1 00:00:02,770 --> 00:00:04,470 EVIL IS SEDUCTIVE... 2 00:00:04,505 --> 00:00:05,865 Woman: MM. 3 00:00:05,906 --> 00:00:07,976 ...BECAUSE SATAN IS CLEVER. 4 00:00:08,008 --> 00:00:09,008 Man: YES. 5 00:00:09,043 --> 00:00:11,583 TEMPTATION IS BEAUTIFUL. 6 00:00:11,612 --> 00:00:13,582 THAT'S WHAT MAKES IT TEMPTING. 7 00:00:13,614 --> 00:00:15,424 [ LAUGHTER ] 8 00:00:15,449 --> 00:00:19,419 IN ORDER TO TEMPT US, THE DEVIL DRESSES EVIL UP, 9 00:00:19,453 --> 00:00:20,753 MAKES IT LOOK GOOD. 10 00:00:20,788 --> 00:00:21,718 YES, HE DOES. 11 00:00:21,755 --> 00:00:25,185 EVIL SPARKLES, SHINES... 12 00:00:25,226 --> 00:00:26,226 YEAH. 13 00:00:26,260 --> 00:00:27,860 ...WHILE GOOD... 14 00:00:27,895 --> 00:00:29,195 UH-OH. HERE WE GO. 15 00:00:29,230 --> 00:00:30,330 [ INDISTINCT CONVERSATIONS ] 16 00:00:30,364 --> 00:00:31,334 NOT AGAIN. 17 00:00:31,365 --> 00:00:33,525 ...AVOIDS THE SPOTLIGHT. 18 00:00:33,567 --> 00:00:34,897 [ CHUCKLES ] 19 00:00:34,935 --> 00:00:37,205 DID YOU FORGET TO PAY YOUR POWER BILL, 20 00:00:37,238 --> 00:00:38,738 DETECTIVE PASTOR ALMOND? 21 00:00:38,772 --> 00:00:40,742 GOOD WILL ALWAYS FIND THE LIGHT. 22 00:00:40,774 --> 00:00:42,344 All: AMEN. 23 00:00:42,376 --> 00:00:44,276 AND I THANK YOU FOR THAT. 24 00:00:56,890 --> 00:00:58,260 THAT IS... 25 00:00:59,160 --> 00:01:00,290 STOLEN PROPERTY. 26 00:01:00,328 --> 00:01:01,858 NO, IT'S NOT. 27 00:01:01,895 --> 00:01:04,765 20 BUCKS SAYS YOU CAN'T UNLOAD THAT BRONZE OTTER. 28 00:01:04,798 --> 00:01:07,368 DEAL. I CAN UNLOAD ANYTHING. 29 00:01:07,401 --> 00:01:09,271 UH-HUH. 30 00:01:09,303 --> 00:01:13,373 PORTLAND POLICE BUREAU ALERTS -- BRONZE OTTER. 31 00:01:13,407 --> 00:01:15,277 BRONZE OTTER STATUE -- 32 00:01:15,309 --> 00:01:17,809 "ICONIC BRONZE OTTER STATUE 33 00:01:17,845 --> 00:01:20,605 STOLEN FROM PORTLAND'S WORLD-FAMOUS 34 00:01:20,648 --> 00:01:22,318 'ANIMALS IN THE POND.'" 35 00:01:22,350 --> 00:01:24,650 DAMN IT. HOW COULD I NOT HAVE KNOWN THAT? 36 00:01:24,685 --> 00:01:26,315 COME ON. 37 00:01:26,354 --> 00:01:27,364 OH. 38 00:01:28,656 --> 00:01:29,816 TALK TOO MUCH. 39 00:01:29,857 --> 00:01:31,227 [ LAPTOP BEEPS ] 40 00:01:31,259 --> 00:01:32,489 PBBBHT. 41 00:01:45,806 --> 00:01:47,506 I NEED YOU TO DRIVE ME TO WORK. 42 00:01:47,541 --> 00:01:49,241 WHY? WHAT'S WRONG? 43 00:01:49,277 --> 00:01:50,307 HE'S BACK. 44 00:01:50,344 --> 00:01:52,154 WHO'S BACK? 45 00:01:52,180 --> 00:01:53,480 [ CELLPHONE BEEPS, RINGING ] 46 00:01:53,514 --> 00:01:56,424 HEY, GET EVERYONE IN -- NOW. 47 00:01:56,450 --> 00:01:58,690 NO, I KNOW IT'S SUNDAY AFTERNOON. 48 00:01:58,719 --> 00:02:00,449 Jennifer: TALIA DIDN'T COME HOME LAST NIGHT. 49 00:02:00,488 --> 00:02:03,958 AND I CALLED THE POLICE, BUT THEY SAID SHE'S 14, 50 00:02:03,991 --> 00:02:06,661 SO TO CALL BACK IF SHE DOESN'T COME HOME IN A COUPLE OF DAYS. 51 00:02:06,694 --> 00:02:08,104 MISSING PERSONS SAY THAT SHE'S A RUNAWAY 52 00:02:08,128 --> 00:02:09,598 BECAUSE SHE LEFT A NOTE. 53 00:02:09,630 --> 00:02:12,700 SO THE LIEUTENANT WANTS US TO CHASE A RUNAWAY? 54 00:02:12,733 --> 00:02:14,373 LIEUTENANT SAYS IT'S AN ABDUCTION 55 00:02:14,402 --> 00:02:16,102 BY A PREDATOR WHO'S DONE IT BEFORE. 56 00:02:16,136 --> 00:02:18,806 WHEN'S THE LAST TIME YOU SAW YOUR DAUGHTER, MRS. LENNOX? 57 00:02:18,839 --> 00:02:20,769 UH, YESTERDAY -- SATURDAY. 58 00:02:20,808 --> 00:02:22,278 AROUND NOON. SHE GOT UP AROUND NOON. 59 00:02:22,310 --> 00:02:24,210 SO, BASICALLY, YOU LET YOUR 14-YEAR-OLD DAUGHTER 60 00:02:24,245 --> 00:02:25,775 STAY UP ALL NIGHT AND GET UP AT NOON. 61 00:02:25,813 --> 00:02:27,523 I DON'T "LET" TALIA DO ANYTHING. 62 00:02:27,548 --> 00:02:28,848 TALIA DOES WHAT SHE WANTS. 63 00:02:28,882 --> 00:02:30,652 [ SIGHS ] 64 00:02:30,684 --> 00:02:33,554 THIS NOTE -- IS IT TALIA'S HANDWRITING? 65 00:02:35,155 --> 00:02:36,555 IT SAYS ON THE NOTE THAT SHE'S GOING TO LIVE WITH HER FATHER. 66 00:02:36,590 --> 00:02:39,860 YES, YES. THAT'S -- THAT'S TALIA'S HANDWRITING. 67 00:02:39,893 --> 00:02:41,303 TALIA'S FATHER, ROGER, 68 00:02:41,329 --> 00:02:42,999 LIVES IN LOS ANGELES 69 00:02:43,030 --> 00:02:46,700 [SNIFFLES] BUT HE HASN'T TALKED TO HER SINCE CHRISTMAS. 70 00:02:46,734 --> 00:02:49,904 BUT HE PROMISED HE WOULD LET ME KNOW IF SHE SHOWS UP. 71 00:02:49,937 --> 00:02:51,837 ARE YOU SAYING THIS NOTE IS A LIE? 72 00:02:51,872 --> 00:02:53,912 TALIA LIES. SHE LIES ALL THE TIME. 73 00:02:53,941 --> 00:02:55,511 WHAT HAPPENS WHEN YOU CALL HER CELL? 74 00:02:55,543 --> 00:02:58,753 I...UM... 75 00:02:58,779 --> 00:03:00,809 I DON'T -- I DON'T KNOW THE NUMBER. 76 00:03:00,848 --> 00:03:03,148 IT'S, UM -- IT'S BLOCKED. SHE... 77 00:03:03,183 --> 00:03:07,023 SHE PAYS FOR IT HERSELF SO SHE DOESN'T HAVE TO TELL ME ANYTHING. 78 00:03:07,054 --> 00:03:09,824 SO, BASICALLY, YOU'VE GIVEN UP ALL SUPERVISION OF YOUR OWN DAUGHTER. 79 00:03:09,857 --> 00:03:12,227 MAYBE ONE OF HER FRIENDS KNOWS THE NUMBER? 80 00:03:12,260 --> 00:03:14,030 FORGET IT, GRAVELY. 81 00:03:14,061 --> 00:03:16,201 SHE DOESN'T HAVE A CLUE ABOUT HER DAUGHTER'S FRIENDS. 82 00:03:16,230 --> 00:03:18,230 I'M NOT EVEN GONNA BOTHER ASKING 83 00:03:18,266 --> 00:03:20,626 WHAT KIND OF DRUGS SHE WAS ON OR WHO SHE WAS SLEEPING WITH. 84 00:03:21,802 --> 00:03:23,442 I KNOW WHAT THIS IS ABOUT. 85 00:03:23,471 --> 00:03:25,271 WHAT DO YOU GOT? [ KEYBOARD CLACKING ] 86 00:03:25,306 --> 00:03:27,276 SEVEN YEARS AGO, ANOTHER GIRL WENT MISSING -- 87 00:03:27,308 --> 00:03:30,178 ONE GREEN EYE, ONE BLUE. LACY SIDDON. 88 00:03:30,210 --> 00:03:32,510 "PRESUMED MURDERED. BODY NEVER FOUND." 89 00:03:32,546 --> 00:03:35,746 WELL, IF THE BODY WASN'T FOUND, HOW DO WE KNOW WHAT HAPPENED? 90 00:03:35,783 --> 00:03:37,183 THE LIEUTENANT KNOWS WHAT HE KNOWS. 91 00:03:37,217 --> 00:03:38,517 BACKSTROM WAS LEAD ON THE CASE, 92 00:03:38,552 --> 00:03:40,092 BUT WHEN THEY CALLED OFF THE INVESTIGATION, 93 00:03:40,120 --> 00:03:41,560 HE STOPPED BEING A COP. 94 00:03:41,589 --> 00:03:43,719 IT WAS CHIEF CERVANTES WHO FOUND HIM HOLED UP 95 00:03:43,757 --> 00:03:45,627 IN A MOTEL IN PORT ORFORD, 96 00:03:45,659 --> 00:03:47,229 TRYING TO DRINK HIMSELF TO DEATH. 97 00:03:47,261 --> 00:03:50,401 WE DON'T FIND THIS GIRL IN THE NEXT 24 HOURS, 98 00:03:50,431 --> 00:03:52,631 SHE'S DEAD. WHY 24 HOURS? 99 00:03:52,666 --> 00:03:57,236 MOTO, IF TALIA IS IN THE HANDS OF A SEXUAL PREDATOR, 100 00:03:57,271 --> 00:04:01,741 A SADIST, SHE WILL BE RAPED AND TORTURED UNTIL SHE IS DEAD. 101 00:04:01,775 --> 00:04:04,705 AND THAT DOESN'T TAKE LONG WITH A KID. 102 00:04:04,745 --> 00:04:06,275 AND HE'LL DISPOSE OF THE BODY. 103 00:04:06,314 --> 00:04:08,054 NO ONE WILL EVER KNOW WHAT HAPPENED TO HER. 104 00:04:08,081 --> 00:04:09,921 LIEUTENANT, YOU THINKING LACY SIDDON? 105 00:04:09,950 --> 00:04:11,450 ISN'T IT OBVIOUS? 106 00:04:11,485 --> 00:04:13,385 TO PLAY DEVIL'S ADVOCATE, IF I MAY, 107 00:04:13,421 --> 00:04:16,461 IT IS BAD POLICE WORK TO ASSUME THESE CASES ARE LINKED. 108 00:04:16,490 --> 00:04:18,960 WELL, THEN I'M THE POSTER BOY FOR BAD POLICE. 109 00:04:18,992 --> 00:04:20,992 GO GET ME TALIA'S PHONE RECORDS. 110 00:04:21,028 --> 00:04:23,158 I'M GONNA MAKE A LIST OF SEX OFFENDERS WHO FIT THE PROFILE. 111 00:04:23,196 --> 00:04:25,226 PULL TOGETHER THE LACY SIDDON FILE. 112 00:04:25,265 --> 00:04:27,565 GRAVELY, I'M GONNA CHECK OUT THE GIRL'S ROOM. 113 00:04:27,601 --> 00:04:29,071 YOU IN OR OUT? 114 00:04:29,102 --> 00:04:32,742 IT JUST MAKES ME UNCOMFORTABLE TO JUMP TO CONCLUSIONS 115 00:04:32,773 --> 00:04:34,413 BASED ON AN OLD OBSESSION. 116 00:04:34,442 --> 00:04:37,682 DO YOU -- TODAY, GRAVELY! 117 00:04:47,855 --> 00:04:51,625 THIS IS A NICE ROOM. 118 00:04:55,496 --> 00:05:00,226 CASCADIA GIRLS' SCHOOL. IT'S FOR PROBLEM KIDS. 119 00:05:06,540 --> 00:05:08,440 LIEUTENANT? 120 00:05:08,476 --> 00:05:12,146 UNICORNS AND RAINBOWS AND STUFFED ANIMALS IN HER ROOM, 121 00:05:12,179 --> 00:05:14,049 BUT OPEN HER CLOSET DOOR... 122 00:05:14,081 --> 00:05:16,621 THERE'S NOTHING BUT BLACK CLOTHES, 123 00:05:16,650 --> 00:05:18,450 STINK OF CIGARETTES. 124 00:05:18,486 --> 00:05:20,816 UH, GIRLS GROW UP. KIDS GO THROUGH PHASES. 125 00:05:20,854 --> 00:05:23,724 SAME THING WITH LACY SIDDON. 126 00:05:23,757 --> 00:05:27,227 ROOMFUL OF RAINBOWS... 127 00:05:27,260 --> 00:05:31,260 SEA OF BLACK IN THE CLOSET. 128 00:06:05,566 --> 00:06:07,096 Gravely: PRINCIPAL LARSEN, 129 00:06:07,134 --> 00:06:09,404 WOULD YOU DESCRIBE TALIA LENNOX AS A GOOD STUDENT? 130 00:06:09,437 --> 00:06:11,937 WE DON'T USE THE TERMS "GOOD," "BAD," "STUDENTS." 131 00:06:11,972 --> 00:06:13,842 WE LIKE TO REFER TO THE GIRLS AS "PUNKINS" -- 132 00:06:13,874 --> 00:06:15,384 "PUNKS" FOR SHORT. 133 00:06:15,409 --> 00:06:18,049 IT ACKNOWLEDGES WHERE THEY COME FROM, BUT IN A FUN WAY. 134 00:06:18,078 --> 00:06:20,548 TALIA'S MOTHER BELIEVES THAT SHE WAS DOING DRUGS. 135 00:06:20,581 --> 00:06:24,021 MOST CHILDREN EXPERIMENT WITH SUBSTANCES. IT'S UNAVOIDABLE. 136 00:06:24,051 --> 00:06:26,951 WE BELIEVE IN ALLOWING OUR PUNKS TO FIND THEMSELVES 137 00:06:26,987 --> 00:06:28,957 THROUGH TRIAL AND ERROR IN A SAFE ENVIRONS. 138 00:06:28,989 --> 00:06:31,529 WE'RE GONNA HAVE TO TALK TO TALIA'S FRIENDS. 139 00:06:31,559 --> 00:06:33,759 ESPECIALLY THE BAD, STUPID ONES. 140 00:06:33,794 --> 00:06:35,234 WELL, THERE'S AN ANNEX THROUGH THERE 141 00:06:35,262 --> 00:06:37,432 WHERE THE PUNKINS GATHER FREE FROM SCRUTINY. 142 00:06:37,465 --> 00:06:39,365 IT'S CALLED THE LAISSEZ-FAIRE GROUND. 143 00:06:39,399 --> 00:06:41,939 BUT I CANNOT LET YOU IN THERE WITHOUT A WARRANT. 144 00:06:41,969 --> 00:06:44,039 SO YOU ARE GONNA HAVE TO WAIT HERE. 145 00:06:44,071 --> 00:06:46,071 WE'RE GONNA GO THROUGH THAT DOOR. 146 00:06:46,106 --> 00:06:48,236 THERE'S GONNA BE KIDS WITH DRUGS ON THE OTHER SIDE, 147 00:06:48,275 --> 00:06:50,275 BECAUSE YOU'RE TOO STUPID AND LAZY 148 00:06:50,310 --> 00:06:52,150 TO BE A REAL PRINCIPAL OF A REAL SCHOOL. 149 00:06:52,179 --> 00:06:54,479 AND IF YOU REFUSE US PERMISSION, WE'LL ARREST EVERY ONE OF 'EM. 150 00:06:55,415 --> 00:06:57,045 WE'LL TAKE THAT AS A "YES." 151 00:06:57,084 --> 00:06:58,824 [ INDISTINCT CONVERSATIONS ] 152 00:06:58,852 --> 00:07:01,092 CHECK THIS OUT. Girl: EW. GROSS. 153 00:07:01,121 --> 00:07:03,961 Gravely: OH, MY GOD. IT'S PERVERT HEAVEN. 154 00:07:03,991 --> 00:07:05,761 [ CHUCKLES ] 155 00:07:05,793 --> 00:07:07,933 DOES ANYONE HERE KNOW TALIA LENNOX? 156 00:07:07,961 --> 00:07:09,101 Young woman: NOPE. 157 00:07:09,129 --> 00:07:11,629 ANYONE? 158 00:07:11,665 --> 00:07:12,625 NO? 159 00:07:12,666 --> 00:07:13,566 NOT ANSWERING. LOSER. 160 00:07:13,601 --> 00:07:14,331 REALLY? 161 00:07:14,367 --> 00:07:15,597 [ CHUCKLES ] 162 00:07:15,636 --> 00:07:17,666 BLACK HOODIES. 163 00:07:18,706 --> 00:07:21,436 H-HEY! BAD TOUCHING. 164 00:07:21,475 --> 00:07:22,905 Gravely: PORTLAND POLICE. 165 00:07:22,943 --> 00:07:25,283 THOSE ARE JUST VITAMINS. THEY AREN'T EVEN MINE. 166 00:07:25,312 --> 00:07:26,912 SHOULD WE CHECK ALL OF YOU FOR VITAMINS? 167 00:07:26,947 --> 00:07:29,177 IF WE TELL YOU WE KNOW TALIA LENNOX, WILL YOU GO AWAY? 168 00:07:29,216 --> 00:07:31,786 THAT'S GONNA BE YOUR BEST CHANCE. TALIA RAN AWAY TO HER DAD'S. 169 00:07:31,819 --> 00:07:34,249 NO, SHE DIDN'T. THAT'S WHAT SHE TOLD US. 170 00:07:34,287 --> 00:07:36,687 DID SHE EVER MENTION ANYTHING ABOUT A CREEPY GUY? 171 00:07:37,525 --> 00:07:39,285 I MEAN, ONLY CLAUDIO. 172 00:07:39,326 --> 00:07:42,356 YEAH, CLAUDIO'S THICK CREEPY. CLAUDIO WHO? 173 00:07:42,395 --> 00:07:44,865 TALIA BROKE UP WITH CLAUDIO, AND HE SAID HE WAS GONNA KILL HER. 174 00:07:44,898 --> 00:07:47,028 HOW OLD IS CLAUDIO? 16? 175 00:07:47,067 --> 00:07:48,837 SEVEN YEARS AGO, THICK CREEPY CLAUDIO WAS 9. 176 00:07:48,869 --> 00:07:50,039 NOT OUR GUY. 177 00:07:50,070 --> 00:07:53,540 I'M GONNA NEED CLAUDIO'S LAST NAME. 178 00:07:53,574 --> 00:07:55,784 I'M GONNA NEED TALIA'S PHONE NUMBER. 179 00:07:55,809 --> 00:07:57,949 CLAUDIO MORETTI. 180 00:07:57,978 --> 00:07:59,678 HEY! COME ON! 181 00:07:59,713 --> 00:08:02,523 GRAVELY, CHASE AFTER THEM. GET TALIA'S NUMBER. 182 00:08:02,550 --> 00:08:04,050 GO. 183 00:08:04,084 --> 00:08:06,124 MOTO AND NIEDERMAYER WILL GO PICK UP CLAUDIO MORETTI, 184 00:08:06,153 --> 00:08:08,423 AND HE WILL GIVE US TALIA'S PHONE NUMBER. 185 00:08:14,194 --> 00:08:17,034 I NEED YOU TO WRITE DOWN TALIA'S CELLPHONE NUMBER. 186 00:08:18,165 --> 00:08:19,825 WHATEVER. 187 00:08:24,504 --> 00:08:26,014 Backstrom: GOT IT. 188 00:08:26,039 --> 00:08:27,679 WHEN IS THE LAST TIME YOU SAW TALIA? 189 00:08:27,708 --> 00:08:29,708 FRIDAY NIGHT. KID DOESN'T FIT YOUR THEORY. 190 00:08:29,743 --> 00:08:32,083 PAQUET AND I'LL WORK TALIA'S PHONE. 191 00:08:32,112 --> 00:08:33,382 I'LL WATCH THE REST OF THIS. 192 00:08:33,413 --> 00:08:34,923 IS THAT WHEN SHE BROKE UP WITH YOU? 193 00:08:34,948 --> 00:08:36,678 YES. WELL, OKAY, NO. I BROKE UP WITH HER. 194 00:08:36,717 --> 00:08:38,017 DO YOU MIND TELLING US WHAT HAPPENED? 195 00:08:38,051 --> 00:08:39,721 L-L-LOOK, IS THAT WHY I'M HERE? 196 00:08:39,753 --> 00:08:42,163 BECAUSE I HONESTLY DID NOT KNOW THAT TALIA WAS 14. OKAY? 197 00:08:42,189 --> 00:08:44,729 SH-SHE SAID SHE WAS 16, SAME AS ME. 198 00:08:44,758 --> 00:08:46,928 SHE LOOKS 16, RIGHT? 199 00:08:46,960 --> 00:08:49,360 DID YOU ENGAGE IN COITUS WITH TALIA? 200 00:08:51,364 --> 00:08:53,074 M-MAYBE. 201 00:08:53,100 --> 00:08:55,240 COITUS IS SEXUAL INTERCOURSE. 202 00:08:56,870 --> 00:08:58,740 THAT'S WHEN YOU PUT YOUR PENIS INSIDE -- 203 00:08:58,772 --> 00:09:00,212 OH, MY. OKAY, NO, NO, NO. 204 00:09:00,240 --> 00:09:02,880 I DID NOT HAVE SEXUAL INTERCOURSE WITH TALIA. 205 00:09:02,910 --> 00:09:05,680 I'VE...NEVER HAD SEXUAL INTERCOURSE WITH ANYONE. 206 00:09:05,713 --> 00:09:07,953 I-IF THERE'S, LIKE, A TEST FOR THAT, 207 00:09:07,981 --> 00:09:10,781 I WILL GLADLY TAKE IT FOR PROOF. 208 00:09:10,818 --> 00:09:13,718 IS SHE LEAVING TO GET THE TEST, OR...? 209 00:09:13,754 --> 00:09:18,094 SO, H-HOW DID YOU FIND OUT TALIA'S REAL AGE? 210 00:09:18,125 --> 00:09:21,025 UH, I MET TALIA ONLINE. YOU KNOW WHAT I MEAN? 211 00:09:21,061 --> 00:09:22,561 YOU SEXTED EACH OTHER? 212 00:09:22,596 --> 00:09:25,266 IT'S BACKSTROM'S THEORY THAT LACY SIDDON'S ABDUCTOR 213 00:09:25,298 --> 00:09:27,028 STALKED HER ONLINE. 214 00:09:27,067 --> 00:09:28,967 BUT -- BUT THEN, WE MEET IN PERSON AND I SEE HER BINDER. 215 00:09:29,002 --> 00:09:30,772 IT'S EIGHTH GRADE. 216 00:09:30,804 --> 00:09:32,914 LIKE, MY DAD SAID I COULD GET BRANDED FOR LIFE A SEX OFFENDER. 217 00:09:32,940 --> 00:09:34,780 WHAT DID TALIA DO WHEN YOU BROKE UP? 218 00:09:34,808 --> 00:09:38,108 WELL, SHE SAID SHE'D FIND SOMEBODY BETTER ONLINE. 219 00:09:38,145 --> 00:09:39,645 SOMEBODY BETTER? 220 00:09:39,680 --> 00:09:41,880 YEAH, SHE SAID NOT REGULAR BORING LIKE ME. 221 00:09:41,915 --> 00:09:43,275 SOMEBODY BAD. 222 00:09:43,316 --> 00:09:45,216 SO SHE ACTUALLY SAID, "SOMEBODY BAD"? 223 00:09:45,252 --> 00:09:46,592 YES, SIR. 224 00:09:46,620 --> 00:09:47,990 SHE SAID, 225 00:09:48,021 --> 00:09:50,591 "GOOD IS GOOD, BUT BAD IS BETTER." 226 00:09:53,026 --> 00:09:55,426 OKAY, SO TALIA'S PHONE WENT OFF THE NETWORK 227 00:09:55,462 --> 00:09:56,632 JUST AFTER MIDNIGHT. 228 00:09:56,664 --> 00:09:57,904 LAST-KNOWN LOCATION? 229 00:09:57,931 --> 00:09:59,471 [ KEYBOARD CLACKING ] 230 00:09:59,499 --> 00:10:01,599 TUNNEL UNDER TRAIN TRACKS HERE. 231 00:10:01,635 --> 00:10:04,665 AND ALL HER OUTGOING CALLS WENT TO HER SCHOOL FRIENDS, 232 00:10:04,705 --> 00:10:06,465 AMBER, BETHANY, AND HARPER. 233 00:10:06,506 --> 00:10:10,076 OH, AND THAT BOY -- TALIA ALSO TEXTED THOSE PEOPLE. 234 00:10:10,110 --> 00:10:12,750 BUT WITHOUT THE ACTUAL PHONE, I CANNOT ACCESS THE CONTENTS. 235 00:10:12,780 --> 00:10:14,450 NO COMMUNICATIONS WITH HER FATHER? 236 00:10:14,481 --> 00:10:15,981 NO. NONE. THE FATHER AND THE BOY 237 00:10:16,016 --> 00:10:18,146 HAVE NOTHING TO DO WITH TALIA'S DISAPPEARANCE. 238 00:10:18,185 --> 00:10:21,415 SHE WAS ABDUCTED BY A MAN OBSESSED WITH MISMATCHED EYES. 239 00:10:21,454 --> 00:10:25,134 ALL MY FOSTER KIDS SURF THE WEB MORE THAN E-MAIL OR TEXTING. 240 00:10:25,158 --> 00:10:26,858 WELL, HER PHONE RECORDS INDICATE THAT TALIA 241 00:10:26,894 --> 00:10:28,634 USED THE INTERNET EXTENSIVELY. 242 00:10:28,662 --> 00:10:31,032 BUT, AGAIN, NO PHONE, NO DETAILS. 243 00:10:31,064 --> 00:10:33,774 HE GOT TO HER OVER THE INTERNET. 244 00:10:33,801 --> 00:10:35,841 I'M GONNA FIND TALIA'S PHONE. 245 00:10:35,869 --> 00:10:38,209 NIEDERMAYER CAN TAKE A TEAM TO SEARCH BY THE TUNNEL. 246 00:10:38,238 --> 00:10:40,138 Jennifer: HELLO? HELLO? I GOT A RANSOM NOTE. 247 00:10:40,173 --> 00:10:42,683 IT WAS UNDER MY WINDSHIELD WIPER. 248 00:10:42,710 --> 00:10:44,680 "I HAVE TALIA LENNOX. 249 00:10:44,712 --> 00:10:47,552 "$50,000 IN M-PAYMENT TO THE NUMBER BELOW 250 00:10:47,580 --> 00:10:49,050 "OR I WILL BURN HER ALIVE. 251 00:10:49,082 --> 00:10:51,022 YOU WILL NEVER FIND HER REMAINS." 252 00:10:51,051 --> 00:10:52,191 WE HAVE TO CALL THE FBI. 253 00:10:52,219 --> 00:10:53,619 GREAT. WHEN YOU CALL THE FBI, 254 00:10:53,653 --> 00:10:55,723 THEY'LL PUSH US ASIDE AND TAKE OVER THIS CASE. 255 00:10:55,756 --> 00:10:57,886 KIDNAPPING IS THE FBI's JURISDICTION. 256 00:10:57,925 --> 00:11:00,685 THIS NOTE IS BOGUS! 257 00:11:00,728 --> 00:11:03,528 I'M SORRY, LIEUTENANT. IT'S THE LAW. 258 00:11:03,563 --> 00:11:05,733 [ SIGHS ] 259 00:11:07,567 --> 00:11:09,367 [ DOOR SLAMS ] 260 00:11:13,874 --> 00:11:15,184 [ INDISTINCT CONVERSATIONS ] 261 00:11:15,208 --> 00:11:19,648 [ TELEPHONE RINGING ] 262 00:11:19,679 --> 00:11:21,179 [ SIGHS ] 263 00:11:26,954 --> 00:11:29,094 [ KNOCK ON GLASS ] 264 00:11:30,123 --> 00:11:31,493 I'M GONNA LOSE MY CHURCH. 265 00:11:31,524 --> 00:11:33,694 I'M THREE MONTHS BEHIND ON MY RENT, 266 00:11:33,727 --> 00:11:35,857 AND THEY TURNED OFF MY ELECTRICITY. 267 00:11:35,896 --> 00:11:38,996 [ SIGHS ] THAT'S GOD TELLING YOU YOU'RE A CRAPPY PASTOR. 268 00:11:39,032 --> 00:11:41,432 IT'S GOD TELLING ME I NEED A SECOND JOB. 269 00:11:41,468 --> 00:11:44,738 YOU GET A SECOND JOB... 270 00:11:44,772 --> 00:11:46,742 YOU CAN'T WORK AT SCU. 271 00:11:46,774 --> 00:11:49,184 EXACTLY. 272 00:11:49,209 --> 00:11:51,679 LISTEN, I DON'T CARE WHAT YOU DO. 273 00:11:51,711 --> 00:11:53,851 YOU LEAVE, YOU TAKE GRAVELY WITH YOU. 274 00:11:53,881 --> 00:11:55,951 [ BOTTLES CLINK ] DON'T HOLD IT AGAINST HER. 275 00:11:55,983 --> 00:11:58,723 SHE CALLED THE FBI. IT'S PROTOCOL. 276 00:11:58,752 --> 00:12:01,452 YOU GOT TO UNDERSTAND THAT THERE NEVER WAS ANY PROOF 277 00:12:01,488 --> 00:12:03,958 THAT LACY WAS TAKEN BY A SEXUAL PREDATOR. 278 00:12:03,991 --> 00:12:05,531 FOR ALL YOU KNOW, 279 00:12:05,558 --> 00:12:06,958 SHE WAS A VICTIM OF A HIT AND RUN 280 00:12:06,994 --> 00:12:08,604 AND BURIED IN A SHALLOW GRAVE. 281 00:12:08,628 --> 00:12:11,228 WHEN A GIRL LIKE THAT DISAPPEARS SO COMPLETELY, 282 00:12:11,264 --> 00:12:14,104 NO SIGN ANYWHERE -- SOMEBODY BAD DID IT. 283 00:12:14,134 --> 00:12:16,374 WHOEVER TOOK LACY TOOK TALIA. 284 00:12:16,403 --> 00:12:17,643 I AGREE WITH YOU. 285 00:12:19,272 --> 00:12:20,742 WHAT? 286 00:12:20,774 --> 00:12:22,914 I BELIEVED YOUR THEORY ON THE CRIME SEVEN YEARS AGO, 287 00:12:22,943 --> 00:12:24,853 AND I'M NOT GONNA RISK YOU BEING WRONG NOW. 288 00:12:26,780 --> 00:12:29,620 THE FBI IS GONNA GO AFTER WHOEVER LEFT THAT RANSOM NOTE, 289 00:12:29,649 --> 00:12:31,989 AND THEY'RE GONNA FIND AN OPPORTUNIST, 290 00:12:32,019 --> 00:12:34,959 SOMEONE HITCHING A RIDE ON TALIA LENNOX'S ABDUCTION. 291 00:12:34,988 --> 00:12:36,758 LEAVING US TO FIND THE PREDATOR. 292 00:12:36,790 --> 00:12:38,830 HUH. 293 00:12:40,928 --> 00:12:44,968 HEY, YOU REALIZE IF THE FBI 294 00:12:44,998 --> 00:12:47,398 FIND OUT THAT YOU'RE WORKING THEIR KIDNAPPING CASE, 295 00:12:47,434 --> 00:12:49,404 YOU'LL GET SUSPENDED. 296 00:12:49,436 --> 00:12:52,166 I'M NOT WORKING THE FBI KIDNAPPING. 297 00:12:52,205 --> 00:12:55,435 I'M WORKING YOUR PREDATOR ABDUCTION. 298 00:12:57,444 --> 00:12:58,554 [ BOTTLES CLINK ] 299 00:13:00,613 --> 00:13:01,453 NO, I GOT IT. 300 00:13:01,481 --> 00:13:02,921 YOU SURE? 301 00:13:02,950 --> 00:13:04,420 REALLY. I'M GOOD. 302 00:13:04,451 --> 00:13:05,791 GOOD. 303 00:13:07,120 --> 00:13:09,020 SO, I HAVE BEEN APPOINTED THE POLICE BUREAU LIAISON 304 00:13:09,056 --> 00:13:10,516 TO THE FBI. 305 00:13:10,557 --> 00:13:13,027 OH, WELL, THAT'LL LOOK GOOD ON YOUR RéSUMé. 306 00:13:13,060 --> 00:13:15,130 YOU KNOW THAT THE PRESENCE OF A RANSOM NOTE 307 00:13:15,162 --> 00:13:17,602 PROVES THAT BACKSTROM'S THEORY ABOUT A SEXUAL PREDATOR 308 00:13:17,630 --> 00:13:19,030 IN THE PAST IS FALSE, RIGHT? 309 00:13:19,066 --> 00:13:21,266 THAT IS CERTAINLY THE FBI's OPINION. 310 00:13:21,301 --> 00:13:23,701 YOU THINK THAT BACKSTROM IS RIGHT AND THE NOTE IS FAKE? 311 00:13:23,736 --> 00:13:25,306 If Backstrom is right, 312 00:13:25,338 --> 00:13:28,008 then the real search for Talia Lennox is over, 313 00:13:28,041 --> 00:13:29,811 and she hasn't long to live. 314 00:13:29,843 --> 00:13:31,513 OKAY. 315 00:13:31,544 --> 00:13:34,354 I'M STUCK HERE OBSERVING. 316 00:13:34,381 --> 00:13:36,721 YOU AND THE REST OF THE TEAM REPORT TO JOHN ALMOND. 317 00:13:36,749 --> 00:13:38,049 YOU DO KNOW THAT DETECTIVE ALMOND 318 00:13:38,085 --> 00:13:39,415 BELIEVES THE LIEUTENANT, RIGHT? 319 00:13:42,022 --> 00:13:44,162 [ CHUCKLES ] 320 00:13:46,493 --> 00:13:49,863 [ FOOTSTEPS APPROACHING ] 321 00:13:51,764 --> 00:13:54,204 LACY SIDDON'S FILES FROM SEVEN YEARS AGO, 322 00:13:54,234 --> 00:13:55,544 COURTESY OF DETECTIVE ALMOND. 323 00:13:55,568 --> 00:13:57,138 Nadia: I'M HERE. 324 00:13:57,170 --> 00:13:58,670 [ PANTING ] 325 00:13:58,705 --> 00:14:01,235 I ACTUALLY HAD TO STEAL MY OWN WORK FROM THE FBI. 326 00:14:01,274 --> 00:14:02,714 OH, THANKS. 327 00:14:02,742 --> 00:14:04,812 SO, NIEDERMAYER HAS GONE OUT TO THE TUNNEL 328 00:14:04,844 --> 00:14:06,584 TO LOOK FOR THE GIRL'S PHONE, 329 00:14:06,613 --> 00:14:09,483 AND DETECTIVE ALMOND IS GOING THROUGH THE GIRL'S ROOM AGAIN. 330 00:14:09,516 --> 00:14:11,316 GO HELP NIEDERMAYER. 331 00:14:11,351 --> 00:14:15,691 OKAY, SO, I NEED A CLOTHESLINE, A TABLE, A PLUG, 332 00:14:15,722 --> 00:14:17,522 AND A COGNAC TO SETTLE MY THOUGHTS. 333 00:14:17,557 --> 00:14:20,057 I'LL GET THE COGNAC. 334 00:14:42,649 --> 00:14:45,949 SHOULD WE START BY FINDING EVERY SINGLE SIMILARITY 335 00:14:45,986 --> 00:14:48,116 BETWEEN LACY SIDDON AND TALIA LENNOX? 336 00:14:48,155 --> 00:14:50,385 NO. WASTE OF TIME. WE DON'T NEED EVERY SINGLE SIMILARITY. 337 00:14:50,423 --> 00:14:51,623 WE JUST NEED ONE. 338 00:14:51,658 --> 00:14:53,028 SOUNDS LIKE YOU ALREADY KNOW WHICH ONE. 339 00:14:53,060 --> 00:14:55,030 LACY SIDDON WAS OBSESSED WITH VAMPIRES. 340 00:14:55,062 --> 00:14:56,862 SHE WOULD SPEND HOURS ONLINE 341 00:14:56,896 --> 00:14:59,066 LOOKING FOR A VAMPIRE BOY TO TURN HER. 342 00:14:59,099 --> 00:15:01,369 IS "TURN" A EUPHEMISM FOR SEX? 343 00:15:01,401 --> 00:15:03,701 SHE WANTED TO BE IMMORTAL, AND THERE WAS A WEBSITE 344 00:15:03,736 --> 00:15:05,936 THAT WOULD CONNECT MORTAL GIRLS WITH VAMPIRE BOYS 345 00:15:05,973 --> 00:15:08,283 WHO WOULD AGREE TO BITE THE RIGHT GIRL ON THE NECK 346 00:15:08,308 --> 00:15:09,808 AND TURN THEM INTO A VAMPIRE. 347 00:15:09,842 --> 00:15:11,242 JUST MAKING SURE -- 348 00:15:11,278 --> 00:15:13,248 YOU DO KNOW THAT VAMPIRES AREN'T REAL, CORRECT? 349 00:15:13,280 --> 00:15:14,880 THANKS FOR THAT, VALENTINE. 350 00:15:14,914 --> 00:15:16,284 HEY, YOU'RE WELCOME. 351 00:15:16,316 --> 00:15:18,246 THE POINT IS, SHE THOUGHT THEY WERE REAL, 352 00:15:18,285 --> 00:15:20,915 WHICH MADE IT EASIER FOR THE PREDATOR TO FIND HER. 353 00:15:20,954 --> 00:15:23,764 SO A MAN PRETENDING TO BE A VAMPIRE BOY ONLINE -- 354 00:15:23,790 --> 00:15:25,660 YEAH, HE'S DOING THE SAME THING AGAIN, 355 00:15:25,692 --> 00:15:27,962 ONLY NOT WITH VAMPIRES, WITH SOMETHING ELSE. 356 00:15:27,995 --> 00:15:30,055 WELL, NIEDERMAYER MUST FIND TALIA'S PHONE. 357 00:15:30,097 --> 00:15:32,767 MM! MM-MM! Man: WE CONTINUE TO INVESTIGATE AS WE NOW GO LIVE 358 00:15:32,799 --> 00:15:34,399 TO PORTLAND POLICE HEADQUARTERS. 359 00:15:34,434 --> 00:15:36,904 Jennifer: LAW ENFORCEMENT JUST NEEDS TO KNOW 360 00:15:36,936 --> 00:15:40,406 THAT SHE'S OUT THERE, THAT SHE'S ALIVE, 361 00:15:40,440 --> 00:15:43,680 AND THAT IT'S REALLY HER. 362 00:15:43,710 --> 00:15:46,910 [ Voice breaking ] SO I SAY TO MY DAUGHTER'S... 363 00:15:46,946 --> 00:15:52,616 KIDNAPPER, PLEASE, JUST -- JUST PROVE THAT MY TALIA 364 00:15:52,652 --> 00:15:54,192 IS ALIVE AND WELL, 365 00:15:54,221 --> 00:15:56,491 AND WE WILL GIVE YOU WHATEVER YOU ASK. 366 00:15:56,523 --> 00:15:58,693 AND, UM... 367 00:15:58,725 --> 00:16:02,255 WELCOME [SIGHS] MY DAUGHTER'S SAFE RETURN. 368 00:16:02,295 --> 00:16:03,825 THANK YOU. 369 00:16:03,863 --> 00:16:06,203 THE FBI IS DEMANDING FOR PROOF OF LIFE. 370 00:16:06,233 --> 00:16:08,803 THEY'RE NOT GONNA GET IT. 371 00:16:08,835 --> 00:16:10,835 [ SIGHS ] 372 00:16:21,048 --> 00:16:24,618 THE LIEUTENANT SENT ME TO HELP YOU LOOK FOR THE PHONE. 373 00:16:24,651 --> 00:16:27,051 30 FBI TECHS JUST WRAPPED A SEARCH OF THE ENTIRE AREA. 374 00:16:27,087 --> 00:16:28,387 THEY FOUND NOTHING. 375 00:16:28,421 --> 00:16:29,521 IT'S A PERFECT PLACE FOR AN ABDUCTION -- 376 00:16:29,556 --> 00:16:31,156 ISOLATED, LOTS OF COVER. 377 00:16:31,191 --> 00:16:34,061 THERE'S AN UNLIT ACCESS ROAD ABOUT A HUNDRED YARDS AWAY. 378 00:16:34,094 --> 00:16:36,534 TWO OF THE THREE LIGHTS BUSTED. 379 00:16:36,563 --> 00:16:40,673 THE ABDUCTOR STANDS OVER THERE IN THE DARKNESS 380 00:16:40,700 --> 00:16:43,470 AND HE WATCHES THE GIRL UNDER THIS LIGHT... 381 00:16:43,503 --> 00:16:46,343 MAKING SURE THAT SHE'S ALONE. 382 00:16:48,408 --> 00:16:51,038 THE LIEUTENANT SAID WE HAVE 24 HOURS. 383 00:16:51,078 --> 00:16:54,248 YEAH. AND WE'RE RUNNING OUT OF TIME. 384 00:16:54,281 --> 00:16:58,351 SHE SAID, "GOOD IS GOOD, BUT BAD IS BETTER." 385 00:16:58,385 --> 00:17:02,185 [ CELLPHONE RINGS ] 386 00:17:02,222 --> 00:17:04,892 [ CELLPHONE BEEPS ] 387 00:17:04,924 --> 00:17:06,234 YEAH? 388 00:17:06,259 --> 00:17:07,989 TELL PAQUET TO CHECK HER E-MAIL. 389 00:17:08,027 --> 00:17:09,327 PAQUET! MM! 390 00:17:09,362 --> 00:17:11,902 CHECK YOUR COMPUTER. 391 00:17:11,931 --> 00:17:13,201 WHAT'S GOING ON? 392 00:17:13,233 --> 00:17:14,873 WE GOT PROOF OF LIFE. 393 00:17:14,901 --> 00:17:16,541 WHAT?! 394 00:17:16,569 --> 00:17:20,409 I am sending you a restricted video file. 395 00:17:20,440 --> 00:17:23,310 I HOPE THAT YOU WILL COME VISIT ME WHEN I AM LEAVENWORTH. 396 00:17:25,645 --> 00:17:27,205 I GOT IT! 397 00:17:27,247 --> 00:17:29,517 The video file is time-stamped 11:23 on Saturday night. 398 00:17:29,549 --> 00:17:31,719 The FBI says that the time stamp is genuine. 399 00:17:31,751 --> 00:17:32,921 WHERE'D THEY GET IT? 400 00:17:32,952 --> 00:17:34,622 IT WAS POSTED TO THE FBI WEBSITE, 401 00:17:34,654 --> 00:17:36,594 AND THEY TRACED IT TO AN INTERNET CAFE ON HAWTHORNE -- 402 00:17:36,623 --> 00:17:37,793 CYBER JOE. 403 00:17:37,824 --> 00:17:39,694 OH, THAT -- THAT'LL BE A DEAD END. 404 00:17:39,726 --> 00:17:40,886 I KNOW THIS PLACE WELL. 405 00:17:40,927 --> 00:17:42,727 IT'S FOR ANARCHIST, TECHNO GEEKS, 406 00:17:42,762 --> 00:17:43,932 MEMBERS OF "ANONYMOUS." 407 00:17:43,963 --> 00:17:45,703 I-I'VE USED IT MANY TIMES MYSELF. 408 00:17:45,732 --> 00:17:47,302 WHY? YEAH, WHY? 409 00:17:47,334 --> 00:17:48,874 O-OH, THAT'S NOT IMPORTANT. 410 00:17:48,901 --> 00:17:52,141 JUST TRUST ME, THE INTERNET TRAIL ENDS THERE. 411 00:17:52,172 --> 00:17:54,742 PLAY IT AGAIN. 412 00:17:54,774 --> 00:17:56,044 WAIT. WHAT'S THAT? 413 00:17:56,075 --> 00:17:56,875 WHAT? 414 00:17:56,909 --> 00:17:58,179 THE TATTOO. 415 00:18:02,282 --> 00:18:04,682 THAT'S DEFINITELY NOT A VAMPIRE, IF THAT'S WHAT YOU'RE THINKING. 416 00:18:05,985 --> 00:18:08,285 I'M THINKING THAT'S EXACTLY WHAT IT IS. 417 00:18:14,994 --> 00:18:18,474 WHERE YOU BEEN ALL NIGHT? WASTING TIME PRAYING FOR TALIA? 418 00:18:18,498 --> 00:18:21,968 A LITTLE OF THAT, BUT MOSTLY GOING THROUGH TALIA'S ROOM. 419 00:18:22,001 --> 00:18:23,741 AND I FOUND SOMETHING INTERESTING. 420 00:18:23,770 --> 00:18:25,170 [ CELLPHONE CLICKS ] 421 00:18:28,375 --> 00:18:30,175 Nadia: "G-- GIGBBIB"? 422 00:18:30,210 --> 00:18:31,680 IS THAT ENGLISH? 423 00:18:31,711 --> 00:18:32,981 ONCE YOU SEE IT, IT'S EVERYWHERE. 424 00:18:33,012 --> 00:18:34,352 WHAT DOES IT MEAN? 425 00:18:34,381 --> 00:18:36,921 PERHAPS IT'S A CODE OR AN ACRONYM. 426 00:18:36,949 --> 00:18:40,149 IT MIGHT GO WITH THIS. 427 00:18:40,187 --> 00:18:43,317 AH. HIM AGAIN. 428 00:18:43,356 --> 00:18:44,416 YOU'VE SEEN IT SOMEWHERE ELSE? 429 00:18:44,457 --> 00:18:46,057 YES. WATCH. 430 00:18:49,962 --> 00:18:51,932 AND HERE. 431 00:18:51,964 --> 00:18:54,374 THIS IS A PILL I TOOK FROM TALIA'S FRIEND AMBER MORROW. 432 00:18:54,401 --> 00:18:55,671 SERIOUSLY? 433 00:18:55,702 --> 00:18:56,542 [ SCOFFS ] 434 00:18:56,569 --> 00:18:57,969 FOR EVIDENCE. 435 00:18:59,972 --> 00:19:01,512 BRAND OF ECSTASY? WELL, DEALING ECSTASY'S 436 00:19:01,541 --> 00:19:04,441 A GOOD WAY TO STALK TROUBLED YOUNG GIRLS. 437 00:19:04,477 --> 00:19:06,477 I'LL TALK TO A COUPLE OF BUDDIES IN NARCOTICS -- SEE WHAT I GET. 438 00:19:06,513 --> 00:19:07,953 WE'RE LOOKING FOR SOMEONE 439 00:19:07,980 --> 00:19:09,850 WHO DEALS TO GIRLS AT THE CASCADIA SCHOOL. 440 00:19:09,882 --> 00:19:11,882 TAKE MOTO, FIND THE SUSPECT, BRING HIM BACK HERE. 441 00:19:11,918 --> 00:19:14,488 LIEUTENANT, I CAN'T BRING A DRUG DEALER BACK TO YOUR HOME. 442 00:19:14,521 --> 00:19:18,231 OKAY, WELL, THEN BRING HIM TO THE SCU. 443 00:19:18,258 --> 00:19:21,158 IF THE FBI ASKS, WE'RE ON A SEPARATE DRUG CASE. 444 00:19:21,194 --> 00:19:22,904 GOT IT. 445 00:19:22,929 --> 00:19:24,529 SHOULD I PACK UP? 446 00:19:24,564 --> 00:19:27,434 YEAH. I WANT MY OFFICE BACK. 447 00:19:29,202 --> 00:19:30,802 COMFORTABLE, GRAVELY? 448 00:19:30,837 --> 00:19:32,807 YOU WANT MY JOB, OR ARE YOU JOINING THE FBI? 449 00:19:32,839 --> 00:19:35,479 LIEUTENANT, I RISKED MY JOB TO SEND YOU THAT E-MAIL. 450 00:19:35,508 --> 00:19:36,808 OH, YOU'RE A REGULAR JOAN OF ARC. 451 00:19:36,843 --> 00:19:38,183 DETECTIVE GRAVELY, 452 00:19:38,211 --> 00:19:39,481 WE'VE GOT AGENTS WORKING THE INTERNET CAFE. 453 00:19:39,512 --> 00:19:40,912 GET OUT OF MY OFFICE! 454 00:19:40,947 --> 00:19:42,647 OKAY, THAT'S HOURS OF BONDING DOWN THE DRAIN. 455 00:19:42,682 --> 00:19:43,952 NIEDERMAYER! 456 00:19:46,419 --> 00:19:48,219 YES, SIR? 457 00:19:48,255 --> 00:19:50,515 THE GUY IN THE HOOD -- HE'S THE KEY TO THIS ABDUCTION. 458 00:19:50,557 --> 00:19:52,357 AND THIS, TOO. 459 00:19:56,396 --> 00:19:58,096 IT'S EVERYWHERE. 460 00:19:58,130 --> 00:20:00,230 I SAW THAT STRING OF LETTERS LAST NIGHT AT THE TUNNEL. 461 00:20:00,267 --> 00:20:01,997 WHAT DOES IT MEAN? IT'S NOT A WORD. 462 00:20:02,034 --> 00:20:03,504 SOME KIND OF CODE? I DON'T KNOW. 463 00:20:03,536 --> 00:20:05,096 MAYBE IT'S AN ACRONYM LIKE LOL? 464 00:20:05,137 --> 00:20:07,407 MAYBE IT'S A PHONETIC SPELLING OF A FOREIGN LANGUAGE? 465 00:20:07,440 --> 00:20:08,880 OR A MADE-UP LANGUAGE? 466 00:20:08,908 --> 00:20:10,378 OKAY, GO TALK TO PAQUET. CHECK IT OUT. 467 00:20:10,410 --> 00:20:12,450 Almond: MEET DERRICK COTTON. 468 00:20:12,479 --> 00:20:15,879 HE SELLS ECSTASY TO SCHOOLGIRLS. TELL THEM WHAT YOU TOLD ME. 469 00:20:15,915 --> 00:20:19,245 UH, THEM PILLS, W-WHICH I DON'T KNOW ANYTHING ABOUT, 470 00:20:19,286 --> 00:20:21,086 UH, ARE CALLED "HOODED MAN." 471 00:20:21,120 --> 00:20:25,190 HOODED MAN. THAT'S A THING? IS HE GOOD OR BAD? 472 00:20:25,224 --> 00:20:26,434 WELL, YOU KNOW WHAT THEY SAY -- 473 00:20:26,459 --> 00:20:29,499 "GOOD IS GOOD, BUT, UH, BAD IS BETTER." 474 00:20:31,998 --> 00:20:33,768 LET'S GET HIM TO HOLDING. 475 00:20:33,800 --> 00:20:35,030 NIEDERMAYER! 476 00:20:35,067 --> 00:20:36,867 YEAH? 477 00:20:36,903 --> 00:20:39,213 REMEMBER WHAT THAT KID SAID, THE ONE YOU WERE INTERROGATING? 478 00:20:39,238 --> 00:20:41,368 UH, THE COITUS VIRGIN? YEAH. 479 00:20:41,408 --> 00:20:43,738 UH, HE SAID THAT TALIA MET SOMEBODY NEW ON THE INTERNET, 480 00:20:43,776 --> 00:20:46,976 UM, NOT REGULAR LIKE HIM, SOMEBODY BAD. 481 00:20:47,013 --> 00:20:48,983 SHE SAID THAT GOOD IS GOOD... 482 00:20:49,015 --> 00:20:52,285 BUT BAD IS BETTER. 483 00:20:52,319 --> 00:20:55,789 OKAY, SO WHAT -- SO, THE HOODED MAN'S SLOGAN 484 00:20:55,822 --> 00:20:57,422 IS "GOOD IS GOOD, BUT BAD IS BETTER," 485 00:20:57,457 --> 00:20:59,427 AND THE VICTIM IS INVOLVED IN THAT IN SOME WAY? 486 00:20:59,459 --> 00:21:01,789 HOLD ON. SO THAT'S WHAT WE'RE CALLING HIM -- THE HOODED MAN? 487 00:21:01,828 --> 00:21:06,168 THE HOODED MAN IS MY VAMPIRE. FIND HIM. 488 00:21:07,500 --> 00:21:11,170 Nadia: ALL RIGHT, SO, THE HOODED MAN STARTED 489 00:21:11,203 --> 00:21:16,443 AS CREEPY AND MYSTERIOUS FICTION ONLINE BY ONE GUY, 490 00:21:16,476 --> 00:21:18,106 BUT THEN HUNDREDS JOINED IN. 491 00:21:18,144 --> 00:21:21,984 "THE HOODED MAN UNDERSTANDS." 492 00:21:22,014 --> 00:21:24,284 ALL ADOLESCENTS ARE VULNERABLE TO A PROMISE LIKE THAT. 493 00:21:24,317 --> 00:21:26,817 SO THE HOODED MAN LOOKS FOR SPECIAL KIDS, 494 00:21:26,853 --> 00:21:29,993 KIDS WHO ARE "WILLING TO FALL IN ORDER TO RISE." 495 00:21:30,022 --> 00:21:31,862 THEY ARE CALLED "THE FALLEN." 496 00:21:31,891 --> 00:21:35,631 AND THE FALLEN MUST PROVE THEIR ALLEGIANCE TO THE HOODED MAN. 497 00:21:35,662 --> 00:21:36,762 WHAT'S THE REWARD? 498 00:21:36,796 --> 00:21:38,366 "TO BE INITIATED INTO 499 00:21:38,398 --> 00:21:41,798 THE DARK MYSTERIES OF THE TRUE UNIVERSE," 500 00:21:41,834 --> 00:21:43,104 BLAH, BLAH, BLAH. 501 00:21:43,135 --> 00:21:45,095 THIS IS WHY TALIA WAS TAKING ECSTASY 502 00:21:45,137 --> 00:21:47,207 AND DEMANDING SEX FROM CLAUDIO MORETTI. 503 00:21:47,239 --> 00:21:49,339 SHE WANTED TO BE ONE OF THE FALLEN. 504 00:21:49,376 --> 00:21:51,106 YEAH, THE LIEUTENANT'S RIGHT. 505 00:21:51,143 --> 00:21:53,413 THIS IS VERY CLOSE TO THE VAMPIRE MEME. 506 00:21:54,581 --> 00:21:56,651 I DON'T KNOW ANYTHING ABOUT FALLEN PEOPLE. 507 00:21:56,683 --> 00:21:58,623 YOU MADE A BIG MISTAKE, AMBER. 508 00:21:58,651 --> 00:22:00,991 I DON'T APPRECIATE YOUR TONE, DETECTIVE ALMOND. 509 00:22:01,020 --> 00:22:03,490 YOUR DAUGHTER'S A DRUG USER AND AN EXTORTIONIST. 510 00:22:03,523 --> 00:22:05,893 I'M NOT SURE I APPRECIATE YOUR PARENTING SKILLS. 511 00:22:05,925 --> 00:22:08,025 WHAT'S AN EXTORTIONIST? 512 00:22:09,496 --> 00:22:11,296 WHY AM I WATCHING THIS? Nadia: YOU WENT TO CYBER JOE'S 513 00:22:11,330 --> 00:22:13,200 BECAUSE YOU COULD POST THE VIDEO OF TALIA 514 00:22:13,232 --> 00:22:14,802 WITHOUT ANYONE KNOWING. 515 00:22:14,834 --> 00:22:18,544 YOU SENT A TEXT TO YOUR FRIENDS HARPER AND BETHANY 516 00:22:18,571 --> 00:22:20,971 FROM INSIDE THE CAFE. 517 00:22:21,007 --> 00:22:23,137 A SINGLE EMOTICON. 518 00:22:23,175 --> 00:22:25,675 THIS IS NOT A HAPPY FACE. 519 00:22:25,712 --> 00:22:27,582 I DON'T UNDERSTAND. 520 00:22:27,614 --> 00:22:29,754 YOUR DAUGHTER'S FRIEND WENT MISSING, 521 00:22:29,782 --> 00:22:32,252 AND SHE TRIED TO COLLECT A RANSOM. 522 00:22:34,554 --> 00:22:36,824 IS THAT TRUE? 523 00:22:36,856 --> 00:22:39,526 AMBER, IS THAT TRUE? 524 00:22:42,028 --> 00:22:45,428 WE FIGURED TALIA WAS RUNNING AWAY TO BE WITH HER FATHER. 525 00:22:45,465 --> 00:22:47,425 I MEAN, WHY NOT GET SOME MONEY OUT OF IT? 526 00:22:48,735 --> 00:22:50,595 [ SIGHS ] 527 00:22:50,637 --> 00:22:53,907 SO I PUT THE RANSOM NOTE UNDER MRS. LENNOX'S WINDSHIELD. 528 00:22:53,940 --> 00:22:55,940 AND THE PROOF-OF-LIFE VIDEO? 529 00:22:55,975 --> 00:22:59,345 TALIA AND I GOT INTO A FIGHT BEFORE SHE RAN AWAY. 530 00:22:59,378 --> 00:23:01,208 I HIT HER, AND HARPER RECORDED IT. 531 00:23:01,247 --> 00:23:02,947 CAN I GO HOME NOW? 532 00:23:02,982 --> 00:23:05,352 NOW YOU HAVE TO TALK TO MY BOSS. 533 00:23:05,384 --> 00:23:08,424 HE'S NOT AS NICE AS I AM. 534 00:23:11,323 --> 00:23:14,963 ALL RIGHT, EVERYBODY -- HEY, WE'RE DONE HERE. 535 00:23:14,994 --> 00:23:16,864 THERE'S NO KIDNAPPING. 536 00:23:16,896 --> 00:23:18,426 WAIT A SECOND. JUST LIKE THAT? 537 00:23:18,465 --> 00:23:20,195 FBI DOESN'T DO RUNAWAYS. 538 00:23:20,232 --> 00:23:21,272 Man: ALL RIGHT, LET'S WRAP IT UP. 539 00:23:21,300 --> 00:23:23,140 [ INDISTINCT CONVERSATIONS ] 540 00:23:23,169 --> 00:23:24,869 [ SIGHS ] 541 00:23:24,904 --> 00:23:27,774 AND YOU ADMIT TO HITTING TALIA? 542 00:23:30,309 --> 00:23:32,279 DID YOU KILL HER? 543 00:23:34,947 --> 00:23:36,217 TAKE OFF YOUR HOODIE. 544 00:23:36,248 --> 00:23:37,148 I DON'T WANT TO. 545 00:23:37,183 --> 00:23:38,823 TAKE OFF YOUR DAMN HOODIE. 546 00:23:38,851 --> 00:23:40,321 [ SCOFFS ] 547 00:23:40,352 --> 00:23:41,422 [ GRUNTING ] 548 00:23:41,454 --> 00:23:45,194 NO! NO! NO! 549 00:23:51,430 --> 00:23:53,900 HER CELLPHONE BILL -- YOU PAY IT OR SHE DOES? 550 00:23:53,933 --> 00:23:54,973 I DO. 551 00:23:55,001 --> 00:23:56,001 I'D LIKE TO TAKE IT. 552 00:23:56,035 --> 00:23:57,965 NO. NO! 553 00:23:58,004 --> 00:24:01,174 NO! NO! NO! NO! NO! 554 00:24:01,207 --> 00:24:02,267 [ SCREAMS ] [ GRUNTS ] 555 00:24:02,308 --> 00:24:03,578 HEY! HEY! HEY! HEY! HEY! 556 00:24:03,610 --> 00:24:05,310 NO! NO, YOU DON'T UNDERSTAND! 557 00:24:05,344 --> 00:24:09,084 YOU CAN'T EVEN COMPREHEND WHAT HE CAN DO! 558 00:24:09,115 --> 00:24:10,515 LISTEN, NO ONE'S GONNA DO ANYTHING, HONEY. 559 00:24:10,550 --> 00:24:11,620 I WON'T LET THEM. 560 00:24:11,651 --> 00:24:13,151 NO! YOU DON'T UNDERSTAND. 561 00:24:13,185 --> 00:24:16,255 IF YOU FIND HIM THROUGH ME, HE'LL NEVER TAKE ME. 562 00:24:16,288 --> 00:24:18,158 HE'LL LEAVE ME HERE IN THE NORMAL WORLD 563 00:24:18,190 --> 00:24:20,490 WITH NORMAL PEOPLE, AND I CAN'T LIVE HERE. 564 00:24:20,527 --> 00:24:23,027 [ SNIFFLES ] I DESERVE SOMETHING BETTER. 565 00:24:23,062 --> 00:24:26,772 [ Crying ] I'M GONNA DIE IF I STAY HERE. 566 00:24:35,808 --> 00:24:39,708 DETECTIVE ALMOND, I DON'T THINK THIS IS GOOD NEWS. 567 00:24:41,013 --> 00:24:43,453 HEY, ERIC. 568 00:24:43,482 --> 00:24:45,152 YOU HERE TO EVICT ME? 569 00:24:45,184 --> 00:24:46,554 I CAN'T AFFORD TO CARRY YOU, JOHN. 570 00:24:46,586 --> 00:24:48,216 I'M NOT EVEN A MEMBER OF YOUR CHURCH. 571 00:24:48,254 --> 00:24:50,824 YOU SHOULD GO. HE'S REALLY GOOD. 572 00:24:50,857 --> 00:24:51,887 MOTO. 573 00:24:53,526 --> 00:24:55,796 OKAY. 574 00:24:55,828 --> 00:24:57,828 YOU'RE THREE MONTHS IN ARREARS. 575 00:24:57,864 --> 00:24:59,874 PEOPLE ARE HAVING A TOUGH TIME IN THIS ECONOMY. 576 00:24:59,899 --> 00:25:01,469 I'M ONE OF THEM. 577 00:25:01,500 --> 00:25:03,470 YOU KNOW, MAYBE GOD'S TRYING TO TELL YOU SOMETHING, JOHN. 578 00:25:03,502 --> 00:25:06,842 WHAT? GET A SECOND JOB? KEEP MY CHURCH ALIVE? 579 00:25:06,873 --> 00:25:09,513 THAT FELLA TOLD ME YOU'RE BUSY SAVING A GIRL'S LIFE. 580 00:25:09,542 --> 00:25:11,382 MAYBE GOD'S TRYING TO TELL YOU YOU'RE DOING 581 00:25:11,410 --> 00:25:13,610 EXACTLY WHAT HE WANTS YOU TO BE DOING. 582 00:25:16,783 --> 00:25:19,223 NO HARD FEELINGS, MAN. 583 00:25:27,259 --> 00:25:29,529 PAQUET CRACKED AMBER MORROW'S PHONE. 584 00:25:31,363 --> 00:25:33,833 THANKS TO AMBER'S SMARTPHONE, 585 00:25:33,866 --> 00:25:36,336 I WAS ABLE TO DISCOVER THE WEBSITE OF THE HOODED MAN 586 00:25:36,368 --> 00:25:37,838 THAT THE HOODIE GIRLS LOVE. 587 00:25:37,870 --> 00:25:39,240 Moto: THAT'S CREEPY. 588 00:25:39,271 --> 00:25:41,271 AND THAT'S THE OUTSIDE -- TO GET INSIDE, 589 00:25:41,307 --> 00:25:43,407 YOU NEED AN INVITATION FROM ONE OF THE FALLEN. 590 00:25:43,442 --> 00:25:44,382 WAS AMBER INVITED? 591 00:25:44,410 --> 00:25:45,750 NO. JUST TALIA. 592 00:25:45,778 --> 00:25:48,008 AND TALIA GOT AN INVITATION 593 00:25:48,047 --> 00:25:52,277 FROM A FALLEN BOY WHO CALLS HIMSELF "MINUS." 594 00:25:54,086 --> 00:25:56,186 Man: [ Distorted ] I INVITE YOU TO ENTER 595 00:25:56,222 --> 00:25:58,792 THE REALM OF THE FALLEN IF YOU KNOW THE INCANTATION. 596 00:25:58,825 --> 00:26:00,025 Almond: WHAT'S THE CODE? 597 00:26:00,059 --> 00:26:02,899 TRY OUR OLD FRIEND GIGBBIB. 598 00:26:02,929 --> 00:26:06,769 Niedermayer: "GOOD IS GOOD, BUT BAD IS BETTER." 599 00:26:06,799 --> 00:26:09,269 I'M GONNA HAVE NIGHTMARES. 600 00:26:09,301 --> 00:26:11,071 Nadia: THIS IS MINUS. 601 00:26:11,103 --> 00:26:13,773 THAT'S OUR PREDATOR. 602 00:26:13,806 --> 00:26:15,876 IN REAL LIFE, HE'S NOT A PRETTY BOY. 603 00:26:15,908 --> 00:26:17,978 IS THERE ANY WAY TO TRACE HIS REAL-LIFE WHEREABOUTS? 604 00:26:18,010 --> 00:26:20,280 NO. HE'S USING AN ANONYMIZER. 605 00:26:20,312 --> 00:26:24,122 MAYBE AMBER STRUCK TALIA TO KEEP HER FROM GOING TO MEET MINUS. 606 00:26:24,150 --> 00:26:25,990 [ CHUCKLES ] AMBER STRUCK TALIA 607 00:26:26,018 --> 00:26:28,048 BECAUSE TALIA GOT INVITED AND AMBER DIDN'T. 608 00:26:28,087 --> 00:26:29,917 SHE WAS JEALOUS. 609 00:26:29,956 --> 00:26:31,886 ALWAYS LOOKING FOR THE GOOD IN PEOPLE 610 00:26:31,924 --> 00:26:33,964 IS PROBABLY WHY YOUR CHURCH IS IN THE CRAPPER. 611 00:26:33,993 --> 00:26:37,103 I WANT YOU TO GO ONLINE. PRETEND TO BE MINUS. 612 00:26:37,129 --> 00:26:39,429 YOU WANT TO INVITE AMBER IN THIS WORLD? 613 00:26:39,465 --> 00:26:41,095 Gravely: HOLD ON A SECOND. 614 00:26:41,133 --> 00:26:44,943 YOU WANT PAQUET TO POSE AS A PEDERAST POSING AS A MINOR BOY 615 00:26:44,971 --> 00:26:46,941 TO ENTRAP A MINOR GIRL? 616 00:26:46,973 --> 00:26:48,843 SHE'LL BE POSING, GRAVELY. 617 00:26:48,875 --> 00:26:51,775 SHE WON'T ACTUALLY BE TORTURING SOMEONE TO DEATH IN A BASEMENT. 618 00:26:51,811 --> 00:26:53,011 [ SIGHS ] 619 00:26:53,045 --> 00:26:56,245 [ BUTTONS CLICKING ] 620 00:26:56,282 --> 00:26:58,622 [ Distorted ] AMBER, ARE YOU READY TO FALL? 621 00:27:09,628 --> 00:27:11,828 [ SIGHS ] 622 00:27:18,004 --> 00:27:21,844 [ COMPUTER BEEPING ] 623 00:27:21,874 --> 00:27:23,314 HEY, IT'S AMBER. 624 00:27:23,342 --> 00:27:25,642 SHE WANTS TO MEET MINUS IN PERSON. 625 00:27:25,678 --> 00:27:27,208 I WANT TO SEE YOU AGAIN. 626 00:27:27,246 --> 00:27:29,346 I CAN COME TO THE SAME PLACE. PLEASE, MINUS. 627 00:27:29,381 --> 00:27:31,981 SAY YES. WAIT. AMBER'S MET WITH MINUS BEFORE? 628 00:27:32,018 --> 00:27:34,118 HOW? MM, LET'S FIND OUT. SAY YES. 629 00:27:34,153 --> 00:27:35,993 BUT WE DON'T KNOW "THE SAME PLACE." 630 00:27:36,022 --> 00:27:37,362 WE KNOW THE PLACE. 631 00:27:37,389 --> 00:27:39,629 IT'S WHERE TALIA'S PHONE WENT OFF THE GRID. 632 00:27:39,658 --> 00:27:41,488 YES. TELL AMBER ONE HOUR. 633 00:27:41,527 --> 00:27:45,127 YES. SAME PLACE. ONE HOUR. 634 00:27:45,164 --> 00:27:46,904 YES! ALL RIGHT, I'M COMING WITH YOU. 635 00:27:46,933 --> 00:27:49,573 UH, NO. I'M GONNA NEED SOMEONE A LITTLE MORE FALLEN. 636 00:27:51,270 --> 00:27:53,710 Valentine: YOU KNOW, I KNOW WHAT IT IS WITH YOU AND THIS CASE. 637 00:27:53,740 --> 00:27:56,410 IT'S NOT JUST THE GIRL FROM SEVEN YEARS AGO. 638 00:27:56,442 --> 00:27:58,212 MY MOM TOLD ME. 639 00:27:58,244 --> 00:28:01,314 About your brothers and the bogeyman. 640 00:28:01,347 --> 00:28:03,177 They told you he was gonna come get you 641 00:28:03,215 --> 00:28:06,885 when you fell asleep, didn't they? 642 00:28:06,919 --> 00:28:09,159 AND I BELIEVED THEM. 643 00:28:09,188 --> 00:28:10,918 HOW MANY DAYS DID YOU STAY AWAKE? 644 00:28:10,957 --> 00:28:15,057 FOR THREE DAYS. 645 00:28:15,094 --> 00:28:20,234 I WENT PSYCHOTIC. I ACTUALLY SAW THE BOGEYMAN. 646 00:28:20,266 --> 00:28:23,596 THEY PUT ME IN A KIDS' PSYCH WARD FOR SIX WEEKS. 647 00:28:23,635 --> 00:28:25,595 [ DOOR HINGES CREAK ] 648 00:28:31,477 --> 00:28:34,877 MINUS, I CAME. THANK YOU. 649 00:28:34,914 --> 00:28:38,284 I'M READY. I'MREADY. 650 00:28:39,618 --> 00:28:42,188 WHERE'S YOUR CANE? 651 00:28:42,221 --> 00:28:45,891 [ SIGHS ] 652 00:28:45,925 --> 00:28:47,725 I'M NOT WHO YOU THINK I AM. 653 00:28:47,760 --> 00:28:50,800 WELL, WHO ARE YOU? DID -- DID MINUS SEND YOU? 654 00:28:50,830 --> 00:28:55,130 NOPE. HE'S JUST A GUY... NAMED VAL. 655 00:28:55,167 --> 00:28:57,137 NO. 656 00:28:57,169 --> 00:29:00,539 NO! 657 00:29:00,572 --> 00:29:01,442 [ GRUNTS ] 658 00:29:01,473 --> 00:29:02,943 I'M YOU. 659 00:29:02,975 --> 00:29:07,545 I'M A BORED, JADED GIRL LIVING IN A WORLD 660 00:29:07,579 --> 00:29:09,479 THAT'S BORING HER TO DEATH. 661 00:29:11,317 --> 00:29:13,287 DRUGS DON'T MAKE IT MORE EXCITING. 662 00:29:13,319 --> 00:29:15,749 SEX DOESN'T MAKE IT MORE EXCITING. 663 00:29:15,788 --> 00:29:17,318 THE ONLY THING THAT EXCITES ME 664 00:29:17,356 --> 00:29:21,386 IS THE IDEA THAT THERE'S A GATE TO ANOTHER WORLD, 665 00:29:21,427 --> 00:29:24,557 A BETTER WORLD WHERE EVERYTHING... 666 00:29:24,596 --> 00:29:29,436 ISN'T SO DULL. 667 00:29:29,468 --> 00:29:34,768 BUT THEN TALIA GETS INVITED THERE, NOT ME. 668 00:29:34,807 --> 00:29:38,977 BY THE BEAUTIFUL BOY WITH THE BIG EYES AND THE PALE FACE. 669 00:29:39,011 --> 00:29:41,151 [ SIGHS ] 670 00:29:41,180 --> 00:29:44,420 SO I KNOCK HER DOWN AND TAKE HER PLACE. 671 00:29:44,450 --> 00:29:46,650 BUT THERE IS NO BEAUTIFUL BOY. 672 00:29:46,685 --> 00:29:49,785 NO. NO, I SAW HIM. I SAW HIM RIGHT THERE. 673 00:29:49,822 --> 00:29:50,762 NO. 674 00:29:50,789 --> 00:29:54,459 IT WAS JUST A GUY LIKE ME 675 00:29:54,493 --> 00:29:57,003 WHO FOOLED HER AND TOOK HER... 676 00:29:57,029 --> 00:29:58,129 [ Voice breaking ] NO. 677 00:29:58,164 --> 00:30:01,474 ...AND IS RAPING, TORTURING, 678 00:30:01,500 --> 00:30:04,440 AND MURDERING YOUR FRIEND AS WE SPEAK. 679 00:30:04,470 --> 00:30:06,610 [ Crying ] NO. 680 00:30:06,638 --> 00:30:09,178 SHE'S CRYING 'CAUSE SHE FEELS GUILTY. 681 00:30:09,208 --> 00:30:13,108 NO. SHE'S CRYING BECAUSE SHE KNOWS YOU'RE RIGHT. 682 00:30:13,145 --> 00:30:15,605 YOU'RE CRYING BECAUSE YOU KNOW 683 00:30:15,647 --> 00:30:19,017 THERE IS NO BETTER WORLD THAN THIS. THIS IS ALL WE GET. 684 00:30:19,051 --> 00:30:21,651 AND SHE'S HEARTBROKEN. 685 00:30:23,890 --> 00:30:24,660 HEY, GIRLY. 686 00:30:26,325 --> 00:30:28,555 HE REJECTED YOU, DIDN'T HE? 687 00:30:28,594 --> 00:30:31,464 HE WAS SO BEAUTIFUL. 688 00:30:31,497 --> 00:30:35,167 NOT IN THE LIGHT. NOT WITH HIS HOOD OFF. 689 00:30:35,201 --> 00:30:38,271 I TRIED TO FOLLOW HIM, BUT HE DISAPPEARED. 690 00:30:39,205 --> 00:30:41,035 WHY DIDN'T HE WANT ME? 691 00:30:41,073 --> 00:30:42,883 YOU HAD THE WRONG EYES. 692 00:30:44,010 --> 00:30:46,180 SO HE HAD A CANE? 693 00:30:46,212 --> 00:30:49,022 YES. WITH A HOODED MAN ON TOP. 694 00:30:49,048 --> 00:30:50,178 HOW STYLISH. 695 00:30:50,216 --> 00:30:51,676 NO, NO. HE LIMPED. 696 00:30:51,717 --> 00:30:52,917 ANY OF YOUR SUSPECTS HAVE A LIMP? 697 00:30:52,952 --> 00:30:55,592 NO. WHAT ELSE? 698 00:30:55,621 --> 00:30:57,691 WHAT ELSE CAN YOU TELL US TO HELP US FIND HIM? 699 00:30:57,723 --> 00:30:59,633 I'VE TOLD YOU EVERYTHING. 700 00:31:01,360 --> 00:31:04,900 [ SIGHS ] THEN YOUR FRIEND IS DEAD. 701 00:31:15,942 --> 00:31:17,612 MAYBE YOUR BOGEYMAN HURT HIS LEG LATER. 702 00:31:17,643 --> 00:31:21,513 OR I NEVER GOT ANYWHERE CLOSE TO HIM SEVEN YEARS AGO. 703 00:31:21,547 --> 00:31:25,017 I DON'T KNOW. 704 00:31:25,051 --> 00:31:27,291 [ SIGHS ] 705 00:31:27,319 --> 00:31:29,459 WHAT AM I MISSING? 706 00:31:29,488 --> 00:31:31,718 [ SCOFFS ] 707 00:31:31,757 --> 00:31:33,387 WHY ARE YOU ASKING ME? 708 00:31:36,762 --> 00:31:38,462 WE ALL HAVE OUR OWN BOGEYMEN. 709 00:31:38,497 --> 00:31:43,437 I KNOW WHAT HAPPENED TO YOU. I READ THE POLICE REPORT. 710 00:31:43,469 --> 00:31:45,469 WELL, THEN, YOU ALREADY KNOW EVERYTHING. 711 00:31:45,504 --> 00:31:47,214 I KNOW HUSTLERS AND I KNOW YOU, 712 00:31:47,239 --> 00:31:51,139 AND I KNOW YOU TOLD THE POLICE AS LITTLE AS POSSIBLE. 713 00:31:51,177 --> 00:31:52,577 FINE. 714 00:31:52,611 --> 00:31:56,321 I WAS FRESH ON THE STREET, AND... 715 00:31:56,348 --> 00:31:59,548 HE GOT HIS HANDS ON ME BEFORE I DEVELOPED 716 00:31:59,585 --> 00:32:02,115 MY SURVIVAL INSTINCTS. 717 00:32:02,154 --> 00:32:04,624 MY STORY'S NO USE TO YOU. MY BOGEYMAN DIED 10 YEARS AGO. 718 00:32:04,656 --> 00:32:06,056 HE DOESN'T HAVE TALIA LENNOX. 719 00:32:06,092 --> 00:32:07,762 THEY'RE ALL THE SAME EVIL BASTARD. 720 00:32:07,793 --> 00:32:11,163 HE HAD YOU FOR THREE DAYS. 721 00:32:13,365 --> 00:32:15,595 YOU LOOKED STRAIGHT INTO HIS EYES 722 00:32:15,634 --> 00:32:17,644 WHILE HE DID THE THINGS HE DID TO YOU. 723 00:32:19,271 --> 00:32:20,941 HELP ME CATCH HIM. 724 00:32:23,675 --> 00:32:26,905 THE BOGEYMAN STARTS OUT KIND. 725 00:32:26,945 --> 00:32:34,345 HE MAKES YOU FEEL SPECIAL FOR BEING CHOSEN. 726 00:32:34,386 --> 00:32:36,316 THEN HE TELLS YOU HE LOVES YOU. 727 00:32:36,355 --> 00:32:37,185 WHICH IS A LIE. 728 00:32:37,223 --> 00:32:38,693 NO. 729 00:32:38,724 --> 00:32:41,294 NOT TO HIM, IT'S NOT. 730 00:32:41,327 --> 00:32:42,857 HE MEANS IT. 731 00:32:42,894 --> 00:32:46,834 BELIEVE ME WHEN I SAY... 732 00:32:46,865 --> 00:32:49,865 I NEVER BEEN LOOKED AT WITH SO MUCH LOVE. 733 00:32:49,901 --> 00:32:53,971 EVEN WHEN HE MARKED ME. 734 00:32:54,006 --> 00:32:55,366 HE TATTOOED YOU? 735 00:32:55,407 --> 00:32:56,977 NO. HE BRANDED ME WITH HIS CIGARETTE 736 00:32:57,009 --> 00:32:58,439 OVER AND OVER. 737 00:32:58,477 --> 00:33:01,447 I GOT TATTOOS TO COVER THE SCARS 738 00:33:01,480 --> 00:33:03,480 SO I WOULDN'T HAVE TO REMEMBER HIM EVERY DAY 739 00:33:03,515 --> 00:33:04,715 FOR THE REST OF MY LIFE. 740 00:33:06,352 --> 00:33:07,992 BUT YOU GOT AWAY. 741 00:33:08,020 --> 00:33:10,560 [ SIGHS ] 742 00:33:10,589 --> 00:33:13,029 I WAS FAST... 743 00:33:13,059 --> 00:33:15,659 AND LUCKY. 744 00:33:15,694 --> 00:33:18,864 ALL IN ALL, HE WASN'T SO BAD, YOU KNOW? 745 00:33:18,897 --> 00:33:20,897 [ SIGHS ] 746 00:33:20,932 --> 00:33:22,372 THERE ARE WORSE BOGEYMEN. 747 00:33:22,401 --> 00:33:24,471 [ CELLPHONE CLICKS, BEEPS ] 748 00:33:24,503 --> 00:33:26,243 [ Ringing ] 749 00:33:26,272 --> 00:33:28,312 MR. MORROW, THIS IS LIEUTENANT EVERETT BACKSTROM. 750 00:33:28,340 --> 00:33:29,680 SORRY TO BOTHER YOU SO EARLY. 751 00:33:29,708 --> 00:33:31,378 I'VE GOT ONE MORE QUESTION FOR YOUR DAUGHTER. 752 00:33:31,410 --> 00:33:34,650 HER AND HER FRIENDS -- WHERE DID THEY GET THEIR TATTOOS? 753 00:33:34,680 --> 00:33:36,650 [ INDISTINCT CONVERSATIONS ] 754 00:33:36,682 --> 00:33:39,052 ALMOND: Lieutenant, we're in position. 755 00:33:39,085 --> 00:33:40,545 Gravely: SOMEBODY'S COMING. 756 00:33:42,721 --> 00:33:44,721 [ MONITOR BEEPS ] 757 00:33:44,756 --> 00:33:46,326 HE'S LIMPING. 758 00:33:46,358 --> 00:33:49,358 THAT'S HIM. ALMOND, TAKE HIM DOWN. 759 00:33:53,865 --> 00:33:55,325 [ GRUNTS ] 760 00:33:55,367 --> 00:33:56,597 LET'S GO. 761 00:33:56,635 --> 00:33:59,935 ALL RIGHT. JUST TAKE IT EASY. WE GOT HIM. 762 00:33:59,971 --> 00:34:03,441 Wesley Lewis, we're taking you in for questioning. 763 00:34:04,743 --> 00:34:07,553 * THROWN 764 00:34:07,579 --> 00:34:11,179 * FROM THE FADING SKY 765 00:34:11,217 --> 00:34:13,387 [ DOGS BARKING ] 766 00:34:13,419 --> 00:34:17,559 * OUR HOPE 767 00:34:17,589 --> 00:34:20,129 * WILL FIND US 768 00:34:22,428 --> 00:34:24,628 * OUR HOPE 769 00:34:27,299 --> 00:34:32,069 * FROM THE WAY WE FLY 770 00:34:32,104 --> 00:34:34,944 * WILL RISE 771 00:34:36,975 --> 00:34:39,575 * LIKE MOUNTAINS 772 00:34:39,611 --> 00:34:42,951 Man: PORTLAND POLICE HOPE TO FIND MISSING TEEN TALIA LENNOX 773 00:34:42,981 --> 00:34:45,721 AT THIS VIRTUALLY ABANDONED FORMER JUNKYARD. 774 00:34:45,751 --> 00:34:47,921 WHY AREN'T THEY FINDING ANYTHING? 775 00:34:47,953 --> 00:34:49,593 UNCONFIRMED SOURCES IDENTIFY 776 00:34:49,621 --> 00:34:51,891 BURNSIDE TATTOO ARTIST WESLEY LEWIS 777 00:34:51,923 --> 00:34:54,433 AS THE MAIN SUSPECT IN THE GIRL'S ABDUCTION. 778 00:34:54,460 --> 00:34:57,260 YOU KNOW. TALK. 779 00:34:59,265 --> 00:35:00,665 WE FOUND SOME WOMEN'S CLOTHING IN A CLOSET 780 00:35:00,699 --> 00:35:02,469 AND EVIDENCE OF A BABY. 781 00:35:02,501 --> 00:35:05,971 MY WIFE LEFT WITH OUR DAUGHTER MONTHS AGO. 782 00:35:06,004 --> 00:35:07,474 SHE REALIZED YOU WERE A HOMICIDAL FREAK? 783 00:35:07,506 --> 00:35:09,276 CAN YOU PROVIDE HER WHEREABOUTS? 784 00:35:09,308 --> 00:35:11,508 I WOULD LOVE TO KNOW WHERE SHE IS. 785 00:35:11,543 --> 00:35:14,053 LYING IN A SHALLOW GRAVE NEXT TO LACY SIDDON. 786 00:35:15,714 --> 00:35:18,254 AH. 787 00:35:18,284 --> 00:35:19,924 DETECTIVE DUNN, 788 00:35:19,951 --> 00:35:23,191 DID YOU OR YOUR TEAM DISCOVER A CANE WITH A HOODED MAN 789 00:35:23,222 --> 00:35:24,192 ON THE HANDLE? 790 00:35:24,223 --> 00:35:26,193 I'LL GO CHECK. 791 00:35:26,225 --> 00:35:28,825 PUT HIM IN THE BACK OF A CRUISER, PLEASE. 792 00:35:32,331 --> 00:35:34,471 IS THIS WHAT YOU'RE LOOKING FOR? 793 00:35:36,335 --> 00:35:39,435 THAT'S IT. BUT THERE'S NO LAW AGAINST OWNING A CREEPY CANE. 794 00:35:39,471 --> 00:35:40,771 WE HAVEN'T FOUND ANYTHING TO HOLD HIM ON. 795 00:35:40,806 --> 00:35:42,506 TELL YOU SOMETHING ELSE -- 796 00:35:42,541 --> 00:35:44,511 10 MINUTES AFTER THAT GUY GETS A LAWYER, HE'S A FREE MAN. 797 00:35:44,543 --> 00:35:47,213 AND HE'LL KILL TALIA. 798 00:35:47,246 --> 00:35:49,676 WE'LL NEVER FIND HER -- SAME AS LACY SIDDON. 799 00:35:49,715 --> 00:35:51,475 LIEUTENANT, WE'RE RUNNING OUT OF TIME. 800 00:35:51,517 --> 00:35:53,487 WE HAVE TO THINK OF SOMETHING FAST. 801 00:35:53,519 --> 00:35:54,789 DAMN IT! NO. 802 00:35:54,820 --> 00:35:57,560 IT'S TIME TO THINK OF SOMETHING SLOW. 803 00:35:58,590 --> 00:35:59,790 WE NEED TO PRAY. 804 00:35:59,825 --> 00:36:01,225 [ LAUGHS ] 805 00:36:04,330 --> 00:36:08,330 SERIOUSLY? OKAY, GOOD. KNOCK YOURSELVES OUT. 806 00:36:08,367 --> 00:36:10,697 LIEUTENANT, YOU SAID THAT YOU'D DO WHATEVER IT TAKES 807 00:36:10,736 --> 00:36:12,036 TO CATCH THAT BOGEYMAN. 808 00:36:25,384 --> 00:36:26,754 [ GROANS ] 809 00:36:30,021 --> 00:36:32,421 AS OPTIONS DWINDLE IN THE SEARCH FOR TALIA LENNOX... 810 00:36:32,458 --> 00:36:34,258 WHAT IS HAPPENING HERE? 811 00:36:34,293 --> 00:36:37,063 ...THE PRINCIPAL INVESTIGATORS OF THE SPECIAL CRIME UNIT 812 00:36:37,095 --> 00:36:39,595 ARE EITHER LOOKING FOR SOLACE OR A MIRACLE. 813 00:36:39,631 --> 00:36:42,831 BACKSTROM IS IN A PRAYER CIRCLE? [ CHUCKLES ] 814 00:36:42,868 --> 00:36:44,168 BEING LED IN PRAYER BY DETECTIVE JOHN ALMOND, 815 00:36:44,202 --> 00:36:45,572 WHO I'M TOLD PREACHES 816 00:36:45,604 --> 00:36:47,774 AT THE JOY OF EVERLASTING LIGHT CHURCH. 817 00:36:47,806 --> 00:36:51,506 Almond: LORD, WE ASK YOU, PLEASE DELIVER TALIA LENNOX 818 00:36:51,543 --> 00:36:55,853 INTO THE HANDS OF HER MOTHER IF IT BE YOUR WILL, 819 00:36:55,881 --> 00:36:58,381 FOR SHE IS ONLY A CHILD. 820 00:36:58,417 --> 00:37:01,747 LORD. HA HA. 821 00:37:01,787 --> 00:37:05,517 WE THANK YOU FOR DETECTIVE JOHN ALMOND 822 00:37:05,557 --> 00:37:08,727 REMINDING ME THAT TALIA IS ONLY A CHILD, 823 00:37:08,760 --> 00:37:11,400 AND THERE IS A LAW IN THE STATE OF OREGON 824 00:37:11,430 --> 00:37:14,430 AGAINST TATTOOING UNDERAGE CHILDREN! 825 00:37:14,466 --> 00:37:17,366 I CAN HOLD THAT SON OF A BITCH FOR 72 HOURS, 826 00:37:17,403 --> 00:37:18,673 LAWYER OR NO LAWYER! 827 00:37:19,971 --> 00:37:21,941 YOU SEE THAT? DID YOU SEE HIM CLAP? 828 00:37:21,973 --> 00:37:23,313 MM-HMM. 829 00:37:23,342 --> 00:37:26,142 THAT'S THE CLOSEST THING HE GETS TO HAPPY. 830 00:37:31,283 --> 00:37:32,653 HOW LONG WILL THIS TAKE? 831 00:37:32,684 --> 00:37:36,464 I'M A SOCIOPATHIC CHILD RAPIST 832 00:37:36,488 --> 00:37:40,058 WHO PREYS ON LONELY GIRLS. 833 00:37:40,091 --> 00:37:43,461 NO, I GET IT. YOU'RE A FREAK. 834 00:37:43,495 --> 00:37:45,625 YEAH, SURE, YOU'RE A PERV. 835 00:37:45,664 --> 00:37:50,304 BUT WHAT'S WITH THE DIFFERENT-COLORED EYES? 836 00:37:50,336 --> 00:37:52,836 I MEAN, THAT'S PRETTY RARE, RIGHT? 837 00:37:52,871 --> 00:37:56,911 MAKES IT A HELL OF A LOT HARDER TO FIND YOUR VICTIMS. 838 00:37:56,942 --> 00:37:59,782 CAN'T I JUST PAY A FINE FOR TATTOOING THOSE GIRLS? 839 00:37:59,811 --> 00:38:01,781 IT DOESN'T HAVE TO DO WITH SOME CREEPY, 840 00:38:01,813 --> 00:38:03,683 MOTHER/SON STUFF, DOES IT? 841 00:38:03,715 --> 00:38:08,015 STEPMOM WITH DIFFERENT-COLORED EYES GAVE LITTLE WESLEY A BATH? 842 00:38:08,053 --> 00:38:12,293 HELL, I'LL LEAVE THAT ONE FOR THE PRISON PSYCHIATRISTS. 843 00:38:12,324 --> 00:38:14,334 I'D LIKE TO GO HOME. 844 00:38:14,360 --> 00:38:16,830 I HAVE YOU FOR A 72-HOUR HOLD. 845 00:38:16,862 --> 00:38:19,032 I PLAN ON US SPENDING EVERY MINUTE OF THAT TOGETHER. 846 00:38:19,064 --> 00:38:21,304 CRUEL AND UNUSUAL PUNISHMENT. 847 00:38:21,333 --> 00:38:24,043 DO YOU BELIEVE IN LOVE AT FIRST SIGHT? 848 00:38:25,537 --> 00:38:26,837 YES. 849 00:38:26,872 --> 00:38:29,312 YEAH. 850 00:38:29,341 --> 00:38:32,511 EXCEPT IT'S NOT LOVE, IS IT? 851 00:38:34,179 --> 00:38:36,209 YOU DON'T KNOW HOW TO LOVE. 852 00:38:36,247 --> 00:38:38,377 [ CHUCKLES ] 853 00:38:38,417 --> 00:38:44,387 YOU'VE NEVER LOVED ANYTHING MORE THAN YOURSELF. 854 00:38:44,423 --> 00:38:48,233 YOU'LL NEVER HAVE A WIFE, NEVER HAVE A CHILD. 855 00:38:48,259 --> 00:38:49,959 LOOK AT YOU. 856 00:38:49,995 --> 00:38:52,055 WHO'S THE OUTCAST? 857 00:38:52,097 --> 00:38:53,727 WHO'S THE PERV? 858 00:38:56,568 --> 00:38:57,838 [ SIGHS ] 859 00:38:57,869 --> 00:38:59,969 WE SEARCHED YOUR PROPERTY. 860 00:39:00,005 --> 00:39:01,735 AND PROBLEM IS, 861 00:39:01,773 --> 00:39:04,313 WE WERE LOOKING FOR PLACES WHERE YOU'D KEEP A LIVE PERSON. 862 00:39:04,342 --> 00:39:06,852 YOU KNOW, A VENTILATION PIPE OR AIR SHAFT. 863 00:39:06,878 --> 00:39:09,048 WE SHOULD'VE BEEN LOOKING FOR GRAVES. 864 00:39:09,080 --> 00:39:11,550 YOU SEE, IF TALIA'S DEAD, 865 00:39:11,583 --> 00:39:14,093 IT DOESN'T MATTER HOW LONG IT TAKES FOR US TO FIND HER. 866 00:39:14,119 --> 00:39:18,589 BUT IF SHE'S ALIVE, IT MATTERS. 867 00:39:18,624 --> 00:39:20,934 SHE MIGHT BE RUNNING OUT OF AIR. 868 00:39:20,959 --> 00:39:22,829 SO IF YOU TELL US 869 00:39:22,861 --> 00:39:28,701 WHERE TALIA IS BEFORE SHE DIES, 870 00:39:28,734 --> 00:39:32,704 YOU'LL JUST BE CHARGED WITH KIDNAPPING AND YOU'LL LIVE. 871 00:39:32,738 --> 00:39:36,938 BUT IF WE DIG UP YOUR ENTIRE PROPERTY -- 872 00:39:36,975 --> 00:39:40,545 AND, OH, WE WILL -- AND WE FIND HER DEAD, 873 00:39:40,579 --> 00:39:42,549 LETHAL INJECTION. 874 00:39:42,581 --> 00:39:47,451 IF SH DIES, IT'S ON YOU. 875 00:39:47,486 --> 00:39:51,016 MAYBE SO. 876 00:39:51,056 --> 00:39:53,086 LIKE YOU SAID... 877 00:39:53,124 --> 00:39:56,434 I'M ME -- WORSE THAN YOU. 878 00:39:56,462 --> 00:39:58,562 I'VE NEVER LOVED ANYBODY. 879 00:39:58,597 --> 00:40:00,567 I NEVER WILL. 880 00:40:00,599 --> 00:40:03,129 WHILE THE WORLD IS FILLED WITH WALKING CORPSES 881 00:40:03,168 --> 00:40:04,938 WHO DON'T EVEN KNOW THEY'RE DEAD. 882 00:40:04,970 --> 00:40:09,070 WELL, WHAT'S ONE MORE LITTLE GIRL? 883 00:40:10,141 --> 00:40:11,241 [ DOOR SLAMS ] 884 00:40:16,448 --> 00:40:18,078 [ DOOR CLOSES ] 885 00:40:18,116 --> 00:40:19,546 WOW. HE DIDN'T MEAN IT. 886 00:40:19,585 --> 00:40:22,085 HE WAS JUST PUTTING INTENSE PRESSURE ON LEWIS. 887 00:40:32,097 --> 00:40:34,097 WELL, I SAY WE GET A TEAM OUT THERE TO START DIGGING. 888 00:40:34,132 --> 00:40:34,932 WE COULD GET LUCKY. 889 00:40:34,966 --> 00:40:36,266 GROUND-PIERCING RADAR. 890 00:40:36,301 --> 00:40:37,441 WAIT. WHAT'S HE DOING? 891 00:40:39,505 --> 00:40:41,205 CIRCLING SOMETHING. 892 00:40:42,608 --> 00:40:45,478 IT'S THE DOGS. 893 00:40:45,511 --> 00:40:50,421 * WHEN YOU HIDE IN THE MEADOWS 894 00:40:50,448 --> 00:40:52,748 * FEELIN' BLACK AND BLUE 895 00:40:52,784 --> 00:40:55,954 [ DOGS BARKING, INDISTINCT CONVERSATIONS ] 896 00:40:55,987 --> 00:40:58,417 * BE TRUE TO YOUR SPIRIT 897 00:40:58,456 --> 00:41:02,326 * HOLD 898 00:41:02,360 --> 00:41:03,860 [ GRUNTS ] 899 00:41:03,895 --> 00:41:07,365 HEY, LOOK! LOOK. 900 00:41:07,398 --> 00:41:09,668 THIS MOVES. 901 00:41:12,538 --> 00:41:14,168 WE NEED BOLT CUTTERS. 902 00:41:14,205 --> 00:41:15,835 COME ON! 903 00:41:16,908 --> 00:41:17,908 [ GRUNTS ] 904 00:41:23,582 --> 00:41:25,982 WE'VE GOT TALIA. IS THAT LACY? 905 00:41:26,017 --> 00:41:27,217 OH, DEAR GOD. 906 00:41:48,840 --> 00:41:50,380 LIEUTENANT! 907 00:41:50,408 --> 00:41:51,978 THEY'RE ALIVE! 908 00:41:52,010 --> 00:41:54,880 WE'RE GONNA NEED A LADDER HERE. 909 00:42:04,389 --> 00:42:08,889 DEAR LORD, WE THANK YOU FOR THE SAFE RETURN 910 00:42:08,927 --> 00:42:12,397 OF TALIA LENNOX 911 00:42:12,430 --> 00:42:14,700 INTO THE LOVING ARMS OF HER MOTHER. 912 00:42:14,733 --> 00:42:16,673 All: AMEN. 913 00:42:16,702 --> 00:42:18,602 Almond: AMEN. Man: AMEN. 914 00:42:18,637 --> 00:42:22,837 AND WE THANK YOU FOR THE SAFE RETURN OF LACY SIDDON 915 00:42:22,874 --> 00:42:26,754 AND HER CHILD TO YOUR BEAUTIFUL, WIDE WORLD. 916 00:42:26,778 --> 00:42:28,208 All: AMEN. 917 00:42:28,246 --> 00:42:30,116 BEAUTIFUL, YES. 918 00:42:30,148 --> 00:42:32,018 AMEN. 919 00:42:32,050 --> 00:42:35,720 THANKS TO THE POWER OF PRAYER -- AND TELEVISION -- 920 00:42:35,754 --> 00:42:37,864 THE PEOPLE OF PORTLAND, OREGON, 921 00:42:37,889 --> 00:42:41,429 OPENED THEIR HEARTS TO THIS CHURCH AND TO THIS CONGREGATION 922 00:42:41,459 --> 00:42:45,099 TO THE TUNE OF ONE YEAR'S RENT. 923 00:42:45,130 --> 00:42:46,060 [ CHUCKLES ] 924 00:42:46,097 --> 00:42:47,127 [ CHEERS AND APPLAUSE ] 925 00:42:47,165 --> 00:42:50,295 Woman: AH, YEAH. 926 00:42:50,335 --> 00:42:53,035 PRAISE JESUS! 927 00:42:53,071 --> 00:42:57,811 BUT WE HAVE ONE MORE THING TO BE THANKFUL FOR. 928 00:42:57,843 --> 00:43:01,313 DEAR LORD, THANK YOU FOR EVERETT BACKSTROM. 929 00:43:01,346 --> 00:43:05,546 WE ALL KNOW THAT EVIL CAN CLOAK ITSELF IN BEAUTY. 930 00:43:05,583 --> 00:43:08,453 YES, IT CAN. 931 00:43:08,486 --> 00:43:10,586 BUT GOOD CAN ALSO CONFUSE US... 932 00:43:10,622 --> 00:43:13,832 [ BELCHES ] ...IN DEPORTMENT AND APPEARANCE. 933 00:43:16,494 --> 00:43:17,934 AMEN.