1 00:00:03,104 --> 00:00:06,274 SAMBA--FAST. IT'S ALL ABOUT CARNIVAL AND COLOR AND CELEBRATION. 2 00:00:06,307 --> 00:00:09,210 RUMBA--SLOW. MAN, WOMAN, THE NIGHT, AND ROMANCE. 3 00:00:09,243 --> 00:00:10,711 SAMBA--HIP SHAKIN'. 4 00:00:10,744 --> 00:00:12,012 RUMBA--HIP SWINGIN'. 5 00:00:12,046 --> 00:00:13,414 SAMBA--FANCY FOOTWORK. 6 00:00:13,447 --> 00:00:16,350 RUMBA--STEAMY PASSION, THE LANGUAGE OF LOVE. 7 00:00:16,384 --> 00:00:17,851 STOP. YOU GUYS NEED A HOBBY. 8 00:00:17,885 --> 00:00:19,520 THIS IS OUR HOBBY. 9 00:00:19,553 --> 00:00:23,557 HOW'S ABOUT YOU ACTUALLY LEARN DANCE INSTEAD OF JUST ARGUING ABOUT IT? 10 00:00:23,591 --> 00:00:25,459 OH, YOU BETTER BELIEVE I KNOW HOW TO DANCE. 11 00:00:27,128 --> 00:00:29,997 I HATE TO ADMIT IT, BUT I ACTUALLY MISS ISABEL COMING AROUND. 12 00:00:30,030 --> 00:00:31,965 WHEW. NOT AS MUCH AS I DO. 13 00:00:31,999 --> 00:00:33,234 YOU DON'T HAVE TO TELL US WHY. 14 00:00:33,267 --> 00:00:35,969 IT'S BECAUSE OF THE SEX. 15 00:00:36,003 --> 00:00:38,939 HEY! DON'T LAUGH TOGETHER AGAINST ME. 16 00:00:38,972 --> 00:00:41,175 I HAPPEN TO BE VERY GOOD AT THE SEX. 17 00:00:41,209 --> 00:00:43,311 SHE'S STUDYING FOR HER LAW MIDTERM. 18 00:00:43,344 --> 00:00:45,846 NOBODY CALL HER FOR ANY REASON. 19 00:00:45,879 --> 00:00:47,715 Woman: EXCUSE ME? 20 00:00:47,748 --> 00:00:49,483 ARE YOU THE FINDER MAN? 21 00:00:49,517 --> 00:00:50,818 YEAH, HE IS. 22 00:00:50,851 --> 00:00:54,822 I LIKE TO ASK A FEW QUESTIONS BEFORE ADMITTING TO WHO I AM. 23 00:00:54,855 --> 00:00:57,291 I'M MARTA ABREU, AND THIS IS MY DAUGHTER, ADINA. 24 00:00:57,325 --> 00:00:59,393 PLAY THE MESSAGE, MAMA. 25 00:01:01,061 --> 00:01:03,164 [PHONE BEEPS] 26 00:01:03,197 --> 00:01:05,199 Man: MARTA, IF YOU'RE THERE, PICK UP. 27 00:01:05,233 --> 00:01:06,800 GET OUT OF THE HOUSE, GO SOMEWHERE SAFE. 28 00:01:06,834 --> 00:01:09,570 REMEMBER THAT SPOT WE STAYED THAT ONE TIME BY HIGHWAY 19? 29 00:01:09,603 --> 00:01:13,006 TAKE ADINA AND YOU STAY THERE UNTIL YOU HEAR FROM ME, ALL RIGHT? 30 00:01:13,040 --> 00:01:14,175 DON'T TALK TO NOBODY. 31 00:01:14,208 --> 00:01:18,412 THAT'S MY PAPA. YOU NEED TO FIND HIM. 32 00:01:23,484 --> 00:01:24,185 [WHIRRING] 33 00:01:24,218 --> 00:01:25,586 Leo: SO WHAT DO THE POLICE SAY? 34 00:01:25,619 --> 00:01:28,556 THE COPS DON'T CARE 'CAUSE PAPA USED TO BE IN A GANG. 35 00:01:28,589 --> 00:01:30,591 CARLOS QUIT THE MATONES. HE LEFT THAT LIFE BEHIND FOR US. 36 00:01:30,624 --> 00:01:32,893 YEAH. AND THE POLICE SAY HE WENT BACK TO THE GANG. 37 00:01:32,926 --> 00:01:34,595 THAT IS NOT WHAT HAPPENED. 38 00:01:34,628 --> 00:01:37,265 PLEASE, FIND MY HUSBAND. PLEASE. 39 00:01:37,298 --> 00:01:40,401 CAN I ASK THEM HOW THEY FOUND ME? 40 00:01:40,434 --> 00:01:42,336 MY COUSIN WORKS FOR CHEF ALEJANDRO 41 00:01:42,370 --> 00:01:44,004 AT THE BELLA PLATA RESTAURANT. 42 00:01:44,037 --> 00:01:45,273 HE SAID YOU FOUND HIM IN 2 DAYS 43 00:01:45,306 --> 00:01:47,107 AFTER THE POLICE LOOKED FOR 3 YEARS. 44 00:01:47,141 --> 00:01:49,710 YOUR HUSBAND WAS TALKING TO SOMEBODY ELSE BEFORE HE HUNG UP. 45 00:01:49,743 --> 00:01:51,179 Carlos: ...THAT ONE TIME BY HIGHWAY 19? 46 00:01:51,212 --> 00:01:54,148 TAKE ADINA AND YOU STAY THERE UNTIL YOU HEAR FROM ME, ALL RIGHT? 47 00:01:54,182 --> 00:01:55,616 DON'T TALK TO NOBODY. 48 00:01:55,649 --> 00:01:58,519 THANK YOU FOR MEETING ME, MAN. WE GOT TO FIGURE THIS OUT-- 49 00:01:58,552 --> 00:01:59,287 [BEEP] 50 00:01:59,320 --> 00:02:00,321 SOUNDS LIKE HE'S IN TROUBLE 51 00:02:00,354 --> 00:02:01,789 AND MAYBE THIS PERSON CAN HELP. 52 00:02:01,822 --> 00:02:06,927 IF YOUR HUSBAND WAS IN TROUBLE, WHO WOULD HE GO TO FOR HELP? 53 00:02:06,960 --> 00:02:08,796 IT'S A PERTINENT QUESTION. 54 00:02:08,829 --> 00:02:09,763 YOU SHOULD ASK UNCLE RAUL. 55 00:02:09,797 --> 00:02:11,965 WHO'S UNCLE RAUL? AND IS HE REALLY YOUR UNCLE? 56 00:02:11,999 --> 00:02:14,067 NO, HE'S MY FATHER'S BEST FRIEND. 57 00:02:14,101 --> 00:02:15,269 FROM THE SAME GANG? 58 00:02:15,303 --> 00:02:18,105 RAUL LEFT THE MATONES EVEN BEFORE CARLOS. 59 00:02:18,138 --> 00:02:19,273 WHEN CARLOS GOT OUT OF PRISON, 60 00:02:19,307 --> 00:02:21,108 RAUL GOT HIM A JOB WORKING AT THE BOILERS. 61 00:02:21,141 --> 00:02:22,510 WORKING THE BOILERS WHERE? 62 00:02:22,543 --> 00:02:24,077 EVERGLADES PETRO-CHEMICAL. 63 00:02:24,111 --> 00:02:26,046 HAVE YOU TALKED TO UNCLE RAUL? 64 00:02:26,079 --> 00:02:27,281 WE DID WHAT CARLOS SAID. 65 00:02:27,315 --> 00:02:29,183 WE LEFT THE HOUSE AND SPOKE TO NO ONE. 66 00:02:29,217 --> 00:02:32,152 WELL, EXCEPT YOU CAME HERE AND TALKED TO US. 67 00:02:32,186 --> 00:02:35,756 WILL YOU FIND MY FATHER? 68 00:02:35,789 --> 00:02:36,924 NO. 69 00:02:36,957 --> 00:02:38,292 WALTER! 70 00:02:38,326 --> 00:02:42,129 BUT I WILL FIND THE REST OF THAT CONVERSATION. 71 00:02:42,162 --> 00:02:43,331 I DON'T UNDERSTAND. 72 00:02:43,364 --> 00:02:44,798 WE'LL FIND YOUR HUSBAND. 73 00:02:44,832 --> 00:02:46,700 BUT WALTER SAID HE'D "FIND THE REST OF THE CONVERSATION." 74 00:02:46,734 --> 00:02:47,968 WHATEVER THAT MEANS. 75 00:02:48,001 --> 00:02:52,072 FINDING THE CONVERSATION IS THE FIRST STEP IN FINDING CARLOS. 76 00:02:52,105 --> 00:02:53,707 WE'LL DO IT. 77 00:02:53,741 --> 00:02:54,775 THANK YOU. 78 00:03:31,945 --> 00:03:34,948 THIS IS A SECURE FACILITY. HOW DID YOU GET IN? 79 00:03:34,982 --> 00:03:38,018 WE CAME IN WITH THEM. 80 00:03:38,051 --> 00:03:41,355 WE WANT TO TALK TO YOU ABOUT YOUR FRIEND CARLOS ABREU. 81 00:03:41,389 --> 00:03:42,823 WHY? WHAT DID CARLOS DO? 82 00:03:42,856 --> 00:03:44,958 IT'S INTERESTING THAT HE SAID "WHAT DID CARLOS DO?" 83 00:03:44,992 --> 00:03:48,161 INSTEAD OF BEING WORRIED THAT SOMETHING HAPPENED "TO" CARLOS. 84 00:03:48,195 --> 00:03:49,096 IS THAT A DING-DONG? 85 00:03:49,129 --> 00:03:51,164 I'M ENJOYING A DELICIOUS CONFECTION. 86 00:03:51,198 --> 00:03:54,568 WHO'S THE POLITICIAN? 87 00:03:54,602 --> 00:03:57,271 GUY LOOKS LIKE HE BUILT HIMSELF UP FROM THE GROUND FLOOR. 88 00:03:57,305 --> 00:03:59,340 THE AMERICAN WAY. GOT TO LOVE THAT. 89 00:03:59,373 --> 00:04:02,843 C.E.O. NEW BROOM SWEEPS CLEAN. 90 00:04:02,876 --> 00:04:04,612 WHAT ABOUT CARLOS? 91 00:04:04,645 --> 00:04:06,680 Carlos: MARTA, IF YOU'RE THERE, PICK UP. 92 00:04:06,714 --> 00:04:08,849 GET OUT OF THE HOUSE, GO SOMEWHERE SAFE. 93 00:04:08,882 --> 00:04:11,084 REMEMBER THAT SPOT WE STAYED THAT ONE TIME BY HIGHWAY 19? 94 00:04:11,118 --> 00:04:14,021 TAKE ADINA AND YOU STAY THERE UNTIL YOU HEAR FROM ME, ALL RIGHT. 95 00:04:14,054 --> 00:04:15,456 DON'T TALK TO NOBODY. 96 00:04:15,489 --> 00:04:18,759 THANK YOU FOR MEETING ME, MAN. WE GOT TO FIGURE THIS OUT-- 97 00:04:18,792 --> 00:04:19,993 [BEEPS] 98 00:04:20,027 --> 00:04:21,962 NEW BROOM SWEEPS CLEAN? 99 00:04:21,995 --> 00:04:23,130 SWEEPS CLEAN WHAT? 100 00:04:23,163 --> 00:04:24,932 WE'RE A PETRO-CHEMICAL COMPANY, AMIGO, 101 00:04:24,965 --> 00:04:28,669 RIGHT BEHIND BIG TOBACCO AND BIG PHARMACEUTICAL ON THE MOST HATED LIST. 102 00:04:28,702 --> 00:04:32,373 CARLOS' WIFE HOPED YOU MIGHT BE ABLE TO TELL US SOMETHING. 103 00:04:32,406 --> 00:04:33,674 WHY? BECAUSE I USED TO BE A MATONE? 104 00:04:33,707 --> 00:04:35,242 BECAUSE HE'S YOUR BEST FRIEND, RIGHT? 105 00:04:35,275 --> 00:04:37,778 HOW COME YOU WEREN'T SURPRISED WHEN WE PLAYED THAT MESSAGE FROM CARLOS? 106 00:04:37,811 --> 00:04:40,948 MAYBE BECAUSE I KNEW SOMETHING BAD WAS GOING ON WITH CARLOS. 107 00:04:40,981 --> 00:04:41,849 WHAT KIND OF BAD? 108 00:04:41,882 --> 00:04:44,217 SKIPPING WORK. WON'T TALK TO NOBODY. 109 00:04:44,251 --> 00:04:45,653 ESTÁ DEPRE. 110 00:04:45,686 --> 00:04:48,221 WELL, IT TOOK A LOT OF GUTS TO HIRE ANOTHER GANG MEMBER. 111 00:04:48,255 --> 00:04:49,423 FORMER GANG MEMBER. 112 00:04:49,457 --> 00:04:51,825 I PUT MY ASS ON THE LINE FOR HIM, RIGHT? 113 00:04:51,859 --> 00:04:54,395 IF YOU WERE THINKING ABOUT GETTING BACK INTO GANG ACTIVITY, 114 00:04:54,428 --> 00:04:55,663 WHO WOULD YOU TALK TO? 115 00:04:55,696 --> 00:04:57,465 FIRST OF ALL, THE GUYS THAT I USED TO RUN WITH, 116 00:04:57,498 --> 00:05:00,000 THEY'RE EITHER DEAD OR IN PRISON. 117 00:05:00,033 --> 00:05:01,435 IF YOU THINK OF ANYTHING, 118 00:05:01,469 --> 00:05:03,437 OR HEAR FROM CARLOS, CALL ME, OK? 119 00:05:03,471 --> 00:05:06,640 I WANT TO SEE THIS FAMILY BACK TOGETHER. 120 00:05:08,241 --> 00:05:12,413 YOU KNOW, THAT'S JUST RAGE YOU'RE TRYING TO SWALLOW THERE, MY FRIEND. 121 00:05:12,446 --> 00:05:15,516 SOMETIME A DING-DONG IS JUST A DING-DONG. 122 00:05:15,549 --> 00:05:20,388 I'M NOT TOUCHING THAT ONE WITH A 10-FOOT POLE. 123 00:06:06,867 --> 00:06:09,437 Woman: AHEM. 124 00:06:12,339 --> 00:06:13,441 IDENTIFY YOURSELF. 125 00:06:13,474 --> 00:06:15,909 GENUS--HOMO, SPECIES--SAPIENS. 126 00:06:15,943 --> 00:06:18,378 SEX--MALE. RACE--CAUCASIAN. ADULT. 127 00:06:18,412 --> 00:06:20,481 CAN I GET A LITTLE TIT FOR THAT TAT? 128 00:06:20,514 --> 00:06:22,382 FBI SPECIAL AGENT GAIL MCHOTTIE. 129 00:06:22,416 --> 00:06:24,384 I THINK THAT'S ALL YOU REALLY NEED TO KNOW. 130 00:06:24,418 --> 00:06:25,719 WHAT IS THIS? WHAT ARE YOU DOING? 131 00:06:25,753 --> 00:06:27,154 IT'S CALLED "PERSPECTIVE INVERSION." 132 00:06:27,187 --> 00:06:31,124 IT HELPS ME TO REVEAL THE NEGATIVE CAPABILITY OF THE SPACE. 133 00:06:31,158 --> 00:06:33,727 CAN I SEE YOUR I.D., PLEASE? 134 00:06:36,196 --> 00:06:38,732 AHH. 135 00:06:40,601 --> 00:06:41,869 A LIBRARY CARD? 136 00:06:41,902 --> 00:06:46,740 PERFECT RETURN RECORD. CAN I SEE YOUR I.D., PLEASE? 137 00:06:48,709 --> 00:06:52,345 MCHOTTIE? AGENT MCHOTTIE? SERIOUSLY? 138 00:06:52,379 --> 00:06:55,315 YEAH, WELL, I GOT THROUGH HIGH SCHOOL WITH THAT NAME. 139 00:06:55,348 --> 00:06:56,550 FBI IS A SNAP. 140 00:06:56,584 --> 00:06:58,452 WELL, IMAGINE WHAT IT WOULD HAVE BEEN LIKE 141 00:06:58,486 --> 00:06:59,453 FOR A HOMELY GIRL. 142 00:06:59,487 --> 00:07:01,354 WELL, THANK YOU. 143 00:07:01,388 --> 00:07:03,557 WALTER SHERMAN. YEP. 144 00:07:03,591 --> 00:07:04,558 WHAT ARE YOU DOING HERE? 145 00:07:04,592 --> 00:07:06,193 I FIGURE YOU'RE PART OF A GANG TASK FORCE. 146 00:07:06,226 --> 00:07:10,230 SO CARLOS ABREU MUST HAVE BEEN TIED UP IN SOME SORT OF GANG ACTIVITY. 147 00:07:10,263 --> 00:07:11,398 I CAN'T REALLY COMMENT 148 00:07:11,431 --> 00:07:13,433 ON AN ONGOING INVESTIGATION 149 00:07:13,467 --> 00:07:16,470 UNLESS, OF COURSE, YOU CAN HELP ME. 150 00:07:16,504 --> 00:07:19,607 CARLOS' WIFE MARTA ENGAGED ME TO FIND OUT WHO HE WAS SPEAKING TO 151 00:07:19,640 --> 00:07:22,576 JUST BEFORE HE DISAPPEARED AND WHAT WAS SAID. 152 00:07:22,610 --> 00:07:27,047 IN THAT CASE, I WILL ENJOY EXPLOITING YOU. 153 00:07:27,080 --> 00:07:29,249 WHAT'S IN IT FOR ME? 154 00:07:29,282 --> 00:07:30,450 MUTUAL EXPLOITATION. 155 00:07:30,484 --> 00:07:32,653 FULL WEIGHT OF THE MOST POWERFUL 156 00:07:32,686 --> 00:07:34,354 LAW ENFORCEMENT AGENCY IN THE COUNTRY. 157 00:07:34,387 --> 00:07:35,623 REALLY? 158 00:07:35,656 --> 00:07:38,826 SO HOW DO I GET IN TOUCH WITH YOU? 159 00:07:38,859 --> 00:07:40,193 EXCUSE ME. 160 00:07:52,472 --> 00:07:56,176 ASK FOR ZAZU. 161 00:07:56,209 --> 00:07:57,711 HOW DO I GET A HOLD OF YOU? 162 00:07:57,745 --> 00:07:59,479 CALL THE FBI. OH, WAIT! 163 00:07:59,513 --> 00:08:01,949 YOU KNOW WHAT? ON SECOND THOUGHT, 164 00:08:01,982 --> 00:08:05,218 YOU STRIKE ME AS A CONFIDENTIAL INFORMANT. 165 00:08:05,252 --> 00:08:07,387 I THINK I'M GOING TO KEEP YOU ON THE DOWN LOW. 166 00:08:07,420 --> 00:08:11,391 YOU SEEM TO BE A VERY GOOD JUDGE OF CHARACTER, AGENT MCHOTTIE. 167 00:08:11,424 --> 00:08:13,026 I'LL CALL YOU. 168 00:08:13,060 --> 00:08:15,128 ZAZU? 169 00:08:15,162 --> 00:08:17,097 IT'S INTRIGUING, RIGHT? 170 00:08:17,130 --> 00:08:18,231 HMM. 171 00:09:01,575 --> 00:09:03,276 [PHONE RINGS] 172 00:09:06,079 --> 00:09:08,448 HELLO, WALTER. DID YOU FIND ANYTHING AT THE HOUSE? 173 00:09:08,481 --> 00:09:09,617 AN FBI AGENT NAMED MCHOTTIE. 174 00:09:09,650 --> 00:09:11,218 SHE'S ON A GANG TASK FORCE. 175 00:09:11,251 --> 00:09:16,624 BAD NEWS--CARLOS ABREU IS BEING INVESTIGATED BY A GANG TASK FORCE. 176 00:09:16,657 --> 00:09:18,058 GOOD NEWS-- CARLOS WROTE DOWN 177 00:09:18,091 --> 00:09:20,728 WHERE HE WAS MEETING WHOEVER IT WAS HE WAS MEETING. 178 00:09:20,761 --> 00:09:23,330 DID THE FBI AGENT TELL YOU THAT? 179 00:09:23,363 --> 00:09:24,598 NO. I FOUND IT AT THE HOUSE. 180 00:09:24,632 --> 00:09:26,366 DID YOU TELL THE FBI? NOPE. 181 00:09:26,399 --> 00:09:30,971 FLORIDA CODE CHAPTER 843, "CRIMES OBSTRUCTING JUSTICE." 182 00:09:31,004 --> 00:09:34,307 LEO, ARE YOU LOOKING AT ELLIE'S PRESENT? 183 00:09:34,341 --> 00:09:35,643 NO. 184 00:09:35,676 --> 00:09:37,044 THIS MORNING YOU'RE EATING A DING-DONG. 185 00:09:37,077 --> 00:09:38,445 NOW YOU'RE LOOKING AT ELLIE'S PRESENT. 186 00:09:38,478 --> 00:09:40,380 WE SHOULDN'T HAVE TAKEN THIS CASE. 187 00:09:40,413 --> 00:09:42,415 WHERE WAS CARLOS' MEETING? 188 00:09:42,449 --> 00:09:44,618 "MEAT U HERE." WHERE? 189 00:09:44,652 --> 00:09:46,787 THAT'S WHAT CARLOS WROTE DOWN. "MEAT U HERE." 190 00:09:46,820 --> 00:09:49,657 OK, WALTER, BUT WHERE DID HE WANT TO MEET? 191 00:09:49,690 --> 00:09:53,093 NOT MEET MEET. MEAT MEAT. LIKE MEAT YOU EAT. 192 00:09:53,126 --> 00:09:54,461 I KNOW THE PLACE. 193 00:09:54,494 --> 00:09:56,063 WELL, THEN I'LL MEET YOU THERE. 194 00:09:56,096 --> 00:09:57,597 BY WHICH I MEAN MEAT U HERE. 195 00:09:57,631 --> 00:09:58,832 [BEEP] 196 00:10:03,771 --> 00:10:05,305 BACKGROUND SOUNDS MATCH WHAT WE HEARD 197 00:10:05,338 --> 00:10:08,108 ON MARTA ABREU'S VOICE MAIL. 198 00:10:08,141 --> 00:10:11,311 PEOPLE, HISSING ESPRESSO CART, 199 00:10:11,344 --> 00:10:13,346 ONE-MAN-BAND. 200 00:10:14,682 --> 00:10:17,751 CAN'T BELIEVE HE'D THROW THIS ALL AWAY TO GO BACK TO GANG, RIGHT? 201 00:10:17,785 --> 00:10:19,052 Leo: MAYBE HE HAD FINANCIAL PRESSURES. 202 00:10:19,086 --> 00:10:21,454 THEY WEREN'T RICH, BUT THEY WERE DOING OK, 203 00:10:21,488 --> 00:10:23,156 LIVING WITHIN THEIR MEANS. NO BLING. 204 00:10:23,190 --> 00:10:26,827 SOME PEOPLE DON'T KNOW HOW HAPPY THEY ARE UNTIL THEY MESS IT UP. 205 00:10:29,763 --> 00:10:31,932 FIRST YOU START EATING SUGAR, 206 00:10:31,965 --> 00:10:33,000 THEN YOU GAIN WEIGHT. 207 00:10:33,033 --> 00:10:34,234 THEN YOU DECLARE WAR ON A GANG 208 00:10:34,267 --> 00:10:36,203 BECAUSE YOU HAVE SOME KIND OF FLASHBACK 209 00:10:36,236 --> 00:10:37,838 ABOUT THE LOSS OF YOUR OWN FAMILY. 210 00:10:37,871 --> 00:10:40,040 AND IT ALL STARTS WITH THAT CANDY APPLE. 211 00:10:40,073 --> 00:10:43,010 JUST--JUST HAND IT OVER, END THE PAIN NOW. 212 00:10:43,043 --> 00:10:44,044 WHAT ARE YOU? MY NUTRITIONIST? 213 00:10:44,077 --> 00:10:46,814 I HAVE CONCERNS ABOUT YOUR STATE OF MIND. 214 00:10:46,847 --> 00:10:48,048 WELL, STOP IT. 215 00:10:48,081 --> 00:10:50,951 LEO, ELLIE'S BIRTHDAY IS COMING UP. 216 00:10:50,984 --> 00:10:53,186 ELLIE'S BEEN DEAD ALMOST 4 YEARS, WALTER. 217 00:10:53,220 --> 00:10:54,154 EXACTLY. 218 00:10:54,187 --> 00:10:55,756 SO NOW THIS SPUNKY LITTLE GIRL SHOWS UP, 219 00:10:55,789 --> 00:10:59,626 SEARCHING FOR HER FATHER. THAT'S NOT RAISING ANY ISSUES FOR YOU? 220 00:10:59,659 --> 00:11:02,662 NO. THIS IS WHERE CARLOS WAS WHEN HE LEFT A VOICE MAIL FOR HIS WIFE. 221 00:11:02,696 --> 00:11:06,199 SO YOU'RE GOING TO USE MY FINDING COMPULSION TO SWITCH THE SUBJECT? 222 00:11:06,233 --> 00:11:08,001 I DON'T SEE HOW YOU'RE GOING TO FIND 223 00:11:08,035 --> 00:11:11,004 A 3-DAY-OLD CONVERSATION. 224 00:11:17,310 --> 00:11:18,478 WHAT? 225 00:11:18,511 --> 00:11:20,147 AUTOMATED TELLER. 226 00:11:20,180 --> 00:11:24,617 SECURITY CAMERAS IN FRONT OF ALL THESE STORES. 227 00:11:24,651 --> 00:11:26,754 AND HOW ABOUT THAT? 228 00:11:32,225 --> 00:11:36,029 Leo: HOW ARE WE GOING TO ACCESS ALL THESE CAMERAS? 229 00:11:36,063 --> 00:11:37,931 BY USING THE FULL FORCE OF THE MOST POWERFUL 230 00:11:37,965 --> 00:11:41,935 FEDERAL LAW ENFORCEMENT AGENCY IN THE COUNTRY. 231 00:11:41,969 --> 00:11:45,305 THIS DRESS MAKE ME LOOK FAT? 232 00:11:47,440 --> 00:11:50,043 HOW DID PEOPLE EVEN LIVE IN THE OLDEN DAYS? 233 00:11:50,077 --> 00:11:53,113 IT'S LIKE RESTARTING TECHNOLOGY AFTER THE APOCALYPSE. 234 00:11:53,146 --> 00:11:55,215 IS THE FOOTAGE FROM THE ATM ON HERE TOO? 235 00:11:55,248 --> 00:11:56,116 IT'S ON THIS CARD. 236 00:11:56,149 --> 00:11:58,185 HOW'D YOU GET A WARRANT FOR THAT SO FAST? 237 00:11:58,218 --> 00:12:01,421 AGENT MCHOTTIE IS NOT EXACTLY THE WARRANT GETTING TYPE. 238 00:12:01,454 --> 00:12:02,722 TRUE. I USED CHARM, 239 00:12:02,756 --> 00:12:06,559 BY WHICH I MEAN I FLASHED MY TEETH, MY BADGE, AND MY GUN. 240 00:12:06,593 --> 00:12:07,995 HAVE YOU EVER TALKED TO A THERAPIST 241 00:12:08,028 --> 00:12:10,998 ABOUT YOUR FIXATION ON WOMEN WITH BADGES AND GUNS? 242 00:12:11,031 --> 00:12:14,367 HERE'S WHAT WE HAVE SO FAR. 243 00:12:15,502 --> 00:12:18,705 FOOTAGE FROM 11 SECURITY CAMERAS FROM AROUND THE MALL. 244 00:12:18,738 --> 00:12:20,240 TAPES FROM THE FASHION STORE. 245 00:12:20,273 --> 00:12:24,177 THEY HAVE FOOTAGE FROM ONE CAM THAT FOCUSES JUST ON PARROTS. 246 00:12:24,211 --> 00:12:26,113 YOU GOT ALL THIS FOR WALTER? 247 00:12:26,146 --> 00:12:27,247 YES. WHY? 248 00:12:27,280 --> 00:12:29,883 WALTER HAS A REPUTATION OF FINDING THINGS. 249 00:12:29,917 --> 00:12:31,584 HE AND I ARE AFTER THE SAME THING-- 250 00:12:31,618 --> 00:12:32,685 CARLOS ABREU. 251 00:12:32,719 --> 00:12:34,421 CAN I ASK YOU SOMETHING? 252 00:12:34,454 --> 00:12:35,255 SURE. 253 00:12:35,288 --> 00:12:36,523 IS CARLOS A BAD GUY? 254 00:12:36,556 --> 00:12:41,228 MY OPINION IS CARLOS'S FAMILY WOULD BE BETTER OFF WITHOUT HIM. 255 00:12:43,163 --> 00:12:45,365 EXCUSE ME. 256 00:12:46,699 --> 00:12:48,268 WHAT DID I DO? 257 00:12:48,301 --> 00:12:52,272 LEO HAS KIND OF A THING FOR KEEPING FAMILIES TOGETHER. 258 00:12:58,078 --> 00:13:00,147 WHERE'S AGENT MCHOTTIE? 259 00:13:00,180 --> 00:13:01,714 I DON'T WANT TO HAVE SEX WITH HER. 260 00:13:01,748 --> 00:13:04,684 I THOUGHT I'D GET TO YOUR REAL QUESTION, SAVE SOME TIME. 261 00:13:04,717 --> 00:13:09,056 SO I SPURNED HER SEXY ADVANCES. SHE LEFT. 262 00:13:09,089 --> 00:13:10,457 HEY, YOU'RE GOOD WITH FACES, RIGHT? 263 00:13:10,490 --> 00:13:11,892 WHAT DO YOU MEAN? 264 00:13:11,925 --> 00:13:14,761 WELL, YOU'RE A THIEF. YOU CAN'T PICKPOCKET THE SAME PERSON TWICE. 265 00:13:14,794 --> 00:13:16,163 I'M REFORMED NOW. BUT, YES, 266 00:13:16,196 --> 00:13:17,697 I DON'T FORGET FACES. WHY? 267 00:13:17,730 --> 00:13:22,169 I WANT YOU TO LOOK THROUGH ALL THAT FOOTAGE AND FIND CARLOS ABREU. 268 00:13:22,202 --> 00:13:23,370 WHY? 269 00:13:23,403 --> 00:13:25,038 BECAUSE IF WE DON'T PUT THAT FAMILY BACK TOGETHER, 270 00:13:25,072 --> 00:13:26,840 LEO'S GOING TO EAT HIMSELF BACK INTO THE PAST. 271 00:13:26,874 --> 00:13:28,008 BUT WHY? 272 00:13:28,041 --> 00:13:29,742 HIS DAUGHTER ELLIE'S BIRTHDAY IS COMING UP. 273 00:13:29,776 --> 00:13:32,279 SHE'D HAVE BEEN TURNING 16. BUT SHE DIED IN AN E. COLI OUTBREAK 274 00:13:32,312 --> 00:13:34,647 THAT COULD HAVE BEEN PREVENTED. CORPORATE GREED. 275 00:13:34,681 --> 00:13:36,183 I MEANT-- 276 00:13:36,216 --> 00:13:38,218 LEO THOUGHT THAT MAYBE ELLIE'S DEATH WAS SOME KIND OF JUDGMENT 277 00:13:38,251 --> 00:13:39,652 ON HIS SHADY LAWYERING MENTALITY. 278 00:13:39,686 --> 00:13:41,021 SO HE LOST ABOUT 1,000 POUNDS. 279 00:13:41,054 --> 00:13:43,156 AND LET'S JUST SAY THAT HE BECAME A WHOLE DIFFERENT MAN. 280 00:13:43,190 --> 00:13:45,058 A GOOD MAN THAT WE LIKE. 281 00:13:45,092 --> 00:13:46,826 WALTER! WHEN I ASKED WHY 282 00:13:46,860 --> 00:13:48,261 I MEANT WHAT GOOD WOULD IT DO US 283 00:13:48,295 --> 00:13:50,197 TO FIND CARLOS ABREU ON THE TAPE? 284 00:13:50,230 --> 00:13:52,765 OK, THAT'S NOT WHAT YOU ASKED. 285 00:13:52,799 --> 00:13:53,766 IMPORTANCE IN CLARITY. 286 00:13:53,800 --> 00:13:55,302 WALTER... 287 00:13:55,335 --> 00:13:57,304 THE FBI THINKS THAT CARLOS HAS BEEN SMUGGLING CHEMICALS 288 00:13:57,337 --> 00:13:58,939 OUT OF THE PLANT FOR THE MATONES. 289 00:13:58,972 --> 00:14:01,108 YOU CATCH HIM TALKING TO A MATONE, 290 00:14:01,141 --> 00:14:02,275 WE CAN CONFIRM THAT. 291 00:14:02,309 --> 00:14:05,378 I DON'T KNOW. THAT'S A LOT OF FOOTAGE. 292 00:14:05,412 --> 00:14:08,048 AND I'M REALLY TIRED. 293 00:14:08,081 --> 00:14:13,020 THAT IS WHY THEY INVENTED CAFFEINE AND SUGAR. 294 00:14:13,053 --> 00:14:15,188 IT'S PARTICULARLY GOOD FOR YOUNG PEOPLE 295 00:14:15,222 --> 00:14:18,358 WHOSE BRAINS HAVEN'T FULLY FORMED YET. 296 00:14:20,193 --> 00:14:22,930 OK. WHAT DO YOU WANT IN RETURN? 297 00:14:22,963 --> 00:14:24,164 100 BUCKS. 298 00:14:24,197 --> 00:14:26,866 MONEY? THAT'S ALL? NO PROBLEM. 299 00:14:27,935 --> 00:14:29,569 WHAT? I'M GOOD FOR IT. 300 00:14:29,602 --> 00:14:32,639 REMEMBER--COFFEE, SUGAR. IT'S GOOD FOR YOU. 301 00:14:32,672 --> 00:14:33,907 WHERE ARE YOU GOING? 302 00:14:33,941 --> 00:14:35,875 WHERE DO YOU THINK? 303 00:14:35,909 --> 00:14:37,945 I DON'T KNOW. HOW SHOULD I KNOW? 304 00:14:44,084 --> 00:14:46,019 I'M DOING FINE. 305 00:14:46,053 --> 00:14:48,188 YOU DON'T HAVE TO WORRY ABOUT ME. 306 00:14:48,221 --> 00:14:51,191 I MEAN, I HAVE MY DOWN MOMENTS AND MISSING YOU. 307 00:14:51,224 --> 00:14:55,428 BUT, I'M BASICALLY OK. 308 00:14:55,462 --> 00:14:57,630 WELL, THAT IS A TOTAL PACK OF LIES. 309 00:14:57,664 --> 00:15:02,002 YOU KNOW, HE'S TAKING TO EATING LOADS OF CRAP FOOD AGAIN. 310 00:15:02,035 --> 00:15:04,104 WALTER'S EXAGGERATING, BABY. 311 00:15:04,137 --> 00:15:06,439 CAKE, CANDY, ICE CREAM, COOKIES. 312 00:15:06,473 --> 00:15:10,143 AND PLUS, MRS. LEO, HE HAD TO LET OUT HIS BELT ONE NOTCH. 313 00:15:10,177 --> 00:15:11,444 DON'T TELL HER THAT. 314 00:15:11,478 --> 00:15:13,213 PLUS, HE MADE ME TAKE THIS CASE. 315 00:15:13,246 --> 00:15:15,949 SOMETIMES I MAKE WALTER TAKE CASES 316 00:15:15,983 --> 00:15:17,450 BECAUSE IT'S THE RIGHT THING TO DO. 317 00:15:17,484 --> 00:15:19,987 LEO WANTS TO REPAIR THIS BROKEN FAMILY. 318 00:15:20,020 --> 00:15:21,388 BUT NOW HE'S FREAKING OUT, 319 00:15:21,421 --> 00:15:23,923 BECAUSE THE MISSING FATHER MIGHT ACTUALLY BE A BAD GUY. 320 00:15:23,957 --> 00:15:25,458 THAT HASN'T BEEN PROVEN YET. 321 00:15:25,492 --> 00:15:28,962 THE FBI THINKS CARLOS IS WORKING FOR HIS OLD GANG AGAIN. 322 00:15:28,996 --> 00:15:30,830 A SWEET LITTLE GIRL LIKE THAT, A KIND WOMAN, 323 00:15:30,863 --> 00:15:33,533 WHY WOULD THEY BE WITH A BAD GUY? IT MAKES NO SENSE. 324 00:15:33,566 --> 00:15:38,871 ARE YOU TALKING ABOUT THE ABREUS NOW OR THEM? 325 00:15:38,905 --> 00:15:40,273 THE ONLY REASON I DON'T SMACK YOU 326 00:15:40,307 --> 00:15:42,475 IS BECAUSE I KNOW YOU REALLY WANT TO KNOW THE ANSWER. 327 00:15:42,509 --> 00:15:45,878 WHAT'S THAT THING YOU TOLD ME ABOUT THE FUTURE? 328 00:15:45,912 --> 00:15:48,815 BUDDHA SAID, "DO NOT DWELL IN THE PAST. 329 00:15:48,848 --> 00:15:50,283 "DO NOT DREAM OF THE FUTURE. 330 00:15:50,317 --> 00:15:53,186 CONCENTRATE THE MIND ON THE PRESENT MOMENT." 331 00:15:53,220 --> 00:15:54,254 ALL RIGHT, WELL THERE YOU GO. 332 00:15:54,287 --> 00:15:56,389 THE BUDDHA. HE'S A PRETTY SMART GUY 333 00:15:56,423 --> 00:15:59,592 AND ALSO, LIKE YOU, AN OVER-EATER. 334 00:15:59,626 --> 00:16:03,063 I AM CONCENTRATING MY MIND ON THE PRESENT MOMENT. 335 00:16:03,096 --> 00:16:07,134 BUT ALL MY MIND WANTS TO DO IS TO KNOW THE FUTURE. 336 00:16:08,068 --> 00:16:10,037 [SIGHS] IF YOU DON'T MIND, 337 00:16:10,070 --> 00:16:13,473 I HAVE A FEW PRIVATE THINGS I'D LIKE TO SAY. 338 00:16:19,979 --> 00:16:22,015 CAN YOU GUYS DO ME A FAVOR? 339 00:16:22,049 --> 00:16:24,484 CAN YOU TELL HIM TO MOVE FORWARD, 340 00:16:24,517 --> 00:16:30,057 TO LET GO OF THE PAST, TO LISTEN TO THE BUDDHA? 341 00:16:30,090 --> 00:16:32,359 AND ESPECIALLY YOU, ELLIE, 342 00:16:32,392 --> 00:16:37,797 YOU TELL HIM THAT THAT GIFT THAT HE KEEPS FOR YOU 343 00:16:37,830 --> 00:16:39,732 IN HIS DESK IS AN ANCHOR 344 00:16:39,766 --> 00:16:42,035 HOLDING HIM TO HIS GRIEF. 345 00:16:42,069 --> 00:16:43,536 AND YOU TELL HIM-- 346 00:16:43,570 --> 00:16:45,205 WALTER. YEAH. 347 00:16:45,238 --> 00:16:48,241 THIS COMMUNICATION, IT'S A ONE-WAY STREET. 348 00:16:48,275 --> 00:16:51,378 I DO THE TALKING, THEY DO THE LISTENING. 349 00:16:51,411 --> 00:16:54,481 AND PEOPLE CALL ME THE CRAZY ONE? 350 00:16:57,117 --> 00:16:59,119 I'LL SEE YOU TOMORROW, PAL. 351 00:16:59,152 --> 00:17:03,256 I APPRECIATE YOUR CONCERN. 352 00:17:11,798 --> 00:17:14,201 [SOBS] 353 00:17:18,438 --> 00:17:21,208 I MISS YOU. 354 00:17:22,175 --> 00:17:27,880 I MISS BOTH OF YOU SO MUCH 355 00:17:27,914 --> 00:17:31,251 I COULD DIE. 356 00:18:04,251 --> 00:18:05,618 GOOD MORNING. AAH! GOD! 357 00:18:05,652 --> 00:18:06,719 IS IT MORNING? IT CAN'T BE MORNING. 358 00:18:07,019 --> 00:18:08,288 IT IS. I CAN TELL BY ALL THE LIGHT. 359 00:18:08,321 --> 00:18:09,622 WHAT ARE YOU EATING? YOU NEVER EAT CRAP LIKE THAT. 360 00:18:09,656 --> 00:18:11,191 YOU'RE ALL GRANOLA AND LEMON JUICE. 361 00:18:11,224 --> 00:18:12,259 HOW MUCH COFFEE HAVE YOU HAD? 362 00:18:12,292 --> 00:18:15,094 ALL OF IT. I FOUND CARLOS ABREU, 363 00:18:15,128 --> 00:18:16,429 AND PUT ALL OF HIM ON THIS LAPTOP. 364 00:18:16,463 --> 00:18:19,766 CHECK IT OUT. [TAPS KEYBOARD] 365 00:18:19,799 --> 00:18:20,667 THERE HE IS. 366 00:18:20,700 --> 00:18:22,001 TALKING ON HIS PHONE. 367 00:18:22,034 --> 00:18:24,471 LEAVING THE MESSAGE FOR HIS WIFE. NOW WATCH. [TAPS KEYBOARD] 368 00:18:24,504 --> 00:18:26,706 THAT'S GOT TO BE THE GUY HE MET. 369 00:18:26,739 --> 00:18:28,007 I CAN'T SEE HIS FACE. 370 00:18:28,040 --> 00:18:29,342 NOT FROM THE FASHION STORE CAMERA, 371 00:18:29,376 --> 00:18:31,778 BUT FROM THE OTHER SIDE OF THE MALL... 372 00:18:31,811 --> 00:18:34,214 [TAPS ON KEYBOARD] 373 00:18:34,981 --> 00:18:36,349 THAT'S UNCLE RAUL. 374 00:18:36,383 --> 00:18:37,817 THE OTHER GUY FROM THE GANG? 375 00:18:37,850 --> 00:18:40,787 SO, AGENT MCSEXY BUTT WAS RIGHT, AND THEY'RE BAD GUYS. 376 00:18:40,820 --> 00:18:44,224 AGENT MCSEXY BUTT WAS RIGHT ABOUT WHAT? 377 00:18:44,257 --> 00:18:46,726 WILLA FOUND OUR GUY. 378 00:18:48,528 --> 00:18:51,398 THAT'S RAUL VALERIO TALKING TO CARLOS. 379 00:18:52,565 --> 00:18:55,235 I WISH WE HAD SOUND. DON'T BE AN IDIOT. 380 00:18:55,268 --> 00:18:57,270 HEY! LEO'S NOT BEING AN IDIOT. 381 00:18:57,304 --> 00:18:59,339 WE'RE LOOKING FOR A CONVERSATION. 382 00:18:59,372 --> 00:19:01,073 A LITTLE AUDIO WOULD BE HELPFUL. 383 00:19:01,107 --> 00:19:02,709 NO, THAT'S WHAT RAUL IS SAYING, 384 00:19:02,742 --> 00:19:03,910 "DON'T BE AN IDIOT." 385 00:19:03,943 --> 00:19:05,945 CAN YOU READ LIPS? 386 00:19:05,978 --> 00:19:07,214 SHOULD HAVE KNOWN. 387 00:19:07,247 --> 00:19:09,216 EVERYONE LEARNS HOW TO READ LIPS IN THE JOINT. 388 00:19:09,249 --> 00:19:11,150 YOU GOT TO KNOW WHAT THE BULLS ARE SAYING. 389 00:19:11,184 --> 00:19:12,285 IT SO HAPPENS I READ LIPS 390 00:19:12,319 --> 00:19:13,686 BECAUSE ME AND MY MOM DIDN'T HAVE A TV. 391 00:19:13,720 --> 00:19:15,722 I WATCHED THE NEIGHBOR'S SET THROUGH MY BEDROOM WINDOW. 392 00:19:15,755 --> 00:19:18,191 AND LEARNED TO READ LIPS FROM RERUNS OF "MARRIED WITH CHILDREN." 393 00:19:18,225 --> 00:19:19,359 WHAT ARE THEY SAYING? 394 00:19:19,392 --> 00:19:22,995 LEO WANTS RAUL TO SAY, "JOIN THE GANG AGAIN," 395 00:19:23,029 --> 00:19:26,065 AND CARLOS TO REJECT HIM AND SAY, "NO! I LOVE MY FAMILY." 396 00:19:26,098 --> 00:19:27,567 WALTER. 397 00:19:27,600 --> 00:19:29,669 A MAN'S GOT TO BE ABLE TO LAUGH AT HIS OWN FOIBLES, LEO. 398 00:19:29,702 --> 00:19:31,338 SOME THINGS WHEN YOU MAKE LIGHT OF THEM, 399 00:19:31,371 --> 00:19:33,072 YOU JUST MAKE THEM HEAVIER. 400 00:19:33,105 --> 00:19:35,675 WHAT ELSE DID THE LIPS SAY, WILLA? 401 00:19:35,708 --> 00:19:36,876 [TAPS KEYBOARD] 402 00:19:36,909 --> 00:19:38,678 CARLOS SAYS, [IMITATING VOICE] "YOU HAVE TO HELP ME." 403 00:19:38,711 --> 00:19:40,213 RAUL SAYS, [IMITATING VOICE] "DON'T BE AN IDIOT." 404 00:19:40,247 --> 00:19:43,916 TAKE THE MONEY. THINK ABOUT YOUR FAMILY, THINK ABOUT ADINA." 405 00:19:43,950 --> 00:19:47,086 CARLOS SAYS, "I THINK ABOUT MY FAMILY ALL THE TIME. 406 00:19:47,119 --> 00:19:48,388 IT'S ALL I THINK ABOUT, MAN." 407 00:19:48,421 --> 00:19:52,292 SO THAT'S NICE FOR YOU, RIGHT? 408 00:19:52,325 --> 00:19:54,427 THAT'S ALL I CAN MAKE OUT. 409 00:19:54,461 --> 00:19:56,929 YEAH, BUT THAT'S NOT THE WHOLE CONVERSATION. 410 00:19:56,963 --> 00:19:58,064 I GOT TO KEEP LOOKING. 411 00:19:58,097 --> 00:19:59,699 WE'LL PAY A VISIT TO RAUL VALERIO. 412 00:19:59,732 --> 00:20:02,068 YOU GET SOME SLEEP. YOU LOOK LIKE A VAMPIRE. 413 00:20:02,101 --> 00:20:04,170 - VAMPIRES ARE HOT. - WHAT? 414 00:20:04,203 --> 00:20:07,340 THE WORLD TURNS, MAN. VAMPIRES SPARKLE NOW. 415 00:20:07,374 --> 00:20:09,208 YOU DID GREAT. LEO'S RIGHT. 416 00:20:09,242 --> 00:20:12,812 THIS CAN WAIT, GET SOME SACK TIME. 417 00:20:23,756 --> 00:20:26,493 MCHOTTIE SAYS THAT CARLOS AND RAUL WERE STEALING CHEMICALS 418 00:20:26,526 --> 00:20:27,894 FROM THE PLANT FOR THE GANG. 419 00:20:27,927 --> 00:20:29,896 SOUNDS LIKE RAUL WAS FORCING HIM TO DO IT. 420 00:20:29,929 --> 00:20:33,032 [KNOCKING AT DOOR] 421 00:20:33,065 --> 00:20:35,668 MORE LIKE CAJOLING. 422 00:20:35,702 --> 00:20:39,171 IF CARLOS DIDN'T DO WHAT THE MATONES WANTED, 423 00:20:39,205 --> 00:20:41,774 HE'S PROBABLY DEAD. 424 00:20:41,808 --> 00:20:44,311 [WHIRRING] 425 00:20:44,344 --> 00:20:46,078 YOU HEAR THAT? 426 00:20:46,112 --> 00:20:48,848 IT'S A CAR ENGINE. 427 00:20:57,390 --> 00:21:00,527 COLD AS A STONE. 428 00:21:00,560 --> 00:21:02,962 HE KILLED HIMSELF. [COUGHS] 429 00:21:02,995 --> 00:21:04,764 THIS WASN'T SUICIDE, LEO. 430 00:21:10,069 --> 00:21:12,705 [DIALING] 431 00:21:12,739 --> 00:21:15,442 WELL, HE CERTAINLY IS DEAD. 432 00:21:15,475 --> 00:21:17,410 YOU GUYS MIGHT WANT TO MAKE YOURSELF SCARCE 433 00:21:17,444 --> 00:21:18,945 BEFORE I CALL IN THE LOCALS. WHY? 434 00:21:18,978 --> 00:21:21,514 WELL, THEY'RE GOING TO WANT TO QUESTION YOU FOR, LIKE, 12 HOURS. 435 00:21:21,548 --> 00:21:23,350 THEY DO LIKE TO QUESTION. 436 00:21:23,383 --> 00:21:25,652 I'M JUST GOING TO TELL 'EM THAT I STUMBLED UPON RAUL'S SUICIDE 437 00:21:25,685 --> 00:21:27,053 DURING THE COURSE OF THE INVESTIGATION. 438 00:21:27,086 --> 00:21:29,756 WALTER SAID IT WASN'T SUICIDE. 439 00:21:29,789 --> 00:21:31,257 HIS HANDS ARE ON THE STEERING WHEEL. 440 00:21:31,290 --> 00:21:32,659 THE SECOND HE PASSED OUT, 441 00:21:32,692 --> 00:21:34,427 THEY WOULD HAVE FALLEN IN HIS LAP. 442 00:21:34,461 --> 00:21:35,862 THEY WERE PLACED THERE AFTER HE DIED. 443 00:21:35,895 --> 00:21:39,532 I AM SO TAKING CREDIT FOR THAT INSIGHT. 444 00:21:39,566 --> 00:21:42,369 SO WHY DON'T YOU GUYS GET WHILE THE GETTING'S GOOD. 445 00:21:42,402 --> 00:21:43,503 AND THEN I'LL JUST CALL YOU 446 00:21:43,536 --> 00:21:46,839 IF FORENSICS COMES UP WITH ANYTHING. 447 00:21:55,548 --> 00:21:57,684 I THOUGHT YOU WERE GOING TO GET SOME SLEEP. 448 00:21:57,717 --> 00:21:59,652 I GOT MIXED SIGNALS ON THAT. 449 00:21:59,686 --> 00:22:01,220 OK. SO THERE ARE SOME GAPS, 450 00:22:01,253 --> 00:22:02,355 AND I'M NOT 100% ON THE CHRONOLOGY, 451 00:22:02,389 --> 00:22:03,723 BECAUSE NOT EVERY SEGMENT IS TIME CODED, 452 00:22:03,756 --> 00:22:05,825 BUT I THINK I'VE GOT SOMETHING STARTING TO MAKE SENSE HERE. 453 00:22:05,858 --> 00:22:07,627 YOU'RE NOT GOING TO MAKE HER AS CRAZY AS YOU. 454 00:22:07,660 --> 00:22:09,396 YOU ENJOYING THAT SNICKER-DOODLE MUCH? 455 00:22:13,633 --> 00:22:15,868 [IMITATING VOICE] "TAKE THE MONEY. THINK ABOUT YOUR FAMILY. 456 00:22:15,902 --> 00:22:17,103 THINK ABOUT ADINA." 457 00:22:17,136 --> 00:22:18,871 [IMITATING VOICE] "I THINK ABOUT MY FAMILY ALL THE TIME. 458 00:22:18,905 --> 00:22:21,808 IT'S ALL THAT I THINK ABOUT, MAN." 459 00:22:23,610 --> 00:22:26,479 "THIS ALL GOES AWAY IF YOU DO THE SMART THING." 460 00:22:26,513 --> 00:22:27,647 "THE SMART THING? 461 00:22:27,680 --> 00:22:29,616 NO MATTER WHAT I DO, PEOPLE GET HURT." 462 00:22:29,649 --> 00:22:32,552 "THE SMART THING IS TAKING CARE OF YOUR OWN FIRST." 463 00:22:32,585 --> 00:22:33,753 "MARTA AND ADINA ARE BOTH SAFE 464 00:22:33,786 --> 00:22:36,255 AS LONG AS THEY CAN'T FIND ME OR THE--" 465 00:22:36,288 --> 00:22:37,524 THE WHAT? 466 00:22:37,557 --> 00:22:39,091 HOLD ON. CAN WE JUST TAKE A MOMENT HERE? 467 00:22:39,125 --> 00:22:41,594 THAT IS SOME AMAZING THING SHE JUST DID, RIGHT? 468 00:22:41,628 --> 00:22:43,396 YEAH. OR THE WHAT? 469 00:22:43,430 --> 00:22:44,931 TELL HER! 470 00:22:44,964 --> 00:22:46,733 THAT'S AMAZING, WILLA, 471 00:22:46,766 --> 00:22:49,135 EXCEPT FOR THE PART WHERE WE DON'T KNOW THE KEY POINT 472 00:22:49,168 --> 00:22:50,637 OF THE WHOLE MYSTERY. 473 00:22:50,670 --> 00:22:52,572 IT'S NOT MY FAULT THEY TURNED AWAY FROM EVERY CAMERA. 474 00:22:52,605 --> 00:22:55,508 WAIT, WAIT, WAIT. REWIND THAT. 475 00:22:55,542 --> 00:22:57,910 RIGHT THERE. WHAT IS THAT? 476 00:22:57,944 --> 00:22:59,479 WHAT? 477 00:23:01,914 --> 00:23:05,618 THE HIPSTER CHICK FILMING THE ONE-MAN-BAND. 478 00:23:05,652 --> 00:23:07,887 Willa: HER CAMERA IS POINTED RIGHT AT THEM. 479 00:23:07,920 --> 00:23:11,758 YOU WANT TO FIND THE RANDOM HUMAN BEING FILMING THE ONE-MAN-BAND? 480 00:23:11,791 --> 00:23:14,126 WHAT IF SHE'S A TOURIST AND ALREADY WENT HOME TO QUEBEC? 481 00:23:14,160 --> 00:23:16,429 WHAT FRENCH CANADIAN TOURIST IS GOING TO FILM A ONE-MAN-BAND 482 00:23:16,463 --> 00:23:17,764 FOR MORE THAN A MINUTE? GIRLFRIEND? 483 00:23:17,797 --> 00:23:21,333 I DON'T THINK ONE-MAN-BANDS GET TO HAVE GIRLFRIENDS. 484 00:23:21,367 --> 00:23:23,770 SHE'S GOT ONE OF THOSE THINGS AROUND HER NECK THAT DIRECTORS WEAR. 485 00:23:23,803 --> 00:23:27,406 IF WE FIND THAT CAMERA, WE FIND THE REST OF THE CONVERSATION. 486 00:23:27,440 --> 00:23:28,875 YOU'RE COMING WITH US, WILLA. 487 00:23:28,908 --> 00:23:30,643 WHY? 488 00:23:30,677 --> 00:23:33,245 - 'CAUSE PEOPLE ARE DYING. - THAT'S AWESOME. 489 00:23:33,279 --> 00:23:36,483 I DIDN'T MEAN THE DYING PART. 490 00:23:42,288 --> 00:23:45,625 [MUSIC PLAYING] 491 00:24:03,976 --> 00:24:06,178 LEO, THAT'S... THAT'S NOT REAL. 492 00:24:06,212 --> 00:24:10,249 THE WORLD IS MORE MYSTERIOUS THAN PEOPLE THINK, WILLA. 493 00:24:10,282 --> 00:24:11,684 ARE YOU ALL RIGHT? 494 00:24:11,718 --> 00:24:15,354 I WOULDN'T MIND KNOWING THE FUTURE, JUST A LITTLE BIT. 495 00:24:15,387 --> 00:24:21,728 YOU MEAN... PAST ELLIE'S BIRTHDAY? 496 00:24:23,262 --> 00:24:26,699 I KNOW A GUY THAT CAN SEE THE FUTURE FOR REAL. 497 00:24:26,733 --> 00:24:29,001 FOR REAL REAL OR GYPSY REAL? 498 00:24:29,035 --> 00:24:33,372 HE'S A CHOVIHANI. HE HAS THE GIFT. 499 00:24:33,405 --> 00:24:35,908 YOU'RE HAVING A TOUGH TIME. 500 00:24:35,942 --> 00:24:38,545 LET ME HELP YOU. 501 00:24:38,578 --> 00:24:42,515 Walter: I OWE YOU. ALL RIGHT. 502 00:24:42,549 --> 00:24:44,517 HIPSTER CHICK IS A STUDENT FILMMAKER 503 00:24:44,551 --> 00:24:46,586 DOING A DOCUMENTARY ON STREET PERFORMERS. 504 00:24:46,619 --> 00:24:49,088 SHE GAVE ME THE TAPE. 505 00:24:58,397 --> 00:25:01,634 SO YOU'RE THE INFAMOUS TIMO. 506 00:25:01,668 --> 00:25:04,203 AND YOU'RE LEO. 507 00:25:04,236 --> 00:25:06,172 PLEASED TO MEET YOU. 508 00:25:06,205 --> 00:25:07,206 I DOUBT THAT. 509 00:25:07,239 --> 00:25:11,778 DON'T DOUBT IT. WE BOTH CARE ABOUT WILLA. 510 00:25:11,811 --> 00:25:13,546 WILLA SAYS YOU'RE GOING TO TAKE ME 511 00:25:13,580 --> 00:25:15,882 TO SOME BRILLIANT TAROT CARD READER. 512 00:25:15,915 --> 00:25:19,385 NOT TAKE YOU. I AM THE CHOVIHANI. 513 00:25:19,418 --> 00:25:21,220 I'LL READ YOUR CARDS. 514 00:25:21,253 --> 00:25:23,022 I'M NOT SURE I TRUST YOU. 515 00:25:23,055 --> 00:25:25,558 I HAVE BETTER THINGS TO DO. LOOK, WILLA MADE ME. 516 00:25:25,592 --> 00:25:29,261 I'M NOT EVEN TAKING ANY MONEY FROM YOU. 517 00:25:37,570 --> 00:25:39,405 I UNDERSTAND IF YOU WANT TO CANCEL. 518 00:25:39,438 --> 00:25:41,140 'CAUSE AFTER THIS READING, 519 00:25:41,173 --> 00:25:43,442 I'LL KNOW THINGS ABOUT YOU MAYBE YOU DON'T WANT ME TO KNOW. 520 00:25:43,475 --> 00:25:46,112 KID, WHEN IT COMES TO KNOWING PEOPLE, 521 00:25:46,145 --> 00:25:49,448 THERE IS NO SUCH THING AS A ONE-WAY STREET. 522 00:25:49,481 --> 00:25:52,151 [SCOFFS] 523 00:25:53,519 --> 00:25:54,754 THE TOWER... 524 00:25:54,787 --> 00:25:57,056 REPRESENTS A PAST TO WHICH YOU MUST NOT RETURN. 525 00:25:57,089 --> 00:25:58,557 OR WHAT? 526 00:26:03,329 --> 00:26:04,664 DEATH. 527 00:26:04,697 --> 00:26:08,801 MAYBE, MAYBE NOT. BUT IT IS A WARNING. 528 00:26:08,835 --> 00:26:10,202 YOU ARE BEING TESTED. 529 00:26:10,236 --> 00:26:13,105 WE ALL ARE BEING TESTED ALL THE TIME. 530 00:26:13,139 --> 00:26:16,275 LIFE IS A TEST. 531 00:26:23,750 --> 00:26:26,552 YOU HAVE MURDER IN YOUR HEART. 532 00:26:26,585 --> 00:26:28,888 THAT'S A FACT. 533 00:26:28,921 --> 00:26:31,758 I'VE BEEN CARRYING IT THERE FOR MANY YEARS. 534 00:26:31,791 --> 00:26:33,826 WHAT DO YOU NEED TO KNOW? 535 00:26:33,860 --> 00:26:36,128 I NEED TO KNOW IF... 536 00:26:36,162 --> 00:26:39,298 CAN I KEEP THIS MURDER IN MY HEART, 537 00:26:39,331 --> 00:26:45,204 OR WILL IT GET OUT WHERE IT CAN DO SOME REAL HARM? 538 00:26:45,738 --> 00:26:47,707 LAST CARD. 539 00:26:47,740 --> 00:26:49,709 YOUR FUTURE. 540 00:26:49,742 --> 00:26:52,311 LET ME ASK YOU A QUESTION, TIMO, 541 00:26:52,344 --> 00:26:53,880 ABOUT WHAT'S IN YOUR HEART. 542 00:26:53,913 --> 00:26:57,549 I TOLD YOU THERE IS NO SUCH THING AS A ONE WAY STREET. 543 00:26:57,583 --> 00:26:59,952 GO. ASK. 544 00:26:59,986 --> 00:27:02,655 DO YOU HAVE WILLA'S BEST INTERESTS AT HEART? 545 00:27:02,689 --> 00:27:04,523 YES. DO YOU? 546 00:27:04,556 --> 00:27:06,158 YES. 547 00:27:06,192 --> 00:27:07,126 YOU'RE JUST HER BOSS. 548 00:27:07,159 --> 00:27:10,429 - I'M HER BENEFACTOR. - AND I'M HER FAMILY. 549 00:27:10,462 --> 00:27:15,201 WHICH IS WHY IF WILLA WANTS ME TO DO SOMETHING FOR YOU, I'LL DO IT. 550 00:27:15,234 --> 00:27:19,105 THAT'S WHAT FAMILY DOES. 551 00:27:20,272 --> 00:27:22,809 WHAT ELSE DO YOU SEE? 552 00:27:29,816 --> 00:27:32,985 YOU WORRY ABOUT YOUR DAUGHTER. 553 00:27:33,019 --> 00:27:35,554 YOU WORRY THAT YOU WAITED UNTIL AFTER SHE DIED 554 00:27:35,587 --> 00:27:37,690 TO BECOME... 555 00:27:37,724 --> 00:27:39,158 BETTER. 556 00:27:39,191 --> 00:27:43,262 YOUR HEART ACHES THAT SHE DIDN'T SEE THE MAN YOU BECAME, 557 00:27:43,295 --> 00:27:44,596 THE MAN YOU ARE NOW. 558 00:27:44,630 --> 00:27:50,169 SHE KNEW ONLY THE MAN YOU USED TO BE. 559 00:27:57,009 --> 00:27:59,511 I'LL HOLD ONTO THIS FOR ANOTHER DAY. 560 00:27:59,545 --> 00:28:01,080 BUT I THINK WE'RE DONE FOR NOW. 561 00:28:01,113 --> 00:28:03,850 YOU DON'T HAVE TO ASK ME TWICE. 562 00:28:13,292 --> 00:28:15,461 [SEAGULLS HONKING] 563 00:28:15,494 --> 00:28:18,530 Raul: THE ONLY REASON YOU'RE STILL ALIVE IS THE LIST. 564 00:28:18,564 --> 00:28:20,366 THAT'S WHY THEY'LL NEVER FIND IT. 565 00:28:20,399 --> 00:28:21,734 WHERE IS IT? 566 00:28:21,768 --> 00:28:24,236 HIDDEN IN THE COMPANY'S OWN HELLISH HEART, 567 00:28:24,270 --> 00:28:27,473 WHERE THEY'LL NEVER THINK TO LOOK. 568 00:28:27,506 --> 00:28:28,707 I DON'T UNDERSTAND. 569 00:28:28,741 --> 00:28:29,909 I WAS WRONG. 570 00:28:29,942 --> 00:28:31,310 THE MATONES WEREN'T LEANING ON YOUR HUSBAND 571 00:28:31,343 --> 00:28:32,444 TO STEAL CHEMICALS. 572 00:28:32,478 --> 00:28:35,514 EVERGLADES PETRO-CHEMICAL WAS LEANING ON YOUR HUSBAND 573 00:28:35,547 --> 00:28:36,315 TO KEEP HIS MOUTH SHUT. 574 00:28:36,348 --> 00:28:38,417 SO, WHAT, HE'S LIKE A STOOL PIGEON? 575 00:28:38,450 --> 00:28:39,585 SHUT UP! YOU SHUT UP! 576 00:28:39,618 --> 00:28:40,753 ADINA! 577 00:28:40,787 --> 00:28:43,189 WHY DOES EVERYBODY WANT TO MAKE MY PAPA BAD? 578 00:28:43,222 --> 00:28:43,956 NOT BAD. GOOD. 579 00:28:43,990 --> 00:28:45,324 I THINK HE'S A WHISTLE-BLOWER, 580 00:28:45,357 --> 00:28:47,559 COMPLETELY DIFFERENT THAN A STOOL PIGEON. 581 00:28:47,593 --> 00:28:50,096 WHAT? IT'S EXACTLY THE SAME THING! 582 00:28:53,565 --> 00:28:54,767 ADINA, APOLOGIZE! 583 00:28:54,801 --> 00:28:56,936 NO. SHE CALLED MY FATHER A SNITCH. 584 00:28:56,969 --> 00:28:59,705 I'M SORRY. SHE'S JUST VERY UPSET. 585 00:28:59,738 --> 00:29:02,775 NO, IT'S ALL RIGHT. WILLA NEEDS A GOOD SLAP EVERY ONCE IN A WHILE 586 00:29:02,809 --> 00:29:04,610 AND IT'S AGAINST THE LAW FOR ME TO DO IT. 587 00:29:04,643 --> 00:29:06,779 HOW WILL THIS HELP YOU FIND MY HUSBAND? 588 00:29:06,813 --> 00:29:08,347 I DIDN'T SIGN ON TO FIND YOUR HUSBAND. 589 00:29:08,380 --> 00:29:10,282 I SIGNED ON TO FIND THE CONVERSATION. I'M DONE. 590 00:29:10,316 --> 00:29:12,451 WHAT COULD CARLOS HAVE KNOWN THAT WOULD THREATEN THESE PEOPLE? 591 00:29:12,484 --> 00:29:15,654 HE KEEPS THE BOILER WORKING. HE'S JUST A WORKER. 592 00:29:15,687 --> 00:29:18,690 WALTER, ARE YOU SERIOUS? WE'RE DONE? 593 00:29:18,724 --> 00:29:21,060 THE BIG MAN SAID YOU'D FIND MY FATHER. 594 00:29:21,093 --> 00:29:22,394 LEO PROMISED YOU THAT? 595 00:29:22,428 --> 00:29:23,362 YES! 596 00:29:26,165 --> 00:29:30,002 [EXPLOSION] 597 00:29:37,509 --> 00:29:39,846 ARE YOU GUYS OK? 598 00:29:46,685 --> 00:29:50,022 HOW IS IT GOOD NEWS THAT THEIR MOTEL ROOM GOT BLOWN UP? 599 00:29:50,056 --> 00:29:51,958 IT WASN'T A REALLY NICE ROOM. 600 00:29:51,991 --> 00:29:53,860 NOW THEY CAN STAY AT ONE OF YOUR EXCELLENT TRAILERS. 601 00:29:53,893 --> 00:29:55,027 I'M SERIOUS, WALTER. 602 00:29:55,061 --> 00:29:56,996 IT'S A WARNING, LEO. 603 00:29:57,029 --> 00:29:59,665 THE COMPANY WANTS TO SHOW CARLOS THEY MEAN BUSINESS. 604 00:29:59,698 --> 00:30:01,500 YOU THINK CARLOS IS STILL ALIVE? 605 00:30:01,533 --> 00:30:04,236 YEP. AND SO DOES THE COMPANY. 606 00:30:04,270 --> 00:30:06,172 THAT'S WHAT YOU WANT, RIGHT? 607 00:30:06,205 --> 00:30:08,374 CARLOS BACK TOGETHER WITH HIS FAMILY? 608 00:30:08,407 --> 00:30:10,742 WHAT DO YOU CARE? YOU FOUND THE CONVERSATION. YOU'RE DONE. 609 00:30:10,776 --> 00:30:12,711 YES, I AM. 610 00:30:12,744 --> 00:30:14,213 EXCEPT NOW I'M GOING TO GO GET BACK 611 00:30:14,246 --> 00:30:16,315 WHATEVER CARLOS HID FROM THE COMPANY. 612 00:30:16,348 --> 00:30:17,116 HID WHERE? 613 00:30:17,149 --> 00:30:18,217 CARLOS TOLD US HIMSELF-- 614 00:30:18,250 --> 00:30:20,219 IN THE COMPANY'S "OWN HELLISH HEART." 615 00:30:20,252 --> 00:30:22,889 ONCE YOU HAVE WHATEVER IT IS, 616 00:30:22,922 --> 00:30:24,190 YOU CAN USE THAT AS LEVERAGE 617 00:30:24,223 --> 00:30:25,958 TO GET THE ABREU FAMILY BACK TOGETHER. 618 00:30:25,992 --> 00:30:27,359 THAT'S WHAT YOU PROMISED THAT LITTLE GIRL. 619 00:30:27,393 --> 00:30:29,095 YOU WANT TO KEEP THAT PROMISE, RIGHT? 620 00:30:29,128 --> 00:30:30,863 WHY DO YOU KEEP ASKING ME WHAT I WANT? 621 00:30:30,897 --> 00:30:34,066 'CAUSE YOU'RE A MAN WHO KEEPS HIS PROMISES. 622 00:30:34,100 --> 00:30:35,234 I'D LIKE TO HELP YOU DO THAT. 623 00:30:35,267 --> 00:30:38,137 JUST, UH, CONSIDER IT A BIRTHDAY PRESENT. 624 00:30:38,170 --> 00:30:40,539 IT'S NOT MY BIRTHDAY. 625 00:30:40,572 --> 00:30:43,042 IT'S ELLIE'S BIRTHDAY. 626 00:30:43,075 --> 00:30:46,278 THANK YOU, WALTER. 627 00:30:46,312 --> 00:30:47,546 BUDDY, YOU SPEND ALL YOUR TIME LIFEGUARDING ME 628 00:30:47,579 --> 00:30:50,516 'CAUSE I'M NUTS. THE LEAST I CAN DO IS RETURN THE FAVOR 629 00:30:50,549 --> 00:30:52,251 WHEN YOU'RE DR. DEMENTO. 630 00:30:52,284 --> 00:30:55,787 YOU NEED HELP? 631 00:30:55,821 --> 00:30:59,625 WHEN THE FALCON HUNTS, DOES HE NEED HELP? 632 00:30:59,658 --> 00:31:01,527 I DON'T KNOW HOW TO ANSWER THAT. 633 00:31:01,560 --> 00:31:05,597 WELL, HE'S A FALCON. HE DOESN'T NEED HELP. 634 00:31:05,631 --> 00:31:07,433 SHOULDN'T YOU AT LEAST CALL AGENT MCHOTTIE FOR BACK UP? 635 00:31:07,466 --> 00:31:11,270 NAH, I'M ABOUT TO BREAK THE LAW, LEO. 636 00:31:11,303 --> 00:31:15,507 FBI AGENTS GET ALL HUFFY ON THE SUBJECT. 637 00:31:16,275 --> 00:31:17,576 [mouths word] FALCON... 638 00:31:24,850 --> 00:31:26,818 25 KILOVOLTS. 639 00:31:26,852 --> 00:31:29,521 THAT'LL RUIN YOUR HAIRDO. 640 00:31:29,555 --> 00:31:32,491 1, 2, 3. 641 00:31:41,233 --> 00:31:44,670 1, 2, 3. 642 00:31:44,703 --> 00:31:48,574 1, 2, 3. 643 00:31:48,607 --> 00:31:52,278 1, 2, 3. 644 00:31:52,311 --> 00:31:55,614 1, 2, 3. 645 00:31:59,851 --> 00:32:02,288 IT WORKED. 646 00:34:15,154 --> 00:34:16,922 WELL, HI! 647 00:34:16,955 --> 00:34:18,390 WELL, LOOK AT YOU. 648 00:34:18,424 --> 00:34:20,459 I'M NOT COMING THROUGH HERE IF YOU'RE GOING TO ARREST ME. 649 00:34:20,492 --> 00:34:24,363 YOU'RE SAFE. TRESPASSING IS NOT PART OF MY JURISDICTION. 650 00:34:24,396 --> 00:34:27,133 WELL, IN THAT CASE... 651 00:34:27,166 --> 00:34:29,501 IS THAT RED? NO. 652 00:34:29,535 --> 00:34:32,671 WELL, THEN YOU WILL BE INTERESTED TO KNOW... 653 00:34:32,704 --> 00:34:34,173 WHEW! 654 00:34:34,206 --> 00:34:38,444 THAT NONE OF THIS HAS ANYTHING TO DO WITH GANGS. 655 00:34:38,477 --> 00:34:42,881 AND YOU'RE NOT AN FBI AGENT. MAN! 656 00:34:42,914 --> 00:34:43,682 WHAT? 657 00:34:43,715 --> 00:34:44,916 THIS IS EMBARRASSING. 658 00:34:44,950 --> 00:34:46,952 USUALLY, I'M A COUPLE OF STEPS AHEAD IN THINGS LIKE THIS. 659 00:34:46,985 --> 00:34:51,557 I GUESS--WELL, I GUESS FINDER JR. WAS DOING THE THINKING ON THIS ONE. 660 00:34:51,590 --> 00:34:53,825 WOW... 661 00:34:53,859 --> 00:34:55,627 HOW'D YOU KNOW, WALTER? 662 00:34:55,661 --> 00:34:57,363 IT'S THE EARRINGS. 663 00:34:57,396 --> 00:34:58,997 NO FBI AGENT'S GOING TO WEAR BEAUTIFUL, 664 00:34:59,030 --> 00:35:00,632 SEXY, DANGLY EARRINGS LIKE THAT. 665 00:35:00,666 --> 00:35:03,569 FOR YOUR INFORMATION, I WORE THESE EXACT SAME EARRINGS 666 00:35:03,602 --> 00:35:05,171 WHEN I ACTUALLY WAS AN AGENT. 667 00:35:05,204 --> 00:35:07,373 SOMETHING TELLS ME THAT'S NOT WHY YOU GOT FIRED. 668 00:35:07,406 --> 00:35:09,308 THIS CAN GO ONE OF TWO WAYS. 669 00:35:09,341 --> 00:35:11,443 YOU'RE GOING TO GIVE ME THAT LIST, AND I'LL LET YOU GO. 670 00:35:11,477 --> 00:35:12,678 YOU DON'T, I'LL SHOOT YOU 671 00:35:12,711 --> 00:35:14,513 FOR BREAKING INTO A HIGHLY RESTRICTED AREA. 672 00:35:14,546 --> 00:35:17,383 YOU'RE WORKING FOR EVERGLADES PETRO-CHEMICAL. 673 00:35:17,416 --> 00:35:19,050 GIVE IT TO ME, WALTER. 674 00:35:19,084 --> 00:35:20,619 EH... 675 00:35:20,652 --> 00:35:23,555 HONESTLY, I'M JUST AS HAPPY SHOOTING YOU. 676 00:35:23,589 --> 00:35:25,924 THAT'S WHY I GOT CANNED BY THE F.B.I. 677 00:35:25,957 --> 00:35:28,560 THERE'S A SURPRISE. 678 00:35:31,763 --> 00:35:34,766 FOR GOD SAKE... 679 00:35:34,800 --> 00:35:37,303 WALTER-- 680 00:35:45,577 --> 00:35:47,246 WOW. 681 00:35:51,883 --> 00:35:53,419 TIMING IS EVERYTHING. 682 00:36:00,125 --> 00:36:01,393 IT'S BEEN REAL. 683 00:36:10,536 --> 00:36:13,805 WALTER, ARE YOU SURE MCHOTTIE WAS ALIVE WHEN YOU LEFT HER? 684 00:36:13,839 --> 00:36:15,574 YEAH. 685 00:36:15,607 --> 00:36:18,710 SHE MAY NEED A PACEMAKER FOR THE REST OF HER LIFE. 686 00:36:18,744 --> 00:36:20,979 YOU SURE YOU DON'T WANT ME TO GO WITH YOU? 687 00:36:21,012 --> 00:36:23,982 I DO THIS PART BETTER ALONE. 688 00:36:24,015 --> 00:36:26,017 ARE YOU TAKING A GUN? 689 00:36:26,051 --> 00:36:28,119 WALTER, I'M FINE. 690 00:36:28,153 --> 00:36:30,088 YOU DID WHAT YOU DO. NOW I'LL DO WHAT I DO. 691 00:36:30,121 --> 00:36:33,024 AND CARLOS ABREU CAN GO HOME TO BE WITH HIS FAMILY. 692 00:36:33,058 --> 00:36:34,560 THAT'S WHAT WE ALL WANT, RIGHT? 693 00:36:34,593 --> 00:36:37,195 IT SURE AS HELL IS WHAT YOU WANT. 694 00:36:38,797 --> 00:36:42,368 ACCORDING TO TIMO, THIS IS MY FUTURE. 695 00:36:45,737 --> 00:36:47,273 JUSTICE? 696 00:36:49,341 --> 00:36:51,910 THIS DOES NOT REASSURE ME IN ANY WAY. 697 00:36:51,943 --> 00:36:54,045 EVERY TIME BATMAN GOES LOOKING FOR JUSTICE, 698 00:36:54,079 --> 00:36:55,914 HE KILLS HUNDREDS OF PEOPLE. 699 00:37:08,159 --> 00:37:12,063 WE'LL HAVE TO MEET WITH THEM TO DISCUSS THE DETAILS. 700 00:37:12,097 --> 00:37:15,901 MR. ANDERSON, MY NAME IS LEO KNOX. 701 00:37:15,934 --> 00:37:17,936 I REPRESENT CARLOS ABREU. 702 00:37:20,639 --> 00:37:22,441 - GIVE US A FEW MINUTES. - SURE. 703 00:37:24,109 --> 00:37:26,244 WHAT CAN I DO FOR YOU, MR. KNOX? 704 00:37:26,278 --> 00:37:28,514 I HAVE IN MY POSSESSION A DOCUMENT 705 00:37:28,547 --> 00:37:30,549 LISTING A NUMBER OF TOXIC CHEMICALS 706 00:37:30,582 --> 00:37:32,984 WHICH WERE BURNED IN ONE OF YOUR INCINERATORS. 707 00:37:33,018 --> 00:37:34,920 I REFER ALL NUISANCE SUITS 708 00:37:34,953 --> 00:37:36,655 TO OUR GENERAL COUNSEL. 709 00:37:36,688 --> 00:37:38,790 MY CLIENT BROUGHT THIS LIST TO YOUR ATTENTION. 710 00:37:38,824 --> 00:37:40,659 YOU TRIED AND FAILED TO BRIBE HIM. 711 00:37:40,692 --> 00:37:43,329 WHEN RAUL VALERIO FAILED AS YOUR INTERMEDIARY, 712 00:37:43,362 --> 00:37:45,431 YOU HAD HIM KILLED. 713 00:37:45,464 --> 00:37:47,566 WELL, LET'S BREAK THIS DOWN, SHALL WE, MR. KNOX? 714 00:37:47,599 --> 00:37:51,603 FIRST, I DIDN'T HAVE ANYBODY BRIBED, KILLED, OR BLOWN UP. 715 00:37:51,637 --> 00:37:53,271 IF INDEED THAT DID HAPPEN, 716 00:37:53,305 --> 00:37:56,475 THAT WAS DUE TO THE ACTION OF A MENTALLY UNHINGED SECURITY CHIEF. 717 00:37:56,508 --> 00:37:58,977 SO SHALL WE CUT DIRECTLY TO WHY IT IS YOU ARE HERE? 718 00:37:59,010 --> 00:38:01,447 ARE YOU OFFERING ME MONETARY COMPENSATION? 719 00:38:01,480 --> 00:38:04,450 HOW MUCH? I'M A BUSY MAN. 720 00:38:04,483 --> 00:38:07,218 IT'S GOING TO TOTAL ABOUT $100 MILLION. 721 00:38:07,252 --> 00:38:09,855 YOU'RE DELUSIONAL. 722 00:38:09,888 --> 00:38:11,757 YOU ARE GOING TO ANNOUNCE TONIGHT 723 00:38:11,790 --> 00:38:14,393 THE INADVERTENT INCINERATION OF THOSE TOXIC CHEMICALS. 724 00:38:14,426 --> 00:38:18,597 THEN YOU'RE GOING TO ANNOUNCE A SERIES OF DONATIONS TO THESE CHARITIES. 725 00:38:18,630 --> 00:38:21,867 YOU'RE GOING TO BE AN ANGEL, SIR, A HERO. 726 00:38:21,900 --> 00:38:24,403 YOU'RE GOING TO DO THE RIGHT THING. 727 00:38:24,436 --> 00:38:27,038 AND WHAT IF I DON'T ACCEPT? 728 00:38:27,072 --> 00:38:30,241 I KNOW HOW YOU CAME TO MAKE THE POOR CHOICES YOU MADE. 729 00:38:30,275 --> 00:38:34,480 HMM. DO YOU? REALLY, MR. KNOX? 730 00:38:34,513 --> 00:38:36,848 SOMEWHERE YOU HAVE AN INTERNAL REPORT 731 00:38:36,882 --> 00:38:39,184 THAT SAYS LOSSES ARE ACCEPTABLE. 732 00:38:39,217 --> 00:38:40,986 YOU WERE WRONG TO BELIEVE THAT. 733 00:38:41,019 --> 00:38:44,956 SO WAS THE MAN WHO THREW AWAY THE LIFE OF MY WIFE AND MY DAUGHTER. 734 00:38:46,592 --> 00:38:48,727 AND WHAT HAPPENS IF I DON'T DO WHAT YOU ASK? 735 00:38:48,760 --> 00:38:52,431 THAT LIST WILL BECOME THE BASIS OF A CLASS ACTION LAWSUIT 736 00:38:52,464 --> 00:38:54,032 WHICH WILL BANKRUPT YOUR COMPANY. 737 00:38:55,567 --> 00:39:00,439 OR, IF THE CARDS HAD TURNED UP A LITTLE BIT DIFFERENT, 738 00:39:00,472 --> 00:39:04,510 I JUST MIGHT HAVE TO KILL YOU. 739 00:39:07,045 --> 00:39:08,780 AH! 740 00:39:08,814 --> 00:39:12,584 THAT'S FOR OFFERING ME MONEY. 741 00:39:17,789 --> 00:39:19,958 [SNORING] 742 00:39:27,198 --> 00:39:28,233 IS THIS FOR ME? 743 00:39:28,266 --> 00:39:29,568 YES. 744 00:39:29,601 --> 00:39:31,937 SOMETHING SPECIAL FOR WHEN YOU SEE YOUR FATHER. 745 00:39:31,970 --> 00:39:33,772 IF THAT'S ALL RIGHT. 746 00:39:33,805 --> 00:39:35,306 WHY? 747 00:39:35,340 --> 00:39:39,511 BECAUSE TODAY WOULD HAVE BEEN MY DAUGHTER ELLIE'S BIRTHDAY. 748 00:39:39,545 --> 00:39:42,481 WHAT HAPPENED TO HER? 749 00:39:45,584 --> 00:39:49,721 SHE WAS TAKEN AWAY FROM ME TOO SOON. 750 00:39:49,755 --> 00:39:53,158 BUT IT MAKES ME FEEL GOOD TO GIVE ANOTHER LITTLE GIRL 751 00:39:53,191 --> 00:39:54,760 A PRESENT ON ELLIE'S BIRTHDAY. 752 00:39:54,793 --> 00:39:56,762 WHY DON'T YOU GIVE IT TO HER? 753 00:39:56,795 --> 00:39:57,663 ADINA! 754 00:39:57,696 --> 00:39:59,565 SORRY. 755 00:39:59,598 --> 00:40:02,568 BECAUSE I GOT IT FOR A GIRL YOUR AGE. 756 00:40:15,981 --> 00:40:17,583 IT'S VERY PRETTY. 757 00:40:29,227 --> 00:40:32,063 THANK YOU! 758 00:40:32,097 --> 00:40:35,333 YOU'RE WELCOME. 759 00:40:35,366 --> 00:40:37,035 PAPA! 760 00:41:05,931 --> 00:41:08,033 EVERGLADES PETRO-CHEMICAL ANNOUNCES 761 00:41:08,066 --> 00:41:09,935 ALL THESE ENVIRONMENTAL INITIATIVES, 762 00:41:09,968 --> 00:41:11,570 PUBLICLY THANKS CARLOS ABREU... 763 00:41:11,603 --> 00:41:16,307 SOMETIMES PEOPLE DO THE RIGHT THING. 764 00:41:16,341 --> 00:41:17,909 YOU SCARED THAT GUY, RIGHT? 765 00:41:17,943 --> 00:41:21,379 LIKE "ANGEL OF DEATH" SCARED HIM? 766 00:41:21,412 --> 00:41:24,249 I'M NOT ALWAYS PROUD OF MY BEHAVIOR. 767 00:41:24,282 --> 00:41:25,517 YEAH, WELL, YOU DIDN'T KILL HIM. 768 00:41:25,551 --> 00:41:28,854 YOU SHOULD BE PROUD OF THAT. 769 00:41:33,458 --> 00:41:36,127 HAPPY BIRTHDAY TO ELLIE. 770 00:41:52,678 --> 00:41:55,013 HAPPY BIRTHDAY, BABY. 771 00:41:55,046 --> 00:41:58,950 [MUSIC PLAYING] 772 00:42:38,724 --> 00:42:40,158 WHAT'S THAT MEAN?