO SAY, I AM INCREDIBLY ATTRACTED TO YOU. 768 00:37:32,989 --> 00:37:33,294 MWAH! 769 00:37:33,338 --> 00:37:35,383 HELLO, ANGELICA. 770 00:37:35,427 --> 00:37:40,127 LEO! IT'S THE BEAUTIFUL ASSISTANT! 771 00:37:40,170 --> 00:37:41,302 SHE'S A CONTORTIONIST. 772 00:37:41,346 --> 00:37:43,391 GOD, I CAN'T HOLD HER. HELP ME! 773 00:37:43,435 --> 00:37:45,306 LEO! LEO! 774 00:37:45,350 --> 00:37:46,394 SHOOT HER! GAAH! 775 00:37:46,438 --> 00:37:47,961 GET HER LEG! 776 00:37:48,004 --> 00:37:49,354 NO! 777 00:37:49,397 --> 00:37:51,138 COME ON, STOP! 778 00:37:51,181 --> 00:37:54,315 [GRUNTING] 779 00:37:54,359 --> 00:37:55,316 PUT HER DOWN. 780 00:37:55,360 --> 00:37:59,451 LIKE A LITTLE BADGER. 781 00:37:59,494 --> 00:38:03,150 HOLD ON. HERE WE GO. THERE YOU GO. 782 00:38:03,193 --> 00:38:04,891 [SHOUTING] 783 00:38:04,934 --> 00:38:07,502 [INDISTINCT] 784 00:38:07,546 --> 00:38:10,897 [YELLING] 785 00:38:13,378 --> 00:38:18,339 THERE. YOU FINALLY GOT WHAT YOU WERE LOOKING FOR-- A GIRL IN A BOX. 786 00:38:18,383 --> 00:38:19,993 [PANTING] OH, GOD, SHE'S... 787 00:38:20,036 --> 00:38:21,299 SLIPPERY. 788 00:38:26,216 --> 00:38:28,218 NOTHING IN THE VAULT? 789 00:38:28,262 --> 00:38:30,525 JUNK. PHOTOS, LIKE THAT. 790 00:38:30,569 --> 00:38:31,700 NOTHING VALUABLE. 791 00:38:31,744 --> 00:38:35,443 HE LOCKS A VAULT FILLED WITH NOTHING. 792 00:38:35,487 --> 00:38:37,532 WALTER'S A CRAZY MAN. 793 00:38:37,576 --> 00:38:40,230 I'M SORRY. 794 00:38:41,797 --> 00:38:43,625 I APPRECIATE YOU TRYING. 795 00:38:43,669 --> 00:38:45,410 I WON'T FORGET IT. 796 00:38:54,462 --> 00:38:56,551 TIMO, WAIT. 797 00:39:02,557 --> 00:39:05,517 I NEED TO TALK TO BOTH OF YOU. 798 00:39:05,560 --> 00:39:07,606 WHAT'S THIS ALL ABOUT? 799 00:39:07,649 --> 00:39:09,695 WE NEED TO HELP WILLA AND TIMO. 800 00:39:09,738 --> 00:39:11,697 HELP THEM WITH WHAT? ELOPE? 801 00:39:11,740 --> 00:39:13,655 WHAT IS THIS, SOME SORT OF ROMEO AND JULIET THING? 802 00:39:13,699 --> 00:39:15,527 THAT STORY DID NOT END WELL. 803 00:39:15,570 --> 00:39:16,484 FINANCIALLY. 804 00:39:16,528 --> 00:39:17,485 WHAT DOES SHE KNOW? 805 00:39:17,529 --> 00:39:18,791 I--WELL, WE WERE JUST-- 806 00:39:18,834 --> 00:39:21,097 YOU SHARED OUR PRIVATE MATTERS WITH AN OUTSIDER? 807 00:39:21,141 --> 00:39:22,534 A POLICE OUTSIDER? 808 00:39:22,577 --> 00:39:25,450 WHY DOES TIMO NEED MONEY? 809 00:39:26,538 --> 00:39:28,409 ARE YOU PREGNANT, WILLA? 810 00:39:28,453 --> 00:39:29,671 I'M A VIRGIN, LEO. 811 00:39:29,715 --> 00:39:32,021 SO UNLESS I'M CARRYING THE MESSIAH, NO. 812 00:39:32,065 --> 00:39:35,547 I HAVE ALMOST $3,000 SAVED UP FOR A CONVERTIBLE. 813 00:39:35,590 --> 00:39:40,247 BY WHICH I MEAN I HAVE JUST OVER $1,000. 814 00:39:40,290 --> 00:39:43,337 BUT I WANT YOU TO HAVE IT. 815 00:39:45,121 --> 00:39:45,905 WHAT CAN YOU SPARE? 816 00:39:45,948 --> 00:39:47,341 FOR WHAT? 817 00:39:47,385 --> 00:39:50,605 LEO, CAN YOU JUST TRUST THAT THIS IS FOR SOMETHING GOOD? 818 00:39:50,649 --> 00:39:53,521 HOW DO I KNOW THIS ISN'T SOME KIND OF SCAM? 819 00:39:53,565 --> 00:39:55,654 I'M ENGAGED TO TIMO. 820 00:39:55,697 --> 00:39:56,437 WILLA. WHAT? 821 00:39:56,481 --> 00:39:58,700 WILLA! IT WAS ARRANGED BY MY UNCLE SHAD. 822 00:39:58,744 --> 00:39:59,309 WHAT? 823 00:39:59,353 --> 00:40:02,487 BUT TIMO LOVES SOMEONE ELSE. 824 00:40:02,530 --> 00:40:04,445 TIMO CAN BUY HIS WAY OUT OF THIS ARRANGED MARRIAGE, 825 00:40:04,489 --> 00:40:08,188 BUT IN ORDER TO DO THAT, HE'LL END UP DOING SOMETHING REALLY ILLEGAL 826 00:40:08,231 --> 00:40:09,450 AND DANGEROUS. 827 00:40:09,494 --> 00:40:11,060 HOW MUCH MONEY DO YOU NEED? 828 00:40:11,104 --> 00:40:12,497 $25,000. 829 00:40:12,540 --> 00:40:13,411 TIMO. 830 00:40:13,454 --> 00:40:15,369 WE NEED $10,000. 831 00:40:17,371 --> 00:40:20,374 I GOT IT COVERED. 832 00:40:21,810 --> 00:40:24,683 JUST THINK OF THESE EARRINGS. 833 00:40:24,726 --> 00:40:26,685 AS YOUR UNENGAGEMENT PRESENT. 834 00:40:31,429 --> 00:40:32,212 THANK YOU. 835 00:40:32,255 --> 00:40:33,039 IF YOU GOTTA STAY OVERNIGHT, 836 00:40:33,082 --> 00:40:36,172 STAY IN ONE OF THE OTHER TRAILERS, ALL RIGHT? 837 00:40:36,216 --> 00:40:38,000 I'LL SHOW YOU. 838 00:40:42,048 --> 00:40:45,138 WILLA, I BELIEVE YOU HAVE SOMETHING OF MINE. 839 00:40:45,181 --> 00:40:46,400 WHAT? 840 00:40:46,444 --> 00:40:47,488 WILLA GOT INTO THE VAULT. 841 00:40:47,532 --> 00:40:49,272 YOU STOLE FROM WALTER? 842 00:40:49,316 --> 00:40:52,450 NO. I MEAN, I TOOK SOMETHING, BUT IT WAS FOR YOU. 843 00:40:54,582 --> 00:40:58,020 IF I WERE GOING TO STEAL SOMETHING, I'D HAVE TAKEN THE FRAME. 844 00:40:59,718 --> 00:41:03,765 IS THIS...THE OVAL OFFICE? 845 00:41:03,809 --> 00:41:04,636 YEAH. 846 00:41:04,679 --> 00:41:07,508 THE OVAL OFFICE IS IN THE WHITE HOUSE. 847 00:41:07,552 --> 00:41:10,859 OH, UH, WILLA, I WENT AHEAD AND CHANGED THE COMBINATION 848 00:41:10,903 --> 00:41:14,559 JUST IN CASE YOU'RE TEMPTED IN THE FUTURE. 849 00:41:14,602 --> 00:41:16,735 THANK YOU. 850 00:41:26,571 --> 00:41:28,224 YOU'VE BEEN CLEARED OF ALL WRONGDOING. 851 00:41:28,268 --> 00:41:31,837 MY BEAUTIFUL ASSISTANT WAS MORE INTERESTING AND TALENTED THAN I AM 852 00:41:31,880 --> 00:41:33,969 IN EVERY POSSIBLE WAY. 853 00:41:34,013 --> 00:41:36,102 THAT'S THE WAY I FEEL ABOUT MY BEAUTIFUL ASSISTANTS. 854 00:41:36,145 --> 00:41:37,103 YOU DO? 855 00:41:37,146 --> 00:41:38,757 THANK YOU, BUT I'M GONNA TAKE THAT JOB 856 00:41:38,800 --> 00:41:42,761 WITH MY BROTHER INSTALLING WINDOWS IN WENATCHEE. 857 00:41:42,804 --> 00:41:44,153 BUT MAGIC IS YOUR MISTRESS. 858 00:41:44,197 --> 00:41:48,723 A MISTRESS I LOVE, BUT WHO DOESN'T LOVE ME BACK. 859 00:41:48,767 --> 00:41:50,203 I HATE MAGIC, 860 00:41:50,246 --> 00:41:53,554 AND I APPLAUD YOUR EXCITING NEW CAREER IN WINDOW INSTALLATION, 861 00:41:53,598 --> 00:41:54,860 BUT, UH... 862 00:41:54,903 --> 00:41:56,992 THERE'S SOME PRETTY GOOD STUFF IN HERE. 863 00:41:57,036 --> 00:42:03,521 NOW, IF YOU JUST DO THIS AND THIS, 864 00:42:03,564 --> 00:42:05,435 PHOENIX WILL WORK. 865 00:42:07,786 --> 00:42:08,787 OH, MY GOD. 866 00:42:10,919 --> 00:42:13,661 YEAH, BUT YOU THOUGHT OF THIS, NOT ME. 867 00:42:13,705 --> 00:42:14,967 GO AHEAD AND SELL THE TRICK. 868 00:42:15,010 --> 00:42:17,143 IT SHOULD SETTLE MY BILL WITH MR. KNOX. 869 00:42:17,186 --> 00:42:18,884 YOU KNOW, IF ANGELICA HAD HELPED YOU THE WAY 870 00:42:18,927 --> 00:42:21,060 A REAL BEAUTIFUL ASSISTANT SHOULD, 871 00:42:21,103 --> 00:42:22,801 YOU'D HAVE FIGURED IT OUT YOURSELF. 872 00:42:22,844 --> 00:42:25,020 THE PROBLEM IS, SIR, THAT UNLIKE WALTER, 873 00:42:25,064 --> 00:42:26,718 YOU STINK AT CHOOSING YOUR BEAUTIFUL ASSISTANTS. 874 00:42:26,761 --> 00:42:30,025 I CAN GIVE YOU THE NAME OF A VERY TRUSTWORTHY SECRET SERVICE AGENT 875 00:42:30,069 --> 00:42:31,940 WHO'S CONSIDERING A CAREER CHANGE. 876 00:42:31,984 --> 00:42:35,857 JUST DO WHAT I DID. FIND SOMEBODY YOU CAN TRUST. 877 00:42:35,901 --> 00:42:38,556 THAT'LL CHANGE YOUR LIFE. 878 00:42:40,732 --> 00:42:42,037 IF YOU EVER NEED ME 879 00:42:42,081 --> 00:42:46,389 OR THE GREAT PRESTO MALATESTA, 880 00:42:46,433 --> 00:42:48,174 I OWE YOU. 881 00:42:49,175 --> 00:42:51,656 YOU WERE HOPING HE'D DISAPPEAR IN A PUFF OF SMOKE. 882 00:42:51,699 --> 00:42:53,135 YEAH, I REALLY WAS. 883 00:42:53,179 --> 00:42:56,530 BUT THERE'S NO SUCH THING AS MAGIC. 884 00:42:56,574 --> 00:42:59,054 [EXPLOSION] 885 00:43:00,490 --> 00:43:02,797 COME ON. 886 00:43:37,527 --> 00:43:38,703 WHAT'S THAT MEAN?