1 00:00:01,102 --> 00:00:03,337 The FX original series The Americans. 2 00:00:03,371 --> 00:00:05,739 Final season returns soon on FX. 3 00:00:06,174 --> 00:00:09,710 PREVIOUSLY ON "THE AMERICANS"... 4 00:00:09,743 --> 00:00:11,745 ALL YOU HAVE TO DO IS PUT THE CLOCK BACK. 5 00:00:11,779 --> 00:00:13,047 I DON'T HAVE TO LISTEN TO YOU. 6 00:00:13,081 --> 00:00:14,548 I LISTEN TO MY LORD. 7 00:00:14,582 --> 00:00:16,317 NO! I'LL DO IT! I'LL DO IT! 8 00:00:16,350 --> 00:00:17,985 I'M IN LOVE WITH YOU. 9 00:00:18,018 --> 00:00:19,920 AND I WOULD DO ANYTHING FOR YOU. 10 00:00:19,953 --> 00:00:21,589 WHAT WAS SO URGENT? 11 00:00:21,622 --> 00:00:24,892 MOM, DADDY, I'D LIKE YOU TO MEET CLARK. 12 00:00:24,925 --> 00:00:26,060 HI. 13 00:00:26,094 --> 00:00:28,162 Gaad: IT'S A STUDIO. 14 00:00:28,196 --> 00:00:29,830 IT'S TIME YOU AND YOUR SOURCE 15 00:00:29,863 --> 00:00:31,265 STARTED HAVING YOUR MEETINGS IN A SAFE HOUSE. 16 00:00:31,299 --> 00:00:34,168 YOU DON'T WANT TO BE MARRIED TO ME? 17 00:00:34,202 --> 00:00:36,837 I DON'T THINK THE CENTRE WOULD EVEN CARE. 18 00:00:36,870 --> 00:00:38,672 DAD IS GOING TO BE 19 00:00:38,706 --> 00:00:40,541 STAYING SOMEWHERE ELSE FOR A LITTLE WHILE. 20 00:00:40,574 --> 00:00:43,244 THIS IS YOUR FAULT! YOU'RE ALWAYS GIVING DAD A ROUGH TIME! 21 00:00:43,277 --> 00:00:44,945 WHO THE HELL ARE YOU? 22 00:00:44,978 --> 00:00:46,380 A FRIEND OF ADAM DORWIN, WHO RECRUITED YOU. 23 00:00:46,414 --> 00:00:48,015 I WAS VERY FOND OF ADAM. 24 00:00:48,048 --> 00:00:49,517 I CAN'T SAY THE SAME ABOUT YOU, SANDFORD, 25 00:00:49,550 --> 00:00:50,784 SINCE WE'VE ONLY JUST MET. 26 00:00:53,053 --> 00:00:54,855 WHO KILLED VLAD? I DON'T KNOW. 27 00:00:54,888 --> 00:00:57,258 THERE'S A TEAM AT LIVERMORE LABS. 28 00:00:57,291 --> 00:00:59,193 THEY'VE HAD A BREAKTHROUGH. 29 00:00:59,227 --> 00:01:00,628 IT'S ONLY A MATTER OF TIME. 30 00:01:02,730 --> 00:01:04,832 [ MID-TEMPO ROCK MUSIC PLAYS ] 31 00:01:13,807 --> 00:01:15,876 I DON'T LIKE SURPRISES, SANDFORD. 32 00:01:15,909 --> 00:01:16,944 WELL, YOU'LL LIKE THIS ONE. 33 00:01:16,977 --> 00:01:18,612 Waitress: HEY. 34 00:01:18,646 --> 00:01:20,148 YOU WANT SOMETHING? 35 00:01:20,181 --> 00:01:21,849 GUINNESS. HM. 36 00:01:24,518 --> 00:01:25,753 I RECRUITED SOMEBODY -- 37 00:01:25,786 --> 00:01:27,821 A COLONEL IN AIR FORCE INTELLIGENCE 38 00:01:27,855 --> 00:01:29,290 WHO WORKS IN THE ANTI-BALLISTIC MISSILE PROGRAM. 39 00:01:29,323 --> 00:01:30,891 YOU DID WHAT?! 40 00:01:30,924 --> 00:01:33,093 I DID IT THE WAY ADAM DORWIN RECRUITED ME. 41 00:01:33,127 --> 00:01:35,263 I SPENT A LOT OF TIME TALKING TO THE GUY, 42 00:01:35,296 --> 00:01:37,765 BUILT UP A BOND OF TRUST, ET CETERA, ET CETERA. 43 00:01:37,798 --> 00:01:39,633 DORWIN DID NOT RECRUIT YOU ON HIS OWN. 44 00:01:39,667 --> 00:01:42,136 HE FOLLOWED OUR INSTRUCTIONS, EVERY STEP OF THE WAY. 45 00:01:42,170 --> 00:01:45,606 LISTEN, LISTEN, THIS COLONEL IS WAY UP THE FOOD CHAIN. 46 00:01:45,639 --> 00:01:47,575 HE'S GOT INCREDIBLE INFORMATION. 47 00:01:47,608 --> 00:01:48,642 DID YOU SEE IT? 48 00:01:48,676 --> 00:01:50,144 SOME OF IT. SHOW IT TO ME. 49 00:01:50,178 --> 00:01:51,779 I DON'T HAVE IT ON ME. 50 00:01:51,812 --> 00:01:53,514 IT'S FOR SALE. BY WHO? 51 00:01:53,547 --> 00:01:56,284 WELL, IT'S HIS INFORMATION, BUT I'M THE VECTOR. 52 00:01:56,317 --> 00:01:58,552 YOU WANT IT, YOU GOT TO GO THROUGH ME. 53 00:02:01,889 --> 00:02:03,123 HOW MUCH? 54 00:02:03,157 --> 00:02:04,124 50 GRAND. 55 00:02:04,158 --> 00:02:06,327 [ SCOFFS ] 56 00:02:06,360 --> 00:02:08,429 WE PLAYING AT THE BIG-BOY TABLE NOW, SANDFORD? 57 00:02:08,462 --> 00:02:11,832 I SWEAR THIS IS GREAT STUFF. HERE YOU GO. 58 00:02:17,571 --> 00:02:20,007 HOW DO YOU KNOW WE CAN TRUST THIS COLONEL? 59 00:02:20,040 --> 00:02:21,542 Prince: HE'S HIT THE WALL. 60 00:02:21,575 --> 00:02:23,043 HE'S COMPLETELY DISILLUSIONED 61 00:02:23,076 --> 00:02:25,045 WITH THE CHICKENHAWKS IN THE REAGAN ADMINISTRATION. 62 00:02:25,078 --> 00:02:27,281 IT'S A GOLD MINE, I'M TELLING YOU. 63 00:02:27,315 --> 00:02:29,049 WE'LL SEE. 64 00:02:29,082 --> 00:02:31,051 YOU WANT IT OR NOT? 65 00:02:34,087 --> 00:02:38,125 $50,000 BUYS A LOT OF POKER CHIPS. 66 00:02:38,158 --> 00:02:40,894 IF YOUR INFORMATION'S AS GOOD AS YOU SAY IT IS, 67 00:02:40,928 --> 00:02:42,330 YOU'LL GET YOUR MONEY. 68 00:02:42,363 --> 00:02:44,064 BUT I NEED TO KNOW WHAT I'M BUYING. 69 00:02:45,999 --> 00:02:48,369 SIGNAL ME ONCE YOU LOAD IN 70 00:02:48,402 --> 00:02:49,837 WHAT YOU'VE GOT AT YOUR DEAD DROP SITE. 71 00:02:49,870 --> 00:02:52,740 THEN WE'LL TALK. 72 00:06:00,293 --> 00:06:03,230 GAMBLERS ARE UNRELIABLE. 73 00:06:03,263 --> 00:06:05,332 THE CENTRE NEVER SHOULD HAVE OKAYED PRINCE'S RECRUITMENT. 74 00:06:05,365 --> 00:06:08,001 TRUE, BUT ALL HIS INTELLIGENCE HAS BEEN GOOD. 75 00:06:08,035 --> 00:06:10,671 YEAH, SO FAR. 76 00:06:10,704 --> 00:06:14,442 IF PRINCE REALLY DID RECRUIT AN AIR-FORCE COLONEL, 77 00:06:14,475 --> 00:06:16,944 IT WOULD BE OUR HIGHEST-LEVEL SOURCE EVER 78 00:06:16,977 --> 00:06:19,046 IN REAGAN'S MISSILE-DEFENSE PROGRAM. 79 00:06:19,079 --> 00:06:20,414 OR HE'S SETTING US UP. 80 00:06:22,783 --> 00:06:25,052 DID YOU TALK TO PAIGE? ABOUT WHAT? 81 00:06:25,085 --> 00:06:26,854 HAVING DINNER AT MY PLACE. 82 00:06:26,887 --> 00:06:29,923 UM... 83 00:06:32,460 --> 00:06:34,562 YEAH, IT'S FINE, OF COURSE. 84 00:06:34,595 --> 00:06:36,096 GREAT. 85 00:06:36,129 --> 00:06:39,399 SHE SAID YOU PUT SOME STUFF UP ON THE WALLS. 86 00:06:39,433 --> 00:06:41,469 JUST A CALENDAR. 87 00:06:41,502 --> 00:06:44,404 OH, YOU NEED TO MAKE HER ANOTHER SET OF KEYS TO YOUR PLACE. 88 00:06:44,438 --> 00:06:46,139 WHY? 89 00:06:46,173 --> 00:06:48,876 HENRY TOOK THE SET YOU GAVE HER AND BURIED IT IN THE BACKYARD. 90 00:06:48,909 --> 00:06:51,512 WON'T TELL US WHERE. [ SIGHS ] 91 00:06:53,947 --> 00:06:55,749 ARE YOU OKAY WITH THIS? 92 00:06:55,783 --> 00:06:58,986 WITH THIS? 93 00:06:59,019 --> 00:07:01,421 THIS ARRANGEMENT -- THE APARTMENT. 94 00:07:01,455 --> 00:07:04,324 ABSOLUTELY. 95 00:07:08,328 --> 00:07:11,231 [ BIRDS CHIRPING ] 96 00:07:11,264 --> 00:07:15,002 [ CLOCK TICKING ] 97 00:09:22,562 --> 00:09:26,867 Reverend: OUR SAVIOR ILLUMINATES THE DARKNESS. 98 00:09:26,900 --> 00:09:31,038 HE SHINES HIS HEAVENLY LIGHT -- HIS CLEANSING LIGHT -- 99 00:09:31,071 --> 00:09:34,642 ON A RIGHTEOUS PATH, SHOWING US THE WAY. 100 00:09:34,675 --> 00:09:39,112 NOW, LUCIFER THRIVES IN DARKNESS. 101 00:09:39,146 --> 00:09:44,718 HE PLACES HIS STONES, HIS LIES, IN DARK PLACES 102 00:09:44,752 --> 00:09:48,155 SO THAT WE WILL STUMBLE AND FALL FROM GRACE 103 00:09:48,188 --> 00:09:50,123 INTO ETERNAL DAMNATION. 104 00:09:50,157 --> 00:09:53,326 YOU SEE, LIES ARE THE DEVIL'S HANDMAIDENS. 105 00:09:53,360 --> 00:09:56,329 THEY ARE HIS SWORD AND HIS SHIELD. 106 00:09:56,363 --> 00:10:00,167 THEY WEIGH DOWN OUR HEARTS WITH SORROW AND CORRUPTION. 107 00:10:00,200 --> 00:10:04,672 THEY BANISH US FROM THE KINGDOM YET TO COME. 108 00:10:04,705 --> 00:10:10,577 NOW AND FOREVERMORE. AMEN. 109 00:10:10,610 --> 00:10:11,511 AMEN.AMEN. AMEN.AMEN. 110 00:10:11,544 --> 00:10:12,780 AMEN. 111 00:10:12,813 --> 00:10:16,383 [ "PAC-MAN" NOISES PLAY ] 112 00:10:22,055 --> 00:10:24,291 [ SOUNDS CONTINUE ] 113 00:10:24,324 --> 00:10:25,926 [ SIGHS ] 114 00:10:25,959 --> 00:10:28,628 YOU'RE GOOD AT GAMES. I'LL GIVE YOU THAT. 115 00:10:28,662 --> 00:10:32,666 I ENJOY THE MAZE PART, AND THE EATING-WITHOUT-EATING PART. 116 00:10:32,700 --> 00:10:34,902 PAC-DOTS ARE CALORIE-FREE. 117 00:10:37,170 --> 00:10:39,539 WHAT'S THE VERDICT ON THE PRINCE INTELLIGENCE? 118 00:10:39,572 --> 00:10:42,342 SCIENCE AND TECHNICAL OFFICERS AT THE REZIDENTURA 119 00:10:42,375 --> 00:10:44,044 MADE A CURSORY REVIEW. AND? 120 00:10:44,077 --> 00:10:47,114 IT'S 10 YEARS AHEAD OF ANYTHING WE HAVE IN THE FIELD. 121 00:10:47,147 --> 00:10:49,850 SO YOU THINK THE COLONEL'S FOR REAL. 122 00:10:49,883 --> 00:10:52,519 U.S. INTELLIGENCE WOULD NEVER GIVE UP ANYTHING THIS VALUABLE 123 00:10:52,552 --> 00:10:54,321 AS PART OF A TRAP. 124 00:10:57,490 --> 00:11:00,293 PHILIP AND I BOTH QUESTION PRINCE'S MOTIVES. 125 00:11:00,327 --> 00:11:02,529 HE SAYS $50,000 IS HIS MOTIVE. 126 00:11:02,562 --> 00:11:04,397 I THINK THAT'S BELIEVABLE. 127 00:11:04,431 --> 00:11:06,566 THINK HOW MUCH PRINCE COULD GET FROM THE FBI 128 00:11:06,599 --> 00:11:09,036 FOR DELIVERING A DIRECTORATE "S" OFFICER TO THEM. 129 00:11:09,069 --> 00:11:11,338 HE'D BE SWIMMING IN VERY DEEP WATER. 130 00:11:11,371 --> 00:11:13,573 HE DOESN'T STRIKE ME AS THE TYPE. 131 00:11:19,046 --> 00:11:23,050 THE FBI COULD BE BEHIND IT WITHOUT PRINCE BEING AWARE. 132 00:11:23,083 --> 00:11:24,918 THEY COULD BE CONTROLLING THE SOURCE 133 00:11:24,952 --> 00:11:27,587 AND WAITING FOR A MEETING TO BE SET UP WITH THE COLONEL. 134 00:11:27,620 --> 00:11:29,857 A MEETING HAS BEEN SET. 135 00:11:29,890 --> 00:11:33,727 THE COLONEL PUT THE TIME AND LOCATION FOR US ON A MICRODOT. 136 00:11:33,761 --> 00:11:35,896 HE ALSO SAID THE TECHNICAL INFORMATION HE SENT 137 00:11:35,929 --> 00:11:37,697 WAS JUST TO PROVE HE'S FOR REAL. 138 00:11:37,731 --> 00:11:41,401 HE SAYS THAT HE HAS SOMETHING TRULY VITAL FOR US, 139 00:11:41,434 --> 00:11:43,603 BUT HE CAN ONLY GIVE THAT TO US IN PERSON. 140 00:11:45,605 --> 00:11:47,540 A TRAP IS ALWAYS A POSSIBILITY. 141 00:11:47,574 --> 00:11:49,542 BUT IN THIS CASE, IT'S WORTH THE RISK. 142 00:11:49,576 --> 00:11:52,913 THAT'S EASY TO SAY FROM THE SIDELINES. 143 00:11:52,946 --> 00:11:55,415 DON'T GET YOUR PANTIES IN A BUNCH, ELIZABETH. 144 00:11:55,448 --> 00:11:57,650 THIS ISN'T ABOUT YOU AND ME. 145 00:12:01,321 --> 00:12:04,825 THE CENTRE WANTS THE MEETING WITH THE COLONEL TO PROCEED. 146 00:12:08,461 --> 00:12:09,863 I DON'T TRUST A WORD THAT BITCH SAYS. 147 00:12:09,897 --> 00:12:11,531 I MEAN, WHO KNOWS WHAT SHE COULD BE UP TO? 148 00:12:11,564 --> 00:12:13,133 SO, LET'S CONTACT THE CENTRE. 149 00:12:13,166 --> 00:12:15,035 MAKE SURE HER ORDERS ARE REAL. 150 00:12:15,068 --> 00:12:16,636 TELL THEM TO BRING HER BACK HOME. 151 00:12:16,669 --> 00:12:17,871 ASSIGN US A NEW HANDLER. 152 00:12:17,905 --> 00:12:19,272 I AM DONE. 153 00:12:19,306 --> 00:12:20,774 WE SHOULD'VE DONE THIS A LONG TIME AGO. 154 00:12:20,808 --> 00:12:22,542 I'VE NEVER LIKED HER. 155 00:12:22,575 --> 00:12:26,546 THERE'S ONE MORE MOVE WE COULD MAKE 156 00:12:26,579 --> 00:12:29,249 TO SEE IF THE MEETING WITH THE COLONEL IS AN FBI SET-UP. 157 00:12:29,282 --> 00:12:31,084 WHAT? 158 00:12:31,118 --> 00:12:33,787 WE PUT A BUG IN GAAD'S OFFICE. 159 00:12:33,821 --> 00:12:35,455 [ SIGHS ] 160 00:12:35,488 --> 00:12:37,324 RIGHT. 161 00:12:37,357 --> 00:12:40,727 IF THE FBI ARE RUNNING AN OPERATION TO TRAP KGB OFFICERS, 162 00:12:40,760 --> 00:12:42,495 CHANCES ARE THEY'RE TALKING ABOUT IT. 163 00:12:42,529 --> 00:12:45,132 PHILIP, THERE IS NO WAY WE'LL GET A BUG IN GAAD'S OFFICE. 164 00:12:46,766 --> 00:12:48,501 MARTHA COULD DO IT. 165 00:12:48,535 --> 00:12:52,139 NO KNOCK ON YOUR CHARMS THERE, ROMEO, 166 00:12:52,172 --> 00:12:54,174 BUT THERE'S NO WAY SHE'LL GO FOR THAT. 167 00:12:54,207 --> 00:12:57,845 SHE'LL GO FOR IT. 168 00:13:11,558 --> 00:13:13,693 [ SIGHS ] 169 00:13:54,067 --> 00:13:55,502 OOH, GOTCHA. 170 00:13:55,535 --> 00:13:56,803 PITCH ONE IN HERE, PITCHER. [ LAUGHS ] 171 00:13:56,836 --> 00:13:58,138 OKAY, GO. ARC IT. 172 00:13:58,171 --> 00:13:59,472 OOH. 173 00:13:59,506 --> 00:14:01,875 RIGHT ON THE TEETH. [ LAUGHS ] 174 00:14:01,909 --> 00:14:03,710 COME ON. 175 00:14:03,743 --> 00:14:06,079 OOH! THERE WE GO! NOW WE'RE IN THE BALLPARK. 176 00:14:06,113 --> 00:14:07,680 YOUR TURN. HEADS UP. ALL RIGHT. I'M READY. 177 00:14:07,714 --> 00:14:10,750 [ LAUGHS ] READY? 178 00:14:12,085 --> 00:14:13,753 OH! THERE IT IS! OH! 179 00:14:13,786 --> 00:14:14,922 [ KNOCK ON DOOR ] 180 00:14:20,460 --> 00:14:22,162 HI. 181 00:14:22,195 --> 00:14:24,531 I COULD HEAR YOU GUYS LAUGHING OUT IN THE HALL. 182 00:14:24,564 --> 00:14:26,666 ARE YOU EARLY? 183 00:14:26,699 --> 00:14:27,901 NO, I-I'M RIGHT ON TIME. 184 00:14:27,935 --> 00:14:28,902 I'LL GET YOUR MAC AND CHEESE. 185 00:14:28,936 --> 00:14:30,437 ALL RIGHT. 186 00:14:30,470 --> 00:14:34,374 UM, DO YOU HAVE EVERYTHING THAT YOU BROUGHT? 187 00:14:34,407 --> 00:14:35,708 YOUR HOMEWORK AND... 188 00:14:35,742 --> 00:14:37,477 Paige: I DIDN'T REALLY GET TO IT. 189 00:14:41,314 --> 00:14:43,450 SO, I DON'T HAVE ANY TUPPERWARE YET. 190 00:14:43,483 --> 00:14:45,285 JUST GIVE ME THE BOWL BACK WHEN YOU'RE DONE. 191 00:14:45,318 --> 00:14:46,453 OKAY. 192 00:14:46,486 --> 00:14:49,122 THREE CHEESES. RIGHT? 193 00:14:49,156 --> 00:14:50,590 BYE, DAD. BYE. 194 00:14:50,623 --> 00:14:52,092 BYE, SWEETHEART. 195 00:14:55,395 --> 00:14:57,630 OKAY. 196 00:15:05,305 --> 00:15:07,941 SHIT. 197 00:15:07,975 --> 00:15:11,811 I MEAN, REALLY, DRIVING ALL THE WAY TO LEESBURG? 198 00:15:11,844 --> 00:15:14,414 ISN'T THERE SUCH A THING AS BEING TOO CAREFUL? 199 00:15:14,447 --> 00:15:16,649 NO. ACTUALLY, THERE ISN'T. 200 00:15:16,683 --> 00:15:19,619 AND IF YOU ASK ME, OUR -- 201 00:15:19,652 --> 00:15:23,290 OUR SECRET MAKES IT THAT MUCH MORE ROMANTIC. 202 00:15:23,323 --> 00:15:25,625 I WOULD LOVE TO SHARE OUR RELATIONSHIP, CLARK. 203 00:15:25,658 --> 00:15:27,827 I WOULD LIKE TO SHOUT IT FROM THE ROOFTOPS. 204 00:15:27,860 --> 00:15:33,333 ONE DAY, MARTHA, I-I PROMISE -- JUST...NOT NOW. 205 00:15:33,366 --> 00:15:35,002 Waiter: HERE YOU GO, SIR. 206 00:15:36,503 --> 00:15:38,138 WHAT'S THIS? 207 00:15:38,171 --> 00:15:40,173 I BELIEVE IT'S CALLED CHAMPAGNE. 208 00:15:40,207 --> 00:15:41,941 ARE WE CELEBRATING? 209 00:15:41,975 --> 00:15:44,644 I CERTAINLY HOPE SO. 210 00:15:47,280 --> 00:15:49,349 [ CHUCKLES ] 211 00:15:54,154 --> 00:15:55,288 THANK YOU. 212 00:15:55,322 --> 00:15:56,889 GREAT. THANK YOU. ENJOY. 213 00:16:00,893 --> 00:16:03,930 MARTHA... 214 00:16:03,963 --> 00:16:05,698 I WANT YOU TO CLOSE YOUR EYES. 215 00:16:05,732 --> 00:16:08,535 AND I WANT YOU TO CONCENTRATE. 216 00:16:08,568 --> 00:16:12,305 BUT DON'T SAY ANYTHING UNTIL I'M DONE, OKAY? 217 00:16:12,339 --> 00:16:15,875 OKAY. [ LAUGHS ] 218 00:16:22,982 --> 00:16:23,950 "M"... 219 00:16:23,983 --> 00:16:26,253 SHH. SHH. SHH. 220 00:16:30,757 --> 00:16:36,329 [ Whispering ] "A," "R..." 221 00:16:36,363 --> 00:16:42,001 "R..." 222 00:16:42,035 --> 00:16:43,503 "Y." 223 00:16:43,536 --> 00:16:46,139 [ LAUGHS ] 224 00:16:46,173 --> 00:16:47,307 YES. OH, YES! 225 00:16:47,340 --> 00:16:49,008 YES, I WILL MARRY YOU, CLARK. 226 00:16:49,042 --> 00:16:51,411 YES. YES. YES. 227 00:16:53,946 --> 00:16:55,748 OH, YES. [ LAUGHS ] 228 00:16:58,218 --> 00:16:59,852 WOW. THANK YOU. 229 00:16:59,886 --> 00:17:00,920 WOW. 230 00:17:04,724 --> 00:17:07,427 [ LAUGHS ] 231 00:17:07,460 --> 00:17:08,928 [ SIGHS ] 232 00:17:15,535 --> 00:17:16,769 [ DOOR CLOSES ] 233 00:17:16,803 --> 00:17:18,405 I WAS WORRIED. 234 00:17:18,438 --> 00:17:20,740 I'M SORRY. I WAS DETAINED AT WORK. 235 00:17:20,773 --> 00:17:23,876 I CAN'T STAY. 236 00:17:23,910 --> 00:17:25,412 IS EVERYTHING ALL RIGHT? 237 00:17:25,445 --> 00:17:27,180 NOTHING IS EVER ALL RIGHT. 238 00:17:27,214 --> 00:17:29,582 ARKADY IS EXPECTING ME. 239 00:17:29,616 --> 00:17:31,251 SOMETHING GOING ON I NEED TO KNOW ABOUT? 240 00:17:31,284 --> 00:17:34,921 SONYA MET A DEPUTY CHIEF OF MISSION AT THE FRENCH EMBASSY. 241 00:17:34,954 --> 00:17:37,124 THEY'VE HAD LUNCH TWICE. 242 00:17:37,157 --> 00:17:38,791 SHE DEVELOPING HIM? 243 00:17:38,825 --> 00:17:40,127 YES. 244 00:17:40,160 --> 00:17:41,894 ARKADY THINKS HE'S VULNERABLE. 245 00:17:41,928 --> 00:17:45,132 IS HE INTEL OR -- OR LEGIT DIPLOMAT? 246 00:17:45,165 --> 00:17:46,466 WE DON'T KNOW YET. 247 00:17:46,499 --> 00:17:48,401 SHE'S MEETING HIM AGAIN NEXT WEEK. 248 00:17:48,435 --> 00:17:50,537 GOOD. 249 00:17:50,570 --> 00:17:52,705 ARE YOU OKAY? 250 00:17:52,739 --> 00:17:54,141 NOW I AM. 251 00:17:54,174 --> 00:17:56,075 YOU? 252 00:17:56,109 --> 00:18:00,413 I DON'T KNOW. 253 00:18:00,447 --> 00:18:03,082 COME HERE. 254 00:18:08,588 --> 00:18:11,458 [ CHUCKLES ] 255 00:18:11,491 --> 00:18:14,927 I HAD A DREAM ABOUT YOU. 256 00:18:14,961 --> 00:18:16,396 OH, YOU DID? 257 00:18:16,429 --> 00:18:18,331 A GOOD ONE, I HOPE. 258 00:18:18,365 --> 00:18:21,434 I WAS IN A FIRE, A BURNING BUILDING -- 259 00:18:21,468 --> 00:18:23,336 THE REZIDENTURA, MAYBE. 260 00:18:23,370 --> 00:18:24,904 I DON'T KNOW. 261 00:18:24,937 --> 00:18:28,275 THERE WAS SO MUCH SMOKE I COULDN'T SEE ANYTHING. 262 00:18:28,308 --> 00:18:32,078 BUT THEN I SAW YOU. 263 00:18:32,111 --> 00:18:35,648 YOU CAME THROUGH THE FIRE 264 00:18:35,682 --> 00:18:39,219 AND THE SMOKE AND EVERYTHING. 265 00:18:45,024 --> 00:18:46,626 DID I SAVE YOU? 266 00:18:46,659 --> 00:18:48,361 WHO KNOWS? 267 00:18:48,395 --> 00:18:49,996 I WOKE UP. 268 00:18:50,029 --> 00:18:54,367 I WAS SAFE, BUT YOU WERE GONE. 269 00:19:02,141 --> 00:19:03,576 IT WAS YOU. 270 00:19:08,415 --> 00:19:10,550 DID YOU KILL VLAD? 271 00:19:18,991 --> 00:19:22,229 I WOULD NEVER DO ANYTHING TO HURT YOU. 272 00:19:24,364 --> 00:19:26,366 YOU KNOW THAT. 273 00:19:33,773 --> 00:19:35,542 LET ME. 274 00:19:52,359 --> 00:19:54,327 I WANT TO TAKE YOUR NAME. 275 00:19:54,361 --> 00:19:56,696 WHAT? 276 00:19:56,729 --> 00:19:59,266 I KNOW IT'S NOT WHAT THE MODERN WOMAN DOES THESE DAYS, 277 00:19:59,299 --> 00:20:02,702 BUT I WANT TO BE MRS. CLARK WESTERFELD. 278 00:20:02,735 --> 00:20:04,671 MARTHA, YOU CAN'T TAKE MY NAME. 279 00:20:04,704 --> 00:20:05,572 I KNOW. I KNOW. 280 00:20:05,605 --> 00:20:07,374 MR. RULES AND REGULATIONS. 281 00:20:07,407 --> 00:20:08,941 LOOK... 282 00:20:08,975 --> 00:20:12,512 THERE IS NOTHING I WOULD LIKE MORE THAN TO BE ABLE TO SAY, 283 00:20:12,545 --> 00:20:15,081 "THIS IS MY WIFE, MARTHA WESTERFELD." 284 00:20:15,114 --> 00:20:17,250 BUT THERE'S NO NEED. 285 00:20:17,284 --> 00:20:20,353 YOU'RE ALREADY RIGHT HERE. 286 00:20:20,387 --> 00:20:22,322 AWW. 287 00:20:30,096 --> 00:20:33,065 OH, YOU HAVE THE LOOK ON YOUR FACE. [ LAUGHS ] 288 00:20:33,099 --> 00:20:35,935 YOU HAVE THE "MARTHA, I NEED TO ASK YOU SOMETHING IMPORTANT" LOOK. 289 00:20:35,968 --> 00:20:37,604 [ LAUGHS ] 290 00:20:37,637 --> 00:20:39,406 WOW. AM I THAT PREDICTABLE? 291 00:20:39,439 --> 00:20:41,240 MM-HMM. [ LAUGHS ] 292 00:20:41,274 --> 00:20:44,644 BUT I'VE DATED NOTHING BUT UNPREDICTABLE 293 00:20:44,677 --> 00:20:46,446 SINCE I WAS 15 YEARS OLD. 294 00:20:46,479 --> 00:20:49,316 SO I'M READY FOR STEADY FREDDY. 295 00:20:49,349 --> 00:20:51,584 WOW. OKAY. 296 00:20:51,618 --> 00:20:53,152 [ ZIPPER ZIPS ] 297 00:20:53,185 --> 00:20:56,956 UH, WELL, HERE'S THE THING, MY WIFE-TO-BE. 298 00:20:56,989 --> 00:20:59,459 [ BREATHES DEEPLY ] 299 00:20:59,492 --> 00:21:02,128 AGENT GAAD... 300 00:21:02,161 --> 00:21:03,129 IS MY BOSS. 301 00:21:03,162 --> 00:21:04,731 HM? 302 00:21:04,764 --> 00:21:08,668 RIGHT, AND THE NEXT TIME YOUR BOSS IS OUT OF THE OFFICE, 303 00:21:08,701 --> 00:21:10,603 I WOULD LIKE YOU TO DO ME A FAVOR. 304 00:21:10,637 --> 00:21:14,374 WHAT KIND OF FAVOR? 305 00:21:30,790 --> 00:21:34,327 I NEED YOU TO PLACE THIS IN AGENT GAAD'S OFFICE. 306 00:21:34,361 --> 00:21:38,665 SOMEWHERE WHERE HE WON'T NOTICE IT OR PICK IT UP. 307 00:21:38,698 --> 00:21:40,933 KEEP THIS IN YOUR PURSE 308 00:21:40,967 --> 00:21:43,135 BECAUSE I'LL NEED TO CHECK IT WHEN WE MEET AT NIGHT. 309 00:21:47,640 --> 00:21:50,443 CLARK, YOU, UH [SIGHS] 310 00:21:50,477 --> 00:21:52,712 YOU CAME OUT OF NOWHERE, 311 00:21:52,745 --> 00:21:54,347 LIKE SOME SIGN FROM THE UNIVERSE 312 00:21:54,381 --> 00:21:56,115 THAT, AFTER A LOT OF CRAPPY YEARS, 313 00:21:56,148 --> 00:21:58,385 THINGS WOULD BE OKAY. 314 00:22:01,153 --> 00:22:03,122 ARE THINGS GONNA BE OKAY, CLARK? 315 00:22:03,155 --> 00:22:07,794 I MEAN...JUST PLEASE TELL ME THAT THEY'LL BE OKAY. 316 00:22:07,827 --> 00:22:10,897 THEY WILL. I PROMISE. 317 00:22:10,930 --> 00:22:12,532 I'M RIGHT HERE. 318 00:22:16,936 --> 00:22:21,541 THERE'S -- I HAVE A LOT OF GOOD REASONS FOR ALL OF THIS, 319 00:22:21,574 --> 00:22:24,243 AND I CAN GO INTO THEM IF YOU WANT, 320 00:22:24,276 --> 00:22:27,880 BUT LOOK AT ME -- LOOK ME IN THE EYES. 321 00:22:27,914 --> 00:22:31,217 DO YOU WANT ME TO, OR DO YOU TRUST ME? 322 00:22:34,887 --> 00:22:37,156 I TRUST YOU. 323 00:22:37,189 --> 00:22:39,191 I LOVE YOU. 324 00:22:44,897 --> 00:22:46,766 [ CLOCK TICKING ] 325 00:22:51,070 --> 00:22:53,573 COULD YOU MAKE UP THE GUEST ROOM, VIOLA? 326 00:22:53,606 --> 00:22:56,175 THE EPPERSONS WILL BE STAYING WITH US THIS WEEKEND. 327 00:22:56,208 --> 00:22:58,578 DEBORAH LOVES LILACS AND CHOCOLATE. 328 00:22:58,611 --> 00:23:00,079 WELL, I'LL LEAVE HER SOME BY THE BED. 329 00:23:00,112 --> 00:23:01,614 THANK YOU. 330 00:23:01,648 --> 00:23:04,584 CAN I TALK TO YOU FOR A MINUTE, MRS. WEINBERGER? 331 00:23:04,617 --> 00:23:06,118 UH... 332 00:23:06,152 --> 00:23:08,387 In the other room? 333 00:23:08,421 --> 00:23:10,122 [ TICKING CONTINUES ] 334 00:23:10,156 --> 00:23:12,291 OF COURSE. 335 00:23:16,596 --> 00:23:19,298 I DIDN'T WANT TO DO IT. I SWEAR. 336 00:23:19,331 --> 00:23:21,067 WE KNOW THAT. 337 00:23:26,138 --> 00:23:27,540 I WAS AFRAID. 338 00:23:27,574 --> 00:23:30,610 NOT FOR MYSELF -- FOR GRAYSON. 339 00:23:30,643 --> 00:23:33,913 THEY MADE HIM VERY SICK. 340 00:23:33,946 --> 00:23:36,983 THEY SAID THEY COULD HELP HIM, 341 00:23:37,016 --> 00:23:40,319 THAT THEY WERE THE ONLY ONES WHO COULD HELP HIM. 342 00:23:40,352 --> 00:23:44,557 BUT IF I SAID ANYTHING, GRAYSON WAS GONNA DIE. 343 00:23:44,591 --> 00:23:49,328 [ Voice breaking ] HE PUT A PILLOW TO HIS FACE 344 00:23:49,361 --> 00:23:53,800 AND SAID HE'D BE DEAD IN 15 SECONDS. 345 00:23:53,833 --> 00:23:58,471 I BEGGED HIM -- I BEGGED HIM TO STOP. 346 00:23:58,505 --> 00:24:03,309 SO I SAID I'D DO IT. 347 00:24:03,342 --> 00:24:05,578 I PUT THE CLOCK... 348 00:24:05,612 --> 00:24:09,716 BACK INTO MR. WEINBERGER'S OFFICE. 349 00:24:13,786 --> 00:24:16,623 YOU'RE A VERY BRAVE WOMAN. 350 00:24:19,692 --> 00:24:22,328 I'M GONNA CALL IN A SKETCH ARTIST. 351 00:24:22,361 --> 00:24:24,330 WOULD THAT BE OKAY? 352 00:24:24,363 --> 00:24:26,566 [ SNIFFLES ] YES. 353 00:24:28,367 --> 00:24:32,171 [ INDISTINCT CONVERSATIONS ] 354 00:24:32,204 --> 00:24:34,140 THIS IS BIG. 355 00:24:34,173 --> 00:24:35,808 THE CIA OFFICER WHO WAS NABBED AT THE WHEEL HOUSE -- 356 00:24:35,842 --> 00:24:37,443 RICHARD PATTERSON. 357 00:24:37,476 --> 00:24:40,279 HE WAS TAKEN BY A COUPLE -- A MAN AND A WOMAN. 358 00:24:40,312 --> 00:24:42,515 THAT IS NO COINCIDENCE. 359 00:24:42,549 --> 00:24:44,517 NO. 360 00:24:46,919 --> 00:24:48,287 [ "MISSISSIPPI QUEEN" PLAYS ] 361 00:24:48,320 --> 00:24:51,057 * WAY DOWN AROUND VICKSBURG 362 00:24:51,090 --> 00:24:54,226 * AROUND LOUISIANA WAY 363 00:24:54,260 --> 00:24:58,030 * THERE LIVED A CAJUN LADY 364 00:24:58,064 --> 00:25:00,366 * ABOARD THE MISSISSIPPI QUEEN 365 00:25:06,773 --> 00:25:08,140 [ SONG ENDS ] 366 00:25:08,174 --> 00:25:10,710 WOW. I THOUGHT YOU GUYS SOUNDED GOOD. 367 00:25:10,743 --> 00:25:12,645 THANKS. 368 00:25:12,679 --> 00:25:14,747 HEY. DOOR WAS OPEN. 369 00:25:14,781 --> 00:25:18,384 OH, HEY. THANKS FOR COMING. 370 00:25:18,417 --> 00:25:20,319 SHOULD I PLUG IN, OR...? 371 00:25:20,352 --> 00:25:21,721 WE ONLY HAVE ONE AMP. 372 00:25:21,754 --> 00:25:24,256 HMM. WELL, WHAT ARE YOU GUYS PLAYING? 373 00:25:24,290 --> 00:25:26,158 I COULD JUST COME IN ON SOME VOCALS OR WHATEVER. 374 00:25:26,192 --> 00:25:27,493 YEAH. COOL. 375 00:25:27,526 --> 00:25:30,029 YEAH, YOU CAN PLAY MY GUITAR FOR NOW. 376 00:25:30,062 --> 00:25:32,565 Paige: THEY WERE DOING "MISSISSIPPI QUEEN." 377 00:25:34,934 --> 00:25:37,403 I'M PAIGE. SARAH. 378 00:25:37,436 --> 00:25:39,772 ARE YOU IN THE BAND? NO. 379 00:25:39,806 --> 00:25:41,674 YEAH, SHE'S JUST WATCHING. 380 00:25:41,708 --> 00:25:43,810 SO, SHOULD WE? 381 00:25:51,483 --> 00:25:55,888 [ PLAYS "MISSISSIPPI QUEEN" ] 382 00:26:00,827 --> 00:26:02,461 [ LAUGHTER ] 383 00:26:02,494 --> 00:26:05,264 Harry: TOTALLY. LET'S PLAY AGAIN. 384 00:26:05,297 --> 00:26:07,399 [ DRUMSTICKS CLACK RHYTHMICALLY ] 385 00:26:07,433 --> 00:26:10,202 SHE SOUNDS LIKE PAT BENATAR. 386 00:26:10,236 --> 00:26:13,272 AND HE CALLED HER "RIGHTEOUS." 387 00:26:13,305 --> 00:26:15,107 FEELINGS COME AND GO, HONEY. 388 00:26:15,141 --> 00:26:17,209 IT DOESN'T MEAN THE BATTLE IS LOST. 389 00:26:17,243 --> 00:26:20,246 I DON'T WANT TO FIGHT FOR HIS FEELINGS, MOM. 390 00:26:20,279 --> 00:26:22,915 EITHER HE'S INTO ME OR HE'S NOT. 391 00:26:22,949 --> 00:26:24,083 AND HE'S NOT. 392 00:26:26,753 --> 00:26:27,987 [ SIGHS ] 393 00:26:28,020 --> 00:26:30,056 HOW WELL DO YOU EVEN KNOW MATTHEW? 394 00:26:30,089 --> 00:26:32,792 I MEAN, I KNOW YOU LIKE HIM, YOU THINK HE'S SMART. 395 00:26:32,825 --> 00:26:35,261 MAYBE YOU LIKE THE WAY HE LOOKS AT YOU 396 00:26:35,294 --> 00:26:37,429 UNDERNEATH ALL THAT HAIR OF HIS. 397 00:26:37,463 --> 00:26:39,565 [ SIGHS ] 398 00:26:39,598 --> 00:26:44,804 BUT THE THING TO UNDERSTAND IS THAT... 399 00:26:44,837 --> 00:26:48,107 WE SEE WHAT WE NEED TO SEE IN PEOPLE -- 400 00:26:48,140 --> 00:26:51,010 THINGS THAT AREN'T REALLY THERE. 401 00:26:55,147 --> 00:26:58,217 IS THAT WHAT HAPPENED WITH YOU AND DAD? 402 00:27:00,352 --> 00:27:03,222 DID YOU NEED TO SEE SOMETHING IN HIM THAT WASN'T REALLY THERE? 403 00:27:13,065 --> 00:27:14,834 NO. 404 00:27:14,867 --> 00:27:16,669 IT WAS THERE. 405 00:27:16,703 --> 00:27:21,741 YOU SHOULD FINISH YOUR FRENCH HOMEWORK. 406 00:27:33,986 --> 00:27:37,523 [ TICKING ] IT'S OFF NOW. 407 00:27:37,556 --> 00:27:40,526 HOW DO YOU KNOW? I CAN READ ITS SIGNATURE. 408 00:27:40,559 --> 00:27:44,530 THERE'S NO SIGNAL AT THE MOMENT, BUT IT'S FULLY FUNCTIONAL. 409 00:27:44,563 --> 00:27:47,133 HOW LONG HAS IT BEEN HERE? A FEW MONTHS. 410 00:27:47,166 --> 00:27:50,803 IT'S EXTREMELY SENSITIVE -- A RUSSIAN VERSION OF OUR 3VX. 411 00:27:50,837 --> 00:27:52,004 STATE-OF-THE-ART. 412 00:27:52,038 --> 00:27:55,341 BUILT TO FILTER OUT AMBIENT SOUND. 413 00:27:55,374 --> 00:27:58,377 OKAY, YOU CAN PUT IT BACK TOGETHER. 414 00:27:58,410 --> 00:28:00,913 YOU'RE JUST GONNA LEAVE IT LIKE THAT? 415 00:28:00,947 --> 00:28:02,314 MA'AM? 416 00:28:02,348 --> 00:28:04,984 THE CLOCK WITH THE THING IN IT. 417 00:28:05,017 --> 00:28:07,086 IT'S ALL RIGHT, MRS. WEINBERGER. 418 00:28:07,119 --> 00:28:09,388 YOUR HUSBAND'S BEEN BRIEFED. 419 00:28:09,421 --> 00:28:11,523 NOW THAT WE KNOW THEY'RE LISTENING, 420 00:28:11,557 --> 00:28:12,759 WE'LL KNOW WHAT TO SAY. 421 00:28:12,792 --> 00:28:15,294 [ TICKING CONTINUES ] 422 00:28:17,129 --> 00:28:19,431 [ TELEPHONE RINGS ] 423 00:28:29,141 --> 00:28:30,376 MARTHA. OHH! 424 00:28:30,409 --> 00:28:31,710 JUMPY. 425 00:28:31,744 --> 00:28:36,515 UM...I WAS DAYDREAMING. THANK YOU. 426 00:28:36,548 --> 00:28:39,618 THESE ARE THE SURVEILLANCE REPORTS THAT YOU REQUESTED. 427 00:28:39,651 --> 00:28:41,520 JUST PUT THEM ON MY DESK. OKAY. UM... 428 00:28:41,553 --> 00:28:44,123 WAS THERE SOMETHING OR...? YES. 429 00:28:44,156 --> 00:28:48,260 I NEED TO RE-SCHEDULE MY 2:30 WITH TENNYSON FOR 5:00. 430 00:28:48,294 --> 00:28:51,363 OKAY. 431 00:28:51,397 --> 00:28:52,865 MARTHA. 432 00:28:52,899 --> 00:28:55,267 YES? 433 00:28:55,301 --> 00:28:56,702 I'M SORRY I STARTLED YOU. 434 00:28:56,735 --> 00:28:58,771 NOT TO WORRY. 435 00:29:20,492 --> 00:29:22,461 [ KNOCK ON DOOR ] 436 00:29:30,102 --> 00:29:32,304 CLARK, I'M SORRY I WOKE YOU. 437 00:29:32,338 --> 00:29:34,006 COME ON IN. THIS COULDN'T WAIT. 438 00:29:34,040 --> 00:29:35,942 WHAT IS IT? 439 00:29:35,975 --> 00:29:38,945 UM [SIGHS] 440 00:29:38,978 --> 00:29:41,013 I LIKE TO THINK THAT I'M A PRACTICAL PERSON. 441 00:29:41,047 --> 00:29:43,082 YEAH. I THINK THAT'S WHAT WE LIKE ABOUT -- 442 00:29:43,115 --> 00:29:45,417 THAT'S WHAT WE LOVE ABOUT EACH OTHER. 443 00:29:45,451 --> 00:29:47,653 SO I MADE A PRO-AND-CON LIST. 444 00:29:47,686 --> 00:29:48,988 UM... 445 00:29:49,021 --> 00:29:50,356 I MEAN, LOOK. 446 00:29:52,959 --> 00:29:56,328 I CAN'T EVEN TELL MY PARENTS? 447 00:29:56,362 --> 00:29:58,764 OKAY. 448 00:29:58,797 --> 00:30:01,700 ALL RIGHT. 449 00:30:04,536 --> 00:30:07,673 MARTHA, WITH MY JOB AND MY SECURITY CLEARANCE, 450 00:30:07,706 --> 00:30:11,844 IF MY SUPERIORS WERE TO FIND OUT I WAS EVEN SECRETLY DATING, 451 00:30:11,878 --> 00:30:13,645 LET ALONE MARRIED TO SOMEONE 452 00:30:13,679 --> 00:30:16,849 I'M SUPPOSED TO BE OVERSEEING IN AN INVESTIGATION, 453 00:30:16,883 --> 00:30:18,184 I COULD GO TO JAIL. 454 00:30:18,217 --> 00:30:19,451 [ SIGHS ] 455 00:30:19,485 --> 00:30:22,088 I BOUGHT RINGS, YOU KNOW. 456 00:30:31,263 --> 00:30:33,765 [ SIGHS ] LISTEN. 457 00:30:39,906 --> 00:30:44,877 I JUST WANT TO BE SURE THAT YOU'RE GOING INTO THIS THING... 458 00:30:44,911 --> 00:30:47,213 MARRIAGE. 459 00:30:47,246 --> 00:30:50,416 ...WITH BOTH EYES OPEN. 460 00:30:50,449 --> 00:30:54,753 BECAUSE WE WON'T BE ABLE TO LIVE TOGETHER. 461 00:30:54,786 --> 00:30:57,323 I'LL STAY WHEN I CAN, OF COURSE, 462 00:30:57,356 --> 00:31:01,160 BUT, MARTHA, NO ONE -- NO ONE -- CAN KNOW ABOUT THIS. 463 00:31:01,193 --> 00:31:06,665 NOT FOR THE FORESEEABLE FUTURE, ANYWAY. 464 00:31:06,698 --> 00:31:10,069 [ SIGHS ] 465 00:31:13,305 --> 00:31:16,675 I HAVE TO COME CLEAN WITH YOU ABOUT SOMETHING. 466 00:31:16,708 --> 00:31:19,078 I'VE BEEN MARRIED BEFORE. 467 00:31:19,111 --> 00:31:22,881 A LONG TIME AGO -- IT DIDN'T WORK OUT. 468 00:31:22,915 --> 00:31:24,083 WHY NOT? 469 00:31:24,116 --> 00:31:25,751 IT'S FUNNY. 470 00:31:25,784 --> 00:31:27,419 IT'S SOMETHING I'VE BEEN THINKING A LOT ABOUT LATELY, 471 00:31:27,453 --> 00:31:29,755 BUT I REALIZED THAT... 472 00:31:29,788 --> 00:31:32,891 [ SIGHS ] 473 00:31:32,925 --> 00:31:37,596 ...ME AND MY EX-WIFE -- WE -- WE DIDN'T CARE ENOUGH. 474 00:31:37,629 --> 00:31:40,299 WHAT DO YOU MEAN? 475 00:31:40,332 --> 00:31:43,702 WHAT I MEAN IS, WE CARED ABOUT EACH OTHER, 476 00:31:43,735 --> 00:31:47,539 BUT [SIGHS] WE DIDN'T KNOW HOW TO BE MARRIED. 477 00:31:47,573 --> 00:31:49,575 DOES THAT SOUND SILLY? 478 00:31:49,608 --> 00:31:52,311 NO. IT SOUNDS SAD. 479 00:31:52,344 --> 00:31:55,081 AND I'M SORRY, CLARK, 480 00:31:55,114 --> 00:31:59,451 BUT I CAN'T DO THIS IF WE CAN'T TELL MY PARENTS. 481 00:31:59,485 --> 00:32:03,055 BECAUSE THIS KIND OF HAPPINESS, REALLY, IT'S -- 482 00:32:03,089 --> 00:32:05,724 IT'S ALL THEY'VE EVER WANTED FOR ME. 483 00:32:05,757 --> 00:32:08,060 BUT CAN WE TRUST THEM? 484 00:32:08,094 --> 00:32:11,763 THEY LIVE 2,000 MILES AWAY AT THE END OF AN OLD DIRT ROAD, 485 00:32:11,797 --> 00:32:13,332 AND ALL THEY CARE ABOUT IS ME. 486 00:32:13,365 --> 00:32:14,466 YES, WE CAN TRUST THEM. 487 00:32:14,500 --> 00:32:16,635 WELL, THEN, OKAY. 488 00:32:16,668 --> 00:32:19,171 OKAY? YES. OKAY. 489 00:32:25,777 --> 00:32:28,680 THANK YOU. 490 00:32:28,714 --> 00:32:30,816 CLARK, I DON'T WANT TO WAIT. 491 00:32:30,849 --> 00:32:32,451 LET'S JUST GET MARRIED THIS WEEKEND. 492 00:32:32,484 --> 00:32:35,487 LET'S JUST FIND SOMEONE TO MARRY US AND LET'S DO IT. 493 00:32:35,521 --> 00:32:36,922 LET'S JUST DO IT OUR WAY. 494 00:32:36,955 --> 00:32:39,025 TILL DEATH DO US PART. 495 00:32:50,902 --> 00:32:52,938 Gaad: THE BUDGET IS WHAT THE BUDGET IS. 496 00:32:52,971 --> 00:32:54,673 IF THAT'S A PROBLEM, 497 00:32:54,706 --> 00:32:56,208 WE'LL BRING IT UP WITH THE DEPUTY A.G. 498 00:32:56,242 --> 00:32:57,509 WHEN WE MEET WITH HIM TOMORROW. 499 00:32:57,543 --> 00:32:59,378 YEAH, THAT'S IT. 500 00:32:59,411 --> 00:33:01,780 OUR FIRST DAY LIVE IN GAAD'S OFFICE. 501 00:33:01,813 --> 00:33:04,116 NO MENTION OF PRINCE OR ANY MEETING WITH THE COLONEL. 502 00:33:04,150 --> 00:33:08,287 WHICH DOESN'T MEAN IT'S NOT A TRAP. 503 00:33:08,320 --> 00:33:10,122 WELL, WE HAVE 72 HOURS TO FIGURE THAT OUT 504 00:33:10,156 --> 00:33:11,890 BEFORE WE HAVE TO MEET WITH HIM. 505 00:33:11,923 --> 00:33:13,692 WHEN'S THE WEDDING? 506 00:33:13,725 --> 00:33:15,961 [ INHALES SHARPLY ] 507 00:33:15,994 --> 00:33:19,498 YEAH. IT'S TOMORROW. 508 00:33:19,531 --> 00:33:21,700 NOT WASTING ANY TIME. 509 00:33:21,733 --> 00:33:23,535 I WANTED A LONGER ENGAGEMENT. 510 00:33:23,569 --> 00:33:24,870 MARTHA HAD OTHER PLANS. 511 00:33:24,903 --> 00:33:27,473 MM... 512 00:33:27,506 --> 00:33:29,208 I NEED YOU THERE. 513 00:33:31,210 --> 00:33:35,714 I NEED A FAMILY -- RELATIVES. 514 00:33:35,747 --> 00:33:39,451 OKAY. 515 00:33:49,595 --> 00:33:51,297 [ CLEARS THROAT ] 516 00:33:54,600 --> 00:33:58,237 [ SIREN WAILS ] 517 00:33:58,270 --> 00:34:00,206 [ CAR DOOR OPENS ] 518 00:34:00,239 --> 00:34:03,442 EXCUSE ME, SIR. CAN I SEE SOME I.D.? 519 00:34:03,475 --> 00:34:05,344 YEAH. YEAH. 520 00:34:05,377 --> 00:34:07,613 ONE SECOND. 521 00:34:11,383 --> 00:34:12,918 MR. PRINCE, 522 00:34:12,951 --> 00:34:15,020 TURN AROUND AND PUT YOUR HANDS ON THE ROOF OF THE CAR. 523 00:34:15,053 --> 00:34:17,756 SURE. 524 00:34:27,433 --> 00:34:31,103 PRINCE WAS ARRESTED. SHIT! 525 00:34:31,137 --> 00:34:33,205 ANY IDEA HOW THE FBI GOT ONTO HIM? 526 00:34:33,239 --> 00:34:35,374 NOT FBI -- LOCAL POLICE. 527 00:34:35,407 --> 00:34:37,576 FAILURE TO PAY CHILD SUPPORT. 528 00:34:37,609 --> 00:34:39,445 [ SIGHS ] 529 00:34:39,478 --> 00:34:40,379 OKAY. 530 00:34:40,412 --> 00:34:41,813 [ SCOFFS ] 531 00:34:41,847 --> 00:34:43,815 HOW MANY DAYS BEFORE THE FEDS 532 00:34:43,849 --> 00:34:47,052 START LOOKING INTO AN INCARCERATED DEPARTMENT OF DEFENSE EMPLOYEE 533 00:34:47,085 --> 00:34:48,954 WITH A HIGH-LEVEL SECURITY CLEARANCE 534 00:34:48,987 --> 00:34:51,157 AND A FELONY CHARGE HANGING OVER HIS HEAD? 535 00:34:51,190 --> 00:34:54,593 ALL WE NEED IS THREE DAYS UNTIL YOU MEET WITH THE COLONEL. 536 00:34:54,626 --> 00:34:56,795 EVEN IF THE MEETING WASN'T A SETUP BEFORE, 537 00:34:56,828 --> 00:34:59,431 IT'S INSANE TO GO INTO IT NOW WITH PRINCE IN CUSTODY. 538 00:34:59,465 --> 00:35:01,500 HE COULD BE BROKEN WITH A FEATHER DUSTER. 539 00:35:01,533 --> 00:35:03,635 I KNOW YOU AND PHILIP RADIOED THE CENTRE 540 00:35:03,669 --> 00:35:05,637 TO CONFIRM THE ORDERS FOR THE MEETING. 541 00:35:05,671 --> 00:35:08,174 I ALSO KNOW THEY CONFIRMED THEM FOR YOU. 542 00:35:08,207 --> 00:35:10,576 WHAT CONFUSES ME IS WHY YOU WENT AROUND ME. 543 00:35:10,609 --> 00:35:13,111 DO YOU REALLY THINK I'D MAKE SOMETHING LIKE THIS UP, 544 00:35:13,145 --> 00:35:15,314 WITH THE SECURITY OF OUR NATION AT STAKE? 545 00:35:15,347 --> 00:35:17,616 IS THAT WHAT YOU CARE ABOUT -- OUR NATION? 546 00:35:17,649 --> 00:35:19,818 I HADN'T FIGURED THAT OUT. I DO. 547 00:35:19,851 --> 00:35:21,487 AND ORDERS TO MEET WITH THE COLONEL 548 00:35:21,520 --> 00:35:23,489 WERE CONFIRMED, AS YOU KNOW. 549 00:35:23,522 --> 00:35:25,491 THAT WAS BEFORE PRINCE WAS ARRESTED. 550 00:35:25,524 --> 00:35:27,426 I DON'T SEE MOSCOW CHANGING THEIR MINDS. 551 00:35:27,459 --> 00:35:29,461 Philip: MARTHA, MR. AND MRS. HANSON, 552 00:35:29,495 --> 00:35:32,664 I'D LIKE YOU TO MEET MY MOTHER, ALEXANDRA, MY SISTER, JENNIFER. 553 00:35:32,698 --> 00:35:34,500 [ LAUGHS ] IS IT OKAY IF I HUG YOU? 554 00:35:34,533 --> 00:35:37,936 OH, WELCOME TO THE FAMILY, MARTHA. THANK YOU. 555 00:35:37,969 --> 00:35:40,672 YOU'RE EXACTLY AS CLARK DESCRIBED. AWW. 556 00:35:40,706 --> 00:35:42,274 HI, THERE. HI. 557 00:35:42,308 --> 00:35:44,210 I'M BILL. UH, THIS IS MY WIFE, ELAINE. 558 00:35:44,243 --> 00:35:45,811 NICE TO MEET YOU. NICE TO MEET YOU AS WELL. 559 00:35:45,844 --> 00:35:47,346 SO NICE TO MEET YOU BOTH. 560 00:35:47,379 --> 00:35:49,481 I CAN SEE THE FAMILY RESEMBLANCE. 561 00:35:49,515 --> 00:35:51,483 [ LAUGHS ] 562 00:35:51,517 --> 00:35:54,019 THAT'S WHAT PEOPLE SAY. YEAH. YEAH, THEY DO. 563 00:35:54,052 --> 00:35:56,154 CLARK WESTERFELD AND MARTHA HANSON? 564 00:35:56,188 --> 00:35:57,323 YES. 565 00:35:57,356 --> 00:35:59,891 YOU READY? OF COURSE. 566 00:36:09,067 --> 00:36:13,305 Officiant: AN OATH IS BOTH A STATEMENT FOR THE PRESENT 567 00:36:13,339 --> 00:36:16,508 AND A PROMISE TO THE FUTURE. 568 00:36:16,542 --> 00:36:20,646 IT IS THE MEANS BY WHICH WE HUMANS TELL EACH OTHER, 569 00:36:20,679 --> 00:36:23,882 "I'M IN THIS FOR THE LONG HAUL." 570 00:36:23,915 --> 00:36:27,085 MARTHA ANNE HANSON, 571 00:36:27,118 --> 00:36:30,589 DO YOU TAKE THIS MAN, CLARK HERBERT WESTERFELD, 572 00:36:30,622 --> 00:36:33,191 TO BE YOUR HUSBAND AND PARTNER, 573 00:36:33,225 --> 00:36:36,595 IN GOOD TIMES AND BAD, TILL DEATH DO YOU PART? 574 00:36:36,628 --> 00:36:39,365 YES, I DO. 575 00:36:39,398 --> 00:36:41,233 CLARK HERBERT WESTERFELD, 576 00:36:41,267 --> 00:36:43,769 DO YOU TAKE THIS WOMAN, MARTHA ANNE HANSON, 577 00:36:43,802 --> 00:36:46,705 TO BE YOUR WIFE AND PARTNER, 578 00:36:46,738 --> 00:36:50,208 IN GOOD TIMES AND BAD, TILL DEATH DO YOU PART? 579 00:36:50,242 --> 00:36:51,943 I DO. 580 00:36:51,977 --> 00:36:56,315 PLEASE PLACE THE RING ON THE OTHER'S FINGER. 581 00:37:04,756 --> 00:37:09,127 BY THE POWER VESTED IN ME BY THE STATE OF VIRGINIA, 582 00:37:09,160 --> 00:37:12,063 I PRONOUNCE YOU MAN AND WIFE. 583 00:37:17,269 --> 00:37:20,572 [ LAUGHS ] OH, MOMMY! 584 00:37:20,606 --> 00:37:22,874 OH, DADDY. 585 00:37:22,908 --> 00:37:24,610 IT WAS BEAUTIFUL. [ INDISTINCT CONVERSATIONS ] 586 00:37:24,643 --> 00:37:27,279 WELCOME TO THE FAMILY. OH, THANK YOU. 587 00:37:27,313 --> 00:37:28,880 THANK YOU. 588 00:37:28,914 --> 00:37:32,150 [ LAUGHTER ] 589 00:37:35,587 --> 00:37:38,023 CONGRATULATIONS. 590 00:37:40,326 --> 00:37:43,161 IT WAS TOUCHING. 591 00:37:43,194 --> 00:37:44,296 NO. IT WAS. 592 00:37:44,330 --> 00:37:46,798 I DIDN'T EXPECT IT TO BE. 593 00:37:49,335 --> 00:37:52,504 YOU AND I WERE NEVER REALLY MARRIED. 594 00:37:55,173 --> 00:37:57,142 NO. 595 00:37:57,175 --> 00:37:58,510 IT'S FUNNY -- 596 00:37:58,544 --> 00:38:00,979 I KNOW THEY'RE JUST WORDS PEOPLE SAY. 597 00:38:03,882 --> 00:38:06,017 DO YOU THINK THINGS WOULD'VE BEEN DIFFERENT BETWEEN US 598 00:38:06,051 --> 00:38:08,854 IF WE WOULD'VE SAID THEM? 599 00:38:08,887 --> 00:38:12,624 [ SIGHS ] 600 00:38:12,658 --> 00:38:15,461 I DON'T KNOW. 601 00:38:22,968 --> 00:38:25,671 [ SIGHS ] 602 00:38:35,414 --> 00:38:37,716 Gaad: THIS IS A COMPOSITE OF THE WOMAN 603 00:38:37,749 --> 00:38:39,685 BASED ON PATTERSON'S DESCRIPTION. 604 00:38:39,718 --> 00:38:42,521 AND THIS IS ONE OF THE WOMAN 605 00:38:42,554 --> 00:38:45,557 BASED ON VIOLA JOHNSON'S DESCRIPTION. 606 00:38:45,591 --> 00:38:46,792 DIFFERENT PEOPLE. 607 00:38:46,825 --> 00:38:49,027 NOT NECESSARILY. 608 00:38:49,060 --> 00:38:53,365 HAIR, EYEBROWS, AND NOSES ALL COMPLETELY DIFFERENT. 609 00:38:53,399 --> 00:38:55,367 THE BONE STRUCTURES ARE SIMILAR. 610 00:38:55,401 --> 00:38:57,235 BOTH WOMEN HAVE CHEEKBONES, YEAH. 611 00:38:57,268 --> 00:38:59,505 NOSES, LIPS, EARS. 612 00:38:59,538 --> 00:39:01,306 THE DIFFERENCES ARE SUPERFICIAL, SIR. 613 00:39:01,339 --> 00:39:02,741 SO... 614 00:39:04,410 --> 00:39:06,244 THIS ONE IS BASED ON 615 00:39:06,277 --> 00:39:09,180 VIOLA JOHNSON'S DESCRIPTION OF THE MAN WHO POISONED HER SON. 616 00:39:09,214 --> 00:39:11,917 Deputy A.G.: WHAT DO WE HAVE FROM PATTERSON ON THIS GUY? 617 00:39:11,950 --> 00:39:15,421 PATTERSON NEVER ACTUALLY GOT A LOOK AT HIM. 618 00:39:15,454 --> 00:39:19,224 BUT WE KNOW THAT WE'RE LOOKING FOR A CAUCASIAN MAN AND WOMAN, 619 00:39:19,257 --> 00:39:21,527 IN THEIR 30s, PERHAPS 40s. 620 00:39:21,560 --> 00:39:24,229 I'M NOT CONVINCED THE PEOPLE WHO ABDUCTED RICHARD PATTERSON 621 00:39:24,262 --> 00:39:26,898 ARE THE SAME PEOPLE WHO POISONED VIOLA JOHNSON'S SON. 622 00:39:26,932 --> 00:39:28,266 I AM. 623 00:39:28,299 --> 00:39:30,869 YOU SAY THAT BASED ON THESE DRAWINGS? 624 00:39:30,902 --> 00:39:32,704 AND MY EXPERIENCE IN THE FIELD. 625 00:39:32,738 --> 00:39:35,441 THIS IS SPECULATION. CALL IT WHAT YOU MAY. 626 00:39:35,474 --> 00:39:39,645 THESE PEOPLE ARE THE ILLEGALS WE'VE BEEN CHASING. 627 00:39:46,485 --> 00:39:48,319 [ KNOCK ON DOOR ] 628 00:40:40,939 --> 00:40:43,475 YEAH.