1 00:00:00,901 --> 00:00:01,600 PREVIOUSLY ON "THE FOSTERS"... 2 00:00:01,635 --> 00:00:03,769 AND NOW ALL I FEEL IS WORRIED 3 00:00:03,804 --> 00:00:06,304 ABOUT EVERYTHING, INCLUDING MY MARRIAGE. 4 00:00:06,339 --> 00:00:07,806 SO YOU CAN'T GO ON THE TOUR. 5 00:00:07,841 --> 00:00:10,175 BUT I WANT TO GO TO IDYLLWILD, IF I CAN GET IN. 6 00:00:10,210 --> 00:00:12,144 I'M WITHDRAWING MY SUIT FOR CUSTODY. 7 00:00:12,179 --> 00:00:13,345 Stef: WE CAN ADOPT YOU RIGHT AWAY. 8 00:00:13,380 --> 00:00:15,414 WE KISSED. AND NOW WE'RE LIKE... 9 00:00:15,449 --> 00:00:16,849 MORE THAN FRIENDS? 10 00:00:16,884 --> 00:00:19,451 WYATT, PLEASE DON'T TELL ME YOU'RE ACTING LIKE THIS BECAUSE WE BROKE UP. 11 00:00:19,486 --> 00:00:20,752 WHAT THE HELL DO YOU CARE? 12 00:00:20,788 --> 00:00:23,321 YOU SHOULD BE WITH YOUR FAMILY, ANA. SO SHOULD YOUR CHILD. 13 00:00:23,356 --> 00:00:24,589 Jesus: I THINK ANA WANTS TO KEEP THE BABY. 14 00:00:24,624 --> 00:00:27,192 BUT I THINK THE ONLY REASON SHE ISN'T IS BECAUSE OF YOU. 15 00:00:27,227 --> 00:00:29,061 HAVE YOU THOUGHT 16 00:00:29,096 --> 00:00:31,129 ABOUT KEEPING THE BABY? I THINK YOU SHOULD. 17 00:00:31,164 --> 00:00:34,033 -ARE YOU OKAY? -OH, I THINK THE BABY IS COMING. 18 00:00:36,870 --> 00:00:38,270 (woman over radio) One reported fatality. 19 00:00:38,305 --> 00:00:39,738 Requesting medical and backup. 20 00:00:39,773 --> 00:00:41,573 OFFICER ADAMS FOSTER. I'M RIGHT NEAR THERE. 21 00:00:41,608 --> 00:00:43,275 I'M ON MY WAY. 22 00:00:45,745 --> 00:00:47,813 (sirens wailing) 23 00:00:47,848 --> 00:00:50,382 (police radio chatter) 24 00:01:02,429 --> 00:01:04,696 Woman: SIR, YOU NEED TO STAY BACK. 25 00:01:15,842 --> 00:01:17,809 Man: ALL RIGHT, FOLKS, JUST STAY BEHIND THE LINE. 26 00:01:17,844 --> 00:01:20,145 ¶ IT'S GONE ¶ 27 00:01:20,180 --> 00:01:22,547 ¶ IT'S GONE ¶ 28 00:01:22,582 --> 00:01:24,549 ¶ IT'S NEVER ¶ 29 00:01:24,584 --> 00:01:27,719 ¶ COMING BACK ¶ 30 00:01:27,754 --> 00:01:29,821 ¶ IT'S GONE ¶ 31 00:01:29,856 --> 00:01:32,390 ¶ IT'S GONE ¶ 32 00:01:32,425 --> 00:01:35,527 ¶ IT'S NEVER, NEVER ¶ 33 00:01:35,562 --> 00:01:40,265 ¶ NEVER COMING BACK ¶ 34 00:01:55,182 --> 00:01:59,118 ¶ I'LL KEEP BREATHING ¶ 35 00:01:59,953 --> 00:02:03,822 ¶ I'LL KEEP BREATHING ¶ 36 00:02:05,458 --> 00:02:08,860 ¶ I'LL KEEP BREATHING ¶ 37 00:02:08,895 --> 00:02:12,431 ¶ TILL MY HEART STOPS... ¶ 38 00:02:20,840 --> 00:02:22,674 YOU OKAY? 39 00:02:24,211 --> 00:02:25,944 MM-HMM. 40 00:02:25,979 --> 00:02:28,580 JUST A BAD DREAM. 41 00:02:28,615 --> 00:02:30,616 -YEAH? -GO BACK TO SLEEP. 42 00:02:40,894 --> 00:02:43,629 (theme song playing) 43 00:02:44,998 --> 00:02:48,400 ¶ IT'S NOT WHERE YOU COME FROM ¶ 44 00:02:48,435 --> 00:02:51,436 ¶ IT'S WHERE YOU BELONG ¶ 45 00:02:51,471 --> 00:02:53,939 ¶ NOTHING I WOULD TRADE ¶ 46 00:02:53,974 --> 00:02:55,941 ¶ I WOULDN'T HAVE IT ¶ 47 00:02:55,976 --> 00:02:57,943 ¶ ANY OTHER WAY ¶ 48 00:02:57,978 --> 00:03:00,979 ¶ YOU'RE SURROUNDED BY LOVE ¶ 49 00:03:01,014 --> 00:03:02,981 ¶ AND YOU'RE WANTED ¶ 50 00:03:03,016 --> 00:03:06,751 ¶ SO NEVER FEEL ALONE ¶ 51 00:03:06,786 --> 00:03:09,254 ¶ YOU WILL ALWAYS BE ¶ 52 00:03:09,289 --> 00:03:12,491 ¶ RIGHT WHERE YOU BELONG. ¶ 53 00:03:35,515 --> 00:03:37,882 I MISS JESUS. 54 00:03:37,917 --> 00:03:39,918 I MISS HIM TOO. 55 00:03:41,388 --> 00:03:43,521 YOU THINK IT'S TOO EARLY TO CALL HIM? 56 00:03:43,556 --> 00:03:44,723 NO. 57 00:03:46,293 --> 00:03:48,260 HE MIGHT THINK IT'S TOO EARLY, 58 00:03:48,295 --> 00:03:50,295 BUT I DON'T. 59 00:03:52,499 --> 00:03:54,633 HI, LOVE. HOW ARE YOU? 60 00:03:54,668 --> 00:03:55,934 HOW'S FLINTWOOD TREATING YOU? 61 00:03:55,969 --> 00:03:57,936 -LET ME TALK TO HIM. -HOLD ON. 62 00:03:57,971 --> 00:04:00,872 OKAY, HOLD ON, HOLD ON. MAMA WANTS TO SAY HI. 63 00:04:00,907 --> 00:04:02,274 REALLY, WOMAN? 64 00:04:02,309 --> 00:04:04,009 HEY, BUBBA. SO HOW'S THE FIRST WEEK BEEN? 65 00:04:04,044 --> 00:04:06,444 MAMA'S TALKING TO YOUR BROTHER. 66 00:04:06,479 --> 00:04:08,613 HEY, JESUS, 67 00:04:08,648 --> 00:04:10,849 WHERE ARE THOSE HEADPHONES THAT YOU BORROWED BEFORE YOU LEFT? 68 00:04:10,884 --> 00:04:12,951 WELL, YOU'RE GONNA HAVE TO MAIL THEM BACK. 69 00:04:12,986 --> 00:04:14,953 ARE YOU SERIOUS? YOU GET A PADDED ENVELOPE 70 00:04:14,988 --> 00:04:16,955 AND THEN YOU JUST WRITE OUR ADDRESS ON IT. 71 00:04:16,990 --> 00:04:18,623 YOU DO KNOW OUR ADDRESS, RIGHT? 72 00:04:18,658 --> 00:04:20,825 AND THEN YOU STAMP IT AND THEN YOU JUST DROP IT IN THE MAIL. 73 00:04:20,860 --> 00:04:23,428 GOD, I SERIOUSLY WONDER HOW YOU EVEN FUNCTION SOMETIMES. 74 00:04:23,463 --> 00:04:25,864 -MARIANA, BE NICE. -WHAT? HE TOOK MY GOOD HEADPHONES. 75 00:04:25,899 --> 00:04:27,699 -I THINK YOU'LL SURVIVE. -'MORNING. 76 00:04:27,734 --> 00:04:29,601 HEY, ARE YOU EXCITED ABOUT THE FIRST DAY? 77 00:04:29,636 --> 00:04:31,803 UH, YEAH, IF I EVER GET THERE. 78 00:04:31,838 --> 00:04:34,406 I JUST LOOKED ONLINE AND THERE'S A FREAKING TRAFFIC JAM ON THE 5. 79 00:04:34,441 --> 00:04:36,007 I WISH I DIDN'T HAVE TO COMMUTE. 80 00:04:36,042 --> 00:04:37,976 WELL, WE WISH YOU HAD TOLD US YOU WANTED TO GO 81 00:04:38,011 --> 00:04:40,045 BEFORE THE DORMS GOT FULL. CAN'T HAVE EVERYTHING. 82 00:04:40,080 --> 00:04:41,780 BRANDON, DID YOU GET THE OIL CHECKED 83 00:04:41,815 --> 00:04:43,315 IN THE CAR, LIKE WE ASKED YOU TO YESTERDAY? 84 00:04:43,350 --> 00:04:44,816 -YES, IT'S FINE. -OKAY, DRIVE SAFE. 85 00:04:44,851 --> 00:04:47,018 -PROMISE. -WE'RE SO PROUD OF YOU, 86 00:04:47,053 --> 00:04:48,853 PLAYING PIANO AGAIN. 87 00:04:48,888 --> 00:04:51,923 PLAYING PIANO AT THE BEST MUSIC SCHOOL IN THE COUNTRY. 88 00:04:51,958 --> 00:04:53,825 OKAY, OKAY, I GOTTA GO, OR I'M GONNA BE LATE. 89 00:04:53,860 --> 00:04:55,861 -OKAY, DRIVE SAFE. -YES, YOU SAID THAT. 90 00:05:00,834 --> 00:05:02,901 WE CAN'T LIVE IN FEAR, OKAY? 91 00:05:04,871 --> 00:05:07,739 OH, FIRST DAY OF SUMMER SCHOOL. 92 00:05:07,774 --> 00:05:09,474 -WHO'S EXCITED? -Stef: I AM. 93 00:05:09,509 --> 00:05:11,476 Mariana: OKAY, LOOK, I HAVE TO GO. 94 00:05:11,511 --> 00:05:12,711 I HAVE TO GET TO ANA'S. 95 00:05:12,746 --> 00:05:15,780 SHE'S NOT GREAT, BUT SHE'S GETTING BETTER. 96 00:05:15,815 --> 00:05:18,383 LOOK, I REALLY HAVE TO GO, JESUS. 97 00:05:18,418 --> 00:05:19,784 I KEEP FORGETTING TO TELL YOU 98 00:05:19,819 --> 00:05:21,619 THAT YOUR INDEPENDENT STUDY AT THE DROP-IN CENTER 99 00:05:21,654 --> 00:05:22,854 HAS BEEN APPROVED BY THE TEACHER BOARD. 100 00:05:22,889 --> 00:05:24,923 -OH, GOOD. -SO JUST THINK, 101 00:05:24,958 --> 00:05:26,725 YOU GET THAT DONE, YOU PASS HISTORY 102 00:05:26,760 --> 00:05:28,026 AND YOU WILL BE ALL CAUGHT UP 103 00:05:28,061 --> 00:05:29,828 AND YOU CAN GRADUATE ON TIME, WITH YOUR CLASS. 104 00:05:29,863 --> 00:05:31,863 IT'S ALMOST LIKE I'M A NORMAL TEENAGER. 105 00:05:31,898 --> 00:05:34,466 -NORMAL IS OVERRATED. -YOU KNOW WHAT I MEAN. 106 00:05:34,501 --> 00:05:36,101 YES, SO NOW YOU JUST HAVE TO DECIDE... 107 00:05:36,136 --> 00:05:37,936 WHAT TO WRITE MY PAPER ON, I KNOW. 108 00:05:37,971 --> 00:05:40,105 HEY, LOOK, CALLIE WANTS TO TALK TO YOU. 109 00:05:40,140 --> 00:05:42,407 (whispers) TALK TO HIM. 110 00:05:43,843 --> 00:05:45,844 HEY, DUDE. HOW'S IT GOING? 111 00:05:45,879 --> 00:05:47,946 OKAY, I HAVE TO GET TO VICTOR AND ELENA'S. 112 00:05:47,981 --> 00:05:49,948 -I LOVE YOU GUYS. -LOVE YOU TOO. 113 00:05:49,983 --> 00:05:51,349 Callie: AWESOME. YEAH. 114 00:05:51,385 --> 00:05:54,152 YOU THINK WE MADE A MISTAKE, LETTING HER PLAY NURSEMAID AND ALL? 115 00:05:54,187 --> 00:05:56,121 I DON'T THINK WE REALLY HAD A CHOICE. 116 00:05:56,156 --> 00:05:58,022 Mike: HEY. 117 00:05:58,057 --> 00:06:00,024 MARIANA LET ME IN. YOU READY? 118 00:06:00,059 --> 00:06:01,860 YEAH. WE'RE GONNA GO 119 00:06:01,895 --> 00:06:03,895 TALK TO THE MAN WHO OWNS THE TRUCK. 120 00:06:03,930 --> 00:06:05,897 OKAY, WELL, DIDN'T THE DETECTIVES DO THAT ALREADY? 121 00:06:05,932 --> 00:06:08,099 YEAH, BUT WE JUST-- 122 00:06:08,134 --> 00:06:09,968 STEF, CAN I TALK TO YOU FOR A SECOND? 123 00:06:10,003 --> 00:06:11,936 Callie: HOW'S THAT GOING? 124 00:06:11,971 --> 00:06:13,872 OH, YEAH? 125 00:06:13,907 --> 00:06:15,874 DO YOU REALLY THINK YOU SHOULD BE INVESTIGATING THIS? 126 00:06:15,909 --> 00:06:18,443 I MEAN, YOU'RE AWFULLY CLOSE TO IT, YOU KNOW? 127 00:06:18,478 --> 00:06:20,779 DO YOU NOT WANT TO CATCH THIS GUY, HONEY-- 128 00:06:20,814 --> 00:06:23,148 YOU KNOW, THIS PERSON THAT PULLED A HIT-AND-RUN 129 00:06:23,183 --> 00:06:24,649 ON OUR KIDS? THEY COULD HAVE DIED. 130 00:06:24,684 --> 00:06:26,117 OF COURSE I WANT HIM CAUGHT, HONEY, 131 00:06:26,152 --> 00:06:27,852 BUT THAT'S NOT WHAT I'M TALKING ABOUT. 132 00:06:27,887 --> 00:06:29,087 DO YOU NOT UNDERSTAND 133 00:06:29,122 --> 00:06:31,423 WHY PEOPLE RUN FROM THE SCENE OF AN ACCIDENT? 134 00:06:31,458 --> 00:06:33,425 IT'S BECAUSE THEY'RE HIGH OR THEY'RE DRUNK 135 00:06:33,460 --> 00:06:35,927 OR THEY ARE WANTED FOR ANOTHER CRIME ALREADY. 136 00:06:35,962 --> 00:06:37,929 THIS COULD HAPPEN TO SOMEONE ELSE, 137 00:06:37,964 --> 00:06:39,431 ANOTHER FAMILY. IS THAT OKAY WITH YOU? 138 00:06:39,466 --> 00:06:40,632 NO, OF COURSE IT'S NOT OKAY. 139 00:06:40,667 --> 00:06:43,635 OKAY, WELL, IT'S BEEN THREE WEEKS SINCE THIS HAS HAPPENED 140 00:06:43,670 --> 00:06:44,869 AND WE'VE GOT NOTHING. 141 00:06:44,905 --> 00:06:47,873 THE CASE IS GONNA BE CLOSED IF SOMETHING DOESN'T BREAK SOON. 142 00:06:49,008 --> 00:06:50,775 OKAY. 143 00:06:50,810 --> 00:06:52,777 OKAY. 144 00:06:52,812 --> 00:06:54,112 Callie: YEAH. 145 00:06:54,147 --> 00:06:56,915 -MIKE. -YEAH. 146 00:06:56,950 --> 00:06:58,950 (phone bleeps) 147 00:06:58,985 --> 00:07:00,652 Callie: NICE. 148 00:07:02,922 --> 00:07:04,189 YEAH, SURE. 149 00:07:04,224 --> 00:07:06,691 YOU HAVE TO COME BACK FOR MY ADOPTION. 150 00:07:06,726 --> 00:07:09,661 I DON'T KNOW. A FEW WEEKS. MAYBE, LIKE, A MONTH. 151 00:07:09,696 --> 00:07:10,995 PROMISE? 152 00:07:11,030 --> 00:07:13,131 OKAY. ALL RIGHT, BYE. 153 00:07:13,166 --> 00:07:15,733 THAT IS, WITHOUT A DOUBT, 154 00:07:15,768 --> 00:07:17,802 THE LONGEST CONVERSATION WE'VE EVER HAD. 155 00:07:17,837 --> 00:07:19,871 OKAY, I GOTTA GO. 156 00:07:19,906 --> 00:07:21,639 I'M MEETING CONNOR BEFORE CLASS. 157 00:07:21,674 --> 00:07:24,108 OH, HEY, HAVE YOU AND CONNOR DECIDED 158 00:07:24,143 --> 00:07:26,211 WHAT YOU'RE GONNA DO AT SCHOOL? 159 00:07:26,246 --> 00:07:28,079 ARE YOU GONNA TELL PEOPLE OR--? 160 00:07:28,114 --> 00:07:29,647 UM, I DON'T KNOW. 161 00:07:29,682 --> 00:07:31,549 WE HAVEN'T REALLY TALKED ABOUT IT. 162 00:07:31,584 --> 00:07:34,052 WELL, DON'T YOU THINK YOU SHOULD, BUB-- TALK ABOUT IT? 163 00:07:34,087 --> 00:07:37,656 YOU KNOW, WHATEVER YOU DECIDE, WE'VE GOT YOUR BACK, RIGHT? 164 00:07:39,893 --> 00:07:42,961 I DON'T KNOW. WHAT DO YOU THINK? 165 00:07:42,996 --> 00:07:44,963 I MEAN, I ALREADY TOLD MY DAD. 166 00:07:44,998 --> 00:07:48,833 AND HE'S, LIKE, THE SCARIEST PERSON FOR ME, SO... 167 00:07:48,868 --> 00:07:50,869 I DON'T THINK WE SHOULD. 168 00:07:50,904 --> 00:07:52,971 REALLY? 169 00:07:53,006 --> 00:07:54,672 WHY NOT? 170 00:07:54,707 --> 00:07:56,274 IT'S JUST 171 00:07:56,309 --> 00:07:58,943 IT'S NOBODY'S BUSINESS, YOU KNOW? 172 00:07:58,978 --> 00:08:01,012 (school bell rings) 173 00:08:04,050 --> 00:08:06,518 BROTHER MAN, BROTHER MAN, YOU GOT SOME CHANGE? 174 00:08:06,553 --> 00:08:08,520 GOT A NICE JACKET. 175 00:08:08,555 --> 00:08:10,522 EXCUSE ME, MISS, YOU GOT SOME CHANGE? 176 00:08:10,557 --> 00:08:12,657 -YOU GOT ANY CHANGE? -NO. 177 00:08:12,692 --> 00:08:14,893 OKAY, PRINCESS, THANKS. 178 00:08:14,928 --> 00:08:17,962 I'M SORRY TO BOTHER YOU. YOU GO ON BACK TO YOUR PRIVILEGED LIFE. 179 00:08:17,997 --> 00:08:20,198 YOU DON'T KNOW ME, OKAY? YOU DON'T KNOW ANYTHING ABOUT ME. 180 00:08:20,233 --> 00:08:22,000 -OH, YOU WANT TO BET? -YEAH. 181 00:08:22,035 --> 00:08:24,569 HEY, GET OUT OF HERE. YOU, LEAVE THAT GIRL ALONE. 182 00:08:24,604 --> 00:08:26,571 -DON'T YOU TALK TO ME LIKE-- -I'LL GET UP ON YOU. 183 00:08:26,606 --> 00:08:29,541 I AIN'T DOING NOTHING, MAN. THIS IS A FREE COUNTRY. 184 00:08:29,576 --> 00:08:32,176 I DON'T EVEN KNOW WHY WE HAVE WEATHER PEOPLE IN SAN DIEGO. 185 00:08:32,211 --> 00:08:34,012 MAYBE YOU COULD BECOME ONE OF THOSE, 186 00:08:34,047 --> 00:08:35,914 WHEN YOU'RE BETTER. 187 00:08:35,949 --> 00:08:38,249 I MEAN, HOW HARD COULD IT BE? 188 00:08:38,284 --> 00:08:40,251 (baby fussing) 189 00:08:40,286 --> 00:08:42,621 I'LL GET HER. 190 00:08:45,091 --> 00:08:48,126 HI, GIRL. HUNGRY? 191 00:08:48,161 --> 00:08:50,061 DO YOU WANT TO TRY BREASTFEEDING HER? 192 00:08:50,096 --> 00:08:52,997 OH, NO, THERE'S NO POINT, NOT WITH THE BRACE. 193 00:08:53,032 --> 00:08:54,866 I CAN'T GET HER IN THE RIGHT POSITION. 194 00:08:54,901 --> 00:08:57,001 I PUMPED EARLIER. IT'S IN THE FRIDGE. 195 00:08:57,036 --> 00:08:59,037 OKAY. 196 00:09:03,109 --> 00:09:04,943 YOU'RE OKAY TO STAY TODAY? 197 00:09:04,978 --> 00:09:07,011 HI, SWEET GIRL. 198 00:09:07,046 --> 00:09:09,147 SURE YOU DON'T WANT TO GO SEE THAT BOYFRIEND OF YOURS? 199 00:09:09,182 --> 00:09:10,915 DIDN'T YOU SAY HE WAS LEAVING SOON? 200 00:09:10,950 --> 00:09:12,717 OH, YEAH. 201 00:09:12,752 --> 00:09:14,218 HE'S GOING ON TOUR WITH HIS BAND. 202 00:09:14,253 --> 00:09:16,054 BUT IT'S FINE. 203 00:09:16,089 --> 00:09:17,956 AND YOUR MOMS-- THEY'RE OKAY WITH THIS, 204 00:09:17,991 --> 00:09:19,624 WITH YOU SPENDING ALL YOUR TIME HERE? 205 00:09:19,659 --> 00:09:21,125 OH, YEAH. THEY'RE TOTALLY FINE. 206 00:09:21,160 --> 00:09:24,796 -AND THEY'RE NOT MAD? -ABOUT WHAT? 207 00:09:24,831 --> 00:09:27,666 THAT I KEPT ISABELLA. 208 00:09:30,937 --> 00:09:32,704 NO. 209 00:09:32,739 --> 00:09:34,973 NOT AT ALL. 210 00:09:35,008 --> 00:09:37,008 THEY'RE HAPPY FOR YOU, I PROMISE. 211 00:09:41,748 --> 00:09:43,748 THERE YOU GO, BEAUTIFUL. 212 00:09:51,958 --> 00:09:53,224 GOOD MORNING. 213 00:09:53,260 --> 00:09:57,161 HEY, SO I'VE GOT A FEW PROJECTS I COULD USE YOUR HELP WITH. 214 00:09:57,196 --> 00:09:59,263 WE NEED TO REPAINT THE CHAIRS FROM OUTSIDE, 215 00:09:59,298 --> 00:10:00,898 THE METAL ONES. WOULD YOU MIND? 216 00:10:00,933 --> 00:10:02,200 -YEAH. -OKAY, GREAT. 217 00:10:02,235 --> 00:10:04,369 I PICKED UP SOME SPRAY PAINT ON MY WAY IN. 218 00:10:04,404 --> 00:10:06,104 WE JUST GOTTA MAKE SURE WE LOCK IT UP 219 00:10:06,139 --> 00:10:08,039 IN THE STORAGE CABINET BEFORE WE GO HOME. 220 00:10:08,074 --> 00:10:09,107 LOCK IT UP? WHY? 221 00:10:09,142 --> 00:10:10,975 KIDS STEAL IT. THEY HUFF WITH IT, 222 00:10:11,010 --> 00:10:12,877 OR SELL IT TO GANGS. 223 00:10:12,912 --> 00:10:15,714 LOOKS LIKE I LEFT IT IN MY CAR. I'LL BE RIGHT BACK. 224 00:10:31,964 --> 00:10:34,332 Y'ALL GOT COMPUTERS IN HERE? 225 00:10:35,968 --> 00:10:37,869 THE CENTER IS FOR FOSTER KIDS. 226 00:10:37,904 --> 00:10:39,837 I AM A FOSTER KID. 227 00:10:39,872 --> 00:10:41,706 OH. 228 00:10:41,741 --> 00:10:43,074 OKAY. 229 00:10:43,109 --> 00:10:46,011 WELL, WHAT'S YOUR NAME? 230 00:10:47,013 --> 00:10:48,713 A.J. 231 00:10:48,748 --> 00:10:50,381 OKAY, A.J., 232 00:10:50,416 --> 00:10:53,118 WELL, THE COMPUTERS ARE OVER HERE. 233 00:11:19,045 --> 00:11:20,945 IS THIS THE REGISTRATION LINE? 234 00:11:20,980 --> 00:11:23,014 YEAH. 235 00:11:23,049 --> 00:11:24,449 I'M BRANDON. 236 00:11:24,484 --> 00:11:26,417 EKATERINA. 237 00:11:26,452 --> 00:11:28,853 -EKATER-- -JUST CALL ME KAT. 238 00:11:28,888 --> 00:11:30,855 OKAY. 239 00:11:30,890 --> 00:11:32,356 SO WHAT ARE YOU ST--? 240 00:11:32,391 --> 00:11:34,159 -PIANO PERFORMANCE. -OH, YEAH? ME TOO. 241 00:11:37,130 --> 00:11:39,931 -NAME AND DISCIPLINE? -BRANDON FOSTER, PIANO. 242 00:11:41,067 --> 00:11:43,034 SORRY. 243 00:11:43,069 --> 00:11:44,902 YOU SAID BRANDON FOSTER? 244 00:11:44,937 --> 00:11:46,070 YES. 245 00:11:46,105 --> 00:11:48,072 OH, WAIT. HERE YOU ARE. 246 00:11:48,107 --> 00:11:51,075 BUT YOU'RE NOT A PIANIST. YOU'RE HERE AS A COMPOSER. 247 00:11:51,110 --> 00:11:52,910 OH, YOU'RE A COMPOSER TOO, HUH? 248 00:11:52,945 --> 00:11:54,479 I'M TONY. 249 00:11:54,514 --> 00:11:57,248 I'M SORRY, THERE MUST BE SOME MISTAKE. 250 00:11:57,283 --> 00:11:58,950 I'M DEFINITELY, LIKE, A PIANIST. 251 00:11:58,985 --> 00:12:01,085 MAYBE THERE'S SOMEONE I COULD-- 252 00:12:01,120 --> 00:12:03,254 MISS SANDERSON, HI. MISS SANDERSON. 253 00:12:03,289 --> 00:12:05,890 OH, TERI, PLEASE. HI, BRANDON. 254 00:12:05,925 --> 00:12:08,459 EXCUSE ME, I THINK THERE'S BEEN A MIX-UP. 255 00:12:08,494 --> 00:12:11,496 THEY'VE GOT ME LISTED AS A COMPOSER AND I'M A PIANIST. 256 00:12:11,531 --> 00:12:13,765 OH, DID YOU NOT READ YOUR ACCEPTANCE LETTER? 257 00:12:13,800 --> 00:12:15,233 I'M PRETTY SURE IT WAS CLEAR. 258 00:12:15,268 --> 00:12:17,835 I MAY HAVE SEEN THE WORD "CONGRATULATIONS" 259 00:12:17,870 --> 00:12:19,270 AND STARTED RUNNING AROUND THE HOUSE. 260 00:12:19,305 --> 00:12:22,039 TO BE HONEST, I DIDN'T THINK YOUR TECHNIQUE WAS 261 00:12:22,074 --> 00:12:24,809 WHERE IT NEEDED TO BE FOR THE PERFORMANCE TRACK. 262 00:12:24,844 --> 00:12:27,812 BUT I DID HEAR SOMETHING IN THAT PIECE YOU WROTE, 263 00:12:27,847 --> 00:12:30,314 SOMETHING REALLY SPECIAL. 264 00:12:30,349 --> 00:12:32,917 THIS IS A WONDERFUL PROGRAM. 265 00:12:32,952 --> 00:12:35,120 I HOPE YOU'LL GIVE IT A CHANCE. 266 00:12:38,457 --> 00:12:40,792 WE COULDN'T HELP BUT NOTICE THAT YOU DIDN'T MENTION 267 00:12:40,827 --> 00:12:43,161 THAT THE TRUCK HAD BEEN STOLEN TILL THE DAY AFTER THE ACCIDENT. 268 00:12:43,196 --> 00:12:44,962 WHY WAS THAT EXACTLY? 269 00:12:44,997 --> 00:12:46,864 I ALREADY TOLD THE COPS ALL THIS. 270 00:12:46,899 --> 00:12:48,432 WELL, YOU DIDN'T TELL THESE COPS. 271 00:12:48,467 --> 00:12:50,434 I USED TO PARK IT BEHIND THE GARAGE 272 00:12:50,469 --> 00:12:52,336 'CAUSE IT DIDN'T HAVE THE TAGS 273 00:12:52,371 --> 00:12:54,138 -OR THE REGISTRATION OR-- -RIGHT. 274 00:12:54,173 --> 00:12:56,140 YEAH, BUT THE KEY WAS IN THE VEHICLE WHEN IT CRASHED. 275 00:12:56,175 --> 00:12:58,342 I USED TO LEAVE THE KEYS UP BEHIND THE VISOR. 276 00:12:58,377 --> 00:13:01,045 I NEVER EXPECTED ANYBODY TO STEAL A PIECE OF JUNK LIKE THAT. 277 00:13:01,080 --> 00:13:03,581 I DIDN'T EVEN KNOW IT WAS GONE TILL MY SON SAID SOMETHING. 278 00:13:03,616 --> 00:13:05,583 OH, YOU HAVE A SON? 279 00:13:05,618 --> 00:13:08,052 OH, I DON'T RECALL SEEING THAT MENTIONED 280 00:13:08,087 --> 00:13:09,887 IN THE REPORTS. DOES HE LIVE HERE? 281 00:13:09,922 --> 00:13:11,989 OH, NO. 282 00:13:12,024 --> 00:13:14,125 HE STAYS WITH SOME BUDDIES OVER ON CLIFF. 283 00:13:14,160 --> 00:13:17,094 THAT'S WHY I DIDN'T SAY ANYTHING ABOUT HIM. 284 00:13:17,129 --> 00:13:19,063 WELL, IF YOU COULD GIVE US ANY KIND OF CONTACT INFORMATION 285 00:13:19,098 --> 00:13:21,065 YOU HAVE FOR HIM, WE'D REALLY APPRECIATE IT. 286 00:13:21,100 --> 00:13:22,967 WHAT'S HIS NAME? 287 00:13:26,072 --> 00:13:28,039 THOUGHT YOU MIGHT BE HUNGRY. 288 00:13:28,074 --> 00:13:30,074 THANK YOU. 289 00:13:34,981 --> 00:13:36,881 SO YOU WORK HERE? 290 00:13:36,916 --> 00:13:39,016 YEAH, JUST PART OF MY PRIVILEGED LIFE, 291 00:13:39,051 --> 00:13:42,153 ALONG WITH SEVEN FOSTER HOMES AND JUVIE, YOU KNOW. 292 00:13:42,188 --> 00:13:44,155 I'M SORRY. 293 00:13:44,190 --> 00:13:45,490 WHAT'S THAT? 294 00:13:46,525 --> 00:13:48,926 OH, IT'S STUPID. 295 00:13:48,961 --> 00:13:51,028 I DON'T THINK IT IS. I LIKE IT. 296 00:13:51,063 --> 00:13:52,864 LET ME SEE. 297 00:13:52,899 --> 00:13:54,966 WHO IS THAT? 298 00:13:55,001 --> 00:13:58,369 IT'S-- IT'S DUMB. 299 00:13:58,404 --> 00:14:00,438 IT'S THIS GUY THAT ME AND MY BROTHER MADE UP 300 00:14:00,473 --> 00:14:03,207 WHEN WE GOT PUT INTO THE SYSTEM AND SENT TO DIFFERENT HOMES. 301 00:14:03,242 --> 00:14:07,245 HE WAS LIKE OUR OWN PRIVATE SUPERHERO, YOU KNOW? 302 00:14:07,280 --> 00:14:11,416 YEAH, ME AND MY BROTHER COULD HAVE USED SOMEONE LIKE THAT. 303 00:14:13,152 --> 00:14:15,052 WE'D-- 304 00:14:15,087 --> 00:14:18,356 WE'D PUT THE SYMBOL IN THE WINDOWS OF OUR BEDROOMS, 305 00:14:18,391 --> 00:14:20,591 AND THAT MEANT WE WERE SUPPOSED TO MEET AT BELMONT PARK. 306 00:14:20,626 --> 00:14:21,993 LIKE THE BAT SIGNAL? 307 00:14:22,028 --> 00:14:23,995 YEAH. 308 00:14:24,030 --> 00:14:26,030 YEAH. 309 00:14:27,433 --> 00:14:29,267 WHERE IS YOUR BROTHER NOW? 310 00:14:33,105 --> 00:14:36,274 OKAY, WELL, IF YOU NEED ANYTHING, JUST LET ME KNOW. 311 00:14:43,115 --> 00:14:44,916 WHAT? 312 00:14:44,951 --> 00:14:46,918 YOU'RE SO GOOD AT THAT, CALLIE. 313 00:14:46,953 --> 00:14:48,920 YOU'RE SO GOOD 314 00:14:48,955 --> 00:14:50,454 WITH THE KIDS WHO COME IN HERE, 315 00:14:50,489 --> 00:14:53,457 GETTING THEM TO OPEN UP. IT'S PRETTY AMAZING. 316 00:14:53,492 --> 00:14:55,092 NOW I REALLY HOPE 317 00:14:55,127 --> 00:14:57,428 THAT WHEN THIS INDEPENDENT STUDY OF YOURS IS OVER, 318 00:14:57,463 --> 00:15:00,498 THAT YOU'LL KEEP WORKING HERE. 319 00:15:00,533 --> 00:15:02,533 YOU'VE GOT A REAL GIFT. 320 00:15:21,587 --> 00:15:23,587 WHO IS THAT? 321 00:15:23,622 --> 00:15:26,357 UH, IT'S ME ACTUALLY. 322 00:15:26,392 --> 00:15:28,092 I WROTE IT FOR MY AUDITION. 323 00:15:28,127 --> 00:15:30,161 OH, REALLY? 324 00:15:30,196 --> 00:15:32,163 IT'S LOVELY. 325 00:15:32,198 --> 00:15:34,065 YOU THINK SO? 326 00:15:34,100 --> 00:15:37,068 'CAUSE I, YOU KNOW-- I-- I THOUGHT I WAS COMING HERE AS A PIANIST 327 00:15:37,103 --> 00:15:39,537 AND THEY PUT ME IN THE COMPOSING TRACK. 328 00:15:39,572 --> 00:15:42,673 SO I DON'T KNOW WHAT I WANT TO DO NOW. 329 00:15:42,708 --> 00:15:45,209 REALLY? 330 00:15:45,244 --> 00:15:48,012 THAT'S NOT A DEMOTION, YOU KNOW. 331 00:15:48,047 --> 00:15:51,315 COMPOSERS ARE THE REAL ROCK STARS AROUND HERE. 332 00:15:51,350 --> 00:15:53,317 I MEAN, THINK ABOUT IT. 333 00:15:53,352 --> 00:15:55,319 NOBODY REMEMBERS THE GUY WHO PLAYED MOZART 334 00:15:55,354 --> 00:15:57,588 IN FRONT OF THE KING, 335 00:15:57,623 --> 00:16:00,091 BUT EVERYBODY KNOWS MOZART. 336 00:16:08,801 --> 00:16:10,768 SO THE STAGE WILL BE SET UP HERE, 337 00:16:10,803 --> 00:16:13,337 THE REFRESHMENTS HERE, WHERE WE CAN KEEP A GOOD EYE ON THEM. 338 00:16:13,372 --> 00:16:16,540 AND OVER HERE WILL BE THE SORT OF HANGOUT AREA. DOES THAT SOUND GOOD? 339 00:16:16,575 --> 00:16:19,010 PERFECT. GREAT WORK. 340 00:16:19,045 --> 00:16:20,311 AND DAY ONE OF SUMMER SCHOOL? 341 00:16:20,346 --> 00:16:22,480 OFF WITHOUT A HITCH, AS FAR AS I CAN TELL. 342 00:16:22,515 --> 00:16:24,749 IT'S GREAT THAT WE WERE ABLE TO HIRE THOSE EXTRA TEACHERS. 343 00:16:24,784 --> 00:16:26,517 THANK YOU, KILFER GRANT. 344 00:16:26,552 --> 00:16:28,319 SPEAKING OF THE KILFER GRANT, 345 00:16:28,354 --> 00:16:31,155 ONE OF THE BENEFITS THAT COMES WITH IT IS A TRIP FOR TWO 346 00:16:31,190 --> 00:16:33,157 TO D.C. FOR THEIR NATIONAL CONFERENCE. 347 00:16:33,192 --> 00:16:36,027 AND IT'S COMING UP, LIKE, EARLY JULY, I THINK. 348 00:16:36,062 --> 00:16:38,162 I HEAR IT'S INCREDIBLE. THE MOST AMAZING 349 00:16:38,197 --> 00:16:40,464 PROGRESSIVE THINKERS IN THE BUSINESS ARE ALL THERE. 350 00:16:40,499 --> 00:16:42,133 SO CAN YOU COME? 351 00:16:43,335 --> 00:16:45,169 UM... 352 00:16:45,805 --> 00:16:47,672 OKAY. 353 00:16:54,580 --> 00:16:57,415 WHEN ARE THINGS GONNA STOP BEING WEIRD BETWEEN US? 354 00:16:57,450 --> 00:17:00,184 I DON'T EVEN KNOW 355 00:17:00,219 --> 00:17:03,054 WHAT THAT LITTLE KISS WAS ABOUT. 356 00:17:03,089 --> 00:17:05,689 I'M STRAIGHT. 357 00:17:05,724 --> 00:17:08,325 I WAS MARRIED. 358 00:17:08,360 --> 00:17:11,029 IT WAS NOTHING. RIGHT? 359 00:17:13,099 --> 00:17:16,067 YES, ABSOLUTELY. 360 00:17:16,102 --> 00:17:18,369 OKAY, GOOD. 361 00:17:18,404 --> 00:17:20,638 SO CAN WE JUST GO BACK TO HOW THINGS WERE? 362 00:17:20,673 --> 00:17:22,106 YES. 363 00:17:22,141 --> 00:17:23,641 AND YOU'LL THINK ABOUT THE TRIP? 364 00:17:23,676 --> 00:17:25,709 I'M TELLING YOU, WE'LL HAVE A GREAT TIME. 365 00:17:25,744 --> 00:17:27,245 I PROMISE. 366 00:17:28,614 --> 00:17:30,247 Man: SO, AS YOU KNOW, 367 00:17:30,282 --> 00:17:33,217 COMPOSERS ARE PAIRED WITH A MUSICIAN FOR THEIR MAGNUM OPUS-- 368 00:17:33,252 --> 00:17:35,853 THE PIECE THAT YOU'LL BE WORKING ON TOGETHER ALL SUMMER LONG. 369 00:17:35,888 --> 00:17:38,089 THE BIG NEWS IS, THIS YEAR, 370 00:17:38,124 --> 00:17:40,524 THE PIECE DEEMED BEST BY THE FACULTY 371 00:17:40,559 --> 00:17:43,694 WILL BE PERFORMED WITH THE LOS ANGELES PHILHARMONIC 372 00:17:43,729 --> 00:17:45,629 AT DISNEY HALL. 373 00:17:45,664 --> 00:17:47,465 OH MY GOD, I HOPE I GET KAT. 374 00:17:47,500 --> 00:17:49,266 SHE'S, HANDS DOWN, THE BEST ONE HERE. 375 00:17:49,301 --> 00:17:51,202 Teacher: OKAY, SO HERE WE GO. 376 00:17:51,237 --> 00:17:54,538 MISCHA, YOU'RE WORKING WITH ANDRE. 377 00:17:54,573 --> 00:17:56,674 TONY, YOU'LL BE WITH JIN. 378 00:17:56,709 --> 00:17:58,242 AND, BRANDON, YOU'LL BE WORKING WITH-- 379 00:17:58,277 --> 00:18:00,878 WAIT, NO. YES. 380 00:18:00,913 --> 00:18:02,780 RIGHT, YOU'LL BE WORKING WITH KAT. 381 00:18:02,815 --> 00:18:04,815 -YES, KAT. -I'M SORRY, 382 00:18:04,850 --> 00:18:07,118 I'M ONE OF THE MOST ACCOMPLISHED MUSICIANS HERE. 383 00:18:07,153 --> 00:18:09,386 THERE'S NO WAY YOU'RE PAIRING ME WITH HIM. HE'S BRAND NEW. 384 00:18:09,421 --> 00:18:11,889 I'M S-- I-- I THOUGHT 385 00:18:11,924 --> 00:18:14,258 YOU LIKED MY PIECE. YOU SAID IT WAS LOVELY. 386 00:18:14,293 --> 00:18:16,494 YEAH, I WAS BEING NICE. SURE, IT'S LOVELY, 387 00:18:16,529 --> 00:18:19,563 FOR A SIX-YEAR-OLD. YOU'RE NOT READY FOR THIS. 388 00:18:19,598 --> 00:18:22,867 I'VE BEEN COMING TO THIS CAMP EVERY SUMMER FOR THE LAST FIVE YEARS. 389 00:18:22,902 --> 00:18:25,536 AND I'M CERTAINLY NOT GONNA LOSE MY CHANCE OF PLAYING DISNEY HALL 390 00:18:25,571 --> 00:18:27,304 BECAUSE I GOT PARTNERED WITH SOME AMATEUR. 391 00:18:27,339 --> 00:18:29,840 BRANDON, PLEASE FORGIVE KAT. SHE'S VERY PASSIONATE ABOUT HER WORK. 392 00:18:29,875 --> 00:18:33,210 AND I'M SORRY, KAT, BUT THESE PARTNERSHIPS AREN'T UP FOR DISCUSSION. 393 00:18:33,245 --> 00:18:34,912 I, FOR ONE, AM VERY EXCITED 394 00:18:34,947 --> 00:18:36,814 ABOUT WHAT YOU AND BRANDON COME UP WITH TOGETHER. 395 00:18:36,849 --> 00:18:38,916 -BUT-- -END OF CONVERSATION. 396 00:18:38,951 --> 00:18:41,719 KIERAN, YOU'LL BE WORKING WITH REESE. 397 00:18:41,754 --> 00:18:43,821 CHRISTIAN AND KAY, AND TIMIOTHY... 398 00:18:45,958 --> 00:18:50,294 OKAY, SO YOUR DAD'S COMING TO PICK YOU UP, RIGHT? 399 00:18:50,329 --> 00:18:52,763 DO YOU WANT ME TO WAIT? 400 00:18:52,798 --> 00:18:54,665 NO, I'M GOOD. 401 00:18:54,700 --> 00:18:57,168 OKAY, I'LL CALL YOU. 402 00:18:59,772 --> 00:19:02,306 HEY, WHAT ARE YOU GUYS--? 403 00:19:02,341 --> 00:19:05,643 DARIA SIGNED US UP TO DECORATE FOR THE PARTY TOMORROW. 404 00:19:05,678 --> 00:19:08,779 CAN YOU JUST TELL ME ONE THING? 405 00:19:08,814 --> 00:19:11,482 WHY? WHY WOULD YOU BREAK UP WITH ME? 406 00:19:11,517 --> 00:19:13,384 I DON'T GET IT. 407 00:19:14,853 --> 00:19:18,322 YOU KNOW WHAT? JUST FORGET IT, OKAY? 408 00:19:19,725 --> 00:19:21,625 WHY DON'T YOU JUST TELL HER? 409 00:19:21,660 --> 00:19:22,927 TELL HER WHAT? 410 00:19:22,962 --> 00:19:25,963 THAT YOU'RE INTO JUDE. IT'S COMPLETELY OBVIOUS. 411 00:19:25,998 --> 00:19:28,733 I-- I JUST-- 412 00:19:29,969 --> 00:19:31,702 I CAN'T. 413 00:19:39,578 --> 00:19:41,312 ¶ PICKING UP... ¶ 414 00:19:41,347 --> 00:19:42,980 (knocks on door) 415 00:19:43,015 --> 00:19:46,250 ¶ THE PIECES ¶ 416 00:19:46,285 --> 00:19:49,620 ¶ EVENING OUT THE SCORE... ¶ 417 00:19:49,655 --> 00:19:51,989 HEY. COME IN. 418 00:19:52,024 --> 00:19:54,491 IS THAT A BABY BOOK? 419 00:19:54,526 --> 00:19:57,561 IS THERE SOMETHING YOU WANT TO TELL ME? 420 00:19:57,596 --> 00:19:59,863 NO, IT'S FOR ISABELLA. 421 00:19:59,898 --> 00:20:01,899 FIGURED. 422 00:20:01,934 --> 00:20:05,803 I MEAN, IT WOULD BE KIND OF HARD FOR YOU TO BE, YOU KNOW-- 423 00:20:05,838 --> 00:20:08,439 BECAUSE WE HAVEN'T, YOU KNOW-- 424 00:20:13,812 --> 00:20:15,879 SO ARE YOU AVOIDING ME? 425 00:20:15,914 --> 00:20:18,916 I MEAN, IS THAT WHY YOU'RE SPENDING ALL YOUR TIME WITH THE BABY? 426 00:20:18,951 --> 00:20:21,418 NO. 427 00:20:21,453 --> 00:20:22,920 NOT REALLY. 428 00:20:22,955 --> 00:20:25,556 I MEAN, I HAVE TO DO SOMETHING ALL SUMMER TOO, RIGHT? 429 00:20:25,591 --> 00:20:28,259 AND YOU'RE GONNA BE GONE. AND ANA REALLY NEEDS THE HELP, SO... 430 00:20:28,294 --> 00:20:31,696 AND THAT'S WHY I'VE BARELY SEEN YOU AT ALL IN THE LAST WEEK? 431 00:20:37,970 --> 00:20:39,970 YOU'RE COMING TO THE PARTY TOMORROW AT SCHOOL, RIGHT? 432 00:20:40,005 --> 00:20:42,640 YEAH, IF I CAN. 433 00:20:42,675 --> 00:20:45,409 MARIANA, IT'S THE START OF THE TOUR. 434 00:20:45,444 --> 00:20:48,412 LOOK, I'LL BE THERE AS SOON AS ELENA GETS HOME FROM THE BAKERY, OKAY? 435 00:20:49,882 --> 00:20:50,848 OKAY. 436 00:20:52,718 --> 00:20:56,954 ¶ GIVE ME EVERYTHING ¶ 437 00:20:56,989 --> 00:20:59,023 ¶ OR NOTHING AT ALL... ¶ 438 00:20:59,058 --> 00:21:02,493 WHAT AM I GONNA DO WITHOUT THESE LIPS FOR THREE WHOLE WEEKS? 439 00:21:02,528 --> 00:21:04,061 I HAVE NO IDEA. 440 00:21:04,096 --> 00:21:06,897 ¶ OR NOTHING AT ALL. ¶ 441 00:21:08,100 --> 00:21:10,868 DON'T FORGET I'M ONLY HERE TILL NOON TODAY. 442 00:21:10,903 --> 00:21:13,437 OH, YEAH. THAT'S RIGHT. WHY IS THAT AGAIN? 443 00:21:13,472 --> 00:21:16,507 WELL, I DECIDED THAT I'M DOING 444 00:21:16,542 --> 00:21:18,342 EVERYTHING IN MY POWER THIS SUMMER 445 00:21:18,377 --> 00:21:20,444 TO ACT LIKE A NORMAL TEENAGER, SO I'M GOING 446 00:21:20,479 --> 00:21:23,347 TO THE STUPID ANCHOR BEACH END-OF-THE-YEAR PARTY THING. 447 00:21:23,382 --> 00:21:25,349 OH, YEAH? WHERE ARE THEY HAVING IT? 448 00:21:25,384 --> 00:21:27,918 ON THE BEACH, LIKE, RIGHT IN FRONT OF THE SCHOOL. 449 00:21:27,953 --> 00:21:29,553 WOW, NICE. 450 00:21:29,588 --> 00:21:31,555 WE NEVER HAD ANY PARTIES LIKE THAT WHERE I WENT. 451 00:21:31,590 --> 00:21:33,057 THEY WERE LIKE, "SCHOOL'S OVER. GET OUT OF HERE." 452 00:21:33,092 --> 00:21:35,960 YEAH, I KNOW. I STILL CAN'T BELIEVE I GO TO SCHOOL-- 453 00:21:40,466 --> 00:21:42,099 CALLIE, EVERYTHING OKAY? 454 00:21:42,134 --> 00:21:44,335 YEAH, YEAH, EVERYTHING'S FINE. 455 00:21:50,376 --> 00:21:52,109 HEY. HEY, A.J., WAIT UP. 456 00:21:52,144 --> 00:21:54,445 LOOK, YOU CAN'T SLEEP IN THERE, OKAY? 457 00:21:54,480 --> 00:21:56,380 BUT IF YOU RAN AWAY FROM YOUR FOSTER HOME, 458 00:21:56,415 --> 00:21:58,982 OR IF YOU NEED ANYTHING, I CAN HELP YOU, OKAY? 459 00:21:59,017 --> 00:22:00,918 I WON'T GET YOU IN TROUBLE, I PROMISE. 460 00:22:06,658 --> 00:22:09,660 HEY, SORRY I'M SO LATE. THE BUS NEVER CAME. 461 00:22:09,695 --> 00:22:11,995 I ENDED UP HAVING TO STEAL JUDE'S BIKE. 462 00:22:12,030 --> 00:22:14,898 ELENA, YOU CAN GET GOING! I'M HERE! 463 00:22:14,933 --> 00:22:17,668 SHE LEFT ALREADY. 464 00:22:17,703 --> 00:22:19,036 WOW. 465 00:22:20,873 --> 00:22:22,673 I WENT TO THE DOCTOR YESTERDAY 466 00:22:22,708 --> 00:22:24,508 AND HE TOLD ME I COULD TAKE OFF MY BRACE. 467 00:22:24,543 --> 00:22:26,510 SAID I NEED TO TAKE IT EASY, 468 00:22:26,545 --> 00:22:28,512 BUT I CAN START DOING NORMAL THINGS AGAIN, 469 00:22:28,547 --> 00:22:30,814 FOR A FEW HOURS. 470 00:22:30,849 --> 00:22:32,950 WELL, DO YOU NEED ME TO TAKE HER? 471 00:22:32,985 --> 00:22:34,718 SHE PROBABLY NEEDS TO BE CHANGED. 472 00:22:34,753 --> 00:22:36,721 NOPE, JUST CHANGED HER. 473 00:22:39,892 --> 00:22:42,893 WELL, YOU SHOULD PROBABLY LIFT HER HEAD A LITTLE BIT. 474 00:22:42,928 --> 00:22:45,496 HER NECK IS-- 475 00:22:45,531 --> 00:22:48,065 DO YOU NEED ANY HELP? 476 00:22:50,569 --> 00:22:52,536 OKAY, WELL, 477 00:22:52,571 --> 00:22:55,672 BE CAREFUL. I DON'T WANT YOU TO HURT YOURSELF. 478 00:22:55,707 --> 00:22:57,007 YOU KNOW WHAT? I'M FINE. 479 00:22:57,042 --> 00:22:59,744 I'VE GOT THIS. THANK YOU. 480 00:23:01,547 --> 00:23:02,713 SORRY. 481 00:23:02,748 --> 00:23:05,883 LISTEN, I REALLY APPRECIATE YOU COMING ALL THIS TIME, 482 00:23:05,918 --> 00:23:08,786 BUT I THINK I NEED TO SPEND 483 00:23:08,821 --> 00:23:10,888 SOME TIME ALONE WITH BELLA, OKAY? 484 00:23:14,660 --> 00:23:16,660 OKAY. 485 00:23:17,930 --> 00:23:20,631 DON'T YOU HAVE A SCHOOL PARTY TODAY? 486 00:23:20,666 --> 00:23:22,433 GO. 487 00:23:22,468 --> 00:23:24,635 YOU KNOW, GO SEE THAT BOYFRIEND BEFORE HE LEAVES. 488 00:23:24,670 --> 00:23:26,804 GIVE HIM A REASON TO MISS YOU. 489 00:23:29,975 --> 00:23:31,975 IT'S MY DAD'S TRUCK, OKAY? 490 00:23:32,010 --> 00:23:34,044 I DON'T KNOW WHAT YOU THINK I GOT TO DO WITH IT. 491 00:23:34,079 --> 00:23:36,580 WHY WOULD I STEAL IT? I GOT MY OWN CAR. 492 00:23:36,615 --> 00:23:37,848 AND A SUSPENDED DRIVER'S LICENSE. 493 00:23:37,883 --> 00:23:40,784 MAYBE YOU JUST DIDN'T FEEL LIKE DRIVING YOUR OWN CAR THAT DAY. 494 00:23:40,819 --> 00:23:43,153 LOOK, WHAT DO YOU WANT ME TO SAY? I DIDN'T TAKE THE TRUCK. 495 00:23:43,188 --> 00:23:44,888 I HAVEN'T DRIVEN THAT THING 496 00:23:44,923 --> 00:23:46,957 IN, I DON'T KNOW, A FEW YEARS. 497 00:23:46,992 --> 00:23:48,659 OKAY. 498 00:23:48,694 --> 00:23:51,128 YOU DON'T MIND HANGING OUT FOR A FEW MINUTES? 499 00:23:51,163 --> 00:23:52,863 THANK YOU. 500 00:23:57,002 --> 00:23:58,869 YOU SEE THAT CUT ABOVE HIS EYE? 501 00:23:58,904 --> 00:24:01,738 LOOKS TO BE ABOUT THREE WEEKS OLD TO ME, AND TOTALLY CONSISTENT 502 00:24:01,773 --> 00:24:03,841 WITH SOMEONE WHO MIGHT HAVE HIT THEIR HEAD ON A STEERING WHEEL. 503 00:24:03,876 --> 00:24:05,709 -I CHECKED HIS PRINTS. -AND? 504 00:24:05,744 --> 00:24:07,778 THEY DON'T MATCH THE ONES ON THE STEERING WHEEL. 505 00:24:07,813 --> 00:24:09,079 YOU'RE KIDDING. 506 00:24:09,114 --> 00:24:11,882 THERE'S NO WAY IT COULD BE HIM. 507 00:24:14,286 --> 00:24:17,020 -OKAY. -ALSO THEY'RE SENDING THE CARS TO THE JUNKYARD, 508 00:24:17,055 --> 00:24:20,057 SO IF YOU NEED ANYTHING OUT OF THE VOLVO, THIS IS YOUR LAST CHANCE. 509 00:24:45,851 --> 00:24:47,284 I QUIT MY CODING CLASS 510 00:24:47,319 --> 00:24:49,286 AND I GAVE UP MY WHOLE SUMMER FOR HER AND THE BABY, 511 00:24:49,321 --> 00:24:51,154 AND NOW IT'S LIKE SHE DOESN'T EVEN WANT ME AROUND. 512 00:24:51,189 --> 00:24:53,857 I'D BE WILLING TO BET THAT'S NOT ENTIRELY TRUE. 513 00:24:53,892 --> 00:24:55,993 WELL, YOU WOULD LOSE THAT BET. 514 00:24:56,028 --> 00:24:57,995 AND STUPID MAT IS LEAVING. 515 00:24:58,030 --> 00:25:01,465 PROBABLY GONNA FORGET ALL ABOUT ME AND HOOK UP WITH ALL THOSE GROUPIES. 516 00:25:01,500 --> 00:25:05,135 YOU THINK SOMEONE'S LITTLE SISTER HAS GROUPIES? 517 00:25:05,170 --> 00:25:07,204 HE IS NOT GONNA FORGET ABOUT YOU. 518 00:25:07,239 --> 00:25:09,640 WELL, I'M GONNA MAKE SURE OF THAT. 519 00:25:09,675 --> 00:25:12,009 I'M GONNA HAVE SEX WITH HIM. 520 00:25:12,044 --> 00:25:15,846 WAIT, YOU'RE GONNA LOSE YOUR VIRGINITY? 521 00:25:15,881 --> 00:25:18,048 ARE YOU SURE YOU'RE READY FOR THAT? 522 00:25:40,138 --> 00:25:43,740 ¶ I DON'T LIKE THE WAY YOU'RE TALKING TO ME ¶ 523 00:25:43,775 --> 00:25:47,010 ¶ ANY OTHER DAY IT WOULD HAVE BEEN OKAY ¶ 524 00:25:47,045 --> 00:25:50,013 ¶ BUT NOT TODAY, NOT TODAY... ¶ 525 00:25:50,048 --> 00:25:52,583 SHOULDN'T YOU BE AT IDYLLWILD? 526 00:25:52,618 --> 00:25:55,185 YEAH, I DIDN'T GO TODAY. 527 00:25:55,220 --> 00:25:58,021 COULDN'T MISS THE PARTY, RIGHT? 528 00:25:58,056 --> 00:26:01,258 ¶ JUST DON'T CALL ME, JUST DON'T CALL ME BABY, BABY... ¶ 529 00:26:01,293 --> 00:26:03,260 I'M NOT REALLY SURE IT'S FOR ME. 530 00:26:03,295 --> 00:26:05,129 WHAT? REALLY? 531 00:26:07,933 --> 00:26:09,733 THEY PUT ME IN AS-- 532 00:26:09,768 --> 00:26:12,636 WAIT, BRANDON, SORRY. I'LL BE RIGHT BACK. 533 00:26:16,708 --> 00:26:18,675 SORRY I CRASHED YOUR PARTY. 534 00:26:18,710 --> 00:26:21,044 HOW DID YOU EVEN KNOW I WAS HERE? 535 00:26:21,079 --> 00:26:23,046 YOU AND THAT GUY WERE TALKING ABOUT IT THIS MORNING. 536 00:26:23,081 --> 00:26:24,881 -I DIDN'T KNOW WHERE ELSE TO GO, SO... -WHAT HAPPENED? 537 00:26:24,916 --> 00:26:27,250 I WAS LOOKING FOR A PLACE TO SLEEP TONIGHT, YOU KNOW, 538 00:26:27,285 --> 00:26:29,786 SOMEPLACE SAFE, AND A COUPLE GUYS JUMPED ME. 539 00:26:29,821 --> 00:26:31,121 YOU-- 540 00:26:33,025 --> 00:26:34,992 YOU SAID YOU COULD HELP ME. 541 00:26:35,027 --> 00:26:36,960 YEAH. YES, I WILL. 542 00:26:36,995 --> 00:26:38,929 BUT I CAN'T REALLY DO THAT 543 00:26:38,964 --> 00:26:41,098 UNLESS I KNOW EXACTLY WHAT'S GOING ON. 544 00:26:44,036 --> 00:26:46,970 I RAN AWAY FROM MY FOSTER FAMILY. 545 00:26:47,005 --> 00:26:49,339 THEY WAS PRETTY COOL AND ALL, BUT I RAN AWAY 546 00:26:49,374 --> 00:26:51,642 'CAUSE I WAS SUPPOSED TO MEET UP WITH MY BROTHER. 547 00:26:51,677 --> 00:26:54,311 HE AGED OUT A COUPLE OF YEARS AGO, SO HE'S BEEN ON HIS OWN. 548 00:26:54,346 --> 00:26:56,847 BUT WE WERE SUPPOSED TO TAKE OFF AND GET OUT OF TOWN. 549 00:26:56,882 --> 00:26:58,915 WE HAD THIS WHOLE PLAN, BUT WHEN I WAS SUPPOSED TO MEET HIM, 550 00:26:58,950 --> 00:27:00,851 HE NEVER SHOWED UP. 551 00:27:00,886 --> 00:27:03,687 OKAY, WHAT IF WE CALLED YOUR FOSTER PARENTS? 552 00:27:03,722 --> 00:27:05,689 THEY ALWAYS TOLD ME, "YOU RUN ONE TIME-- 553 00:27:05,724 --> 00:27:07,724 THAT'S IT. WE'RE DONE." 554 00:27:07,759 --> 00:27:09,726 OKAY, SO IF YOU CAN'T GO BACK, 555 00:27:09,761 --> 00:27:12,763 WE CAN GET YOU EMERGENCY PLACEMENT. 556 00:27:12,798 --> 00:27:15,099 BUT WHERE ARE YOU GONNA SLEEP TONIGHT? 557 00:27:20,706 --> 00:27:21,972 YOU GOT IT? 558 00:27:22,007 --> 00:27:23,641 -YEAH, I GOT IT. -OKAY. 559 00:27:28,914 --> 00:27:31,281 OKAY, WAIT, WAIT. SO YOU TWO ARE GAY FOR EACH OTHER? 560 00:27:32,984 --> 00:27:35,886 YEAH. SO WHAT? YOU GOT SOMETHING TO SAY ABOUT IT? 561 00:27:35,921 --> 00:27:38,288 NO, MAN. IT'S ALL GOOD. 562 00:27:38,323 --> 00:27:40,357 -I JUST HEARD AND I THOUGHT-- -YOU THOUGHT WHAT? 563 00:27:40,392 --> 00:27:42,826 -NOTHING, MAN. IT'S COOL. -THEN GET OUT OF MY FACE. 564 00:27:42,861 --> 00:27:46,296 -I KNEW IT WASN'T ME. -SHUT UP, DARIA. 565 00:27:46,331 --> 00:27:49,332 -I THOUGHT WE WEREN'T GONNA SAY ANYTHING. -DON'T BE MAD AT CONNOR. 566 00:27:49,367 --> 00:27:52,769 IT WASN'T HIM. IT WAS ME. 567 00:27:52,804 --> 00:27:54,838 -Connor: WHAT? -WELL, I THOUGHT I WAS HELPING. 568 00:27:54,873 --> 00:27:57,074 I THOUGHT YOU WERE THE ONE WHO DIDN'T WANT TO COME OUT, 569 00:27:57,109 --> 00:28:00,077 SO I FIGURED NOBODY WAS GONNA CARE. 570 00:28:00,112 --> 00:28:02,045 I'M SORRY. 571 00:28:02,080 --> 00:28:04,915 IT'S NOT LIKE ANYONE CARES IF YOU'RE GAY. 572 00:28:04,950 --> 00:28:08,452 I'M NOT GAY, OKAY? 573 00:28:08,487 --> 00:28:11,388 WAIT, JUDE. JUDE. 574 00:28:13,992 --> 00:28:15,992 DO YOU LIKE THE NEW STUFF-- 575 00:28:16,027 --> 00:28:18,795 THE NEW SONGS, I MEAN? 576 00:28:18,830 --> 00:28:21,031 I DO LIKE THE NEW STUFF. 577 00:28:21,066 --> 00:28:24,201 BUT I LIKE OTHER STUFF TOO. 578 00:28:25,237 --> 00:28:26,903 OH, YEAH? 579 00:28:26,938 --> 00:28:28,805 MM-HMM. 580 00:28:28,840 --> 00:28:30,440 AND I WAS THINKING 581 00:28:30,475 --> 00:28:32,476 MAYBE WE SHOULD DO SOME OTHER STUFF TONIGHT. 582 00:28:36,882 --> 00:28:40,017 I MEAN, YOU'RE LEAVING SOON AND-- 583 00:28:45,223 --> 00:28:47,791 ON THE BEACH? 584 00:28:47,826 --> 00:28:50,094 WHY NOT? IT'S ROMANTIC. 585 00:28:51,863 --> 00:28:53,797 IT'S KIND OF PUBLIC. 586 00:28:53,832 --> 00:28:55,098 NOT UP HERE. 587 00:28:55,133 --> 00:28:57,934 -IT'S YOUR LAST NIGHT. -YEAH, I KNOW, 588 00:28:57,969 --> 00:29:01,037 BUT, MARIANA, I DON'T WANT TO DO IT. 589 00:29:01,072 --> 00:29:03,039 I MEAN, I WANT TO DO IT, 590 00:29:03,074 --> 00:29:05,909 BUT NOT LIKE THIS. 591 00:29:05,944 --> 00:29:07,978 IT'S OUR FIRST TIME, AND-- 592 00:29:09,247 --> 00:29:11,915 WE GOTTA GET ON THE ROAD. 593 00:29:11,950 --> 00:29:13,950 WE'VE GOT A MIDNIGHT SHOW IN L.A. 594 00:29:13,985 --> 00:29:16,086 I'M SORRY. 595 00:29:18,456 --> 00:29:21,858 I SHOULD PROBABLY GET BACK, HELP LOAD UP THE VAN. 596 00:29:21,893 --> 00:29:23,160 OKAY. 597 00:29:23,195 --> 00:29:25,229 I THINK I'M JUST GONNA-- 598 00:29:30,001 --> 00:29:32,369 OKAY, 599 00:29:32,404 --> 00:29:34,371 WELL, 600 00:29:34,406 --> 00:29:36,774 I'LL SEE YOU IN A FEW WEEKS. 601 00:29:40,846 --> 00:29:43,013 I'LL MISS YOU. 602 00:29:43,048 --> 00:29:45,048 I'LL MISS YOU TOO. 603 00:29:50,856 --> 00:29:52,856 OKAY. 604 00:30:03,134 --> 00:30:05,001 NICE SET. 605 00:30:05,036 --> 00:30:07,838 I MEAN, THE NEW GUY YOU GOT 606 00:30:07,873 --> 00:30:09,840 COULD USE A LITTLE FINESSE. 607 00:30:09,875 --> 00:30:11,608 IT'S KIND OF LIKE WATCHING A BEAR 608 00:30:11,643 --> 00:30:14,110 PLAY KEYBOARD, BUT-- 609 00:30:14,145 --> 00:30:16,913 WE CAN'T ALL BE CLASSICAL PIANISTS, YOU KNOW. 610 00:30:16,948 --> 00:30:19,015 RIGHT. NO KIDDING. 611 00:30:19,050 --> 00:30:22,018 TURNS OUT, I'M NOT ONE EITHER. 612 00:30:22,053 --> 00:30:25,255 THEY MADE ME A COMPOSER AT IDYLLWILD. 613 00:30:25,290 --> 00:30:29,426 I'M NOT EVEN THERE TO PLAY. 614 00:30:31,329 --> 00:30:34,197 IS THAT-- IS THAT A BAD THING? 615 00:30:34,232 --> 00:30:36,199 I MEAN, IT'S NOT WHAT I WANTED. 616 00:30:36,234 --> 00:30:37,434 OKAY, SURE, 617 00:30:37,469 --> 00:30:39,603 BUT YOU'RE A GREAT COMPOSER, BRANDON. 618 00:30:39,638 --> 00:30:41,938 YOU LOVE WRITING SONGS. 619 00:30:41,973 --> 00:30:43,940 WHY ARE YOU ACTING LIKE THIS IS 620 00:30:43,975 --> 00:30:46,276 SOME KIND OF EPIC FAIL OR SOMETHING? 621 00:30:46,311 --> 00:30:50,447 'CAUSE THE KIDS THERE ARE TOTALLY OUT OF MY LEAGUE. 622 00:30:50,482 --> 00:30:52,449 IS THIS WHAT HAPPENS 623 00:30:52,484 --> 00:30:54,918 WHEN EVERYTHING JUST COMES NATURALLY TO YOU-- 624 00:30:54,953 --> 00:30:57,554 YOU JUST GIVE UP THE MINUTE SOMETHING GETS HARD? 625 00:30:59,457 --> 00:31:01,858 BESIDES, I'M SURE YOU'RE BETTER THAN YOU THINK. 626 00:31:01,893 --> 00:31:04,127 YOU GUYS AREN'T EVEN PLAYING MY SONGS. 627 00:31:04,162 --> 00:31:07,865 OUT OF RESPECT, BRANDON. THEY AREN'T OURS TO PLAY. 628 00:31:15,040 --> 00:31:18,074 WELL, I THINK YOU SHOULD-- 629 00:31:18,109 --> 00:31:19,943 PLAY THEM, I MEAN. 630 00:31:19,978 --> 00:31:21,411 IF I'M GONNA BE A COMPOSER, 631 00:31:21,446 --> 00:31:23,680 I'D BETTER GET USED TO OTHER PEOPLE PLAYING MY SONGS, 632 00:31:23,715 --> 00:31:26,116 EVEN BEAR PAWS OVER THERE. 633 00:31:34,225 --> 00:31:36,960 (laughs) WHAT ARE YOU DOING HERE? 634 00:31:36,995 --> 00:31:40,263 WELL, YOU KNOW HOW TO THROW A PARTY, HUH? 635 00:31:40,298 --> 00:31:42,265 (chuckles) 636 00:31:42,300 --> 00:31:44,401 WELL, I WAS LONELY. 637 00:31:44,436 --> 00:31:47,103 STEFANIE MARIE ADAMS FOSTER, 638 00:31:47,138 --> 00:31:49,105 YOU HAVEN'T HAD A NIGHT ALONE IN THAT HOUSE 639 00:31:49,140 --> 00:31:50,440 FOR THE LAST 10 YEARS. 640 00:31:50,475 --> 00:31:53,176 I DON'T FOR ONE SECOND BUY THAT YOU GOT LONELY. 641 00:31:53,211 --> 00:31:55,312 WHAT IS IT? 642 00:31:57,082 --> 00:31:59,683 I'M A MESS. 643 00:31:59,718 --> 00:32:01,885 I'M TRYING TO HOLD IT TOGETHER. 644 00:32:01,920 --> 00:32:04,154 I'M TRYING TO-- I'M TRYING TO FIND OUT 645 00:32:04,189 --> 00:32:07,023 WHO THE HELL DID THIS AND-- 646 00:32:07,058 --> 00:32:09,092 THEY TOLD-- THEY SAID SOMEONE WAS DEAD. 647 00:32:09,127 --> 00:32:11,094 THEY SAID THERE WERE REPORTED FATALITIES. 648 00:32:11,129 --> 00:32:13,063 AND WHEN I WALKED UP AND I SAW THE VOLVO, 649 00:32:13,098 --> 00:32:15,065 IT WAS CRUSHED LIKE A BEER CAN. 650 00:32:15,100 --> 00:32:17,701 I THOUGHT-- 651 00:32:17,736 --> 00:32:19,636 I THOUGHT WE LOST THEM. 652 00:32:19,671 --> 00:32:21,638 I THOUGHT MY BABIES WERE GONE. 653 00:32:21,673 --> 00:32:24,341 AND I THOUGHT I'D NEVER BE OKAY, EVER AGAIN. 654 00:32:28,680 --> 00:32:32,316 I JUST WANTED TO SEE YOU. I JUST WANTED TO SEE YOU. 655 00:32:33,351 --> 00:32:35,418 OH. 656 00:32:35,453 --> 00:32:37,587 MY LOVE. 657 00:32:37,622 --> 00:32:39,990 MY SWEET, SWEET LOVE. 658 00:32:42,193 --> 00:32:45,062 IT'S ALL GONNA BE OKAY. 659 00:32:50,101 --> 00:32:53,003 HEY, WHAT ARE YOU DOING HERE? 660 00:32:53,038 --> 00:32:55,072 I GO TO SCHOOL HERE, REMEMBER? 661 00:32:56,408 --> 00:32:58,541 WHY AREN'T YOU BACK AT THE--? 662 00:32:58,576 --> 00:33:00,777 NOT REALLY IN THE MOOD. 663 00:33:00,812 --> 00:33:04,581 YEAH, ME NEITHER. DO YOU WANT A BEER? 664 00:33:11,322 --> 00:33:13,523 OOPS, I'M SORRY. 665 00:33:13,558 --> 00:33:15,759 WHY ARE YOU APOLOGIZING? 666 00:33:15,794 --> 00:33:18,294 IT'S GOOD FOR THE KIDS TO SEE THAT YOU'RE A HUMAN BEING. 667 00:33:18,329 --> 00:33:20,764 NOT SOME EDUCATION REFORM MONSTER? 668 00:33:20,799 --> 00:33:23,266 YES, EXACTLY. 669 00:33:23,301 --> 00:33:28,104 SPEAKING OF EDUCATION REFORM, 670 00:33:28,139 --> 00:33:30,507 I-- 671 00:33:30,542 --> 00:33:32,609 I CAN'T GO TO THE CONFERENCE. 672 00:33:32,644 --> 00:33:34,444 REALLY? OH, NO. 673 00:33:34,479 --> 00:33:36,413 -ARE YOU SURE? -I AM. 674 00:33:36,448 --> 00:33:38,581 I-- I HAVE JUST 675 00:33:38,616 --> 00:33:40,417 TOO MUCH GOING ON AT HOME RIGHT NOW 676 00:33:40,452 --> 00:33:43,453 FOR ME TO EVEN CONSIDER PLANNING A TRIP AWAY. 677 00:33:43,488 --> 00:33:45,221 SO... 678 00:33:45,256 --> 00:33:47,090 I HOPE YOU UNDERSTAND. 679 00:33:47,125 --> 00:33:49,125 OF COURSE. 680 00:33:49,160 --> 00:33:51,294 OF COURSE I DO. 681 00:34:00,105 --> 00:34:01,805 YOU'D BETTER LEAVE THE LIGHTS OFF. 682 00:34:01,840 --> 00:34:05,075 RIGHT. SMART. 683 00:34:05,110 --> 00:34:09,245 PLEASE DON'T, LIKE, MESS WITH ANYTHING. 684 00:34:09,280 --> 00:34:12,182 I WON'T, I PROMISE. 685 00:34:12,217 --> 00:34:13,683 THANK YOU. 686 00:34:13,718 --> 00:34:16,486 I SHOULD-- I SHOULD THANK YOU. 687 00:34:16,521 --> 00:34:19,823 IT PROBABLY SOUNDS DUMB, 688 00:34:19,858 --> 00:34:23,626 BUT I HAVE TO WRITE 689 00:34:23,661 --> 00:34:25,795 THIS PAPER FOR MY INDEPENDENT STUDY 690 00:34:25,830 --> 00:34:28,765 AND I HAD NO IDEA WHAT TO DO. 691 00:34:28,800 --> 00:34:31,434 BUT NOW I THINK I'M GONNA DO IT 692 00:34:31,469 --> 00:34:34,838 ON WHAT HAPPENS TO KIDS WHEN THEY'RE SEPARATED IN THE SYSTEM, 693 00:34:34,873 --> 00:34:37,841 -LIKE YOU AND YOUR BROTHER. -GLAD I COULD HELP. 694 00:34:37,876 --> 00:34:40,710 OKAY, WELL, I'LL BE BACK FIRST THING IN THE MORNING 695 00:34:40,745 --> 00:34:42,779 TO OPEN UP, SO... 696 00:34:42,814 --> 00:34:44,647 'NIGHT. 697 00:34:44,682 --> 00:34:46,249 'NIGHT. 698 00:34:54,859 --> 00:34:57,127 SO YOU DON'T MISS HER-- 699 00:34:57,162 --> 00:34:59,462 YOUR MOM? 700 00:34:59,497 --> 00:35:04,134 I DO SOMETIMES, BUT... 701 00:35:04,169 --> 00:35:07,237 OUT OF SIGHT, OUT OF MIND, YOU KNOW? 702 00:35:09,507 --> 00:35:12,775 OKAY, HOW DO YOU DO THAT? 703 00:35:12,810 --> 00:35:15,745 HOW DO YOU GET YOUR HAIR TO FALL LIKE THAT? 704 00:35:15,780 --> 00:35:19,215 IT'S SOFTER THAN MINE. 705 00:35:19,250 --> 00:35:20,717 WHAT DO YOU DO? 706 00:35:20,752 --> 00:35:23,253 DO YOU USE SOME SPECIAL CONDITIONER OR SOMETHING? 707 00:35:23,288 --> 00:35:26,690 NO, IT JUST COMES OUT OF MY HEAD LIKE THIS. 708 00:35:27,725 --> 00:35:31,161 IT'S JUST SO PRETTY. 709 00:35:33,364 --> 00:35:34,865 THANK YOU. 710 00:35:36,768 --> 00:35:38,835 YOU'RE WELCOME. 711 00:35:55,520 --> 00:35:59,756 ¶ YOU MAKE ME CRAZY IN LOVE... ¶ 712 00:36:02,627 --> 00:36:04,594 I'VE BEEN LOOKING ALL OVER FOR YOU. 713 00:36:04,629 --> 00:36:07,197 YOU KNOW, YOU COULD HAVE MADE IT 714 00:36:07,232 --> 00:36:10,800 A LITTLE EASIER ON ME, ALL RIGHT? 715 00:36:10,835 --> 00:36:13,270 I AM ON CRUTCHES. 716 00:36:17,642 --> 00:36:19,709 SO I DON'T-- 717 00:36:19,744 --> 00:36:21,945 I DON'T GET IT. 718 00:36:23,948 --> 00:36:25,849 WHAT DO YOU MEAN, YOU'RE NOT GAY? 719 00:36:29,921 --> 00:36:32,355 DO YOU NOT LIKE ME? 720 00:36:32,390 --> 00:36:34,424 NO, OF COURSE I LIKE YOU. 721 00:36:36,527 --> 00:36:38,528 DO YOU NOT LIKE ME LIKE THAT? 722 00:36:38,563 --> 00:36:40,931 NO, I DO. I JUST-- 723 00:36:43,468 --> 00:36:47,370 MY WHOLE LIFE I'VE ALWAYS BEEN LABELED AS SOMETHING-- 724 00:36:47,405 --> 00:36:49,606 "THE NEW KID," OR "THE FOSTER KID," 725 00:36:49,641 --> 00:36:52,008 OR "THE KID WITH THE DEAD MOM." AND I'M SICK OF IT. 726 00:36:52,043 --> 00:36:55,745 I MEAN, WHY CAN'T I JUST BE JUDE? 727 00:36:55,780 --> 00:36:58,748 I JUST WANT TO BE JUDE FOR A WHILE. 728 00:37:02,587 --> 00:37:05,521 DOES THAT MEAN YOU DON'T WANT TO BE MY BOYFRIEND? 729 00:37:05,556 --> 00:37:06,789 NO. 730 00:37:06,824 --> 00:37:09,626 OKAY. 731 00:37:09,661 --> 00:37:11,794 OKAY, GOOD. 'CAUSE I THOUGHT-- 732 00:37:11,829 --> 00:37:14,931 NO, I PROMISE. 733 00:38:24,969 --> 00:38:26,936 ANOTHER BAD DREAM? 734 00:38:26,971 --> 00:38:29,038 NO, JUST THINKING. 735 00:38:29,073 --> 00:38:31,341 EVERYTHING OKAY? 736 00:38:33,411 --> 00:38:35,578 ABSOLUTELY. 737 00:38:38,750 --> 00:38:41,351 YOU KNOW, I WAS DOING A LITTLE THINKING MYSELF. 738 00:38:41,386 --> 00:38:43,853 UH-OH. 739 00:38:43,888 --> 00:38:47,490 I KNOW YOU'RE GONNA SAY NO, 740 00:38:47,525 --> 00:38:50,093 BUT I THINK THAT WE SHOULD 741 00:38:50,128 --> 00:38:53,863 PLAN A LITTLE TRIP, JUST YOU AND ME. 742 00:38:53,898 --> 00:38:56,899 WE COULD REALLY USE A GETAWAY. 743 00:38:56,934 --> 00:38:59,602 I THINK IT'S A TERRIFIC IDEA. 744 00:38:59,637 --> 00:39:01,971 -REALLY? -MM-HMM. 745 00:39:03,941 --> 00:39:06,909 WELL, WHEREVER SHALL WE GO? 746 00:39:06,944 --> 00:39:09,679 -THE GREEK ISLES? -OH. 747 00:39:09,714 --> 00:39:11,581 CAPRI? 748 00:39:11,616 --> 00:39:14,984 I THINK CATALINA IS A LITTLE MORE OUR BUDGET. 749 00:39:17,889 --> 00:39:19,522 I LIKE CATALINA. 750 00:39:19,557 --> 00:39:22,492 I DO TOO, AS LONG AS YOU'RE THERE. 751 00:39:22,527 --> 00:39:25,461 ARE YOU SURE WE CAN AFFORD IT? 752 00:39:25,496 --> 00:39:28,398 WE'LL MAKE SURE IT'S A PRIORITY. 753 00:39:28,433 --> 00:39:30,767 DEAL? 754 00:39:30,802 --> 00:39:32,469 YEAH. 755 00:39:49,887 --> 00:39:51,854 WHAT? WHAT ARE YOU LOOKING AT? 756 00:39:51,889 --> 00:39:54,757 OH, I THINK OUR BATHROOM IS LEAKING AGAIN. 757 00:39:54,792 --> 00:39:58,428 I THOUGHT THE PLUMBER TOOK CARE OF THAT. 758 00:39:58,463 --> 00:39:59,963 HE DID. 759 00:40:01,032 --> 00:40:02,899 BE CAREFUL. 760 00:40:02,934 --> 00:40:05,034 JUST HOLD ON. 761 00:40:06,737 --> 00:40:07,871 WHAT--? 762 00:40:09,941 --> 00:40:11,941 -OH MY GOD! -OH! 763 00:40:15,980 --> 00:40:18,648 SO MUCH FOR GETTING AWAY. 764 00:40:20,084 --> 00:40:22,185 IT IS KIND OF SHAPED LIKE CATALINA. 765 00:40:29,927 --> 00:40:31,894 SO? 766 00:40:31,929 --> 00:40:33,029 HMM? 767 00:40:33,064 --> 00:40:35,565 DID YOU, YOU KNOW--? 768 00:40:37,535 --> 00:40:39,902 MARIANA, COME ON, I HAVE TO GO. CAN YOU JUST TELL ME? 769 00:40:39,937 --> 00:40:42,205 DID YOU HAVE SEX LAST NIGHT OR NOT? 770 00:40:44,275 --> 00:40:45,608 YEAH. 771 00:40:45,643 --> 00:40:47,243 OH MY GOD. 772 00:40:47,278 --> 00:40:50,179 OKAY, I WANT TO HEAR ALL ABOUT IT, BUT I HAVE TO GET TO THE CENTER. 773 00:40:50,214 --> 00:40:52,882 BUT I WILL TALK TO YOU TONIGHT, OKAY? 774 00:40:52,917 --> 00:40:55,084 (giggles) 775 00:41:05,530 --> 00:41:07,730 WHAT ARE YOU DOING HERE? I THOUGHT YOU QUIT. 776 00:41:07,765 --> 00:41:11,000 I'M NOT GOING ANYWHERE, EXCEPT FOR DISNEY HALL. 777 00:41:11,035 --> 00:41:14,003 OH, AND YOU MIGHT WANT TO START WORKING ON YOUR QUADRUPLE TRILLS. 778 00:41:14,038 --> 00:41:17,039 THE NEW PIECE I'M WORKING ON HAS GOT A BUNCH OF 'EM. 779 00:41:17,074 --> 00:41:19,141 SEE YOU IN CLASS. 780 00:41:19,176 --> 00:41:21,944 OH, AND FOR THE RECORD, 781 00:41:21,979 --> 00:41:23,946 I'M SURE YOU'RE USED TO PITCHING YOUR FITS 782 00:41:23,981 --> 00:41:25,548 AND GETTING WHAT YOU WANT. 783 00:41:25,583 --> 00:41:27,550 BUT I'M THE OLDEST OF FIVE KIDS. 784 00:41:27,585 --> 00:41:29,852 I'VE SEEN EVERY KIND OF TANTRUM EVER THROWN. 785 00:41:29,887 --> 00:41:32,088 I DON'T SCARE EASY. 786 00:41:42,733 --> 00:41:44,767 A.J. 787 00:41:47,672 --> 00:41:49,672 A.J. 788 00:41:56,147 --> 00:41:58,882 HEY, WHAT ARE YOU DOING HERE SO EARLY? 789 00:42:02,320 --> 00:42:04,320 WHAT HAPPENED TO THE SPRAY PAINT? 790 00:42:04,355 --> 00:42:06,956 CALLIE, WHAT'S WRONG? 791 00:42:08,626 --> 00:42:10,593 UH, 792 00:42:10,628 --> 00:42:12,629 I DID SOMETHING REALLY DUMB. 793 00:42:13,965 --> 00:42:17,700 I-- I LET SOMEONE 794 00:42:17,735 --> 00:42:19,769 SLEEP HERE LAST NIGHT. 795 00:42:19,804 --> 00:42:21,938 DAMN IT, CALLIE. 796 00:42:21,973 --> 00:42:23,873 WHY? 797 00:42:23,908 --> 00:42:25,575 WHY WOULD YOU DO THAT? 798 00:42:25,610 --> 00:42:29,345 IT'S SUCH A BAD JUDGMENT CALL. 799 00:42:29,380 --> 00:42:32,982 YOU KNOW, I DON'T EVEN KNOW WHAT TO SAY. 800 00:42:33,017 --> 00:42:35,585 I'M SO SORRY. 801 00:42:35,620 --> 00:42:37,219 YEAH, 802 00:42:37,254 --> 00:42:39,188 I'M SURE YOU ARE. 803 00:42:40,291 --> 00:42:44,227 I NEED THIS, RAFAEL, TO GRADUATE. 804 00:42:45,830 --> 00:42:48,164 YOU SHOULD HAVE THOUGHT OF THAT BEFORE YOU DID IT. 805 00:42:52,036 --> 00:42:53,903 YOU'RE FIRED, CALLIE. 806 00:42:55,072 --> 00:42:57,073 GO HOME. 807 00:43:04,915 --> 00:43:07,083 (theme music playing)