1 00:00:01,102 --> 00:00:03,337 The FX original series The Americans. 2 00:00:03,371 --> 00:00:05,773 Final season returns soon on FX. 3 00:00:07,375 --> 00:00:09,977 PREVIOUSLY ON "THE AMERICANS"... 4 00:00:10,010 --> 00:00:12,080 EXCUSE ME. MA'AM? WE'RE WITH THE FBI -- 5 00:00:13,714 --> 00:00:16,016 I PUT OUT A LEAD TO THE ENTIRE FIELD ON DENTISTS, DOCTORS, 6 00:00:16,050 --> 00:00:18,852 SO IF ANYONE REMOTELY MATCHING THIS WOMAN'S DESCRIPTION 7 00:00:18,886 --> 00:00:21,155 GOES IN FOR AN INJURY TO THE FACE OR THE JAW, 8 00:00:21,189 --> 00:00:22,490 WE'LL GET AN ALERT. 9 00:00:22,523 --> 00:00:25,993 ABOUT PAIGE -- THE CENTRE TAKES VERY SERIOUSLY 10 00:00:26,026 --> 00:00:27,995 WHAT YOU SAID TO THEM ABOUT STAYING AWAY FROM HER. 11 00:00:28,028 --> 00:00:30,698 IDEOLOGICALLY, SHE'S OPEN TO THE RIGHT IDEAS. 12 00:00:30,731 --> 00:00:32,433 WE'RE DOING WHAT WE NEED TO BE DOING. 13 00:00:32,466 --> 00:00:34,935 Philip: IT'S ALL BEEN BULLSHIT, EVERYTHING YOU SAID TO ME. 14 00:00:34,968 --> 00:00:36,837 YOU'RE ASSESSING HER. YOU'RE DEVELOPING HER. 15 00:00:36,870 --> 00:00:38,706 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 16 00:00:38,739 --> 00:00:40,441 SHE'S MY DAUGHTER. 17 00:00:40,474 --> 00:00:43,877 I NEED NAMES -- PEOPLE WORKING IN THE CIA's AFGHAN GROUP. 18 00:00:55,389 --> 00:00:57,725 [ SIGHS ] THERE'S NOT MUCH TO GO ON. 19 00:01:02,563 --> 00:01:03,397 28. 20 00:01:03,431 --> 00:01:05,366 "PHLOX"? 21 00:01:05,399 --> 00:01:06,967 FLOWERING HERBS. 22 00:01:07,000 --> 00:01:08,202 YOU'RE BLUFFING. 23 00:01:08,236 --> 00:01:10,204 MAYBE. 24 00:01:10,238 --> 00:01:13,241 THEN AGAIN... DICTIONARY. 25 00:01:16,510 --> 00:01:18,045 MAC SAMPSON. 26 00:01:18,078 --> 00:01:21,415 MARATHON RUNNER -- DONE IT FOUR TIMES THIS YEAR. 27 00:01:21,449 --> 00:01:22,650 SQUEAKY CLEAN. 28 00:01:30,424 --> 00:01:31,992 10? 29 00:01:32,025 --> 00:01:34,662 UH, DOUBLE WORD SCORE. 30 00:01:34,695 --> 00:01:37,097 SORRY. 20. 31 00:01:38,299 --> 00:01:41,569 THAT'S THE REAL SAINT -- ISAAC BRELAND, 32 00:01:41,602 --> 00:01:43,171 HEAD OF THE DIVISION. 33 00:01:43,204 --> 00:01:46,006 MASTERS IN THEOLOGY AT NOTRE DAME. 34 00:01:46,039 --> 00:01:49,610 THREE KIDS, LOST HIS WIFE TO CANCER. 35 00:01:49,643 --> 00:01:51,612 REMARRIED, AND NOW HE RAISES MONEY 36 00:01:51,645 --> 00:01:54,182 FOR THE HOSPITAL WHERE SHE DIED. 37 00:01:54,215 --> 00:01:56,284 IT'S REALLY SLIM PICKINGS. 38 00:01:56,317 --> 00:01:58,486 THIS IS OUR BEST BET -- 39 00:01:58,519 --> 00:02:01,455 TED PAASWELL, BRELAND'S RIGHT-HAND MAN. 40 00:02:01,489 --> 00:02:03,324 HE'S SELLING HIS HOUSE. 41 00:02:03,357 --> 00:02:05,293 HE'S LOWERED THE PRICE TWICE THIS MONTH. 42 00:02:05,326 --> 00:02:06,327 HE NEEDS MONEY? 43 00:02:07,295 --> 00:02:09,830 I GUESS SO. I DON'T KNOW. 44 00:02:11,299 --> 00:02:13,301 "STYGIAN"? STI-GEE-AN -- 45 00:02:13,334 --> 00:02:17,671 "OF OR RELATING TO THE RIVER STYX" -- 46 00:02:17,705 --> 00:02:19,473 THE UNDERWORLD. 47 00:02:19,507 --> 00:02:21,975 SEVEN LETTERS. 48 00:02:22,009 --> 00:02:24,345 WE'LL ASSESS PAASWELL. 49 00:02:25,679 --> 00:02:29,683 PHILIP, ASSUME CIA SECURITY'S GONNA BE WATCHING HIM 50 00:02:29,717 --> 00:02:31,785 AND EVERYONE ELSE ON THAT LIST. 51 00:02:31,819 --> 00:02:33,954 LET'S BE REALISTIC ABOUT CIA SECURITY. 52 00:02:33,987 --> 00:02:36,790 THEY CAN'T WATCH ALL OF THEM EVERY HOUR OF THE DAY. 53 00:02:36,824 --> 00:02:38,392 THEY KNOW WHO WE'RE TARGETING. 54 00:02:38,426 --> 00:02:41,161 THEY'RE GOING TO WANT TO PROTECT EVERYONE IN THE AGENCY 55 00:02:41,195 --> 00:02:43,197 WHO'S WORKING AGAINST US ON AFGHANISTAN. 56 00:02:43,231 --> 00:02:45,333 BE VERY CAUTIOUS. 57 00:02:47,701 --> 00:02:49,837 WIN SOME, LOSE SOME. 58 00:02:51,372 --> 00:02:53,241 [ TILES RATTLE ] 59 00:02:57,211 --> 00:02:59,713 ELIZABETH LOOKS AT YOU VERY DIFFERENTLY NOW. 60 00:03:01,014 --> 00:03:02,250 YEAH. 61 00:03:02,283 --> 00:03:05,353 I KNOW HOW HARD THIS IS FOR YOU, WITH PAIGE. 62 00:03:05,386 --> 00:03:08,489 IT'S HARD FOR THE CENTRE, TOO. 63 00:03:08,522 --> 00:03:10,424 THEY'RE LEARNING FROM THEIR MISTAKES. 64 00:03:10,458 --> 00:03:13,661 JARED MURDERED HIS FAMILY. 65 00:03:13,694 --> 00:03:16,029 WELL, THAT'S HARDLY A RISK HERE. 66 00:03:18,966 --> 00:03:21,735 I JUST WANT PAIGE TO MAKE HER OWN DECISIONS. 67 00:03:21,769 --> 00:03:23,537 WE ALL DO. 68 00:03:24,738 --> 00:03:26,440 ARE YOU SURE ABOUT THAT? 69 00:03:29,810 --> 00:03:30,944 YOUR TURN. 70 00:03:32,580 --> 00:03:34,382 YEAH. 71 00:05:04,505 --> 00:05:06,940 STANDING OUTSIDE THE STRIDE RITE? 72 00:05:06,974 --> 00:05:12,179 [ Foreign accent ] FEMALE, 5'5", BLACK HAIR, BLUE EYE SHADOW, 73 00:05:12,212 --> 00:05:15,449 GUESS JEAN JACKET, AND CORDUROY PANTS. 74 00:05:15,483 --> 00:05:17,785 MAN HAILING A TAXI? 75 00:05:17,818 --> 00:05:22,490 5'9", ABOUT 30, IN WIRE-RIMMED GLASSES, 76 00:05:22,523 --> 00:05:24,492 GRAY WINDBREAKER, AND BUSTER BROWN SHOES. 77 00:05:24,525 --> 00:05:27,661 IF I HAD SOMEBODY ON YOU, WHO WOULD IT HAVE BEEN? 78 00:05:27,695 --> 00:05:29,296 GUY IN THE WHITE COAT. 79 00:05:29,329 --> 00:05:31,999 CHECKED, COLLARED SHIRT UNDERNEATH, BLACK SNEAKERS. 80 00:05:32,032 --> 00:05:34,167 NO, NOT HIM. NO? 81 00:05:34,201 --> 00:05:36,570 NO SURVEILLANT WOULD EVER GET THAT CLOSE TO YOU. 82 00:05:36,604 --> 00:05:38,071 DID YOU HAVE SOMEONE ON ME? 83 00:05:38,105 --> 00:05:39,306 JUST ME. 84 00:05:39,339 --> 00:05:41,074 OH, YOU, I SAW RIGHT AWAY. 85 00:05:41,108 --> 00:05:42,209 [ LAUGHS ] 86 00:05:42,242 --> 00:05:43,343 [ GASPS ] 87 00:05:43,377 --> 00:05:44,978 YOU OKAY? YEAH, I'M FINE. 88 00:05:45,012 --> 00:05:47,515 YOU NEED TO WORK ON SEEING THE OPPOSITE SIDE OF THE STREET. 89 00:05:47,548 --> 00:05:48,916 I UNDERSTAND. 90 00:05:48,949 --> 00:05:50,984 IT TAKES A LOT OF PRACTICE, AND EVEN THEN... 91 00:05:51,018 --> 00:05:54,655 [ BELL RINGING ] 92 00:05:54,688 --> 00:05:56,657 I HAVE TO T.A. A CLASS IN AN HOUR. 93 00:05:56,690 --> 00:05:57,691 OH. 94 00:05:59,192 --> 00:06:01,662 WHAT'S TODAY'S LESSON? 95 00:06:01,695 --> 00:06:04,998 HICKS vs. SLUTSKY. 96 00:06:05,032 --> 00:06:07,100 YOU CAN LIVE WITHOUT WANTS, 97 00:06:07,134 --> 00:06:09,670 BUT YOU CAN'T LIVE WITHOUT NEEDS. 98 00:06:09,703 --> 00:06:12,372 THIS SOCIETY IS VERY FOCUSED ON WANTS. 99 00:06:12,406 --> 00:06:15,509 "THE PRODUCTION OF TOO MANY USEFUL THINGS 100 00:06:15,543 --> 00:06:19,346 RESULTS IN TOO MANY USELESS PEOPLE." 101 00:06:19,379 --> 00:06:20,614 MARX? 102 00:06:22,149 --> 00:06:23,617 DO YOU MIND ME ASKING -- 103 00:06:23,651 --> 00:06:26,520 WHAT DO YOU THINK OF STONE-WASHED JEANS? 104 00:06:26,554 --> 00:06:28,522 [ Laughing ] WHY? 105 00:06:28,556 --> 00:06:31,459 I THINK THEY'RE COOL. I WAS GOING TO BUY A PAIR. 106 00:06:31,492 --> 00:06:33,461 [ Laughing ] OKAY. 107 00:06:33,494 --> 00:06:35,963 UH...I DON'T KNOW MUCH ABOUT FASHION. 108 00:06:35,996 --> 00:06:39,066 REALLY? YOU ALWAYS LOOK GREAT. 109 00:06:42,570 --> 00:06:45,372 I'M SORRY. I DID-- I DIDN'T MEAN IT LIKE THAT. 110 00:06:45,405 --> 00:06:46,807 I HOPE NOT. 111 00:06:48,241 --> 00:06:49,242 I'LL BE IN TOUCH. 112 00:06:53,280 --> 00:06:56,617 Elizabeth: PAIGE'S BIRTHDAY'S COMING UP. 113 00:06:56,650 --> 00:06:57,785 Philip: I KNOW. 114 00:06:57,818 --> 00:07:01,088 I SAW A NECKLACE SHE'D LIKE. 115 00:07:01,121 --> 00:07:02,923 HOW DO YOU KNOW? 116 00:07:02,956 --> 00:07:04,458 HOW DO I KNOW WHAT? 117 00:07:04,492 --> 00:07:06,326 THAT SHE'D LIKE IT. 118 00:07:06,359 --> 00:07:09,497 MAYBE YOU THINK SHE'D LIKE IT BECAUSE YOU LIKE IT. 119 00:07:09,530 --> 00:07:11,765 IT'D BE FROM BOTH OF US. 120 00:07:11,799 --> 00:07:12,900 DID YOU BUY IT? 121 00:07:12,933 --> 00:07:14,568 NO, I DIDN'T BUY IT. 122 00:07:14,602 --> 00:07:17,004 I WANTED TO TALK TO YOU ABOUT IT. 123 00:07:17,037 --> 00:07:19,473 YOU HAD MENTIONED GETTING HER A TEN-SPEED, 124 00:07:19,507 --> 00:07:21,408 AND I JUST THINK BOTH FEELS LIKE TOO MUCH. 125 00:07:21,441 --> 00:07:23,443 THE NECKLACE IS FINE. 126 00:07:30,784 --> 00:07:32,285 I SAW HANS TODAY. 127 00:07:32,319 --> 00:07:34,154 HE'S MAKING PROGRESS. 128 00:07:34,187 --> 00:07:35,155 GOOD. 129 00:07:35,188 --> 00:07:37,157 HE WAS CHECKING ME OUT. 130 00:07:40,127 --> 00:07:42,462 I'M SURE HE LIKED WHAT HE SAW. 131 00:07:44,732 --> 00:07:47,367 I PUT A QUICK END TO IT. 132 00:07:47,400 --> 00:07:50,604 WAS THAT WISE, SHUTTING HIM DOWN LIKE THAT? 133 00:07:50,638 --> 00:07:53,140 I MEAN, YOU RECRUIT MEN. THAT'S PART OF IT, RIGHT? 134 00:08:02,149 --> 00:08:03,517 WHAT IS WITH YOU? 135 00:08:05,553 --> 00:08:09,022 WHEN YOU MET WITH GABRIEL, YOU TALKED ABOUT PAIGE. 136 00:08:09,056 --> 00:08:10,958 YEAH. YEAH, WITHOUT ME. 137 00:08:10,991 --> 00:08:12,660 HE WANTS TO HELP. THAT'S ALL. 138 00:08:12,693 --> 00:08:14,494 HE KNOWS THIS IS HARD FOR YOU. 139 00:08:28,842 --> 00:08:30,177 OH. OH! 140 00:08:30,210 --> 00:08:31,511 AH. 141 00:08:31,545 --> 00:08:32,580 THANK YOU. 142 00:08:32,613 --> 00:08:35,348 UM, IT'S VERY FRUSTRATING. 143 00:08:35,382 --> 00:08:37,818 YEAH, I NOTICED THIS CATASTROPHE ON MY FIRST DAY. 144 00:08:37,851 --> 00:08:39,152 I NEVER USE IT. 145 00:08:39,186 --> 00:08:41,421 IF I NEED TO PICK UP OR DELIVER A FILE, 146 00:08:41,454 --> 00:08:43,657 I JUST WALK DOWN THE HALLWAY MYSELF. 147 00:08:43,691 --> 00:08:45,659 WELL, IT I TIME-CONSUMING. 148 00:08:45,693 --> 00:08:47,160 IT'S EFFICIENT. 149 00:08:47,194 --> 00:08:48,996 IT TAKES MORE TIME TO TRACK DOWN A MISPLACED FILE 150 00:08:49,029 --> 00:08:50,263 THAN IT TAKES TO HAND-DELIVER IT. 151 00:08:50,297 --> 00:08:52,032 MM. AND I DON'T LIKE TO WASTE TIME. 152 00:08:52,065 --> 00:08:53,934 I SHOULD LET -- LET YOU GET BACK TO WORK, THEN. 153 00:08:53,967 --> 00:08:58,706 WELL, TALKING TO YOU IS... NOT A WASTE OF TIME, MARTHA. 154 00:09:00,708 --> 00:09:02,776 THANK YOU, AGENT ADERHOLT. 155 00:09:05,145 --> 00:09:07,180 [ BOTH LAUGH ] 156 00:09:07,214 --> 00:09:09,082 NOW WE'VE RUN OUT OF CONVERSATIONS. 157 00:09:09,116 --> 00:09:10,884 WELL...FOR NOW. 158 00:09:10,918 --> 00:09:14,722 SO, UNTIL NEXT TIME, MARTHA... 159 00:09:14,755 --> 00:09:15,723 SURE. 160 00:09:15,756 --> 00:09:16,724 I'M JUST... 161 00:09:16,757 --> 00:09:18,959 OH. N-- MM-HMM. 162 00:09:26,166 --> 00:09:29,269 HEY, UH, STAN, LISTEN. 163 00:09:29,302 --> 00:09:31,438 I'M SORRY IF I WAS ABRUPT THE OTHER DAY. 164 00:09:31,471 --> 00:09:33,073 OH, YOU WEREN'T ABRUPT. 165 00:09:33,106 --> 00:09:35,542 I SHOULD HAVE FILLED YOU IN RIGHT AWAY. I HAD A BAD NIGHT. 166 00:09:35,575 --> 00:09:37,878 A WOMAN THE SIZE OF MY MOTHER BEAT THE CRAP OUT OF ME. 167 00:09:37,911 --> 00:09:40,714 I'M SURE SHE COULD HAVE TAKEN DOWN ANY ONE OF US. 168 00:09:40,748 --> 00:09:43,150 AGENT ADERHOLT, LINE 2 -- BUFFALO FIELD OFFICE. 169 00:09:43,183 --> 00:09:44,818 THIS IS GONNA BE ANOTHER CALL 170 00:09:44,852 --> 00:09:46,987 ABOUT A DENTIST WITH A 70-YEAR-OLD PATIENT 171 00:09:47,020 --> 00:09:48,989 WHO SLIPPED ON THE ICE AND BROKE HER JAW. 172 00:09:49,022 --> 00:09:50,924 I'M GETTING FIVE OF THESE A DAY. 173 00:09:50,958 --> 00:09:53,060 PEOPLE LOVE TO COOPERATE. 174 00:09:53,093 --> 00:09:54,261 ADERHOLT. 175 00:09:54,294 --> 00:09:57,564 [ INDISTINCT CONVERSATION ] 176 00:09:57,597 --> 00:09:59,967 Elizabeth: AND IT SAID IN THE PAPER THERE'S A SUN-ROOM? 177 00:10:00,000 --> 00:10:01,401 BEST ROOM IN THE HOUSE -- 178 00:10:01,434 --> 00:10:03,070 EXCEPT THE KIDS HAVE TAKEN IT OVER. 179 00:10:03,103 --> 00:10:04,437 CAN I SEE THAT? 180 00:10:04,471 --> 00:10:06,473 UH, RIGHT -- RIGHT THIS WAY. HONEY? 181 00:10:06,506 --> 00:10:08,608 UH, YOU KNOW, I-I MEANT TO CHECK THE ATTIC. 182 00:10:08,642 --> 00:10:10,778 IS IT THE STRING HANGING OUTSIDE THE BATHROOM? 183 00:10:10,811 --> 00:10:12,579 YEAH. USE BOTH HANDS. IT STICKS. 184 00:10:12,612 --> 00:10:14,648 I-I WILL. I'LL MEET YOU GUYS IN A MINUTE. 185 00:10:43,476 --> 00:10:45,012 [ SIGHS ] 186 00:11:12,039 --> 00:11:14,141 WOW. [ CHUCKLES ] 187 00:11:14,174 --> 00:11:15,575 YEAH, IT'S IMPOSSIBLE 188 00:11:15,608 --> 00:11:19,012 NOT TO BUY YOUR KIDS EVERYTHING THEY WANT, RIGHT? 189 00:11:53,613 --> 00:11:55,115 YOU KNOW, I NOTICED 190 00:11:55,148 --> 00:11:57,450 THE, UH, PRICE OF THE HOUSE DROPPED AGAIN. 191 00:11:57,484 --> 00:11:59,219 THE FAMILY'S EAGER TO SELL. 192 00:11:59,252 --> 00:12:01,421 IS THERE ANYTHING WRONG WITH THE HOUSE? 193 00:12:01,454 --> 00:12:03,290 [ DOOR OPENS ] I MEAN, YOU KNOW, BETWEEN US GIRLS. 194 00:12:03,323 --> 00:12:04,624 HELLO. MR. PAASWELL. 195 00:12:04,657 --> 00:12:07,194 I KNOW -- I'M NOT SUPPOSED TO BE HERE. 196 00:12:07,227 --> 00:12:08,528 I JUST FORGOT ONE THING. 197 00:12:08,561 --> 00:12:10,563 UH, WHY DON'T I SHOW YOU THE GARDEN? 198 00:12:16,503 --> 00:12:18,806 [ FOOTSTEPS APPROACH ] 199 00:12:18,839 --> 00:12:20,573 [ DOOR OPENS ] 200 00:12:24,577 --> 00:12:26,546 OH. UH...HELLO. 201 00:12:26,579 --> 00:12:27,747 HI. 202 00:12:27,781 --> 00:12:29,582 I, UH, I WAS JUST TRYING TO FIGURE OUT 203 00:12:29,616 --> 00:12:31,484 WHERE THE HEAT COMES IN FROM THE BASEBOARD. 204 00:12:31,518 --> 00:12:33,153 UH, DOESN'T WORK ANYWAY. 205 00:12:33,186 --> 00:12:35,755 I BRING A SPACE HEATER IN DURING THE WINTER. 206 00:12:36,990 --> 00:12:39,259 I'M -- I'M SO SORRY. THIS IS YOUR HOUSE? 207 00:12:39,292 --> 00:12:41,728 UH, NOT FOR LONG, HOPEFULLY. 208 00:12:41,761 --> 00:12:44,764 OH. UH, I J-- I'M SORRY. I JUST -- I JUST WANDERED IN. 209 00:12:44,798 --> 00:12:46,900 WELL, IT'S AN OPEN HOUSE, RIGHT? 210 00:12:46,934 --> 00:12:48,268 YEAH, YEAH. 211 00:12:48,301 --> 00:12:50,137 AND -- AND THE REALTOR SAID THERE WAS A -- 212 00:12:50,170 --> 00:12:52,439 THERE WAS A HOME OFFICE, AND I'VE ALWAYS WANTED ONE. 213 00:12:54,274 --> 00:12:56,243 LISTEN, THIS IS A GREAT HOUSE. 214 00:12:56,276 --> 00:12:57,610 YOU SHOULD BUY IT. 215 00:12:57,644 --> 00:13:00,413 BUT WHATEVER YOU DO, TURN THIS ROOM INTO A DEN. 216 00:13:00,447 --> 00:13:03,416 WHEN YOU HAVE A HOME OFFICE, YOU USE IT. 217 00:13:03,450 --> 00:13:05,585 YOU COME HOME, YOU BARELY HAVE DINNER, 218 00:13:05,618 --> 00:13:07,420 AND YOU KEEP WORKING. 219 00:13:07,454 --> 00:13:08,856 YOU BRING WORK HOME, 220 00:13:08,889 --> 00:13:11,024 AND YOUR WIFE STARTS TO RESENT IT, RESENT YOU. 221 00:13:11,058 --> 00:13:13,093 NEXT THING YOU KNOW... 222 00:13:13,126 --> 00:13:14,862 [ SIGHS ] 223 00:13:14,895 --> 00:13:17,097 ANYWAY, I'M NOT SUPPOSED TO BE UP HERE DURING THE OPEN HOUSE, 224 00:13:17,130 --> 00:13:18,265 SO... 225 00:13:18,298 --> 00:13:20,267 JUST HAD TO GRAB SOMETHING. 226 00:13:20,300 --> 00:13:22,002 WELL, GOOD LUCK. 227 00:13:27,975 --> 00:13:29,977 [ ENGINE TURNS OVER ] 228 00:13:30,010 --> 00:13:31,678 [ INDISTINCT CONVERSATION ] 229 00:13:34,514 --> 00:13:36,283 WHAT DO YOU THINK? I LIKE IT. 230 00:13:36,316 --> 00:13:37,985 YEAH. YEAH, IT'S PRETTY GOOD. WELL, GOOD, GOOD. 231 00:13:38,018 --> 00:13:39,452 SO, THANK YOU SO MUCH FOR COMING. 232 00:13:39,486 --> 00:13:41,221 THANK YOU. THANK YOU. THANK YOU SO MUCH. 233 00:13:41,254 --> 00:13:42,655 BYE. 234 00:13:42,689 --> 00:13:45,292 GOOD, RIGHT? SO... AND THAT'S GOOD. YEAH. 235 00:13:45,325 --> 00:13:46,659 YEAH. 236 00:13:46,693 --> 00:13:47,895 YEAH? 237 00:13:52,099 --> 00:13:53,166 [ STATIC ] 238 00:13:53,200 --> 00:13:54,968 Philip: ALMOST. 239 00:13:55,002 --> 00:13:56,469 * I'M ALL OUT OF LOVE * THERE HE IS. 240 00:13:56,503 --> 00:13:58,805 * I'M SO LOST WITHOUT YOU * 241 00:13:58,838 --> 00:14:01,641 HE'S TAKING IT HARD -- THE DIVORCE. 242 00:14:01,674 --> 00:14:03,676 HE STARTS SINGING, HE'S HAD IT. 243 00:14:03,710 --> 00:14:06,479 * I'M ALL OUT OF LOVE, I'M SO LOST WITHOUT YOU * 244 00:14:06,513 --> 00:14:09,149 I'LL GET GABRIEL THAT CHECKING-ACCOUNT INFO TOMORROW. 245 00:14:09,182 --> 00:14:11,985 MAYBE THOSE DEPOSITS ARE COMING FROM SOMEWHERE INTERESTING. 246 00:14:12,019 --> 00:14:14,721 * I'M ALL OUT OF LOVE * 247 00:14:14,754 --> 00:14:17,257 * WHAT AM I WITHOUT YOU? * TAKE A RIGHT UP HERE. 248 00:14:17,290 --> 00:14:18,758 OKAY. * I CAN'T BE TOO LATE * 249 00:14:18,791 --> 00:14:24,097 * TO SAY THAT I WAS SO WRONG * 250 00:14:25,365 --> 00:14:27,534 [ TELEPHONE RINGING ] 251 00:15:40,140 --> 00:15:41,641 [ SIGHS ] 252 00:15:41,674 --> 00:15:42,809 [ STATIC ] 253 00:15:42,842 --> 00:15:44,077 [ CAR DOOR CLOSES ] 254 00:15:44,111 --> 00:15:46,679 HI, MR. PAASWELL. HEY, KIMBERLY. 255 00:15:46,713 --> 00:15:49,682 YOU LOOK REALLY NICE TONIGHT. I LIKE YOUR SHIRT. 256 00:15:49,716 --> 00:15:51,651 THANKS. IT'S, UH, PERRY ELLIS. 257 00:15:51,684 --> 00:15:53,253 [ CHUCKLES ] 258 00:15:53,286 --> 00:15:54,587 HOW'S SCHOOL GOING? 259 00:15:54,621 --> 00:15:56,456 UGH. ALGEBRA IS NOT MATH. 260 00:15:56,489 --> 00:15:59,259 IT'S, LIKE, GRAPHS AND LETTERS. HOW CAN YOU SOLVE LETTERS? 261 00:15:59,292 --> 00:16:01,594 KEEP STRAIGHT. I THINK THEY'RE JUST ONE STREET OVER. 262 00:16:01,628 --> 00:16:03,296 OKAY. YEAH, MATH WASN'T MY THING, EITHER. 263 00:16:03,330 --> 00:16:04,764 I BET YOU WERE A JOCK 264 00:16:04,797 --> 00:16:06,466 AND ALL THE GIRLS HAD CRUSHES ON YOU. 265 00:16:06,499 --> 00:16:08,435 NO, HARDLY. [ LAUGHS ] 266 00:16:08,468 --> 00:16:10,770 I'M GONNA NEED YOU SATURDAY NIGHT AGAIN. 267 00:16:10,803 --> 00:16:12,139 BABYSITTER? 268 00:16:12,172 --> 00:16:14,141 I THINK SO. 269 00:16:14,174 --> 00:16:15,775 A DATE? 270 00:16:15,808 --> 00:16:18,211 MY FRIEND KATE'S PARENTS WENT THROUGH A DIVORCE. 271 00:16:18,245 --> 00:16:20,980 SHE SAID HER FATHER ONLY STARTED TO COME OUT OF IT 272 00:16:21,014 --> 00:16:22,482 ONCE HE WAS DATING AGAIN. 273 00:16:22,515 --> 00:16:24,484 THANKS FOR THE ADVICE. 274 00:16:30,090 --> 00:16:32,292 GROWN-UPS AREN'T THAT DIFFERENT THAN KIDS. 275 00:16:32,325 --> 00:16:33,660 YOU GO THROUGH A BREAKUP, 276 00:16:33,693 --> 00:16:36,896 AND WHAT YOU REALLY NEED IS A GOOD FLING. 277 00:16:36,929 --> 00:16:38,898 WOW. INTERESTING THEORY. 278 00:16:38,931 --> 00:16:41,234 WELL, IT'S NOT NATURAL 279 00:16:41,268 --> 00:16:42,835 JUST TO BE WITH ONE PERSON YOUR WHOLE LIFE. 280 00:16:42,869 --> 00:16:44,504 THIS KEEPS GOING, WE'RE GONNA -- 281 00:16:44,537 --> 00:16:46,173 SILVER LINCOLN VERSAILLES. THEY'VE DONE STUDIES. 282 00:16:46,206 --> 00:16:47,674 OH, YEAH? YEAH. 283 00:16:47,707 --> 00:16:49,008 JUST SAW IT. THINK IT WAS THE SECOND TIME. 284 00:16:49,042 --> 00:16:50,977 WHEN WAS THE FIRST TIME? 285 00:16:51,010 --> 00:16:53,746 ABOUT AN HOUR AND A HALF AGO -- SOMEWHERE NEAR MAXWELL. 286 00:16:53,780 --> 00:16:55,415 YOU SURE IT'S THE SAME ONE? 287 00:16:57,717 --> 00:16:58,851 NO. 288 00:17:00,187 --> 00:17:02,322 ALL RIGHT, WHAT DID WE DO SINCE SOUTH JEFFERSON? 289 00:17:02,355 --> 00:17:05,825 WE TURNED ON PROSPECT AND WE MADE ONE TURN ON CENTER. 290 00:17:05,858 --> 00:17:07,827 LET'S FIGURE THE CIA WOULD HAVE ONE CAR BEHIND 291 00:17:07,860 --> 00:17:09,929 AND A MINIMUM OF SIX MORE -- THREE ON EACH STREET. 292 00:17:09,962 --> 00:17:11,331 THAT'D BE SMALL. 293 00:17:11,364 --> 00:17:12,665 WELL, WE HAVEN'T BEEN PULLED OVER YET, 294 00:17:12,699 --> 00:17:13,866 SO IF THERE IS A TEAM ON US, 295 00:17:13,900 --> 00:17:15,335 THEY'RE WAITING TO SEE WHERE WE'RE GOING. 296 00:17:15,368 --> 00:17:18,004 WE HAVE SOME TIME, THEN. AT LEAST THERE'S THAT. 297 00:17:38,057 --> 00:17:42,562 10:45, MAPLE AVE. AND GREEN STREET. 298 00:17:44,397 --> 00:17:46,266 I'LL SEE YOU AT HOME. 299 00:17:47,934 --> 00:17:49,068 OKAY. 300 00:18:14,026 --> 00:18:16,629 HENRY? DO YOU HAVE ANY LAUNDRY? 301 00:18:40,387 --> 00:18:42,489 PAIGE! GIVE IT TO ME! 302 00:18:42,522 --> 00:18:43,523 NO! GIVE IT BACK! 303 00:18:43,556 --> 00:18:45,091 STOP! GIVE IT TO ME! 304 00:18:45,124 --> 00:18:46,759 NO! WHAT, ARE YOU IN LOVE WITH MRS. BEEMAN? 305 00:18:46,793 --> 00:18:49,028 YOU'RE DISGUSTING! IT'S NOT EVEN MINE! 306 00:18:52,299 --> 00:18:53,866 [ SIGHS ] 307 00:18:59,138 --> 00:19:00,840 OKAY. 308 00:19:11,551 --> 00:19:12,952 [ INDISTINCT TALKING ON TELEVISION ] 309 00:19:12,985 --> 00:19:14,987 [ TELEPHONE RINGING ] 310 00:19:20,159 --> 00:19:22,128 [ DOOR CLOSES ] 311 00:19:22,161 --> 00:19:24,897 [ RINGING CONTINUES ] 312 00:19:24,931 --> 00:19:26,399 HELLO? 313 00:19:26,433 --> 00:19:28,801 MY FRIEND HIT SOME HEAVY TRAFFIC ON THE WAY HOME. 314 00:19:28,835 --> 00:19:32,305 THERE IS A TWO-CAR ACCIDENT ON MAPLE AND GREEN, 315 00:19:32,339 --> 00:19:33,973 and it won't be cleared until 10:45. 316 00:19:34,006 --> 00:19:35,141 SORRY TO HEAR THAT. 317 00:19:35,174 --> 00:19:37,244 Traffic's awful these days. 318 00:19:54,193 --> 00:19:57,864 THIS IS MEMPHIS. TARGET ON YELLOW SPRINGS ROAD. 319 00:20:09,709 --> 00:20:11,511 WELL, HOW MANY CARS ARE ON THEM? 320 00:20:11,544 --> 00:20:13,446 11, BUT THEY CYCLED THROUGH TWICE. 321 00:20:13,480 --> 00:20:15,047 THEY ASKED FOR HELP. 322 00:20:15,081 --> 00:20:17,384 WE SENT THREE OR FOUR GUYS FROM CHARLIE RIZZENS' TEAM. 323 00:20:17,417 --> 00:20:18,918 AND WHAT ABOUT ADERHOLT? 324 00:20:18,951 --> 00:20:21,187 I LEFT HIM A MESSAGE. CALL HIM AGAIN. 325 00:20:21,220 --> 00:20:24,457 AND THEN SEE IF YOU CAN GET ON THE RADIO WITH RIZZENS. 326 00:20:49,916 --> 00:20:51,584 [ BEEP ] 327 00:20:51,618 --> 00:20:53,586 [ STATIC ] 328 00:20:53,620 --> 00:20:56,823 MAN: Turn right onto Fredrick, then left on Liberty. 329 00:20:58,925 --> 00:21:00,993 [ SIGHS ] 330 00:21:01,027 --> 00:21:04,163 Man on TV: ...THE LIMITS OF THE POSSIBLE. 331 00:21:04,196 --> 00:21:07,834 WE HAVE TAKEN RISKS THAT HAVE CHANGED THE WORLD. 332 00:21:07,867 --> 00:21:11,938 WE ARE EXPLORERS ILLUMINATING THE FUTURE. 333 00:21:11,971 --> 00:21:15,508 AT DON BEYER VOLVO, WE WILL GO TO SHOCKING EXTREMES 334 00:21:15,542 --> 00:21:19,512 TO TRANSFORM YOUR DEALERSHIP-SERVICE EXPERIENCE. 335 00:21:19,546 --> 00:21:20,747 DON BEYER VOLVO. 336 00:21:20,780 --> 00:21:22,349 HI. 337 00:21:22,382 --> 00:21:24,617 THE GREAT EXPERIMENT IN FALLS CHURCH, VIRGINIA. 338 00:21:26,319 --> 00:21:27,987 Mickey Gilley: MR. ROARKE, I'M LEAVIN'. 339 00:21:28,020 --> 00:21:29,756 WHAT ARE YOU STILL DOING UP? 340 00:21:29,789 --> 00:21:31,858 COULDN'T SLEEP. 341 00:21:31,891 --> 00:21:34,260 YOU MAY HAVE THOUGHT SHERWOOD'S WAS WHAT I HAD IN MIND. WELL, IT'S NOT. 342 00:21:34,293 --> 00:21:37,630 Roarke: BUT, MR. GILLEY, THERE HAVE BEEN CHANGES MADE. 343 00:21:37,664 --> 00:21:40,967 WHAT KIND OF CHANGES COULD SHERWOOD POSSIBLY HAVE MADE IN ONE AFTERNOON? 344 00:21:41,000 --> 00:21:42,869 IT WOULD TAKE THE LORD HIMSELF A WHOLE YEAR. 345 00:21:42,902 --> 00:21:45,838 [ LAUGHS ] I'M AFRAID YOU VASTLY UNDERESTIMATE 346 00:21:45,872 --> 00:21:47,974 MR. SHERWOOD'S POTENTIAL, MR. GILLEY. 347 00:21:48,007 --> 00:21:50,943 I SAW HIS POTENTIAL SITTING NEAR-EMPTY OUT THERE IN THAT JUNGLE... 348 00:21:50,977 --> 00:21:55,615 LOOK, I KNOW IT'S HARD ON YOU -- 349 00:21:55,648 --> 00:21:58,618 YOUR -- YOUR MOM AND ME WORKING SO MUCH. 350 00:21:58,651 --> 00:22:00,787 I'M USED TO IT. 351 00:22:00,820 --> 00:22:02,455 R-REALLY? 352 00:22:02,489 --> 00:22:05,191 OR J-- ARE YOU -- YOU JUST SAYING THAT? 353 00:22:05,224 --> 00:22:07,994 NO, I'M REALLY USED TO IT. 354 00:22:08,027 --> 00:22:10,196 MR. ROARKE, I WANT THIS FANTASY SO BAD, I CAN TASTE IT. 355 00:22:10,229 --> 00:22:12,465 IT'S OKAY, DAD. I'M FINE. 356 00:22:12,499 --> 00:22:15,668 I REALLY WISH YOU GUYS WOULD STOP WORRYING ABOUT ME. 357 00:22:18,104 --> 00:22:19,872 I'M GONNA GO TO BED. 358 00:22:19,906 --> 00:22:21,474 GOOD NIGHT. 359 00:22:21,508 --> 00:22:24,911 WELL, I GUESS...MAYBE ONE MORE LOOK WOULDN'T HURT. 360 00:22:24,944 --> 00:22:27,547 I PROMISE YOU -- IT WON'T HURT A BIT. 361 00:22:29,616 --> 00:22:30,883 [ DOOR OPENS ] 362 00:22:33,052 --> 00:22:34,320 WHERE ARE THEY? 363 00:22:34,353 --> 00:22:36,823 FREDRICK, APPROACHING LIBERTY ROAD. 364 00:22:36,856 --> 00:22:38,224 THEY SHOULD GRAB HER. 365 00:22:38,257 --> 00:22:40,192 CIA. THEY WANT TO SEE WHERE IT LEADS. 366 00:22:40,226 --> 00:22:41,494 AND IF SHE GETS AWAY? 367 00:22:41,528 --> 00:22:42,895 THEY'VE GOT HER SURROUNDED. 368 00:22:42,929 --> 00:22:44,764 BUT ONLY ONE SET OF EYES ON HER. 369 00:22:44,797 --> 00:22:47,233 AT ANY GIVEN TIME, SHE ONLY HAS TO GET AWAY FROM ONE CAR. 370 00:22:47,266 --> 00:22:49,335 I'M TELLING YOU, THIS IS WHAT HAPPENED WITH HERMANN. 371 00:22:49,368 --> 00:22:51,203 THEY SAID TO FOLLOW HIM FOR THE NEXT YEAR 372 00:22:51,237 --> 00:22:52,839 AND HE'LL LEAD YOU TO SOMETHING. 373 00:22:52,872 --> 00:22:55,508 THESE PEOPLE, THEY'LL TALK. THEY'RE HUMAN BEINGS. 374 00:22:55,542 --> 00:22:58,110 BUT WE CAN'T CRACK THEM IF WE DON'T HAVE THEM. 375 00:22:58,144 --> 00:22:59,679 CIA's OPERATION. 376 00:22:59,712 --> 00:23:00,880 LEGALLY, SIR -- 377 00:23:00,913 --> 00:23:01,881 I KNOW THE LAW, STAN. 378 00:23:01,914 --> 00:23:03,850 GET A ROADBLOCK, PULL HER OVER -- 379 00:23:03,883 --> 00:23:05,418 NOW, BEFORE IT'S TOO LATE. 380 00:23:10,389 --> 00:23:11,724 ALL RIGHT, GO ON, BOTH OF YOU. 381 00:23:11,758 --> 00:23:13,893 I'LL GET ON THE PHONE. 382 00:23:15,327 --> 00:23:18,097 [ DOOR OPENS, CLOSES ] 383 00:23:23,736 --> 00:23:27,139 Reporter: THE FOUR-DAY CONFERENCE THAT CONCLUDED IN GENEVA TODAY 384 00:23:27,173 --> 00:23:29,041 OF THE GENERAL AGREEMENT ON TARIFFS AND TRADE 385 00:23:29,075 --> 00:23:30,610 LOOKED PROMISING. 386 00:23:30,643 --> 00:23:33,446 BUT DESPITE THE ATTENDANCE OF 88 NATIONS 387 00:23:33,480 --> 00:23:36,415 AND STRONG URGING BY THE U.S. AND OTHERS, 388 00:23:36,449 --> 00:23:39,385 PARTICIPANTS FAILED TO AGREE UPON AN AGENDA 389 00:23:39,418 --> 00:23:42,722 FOR A NEW ROUND OF MULTILATERAL TRADE NEGOTIATIONS. 390 00:23:42,755 --> 00:23:44,724 THE FAILURE OF THE FOUR-DAY CONFERENCE 391 00:23:44,757 --> 00:23:46,726 TO CONCLUDE FUNDAMENTAL AGREEMENTS 392 00:23:46,759 --> 00:23:49,496 IS LIKELY TO HEIGHTEN THE ALREADY-PRESENT DANGERS 393 00:23:49,529 --> 00:23:51,230 OF ECONOMIC NATIONALISM, 394 00:23:51,263 --> 00:23:53,900 THAT HAS BEEN TRIGGERED BY THE WORLDWIDE RECESSION 395 00:23:53,933 --> 00:23:56,769 AND RISING UNEMPLOYMENT IN MOST COUNTRIES. 396 00:23:56,803 --> 00:24:00,106 SECRETARY OF STATE GEORGE SCHULTZ REMAINS HOPEFUL 397 00:24:00,139 --> 00:24:03,275 ABOUT THE FUTURE OF WORLD TRADE DELIBERATIONS. 398 00:24:19,291 --> 00:24:20,960 MAN: 90 seconds. 399 00:24:31,303 --> 00:24:33,339 PULLING OFF FREDRICK. 400 00:24:37,143 --> 00:24:39,646 TOLEDO HAS THE TARGET. 401 00:25:12,712 --> 00:25:14,180 50 seconds. 402 00:25:21,020 --> 00:25:22,521 GET READY TO FALL IN. 403 00:25:28,861 --> 00:25:31,831 [ STATIC ] 404 00:25:31,864 --> 00:25:33,833 THIS IS TOLEDO ON LIBERTY. OVER. 405 00:25:33,866 --> 00:25:36,703 [ STATIC ] TOLEDO, COME IN. ARE YOU THERE? 406 00:25:36,736 --> 00:25:38,437 THIS IS TOLEDO ON LIBERTY. OVER. 407 00:25:38,470 --> 00:25:39,839 CAN ANYBODY HEAR ME? 408 00:25:39,872 --> 00:25:41,507 [ STATIC ] MAN #1: Come in, Toledo. 409 00:25:41,540 --> 00:25:44,677 MAN #2: Chicago, you don't have Toledo either? 410 00:25:44,711 --> 00:25:47,046 MAN: 10 seconds. 411 00:25:49,882 --> 00:25:52,551 Toledo: CAN ANYBODY HEAR ME? ANYBODY OUT THERE? 412 00:25:52,585 --> 00:25:54,453 [ STATIC CONTINUES ] 413 00:25:59,592 --> 00:26:01,193 [ HORN BLARING ] 414 00:26:01,227 --> 00:26:02,528 [ TIRES SCREECH ] 415 00:26:02,561 --> 00:26:05,131 [ BLARING CONTINUES ] 416 00:26:05,164 --> 00:26:07,399 [ TIRES SQUEAL ] 417 00:26:37,997 --> 00:26:39,298 Announcer: WCCP INCORPORATED IS A WHOLLY OWNED SUBSIDIARY 418 00:26:41,267 --> 00:26:43,135 OF BRONSTEIN COMMUNICATIONS 419 00:26:43,169 --> 00:26:44,937 AND OPERATES ON CHANNEL 7 420 00:26:44,971 --> 00:26:47,173 BY AUTHORITY OF THE FEDERAL COMMUNICATIONS COMMISSION, 421 00:26:47,206 --> 00:26:49,141 WITH STUDIOS LOCATED 422 00:26:49,175 --> 00:26:53,913 AT 183 CONNECTICUT AVENUE NORTHWEST, WASHINGTON, D.C. 423 00:26:53,946 --> 00:26:56,849 [ "THE STAR-SPANGLED BANNER" PLAYS ] 424 00:26:56,883 --> 00:26:59,285 [ DOOR OPENS ] 425 00:27:50,703 --> 00:27:52,138 OH! 426 00:27:52,171 --> 00:27:53,472 OH. 427 00:27:53,505 --> 00:27:55,875 [ BREATHING HEAVILY ] 428 00:27:55,908 --> 00:27:58,510 [ SIGHS ] 429 00:28:52,398 --> 00:28:55,234 [ BREATHING SHAKILY ] 430 00:29:03,075 --> 00:29:04,911 OH... 431 00:29:21,760 --> 00:29:23,930 [ WHIMPERING ] 432 00:29:40,146 --> 00:29:41,447 [ SIGHS ] 433 00:29:45,284 --> 00:29:47,153 [ EXHALES HEAVILY ] 434 00:29:53,292 --> 00:29:54,626 [ SPITS ] 435 00:30:00,632 --> 00:30:03,469 [ BREATHING HEAVILY ] 436 00:30:21,020 --> 00:30:24,056 [ WHIMPERING ] 437 00:30:27,860 --> 00:30:29,996 [ GRUNTS ] 438 00:30:46,545 --> 00:30:49,081 [ EXHALES SHARPLY ] 439 00:30:51,417 --> 00:30:53,485 [ SPITS ] 440 00:30:53,519 --> 00:30:55,487 [ BREATHING HEAVILY ] 441 00:30:55,521 --> 00:30:56,422 [ SPITS ] 442 00:30:56,455 --> 00:30:57,823 [ TOOTH CLATTERS ] 443 00:30:57,856 --> 00:31:01,393 [ BREATHING HEAVILY ] 444 00:31:27,786 --> 00:31:30,556 THEY ARE HARD TO GET. 445 00:31:30,589 --> 00:31:32,224 YES. 446 00:31:34,326 --> 00:31:36,929 BUT YOU GOT ONE. 447 00:31:36,963 --> 00:31:39,131 YOUR LAST ASSIGNMENT. 448 00:31:39,165 --> 00:31:41,067 I WAS ON A TEAM. 449 00:31:43,735 --> 00:31:45,804 GAAD TELLS ME YOU WORKED IN ARKANSAS 450 00:31:45,837 --> 00:31:48,240 WITH THE WHITE SUPREMACISTS. 451 00:31:54,280 --> 00:31:56,615 YEAH, SEEMS LIKE A LONG TIME AGO NOW. 452 00:31:56,648 --> 00:31:59,051 I'D LIKE TO BUY YOU A BEER SOMETIME -- 453 00:31:59,085 --> 00:32:00,486 HEAR THOSE WAR STORIES. 454 00:32:03,422 --> 00:32:05,391 I'M NOT MUCH ON WAR STORIES. 455 00:32:05,424 --> 00:32:06,993 BUT I'LL TAKE THE BEER. 456 00:32:07,026 --> 00:32:09,328 [ CHUCKLES ] 457 00:32:09,361 --> 00:32:13,565 I GOT TO GO BABYSIT ZIN-- ZI-- 458 00:32:13,599 --> 00:32:16,002 THE DEFECTOR. 459 00:32:16,035 --> 00:32:19,071 I GOT THREE MORE APPEARANCES TODAY. 460 00:32:19,105 --> 00:32:20,772 CAN I ASK YOU JUST ONE THING? 461 00:32:20,806 --> 00:32:22,808 YEAH. 462 00:32:22,841 --> 00:32:25,844 WHAT DID IT TAKE TO FOOL THEM? 463 00:32:27,279 --> 00:32:29,581 YOU TELL THEM WHAT THEY WANT TO HEAR -- 464 00:32:29,615 --> 00:32:33,285 OVER AND OVER AND OVER AGAIN. 465 00:32:33,319 --> 00:32:34,686 THAT'S IT? 466 00:32:36,355 --> 00:32:39,158 PEOPLE LOVE HEARING HOW RIGHT THEY ARE. 467 00:33:03,882 --> 00:33:05,317 [ SETS GLASS DOWN ] 468 00:33:05,351 --> 00:33:07,786 OH, CLARK, I GOT THE NICEST CALL THE OTHER DAY 469 00:33:07,819 --> 00:33:09,688 FROM MY FRIEND LORRAINE DEHRENNEY. 470 00:33:09,721 --> 00:33:11,990 I TOLD YOU ABOUT HER, RIGHT? FROM COLLEGE? 471 00:33:12,024 --> 00:33:13,459 MM-HMM. 472 00:33:13,492 --> 00:33:16,228 WELL, SHE RUNS A COMMUNITY OUTREACH PROGRAM. 473 00:33:16,262 --> 00:33:17,963 SHE LOOKING FOR MONEY? 474 00:33:17,996 --> 00:33:19,731 YES, BUT, UH, LATELY, 475 00:33:19,765 --> 00:33:22,868 SHE'S ALSO BEEN GETTING INVOLVED WITH FOSTER CARE 476 00:33:22,901 --> 00:33:25,537 AND FINDING HOMES FOR KIDS WHO NEED THEM. 477 00:33:25,571 --> 00:33:27,073 MARTHA, HOW MANY MORE TIMES 478 00:33:27,106 --> 00:33:29,141 ARE WE GONNA HAVE THIS CONVERSATION? 479 00:33:29,175 --> 00:33:30,742 WE WERE TALKING ABOUT BABIES. 480 00:33:30,776 --> 00:33:32,211 I DON'T WANT KIDS. 481 00:33:32,244 --> 00:33:34,346 HOW DO YOU KNOW WHAT IT IS THAT YOU WANT? 482 00:33:34,380 --> 00:33:36,082 WHA-- WHAT? BECAUSE I KNOW. 483 00:33:36,115 --> 00:33:37,649 BUT THIS IS DIFFERENT. 484 00:33:37,683 --> 00:33:39,185 WHY? 'CAUSE YOU GET 'EM FROM A CATALOG? 485 00:33:39,218 --> 00:33:41,887 NO, BECAUSE IT'S TEMPORARY, SO YOU CAN TRY IT OUT. 486 00:33:41,920 --> 00:33:44,022 LIKE LEASING A CAR? 487 00:33:44,056 --> 00:33:45,924 NO. WILL YOU STOP IT? 488 00:33:45,957 --> 00:33:49,261 THEY NEED IT. THEY DON'T HAVE HOMES. 489 00:33:49,295 --> 00:33:51,330 WELL, PUTTING THEM IN ONE THAT DOESN'T WANT THEM 490 00:33:51,363 --> 00:33:52,498 CAN'T BE ALL THAT HELPFUL. 491 00:33:52,531 --> 00:33:53,932 CLARK! 492 00:33:53,965 --> 00:33:56,668 WE HAVE SO MUCH. 493 00:33:56,702 --> 00:33:58,003 [ SIGHS ] 494 00:33:58,036 --> 00:34:00,005 YOU DON'T SEE THE VALUE OF SHARING THAT 495 00:34:00,038 --> 00:34:02,541 WITH SOMEBODY WHO DOESN'T HAVE ANYTHING? 496 00:34:02,574 --> 00:34:08,380 SOMEBODY YOUNG WHO COULD LEARN AND GROW AND HAVE A HOME? 497 00:34:08,414 --> 00:34:11,083 THAT KIND OF RELATIONSHIP WITH A YOUNG PERSON -- 498 00:34:11,117 --> 00:34:13,119 THAT DOESN'T APPEAL TO YOU AT ALL? 499 00:34:18,390 --> 00:34:19,958 [ SIGHS ] 500 00:34:22,228 --> 00:34:23,295 MM. 501 00:34:33,272 --> 00:34:36,575 [ SLOW MUSIC PLAYING ] 502 00:34:44,783 --> 00:34:49,488 FEMALE, 35, CROPPED HAIR, BY THE MAILBOX, 503 00:34:49,521 --> 00:34:51,923 WITH A LARGE PARCEL, BLUE UMBRELLA -- 504 00:34:51,957 --> 00:34:53,925 I ONLY WANT THE STREET BEFORE THE PARK. 505 00:34:53,959 --> 00:34:55,161 MAN BY THE DRY CLEANER? 506 00:34:55,194 --> 00:34:57,263 TWO, ACTUALLY. 507 00:34:57,296 --> 00:34:59,231 ONE IN THE WINDOW, 508 00:34:59,265 --> 00:35:03,335 PICKED UP A SUIT -- NOT A TUXEDO, BUT FORMAL. 509 00:35:03,369 --> 00:35:04,736 AND ONE OUTSIDE. 510 00:35:04,770 --> 00:35:07,173 THE OTHER SIDE OF THE STREET? 511 00:35:07,206 --> 00:35:10,442 MALE, 5'10", WITH WAVY, BROWN HAIR, 512 00:35:10,476 --> 00:35:12,178 IN A DENIM JEAN JACKET 513 00:35:12,211 --> 00:35:15,614 WITH AN REO SPEEDWAGON PATCH ON THE POCKET. 514 00:35:15,647 --> 00:35:18,184 THAT'S GOOD. YOU DID WELL TODAY. 515 00:35:18,217 --> 00:35:20,752 YOU THINK I'M READY? 516 00:35:20,786 --> 00:35:23,855 IT TAKES A LOT OF TIME, BUT YOU'RE GONNA GET THERE. 517 00:35:25,791 --> 00:35:28,260 LISTEN, ABOUT THE OTHER DAY, UH -- 518 00:35:28,294 --> 00:35:30,529 NO, I... 519 00:35:30,562 --> 00:35:31,830 I WAS OUT OF LINE. 520 00:35:31,863 --> 00:35:34,766 IT'S OKAY. IT'S ALL RIGHT. 521 00:35:34,800 --> 00:35:36,768 UM... 522 00:35:36,802 --> 00:35:40,105 YOU KNOW, IN THIS LINE OF WORK, SEX IS DANGEROUS. 523 00:35:40,138 --> 00:35:42,874 THERE'S CHEMISTRY, OBVIOUSLY, BUT... 524 00:35:42,908 --> 00:35:45,844 THERE'S SOMEONE IN MY LIFE -- SOMEONE IMPORTANT -- 525 00:35:45,877 --> 00:35:47,646 AND I DON'T WANT TO SCREW THAT UP. 526 00:35:47,679 --> 00:35:49,548 I UNDERSTAND. 527 00:35:49,581 --> 00:35:52,684 AND I PROMISE IT WON'T HAPPEN AGAIN. 528 00:35:57,989 --> 00:35:59,358 IS ELIZABETH ALL RIGHT? 529 00:35:59,391 --> 00:36:00,692 SHE'S FINE. 530 00:36:00,726 --> 00:36:02,994 IT WAS A VERY CLOSE CALL. 531 00:36:03,028 --> 00:36:05,197 IT'S NOT THE FIRST TIME. 532 00:36:05,231 --> 00:36:07,132 WHAT ABOUT THOSE BANK TRANSFERS? 533 00:36:07,165 --> 00:36:10,001 [ SIGHS ] PAASWELL'S MOTHER IS HELPING HIM HIDE THE MONEY 534 00:36:10,035 --> 00:36:12,304 SO HIS WIFE DOESN'T GO AFTER IT IN THE DIVORCE. 535 00:36:12,338 --> 00:36:13,339 FAMILY. 536 00:36:14,673 --> 00:36:15,974 WE HAVE SOMETHING ELSE. 537 00:36:16,007 --> 00:36:18,744 WE HEARD PAASWELL TALKING WITH HIS BABYSITTER. 538 00:36:18,777 --> 00:36:19,745 TALKING. 539 00:36:19,778 --> 00:36:21,513 YEAH. IT DIDN'T...SOUND RIGHT. 540 00:36:21,547 --> 00:36:23,148 WE THINK THERE'S SOMETHING THERE. 541 00:36:23,181 --> 00:36:24,816 SO IF WE COULD GET CONFIRMATION -- 542 00:36:24,850 --> 00:36:27,819 NO. IT'S JUST TOO RISKY AFTER WHAT HAPPENED LAST NIGHT. 543 00:36:27,853 --> 00:36:30,256 I WANT YOU TO JUST COOL THINGS FOR A WHILE. 544 00:36:30,289 --> 00:36:32,824 WE COULD SIT NEAR TO WHERE WE PICKED THEM UP. 545 00:36:32,858 --> 00:36:34,593 WE HAVE A DATE HE'S GONNA USE HER AGAIN, 546 00:36:34,626 --> 00:36:36,194 SO WE JUST WAIT FOR THEM TO COME BY, 547 00:36:36,228 --> 00:36:37,996 WE STAY IN AUDIO RANGE, OUT OF VISUAL, 548 00:36:38,029 --> 00:36:39,731 AND WE JUST LISTEN. 549 00:36:39,765 --> 00:36:41,833 YOUR TARGET MAY BE DRAGGING A SURVEILLANCE NET WITH HIM 550 00:36:41,867 --> 00:36:42,934 WHEREVER HE GOES. 551 00:36:42,968 --> 00:36:44,536 WE'D NEVER GET WITHIN VISUAL RANGE, 552 00:36:44,570 --> 00:36:46,037 SO SURVEILLANCE WOULDN'T HAVE A REASON TO LOOK AT US. 553 00:36:46,071 --> 00:36:47,439 IF WE GET HIM WITH THE BABYSITTER -- 554 00:36:47,473 --> 00:36:50,075 NOT EVERYTHING IS WORTH THE RISK, PHILIP. 555 00:36:51,142 --> 00:36:53,044 NO, YOU'RE RIGHT. NOT EVERYTHING IS. 556 00:36:56,748 --> 00:37:00,051 PAIGE IS STRONG -- LIKE HER MOTHER. 557 00:37:00,085 --> 00:37:01,520 THAT'S A GOOD THING. 558 00:37:01,553 --> 00:37:03,289 [ SCOFFS ] IS IT? 559 00:37:03,322 --> 00:37:05,291 BECAUSE IF YOU BRING HER INTO THIS, 560 00:37:05,324 --> 00:37:06,892 ANYTHING COULD HAPPEN. 561 00:37:06,925 --> 00:37:08,760 THAT'S TRUE FOR ANYONE. 562 00:37:10,729 --> 00:37:13,299 AND THAT'S IT? THAT'S ALL YOU HAVE TO SAY? 563 00:37:13,332 --> 00:37:16,368 SO TELL ME WHAT YOU'D LIKE ME TO SAY. 564 00:37:16,402 --> 00:37:18,737 WOULD YOU LIKE ME TO PROMISE YOU 565 00:37:18,770 --> 00:37:20,872 THAT EVERYTHING'S GOING TO BE OKAY WITH PAIGE? 566 00:37:20,906 --> 00:37:23,409 YOU KNOW I CAN'T DO THAT. NO ONE CAN. 567 00:37:24,910 --> 00:37:26,878 WE CHOSE TO DO THIS WITH OUR LIVES -- 568 00:37:26,912 --> 00:37:29,581 YOU, ME, ELIZABETH -- TO -- TO LIVE THIS WAY. 569 00:37:29,615 --> 00:37:34,152 PAIGE WILL HAVE A CHOICE. 570 00:37:34,185 --> 00:37:36,422 SHE IS 14 YEARS OLD! 571 00:37:36,455 --> 00:37:40,125 THERE IS ALWAYS A CHOICE. 572 00:37:40,158 --> 00:37:42,728 REALLY? BECAUSE PAIGE GREW UP HERE. 573 00:37:42,761 --> 00:37:44,563 HER LIFE HAS BEEN EASY. 574 00:37:44,596 --> 00:37:46,798 SHE'S NOT EQUIPPED TO DEAL WITH THIS SHIT! [ CUP SLAMS ] 575 00:37:46,832 --> 00:37:48,166 PHILIP. 576 00:37:49,635 --> 00:37:51,837 [ DOOR SLAMS ] 577 00:37:56,942 --> 00:38:01,447 [ INDISTINCT CONVERSATION IN RUSSIAN ] 578 00:38:58,236 --> 00:38:59,871 [ SIGHS ] 579 00:39:25,096 --> 00:39:27,332 SO, YOU'RE SAYING THAT AT THE SAME TIME 580 00:39:27,365 --> 00:39:29,267 YOU'RE INVADING A SOVEREIGN NATION, 581 00:39:29,300 --> 00:39:32,270 IMPOSING A GODLESS SYSTEM ON A FREE, RELIGIOUS PEOPLE -- 582 00:39:32,303 --> 00:39:34,506 Zinaida: A SYSTEM THEY DIDN'T WANT. 583 00:39:34,540 --> 00:39:37,342 THE AFGHAN PEOPLE NEVER WANTED THIS COMMUNISM. 584 00:39:37,375 --> 00:39:40,612 BUT AT THE SAME TIME, BACK HOME, YOU'VE GOT BREADLINES, 585 00:39:40,646 --> 00:39:41,947 JOBLESSNESS. 586 00:39:41,980 --> 00:39:44,215 NO FREEDOM OF SPEECH, NO FREEDOM OF PRESS -- 587 00:39:44,249 --> 00:39:47,052 AS YOU SAY, NO BREAD MANY TIMES. 588 00:39:47,085 --> 00:39:49,187 THE REST OF THE WORLD MUST KNOW THIS. 589 00:39:49,220 --> 00:39:52,123 I RISK MY LIFE TO COME HERE. 590 00:39:52,157 --> 00:39:55,026 I MUST BE ABLE TO DIE FOR IT. 591 00:39:55,060 --> 00:39:57,228 WE'RE KILLING THOUSANDS OF PEOPLE 592 00:39:57,262 --> 00:40:00,365 TO FORCE BAD SYSTEM TO THEM. 593 00:40:00,398 --> 00:40:02,901 OUR SOLDIERS, OUR BOYS, 594 00:40:02,934 --> 00:40:06,705 KILL AND DIE IN A COUNTRY THAT DOES NOT BELONG TO THEM, 595 00:40:06,738 --> 00:40:10,742 JUST SO THE OLD MAN WANTED TO KEEP THEIR POWER. 596 00:40:13,311 --> 00:40:14,746 [ SIGHS ] 597 00:40:16,281 --> 00:40:20,085 [ STATIC ] 598 00:40:20,118 --> 00:40:22,387 Philip: HOW'S YOUR MOUTH? 599 00:40:22,420 --> 00:40:24,590 Elizabeth: IT'S FINE. 600 00:40:24,623 --> 00:40:27,759 STAN GAVE ME THAT BOTTLE, YOU KNOW. 601 00:40:27,793 --> 00:40:30,395 SINGLE-MALT IRISH WHISKEY. 602 00:40:30,428 --> 00:40:32,564 IT'S THE BEST OF THE BEST. 603 00:40:32,598 --> 00:40:33,932 YEAH. 604 00:40:35,634 --> 00:40:37,769 [ INHALES DEEPLY ] 605 00:40:41,272 --> 00:40:44,175 WHAT ARE WE GONNA DO ABOUT PAIGE? 606 00:40:46,945 --> 00:40:49,347 I DON'T KNOW. 607 00:40:49,380 --> 00:40:51,783 Kimberly: OH, MY GOD! YOU'RE BLUSHING! Paaswell: [ Laughing ] I'M NOT. 608 00:40:51,817 --> 00:40:53,118 YEAH. I THINK IT'S CUTE. KIMBERLY... 609 00:40:53,151 --> 00:40:55,521 I CAN'T HAVE A SERIOUS CONVERSATION 610 00:40:55,554 --> 00:40:57,288 WITH THE BOYS IN MY CLASS. 611 00:40:57,322 --> 00:40:59,257 THEY'RE BOYS. 612 00:40:59,290 --> 00:41:00,926 I NEED SOMEONE MORE MATURE. 613 00:41:00,959 --> 00:41:02,327 YEAH? WELL... 614 00:41:02,360 --> 00:41:04,195 SHIT. HE'S RIGHT BEHIND US. 615 00:41:04,229 --> 00:41:07,265 I'M MUCH MORE ATTRACTED TO MEN. WE HAVE TO SEE THIS. 616 00:41:07,298 --> 00:41:09,501 I WENT ON A FEW DATES WITH A JUNIOR AT GEORGETOWN -- WE CAN'T RISK IT. 617 00:41:09,535 --> 00:41:12,270 JUST A PASS-BY. WE COULD BE ANYBODY ON THE STREET. A POLI-SCI MAJOR. 618 00:41:12,303 --> 00:41:14,339 HE WAS FINE. WE SHOULD GET PHOTOS. 619 00:41:14,372 --> 00:41:16,107 BUT ALL HE CARED ABOUT WAS DRINKING BEER. [ ENGINE TURNS OVER ] 620 00:41:16,141 --> 00:41:18,176 I'M MUCH MORE ATTRACTED TO MEN WHO KNOW WHAT THEY WANT. 621 00:41:18,209 --> 00:41:19,811 AND WHAT THEY NEED. LOOK... 622 00:41:19,845 --> 00:41:23,281 WHAT? IT'S TRUE. IT'S NOT MY FAULT. 623 00:41:23,314 --> 00:41:26,718 THERE'S NOTHING WRONG WITH IT. IT'S JUST LIFE, YOU KNOW? 624 00:41:28,820 --> 00:41:32,724 SOMETIMES YOU JUST NEED SOME REALLY HOT SEX. 625 00:41:32,758 --> 00:41:36,528 KIMBERLY. THIS IS NOT AN APPROPRIATE CONVERSATION. 626 00:41:36,562 --> 00:41:38,296 I DON'T WANT TO HAVE TO SAY SOMETHING TO YOUR FATHER. 627 00:41:38,329 --> 00:41:39,330 SHIT. 628 00:41:39,364 --> 00:41:40,498 [ Sighing ] OKAY. 629 00:41:40,532 --> 00:41:42,668 WHATEVER. BYE. 630 00:41:51,176 --> 00:41:53,712 I KNOW THAT LICENSE PLATE. 631 00:41:53,745 --> 00:41:55,480 [ CAMERA SHUTTER CLICKS ] 632 00:41:55,513 --> 00:41:57,683 Paaswell: GOOD TO SEE YOU, ISAAC. 633 00:41:57,716 --> 00:41:59,350 Isaac: THANKS, TED. 634 00:41:59,384 --> 00:42:01,386 [ CAMERA SHUTTER CLICKS ] 635 00:42:01,419 --> 00:42:02,888 THAT'S ISAAC BRELAND. 636 00:42:02,921 --> 00:42:04,222 WHAT? 637 00:42:04,255 --> 00:42:05,490 THE -- THE GIRL, HER FATHER. 638 00:42:05,523 --> 00:42:07,726 THAT'S THE HEAD OF THE CIA AFGHAN GROUP. 639 00:42:10,061 --> 00:42:11,863 WELL, HOW ABOUT THAT.