1 00:00:06,093 --> 00:00:07,572 A TOAST... 2 00:00:07,659 --> 00:00:11,272 TO THE MOST BEAUTIFUL WOMAN A MAN COULD BE MARRIED TO 3 00:00:11,359 --> 00:00:13,752 FOR 3 YEARS. 4 00:00:13,839 --> 00:00:18,670 YOU MEAN, THE HAPPIEST WOMAN A MAN COULD BE MARRIED TO FOR 3 YEARS. 5 00:00:18,757 --> 00:00:20,672 HAPPY ANNIVERSARY, JOE. 6 00:00:20,759 --> 00:00:23,719 [INDISTINCT TALKING IN BACKGROUND] 7 00:00:29,812 --> 00:00:33,642 MMM. MY NAME IS CHEF ALEJANDRO LOPEZ-FERNANDEZ. 8 00:00:33,729 --> 00:00:35,383 CAN I HELP YOU WITH THE MENU? 9 00:00:35,470 --> 00:00:37,254 YES. [CHUCKLES][LAUGHS] 10 00:00:37,341 --> 00:00:39,735 HMM. I SAID SOMETHING FUNNY? 11 00:00:39,822 --> 00:00:41,519 WE'RE JUST PRETENDING TO READ THE MENU. 12 00:00:41,606 --> 00:00:43,869 WE COME HERE EVERY YEAR FOR OUR ANNIVERSARY. 13 00:00:43,956 --> 00:00:46,785 WE KNOW EXACTLY WHAT WE'RE GETTING. 14 00:00:46,872 --> 00:00:48,222 THE ROPA VIEJA. 15 00:00:48,309 --> 00:00:51,355 AHH, GOOD CHOICE. THAT'S MY SPECIALTY. 16 00:00:51,442 --> 00:00:53,531 BUEN PROVECHO. 17 00:00:53,618 --> 00:00:54,924 EXCUSE ME. 18 00:00:55,011 --> 00:00:59,233 LADIES AND GENTLEMEN, THIS PLACE IS CLOSED. 19 00:00:59,320 --> 00:01:02,192 FOR YOUR SAFETY, I ASK YOU NOW, 20 00:01:02,279 --> 00:01:04,847 NICELY, TO GET THE HELL OUT. 21 00:01:09,243 --> 00:01:10,331 NOW! 22 00:01:12,376 --> 00:01:13,290 WHAT WAS THAT? 23 00:01:23,083 --> 00:01:24,649 WE SHOULD GO. 24 00:01:24,736 --> 00:01:26,303 JOE! 25 00:01:26,390 --> 00:01:29,611 I'M GOING TO FIND OUT WHY OUR DINNER'S BEING RUINED. 26 00:01:29,698 --> 00:01:31,569 JOE? 27 00:01:31,656 --> 00:01:33,484 JOE. 28 00:01:33,571 --> 00:01:35,007 JOE. 29 00:01:35,095 --> 00:01:36,922 JOE, THOSE GUYS SEEM KIND OF DANGEROUS. JOE. 30 00:01:37,009 --> 00:01:39,664 YEAH, EXCUSE ME. MAY I ASK YOU, SIR? 31 00:01:39,751 --> 00:01:42,363 [CLICKS] 32 00:01:44,756 --> 00:01:46,715 GET 'EM OUT. 33 00:01:47,629 --> 00:01:50,197 OHH! 34 00:01:50,284 --> 00:01:52,112 WHAT ABOUT OUR ANNIVERSARY? 35 00:01:52,199 --> 00:01:54,331 JOE. JOE. HE HAD A GUN. 36 00:01:54,418 --> 00:01:55,811 ANNIE, THIS IS MIAMI. 37 00:01:55,898 --> 00:01:59,467 PEOPLE CARRY GUNS LIKE THEY CARRY WALLETS. 38 00:02:00,685 --> 00:02:03,253 [GUNSHOTS][SCREAMING] 39 00:02:03,340 --> 00:02:05,560 OH! OH! 40 00:02:15,004 --> 00:02:17,224 KING OF THE FRANKS, KING OF THE LOMBARDS, 41 00:02:17,311 --> 00:02:18,616 EMPEROR OF THE ROMANS. 42 00:02:18,703 --> 00:02:21,576 TRANSYLVANIA COUNT, DESCENDANT OF ATTILA THE HUN, 43 00:02:21,663 --> 00:02:22,577 PRINCE OF THE NIGHT. 44 00:02:22,664 --> 00:02:24,970 VICTOR OF THE 30-YEAR SAXON WARS. 45 00:02:25,057 --> 00:02:25,797 3 VAMPIRE BRIDES. 46 00:02:25,884 --> 00:02:27,669 STANDARDIZED EUROPEAN CURRENCY. 47 00:02:27,756 --> 00:02:29,018 COULD CLIMB WALLS, TURN INTO FOG, 48 00:02:29,105 --> 00:02:32,978 PLAYED IN THE MOVIES BY BELA LUGOSI, RUTGER HAUER, 49 00:02:33,065 --> 00:02:34,241 LESLIE NIELSEN. 50 00:02:34,328 --> 00:02:35,503 CONQUERED ITALY. 51 00:02:35,590 --> 00:02:37,069 FANGS. 52 00:02:38,723 --> 00:02:41,770 WHY, GOOD AFTERNOON, YOUNG DELINQUESSE. 53 00:02:41,857 --> 00:02:43,641 I'VE HAD A REALLY BAD DAY. 54 00:02:43,728 --> 00:02:47,341 CRISTINA FARREL, MY HAG OF A PROBATION OFFICER, 55 00:02:47,428 --> 00:02:50,039 HAS JUST CALLED ME ON THE PHONE TO BUST MY SACRED SPACE 56 00:02:50,126 --> 00:02:52,607 BECAUSE THERE'S A GIRL MATCHING MY DESCRIPTION 57 00:02:52,694 --> 00:02:55,349 ROLLING JOHNS ALL UP AND DOWN MIAMI BEACH. 58 00:02:55,436 --> 00:02:57,089 AND DUE TO THIS MISAPPREHENSION 59 00:02:57,177 --> 00:03:00,789 THAT I'M THE ONLY BLONDE GIRL WITH A RECORD IN ALL OF SOUTH FLORIDA, 60 00:03:00,876 --> 00:03:02,617 CRISTINA FARREL HAS DECIDED THAT 61 00:03:02,704 --> 00:03:05,010 UNTIL THIS CONSTERNATION HAS BEEN, IF POSSIBLE, 62 00:03:05,097 --> 00:03:06,838 RESOLVED SATISFACTORILY TO MY BENEFIT, 63 00:03:06,925 --> 00:03:08,927 I HAVE TO DOUBLE MY FACE-TO-FACE CHECK-INS. 64 00:03:09,014 --> 00:03:10,799 I DON'T HAVE A PROBLEM WITH THAT. 65 00:03:10,886 --> 00:03:12,540 Leo: WALTER. 66 00:03:12,627 --> 00:03:15,412 YOU MIGHT WANT TO STOP ROLLING JOHNS UP AND DOWN MIAMI BEACH. 67 00:03:15,499 --> 00:03:17,066 OH, MY GOD. IT'S NOT ME. 68 00:03:17,153 --> 00:03:20,939 I'VE NEVER HOOKED IN MY LIFE. IS THAT SO IMPOSSIBLE? 69 00:03:21,026 --> 00:03:22,550 ALMOST IMPOSSIBLE. 70 00:03:22,637 --> 00:03:23,551 LEO... 71 00:03:23,638 --> 00:03:24,769 LAWS ARE LIKE COBWEBS, 72 00:03:24,856 --> 00:03:25,944 WHICH MAY CATCH SMALL FLIES, 73 00:03:26,031 --> 00:03:28,251 BUT LET WASPS AND HORNETS BREAK THROUGH. 74 00:03:28,338 --> 00:03:29,687 MEANING...WHICH MEANS 75 00:03:29,774 --> 00:03:31,950 THE SYSTEM IS AN UPHILL CLIMB FOR THE LIKES OF YOU. 76 00:03:32,037 --> 00:03:34,214 BUT I HAVE FAITH IN YOUR JOURNEY. 77 00:03:34,301 --> 00:03:36,651 [NO AUDIO][DOOR OPENS] 78 00:03:41,221 --> 00:03:43,962 OH, RIGHT. 79 00:03:44,049 --> 00:03:47,662 ON MY WAY HOME, I RAN OVER THIS GUY WITH MY BIKE. 80 00:03:47,749 --> 00:03:49,620 HE'S LOOKING FOR YOU. 81 00:03:49,707 --> 00:03:53,058 JOE, YOU SAID?WHAT? OH, YES. 82 00:03:53,145 --> 00:03:54,364 DID YOU BLACK OUT WHEN YOU FELL, JOE? 83 00:03:54,451 --> 00:03:57,498 I DON'T--DON'T THINK SO.HE DIDN'T. 84 00:03:57,585 --> 00:03:59,804 I HEARD HIM MOANING AS I RODE AWAY. 85 00:03:59,891 --> 00:04:01,371 WHAT ARE YOU DOING HERE? 86 00:04:01,458 --> 00:04:03,373 NOT SURE I LIKE THE CUT OF YOUR JIB. 87 00:04:03,460 --> 00:04:05,462 UH, WELL, I'M A NOTARY. 88 00:04:05,549 --> 00:04:09,292 OH. I DO NOT LIKE NOTARIES. 89 00:04:09,379 --> 00:04:10,511 WHAT? I DON'T. 90 00:04:10,598 --> 00:04:12,252 I DO A LOT OF WORK AT A LAW FIRM. 91 00:04:12,339 --> 00:04:16,125 LAST YEAR, A PRENUP WENT MISSING UNDER SUSPICIOUS CIRCUMSTANCES. 92 00:04:16,212 --> 00:04:19,476 AND...YOU WERE THE GUY THEY HIRED TO FIND IT. 93 00:04:19,563 --> 00:04:22,436 YEAH. THAT WAS A FUNNY CASE. [CHUCKLES] 94 00:04:22,523 --> 00:04:25,395 SOMEONE ENDED UP DEAD, I THINK. 95 00:04:25,482 --> 00:04:27,528 - IS THIS THE SAME CASE? - SAME CASE. 96 00:04:27,615 --> 00:04:29,269 WHAT DO YOU WANT FROM WALTER, JOE? 97 00:04:29,356 --> 00:04:31,488 YOU WANT HIM TO FIND SOMETHING? 98 00:04:33,360 --> 00:04:34,926 I WANT YOU TO FIND A MEAL. 99 00:04:35,013 --> 00:04:36,711 I'M IN!WALTER. 100 00:04:36,798 --> 00:04:37,364 I'M IN. 101 00:04:37,451 --> 00:04:38,452 YOU DON'T EVEN KNOW-- 102 00:04:38,539 --> 00:04:39,453 I'M IN.OK. 103 00:04:39,540 --> 00:04:42,238 LET HIM FINISH FIRST. 104 00:04:42,325 --> 00:04:43,370 TELL YOUR TALE. 105 00:04:43,457 --> 00:04:45,459 AND THEN, I'M IN. 106 00:04:45,546 --> 00:04:47,330 HAVE YOU EVER HAD ROPA VIEJA? 107 00:04:47,417 --> 00:04:48,940 IT'S A TRADITIONAL CUBAN DISH. 108 00:04:49,027 --> 00:04:51,639 THIS IS MIAMI, JOE. THE STREETS ARE LINED WITH ROPA VIEJA. 109 00:04:51,726 --> 00:04:55,773 THE FIRST TIME I HAD IT WAS 6 YEARS AGO AT THE BELLA PLATA RESTAURANT. 110 00:04:55,860 --> 00:04:57,862 IT WAS--IT WAS MY FIRST DATE WITH ANNIE. 111 00:04:57,949 --> 00:04:59,386 YOUR WIFE. 112 00:04:59,473 --> 00:05:02,389 IT WAS THE BEST FOOD EITHER OF US HAD EVER EATEN. 113 00:05:02,476 --> 00:05:04,347 I DON'T KNOW HOW TO DESCRIBE IT. 114 00:05:04,434 --> 00:05:06,393 IT WAS ONE OF THE BEST NIGHTS OF OUR LIVES. 115 00:05:06,480 --> 00:05:09,657 I MEAN, IT BECAME OUR SPECIAL PLACE, OUR SPECIAL DISH. 116 00:05:09,744 --> 00:05:11,398 BIRTHDAYS, ANNIVERSARIES. 117 00:05:11,485 --> 00:05:15,271 I PROPOSED TO ANNIE OVER A PLATE OF THE BELLA PLATA'S ROPA-- 118 00:05:15,358 --> 00:05:17,882 GET TO THE POINT. 119 00:05:17,969 --> 00:05:20,015 3 YEARS AGO, THE RESTAURANT CLOSED DOWN. 120 00:05:20,102 --> 00:05:22,234 WE NEVER REALLY FOUND OUT WHY. 121 00:05:22,322 --> 00:05:24,411 EVER SINCE THEN, WE'VE TRIED OUT OTHER PLACES, 122 00:05:24,498 --> 00:05:28,371 OTHER ROPA VIEJA, AND IT WAS... 123 00:05:28,458 --> 00:05:32,506 [SCOFFS] IT WAS NEVER THE SAME. 124 00:05:32,593 --> 00:05:35,160 YEAH, WELL, NOTHING-- NOTHING WAS. 125 00:05:35,247 --> 00:05:36,814 I KNOW IT SOUNDS ILLOGICAL, 126 00:05:36,901 --> 00:05:38,686 BUT WHATEVER WE HAD SPECIAL IN OUR LIFE, 127 00:05:38,773 --> 00:05:42,254 WE SEEM TO HAVE LOST IT THE DAY THE BELLA PLATA SHUT DOWN. 128 00:05:42,342 --> 00:05:46,258 YOU KNOW, IT'S OUR ANNIVERSARY IN 4 DAYS, 129 00:05:46,346 --> 00:05:48,130 AND... 130 00:05:48,217 --> 00:05:51,351 I DON'T KNOW. I WAS JUST...THINKING-- 131 00:05:51,438 --> 00:05:53,396 I MEAN, IF WE COULD JUST 132 00:05:53,483 --> 00:05:56,225 SHARE THAT MEAL ONE MORE TIME, 133 00:05:56,312 --> 00:05:59,663 MAYBE WE COULD SALVAGE SOME SORT OF... 134 00:05:59,750 --> 00:06:01,273 AHEM. 135 00:06:01,361 --> 00:06:04,102 WHAT? I GOT TO PEE. 136 00:06:04,189 --> 00:06:07,410 I ALREADY SAID I WAS IN. 137 00:06:07,497 --> 00:06:09,020 [CHUCKLES] 138 00:06:09,107 --> 00:06:11,675 IT SAYS THE PROPERTY IS STILL OWNED 139 00:06:11,762 --> 00:06:14,896 BY THE SAME BLIND LLC IT WAS 3 YEARS AGO. 140 00:06:14,983 --> 00:06:17,377 IT'S LIKE THE CHOCOLATE FACTORY. 141 00:06:17,464 --> 00:06:18,290 I WOULDN'T SAY THAT'S TRUE. 142 00:06:18,378 --> 00:06:20,510 IT'S CLOSED DOWN, BUT THEY NEVER SOLD IT. 143 00:06:20,597 --> 00:06:22,643 IT'S JUST SITTING THERE, WAITING. 144 00:06:22,730 --> 00:06:25,733 FOR WHAT?SOMEONE SPECIAL. 145 00:06:25,820 --> 00:06:27,169 WONKA. 146 00:06:27,256 --> 00:06:31,042 GENE WILDER WONKA, NOT JOHNNY DEPP WONKA. 147 00:06:32,348 --> 00:06:34,176 SHOULD I GET MY HAIR CUT? 148 00:06:34,263 --> 00:06:35,569 NAH. 149 00:06:35,656 --> 00:06:37,309 I THINK I'M JUST GOING TO BREAK IN. 150 00:06:37,397 --> 00:06:38,833 STANDARD LEGAL DISCLAIMER? 151 00:06:38,920 --> 00:06:43,490 TITLE 46, CHAPTER 810. BURGLARY AND TRESPASS. 152 00:06:43,577 --> 00:06:45,230 EH. I'M'A RISK IT. 153 00:06:46,144 --> 00:06:48,364 ♪ OOMPA LOOMPA ♪ 154 00:06:48,451 --> 00:06:49,974 ♪ DOOPITY-DOO ♪ 155 00:06:50,061 --> 00:06:51,236 OOH. 156 00:06:51,323 --> 00:06:53,064 ♪ OOMPA LOOMPA ♪ 157 00:06:53,151 --> 00:06:55,023 ♪ DOOPITY-DOO ♪ 158 00:06:55,110 --> 00:06:58,330 ♪ I FOUND SOME REVIEWS ♪ 159 00:07:08,515 --> 00:07:10,647 LOST, MY FRIEND? 160 00:07:10,734 --> 00:07:13,911 NOT FOR MANY YEARS. YOU? 161 00:07:13,998 --> 00:07:16,044 GO. 162 00:07:28,491 --> 00:07:32,756 MISS-TERIOUS PALATE. 163 00:07:33,888 --> 00:07:36,368 [BUZZING] 164 00:07:42,549 --> 00:07:44,855 [CELL PHONE RINGS] 165 00:07:44,942 --> 00:07:46,248 HELLO?HEY, LEO, 166 00:07:46,335 --> 00:07:47,554 IN THE OOMPA LOOMPA SONG. 167 00:07:47,641 --> 00:07:49,425 IS IT "HAVE I GOT A PUZZLE FOR YOU," 168 00:07:49,512 --> 00:07:51,471 OR "I'VE GOT A PUZZLE FOR YOU"? 169 00:07:51,558 --> 00:07:52,820 WALTER, GET OUT, NOW! 170 00:07:52,907 --> 00:07:54,648 [CLICKS] 171 00:07:54,735 --> 00:07:56,780 OH, YEAH. UH, 172 00:07:56,867 --> 00:07:59,957 NOW IS TOO LATE. 173 00:08:00,044 --> 00:08:02,612 DOES THIS COUNT AS MY PHONE CALL? 174 00:08:36,559 --> 00:08:40,476 [HUMMING] 175 00:08:45,176 --> 00:08:47,527 [DOOR CLICKS] 176 00:08:47,614 --> 00:08:49,050 HEY! 177 00:08:49,137 --> 00:08:50,138 WHAT A SURPRISE! 178 00:08:50,225 --> 00:08:52,183 IS IT? 179 00:08:52,270 --> 00:08:54,446 I THOUGHT YOU SAID YOU WERE BUSY THIS WEEK AND COULDN'T HANG OUT. 180 00:08:54,534 --> 00:08:58,973 I AM. I CAN'T. WE ARE NOT. 181 00:08:59,060 --> 00:09:00,540 AND YET... 182 00:09:00,627 --> 00:09:02,367 WHAT WERE YOU DOING AT THE BELLA PLATA? 183 00:09:02,454 --> 00:09:04,369 WHAT WERE YOU DOING AT THE BELLA PLATA? 184 00:09:04,456 --> 00:09:06,197 I WASN'T--HA. NO. 185 00:09:06,284 --> 00:09:07,982 I'M NOT GOING TO JUMP INTO THE CRAZY POOL. 186 00:09:08,069 --> 00:09:10,811 SOMEONE ALERTED THE COPS THAT I HAD BROKEN IN. 187 00:09:10,898 --> 00:09:13,857 YOU WERE BREAKING IN. THAT'S WHAT COPS DO, WALTER. 188 00:09:13,944 --> 00:09:16,164 THEY ARREST IDIOTS LIKE YOU. 189 00:09:16,251 --> 00:09:17,948 BARBERSHOP GUY! 190 00:09:18,035 --> 00:09:22,213 YOU'RE PAYING BARBERSHOP GUY TO WATCH THE BELLA PLATA? 191 00:09:22,300 --> 00:09:24,085 I LOVE IT. WHY? 192 00:09:24,172 --> 00:09:27,697 WE'RE NOT HERE TO TALK ABOUT ME. LET'S TALK ABOUT YOU. 193 00:09:27,784 --> 00:09:31,440 OK. YOU NEVER GO TO DINNER WITH ME 194 00:09:31,527 --> 00:09:33,442 IN A REAL RESTAURANT. WHY NOT? 195 00:09:33,529 --> 00:09:34,486 IT MAKES ME FEEL BAD. 196 00:09:34,574 --> 00:09:35,618 OUT OF THE POOL, WALTER. 197 00:09:35,705 --> 00:09:37,402 I FEEL BAD.YOU DON'T. 198 00:09:37,489 --> 00:09:39,404 NO, I THINK I DO. 199 00:09:39,491 --> 00:09:40,710 MOB RESTAURANT! 200 00:09:40,797 --> 00:09:43,017 BELLA PLATA IS A MOB RESTAURANT, RIGHT? 201 00:09:43,104 --> 00:09:46,194 RIGHTY-RIGHT? THAT'S WHY BARBERSHOP GUY? 202 00:09:46,281 --> 00:09:48,544 I CAN'T TALK TO YOU ABOUT THIS. 203 00:09:48,631 --> 00:09:49,980 OH. 204 00:09:50,067 --> 00:09:52,069 OK. 205 00:09:53,505 --> 00:09:56,378 I GUESS I CAN'T TALK TO YOU ABOUT IT, EITHER. 206 00:09:56,465 --> 00:09:58,946 FINE. OK. 207 00:09:59,033 --> 00:10:00,251 YOU WIN. 208 00:10:02,514 --> 00:10:04,908 DO YOU KNOW WHO FEDERICO VASQUEZ IS? 209 00:10:04,995 --> 00:10:06,910 EVERYBODY KNOWS WHO FEDERICO VASQUEZ IS. 210 00:10:06,997 --> 00:10:08,608 DO YOU?NO. 211 00:10:08,695 --> 00:10:10,784 YEAH. THEY CALL HIM FICO. CUBAN MAFIA. 212 00:10:10,871 --> 00:10:12,046 ALLEGEDLY. 213 00:10:12,133 --> 00:10:14,439 NO, I'M PRETTY SURE THEY CALL HIM FICO. 214 00:10:14,526 --> 00:10:15,963 WAIT, HE OWNS THE BELLA PLATA? 215 00:10:16,050 --> 00:10:18,530 WE THINK THROUGH A SERIES OF SHELL CORPORATIONS. 216 00:10:18,618 --> 00:10:22,056 WELL, WHY HIDE IT? SINCE WHEN IS IT ILLEGAL TO OWN A RESTAURANT? 217 00:10:22,143 --> 00:10:25,059 WHEN YOU'RE USING IT TO LAUNDER DRUG MONEY. 218 00:10:25,146 --> 00:10:27,539 WE WERE DEVELOPING A CONTACT ON THE INSIDE TO CONFIRM, 219 00:10:27,627 --> 00:10:31,195 THE SOUS-CHEF. I WAS ON A TEAM TO PROTECT HIM ONCE HE CAME OUT. 220 00:10:31,282 --> 00:10:32,632 AND YOU LOST HIM. OH! 221 00:10:32,719 --> 00:10:33,937 DO YOU WANT ME TO FIND HIM? 222 00:10:34,024 --> 00:10:37,462 NO. WALTER. I DON'T WANT YOU TO DO ANYTHING. 223 00:10:37,549 --> 00:10:40,030 WE KNOW WHERE THE SOUS-CHEF IS. HE'S IN THE GROUND. 224 00:10:40,117 --> 00:10:41,684 3 YEARS AGO, WE FOUND HIM IN THE GLADES 225 00:10:41,771 --> 00:10:43,947 WITH HIS ENTIRE KNIFE SET STUCK IN HIS CHEST. 226 00:10:44,034 --> 00:10:45,688 THE NEXT DAY, THE BELLA PLATA CLOSED, 227 00:10:45,775 --> 00:10:47,211 NEVER TO BE OPENED AGAIN. 228 00:10:47,298 --> 00:10:50,127 ALMOST EVERY SINGLE ONE OF THE EMPLOYEES OF THAT PLACE IS 229 00:10:50,214 --> 00:10:51,955 ON A FEDERAL WITNESS LIST. 230 00:10:52,042 --> 00:10:55,263 WONKA. 231 00:10:55,350 --> 00:10:58,440 FOR THE LAST 3 YEARS, 232 00:10:58,527 --> 00:11:01,791 I'VE LET THAT BARBER WASH MY HAIR 233 00:11:01,878 --> 00:11:05,273 AND STAND JUST A LITTLE TOO CLOSE TO THE CHAIR 234 00:11:05,360 --> 00:11:09,364 SO HE'D KEEP HIS EYES AND EARS ON THE BELLA PLATA FOR ME. 235 00:11:09,451 --> 00:11:14,282 I'VE HAD MY NET OUT THERE FOR A VERY LONG TIME... 236 00:11:14,369 --> 00:11:17,459 SO THAT BEGS THE QUESTION-- 237 00:11:17,546 --> 00:11:21,637 WHY...ARE YOU... IN MY NET? 238 00:11:21,724 --> 00:11:23,770 I...DON'T KNOW. 239 00:11:23,857 --> 00:11:26,686 I'LL TELL YOU WHEN I...FIND...OUT. 240 00:11:47,489 --> 00:11:49,143 DO I KNOW YOU? 241 00:11:49,230 --> 00:11:52,537 NOT ME, SPECIFICALLY. YOU KNOW PEOPLE LIKE ME. 242 00:11:52,624 --> 00:11:54,801 YOU, FOR EXAMPLE. 243 00:11:54,888 --> 00:11:56,672 FIND YOUR OWN STROLL. 244 00:11:56,759 --> 00:11:57,847 I'M NOT HERE TO HOOK. 245 00:11:57,934 --> 00:12:00,763 WELL, I AM. SO WHATEVER YOU WANT, 246 00:12:00,850 --> 00:12:02,330 WANT IT SOMEWHERE ELSE. 247 00:12:02,417 --> 00:12:03,810 MOVE ON. 248 00:12:03,897 --> 00:12:06,029 WHAT? 249 00:12:06,116 --> 00:12:06,856 MOVE. ON. 250 00:12:06,943 --> 00:12:10,947 OUT OF THE COUNTY. THAT'S WHAT I WANT. 251 00:12:12,340 --> 00:12:15,517 [BOTH GRUNTING] 252 00:12:25,222 --> 00:12:27,529 Man: SECURITY![GRUNTS] 253 00:12:36,843 --> 00:12:38,235 THANKS FOR GETTING ME OUT. 254 00:12:38,322 --> 00:12:40,847 LUCKY FOR YOU, ALMOST EVERYONE IN MY FAMILY IS A COP 255 00:12:40,934 --> 00:12:42,457 OF ONE KIND OR ANOTHER. 256 00:12:42,544 --> 00:12:43,632 HEY, ISABEL.HMM. 257 00:12:43,719 --> 00:12:45,242 WHY WON'T YOU HAVE DINNER WITH ME? 258 00:12:45,329 --> 00:12:46,809 IF IT'S THE WAY I DRESS-- 259 00:12:46,896 --> 00:12:48,463 IT'S NOT THE WAY YOU DRESS. 260 00:12:48,550 --> 00:12:49,943 THEN WHAT? 261 00:12:50,030 --> 00:12:53,511 SOMETIMES, WHEN I'M WITH YOU, I FORGET WHO I AM. 262 00:12:53,598 --> 00:12:55,992 I CAN JUST WRITE IT ON MY FOREHEAD. "ISABEL ZAMBADA." 263 00:12:56,079 --> 00:12:59,300 WALTER, WE AREN'T A COUPLE, NOT LIKE NORMAL. 264 00:12:59,387 --> 00:13:01,476 I REALLY, REALLY ENJOY SPENDING TIME WITH YOU-- 265 00:13:01,563 --> 00:13:03,870 WELL, 70% OF THE TIME, BUT-- 266 00:13:03,957 --> 00:13:05,523 THE PLAN.RISE THROUGH THE RANKS, 267 00:13:05,610 --> 00:13:08,309 FINISH MY LAW DEGREE, RISE THROUGH THE JUSTICE DEPARTMENT, 268 00:13:08,396 --> 00:13:09,484 AND CHANGE THE WORLD. 269 00:13:09,571 --> 00:13:11,268 THAT'S A VERY AMBITIOUS PLAN. 270 00:13:11,355 --> 00:13:12,182 YES, IT IS 271 00:13:12,269 --> 00:13:13,749 I COULD FIT IN THE PLAN. 272 00:13:13,836 --> 00:13:16,230 PUDDING POP, YOU COULDN'T FIT INTO ANYBODY'S PLAN, 273 00:13:16,317 --> 00:13:20,887 EVEN IF YOU WANTED TO, WHICH I KNOW YOU DON'T. 274 00:13:20,974 --> 00:13:22,932 I AM A HUGE AMOUNT OF FUN. 275 00:13:23,019 --> 00:13:25,413 YOU ARE. 276 00:13:25,500 --> 00:13:27,502 WALTER, LOOK. I KNOW YOU THINK YOU'RE PROTECTING ME 277 00:13:27,589 --> 00:13:29,460 BY NOT TELLING ME WHAT IT IS YOU'RE LOOKING FOR. 278 00:13:29,547 --> 00:13:32,550 BUT IF IT HAS ANYTHING TO DO WITH FICO VASQUEZ, 279 00:13:32,637 --> 00:13:35,336 YOU HAVE TO BE CAREFUL, PLEASE. 280 00:13:35,423 --> 00:13:36,946 I'M NOT JUST FUN. 281 00:13:37,033 --> 00:13:41,429 YOU CARE DEEPLY FOR ME. YOU DON'T WANT TO, BUT BOY, YOU DO. 282 00:13:41,516 --> 00:13:43,561 [LAUGHS] 283 00:13:43,648 --> 00:13:47,522 TALKING TO YOU IS LIKE PLAYING BAGPIPES IN A UKULELE BAND. 284 00:13:47,609 --> 00:13:49,045 BAGPIPES? 285 00:13:53,354 --> 00:13:56,923 [LATIN MUSIC PLAYING] 286 00:14:07,324 --> 00:14:08,717 [WOMAN SHOUTS IN SPANISH] 287 00:14:08,804 --> 00:14:11,633 I'M NOT SURE HOW THIS WILL HELP US FIND THE CHEF. 288 00:14:11,720 --> 00:14:14,157 THE MEAL. NOT LOOKING FOR THE CHEF. 289 00:14:14,244 --> 00:14:16,290 BUT HE'S LOOKING FOR THE CHEF? 290 00:14:16,377 --> 00:14:17,944 HE'S LOOKING THROUGH THE CHEF. 291 00:14:18,031 --> 00:14:20,294 I'VE GOT 5 DIFFERENT ROPA VIEJAS HERE-- 292 00:14:20,381 --> 00:14:24,211 RANGING FROM THE MOST TRADITIONAL TO THE MOST NOUVELLE. 293 00:14:24,298 --> 00:14:25,212 IS THAT BLOOD? 294 00:14:25,299 --> 00:14:27,910 OH, YEAH. THEY'RE FROM A CRIME SCENE. 295 00:14:27,997 --> 00:14:29,607 NOW, HERE'S A LIST OF ADJECTIVES 296 00:14:29,694 --> 00:14:31,609 USED TO DESCRIBE CHEF ALEJANDRO'S ROPA VIEJAS 297 00:14:31,696 --> 00:14:32,784 CULLED FROM REVIEWS. 298 00:14:32,872 --> 00:14:34,743 YOU'RE GOING TO EAT ALL OF THEM, 299 00:14:34,830 --> 00:14:37,833 AND THEN RANK THEM BASED ON THEIR SIMILARITY TO THE DESCRIPTION. 300 00:14:37,920 --> 00:14:39,443 AND THIS WILL HELP FIND THE MEAL? 301 00:14:39,530 --> 00:14:42,490 WELL, PROBABLY NOT. BUT IT MAY HELP US FIND THE CHEF. 302 00:14:42,577 --> 00:14:44,579 HOPEFULLY ALIVE. 303 00:14:44,666 --> 00:14:47,321 I DON'T UNDERSTAND HIM AT ALL. 304 00:14:53,370 --> 00:14:55,546 HEY. IT'S WILLA. YOU KNOW WHAT TO DO. 305 00:14:55,633 --> 00:14:57,374 [BEEPS]ALL RIGHT. 306 00:14:57,461 --> 00:14:59,072 THE VOTES HAVE BEEN TALLIED. 307 00:14:59,159 --> 00:15:01,726 WHAT WE ARE LOOKING FOR HERE IS... 308 00:15:01,813 --> 00:15:04,207 A SMOKY, PEPPERY, SLIGHTLY SPICY, 309 00:15:04,294 --> 00:15:06,209 VAGUELY ORANGEY-SWEET SOMETHING. 310 00:15:06,296 --> 00:15:09,865 NOW, ACCORDING TO YOU, ALL OF THESE ARE MISSING THE SAME SOMETHING. 311 00:15:09,952 --> 00:15:11,345 WHICH IS WHAT? 312 00:15:11,432 --> 00:15:13,521 SMOKE. 313 00:15:13,608 --> 00:15:15,175 HAVE YOU HEARD ANYTHING FROM WILLA? 314 00:15:15,262 --> 00:15:16,437 SHE'S NOT ANSWERING HER PHONE. 315 00:15:16,524 --> 00:15:18,830 YES. WILLA! 316 00:15:18,918 --> 00:15:22,834 I'VE BURIED THE LEDE. SHE'S IN JAIL. AHEM. 317 00:15:24,445 --> 00:15:27,100 YOUR PROBATION OFFICER CONSIDERS YOU A FLIGHT RISK. 318 00:15:27,187 --> 00:15:31,104 WELL WHO WOULDN'T BE WITH A P.O. LIKE HER? JEEZ. 319 00:15:31,191 --> 00:15:36,283 SORRY. IT'S THE FLIES AND WASPS THINGY, LEO. 320 00:15:36,370 --> 00:15:38,285 I JUST WENT TO TALK. 321 00:15:39,460 --> 00:15:41,592 GYPSY TALK. 322 00:15:41,679 --> 00:15:44,813 YOU USED YOUR ONE PHONE CALL 323 00:15:44,900 --> 00:15:48,077 ON YOUR COUSIN TIMO INSTEAD OF ME. 324 00:15:48,164 --> 00:15:50,906 TIMO CAN'T GET YOU OUT OF HERE. 325 00:15:50,993 --> 00:15:53,126 NEITHER CAN YOU, APPARENTLY. 326 00:15:53,213 --> 00:15:56,216 BUT I'M HERE. 327 00:15:58,522 --> 00:16:01,221 [CHATTERING] 328 00:16:11,013 --> 00:16:13,320 HMM! 329 00:16:13,407 --> 00:16:15,800 YOU DON'T WRITE LIKE A WOMAN. 330 00:16:15,887 --> 00:16:17,150 EXCUSE ME? 331 00:16:17,237 --> 00:16:18,455 NOT LIKE A WOMAN. 332 00:16:18,542 --> 00:16:20,066 YOU WRITE LIKE A MAN WRITING LIKE A WOMAN. 333 00:16:20,153 --> 00:16:21,110 BUT NOT LIKE A WOMAN. 334 00:16:21,197 --> 00:16:23,199 THERE'S A DIFFERENCE, YOU KNOW. 335 00:16:23,286 --> 00:16:25,201 IT'S THE PRONOUNS. 336 00:16:25,288 --> 00:16:26,463 WOMEN USE MORE THAN MEN. 337 00:16:26,550 --> 00:16:28,857 THERE'S A WHOLE STUDY, BUT I WON'T BORE YOU. 338 00:16:28,944 --> 00:16:30,424 THIS IS YOU-- 339 00:16:30,511 --> 00:16:34,471 MISS-TERIOUS PALATE, UNDERCOVER FOOD CRITIC AT-LARGE. 340 00:16:34,558 --> 00:16:37,039 SHE CLAIMS TO BE A SHE, BUT SHE'S REALLY A HE. 341 00:16:37,126 --> 00:16:40,651 YOU, IN FACT, ARE SHE-HE. 342 00:16:40,738 --> 00:16:42,349 YOU'RE INSANE. 343 00:16:42,436 --> 00:16:45,395 AFTER ANALYZING YOUR LAST 37 REVIEWS, A PATTERN EMERGES-- 344 00:16:45,482 --> 00:16:47,702 IT ALWAYS DOES-- THAT'S WHY PATTERNS ARE AWESOME. 345 00:16:47,789 --> 00:16:50,313 AN AVERAGE OF 5.1 DAYS AFTER A NEW RESTAURANT OPENS, 346 00:16:50,400 --> 00:16:52,576 YOU REVIEW SAID NEW RESTAURANT. 347 00:16:52,663 --> 00:16:55,579 NOW, THERE ARE 6 RESTAURANTS FITTING THAT CRITERIA TONIGHT. 348 00:16:55,666 --> 00:16:57,016 THIS IS NUMBER 4 FOR ME. 349 00:16:57,103 --> 00:16:58,539 AND THEN, IT WAS JUST A MATTER OF LOOKING AROUND 350 00:16:58,626 --> 00:17:00,280 AND FINDING THE PERSON WHO LOOKS LEAST LIKE 351 00:17:00,367 --> 00:17:01,977 WHAT SHE-HE PURPORTS TO BE. 352 00:17:02,064 --> 00:17:03,283 WHAT DO YOU WANT? 353 00:17:03,370 --> 00:17:05,937 I'M LOOKING FOR ALEJANDRO LOPEZ-FERNANDEZ. 354 00:17:06,025 --> 00:17:08,331 WHY WOULD I KNOW WHERE HE IS? 355 00:17:08,418 --> 00:17:11,334 HE'S YOUR FAVORITE CHEF, BEEN MISSING 3 YEARS. 356 00:17:11,421 --> 00:17:12,857 EXACTLY MY POINT. 357 00:17:12,944 --> 00:17:14,598 NO. IT'S THE SMOKE. 358 00:17:14,685 --> 00:17:15,208 WHAT? 359 00:17:15,295 --> 00:17:16,731 IT'S THE SMOKE. 360 00:17:16,818 --> 00:17:19,081 IT'S STILL OUT THERE, ISN'T IT? YOU'VE TASTED IT. 361 00:17:19,168 --> 00:17:22,476 I REPEAT. YOU'RE CRAZY. 362 00:17:22,563 --> 00:17:24,304 [CLICKS] 363 00:17:24,391 --> 00:17:27,394 I'M GOING TO POST THIS PICTURE ON THE INTERNET RIGHT NOW. 364 00:17:27,481 --> 00:17:28,699 HMM? 365 00:17:28,786 --> 00:17:31,876 DARE ME. DO IT. MMM? 366 00:17:31,963 --> 00:17:35,924 OH, I KNEW IT. SMOKE! 367 00:17:36,011 --> 00:17:39,275 HOW'S THE ARUGULA? 368 00:17:42,844 --> 00:17:44,367 I COULDN'T GET WILLA OUT. 369 00:17:44,454 --> 00:17:46,848 I THINK HER P.O. IS TRYING TO TEACH HER A LESSON. 370 00:17:46,935 --> 00:17:50,069 PROBABLY PRETTY GOOD LESSON. 371 00:17:50,156 --> 00:17:51,940 I TAKE IT WE'VE HAD A BREAKTHROUGH. 372 00:17:52,027 --> 00:17:54,029 HE'S STILL COOKING. 373 00:17:54,116 --> 00:17:55,857 YOU DON'T SAY. WHERE? 374 00:17:55,944 --> 00:17:58,120 3 YEARS AGO, AT A PERUVIAN RESTAURANT OVER HERE, 375 00:17:58,207 --> 00:18:00,818 AND TWO YEARS AGO AT A CHOPHOUSE WAY OVER HERE. 376 00:18:00,905 --> 00:18:02,472 THEN A CHINESE RESTAURANT, 377 00:18:02,559 --> 00:18:06,346 A SEAFOOD SHACK, CATERING COMPANY, FRENCH-VIETNAMESE PLACE. 378 00:18:06,433 --> 00:18:08,609 PEOPLE SAW HIM, BUT VASQUEZ DIDN'T? 379 00:18:08,696 --> 00:18:10,524 SEE, THAT'S THE AMAZING THING ABOUT IT, LEO. 380 00:18:10,611 --> 00:18:12,003 NOBODY ACTUALLY SAW HIM. 381 00:18:12,091 --> 00:18:13,309 THEY JUST TASTED HIM. 382 00:18:13,396 --> 00:18:15,920 THERE'S AN ONLINE SUPER SECRET FOODIE GROUP-- 383 00:18:16,007 --> 00:18:18,097 OUR MISS-TERIOUS PALATE IS A PART OF IT-- 384 00:18:18,184 --> 00:18:20,360 THAT ARE ACTUALLY DEDICATED TO FOLLOWING 385 00:18:20,447 --> 00:18:21,796 ALEJANDRO'S FLAVOR PROFILE. 386 00:18:21,883 --> 00:18:24,712 MISS-TERIOUS PALATE THINKS THAT HE USES SOME KIND OF 387 00:18:24,799 --> 00:18:25,930 EXOTIC CHILI PEPPER. 388 00:18:26,017 --> 00:18:27,845 AND THEY FOLLOW HIM FROM PLACE TO PLACE. 389 00:18:27,932 --> 00:18:29,847 BUT THEY DON'T TELL ANYONE. THEY DON'T WANT TO SPOOK HIM. 390 00:18:29,934 --> 00:18:31,719 AS SOON AS THE RESTAURANT GETS POPULAR, 391 00:18:31,806 --> 00:18:33,329 HE MOVES ON.THE "SMOKE MONSTER?" 392 00:18:33,416 --> 00:18:34,678 THAT'S WHAT THEY CALL HIM. 393 00:18:34,765 --> 00:18:38,160 IT'S FROM AN OLD TV SHOW. I DON'T GET THE REFERENCE. 394 00:18:38,247 --> 00:18:40,423 BUT GUESS WHERE HE IS NOW? 395 00:18:40,510 --> 00:18:42,033 IN A TRUCK? 396 00:18:42,121 --> 00:18:43,600 YEAH. HOW'D YOU GUESS? 397 00:18:43,687 --> 00:18:44,427 TRUCKS. 398 00:18:44,514 --> 00:18:45,863 WELL, YES, TECHNICALLY. 399 00:18:45,950 --> 00:18:48,431 IT'S ONE TRUCK MOVING THROUGH TIME-- A FOOD TRUCK. 400 00:18:48,518 --> 00:18:51,391 NOW, THESE REPRESENT THE LAST 12 APPEARANCES 401 00:18:51,478 --> 00:18:52,566 OF A TRUCK SELLING HAMBURGERS 402 00:18:52,653 --> 00:18:54,133 MATCHING ALEJANDRO'S SIGNATURE FLAVOR. 403 00:18:54,220 --> 00:18:55,699 THERE ARE 15 TRUCKS. 404 00:18:55,786 --> 00:18:58,615 THE LAST 3 TIMES, THE FLAVOR CHANGED. PEOPLE ARE MAD. 405 00:18:58,702 --> 00:19:00,356 SO IT'S JUST RANDOM WHERE HE SHOWS UP? 406 00:19:00,443 --> 00:19:02,663 TRUE RANDOMIZATION IS IMPOSSIBLE. 407 00:19:02,750 --> 00:19:05,013 WHERE WE COME FROM DICTATES WHERE WE'RE GOING, 408 00:19:05,100 --> 00:19:07,363 WHAT ATTRACTS US, AND WHAT WE'RE AFRAID OF-- 409 00:19:07,450 --> 00:19:09,887 ESPECIALLY WHAT WE'RE AFRAID OF. 410 00:19:09,974 --> 00:19:12,325 WHAT'S THE "F" STAND FOR, WALTER? 411 00:19:12,412 --> 00:19:13,413 FICO VASQUEZ. 412 00:19:13,500 --> 00:19:15,023 THIS IS WHAT OUR CHEF IS AFRAID OF. 413 00:19:15,110 --> 00:19:17,895 THE TRUCK NEVER GOES WITHIN A 3-MILE RADIUS OF FICO'S HOUSE. 414 00:19:17,982 --> 00:19:22,117 IT'S LIKE ONE GIANT DONUT AROUND THE WHOLE NEIGHBORHOOD. 415 00:19:22,204 --> 00:19:26,382 WE CAN USE ALL OF THIS TO FIGURE OUT WHERE HE'S GOING NEXT. 416 00:19:26,469 --> 00:19:30,778 NOTHING RANDOM. ALL CONNECTED. PATTERNS. 417 00:20:00,111 --> 00:20:03,332 BUENOS DIÍAS, CHEF ALEJANDRO. 418 00:20:04,551 --> 00:20:07,641 [GRUNTING] 419 00:20:10,252 --> 00:20:12,472 SHAKE HIS HAND. 420 00:20:12,559 --> 00:20:15,649 I SAID, SHAKE THE MAN'S HAND. 421 00:20:33,101 --> 00:20:35,843 SO WHY DIDN'T YOU LEAVE THE COUNTRY? 422 00:20:35,930 --> 00:20:37,061 YOU MEAN, TO AVOID FICO? 423 00:20:37,148 --> 00:20:38,541 MIAMI'S HIS CITY. 424 00:20:38,628 --> 00:20:42,893 OH, YOU KNOW WHERE WOULD HAVE BEEN GOOD? TIMBUKTU. 425 00:20:42,980 --> 00:20:45,244 YEAH. 426 00:20:46,854 --> 00:20:51,337 I'M A DEAD MAN I ACCEPTED THAT A LONG TIME AGO. 427 00:20:51,424 --> 00:20:54,514 I AM AN ARTIST AND A GREAT CHEF. 428 00:20:54,601 --> 00:20:58,039 ANYWHERE I GO, IT'S ONLY A MATTER OF TIME BEFORE THE FOODIES FIND ME. 429 00:20:58,126 --> 00:21:00,607 THEY START WHISPERING, I BECOME FAMOUS. 430 00:21:00,694 --> 00:21:04,959 I BECOME FAMOUS, I DIE. 431 00:21:15,578 --> 00:21:17,406 FIDEL CASTRO'S RECIPE? 432 00:21:17,493 --> 00:21:18,668 OF COURSE. 433 00:21:18,755 --> 00:21:20,061 EXCEPT THERE'S SOMETHING MISSING, 434 00:21:20,148 --> 00:21:21,845 SOMETHING YOU PUT IN IT. 435 00:21:21,932 --> 00:21:24,021 GENIUS? 436 00:21:24,108 --> 00:21:26,110 SOMETHING MORE TANGIBLE. 437 00:21:26,197 --> 00:21:27,068 SMOKE. 438 00:21:27,155 --> 00:21:29,853 YOU KNOW ABOUT THE SMOKE? 439 00:21:29,940 --> 00:21:32,291 WHAT'S IN IT? SOME KIND OF CHILI PEPPER? 440 00:21:32,378 --> 00:21:35,946 A SPECIAL HABANERO FROM A FARM OUTSIDE OF HAVANA. 441 00:21:36,033 --> 00:21:38,471 GENERATIONS OF CROSS-BREEDING. VERY RARE. 442 00:21:38,558 --> 00:21:40,560 BLACK MARKET BECAUSE OF THE EMBARGO. 443 00:21:40,647 --> 00:21:42,736 THE ONES I USED IN MY TRUCK WERE FROM A CRATE 444 00:21:42,823 --> 00:21:45,913 THAT I STOLE FROM THE BELLA PLATA WHEN I TOOK OFF. 445 00:21:46,000 --> 00:21:48,176 IT'S IMPOSSIBLE TO GET THEM NOW. 446 00:21:48,263 --> 00:21:50,526 AND BY IMPOSSIBLE, YOU MEAN... 447 00:21:50,613 --> 00:21:53,834 THEY'RE SOLD BY ONE GROCER IN ONE SHOP IN ALL OF MIAMI. 448 00:21:53,921 --> 00:21:56,576 AND I WAS ONE OF THE ONLY PERSONS WHO EVER BOUGHT THEM. 449 00:21:56,663 --> 00:21:58,882 AND... 450 00:21:58,969 --> 00:22:01,276 THERE'S ANOTHER "AND." 451 00:22:03,147 --> 00:22:05,933 AND THE SHOP IS OWNED BY MARINA VASQUEZ, 452 00:22:06,020 --> 00:22:07,543 FICO'S AUNT. 453 00:22:07,630 --> 00:22:10,981 ANYONE BUYS THOSE CHILIS, FICO'S ALERTED IMMEDIATELY. 454 00:22:11,068 --> 00:22:13,593 IT'S A SUICIDE MISSION. 455 00:22:13,680 --> 00:22:16,813 IF I GET THOSE CHILIS, ARE YOU IN? 456 00:22:16,900 --> 00:22:19,512 DID YOU HEAR WHAT I SAID? 457 00:22:19,599 --> 00:22:22,123 IF YOU GET THE CHILIS, PEOPLE WILL DIE. 458 00:22:22,210 --> 00:22:27,346 IF I GET THE CHILIS, ARE YOU IN? 459 00:22:27,433 --> 00:22:29,783 OF COURSE HE'S IN. HE'S AN ARTIST. 460 00:22:37,225 --> 00:22:39,488 IF YOU GET THE CHILIS, I'M IN. 461 00:22:40,924 --> 00:22:42,186 YOU'RE IN. 462 00:22:42,273 --> 00:22:43,710 AHH. 463 00:22:49,716 --> 00:22:52,588 [SIGHS] MR. SHERMAN, WHAT ARE YOU DOING? 464 00:22:52,675 --> 00:22:54,634 MRS. FARREL! COME ON IN. 465 00:22:54,721 --> 00:22:57,158 I WILL COME IN, MR. SHERMAN. IT'S MY OFFICE. 466 00:22:57,245 --> 00:22:58,420 OOH, SEAT? 467 00:22:58,507 --> 00:22:59,813 OOH, MY SEAT? 468 00:22:59,900 --> 00:23:02,685 WELL, MONROE COUNTY'S, PROBABLY. 469 00:23:02,772 --> 00:23:05,514 SO KIND OF MY SEAT, IF I PAID TAXES. 470 00:23:05,601 --> 00:23:07,255 BUT OK, YES, YOUR SEAT. SIT? 471 00:23:07,342 --> 00:23:09,170 I'LL STAND.RIGHT. 472 00:23:09,257 --> 00:23:10,301 ABOUT WILLA. 473 00:23:10,389 --> 00:23:12,652 SHE'S A FELON, AND A MENACE. 474 00:23:12,739 --> 00:23:14,697 AND YOU KNOW, HONESTLY, HAVE YOU TALKED TO HER? 475 00:23:14,784 --> 00:23:16,438 SHE'S NOT EVEN NICE. I MEAN, EVER. 476 00:23:16,525 --> 00:23:19,354 BUT BETTER THAN DONNIE PETERS. 477 00:23:19,441 --> 00:23:20,529 PETERS? 478 00:23:20,616 --> 00:23:22,531 VIOLENT ASSAULT. TWO STRIKES. 479 00:23:22,618 --> 00:23:24,838 BEAT HIS GIRLFRIEND WITH A PHONE-- 480 00:23:24,925 --> 00:23:27,318 ONE OF THE OLD, HARD PLASTIC ONES? PHEW. 481 00:23:27,406 --> 00:23:30,060 SKIPPED OUT OF MIAMI 3 MONTHS AGO, NEVER TO RETURN. 482 00:23:30,147 --> 00:23:31,845 YOU KNOW WHAT? I KNOW DONNIE PETERS, MR. SHERMAN. 483 00:23:31,932 --> 00:23:34,021 OF COURSE YOU DO, 'CAUSE HE'S YOUR PAROLEE. 484 00:23:34,108 --> 00:23:38,808 SKIPPED OUT ON YOU, SO YOU STARE RIGHT AT HIM EVERY DAY. 485 00:23:38,895 --> 00:23:41,376 AND I'LL FIND HIM FOR YOU, IN EXCHANGE FOR WILLA. 486 00:23:41,463 --> 00:23:45,075 SHE MAY BE A LOSER, BUT SHE'S THE ONLY ONE I GOT. 487 00:23:45,162 --> 00:23:47,382 NOW, HERE'S OUR PROBLEM, MR. SHERMAN. 488 00:23:47,469 --> 00:23:49,123 I KNOW EXACTLY WHERE DONNIE PETERS IS. 489 00:23:49,210 --> 00:23:53,040 HE IS ON HIS BROTHER'S HOUSEBOAT IN GULF PORT, MISSISSIPPI. 490 00:23:53,127 --> 00:23:56,739 HE'S PROBABLY SIPPING WARM BEER AND TRYING TO ROOFIE UNDERAGE GIRLS. 491 00:23:56,826 --> 00:23:58,698 BUT I CAN'T GET ANYBODY TO CROSS STATE LINES 492 00:23:58,785 --> 00:24:00,395 AND LASSO THE SONUVABITCH. 493 00:24:00,482 --> 00:24:02,397 YOU MEAN, LIKE A U.S. MARSHAL? 494 00:24:02,484 --> 00:24:05,618 GOOD LUCK GETTING ONE OF THOSE PRIMA DONNAS TO PAY ATTENTION. 495 00:24:05,705 --> 00:24:09,709 WALTER? WHY DID YOU CALL ME DOWN HERE? 496 00:24:09,796 --> 00:24:11,537 WHAT ARE YOU INTO NOW? 497 00:24:11,624 --> 00:24:13,495 ISABEL ZAMBADA, U.S. MARSHAL, 498 00:24:13,582 --> 00:24:16,324 CRISTINA FARREL, IN NEED OF A U.S. MARSHAL. 499 00:24:16,411 --> 00:24:19,066 YOUNG GIRLS ARE BEING ROOFIED. 500 00:24:27,596 --> 00:24:29,076 [BELL DINGS] 501 00:24:29,163 --> 00:24:30,817 [LATIN MUSIC PLAYING]BUENOS DIÍAS. 502 00:24:30,904 --> 00:24:33,863 YES. HI. HOW ARE YOU? BUENOS DIÍAS. 503 00:24:33,950 --> 00:24:35,082 NO INGLEÉS. 504 00:24:35,169 --> 00:24:37,780 OH, RIGHT. UM... 505 00:24:37,867 --> 00:24:42,611 FRIJOLES NEGROS. CRUDOS NO ENLATADOS. 506 00:24:42,698 --> 00:24:44,787 AHIÍ.OH, RIGHT OVER HERE. 507 00:24:44,874 --> 00:24:47,224 OH, I CAN SEE THEM. THANK YOU SO MUCH. 508 00:24:47,311 --> 00:24:51,359 AHEM. WELL, THESE ARE--YOU HAVE A BEAUTIFUL STORE. 509 00:24:51,446 --> 00:24:52,926 THIS IS WONDERFUL.[BEANS RATTLING] 510 00:24:53,013 --> 00:24:55,363 LET ME JUST GET THESE IN THE BAG. 511 00:24:55,450 --> 00:24:57,017 OH! LO SIENTO. 512 00:24:57,104 --> 00:25:00,281 OH, I SPILLED THE BEANS! [SPEAKING IN SPANISH]AMERICANO! 513 00:25:00,368 --> 00:25:03,371 OH, I AM SO EMBARRASSED. ¿COÓMO SE DICE EMBARRASSED? 514 00:25:03,458 --> 00:25:06,461 I AM SO SORRY. YOU KNOW, MY MOM WOULD KILL ME. 515 00:25:06,548 --> 00:25:08,419 OH, HERE. [SPEAKING IN SPANISH] 516 00:25:08,507 --> 00:25:10,987 I'M SO SORRY. I'D BE HAPPY TO GET THIS FOR YOU. 517 00:25:11,074 --> 00:25:12,859 [CLANKING] 518 00:25:12,946 --> 00:25:17,167 YES. I'LL GET THIS CLEANED UP IN JUST A SECOND. I'M SO SORRY, MA'AM. 519 00:25:17,254 --> 00:25:19,648 OH! LO SIENTO MUCHO. 520 00:25:19,735 --> 00:25:22,259 MUCHO LO SIENTO. MISS, I AM SO SORRY. 521 00:25:22,346 --> 00:25:25,567 ¿COÓMO SE DICE KLUTZ? BEAUTIFUL GLASSES, BY THE WAY. 522 00:25:25,654 --> 00:25:27,134 I'M JUST GOING TO GET THIS CLEANED UP, 523 00:25:27,221 --> 00:25:28,527 AND WE'RE GOING TO GET OUT OF HERE. 524 00:25:28,614 --> 00:25:30,093 [CLANKING] 525 00:25:30,180 --> 00:25:33,053 THAT IS A BEAUTIFUL, BEAUTIFUL SHIRT YOU HAVE ON. 526 00:25:33,140 --> 00:25:34,707 I BET YOU WERE QUITE THE LOOKER IN YOUR DAY. 527 00:25:34,794 --> 00:25:37,710 NOT THAT YOU'RE NOT NOW. DO YOU DATE MUCH? 528 00:25:37,797 --> 00:25:40,539 [CLATTERING]OK. 529 00:25:40,626 --> 00:25:44,499 OH, YES. [SPEAKING IN SPANISH] 530 00:25:44,586 --> 00:25:48,024 UH, CHINESE FOOD. BYE.[CLATTERS] 531 00:25:53,334 --> 00:25:55,075 [TELEPHONE RINGS] 532 00:25:55,162 --> 00:25:56,816 HEY. [SPANISH] 533 00:26:07,043 --> 00:26:08,610 HOW MANY'D YOU GET? 534 00:26:08,697 --> 00:26:10,177 ALL OF THEM. 535 00:26:17,358 --> 00:26:19,490 LOOKS LIKE WALTER FOUND YOUR MAGIC PEPPERS. 536 00:26:19,578 --> 00:26:22,885 AND LOOKS LIKE HE GOT WILLA OUT OF JAIL TO STEAL THEM. 537 00:26:22,972 --> 00:26:24,626 ARE THOSE YOUR SMOKY PEPPERS? 538 00:26:24,713 --> 00:26:26,193 i¡ASIÍ SE HACE! 539 00:26:26,280 --> 00:26:27,977 YOU AND ME GOT TO HAVE A TALK. 540 00:26:28,064 --> 00:26:29,936 WALTER SAID IT WAS OK TO STEAL THESE PEPPERS 541 00:26:30,023 --> 00:26:32,460 ON ACCOUNT OF THE ROBIN HOOD DISPENSATION 542 00:26:32,547 --> 00:26:33,548 BY KIERKEGAARD. 543 00:26:33,635 --> 00:26:35,898 THAT'S NOT REAL.[BRAKES SQUEAK] 544 00:26:35,985 --> 00:26:37,204 [GRUNTS] 545 00:26:43,732 --> 00:26:46,692 OK. ON THE MOVE, PEOPLE. LET'S GO. COME ON. 546 00:26:52,523 --> 00:26:54,134 [GROANS] 547 00:26:54,221 --> 00:26:55,396 OK. MY BAD. 548 00:26:55,483 --> 00:26:56,832 JUST LET ME DO THE TALKING, OK? 549 00:26:56,919 --> 00:26:59,008 IF BY "TALKING," YOU MEAN SACRIFICE YOURSELF 550 00:26:59,095 --> 00:27:01,620 SO ME AND WILLA CAN GET AWAY? 551 00:27:03,273 --> 00:27:06,233 AH, ¿QUEÉ ONDA? QUEÉ BUENA VIBRA. 552 00:27:06,320 --> 00:27:10,367 CON PERMISO, TENGO QUE IR A LA OFICINA. 553 00:27:10,454 --> 00:27:15,634 HE'S GOING TO SHOOT US JUST SO YOU'LL STOP MURDERING HIS LANGUAGE. 554 00:27:18,593 --> 00:27:20,595 THIS IS FOR MARCOS! 555 00:27:20,682 --> 00:27:22,641 - WHO'S MARCOS? - THE SOUS-CHEF. 556 00:27:22,728 --> 00:27:25,600 I TOLD YOU PEOPLE WOULD DIE! 557 00:27:34,130 --> 00:27:35,479 [SIZZLING] 558 00:27:37,873 --> 00:27:39,570 I HAD AN UNCLE WHO COULD DO THAT. 559 00:27:39,658 --> 00:27:41,355 A CHEF? 560 00:27:41,442 --> 00:27:42,443 NO. 561 00:27:45,185 --> 00:27:47,491 SO ARE YOU HIDING FROM THE GOOD GUYS OR THE BAD GUYS? 562 00:27:47,578 --> 00:27:49,493 HEH. BOTH. 563 00:27:49,580 --> 00:27:53,323 YEAH. SNITCHES GET STITCHES. 564 00:27:53,410 --> 00:27:55,499 SO IT'S REALLY COOL OF YOU TO DO THIS. 565 00:27:55,586 --> 00:27:56,762 OR STUPID. 566 00:28:01,810 --> 00:28:03,420 THANK YOU FOR THESE. 567 00:28:03,507 --> 00:28:05,205 IT'S WHAT I DO. 568 00:28:05,292 --> 00:28:07,337 YOU SHOULD FIND SOMETHING ELSE TO BE GOOD AT. 569 00:28:07,424 --> 00:28:11,037 SAYS THE DUDE WHO KNIFED A MOB GUY. 570 00:28:11,124 --> 00:28:14,301 YOU ARE SO GOING TO GET KILLED. 571 00:28:14,388 --> 00:28:16,346 GROWN-UPS ARE STUPID. 572 00:28:17,434 --> 00:28:21,308 MMM. MMM. 573 00:28:21,395 --> 00:28:23,527 THE GUY YOU KILLED IS FICO'S COUSIN. 574 00:28:23,614 --> 00:28:25,791 HE TORTURED MY SOUS-CHEF MARCOS. 575 00:28:25,878 --> 00:28:28,837 WHY DID YOU AGREE TO HELP? FOR MARCOS? 576 00:28:28,924 --> 00:28:32,928 I WANTED TO MAKE THIS ONE MORE TIME. 577 00:28:33,015 --> 00:28:36,410 JUST LIKE A HOUSE IS NOT A HOME, 578 00:28:36,497 --> 00:28:40,980 FOOD IS NOT A MEAL, NOT WITHOUT PEOPLE. MMM? 579 00:28:47,421 --> 00:28:49,466 WILLA'S IN THE KITCHEN HELPING OUT. 580 00:28:49,553 --> 00:28:51,817 SHE KNOWS SOMEBODY ALREADY STOLE FIRE, RIGHT? 581 00:28:51,904 --> 00:28:53,775 YOU POPPED HER FROM JAIL TO STEAL. 582 00:28:53,862 --> 00:28:55,037 SHE'S GOOD AT IT. 583 00:28:55,124 --> 00:28:56,604 I'M TRYING TO HELP HER FORGET THAT. 584 00:28:56,691 --> 00:28:58,040 SHE CAN'T CHANGE. 585 00:28:58,127 --> 00:28:59,738 YOU'RE WORRIED SHE'LL LET ME DOWN, AREN'T YOU? 586 00:28:59,825 --> 00:29:01,783 I'M WORRIED SHE'S GOING TO SNEAK INTO YOUR ROOM 587 00:29:01,870 --> 00:29:04,133 AND STEAL YOUR PANTS. 588 00:29:04,220 --> 00:29:07,528 OR...SOMETHING MORE VALUABLE. 589 00:29:07,615 --> 00:29:11,053 WALTER. WHAT IN THE HELL? 590 00:29:11,140 --> 00:29:12,881 HEY! YOU MADE IT FOR DINNER! 591 00:29:12,968 --> 00:29:14,491 NO, I DIDN'T. 592 00:29:14,578 --> 00:29:17,799 THAT IS ALEJANDRO LOPEZ-FERNANDEZ IN THERE. MY WITNESS? 593 00:29:17,886 --> 00:29:19,322 SURPRISE! 594 00:29:19,409 --> 00:29:21,194 DIDN'T I TELL YOU TO STAY OUT OF THE VASQUEZ THING? 595 00:29:21,281 --> 00:29:22,761 NO. YOU TOLD ME TO BE CAREFUL. 596 00:29:22,848 --> 00:29:24,023 WERE YOU? 597 00:29:24,110 --> 00:29:25,459 CAN YOU BE MORE SPECIFIC? 598 00:29:25,546 --> 00:29:27,504 DID YOU STAB A MAN TODAY? 599 00:29:27,591 --> 00:29:28,331 NO! 600 00:29:28,418 --> 00:29:29,985 DID SHE? NO! 601 00:29:30,072 --> 00:29:31,160 DID SOMEBODY HERE? 602 00:29:31,247 --> 00:29:34,120 DON'T TELL ME. I NEED TO FIGURE THIS OUT. 603 00:29:34,207 --> 00:29:37,427 IT'S NOT WHO YOU THINK. 604 00:29:37,514 --> 00:29:38,777 HINT, HINT. 605 00:29:38,864 --> 00:29:40,343 OH, YOU ARE NOT BEING CUTE RIGHT NOW. 606 00:29:40,430 --> 00:29:42,041 PEOPLE SAW YOU IN LITTLE HAVANA. 607 00:29:42,128 --> 00:29:44,304 [KNOCK ON DOOR]OOH. THEY'RE HERE. 608 00:29:44,391 --> 00:29:47,742 WHO'S HERE? WHO'S HERE, WALTER? 609 00:29:47,829 --> 00:29:49,222 YOU'RE INVOLVED IN THIS SOMEHOW. 610 00:29:49,309 --> 00:29:51,006 SO ARE YOU. 611 00:29:51,093 --> 00:29:54,488 LADIES, GENTLEMAN, WILLA. 612 00:29:54,575 --> 00:29:57,578 JOE AND ANNIE TURNBULL. 613 00:29:57,665 --> 00:29:59,362 HEY, EVERYBODY. 614 00:29:59,449 --> 00:30:03,366 HONEY? NOW CAN YOU TELL ME WHAT THIS IS ALL ABOUT? 615 00:30:03,453 --> 00:30:05,455 HERE. 616 00:30:13,855 --> 00:30:16,684 JOE, IS THAT-- 617 00:30:16,771 --> 00:30:18,425 HAPPY ANNIVERSARY, ANNIE. 618 00:30:27,738 --> 00:30:29,915 [SOBS] 619 00:30:33,875 --> 00:30:35,442 AHEM. ALL RIGHT. 620 00:30:35,529 --> 00:30:38,532 I'M GOING TO GO BACK TO MY PLACE AND ORDER A PIZZA. ISABEL? 621 00:30:38,619 --> 00:30:40,316 WHAT? 622 00:30:40,403 --> 00:30:44,277 I'M DONE. YOU HIRED ME TO FIND THE MEAL. FOUND IT. THERE IT IS. 623 00:30:44,364 --> 00:30:46,279 YOUR MARRIAGE IS YOUR PROBLEM. 624 00:30:46,366 --> 00:30:49,369 WALTER. THAT'S NOT A MEAL. 625 00:30:49,456 --> 00:30:51,850 THAT'S JUST-- THAT'S JUST FOOD. 626 00:30:51,937 --> 00:30:55,418 THIS--WE-- ARE THE MEAL. 627 00:30:58,421 --> 00:31:00,815 [SIGHS] 628 00:31:00,902 --> 00:31:04,645 ALL RIGHT. ISABEL. GO TALK TO HER. 629 00:31:04,732 --> 00:31:07,648 ME? WHY? 630 00:31:07,735 --> 00:31:10,520 OH, BECAUSE I'M THE GIRL? 631 00:31:16,657 --> 00:31:18,964 [SIGHS] 632 00:31:19,051 --> 00:31:22,358 IF YOU KNEW ME, YOU WOULD STOP ME. 633 00:31:23,620 --> 00:31:25,492 I NEVER IMAGINED WHEN WE WENT TO 634 00:31:25,579 --> 00:31:28,843 THE BELLA PLATA THAT FIRST TIME THAT JOE WAS THE GUY. 635 00:31:28,930 --> 00:31:30,714 WHEN DID YOU IMAGINE IT? 636 00:31:30,801 --> 00:31:34,327 BY DESSERT. 637 00:31:37,156 --> 00:31:39,375 I KNEW THINGS HAD GONE BAD BETWEEN US. 638 00:31:39,462 --> 00:31:43,989 NOT BAD-BAD, BUT YOU KNOW, JUST NOT AS GOOD. 639 00:31:44,076 --> 00:31:46,600 IT HAPPENS IN A LOT OF MARRIAGES. 640 00:31:46,687 --> 00:31:49,472 BUT, YOU KNOW, YOU JUST... 641 00:31:49,559 --> 00:31:53,781 LOWER YOUR EXPECTATIONS. AND I THOUGHT... 642 00:31:53,868 --> 00:31:56,784 "WELL, ANNIE, THAT'S OK. 643 00:31:56,871 --> 00:31:58,917 "IT'S NOT SO BAD. 644 00:31:59,004 --> 00:32:01,310 JOE'S A GOOD MAN." 645 00:32:01,397 --> 00:32:03,617 IT'S JUST... 646 00:32:03,704 --> 00:32:05,749 THIS IDEA... 647 00:32:05,836 --> 00:32:09,449 THAT ALL THIS TIME, HE KNEW... 648 00:32:09,536 --> 00:32:14,715 AND HE HADN'T LOWERED HIS EXPECTATIONS. 649 00:32:14,802 --> 00:32:18,545 IT JUST BREAKS MY HEART. 650 00:32:21,809 --> 00:32:24,551 SHE'LL BRING HER BACK. IF NOT, WE'LL THINK OF SOMETHING. 651 00:32:46,181 --> 00:32:50,403 AM I ON THE LIST, VASQUEZ, PARTY OF ME? 652 00:33:04,330 --> 00:33:07,159 [INHALES] 653 00:33:07,246 --> 00:33:09,770 ALEJANDRO! 654 00:33:13,252 --> 00:33:16,081 ALEJANDRO! 655 00:33:28,876 --> 00:33:30,965 YOU'VE HEARD "BRINGING A KNIFE TO A GUNFIGHT"? 656 00:33:31,052 --> 00:33:34,099 THIS IS WHERE THEY GET THAT. 657 00:33:34,186 --> 00:33:35,665 DID YOU USE THAT TO KILL MY COUSIN? 658 00:33:35,752 --> 00:33:38,712 IF YOU WANT TO KILL ME, KILL ME. 659 00:33:38,799 --> 00:33:40,279 JUST LEAVE THESE PEOPLE ALONE. 660 00:33:40,366 --> 00:33:41,802 OH, I'M GOING TO KILL YOU. 661 00:33:41,889 --> 00:33:45,284 BUT IF I KILL YOU, I HAVE TO KILL ALL THESE OTHER PEOPLE. 662 00:33:45,371 --> 00:33:47,895 THAT'S ALWAYS HOW IT GOES. 663 00:33:47,982 --> 00:33:51,464 AHEM. QUESTION. HI. WALTER. 664 00:33:51,551 --> 00:33:53,205 UM, DO YOU MIND IF THEY EAT FIRST? 665 00:33:53,292 --> 00:33:58,036 I KIND OF NEED THEM TO EAT IT FOR IT TO COUNT AS ME FINDING IT. 666 00:33:58,123 --> 00:34:01,822 EVEN THE CONDEMNED GET A LAST MEAL. 667 00:34:03,345 --> 00:34:06,218 [LAUGHS] YES!YEAH? 668 00:34:06,305 --> 00:34:08,046 YES. 669 00:34:08,133 --> 00:34:09,656 YES! 670 00:34:09,743 --> 00:34:13,964 ALL OF US! THE LAST MEAL. 671 00:34:20,014 --> 00:34:24,497 SO. YOU'RE THE ONE WHO LETS MY BARBER FEEL HER UP. 672 00:34:24,584 --> 00:34:26,368 HE DOES NOT FEEL ME UP. 673 00:34:26,455 --> 00:34:28,675 I'M NOT JUDGING. WORK IS WORK. 674 00:34:28,762 --> 00:34:31,243 YOU FEDERALES ARE THE JUDGE-Y ONES. 675 00:34:31,330 --> 00:34:33,636 AHH. 676 00:34:33,723 --> 00:34:37,075 THE OLD CLOTHES. [INHALES] 677 00:34:38,641 --> 00:34:40,643 A TOAST-- 678 00:34:40,730 --> 00:34:43,951 TO NEW FRIENDS AND OLD. 679 00:34:44,038 --> 00:34:48,521 MAY THESE MEMORIES LAST A LIFETIME... 680 00:34:48,608 --> 00:34:50,740 ISH. 681 00:34:52,046 --> 00:34:54,309 I AM SO SORRY. 682 00:34:54,396 --> 00:34:57,921 PLEASE, LET'S JUST... 683 00:35:12,022 --> 00:35:14,764 YES! ALEJANDRO. 684 00:35:14,851 --> 00:35:20,683 I HAD FORGOTTEN. [LAUGHS] THIS IS FANTASTIC. 685 00:35:22,816 --> 00:35:24,296 IT'S NOT JUST THE CHILIS, 686 00:35:24,383 --> 00:35:27,255 BUT HOW YOU PREPARE THEM FIRST, ISN'T IT? 687 00:35:27,342 --> 00:35:29,779 ISN'T IT! 688 00:35:29,866 --> 00:35:31,868 IT'S PART THE SOFRITO, NOT THE SEASONING, YES. 689 00:35:31,955 --> 00:35:34,044 IT'S ALL ABOUT THE SOFRITO. 690 00:35:34,132 --> 00:35:35,655 MY PHONE IS IN MY BAG. 691 00:35:35,742 --> 00:35:37,178 IF I CAN GET TO MY BAG, I CAN CALL-- 692 00:35:37,265 --> 00:35:41,095 EXCUSE ME. YOU'RE WHISPERING WHAT? 693 00:35:41,182 --> 00:35:43,793 SHE WAS JUST SAYING THAT IF SHE CAN GET TO HER PHONE, 694 00:35:43,880 --> 00:35:45,708 SHE CAN CALL FOR HELP. AHEM. 695 00:35:45,795 --> 00:35:48,146 WHAT THE WALTER, WALTER? 696 00:35:48,233 --> 00:35:50,931 SHOW HER.AHEM. 697 00:35:51,018 --> 00:35:53,325 SEE?[BEEPS] 698 00:35:53,412 --> 00:35:57,503 YOU HAVE AN ALERT. TAKE YOUR BIRTH CONTROL PILL. 699 00:35:57,590 --> 00:35:59,809 [CHUCKLES] 700 00:36:03,639 --> 00:36:05,293 OH, THANK YOU. 701 00:36:07,295 --> 00:36:09,123 HE'S GOING TO KILL US.YEAH. 702 00:36:09,210 --> 00:36:11,995 NOT TILL LATER. 703 00:36:12,082 --> 00:36:14,128 YOU SHOULD'VE SAID "NO" WHEN HE ASKED YOU TO STEAL. 704 00:36:14,215 --> 00:36:15,782 YOU SAY "NO" ALL THE TIME.LEO! 705 00:36:15,869 --> 00:36:17,218 THAT'S NOT FAIR! 706 00:36:17,305 --> 00:36:21,918 I RECOGNIZE YOU TWO. HMM? 707 00:36:22,005 --> 00:36:25,574 ONCE A YEAR AT THE BELLA PLATA. 708 00:36:25,661 --> 00:36:27,228 AM I RIGHT? 709 00:36:27,315 --> 00:36:29,709 TONIGHT, ONCE A YEAR AT THE BELLA PLATA. 710 00:36:29,796 --> 00:36:31,667 IT'S OUR ANNIVERSARY. 711 00:36:31,754 --> 00:36:34,888 [LAUGHS] IT'S MY NIECE'S BIRTHDAY! 712 00:36:34,975 --> 00:36:36,498 WE WENT EVERY YEAR WHEN SHE WAS A GIRL. 713 00:36:36,585 --> 00:36:41,590 JULIO, REMIND ME, I NEED TO CALL JULIANA AFTER THIS. 714 00:36:41,677 --> 00:36:43,636 SHE'S IN COLLEGE NOW.OH, WOW. 715 00:36:43,723 --> 00:36:44,811 VANDERBILT. 716 00:36:44,898 --> 00:36:46,769 WOW. CONGRATULATIONS. 717 00:36:46,856 --> 00:36:50,686 CHILDREN? OR BIRTH CONTROL, LIKE THIS TRAMPY ONE? 718 00:36:50,773 --> 00:36:55,082 FICO, WE CAN WORK THIS OUT, HMM? 719 00:36:55,169 --> 00:36:56,649 IF I WAS GOING TO SAY ANYTHING, 720 00:36:56,736 --> 00:36:57,954 IF I HAD ANYTHING TO SAY, 721 00:36:58,041 --> 00:36:59,391 WOULDN'T I HAVE SAID IT ALREADY? 722 00:36:59,478 --> 00:37:04,526 I GAVE YOU... THE BEST KITCHEN MONEY COULD BUY YOU. 723 00:37:04,613 --> 00:37:06,659 WE SOURCED ONLY ORGANIC! 724 00:37:06,746 --> 00:37:09,227 FOOD COSTS HIGHER THAN ANY RESTAURANT IN MIAMI! DID I COMPLAIN? 725 00:37:09,314 --> 00:37:11,925 WHAT DID YOU CARE? YOU WERE LAUNDERING THE MONEY! 726 00:37:12,012 --> 00:37:13,666 YOU CAN'T PROVE THAT. 727 00:37:13,753 --> 00:37:16,756 NO, NOT WITHOUT THE SOUS-CHEF YOU KILLED, NO, I CANNOT! 728 00:37:16,843 --> 00:37:18,671 I NEVER LAID A HAND ON MARCOS. 729 00:37:18,758 --> 00:37:20,847 NO, YOUR COUSIN DID THAT. 730 00:37:20,934 --> 00:37:24,242 THE ONE YOU KILLED TODAY. 731 00:37:26,287 --> 00:37:28,246 I LOVE MY HUSBAND! 732 00:37:29,464 --> 00:37:32,293 I LOVE HIM! 733 00:37:32,380 --> 00:37:34,600 I DON'T KNOW ABOUT ANYBODY ELSE, 734 00:37:34,687 --> 00:37:35,775 BUT I BELIEVE HIM. 735 00:37:35,862 --> 00:37:37,994 HE'S GOING TO KILL US. 736 00:37:38,081 --> 00:37:40,649 MAYBE THIS HAPPENS TO YOU ALL THE TIME, 737 00:37:40,736 --> 00:37:42,869 BUT IT'S NEW TO ME. 738 00:37:44,218 --> 00:37:47,003 I FELL IN LOVE WITH THIS MAN 739 00:37:47,090 --> 00:37:51,443 OVER THIS FOOD 6 YEARS AGO. 740 00:37:51,530 --> 00:37:53,706 YOUR FOOD. 741 00:37:53,793 --> 00:37:55,577 YOUR RESTAURANT. 742 00:37:55,664 --> 00:37:58,754 I STILL LOVE HIM. 743 00:37:58,841 --> 00:38:02,149 THANK YOU FOR THIS, JOE. 744 00:38:02,236 --> 00:38:04,717 FOR NOT GIVING UP ON US. 745 00:38:04,804 --> 00:38:08,634 AND IF THIS TRULY IS THE LAST TIME I GET TO EAT THIS FOOD, 746 00:38:08,721 --> 00:38:11,550 OR HOLD MY HUSBAND'S HAND, 747 00:38:11,637 --> 00:38:14,988 I WOULD JUST APPRECIATE IT 748 00:38:15,075 --> 00:38:18,034 IF YOU ALL WOULD JUST SHUT THE HELL UP 749 00:38:18,121 --> 00:38:20,515 AND LET ME ENJOY IT! 750 00:38:28,306 --> 00:38:30,133 PASS THE RICE, PLEASE. 751 00:38:43,277 --> 00:38:44,800 AHH. 752 00:38:45,801 --> 00:38:48,064 BEFORE WE GET STARTED, 753 00:38:48,151 --> 00:38:51,720 I WOULD ASK ANYONE WHO HAS STOLEN CUTLERY TONIGHT 754 00:38:51,807 --> 00:38:54,549 TO PLEASE SURRENDER IT. 755 00:39:05,081 --> 00:39:07,910 IT'S MY UNDERSTANDING THAT... 756 00:39:07,997 --> 00:39:11,610 MR. KNOX WOULD LIKE TO SAY A FEW WORDS. 757 00:39:11,697 --> 00:39:13,873 THERE IS LOVE AT THIS TABLE. 758 00:39:13,960 --> 00:39:17,616 ALSO FRIENDSHIP, FELLOWSHIP, FAMILY, 759 00:39:17,703 --> 00:39:19,879 AND WHATEVER YOU TWO HAVE. 760 00:39:19,966 --> 00:39:22,185 IT SEEMS TO ME FOR MR. VASQUEZ 761 00:39:22,272 --> 00:39:24,666 TO RECONSIDER HIS CURRENT PLAN OF ACTION, 762 00:39:24,753 --> 00:39:27,626 HE NEEDS ASSURANCE THAT MR. LOPEZ-FERNANDEZ WILL REFRAIN 763 00:39:27,713 --> 00:39:31,586 FROM ANY TESTIMONY WHICH MAY CAUSE MR. VASQUEZ 764 00:39:31,673 --> 00:39:33,153 ANY DETRIMENT. 765 00:39:33,240 --> 00:39:35,285 ARE YOU KIDDING, LEO? HE'S A WITNESS. 766 00:39:35,373 --> 00:39:38,158 TO AN ARGUMENT BETWEEN TWO DEAD MEN. HE SAW NOTHING. 767 00:39:38,245 --> 00:39:41,944 UH, THAT IS TRUE. I DIDN'T SEE ANYTHING. 768 00:39:42,031 --> 00:39:44,077 I WAS HIDING IN THE MEAT LOCKER. 769 00:39:44,164 --> 00:39:46,166 THAT'S WHERE YOU WERE? 770 00:39:46,253 --> 00:39:48,864 THAT'S GREAT. WELL, I'M GOING TO SUBPOENA ALL YOUR ASSES. 771 00:39:48,951 --> 00:39:50,649 WHICH IS WHY I PROPOSE THIS CONTRACT 772 00:39:50,736 --> 00:39:54,130 BETWEEN MR. VASQUEZ AND MR. LOPEZ-FERNANDEZ-- 773 00:39:54,217 --> 00:39:57,046 A BUSINESS PARTNERSHIP, THE BELLA PLATA. 774 00:39:57,133 --> 00:39:59,527 [ALL TALK AT ONCE] 775 00:40:00,963 --> 00:40:03,270 CONTINUE. 776 00:40:03,357 --> 00:40:05,359 MR. VASQUEZ SELLS MR. LOPEZ-FERNANDEZ 777 00:40:05,446 --> 00:40:08,188 50% OF THE RESTAURANT FOR $1.00 778 00:40:08,275 --> 00:40:10,277 AND REINSTALLS HIM AS HEAD CHEF. 779 00:40:10,364 --> 00:40:11,887 IN ADDITION, IT IS AGREED 780 00:40:11,974 --> 00:40:14,281 THAT IF MR. VASQUEZ IS INCARCERATED 781 00:40:14,368 --> 00:40:17,284 BASED ON TESTIMONY GIVEN BY MR. LOPEZ-FERNANDEZ, 782 00:40:17,371 --> 00:40:20,200 MR. VASQUEZ'S SHARE OF THE BELLA PLATA 783 00:40:20,287 --> 00:40:22,420 TRANSFERS TO HIS PARTNER. 784 00:40:22,507 --> 00:40:24,639 THAT DOESN'T SEEM FAIR. 785 00:40:24,726 --> 00:40:27,250 IT MEANS IF I MAKE THE CHEF TESTIFY AGAINST THE SCUMBAG, 786 00:40:27,337 --> 00:40:31,341 THE SCUMBAG'S LAWYER WILL DESTROY THE CHEF ON CROSS-EXAMINATION. 787 00:40:31,429 --> 00:40:33,561 CONTROL OF THE RESTAURANT BECOMES MOTIVE TO LIE. 788 00:40:33,648 --> 00:40:37,173 AND HIS ENTIRE TESTIMONY WILL BE USELESS. 789 00:40:37,260 --> 00:40:41,526 WHAT ABOUT ALL THIS GUN-WAVING AND THREATENING AND STUFF? 790 00:40:41,613 --> 00:40:43,876 [CHUCKLES] DINNER THEATER. 791 00:41:00,893 --> 00:41:02,721 [LAUGHS] 792 00:41:02,808 --> 00:41:06,115 LONG LIVE THE BELLA PLATA! 793 00:41:06,202 --> 00:41:07,552 AND US! 794 00:41:07,639 --> 00:41:09,031 [FICO LAUGHS] 795 00:41:09,118 --> 00:41:14,602 AND THIS WILL HOLD UP IN COURT? 796 00:41:14,689 --> 00:41:17,083 ME! NOTARY! [LAUGHS] OK. 797 00:41:31,880 --> 00:41:34,013 DOGGY BAG? YOU DIDN'T EAT MUCH. 798 00:41:34,100 --> 00:41:35,493 I WONDER WHY. 799 00:41:35,580 --> 00:41:37,320 YOU KNOW, I DON'T KNOW WHAT 800 00:41:37,407 --> 00:41:39,279 YOU'RE GOING TO RUIN FIRST--MY LIFE OR MY CAREER. 801 00:41:39,366 --> 00:41:41,542 OH, TAKE THE LONGER VIEW. 802 00:41:41,629 --> 00:41:44,545 SOMETIMES, THINGS SEEM MESSED UP, BUT THEY WORK OUT. 803 00:41:44,632 --> 00:41:46,155 OH, IS THAT WHAT YOU DO? 804 00:41:46,242 --> 00:41:47,722 'CAUSE I DON'T THINK I'VE SEEN YOU TAKING THE LONGER VIEW, 805 00:41:47,809 --> 00:41:50,464 LIKE, EVER.I DO. 806 00:41:50,551 --> 00:41:51,857 ON SOME THINGS. 807 00:41:55,861 --> 00:41:57,819 ANOTHER ONE OF LEO'S NAPKINS? 808 00:41:57,906 --> 00:41:59,734 IT'S FROM FICO. 809 00:41:59,821 --> 00:42:01,606 IT'S AN IOU.FOR WHAT? 810 00:42:01,693 --> 00:42:03,303 THAT'S FOR YOU TO DECIDE. 811 00:42:03,390 --> 00:42:06,828 JUST TAKE THE LONGER VIEW. 812 00:42:08,264 --> 00:42:10,179 WANT TO MAKE OUT? 813 00:42:10,266 --> 00:42:11,746 WITH YOU? 814 00:42:13,443 --> 00:42:15,533 YEAH. A LOT. 815 00:42:17,578 --> 00:42:19,624 GOD, YOU'RE EASY. 816 00:42:25,455 --> 00:42:28,328 MMM. [CHUCKLES] 817 00:42:28,415 --> 00:42:29,938 DON'T FORGET WHAT HAPPENED TO THE MAN 818 00:42:30,025 --> 00:42:32,114 WHO SUDDENLY GOT EVERYTHING HE ALWAYS WANTED. 819 00:42:32,201 --> 00:42:33,986 WHAT HAPPENED? 820 00:42:34,073 --> 00:42:36,423 HE LIVED HAPPILY EVER AFTER. 821 00:42:36,510 --> 00:42:38,207 ARE YOU QUOTING "WILLY WONKA"? 822 00:42:38,294 --> 00:42:40,340 MMM.[CHUCKLES] 823 00:43:17,072 --> 00:43:18,291 WHAT'S THAT MEAN?