1 00:00:07,090 --> 00:00:11,010 - (CRICKETS CHIRPING) - (GATE RATTLING) 2 00:00:11,010 --> 00:00:14,013 RAFAEL GALLARDO: That's enough. Hurry up. Let's go! 3 00:00:14,013 --> 00:00:15,306 MATEO GALLARDO: I got it. 4 00:00:16,975 --> 00:00:18,935 RAFAEL: Hurry up. Let's go, let's go. Vamos. 5 00:00:18,935 --> 00:00:21,271 (DOG BARKING IN DISTANCE) 6 00:00:21,271 --> 00:00:22,522 (MATEO SHUSHES) 7 00:00:26,985 --> 00:00:32,991 ♪ (SUSPENSEFUL MUSIC PLAYING) ♪ 8 00:00:39,038 --> 00:00:40,790 (ALL PANTING) 9 00:00:49,716 --> 00:00:52,343 {\an8}SOFÍA: (IN SPANISH) 10 00:01:00,852 --> 00:01:02,187 (IN ENGLISH) I know. 11 00:01:04,355 --> 00:01:09,527 {\an8}(IN SPANISH) 12 00:01:13,531 --> 00:01:14,657 (IN ENGLISH) Come on, Rafa. 13 00:01:15,450 --> 00:01:17,994 (OWL HOOTING) 14 00:01:19,037 --> 00:01:20,455 (RADIO STATIC) 15 00:01:20,455 --> 00:01:23,458 ♪ (GENTLE JAZZ MUSIC PLAYING) ♪ 16 00:01:25,752 --> 00:01:30,215 {\an8}(IN SPANISH) 17 00:01:31,591 --> 00:01:32,884 - No. - No? 18 00:01:37,013 --> 00:01:38,014 Huh? 19 00:01:42,977 --> 00:01:43,978 Hey. 20 00:01:46,147 --> 00:01:48,274 (IN ENGLISH) We'll have good memories again. 21 00:01:50,151 --> 00:01:53,279 Get back everything we lost. Hmm? 22 00:01:54,280 --> 00:01:55,573 Have our own place. 23 00:01:57,075 --> 00:01:58,284 A family. 24 00:02:08,253 --> 00:02:09,796 Will you marry me, Sofía? 25 00:02:11,339 --> 00:02:12,340 Sí. 26 00:02:13,383 --> 00:02:14,676 - Sí. - (RAFAEL CHEERS) 27 00:02:14,676 --> 00:02:17,011 {\an8}(IN SPANISH) 28 00:02:17,011 --> 00:02:20,849 (BOTH LAUGH) 29 00:02:25,019 --> 00:02:27,814 - (MATEO LAUGHING) - (RAFAEL CHEERING) 30 00:02:37,824 --> 00:02:39,868 ♪ (MUSIC FADES) ♪ 31 00:02:41,369 --> 00:02:43,955 (BIRDS CHIRPING) 32 00:02:45,874 --> 00:02:47,417 (WHISPERS) I love you. 33 00:03:14,110 --> 00:03:17,947 (ROTARY PHONE DIALING) 34 00:03:21,743 --> 00:03:23,828 (PHONE RINGING) 35 00:03:28,583 --> 00:03:29,834 Pick up. (SIGHS) 36 00:03:30,460 --> 00:03:31,753 (TELEPHONE RINGING) 37 00:03:31,753 --> 00:03:33,338 ♪ ("CORRINE, CORRINA" BY RED NICHOLS PLAYING ON RADIO) ♪ 38 00:03:33,338 --> 00:03:35,256 - GINNY AIMES: Get that? - PERRY MASON: No. 39 00:03:36,341 --> 00:03:39,218 ♪ Ain't had no loving, baby ♪ 40 00:03:39,218 --> 00:03:41,262 Since you've been gone ♪ 41 00:03:41,262 --> 00:03:42,931 - Perry. - Mm-hmm. 42 00:03:44,098 --> 00:03:46,225 What time are you due in court today? 43 00:03:46,225 --> 00:03:50,313 - (TELEPHONE CONTINUES RINGING) - About an hour. 44 00:03:51,356 --> 00:03:52,774 - Perry. - Yeah? 45 00:03:56,027 --> 00:03:57,362 What are you doing? 46 00:03:58,863 --> 00:04:00,740 Have you ever been to Yosemite? 47 00:04:03,034 --> 00:04:04,744 I haven't. 48 00:04:04,744 --> 00:04:07,205 Your trousers are on your toy train. 49 00:04:08,831 --> 00:04:09,958 - Thank you. - Mm-hmm. 50 00:04:09,958 --> 00:04:12,377 It's an amazing place to ride horses. 51 00:04:12,377 --> 00:04:15,171 I'm sure it is, especially right into the sunset. 52 00:04:15,171 --> 00:04:16,422 Best time. 53 00:04:17,173 --> 00:04:18,883 - (SIGHS) - We should go. 54 00:04:20,593 --> 00:04:22,095 - Are you serious? - Yeah. 55 00:04:26,391 --> 00:04:27,392 Right now. 56 00:04:30,103 --> 00:04:31,980 I think others need us today. 57 00:04:34,565 --> 00:04:36,401 I don't know how to fight this case. 58 00:04:37,443 --> 00:04:38,444 I don't. 59 00:04:43,282 --> 00:04:44,325 Well... 60 00:04:45,243 --> 00:04:46,661 you have 58 minutes. 61 00:04:49,580 --> 00:04:50,623 Figure it out. 62 00:04:57,463 --> 00:04:59,298 Can't wait to hear all about it. 63 00:05:01,467 --> 00:05:03,636 (TELEPHONE RINGING) 64 00:05:05,847 --> 00:05:07,974 Oh, stop calling, Della. 65 00:05:09,308 --> 00:05:15,690 - ♪ (TENSE MUSIC PLAYING) ♪ - (CROWD CLAMORING) 66 00:05:25,074 --> 00:05:26,451 Ready? 67 00:05:26,451 --> 00:05:29,037 - Are you? - Do I have a choice? 68 00:05:30,455 --> 00:05:31,664 Good luck. 69 00:05:31,664 --> 00:05:33,249 - Thanks. - Thanks. 70 00:05:35,334 --> 00:05:37,503 FRANK FINNERTY: Join us now for another hour 71 00:05:37,503 --> 00:05:43,009 of truth and justice with Fighting Frank Finnerty. 72 00:05:44,844 --> 00:05:47,930 As the most important trial our city has seen 73 00:05:47,930 --> 00:05:52,894 in a great while commences, I ask you this. 74 00:05:52,894 --> 00:05:57,106 Why is it only the witnesses 75 00:05:57,106 --> 00:06:00,526 must swear to tell the whole truth? 76 00:06:01,944 --> 00:06:06,908 Why isn't the same oath administered to the attorneys? 77 00:06:06,908 --> 00:06:10,078 For what was exhibited in the opening statements 78 00:06:10,078 --> 00:06:13,164 of the McCutcheon murder trial was a display 79 00:06:13,164 --> 00:06:16,793 - of the highest integrity on one hand... - BAILIFF: All rise! 80 00:06:16,793 --> 00:06:20,463 FRANK: ...and utter deceit on the other. 81 00:06:21,380 --> 00:06:23,466 Please be seated. 82 00:06:23,466 --> 00:06:25,384 THOMAS MILLIGAN: Ladies and gentlemen of the jury, 83 00:06:25,384 --> 00:06:27,220 Rafael and Mateo Gallardo, 84 00:06:27,220 --> 00:06:28,763 the men you see before you today, 85 00:06:28,763 --> 00:06:31,015 are guilty of murder in the first degree. 86 00:06:31,015 --> 00:06:35,770 They killed Brooks McCutcheon, a beacon of hope for this city. 87 00:06:35,770 --> 00:06:39,440 And for what? Couple of bucks and a gold coin? 88 00:06:39,440 --> 00:06:43,277 And don't be fooled by their sob story of poverty 89 00:06:43,277 --> 00:06:45,446 and suffering because in these times, 90 00:06:45,446 --> 00:06:48,574 who here hasn't seen hardship of one sort or another? 91 00:06:48,574 --> 00:06:52,954 But who among you has resorted to murder as the remedy? 92 00:06:52,954 --> 00:06:54,705 None of you, of course. 93 00:06:54,705 --> 00:06:56,582 Except for these two men right here. 94 00:06:56,582 --> 00:06:59,252 Weak of character, devoid of humanity, 95 00:06:59,252 --> 00:07:01,504 of innate decency, cold-blooded, malicious... 96 00:07:01,504 --> 00:07:04,090 Ladies and gentlemen, this prosecution maintains 97 00:07:04,090 --> 00:07:05,925 that Brooks McCutcheon 98 00:07:05,925 --> 00:07:09,512 was our city's last great shining star. 99 00:07:09,512 --> 00:07:12,723 And therefore, you do wonder who would want to harm 100 00:07:12,723 --> 00:07:14,308 such a fine man. 101 00:07:14,308 --> 00:07:17,812 But when we introduce you to the real Brooks McCutcheon, 102 00:07:17,812 --> 00:07:20,523 you won't be asking who in this town wanted him killed, 103 00:07:20,523 --> 00:07:22,692 you'll be asking who in this town didn't? 104 00:07:22,692 --> 00:07:24,152 - (CROWD MURMURS) - (CAMERAS SHUTTER CLICK) 105 00:07:24,152 --> 00:07:26,362 THOMAS: And the punishment must serve as an example 106 00:07:26,362 --> 00:07:29,657 to the people of this city that barbaric behavior 107 00:07:29,657 --> 00:07:32,451 of this magnitude will not be tolerated. 108 00:07:32,451 --> 00:07:37,915 This prosecution is intent on manipulating, 109 00:07:37,915 --> 00:07:41,961 swaying, influencing opinion in the worst possible way. 110 00:07:43,212 --> 00:07:45,548 These proceedings have already become nothing less 111 00:07:45,548 --> 00:07:49,510 - than a racist witch hunt. - (CROWD MURMURING) 112 00:07:49,510 --> 00:07:53,222 FRANK: The jury in this case is not limited to 12. 113 00:07:53,222 --> 00:07:58,019 For you, fellow citizens, are also on the jury. 114 00:07:58,019 --> 00:08:02,523 And we must make sure that no one is allowed 115 00:08:02,523 --> 00:08:08,779 to destroy the integrity of our laws, our liberty, 116 00:08:08,779 --> 00:08:12,241 and our City of Angels! 117 00:08:12,241 --> 00:08:13,993 VINCENT TAYLOR: District seven is becoming 118 00:08:13,993 --> 00:08:16,662 one of the finest in all of Los Angeles. 119 00:08:16,662 --> 00:08:19,165 So it is my great pleasure to officially open 120 00:08:19,165 --> 00:08:21,042 the new Hope Street Park. 121 00:08:21,042 --> 00:08:23,669 It's a shining example of what can be achieved 122 00:08:23,669 --> 00:08:25,755 when we all work together. 123 00:08:25,755 --> 00:08:27,298 Smile for the cameras, ladies. 124 00:08:28,841 --> 00:08:31,385 - There we are. (LAUGHS) - (APPLAUSE) 125 00:08:31,385 --> 00:08:33,638 Great job. Wonderful. Pleasure. 126 00:08:35,431 --> 00:08:37,934 Now, where is this cake that I've heard so much about? 127 00:08:37,934 --> 00:08:39,393 SERVER: Right here, Councilman. 128 00:08:40,269 --> 00:08:41,979 Thank you very much. 129 00:08:41,979 --> 00:08:43,814 - Councilman Taylor. - VINCENT: Thank you. 130 00:08:43,814 --> 00:08:45,524 PAUL DRAKE: May I borrow a minute of your time? 131 00:08:45,524 --> 00:08:47,193 I got my hands full at the moment. 132 00:08:47,193 --> 00:08:50,154 - Perhaps you can try my office. - I tried, but they told me 133 00:08:50,154 --> 00:08:51,781 your hands were pretty full down there too. 134 00:08:51,781 --> 00:08:54,116 Well, my district has a lot of needs. 135 00:08:58,412 --> 00:09:00,748 This one's outside your district, Councilor. 136 00:09:07,171 --> 00:09:08,965 Get to your point. 137 00:09:08,965 --> 00:09:11,467 I'm just trying to find out how your sister Noreen 138 00:09:11,467 --> 00:09:13,010 ended up there. 139 00:09:13,010 --> 00:09:14,595 It was a car accident. 140 00:09:15,596 --> 00:09:18,099 And was Brooks McCutcheon driving? 141 00:09:18,099 --> 00:09:19,976 I work for the attorneys representing the boys 142 00:09:19,976 --> 00:09:21,602 arrested in the case. 143 00:09:21,602 --> 00:09:23,145 How does what happened to Noreen 144 00:09:23,145 --> 00:09:24,814 have anything to do with Brooks's death? 145 00:09:24,814 --> 00:09:27,525 No, no, I'm just trying to get a full picture of the man. 146 00:09:28,567 --> 00:09:31,445 Brooks knew Noreen in some capacity. 147 00:09:31,445 --> 00:09:33,447 She worked for his company. So what? 148 00:09:33,447 --> 00:09:34,782 PAUL: You know, I'm also wondering 149 00:09:34,782 --> 00:09:37,910 how that stadium project of his fits into all this 150 00:09:37,910 --> 00:09:40,871 since it's in your district. 151 00:09:40,871 --> 00:09:43,332 You know, I don't really like investigators. 152 00:09:44,750 --> 00:09:46,335 Especially shadowy ones 153 00:09:46,335 --> 00:09:49,171 who step in places they aren't welcome. 154 00:09:49,171 --> 00:09:52,049 ♪ (DRAMATIC MUSIC PLAYING) ♪ 155 00:09:52,925 --> 00:09:54,427 It was a car accident. 156 00:09:55,636 --> 00:09:57,388 And it's a private family matter. 157 00:09:58,431 --> 00:10:00,099 And it's gonna stay that way. 158 00:10:01,559 --> 00:10:03,311 So your investigation? 159 00:10:05,104 --> 00:10:06,105 It ends here. 160 00:10:08,691 --> 00:10:11,444 Ladies, this pound cake is something. 161 00:10:13,696 --> 00:10:16,490 The people call Mr. Brian Walsh to the stand. 162 00:10:27,168 --> 00:10:28,878 THOMAS: Mr. Walsh, what is your occupation? 163 00:10:28,878 --> 00:10:30,880 I'm a bus driver for the city. 164 00:10:30,880 --> 00:10:32,256 And what is the route that you drive? 165 00:10:32,256 --> 00:10:34,717 Across town along Santa Monica Boulevard 166 00:10:34,717 --> 00:10:37,178 from Vermont Avenue to Ocean Avenue. 167 00:10:37,178 --> 00:10:38,346 What time of day do you drive? 168 00:10:38,346 --> 00:10:40,723 BRIAN WALSH: Six p.m. to six a.m. 169 00:10:40,723 --> 00:10:42,725 And how long have you been driving this route? 170 00:10:42,725 --> 00:10:44,393 Five years. 171 00:10:44,393 --> 00:10:46,729 THOMAS: So, you must know the route and the stops very well then? 172 00:10:46,729 --> 00:10:48,773 BRIAN: Mm, backwards and forwards. 173 00:10:48,773 --> 00:10:50,483 THOMAS: Do you have a lot of regular passengers? 174 00:10:50,483 --> 00:10:51,776 BRIAN: I know a fair amount of 'em 175 00:10:51,776 --> 00:10:53,778 - by the way they look, sure. - Hey, Charlie. 176 00:10:53,778 --> 00:10:56,197 THOMAS: And would you say that if someone of another race 177 00:10:56,197 --> 00:10:58,240 were to get on your bus, you would notice them more? 178 00:10:58,240 --> 00:10:59,575 Objection, leading. 179 00:11:00,826 --> 00:11:02,745 - Sustained. - THOMAS: I'll be more direct. 180 00:11:02,745 --> 00:11:04,705 Do you remember seeing the defendants 181 00:11:04,705 --> 00:11:07,458 board your bus on the evening of March 18th? 182 00:11:07,458 --> 00:11:10,336 Yeah, at Santa Monica and Stanley. 183 00:11:10,336 --> 00:11:11,462 How can I miss them? 184 00:11:11,462 --> 00:11:14,006 Always watch those types careful. 185 00:11:14,006 --> 00:11:15,383 THOMAS: Had you seen them before? 186 00:11:15,383 --> 00:11:17,635 BRIAN: I have. Most Saturday nights. 187 00:11:17,635 --> 00:11:18,886 THOMAS: Where'd they get off? 188 00:11:18,886 --> 00:11:21,764 BRIAN: All the way to the end of the line. 189 00:11:21,764 --> 00:11:23,891 What time did you get to the end of your route? 190 00:11:23,891 --> 00:11:26,060 BRIAN: I make four round trips in a shift. 191 00:11:26,060 --> 00:11:27,353 This was the second one, 192 00:11:27,353 --> 00:11:30,606 and I got there, as always, at 12:05. 193 00:11:30,606 --> 00:11:33,943 12:05. Now according to the coroner's report, 194 00:11:33,943 --> 00:11:36,445 the time of death, which was a short walk 195 00:11:36,445 --> 00:11:40,408 from the last bus stop, I should add, was 1:30 a.m. 196 00:11:40,408 --> 00:11:43,285 Clearly enough time for Rafael and Mateo Gallardo 197 00:11:43,285 --> 00:11:45,913 to make their way down to the pier, find a hiding spot, 198 00:11:45,913 --> 00:11:49,125 and wait for an unsuspecting casino boat patron, 199 00:11:49,125 --> 00:11:50,501 like Brooks McCutcheon. 200 00:11:51,836 --> 00:11:54,380 - And seize upon him. - (CROWD MURMURING) 201 00:11:54,380 --> 00:11:55,798 THOMAS: I'd like to thank you, Mr. Walsh, 202 00:11:55,798 --> 00:11:57,049 for your appearance here today 203 00:11:57,049 --> 00:11:58,968 and for your work every day on behalf of this city. 204 00:11:58,968 --> 00:12:00,177 You're welcome. 205 00:12:02,555 --> 00:12:05,141 Jury bought what he said. Don't push too hard. 206 00:12:07,393 --> 00:12:10,771 Mr. Walsh, when the boys got off the bus, 207 00:12:10,771 --> 00:12:13,566 did you see which direction they walked? 208 00:12:14,525 --> 00:12:16,026 Towards the ocean, I guess. 209 00:12:19,447 --> 00:12:20,823 I'm sorry, you guess? 210 00:12:21,782 --> 00:12:23,617 You-- you-- you guess? 211 00:12:24,493 --> 00:12:25,703 But you don't know? 212 00:12:27,538 --> 00:12:29,748 Did you have any contact with 'em after they got off? 213 00:12:29,748 --> 00:12:30,666 No. 214 00:12:30,666 --> 00:12:32,084 Did you ask them where they were headed? 215 00:12:32,084 --> 00:12:33,127 Did they just say, 216 00:12:33,127 --> 00:12:34,420 "Oh, we're off to kill Brooks McCutcheon." 217 00:12:34,420 --> 00:12:36,172 Objection, compound argumentative. 218 00:12:36,172 --> 00:12:38,549 Sustained. Mr. Mason. 219 00:12:38,549 --> 00:12:41,594 Apologies, rephrase. Um, Mr. Walsh, outside of seeing 220 00:12:41,594 --> 00:12:43,554 the boys get off the bus at a specific time, 221 00:12:43,554 --> 00:12:44,680 what else can you tell us 222 00:12:44,680 --> 00:12:47,933 that you know they did or did not do that night? 223 00:12:48,976 --> 00:12:52,021 - W-- I-- I guess nothing. - PERRY: Right. 224 00:12:52,021 --> 00:12:53,898 They could've gone in a thousand different directions, 225 00:12:53,898 --> 00:12:55,065 done a thousand different things. 226 00:12:55,065 --> 00:12:56,817 You're currently in a very packed courtroom. 227 00:12:56,817 --> 00:12:58,819 If a crime is committed a mile away from here 228 00:12:58,819 --> 00:13:01,405 in a couple hours, you gonna testify one of us did it 229 00:13:01,405 --> 00:13:04,617 'cause you see us here now, or are you going to guess? 230 00:13:06,785 --> 00:13:10,623 Sure, if they look as shifty as you do, Mr. Maggot. 231 00:13:10,623 --> 00:13:13,751 - (CROWD LAUGHING) - (CAMERA SHUTTERS CLICK) 232 00:13:16,921 --> 00:13:19,215 - (GAVEL BANGING) - JUDGE DURKIN: Order. 233 00:13:19,215 --> 00:13:21,759 Look, don't start reading into anything. 234 00:13:21,759 --> 00:13:23,302 (INDISTINCT CHATTER) 235 00:13:23,302 --> 00:13:24,929 But-- but they laughed at you. 236 00:13:24,929 --> 00:13:26,388 No, they laughed at what he said, 237 00:13:26,388 --> 00:13:28,974 and that guy was a prick, pardon my language. 238 00:13:28,974 --> 00:13:31,852 I saw the way some of the jury was looking at the boys. 239 00:13:31,852 --> 00:13:33,229 Why didn't you object more? 240 00:13:33,229 --> 00:13:35,356 There was nothing to object to. 241 00:13:36,774 --> 00:13:38,526 My job now is to show the jury 242 00:13:38,526 --> 00:13:41,820 anyone else that might be responsible for killing Brooks. 243 00:13:43,030 --> 00:13:45,324 - Like who? - PERRY: I don't know. 244 00:13:45,324 --> 00:13:48,369 Just another suspect to focus on. 245 00:13:49,870 --> 00:13:51,205 Mr. Mason. 246 00:13:54,792 --> 00:13:56,961 What if there was someone else... 247 00:13:58,587 --> 00:14:00,422 who wanted him dead? 248 00:14:00,422 --> 00:14:04,927 ♪ (PENSIVE MUSIC PLAYING) ♪ 249 00:14:04,927 --> 00:14:06,887 LUISA GALLARDO: I didn't know where else to keep it. 250 00:14:10,516 --> 00:14:13,102 I thought if I kept it under here, maybe-- 251 00:14:13,102 --> 00:14:15,271 maybe God would protect it. 252 00:14:16,146 --> 00:14:20,901 (INDISTINCT CHATTER) 253 00:14:21,610 --> 00:14:22,820 (WHISPERS) How much? 254 00:14:23,654 --> 00:14:25,489 (WHISPERS) Two thousand dollars. 255 00:14:32,788 --> 00:14:34,915 I think I should hold onto this. 256 00:14:39,003 --> 00:14:42,214 - ♪ (PENSIVE MUSIC RESUMES) ♪ - (INDISTINCT CHATTER) 257 00:14:42,214 --> 00:14:44,341 (DOGS BARKING) 258 00:14:50,389 --> 00:14:51,807 PERRY: Sixth and Spring. 259 00:14:51,807 --> 00:14:53,309 TAXI DRIVER: You got it. 260 00:14:53,309 --> 00:14:55,644 (ENGINE REVVING) 261 00:14:59,773 --> 00:15:02,234 ♪ (MUSIC FADES) ♪ 262 00:15:02,234 --> 00:15:05,738 I couldn't tell when the women knew they were hired, 263 00:15:05,738 --> 00:15:07,406 either obviously before the murder, 264 00:15:07,406 --> 00:15:10,034 or whether the boys confessed because they got caught. 265 00:15:10,034 --> 00:15:11,910 Murder for hire? 266 00:15:11,910 --> 00:15:13,787 How are you not more upset about this? 267 00:15:13,787 --> 00:15:14,913 PERRY: Oh, believe me, I am, 268 00:15:14,913 --> 00:15:17,625 but that whole robbery-gone-wrong bullshit 269 00:15:17,625 --> 00:15:20,294 never sat right with me. This makes sense. 270 00:15:20,294 --> 00:15:21,754 Now all we have to do 271 00:15:21,754 --> 00:15:24,006 is find out who wanted Brooks dead. 272 00:15:24,006 --> 00:15:26,425 PAUL: Hmm, two Gs, that's not chicken feed. 273 00:15:26,425 --> 00:15:30,554 Holcomb maybe. He's never been shy about taking payoffs. 274 00:15:31,764 --> 00:15:33,682 What about Councilman Taylor? 275 00:15:33,682 --> 00:15:37,227 A civil servant salary covering that? I don't know. 276 00:15:37,227 --> 00:15:39,104 But with all the kickbacks those boys get? 277 00:15:40,356 --> 00:15:43,150 And he did turn six shades of red when I brought up Brooks. 278 00:15:43,150 --> 00:15:46,320 Right, so Brooks somehow wrongs Taylor's sister-- 279 00:15:46,320 --> 00:15:47,738 Hold on, speculative. 280 00:15:47,738 --> 00:15:48,906 PERRY: The councilman wants payback, 281 00:15:48,906 --> 00:15:50,532 has to make it look like anything but a hit 282 00:15:50,532 --> 00:15:52,284 so the McCutcheons don't suspect him. 283 00:15:52,284 --> 00:15:54,662 So, he hires two young guys, probably at arm's length, 284 00:15:54,662 --> 00:15:57,665 they knock off Brooks. No one's the wiser. 285 00:16:02,795 --> 00:16:03,796 Wh-- what? 286 00:16:03,796 --> 00:16:05,005 It's conjecture, all of it. 287 00:16:05,005 --> 00:16:07,800 I know-- Della, we need-- we need something, 288 00:16:07,800 --> 00:16:08,967 we need a roadmap. 289 00:16:08,967 --> 00:16:10,594 But first, we need to talk to our clients. 290 00:16:10,594 --> 00:16:12,805 - ♪ (TENSE MUSIC PLAYING) ♪ - Well, then we better start walking. 291 00:16:12,805 --> 00:16:14,973 We're due in court in 25 minutes. 292 00:16:15,974 --> 00:16:17,351 We'll have to ask for a recess. 293 00:16:17,351 --> 00:16:18,727 Then we'll need a damn good reason. 294 00:16:18,727 --> 00:16:20,354 The judge won't just grant us one. 295 00:16:20,354 --> 00:16:21,563 Make some shit up. 296 00:16:21,563 --> 00:16:23,190 Well, isn't that your department? 297 00:16:23,190 --> 00:16:24,858 - (ELEVATOR BELL DINGS) - Fair. 298 00:16:27,611 --> 00:16:30,823 (INDISTINCT CHATTER) 299 00:16:37,746 --> 00:16:39,039 BAILIFF: All rise. 300 00:16:47,214 --> 00:16:48,215 DURKIN: Be seated. 301 00:16:48,215 --> 00:16:49,633 - Your honor... - HAMILTON BURGER: Your honor, 302 00:16:49,633 --> 00:16:52,261 the people would like to request a recess 303 00:16:52,261 --> 00:16:55,389 so we may confer with defense counsel. 304 00:16:57,808 --> 00:17:01,061 Life in prison for both with no chance for parole 305 00:17:01,061 --> 00:17:04,648 regardless of which one admits to pulling the trigger. 306 00:17:04,648 --> 00:17:07,901 The Gallardos will be placed in San Quentin, 307 00:17:07,901 --> 00:17:11,822 no petitioning to be moved to a more lenient site 308 00:17:11,822 --> 00:17:15,242 at any point during the entire length of the incarceration. 309 00:17:15,242 --> 00:17:16,827 You mean their lifetimes? 310 00:17:16,827 --> 00:17:19,747 The brothers must confess in open court 311 00:17:19,747 --> 00:17:24,334 to the events of the evening, plead guilty to all charges, 312 00:17:24,334 --> 00:17:27,463 and allow their elocution to be... (CLEARS THROAT) 313 00:17:27,463 --> 00:17:29,631 ...broadcast on the radio. 314 00:17:33,510 --> 00:17:35,179 - It's a good offer. - HAMILTON: Mm. 315 00:17:35,179 --> 00:17:37,014 Ms. Street's right. 316 00:17:37,014 --> 00:17:38,640 I just want to know why you're making it. 317 00:17:38,640 --> 00:17:39,767 Yeah. 318 00:17:39,767 --> 00:17:41,769 'Cause you were right, Della, they're just kids. 319 00:17:43,061 --> 00:17:45,439 We've had enough suffering, the McCutcheon family, 320 00:17:45,439 --> 00:17:48,776 and yes, even the Gallardo family. (SIGHS) 321 00:17:48,776 --> 00:17:52,738 This trial is already putting the city on edge. 322 00:17:52,738 --> 00:17:54,406 And you were right too, Mason. 323 00:17:54,406 --> 00:17:56,200 I don't want things getting ugly. 324 00:17:56,200 --> 00:17:58,952 You know, compassion is also part of my job. 325 00:17:58,952 --> 00:18:00,954 Then let them suffer a little less. 326 00:18:00,954 --> 00:18:03,749 Twenty-five, and they come up for parole in 15. 327 00:18:03,749 --> 00:18:06,919 Not a chance. No, no, no. Anything less... (CHUCKLES) 328 00:18:06,919 --> 00:18:08,796 ...I would get strung up along with 'em. 329 00:18:08,796 --> 00:18:13,509 - Thirty, and they're eligible-- - Hamilton. What is all this? 330 00:18:13,509 --> 00:18:16,386 Because up until today, you were the hang-'em-high guy. 331 00:18:16,386 --> 00:18:18,639 Suddenly, you're the prince of mercy? 332 00:18:18,639 --> 00:18:20,015 THOMAS: You don't like the deal? 333 00:18:20,015 --> 00:18:22,184 You can let the train go by and take your chances on foot. 334 00:18:22,184 --> 00:18:25,604 Oh, I know you want me to. You gotta hate this deal. 335 00:18:25,604 --> 00:18:27,022 HAMILTON: Doesn't matter what he thinks. 336 00:18:27,022 --> 00:18:29,983 What I'm offering gets the death penalty off the table, 337 00:18:29,983 --> 00:18:33,487 saves your clients' lives. It's the best you're gonna do 338 00:18:33,487 --> 00:18:36,949 and as much as I am ever going to offer. 339 00:18:36,949 --> 00:18:38,242 Take it to your clients. 340 00:18:39,326 --> 00:18:41,411 Get back to me by the end of the day. 341 00:18:44,248 --> 00:18:46,416 (INDISTINCT CHATTER) 342 00:18:46,416 --> 00:18:48,877 Hamilton could barely look me in the eye. 343 00:18:49,503 --> 00:18:50,379 Who got to him? 344 00:18:50,379 --> 00:18:52,172 I don't know, Lydell, the councilman? 345 00:18:52,172 --> 00:18:53,549 Who else could it be? 346 00:18:54,967 --> 00:18:56,802 What do they know that we don't? 347 00:18:56,802 --> 00:18:59,012 And why would Ham give in to them? 348 00:19:06,728 --> 00:19:08,647 It wasn't just about getting some money. 349 00:19:09,940 --> 00:19:11,066 Then what was it? 350 00:19:12,276 --> 00:19:14,069 Truth this time. 351 00:19:14,069 --> 00:19:16,613 You know that big stadium they built a few years ago? 352 00:19:18,323 --> 00:19:20,951 McCutcheon Stadium? Sure. 353 00:19:20,951 --> 00:19:23,203 That used to be our neighborhood. 354 00:19:23,203 --> 00:19:26,039 - Our whole family lived there. - (BELL RINGING) 355 00:19:26,039 --> 00:19:27,332 The police... 356 00:19:28,625 --> 00:19:30,586 - they came in. - ♪ (PENSIVE MUSIC PLAYING) ♪ 357 00:19:30,586 --> 00:19:32,504 Like stampeding bulls, not giving a shit 358 00:19:32,504 --> 00:19:33,755 what they stomped on. 359 00:19:33,755 --> 00:19:35,757 - (KNOCKING ON DOOR) - POLICE OFFICER 1: LAPD, open up! 360 00:19:35,757 --> 00:19:38,468 POLICE OFFICER 2 OVER MEGAPHONE: You're all trespassing on McCutcheon property! 361 00:19:38,468 --> 00:19:40,470 - POLICE OFFICER 1: Police! - (ALL SCREAM) 362 00:19:40,470 --> 00:19:41,972 - (GROANS) - RAFAEL: Leave my brother alone! 363 00:19:41,972 --> 00:19:44,725 - (INDISTINCT CLAMORING) - LUISA: Mateo! 364 00:19:44,725 --> 00:19:47,895 - (CLAMORING CONTINUES) - (SOBBING) Mateo! 365 00:19:47,895 --> 00:19:50,564 (RAFAEL GROANS) Sofía! Let go of me! 366 00:19:50,564 --> 00:19:52,399 POLICE OFFICER 1: Burn it to the ground! 367 00:19:56,403 --> 00:19:59,197 (INDISTINCT CLAMOR) 368 00:19:59,197 --> 00:20:00,532 RAFAEL: And in all the confusion... 369 00:20:00,532 --> 00:20:02,242 - ROSANNA GALLARDO: Rafa! - POLICE OFFICER 3: Move, now! 370 00:20:02,242 --> 00:20:04,578 RAFAEL: ...we lost sight of our little sister. 371 00:20:04,578 --> 00:20:06,371 RAFAEL: Rossana! Rossana! 372 00:20:06,371 --> 00:20:09,082 - (ROSANNA SCREAMING) - RAFAEL: Rossana! 373 00:20:10,918 --> 00:20:12,419 Rosanna! 374 00:20:13,545 --> 00:20:16,673 - Rossana! - (ROSANNA SCREAMING) 375 00:20:18,383 --> 00:20:20,052 I could hear her screaming. 376 00:20:24,264 --> 00:20:25,474 Until I couldn't. 377 00:20:32,689 --> 00:20:35,817 I'm-- I'm sorry. I-- I can't even imagine. 378 00:20:41,657 --> 00:20:43,867 The DA has offered a deal. 379 00:20:48,330 --> 00:20:50,123 You both plead guilty. 380 00:20:51,708 --> 00:20:53,085 Life, no parole. 381 00:20:55,337 --> 00:20:57,464 - What if we don't take it? - Rafa. 382 00:20:57,464 --> 00:20:58,632 What would happen? 383 00:20:58,632 --> 00:21:00,676 You can't escape justice. You killed a man. 384 00:21:00,676 --> 00:21:03,512 Yes, but out of desperation. Out of hunger. 385 00:21:03,512 --> 00:21:05,889 - MATEO: I hated him. - We weren't the only ones. 386 00:21:10,435 --> 00:21:11,520 You took a life, 387 00:21:11,520 --> 00:21:14,106 for whatever reason. There's no taking that back. 388 00:21:15,482 --> 00:21:17,484 But like you just said, 389 00:21:17,484 --> 00:21:19,820 your finger wasn't the only one on that trigger. 390 00:21:19,820 --> 00:21:21,446 ♪ (TENSE MUSIC PLAYING) ♪ 391 00:21:21,446 --> 00:21:25,617 Now, whoever's pressuring the DA has got clout. 392 00:21:25,617 --> 00:21:29,204 And if they're pushing Burger with-- with just what we know, 393 00:21:29,204 --> 00:21:30,414 what happens when we dig in 394 00:21:30,414 --> 00:21:32,708 and get closer to who's really behind this? 395 00:21:32,708 --> 00:21:34,918 It'll make the DA offer something better. 396 00:21:35,794 --> 00:21:36,878 Wouldn't you? 397 00:21:37,629 --> 00:21:39,047 Yeah, I would. 398 00:21:39,047 --> 00:21:40,716 Well, we don't know anything more. 399 00:21:40,716 --> 00:21:42,759 You know who hired you. 400 00:21:42,759 --> 00:21:44,761 That's the first rung on the ladder. 401 00:21:47,222 --> 00:21:48,807 All I need is a name. 402 00:21:51,101 --> 00:21:53,395 - I'm in. - (SIGHS) 403 00:21:54,646 --> 00:21:57,274 - What about you, Mateo? - MATEO: I don't know. 404 00:21:58,942 --> 00:22:01,361 - It's risky. - So? 405 00:22:01,361 --> 00:22:02,779 What, you want to take the deal? 406 00:22:02,779 --> 00:22:04,823 At least Maria would still have a father she can come and see! 407 00:22:04,823 --> 00:22:06,199 I won't die in here! 408 00:22:07,284 --> 00:22:09,202 And it's like Mr. Mason said, 409 00:22:09,202 --> 00:22:11,121 we don't have to go down for this alone. 410 00:22:11,955 --> 00:22:13,915 But he can't guarantee anything. 411 00:22:15,208 --> 00:22:16,835 Can you? 412 00:22:16,835 --> 00:22:18,086 No. 413 00:22:24,593 --> 00:22:27,721 If we lose, you go to the gallows. I go home. 414 00:22:29,514 --> 00:22:31,099 So you decide if you trust me. 415 00:22:34,436 --> 00:22:36,730 ♪ (MUSIC FADES) ♪ 416 00:22:40,108 --> 00:22:42,235 (SIGHS) They're not taking it. 417 00:22:42,652 --> 00:22:43,653 No? 418 00:22:44,863 --> 00:22:47,741 This is good news. For both of us. 419 00:22:48,867 --> 00:22:50,577 HAMILTON: Tommy. 420 00:22:50,577 --> 00:22:55,082 You know, Mason passed the bar with only a few hours studying. 421 00:22:56,875 --> 00:22:58,960 He's a lot craftier than you think. 422 00:23:00,962 --> 00:23:02,255 (SCOFFS) 423 00:23:05,092 --> 00:23:06,259 (DOOR CLOSING) 424 00:23:08,136 --> 00:23:09,888 - (INDISTINCT CHATTER) - ♪ (GENTLE GUITAR PLAYING) ♪ 425 00:23:09,888 --> 00:23:12,599 - PAUL: Here he comes. - PERRY: I'm sorry. 426 00:23:12,599 --> 00:23:16,269 Took a couple hours for the boys to give up a name. (PANTS) 427 00:23:16,269 --> 00:23:20,273 - Ozzie Jackson. - He has rackets up on Central. 428 00:23:20,273 --> 00:23:22,818 Central? I don't think a guy like that's got beef 429 00:23:22,818 --> 00:23:25,195 with somebody like Brooks. We looking at a middleman. 430 00:23:25,195 --> 00:23:26,446 Right. 431 00:23:26,446 --> 00:23:29,199 Now we have a real chance to get 'em a better deal. 432 00:23:29,199 --> 00:23:31,701 Yesterday we would've killed for any deal. 433 00:23:31,701 --> 00:23:32,786 Della. 434 00:23:33,662 --> 00:23:36,248 I know how to fight this now. I do. 435 00:23:36,248 --> 00:23:39,084 Did you happen to get a description of this Ozzie Jackson fella? 436 00:23:39,084 --> 00:23:40,210 Yeah. 437 00:23:40,210 --> 00:23:42,629 Said you'll recognize him by his feet. 438 00:23:42,629 --> 00:23:44,506 He's always wearing Converse sneakers. 439 00:23:44,506 --> 00:23:49,886 ♪ (PENSIVE MUSIC PLAYING) ♪ 440 00:23:57,102 --> 00:23:58,687 Hey. 441 00:23:58,687 --> 00:24:01,773 You seen a grown man in sneakers working Central? 442 00:24:01,773 --> 00:24:03,984 You figured my outta-work-ass hanging on the corners 443 00:24:03,984 --> 00:24:07,654 with the hustlers and shit heels now, huh? (CHUCKLES) 444 00:24:07,654 --> 00:24:12,117 ♪ (JAZZ MUSIC PLAYING ON RADIO) ♪ 445 00:24:12,117 --> 00:24:13,618 Don't you worry, Mo. 446 00:24:13,618 --> 00:24:14,995 Clara's been looking at apartments, 447 00:24:14,995 --> 00:24:16,746 we'll be outta here real soon. 448 00:24:22,002 --> 00:24:23,253 Ain't no rush. 449 00:24:24,504 --> 00:24:25,547 Let me see. 450 00:24:33,430 --> 00:24:36,308 Yeah. Central and 43rd. 451 00:24:37,225 --> 00:24:39,311 He's part of Perkins' crew. 452 00:24:39,311 --> 00:24:41,688 You sure you want to be sticking your nose in all that? 453 00:24:43,023 --> 00:24:44,024 PAUL: Hmm. 454 00:24:45,442 --> 00:24:47,444 This case starting to feel... 455 00:24:48,695 --> 00:24:49,738 bigger than me. 456 00:24:52,616 --> 00:24:54,951 MORRIS: But that ain't sayin' much now, is it. 457 00:24:54,951 --> 00:24:56,995 Let me see that bicep again, Paul. 458 00:24:56,995 --> 00:24:58,330 (BOTH LAUGH) 459 00:24:58,330 --> 00:25:01,458 - Shut the fuck up. (LAUGHS) - (LAUGHS) 460 00:25:04,085 --> 00:25:05,128 Thank you, Mo. 461 00:25:06,755 --> 00:25:08,089 Anytime. 462 00:25:08,089 --> 00:25:12,552 ♪ (PENSIVE MUSIC PLAYING) ♪ 463 00:25:12,552 --> 00:25:15,931 (INDISTINCT CHATTER) 464 00:25:15,931 --> 00:25:17,307 A fella in Converse sneakers? 465 00:25:17,307 --> 00:25:18,516 - CITIZEN: No. - PAUL: No? 466 00:25:35,825 --> 00:25:38,078 ♪ (MUSIC TURNS DRAMATIC) ♪ 467 00:25:46,628 --> 00:25:49,798 ♪ (MUSIC CONCLUDES) ♪ 468 00:25:49,798 --> 00:25:52,425 ♪ (LIVE BAND PLAYING JAZZ MUSIC) ♪ 469 00:25:52,425 --> 00:25:56,763 (INDISTINCT CHATTER) 470 00:25:56,763 --> 00:25:58,306 For a Mr. Perkins. 471 00:26:21,663 --> 00:26:23,456 PERKINS: Where'd you get these? 472 00:26:23,456 --> 00:26:25,792 It was from the fella that took 'em. 473 00:26:25,792 --> 00:26:28,128 Those and all the other ones that's got you jammed up 474 00:26:28,128 --> 00:26:29,754 with them crackers downtown. 475 00:26:31,423 --> 00:26:34,634 Never had one damn problem down here. Ran clean. 476 00:26:34,634 --> 00:26:38,680 Now? I got eyes on me everywhere. 477 00:26:38,680 --> 00:26:41,057 Just waiting for old Perkins to act like the gangster nigger 478 00:26:41,057 --> 00:26:42,517 they want me to be. 479 00:26:45,228 --> 00:26:49,441 Well, Mr. Perkins, word is Ozzie Jackson 480 00:26:49,441 --> 00:26:51,484 the one paid them Mexican boys... 481 00:26:52,527 --> 00:26:54,946 to push the button on that McCutcheon kid. 482 00:26:55,989 --> 00:26:58,658 And, Mr. Perkins, somebody paid Ozzie. 483 00:26:58,658 --> 00:26:59,993 And I guess whatever he got, 484 00:26:59,993 --> 00:27:03,496 he must've forgot to-- to cut Mr. Perkins in. 485 00:27:05,081 --> 00:27:06,249 How much he get? 486 00:27:06,249 --> 00:27:08,710 PAUL: Well, I won't know that till you help me find him. 487 00:27:08,710 --> 00:27:12,547 However, if I know about Ozzie, 488 00:27:12,547 --> 00:27:15,133 then it's only a matter of time till the DA know, 489 00:27:15,133 --> 00:27:17,719 and if he connect that to you, then... 490 00:27:17,719 --> 00:27:19,763 Mr. Perkins, we ain't just talking about no 491 00:27:20,555 --> 00:27:23,016 years at San Quentin. 492 00:27:23,016 --> 00:27:25,352 We talking about a trip to the noose. 493 00:27:26,811 --> 00:27:29,356 Now, I know you out on bail until the trial 494 00:27:29,356 --> 00:27:31,900 for those racketeering charges. 495 00:27:31,900 --> 00:27:34,444 Only person that can testify to the authenticity 496 00:27:34,444 --> 00:27:36,613 of these photos is him what took 'em. 497 00:27:37,572 --> 00:27:39,741 And if he keep quiet, 498 00:27:39,741 --> 00:27:42,827 all the evidence they got against you get thrown out. 499 00:27:42,827 --> 00:27:44,704 So you help me get with Ozzie, 500 00:27:44,704 --> 00:27:48,249 and I'm gonna help you... get with Mr. Snaps. 501 00:27:50,418 --> 00:27:51,753 That's a fair trade. 502 00:27:54,672 --> 00:27:57,384 ♪ (SUSPENSEFUL MUSIC PLAYING) ♪ 503 00:27:57,384 --> 00:28:01,221 (INDISTINCT CHATTER) 504 00:28:07,477 --> 00:28:08,561 (INHALES SHARPLY) 505 00:28:10,605 --> 00:28:11,898 (LIGHTER FLICKS) 506 00:28:14,609 --> 00:28:17,445 - ♪ (MUSIC CONCLUDES) ♪ - (SIRENS WAILING) 507 00:28:18,696 --> 00:28:20,198 (SIGHS) 508 00:28:27,831 --> 00:28:33,336 ♪ (PENSIVE MUSIC PLAYING) ♪ 509 00:28:56,526 --> 00:28:58,361 SEYMOUR BARSTON: The center ridges come from the right 510 00:28:58,361 --> 00:29:01,614 - and exit the same side here. - And this you would say 511 00:29:01,614 --> 00:29:03,700 is the distinguishing characteristic 512 00:29:03,700 --> 00:29:05,118 of Rafael Gallardo's fingerprint? 513 00:29:05,118 --> 00:29:08,121 - SEYMOUR: Yes. - Now, just so we're very clear 514 00:29:08,121 --> 00:29:09,372 for the jury. 515 00:29:09,372 --> 00:29:11,207 It's basically impossible 516 00:29:11,207 --> 00:29:12,292 for two people to have 517 00:29:12,292 --> 00:29:14,169 the exact same fingerprint pattern? 518 00:29:14,169 --> 00:29:16,337 - That is correct. - THOMAS: Now, Mr. Barston, 519 00:29:16,337 --> 00:29:19,591 there is a photograph just to the left of the jury 520 00:29:19,591 --> 00:29:21,634 of the steering wheel of Mr. McCutcheon's car 521 00:29:21,634 --> 00:29:23,136 where a fingerprint was found. 522 00:29:23,136 --> 00:29:25,847 Now, you've compared that with Mr. Gallardo's, correct? 523 00:29:25,847 --> 00:29:27,307 - Yes. - THOMAS: And what did you conclude? 524 00:29:27,307 --> 00:29:30,560 Uh, the loop pattern and individual characteristics, 525 00:29:30,560 --> 00:29:33,021 I've identified 12 of them, all match. 526 00:29:33,021 --> 00:29:34,689 - (JURY MEMBER CLEARS THROAT) - THOMAS: Meaning? 527 00:29:34,689 --> 00:29:36,858 Uh, the print on the steering wheel 528 00:29:36,858 --> 00:29:38,526 is Rafael Gallardo's. 529 00:29:39,402 --> 00:29:40,695 THOMAS: Thank you, Mr. Barston. 530 00:29:43,031 --> 00:29:44,073 PERRY: Mr. Barston. 531 00:29:44,073 --> 00:29:47,494 Would you mind if we did a little experiment? 532 00:29:47,494 --> 00:29:48,536 Experiment? 533 00:29:48,536 --> 00:29:50,288 Yes, uh, a fingerprint experiment. 534 00:29:50,288 --> 00:29:52,373 Your honor, this is a courtroom, 535 00:29:52,373 --> 00:29:53,958 not a grammar school science lesson. 536 00:29:53,958 --> 00:29:55,960 - What is the purpose of this, Mr. Mason? - (CROWD LAUGHING) 537 00:29:55,960 --> 00:29:57,420 PERRY: Oh, we-- I'm trying to establish 538 00:29:57,420 --> 00:29:58,880 not just what fingerprints look like, 539 00:29:58,880 --> 00:30:00,256 but how this whole process works, 540 00:30:00,256 --> 00:30:02,550 and I do think it's necessary for the jury 541 00:30:02,550 --> 00:30:04,427 to fully understand the evidence. 542 00:30:04,427 --> 00:30:05,678 Keep it brief. 543 00:30:05,678 --> 00:30:08,389 Thank you, your honor. M-- may I? Thank you. 544 00:30:08,389 --> 00:30:10,558 Now, Mr. Barston... 545 00:30:10,558 --> 00:30:12,894 would you please choose a thumb and place it firmly 546 00:30:12,894 --> 00:30:14,312 on this ink blotter? 547 00:30:14,979 --> 00:30:16,064 Thank you. Now, 548 00:30:16,064 --> 00:30:19,067 would you place that thumb down on this piece of paper? 549 00:30:20,068 --> 00:30:22,612 Perfect. Take that same thumb, 550 00:30:22,612 --> 00:30:24,072 press it on the ink blotter once again. 551 00:30:24,072 --> 00:30:27,325 Now, instead of placing it down on that piece of paper, 552 00:30:27,325 --> 00:30:31,037 this time, could you please place it on this 553 00:30:31,037 --> 00:30:33,790 piece of tape, sticky-side up? 554 00:30:35,959 --> 00:30:39,087 Thank you. Now, Mr. Barston, 555 00:30:39,087 --> 00:30:42,048 when you look at the two images of your own thumb, 556 00:30:42,048 --> 00:30:43,758 what do you notice? 557 00:30:43,758 --> 00:30:46,803 One is slightly more smudged than the other. 558 00:30:46,803 --> 00:30:48,054 Nothing else? 559 00:30:48,054 --> 00:30:50,557 Uh, well, because you used the tape, one is backwards. 560 00:30:50,557 --> 00:30:52,433 One is backwards. 561 00:30:52,433 --> 00:30:57,689 Precisely. One is backwards. Now, with that in mind... 562 00:30:57,689 --> 00:31:01,317 would you please take a closer look at this photograph 563 00:31:01,317 --> 00:31:03,611 of Rafael Gallardo's left forefinger 564 00:31:03,611 --> 00:31:07,073 and the other, same finger, same fingerprint but discovered 565 00:31:07,073 --> 00:31:09,158 on Brooks McCutcheon's steering wheel 566 00:31:09,158 --> 00:31:10,743 and tell me the difference? 567 00:31:11,494 --> 00:31:13,329 I-- I don't see any difference. 568 00:31:13,329 --> 00:31:15,540 PERRY: And you're right because they're a match, 569 00:31:15,540 --> 00:31:16,749 but there is one problem. 570 00:31:16,749 --> 00:31:20,795 This image was developed with a backward negative. 571 00:31:20,795 --> 00:31:23,548 Now, we know this because the numbers and letters 572 00:31:23,548 --> 00:31:26,050 on the side of the negative are reversed. 573 00:31:26,050 --> 00:31:27,719 Oh, pretty hard to see, 574 00:31:27,719 --> 00:31:30,972 so I took the liberty of blowing them up. 575 00:31:31,889 --> 00:31:34,809 This is the corrected image. 576 00:31:36,311 --> 00:31:40,231 Now, with that corrected image in mind, 577 00:31:40,231 --> 00:31:43,401 would you please, Mr. Barston... 578 00:31:43,401 --> 00:31:47,113 take another look at these two images... 579 00:31:49,824 --> 00:31:51,701 and tell me the difference? 580 00:31:52,660 --> 00:31:54,454 The fingerprint is backwards. 581 00:31:55,204 --> 00:31:57,290 The fingerprint is backwards. 582 00:31:57,290 --> 00:32:00,501 Mr. Barston, is it possible that the defendant 583 00:32:00,501 --> 00:32:05,006 could place his own fingerprint on the steering wheel backwards? 584 00:32:05,006 --> 00:32:06,174 ♪ (SUSPENSEFUL MUSIC PLAYING) ♪ 585 00:32:06,174 --> 00:32:07,842 No, it's-- it's not possible naturally. 586 00:32:07,842 --> 00:32:09,844 PERRY: Only someone who had taken his fingerprint 587 00:32:09,844 --> 00:32:11,888 and tried to transfer it could, 588 00:32:11,888 --> 00:32:14,974 so that it would produce a mirror image, am I correct? 589 00:32:14,974 --> 00:32:16,142 Yes. 590 00:32:16,142 --> 00:32:17,852 Someone like the police or Mr. Milligan's investigators. 591 00:32:17,852 --> 00:32:19,771 - Objection, complete speculation! - (CROWD MURMURING) 592 00:32:19,771 --> 00:32:20,897 (CAMERA SHUTTERS CLICK) 593 00:32:20,897 --> 00:32:22,815 PERRY: No further questions, your honor, thank you! 594 00:32:22,815 --> 00:32:24,817 - (GAVEL BANGING) - DURKIN: Sustained. 595 00:32:24,817 --> 00:32:27,904 The jury will disregard Mr. Mason's latest comment. 596 00:32:27,904 --> 00:32:30,156 (GAVEL BANGING) 597 00:32:30,156 --> 00:32:31,991 - DURKIN: Order! - No, they won't. 598 00:32:42,001 --> 00:32:43,878 I'm not sure I should be doing this. 599 00:32:44,337 --> 00:32:45,463 Just trust me. 600 00:32:47,215 --> 00:32:51,135 ♪ (PIANO MUSIC PLAYING IN DISTANCE) ♪ 601 00:32:53,054 --> 00:32:54,972 - MYRTLE: Hi. - ANITA ST. PIERRE: Hey, there. 602 00:32:58,142 --> 00:33:01,062 (INDISTINCT CHATTER) 603 00:33:02,522 --> 00:33:03,606 DEE DEE'S SINGER: ♪ Green celebs ♪ 604 00:33:03,606 --> 00:33:05,983 ♪ And stage satellites Social deads ♪ 605 00:33:05,983 --> 00:33:07,694 ♪ And higher hat-a-lites ♪ 606 00:33:07,694 --> 00:33:12,073 ♪ Masses, classes Doing the uptown lowdown ♪ 607 00:33:12,073 --> 00:33:15,368 ♪ Where they spend Their simoleons just to watch ♪ 608 00:33:15,368 --> 00:33:18,913 ♪ Those Creoleans Skipping, hipping ♪ 609 00:33:18,913 --> 00:33:20,206 I'm gonna meet some of my friends. 610 00:33:20,206 --> 00:33:21,499 ♪ Doing the uptown lowdown ♪ 611 00:33:21,499 --> 00:33:24,127 ♪ You'll find laughter After midnight ♪ 612 00:33:24,127 --> 00:33:28,798 ♪ That's their playtime Their hidey-hey-time ♪ 613 00:33:28,798 --> 00:33:31,217 - ♪ What prices, amen ♪ - Yeah! 614 00:33:31,217 --> 00:33:33,302 ♪ Bankers With their Cinderella-tives ♪ 615 00:33:33,302 --> 00:33:38,099 ♪ I'm lonesome and blue But when I look at you ♪ 616 00:33:38,099 --> 00:33:42,437 ♪ There's one thing I know it's true... ♪ 617 00:33:42,437 --> 00:33:43,771 Are you enjoying it? 618 00:33:44,605 --> 00:33:45,773 Immensely. 619 00:33:46,607 --> 00:33:48,234 - Good. - (CHUCKLES) 620 00:33:48,234 --> 00:33:49,152 You deserve it. 621 00:33:49,152 --> 00:33:51,195 After your heroics in court today. 622 00:33:51,195 --> 00:33:52,822 Oh, that was mostly Perry. 623 00:33:52,822 --> 00:33:55,867 ♪ I've waited a lifetime, I've waited a nighttime... ♪ 624 00:33:55,867 --> 00:33:58,703 Was he in the courtroom? I didn't notice. 625 00:33:58,703 --> 00:34:00,413 ♪...Made me blue ♪ 626 00:34:00,413 --> 00:34:05,251 ♪ I wouldn't be waiting I wouldn't be hating ♪ 627 00:34:05,251 --> 00:34:09,088 ♪ If I had a girl like you ♪ 628 00:34:10,548 --> 00:34:13,259 - Oh, I almost forgot. - What? 629 00:34:13,968 --> 00:34:14,844 I love you too. 630 00:34:14,844 --> 00:34:19,307 ♪ ...I'm feeling the way I do ♪ 631 00:34:19,307 --> 00:34:24,479 ♪ I hope That I've found someone ♪ 632 00:34:24,479 --> 00:34:27,607 ♪ Who really can be true ♪ 633 00:34:27,607 --> 00:34:32,195 ♪ I wouldn't be dreaming I wouldn't be scheming ♪ 634 00:34:32,195 --> 00:34:35,281 ♪ If I had a girl like you ♪ 635 00:34:35,281 --> 00:34:38,618 - ♪ (SONG CONCLUDES) ♪ - (BRUSHING AGAINST WOOD) 636 00:34:48,920 --> 00:34:51,005 - Hello. (CHUCKLES) - PERRY: Hi. Now, I know that 637 00:34:51,005 --> 00:34:54,258 the dip you brought over didn't quite curl your toes, 638 00:34:54,258 --> 00:34:56,886 but these are pickles from Canter Brothers 639 00:34:56,886 --> 00:34:58,513 on Brooklyn Avenue. 640 00:35:00,014 --> 00:35:03,017 Much more romantic than flowers. Thank you. 641 00:35:03,017 --> 00:35:04,310 PERRY: You're welcome. 642 00:35:06,771 --> 00:35:08,189 You have a nice place. 643 00:35:09,065 --> 00:35:10,274 Thank you. 644 00:35:14,237 --> 00:35:16,030 Is there anything you don't do? 645 00:35:16,948 --> 00:35:18,074 Small talk. 646 00:35:20,993 --> 00:35:22,119 Noted. 647 00:35:23,412 --> 00:35:24,789 GINNY AMES: I heard on the radio 648 00:35:24,789 --> 00:35:27,041 things went well for you in court today. 649 00:35:27,041 --> 00:35:28,501 ♪ (SOFT MUSIC PLAYING) ♪ 650 00:35:28,501 --> 00:35:33,172 Yeah. Yeah, I guess we might've turned a corner. 651 00:35:33,172 --> 00:35:34,257 GINNY: Hmm. 652 00:35:36,008 --> 00:35:39,720 I guess you might have more of a case than you thought? 653 00:35:42,014 --> 00:35:43,140 I guess. 654 00:35:43,933 --> 00:35:47,103 - Hmm. - Do you want a hand? 655 00:35:48,354 --> 00:35:49,397 I do. 656 00:35:50,773 --> 00:35:51,774 Okay. 657 00:35:52,775 --> 00:35:54,068 Take off your shirt. 658 00:35:55,486 --> 00:35:56,779 Might get dirty. 659 00:36:06,289 --> 00:36:09,208 - (DOOR SLAMS) - ♪ (MUSIC CONCLUDES) ♪ 660 00:36:09,208 --> 00:36:10,668 Yeah, yeah, I can get there. 661 00:36:12,879 --> 00:36:14,213 How'd you find me? 662 00:36:15,339 --> 00:36:16,340 Okay. 663 00:36:18,509 --> 00:36:21,304 ♪ (SUSPENSEFUL MUSIC PLAYING) ♪ 664 00:36:21,304 --> 00:36:22,597 I'll be back soon. 665 00:36:26,976 --> 00:36:27,977 Sorry. 666 00:36:29,061 --> 00:36:32,732 (DOOR OPENING, CLOSING) 667 00:36:56,964 --> 00:36:58,049 Right this way. 668 00:37:03,054 --> 00:37:05,806 - OZZIE JACKSON: They got some real nice clubs up there. - (PERKINS LAUGHING) 669 00:37:05,806 --> 00:37:08,225 OZZIE: We had us a good old time. Mm-hmm. 670 00:37:08,225 --> 00:37:10,061 Our inquiring man. 671 00:37:17,860 --> 00:37:18,945 I don't know you. 672 00:37:18,945 --> 00:37:21,906 You do now. So accommodate our guest. 673 00:37:22,531 --> 00:37:23,699 Go ahead. 674 00:37:27,787 --> 00:37:30,790 You paid the Gallardo brothers to shoot Brooks McCutcheon? 675 00:37:30,790 --> 00:37:34,001 What? Man, I'm not talking to this nigga. (GROANS) 676 00:37:34,001 --> 00:37:36,629 PERKINS: You gonna answer every question this man's got. 677 00:37:36,629 --> 00:37:38,130 One way or the other. 678 00:37:40,675 --> 00:37:42,259 Now, hold up, professor. 679 00:37:42,259 --> 00:37:44,929 Before we get to the other side of this conversation, 680 00:37:44,929 --> 00:37:47,181 I think you need to pay your admission. 681 00:37:47,932 --> 00:37:48,975 So now... 682 00:37:50,268 --> 00:37:51,560 who's my Judas? 683 00:37:53,938 --> 00:37:55,564 I'm afraid you lookin' at him. 684 00:37:57,274 --> 00:37:59,068 Now, it wasn't supposed to go the way that it did, 685 00:37:59,068 --> 00:38:02,363 but I ain't gonna testify against you, you got my word. 686 00:38:02,363 --> 00:38:04,991 Your word? That it? 687 00:38:04,991 --> 00:38:06,659 That's all I got. What else you need? 688 00:38:06,659 --> 00:38:08,828 I need you to understand whose kingdom you in. 689 00:38:08,828 --> 00:38:10,121 ♪ (TENSE MUSIC PLAYING) ♪ 690 00:38:10,121 --> 00:38:12,206 I ain't mean no disrespect, Mr. Perkins. 691 00:38:12,206 --> 00:38:15,042 And yet disrespect lingers in the air. 692 00:38:15,042 --> 00:38:17,503 - Come on, now. - N-- Whoa, whoa. 693 00:38:19,547 --> 00:38:22,091 Let's see what Mr. Word's really made of. 694 00:38:22,091 --> 00:38:23,426 You want answers? 695 00:38:23,426 --> 00:38:26,262 You gonna have to put a beat on the man till your fist ache. 696 00:38:26,262 --> 00:38:28,347 What-- Wait, what? 697 00:38:28,347 --> 00:38:31,726 - Hey! (GRUNTS) Hold on. Hold on. - What if I don't? 698 00:38:31,726 --> 00:38:35,354 Then I'mma cut your fist clean off to the fucking bone. 699 00:38:35,354 --> 00:38:37,273 OZZIE: What the fuck? Let me go. 700 00:38:43,404 --> 00:38:45,031 I ain't got nothing to do with this. 701 00:38:45,031 --> 00:38:47,033 I don't even know what you talking about. 702 00:38:47,033 --> 00:38:49,201 Mr. Perkins, please. I never disrespect you, man. 703 00:38:49,201 --> 00:38:52,455 You known me since a kid. Mr. Perkins, please. 704 00:38:57,710 --> 00:39:00,546 - Look at me. - (BREATHES HEAVILY) 705 00:39:00,546 --> 00:39:02,590 Did you pay the Gallardo brothers? 706 00:39:03,799 --> 00:39:06,719 - (SIGHS) - (GROANS) 707 00:39:07,845 --> 00:39:09,889 Who paid you to do a hit? 708 00:39:09,889 --> 00:39:12,183 I do-- I don't know his name. 709 00:39:12,183 --> 00:39:13,768 (INHALES SHARPLY) 710 00:39:14,685 --> 00:39:19,398 - (GROANS, COUGHS) - Who? Who? 711 00:39:19,398 --> 00:39:22,526 Some fancy cracker I had dealings with before. 712 00:39:22,526 --> 00:39:24,278 Wait, what you mean before? 713 00:39:24,278 --> 00:39:29,075 Got a hophead for a wife. Coming down for years to score. 714 00:39:29,075 --> 00:39:30,659 Two, three times a week. 715 00:39:30,659 --> 00:39:33,079 He found out and paid me to stop selling dope to her. 716 00:39:33,079 --> 00:39:36,999 I ain't seen him since he came for the snuff job. 717 00:39:36,999 --> 00:39:38,084 How much you get then? 718 00:39:38,084 --> 00:39:39,877 (OZZIE BREATHING HEAVILY) Aw, man. 719 00:39:41,545 --> 00:39:43,047 (SIGHS) 720 00:39:44,215 --> 00:39:45,549 (GROANS, COUGHS) 721 00:39:49,929 --> 00:39:52,139 - (GRUNTS) - Ten Gs! 722 00:39:52,139 --> 00:39:53,808 Okay, and then you-- and then you gave two grand 723 00:39:53,808 --> 00:39:55,810 to the Gallardos off the top? 724 00:39:55,810 --> 00:39:57,645 You brought all that heat down here and didn't kick 725 00:39:57,645 --> 00:39:59,647 - nothing back to me? Nigga-- - PAUL: Wait, wait. 726 00:39:59,647 --> 00:40:01,732 - Okay, what about the deal? - (OZZIE BREATHING HEAVILY) Fuck. 727 00:40:01,732 --> 00:40:04,151 The deal. You stopped selling H to his wife. 728 00:40:04,151 --> 00:40:05,611 OZZIE: She ain't been around in a while. 729 00:40:05,611 --> 00:40:09,073 But if she ain't dead, they always come back. 730 00:40:09,073 --> 00:40:12,409 Listen, look at me. What kinda car she drive? 731 00:40:12,409 --> 00:40:15,204 I don't know the make. Lincoln maybe. 732 00:40:15,204 --> 00:40:16,747 Blue thing, that's all I can tell you. 733 00:40:16,747 --> 00:40:18,415 Okay, okay, okay. 734 00:40:18,415 --> 00:40:19,667 - OZZIE: Fuck! - Okay. 735 00:40:20,835 --> 00:40:24,588 - I got everything I need now. - I don't think you did. 736 00:40:24,588 --> 00:40:27,383 Look like this boy still holding out on you. 737 00:40:27,383 --> 00:40:30,845 So we ain't leaving until you get a full confession. 738 00:40:30,845 --> 00:40:34,765 - OZZIE: Please, man. - And he atone for his sin. 739 00:40:34,765 --> 00:40:37,351 Come on, man. Motherfucker, I told you everything I know! 740 00:40:37,351 --> 00:40:41,272 Please! Perk, you ain't gotta do this! Please, man! 741 00:40:43,023 --> 00:40:44,233 No more. 742 00:40:45,734 --> 00:40:47,570 (GROANS) Please no! 743 00:40:49,071 --> 00:40:50,364 No! Please! 744 00:41:14,805 --> 00:41:16,515 (EXHALES DEEPLY) 745 00:41:37,620 --> 00:41:38,954 - CLARA DRAKE: You okay? - (SIGHS) 746 00:41:39,788 --> 00:41:42,041 - Yeah, yeah. - CLARA: Hmm. 747 00:41:45,836 --> 00:41:46,879 What's wrong? 748 00:41:49,924 --> 00:41:50,925 Hmm? 749 00:41:54,970 --> 00:41:55,971 Clara... 750 00:41:59,058 --> 00:42:00,100 CLARA: Hmm? 751 00:42:02,686 --> 00:42:03,854 Am I good? 752 00:42:08,234 --> 00:42:09,527 You're good, baby. 753 00:42:13,489 --> 00:42:14,657 You're good. 754 00:42:27,336 --> 00:42:28,337 Rest. 755 00:42:30,047 --> 00:42:31,298 Rest, baby. 756 00:42:31,298 --> 00:42:33,592 - Okay. - Hmm. (INHALES DEEPLY) 757 00:42:36,553 --> 00:42:40,849 ♪ (DRAMATIC MUSIC PLAYING) ♪ 758 00:42:49,108 --> 00:42:51,235 - You wanted to see me, boss? - THOMAS: Give me a moment. 759 00:42:52,611 --> 00:42:54,780 (PEN SCRIBBLING) 760 00:43:10,421 --> 00:43:13,215 - How well do you know Mason? - I know him. 761 00:43:13,924 --> 00:43:15,175 Do you two talk shop? 762 00:43:17,720 --> 00:43:18,846 We used to. 763 00:43:20,014 --> 00:43:21,265 When we had a few. 764 00:43:22,599 --> 00:43:25,185 ♪ (SUSPENSEFUL MUSIC PLAYING) ♪ 765 00:43:25,185 --> 00:43:26,562 Shut the door. 766 00:43:43,495 --> 00:43:46,332 ♪ (MUSIC CONCLUDES) ♪ 767 00:43:46,790 --> 00:43:47,833 DELLA: Hey. 768 00:43:49,376 --> 00:43:50,753 HAZEL PRYSTOCK: Where were you last night? 769 00:43:50,753 --> 00:43:52,880 Perry and I were at the office all night 770 00:43:52,880 --> 00:43:56,717 preparing the files for today. And strategizing on how to cut 771 00:43:56,717 --> 00:43:59,845 through the jury's preconceived bias. 772 00:43:59,845 --> 00:44:01,013 I mean, 773 00:44:01,013 --> 00:44:03,557 I'm confident on who we settled on, but still. (SIGHS) 774 00:44:03,557 --> 00:44:05,601 You weren't at the office, Della. 775 00:44:06,810 --> 00:44:07,936 I called. 776 00:44:11,065 --> 00:44:13,025 We must not have heard the phone ringing. 777 00:44:13,025 --> 00:44:15,319 If something's going on, then just tell me. 778 00:44:18,072 --> 00:44:19,073 I... 779 00:44:22,451 --> 00:44:23,827 I was working. 780 00:44:26,914 --> 00:44:28,499 You fucking coward. 781 00:44:31,752 --> 00:44:32,961 (DOOR SLAMMING) 782 00:44:34,505 --> 00:44:35,506 Shit. 783 00:44:37,216 --> 00:44:38,425 (DOOR SLAMMING) 784 00:44:39,760 --> 00:44:42,262 (BREATHES HEAVILY) 785 00:44:43,347 --> 00:44:45,182 (ELEVATOR BELL DINGS) 786 00:44:53,857 --> 00:44:55,943 (KEYS RATTLING) 787 00:44:59,863 --> 00:45:03,701 (TOY TRAIN RUMBLING) 788 00:45:27,433 --> 00:45:33,105 ♪ (SUSPENSEFUL MUSIC PLAYING) ♪ 789 00:45:54,251 --> 00:46:00,924 ♪ (THEME MUSIC PLAYING) ♪ 790 00:47:46,154 --> 00:47:48,031 ♪ (THEME MUSIC CONCLUDES) ♪