1 00:00:00,968 --> 00:00:03,504 [HIP HOP MUSIC PLAYING] 2 00:00:23,057 --> 00:00:24,658 IS THAT HIM? 3 00:00:24,692 --> 00:00:27,228 WALTER SHERMAN. 4 00:00:28,962 --> 00:00:33,534 HE 100% WHITE BOY. LOOK AT HOW HE DANCE. 5 00:00:33,567 --> 00:00:34,402 YES, 100%. 6 00:00:34,435 --> 00:00:36,904 BUT HE COMES HIGHLY RECOMMENDED. 7 00:00:36,937 --> 00:00:40,308 IT'S, UH, ALMOST TIME. 8 00:00:42,876 --> 00:00:44,011 [MUSIC STOPS] 9 00:00:44,044 --> 00:00:46,847 [INDISTINCT CHATTER] 10 00:00:46,880 --> 00:00:48,516 MR. SHERMAN! 11 00:00:50,384 --> 00:00:52,720 HEY, FOOL, SHE MEAN COME OVER HERE. 12 00:00:52,753 --> 00:00:55,256 RIGHT. 13 00:01:00,194 --> 00:01:01,962 OH. HUH. 14 00:01:01,995 --> 00:01:03,264 THAT'S ONE HELL OF A PARTY. 15 00:01:03,297 --> 00:01:06,300 THANK YOU FOR INVITING ME, BIG GLADE. 16 00:01:06,334 --> 00:01:09,670 I'M SORRY, DO I-- DO I CALL YOU "BIG" OR "MR. GLADE"? 17 00:01:09,703 --> 00:01:11,472 CALL ME "GLADE." 18 00:01:11,505 --> 00:01:13,641 MY LAWYER HERE SAYS YOU CAN STRAIGHT UP FIND ANYTHING. 19 00:01:13,674 --> 00:01:16,110 WELL, IF I WANT TO. I DON'T ALWAYS WANT TO. 20 00:01:16,144 --> 00:01:19,180 I NEED YOU TO LISTEN TO SOMETHING. 21 00:01:19,213 --> 00:01:21,149 PLAY THAT THING. 22 00:01:21,182 --> 00:01:23,184 Man: AS PROMISED, 23 00:01:23,217 --> 00:01:25,953 ONE OF THE NEWLY FOUND UNRELEASED EXCLUSIVE TRACKS 24 00:01:25,986 --> 00:01:29,323 FROM THE LATE, GREAT J-STRYKE. 25 00:01:29,357 --> 00:01:31,159 I CAN'T TELL YOU WHERE I GOT IT, 26 00:01:31,192 --> 00:01:34,027 BUT I CAN TELL YOU THAT OVER THE NEXT 4 DAYS, 27 00:01:34,061 --> 00:01:36,697 YOU ARE GOING TO HEAR MORE FROM J-STRYKE 28 00:01:36,730 --> 00:01:39,133 BEYOND THE GRAVE. 29 00:01:39,167 --> 00:01:40,134 WHY IN 4 DAYS? 30 00:01:40,168 --> 00:01:41,402 BECAUSE IN 4 DAYS, 31 00:01:41,435 --> 00:01:43,571 IT'LL BE 10 YEARS SINCE J-STRYKE WAS MURDERED. 32 00:01:44,672 --> 00:01:46,274 REAL MUSIC IS STILL WHAT YOU WANT, 33 00:01:46,307 --> 00:01:48,676 SO HERE'S A LITTLE TASTE. 34 00:01:48,709 --> 00:01:51,312 [MUSIC GETS LOUDER] 35 00:01:57,017 --> 00:01:58,186 [PEOPLE GASPING] 36 00:01:58,219 --> 00:01:59,453 [SCREAMS] 37 00:01:59,487 --> 00:02:01,355 WOW. 38 00:02:01,389 --> 00:02:03,257 YOU REALLY HATE URBAN BEATS. 39 00:02:03,291 --> 00:02:06,327 I INVENTED URBAN BEATS. 40 00:02:07,695 --> 00:02:10,431 WHAT YOU HEARD BEFORE GLADE SHOT A PERFECTLY GOOD PAIR OF SPEAKERS 41 00:02:10,464 --> 00:02:13,567 IS A LONG-LOST TRACK BY J-STRYKE. 42 00:02:13,601 --> 00:02:15,803 HE DIED 10 YEARS AGO AT THE AGE OF 19. 43 00:02:15,836 --> 00:02:17,271 OR DID HE? 44 00:02:17,305 --> 00:02:18,606 WHAT'D HE SAY? 45 00:02:18,639 --> 00:02:20,508 THOSE TRACKS ARE THE PROPERTY OF GANGSTA GLADE RECORDS. 46 00:02:20,541 --> 00:02:22,776 THAT'S ME, GANGSTA GLADE. 47 00:02:22,810 --> 00:02:26,480 J-STRYKE WAS SIGNED TO GANGSTA GLADE AT THE TIME OF HIS DEATH. 48 00:02:26,514 --> 00:02:29,016 THAT TRACK AND THE PROCEEDS FROM IT ARE MINE. 49 00:02:29,049 --> 00:02:31,084 YOU FIND THAT TRACK AND ANY OTHERS 50 00:02:31,118 --> 00:02:32,853 BEFORE THEY LEAK OUT OVER THE INTERNET. 51 00:02:32,886 --> 00:02:33,987 NOT INTERESTED. 52 00:02:34,021 --> 00:02:35,923 DID HE JUST DENY ME? 53 00:02:35,956 --> 00:02:38,692 BECAUSE I DON'T GET DENIED, NOT IN MY OWN HOUSE. 54 00:02:38,726 --> 00:02:41,161 DON'T TAKE IT PERSONALLY. I'M JUST NOT INTERESTED. 55 00:02:41,195 --> 00:02:43,331 MR. SHERMAN, WE WILL PAY YOU WELL. 56 00:02:43,364 --> 00:02:44,965 WHY DON'T YOU JUST PAY OFF THE PIRATE? 57 00:02:44,998 --> 00:02:47,335 THE PIRATE? THAT'S WHY WE GOT YOU, TO FIND THE PIRATE. 58 00:02:47,368 --> 00:02:49,503 HE'S TOUCHED IN HIS HEAD, MAN. 59 00:02:49,537 --> 00:02:51,305 LOOK. I CAN FIND THINGS IF I'M INTERESTED. 60 00:02:51,339 --> 00:02:53,874 BUT IF I'M NOT MOTIVATED, MEH. 61 00:02:53,907 --> 00:02:55,943 MR. SHERMAN... 62 00:02:55,976 --> 00:02:57,645 WOULD IT MOTIVATE YOU 63 00:02:57,678 --> 00:03:01,449 IF I TOLD YOU THAT I KNOW LEO KNOX PERSONALLY? 64 00:03:01,482 --> 00:03:02,883 IF THAT WERE TRUE, THEN HOW COME YOU 65 00:03:02,916 --> 00:03:04,952 DIDN'T COME SEE US AT THE ENDS OF THE EARTH? 66 00:03:04,985 --> 00:03:08,456 BECAUSE THE LAST TIME THAT LEO AND I...INTERFACED, 67 00:03:08,489 --> 00:03:10,591 HE WAS MARRIED. IT WAS BAD TIMING. 68 00:03:10,624 --> 00:03:13,294 SO YOU WANT TO KICK THE LEO CAN 69 00:03:13,327 --> 00:03:16,630 AND YOU WANT TO USE ME TO DO IT? 70 00:03:16,664 --> 00:03:18,198 YES. 71 00:03:21,201 --> 00:03:22,336 OH, I'M IN. 72 00:03:22,370 --> 00:03:23,971 I'LL HOOK YOU UP WITH LEO. 73 00:03:24,004 --> 00:03:26,540 ENOUGH ABOUT HER LOVE LIFE, MAN. FIND THE TRACKS. 74 00:03:26,574 --> 00:03:28,309 YEAH, YEAH, YEAH, I'LL FIND J-STRYKE. 75 00:03:28,342 --> 00:03:30,010 J-STRYKE IS DEAD. 76 00:03:30,043 --> 00:03:31,279 I DON'T THINK SO. 77 00:03:31,312 --> 00:03:33,314 SEE, THAT CLIP FEATURED A DTK-7000 KEYBOARD. 78 00:03:33,347 --> 00:03:35,549 THAT DIDN'T EXIST 10 YEARS AGO. 79 00:03:35,583 --> 00:03:38,018 HOW COME A PRODUCER LIKE YOU DIDN'T HEAR THAT? 80 00:03:38,051 --> 00:03:38,986 FOOL, I HEARD THE DTK. 81 00:03:39,019 --> 00:03:41,522 J-STRYKE WAS SAMPLED, PROBABLY BY THE PIRATE. 82 00:03:41,555 --> 00:03:42,956 THAT DOESN'T MEAN HE'S STILL ALIVE. 83 00:03:42,990 --> 00:03:45,426 NEXT YOU'RE GONNA TELL US WHERE TO FIND ELVIS. 84 00:03:45,459 --> 00:03:47,761 ELVIS LIVES ON BITRA ISLAND IN THE LAKSHADWEEP SEA. 85 00:03:47,795 --> 00:03:49,129 MAN, WHY WE TALKING ABOUT ELVIS? 86 00:03:49,162 --> 00:03:52,333 I DON'T GIVE A DAMN ABOUT ELVIS. 87 00:03:52,366 --> 00:03:54,134 I'LL FIND J-STRYKE. 88 00:03:54,167 --> 00:03:56,937 HIS MUSIC. 89 00:03:56,970 --> 00:03:59,239 FIND THE MUSIC! 90 00:04:00,808 --> 00:04:02,710 HE WORK FOR ME NOW. 91 00:04:05,546 --> 00:04:08,482 J-STRYKE. HE'S FROM LIBERTY CITY. 92 00:04:08,516 --> 00:04:09,383 I NEVER HEARD OF HIM. 93 00:04:09,417 --> 00:04:10,551 WELL, THAT'S WHAT HAPPENS 94 00:04:10,584 --> 00:04:12,386 WHEN YOU STOP WORKING FOR 10 YEARS. 95 00:04:12,420 --> 00:04:13,687 "STOP WORKING"? 96 00:04:13,721 --> 00:04:15,289 THAT YOUR WAY OF SAYING "DEAD"? 97 00:04:15,323 --> 00:04:17,257 CAN YOU FIGURE OUT WHERE THIS DJ W-SQUARED GUY 98 00:04:17,291 --> 00:04:19,760 IS BROADCASTING FROM? 99 00:04:19,793 --> 00:04:20,861 [SIGH] 100 00:04:20,894 --> 00:04:23,331 WELL, HE'S BROADCASTING FROM THE INTERNET. 101 00:04:23,364 --> 00:04:25,766 I MEAN, WHERE ON THE REAL PLANET EARTH. 102 00:04:25,799 --> 00:04:27,435 IT VIOLATES MY PROBATION TO USE THE INTERNET. 103 00:04:27,468 --> 00:04:29,136 THAT'S BECAUSE YOU GOT CAUGHT 104 00:04:29,169 --> 00:04:30,638 SETTING UP A FAKE CHARITY WEB SITE. 105 00:04:30,671 --> 00:04:33,441 I NEVER GOT CAUGHT. THEY COULDN'T PROVE IT WAS ME. 106 00:04:33,474 --> 00:04:34,708 SO YOU KNOW ALL THE TRICKS 107 00:04:34,742 --> 00:04:36,143 THIS GUY'S USING TO STAY HIDDEN. 108 00:04:36,176 --> 00:04:37,511 SO...TALK ME THROUGH IT, 109 00:04:37,545 --> 00:04:38,646 ONLY WITHOUT USING WORDS. 110 00:04:38,679 --> 00:04:41,114 WITHOUT USING WORDS? HOW? 111 00:04:41,148 --> 00:04:43,183 BY DEMONSTRATING ON THE KEYBOARD. 112 00:04:43,216 --> 00:04:44,885 COME ON. 113 00:04:44,918 --> 00:04:46,520 OK. 114 00:04:46,554 --> 00:04:51,759 FIRST, USE TRACER-T TO FIND THE IP GEO-LOCATION. 115 00:04:53,861 --> 00:04:56,063 [BEEPING] 116 00:04:57,197 --> 00:04:58,432 SOFIA, BULGARIA. 117 00:04:58,466 --> 00:04:59,567 IS THAT REALLY A PLACE? 118 00:04:59,600 --> 00:05:01,569 AW, YOU SUCK AT THIS. 119 00:05:01,602 --> 00:05:02,870 OH, IT'S A DUCK BLIND. 120 00:05:02,903 --> 00:05:05,205 THIS GUY IS TECH-SAVVY, MAYBE A PROGRAMMER. 121 00:05:05,238 --> 00:05:09,343 GO! DO IT. CYBERHACK HIM TO BITS. 122 00:05:09,377 --> 00:05:11,178 LEO GETS MAD WHEN I BREAK PROBATION. 123 00:05:11,211 --> 00:05:13,246 WE'RE NOT GONNA TELL HIM. 124 00:05:13,280 --> 00:05:14,715 WHAT'S IN IT FOR ME? 125 00:05:14,748 --> 00:05:17,317 YOU CAN HELP LEO IMPRESS A VERY PRETTY WOMAN FROM HIS PAST. 126 00:05:17,351 --> 00:05:20,320 IMAGINE HOW HIS MOOD WILL IMPROVE. 127 00:05:20,354 --> 00:05:22,523 EW. 128 00:05:23,557 --> 00:05:26,326 OK. I'M GONNA NEED AN HOUR, 3 CUPS OF ESPRESSO, 129 00:05:26,360 --> 00:05:27,895 AND LEO OUT OF MY WAY. 130 00:05:27,928 --> 00:05:30,464 YOU GET 3 HOURS, ONE CUP OF ESPRESSO, 131 00:05:30,498 --> 00:05:33,066 AND I'LL KEEP LEO OUT OF YOUR WAY. 132 00:05:33,100 --> 00:05:35,803 [HIP HOP MUSIC PLAYING] 133 00:05:43,444 --> 00:05:46,414 THIS IS GOOD. THIS KID'S A REAL POET. 134 00:05:46,447 --> 00:05:47,681 I THOUGHT YOU WERE MR. JAZZ. 135 00:05:47,715 --> 00:05:50,451 GIL SCOTT-HERON STARTED RAP OFF OF JAZZ. 136 00:05:50,484 --> 00:05:52,285 HE'S THE ORIGINATOR. 137 00:05:52,319 --> 00:05:53,787 I THINK HE'S STILL ALIVE. 138 00:05:53,821 --> 00:05:55,723 GIL SCOTT-HERON IS NOT ALIVE. 139 00:05:55,756 --> 00:05:56,757 NO, J-STRYKE IS STILL ALIVE. 140 00:05:56,790 --> 00:06:00,728 J-STRYKE GOT SHOT AND DIED IN HIS BROTHER'S ARMS. 141 00:06:00,761 --> 00:06:03,230 BLED OUT THROUGH HIS FEMORAL ARTERY. 142 00:06:03,263 --> 00:06:04,264 I CAN PROVE HE'S ALIVE. 143 00:06:04,297 --> 00:06:05,599 HOW? 144 00:06:05,633 --> 00:06:08,902 WE'LL DIG UP HIS COFFIN. HIS BODY WON'T BE THERE. 145 00:06:08,936 --> 00:06:10,237 NO. 146 00:06:10,270 --> 00:06:11,672 IT'LL BE QUICK, I PROMISE. 147 00:06:11,705 --> 00:06:13,741 IT'S ILLEGAL WITHOUT A COURT ORDER. 148 00:06:13,774 --> 00:06:16,744 NOT IF THE COFFIN'S EMPTY. THEN IT'S JUST GOOD EXERCISE. 149 00:06:16,777 --> 00:06:18,278 NOT GONNA HAPPEN, WALTER. 150 00:06:18,311 --> 00:06:19,980 WHY WOULD J-STRYKE WAIT ALL THIS TIME 151 00:06:20,013 --> 00:06:21,281 TO SUDDENLY RESURFACE? 152 00:06:21,314 --> 00:06:23,383 10-YEAR ANNIVERSARY OF HIS DEATH. 153 00:06:23,417 --> 00:06:24,585 BIG COMEBACK. 154 00:06:24,618 --> 00:06:26,620 IF WE DON'T DIG UP J-STRYKE'S COFFIN, 155 00:06:26,654 --> 00:06:28,288 THEN WE'LL HAVE TO GO TALK TO HIS FAMILY, 156 00:06:28,321 --> 00:06:30,924 WHICH WILL BE NO KIND OF EXERCISE. 157 00:06:30,958 --> 00:06:33,627 IF YOU WANT EXERCISE, GO FOR A SWIM. 158 00:06:35,463 --> 00:06:38,131 [MUSIC CONTINUES] 159 00:06:46,440 --> 00:06:48,442 OOH. 160 00:06:48,476 --> 00:06:49,843 I'M NOT SURE I WANT TO HELP YOU 161 00:06:49,877 --> 00:06:50,878 IF YOU'RE WORKING FOR BIG GLADE. 162 00:06:50,911 --> 00:06:53,380 WALTER REALLY DOESN'T WORK FOR ANYONE. 163 00:06:53,413 --> 00:06:54,582 NO, I FIND THINGS. 164 00:06:54,615 --> 00:06:56,684 SO WHY DO YOU HATE BIG GLADE? 165 00:06:56,717 --> 00:06:58,619 GLADE AND HIS DRAGON LADY LAWYER 166 00:06:58,652 --> 00:07:01,021 GOT ALL MY BROTHER'S PUBLISHING RIGHTS. 167 00:07:01,054 --> 00:07:04,257 MOM DIDN'T GET ANYTHING WHEN HE DIED. 168 00:07:04,291 --> 00:07:05,559 THIS IS MY SON TREY. 169 00:07:05,593 --> 00:07:07,294 IT'S NICE TO MEET YOU. 170 00:07:07,327 --> 00:07:08,529 YOU GUYS NEED ANYTHING ELSE? 171 00:07:08,562 --> 00:07:11,098 NO THANK YOU, TREY. 172 00:07:11,131 --> 00:07:12,432 [SNIFFS] 173 00:07:12,466 --> 00:07:14,935 HUH. 174 00:07:16,804 --> 00:07:19,239 ARE YOU AWARE THAT TREY IS AN ALCOHOLIC? 175 00:07:19,272 --> 00:07:20,574 WALTER. WHAT? 176 00:07:20,608 --> 00:07:23,276 NOBODY RATTLES AROUND ICE CUBES IN WATER. 177 00:07:23,310 --> 00:07:23,844 THAT'S VODKA. 178 00:07:23,877 --> 00:07:25,779 MR. SHERMAN, I'M AWARE, 179 00:07:25,813 --> 00:07:27,314 BUT YOU BRINGING IT UP 180 00:07:27,347 --> 00:07:29,116 AND WORKING FOR BIG GLADE, 181 00:07:29,149 --> 00:07:29,983 THAT'S TWO STRIKES. 182 00:07:30,017 --> 00:07:31,819 I'M SURE IT MUST BE HARD ON YOUR BOY 183 00:07:31,852 --> 00:07:34,855 WITNESSING HIS BROTHER'S MURDER. 184 00:07:34,888 --> 00:07:37,758 TREY WAS ALL RIGHT FOR A FEW YEARS. 185 00:07:37,791 --> 00:07:39,760 HE GOT A SCHOLARSHIP TO MIT. 186 00:07:39,793 --> 00:07:42,730 GRADUATED THE TOP OF HIS CLASS. 187 00:07:42,763 --> 00:07:46,133 THEN THINGS WENT WRONG. 188 00:07:46,166 --> 00:07:48,101 MIT--A SMART BOY. 189 00:07:48,135 --> 00:07:51,805 I'VE BEEN HIRED TO FIND A LONG-LOST TRACK FROM J-STRYKE. 190 00:07:51,839 --> 00:07:55,175 YOU MIND CALLING MY SON BY HIS GIVEN NAME? 191 00:07:55,208 --> 00:07:57,410 IT'S BOOKER. 192 00:07:57,444 --> 00:08:00,648 FINE, STRONG NAME. 193 00:08:00,681 --> 00:08:02,983 AHEM. I JUST HAVE ONE QUESTION. 194 00:08:03,016 --> 00:08:04,284 WALTER. 195 00:08:04,317 --> 00:08:05,485 LET ME ASK. 196 00:08:05,519 --> 00:08:09,389 MS. ESTELLE, IS THERE ANY CHANCE 197 00:08:09,422 --> 00:08:12,726 YOUR SON BOOKER MIGHT STILL BE ALIVE? 198 00:08:15,028 --> 00:08:20,734 10 YEARS AGO, I IDENTIFIED MY BOY'S REMAINS. 199 00:08:20,768 --> 00:08:26,439 I TOUCHED HIS COLD HAND AND FELT HIS SPIRIT LEAVE. 200 00:08:26,473 --> 00:08:28,709 THEN I BURIED HIM. 201 00:08:28,742 --> 00:08:34,982 NO, THERE IS NO CHANCE MY SON IS STILL ALIVE. 202 00:08:35,515 --> 00:08:37,350 NOW EXCUSE ME. 203 00:08:37,384 --> 00:08:39,119 I HAVE A BUSINESS TO RUN. 204 00:09:19,827 --> 00:09:22,029 [SOUL MUSIC PLAYING] 205 00:09:29,102 --> 00:09:31,171 ATHENA. 206 00:09:31,204 --> 00:09:32,105 WHAT ARE YOU DOING? 207 00:09:32,139 --> 00:09:35,609 DON'T WORRY. I PUT MY MONEY IN THE JAR. 208 00:09:35,643 --> 00:09:36,576 MY, LEO. 209 00:09:36,610 --> 00:09:38,712 YOU WERE FINE WHEN YOU WERE FAT, 210 00:09:38,746 --> 00:09:40,480 BUT NOW LOOK AT YOU. 211 00:09:40,513 --> 00:09:42,215 YOU HAVEN'T CHANGED ONE BIT. 212 00:09:42,249 --> 00:09:43,751 WHAT ARE YOU DOING HERE? 213 00:09:43,784 --> 00:09:46,586 WALTER DIDN'T MENTION ME? 214 00:09:46,620 --> 00:09:47,655 WHY WOULD HE? 215 00:09:47,688 --> 00:09:51,759 I'M BIG GLADE'S LAWYER. GANGSTA GLADE RECORDS. 216 00:09:51,792 --> 00:09:56,329 BASICALLY, I'M WALTER'S CLIENT. 217 00:09:56,363 --> 00:09:57,264 SMALL WORLD. 218 00:09:57,297 --> 00:09:58,465 YEAH. NOT REALLY. 219 00:09:58,498 --> 00:10:02,836 I KNOW ABOUT WALTER BECAUSE I'VE KEPT ONE EYE ON YOU. 220 00:10:05,505 --> 00:10:06,774 YOU'RE SINGLE NOW. 221 00:10:06,807 --> 00:10:08,676 I THINK IT'S OK FOR YOU TO TALK TO ME. 222 00:10:08,709 --> 00:10:12,379 PLUS WE NEVER DID ANYTHING. 223 00:10:12,412 --> 00:10:14,715 I WAS TEMPTED, ATHENA, 224 00:10:14,748 --> 00:10:16,717 AND I HAVE SOME GUILT ABOUT THAT. 225 00:10:16,750 --> 00:10:19,419 I'D LIKE TO POINT OUT AGAIN, COUNSELOR, 226 00:10:19,452 --> 00:10:21,789 WE'RE BOTH FREE AND CLEAR. 227 00:10:21,822 --> 00:10:25,759 MS. ESTELLE MENTIONED A DRAGON LADY LAWYER. 228 00:10:25,793 --> 00:10:27,761 SHE MEANT YOU, DIDN'T SHE? 229 00:10:27,795 --> 00:10:29,629 I FIGURED YOU'D TALK TO HER, 230 00:10:29,663 --> 00:10:33,901 SO I BROUGHT YOU A CONTRACT. 231 00:10:33,934 --> 00:10:37,838 DON'T WORRY. WE WILL KEEP EVERYTHING STRICTLY BUSINESS. 232 00:10:37,871 --> 00:10:39,707 WE WILL GO OVER THIS CONTRACT 233 00:10:39,740 --> 00:10:42,075 LIKE STONE-COLD LAWYERS. 234 00:10:42,109 --> 00:10:45,746 IF THE CAMEL ONCE GETS HIS NOSE IN THE TENT, 235 00:10:45,779 --> 00:10:50,751 HIS BODY WILL SOON FOLLOW. 236 00:10:50,784 --> 00:10:53,687 HONEY, DO I LOOK LIKE A CAMEL? 237 00:10:53,721 --> 00:10:57,190 NO, YOU DO NOT. 238 00:10:59,159 --> 00:11:00,427 AH. EXCUSE ME, 239 00:11:00,460 --> 00:11:04,031 GROSS OLD PEOPLE LOOKING ALL GOO-GOO AT EACH OTHER. 240 00:11:04,064 --> 00:11:06,834 WALTER WANTS TO KNOW IF HE CAN BORROW THE JUKEBOX. 241 00:11:10,437 --> 00:11:13,273 WORD. 242 00:11:13,306 --> 00:11:14,908 CHECK IT. AHH. 243 00:11:14,942 --> 00:11:18,411 * LITTLE TOMMY TUCKER SINGS FOR HIS SUPPER * 244 00:11:18,445 --> 00:11:19,913 [SPUTTERING] 245 00:11:19,947 --> 00:11:22,850 * WHAT SHALL WE GIVE HIM? BROWN BREAD AND BUTTER * 246 00:11:22,883 --> 00:11:24,818 * HOW SHALL WE CUT IT WITHOUT A KNIFE? 247 00:11:24,852 --> 00:11:27,721 * HOW SHALL WE MARRY YOU WITHOUT A WIFE? * 248 00:11:27,755 --> 00:11:30,423 [SPUTTERING] 249 00:11:34,094 --> 00:11:35,829 ON BEHALF OF WHITE PEOPLE EVERYWHERE, 250 00:11:35,863 --> 00:11:37,264 I APOLOGIZE FOR THAT. 251 00:11:37,297 --> 00:11:38,966 ALL RIGHT. I DOWNLOADED THE PIRATE'S VOICE. 252 00:11:38,999 --> 00:11:42,836 I PLAY IT THROUGH THIS GIZMO HERE. 253 00:11:42,870 --> 00:11:45,605 KICKING IT ONE TIME. * DJ 254 00:11:45,638 --> 00:11:46,874 DJ W-Squared: AS PROMISED, 255 00:11:46,907 --> 00:11:50,677 ONE OF THE NEWLY FOUND UNRELEASED EXCLUSIVE TRACKS 256 00:11:50,710 --> 00:11:53,213 FROM THE LATE, GREAT J-STRYKE. 257 00:11:53,246 --> 00:11:55,182 I CAN'T TELL YOU WHERE I GOT IT, 258 00:11:55,215 --> 00:11:57,617 BUT I CAN TELL YOU THAT OVER THE NEXT 4 DAYS, 259 00:11:57,650 --> 00:12:00,420 YOU ARE GOING TO HEAR MORE FROM J-STRYKE 260 00:12:00,453 --> 00:12:03,824 BEYOND THE GRAVE. 261 00:12:03,857 --> 00:12:04,892 WHAT HAVE WE LEARNED? 262 00:12:04,925 --> 00:12:06,827 HE'S DISGUISING HIS VOICE 263 00:12:06,860 --> 00:12:07,961 WITH A PITCH SHIFTER. 264 00:12:07,995 --> 00:12:09,229 HOW CAN YOU TELL? 265 00:12:09,262 --> 00:12:11,865 FOURIER TRANSFORM ANALYSIS MEASURES THE ENERGY 266 00:12:11,899 --> 00:12:14,534 WITHIN TIME DOMAIN WAVEFORMS. 267 00:12:14,567 --> 00:12:15,869 WHAT? 268 00:12:15,903 --> 00:12:17,537 A NATURAL VOICE SHOULDN'T HAVE FLASHED YELLOW. 269 00:12:17,570 --> 00:12:19,106 SO OUR PIRATE'S A LITTLE MAN, 270 00:12:19,139 --> 00:12:20,908 LITTLE VOICE, LACKS CONFIDENCE. 271 00:12:20,941 --> 00:12:24,144 SO...NOT J-STRYKE, IF THAT'S WHAT YOU WERE THINKING. 272 00:12:24,177 --> 00:12:26,947 I DID NOT THINK THAT, BECAUSE J-STRYKE IS DEAD. 273 00:12:26,980 --> 00:12:31,718 IF YOU'LL EXCUSE ME, I'M GONNA GET BACK TO LEO. 274 00:12:31,751 --> 00:12:33,787 WORD TO YOUR MOTHER. WHAT? 275 00:12:33,821 --> 00:12:37,224 OK. GOOD JOB FIGURING OUT NOTHING USEFUL 276 00:12:37,257 --> 00:12:38,892 ON THE PIRATE. 277 00:12:38,926 --> 00:12:39,827 I FOUND HIS ACTUAL ADDRESS. 278 00:12:39,860 --> 00:12:42,295 WHERE, ON A SOFA IN BULGARIA? 279 00:12:42,329 --> 00:12:42,863 NOPE. 280 00:12:42,896 --> 00:12:43,964 OK, WHERE? 281 00:12:43,997 --> 00:12:48,235 OH, IT'S A LOVELY NIGHT FOR A DRIVE. 282 00:12:51,038 --> 00:12:53,941 OK, IS THIS THE MOST YOU CAN NARROW IT DOWN? 283 00:12:53,974 --> 00:12:56,676 IT'S AN ADDRESS. THERE'S NOTHING NARROWER. 284 00:12:56,709 --> 00:12:57,945 WHAT DO YOU WANT, A ROOM? 285 00:12:57,978 --> 00:13:00,247 I ONCE FOUND A WHITE CAT IN A SNOWSTORM. 286 00:13:00,280 --> 00:13:01,714 WHAT YOU DO IS LOOK FOR EYES AND A BUTT. 287 00:13:01,748 --> 00:13:02,983 IT'S CHILD'S PLAY. 288 00:13:03,016 --> 00:13:06,019 HEY, AT LEAST IT'S SMALLER THAN BULGARIA. 289 00:13:06,053 --> 00:13:10,223 THIS IS GONNA TAKE A LITTLE MORE NARROWING DOWN. 290 00:13:17,998 --> 00:13:21,034 I SWEAR JUDGE HALLIDAY'S HEAD WAS GOING TO EXPLODE. 291 00:13:21,068 --> 00:13:22,235 SHE WAS NOT GONNA RULE MY WAY. 292 00:13:22,269 --> 00:13:24,204 OH, YOU OUTED HER AS AN ADULTERER, 293 00:13:24,237 --> 00:13:26,907 AND SHE SHOUTED AT YOU IN COURT. MISTRIAL. 294 00:13:26,940 --> 00:13:29,209 NOT ONE OF MY FINER MOMENTS. 295 00:13:29,242 --> 00:13:31,778 WELL, ALL'S FAIR IN LOVE, WAR, AND COURT. 296 00:13:31,811 --> 00:13:32,980 YOU TAUGHT ME THAT. 297 00:13:33,013 --> 00:13:35,382 A LEGACY I'M NOT PROUD OF. 298 00:13:35,415 --> 00:13:36,884 I'VE CHANGED. 299 00:13:36,917 --> 00:13:39,352 I CAN SEE THAT. 300 00:13:39,386 --> 00:13:41,989 I MEAN ON THE INSIDE. 301 00:13:42,022 --> 00:13:43,156 YES, YOU HAVE TURNED INTO A MAN 302 00:13:43,190 --> 00:13:46,159 THAT OWNS A BAR CALLED "THE ENDS OF THE EARTH" 303 00:13:46,193 --> 00:13:48,195 ON A KEY THAT NOBODY HAS EVER HEARD OF. 304 00:13:48,228 --> 00:13:51,965 AND YOU TURNED INTO A LAWYER FOR A MAN WHO BULLIES PEOPLE 305 00:13:51,999 --> 00:13:54,101 AND WAVES AROUND GUNS 306 00:13:54,134 --> 00:13:58,438 AND RETAINS THE RIGHTS TO ALL THE MUSIC. 307 00:13:59,873 --> 00:14:01,942 HEH. SO... 308 00:14:01,975 --> 00:14:04,777 YOU HIRED WALTER AND FOUND ME, HUH? 309 00:14:04,811 --> 00:14:09,116 LIKE I SAID, THE WHOLE J-STRYKE THING... 310 00:14:09,149 --> 00:14:11,184 JUST AN EXCUSE TO SEE YOU AGAIN. 311 00:14:12,585 --> 00:14:13,586 WHY? 312 00:14:21,094 --> 00:14:25,298 BECAUSE I'VE ALWAYS WANTED TO DO THAT. 313 00:14:28,435 --> 00:14:30,337 [BZZT] 314 00:14:30,370 --> 00:14:33,073 DOES ANYTHING HERE NEED AN EXPLANATION? 315 00:14:33,106 --> 00:14:36,576 AH...NO, EXCEPT FOR EVERYTHING. 316 00:14:36,609 --> 00:14:39,146 WHAT, YOU PONGED A P.I., CALLED THE I.N.S., 317 00:14:39,179 --> 00:14:41,214 AND CLICKETY-CLICKED TO FIND THAT THE PIRATE'S WEB SITE 318 00:14:41,248 --> 00:14:42,849 IS RUN OUT OF SOUTH BEACH UNIVERSITY. 319 00:14:42,882 --> 00:14:45,919 STAFF, FACULTY, STUDENTS-- 20,000 PEEPS. 320 00:14:45,953 --> 00:14:48,021 THIS IS HOW WE NARROW IT DOWN. 321 00:14:48,055 --> 00:14:49,589 WE'RE GONNA LISTEN TO THE PIRATE'S BROADCAST, 322 00:14:49,622 --> 00:14:52,926 AND WE'RE GONNA SUCK EVERY LAST CLUE WE CAN OUT OF IT. 323 00:14:52,960 --> 00:14:55,128 USING A GIANT EYEBALL? 324 00:14:57,364 --> 00:14:59,566 EVERY TIME HE SAYS "LISTEN," I MOVE THE EAR. 325 00:14:59,599 --> 00:15:01,969 EVERY TIME HE SAYS "LOOK," I MOVE THE EYEBALL. 326 00:15:02,002 --> 00:15:03,937 EVERY TIME HE SAYS "I FEEL," 327 00:15:03,971 --> 00:15:05,038 I MOVE THE HEART. 328 00:15:05,072 --> 00:15:06,306 - WHY? - PERSONALITY TYPES. 329 00:15:06,339 --> 00:15:08,942 DIDN'T THEY TEACH YOU ANYTHING IN GYPSY SCHOOL? 330 00:15:08,976 --> 00:15:10,343 WHAT DO YOU NEED ME FOR? 331 00:15:10,377 --> 00:15:13,680 I NEED YOU TO LOOK FOR EVERY METAPHOR AND SIMILE, 332 00:15:13,713 --> 00:15:16,049 ESPECIALLY ANIMALS. 333 00:15:16,083 --> 00:15:16,916 SAME GOES WITH COLORS. 334 00:15:16,950 --> 00:15:18,418 USE THESE TO KEEP SCORE. 335 00:15:18,451 --> 00:15:21,989 ANYTIME HE USES ANY NON-ENGLISH-SPEAKING WORDS OR PHRASES... 336 00:15:22,022 --> 00:15:24,291 [DING DING DING] 337 00:15:30,763 --> 00:15:31,731 ALL RIGHT. YOU READY? 338 00:15:31,764 --> 00:15:34,101 YEAH, EXCEPT FOR EVERYTHING. 339 00:15:36,269 --> 00:15:37,670 GO. 340 00:15:37,704 --> 00:15:42,909 DJ W-Squared: BIENVENIDO TO THE DJ W-SQUARED SHOW. 341 00:15:42,942 --> 00:15:45,012 I AM DJ W-SQUARED, 342 00:15:45,045 --> 00:15:46,379 THE ONLY PLACE YOU CAN LISTEN 343 00:15:46,413 --> 00:15:50,083 TO A RAINBOW OF AUTHENTIC RAP AND HIP-HOP 344 00:15:50,117 --> 00:15:51,284 THAT WILL MOVE YOU. 345 00:15:51,318 --> 00:15:52,652 FIRST UP TODAY, I'VE DECIDED 346 00:15:52,685 --> 00:15:56,489 I'M GONNA PLAY A NEW J-STRYKE TRACK EACH DAY THIS WEEK. 347 00:15:56,523 --> 00:15:59,826 NEXT ONE IS UP TONIGHT, AND THEN ANOTHER ONE TOMORROW. 348 00:15:59,859 --> 00:16:04,064 NOW LET YOUR HEART BE TOUCHED... [HIP-HOP MUSIC PLAYING] 349 00:16:09,436 --> 00:16:12,205 [HIP HOP MUSIC] 350 00:16:24,584 --> 00:16:27,220 THIS IS DJ W-SQUARED, CALLING IT A NIGHT. 351 00:16:27,254 --> 00:16:29,722 REMEMBER, THEY ARE AFTER YOU. 352 00:16:29,756 --> 00:16:31,291 THEY DO WANT TO TAKE YOUR MONEY. 353 00:16:31,324 --> 00:16:34,127 THEY ARE CONSPIRING AGAINST YOU, 354 00:16:34,161 --> 00:16:36,163 BUT MUSIC IS WHERE FREEDOM LIVES. 355 00:16:36,196 --> 00:16:39,466 IT FREES OUR MINDS AND SOOTHES OUR SOULS. 356 00:16:39,499 --> 00:16:47,107 AND REMEMBER, THIS IS THE PLACE WHERE REAL MUSIC NEVER DIES. 357 00:16:47,140 --> 00:16:49,209 SAMSARA, Y'ALL. PEACE! 358 00:17:01,988 --> 00:17:06,126 HA HA HA! 359 00:17:06,159 --> 00:17:08,027 SO THIS IS WHERE THE PARTY AT. 360 00:17:08,061 --> 00:17:10,997 MUST HAVE LOST MY INVITATION. 361 00:17:11,030 --> 00:17:13,800 LEO, THIS IS MY BOSS, BIG GLADE. 362 00:17:13,833 --> 00:17:16,069 IF I'D BEEN LIVING IT UP IN HERE LIKE Y'ALL, 363 00:17:16,103 --> 00:17:17,504 I WOULDN'T BE SO MAD 364 00:17:17,537 --> 00:17:19,472 DJ W-SQUARED DROPPED ANOTHER J-STRYKE SONG TONIGHT. 365 00:17:19,506 --> 00:17:21,974 HE SAY HE GONNA DROP ANOTHER ONE TOMORROW. 366 00:17:22,008 --> 00:17:23,276 EACH ONE OF THEM COSTS ME WHAT, ATHENA? 367 00:17:23,310 --> 00:17:24,544 A MILLION, GIVE OR TAKE. 368 00:17:24,577 --> 00:17:27,480 THAT'S $2 MILLION. MY MATH GOOD ON THAT, 2 MILLION? 369 00:17:27,514 --> 00:17:30,217 BECAUSE THAT'S WHAT I WAS CALLING YOU FOR. 370 00:17:30,250 --> 00:17:34,387 BUT YOU SEEM TO BE TOO BUSY TO ANSWER YOUR DAMN PHONE. 371 00:17:35,355 --> 00:17:39,659 I'M LEO KNOX. WELCOME TO MY PLACE. 372 00:17:42,529 --> 00:17:44,063 WHAT YOU GOT HERE IS A DUMP. 373 00:17:44,097 --> 00:17:49,035 THING IS, THE LAW SAYS I HAVE THE RIGHT TO REFUSE SERVICE TO ANYONE. 374 00:17:49,068 --> 00:17:50,503 SEE MY FACE? 375 00:17:50,537 --> 00:17:53,673 I'M GUESSING THIS IS YOUR REFUSING-SERVICES FACE. 376 00:17:53,706 --> 00:17:55,908 BUT HERE'S THE THING: 377 00:17:55,942 --> 00:17:57,677 I GOT PEOPLE TRYING TO TAKE ME DOWN, 378 00:17:57,710 --> 00:17:59,912 STEALING MY TRACKS, COSTING ME MONEY. 379 00:17:59,946 --> 00:18:03,516 AND Y'ALL ACTING LIKE THIS IS A JOKE. 380 00:18:03,550 --> 00:18:06,686 YOU EITHER USE THAT GUN... 381 00:18:06,719 --> 00:18:09,822 OR PUT IT AWAY. 382 00:18:12,959 --> 00:18:14,794 OK. UM... 383 00:18:14,827 --> 00:18:19,166 UM, LET'S GO, GLADE. 384 00:18:35,582 --> 00:18:37,417 Man on video: WHAT'S UP, J? 385 00:18:37,450 --> 00:18:38,451 YO, WHAT UP? WHAT UP? WHAT UP? 386 00:18:38,485 --> 00:18:39,652 HOW WE LIVING, BROTHER? 387 00:18:39,686 --> 00:18:40,753 I'M GOOD, BABY. I'M LIVING LARGE. 388 00:18:40,787 --> 00:18:42,522 HEY, LISTEN, MAN. BY THE TIME I'M DONE, 389 00:18:42,555 --> 00:18:45,258 AIN'T NO RAPPER GONNA HAVE NOTHING ON ME. 390 00:18:45,292 --> 00:18:48,228 I'M GONNA HAVE MORE HITS, MORE MONEY, 391 00:18:48,261 --> 00:18:49,696 AND MORE DIME PIECES. 392 00:18:49,729 --> 00:18:52,699 LADIES GONNA LOVE J-STRYKE, YOU KNOW WHAT I MEAN? 393 00:18:52,732 --> 00:18:55,302 STRAIGHT UP, BRO. 394 00:18:56,503 --> 00:19:01,208 Walter: "WHERE POP MUSIC ALWAYS LIVES." 395 00:19:21,628 --> 00:19:26,766 AND REMEMBER, THIS IS THE PLACE WHERE REAL MUSIC NEVER DIES. 396 00:19:26,799 --> 00:19:31,771 SAMSARA, Y'ALL. PEACE! 397 00:19:40,880 --> 00:19:43,082 THIS IS DEPUTY U.S. MARSHAL ISABEL ZAMBADA. 398 00:19:43,115 --> 00:19:44,784 PLEASE LEAVE A MESSAGE. 399 00:19:44,817 --> 00:19:45,952 [BEEP] 400 00:19:45,985 --> 00:19:48,488 ISABEL, I NEED A FEDERAL LAW ENFORCEMENT OFFICER 401 00:19:48,521 --> 00:19:51,190 TO UPHOLD JUSTICE IN A CRUEL WORLD. 402 00:19:53,025 --> 00:19:54,794 Woman: WNKW, HOLD PLEASE. 403 00:20:01,501 --> 00:20:03,236 WHAT DO YOU NEED ME TO DO? 404 00:20:03,270 --> 00:20:05,137 JUST STAND UP STRAIGHT AND LOOK FEDERAL. 405 00:20:05,171 --> 00:20:07,240 HELLO. LOOKING FOR A YOUNG MAN-- 406 00:20:07,274 --> 00:20:09,108 SLIGHT, NO FRIENDS, INSECURE, HARD WORKER, 407 00:20:09,141 --> 00:20:10,977 PARENTS IMMIGRATED FROM INDIA. 408 00:20:11,010 --> 00:20:13,580 HE'S EITHER A PART-TIME STUDENT AT SBU OR A DROPOUT. 409 00:20:13,613 --> 00:20:14,747 LOVES THE WORLD, HATES HIMSELF, 410 00:20:14,781 --> 00:20:17,384 SO SOMETHING ALONG THE LINES OF A SMOKING VEGETARIAN 411 00:20:17,417 --> 00:20:18,651 AND A SURPRISINGLY GOOD DANCER. 412 00:20:18,685 --> 00:20:22,054 GOT ANYONE HERE LIKE THAT? 413 00:20:22,088 --> 00:20:23,723 COME ON, GUYS. I GOT A SHOW TO DO. 414 00:20:23,756 --> 00:20:26,926 AND BESIDES, I HAVE NO IDEA WHY THE U.S. MARSHALS 415 00:20:26,959 --> 00:20:29,696 WOULD WANT TO TALK TO ME. 416 00:20:29,729 --> 00:20:31,531 REALLY? 417 00:20:31,564 --> 00:20:32,732 [BEEP] 418 00:20:32,765 --> 00:20:36,235 AND REMEMBER, THIS IS THE PLACE WHERE REAL MUSIC NEVER DIES. 419 00:20:36,269 --> 00:20:40,072 SAMSARA, Y'ALL. PEACE! 420 00:20:40,106 --> 00:20:41,173 WELL, YOU SAID "SAMSARA" PERFECTLY, 421 00:20:41,207 --> 00:20:44,076 SO I KNOW YOUR PARENTS ARE INDIAN. 422 00:20:44,110 --> 00:20:45,678 MY PARENTS ARE KASHMIRI. 423 00:20:45,712 --> 00:20:47,414 WE HAVE VOICE-OVER ANALYSIS PROVING 424 00:20:47,447 --> 00:20:49,382 THAT YOU ARE DJ W-SQUARED. 425 00:20:49,416 --> 00:20:50,817 MY NAME IS KARIM RYAZ, 426 00:20:50,850 --> 00:20:52,385 AND SINCE WHEN DO THE U.S. MARSHALS 427 00:20:52,419 --> 00:20:54,287 HAVE JURISDICTION OVER INTERNET BROADCASTS? 428 00:20:54,321 --> 00:20:55,722 THE FIRST THING WE'LL TELL YOUR BOSS 429 00:20:55,755 --> 00:20:58,591 IS THAT YOU'RE USING THIS FACILITY WITHOUT THEIR PERMISSION. 430 00:20:58,625 --> 00:21:01,761 CAN YOU LIVE ON YOUR PODCAST? 431 00:21:07,033 --> 00:21:08,801 WHAT DO YOU WANT TO KNOW? 432 00:21:08,835 --> 00:21:09,569 WHERE'S J-STRYKE? 433 00:21:09,602 --> 00:21:11,738 6 FEET UNDER, DEAD. READ A PAPER. 434 00:21:11,771 --> 00:21:12,972 THE TRACKS YOU'RE PLAYING ARE NEW. 435 00:21:13,005 --> 00:21:14,040 WHERE ARE THEY COMING FROM? 436 00:21:14,073 --> 00:21:17,310 I GET A CALL. I PICK UP THE TRACKS AT A DROP SITE. 437 00:21:17,344 --> 00:21:18,511 ON THE INTERNET? 438 00:21:18,545 --> 00:21:19,779 NO, AN ACTUAL PLACE. 439 00:21:19,812 --> 00:21:22,749 THE PLAYGROUND WHERE J-STRYKE GOT GUNNED DOWN. 440 00:21:29,789 --> 00:21:32,158 I DON'T GET WHY YOU DO WHAT YOU DO. 441 00:21:32,191 --> 00:21:33,159 I MEAN, YOU'RE A BRILLIANT GUY. 442 00:21:33,192 --> 00:21:34,427 ROUTING YOUR WEB BROADCAST 443 00:21:34,461 --> 00:21:36,829 THROUGH THE SOUTH BEACH UNIVERSITY NETWORK? 444 00:21:36,863 --> 00:21:38,765 WHAT I DO IS GOOD. I BRING MUSIC TO THE PEOPLE. 445 00:21:38,798 --> 00:21:41,768 IT'S FREE OF CORPORATE CONSTRAINT AND TAINT. 446 00:21:41,801 --> 00:21:42,569 IT'S PURE. 447 00:21:42,602 --> 00:21:44,371 PLEASE. YOU SIT IN A DARK ROOM, 448 00:21:44,404 --> 00:21:46,339 AND YOU RANT IN THE MIDDLE OF THE NIGHT, 449 00:21:46,373 --> 00:21:47,707 AND YOU PLAY MUSIC. 450 00:21:47,740 --> 00:21:48,941 GET A JOB. 451 00:21:48,975 --> 00:21:50,577 HATE TO BREAK UP THE CAREER COUNSELING SESSION, 452 00:21:50,610 --> 00:21:51,678 BUT WHERE'S THE PICKUP? 453 00:21:51,711 --> 00:21:53,446 IT'S USB DRIVE WITH ONE TRACK 454 00:21:53,480 --> 00:21:57,316 TAPED TO THE BOTTOM OF THAT YELLOW HORSE. 455 00:22:03,189 --> 00:22:04,691 WHY HERE? 456 00:22:04,724 --> 00:22:06,325 SYMBOLIC? 457 00:22:06,359 --> 00:22:09,596 WHAT'S SYMBOLIC ABOUT A YELLOW HORSE? 458 00:22:09,629 --> 00:22:10,797 I MEAN, IT'S ALMOST THE EXACT SPOT 459 00:22:10,830 --> 00:22:12,365 WHERE J-STRYKE GOT KILLED, WALTER. 460 00:22:12,399 --> 00:22:14,266 EXACTLY. YOU KNOW HOW WE KNOW THAT? 461 00:22:14,300 --> 00:22:16,636 J-STRYKE. 462 00:22:16,669 --> 00:22:19,539 [HIP HOP MUSIC PLAYING] 463 00:22:29,816 --> 00:22:31,451 WHAT DO YOU THINK, BIG GLADE? 464 00:22:31,484 --> 00:22:32,819 OBVIOUSLY FOLLOWED US. 465 00:22:32,852 --> 00:22:35,321 IT'S NOT LIKE THIS VEHICLE IS STEALTHY. 466 00:22:35,354 --> 00:22:37,690 IT'S VERY ROOMY. 467 00:22:37,724 --> 00:22:41,027 COME ON, WE'RE LOSING HIM. 468 00:22:41,060 --> 00:22:43,229 THIS IS A TERRIBLE CHASE VEHICLE. COME ON. 469 00:22:43,262 --> 00:22:45,498 ALL OF A SUDDEN, YOU DON'T LIKE MY VAN? 470 00:22:45,532 --> 00:22:47,500 GONE. WE LOST HIM. 471 00:22:47,534 --> 00:22:52,472 JUST SLOW DOWN BEFORE THIS RUST BUCKET IMPLODES. 472 00:22:55,442 --> 00:22:56,709 YOU KNOW-- 473 00:22:56,743 --> 00:22:59,011 [THUD] 474 00:23:04,517 --> 00:23:06,185 Walter: FOUND HIM. 475 00:23:06,218 --> 00:23:09,456 AH, HE DOESN'T LOOK SO GOOD. 476 00:23:14,661 --> 00:23:16,763 YOU USUALLY GET ME OUT OF THESE SORT OF SITUATIONS. 477 00:23:16,796 --> 00:23:17,897 I'M AN OFF-DUTY FEDERAL AGENT 478 00:23:17,930 --> 00:23:19,832 INVOLVED IN WHATEVER THE HELL THIS IS. 479 00:23:19,866 --> 00:23:21,400 IT'S OUT OF MY JURISDICTION. 480 00:23:21,434 --> 00:23:24,804 WE'LL JUST HAVE TO WAIT FOR THE LOCAL COPS TO PLAY IT BY THE BOOK. 481 00:23:24,837 --> 00:23:26,005 I HOPE YOU PACKED YOUR TOOTHBRUSH, 482 00:23:26,038 --> 00:23:29,876 BECAUSE WE ARE GONNA BE IN HERE FOR AT LEAST 24 HOURS. 483 00:23:29,909 --> 00:23:32,211 ALL RIGHT. YOU ARE FREE TO GO. 484 00:23:32,244 --> 00:23:33,079 TERRIFIC! 485 00:23:33,112 --> 00:23:35,982 MEET LEO'S BOO, ATHENA. SHE'S A LAWYER. 486 00:23:36,015 --> 00:23:36,783 HI. HI. 487 00:23:36,816 --> 00:23:39,385 WAIT A MINUTE. HOW'S KARIM? 488 00:23:39,418 --> 00:23:40,453 THE PIRATE DJ IS OK. 489 00:23:40,487 --> 00:23:43,289 HE'S GOT A BROKEN ARM, BONK ON THE HEAD. 490 00:23:43,322 --> 00:23:44,824 HUH. TERRIFIC. 491 00:23:44,857 --> 00:23:45,391 WAIT A MINUTE. 492 00:23:45,424 --> 00:23:46,693 HOW'D YOU SPRING US? 493 00:23:46,726 --> 00:23:49,862 I TOLD THE POLICE THAT MY CLIENTS WERE TRAUMATIZED 494 00:23:49,896 --> 00:23:51,531 BY THE ASSAULT ON KARIM RYAZ 495 00:23:51,564 --> 00:23:52,965 AND WERE DENIED PROFESSIONAL COUNSELING, 496 00:23:52,999 --> 00:23:54,400 WHICH COULD IMPAIR THEM IRREPARABLY. 497 00:23:54,433 --> 00:23:58,370 SO IF ANYONE ASKS, YOUR REPEATED REQUESTS FOR COUNSELING 498 00:23:58,404 --> 00:23:59,071 FELL ON DEAF EARS. 499 00:23:59,105 --> 00:24:00,640 GOT IT. 500 00:24:00,673 --> 00:24:06,012 NO. I WILL NOT SLANDER FELLOW LAW ENFORCEMENT AGENCIES. 501 00:24:06,045 --> 00:24:08,615 FINE. STAY. 502 00:24:08,648 --> 00:24:11,450 DID YOU GET THE J-STRYKE TRACKS FROM THE PIRATE? 503 00:24:11,484 --> 00:24:14,420 - NO. DID YOU? - I BEG YOUR PARDON? 504 00:24:14,453 --> 00:24:16,288 OH, COME ON. IT'S OBVIOUS IT WAS YOUR BOSS 505 00:24:16,322 --> 00:24:18,324 WHO KIDNAPPED THE GUY, THREW HIM OFF THE OVERPASS. 506 00:24:18,357 --> 00:24:20,226 NO, INCORRECT. 507 00:24:20,259 --> 00:24:23,663 BIG GLADE IS ALL NOISE AND SHOW. 508 00:24:23,696 --> 00:24:26,098 I THOUGHT YOU MIGHT WANT THIS. 509 00:24:28,100 --> 00:24:29,368 J-STRYKE'S HOMICIDE FILE. 510 00:24:29,401 --> 00:24:30,870 I WAS GONNA GET THIS FOR YOU. 511 00:24:30,903 --> 00:24:34,173 IT'S PRETTY THIN. J-STRYKE'S LITTLE BROTHER WAS WITH HIM, 512 00:24:34,206 --> 00:24:35,775 DRIVE-BY SITUATION. 513 00:24:35,808 --> 00:24:37,510 J-STRYKE TOOK ONE ROUND TO THE LEG. 514 00:24:37,544 --> 00:24:39,579 BAD LUCK-- HIT THE FEMORAL ARTERY. 515 00:24:39,612 --> 00:24:41,914 ANYWAY, YOU ARE FREE TO GO. 516 00:24:41,948 --> 00:24:45,552 I'M OFF TO DINNER WITH LEO. 517 00:24:48,788 --> 00:24:51,090 GOD, I HATE HER FOR LEO. 518 00:24:51,123 --> 00:24:53,292 WHAT GANG WAS J-STRYKE AFFILIATED WITH? 519 00:24:53,325 --> 00:24:54,561 HE WASN'T. 520 00:24:54,594 --> 00:24:56,228 WELL, DID HE KNUCKLE UP WITH SOME OTHER RAPPER 521 00:24:56,262 --> 00:24:57,463 WHO WAS GANG-BANGING? 522 00:24:57,496 --> 00:24:59,966 J-STRYKE'S LYRICS WERE MOSTLY INSPIRATIONAL. 523 00:24:59,999 --> 00:25:02,935 DID J-STRYKE GANK HIS LINES FROM ANOTHER RAPPER OR G HIS WOMAN? 524 00:25:02,969 --> 00:25:04,671 WALTER, DON'T TALK HIP-HOP. 525 00:25:04,704 --> 00:25:06,539 IT HARMS BOTH YOU AND HIP-HOP. 526 00:25:06,573 --> 00:25:08,240 J-STRYKE DIED IN HIS BROTHER'S ARMS. 527 00:25:08,274 --> 00:25:09,375 WHAT WERE HIS LAST WORDS? 528 00:25:09,408 --> 00:25:10,777 HE DIDN'T HAVE ANY LAST WORDS. 529 00:25:10,810 --> 00:25:14,246 A RAPPER BLEEDING TO DEATH SLOWLY DOESN'T HAVE LAST WORDS? 530 00:25:14,280 --> 00:25:16,415 MAYBE HE WAS IN SHOCK. ONE THING'S FOR SURE. 531 00:25:16,448 --> 00:25:18,651 HE GETS MURDERED, IT MAKES HIM FAMOUS, 532 00:25:18,685 --> 00:25:19,786 AT LEAST FOR A WHILE. 533 00:25:19,819 --> 00:25:21,487 GET SHOT, GO PLATINUM. 534 00:25:21,520 --> 00:25:22,555 BA DONKA DONK. 535 00:25:22,589 --> 00:25:24,223 "BA DONKA DONK"? WHAT DOES THAT MEAN? 536 00:25:24,256 --> 00:25:26,358 OH, IT'S A COMPLIMENT. 537 00:25:26,392 --> 00:25:27,727 OH. 538 00:25:30,029 --> 00:25:33,866 DON'T TELL ME YOU DON'T MISS THE COURTROOM. 539 00:25:33,900 --> 00:25:36,603 MOST OF MY WORK WAS DONE IN BACK ROOMS, 540 00:25:36,636 --> 00:25:37,503 AND I DO NOT MISS IT. 541 00:25:37,536 --> 00:25:39,806 WHAT ABOUT YOUR WARDROBE? 542 00:25:39,839 --> 00:25:42,041 I KNOW YOU MISS YOUR WARDROBE. 543 00:25:42,074 --> 00:25:43,309 HEH HEH! 544 00:25:43,342 --> 00:25:46,245 OK, YOU GOT ME. 545 00:25:49,081 --> 00:25:51,718 THANKS FOR DINNER. 546 00:25:52,785 --> 00:25:55,855 YOU DON'T WANT ME TO COME IN? 547 00:25:55,888 --> 00:25:59,158 I GOT TO CHECK ON WILLA. 548 00:26:10,703 --> 00:26:15,407 I THINK THAT I ENJOYED THAT A LOT MORE THAN YOU DID. 549 00:26:15,441 --> 00:26:20,012 BUT...I UNDERSTAND. 550 00:26:20,980 --> 00:26:24,216 LEO, I WANT YOU TO THINK ABOUT 551 00:26:24,250 --> 00:26:27,654 COMING BACK TO THE REAL WORLD WITH ME. 552 00:26:27,687 --> 00:26:30,422 HIDING OUT HERE, IT'S LIKE YOU'RE IN EXILE. 553 00:26:30,456 --> 00:26:32,024 THAT'S NOT THE CASE. 554 00:26:32,058 --> 00:26:33,960 WE COULD START OUR OWN FIRM TOGETHER. 555 00:26:33,993 --> 00:26:36,228 I'VE ALREADY DONE THAT ONCE IN MY LIFE. 556 00:26:36,262 --> 00:26:38,898 YES, VERY SUCCESSFULLY. 557 00:26:38,931 --> 00:26:40,299 COME ON, JOIN ME IN BUSINESS. 558 00:26:40,332 --> 00:26:44,603 YOU COULD--YOU COULD BUY THIS WHOLE ISLAND IN A YEAR. 559 00:26:44,637 --> 00:26:48,074 THINK ABOUT THE WARDROBE. 560 00:26:49,075 --> 00:26:52,745 I'VE CHANGED A LOT, ATHENA, 561 00:26:52,779 --> 00:26:54,681 AND YOU HAVEN'T CHANGED AT ALL. 562 00:26:54,714 --> 00:26:56,048 HA HA HA! 563 00:26:56,082 --> 00:27:00,687 SEE, THAT'S EXACTLY WHAT MAKES YOU THE PERFECT MAN. 564 00:27:00,720 --> 00:27:02,989 YOU DO ALL THE CHANGING. 565 00:27:05,191 --> 00:27:09,228 YOU'RE LIKE A DREAM COME TRUE, LEO. 566 00:27:15,067 --> 00:27:16,836 Boy: * SEE, I'M A TEAM PLAYER 567 00:27:16,869 --> 00:27:18,971 * I DO IT ALL FOR THE FAMILY 568 00:27:19,005 --> 00:27:20,106 * I TELL YOU LIKE SWEET 569 00:27:20,139 --> 00:27:22,041 * AND NOW I'M SPONSORING CANDY 570 00:27:22,074 --> 00:27:23,910 * I CAN'T WAIT UNTIL THE PLATINUM * 571 00:27:23,943 --> 00:27:26,078 * I'M WALKING OFF WITH A GRAMMY * 572 00:27:26,112 --> 00:27:27,013 [PHONOGRAPH NEEDLE SCRATCHES] 573 00:27:27,046 --> 00:27:29,215 MAN, WRITE. WHAT'S UP? 574 00:27:29,248 --> 00:27:33,052 * THE CHILDREN, THEY LOOK UP TO ME LIKE A ORPHAN TO ANNIE * 575 00:27:33,085 --> 00:27:34,086 * 'CAUSE I'M THE MAN 576 00:27:34,120 --> 00:27:35,788 * GOT A LOT AND NOW THEY TRY [INDISTINCT] * 577 00:27:35,822 --> 00:27:40,592 * SO I'VE GOT TO GET IT AND TAKE THIS ALL TO THE PROMISED LAND * 578 00:27:40,626 --> 00:27:41,393 * WANT TO BE 579 00:27:41,427 --> 00:27:42,695 [PHONOGRAPH NEEDLE SKIPS] 580 00:27:42,729 --> 00:27:44,063 WRITE, MAN! WRITE! 581 00:27:44,096 --> 00:27:45,131 * WANT TO BE A FIGHTER 582 00:27:45,164 --> 00:27:47,099 * I REEL THEM IN AND BACK THEM DOWN * 583 00:27:47,133 --> 00:27:48,901 * I FEEL LIKE A MAYWEATHER 584 00:27:48,935 --> 00:27:51,303 * AND I THINK I'M PACQUIAO 585 00:27:51,337 --> 00:27:52,104 * I GO WHERE I WANT 586 00:27:52,138 --> 00:27:54,040 * SECURITY DON'T EVEN PAT ME DOWN * 587 00:27:54,073 --> 00:27:55,041 * PEOPLE USED TO SLEEP 588 00:27:55,074 --> 00:27:57,744 * BUT I DON'T LET IT GET ME DOWN * 589 00:27:57,777 --> 00:27:58,945 * 'CAUSE EVERYBODY KNOWS 590 00:27:58,978 --> 00:28:00,880 * I'M A, I'M A, I'M A MONSTER * 591 00:28:02,749 --> 00:28:06,685 [MUSIC FADES] 592 00:28:33,179 --> 00:28:35,982 I KNEW IT. J-STRYKE'S ALIVE. 593 00:28:39,852 --> 00:28:42,221 J-Stryke: AIN'T NO RAPPER GONNA HAVE NOTHING ON ME. 594 00:28:42,254 --> 00:28:44,156 I'M GONNA HAVE MORE HITS, MORE MONEY... 595 00:28:44,190 --> 00:28:46,425 HEY, MAN, J-STRYKE IS DEEP. 596 00:28:46,458 --> 00:28:48,094 IT'S HARD TO BELIEVE THIS SHALLOW BRAGGART 597 00:28:48,127 --> 00:28:49,862 IS THE GUY THAT WROTE THAT GREAT POETRY. 598 00:28:49,896 --> 00:28:53,499 WHAT HAPPENS WHEN AN ARTIST IS DENIED HIS VOICE? 599 00:28:53,532 --> 00:28:56,202 GIVE ME MY LIFE FOR ALL LIES. 600 00:28:56,235 --> 00:28:58,070 GIVE ME ALL THE PAIN OF EVERYONE. 601 00:28:58,104 --> 00:29:01,373 I'M GONNA TURN IT INTO HOPE. 602 00:29:07,346 --> 00:29:09,148 WELL, SO THEY DIE? 603 00:29:09,181 --> 00:29:12,584 SLOW OR FAST, YEAH, THEY DIE. 604 00:29:12,618 --> 00:29:15,054 WE'RE NOT OPEN YET. 605 00:29:15,087 --> 00:29:17,990 J-Stryke: WHAT'S THE USE OF LIVING WHEN YOU'RE LIVING DEAD? 606 00:29:18,024 --> 00:29:23,295 FORGIVENESS ELUDES YOU EVEN IN YOUR OWN HEAD. 607 00:29:23,329 --> 00:29:24,363 THAT'S MY BROTHER, 608 00:29:24,396 --> 00:29:29,001 AND IF YOU HAVEN'T NOTICED, HE'S ALREADY DEAD. 609 00:29:29,035 --> 00:29:30,803 ONLY HALF-DEAD, REALLY. 610 00:29:30,837 --> 00:29:32,538 YOU'RE THE OTHER HALF NOBODY KNOWS ABOUT. 611 00:29:32,571 --> 00:29:35,908 THE HALF THAT READS NERUDA AND GIL SCOTT-HERON. 612 00:29:35,942 --> 00:29:37,409 YOU WROTE ALL J-STRYKE'S LYRICS. 613 00:29:37,443 --> 00:29:40,179 YOU AND YOUR BROTHER HAVE THE SAME VOCAL QUALITIES. 614 00:29:40,212 --> 00:29:41,180 YOU RECORDED THE NEW TRACKS, 615 00:29:41,213 --> 00:29:43,415 AND THEN YOU LEAKED THEM TO THE PIRATE. 616 00:29:43,449 --> 00:29:46,118 THEN... 617 00:29:46,152 --> 00:29:49,488 YOU DROPPED THEM OFF HERE. 618 00:29:52,892 --> 00:29:57,263 LOOK. FOR A COUPLE YEARS AFTER MY BROTHER DIED, 619 00:29:57,296 --> 00:29:59,731 HE WAS HUGE. 620 00:29:59,765 --> 00:30:02,969 BUT 10 YEARS ON, HE'S MOSTLY FORGOTTEN. 621 00:30:03,002 --> 00:30:03,970 YOU LEAKED ALL THOSE TRACKS 622 00:30:04,003 --> 00:30:06,105 TO KEEP YOUR BROTHER'S MEMORY ALIVE? 623 00:30:06,138 --> 00:30:08,274 ALL HE WANTED WAS IMMORTALITY. 624 00:30:08,307 --> 00:30:11,277 I TRIED TO GIVE HIM THAT. THAT'S ALL. 625 00:30:11,310 --> 00:30:14,346 WHAT WERE YOUR BROTHER'S LAST WORDS? 626 00:30:14,380 --> 00:30:16,282 HE DIDN'T HAVE ANY. 627 00:30:16,315 --> 00:30:18,084 WHY? BECAUSE YOU DIDN'T WRITE THEM FOR HIM? 628 00:30:18,117 --> 00:30:21,120 OR BECAUSE YOU WERE THE ONE THAT SHOT HIM? 629 00:30:21,153 --> 00:30:25,925 AH. YOU'RE THE BRAINS. HE'S THE FACE. 630 00:30:25,958 --> 00:30:28,260 JEALOUSY, CAIN AND ABEL. 631 00:30:28,294 --> 00:30:30,396 YOU GOT IN AN ARGUMENT, AND YOU KILLED HIM. 632 00:30:30,429 --> 00:30:33,532 YOU KNOW, THAT'S WHY HE DRINKS. IT'S GUILT. 633 00:30:33,565 --> 00:30:36,068 THAT IT, TREY? 634 00:30:36,102 --> 00:30:39,371 YOU LIVING A LIFE OF PENANCE? 635 00:30:41,273 --> 00:30:43,409 YOU DON'T TELL US THE TRUTH, 636 00:30:43,442 --> 00:30:47,213 I'M GONNA TELL ON YOU TO YOUR MOTHER. 637 00:30:49,215 --> 00:30:51,550 AND THAT WILL KILL HER. 638 00:30:51,583 --> 00:30:52,551 DO YOU EVEN CARE? 639 00:30:52,584 --> 00:30:54,386 YOUR CHOICE. 640 00:31:04,663 --> 00:31:06,933 YEAH. 641 00:31:08,634 --> 00:31:12,704 I KILLED MY OWN BROTHER. 642 00:31:12,738 --> 00:31:15,241 BUT I DID NOT MURDER MY BROTHER. 643 00:31:18,577 --> 00:31:20,812 STOP PLAYING AROUND. 644 00:31:20,846 --> 00:31:22,314 IT AIN'T FUNNY. I'M NOT DOING IT. 645 00:31:22,348 --> 00:31:23,950 JUST--JUST-- JUST TAKE IT, TREY. 646 00:31:23,983 --> 00:31:25,817 STOP ACTING LIKE A PUNK. IT'S JUST A GUN, MAN. 647 00:31:25,851 --> 00:31:27,086 HERE. 648 00:31:29,989 --> 00:31:31,690 ALL RIGHT. 649 00:31:31,723 --> 00:31:33,325 DO IT. SHOOT ME IN THE LEG. 650 00:31:33,359 --> 00:31:35,827 I NEVER KNEW WHERE HE GOT THE GUN. 651 00:31:35,861 --> 00:31:37,964 I JUST TOLD HIM THAT IT WAS A STUPID IDEA. 652 00:31:37,997 --> 00:31:39,298 AND HE TOLD ME... 653 00:31:39,331 --> 00:31:41,133 SACK UP, BOY! 654 00:31:41,167 --> 00:31:43,970 STOP BEING SO WEAK, MAN. GET SOME COURAGE. 655 00:31:45,871 --> 00:31:47,173 I CAN'T DO IT. 656 00:31:47,206 --> 00:31:48,607 LISTEN. LISTEN. LISTEN, BABY BOY. 657 00:31:48,640 --> 00:31:50,276 JUST SHOOT ME IN THE LEG. 658 00:31:50,309 --> 00:31:51,710 IT'LL BE A FLESH WOUND, NOTHING TO IT. 659 00:31:51,743 --> 00:31:53,112 ALL RIGHT? 660 00:31:53,145 --> 00:31:54,646 HE SAID HE'D WALK WITH A CANE, 661 00:31:54,680 --> 00:31:56,448 SHOW OFF HIS SCAR TO WOMEN, 662 00:31:56,482 --> 00:31:58,150 GET HIS STREET CRED. 663 00:31:58,184 --> 00:32:00,386 SALES WOULD SKYROCKET. 664 00:32:00,419 --> 00:32:03,522 MY BROTHER WAS ALWAYS WORRIED ABOUT STREET CRED. 665 00:32:05,724 --> 00:32:08,260 HE WORE ME DOWN. 666 00:32:08,294 --> 00:32:11,230 I CAN'T. DO IT, TREY. DO IT! 667 00:32:11,263 --> 00:32:13,632 AAH! 668 00:32:13,665 --> 00:32:15,034 UNH! 669 00:32:15,067 --> 00:32:19,771 OH, J. J. 670 00:32:19,805 --> 00:32:23,309 Trey, voice-over: HE BLED SO MUCH, 671 00:32:23,342 --> 00:32:25,777 AND I COULDN'T STOP THE BLEEDING. 672 00:32:25,811 --> 00:32:30,182 WE BOTH KNEW HE WAS DYING. 673 00:32:32,251 --> 00:32:34,686 WHAT DID YOU DO WITH THE GUN? 674 00:32:34,720 --> 00:32:37,556 I WIPED IT, 675 00:32:37,589 --> 00:32:41,360 AND I BURIED IT UNDER THAT HORSE AS FAR AS I COULD. 676 00:32:41,393 --> 00:32:44,830 TOLD THE COPS IT WAS A DRIVE-BY. 677 00:32:44,863 --> 00:32:48,034 THEY DIDN'T EVEN LOOK FOR THE GUN. 678 00:32:49,735 --> 00:32:52,571 WHAT WERE HIS LAST WORDS? 679 00:32:55,874 --> 00:32:59,178 "THIS IS NOT OUR FAULT, TREY." 680 00:32:59,211 --> 00:33:04,083 "YOU REMEMBER, THIS IS NOT OUR FAULT." 681 00:33:06,785 --> 00:33:11,057 BUT IT WAS MY FAULT. 682 00:33:11,090 --> 00:33:16,195 KILLING YOUR OWN BROTHER? CAIN AND ABEL? 683 00:33:19,165 --> 00:33:22,068 EVEN GOD DOESN'T FORGIVE THAT ONE. 684 00:33:32,978 --> 00:33:34,946 THERE'S ALL THE TRACKS. 685 00:33:34,980 --> 00:33:36,715 TAKE THEM. 686 00:33:38,117 --> 00:33:40,386 I'M SICK OF IT ALL. 687 00:33:42,288 --> 00:33:46,125 SON, CAIN LIED ABOUT KILLING HIS BROTHER. 688 00:33:46,158 --> 00:33:48,894 THAT'S WHY GOD PUT THE MARK ON HIM. 689 00:33:48,927 --> 00:33:50,862 IF YOU WANT FORGIVENESS, 690 00:33:50,896 --> 00:33:53,031 YOU HAVE TO ADMIT WHAT YOU DONE. 691 00:34:04,776 --> 00:34:06,978 SINCE TREY IS THE SOURCE OF THE INTELLECTUAL PROPERTY 692 00:34:07,012 --> 00:34:08,347 KNOWN AS J-STRYKE, 693 00:34:08,380 --> 00:34:11,117 IT COULD BE TIED UP IN THE COURTS FOR YEARS. 694 00:34:11,150 --> 00:34:13,085 THAT'S FULL-ON LAWYER MODE. 695 00:34:13,119 --> 00:34:16,422 THAT'S WHAT ATHENA LIKES, RIGHT? 696 00:34:16,455 --> 00:34:18,657 ASK WHAT YOU WANT TO ASK. 697 00:34:18,690 --> 00:34:21,960 IS THIS GOING SOMEWHERE? ROMANCE REKINDLED? 698 00:34:21,993 --> 00:34:25,131 DID YOU TAKE THIS CASE SO I COULD HOOK UP WITH ATHENA? 699 00:34:25,164 --> 00:34:27,199 SHE'S A BEAUTIFUL, SMART WOMAN. 700 00:34:27,233 --> 00:34:29,168 YOU'VE HAD FEELINGS FOR HER IN THE PAST. 701 00:34:31,137 --> 00:34:33,839 I DON'T LIKE TO SEE YOU LONELY, OK? 702 00:34:33,872 --> 00:34:35,641 I'M NOT LONELY. 703 00:34:35,674 --> 00:34:37,443 YOU'RE THE LONELIEST MAN I EVER MET. 704 00:34:37,476 --> 00:34:39,878 I APPRECIATE YOUR CONCERN. 705 00:34:39,911 --> 00:34:43,282 I FELT LIKE YOU WERE GIVING SOMETHING UP BECAUSE OF ME. 706 00:34:43,315 --> 00:34:45,251 I CHOOSE MY OWN LIFE. 707 00:34:45,284 --> 00:34:47,619 HOW I LIVE ISN'T YOUR FAULT. 708 00:34:51,290 --> 00:34:54,226 J-STRYKE'S LAST WORDS WERE, "IT WASN'T OUR FAULT." 709 00:34:54,260 --> 00:34:55,727 BEING KIND TO HIS BROTHER. 710 00:34:55,761 --> 00:34:58,230 NO, NOT "IT WASN'T YOUR FAULT," LIKE YOU JUST SAID. 711 00:34:58,264 --> 00:35:00,399 "IT WASN'T OUR FAULT." 712 00:35:00,432 --> 00:35:04,803 IT WASN'T J-STRYKE'S IDEA TO GET HIMSELF SHOT IN THE LEG. 713 00:35:07,673 --> 00:35:08,774 NO. 714 00:35:08,807 --> 00:35:10,776 WHO'D MAKE THE KIND OF PROMISE THAT WOULD TEMPT 715 00:35:10,809 --> 00:35:12,711 A BOY LIKE THAT? 716 00:35:20,186 --> 00:35:21,553 GOT WHAT'S MINE? 717 00:35:21,587 --> 00:35:24,590 OOH, HOLD ON A SECOND THERE. AHEM. 718 00:35:24,623 --> 00:35:27,326 OK. YOU WANT TO NEGOTIATE THE PRICE? 719 00:35:27,359 --> 00:35:30,128 THAT'S FINE. WE'LL CALL IT A FINDER'S FEE. 720 00:35:30,162 --> 00:35:32,231 6%. 3. 721 00:35:32,264 --> 00:35:34,400 THAT'S MY LAWYER. SHE'S TOUGH. 722 00:35:34,433 --> 00:35:37,636 THERE ARE SOME OUTSTANDING EXPENSES. 723 00:35:37,669 --> 00:35:39,205 WHAT EXPENSES? 724 00:35:39,238 --> 00:35:40,672 THEY DENTED MY VAN. 725 00:35:40,706 --> 00:35:42,441 WHAT YOU MEAN, WE DENTED YOUR VAN? 726 00:35:42,474 --> 00:35:44,476 HOW COULD YOU EVEN TELL? 727 00:35:44,510 --> 00:35:46,645 WHEN YOU THREW KARIM RYAZ OFF THE OVERPASS ONTO MY VAN, 728 00:35:46,678 --> 00:35:48,880 THERE WAS DAMAGE. ALSO TO KARIM. 729 00:35:48,914 --> 00:35:51,617 WE'LL BE TACKING ON COMPENSATION FOR HIM, TOO. 730 00:35:51,650 --> 00:35:53,084 WHAT THE HELL ARE THEY TALKING ABOUT? 731 00:35:53,118 --> 00:35:54,420 YOU'D WANT TO SHUT UP NOW, GLADE. 732 00:35:54,453 --> 00:35:57,223 LET THE GROWN-UPS TALK. 733 00:35:57,256 --> 00:35:59,591 SHE WANTED TO MAKE US THINK THAT YOU DID IT. 734 00:35:59,625 --> 00:36:02,328 MAN, I AIN'T THROWN NO INDIAN PEEPS OFF NO OVERPASS. 735 00:36:02,361 --> 00:36:03,329 ANYTHING ELSE? 736 00:36:03,362 --> 00:36:05,797 MMM... RUINING TREY'S LIFE. 737 00:36:05,831 --> 00:36:07,533 RUINING IT HOW? 738 00:36:07,566 --> 00:36:12,037 BY TALKING HIS BROTHER INTO TAKING A SHOT IN THE LEG. 739 00:36:12,070 --> 00:36:13,705 AND MAKING YOU A MILLIONAIRE. 740 00:36:17,175 --> 00:36:19,077 OH, BABY, THAT'S COLD. 741 00:36:19,110 --> 00:36:20,512 OK, NOW WOULD BE THE TIME FOR YOU 742 00:36:20,546 --> 00:36:22,248 TO BE WAVING YOUR GUN AROUND. 743 00:36:22,281 --> 00:36:24,650 CALL YOUR BOYS AND GET YOUR PROPERTY BACK. 744 00:36:24,683 --> 00:36:28,520 TOLD YOU SHE WAS THE ONE THAT CALLED ALL THE SHOTS. 745 00:36:33,024 --> 00:36:36,362 BABY, YOU HEADING DOWN A ROAD I AIN'T HEADING DOWN. 746 00:36:36,395 --> 00:36:39,398 YOU CROSSING LINES I AIN'T CROSSING. 747 00:36:41,467 --> 00:36:44,336 GIVE ME THE HARD DRIVE, LEO. 748 00:36:44,370 --> 00:36:48,006 I'M SERIOUS, AND YOU KNOW I MEAN IT. 749 00:36:48,039 --> 00:36:51,943 YEAH, I KNOW YOU DO. 750 00:36:54,346 --> 00:36:56,181 COME ON, LEO. 751 00:36:56,214 --> 00:36:58,917 BE THE MAN YOU ONCE WERE. 752 00:36:58,950 --> 00:37:01,653 GIVE ME THAT HARD DRIVE. 753 00:37:01,687 --> 00:37:03,722 [WHISPERING] PSST. WATCH OUT. 754 00:37:03,755 --> 00:37:06,425 SHE'S TRYING TO DARTH VADER YOU. 755 00:37:07,359 --> 00:37:10,329 IF REDEMPTION WAS REVERSIBLE, 756 00:37:10,362 --> 00:37:13,265 IT WOULDN'T BE REDEMPTION. 757 00:37:13,299 --> 00:37:16,201 OH, SNAP! 758 00:37:16,234 --> 00:37:18,704 YOU JUST GOT SKYWALKERED, LADY. 759 00:37:18,737 --> 00:37:20,439 HELL, NOW, THAT'S THE BIGGEST MISTAKE I EVER MADE, 760 00:37:20,472 --> 00:37:22,173 HOOKING UP WITH YOU. 761 00:37:22,207 --> 00:37:25,076 GANGSTA GLADE WAS ALL ABOUT THE MUSIC. 762 00:37:25,110 --> 00:37:28,947 YOU WOULD LOVE FOR ME TO DO SOMETHING STUPID WITH THIS GUN. 763 00:37:33,184 --> 00:37:35,787 BUT I'M SMARTER THAN THAT. 764 00:37:38,590 --> 00:37:41,527 I'M SMARTER THAN ALL OF YOU. 765 00:37:48,099 --> 00:37:49,401 I SHOULD HAVE KNOWN. 766 00:37:49,435 --> 00:37:51,770 BOOKER AND TREY TOGETHER MADE THAT MUSIC. 767 00:37:51,803 --> 00:37:54,673 I GOT A GOOD EAR, AND I COULDN'T HEAR IT. 768 00:37:54,706 --> 00:37:57,275 I'M SORRY I DIDN'T TELL YOU, MOM. 769 00:37:57,309 --> 00:38:00,679 BOOKER WOULDN'T LET YOU. I KNOW. 770 00:38:00,712 --> 00:38:03,415 AS A LAWYER, I BELIEVE YOUR SMARTEST MOVE 771 00:38:03,449 --> 00:38:05,784 IS TO STAY IN BUSINESS WITH GANGSTA GLADE. 772 00:38:05,817 --> 00:38:06,985 EXCUSE ME? 773 00:38:07,018 --> 00:38:10,622 ONCE A LONG TIME AGO, I WAS A PRETTY GOOD MUSIC MAN. 774 00:38:10,656 --> 00:38:14,860 IT'S HOW I FOUND YOUR BOYS, AND WHAT I HEARD WAS GENIUS. 775 00:38:14,893 --> 00:38:16,728 IT STILL IS. 776 00:38:16,762 --> 00:38:20,165 TREY'S NOT A PERFORMER, NEVER WAS, 777 00:38:20,198 --> 00:38:22,434 BUT HE'S A HELL OF A POET. 778 00:38:22,468 --> 00:38:27,072 PEOPLE CHANGE. SOMETIMES IT'S FOR THE BETTER. 779 00:38:27,105 --> 00:38:32,378 USUALLY THAT CHANGE INVOLVES FACING SOME KIND OF HARD TRUTH. 780 00:38:32,411 --> 00:38:35,514 VERY HARD TRUTHS. 781 00:38:39,885 --> 00:38:42,754 WHAT HARD TRUTH? 782 00:38:46,257 --> 00:38:50,696 I NEED TO BE ALONE WITH MY MOTHER. 783 00:39:08,414 --> 00:39:12,350 [MAN SINGING HIP-HOP] 784 00:40:21,887 --> 00:40:25,524 MELODY IS THE COMBINATION OF PITCH AND RHYTHM. 785 00:40:25,557 --> 00:40:28,627 BEAT--THAT'S ONLY RHYTHM, SO NO CONTEST. 786 00:40:28,660 --> 00:40:29,928 BEAT IS YOUR HEART. 787 00:40:29,961 --> 00:40:31,597 IT'S WHAT MAKES THE WORLD TURN 788 00:40:31,630 --> 00:40:32,798 AND HOLDS UP THE SKY. 789 00:40:32,831 --> 00:40:34,766 DON'T TELL ME, NO CONTEST. 790 00:40:34,800 --> 00:40:36,868 I'LL TELL YOU ONE THING. 791 00:40:36,902 --> 00:40:38,670 I GUESS YOU GUYS DON'T MIND TALKING ABOUT STUFF 792 00:40:38,704 --> 00:40:40,906 THAT ISN'T YOUR MAIN BUSINESS. 793 00:40:40,939 --> 00:40:43,509 WELL, EVENTUALLY, EVERYTHING BECOMES OUR MAIN BUSINESS. 794 00:40:43,542 --> 00:40:44,776 TREY, YOU LOOK GOOD. 795 00:40:44,810 --> 00:40:47,312 WHAT ARE YOU DOING HERE AT THE ENDS OF THE EARTH? 796 00:40:47,345 --> 00:40:48,980 NOT LOOKING FOR A DRINK, I HOPE. 797 00:40:49,014 --> 00:40:49,815 WALTER. 798 00:40:49,848 --> 00:40:51,650 I'M COMING UP ON A MONTH SOBER. 799 00:40:51,683 --> 00:40:54,586 I, UH, GOT AN ADVANCE ON MY ROYALTIES, 800 00:40:54,620 --> 00:40:56,722 AND SO I JUST CAME TO PAY WHAT I OWE. 801 00:40:56,755 --> 00:40:58,690 GANGSTA GLADE RECORDS WAS OUR CLIENT. 802 00:40:58,724 --> 00:41:01,560 THEY PAID UP ALREADY. YOU DON'T OWE US ANYTHING. 803 00:41:01,593 --> 00:41:04,062 WELL, WALTER SAID OTHERWISE. 804 00:41:04,095 --> 00:41:05,831 EH. THAT'S WHY I DON'T HANDLE THE MONEY. 805 00:41:05,864 --> 00:41:09,200 KARIM! OH, YOU LOOK GOOD. 806 00:41:09,234 --> 00:41:11,002 WHAT BRINGS YOU OUT TO THE ENDS OF THE EARTH? 807 00:41:11,036 --> 00:41:13,639 YOU WERE GONNA INTRODUCE ME TO THE ARTIST BEHIND J-STRYKE. 808 00:41:13,672 --> 00:41:18,409 KARIM, MEET TREY, FACE TO FACE. 809 00:41:18,443 --> 00:41:19,711 I'M A HUGE FAN. 810 00:41:19,745 --> 00:41:20,912 I KNOW THAT ALREADY. 811 00:41:20,946 --> 00:41:23,949 THAT'S WHY I CHOSE YOU TO PLAY MY STUFF. 812 00:41:23,982 --> 00:41:27,185 NOW, YOU KNOW KARIM JUST GRADUATED IN MUSIC MANAGEMENT. 813 00:41:27,218 --> 00:41:28,419 NO KIDDING? 814 00:41:28,453 --> 00:41:31,489 I'VE BEEN THINKING ABOUT A MANAGER. 815 00:41:31,523 --> 00:41:35,093 HAVE A SEAT. I'LL BRING YOU SOME LUNCH. 816 00:41:37,095 --> 00:41:41,199 DON'T EVER TELL ME YOU DON'T CARE ABOUT CLIENTS. 817 00:41:41,232 --> 00:41:43,535 I DON'T, NOT ONE BIT. 818 00:41:43,569 --> 00:41:48,073 BUT I ASKED MYSELF, "WHAT'D MADE LEO HAPPY AT THE END OF THIS CASE?" 819 00:41:48,106 --> 00:41:51,009 BECAUSE I TRIED TO SET YOU UP WITH AN EVIL WOMAN. 820 00:41:51,042 --> 00:41:54,045 DO ME A FAVOR. STOP TRYING TO MAKE ME HAPPY. 821 00:41:54,079 --> 00:41:55,681 NOT GONNA HAPPEN, PAL, 822 00:41:55,714 --> 00:41:58,049 BECAUSE IF THE BIG MAN AIN'T HAPPY, 823 00:41:58,083 --> 00:41:59,150 AIN'T NOBODY HAPPY. 824 00:42:11,630 --> 00:42:15,867 [HIP HOP MUSIC PLAYING] 825 00:43:00,211 --> 00:43:01,647 WHAT'S THAT MEAN?