1
00:00:00,901 --> 00:00:01,600
PREVIOUSLY ON
"THE FOSTERS"...
2
00:00:01,635 --> 00:00:03,769
AND NOW ALL I FEEL
IS WORRIED
3
00:00:03,804 --> 00:00:06,304
ABOUT EVERYTHING,
INCLUDING MY MARRIAGE.
4
00:00:06,339 --> 00:00:07,806
SO YOU CAN'T GO
ON THE TOUR.
5
00:00:07,841 --> 00:00:10,175
BUT I WANT
TO GO TO IDYLLWILD,
IF I CAN GET IN.
6
00:00:10,210 --> 00:00:12,144
I'M WITHDRAWING
MY SUIT FOR CUSTODY.
7
00:00:12,179 --> 00:00:13,345
Stef:
WE CAN ADOPT YOU
RIGHT AWAY.
8
00:00:13,380 --> 00:00:15,414
WE KISSED.
AND NOW WE'RE LIKE...
9
00:00:15,449 --> 00:00:16,849
MORE THAN FRIENDS?
10
00:00:16,884 --> 00:00:19,451
WYATT, PLEASE DON'T TELL ME
YOU'RE ACTING LIKE THIS
BECAUSE WE BROKE UP.
11
00:00:19,486 --> 00:00:20,752
WHAT THE HELL
DO YOU CARE?
12
00:00:20,788 --> 00:00:23,321
YOU SHOULD BE
WITH YOUR FAMILY, ANA.
SO SHOULD YOUR CHILD.
13
00:00:23,356 --> 00:00:24,589
Jesus:
I THINK ANA WANTS
TO KEEP THE BABY.
14
00:00:24,624 --> 00:00:27,192
BUT I THINK
THE ONLY REASON SHE ISN'T
IS BECAUSE OF YOU.
15
00:00:27,227 --> 00:00:29,061
HAVE YOU THOUGHT
16
00:00:29,096 --> 00:00:31,129
ABOUT KEEPING THE BABY?
I THINK YOU SHOULD.
17
00:00:31,164 --> 00:00:34,033
-ARE YOU OKAY?
-OH, I THINK THE BABY
IS COMING.
18
00:00:36,870 --> 00:00:38,270
(woman over radio)
One reported fatality.
19
00:00:38,305 --> 00:00:39,738
Requesting medical
and backup.
20
00:00:39,773 --> 00:00:41,573
OFFICER ADAMS FOSTER.
I'M RIGHT NEAR THERE.
21
00:00:41,608 --> 00:00:43,275
I'M ON MY WAY.
22
00:00:45,745 --> 00:00:47,813
(sirens wailing)
23
00:00:47,848 --> 00:00:50,382
(police radio chatter)
24
00:01:02,429 --> 00:01:04,696
Woman:
SIR, YOU NEED
TO STAY BACK.
25
00:01:15,842 --> 00:01:17,809
Man:
ALL RIGHT, FOLKS,
JUST STAY BEHIND THE LINE.
26
00:01:17,844 --> 00:01:20,145
¶ IT'S GONE ¶
27
00:01:20,180 --> 00:01:22,547
¶ IT'S
GONE ¶
28
00:01:22,582 --> 00:01:24,549
¶ IT'S NEVER ¶
29
00:01:24,584 --> 00:01:27,719
¶ COMING BACK ¶
30
00:01:27,754 --> 00:01:29,821
¶ IT'S GONE ¶
31
00:01:29,856 --> 00:01:32,390
¶ IT'S
GONE ¶
32
00:01:32,425 --> 00:01:35,527
¶ IT'S NEVER, NEVER ¶
33
00:01:35,562 --> 00:01:40,265
¶ NEVER COMING BACK ¶
34
00:01:55,182 --> 00:01:59,118
¶ I'LL KEEP BREATHING ¶
35
00:01:59,953 --> 00:02:03,822
¶ I'LL KEEP BREATHING ¶
36
00:02:05,458 --> 00:02:08,860
¶ I'LL KEEP BREATHING ¶
37
00:02:08,895 --> 00:02:12,431
¶ TILL MY HEART
STOPS... ¶
38
00:02:20,840 --> 00:02:22,674
YOU OKAY?
39
00:02:24,211 --> 00:02:25,944
MM-HMM.
40
00:02:25,979 --> 00:02:28,580
JUST A BAD DREAM.
41
00:02:28,615 --> 00:02:30,616
-YEAH?
-GO BACK TO SLEEP.
42
00:02:40,894 --> 00:02:43,629
(theme song playing)
43
00:02:44,998 --> 00:02:48,400
¶ IT'S NOT WHERE
YOU COME FROM ¶
44
00:02:48,435 --> 00:02:51,436
¶ IT'S WHERE YOU BELONG ¶
45
00:02:51,471 --> 00:02:53,939
¶ NOTHING I WOULD TRADE ¶
46
00:02:53,974 --> 00:02:55,941
¶ I WOULDN'T HAVE IT ¶
47
00:02:55,976 --> 00:02:57,943
¶ ANY OTHER WAY ¶
48
00:02:57,978 --> 00:03:00,979
¶ YOU'RE SURROUNDED
BY LOVE ¶
49
00:03:01,014 --> 00:03:02,981
¶ AND YOU'RE WANTED ¶
50
00:03:03,016 --> 00:03:06,751
¶ SO NEVER FEEL ALONE ¶
51
00:03:06,786 --> 00:03:09,254
¶ YOU WILL ALWAYS BE ¶
52
00:03:09,289 --> 00:03:12,491
¶ RIGHT WHERE
YOU BELONG. ¶
53
00:03:35,515 --> 00:03:37,882
I MISS JESUS.
54
00:03:37,917 --> 00:03:39,918
I MISS HIM TOO.
55
00:03:41,388 --> 00:03:43,521
YOU THINK IT'S TOO EARLY
TO CALL HIM?
56
00:03:43,556 --> 00:03:44,723
NO.
57
00:03:46,293 --> 00:03:48,260
HE MIGHT THINK IT'S TOO EARLY,
58
00:03:48,295 --> 00:03:50,295
BUT I DON'T.
59
00:03:52,499 --> 00:03:54,633
HI, LOVE.
HOW ARE YOU?
60
00:03:54,668 --> 00:03:55,934
HOW'S FLINTWOOD
TREATING YOU?
61
00:03:55,969 --> 00:03:57,936
-LET ME TALK TO HIM.
-HOLD ON.
62
00:03:57,971 --> 00:04:00,872
OKAY, HOLD ON, HOLD ON.
MAMA WANTS TO SAY HI.
63
00:04:00,907 --> 00:04:02,274
REALLY, WOMAN?
64
00:04:02,309 --> 00:04:04,009
HEY, BUBBA.
SO HOW'S THE FIRST WEEK BEEN?
65
00:04:04,044 --> 00:04:06,444
MAMA'S TALKING
TO YOUR BROTHER.
66
00:04:06,479 --> 00:04:08,613
HEY, JESUS,
67
00:04:08,648 --> 00:04:10,849
WHERE ARE THOSE HEADPHONES
THAT YOU BORROWED
BEFORE YOU LEFT?
68
00:04:10,884 --> 00:04:12,951
WELL, YOU'RE GONNA HAVE
TO MAIL THEM BACK.
69
00:04:12,986 --> 00:04:14,953
ARE YOU SERIOUS?
YOU GET A PADDED ENVELOPE
70
00:04:14,988 --> 00:04:16,955
AND THEN YOU JUST WRITE
OUR ADDRESS ON IT.
71
00:04:16,990 --> 00:04:18,623
YOU DO KNOW
OUR ADDRESS, RIGHT?
72
00:04:18,658 --> 00:04:20,825
AND THEN YOU STAMP IT
AND THEN YOU JUST DROP IT
IN THE MAIL.
73
00:04:20,860 --> 00:04:23,428
GOD, I SERIOUSLY WONDER HOW
YOU EVEN FUNCTION SOMETIMES.
74
00:04:23,463 --> 00:04:25,864
-MARIANA, BE NICE.
-WHAT? HE TOOK MY
GOOD HEADPHONES.
75
00:04:25,899 --> 00:04:27,699
-I THINK YOU'LL SURVIVE.
-'MORNING.
76
00:04:27,734 --> 00:04:29,601
HEY, ARE YOU EXCITED
ABOUT THE FIRST DAY?
77
00:04:29,636 --> 00:04:31,803
UH, YEAH,
IF I EVER GET THERE.
78
00:04:31,838 --> 00:04:34,406
I JUST LOOKED ONLINE
AND THERE'S A FREAKING
TRAFFIC JAM ON THE 5.
79
00:04:34,441 --> 00:04:36,007
I WISH I DIDN'T HAVE
TO COMMUTE.
80
00:04:36,042 --> 00:04:37,976
WELL, WE WISH YOU HAD
TOLD US YOU WANTED TO GO
81
00:04:38,011 --> 00:04:40,045
BEFORE THE DORMS GOT FULL.
CAN'T HAVE EVERYTHING.
82
00:04:40,080 --> 00:04:41,780
BRANDON, DID YOU GET
THE OIL CHECKED
83
00:04:41,815 --> 00:04:43,315
IN THE CAR, LIKE WE
ASKED YOU TO YESTERDAY?
84
00:04:43,350 --> 00:04:44,816
-YES, IT'S FINE.
-OKAY, DRIVE SAFE.
85
00:04:44,851 --> 00:04:47,018
-PROMISE.
-WE'RE SO PROUD OF YOU,
86
00:04:47,053 --> 00:04:48,853
PLAYING PIANO AGAIN.
87
00:04:48,888 --> 00:04:51,923
PLAYING PIANO
AT THE BEST MUSIC SCHOOL
IN THE COUNTRY.
88
00:04:51,958 --> 00:04:53,825
OKAY, OKAY, I GOTTA GO,
OR I'M GONNA BE LATE.
89
00:04:53,860 --> 00:04:55,861
-OKAY, DRIVE SAFE.
-YES, YOU SAID THAT.
90
00:05:00,834 --> 00:05:02,901
WE CAN'T LIVE
IN FEAR, OKAY?
91
00:05:04,871 --> 00:05:07,739
OH, FIRST DAY
OF SUMMER SCHOOL.
92
00:05:07,774 --> 00:05:09,474
-WHO'S EXCITED?
-Stef: I AM.
93
00:05:09,509 --> 00:05:11,476
Mariana:
OKAY, LOOK, I HAVE TO GO.
94
00:05:11,511 --> 00:05:12,711
I HAVE TO GET TO ANA'S.
95
00:05:12,746 --> 00:05:15,780
SHE'S NOT GREAT,
BUT SHE'S GETTING BETTER.
96
00:05:15,815 --> 00:05:18,383
LOOK, I REALLY HAVE
TO GO, JESUS.
97
00:05:18,418 --> 00:05:19,784
I KEEP FORGETTING
TO TELL YOU
98
00:05:19,819 --> 00:05:21,619
THAT YOUR INDEPENDENT STUDY
AT THE DROP-IN CENTER
99
00:05:21,654 --> 00:05:22,854
HAS BEEN APPROVED
BY THE TEACHER BOARD.
100
00:05:22,889 --> 00:05:24,923
-OH, GOOD.
-SO JUST THINK,
101
00:05:24,958 --> 00:05:26,725
YOU GET THAT DONE,
YOU PASS HISTORY
102
00:05:26,760 --> 00:05:28,026
AND YOU WILL BE
ALL CAUGHT UP
103
00:05:28,061 --> 00:05:29,828
AND YOU CAN
GRADUATE ON TIME,
WITH YOUR CLASS.
104
00:05:29,863 --> 00:05:31,863
IT'S ALMOST LIKE
I'M A NORMAL TEENAGER.
105
00:05:31,898 --> 00:05:34,466
-NORMAL IS OVERRATED.
-YOU KNOW WHAT I MEAN.
106
00:05:34,501 --> 00:05:36,101
YES, SO NOW YOU JUST
HAVE TO DECIDE...
107
00:05:36,136 --> 00:05:37,936
WHAT TO WRITE MY
PAPER ON, I KNOW.
108
00:05:37,971 --> 00:05:40,105
HEY, LOOK, CALLIE WANTS
TO TALK TO YOU.
109
00:05:40,140 --> 00:05:42,407
(whispers)
TALK TO HIM.
110
00:05:43,843 --> 00:05:45,844
HEY, DUDE.
HOW'S IT GOING?
111
00:05:45,879 --> 00:05:47,946
OKAY, I HAVE TO GET
TO VICTOR AND ELENA'S.
112
00:05:47,981 --> 00:05:49,948
-I LOVE YOU GUYS.
-LOVE YOU TOO.
113
00:05:49,983 --> 00:05:51,349
Callie:
AWESOME. YEAH.
114
00:05:51,385 --> 00:05:54,152
YOU THINK WE MADE
A MISTAKE, LETTING HER
PLAY NURSEMAID AND ALL?
115
00:05:54,187 --> 00:05:56,121
I DON'T THINK
WE REALLY HAD A CHOICE.
116
00:05:56,156 --> 00:05:58,022
Mike:
HEY.
117
00:05:58,057 --> 00:06:00,024
MARIANA LET ME IN.
YOU READY?
118
00:06:00,059 --> 00:06:01,860
YEAH.
WE'RE GONNA GO
119
00:06:01,895 --> 00:06:03,895
TALK TO THE MAN
WHO OWNS THE TRUCK.
120
00:06:03,930 --> 00:06:05,897
OKAY, WELL,
DIDN'T THE DETECTIVES
DO THAT ALREADY?
121
00:06:05,932 --> 00:06:08,099
YEAH, BUT WE JUST--
122
00:06:08,134 --> 00:06:09,968
STEF, CAN I TALK TO YOU
FOR A SECOND?
123
00:06:10,003 --> 00:06:11,936
Callie:
HOW'S THAT GOING?
124
00:06:11,971 --> 00:06:13,872
OH, YEAH?
125
00:06:13,907 --> 00:06:15,874
DO YOU REALLY
THINK YOU SHOULD BE
INVESTIGATING THIS?
126
00:06:15,909 --> 00:06:18,443
I MEAN, YOU'RE AWFULLY
CLOSE TO IT, YOU KNOW?
127
00:06:18,478 --> 00:06:20,779
DO YOU NOT WANT TO CATCH
THIS GUY, HONEY--
128
00:06:20,814 --> 00:06:23,148
YOU KNOW, THIS PERSON
THAT PULLED A HIT-AND-RUN
129
00:06:23,183 --> 00:06:24,649
ON OUR KIDS?
THEY COULD HAVE DIED.
130
00:06:24,684 --> 00:06:26,117
OF COURSE I WANT HIM
CAUGHT, HONEY,
131
00:06:26,152 --> 00:06:27,852
BUT THAT'S NOT WHAT
I'M TALKING ABOUT.
132
00:06:27,887 --> 00:06:29,087
DO YOU NOT UNDERSTAND
133
00:06:29,122 --> 00:06:31,423
WHY PEOPLE RUN
FROM THE SCENE
OF AN ACCIDENT?
134
00:06:31,458 --> 00:06:33,425
IT'S BECAUSE THEY'RE HIGH
OR THEY'RE DRUNK
135
00:06:33,460 --> 00:06:35,927
OR THEY ARE WANTED
FOR ANOTHER CRIME ALREADY.
136
00:06:35,962 --> 00:06:37,929
THIS COULD HAPPEN
TO SOMEONE ELSE,
137
00:06:37,964 --> 00:06:39,431
ANOTHER FAMILY.
IS THAT OKAY WITH YOU?
138
00:06:39,466 --> 00:06:40,632
NO, OF COURSE
IT'S NOT OKAY.
139
00:06:40,667 --> 00:06:43,635
OKAY, WELL,
IT'S BEEN THREE WEEKS
SINCE THIS HAS HAPPENED
140
00:06:43,670 --> 00:06:44,869
AND WE'VE GOT NOTHING.
141
00:06:44,905 --> 00:06:47,873
THE CASE IS GONNA BE CLOSED
IF SOMETHING DOESN'T
BREAK SOON.
142
00:06:49,008 --> 00:06:50,775
OKAY.
143
00:06:50,810 --> 00:06:52,777
OKAY.
144
00:06:52,812 --> 00:06:54,112
Callie:
YEAH.
145
00:06:54,147 --> 00:06:56,915
-MIKE.
-YEAH.
146
00:06:56,950 --> 00:06:58,950
(phone bleeps)
147
00:06:58,985 --> 00:07:00,652
Callie:
NICE.
148
00:07:02,922 --> 00:07:04,189
YEAH, SURE.
149
00:07:04,224 --> 00:07:06,691
YOU HAVE TO COME BACK
FOR MY ADOPTION.
150
00:07:06,726 --> 00:07:09,661
I DON'T KNOW.
A FEW WEEKS.
MAYBE, LIKE, A MONTH.
151
00:07:09,696 --> 00:07:10,995
PROMISE?
152
00:07:11,030 --> 00:07:13,131
OKAY.
ALL RIGHT, BYE.
153
00:07:13,166 --> 00:07:15,733
THAT IS,
WITHOUT A DOUBT,
154
00:07:15,768 --> 00:07:17,802
THE LONGEST CONVERSATION
WE'VE EVER HAD.
155
00:07:17,837 --> 00:07:19,871
OKAY, I GOTTA GO.
156
00:07:19,906 --> 00:07:21,639
I'M MEETING CONNOR
BEFORE CLASS.
157
00:07:21,674 --> 00:07:24,108
OH, HEY, HAVE YOU
AND CONNOR DECIDED
158
00:07:24,143 --> 00:07:26,211
WHAT YOU'RE GONNA DO
AT SCHOOL?
159
00:07:26,246 --> 00:07:28,079
ARE YOU GONNA
TELL PEOPLE OR--?
160
00:07:28,114 --> 00:07:29,647
UM, I DON'T KNOW.
161
00:07:29,682 --> 00:07:31,549
WE HAVEN'T REALLY
TALKED ABOUT IT.
162
00:07:31,584 --> 00:07:34,052
WELL, DON'T YOU THINK
YOU SHOULD, BUB--
TALK ABOUT IT?
163
00:07:34,087 --> 00:07:37,656
YOU KNOW, WHATEVER YOU DECIDE,
WE'VE GOT YOUR BACK, RIGHT?
164
00:07:39,893 --> 00:07:42,961
I DON'T KNOW.
WHAT DO YOU THINK?
165
00:07:42,996 --> 00:07:44,963
I MEAN, I ALREADY
TOLD MY DAD.
166
00:07:44,998 --> 00:07:48,833
AND HE'S, LIKE,
THE SCARIEST PERSON
FOR ME, SO...
167
00:07:48,868 --> 00:07:50,869
I DON'T THINK
WE SHOULD.
168
00:07:50,904 --> 00:07:52,971
REALLY?
169
00:07:53,006 --> 00:07:54,672
WHY NOT?
170
00:07:54,707 --> 00:07:56,274
IT'S JUST
171
00:07:56,309 --> 00:07:58,943
IT'S NOBODY'S
BUSINESS, YOU KNOW?
172
00:07:58,978 --> 00:08:01,012
(school bell rings)
173
00:08:04,050 --> 00:08:06,518
BROTHER MAN, BROTHER MAN,
YOU GOT SOME CHANGE?
174
00:08:06,553 --> 00:08:08,520
GOT A NICE JACKET.
175
00:08:08,555 --> 00:08:10,522
EXCUSE ME, MISS,
YOU GOT SOME CHANGE?
176
00:08:10,557 --> 00:08:12,657
-YOU GOT ANY CHANGE?
-NO.
177
00:08:12,692 --> 00:08:14,893
OKAY, PRINCESS, THANKS.
178
00:08:14,928 --> 00:08:17,962
I'M SORRY TO BOTHER YOU.
YOU GO ON BACK TO YOUR
PRIVILEGED LIFE.
179
00:08:17,997 --> 00:08:20,198
YOU DON'T KNOW ME, OKAY?
YOU DON'T KNOW ANYTHING
ABOUT ME.
180
00:08:20,233 --> 00:08:22,000
-OH, YOU WANT TO BET?
-YEAH.
181
00:08:22,035 --> 00:08:24,569
HEY, GET OUT OF HERE.
YOU, LEAVE THAT GIRL ALONE.
182
00:08:24,604 --> 00:08:26,571
-DON'T YOU TALK TO ME LIKE--
-I'LL GET UP ON YOU.
183
00:08:26,606 --> 00:08:29,541
I AIN'T DOING NOTHING, MAN.
THIS IS A FREE COUNTRY.
184
00:08:29,576 --> 00:08:32,176
I DON'T EVEN KNOW
WHY WE HAVE WEATHER PEOPLE
IN SAN DIEGO.
185
00:08:32,211 --> 00:08:34,012
MAYBE YOU COULD BECOME
ONE OF THOSE,
186
00:08:34,047 --> 00:08:35,914
WHEN YOU'RE BETTER.
187
00:08:35,949 --> 00:08:38,249
I MEAN, HOW HARD
COULD IT BE?
188
00:08:38,284 --> 00:08:40,251
(baby fussing)
189
00:08:40,286 --> 00:08:42,621
I'LL GET HER.
190
00:08:45,091 --> 00:08:48,126
HI, GIRL.
HUNGRY?
191
00:08:48,161 --> 00:08:50,061
DO YOU WANT TO TRY
BREASTFEEDING HER?
192
00:08:50,096 --> 00:08:52,997
OH, NO, THERE'S NO POINT,
NOT WITH THE BRACE.
193
00:08:53,032 --> 00:08:54,866
I CAN'T GET HER
IN THE RIGHT POSITION.
194
00:08:54,901 --> 00:08:57,001
I PUMPED EARLIER.
IT'S IN THE FRIDGE.
195
00:08:57,036 --> 00:08:59,037
OKAY.
196
00:09:03,109 --> 00:09:04,943
YOU'RE OKAY
TO STAY TODAY?
197
00:09:04,978 --> 00:09:07,011
HI, SWEET GIRL.
198
00:09:07,046 --> 00:09:09,147
SURE YOU DON'T WANT
TO GO SEE THAT BOYFRIEND
OF YOURS?
199
00:09:09,182 --> 00:09:10,915
DIDN'T YOU SAY
HE WAS LEAVING SOON?
200
00:09:10,950 --> 00:09:12,717
OH, YEAH.
201
00:09:12,752 --> 00:09:14,218
HE'S GOING ON TOUR
WITH HIS BAND.
202
00:09:14,253 --> 00:09:16,054
BUT IT'S FINE.
203
00:09:16,089 --> 00:09:17,956
AND YOUR MOMS--
THEY'RE OKAY WITH THIS,
204
00:09:17,991 --> 00:09:19,624
WITH YOU SPENDING
ALL YOUR TIME HERE?
205
00:09:19,659 --> 00:09:21,125
OH, YEAH.
THEY'RE TOTALLY FINE.
206
00:09:21,160 --> 00:09:24,796
-AND THEY'RE NOT MAD?
-ABOUT WHAT?
207
00:09:24,831 --> 00:09:27,666
THAT I KEPT ISABELLA.
208
00:09:30,937 --> 00:09:32,704
NO.
209
00:09:32,739 --> 00:09:34,973
NOT AT ALL.
210
00:09:35,008 --> 00:09:37,008
THEY'RE HAPPY FOR YOU,
I PROMISE.
211
00:09:41,748 --> 00:09:43,748
THERE YOU GO,
BEAUTIFUL.
212
00:09:51,958 --> 00:09:53,224
GOOD MORNING.
213
00:09:53,260 --> 00:09:57,161
HEY, SO I'VE GOT
A FEW PROJECTS I COULD
USE YOUR HELP WITH.
214
00:09:57,196 --> 00:09:59,263
WE NEED TO REPAINT
THE CHAIRS FROM OUTSIDE,
215
00:09:59,298 --> 00:10:00,898
THE METAL ONES.
WOULD YOU MIND?
216
00:10:00,933 --> 00:10:02,200
-YEAH.
-OKAY, GREAT.
217
00:10:02,235 --> 00:10:04,369
I PICKED UP
SOME SPRAY PAINT
ON MY WAY IN.
218
00:10:04,404 --> 00:10:06,104
WE JUST GOTTA MAKE SURE
WE LOCK IT UP
219
00:10:06,139 --> 00:10:08,039
IN THE STORAGE CABINET
BEFORE WE GO HOME.
220
00:10:08,074 --> 00:10:09,107
LOCK IT UP?
WHY?
221
00:10:09,142 --> 00:10:10,975
KIDS STEAL IT.
THEY HUFF WITH IT,
222
00:10:11,010 --> 00:10:12,877
OR SELL IT TO GANGS.
223
00:10:12,912 --> 00:10:15,714
LOOKS LIKE
I LEFT IT IN MY CAR.
I'LL BE RIGHT BACK.
224
00:10:31,964 --> 00:10:34,332
Y'ALL GOT COMPUTERS
IN HERE?
225
00:10:35,968 --> 00:10:37,869
THE CENTER IS
FOR FOSTER KIDS.
226
00:10:37,904 --> 00:10:39,837
I AM A FOSTER KID.
227
00:10:39,872 --> 00:10:41,706
OH.
228
00:10:41,741 --> 00:10:43,074
OKAY.
229
00:10:43,109 --> 00:10:46,011
WELL, WHAT'S YOUR NAME?
230
00:10:47,013 --> 00:10:48,713
A.J.
231
00:10:48,748 --> 00:10:50,381
OKAY, A.J.,
232
00:10:50,416 --> 00:10:53,118
WELL, THE COMPUTERS
ARE OVER HERE.
233
00:11:19,045 --> 00:11:20,945
IS THIS
THE REGISTRATION LINE?
234
00:11:20,980 --> 00:11:23,014
YEAH.
235
00:11:23,049 --> 00:11:24,449
I'M BRANDON.
236
00:11:24,484 --> 00:11:26,417
EKATERINA.
237
00:11:26,452 --> 00:11:28,853
-EKATER--
-JUST CALL ME KAT.
238
00:11:28,888 --> 00:11:30,855
OKAY.
239
00:11:30,890 --> 00:11:32,356
SO WHAT ARE YOU ST--?
240
00:11:32,391 --> 00:11:34,159
-PIANO PERFORMANCE.
-OH, YEAH? ME TOO.
241
00:11:37,130 --> 00:11:39,931
-NAME AND DISCIPLINE?
-BRANDON FOSTER, PIANO.
242
00:11:41,067 --> 00:11:43,034
SORRY.
243
00:11:43,069 --> 00:11:44,902
YOU SAID
BRANDON FOSTER?
244
00:11:44,937 --> 00:11:46,070
YES.
245
00:11:46,105 --> 00:11:48,072
OH, WAIT.
HERE YOU ARE.
246
00:11:48,107 --> 00:11:51,075
BUT YOU'RE NOT A PIANIST.
YOU'RE HERE AS A COMPOSER.
247
00:11:51,110 --> 00:11:52,910
OH, YOU'RE A COMPOSER
TOO, HUH?
248
00:11:52,945 --> 00:11:54,479
I'M TONY.
249
00:11:54,514 --> 00:11:57,248
I'M SORRY, THERE MUST BE
SOME MISTAKE.
250
00:11:57,283 --> 00:11:58,950
I'M DEFINITELY, LIKE,
A PIANIST.
251
00:11:58,985 --> 00:12:01,085
MAYBE THERE'S SOMEONE
I COULD--
252
00:12:01,120 --> 00:12:03,254
MISS SANDERSON, HI.
MISS SANDERSON.
253
00:12:03,289 --> 00:12:05,890
OH, TERI, PLEASE.
HI, BRANDON.
254
00:12:05,925 --> 00:12:08,459
EXCUSE ME, I THINK
THERE'S BEEN A MIX-UP.
255
00:12:08,494 --> 00:12:11,496
THEY'VE GOT ME
LISTED AS A COMPOSER
AND I'M A PIANIST.
256
00:12:11,531 --> 00:12:13,765
OH, DID YOU NOT READ
YOUR ACCEPTANCE LETTER?
257
00:12:13,800 --> 00:12:15,233
I'M PRETTY SURE
IT WAS CLEAR.
258
00:12:15,268 --> 00:12:17,835
I MAY HAVE SEEN THE WORD
"CONGRATULATIONS"
259
00:12:17,870 --> 00:12:19,270
AND STARTED RUNNING
AROUND THE HOUSE.
260
00:12:19,305 --> 00:12:22,039
TO BE HONEST,
I DIDN'T THINK
YOUR TECHNIQUE WAS
261
00:12:22,074 --> 00:12:24,809
WHERE IT NEEDED TO BE
FOR THE PERFORMANCE TRACK.
262
00:12:24,844 --> 00:12:27,812
BUT I DID HEAR SOMETHING
IN THAT PIECE YOU WROTE,
263
00:12:27,847 --> 00:12:30,314
SOMETHING REALLY SPECIAL.
264
00:12:30,349 --> 00:12:32,917
THIS IS A WONDERFUL
PROGRAM.
265
00:12:32,952 --> 00:12:35,120
I HOPE YOU'LL GIVE IT
A CHANCE.
266
00:12:38,457 --> 00:12:40,792
WE COULDN'T HELP BUT NOTICE
THAT YOU DIDN'T MENTION
267
00:12:40,827 --> 00:12:43,161
THAT THE TRUCK HAD BEEN STOLEN
TILL THE DAY AFTER
THE ACCIDENT.
268
00:12:43,196 --> 00:12:44,962
WHY WAS THAT EXACTLY?
269
00:12:44,997 --> 00:12:46,864
I ALREADY TOLD THE COPS
ALL THIS.
270
00:12:46,899 --> 00:12:48,432
WELL, YOU DIDN'T TELL
THESE COPS.
271
00:12:48,467 --> 00:12:50,434
I USED TO PARK IT
BEHIND THE GARAGE
272
00:12:50,469 --> 00:12:52,336
'CAUSE IT DIDN'T
HAVE THE TAGS
273
00:12:52,371 --> 00:12:54,138
-OR THE REGISTRATION OR--
-RIGHT.
274
00:12:54,173 --> 00:12:56,140
YEAH, BUT THE KEY
WAS IN THE VEHICLE
WHEN IT CRASHED.
275
00:12:56,175 --> 00:12:58,342
I USED TO LEAVE THE KEYS
UP BEHIND THE VISOR.
276
00:12:58,377 --> 00:13:01,045
I NEVER EXPECTED ANYBODY
TO STEAL A PIECE OF JUNK
LIKE THAT.
277
00:13:01,080 --> 00:13:03,581
I DIDN'T EVEN KNOW
IT WAS GONE TILL MY SON
SAID SOMETHING.
278
00:13:03,616 --> 00:13:05,583
OH, YOU HAVE A SON?
279
00:13:05,618 --> 00:13:08,052
OH, I DON'T RECALL
SEEING THAT MENTIONED
280
00:13:08,087 --> 00:13:09,887
IN THE REPORTS.
DOES HE LIVE HERE?
281
00:13:09,922 --> 00:13:11,989
OH, NO.
282
00:13:12,024 --> 00:13:14,125
HE STAYS WITH SOME BUDDIES
OVER ON CLIFF.
283
00:13:14,160 --> 00:13:17,094
THAT'S WHY I DIDN'T SAY
ANYTHING ABOUT HIM.
284
00:13:17,129 --> 00:13:19,063
WELL, IF YOU COULD
GIVE US ANY KIND OF
CONTACT INFORMATION
285
00:13:19,098 --> 00:13:21,065
YOU HAVE FOR HIM,
WE'D REALLY APPRECIATE IT.
286
00:13:21,100 --> 00:13:22,967
WHAT'S HIS NAME?
287
00:13:26,072 --> 00:13:28,039
THOUGHT YOU MIGHT BE
HUNGRY.
288
00:13:28,074 --> 00:13:30,074
THANK YOU.
289
00:13:34,981 --> 00:13:36,881
SO YOU WORK HERE?
290
00:13:36,916 --> 00:13:39,016
YEAH, JUST PART OF MY
PRIVILEGED LIFE,
291
00:13:39,051 --> 00:13:42,153
ALONG WITH
SEVEN FOSTER HOMES
AND JUVIE, YOU KNOW.
292
00:13:42,188 --> 00:13:44,155
I'M SORRY.
293
00:13:44,190 --> 00:13:45,490
WHAT'S THAT?
294
00:13:46,525 --> 00:13:48,926
OH, IT'S STUPID.
295
00:13:48,961 --> 00:13:51,028
I DON'T THINK IT IS.
I LIKE IT.
296
00:13:51,063 --> 00:13:52,864
LET ME SEE.
297
00:13:52,899 --> 00:13:54,966
WHO IS THAT?
298
00:13:55,001 --> 00:13:58,369
IT'S-- IT'S DUMB.
299
00:13:58,404 --> 00:14:00,438
IT'S THIS GUY
THAT ME AND MY BROTHER
MADE UP
300
00:14:00,473 --> 00:14:03,207
WHEN WE GOT PUT
INTO THE SYSTEM AND SENT
TO DIFFERENT HOMES.
301
00:14:03,242 --> 00:14:07,245
HE WAS LIKE OUR OWN
PRIVATE SUPERHERO,
YOU KNOW?
302
00:14:07,280 --> 00:14:11,416
YEAH, ME AND MY BROTHER
COULD HAVE USED SOMEONE
LIKE THAT.
303
00:14:13,152 --> 00:14:15,052
WE'D--
304
00:14:15,087 --> 00:14:18,356
WE'D PUT THE SYMBOL
IN THE WINDOWS OF
OUR BEDROOMS,
305
00:14:18,391 --> 00:14:20,591
AND THAT MEANT
WE WERE SUPPOSED TO MEET
AT BELMONT PARK.
306
00:14:20,626 --> 00:14:21,993
LIKE THE BAT SIGNAL?
307
00:14:22,028 --> 00:14:23,995
YEAH.
308
00:14:24,030 --> 00:14:26,030
YEAH.
309
00:14:27,433 --> 00:14:29,267
WHERE IS
YOUR BROTHER NOW?
310
00:14:33,105 --> 00:14:36,274
OKAY, WELL,
IF YOU NEED ANYTHING,
JUST LET ME KNOW.
311
00:14:43,115 --> 00:14:44,916
WHAT?
312
00:14:44,951 --> 00:14:46,918
YOU'RE SO GOOD
AT THAT, CALLIE.
313
00:14:46,953 --> 00:14:48,920
YOU'RE SO GOOD
314
00:14:48,955 --> 00:14:50,454
WITH THE KIDS
WHO COME IN HERE,
315
00:14:50,489 --> 00:14:53,457
GETTING THEM TO OPEN UP.
IT'S PRETTY AMAZING.
316
00:14:53,492 --> 00:14:55,092
NOW I REALLY HOPE
317
00:14:55,127 --> 00:14:57,428
THAT WHEN THIS INDEPENDENT
STUDY OF YOURS IS OVER,
318
00:14:57,463 --> 00:15:00,498
THAT YOU'LL KEEP
WORKING HERE.
319
00:15:00,533 --> 00:15:02,533
YOU'VE GOT
A REAL GIFT.
320
00:15:21,587 --> 00:15:23,587
WHO IS THAT?
321
00:15:23,622 --> 00:15:26,357
UH, IT'S ME ACTUALLY.
322
00:15:26,392 --> 00:15:28,092
I WROTE IT
FOR MY AUDITION.
323
00:15:28,127 --> 00:15:30,161
OH, REALLY?
324
00:15:30,196 --> 00:15:32,163
IT'S LOVELY.
325
00:15:32,198 --> 00:15:34,065
YOU THINK SO?
326
00:15:34,100 --> 00:15:37,068
'CAUSE I, YOU KNOW--
I-- I THOUGHT I WAS COMING
HERE AS A PIANIST
327
00:15:37,103 --> 00:15:39,537
AND THEY PUT ME
IN THE COMPOSING TRACK.
328
00:15:39,572 --> 00:15:42,673
SO I DON'T KNOW
WHAT I WANT TO DO NOW.
329
00:15:42,708 --> 00:15:45,209
REALLY?
330
00:15:45,244 --> 00:15:48,012
THAT'S NOT A DEMOTION,
YOU KNOW.
331
00:15:48,047 --> 00:15:51,315
COMPOSERS ARE THE REAL
ROCK STARS AROUND HERE.
332
00:15:51,350 --> 00:15:53,317
I MEAN, THINK ABOUT IT.
333
00:15:53,352 --> 00:15:55,319
NOBODY REMEMBERS THE GUY
WHO PLAYED MOZART
334
00:15:55,354 --> 00:15:57,588
IN FRONT OF THE KING,
335
00:15:57,623 --> 00:16:00,091
BUT EVERYBODY KNOWS
MOZART.
336
00:16:08,801 --> 00:16:10,768
SO THE STAGE WILL BE
SET UP HERE,
337
00:16:10,803 --> 00:16:13,337
THE REFRESHMENTS HERE,
WHERE WE CAN KEEP A GOOD
EYE ON THEM.
338
00:16:13,372 --> 00:16:16,540
AND OVER HERE WILL BE
THE SORT OF HANGOUT AREA.
DOES THAT SOUND GOOD?
339
00:16:16,575 --> 00:16:19,010
PERFECT.
GREAT WORK.
340
00:16:19,045 --> 00:16:20,311
AND DAY ONE
OF SUMMER SCHOOL?
341
00:16:20,346 --> 00:16:22,480
OFF WITHOUT A HITCH,
AS FAR AS I CAN TELL.
342
00:16:22,515 --> 00:16:24,749
IT'S GREAT THAT WE WERE
ABLE TO HIRE THOSE
EXTRA TEACHERS.
343
00:16:24,784 --> 00:16:26,517
THANK YOU,
KILFER GRANT.
344
00:16:26,552 --> 00:16:28,319
SPEAKING OF
THE KILFER GRANT,
345
00:16:28,354 --> 00:16:31,155
ONE OF THE BENEFITS
THAT COMES WITH IT
IS A TRIP FOR TWO
346
00:16:31,190 --> 00:16:33,157
TO D.C. FOR THEIR
NATIONAL CONFERENCE.
347
00:16:33,192 --> 00:16:36,027
AND IT'S COMING UP,
LIKE, EARLY JULY,
I THINK.
348
00:16:36,062 --> 00:16:38,162
I HEAR IT'S INCREDIBLE.
THE MOST AMAZING
349
00:16:38,197 --> 00:16:40,464
PROGRESSIVE THINKERS
IN THE BUSINESS
ARE ALL THERE.
350
00:16:40,499 --> 00:16:42,133
SO CAN YOU COME?
351
00:16:43,335 --> 00:16:45,169
UM...
352
00:16:45,805 --> 00:16:47,672
OKAY.
353
00:16:54,580 --> 00:16:57,415
WHEN ARE THINGS GONNA STOP
BEING WEIRD BETWEEN US?
354
00:16:57,450 --> 00:17:00,184
I DON'T EVEN KNOW
355
00:17:00,219 --> 00:17:03,054
WHAT THAT LITTLE KISS
WAS ABOUT.
356
00:17:03,089 --> 00:17:05,689
I'M STRAIGHT.
357
00:17:05,724 --> 00:17:08,325
I WAS MARRIED.
358
00:17:08,360 --> 00:17:11,029
IT WAS NOTHING.
RIGHT?
359
00:17:13,099 --> 00:17:16,067
YES, ABSOLUTELY.
360
00:17:16,102 --> 00:17:18,369
OKAY, GOOD.
361
00:17:18,404 --> 00:17:20,638
SO CAN WE JUST GO BACK
TO HOW THINGS WERE?
362
00:17:20,673 --> 00:17:22,106
YES.
363
00:17:22,141 --> 00:17:23,641
AND YOU'LL THINK
ABOUT THE TRIP?
364
00:17:23,676 --> 00:17:25,709
I'M TELLING YOU,
WE'LL HAVE A GREAT TIME.
365
00:17:25,744 --> 00:17:27,245
I PROMISE.
366
00:17:28,614 --> 00:17:30,247
Man:
SO, AS YOU KNOW,
367
00:17:30,282 --> 00:17:33,217
COMPOSERS ARE PAIRED
WITH A MUSICIAN FOR THEIR
MAGNUM OPUS--
368
00:17:33,252 --> 00:17:35,853
THE PIECE THAT YOU'LL BE
WORKING ON TOGETHER
ALL SUMMER LONG.
369
00:17:35,888 --> 00:17:38,089
THE BIG NEWS IS,
THIS YEAR,
370
00:17:38,124 --> 00:17:40,524
THE PIECE DEEMED BEST
BY THE FACULTY
371
00:17:40,559 --> 00:17:43,694
WILL BE PERFORMED
WITH THE LOS ANGELES
PHILHARMONIC
372
00:17:43,729 --> 00:17:45,629
AT DISNEY HALL.
373
00:17:45,664 --> 00:17:47,465
OH MY GOD,
I HOPE I GET KAT.
374
00:17:47,500 --> 00:17:49,266
SHE'S, HANDS DOWN,
THE BEST ONE HERE.
375
00:17:49,301 --> 00:17:51,202
Teacher:
OKAY, SO HERE WE GO.
376
00:17:51,237 --> 00:17:54,538
MISCHA, YOU'RE WORKING
WITH ANDRE.
377
00:17:54,573 --> 00:17:56,674
TONY, YOU'LL BE
WITH JIN.
378
00:17:56,709 --> 00:17:58,242
AND, BRANDON,
YOU'LL BE WORKING WITH--
379
00:17:58,277 --> 00:18:00,878
WAIT, NO.
YES.
380
00:18:00,913 --> 00:18:02,780
RIGHT, YOU'LL BE WORKING
WITH KAT.
381
00:18:02,815 --> 00:18:04,815
-YES, KAT.
-I'M SORRY,
382
00:18:04,850 --> 00:18:07,118
I'M ONE OF THE MOST
ACCOMPLISHED MUSICIANS HERE.
383
00:18:07,153 --> 00:18:09,386
THERE'S NO WAY
YOU'RE PAIRING ME WITH HIM.
HE'S BRAND NEW.
384
00:18:09,421 --> 00:18:11,889
I'M S--
I-- I THOUGHT
385
00:18:11,924 --> 00:18:14,258
YOU LIKED MY PIECE.
YOU SAID IT WAS LOVELY.
386
00:18:14,293 --> 00:18:16,494
YEAH, I WAS BEING NICE.
SURE, IT'S LOVELY,
387
00:18:16,529 --> 00:18:19,563
FOR A SIX-YEAR-OLD.
YOU'RE NOT READY FOR THIS.
388
00:18:19,598 --> 00:18:22,867
I'VE BEEN COMING
TO THIS CAMP EVERY SUMMER
FOR THE LAST FIVE YEARS.
389
00:18:22,902 --> 00:18:25,536
AND I'M CERTAINLY
NOT GONNA LOSE MY CHANCE
OF PLAYING DISNEY HALL
390
00:18:25,571 --> 00:18:27,304
BECAUSE I GOT PARTNERED
WITH SOME AMATEUR.
391
00:18:27,339 --> 00:18:29,840
BRANDON, PLEASE FORGIVE KAT.
SHE'S VERY PASSIONATE
ABOUT HER WORK.
392
00:18:29,875 --> 00:18:33,210
AND I'M SORRY, KAT,
BUT THESE PARTNERSHIPS
AREN'T UP FOR DISCUSSION.
393
00:18:33,245 --> 00:18:34,912
I, FOR ONE,
AM VERY EXCITED
394
00:18:34,947 --> 00:18:36,814
ABOUT WHAT YOU AND BRANDON
COME UP WITH TOGETHER.
395
00:18:36,849 --> 00:18:38,916
-BUT--
-END OF CONVERSATION.
396
00:18:38,951 --> 00:18:41,719
KIERAN, YOU'LL BE WORKING
WITH REESE.
397
00:18:41,754 --> 00:18:43,821
CHRISTIAN AND KAY,
AND TIMIOTHY...
398
00:18:45,958 --> 00:18:50,294
OKAY, SO YOUR DAD'S COMING
TO PICK YOU UP, RIGHT?
399
00:18:50,329 --> 00:18:52,763
DO YOU WANT ME
TO WAIT?
400
00:18:52,798 --> 00:18:54,665
NO, I'M GOOD.
401
00:18:54,700 --> 00:18:57,168
OKAY, I'LL CALL YOU.
402
00:18:59,772 --> 00:19:02,306
HEY, WHAT ARE
YOU GUYS--?
403
00:19:02,341 --> 00:19:05,643
DARIA SIGNED US UP
TO DECORATE FOR THE PARTY
TOMORROW.
404
00:19:05,678 --> 00:19:08,779
CAN YOU JUST TELL ME
ONE THING?
405
00:19:08,814 --> 00:19:11,482
WHY? WHY WOULD YOU
BREAK UP WITH ME?
406
00:19:11,517 --> 00:19:13,384
I DON'T GET IT.
407
00:19:14,853 --> 00:19:18,322
YOU KNOW WHAT?
JUST FORGET IT, OKAY?
408
00:19:19,725 --> 00:19:21,625
WHY DON'T YOU
JUST TELL HER?
409
00:19:21,660 --> 00:19:22,927
TELL HER WHAT?
410
00:19:22,962 --> 00:19:25,963
THAT YOU'RE INTO JUDE.
IT'S COMPLETELY OBVIOUS.
411
00:19:25,998 --> 00:19:28,733
I-- I JUST--
412
00:19:29,969 --> 00:19:31,702
I CAN'T.
413
00:19:39,578 --> 00:19:41,312
¶ PICKING UP... ¶
414
00:19:41,347 --> 00:19:42,980
(knocks on door)
415
00:19:43,015 --> 00:19:46,250
¶ THE PIECES ¶
416
00:19:46,285 --> 00:19:49,620
¶ EVENING OUT
THE SCORE... ¶
417
00:19:49,655 --> 00:19:51,989
HEY. COME IN.
418
00:19:52,024 --> 00:19:54,491
IS THAT A BABY BOOK?
419
00:19:54,526 --> 00:19:57,561
IS THERE SOMETHING
YOU WANT TO TELL ME?
420
00:19:57,596 --> 00:19:59,863
NO, IT'S FOR ISABELLA.
421
00:19:59,898 --> 00:20:01,899
FIGURED.
422
00:20:01,934 --> 00:20:05,803
I MEAN, IT WOULD BE
KIND OF HARD FOR YOU
TO BE, YOU KNOW--
423
00:20:05,838 --> 00:20:08,439
BECAUSE WE HAVEN'T,
YOU KNOW--
424
00:20:13,812 --> 00:20:15,879
SO ARE YOU AVOIDING ME?
425
00:20:15,914 --> 00:20:18,916
I MEAN, IS THAT WHY
YOU'RE SPENDING ALL YOUR
TIME WITH THE BABY?
426
00:20:18,951 --> 00:20:21,418
NO.
427
00:20:21,453 --> 00:20:22,920
NOT REALLY.
428
00:20:22,955 --> 00:20:25,556
I MEAN,
I HAVE TO DO SOMETHING
ALL SUMMER TOO, RIGHT?
429
00:20:25,591 --> 00:20:28,259
AND YOU'RE GONNA BE GONE.
AND ANA REALLY NEEDS
THE HELP, SO...
430
00:20:28,294 --> 00:20:31,696
AND THAT'S WHY
I'VE BARELY SEEN YOU
AT ALL IN THE LAST WEEK?
431
00:20:37,970 --> 00:20:39,970
YOU'RE COMING
TO THE PARTY TOMORROW
AT SCHOOL, RIGHT?
432
00:20:40,005 --> 00:20:42,640
YEAH, IF I CAN.
433
00:20:42,675 --> 00:20:45,409
MARIANA, IT'S THE START
OF THE TOUR.
434
00:20:45,444 --> 00:20:48,412
LOOK, I'LL BE THERE
AS SOON AS ELENA GETS HOME
FROM THE BAKERY, OKAY?
435
00:20:49,882 --> 00:20:50,848
OKAY.
436
00:20:52,718 --> 00:20:56,954
¶ GIVE ME EVERYTHING ¶
437
00:20:56,989 --> 00:20:59,023
¶ OR NOTHING AT ALL... ¶
438
00:20:59,058 --> 00:21:02,493
WHAT AM I GONNA DO
WITHOUT THESE LIPS
FOR THREE WHOLE WEEKS?
439
00:21:02,528 --> 00:21:04,061
I HAVE NO IDEA.
440
00:21:04,096 --> 00:21:06,897
¶ OR NOTHING AT ALL. ¶
441
00:21:08,100 --> 00:21:10,868
DON'T FORGET I'M ONLY HERE
TILL NOON TODAY.
442
00:21:10,903 --> 00:21:13,437
OH, YEAH.
THAT'S RIGHT.
WHY IS THAT AGAIN?
443
00:21:13,472 --> 00:21:16,507
WELL, I DECIDED
THAT I'M DOING
444
00:21:16,542 --> 00:21:18,342
EVERYTHING IN MY POWER
THIS SUMMER
445
00:21:18,377 --> 00:21:20,444
TO ACT LIKE A NORMAL
TEENAGER, SO I'M GOING
446
00:21:20,479 --> 00:21:23,347
TO THE STUPID ANCHOR BEACH
END-OF-THE-YEAR PARTY THING.
447
00:21:23,382 --> 00:21:25,349
OH, YEAH?
WHERE ARE THEY
HAVING IT?
448
00:21:25,384 --> 00:21:27,918
ON THE BEACH,
LIKE, RIGHT IN FRONT
OF THE SCHOOL.
449
00:21:27,953 --> 00:21:29,553
WOW, NICE.
450
00:21:29,588 --> 00:21:31,555
WE NEVER HAD
ANY PARTIES LIKE THAT
WHERE I WENT.
451
00:21:31,590 --> 00:21:33,057
THEY WERE LIKE,
"SCHOOL'S OVER.
GET OUT OF HERE."
452
00:21:33,092 --> 00:21:35,960
YEAH, I KNOW.
I STILL CAN'T BELIEVE
I GO TO SCHOOL--
453
00:21:40,466 --> 00:21:42,099
CALLIE, EVERYTHING OKAY?
454
00:21:42,134 --> 00:21:44,335
YEAH, YEAH,
EVERYTHING'S FINE.
455
00:21:50,376 --> 00:21:52,109
HEY.
HEY, A.J., WAIT UP.
456
00:21:52,144 --> 00:21:54,445
LOOK, YOU CAN'T SLEEP
IN THERE, OKAY?
457
00:21:54,480 --> 00:21:56,380
BUT IF YOU RAN AWAY
FROM YOUR FOSTER HOME,
458
00:21:56,415 --> 00:21:58,982
OR IF YOU NEED ANYTHING,
I CAN HELP YOU, OKAY?
459
00:21:59,017 --> 00:22:00,918
I WON'T GET YOU
IN TROUBLE, I PROMISE.
460
00:22:06,658 --> 00:22:09,660
HEY, SORRY I'M SO LATE.
THE BUS NEVER CAME.
461
00:22:09,695 --> 00:22:11,995
I ENDED UP HAVING TO STEAL
JUDE'S BIKE.
462
00:22:12,030 --> 00:22:14,898
ELENA, YOU CAN GET GOING!
I'M HERE!
463
00:22:14,933 --> 00:22:17,668
SHE LEFT ALREADY.
464
00:22:17,703 --> 00:22:19,036
WOW.
465
00:22:20,873 --> 00:22:22,673
I WENT TO THE DOCTOR
YESTERDAY
466
00:22:22,708 --> 00:22:24,508
AND HE TOLD ME I COULD
TAKE OFF MY BRACE.
467
00:22:24,543 --> 00:22:26,510
SAID I NEED
TO TAKE IT EASY,
468
00:22:26,545 --> 00:22:28,512
BUT I CAN START DOING
NORMAL THINGS AGAIN,
469
00:22:28,547 --> 00:22:30,814
FOR A FEW HOURS.
470
00:22:30,849 --> 00:22:32,950
WELL, DO YOU NEED ME
TO TAKE HER?
471
00:22:32,985 --> 00:22:34,718
SHE PROBABLY NEEDS
TO BE CHANGED.
472
00:22:34,753 --> 00:22:36,721
NOPE, JUST CHANGED HER.
473
00:22:39,892 --> 00:22:42,893
WELL, YOU SHOULD
PROBABLY LIFT HER HEAD
A LITTLE BIT.
474
00:22:42,928 --> 00:22:45,496
HER NECK IS--
475
00:22:45,531 --> 00:22:48,065
DO YOU NEED ANY HELP?
476
00:22:50,569 --> 00:22:52,536
OKAY, WELL,
477
00:22:52,571 --> 00:22:55,672
BE CAREFUL.
I DON'T WANT YOU
TO HURT YOURSELF.
478
00:22:55,707 --> 00:22:57,007
YOU KNOW WHAT?
I'M FINE.
479
00:22:57,042 --> 00:22:59,744
I'VE GOT THIS.
THANK YOU.
480
00:23:01,547 --> 00:23:02,713
SORRY.
481
00:23:02,748 --> 00:23:05,883
LISTEN, I REALLY
APPRECIATE YOU COMING
ALL THIS TIME,
482
00:23:05,918 --> 00:23:08,786
BUT I THINK
I NEED TO SPEND
483
00:23:08,821 --> 00:23:10,888
SOME TIME ALONE
WITH BELLA, OKAY?
484
00:23:14,660 --> 00:23:16,660
OKAY.
485
00:23:17,930 --> 00:23:20,631
DON'T YOU HAVE
A SCHOOL PARTY TODAY?
486
00:23:20,666 --> 00:23:22,433
GO.
487
00:23:22,468 --> 00:23:24,635
YOU KNOW,
GO SEE THAT BOYFRIEND
BEFORE HE LEAVES.
488
00:23:24,670 --> 00:23:26,804
GIVE HIM A REASON
TO MISS YOU.
489
00:23:29,975 --> 00:23:31,975
IT'S MY DAD'S TRUCK,
OKAY?
490
00:23:32,010 --> 00:23:34,044
I DON'T KNOW
WHAT YOU THINK
I GOT TO DO WITH IT.
491
00:23:34,079 --> 00:23:36,580
WHY WOULD I STEAL IT?
I GOT MY OWN CAR.
492
00:23:36,615 --> 00:23:37,848
AND A SUSPENDED
DRIVER'S LICENSE.
493
00:23:37,883 --> 00:23:40,784
MAYBE YOU JUST DIDN'T FEEL
LIKE DRIVING YOUR OWN CAR
THAT DAY.
494
00:23:40,819 --> 00:23:43,153
LOOK, WHAT DO
YOU WANT ME TO SAY?
I DIDN'T TAKE THE TRUCK.
495
00:23:43,188 --> 00:23:44,888
I HAVEN'T DRIVEN
THAT THING
496
00:23:44,923 --> 00:23:46,957
IN, I DON'T KNOW,
A FEW YEARS.
497
00:23:46,992 --> 00:23:48,659
OKAY.
498
00:23:48,694 --> 00:23:51,128
YOU DON'T MIND HANGING OUT
FOR A FEW MINUTES?
499
00:23:51,163 --> 00:23:52,863
THANK YOU.
500
00:23:57,002 --> 00:23:58,869
YOU SEE THAT CUT
ABOVE HIS EYE?
501
00:23:58,904 --> 00:24:01,738
LOOKS TO BE ABOUT
THREE WEEKS OLD TO ME,
AND TOTALLY CONSISTENT
502
00:24:01,773 --> 00:24:03,841
WITH SOMEONE WHO
MIGHT HAVE HIT THEIR HEAD
ON A STEERING WHEEL.
503
00:24:03,876 --> 00:24:05,709
-I CHECKED HIS PRINTS.
-AND?
504
00:24:05,744 --> 00:24:07,778
THEY DON'T MATCH THE ONES
ON THE STEERING WHEEL.
505
00:24:07,813 --> 00:24:09,079
YOU'RE KIDDING.
506
00:24:09,114 --> 00:24:11,882
THERE'S NO WAY
IT COULD BE HIM.
507
00:24:14,286 --> 00:24:17,020
-OKAY.
-ALSO THEY'RE SENDING
THE CARS TO THE JUNKYARD,
508
00:24:17,055 --> 00:24:20,057
SO IF YOU NEED ANYTHING
OUT OF THE VOLVO, THIS IS
YOUR LAST CHANCE.
509
00:24:45,851 --> 00:24:47,284
I QUIT MY
CODING CLASS
510
00:24:47,319 --> 00:24:49,286
AND I GAVE UP
MY WHOLE SUMMER
FOR HER AND THE BABY,
511
00:24:49,321 --> 00:24:51,154
AND NOW IT'S LIKE
SHE DOESN'T EVEN
WANT ME AROUND.
512
00:24:51,189 --> 00:24:53,857
I'D BE WILLING TO BET
THAT'S NOT ENTIRELY TRUE.
513
00:24:53,892 --> 00:24:55,993
WELL, YOU WOULD LOSE
THAT BET.
514
00:24:56,028 --> 00:24:57,995
AND STUPID MAT
IS LEAVING.
515
00:24:58,030 --> 00:25:01,465
PROBABLY GONNA FORGET
ALL ABOUT ME AND HOOK UP
WITH ALL THOSE GROUPIES.
516
00:25:01,500 --> 00:25:05,135
YOU THINK
SOMEONE'S LITTLE SISTER
HAS GROUPIES?
517
00:25:05,170 --> 00:25:07,204
HE IS NOT GONNA FORGET
ABOUT YOU.
518
00:25:07,239 --> 00:25:09,640
WELL, I'M GONNA
MAKE SURE OF THAT.
519
00:25:09,675 --> 00:25:12,009
I'M GONNA HAVE SEX
WITH HIM.
520
00:25:12,044 --> 00:25:15,846
WAIT, YOU'RE GONNA LOSE
YOUR VIRGINITY?
521
00:25:15,881 --> 00:25:18,048
ARE YOU SURE
YOU'RE READY FOR THAT?
522
00:25:40,138 --> 00:25:43,740
¶ I DON'T LIKE THE WAY
YOU'RE TALKING TO ME ¶
523
00:25:43,775 --> 00:25:47,010
¶ ANY OTHER DAY
IT WOULD HAVE BEEN OKAY ¶
524
00:25:47,045 --> 00:25:50,013
¶ BUT NOT TODAY,
NOT TODAY... ¶
525
00:25:50,048 --> 00:25:52,583
SHOULDN'T YOU BE
AT IDYLLWILD?
526
00:25:52,618 --> 00:25:55,185
YEAH, I DIDN'T GO TODAY.
527
00:25:55,220 --> 00:25:58,021
COULDN'T MISS
THE PARTY, RIGHT?
528
00:25:58,056 --> 00:26:01,258
¶ JUST DON'T CALL ME,
JUST DON'T CALL ME
BABY, BABY... ¶
529
00:26:01,293 --> 00:26:03,260
I'M NOT REALLY SURE
IT'S FOR ME.
530
00:26:03,295 --> 00:26:05,129
WHAT?
REALLY?
531
00:26:07,933 --> 00:26:09,733
THEY PUT ME IN AS--
532
00:26:09,768 --> 00:26:12,636
WAIT, BRANDON, SORRY.
I'LL BE RIGHT BACK.
533
00:26:16,708 --> 00:26:18,675
SORRY I CRASHED
YOUR PARTY.
534
00:26:18,710 --> 00:26:21,044
HOW DID YOU EVEN KNOW
I WAS HERE?
535
00:26:21,079 --> 00:26:23,046
YOU AND THAT GUY
WERE TALKING ABOUT IT
THIS MORNING.
536
00:26:23,081 --> 00:26:24,881
-I DIDN'T KNOW
WHERE ELSE TO GO, SO...
-WHAT HAPPENED?
537
00:26:24,916 --> 00:26:27,250
I WAS LOOKING
FOR A PLACE TO SLEEP
TONIGHT, YOU KNOW,
538
00:26:27,285 --> 00:26:29,786
SOMEPLACE SAFE,
AND A COUPLE GUYS
JUMPED ME.
539
00:26:29,821 --> 00:26:31,121
YOU--
540
00:26:33,025 --> 00:26:34,992
YOU SAID
YOU COULD HELP ME.
541
00:26:35,027 --> 00:26:36,960
YEAH.
YES, I WILL.
542
00:26:36,995 --> 00:26:38,929
BUT I CAN'T REALLY
DO THAT
543
00:26:38,964 --> 00:26:41,098
UNLESS I KNOW EXACTLY
WHAT'S GOING ON.
544
00:26:44,036 --> 00:26:46,970
I RAN AWAY FROM MY
FOSTER FAMILY.
545
00:26:47,005 --> 00:26:49,339
THEY WAS
PRETTY COOL AND ALL,
BUT I RAN AWAY
546
00:26:49,374 --> 00:26:51,642
'CAUSE I WAS SUPPOSED
TO MEET UP WITH MY BROTHER.
547
00:26:51,677 --> 00:26:54,311
HE AGED OUT
A COUPLE OF YEARS AGO,
SO HE'S BEEN ON HIS OWN.
548
00:26:54,346 --> 00:26:56,847
BUT WE WERE
SUPPOSED TO TAKE OFF
AND GET OUT OF TOWN.
549
00:26:56,882 --> 00:26:58,915
WE HAD THIS WHOLE PLAN,
BUT WHEN I WAS SUPPOSED
TO MEET HIM,
550
00:26:58,950 --> 00:27:00,851
HE NEVER SHOWED UP.
551
00:27:00,886 --> 00:27:03,687
OKAY, WHAT IF WE CALLED
YOUR FOSTER PARENTS?
552
00:27:03,722 --> 00:27:05,689
THEY ALWAYS TOLD ME,
"YOU RUN ONE TIME--
553
00:27:05,724 --> 00:27:07,724
THAT'S IT.
WE'RE DONE."
554
00:27:07,759 --> 00:27:09,726
OKAY, SO IF YOU CAN'T
GO BACK,
555
00:27:09,761 --> 00:27:12,763
WE CAN GET YOU
EMERGENCY PLACEMENT.
556
00:27:12,798 --> 00:27:15,099
BUT WHERE ARE YOU
GONNA SLEEP TONIGHT?
557
00:27:20,706 --> 00:27:21,972
YOU GOT IT?
558
00:27:22,007 --> 00:27:23,641
-YEAH, I GOT IT.
-OKAY.
559
00:27:28,914 --> 00:27:31,281
OKAY, WAIT, WAIT.
SO YOU TWO ARE GAY
FOR EACH OTHER?
560
00:27:32,984 --> 00:27:35,886
YEAH. SO WHAT?
YOU GOT SOMETHING
TO SAY ABOUT IT?
561
00:27:35,921 --> 00:27:38,288
NO, MAN.
IT'S ALL GOOD.
562
00:27:38,323 --> 00:27:40,357
-I JUST HEARD
AND I THOUGHT--
-YOU THOUGHT WHAT?
563
00:27:40,392 --> 00:27:42,826
-NOTHING, MAN. IT'S COOL.
-THEN GET OUT OF MY FACE.
564
00:27:42,861 --> 00:27:46,296
-I KNEW IT WASN'T ME.
-SHUT UP, DARIA.
565
00:27:46,331 --> 00:27:49,332
-I THOUGHT WE WEREN'T
GONNA SAY ANYTHING.
-DON'T BE MAD AT CONNOR.
566
00:27:49,367 --> 00:27:52,769
IT WASN'T HIM.
IT WAS ME.
567
00:27:52,804 --> 00:27:54,838
-Connor: WHAT?
-WELL, I THOUGHT
I WAS HELPING.
568
00:27:54,873 --> 00:27:57,074
I THOUGHT YOU WERE
THE ONE WHO DIDN'T WANT
TO COME OUT,
569
00:27:57,109 --> 00:28:00,077
SO I FIGURED
NOBODY WAS GONNA CARE.
570
00:28:00,112 --> 00:28:02,045
I'M SORRY.
571
00:28:02,080 --> 00:28:04,915
IT'S NOT LIKE ANYONE
CARES IF YOU'RE GAY.
572
00:28:04,950 --> 00:28:08,452
I'M NOT GAY, OKAY?
573
00:28:08,487 --> 00:28:11,388
WAIT, JUDE.
JUDE.
574
00:28:13,992 --> 00:28:15,992
DO YOU LIKE
THE NEW STUFF--
575
00:28:16,027 --> 00:28:18,795
THE NEW SONGS,
I MEAN?
576
00:28:18,830 --> 00:28:21,031
I DO LIKE
THE NEW STUFF.
577
00:28:21,066 --> 00:28:24,201
BUT I LIKE
OTHER STUFF TOO.
578
00:28:25,237 --> 00:28:26,903
OH, YEAH?
579
00:28:26,938 --> 00:28:28,805
MM-HMM.
580
00:28:28,840 --> 00:28:30,440
AND I WAS THINKING
581
00:28:30,475 --> 00:28:32,476
MAYBE WE SHOULD DO
SOME OTHER STUFF TONIGHT.
582
00:28:36,882 --> 00:28:40,017
I MEAN, YOU'RE LEAVING
SOON AND--
583
00:28:45,223 --> 00:28:47,791
ON THE BEACH?
584
00:28:47,826 --> 00:28:50,094
WHY NOT?
IT'S ROMANTIC.
585
00:28:51,863 --> 00:28:53,797
IT'S KIND OF PUBLIC.
586
00:28:53,832 --> 00:28:55,098
NOT UP HERE.
587
00:28:55,133 --> 00:28:57,934
-IT'S YOUR LAST NIGHT.
-YEAH, I KNOW,
588
00:28:57,969 --> 00:29:01,037
BUT, MARIANA,
I DON'T WANT TO DO IT.
589
00:29:01,072 --> 00:29:03,039
I MEAN, I WANT
TO DO IT,
590
00:29:03,074 --> 00:29:05,909
BUT NOT LIKE THIS.
591
00:29:05,944 --> 00:29:07,978
IT'S OUR FIRST TIME,
AND--
592
00:29:09,247 --> 00:29:11,915
WE GOTTA GET ON THE ROAD.
593
00:29:11,950 --> 00:29:13,950
WE'VE GOT A MIDNIGHT SHOW
IN L.A.
594
00:29:13,985 --> 00:29:16,086
I'M SORRY.
595
00:29:18,456 --> 00:29:21,858
I SHOULD PROBABLY GET BACK,
HELP LOAD UP THE VAN.
596
00:29:21,893 --> 00:29:23,160
OKAY.
597
00:29:23,195 --> 00:29:25,229
I THINK I'M JUST
GONNA--
598
00:29:30,001 --> 00:29:32,369
OKAY,
599
00:29:32,404 --> 00:29:34,371
WELL,
600
00:29:34,406 --> 00:29:36,774
I'LL SEE YOU
IN A FEW WEEKS.
601
00:29:40,846 --> 00:29:43,013
I'LL MISS YOU.
602
00:29:43,048 --> 00:29:45,048
I'LL MISS YOU TOO.
603
00:29:50,856 --> 00:29:52,856
OKAY.
604
00:30:03,134 --> 00:30:05,001
NICE SET.
605
00:30:05,036 --> 00:30:07,838
I MEAN, THE NEW GUY
YOU GOT
606
00:30:07,873 --> 00:30:09,840
COULD USE A LITTLE
FINESSE.
607
00:30:09,875 --> 00:30:11,608
IT'S KIND OF LIKE
WATCHING A BEAR
608
00:30:11,643 --> 00:30:14,110
PLAY KEYBOARD, BUT--
609
00:30:14,145 --> 00:30:16,913
WE CAN'T ALL BE
CLASSICAL PIANISTS,
YOU KNOW.
610
00:30:16,948 --> 00:30:19,015
RIGHT.
NO KIDDING.
611
00:30:19,050 --> 00:30:22,018
TURNS OUT,
I'M NOT ONE EITHER.
612
00:30:22,053 --> 00:30:25,255
THEY MADE ME A COMPOSER
AT IDYLLWILD.
613
00:30:25,290 --> 00:30:29,426
I'M NOT EVEN THERE
TO PLAY.
614
00:30:31,329 --> 00:30:34,197
IS THAT--
IS THAT A BAD THING?
615
00:30:34,232 --> 00:30:36,199
I MEAN, IT'S NOT
WHAT I WANTED.
616
00:30:36,234 --> 00:30:37,434
OKAY, SURE,
617
00:30:37,469 --> 00:30:39,603
BUT YOU'RE A GREAT
COMPOSER, BRANDON.
618
00:30:39,638 --> 00:30:41,938
YOU LOVE WRITING SONGS.
619
00:30:41,973 --> 00:30:43,940
WHY ARE YOU ACTING
LIKE THIS IS
620
00:30:43,975 --> 00:30:46,276
SOME KIND OF EPIC FAIL
OR SOMETHING?
621
00:30:46,311 --> 00:30:50,447
'CAUSE THE KIDS THERE
ARE TOTALLY OUT
OF MY LEAGUE.
622
00:30:50,482 --> 00:30:52,449
IS THIS WHAT HAPPENS
623
00:30:52,484 --> 00:30:54,918
WHEN EVERYTHING JUST
COMES NATURALLY TO YOU--
624
00:30:54,953 --> 00:30:57,554
YOU JUST GIVE UP
THE MINUTE SOMETHING
GETS HARD?
625
00:30:59,457 --> 00:31:01,858
BESIDES, I'M SURE
YOU'RE BETTER THAN
YOU THINK.
626
00:31:01,893 --> 00:31:04,127
YOU GUYS AREN'T EVEN
PLAYING MY SONGS.
627
00:31:04,162 --> 00:31:07,865
OUT OF RESPECT, BRANDON.
THEY AREN'T OURS TO PLAY.
628
00:31:15,040 --> 00:31:18,074
WELL, I THINK
YOU SHOULD--
629
00:31:18,109 --> 00:31:19,943
PLAY THEM, I MEAN.
630
00:31:19,978 --> 00:31:21,411
IF I'M GONNA BE
A COMPOSER,
631
00:31:21,446 --> 00:31:23,680
I'D BETTER GET USED
TO OTHER PEOPLE PLAYING
MY SONGS,
632
00:31:23,715 --> 00:31:26,116
EVEN BEAR PAWS
OVER THERE.
633
00:31:34,225 --> 00:31:36,960
(laughs)
WHAT ARE YOU DOING HERE?
634
00:31:36,995 --> 00:31:40,263
WELL, YOU KNOW
HOW TO THROW A PARTY, HUH?
635
00:31:40,298 --> 00:31:42,265
(chuckles)
636
00:31:42,300 --> 00:31:44,401
WELL, I WAS LONELY.
637
00:31:44,436 --> 00:31:47,103
STEFANIE MARIE
ADAMS FOSTER,
638
00:31:47,138 --> 00:31:49,105
YOU HAVEN'T HAD A NIGHT
ALONE IN THAT HOUSE
639
00:31:49,140 --> 00:31:50,440
FOR THE LAST 10 YEARS.
640
00:31:50,475 --> 00:31:53,176
I DON'T FOR ONE SECOND BUY
THAT YOU GOT LONELY.
641
00:31:53,211 --> 00:31:55,312
WHAT IS IT?
642
00:31:57,082 --> 00:31:59,683
I'M A MESS.
643
00:31:59,718 --> 00:32:01,885
I'M TRYING TO HOLD IT
TOGETHER.
644
00:32:01,920 --> 00:32:04,154
I'M TRYING TO--
I'M TRYING TO FIND OUT
645
00:32:04,189 --> 00:32:07,023
WHO THE HELL DID THIS
AND--
646
00:32:07,058 --> 00:32:09,092
THEY TOLD-- THEY SAID
SOMEONE WAS DEAD.
647
00:32:09,127 --> 00:32:11,094
THEY SAID THERE WERE
REPORTED FATALITIES.
648
00:32:11,129 --> 00:32:13,063
AND WHEN I WALKED UP
AND I SAW THE VOLVO,
649
00:32:13,098 --> 00:32:15,065
IT WAS CRUSHED
LIKE A BEER CAN.
650
00:32:15,100 --> 00:32:17,701
I THOUGHT--
651
00:32:17,736 --> 00:32:19,636
I THOUGHT
WE LOST THEM.
652
00:32:19,671 --> 00:32:21,638
I THOUGHT MY BABIES
WERE GONE.
653
00:32:21,673 --> 00:32:24,341
AND I THOUGHT
I'D NEVER BE OKAY,
EVER AGAIN.
654
00:32:28,680 --> 00:32:32,316
I JUST WANTED TO SEE YOU.
I JUST WANTED TO SEE YOU.
655
00:32:33,351 --> 00:32:35,418
OH.
656
00:32:35,453 --> 00:32:37,587
MY LOVE.
657
00:32:37,622 --> 00:32:39,990
MY SWEET, SWEET LOVE.
658
00:32:42,193 --> 00:32:45,062
IT'S ALL GONNA BE OKAY.
659
00:32:50,101 --> 00:32:53,003
HEY, WHAT ARE YOU
DOING HERE?
660
00:32:53,038 --> 00:32:55,072
I GO TO SCHOOL HERE,
REMEMBER?
661
00:32:56,408 --> 00:32:58,541
WHY AREN'T YOU
BACK AT THE--?
662
00:32:58,576 --> 00:33:00,777
NOT REALLY
IN THE MOOD.
663
00:33:00,812 --> 00:33:04,581
YEAH, ME NEITHER.
DO YOU WANT A BEER?
664
00:33:11,322 --> 00:33:13,523
OOPS, I'M SORRY.
665
00:33:13,558 --> 00:33:15,759
WHY ARE YOU
APOLOGIZING?
666
00:33:15,794 --> 00:33:18,294
IT'S GOOD FOR THE KIDS
TO SEE THAT YOU'RE
A HUMAN BEING.
667
00:33:18,329 --> 00:33:20,764
NOT SOME EDUCATION REFORM
MONSTER?
668
00:33:20,799 --> 00:33:23,266
YES, EXACTLY.
669
00:33:23,301 --> 00:33:28,104
SPEAKING OF
EDUCATION REFORM,
670
00:33:28,139 --> 00:33:30,507
I--
671
00:33:30,542 --> 00:33:32,609
I CAN'T GO
TO THE CONFERENCE.
672
00:33:32,644 --> 00:33:34,444
REALLY?
OH, NO.
673
00:33:34,479 --> 00:33:36,413
-ARE YOU SURE?
-I AM.
674
00:33:36,448 --> 00:33:38,581
I-- I HAVE JUST
675
00:33:38,616 --> 00:33:40,417
TOO MUCH GOING ON
AT HOME RIGHT NOW
676
00:33:40,452 --> 00:33:43,453
FOR ME TO EVEN CONSIDER
PLANNING A TRIP AWAY.
677
00:33:43,488 --> 00:33:45,221
SO...
678
00:33:45,256 --> 00:33:47,090
I HOPE YOU UNDERSTAND.
679
00:33:47,125 --> 00:33:49,125
OF COURSE.
680
00:33:49,160 --> 00:33:51,294
OF COURSE I DO.
681
00:34:00,105 --> 00:34:01,805
YOU'D BETTER
LEAVE THE LIGHTS OFF.
682
00:34:01,840 --> 00:34:05,075
RIGHT.
SMART.
683
00:34:05,110 --> 00:34:09,245
PLEASE DON'T, LIKE,
MESS WITH ANYTHING.
684
00:34:09,280 --> 00:34:12,182
I WON'T,
I PROMISE.
685
00:34:12,217 --> 00:34:13,683
THANK YOU.
686
00:34:13,718 --> 00:34:16,486
I SHOULD--
I SHOULD THANK YOU.
687
00:34:16,521 --> 00:34:19,823
IT PROBABLY SOUNDS DUMB,
688
00:34:19,858 --> 00:34:23,626
BUT I HAVE TO WRITE
689
00:34:23,661 --> 00:34:25,795
THIS PAPER FOR MY
INDEPENDENT STUDY
690
00:34:25,830 --> 00:34:28,765
AND I HAD NO IDEA
WHAT TO DO.
691
00:34:28,800 --> 00:34:31,434
BUT NOW I THINK
I'M GONNA DO IT
692
00:34:31,469 --> 00:34:34,838
ON WHAT HAPPENS TO KIDS
WHEN THEY'RE SEPARATED
IN THE SYSTEM,
693
00:34:34,873 --> 00:34:37,841
-LIKE YOU AND YOUR BROTHER.
-GLAD I COULD HELP.
694
00:34:37,876 --> 00:34:40,710
OKAY, WELL, I'LL BE BACK
FIRST THING IN THE MORNING
695
00:34:40,745 --> 00:34:42,779
TO OPEN UP, SO...
696
00:34:42,814 --> 00:34:44,647
'NIGHT.
697
00:34:44,682 --> 00:34:46,249
'NIGHT.
698
00:34:54,859 --> 00:34:57,127
SO YOU DON'T MISS HER--
699
00:34:57,162 --> 00:34:59,462
YOUR MOM?
700
00:34:59,497 --> 00:35:04,134
I DO SOMETIMES, BUT...
701
00:35:04,169 --> 00:35:07,237
OUT OF SIGHT,
OUT OF MIND, YOU KNOW?
702
00:35:09,507 --> 00:35:12,775
OKAY, HOW DO YOU
DO THAT?
703
00:35:12,810 --> 00:35:15,745
HOW DO YOU GET YOUR HAIR
TO FALL LIKE THAT?
704
00:35:15,780 --> 00:35:19,215
IT'S SOFTER THAN MINE.
705
00:35:19,250 --> 00:35:20,717
WHAT DO YOU DO?
706
00:35:20,752 --> 00:35:23,253
DO YOU USE SOME
SPECIAL CONDITIONER
OR SOMETHING?
707
00:35:23,288 --> 00:35:26,690
NO, IT JUST COMES OUT
OF MY HEAD LIKE THIS.
708
00:35:27,725 --> 00:35:31,161
IT'S JUST SO PRETTY.
709
00:35:33,364 --> 00:35:34,865
THANK YOU.
710
00:35:36,768 --> 00:35:38,835
YOU'RE WELCOME.
711
00:35:55,520 --> 00:35:59,756
¶ YOU MAKE ME CRAZY
IN LOVE... ¶
712
00:36:02,627 --> 00:36:04,594
I'VE BEEN LOOKING
ALL OVER FOR YOU.
713
00:36:04,629 --> 00:36:07,197
YOU KNOW, YOU COULD
HAVE MADE IT
714
00:36:07,232 --> 00:36:10,800
A LITTLE EASIER ON ME,
ALL RIGHT?
715
00:36:10,835 --> 00:36:13,270
I AM ON CRUTCHES.
716
00:36:17,642 --> 00:36:19,709
SO I DON'T--
717
00:36:19,744 --> 00:36:21,945
I DON'T GET IT.
718
00:36:23,948 --> 00:36:25,849
WHAT DO YOU MEAN,
YOU'RE NOT GAY?
719
00:36:29,921 --> 00:36:32,355
DO YOU NOT LIKE ME?
720
00:36:32,390 --> 00:36:34,424
NO, OF COURSE
I LIKE YOU.
721
00:36:36,527 --> 00:36:38,528
DO YOU NOT LIKE ME
LIKE THAT?
722
00:36:38,563 --> 00:36:40,931
NO, I DO.
I JUST--
723
00:36:43,468 --> 00:36:47,370
MY WHOLE LIFE
I'VE ALWAYS BEEN
LABELED AS SOMETHING--
724
00:36:47,405 --> 00:36:49,606
"THE NEW KID,"
OR "THE FOSTER KID,"
725
00:36:49,641 --> 00:36:52,008
OR "THE KID
WITH THE DEAD MOM."
AND I'M SICK OF IT.
726
00:36:52,043 --> 00:36:55,745
I MEAN, WHY CAN'T I
JUST BE JUDE?
727
00:36:55,780 --> 00:36:58,748
I JUST WANT TO BE JUDE
FOR A WHILE.
728
00:37:02,587 --> 00:37:05,521
DOES THAT MEAN
YOU DON'T WANT TO BE
MY BOYFRIEND?
729
00:37:05,556 --> 00:37:06,789
NO.
730
00:37:06,824 --> 00:37:09,626
OKAY.
731
00:37:09,661 --> 00:37:11,794
OKAY, GOOD.
'CAUSE I THOUGHT--
732
00:37:11,829 --> 00:37:14,931
NO, I PROMISE.
733
00:38:24,969 --> 00:38:26,936
ANOTHER BAD DREAM?
734
00:38:26,971 --> 00:38:29,038
NO, JUST THINKING.
735
00:38:29,073 --> 00:38:31,341
EVERYTHING OKAY?
736
00:38:33,411 --> 00:38:35,578
ABSOLUTELY.
737
00:38:38,750 --> 00:38:41,351
YOU KNOW, I WAS DOING
A LITTLE THINKING MYSELF.
738
00:38:41,386 --> 00:38:43,853
UH-OH.
739
00:38:43,888 --> 00:38:47,490
I KNOW YOU'RE GONNA
SAY NO,
740
00:38:47,525 --> 00:38:50,093
BUT I THINK
THAT WE SHOULD
741
00:38:50,128 --> 00:38:53,863
PLAN A LITTLE TRIP,
JUST YOU AND ME.
742
00:38:53,898 --> 00:38:56,899
WE COULD REALLY USE
A GETAWAY.
743
00:38:56,934 --> 00:38:59,602
I THINK IT'S
A TERRIFIC IDEA.
744
00:38:59,637 --> 00:39:01,971
-REALLY?
-MM-HMM.
745
00:39:03,941 --> 00:39:06,909
WELL, WHEREVER
SHALL WE GO?
746
00:39:06,944 --> 00:39:09,679
-THE GREEK ISLES?
-OH.
747
00:39:09,714 --> 00:39:11,581
CAPRI?
748
00:39:11,616 --> 00:39:14,984
I THINK CATALINA IS
A LITTLE MORE OUR BUDGET.
749
00:39:17,889 --> 00:39:19,522
I LIKE CATALINA.
750
00:39:19,557 --> 00:39:22,492
I DO TOO, AS LONG AS
YOU'RE THERE.
751
00:39:22,527 --> 00:39:25,461
ARE YOU SURE
WE CAN AFFORD IT?
752
00:39:25,496 --> 00:39:28,398
WE'LL MAKE SURE
IT'S A PRIORITY.
753
00:39:28,433 --> 00:39:30,767
DEAL?
754
00:39:30,802 --> 00:39:32,469
YEAH.
755
00:39:49,887 --> 00:39:51,854
WHAT? WHAT ARE YOU
LOOKING AT?
756
00:39:51,889 --> 00:39:54,757
OH, I THINK OUR BATHROOM
IS LEAKING AGAIN.
757
00:39:54,792 --> 00:39:58,428
I THOUGHT THE PLUMBER
TOOK CARE OF THAT.
758
00:39:58,463 --> 00:39:59,963
HE DID.
759
00:40:01,032 --> 00:40:02,899
BE CAREFUL.
760
00:40:02,934 --> 00:40:05,034
JUST HOLD ON.
761
00:40:06,737 --> 00:40:07,871
WHAT--?
762
00:40:09,941 --> 00:40:11,941
-OH MY GOD!
-OH!
763
00:40:15,980 --> 00:40:18,648
SO MUCH
FOR GETTING AWAY.
764
00:40:20,084 --> 00:40:22,185
IT IS KIND OF SHAPED
LIKE CATALINA.
765
00:40:29,927 --> 00:40:31,894
SO?
766
00:40:31,929 --> 00:40:33,029
HMM?
767
00:40:33,064 --> 00:40:35,565
DID YOU, YOU KNOW--?
768
00:40:37,535 --> 00:40:39,902
MARIANA,
COME ON, I HAVE TO GO.
CAN YOU JUST TELL ME?
769
00:40:39,937 --> 00:40:42,205
DID YOU HAVE SEX
LAST NIGHT OR NOT?
770
00:40:44,275 --> 00:40:45,608
YEAH.
771
00:40:45,643 --> 00:40:47,243
OH MY GOD.
772
00:40:47,278 --> 00:40:50,179
OKAY, I WANT TO HEAR
ALL ABOUT IT, BUT I HAVE
TO GET TO THE CENTER.
773
00:40:50,214 --> 00:40:52,882
BUT I WILL TALK TO YOU
TONIGHT, OKAY?
774
00:40:52,917 --> 00:40:55,084
(giggles)
775
00:41:05,530 --> 00:41:07,730
WHAT ARE YOU DOING HERE?
I THOUGHT YOU QUIT.
776
00:41:07,765 --> 00:41:11,000
I'M NOT GOING ANYWHERE,
EXCEPT FOR DISNEY HALL.
777
00:41:11,035 --> 00:41:14,003
OH, AND YOU MIGHT WANT
TO START WORKING ON YOUR
QUADRUPLE TRILLS.
778
00:41:14,038 --> 00:41:17,039
THE NEW PIECE
I'M WORKING ON
HAS GOT A BUNCH OF 'EM.
779
00:41:17,074 --> 00:41:19,141
SEE YOU IN CLASS.
780
00:41:19,176 --> 00:41:21,944
OH, AND FOR THE RECORD,
781
00:41:21,979 --> 00:41:23,946
I'M SURE YOU'RE USED TO
PITCHING YOUR FITS
782
00:41:23,981 --> 00:41:25,548
AND GETTING
WHAT YOU WANT.
783
00:41:25,583 --> 00:41:27,550
BUT I'M THE OLDEST
OF FIVE KIDS.
784
00:41:27,585 --> 00:41:29,852
I'VE SEEN
EVERY KIND OF TANTRUM
EVER THROWN.
785
00:41:29,887 --> 00:41:32,088
I DON'T SCARE EASY.
786
00:41:42,733 --> 00:41:44,767
A.J.
787
00:41:47,672 --> 00:41:49,672
A.J.
788
00:41:56,147 --> 00:41:58,882
HEY, WHAT ARE YOU DOING
HERE SO EARLY?
789
00:42:02,320 --> 00:42:04,320
WHAT HAPPENED
TO THE SPRAY PAINT?
790
00:42:04,355 --> 00:42:06,956
CALLIE, WHAT'S WRONG?
791
00:42:08,626 --> 00:42:10,593
UH,
792
00:42:10,628 --> 00:42:12,629
I DID SOMETHING
REALLY DUMB.
793
00:42:13,965 --> 00:42:17,700
I-- I LET SOMEONE
794
00:42:17,735 --> 00:42:19,769
SLEEP HERE LAST NIGHT.
795
00:42:19,804 --> 00:42:21,938
DAMN IT, CALLIE.
796
00:42:21,973 --> 00:42:23,873
WHY?
797
00:42:23,908 --> 00:42:25,575
WHY WOULD YOU
DO THAT?
798
00:42:25,610 --> 00:42:29,345
IT'S SUCH A BAD
JUDGMENT CALL.
799
00:42:29,380 --> 00:42:32,982
YOU KNOW, I DON'T EVEN
KNOW WHAT TO SAY.
800
00:42:33,017 --> 00:42:35,585
I'M SO SORRY.
801
00:42:35,620 --> 00:42:37,219
YEAH,
802
00:42:37,254 --> 00:42:39,188
I'M SURE YOU ARE.
803
00:42:40,291 --> 00:42:44,227
I NEED THIS, RAFAEL,
TO GRADUATE.
804
00:42:45,830 --> 00:42:48,164
YOU SHOULD HAVE
THOUGHT OF THAT
BEFORE YOU DID IT.
805
00:42:52,036 --> 00:42:53,903
YOU'RE FIRED, CALLIE.
806
00:42:55,072 --> 00:42:57,073
GO HOME.
807
00:43:04,915 --> 00:43:07,083
(theme music playing)