1 00:00:02,263 --> 00:00:04,047 Woman: I'VE BEEN AN ART HISTORIAN 2 00:00:04,091 --> 00:00:05,483 AND AUTHENTICATOR FOR 20 YEARS. 3 00:00:05,527 --> 00:00:07,442 AND I STILL FIND IT SHOCKING HOW FEW SERIOUS COLLECTORS 4 00:00:07,485 --> 00:00:10,140 WANT TO BE TOLD WHEN A PIECE OF ART IS A FORGERY. 5 00:00:10,184 --> 00:00:11,272 WHAT DO YOU WANT ME TO FIND? 6 00:00:11,315 --> 00:00:13,491 LET THE WOMAN WORK HER WAY TO IT, WALTER. 7 00:00:13,535 --> 00:00:15,972 THE HARSH FACT IS THAT NOBODY BENEFITS WHEN A FORGERY IS EXPOSED. 8 00:00:16,016 --> 00:00:19,845 I WOULDN'T WANT TO PAY REAL MONEY FOR A FAKE REMBRANDT. 9 00:00:19,889 --> 00:00:21,586 REMBRANDT TO ME IS TOO GLOWY. 10 00:00:21,630 --> 00:00:23,980 ADD THAT TO THE FACT THAT THE SELLER IS EXPOSED 11 00:00:24,024 --> 00:00:25,503 AS EITHER A PATSY OR A CROOK, 12 00:00:25,547 --> 00:00:28,463 AND THE REPUTATION OF THE AUTHENTICATOR IS RUINED. 13 00:00:28,506 --> 00:00:30,030 WHICH BRINGS US TO YOU. 14 00:00:30,073 --> 00:00:32,554 EXACTLY. 15 00:00:32,597 --> 00:00:34,599 SO WHAT HAVE WE LEARNED ON THE SHOW TONIGHT, CRAIG? 16 00:00:34,643 --> 00:00:38,125 THE ART WORLD IS FULL OF FOOLS, THIEVES, AND INCOMPETENTS. 17 00:00:38,168 --> 00:00:40,344 WHAT DO YOU WANT ME TO FIND? 18 00:00:43,043 --> 00:00:45,088 YOU MAY RECOGNIZE THIS. 19 00:00:45,132 --> 00:00:46,655 LOOKS LIKE WINSLOW HOMER. 20 00:00:46,698 --> 00:00:48,004 I FOUND IT FOR YOU 4 YEARS AGO. 21 00:00:48,048 --> 00:00:50,702 BEFORE MY TIME. BUT I REMEMBER WHEN IT SURFACED. 22 00:00:50,746 --> 00:00:51,877 YES. THERE WAS QUITE A SPLASH 23 00:00:51,921 --> 00:00:54,402 WHEN IT WAS AUTHENTICATED AS A HITHERTO 24 00:00:54,445 --> 00:00:56,230 UNKNOWN ORIGINAL WINSLOW HOMER. 25 00:00:56,273 --> 00:00:57,535 WE ONLY HAD IT 2 MONTHS BEFORE IT WAS STOLEN. 26 00:00:57,579 --> 00:00:59,189 I GOT IT BACK FOR HER. 27 00:00:59,233 --> 00:01:01,974 AS I SAID, EXPOSING A COUNTERFEIT'S NOT GOOD FOR ANYBODY, 28 00:01:02,018 --> 00:01:06,544 INCLUDING THE PERSON WHO FOUND IT FOR US AFTER IT WAS STOLEN. 29 00:01:07,676 --> 00:01:08,981 WALTER FOUND YOU A FAKE? 30 00:01:09,025 --> 00:01:11,288 THE LATEST DIGITAL WAVELET DECOMPOSITION TECHNIQUES 31 00:01:11,332 --> 00:01:13,986 PROVE THAT THIS WAS NOT PAINTED BY WINSLOW HOMER. 32 00:01:14,030 --> 00:01:15,597 WELL, IF A FAKE IS WHAT I FOUND, 33 00:01:15,640 --> 00:01:17,773 THEN I DID NOT FIND WHAT YOU HAD ASKED ME TO FIND. 34 00:01:17,816 --> 00:01:20,558 I ASSUME YOU'RE HOLDING WALTER LEGALLY LIABLE? 35 00:01:20,602 --> 00:01:22,125 THE MUSEUM BOARD OF TRUSTEES HAS DIRECTED ME 36 00:01:22,169 --> 00:01:26,042 TO ASK FOR A REFUND, 85% OF THE FINDER'S FEE. 37 00:01:26,086 --> 00:01:27,957 THE FINE PRINT IN THE WALTER SHERMAN GUARANTEE STATES 38 00:01:28,000 --> 00:01:31,613 THAT IF I DON'T FIND WHAT I'M LOOKING FOR, I RETURN THE WHOLE FEE. 39 00:01:31,656 --> 00:01:34,616 I ALWAYS FIND WHAT I'M LOOKING FOR. 40 00:01:34,659 --> 00:01:36,574 THAT'S MY CALLING. 41 00:01:36,618 --> 00:01:39,621 THE BOARD OF TRUSTEES WILL BE VERY PLEASED. 42 00:01:39,664 --> 00:01:41,579 HE'S NOT OFFERING TO RETURN THE FINDER'S FEE. 43 00:01:41,623 --> 00:01:43,842 HE'S GOING TO FIND THE ORIGINAL PAINTING. 44 00:01:43,886 --> 00:01:45,279 UM, THAT'S LIKELY TO BE-- 45 00:01:45,322 --> 00:01:48,195 I'M NOT GOING TO SAY "IMPOSSIBLE"-- BUT UNACHIEVABLE. 46 00:01:51,067 --> 00:01:52,547 Walter: DON'T WORRY. I'LL FIND THE ORIGINAL. 47 00:01:52,590 --> 00:01:54,331 4 YEARS IS A VERY COLD TRAIL. 48 00:01:54,375 --> 00:01:55,680 WHERE WILL YOU EVEN START? 49 00:01:55,724 --> 00:01:58,118 Walter: LANGSTON? 50 00:02:00,163 --> 00:02:01,556 HI-YA, WALT. 51 00:02:04,472 --> 00:02:07,214 AH. [GRUNTS] 52 00:02:07,257 --> 00:02:08,867 I'M LEO KNOX. I OWN THIS BAR. 53 00:02:08,911 --> 00:02:10,913 LANGSTON SHERMAN, WALTER'S BROTHER. 54 00:02:10,956 --> 00:02:12,741 THE MUSICIAN? GLAD TO MEET YOU. 55 00:02:12,784 --> 00:02:16,005 HE'S SUPPOSED TO BE OVER IN HOLLAND TEACHING TRADITIONAL AMERICAN MUSIC 56 00:02:16,048 --> 00:02:18,790 TO A BUNCH OF TULIP GROWERS IN WOODEN SHOES. 57 00:02:18,834 --> 00:02:23,055 OK. NOW, LET'S SEE. ART HEIST. 4 YEARS AGO. 58 00:02:23,099 --> 00:02:27,451 LISTEN, WALTER, I CAME BACK BECAUSE DAD'S DYING. 59 00:02:29,932 --> 00:02:32,587 WHAT? 60 00:02:32,630 --> 00:02:34,502 WHEN DID THIS HAPPEN? 61 00:02:34,545 --> 00:02:37,418 CONGESTIVE HEART FAILURE AND HIS LUNGS ARE LIKE 2 WET BAGS OF GROCERIES. 62 00:02:37,461 --> 00:02:40,508 I TOLD HIM I'D BRING YOU. 63 00:02:40,551 --> 00:02:43,424 LOOK, YOU DON'T NEED TO BRING ME. I KNOW WHERE DAD LIVES. 64 00:02:43,467 --> 00:02:45,165 HE'S MOVED INTO A HOSPICE. 65 00:02:45,208 --> 00:02:46,949 WALTER, I TOLD DAD THAT I WAS GOING TO BRING YOU, 66 00:02:46,992 --> 00:02:48,342 SO I'M GONNA BRING YOU. 67 00:02:48,385 --> 00:02:50,605 LEO, THE FIRST THING WE NEED TO DO ON THIS PAINTING 68 00:02:50,648 --> 00:02:51,519 IS TO GET ISABEL TO SCOOP UP 69 00:02:51,562 --> 00:02:53,564 JASON STEFANIAN'S F.B.I. FILE. 70 00:02:53,608 --> 00:02:54,652 DID YOU HEAR ME, WALTER? 71 00:02:54,696 --> 00:02:57,351 YEAH, OF COURSE. LEO, DID YOU HEAR ME? 72 00:02:57,394 --> 00:02:59,135 WHO'S JASON STEFANIAN? 73 00:02:59,179 --> 00:03:01,268 HE'S THE ART THIEF WHO STOLE THE WINSLOW HOMER PAINTING 74 00:03:01,311 --> 00:03:03,095 BEFORE I STOLE IT BACK. 75 00:03:03,139 --> 00:03:05,315 WHAT ABOUT YOUR DAD? 76 00:03:13,628 --> 00:03:14,759 FINE. I'LL DRIVE. 77 00:03:14,803 --> 00:03:16,457 YOU'LL TALK TO STEFANIAN? 78 00:03:16,500 --> 00:03:18,546 YOU MADE THE RIGHT CHOICE. 79 00:03:18,589 --> 00:03:21,157 WALTER FEARS MY FISTS OF STONE. 80 00:03:21,201 --> 00:03:23,638 YEAH, RIGHT. YOU'RE MY OLDER BROTHER. 81 00:03:23,681 --> 00:03:27,468 I DO WHAT YOU ASK. 82 00:03:35,867 --> 00:03:39,131 WELL, I'LL BE DAMNED. YOU CAME. 83 00:03:42,961 --> 00:03:45,268 HE TOLD ME YOU WERE DYING. 84 00:03:45,312 --> 00:03:46,965 I GOT A LITTLE TIME. 85 00:03:47,009 --> 00:03:49,272 2 OR 3 DAYS. 86 00:03:49,316 --> 00:03:52,057 [COUGHS] 87 00:03:52,101 --> 00:03:55,974 POINT IS, UH... 88 00:03:56,018 --> 00:03:57,933 I GOT A FAVOR 89 00:03:57,976 --> 00:04:01,458 NEEDS DOIN' BEFORE I CROAK. 90 00:04:01,502 --> 00:04:04,244 DONE. I FORGIVE YOU. 91 00:04:04,940 --> 00:04:06,768 FORGIVE ME? FOR WHAT? 92 00:04:06,811 --> 00:04:07,943 FOR TRYING TO GET ME COMMITTED 93 00:04:07,986 --> 00:04:09,988 AFTER I GOT BLOWN TO SMITHEREENS IN IRAQ. 94 00:04:10,032 --> 00:04:11,294 I DID WHAT I THOUGHT WAS BEST. 95 00:04:11,338 --> 00:04:12,687 Langston: GOOD INTENTIONS, WALTER. 96 00:04:12,730 --> 00:04:13,992 GOOD INTENTIONS. 97 00:04:14,036 --> 00:04:15,298 THE ROAD TO HELL... 98 00:04:15,342 --> 00:04:18,562 AND TO THE LOONY BIN IS PAVED WITH GOOD INTENTIONS. 99 00:04:18,606 --> 00:04:20,347 MAYBE I JUST WANTED MY SON BACK. 100 00:04:20,390 --> 00:04:21,783 BECAUSE HE LOVES YOU SO MUCH. 101 00:04:21,826 --> 00:04:25,917 LANGSTON, ME AND DAD DON'T NEED A DIPLOMAT, ALL RIGHT? 102 00:04:25,961 --> 00:04:27,745 I'M SORRY, DAD. 103 00:04:27,789 --> 00:04:32,359 DON'T GO EGGSHELLS ON ME, LANGSTON. [COUGHS] 104 00:04:32,402 --> 00:04:37,059 LANGSTON TELLS ME YOU'RE GOOD AT FINDING THINGS. 105 00:04:40,149 --> 00:04:42,107 DO YOU WANT ME TO FIND SOMETHING? 106 00:04:42,151 --> 00:04:43,544 SOMEONE. 107 00:04:43,587 --> 00:04:45,285 OUR MOTHER. 108 00:04:46,590 --> 00:04:48,070 MOM? 109 00:04:48,113 --> 00:04:50,377 NOPE. I'M NOT FINDING MOM. 110 00:04:50,420 --> 00:04:52,379 WALT, IT'S HIS DYING WISH. 111 00:04:52,422 --> 00:04:56,861 YEAH. SORRY. I'VE ALREADY GOT A PREVIOUS COMMITMENT TO FIND A STOLEN PAINTING. 112 00:04:56,905 --> 00:04:59,299 PLUS, WHAT DO YOU EVEN WANT TO SEE MOM FOR? 113 00:04:59,342 --> 00:05:01,301 SHE DRANK AND DUMPED US FOR A RICH GUY. 114 00:05:01,344 --> 00:05:02,867 SHE DUMPED ME NOT YOU. 115 00:05:02,911 --> 00:05:05,479 - I ENDED UP WITH YOU. - THAT WAS YOUR CHOICE, WALTER. 116 00:05:05,522 --> 00:05:08,351 BECAUSE SHE DRANK AND DUMPED US FOR A RICH GUY. 117 00:05:08,395 --> 00:05:11,876 LOOK, YOUR MOTHER 118 00:05:11,920 --> 00:05:13,400 WAS THE LOVE OF MY LIFE. 119 00:05:15,445 --> 00:05:18,143 I WANT TO SAY GOOD-BYE. 120 00:05:23,627 --> 00:05:25,368 Walter: YOU KNOW, IT'S PRETTY SAD 121 00:05:25,412 --> 00:05:29,851 THAT WOMAN BEING THE LOVE OF YOUR LIFE. 122 00:05:29,894 --> 00:05:31,156 THAT, WE CAN AGREE ON. 123 00:05:33,158 --> 00:05:34,943 PITIFUL, HUH? 124 00:05:36,466 --> 00:05:38,468 BUT THERE YOU HAVE IT. 125 00:05:43,255 --> 00:05:45,649 YEAH. 126 00:05:59,446 --> 00:06:01,273 ♪ YEAH-HEY 127 00:06:20,815 --> 00:06:23,165 ♪ YEAH 128 00:06:32,914 --> 00:06:34,655 YOUR MOTHER'S IN WITNESS PROTECTION? 129 00:06:34,698 --> 00:06:36,744 YEP. HOW DID THIS HAPPEN? 130 00:06:36,787 --> 00:06:39,094 WELL, LANGSTON WAS A SOPHOMORE IN HIGH SCHOOL. 131 00:06:39,137 --> 00:06:41,096 I WAS A FRESHMAN. 132 00:06:41,139 --> 00:06:42,184 MOM MEETS THIS GUY, DRISCOL. 133 00:06:42,227 --> 00:06:43,751 A YEAR LATER, MOM AND DAD DIVORCE. 134 00:06:43,794 --> 00:06:47,842 DAD'S A DEPUTY SHERIFF UP IN GULF BREEZE NEAR PENSACOLA. 135 00:06:47,885 --> 00:06:49,496 I STAY WITH HIM. LANGSTON WENT WITH MY MOTHER. 136 00:06:49,539 --> 00:06:51,367 THE MOVED TO DALLAS, JOINED A CULT. 137 00:06:51,411 --> 00:06:54,065 HOW DID I NOT KNOW THAT YOUR MOTHER IS IN THE WITNESS PROTECTION PROGRAM? 138 00:06:54,109 --> 00:06:55,066 WHICH CULT? 139 00:06:55,110 --> 00:06:56,285 LUNAR TEMPLE. 140 00:06:56,328 --> 00:06:58,287 THE LOONEY TEMPLE? OH, THEY'RE BAD. 141 00:06:58,330 --> 00:06:59,810 MOM AND DRISCOL DIDN'T ACTUALLY JOIN. 142 00:06:59,854 --> 00:07:01,595 DRISCOL GOT HIRED AS A CONSULTANT. 143 00:07:01,638 --> 00:07:03,423 DRISCOL AND MOM TESTIFIED AGAINST THEM. 144 00:07:03,466 --> 00:07:05,425 LUNAR TEMPLE ISSUED A LUNAR FATWA. 145 00:07:05,468 --> 00:07:07,209 THEY KILL PEOPLE.BETTER BELIEVE IT. 146 00:07:07,252 --> 00:07:08,819 THOSE PEOPLE ARE DANGEROUS. 147 00:07:08,863 --> 00:07:09,994 WHAT ABOUT YOU AND YOUR BROTHER? 148 00:07:10,038 --> 00:07:11,518 OH, AT THIS POINT, LANGSTON WAS IN HIS 20S 149 00:07:11,561 --> 00:07:14,216 TOURING EUROPE WITH THIS PUNK METAL BAND, THE SEX ORGANS. 150 00:07:14,259 --> 00:07:16,044 AND I WAS IN THE ARMY. 151 00:07:16,087 --> 00:07:18,350 HEY, ISABEL, CAN YOU LOOK MY MOM UP FOR ME, 152 00:07:18,394 --> 00:07:21,484 TELL ME WHERE TO FIND HER SO I CAN CONCENTRATE ON FINDING THE HOMER. 153 00:07:21,528 --> 00:07:22,703 WHAT? 154 00:07:22,746 --> 00:07:25,140 WHO'S IN CHARGE OF WITNESS PROTECTION? 155 00:07:25,183 --> 00:07:26,968 THE U.S. MARSHALS, BUT-- 156 00:07:27,011 --> 00:07:28,752 DO WE KNOW ANY U.S. MARSHALLS? 157 00:07:28,796 --> 00:07:30,493 THAT'S NOT FAIR. 158 00:07:30,537 --> 00:07:31,929 4 YEARS BEHIND. 159 00:07:31,973 --> 00:07:33,191 WALTER, I CAN'T VIOLATE WITNESS PROTECTION. 160 00:07:33,235 --> 00:07:35,106 BESIDES, YOU COULD BE ENDANGERING YOUR MOTHER. 161 00:07:35,150 --> 00:07:38,849 I'M SURE THE LOONEY TEMPLE IS WATCHING YOUR FATHER. 162 00:07:38,893 --> 00:07:41,069 WELL, I TRIED. FORGET MY MOTHER. 163 00:07:41,112 --> 00:07:44,507 NOW, THE F.B.I. FILE SAYS STEFANIAN LIVES IN KEY LARGO. 164 00:07:44,551 --> 00:07:47,902 DON'T EVER SAY "FORGET YOUR MOTHER." WHAT'S WRONG WITH YOU? 165 00:07:47,945 --> 00:07:49,643 LEO, I TOLD YOU. 166 00:07:49,686 --> 00:07:52,733 THIS FORGERY'S IN MY BRAIN LIKE A WORM. 167 00:07:52,776 --> 00:07:54,735 LET'S GO. 168 00:07:58,042 --> 00:08:00,567 THE F.B.I.'S BEEN WATCHING STEFANIAN, 169 00:08:00,610 --> 00:08:01,959 WAITING FOR HIM TO STEAL AGAIN. 170 00:08:02,003 --> 00:08:04,745 I DON'T WANT TO TALK ABOUT STEFANIAN. 171 00:08:05,659 --> 00:08:07,661 YOU WANT TO TALK ABOUT MY FAMILY. 172 00:08:07,704 --> 00:08:10,490 WHAT HAPPENED BETWEEN YOU AND YOUR FATHER? 173 00:08:10,533 --> 00:08:14,711 OK. BEFORE I GOT BLOWN UP I WAS A DIFFERENT GUY. 174 00:08:14,755 --> 00:08:17,540 VERY SERIOUS, FOCUSED, NO SENSE OF HUMOR. 175 00:08:17,584 --> 00:08:20,935 MY DAD LOVED THAT WALTER BECAUSE I WAS JUST LIKE HIM. 176 00:08:20,978 --> 00:08:23,546 THE NEW WALTER? HE TRIED TO GET ME LOCKED UP. 177 00:08:23,590 --> 00:08:27,289 AND NOW YOUR FATHER HAS COME TO YOU IN HIS HOUR OF NEED. 178 00:08:27,332 --> 00:08:29,291 THAT MEANS SOMETHING. 179 00:08:29,334 --> 00:08:32,250 YOU WANT ME TO PUT THE PAINTING ON THE BACKBURNER? 180 00:08:32,294 --> 00:08:33,077 FIND MY MOM? 181 00:08:33,121 --> 00:08:34,296 YOUR DAD HASN'T GOT LONG. 182 00:08:34,339 --> 00:08:35,558 YOU BEEN TALKING TO LANGSTON BEHIND MY BACK. 183 00:08:35,602 --> 00:08:37,299 YES. AND THE DOCTOR. 184 00:08:37,342 --> 00:08:39,780 YOUR FATHER HAS CONGESTIVE HEART FAILURE AND PNEUMONIA. 185 00:08:39,823 --> 00:08:41,651 IT'S ONLY A MATTER OF DAYS. 186 00:08:41,695 --> 00:08:43,261 WILLA AND ISABEL AND ME, 187 00:08:43,305 --> 00:08:46,613 WE'RE WILLING TO DO ALL THE FOOTWORK FOR YOU ON THE PAINTING. 188 00:08:49,180 --> 00:08:50,312 TURN AROUND. 189 00:08:50,355 --> 00:08:51,531 YOU SHOULD SAY TURN AROUND. 190 00:08:51,574 --> 00:08:53,663 WELL, I DID.RIGHT. YOU SHOULD. 191 00:08:57,188 --> 00:09:00,235 NOW WE'RE LOOKING FOR A MEDIUM TO LARGE URBAN CENTER 192 00:09:00,278 --> 00:09:04,805 THAT DOESN'T HAVE A SIGNIFICANT LUNAR TEMPLE PRESENCE. 193 00:09:06,415 --> 00:09:08,199 NOW, THE MARSHAL'S GIVE YOU A NEW IDENTITY 194 00:09:08,243 --> 00:09:10,767 AND A JOB OUT OF STATE. SO NOTHING IN TEXAS. 195 00:09:10,811 --> 00:09:14,249 WAIT. HOW DO WE KNOW THEY DIDN'T MOVE YOUR MOM TO SOME FARM IN NEBRASKA? 196 00:09:14,292 --> 00:09:15,685 Leo: DRISCOL'S IN MARKETING. 197 00:09:15,729 --> 00:09:18,993 SO HE NEEDS A LARGE CITY IN ORDER TO MAKE A LIVING. 198 00:09:21,343 --> 00:09:23,214 I TOOK TIME OFF WORK TO HELP YOU FIND THE HOMER. 199 00:09:23,258 --> 00:09:26,435 I'M NOT PART OF THIS BALLOON POPPING HOO-HA. 200 00:09:26,478 --> 00:09:28,611 ALL RIGHT. NOW, THE MARSHAL'S WILL HIDE YOU IN A PLACE 201 00:09:28,655 --> 00:09:33,398 WHERE YOUR ACCENT WON'T MAKE YOU STAND OUT. 202 00:09:33,442 --> 00:09:36,227 AND NOTHING TOO CLOSE TO YOUR FAMILY. SO... 203 00:09:41,450 --> 00:09:42,146 WEATHER. 204 00:09:42,190 --> 00:09:43,800 NO COLD CITIES? 205 00:09:43,844 --> 00:09:46,368 AH. POP 'EM. 206 00:09:47,674 --> 00:09:49,284 Walter: HIGH COST OF LIVING. 207 00:09:49,327 --> 00:09:51,329 JOB AVAILABILITY. 208 00:09:51,373 --> 00:09:55,072 HOUSING MARKET. OTHER CULTS. 209 00:09:55,116 --> 00:09:56,291 MY MOTHER'S A MUSICIAN. 210 00:09:56,334 --> 00:09:59,686 SO WE'LL NEED A MUSICAL COMMUNITY BIG ENOUGH 211 00:09:59,729 --> 00:10:01,122 WHERE SHE WON'T STAND OUT. 212 00:10:02,863 --> 00:10:07,302 LASTLY, A CITY BIG ENOUGH WHERE THE BAD GUYS CAN'T JUST 213 00:10:07,345 --> 00:10:09,434 STAKE OUT THE AA MEETINGS. 214 00:10:10,174 --> 00:10:13,613 YOUR MOM'S A DRUNK? 215 00:10:14,701 --> 00:10:18,922 MY MOM IS A DRUNK IN MEMPHIS TENNESSEE. 216 00:10:23,187 --> 00:10:26,887 SEE MY FACE. I'M THE SPHINX. I'M THE MAN ON THE MOON. 217 00:10:26,930 --> 00:10:28,845 WHEN YOU TALK TO THE ART THIEF, 218 00:10:28,889 --> 00:10:30,760 ASK HIM POLITELY IF HE PULLED A SWITCHAROO 219 00:10:30,804 --> 00:10:32,588 BEFORE I GOT THE PAINTING FROM HIM. 220 00:10:32,632 --> 00:10:34,329 WHY WOULD A THIEF TELL THE TRUTH? 221 00:10:34,372 --> 00:10:36,461 OH, IT'S THE FIRST FINDER RULE. 222 00:10:36,505 --> 00:10:38,986 LISTEN. PEOPLE WILL TELL YOU THEIR DEEPEST DESIRE. 223 00:10:39,029 --> 00:10:42,250 YOU OFFER THEM THAT, THEY'LL DO ANYTHING YOU WANT. 224 00:10:44,992 --> 00:10:47,342 OF COURSE I REMEMBER WALTER SHERMAN. 225 00:10:47,385 --> 00:10:49,910 HE RUINED MY LIFE AND PUT ME OUT OF BUSINESS. 226 00:10:49,953 --> 00:10:54,915 MR. STEFANIAN, YOUR BUSINESS IS STEALING. I'M A COP. 227 00:10:54,958 --> 00:10:58,440 YOU'RE A COP, HELPING WALTER SHERMAN? 228 00:10:58,483 --> 00:10:59,963 WHY WOULD I HELP YOU? 229 00:11:00,007 --> 00:11:02,270 SHE'S ON VACATION. TO BE FAIR TO WALTER, 230 00:11:02,313 --> 00:11:03,967 HE SIMPLY TOOK BACK WHAT YOU'D STOLEN. 231 00:11:04,011 --> 00:11:05,316 I HATE WALTER SHERMAN 232 00:11:05,360 --> 00:11:07,667 BECAUSE THE F.B.I. ART CRIME UNIT IS ALL OVER ME. 233 00:11:07,710 --> 00:11:11,018 THEY HAVE ALERTED EVERY MUSEUM AND COLLECTOR IN THE WORLD 234 00:11:11,061 --> 00:11:12,149 TO BE ON THE LOOKOUT FOR ME. 235 00:11:12,193 --> 00:11:14,499 I CAN'T GET INTO THE LOUVRE, THE MET, 236 00:11:14,543 --> 00:11:16,371 NOT EVEN DECENT GALLERIES. 237 00:11:16,414 --> 00:11:19,069 DO YOU HAVE ANY IDEA WHAT THAT MEANS TO A MAN LIKE ME? 238 00:11:19,113 --> 00:11:20,767 A THIEF? 239 00:11:20,810 --> 00:11:22,551 THAT DOESN'T MEAN MR. STEFANIAN ISN'T A PASSIONATE LOVER OF ART. 240 00:11:22,594 --> 00:11:24,509 Isabel: OK. LET'S CUT TO THE CHASE. 241 00:11:24,553 --> 00:11:26,598 WHAT IS YOUR FONDEST DESIRE? 242 00:11:26,642 --> 00:11:28,600 I BELIEVE MR. STEFANIAN ALREADY TOLD US. 243 00:11:28,644 --> 00:11:29,993 THE WHOLE ART LOVER THING? 244 00:11:30,037 --> 00:11:33,214 MY ONLY EXPOSURE TO ART NOW [CLEARS THROAT] 245 00:11:33,257 --> 00:11:37,609 ARE DIGITAL REPRESENTATIONS ON THE INTERNET. 246 00:11:37,653 --> 00:11:42,745 THAT IS LIKE THE DIFFERENCE BETWEEN REAL SEX AND PORNOGRAPHY. 247 00:11:42,789 --> 00:11:46,140 MY FONDEST DESIRE IS TO HAVE SEX. 248 00:11:46,183 --> 00:11:48,403 METAPHOR. YEAH. 249 00:11:48,446 --> 00:11:50,231 I GOT IT. THANKS. 250 00:11:50,274 --> 00:11:53,800 WHAT IF WE COULD ARRANGE FOR YOU TO VISIT MUSEUMS 251 00:11:53,843 --> 00:11:57,238 AFTER HOURS, ACCOMPANIED, OF COURSE? 252 00:11:57,281 --> 00:11:59,109 WOULD YOU HELP US THEN? 253 00:11:59,153 --> 00:12:03,766 FOR THAT, I WOULD DO ANYTHING YOU WANTED. 254 00:12:03,810 --> 00:12:05,072 YOU NEED SOMETHING STOLEN? 255 00:12:05,115 --> 00:12:06,900 WE WANT THE HOMER WINSLOW WALTER TOOK FROM YOU. 256 00:12:06,943 --> 00:12:08,728 THAT'S AT THE MIAMI METROPOLITAN MUSEUM. 257 00:12:08,771 --> 00:12:10,207 IT'S A FORGERY. 258 00:12:10,251 --> 00:12:13,515 THE MUSEUM DID SOMETHING TO IT CALLED WAVELET ANALYSIS. 259 00:12:16,213 --> 00:12:17,693 YOU WANT TO KNOW IF I TRICKED WALTER SHERMAN 260 00:12:17,737 --> 00:12:20,652 INTO TAKING BACK A COUNTERFEIT. 261 00:12:20,696 --> 00:12:24,482 THE ANSWER IS NO. SO A COMPUTER SAYS IT'S FAKE? I DON'T BELIEVE IT. 262 00:12:24,526 --> 00:12:27,050 WHAT IF WE SHOWED IT TO YOU? 263 00:12:27,094 --> 00:12:28,530 WHAT USE IS THAT TO US? 264 00:12:28,573 --> 00:12:29,618 WELL, IF IT IS A FORGERY, 265 00:12:29,661 --> 00:12:30,750 IT COULD LEAD YOU TO THE FORGER. 266 00:12:30,793 --> 00:12:32,360 WHAT USE IS IT TO US TO FIND THE FORGER? 267 00:12:32,403 --> 00:12:34,797 [CLEARS THROAT] BECAUSE... 268 00:12:34,841 --> 00:12:36,886 TO CREATE A FORGERY THAT GOOD, 269 00:12:36,930 --> 00:12:39,846 THE FORGER HAD TO BE WORKING OFF THE ORIGINAL, 270 00:12:39,889 --> 00:12:43,719 WHICH IS WHAT YOU'RE AFTER, RIGHT? 271 00:12:51,335 --> 00:12:53,207 Man: WELCOME ARTISTS AND MUSICIANS TO THIS SESSION OF AA. 272 00:12:53,250 --> 00:12:55,339 WHO'D LIKE TO BEGIN?[APPLAUSE] 273 00:12:55,383 --> 00:12:58,212 WHO'D LIKE TO BEGIN? 274 00:12:59,430 --> 00:13:02,825 HELLO, EVERYONE. MY NAME IS WALTER SHERMAN, 275 00:13:02,869 --> 00:13:04,348 AND I AM NOT AN ALCOHOLIC. 276 00:13:04,392 --> 00:13:06,263 [MURMURING] NO. UH, BUT! 277 00:13:06,307 --> 00:13:09,266 I'M HONORED TO BE HERE IN MEMPHIS, TENNESSEE, 278 00:13:09,310 --> 00:13:12,269 THE HOME OF ELVIS PRESLEY, JERRY LEE LEWIS, 279 00:13:12,313 --> 00:13:14,706 CARL PERKINS, ARETHA FRANKLIN. 280 00:13:14,750 --> 00:13:15,795 Man: JUSTIN TIMBERLAKE! 281 00:13:15,838 --> 00:13:16,883 AH. I DIDN'T FORGET JUSTIN TIMBERLAKE. 282 00:13:16,926 --> 00:13:18,101 I JUST HADN'T GOTTEN TO HIM YET. 283 00:13:20,103 --> 00:13:24,804 LOOK, MY BROTHER AND I ARE LOOKING FOR OUR MOTHER, WHO IS AN ALCOHOLIC. 284 00:13:24,847 --> 00:13:26,283 WE DON'T KNOW THE NAME THAT SHE USED 285 00:13:26,327 --> 00:13:29,591 WHEN SHE FIRST CAME TO MEMPHIS MAYBE 15 YEARS AGO. 286 00:13:29,634 --> 00:13:31,288 THIS IS MY MOM AND DAD HERE. 287 00:13:31,332 --> 00:13:33,203 THIS IS ME, AND THAT'S WALTER THERE 288 00:13:33,247 --> 00:13:36,337 BACK WHEN WE WERE A FAMILY. 289 00:13:36,380 --> 00:13:39,340 EVERYBODY, I'M NEW HERE. I'M BILL. 290 00:13:39,383 --> 00:13:40,602 BILL! HI, BILL! 291 00:13:40,645 --> 00:13:41,777 THIS IS ALCOHOLICS ANONYMOUS. 292 00:13:41,821 --> 00:13:44,562 WE DON'T EVEN GIVE OUR LAST NAMES HERE. 293 00:13:44,606 --> 00:13:45,781 THAT'S WHAT ANONYMOUS MEANS. 294 00:13:45,825 --> 00:13:48,610 SHE'S OUR MOTHER. WE SPRANG FROM HER LOINS. 295 00:13:48,653 --> 00:13:49,959 HOW ANONYMOUS IS THAT? 296 00:13:50,003 --> 00:13:52,396 LISTEN, MY BROTHER AND I ARE DESPERATE. 297 00:13:52,440 --> 00:13:55,617 IT'S A MATTER OF LIFE AND DEATH, NO EXAGGERATION. 298 00:14:00,404 --> 00:14:02,319 OK. IT'S WEIRD. 299 00:14:02,363 --> 00:14:03,407 BUT WE'RE HERE TO HELP EACH OTHER. 300 00:14:03,451 --> 00:14:06,933 SO LET'S HEAR THESE BOYS OUT. 301 00:14:06,976 --> 00:14:10,110 NOW, AS YOU CAN SEE, MOM'S BEAUTIFUL OR WAS. 302 00:14:10,153 --> 00:14:11,894 OUR FAMILY TENDS TO BLOAT. 303 00:14:11,938 --> 00:14:14,636 MOM'S A SINGER AND A PIANO PLAYER. 304 00:14:19,989 --> 00:14:24,907 UH, 3-LEGGED DOGS MAKE HER CRY. 305 00:14:24,951 --> 00:14:27,388 UH... SHE HATES IT WHEN PEOPLE LEAVE THEIR SUNGLASSES ON INDOORS. 306 00:14:27,431 --> 00:14:31,218 AND SHE THINKS THAT, UH, SHE THINKS THAT VANILLA 307 00:14:31,261 --> 00:14:33,002 IS A PRETTY GOOD PERFUME. 308 00:14:35,048 --> 00:14:40,531 IF YOU HURT YOURSELF, SHE'LL TRY TO MAKE YOU LAUGH. 309 00:14:40,575 --> 00:14:44,492 MAYBE SHE TOLD YOU THAT SHE NAMED HER TWO SONS AFTER POETS. 310 00:14:44,535 --> 00:14:47,190 UM, WALTER FOR WALT WHITMAN. AND, UH-- 311 00:14:47,234 --> 00:14:51,455 LANGSTON FOR LANGSTON HUGHES. SHE PROBABLY SAID SHE MISSES US. 312 00:14:51,499 --> 00:14:53,153 PROBABLY SHE DIDN'T. 313 00:14:53,196 --> 00:14:55,982 SHE'S A DIFFICULT WOMAN. 314 00:15:09,169 --> 00:15:12,999 JUST ONE AA MEETING. WE CAN HIT A FEW OTHERS. 315 00:15:14,130 --> 00:15:18,004 THE MAN IN BLACK JUST SLIPPED ME AN ADDRESS. 316 00:15:20,571 --> 00:15:21,921 THAT'LL BE FREE OF CHARGE, 317 00:15:21,964 --> 00:15:24,488 WHICH WITH TAX COMES TO ABSOLUTELY NOTHING, 318 00:15:24,532 --> 00:15:28,492 WHICH MEANS A 15% TIP WILL PUT BUPKIS IN MY POCKET. 319 00:15:28,536 --> 00:15:30,668 YOU'RE A FUNNY GIRL. 320 00:15:30,712 --> 00:15:33,019 WILLA'S WHAT THEY CALL VIVACIOUS, 321 00:15:33,062 --> 00:15:34,629 WHICH IS A NICE QUALITY, DON'T YOU THINK? 322 00:15:34,672 --> 00:15:38,024 YES, UNCLE SHAD. WILLA'S FUNNY. 323 00:15:39,677 --> 00:15:40,678 MM-HMM. 324 00:15:40,722 --> 00:15:41,984 WHAT'S THIS? 325 00:15:42,028 --> 00:15:44,813 IT'S AN INVITATION. OPEN IT. 326 00:15:44,856 --> 00:15:48,556 AN INVITATION TO WHAT? 327 00:15:48,599 --> 00:15:50,558 OUR WEDDING. 328 00:15:51,776 --> 00:15:53,517 YOU WANT ME AND TIMO TO GET MARRIED NEXT WEEK? 329 00:15:53,561 --> 00:15:56,607 DON'T WORRY. I CALLED AROUND. EVERYBODY CAN MAKE IT. 330 00:15:56,651 --> 00:16:00,916 THAT'S YOUR COPY FOR YOUR SCRAPBOOK. 331 00:16:01,917 --> 00:16:03,745 COME ON, TIMO. 332 00:16:03,788 --> 00:16:07,967 KISS YOUR BRIDE AND LET'S GO. 333 00:16:08,010 --> 00:16:10,404 WE GOT THINGS TO DO. 334 00:16:20,631 --> 00:16:24,244 THAT'S SWEET. MAKE A GREAT COUPLE. 335 00:16:26,768 --> 00:16:27,421 TIMO. 336 00:16:29,205 --> 00:16:31,991 ARE WE REALLY GOING TO DO THIS?YES, WILLA. 337 00:16:32,034 --> 00:16:33,688 UNCLE SHAD IS THE HEAD OF THE FAMILY. 338 00:16:33,731 --> 00:16:34,994 FAMILY COMES FIRST. 339 00:16:35,037 --> 00:16:38,127 WHEN IT COMES TO THAT, SHAD CAN'T BE WRONG. 340 00:16:42,305 --> 00:16:44,568 I THINK YOU'RE MIXING HIM UP WITH THE POPE. 341 00:16:44,612 --> 00:16:47,702 WE TRIED EVERYTHING. 342 00:16:47,745 --> 00:16:49,573 SHAD MADE HIS DECISION. 343 00:16:49,617 --> 00:16:52,968 SO YOU DEAL WITH IT. 344 00:17:01,716 --> 00:17:04,762 CHECKMATE. WELL PLAYED. 345 00:17:04,806 --> 00:17:09,289 OH. WELL, YOU PERSUADED DR. DEARING TO LET ME SEE THE FORGERY. 346 00:17:09,332 --> 00:17:12,118 I AM IMPRESSED.DON'T BE. 347 00:17:13,945 --> 00:17:15,817 OH! 348 00:17:15,860 --> 00:17:19,603 - THEY SHREDDED IT? - THEY SHREDDED IT? 349 00:17:19,647 --> 00:17:22,345 Leo: YES, THEY DO THAT TO DISCOURAGE THE MARKET IN FORGERIES. 350 00:17:22,389 --> 00:17:25,087 I GOT THEM JUST BEFORE THEY GOT IT INTO THE INCINERATOR. 351 00:17:25,131 --> 00:17:26,436 WHERE ARE YOU? 352 00:17:26,480 --> 00:17:28,786 HEY, TELL HIM JOHNNY CASH GAVE US MOM'S ADDRESS. 353 00:17:28,830 --> 00:17:30,092 IT WASN'T JOHNNY CASH. 354 00:17:30,136 --> 00:17:32,007 AND DOES THIS LOOK LIKE A PLACE MOM WOULD LIVE? 355 00:17:32,051 --> 00:17:33,356 HELLO, WALTER, ARE YOU STILL THERE? 356 00:17:33,400 --> 00:17:36,098 YEAH. HAVE WILLA GLUE THE PAINTING BACK TOGETHER. 357 00:17:36,142 --> 00:17:37,926 - SHE'S GOOD AT PUZZLES. - I'M HERE. 358 00:17:37,969 --> 00:17:39,841 AND I'M GOING AS FAST AS I CAN. 359 00:17:39,884 --> 00:17:41,321 - IS ISABEL THERE? - NOPE. 360 00:17:41,364 --> 00:17:43,105 THE MARSHALL'S CALLED HER IN ON SOME KIND OF EMERGENCY. 361 00:17:43,149 --> 00:17:46,413 - SHE SAID SHE WAS ON VACATION. - IT WAS AN EMERGENCY. 362 00:17:46,456 --> 00:17:49,372 GO IN AND TALK TO YOUR MOTHER. I'M HANGING UP. 363 00:17:49,416 --> 00:17:53,072 [KNOCKING] 364 00:17:55,596 --> 00:17:57,424 IT'S DARK. 365 00:17:57,467 --> 00:18:00,383 MOM. IT'S YOUR SONS, WALT AND LANGSTON. 366 00:18:06,346 --> 00:18:10,176 MOM? 367 00:18:11,525 --> 00:18:12,700 THAT'S NOT MOM. 368 00:18:12,743 --> 00:18:16,921 SIR, ARE YOU ABLE TO IDENTIFY THE GENTLEMEN 369 00:18:16,965 --> 00:18:19,315 WHO DISRUPTED YOUR MEETING? 370 00:18:19,359 --> 00:18:22,492 YEAH. THAT'S THEM ALL RIGHT. 371 00:18:22,536 --> 00:18:27,367 WOW. AA'S STRICTER ABOUT THIS ANONYMOUS STUFF THAN WE THOUGHT. 372 00:18:27,410 --> 00:18:30,370 I'M U.S. MARSHAL CATHERINE GIBSON. 373 00:18:30,413 --> 00:18:32,154 PLACE THESE GENTLEMEN UNDER ARREST. 374 00:18:32,198 --> 00:18:34,548 WE JUST WALKED STRAIGHT INTO A TRAP. 375 00:18:41,468 --> 00:18:43,209 DID WILLA PUT THAT PAINTING BACK TOGETHER? 376 00:18:43,252 --> 00:18:44,732 YES. BUT THAT SHOULDN'T BE YOUR FIRST QUESTION. 377 00:18:44,775 --> 00:18:46,212 WHAT'S HE TALKING ABOUT? 378 00:18:46,255 --> 00:18:48,214 WALTER IS TRACKING DOWN A STOLEN PAINTING 379 00:18:48,257 --> 00:18:49,650 FOR THE MIAMI METROPOLITAN MUSEUM. 380 00:18:49,693 --> 00:18:52,827 HMM. I SUGGEST YOU CONCENTRATE ON YOUR LITTLE PAINTING 381 00:18:52,870 --> 00:18:55,308 AND QUIT LOOKING FOR A FEDERALLY PROTECTED WITNESS. 382 00:18:55,351 --> 00:18:58,485 OTHERWISE, I WILL CHARGE YOU WITH OBSTRUCTION OF JUSTICE. 383 00:18:58,528 --> 00:19:00,356 AND BELIEVE ME, YOU WILL NOT GET BAIL. 384 00:19:00,400 --> 00:19:03,446 - WE'D FIGHT THAT. BUT IF WE FAIL-- - YOU WILL FAIL. 385 00:19:03,490 --> 00:19:06,057 IT COULD MEAN YOU'D BE INCARCERATED UP TO A YEAR BEFORE TRIAL. 386 00:19:06,101 --> 00:19:10,758 SO JOHNNY CASH WAS A TRIPWIRE YOU PUT IN TO PROTECT MY MOTHER. 387 00:19:10,801 --> 00:19:11,802 NICE. 388 00:19:11,846 --> 00:19:14,109 IS HE UNDERSTANDING WHAT I'M SAYING? 389 00:19:14,153 --> 00:19:15,676 WALTER, WE WILL LET YOU GO 390 00:19:15,719 --> 00:19:19,158 IF YOU PROMISE TO STOP LOOKING FOR YOUR MOTHER. 391 00:19:19,201 --> 00:19:22,944 I PROMISE TO STOP LOOKING FOR MY MOTHER. 392 00:19:24,075 --> 00:19:26,861 YOU HAVE TO MEAN IT. 393 00:19:26,904 --> 00:19:28,863 I MEAN IT. 394 00:19:32,388 --> 00:19:36,436 IN THAT CASE, YOU'RE FREE TO GO. 395 00:19:42,224 --> 00:19:43,834 [SIGHS] 396 00:19:53,801 --> 00:19:57,239 I'M GOING TO TELL YOU SOMETHING THAT I SHOULDN'T. 397 00:19:57,283 --> 00:20:00,416 YOUR MOTHER LEFT HER HUSBAND 3 YEARS AGO. 398 00:20:00,460 --> 00:20:02,331 SHE'S NOT IN MEMPHIS ANYMORE. 399 00:20:04,986 --> 00:20:06,422 I PROMISED TO STOP LOOKING. 400 00:20:06,466 --> 00:20:09,251 YOU'RE NOT GOING TO STOP LOOKING FOR YOUR MOTHER. 401 00:20:09,295 --> 00:20:11,340 WHY? 402 00:20:11,384 --> 00:20:14,169 'CAUSE IT'S YOUR FATHER'S DYING WISH. 403 00:20:18,347 --> 00:20:21,176 THANK YOU FOR HELPING. 404 00:20:21,220 --> 00:20:24,353 YOU WANT ME TO PUT YOU BACK IN JAIL? 405 00:20:24,397 --> 00:20:26,007 TEMPORARILY. 406 00:20:26,050 --> 00:20:27,704 WHY? 407 00:20:27,748 --> 00:20:29,793 I THOUGHT I'D LEAVE THE REASON UP TO YOU. 408 00:20:29,837 --> 00:20:31,404 ARE YOU HIGH ON MARIJUANA? 409 00:20:31,447 --> 00:20:32,840 IS THAT CODE? 410 00:20:32,883 --> 00:20:34,581 IF I'M HIGH ON MARIJUANA, 411 00:20:34,624 --> 00:20:37,627 WILL YOU PUT ME BACK INTO DETENTION FOR, SAY, A MONTH? 412 00:20:37,671 --> 00:20:42,589 THAT OLD BASTARD IS FORCING YOU TO GET MARRIED, ISN'T HE? 413 00:20:42,632 --> 00:20:43,720 [SIGHS] 414 00:20:43,764 --> 00:20:46,201 YOU'RE NOT THE ONE WHO SHOULD GO TO JAIL. 415 00:20:46,245 --> 00:20:47,637 SHADRACK IS. 416 00:20:47,681 --> 00:20:48,421 CAN YOU ARRANGE THAT? 417 00:20:48,464 --> 00:20:51,815 NO. YOU'RE BOTH OF AGE. 418 00:20:51,859 --> 00:20:53,817 YOU CAN REFUSE. 419 00:20:53,861 --> 00:20:54,818 TIMO WON'T DEFY THE FAMILY. 420 00:20:54,862 --> 00:20:56,080 BELIEVE ME, THE EASIEST THING 421 00:20:56,124 --> 00:20:57,995 IS IF YOU JUST PUT ME IN JAIL FOR A FEW MONTHS. 422 00:20:58,039 --> 00:20:59,475 YEAH, RIGHT. THE EASIEST THING? 423 00:20:59,519 --> 00:21:01,825 SHADRACK WOULD JUST BE WAITING FOR YOU WHEN YOU GOT OUT. 424 00:21:01,869 --> 00:21:06,308 AND YOU KNOW WHAT ELSE? THIS IS WHAT THEY CALL A "WATERSHED" FOR YOU. 425 00:21:06,352 --> 00:21:09,224 IT'S A CROSSROADS. THIS IS WHEN YOU CHOOSE 426 00:21:09,268 --> 00:21:10,965 THE LIFE THAT YOU ARE GOING TO LEAD. 427 00:21:11,008 --> 00:21:14,447 MY ADVICE TO YOU IS THAT YOU STAND UP FOR YOURSELF 428 00:21:14,490 --> 00:21:18,102 AND SEPARATE YOURSELF FROM THIS DAMN CRIMINAL FAMILY. 429 00:21:24,108 --> 00:21:27,547 MRS. FARREL, I STOLE THIS FROM YOU... 430 00:21:30,811 --> 00:21:32,900 WITH NO REMORSE. 431 00:21:33,857 --> 00:21:38,384 WILLA, BLESS YOUR HEART. 432 00:21:40,037 --> 00:21:42,823 OH, NO. I'M STILL NOT PUTTING YOU INTO DETENTION. 433 00:21:42,866 --> 00:21:45,347 MY PROBATION OFFICER BLESSES MY HEART. 434 00:21:45,391 --> 00:21:48,394 I'M TOTALLY LOSING MY GYPSY CREDIBILITY. 435 00:21:50,874 --> 00:21:54,791 THIS LOOKS REAL. PIGMENT, CANVAS, BRUSHSTROKES. 436 00:21:54,835 --> 00:21:56,489 THIS IS GENUINE. 437 00:21:56,532 --> 00:21:59,274 IT'S NOT REAL. THE COMPUTER FOUND A DIFFERENCE EVEN IF WE CAN'T. 438 00:21:59,318 --> 00:22:02,016 THIS IS ABSOLUTELY INDISTINGUISHABLE 439 00:22:02,059 --> 00:22:03,452 FROM A REAL WINSLOW HOMER, 440 00:22:03,496 --> 00:22:06,412 WHICH BEGS THE QUESTION, WHAT EXACTLY DID YOU DESTROY? 441 00:22:06,455 --> 00:22:07,630 A VERY GOOD FAKE. 442 00:22:07,674 --> 00:22:09,763 IF SOMETHING IS ABSOLUTELY INDISTINGUISHABLE 443 00:22:09,806 --> 00:22:11,721 FROM SOMETHING ELSE, IT'S NO LONGER A FAKE. 444 00:22:11,765 --> 00:22:13,375 ARE YOU TRYING TO CONVINCE ME 445 00:22:13,419 --> 00:22:16,073 THAT MR. SHERMAN DID, IN FACT, FIND WHAT WE HIRED HIM TO FIND? 446 00:22:16,117 --> 00:22:17,684 I KNOW I CAN PERSUADE A JURY. 447 00:22:17,727 --> 00:22:21,383 BUT UNFORTUNATELY, WHAT I REALLY NEED IS FOR WALTER TO AGREE. 448 00:22:21,427 --> 00:22:22,602 I DON'T AGREE. 449 00:22:22,645 --> 00:22:24,517 FOR A WINSLOW HOMER PAINTING TO BE GENUINE, 450 00:22:24,560 --> 00:22:26,736 - WINSLOW HOMER HAD TO PAINT IT. - I THINK HE DID. 451 00:22:26,780 --> 00:22:28,564 THE COMPUTER SAYS WINSLOW HOMER DID NOT PAINT THIS. 452 00:22:28,608 --> 00:22:31,611 I'M A THIEF. THIS IS HOW I MAKE MY LIVING. 453 00:22:31,654 --> 00:22:33,874 IF WINSLOW HOMER DIDN'T PAINT THIS, 454 00:22:33,917 --> 00:22:35,223 THEN HIS CLONE DID. 455 00:22:35,266 --> 00:22:39,706 SOMEONE THE SAME HEIGHT, WEIGHT, STRENGTH, 456 00:22:39,749 --> 00:22:40,968 TEMPERAMENT, PROCLIVITIES, 457 00:22:41,011 --> 00:22:44,188 THE SAME LONGINGS AND DESIRES AND WORLDVIEWS. 458 00:22:44,232 --> 00:22:46,147 YOU TELL ME HOW THAT'S POSSIBLE, 459 00:22:46,190 --> 00:22:50,151 AND THEN I WILL BELIEVE THAT IT'S A FAKE. 460 00:22:57,071 --> 00:22:59,203 HEY, WALT, THEY LET YOU OUT. 461 00:22:59,247 --> 00:23:02,163 YEAH. 462 00:23:05,296 --> 00:23:06,820 WHAT ARE YOU DOING? 463 00:23:06,863 --> 00:23:08,735 LESSON PLANS FOR THE ASSISTANT PROF IN AMSTERDAM 464 00:23:08,778 --> 00:23:11,999 WHO'S TEACHING TULIP GROWERS IN WOODEN SHOES 465 00:23:12,042 --> 00:23:15,089 HOW TO PLAY AMERICAN MUSIC. 466 00:23:15,132 --> 00:23:18,266 WHAT HAPPENED TO THE WILDMAN, PUNK ROCK ROAD DOG? 467 00:23:18,309 --> 00:23:22,009 YOU'RE NOT THE ONLY ONE WHO'S MADE CHANGES OVER THE YEARS. 468 00:23:23,532 --> 00:23:24,620 HAVE I TOLD YOU THAT I LIKE 469 00:23:24,664 --> 00:23:27,188 THIS NEW VERSION OF YOU BETTER? 470 00:23:28,015 --> 00:23:29,625 YOU DON'T HAVE TO SAY THAT. 471 00:23:29,669 --> 00:23:32,236 YOU LAUGH MORE. HELL, YOU LAUGH. 472 00:23:32,280 --> 00:23:34,195 THE OLD WALTER NEVER LAUGHED. 473 00:23:34,238 --> 00:23:36,589 THIS IS A BIG IMPROVEMENT. 474 00:23:36,632 --> 00:23:40,419 IN EVERY WAY EXCEPT ONE. 475 00:23:40,462 --> 00:23:43,030 I GOT THIS PROBLEM. 476 00:23:43,073 --> 00:23:44,379 I MEAN, I FIND THINGS. 477 00:23:44,423 --> 00:23:48,165 USUALLY TAKES ME A COUPLE OF WEEKS, A MONTH, MAX. 478 00:23:48,209 --> 00:23:50,211 ONE TIME IT TOOK ME 3 MONTHS. 479 00:23:50,254 --> 00:23:54,520 THEY ALMOST HAD TO PUT ME AWAY. 480 00:23:54,563 --> 00:23:57,566 THIS TIME IT'S BEEN OVER 4 YEARS. 481 00:23:57,610 --> 00:23:59,350 ARE YOU TELLING ME SOMETHING BAD HAPPENS 482 00:23:59,394 --> 00:24:02,179 WHEN YOU DON'T FIND WHAT YOU'RE LOOKING FOR? 483 00:24:02,223 --> 00:24:06,488 YEAH. EXCEPT I'M NOT SURE EXACTLY WHAT. 484 00:24:06,532 --> 00:24:08,185 BECAUSE IT'S NEVER HAPPENED. 485 00:24:08,229 --> 00:24:10,884 DO YOU THINK YOU WOULD HAVE FOUND THIS PAINTING BY NOW 486 00:24:10,927 --> 00:24:12,755 IF IT WEREN'T FOR MOM? 487 00:24:14,061 --> 00:24:17,412 DON'T WORRY. I'M GOING TO KEEP LOOKING FOR MOM. 488 00:24:17,456 --> 00:24:20,937 THAT'S NOT WHAT HE ASKED. 489 00:24:20,981 --> 00:24:22,243 HEY, DAD. 490 00:24:23,723 --> 00:24:25,115 YOU WANT SOME ICE CHIPS? 491 00:24:25,159 --> 00:24:26,247 YEAH. 492 00:24:26,290 --> 00:24:27,988 IT'S WHAT HE WANTED TO KNOW. 493 00:24:28,031 --> 00:24:32,079 TIME WAS, A MAN ASKED YOU A QUESTION, 494 00:24:32,122 --> 00:24:33,602 YOU ANSWERED THE QUESTION. 495 00:24:33,646 --> 00:24:35,212 I'VE CHANGED. 496 00:24:35,256 --> 00:24:36,300 LET'S NOT FIGHT. 497 00:24:36,344 --> 00:24:40,479 I'M SORRY. I FEEL LIKE I LOST A SON, 498 00:24:40,522 --> 00:24:43,482 A DAMN GOOD SON WITH A FUTURE. 499 00:24:43,525 --> 00:24:46,572 WALT'S STILL WALT, DAD. I CAN SEE IT. 500 00:24:46,615 --> 00:24:49,531 HE'S A WHOLE DIFFERENT PERSON. 501 00:24:49,575 --> 00:24:51,272 RIGHT? 502 00:24:55,232 --> 00:24:58,584 IT'S ME, DAD. THAT'S ALL. 503 00:24:58,627 --> 00:25:00,716 WE ARE WHO WE THINK WE ARE. 504 00:25:03,458 --> 00:25:05,852 THAT'S EXACTLY WHO WE ARE. 505 00:25:05,895 --> 00:25:07,767 WHO WE THINK WE ARE. DAD, YOU'RE A GENIUS. 506 00:25:07,810 --> 00:25:10,117 NOT GENIUS. IT'S A FORTUNE COOKIE. 507 00:25:10,160 --> 00:25:11,988 I KNOW HOW TO FIND MOM. 508 00:25:12,032 --> 00:25:13,381 AND I KNOW HOW TO FIND THE PAINTING. 509 00:25:13,424 --> 00:25:14,469 NEED TO BORROW THIS. 510 00:25:16,645 --> 00:25:20,301 WHAT THE HELL WAS THAT ALL ABOUT? 511 00:25:26,220 --> 00:25:28,222 YOU'RE BUYING ME A WEATHERVANE? 512 00:25:28,265 --> 00:25:29,658 YEAH. IS THERE ANY WAY TO LEGALLY FIND OUT 513 00:25:29,702 --> 00:25:31,181 WHO'S LOCKED UP IN THE LOONEY BIN? 514 00:25:31,225 --> 00:25:33,836 THE LOONEY BIN ISN'T ONE PLACE. IT'S THOUSANDS OF PLACES. 515 00:25:33,880 --> 00:25:36,926 THIS PARTICULAR NUT JOB WOULD BE IN A TOP NOTCH PRIVATE FACILITY, 516 00:25:36,970 --> 00:25:39,363 WHERE HE'D HAVE ACCESS TO ALL THE BEST ART SUPPLIES. 517 00:25:39,407 --> 00:25:41,931 YEAH, OK. I COULD MAYBE SQUEEZE IN SOMETHING FOR YOU 518 00:25:41,975 --> 00:25:45,369 DEPENDING ON IF IT'S NOT TOO FANCY. WHAT DO YOU GOT IN MIND? 519 00:25:45,413 --> 00:25:46,327 ASK HIM. 520 00:25:46,370 --> 00:25:47,589 WELL, IT STARTS WITH A MERMAID. 521 00:25:47,633 --> 00:25:49,591 OBVIOUSLY. MERMAIDS ARE MY THING. 522 00:25:49,635 --> 00:25:51,375 I'M THE MERMAID WEATHERVANE MAKER. 523 00:25:51,419 --> 00:25:55,162 ALL ARTISTS GOT THEIR THING. MINE'S MERMAIDS. 524 00:25:55,205 --> 00:25:56,990 DO YOU PROMISE TO FIND MY MENTAL PATIENT? 525 00:25:57,033 --> 00:25:59,383 DO YOU HAVE A NAME?WINSLOW HOMER. 526 00:25:59,427 --> 00:26:01,777 - HOMER LIKE THE ARTIST? - EXACTLY LIKE THE ARTIST. 527 00:26:01,821 --> 00:26:03,953 INDISTINGUISHABLE IN EVERY WAY FROM THE ARTIST. 528 00:26:03,997 --> 00:26:05,172 THAT'S PRETTY CRAZY. 529 00:26:05,215 --> 00:26:06,869 REALITY IS MERELY AN ILLUSION. 530 00:26:06,913 --> 00:26:08,784 ANY OF THESE ILLUSIONS 531 00:26:08,828 --> 00:26:10,569 APPLY TO THE REALITY WEATHERVANE 532 00:26:10,612 --> 00:26:12,092 I'M MAKING FOR YOU? 533 00:26:12,135 --> 00:26:14,398 WELL, UNDERNEATH THE MERMAID THERE ARE... 534 00:26:17,053 --> 00:26:20,013 UNDERNEATH THE MERMAID THERE ARE TWO BOYS. 535 00:26:20,056 --> 00:26:23,407 ONE OF THEM'S FLYING A KITE. AND THE OTHER... 536 00:26:23,451 --> 00:26:26,019 THE OTHER ONE IS STRAINING TO CARRY A BUCKET. 537 00:26:26,062 --> 00:26:27,673 HOW DO YOU KNOW THAT? 538 00:26:27,716 --> 00:26:30,284 I MADE IT TWICE BEFORE, FOR THE SAME LADY. 539 00:26:30,327 --> 00:26:32,112 YES, MA'AM. 540 00:26:32,155 --> 00:26:32,982 HE'D BE THE BOY FLYING A KITE. 541 00:26:33,026 --> 00:26:35,637 I'M THE BOY WITH THE BUCKET. 542 00:26:35,681 --> 00:26:38,684 THE LADY YOU MADE IT FOR IS OUR MOTHER. 543 00:26:43,514 --> 00:26:44,864 HAVE A GOOD DAY, AL. 544 00:26:44,907 --> 00:26:46,909 [DOOR CLOSES] 545 00:26:46,953 --> 00:26:48,650 WILLA! 546 00:26:48,694 --> 00:26:51,261 COME TO VISIT YOUR UNCLE SHAD. WHAT'D YOU BRING ME? 547 00:26:53,612 --> 00:26:55,526 I DON'T WANT TO MARRY TIMO. 548 00:26:57,311 --> 00:26:58,965 I KNOW. 549 00:26:59,008 --> 00:27:00,923 TIMO DOESN'T WANT TO MARRY ME EITHER. 550 00:27:00,967 --> 00:27:01,881 I KNOW THAT, TOO. 551 00:27:01,924 --> 00:27:03,622 TIMO'S IN LOVE WITH SOMEONE ELSE. 552 00:27:03,665 --> 00:27:06,233 MM-HMM. MAGDALENA. 553 00:27:07,495 --> 00:27:08,888 DON'T YOU CARE ABOUT WHAT HE WANTS? 554 00:27:10,846 --> 00:27:11,586 [SIGHS] 555 00:27:15,721 --> 00:27:19,638 YOU THINK I'M A MEAN MAN. THAT'S OK. COMES WITH THE JOB. 556 00:27:19,681 --> 00:27:20,987 BUT I'M NOT. 557 00:27:21,030 --> 00:27:24,207 I'M DOING WHAT'S BEST FOR YOU AND TIMO. 558 00:27:24,251 --> 00:27:26,732 I'M DOING WHAT'S BEST FOR THIS FAMILY. 559 00:27:26,775 --> 00:27:31,562 AND WHAT'S BEST FOR THE FAMILY...IS YOU. 560 00:27:31,606 --> 00:27:35,958 WHAT IF I PROMISE TO STAY? 561 00:27:36,002 --> 00:27:39,222 ONE OF THE TALENTS THAT MAKES YOU SO VALUABLE 562 00:27:39,266 --> 00:27:42,617 IS HOW WELL YOU LIE. 563 00:27:42,661 --> 00:27:45,794 EVEN I CAN'T TELL SOMETIMES. 564 00:27:45,838 --> 00:27:48,275 - WHAT ABOUT TIMO? - YOU ARE WORTH 3 TIMOS. 565 00:27:48,318 --> 00:27:53,062 THAT BOY'S WORTH TO THIS FAMILY IS THE FACT HE KEEPS YOU WITH US. 566 00:27:53,106 --> 00:27:55,804 I LOVE THIS FAMILY. 567 00:27:55,848 --> 00:27:57,545 I LOVE YOU. I LOVE TIMO. 568 00:27:57,588 --> 00:28:00,461 HELL, I LOVE EVERYBODY. 569 00:28:02,942 --> 00:28:07,860 IT'S DONE, WILLA. ACCEPT IT. 570 00:28:07,903 --> 00:28:11,124 NOW GO BACK TO THE END OF THE WORLD UNTIL YOUR WEDDING DAY. 571 00:28:17,304 --> 00:28:19,698 ENDS OF THE EARTH. 572 00:28:21,395 --> 00:28:23,745 DOES THAT MATTER? 573 00:28:23,789 --> 00:28:26,139 IT MATTERS TO THEM. 574 00:28:31,797 --> 00:28:33,146 WHEN YOU AND MOM WENT TO DALLAS, 575 00:28:33,189 --> 00:28:35,539 MOM WANTED TO TAKE THE MERMAID WEATHERVANE WITH HER. 576 00:28:35,583 --> 00:28:36,671 BUT DAD SAID NO. 577 00:28:36,715 --> 00:28:38,368 DAD DIDN'T SAY NO. DRISCOL SAID NO. 578 00:28:38,412 --> 00:28:41,197 BECAUSE THE WEATHERVANE WAS A SYMBOL OF THE FAMILY HE BROKE UP. 579 00:28:41,241 --> 00:28:43,460 WELL, ACCORDING TO ISABEL, MOM LEFT DRISCOLL. 580 00:28:43,504 --> 00:28:45,288 JUST LIKE SHE LEAVES EVERYBODY. 581 00:28:45,332 --> 00:28:48,378 NOW SHE CAN HAVE WHATEVER WEATHERVANE SHE WANTS. 582 00:28:48,422 --> 00:28:50,467 MOM HAD IT MADE AGAIN. THAT'S KIND OF SENTIMENTAL. 583 00:28:50,511 --> 00:28:53,906 THE ARTIST SHIPPED IT TO A POST OFFICE BOX IN NAPLES. 584 00:28:53,949 --> 00:28:55,472 MOM LIVES IN ITALY? 585 00:28:55,516 --> 00:28:58,649 NAPLES, FLORIDA. HOW HARD COULD IT BE TO FIND A WEATHERVANE 586 00:28:58,693 --> 00:29:01,000 FEATURING A MERMAID AND 2 BOYS? 587 00:29:01,043 --> 00:29:02,392 THIS IS THE UNITED STATES OF AMERICA. 588 00:29:02,436 --> 00:29:05,221 PSYCHIATRIC PATIENTS HAVE A LEGAL RIGHT TO PRIVACY. 589 00:29:05,265 --> 00:29:07,223 WAIT. THE ARTIST'S NAME IS HOMER SIMPSON? 590 00:29:07,267 --> 00:29:11,401 WINSLOW HOMER. DIED 1910. PAINTED THE OCEAN. 591 00:29:11,445 --> 00:29:14,361 I'M THINKING HOW TO GET AROUND THE PRIVACY LAWS. 592 00:29:14,404 --> 00:29:16,058 LEO, WALTER IS TAKING US DOWN. 593 00:29:16,102 --> 00:29:19,235 GREATER GOOD. WALTER'S TRYING TO DO THE RIGHT THING BY HIS FAMILY. 594 00:29:19,279 --> 00:29:20,889 I LIKED MY BOSS. 595 00:29:20,933 --> 00:29:23,022 I TOLD HER I BELIEVED WALTER WHEN HE WAS CLEARLY LYING TO HER. 596 00:29:23,065 --> 00:29:24,327 BIG UPS ON ALL THE LYING, IZZY. 597 00:29:24,371 --> 00:29:26,025 THIS IS WHAT WALTER DOES. HE GETS US DISORIENTED 598 00:29:26,068 --> 00:29:29,463 AND THEN WE BECOME CONFUSED ABOUT WHAT'S RIGHT AND WHAT'S WRONG. 599 00:29:29,506 --> 00:29:31,160 I'M NOT CONFUSED. 600 00:29:31,204 --> 00:29:34,642 YOU KNOW, I COULD SEND OUT AN OFFICIAL U.S. MARSHAL BULLETIN 601 00:29:34,685 --> 00:29:38,646 TO ALL ACCREDITED PSYCHIATRIC FACILITIES, REQUESTING INFORMATION. 602 00:29:38,689 --> 00:29:39,778 IS THAT LEGAL? [SIGHS] 603 00:29:39,821 --> 00:29:40,953 IT MOST CERTAINLY IS NOT LEGAL. 604 00:29:40,996 --> 00:29:43,477 WAIT. CROTCHETY OLD HAG. 605 00:29:43,520 --> 00:29:44,739 WHAT? 606 00:29:44,783 --> 00:29:45,871 I DID AN ONLINE SEARCH OF PSYCHIATRIC JOURNALS 607 00:29:45,914 --> 00:29:47,916 AND FOUND A DOCTORAL THESIS ON A CRAZY MAN 608 00:29:47,960 --> 00:29:49,613 WHO THINKS HE'S WINSLOW HOMER. 609 00:29:49,657 --> 00:29:51,833 DOES IT HAVE THE PATIENT'S REAL NAME? 610 00:29:51,877 --> 00:29:52,660 HE JUST CALLS HIM "W." 611 00:29:52,703 --> 00:29:54,096 [SIGHS] BACK TO SQUARE ONE. 612 00:29:54,140 --> 00:29:56,533 I COULD THREATEN TO TEAR OFF THE THESIS WRITER'S EARS 613 00:29:56,577 --> 00:29:58,144 IF HE DOESN'T TELL US. 614 00:29:58,187 --> 00:30:00,320 AND YOU'RE NOT CONFUSED ABOUT WHAT'S RIGHT AND WHAT'S WRONG? 615 00:30:00,363 --> 00:30:01,974 I WOULDN'T REALLY TEAR HIS EARS OFF. 616 00:30:02,017 --> 00:30:04,585 ACCORDING TO THE THESIS, THE PATIENT, 617 00:30:04,628 --> 00:30:05,891 LIKE THE ACTUAL WINSLOW HOMER, 618 00:30:05,934 --> 00:30:08,850 DRAWS HIS INSPIRATION FROM NATURE. 619 00:30:08,894 --> 00:30:13,072 DO THEY SHOW ANY OF HIS WORK? 620 00:30:19,469 --> 00:30:21,080 IT'S THE SAME LIGHTHOUSE. 621 00:30:21,123 --> 00:30:24,257 OK. SO NOW ALL WE HAVE TO DO IS FIND THE PSYCHIATRICS FACILITY 622 00:30:24,300 --> 00:30:25,954 WHERE THIS GRAD STUDENT WORKED AT. 623 00:30:25,998 --> 00:30:27,782 THAT HAS A VIEW OF THAT LIGHTHOUSE. 624 00:30:27,826 --> 00:30:31,351 GET A LOAD OF YOU TWO TALKING ABOUT FAKE WARRANTS AND TEARING OFF EARS 625 00:30:31,394 --> 00:30:35,616 WHEN THE WHOLE WORLD IS INSIDE THIS MAGIC, ELECTRIC BOX. 626 00:30:35,659 --> 00:30:36,878 GOOD GIRL, WILLA. 627 00:30:36,922 --> 00:30:41,448 WHAT WOULD WE DO WITHOUT YOU? 628 00:30:46,105 --> 00:30:48,063 THAT'S THE WEATHERVANE. 629 00:30:48,107 --> 00:30:50,196 YOU'RE AN ARTIST. I'M A FINDER. 630 00:30:50,239 --> 00:30:52,633 YOU MAKE BEAUTIFUL THINGS, I FIND THEM. THAT'S WHO WE ARE. 631 00:30:52,676 --> 00:30:54,026 WHY DON'T YOU LOOK HAPPIER? 632 00:30:54,069 --> 00:30:56,942 I'M GLAD TO FIND MOM. BUT MY BRAIN WORM 633 00:30:56,985 --> 00:30:58,291 IS AFTER THE WINSLOW HOMER PAINTING. 634 00:30:58,334 --> 00:31:01,468 PLUS, I GOT A NIGGLE THAT SAYS MOM 635 00:31:01,511 --> 00:31:03,426 ISN'T ACTUALLY WHAT DAD'S LOOKING FOR. 636 00:31:03,470 --> 00:31:07,169 SEEMS LIKE YOUR HEAD'S FULL OF NIGGLES AND WORMS. 637 00:31:07,213 --> 00:31:10,085 [DOOR OPENS] 638 00:31:13,262 --> 00:31:15,917 WALT. 639 00:31:15,961 --> 00:31:17,310 THANK YOU. 640 00:31:32,629 --> 00:31:34,066 MY BOYS... 641 00:31:34,109 --> 00:31:37,591 MY SWEET BOYS...OH... 642 00:31:37,634 --> 00:31:40,811 WALT FOUND YOU, MOM. 643 00:32:06,098 --> 00:32:07,534 [SOBS] 644 00:32:12,669 --> 00:32:15,107 YOUR FATHER SENT YOU? 645 00:32:15,150 --> 00:32:16,151 FRANKLIN SHERMAN? 646 00:32:16,195 --> 00:32:17,631 YEAH. HE NEEDS TO TALK TO YOU. 647 00:32:17,674 --> 00:32:20,634 HE'S DYING. DAD SAYS YOU'RE THE LOVE OF HIS LIFE. 648 00:32:20,677 --> 00:32:21,678 AND HE NEEDS TO SAY GOOD-BYE. 649 00:32:21,722 --> 00:32:22,897 THAT'S KIND OF WEIRD. 650 00:32:22,941 --> 00:32:25,421 BY WEIRD YOU MEAN IT DOESN'T MAKE ANY SENSE. 651 00:32:25,465 --> 00:32:29,730 MOM, PLEASE. HE HASN'T GOT MUCH TIME. 652 00:32:29,773 --> 00:32:32,776 ALL RIGHT. LET'S GO. 653 00:32:32,820 --> 00:32:34,213 IS THAT YOUR VEHICLE, WALT? 654 00:32:34,256 --> 00:32:35,562 ARE YOU AN ELECTRICIAN? 655 00:32:35,605 --> 00:32:37,781 NEVER MIND. WE CAN GET CAUGHT UP DURING THE DRIVE. 656 00:32:37,825 --> 00:32:42,264 WE FOUND A SCHIZOPHRENIC ARTIST WHO BELIEVES THAT HE'S WINSLOW HOMER. 657 00:32:42,308 --> 00:32:44,005 Walter: IS HE IN THE LOONEY BIN? 658 00:32:44,049 --> 00:32:46,529 - WALDEN PSYCHIATRIC INSTITUTE. - WILLA FOUND HIM. 659 00:32:46,573 --> 00:32:48,836 I PICKED UP A FEW FINDER TRICKS FROM YOU ALONG THE WAY. 660 00:32:48,879 --> 00:32:51,970 WILLA, I HEREBY PROMOTE YOU TO FINDER APPRENTICE. 661 00:32:52,013 --> 00:32:54,668 TELL LEO HE LOST THE JOB. SORRY. 662 00:32:54,711 --> 00:32:55,799 DID YOU FIND YOUR MOTHER? 663 00:32:55,843 --> 00:32:58,193 YES. I ASSUME YOU'RE MR. KNOX? 664 00:32:58,237 --> 00:33:00,717 AND THE WOMAN WHO IS NOT THE TEENAGE GIRL 665 00:33:00,761 --> 00:33:02,328 IS THE ONE HAVING SEX WITH MY SON? 666 00:33:02,371 --> 00:33:04,025 MOM! 667 00:33:04,069 --> 00:33:06,723 [WHISPERS] THAT IS DEFINITELY WALTER'S MOTHER. 668 00:33:06,767 --> 00:33:09,117 HELLO! IT'S SO NICE TO MEET YOU. 669 00:33:09,161 --> 00:33:10,640 WALTER, ARE YOU FEELING BETTER NOW? 670 00:33:10,684 --> 00:33:13,426 BECAUSE WE'VE ALMOST FOUND EVERYTHING THAT NEEDS FINDING. 671 00:33:13,469 --> 00:33:15,036 WHAT'S HE MEAN? ARE YOU ALL RIGHT? 672 00:33:15,080 --> 00:33:16,342 YEAH. 673 00:33:16,385 --> 00:33:17,821 JUST BE QUICK ABOUT THIS, WALTER, OK? 674 00:33:17,865 --> 00:33:20,476 BEFORE THE MARSHALS FIND OUT AND ARREST YOU. 675 00:33:20,520 --> 00:33:21,173 YEAH. I JUST GOT TO DUMP MY MOM. 676 00:33:21,216 --> 00:33:22,391 DUMP?! WALT! 677 00:33:22,435 --> 00:33:25,177 AND GET TO THE WALDEN PSYCHIATRIC INSTITUTE. 678 00:33:25,220 --> 00:33:26,656 ISABEL, I'M SORRY. I GOT TO GO. 679 00:33:26,700 --> 00:33:28,963 WAIT. SORRY? SORRY FOR WHAT?GOOD-BYE, WALTER. THANKS. 680 00:33:29,007 --> 00:33:29,964 HE HUNG UP. 681 00:33:30,008 --> 00:33:32,923 Isabel: YEAH, HE'S GONE. 682 00:33:32,967 --> 00:33:34,055 WHERE ARE YOU GOING? 683 00:33:34,099 --> 00:33:36,014 GOT TO GO MEET UP WITH MY SOUR FACED, 684 00:33:36,057 --> 00:33:39,930 PUCKER LIPS FROWNY FROWN PROBATION OFFICER. 685 00:33:59,733 --> 00:34:01,778 WHAT WAS THAT ABOUT? 686 00:34:01,822 --> 00:34:02,997 GOT TO HAND IT TO YOU, LEO. 687 00:34:03,041 --> 00:34:06,261 YOU ARE REALLY GETTING THROUGH TO THAT GIRL. 688 00:34:11,832 --> 00:34:15,227 SO WHAT'S YOUR STORY? YOU'VE CHANGED. 689 00:34:15,270 --> 00:34:18,273 LIKE SOMEBODY REMOVED A LARGE BUG FROM YOUR ASS. 690 00:34:18,317 --> 00:34:20,667 YEAH. AND REPLACED IT WITH A BRAIN WORM. 691 00:34:20,710 --> 00:34:24,149 LET'S JUST SAY I'M NOT THE BOY WITH THE BUCKET ANYMORE. 692 00:34:24,192 --> 00:34:25,019 IT'S COMPLICATED. 693 00:34:25,063 --> 00:34:27,804 I WOULDN'T MIND A LITTLE MORE. 694 00:34:27,848 --> 00:34:30,503 I HOPE YOU DON'T MIND CRAZY. 695 00:34:30,546 --> 00:34:32,244 THERE ARE 2 KINDS OF CRAZY. 696 00:34:32,287 --> 00:34:33,636 THERE'S NO USE TO ANYBODY CRAZY. 697 00:34:33,680 --> 00:34:37,379 AND THERE'S DON QUIXOTE CRAZY, TILTING AT WINDMILLS. 698 00:34:37,423 --> 00:34:38,380 WHICH ARE YOU? 699 00:34:38,424 --> 00:34:40,252 DEFINITELY DON QUIXOTE. 700 00:34:40,295 --> 00:34:41,905 NOT TODAY. 701 00:34:48,260 --> 00:34:49,174 AAH! 702 00:34:52,090 --> 00:34:53,526 STAY HERE. 703 00:34:55,005 --> 00:34:59,880 LOOK. IT'S BILL FROM ALCOHOLICS ANONYMOUS. 704 00:34:59,923 --> 00:35:02,012 HOW LONG HAVE YOU BEEN FOLLOWING LANGSTON? 705 00:35:02,056 --> 00:35:05,973 WE HAVE NO QUARREL WITH YOU OR YOUR BROTHER, MR. SHERMAN. 706 00:35:06,016 --> 00:35:08,367 IT'S OUR SISTER ELAINE WE WANT BACK. 707 00:35:08,410 --> 00:35:11,109 WHO GIVES UP THEIR MOTHER TO A CULT? 708 00:35:11,152 --> 00:35:13,372 WE'RE NOT A CULT. WE'RE A RELIGION. 709 00:35:13,415 --> 00:35:14,460 AND SHE'S ONE OF OURS. 710 00:35:14,503 --> 00:35:17,289 I AM SURE SHE WOULD WELCOME THE CHANCE 711 00:35:17,332 --> 00:35:19,813 TO SACRIFICE HERSELF TO SAVE YOUR LIFE. 712 00:35:19,856 --> 00:35:21,162 [SCOFFS] 713 00:35:21,206 --> 00:35:23,121 IF YOU KNEW MY MOTHER, BILL, 714 00:35:23,164 --> 00:35:25,210 YOU'D KNOW THAT'S JUST NOT TRUE. 715 00:35:51,801 --> 00:35:53,934 - WHAT THE HELL... - ARE THEY ALL DEAD? 716 00:35:53,977 --> 00:35:56,719 I GOT A PAINTING TO FIND. LET'S GO. 717 00:35:56,763 --> 00:35:59,069 WALT. YOU'RE SHOT. 718 00:36:01,202 --> 00:36:03,900 SHOT'S ONLY WHEN THE BULLET STAYS INSIDE OF YOU. 719 00:36:03,944 --> 00:36:05,424 LET'S GO. 720 00:36:07,252 --> 00:36:10,168 [DOOR CLOSES] 721 00:36:11,560 --> 00:36:15,303 [ENGINE STARTS] 722 00:36:32,581 --> 00:36:34,061 TOLD YOU. 723 00:36:34,104 --> 00:36:35,758 WHAT? 724 00:36:35,802 --> 00:36:38,413 SHE'S NOT THE LOVE OF HIS LIFE. 725 00:36:38,457 --> 00:36:39,632 HOW DO YOU KNOW? 726 00:36:39,675 --> 00:36:41,242 SHE'S NOT WHAT HE WAS LOOKING FOR. 727 00:36:41,286 --> 00:36:45,638 DAD DIDN'T SHUT HIS EYES WHEN SHE HUGGED HIM. 728 00:36:45,681 --> 00:36:49,859 HE WATCHED US. 729 00:36:53,689 --> 00:36:55,256 HE WANTS TO THANK YOU. 730 00:36:55,300 --> 00:36:57,954 I GOT A PAINTING TO FIND. SO... 731 00:36:57,998 --> 00:37:00,043 IT WAS GOOD FOR YOU TO BRING ME HERE. 732 00:37:00,087 --> 00:37:02,655 WE LOVED EACH OTHER VERY MUCH ONCE. 733 00:37:02,698 --> 00:37:05,440 WE WERE A FAMILY ONCE. 734 00:37:06,441 --> 00:37:07,616 WALT SAYS YOU'RE NOT DAD'S DYING WISH. 735 00:37:07,660 --> 00:37:09,488 WALT'S RIGHT. 736 00:37:09,531 --> 00:37:12,665 BUT YOU DID FIND YOUR FATHER'S DYING WISH. 737 00:37:14,623 --> 00:37:16,364 IT WAS YOU. 738 00:37:16,408 --> 00:37:19,889 [SIGHS] I WAS HIS EXCUSE TO SEE YOU AGAIN. 739 00:37:19,933 --> 00:37:23,545 THE MAN COULD NEVER JUST COME OUT AND ADMIT WHAT HE WANTED. 740 00:37:23,589 --> 00:37:27,549 BUT IT'S YOU HE WANTS TO SAY GOOD-BYE TO, WALT. 741 00:37:36,602 --> 00:37:39,474 COME ON, LANGSTON. LET'S GO. 742 00:37:53,140 --> 00:37:54,794 YOU FIND YOUR PAINTING? 743 00:37:54,837 --> 00:37:56,448 NAH. BUT, UH... 744 00:37:56,491 --> 00:38:00,887 I THINK IT'S A FORGERY BY A GUY WHO THINKS HE'S THE ARTIST. 745 00:38:03,629 --> 00:38:07,502 MOM SAYS YOU KILLED 3 GUYS TO GET HER TO ME. 746 00:38:07,546 --> 00:38:10,200 YEAH...THAT'S GOING TO BITE ME IN THE ASS. 747 00:38:12,202 --> 00:38:13,465 WERE THEY BAD MEN? 748 00:38:13,508 --> 00:38:16,555 I DON'T KNOW. THEY WANTED TO KILL MOM. 749 00:38:16,598 --> 00:38:18,687 DOES THAT MAKE 'EM BAD? 750 00:38:18,731 --> 00:38:20,298 AH... 751 00:38:21,168 --> 00:38:24,084 YOU'VE DONE ENOUGH, WALT. 752 00:38:24,127 --> 00:38:27,043 GO FIND YOUR FORGER. 753 00:38:27,087 --> 00:38:28,567 I UNDERSTAND. 754 00:38:33,876 --> 00:38:35,313 I'M GOING TO STAY HERE. 755 00:38:40,318 --> 00:38:44,017 LANGSTON SAYS IF YOU DON'T FIND WHAT YOU'RE LOOKING FOR, 756 00:38:44,060 --> 00:38:46,933 YOU EXPLODE OR SOMETHING. 757 00:38:48,848 --> 00:38:51,677 EH... 758 00:38:51,720 --> 00:38:54,593 IT CAN WAIT. 759 00:39:02,165 --> 00:39:05,560 MR. KNOX, WHERE'S WILLA? 760 00:39:05,604 --> 00:39:07,083 GOOD MORNING, MRS. FARREL. 761 00:39:07,127 --> 00:39:10,739 TODAY'S IS WILLA'S DAY OFF SO SHE'S PROBABLY SLEEPING IN. 762 00:39:10,783 --> 00:39:12,045 DIDN'T YOU SEE HER LAST NIGHT. 763 00:39:12,088 --> 00:39:14,656 WHY WOULD I? OUR APPOINTMENT IS RIGHT NOW. 764 00:39:14,700 --> 00:39:16,789 AND SHE'S NOT ANSWERING HER DOOR. 765 00:39:37,723 --> 00:39:40,290 WALTER... 766 00:39:43,468 --> 00:39:45,513 I GOT IT ALL WRONG. 767 00:39:48,298 --> 00:39:51,040 NO, DAD. 768 00:39:51,084 --> 00:39:54,348 WE FOUND OUR WAY. 769 00:39:59,484 --> 00:40:02,748 [EXHALES] 770 00:40:02,791 --> 00:40:06,404 [MUSIC PLAYING] 771 00:43:55,720 --> 00:43:56,938 WHAT'S THAT MEAN?