1
00:00:00,935 --> 00:00:01,767
Man:
PREVIOUSLY ON THE FOSTERS...
2
00:00:01,802 --> 00:00:03,135
I'M ALWAYS GONNA HAVE
FEELINGS FOR YOU,
3
00:00:03,170 --> 00:00:04,503
BUT I DON'T TRUST YOU.
4
00:00:04,538 --> 00:00:06,038
NOTHING'S FINE RIGHT NOW,
5
00:00:06,073 --> 00:00:07,472
INCLUDING MY MARRIAGE.
6
00:00:07,507 --> 00:00:09,307
I DON'T EVEN KNOW
WHAT THAT LITTLE KISS
WAS ABOUT.
7
00:00:09,342 --> 00:00:10,475
IT WAS NOTHING.
8
00:00:10,510 --> 00:00:12,177
I REMEMBER A YOUNG MAN,
9
00:00:12,212 --> 00:00:14,146
AFRICAN AMERICAN,
GOT ON THE BUS.
10
00:00:14,181 --> 00:00:16,615
BLOOD ALL OVER
HIS SHIRT AND FACE.
11
00:00:16,650 --> 00:00:17,783
THAT'S JOE OLSEN,
12
00:00:17,818 --> 00:00:20,118
THE SON OF THE OWNER
OF THE S.U.V. THAT HIT
THE KIDS.
13
00:00:20,153 --> 00:00:21,686
DIDN'T YOU SAY THE GUY
ON THE BUS WAS BLACK?
14
00:00:21,721 --> 00:00:24,389
YEAH, BUT THIS JOE OLSEN
SHOWS UP IN THIS PHARMACY
15
00:00:24,424 --> 00:00:26,258
40 MINUTES AFTER
THE ACCIDENT?
16
00:00:26,293 --> 00:00:27,793
I'M SORRY, BUT THAT'S
NOT A COINCIDENCE.
17
00:00:27,828 --> 00:00:30,529
I GOT MY G.E.D. AND I JOIN
THE ARMY IN TWO WEEKS.
18
00:00:30,564 --> 00:00:32,164
CONGRATULATIONS, CARMEN!
19
00:00:32,199 --> 00:00:34,099
THAT'S BEEN YOUR GOAL
FOR, LIKE, SO LONG.
20
00:00:34,134 --> 00:00:36,168
BROOKE AND ME WERE IN A FIGHT
21
00:00:36,203 --> 00:00:37,369
AND RITA CAME UPSTAIRS,
22
00:00:37,404 --> 00:00:39,204
AND THEN SHE HIT ME.
23
00:00:39,239 --> 00:00:40,338
BROOKE?
24
00:00:40,373 --> 00:00:41,540
NO, RITA.
25
00:00:41,575 --> 00:00:42,707
I NEVER LAID
A HAND ON HER.
26
00:00:42,742 --> 00:00:44,810
IT'S TRUE.
RITA PUNCHED HER
IN THE FACE.
27
00:00:47,414 --> 00:00:49,214
SO I DECIDED I'M GONNA
WAIT TO JOIN THE ARMY
28
00:00:49,249 --> 00:00:50,649
TILL AFTER I GRADUATE
HIGH SCHOOL.
29
00:00:50,684 --> 00:00:52,451
BUT YOU GOT YOUR GED.
30
00:00:52,486 --> 00:00:53,786
YEAH, BUT IF THE ARMY
DOESN'T WORK OUT,
31
00:00:53,821 --> 00:00:56,388
SHE CAN PROBABLY GET
A BETTER JOB WITH
A HIGH SCHOOL DIPLOMA.
32
00:00:57,390 --> 00:00:59,491
YOU WANNA SHARE
THE OTHER REASON?
33
00:01:01,294 --> 00:01:02,727
I GUESS...
34
00:01:02,762 --> 00:01:04,563
I'M ALSO SORTA
35
00:01:04,598 --> 00:01:06,164
SHAKEN UP ABOUT RITA
36
00:01:06,199 --> 00:01:07,232
HITTING ME.
37
00:01:07,267 --> 00:01:08,266
WHY ARE YOU LYING?
38
00:01:08,301 --> 00:01:09,234
I'M NOT.
39
00:01:09,269 --> 00:01:11,103
BROOKE HIT YOU.
WHY ARE YOU COVERING
FOR HER?
40
00:01:11,138 --> 00:01:12,137
WHY IS SHE IN GROUP?
41
00:01:12,172 --> 00:01:13,171
SHE'S NOT EVEN PART
OF THE PROGRAM.
42
00:01:13,207 --> 00:01:16,241
EVERYONE WHO LIVES HERE
PARTICIPATES IN GROUP.
43
00:01:16,276 --> 00:01:17,242
WHAT'S SHE GOT ON YOU, CARMEN?
44
00:01:17,277 --> 00:01:19,144
YOU KNOW, I DON'T
APPRECIATE THE ACCUSATION.
45
00:01:19,179 --> 00:01:20,178
Daphne:
SHE WASN'T TALKING TO YOU.
46
00:01:20,213 --> 00:01:21,379
Kiara:
YEAH, LET HER TALK.
47
00:01:21,414 --> 00:01:23,682
WHY, CARMEN? AFTER EVERYTHING
THAT RITA'S DONE FOR YOU.
48
00:01:23,717 --> 00:01:24,816
I DON'T GET IT.
49
00:01:24,851 --> 00:01:26,184
YOU DON'T HAVE
TO GET IT, BITCH.
50
00:01:26,219 --> 00:01:27,452
YOU THE BITCH.
51
00:01:27,487 --> 00:01:29,154
HEY, HEY, HEY!
KIARA, BROOKE,
52
00:01:29,189 --> 00:01:30,822
THAT'S A U.A. FOR BOTH OF YOU.
53
00:01:30,857 --> 00:01:33,258
LIKE, I DON'T EVEN THINK CARMEN
WOULD EVEN COVER FOR BROOKE.
54
00:01:33,293 --> 00:01:34,025
SHE HATES HER.
55
00:01:34,061 --> 00:01:35,727
AND WHAT WOULD
I HAVE ON HER, OKAY?
56
00:01:35,762 --> 00:01:38,263
SHE'S FOREMAN, SHE'S GOT
ALL HER PRIVILEGES.
57
00:01:38,298 --> 00:01:39,831
SHE'S LIKE
THE G.U. POSTER GIRL.
58
00:01:39,866 --> 00:01:41,900
BUT I GOTTA SAY,
THE ARMY'S GONNA
BE YOUR JOB.
59
00:01:41,935 --> 00:01:43,535
WHY DOESN'T SHE WANT
TO GET THE HELL OUT OF HERE?
60
00:01:43,570 --> 00:01:45,303
YEAH, WHY DON'T YOU WANT
TO GET OUT OF HERE, CARMEN?
61
00:01:45,338 --> 00:01:47,239
CAN WE JUST BE DONE WITH ME?
62
00:01:47,274 --> 00:01:48,573
CAN'T SOMEBODY ELSE TALK?
63
00:01:48,608 --> 00:01:50,175
OKAY.
64
00:01:50,210 --> 00:01:51,543
DEE.
65
00:01:51,578 --> 00:01:53,278
GOING HOME FOR THE WEEKEND.
66
00:01:53,313 --> 00:01:55,147
HOW ARE YOU FEELING
ABOUT THAT?
67
00:01:58,251 --> 00:02:01,219
SO THE BUS DRIVER LETS OFF
A BLEEDING, AGITATED GUY
68
00:02:01,254 --> 00:02:02,554
IN FRONT OF A PHARMACY.
69
00:02:02,589 --> 00:02:04,623
AND A LITTLE WHILE LATER...
70
00:02:05,659 --> 00:02:07,159
IN WALKS JOE OLSEN.
71
00:02:07,194 --> 00:02:08,293
SO?
72
00:02:08,328 --> 00:02:10,695
SO WHAT IF THIS GUY
IS A FRIEND OF JOE'S?
73
00:02:10,730 --> 00:02:13,565
WHAT IF JOE LENDS
HIS FATHER'S CAR
TO THE GUY,
74
00:02:13,600 --> 00:02:14,733
HE RUNS A RED LIGHT,
75
00:02:14,768 --> 00:02:16,935
HITS ANA AND THE TWINS
IN THE VOLVO,
76
00:02:16,970 --> 00:02:17,936
AND TAKES OFF?
77
00:02:17,971 --> 00:02:20,539
SO HE GOES DOWN THE ALLEY,
GETS ON THE BUS...
78
00:02:20,574 --> 00:02:22,340
AND GETS OFF IN FRONT
OF THE PHARMACY,
CALLS JOE.
79
00:02:22,375 --> 00:02:23,942
JOE COMES AND SEES
THAT HIS FRIEND IS BLEEDING,
80
00:02:23,977 --> 00:02:25,877
GOES INTO THE PHARMACY
TO GET BANDAGES
OR WHATEVER.
81
00:02:25,912 --> 00:02:27,279
YEAH, BUT, I MEAN...
82
00:02:27,314 --> 00:02:28,547
HE COULD HAVE GOTTEN
THEM FOR HIMSELF.
83
00:02:28,582 --> 00:02:29,614
HE'S GOT THAT CUT
OVER THE EYE.
84
00:02:29,649 --> 00:02:30,749
NO, NO, NO.
THAT'S NOT A FRESH CUT.
85
00:02:30,784 --> 00:02:32,050
THAT'S NOT A FRESH CUT.
86
00:02:32,086 --> 00:02:34,186
AND WHAT IS HE DOING
IN LINDA VISTA 30 MINUTES
AFTER THE ACCIDENT
87
00:02:34,221 --> 00:02:35,654
WHEN HE TOLD US
THAT HE WAS AT WORK?
88
00:02:36,790 --> 00:02:39,291
YOU'VE GOT AN INTERESTING
THEORY, STEF, BUT, I MEAN,
89
00:02:39,326 --> 00:02:41,259
THERE'S NO WAY TO I.D.
THE GUY ON THE BUS
90
00:02:41,294 --> 00:02:42,427
OR CONNECT HIM TO OLSEN.
91
00:02:42,462 --> 00:02:43,829
SO-- (sighs)
92
00:02:45,699 --> 00:02:47,299
SO WHAT YOU'RE SAYING...
93
00:02:47,334 --> 00:02:48,767
YOU HAVE AN INTERESTING THEORY.
94
00:02:49,769 --> 00:02:51,570
-Mike: HEY, YOU ALL SET?
-YEAH.
95
00:02:51,605 --> 00:02:53,305
WE'RE GONNA MISS YOU
AROUND HERE.
96
00:02:53,340 --> 00:02:54,273
I'M GONNA MISS Y'ALL TOO.
97
00:02:54,308 --> 00:02:56,308
AND THANK YOU FOR EVERYTHING
Y'ALL DID FOR ME.
98
00:02:56,343 --> 00:02:57,676
WE WERE HAPPY TO DO IT, A.J.
99
00:02:58,778 --> 00:03:00,278
YOU'RE LEAVING?
100
00:03:00,313 --> 00:03:02,414
YEAH, MIKE FINALLY
GOT HIS FOSTER LICENSE.
101
00:03:02,449 --> 00:03:03,648
DON'T BE A STRANGER.
102
00:03:03,683 --> 00:03:04,950
I WON'T.
103
00:03:04,985 --> 00:03:06,251
YOU OKAY?
104
00:03:06,286 --> 00:03:07,519
YEAH.
105
00:03:07,554 --> 00:03:09,287
I'LL TALK TO YOU LATER.
106
00:03:09,322 --> 00:03:11,256
OKAY. LET'S GO. BYE.
107
00:03:11,291 --> 00:03:12,524
BYE, Y'ALL.
108
00:03:12,559 --> 00:03:14,292
THIS SUCKS.
109
00:03:14,327 --> 00:03:16,261
I MEAN, JESUS IS AT
BOARDING SCHOOL,
110
00:03:16,296 --> 00:03:17,262
CALLIE'S AT GIRLS UNITED,
111
00:03:17,297 --> 00:03:19,898
JUDE'S AT CAMP,
AND BRANDON'S, LIKE, NEVER HERE.
112
00:03:19,933 --> 00:03:21,433
IT'S LIKE I'M AN ONLY CHILD.
113
00:03:21,468 --> 00:03:23,401
WOE IS YOU.
114
00:03:23,436 --> 00:03:24,936
WOE IS ME.
115
00:03:24,971 --> 00:03:26,872
AND NO ONE EVEN CARES
HOW I FEEL.
116
00:03:28,642 --> 00:03:30,475
THAT WAS CALLIE'S SOCIAL WORKER.
117
00:03:30,510 --> 00:03:31,610
YEAH, IS SHE COMING HOME?
118
00:03:31,645 --> 00:03:32,978
NOPE.
119
00:03:33,013 --> 00:03:35,480
APPARENTLY, AFTER SHE SPOKE
WITH CALLIE AND BRANDON,
120
00:03:35,515 --> 00:03:38,550
SHE FOUND SOME
INCONSISTENCIES SHE WOULD
LIKE TO DISCUSS WITH US.
121
00:03:41,588 --> 00:03:43,922
(theme music playing)
122
00:03:44,924 --> 00:03:47,759
¶ IT'S NOT WHERE
YOU COME FROM ¶
123
00:03:47,794 --> 00:03:51,029
¶ IT'S WHERE YOU BELONG ¶
124
00:03:51,064 --> 00:03:53,698
¶ NOTHING I WOULD TRADE ¶
125
00:03:53,733 --> 00:03:57,535
¶ I WOULDN'T HAVE IT
ANY OTHER WAY ¶
126
00:03:57,570 --> 00:04:00,672
¶ YOU'RE SURROUNDED
BY LOVE ¶
127
00:04:00,707 --> 00:04:02,941
¶ AND YOU'RE WANTED ¶
128
00:04:02,976 --> 00:04:06,411
¶ SO NEVER FEEL ALONE ¶
129
00:04:06,446 --> 00:04:08,446
¶ YOU'RE HOME WITH ME ¶
130
00:04:08,481 --> 00:04:11,450
¶ RIGHT WHERE YOU BELONG ¶
131
00:04:23,496 --> 00:04:24,730
YOU'VE GOT PRETTY HAIR.
132
00:04:25,865 --> 00:04:27,299
THANKS.
133
00:04:29,336 --> 00:04:31,303
YOU'VE GOT A PRETTY FACE, TOO.
134
00:04:32,372 --> 00:04:34,739
IS THAT WHAT YOU
CAME IN HERE TO TELL ME?
135
00:04:34,774 --> 00:04:36,541
HOW PRETTY I AM?
136
00:04:36,576 --> 00:04:38,410
I WANT YOU GONE.
137
00:04:38,445 --> 00:04:40,312
YOU'RE NOT ON PROBATION,
YOU DON'T GOT TO BE HERE.
138
00:04:40,347 --> 00:04:41,646
BUT I WANT TO BE HERE.
139
00:04:41,681 --> 00:04:43,348
I'M GETTING OUT OF HERE
IN A FEW WEEKS,
140
00:04:43,383 --> 00:04:45,083
AND IF THAT DOESN'T HAPPEN
BECAUSE OF YOU,
141
00:04:45,118 --> 00:04:47,452
MY BOYFRIEND'S GONNA
CUT THAT PRETTY LITTLE
FACE OF YOURS.
142
00:04:47,487 --> 00:04:49,321
WHY ARE YOU SO
WORRIED ABOUT ME?
143
00:04:49,356 --> 00:04:51,323
IF YOU DIDN'T HIT CARMEN?
144
00:04:51,358 --> 00:04:52,824
I'M NOT WORRIED
ABOUT YOU.
145
00:04:52,859 --> 00:04:54,526
I JUST DON'T LIKE YOU.
146
00:04:54,561 --> 00:04:56,428
THAT HURTS MY FEELINGS.
147
00:04:56,463 --> 00:04:57,629
YOU THINK THIS IS A JOKE?
148
00:04:57,664 --> 00:04:58,797
NO.
149
00:04:58,832 --> 00:05:00,699
I THINK YOU ARE.
150
00:05:03,803 --> 00:05:05,537
AS YOU ALL KNOW,
151
00:05:05,572 --> 00:05:07,572
ON SATURDAY,
YOU'LL BE PERFORMING...
152
00:05:07,607 --> 00:05:08,740
I NEED TEN HOURS
WITH JIN.
153
00:05:08,775 --> 00:05:10,408
TEN? AND WHEN
DO I GET HIM?
154
00:05:10,443 --> 00:05:11,443
MORNINGS AND NIGHTS.
155
00:05:11,478 --> 00:05:12,477
AND YOU GET DAYS?
156
00:05:12,512 --> 00:05:13,511
I HAVE TO DRIVE
BACK AND FORTH.
157
00:05:13,546 --> 00:05:14,346
THAT'S NOT MY PROBLEM.
158
00:05:14,381 --> 00:05:15,680
EXCUSE ME, GENTLEMEN.
159
00:05:15,715 --> 00:05:17,015
YOU MIGHT WANT
TO PAY ATTENTION.
160
00:05:17,050 --> 00:05:18,216
Both:
SORRY.
161
00:05:18,251 --> 00:05:20,919
WHAT THE JUDGES ARE LOOKING FOR
IS THE "GOOSE BUMP" FACTOR.
162
00:05:20,954 --> 00:05:25,490
SO, COMPOSERS, PLEASE WORK
WITH YOUR PIANIST'S PERFORMANCE.
163
00:05:25,525 --> 00:05:28,526
THE PASSION OF THE PLAY,
NOT JUST THE PROFICIENCY.
164
00:05:28,561 --> 00:05:30,662
OKAY? LET'S GET TO WORK.
CLOCK'S TICKING.
165
00:05:32,031 --> 00:05:33,431
SIX HOURS.
166
00:05:33,466 --> 00:05:34,632
SIX HOURS?
THAT SUCKS.
167
00:05:34,667 --> 00:05:36,167
YOU WOULDN'T BE HERE
IF IT WASN'T FOR ME.
168
00:05:36,202 --> 00:05:38,737
YEAH, AND YOU WOULDN'T HAVE
A PREPARED PIANO PIECE
IF YOU HADN'T RIPPED ME OFF.
169
00:05:38,772 --> 00:05:40,605
BRANDON, CAN I GET
A WORD?
170
00:05:40,640 --> 00:05:41,707
SURE.
171
00:05:45,979 --> 00:05:47,946
YOU HAD A ROUGH START
HERE AT IDYLLWILD.
172
00:05:47,981 --> 00:05:49,781
WELL, YEAH, BUT
THAT'S BECAUSE--
173
00:05:49,816 --> 00:05:51,116
YOU HAVE A BIG EGO.
174
00:05:52,585 --> 00:05:55,019
THAT'S A GOOD THING
TO HAVE AS AN ARTIST.
EMBRACE IT.
175
00:05:55,054 --> 00:05:56,822
AND KNOW THAT
YOU'RE EXCEPTIONAL.
176
00:05:57,824 --> 00:05:58,990
THANK YOU.
177
00:05:59,025 --> 00:06:00,725
DO YOU BELIEVE
YOU CAN WIN THIS THING?
178
00:06:00,760 --> 00:06:01,893
DO YOU?
179
00:06:01,928 --> 00:06:04,963
I MEAN, YES.
YES, I DO.
180
00:06:04,998 --> 00:06:06,498
GOOD.
181
00:06:06,533 --> 00:06:08,100
SO DO I.
182
00:06:12,071 --> 00:06:13,605
WHAT KIND OF INCONSISTENCIES?
183
00:06:13,640 --> 00:06:14,906
SHE DIDN'T SAY.
184
00:06:14,941 --> 00:06:16,408
SHE WANTS TO TALK
TO SOME OF THE GIRLS
185
00:06:16,443 --> 00:06:17,976
THAT WERE HERE WITH
YOU AT THE SAME TIME.
186
00:06:18,011 --> 00:06:20,879
THE ONLY GIRLS LEFT
ARE DAPHNE AND KIARA.
187
00:06:20,914 --> 00:06:22,547
AND CARMEN.
188
00:06:23,550 --> 00:06:24,983
HOW'S IT GOING WITH HER?
189
00:06:25,018 --> 00:06:26,418
FINE.
190
00:06:26,453 --> 00:06:27,419
AND BROOKE?
191
00:06:27,454 --> 00:06:28,620
YEAH.
192
00:06:30,123 --> 00:06:31,723
(sighs)
193
00:06:31,758 --> 00:06:34,459
HOPEFULLY, THIS IS THE LAST
HURDLE WE HAVE TO JUMP OVER
AND THEN YOU CAN COME HOME.
194
00:06:35,495 --> 00:06:37,996
HAVE YOU HEARD WHAT'S
HAPPENING WITH RITA?
195
00:06:38,031 --> 00:06:39,197
NO.
196
00:06:39,232 --> 00:06:40,999
NO CHARGES HAVE BEEN
BROUGHT AGAINST HER.
197
00:06:41,034 --> 00:06:44,436
SO FAR, AS FAR AS I KNOW,
THE D.A. IS STILL
INVESTIGATING, SO...
198
00:06:44,471 --> 00:06:46,037
CARMEN'S LYING.
199
00:06:46,072 --> 00:06:48,072
I THINK THAT YOU'RE
PROBABLY RIGHT,
200
00:06:48,107 --> 00:06:50,041
BUT IT'S NOT YOUR JOB
TO FIND OUT WHY.
201
00:06:50,076 --> 00:06:51,876
OKAY? YOU HAVE TO KEEP
YOUR HEAD DOWN
202
00:06:51,911 --> 00:06:53,878
UNTIL WE CAN GET YOU HOME.
203
00:06:53,913 --> 00:06:55,480
YOU CANNOT GET INTO
IT WITH THESE GIRLS.
204
00:06:55,515 --> 00:06:57,416
JUST A FEW DAYS
TILL THE COURT DATE.
205
00:06:58,518 --> 00:07:00,185
THIS TIME NEXT WEEK,
YOU'LL BE ADOPTED.
206
00:07:00,220 --> 00:07:02,954
NO ONE CAN TAKE YOU
AWAY FROM US EVER AGAIN.
207
00:07:02,989 --> 00:07:04,456
I LOVE YOU.
208
00:07:04,491 --> 00:07:06,124
I LOVE YOU, TOO.
209
00:07:09,529 --> 00:07:10,796
YOU HANG IN THERE.
210
00:07:11,798 --> 00:07:13,465
SHE'S BEEN AT MY PLACE
ALMOST EVERY NIGHT.
211
00:07:13,500 --> 00:07:14,966
I MEAN, THE SEX IS GREAT.
212
00:07:15,001 --> 00:07:16,634
(chuckles) REALLY GREAT.
213
00:07:16,669 --> 00:07:17,868
I CAN HEAR YOU.
214
00:07:17,904 --> 00:07:20,104
AND I REALLY DON'T WANT
TO PICTURE THE PRINCIPAL
OF MY SCHOOL
215
00:07:20,139 --> 00:07:21,673
HAVING SEX WITH ONE OF
MY MOM'S FRIENDS.
216
00:07:21,708 --> 00:07:22,707
PLEASE.
217
00:07:22,742 --> 00:07:24,542
SORRY. SORRY!
218
00:07:24,577 --> 00:07:26,511
THE THING IS, MONTE,
219
00:07:26,546 --> 00:07:28,713
SHE'S NOT LIKE
YOUR TYPICAL LESBIAN.
220
00:07:28,748 --> 00:07:30,548
SHE DOESN'T TALK
ABOUT HER FEELINGS.
221
00:07:30,583 --> 00:07:33,051
I THINK IT'S BECAUSE
SHE'S USED TO DATING GUYS.
222
00:07:33,086 --> 00:07:35,620
SO SHE'S PLAYING HER CARDS
REALLY CLOSE TO HER CHEST.
223
00:07:36,623 --> 00:07:38,256
AND IT'S A GREAT CHEST.
224
00:07:38,291 --> 00:07:39,624
LET ME TELL YOU.
225
00:07:39,659 --> 00:07:41,526
OKAY, I'M GONNA GO
UPSTAIRS.
226
00:07:41,561 --> 00:07:43,561
MM, IT WAS GREAT
TO SEE YOU, SWEETHEART.
227
00:07:43,596 --> 00:07:46,731
THE THING IS,
I AM FALLING IN LOVE
WITH THIS WOMAN.
228
00:07:46,766 --> 00:07:49,534
AND I DON'T EVEN KNOW
IF SHE'S IN LOVE WITH ME.
229
00:07:49,569 --> 00:07:51,002
SO WHAT DO I DO?
230
00:07:51,037 --> 00:07:53,071
HEY, UH, CAN WE RENT ME
A ROOM UP IN IDYLLWILD
FOR THE NEXT TWO DAYS?
231
00:07:53,106 --> 00:07:55,173
UH, CAN YOU SAY
HELLO TO JENNA?
232
00:07:55,208 --> 00:07:56,374
OH, HI, JENNA.
233
00:07:56,409 --> 00:07:58,877
HEY. MONTE AND I
ARE DRIVING UP TO
WATCH YOU PERFORM.
234
00:07:58,912 --> 00:08:00,445
WE ARE VERY EXCITED.
235
00:08:00,480 --> 00:08:02,747
UH, YEAH, I'M ACTUALLY--
I'M NOT PERFORMING,
236
00:08:02,782 --> 00:08:03,982
I'M COMPOSING.
237
00:08:04,017 --> 00:08:05,183
OH.
238
00:08:05,218 --> 00:08:07,785
UH, I JUST--
I DON'T WANT TO BE
LOSING ALL THIS TIME,
239
00:08:07,820 --> 00:08:08,886
YOU KNOW, DRIVING
UP AND BACK.
240
00:08:08,921 --> 00:08:10,755
LET ME TALK TO MOM
ABOUT IT WHEN SHE
GETS BACK, OKAY?
241
00:08:10,790 --> 00:08:12,257
OKAY. ALL RIGHT,
I'LL BE IN THE GARAGE.
242
00:08:12,292 --> 00:08:13,625
UH-HUH.
243
00:08:13,660 --> 00:08:15,293
HEY, DON'T EAT ALL THOSE
CHIPS BEFORE DINNER.
244
00:08:15,328 --> 00:08:16,728
WE'RE ABOUT TO HAVE DINNER!
245
00:08:16,763 --> 00:08:17,996
YOU KNOW WHAT?
246
00:08:18,031 --> 00:08:20,098
I HAVE A FRIEND WHO HAS
A CABIN IN IDYLLWILD.
247
00:08:20,133 --> 00:08:21,633
I BET YOU HE'D
LET US USE IT.
248
00:08:21,668 --> 00:08:22,767
-US?
-YEAH.
249
00:08:22,802 --> 00:08:24,636
BRANDON COULD STAY THERE
TOMORROW NIGHT,
250
00:08:24,671 --> 00:08:25,570
AND THEN,
251
00:08:25,606 --> 00:08:28,139
THE REST OF US COULD
DRIVE UP ON FRIDAY NIGHT
252
00:08:28,174 --> 00:08:29,841
AND WE COULD SPEND
THE WHOLE WEEKEND THERE
253
00:08:29,876 --> 00:08:31,709
LIKE A LITTLE MINI
COUPLES GETAWAY.
254
00:08:31,744 --> 00:08:33,678
WOULDN'T THAT BE FUN?
I'M GONNA CALL HER
RIGHT NOW.
255
00:08:35,815 --> 00:08:37,649
(sighs)
256
00:09:08,881 --> 00:09:09,948
(grunts)
257
00:09:12,752 --> 00:09:14,252
YOU STILL THINK
I'M A JOKE?
258
00:09:14,287 --> 00:09:16,821
NEXT TIME,
YOU'LL BLEED.
259
00:09:21,894 --> 00:09:24,195
YOU'RE LUCKY THAT CRAZY
METH HEAD DIDN'T
RUN YOU DOWN, GIRL.
260
00:09:24,230 --> 00:09:25,930
HOW IS BROOKE EVEN
TALKING TO HER BOYFRIEND?
261
00:09:25,965 --> 00:09:27,699
YOU FOUND A WAY
WHEN YOU WERE HERE.
262
00:09:27,734 --> 00:09:29,601
SHE'S GETTING DRUGS
FROM HIM TOO.
263
00:09:29,636 --> 00:09:30,735
IN G.U.?
264
00:09:30,770 --> 00:09:31,936
I THINK YOU GOTTA BOUNCE.
265
00:09:31,971 --> 00:09:33,671
WHAT ABOUT RITA?
266
00:09:33,706 --> 00:09:35,206
Michelle:
OKAY, GIRLS.
LIGHTS OUT.
267
00:09:36,709 --> 00:09:38,376
LOOK, WE GOT
YOUR BACK,
268
00:09:38,411 --> 00:09:40,612
BUT WE CAN'T WATCH IT
EVERY MINUTE OF THE DAY.
269
00:09:40,647 --> 00:09:41,813
SHE'S RIGHT.
270
00:09:43,816 --> 00:09:44,816
(sighs)
271
00:09:51,190 --> 00:09:52,690
DON'T YOU THINK IT'S WEIRD
272
00:09:52,725 --> 00:09:54,693
CARMEN DECIDED TO WAIT
TO JOIN THE ARMY?
273
00:09:55,695 --> 00:09:56,894
I DON'T KNOW.
274
00:09:56,930 --> 00:09:59,097
MAYBE SHE REALIZED
SHE'S NOT THE HARD-ASS
SHE THOUGHT SHE WAS.
275
00:10:08,374 --> 00:10:10,341
(announcements over P.A.)
276
00:10:10,376 --> 00:10:12,043
EXCUSE ME.
277
00:10:13,079 --> 00:10:14,712
I GOT A CALL
ABOUT MY GRANDMA.
278
00:10:14,747 --> 00:10:16,047
IRIS HENSDALE?
279
00:10:16,082 --> 00:10:17,749
THEY SAID SHE
HAD A STROKE.
280
00:10:32,765 --> 00:10:34,732
A.J.
281
00:10:34,767 --> 00:10:36,034
HEY, GRANDMA.
282
00:10:37,336 --> 00:10:38,803
HOW YOU DOIN'?
283
00:10:39,839 --> 00:10:41,106
I'M JUST FINE.
284
00:10:44,010 --> 00:10:46,711
DO YOU SEE A MAN
STANDING OVER THERE?
285
00:10:46,746 --> 00:10:47,812
YEAH.
286
00:10:47,847 --> 00:10:49,881
OKAY. GOOD.
287
00:10:49,916 --> 00:10:51,683
THAT'S MIKE.
288
00:10:51,718 --> 00:10:53,685
HE'S MY NEW
FOSTER FATHER.
289
00:11:04,063 --> 00:11:05,997
YOU TAKE CARE
OF MY GRANDSON.
290
00:11:06,999 --> 00:11:07,999
I WILL.
291
00:11:31,491 --> 00:11:33,858
SO, I, UH,
I DID SOME RESEARCH.
292
00:11:33,893 --> 00:11:36,060
AND I FOUND OUT THAT
293
00:11:36,095 --> 00:11:38,863
WHEN YOU TAKE YOUR PHYSICAL
TO GET INTO THE ARMY,
294
00:11:38,898 --> 00:11:40,865
THEY DRUG TEST YOU.
295
00:11:41,868 --> 00:11:45,136
THAT'S WHY GETTING
YOUR HIGH SCHOOL DIPLOMA
WAS SUDDENLY SO IMPORTANT.
296
00:11:45,171 --> 00:11:49,340
'CAUSE YOU WERE AFRAID
THAT IF YOU DIDN'T WAIT
A FEW MONTHS,
297
00:11:49,375 --> 00:11:51,876
THEN YOU WOULD TEST POSITIVE
FOR CRYSTAL METH.
298
00:11:51,911 --> 00:11:55,346
THAT'S WHY YOU AND BROOKE
WERE FIGHTING, BECAUSE
YOU TOOK HER DRUGS.
299
00:12:00,086 --> 00:12:01,753
WHY, CARMEN?
300
00:12:02,955 --> 00:12:06,224
YOU WERE SO CLOSE
TO GETTING WHAT YOU WANTED.
WHY DID YOU USE?
301
00:12:07,960 --> 00:12:09,828
I DON'T...
I DON'T KNOW.
302
00:12:11,964 --> 00:12:13,431
HUH.
303
00:12:14,901 --> 00:12:16,401
I WAS HAVING A BAD DAY.
304
00:12:17,837 --> 00:12:19,137
I JUST WANTED
TO GET HIGH.
305
00:12:20,940 --> 00:12:22,040
SO YOU MADE
A MISTAKE.
306
00:12:24,811 --> 00:12:26,844
WHY LIE ABOUT RITA?
307
00:12:26,879 --> 00:12:29,847
BECAUSE IF I SAID
THAT BROOKE HIT ME,
THEN SHE WOULD HAVE TOLD.
308
00:12:29,882 --> 00:12:32,416
AND IF I TEST POSITIVE
FOR DRUGS AT ANY TIME
309
00:12:32,451 --> 00:12:35,520
DURING THE APPLICATION PROCESS,
THEN THAT'S IT.
310
00:12:37,023 --> 00:12:39,290
YOU CAN NEVER JOIN THE ARMY.
311
00:12:39,325 --> 00:12:40,859
SO, YOU HAVE OTHER OPTIONS.
312
00:12:41,961 --> 00:12:43,428
NO, I DON'T.
313
00:12:44,931 --> 00:12:46,297
WHEN YOU'RE IN A GANG,
314
00:12:46,332 --> 00:12:48,833
THEY DON'T JUST LET YOU LEAVE.
315
00:12:48,868 --> 00:12:50,401
SO WHAT ABOUT RITA?
316
00:12:51,437 --> 00:12:52,837
SHE COULD LOSE EVERYTHING.
317
00:12:52,872 --> 00:12:54,372
YOU DON'T CARE
ABOUT HER AT ALL.
318
00:12:54,407 --> 00:12:55,406
I'VE GOT TO CARE
ABOUT ME.
319
00:12:55,442 --> 00:12:57,942
MY MOM'S A COP. SHE COULD
DRUG TEST YOU RIGHT NOW.
320
00:12:57,977 --> 00:12:59,977
(sighs deeply)
321
00:13:00,012 --> 00:13:01,813
IF YOU OUT ME,
322
00:13:01,848 --> 00:13:05,049
I WILL OUT YOU TO THAT
SOCIAL WORKER WHO'S COMING
TO TALK TO US.
323
00:13:05,084 --> 00:13:08,820
WHAT DO YOU THINK WILL HAPPEN
IF I TELL HER YOU AND BRANDON
SNUCK AROUND,
324
00:13:08,855 --> 00:13:10,355
SEEING EACH OTHER
THE WHOLE TIME YOU WERE HERE?
325
00:13:11,824 --> 00:13:15,226
WHAT ABOUT YOU SHOVING
YOUR TONGUE DOWN HIS THROAT
AT THE FUNDRAISER?
326
00:13:15,261 --> 00:13:16,928
YOU STILL THINK
YOU'LL GET ADOPTED?
327
00:13:17,930 --> 00:13:19,164
I THOUGHT WE WERE FRIENDS.
328
00:13:20,166 --> 00:13:22,267
I DON'T HAVE ANY FRIENDS.
329
00:13:24,971 --> 00:13:26,938
AND DON'T THINK FOR A SECOND
330
00:13:26,973 --> 00:13:28,940
I WON'T TAKE YOU
DOWN WITH ME.
331
00:13:33,012 --> 00:13:34,245
(dramatic melody)
332
00:13:41,921 --> 00:13:42,753
OKAY, STOP, STOP.
333
00:13:42,789 --> 00:13:44,922
YOU'RE NOT PLAYING
WITH ANY PASSION.
334
00:13:44,957 --> 00:13:46,524
WELL, IT'S A VERY
DIFFICULT PIECE.
335
00:13:46,559 --> 00:13:49,026
RIGHT, DON'T WORRY
SO MUCH ABOUT THE TECHNIQUE.
336
00:13:49,061 --> 00:13:51,028
JUST... YOU KNOW WHAT
TEMPO RUBATO IS, RIGHT?
337
00:13:51,063 --> 00:13:53,564
OF COURSE,
BUT IT SAYS ALLEGRO.
338
00:13:53,599 --> 00:13:55,933
DON'T BE SO LITERAL.
YEAH, YOU JUST...
339
00:13:55,968 --> 00:13:57,502
FEEL THE MUSIC.
340
00:13:59,005 --> 00:14:00,939
MAYBE IF YOU TOLD ME
WHAT THE PIECE
WAS ABOUT.
341
00:14:01,941 --> 00:14:03,474
UM, OKAY.
IT'S ABOUT...
342
00:14:04,477 --> 00:14:06,911
FALLING IN LOVE
WITH SOMEONE YOU CAN
NEVER BE WITH.
343
00:14:06,946 --> 00:14:08,079
WHY NOT?
344
00:14:09,181 --> 00:14:12,350
WELL, BECAUSE SOMETIMES
IT JUST DOESN'T WORK OUT.
345
00:14:12,385 --> 00:14:13,918
BUT WHY?
346
00:14:15,154 --> 00:14:17,488
UH... HAVE YOU EVER
BEEN IN LOVE?
347
00:14:18,491 --> 00:14:19,924
UH... NO.
348
00:14:19,959 --> 00:14:22,159
HAVE YOU EVER HAD
A RELATIVE DIE?
349
00:14:22,194 --> 00:14:23,261
NO.
350
00:14:23,296 --> 00:14:24,328
A PET?
351
00:14:24,363 --> 00:14:25,496
NO.
352
00:14:25,531 --> 00:14:27,899
HAS ANYTHING BAD
EVER HAPPENED TO YOU?
353
00:14:27,934 --> 00:14:28,900
NOT REALLY.
354
00:14:28,935 --> 00:14:31,035
MY WISDOM TEETH
GOT IMPACTED.
355
00:14:32,038 --> 00:14:33,604
OKAY, LET'S START AGAIN.
356
00:14:33,639 --> 00:14:36,474
NO OFFENSE, BUT THIS PIECE
IS SORT OF A WASTE
OF MY TIME.
357
00:14:36,509 --> 00:14:38,109
A WASTE OF YOUR TIME?
358
00:14:38,144 --> 00:14:39,176
WHAT I MEAN IS THAT--
359
00:14:39,211 --> 00:14:40,378
YOU DON'T THINK
I CAN WIN THIS.
360
00:14:40,413 --> 00:14:41,946
NO. I MEAN YES.
361
00:14:42,949 --> 00:14:43,915
MAYBE.
362
00:14:43,950 --> 00:14:45,283
I DON'T KNOW.
363
00:14:45,318 --> 00:14:47,919
BUT I DON'T THINK
I CAN PLAY THIS PIECE
THE WAY THAT YOU WANT ME TO.
364
00:14:47,954 --> 00:14:49,287
THEN DON'T.
365
00:14:49,322 --> 00:14:50,988
YOU ARE OBVIOUSLY
LOYAL TO TONY.
366
00:14:51,023 --> 00:14:52,657
-WELL--
-DON'T SAY YOU'RE
SWITZERLAND AGAIN.
367
00:14:52,692 --> 00:14:54,125
OKAY.
368
00:14:55,561 --> 00:14:57,996
-SO WHAT AM I DOING?
-YOU'RE GETTING THE HELL
OUT OF HERE.
369
00:15:09,108 --> 00:15:10,107
SO...
370
00:15:10,142 --> 00:15:11,609
HOW'S IT GOING?
371
00:15:12,611 --> 00:15:13,944
(sighs)
372
00:15:13,979 --> 00:15:17,548
Well, someone had to stay
to drive Callie and Mariana
up tomorrow.
373
00:15:17,583 --> 00:15:19,317
WHY DID THAT SOMEONE
GET TO BE YOU?
374
00:15:19,352 --> 00:15:21,319
Because I didn't make
the plan.
375
00:15:21,354 --> 00:15:22,987
-I'M HERE.
-Have fun.
376
00:15:23,022 --> 00:15:24,355
-HI.
-HI.
377
00:15:24,390 --> 00:15:26,123
I'll see you tomorrow.
Love you.
378
00:15:26,158 --> 00:15:27,392
LOVE YOU TOO.
379
00:15:29,562 --> 00:15:31,362
OH, IT'S BEAUTIFUL UP HERE.
380
00:15:31,397 --> 00:15:32,430
RIGHT?
381
00:15:32,465 --> 00:15:34,432
IT'S NICE TO HAVE
FRIENDS WITH FRIENDS
WITH CABINS.
382
00:15:35,534 --> 00:15:37,068
-WHERE'S JENNA?
-UH...
383
00:15:37,103 --> 00:15:38,536
SHE HAD SOME P.R. CRISIS,
384
00:15:38,571 --> 00:15:40,104
SO SHE'S GONNA DRIVE UP TONIGHT.
385
00:15:40,139 --> 00:15:41,405
OH.
386
00:15:41,441 --> 00:15:44,041
WELL, BRANDON IS REHEARSING,
SO I GUESS IT'S JUST US
FOR DINNER.
387
00:15:44,076 --> 00:15:46,344
WELL, I BROUGHT
388
00:15:46,379 --> 00:15:49,613
GRASS-FED, ANTIBIOTIC-FREE,
PRACTICALLY HEALTHY STEAKS.
389
00:15:49,648 --> 00:15:51,582
OH, I BROUGHT...
390
00:15:52,551 --> 00:15:54,518
A SIX PACK OF WINE.
391
00:15:54,553 --> 00:15:56,487
IT WAS BUY FIVE,
GET ONE FREE.
392
00:15:59,091 --> 00:16:01,092
(both laughing)
393
00:16:02,294 --> 00:16:03,493
WHAT AM I GONNA DO?
394
00:16:03,529 --> 00:16:06,163
I MEAN, THIS WHOLE
EXPERIENCE HAS SUCKED
FROM DAY ONE.
395
00:16:06,198 --> 00:16:09,166
I MEAN, I THOUGHT
THIS WAS A CAMP,
NOT A COMPETITION.
396
00:16:09,201 --> 00:16:10,768
AND I THOUGHT
I WAS HERE TO PLAY PIANO.
397
00:16:10,803 --> 00:16:11,769
SO DO IT.
PLAY PIANO.
398
00:16:11,804 --> 00:16:14,438
I CAN'T PLAY MY OWN PIECE.
THEY WON'T LET ME.
399
00:16:14,473 --> 00:16:15,740
THEN DON'T ASK.
400
00:16:15,775 --> 00:16:17,575
WELL, AND ALSO, I JUST
TECHNICALLY CAN'T PLAY IT.
401
00:16:17,610 --> 00:16:18,676
OKAY? I DON'T
HAVE THE REACH.
402
00:16:18,711 --> 00:16:21,045
I MEAN, SINCE MY HAND
GOT CRUSHED IN A CAR DOOR--
403
00:16:21,080 --> 00:16:23,581
OH, SO WHAT YOU WANT
IS TO FEEL SORRY
FOR YOURSELF.
404
00:16:23,616 --> 00:16:25,116
IS THAT IT?
405
00:16:25,151 --> 00:16:26,183
OH, THANK YOU
FOR YOUR SUPPORT.
406
00:16:26,218 --> 00:16:28,252
HEY! HEY, COME ON,
DON'T BE...
407
00:16:28,287 --> 00:16:29,720
HEY! HEY!
408
00:16:29,755 --> 00:16:33,124
I TOOK A DAY OFF TOUR
TO COME SUPPORT YOU,
409
00:16:33,159 --> 00:16:36,094
BUT IF YOU JUST WANNA WHINE,
THAT'S OKAY TOO.
410
00:16:37,797 --> 00:16:41,599
SERIOUSLY, THIS PIECE I WROTE
IS JUST VERY DIFFICULT.
411
00:16:42,635 --> 00:16:45,336
OKAY? I WOULD NEED, LIKE,
AN EXTRA HAND TO DO IT.
412
00:16:46,472 --> 00:16:48,006
THAT CAN BE ARRANGED.
413
00:16:49,308 --> 00:16:51,409
SO IF CARMEN TELLS
THE SOCIAL WORKER
THAT I KISSED BRANDON
414
00:16:51,444 --> 00:16:53,677
A FEW MONTHS AGO,
I'LL NEVER GET ADOPTED.
415
00:16:53,712 --> 00:16:55,646
OKAY, LOOK.
RITA HASN'T BEEN
CHARGED YET.
416
00:16:55,681 --> 00:16:57,214
SHE MAY NEVER BE.
417
00:16:57,249 --> 00:17:00,084
IT'S NOT LIKE YOU HAVE
ANY PROOF. IT'S STILL GONNA
BE YOUR WORD AGAINST CARMEN'S.
418
00:17:00,119 --> 00:17:01,218
NO, IT WON'T.
419
00:17:01,253 --> 00:17:02,820
I RECORDED HER.
420
00:17:02,855 --> 00:17:04,322
ON WHAT?
421
00:17:05,524 --> 00:17:07,124
YOU GOT YOUR PHONE?
422
00:17:07,159 --> 00:17:08,358
YEAH.
423
00:17:08,394 --> 00:17:10,261
STEF GOT MICHELLE TO LET ME
HAVE IT IF I KEPT IT A SECRET.
424
00:17:10,296 --> 00:17:11,629
SO...
425
00:17:11,664 --> 00:17:13,464
I RECORDED HER SAYING
THAT BROOKE HIT HER.
426
00:17:14,467 --> 00:17:15,699
HEY.
427
00:17:15,734 --> 00:17:17,535
SO I CAN'T HELP NOTICING
YOU'RE STILL HERE.
428
00:17:17,570 --> 00:17:19,703
CALLIE'S LEAVING TOMORROW.
YOU GOOD WITH THAT?
429
00:17:19,738 --> 00:17:21,506
TOMORROW WORKS.
430
00:17:27,346 --> 00:17:28,746
(both chuckle)
431
00:17:28,781 --> 00:17:31,215
OH, EXCUSE ME.
I DON'T THINK
YOU SIGNED IN.
432
00:17:31,250 --> 00:17:32,183
I'M LEAVING NOW.
433
00:17:32,218 --> 00:17:34,419
IT'S OUR POLICY,
ALL VISITORS HAVE TO SIGN IN.
434
00:17:41,260 --> 00:17:42,860
I'LL STICK AROUND.
435
00:17:42,895 --> 00:17:44,328
TILL GRAM IS OUT
OF THE WOODS.
436
00:17:44,363 --> 00:17:45,830
THEN I'M GONE.
437
00:17:45,865 --> 00:17:47,698
PLEASE DON'T GO, TY.
438
00:17:47,733 --> 00:17:49,633
YOU CAN STAY HERE,
439
00:17:49,668 --> 00:17:51,102
AND WE CAN SEE
EACH OTHER ANYTIME.
440
00:17:51,137 --> 00:17:52,670
YOU MADE YOUR CHOICE.
441
00:18:04,250 --> 00:18:05,683
TY, HOLD UP!
442
00:18:07,386 --> 00:18:09,120
(sighs) LOOK,
443
00:18:09,155 --> 00:18:11,155
I'M NOT TRYING TO GET BETWEEN
YOU AND YOUR BROTHER--
444
00:18:11,190 --> 00:18:12,022
YOU ALREADY DID.
445
00:18:12,058 --> 00:18:13,557
I'M JUST TRYING
TO GIVE HIM A HOME.
446
00:18:13,592 --> 00:18:14,625
I'M HIS HOME!
447
00:18:14,660 --> 00:18:16,094
WELL, THEN STAY.
HE NEEDS YOU.
448
00:18:17,496 --> 00:18:18,729
TAKE CARE OF HIM.
449
00:18:27,173 --> 00:18:28,806
HEY, TY,
HOLD UP.
450
00:18:31,510 --> 00:18:33,111
GOOD LUCK.
451
00:18:35,214 --> 00:18:36,447
HOW YOU DOIN'?
452
00:18:36,482 --> 00:18:37,782
HI.
453
00:18:38,951 --> 00:18:40,485
TAKE CARE.
454
00:18:43,589 --> 00:18:45,923
EVERYTHING ALL RIGHT?
455
00:18:45,958 --> 00:18:48,292
YEAH. YEAH, I TRIED
TO TALK TO HIM.
456
00:18:48,327 --> 00:18:50,661
UH, LISTEN, I LEFT
MY JACKET INSIDE.
I'LL BE RIGHT BACK.
457
00:19:12,785 --> 00:19:14,251
(laughing) WAIT, WHAT ABOUT
458
00:19:14,286 --> 00:19:17,788
SENORITA ROSARITA ROCHIN?
459
00:19:17,823 --> 00:19:19,557
(both laugh)
460
00:19:19,592 --> 00:19:21,659
WHAT ABOUT HER WIG,
MORE IMPORTANTLY?
461
00:19:21,694 --> 00:19:23,661
IT'S ALWAYS A LITTLE
OFF KILTER.
462
00:19:23,696 --> 00:19:25,329
(both laughing)
463
00:19:26,465 --> 00:19:29,200
BUT, YOU KNOW,
SHE'S AN EXCELLENT TEACHER.
464
00:19:29,235 --> 00:19:30,768
-TOTALLY. SHE IS.
-YES.
465
00:19:35,608 --> 00:19:37,942
SO, UM, HOW ARE THINGS
GOING WITH JENNA?
466
00:19:37,977 --> 00:19:39,544
UM...
467
00:19:40,546 --> 00:19:41,912
WELL...
468
00:19:41,947 --> 00:19:43,881
I LIKE HER, A LOT.
469
00:19:44,883 --> 00:19:45,849
SO...
470
00:19:45,884 --> 00:19:48,519
I DON'T KNOW, I THINK HER
FEELINGS MIGHT BE
471
00:19:48,554 --> 00:19:51,622
PROGRESSING A LITTLE
FASTER THAN MINE.
472
00:19:52,891 --> 00:19:54,358
AND, UM...
473
00:19:54,393 --> 00:19:56,393
HOW ARE YOU FINDING
DATING A WOMAN,
474
00:19:56,428 --> 00:19:57,995
IN GENERAL?
475
00:19:58,030 --> 00:19:59,797
IT'S DIFFERENT.
476
00:19:59,832 --> 00:20:01,832
UM... YEAH, IT'S--
477
00:20:01,867 --> 00:20:05,436
I LIKE THE EMOTIONAL
CONNECTION, AND, UM,
I LIKE...
478
00:20:07,339 --> 00:20:08,973
I LIKE HAVING SEX
WITH A WOMAN.
479
00:20:11,277 --> 00:20:12,509
(both laugh)
480
00:20:12,544 --> 00:20:13,978
-THERE'S THAT.
-THERE'S THAT.
481
00:20:16,282 --> 00:20:17,281
OKAY, WELL,
482
00:20:17,317 --> 00:20:20,284
MAYBE, YOU KNOW, YOU JUST
NEED A LITTLE MORE TIME.
483
00:20:20,319 --> 00:20:24,255
MAYBE. OR, YOU KNOW, MAYBE
SHE'S JUST NOT THE RIGHT
WOMAN FOR ME.
484
00:20:31,363 --> 00:20:34,031
NOW, IF I THOUGHT
I HAD A CHANCE
WITH SENORITA...
485
00:20:34,066 --> 00:20:36,467
Both: ROSARITA ROCHIN.
486
00:20:37,469 --> 00:20:38,736
I WAS GONNA END UP SAYING--
487
00:20:38,771 --> 00:20:39,870
-HEY!
-OH!
488
00:20:39,905 --> 00:20:41,372
HI.
489
00:20:41,407 --> 00:20:43,040
WHAT'S SO FUNNY?
490
00:20:43,075 --> 00:20:44,308
NOTHING.
491
00:20:44,343 --> 00:20:45,476
HI. HI, HI, HI.
492
00:20:45,511 --> 00:20:46,777
OH, HI.
493
00:20:46,812 --> 00:20:47,945
HOW WAS YOUR DRIVE?
494
00:20:47,980 --> 00:20:49,647
UM, UH, IT WAS FINE.
495
00:20:49,682 --> 00:20:50,881
-YEAH? WAS THERE
A LOT OF TRAFFIC?
496
00:20:50,916 --> 00:20:52,416
IT WAS LONG.
497
00:20:52,451 --> 00:20:53,450
IT WAS LONG? YEAH.
498
00:20:53,485 --> 00:20:55,286
HOW ABOUT
A GLASS OF WINE?
499
00:20:55,321 --> 00:20:56,553
UM...
500
00:20:56,588 --> 00:20:57,921
-YES.
-YES, YOU DO.
501
00:20:57,956 --> 00:20:59,423
-YES, YOU NEED
TO CATCH UP.
502
00:20:59,458 --> 00:21:03,661
YEAH, I COULD DEFINITELY
USE A... DRINK.
503
00:21:07,499 --> 00:21:10,801
IF EVERYONE COULD PLEASE
TAKE THEIR SEATS, WE'RE
ABOUT TO BEGIN.
504
00:21:12,037 --> 00:21:14,038
HOW'S MIKE'S?
YOU MISS US?
505
00:21:14,073 --> 00:21:15,372
NO.
506
00:21:15,407 --> 00:21:16,740
MAYBE A LITTLE.
507
00:21:16,775 --> 00:21:18,276
CONGRATULATIONS,
BY THE WAY.
508
00:21:19,812 --> 00:21:21,645
SO WHEN ARE YOU
COMING TO SEE ME?
509
00:21:21,680 --> 00:21:25,382
...COMPOSERS AND PERFORMERS,
THEY'VE WORKED VERY HARD
THIS SUMMER.
510
00:21:25,417 --> 00:21:27,851
AND NOT ONLY ARE THEY
PLAYING FOR YOU,
511
00:21:27,886 --> 00:21:29,620
THEY ARE COMPETING
FOR A CHANCE...
512
00:21:29,655 --> 00:21:30,888
SORRY I'M LATE.
513
00:21:30,923 --> 00:21:32,656
-WHERE'S MONTE?
-SHE LEFT.
514
00:21:32,691 --> 00:21:33,824
WHY?
515
00:21:33,859 --> 00:21:35,392
WE BROKE UP.
516
00:21:35,427 --> 00:21:36,827
HM.
517
00:21:37,863 --> 00:21:41,532
OUR FIRST PERFORMER
IS CELLIST TORI PHILLIPS.
518
00:21:46,438 --> 00:21:47,872
¶¶
519
00:21:53,545 --> 00:21:56,480
HEY, UH,
WHAT'D YOU DECIDE
ON JOE OLSEN?
520
00:21:57,750 --> 00:21:59,383
UH, I BROUGHT HIM IN.
521
00:22:00,419 --> 00:22:01,819
-OH, YEAH?
-MM-HMM.
522
00:22:01,854 --> 00:22:03,420
DID YOU GET
ANYTHING OUT OF HIM?
523
00:22:03,455 --> 00:22:05,456
NOPE. NO, I THINK
YOU'RE RIGHT.
524
00:22:05,491 --> 00:22:07,925
THERE'S NO WAY TO CONNECT
HIM TO THE GUY IN THE BUS.
525
00:22:07,960 --> 00:22:09,727
MY THEORY'S A LITTLE
OUT THERE, YOU KNOW.
526
00:22:10,896 --> 00:22:12,029
WHAT?
527
00:22:12,064 --> 00:22:13,397
HM?
528
00:22:13,432 --> 00:22:14,498
WHAT'S WRONG?
529
00:22:14,533 --> 00:22:17,034
I'M JUST NERVOUS
ABOUT BRANDON.
530
00:22:18,070 --> 00:22:22,439
OKAY. CERTAINLY NOT AS
NERVE RACKING AS IT WAS WHEN
HE WAS PERFORMING THOUGH, RIGHT?
531
00:22:22,474 --> 00:22:23,708
YEAH.
532
00:22:28,180 --> 00:22:29,880
¶¶
533
00:22:45,464 --> 00:22:46,564
¶¶
534
00:22:50,803 --> 00:22:52,603
(cheers and applause)
535
00:22:56,608 --> 00:22:57,775
(gasps)
536
00:22:57,810 --> 00:22:59,176
WHAT?
537
00:22:59,211 --> 00:23:00,845
MAT.
538
00:23:01,914 --> 00:23:03,180
WHAT'S HE DOING HERE?
539
00:23:03,215 --> 00:23:06,083
OUR NEXT COMPOSER IS
BRANDON FOSTER,
540
00:23:06,118 --> 00:23:09,553
AND YOU MAY RECOGNIZE
HIS PIANIST, JIN CHANG.
541
00:23:15,561 --> 00:23:20,164
ALTHOUGH I'M ON THE COMPOSING
TRACK AT IDYLLWILD,
542
00:23:20,199 --> 00:23:23,133
I DECIDED TO PLAY
MY OWN PIECE.
543
00:23:23,168 --> 00:23:26,503
I REALIZE THAT I MIGHT BE
DISQUALIFIED FROM
THE COMPETITION,
544
00:23:26,538 --> 00:23:29,606
BUT I DIDN'T COME UP HERE
TO IDYLLWILD TO WIN.
545
00:23:29,641 --> 00:23:32,976
I CAME HERE TO LEARN
FROM MY TEACHERS
546
00:23:33,011 --> 00:23:34,545
AND FROM MY PEERS,
547
00:23:34,580 --> 00:23:36,713
NOT TO COMPETE
AGAINST THEM.
548
00:23:36,748 --> 00:23:38,115
WHAT'S HE DOING?
549
00:23:38,150 --> 00:23:39,883
KICKING SOME ASS.
550
00:23:39,918 --> 00:23:41,852
I HAD A HARD TIME THIS SUMMER
551
00:23:41,887 --> 00:23:44,555
BECAUSE I GOT ALL CAUGHT UP
552
00:23:44,590 --> 00:23:47,524
IN TRYING TO PROVE
THAT I BELONGED HERE,
553
00:23:47,559 --> 00:23:50,828
THAT I LOST THE JOY
OF MAKING MUSIC.
554
00:23:52,231 --> 00:23:54,097
I'D LIKE TO RECLAIM THAT NOW,
555
00:23:54,132 --> 00:23:56,567
AND DO WHAT I LOVE MOST.
556
00:23:56,602 --> 00:23:58,068
PERFORM.
557
00:24:08,680 --> 00:24:10,047
WHAT'S HE DOING?
558
00:24:10,082 --> 00:24:12,683
Woman: IS HE CAPABLE
OF PLAYING HIS OWN PIECE?
559
00:24:12,718 --> 00:24:14,785
Man: QUITE A LOOPING
PEDAL HE HAS.
560
00:24:17,656 --> 00:24:19,623
¶¶
561
00:25:41,340 --> 00:25:43,073
(cheers and applause)
562
00:25:48,347 --> 00:25:51,649
(cheers and applause continue)
563
00:26:09,735 --> 00:26:12,736
¶ I'VE BEEN TRYING
TO FIGURE THIS OUT ¶
564
00:26:12,771 --> 00:26:13,870
HEY.
565
00:26:13,905 --> 00:26:15,105
HEY!
566
00:26:15,140 --> 00:26:18,775
I'M SO PROUD OF YOU, MY BABY.
567
00:26:18,810 --> 00:26:19,609
(babbling)
568
00:26:19,644 --> 00:26:21,678
SHARE HIM WITH ME.
CONGRATULATIONS.
569
00:26:21,713 --> 00:26:22,946
OH!
570
00:26:22,981 --> 00:26:24,381
YOU WERE AWESOME.
571
00:26:24,416 --> 00:26:25,882
HEY!
572
00:26:25,917 --> 00:26:27,384
I COULDN'T HAVE DONE IT
WITHOUT YOU, MAN.
573
00:26:27,419 --> 00:26:28,919
YOU WERE BRILLIANT.
574
00:26:28,954 --> 00:26:30,120
YEAH. (giggles)
575
00:26:31,923 --> 00:26:33,991
IT WAS REALLY NICE
OF YOU TO COME OUT
AND SUPPORT BRANDON.
576
00:26:34,026 --> 00:26:35,292
YEAH, WELL--
577
00:26:35,327 --> 00:26:36,793
-ARE YOU--
-I'VE GOTTA...
578
00:26:36,828 --> 00:26:38,395
HIT THE ROAD. SO...
579
00:26:38,430 --> 00:26:39,630
OH, YOU'RE...
580
00:26:39,665 --> 00:26:40,697
YEAH.
581
00:26:40,732 --> 00:26:42,866
WELL, DRIVE SAFELY.
582
00:26:42,901 --> 00:26:44,201
I WILL.
583
00:26:44,236 --> 00:26:45,836
SEE YA, MARIANA.
584
00:26:45,871 --> 00:26:47,671
SEE YA.
585
00:26:49,174 --> 00:26:50,708
HEY.
586
00:26:51,810 --> 00:26:53,043
I'M SO PROUD OF YOU.
587
00:26:53,078 --> 00:26:54,645
THANKS, DAD.
588
00:26:54,680 --> 00:26:55,912
THAT WAS DOPE, MAN.
589
00:26:55,947 --> 00:26:58,048
THANK YOU. I HEARD
YOU MOVED IN.
590
00:26:58,083 --> 00:26:59,716
-YEAH.
-YEAH.
591
00:26:59,751 --> 00:27:01,585
WELL, HE'S A GOOD DAD.
592
00:27:01,620 --> 00:27:03,353
HE'LL BE A GOOD
FOSTER DAD, TOO.
593
00:27:03,388 --> 00:27:07,758
AND, UH... YOU KNOW,
I'LL TRY TO BE A GOOD
FOSTER BROTHER.
594
00:27:07,793 --> 00:27:09,727
I APPRECIATE THAT.
595
00:27:13,298 --> 00:27:14,965
BRANDON, THAT WAS INCREDIBLE.
596
00:27:15,000 --> 00:27:16,800
I DON'T UNDERSTAND HOW--
597
00:27:16,835 --> 00:27:18,201
YEAH, IT'S LIKE A LOOPER.
598
00:27:18,237 --> 00:27:20,804
IT'S LIKE A LOOPING MACHINE.
ESSENTIALLY, YOU CAN PUT
MULTIPLE TRACKS...
599
00:27:20,839 --> 00:27:23,240
CAN I TALK TO YOU
FOR A SECOND?
600
00:27:23,275 --> 00:27:24,741
YEAH.
601
00:27:24,776 --> 00:27:27,044
UM, I JUST GOT AN EMAIL.
602
00:27:28,213 --> 00:27:32,783
IT LOOKS LIKE THE D.A. IS GONNA
BE CHARGING RITA WITH ASSAULT
AND ABUSE OF A MINOR.
603
00:27:32,818 --> 00:27:34,652
I'M SORRY.
604
00:27:35,754 --> 00:27:37,254
-HEY. I'M TAKING OFF.
-HEY.
605
00:27:37,289 --> 00:27:39,790
OKAY, HOLD ON A SECOND.
I WILL BE RIGHT BACK.
606
00:27:39,825 --> 00:27:40,957
OKAY?
607
00:27:40,992 --> 00:27:43,293
-COME HERE.
-MM-HMM.
608
00:28:32,144 --> 00:28:33,844
SO WHAT'S GOING ON?
609
00:28:35,447 --> 00:28:37,247
I'M SORRY, I DON'T--
610
00:28:37,282 --> 00:28:39,483
I DON'T WANT TO BE
SUCH A BUMMER.
611
00:28:39,518 --> 00:28:41,785
IT'S OKAY. WHAT HAPPENED?
612
00:28:41,820 --> 00:28:43,787
I DON'T KNOW IF
I SHOULD TELL YOU THIS.
613
00:28:43,822 --> 00:28:44,855
WHAT?
614
00:28:44,890 --> 00:28:48,759
MONTE AND I BROKE UP BECAUSE...
615
00:28:48,794 --> 00:28:51,061
SHE HAS FEELINGS
FOR SOMEBODY ELSE.
616
00:28:51,096 --> 00:28:54,231
OH, HONEY. WHO?
617
00:29:06,344 --> 00:29:07,944
THAT TOOK A LOT OF BALLS,
618
00:29:07,979 --> 00:29:09,780
AND YOUR PIECE
IS AMAZING.
619
00:29:09,815 --> 00:29:11,782
THANK YOU,
BUT YOU'RE GONNA WIN.
620
00:29:11,817 --> 00:29:14,384
WELL, YOU WON
THE MORAL VICTORY.
621
00:29:16,488 --> 00:29:19,289
IF I COULD PLEASE
HAVE EVERYONE'S ATTENTION AGAIN.
622
00:29:19,324 --> 00:29:22,025
THE JUDGES HAVE MADE
THEIR FINAL DECISIONS.
623
00:29:22,060 --> 00:29:24,928
I WILL START WITH
THE WINNING COMPOSER.
624
00:29:25,831 --> 00:29:27,831
THE COMPOSER AND PIANIST
625
00:29:27,866 --> 00:29:30,467
WHO WILL BE PERFORMING
AT DISNEY HALL...
626
00:29:32,470 --> 00:29:33,904
IS BRANDON FOSTER.
627
00:29:33,939 --> 00:29:35,305
-OH, MY GOD!
-BRANDON!
628
00:29:35,340 --> 00:29:37,407
-(cheers and applause)
-BRANDON!
629
00:29:39,911 --> 00:29:41,178
OH, MY GOD!
630
00:29:41,213 --> 00:29:43,313
I'M SO PROUD OF YOU, MY BABY.
631
00:29:53,525 --> 00:29:55,959
HOW ARE THE DESIGNATED DRIVERS?
632
00:29:55,994 --> 00:29:58,128
YOU'RE THE DESIGNATED DRIVER.
633
00:29:58,163 --> 00:30:00,864
MOMS LEFT US UP HERE
TO KEEP AN EYE ON BRANDON,
634
00:30:00,899 --> 00:30:03,433
MAKE SURE HE DOESN'T
OVER-CELEBRATE.
635
00:30:03,468 --> 00:30:05,435
IT'S WEIRD THEY WENT HOME.
636
00:30:05,470 --> 00:30:07,036
I MEAN, I GET IT.
637
00:30:07,072 --> 00:30:09,940
YOU KNOW, WHEN YOU'RE NOT
FEELING WELL, YOU JUST WANT
TO BE IN YOUR OWN BED.
638
00:30:09,975 --> 00:30:13,009
UGH. I WANNA BE IN MY OWN BED.
639
00:30:13,044 --> 00:30:14,211
I'M SO BORED--
640
00:30:14,246 --> 00:30:15,512
AH, MARIANA.
641
00:30:15,547 --> 00:30:17,013
HEY.
642
00:30:17,048 --> 00:30:18,882
CAN I TALK TO YOU?
643
00:30:19,951 --> 00:30:21,318
HOW BORED ARE YOU NOW?
644
00:30:32,364 --> 00:30:33,964
I THOUGHT YOU LEFT.
645
00:30:33,999 --> 00:30:35,398
I DID,
646
00:30:35,433 --> 00:30:38,001
BUT THEN I TURNED AROUND
AND CAME BACK.
647
00:30:39,004 --> 00:30:40,003
FOR WHAT?
648
00:30:40,038 --> 00:30:41,605
I KNOW WHY
YOU BROKE UP WITH ME.
649
00:30:41,640 --> 00:30:43,974
WHEN I EXTENDED THE TOUR,
650
00:30:44,009 --> 00:30:46,543
I MADE YOU FEEL LIKE THAT
WAS MORE IMPORTANT TO ME
THAN YOU.
651
00:30:48,079 --> 00:30:49,413
BUT NOTHING'S MORE IMPORTANT.
652
00:30:50,649 --> 00:30:53,116
I WANT TO SPEND THE REST
OF THE SUMMER WITH YOU
IF IT'S NOT...
653
00:30:54,386 --> 00:30:55,853
TOO LATE.
654
00:31:01,092 --> 00:31:02,425
HEY.
655
00:31:02,460 --> 00:31:04,427
YOU HAVING FUN?
656
00:31:04,462 --> 00:31:06,029
YEAH. I GUESS,
657
00:31:06,064 --> 00:31:07,597
YOU DRUNK?
658
00:31:07,632 --> 00:31:09,966
NO, NO, NO.
I'M JUST PRETENDING.
659
00:31:10,001 --> 00:31:12,335
I DIDN'T WANT TO RUIN
HOW GOOD I FEEL.
660
00:31:12,370 --> 00:31:14,137
WELL, YOU DESERVE IT.
661
00:31:15,507 --> 00:31:17,073
YOU KNOW, YOU WORKED
REALLY HARD.
662
00:31:17,108 --> 00:31:19,376
YOUR COMPOSITION WAS BEAUTIFUL.
663
00:31:19,411 --> 00:31:21,511
I COULDN'T HAVE WRITTEN
IT A YEAR AGO.
664
00:31:33,124 --> 00:31:35,025
SO WE HAVEN'T TALKED
ABOUT A.J.
665
00:31:35,060 --> 00:31:36,493
IT'S NONE OF MY BUSINESS
WHO YOU DATE.
666
00:31:36,528 --> 00:31:38,028
I'M NOT DATING HIM.
667
00:31:38,063 --> 00:31:40,931
OKAY, WELL, KISS
ON YOUR BIRTHDAY THEN.
668
00:31:45,103 --> 00:31:46,036
HEY, CAN I ASK
YOU SOMETHING?
669
00:31:47,105 --> 00:31:48,972
DID YOU COME TO GIRLS UNITED
670
00:31:49,007 --> 00:31:50,106
THE OTHER NIGHT?
671
00:31:50,141 --> 00:31:51,474
NO.
672
00:31:51,509 --> 00:31:53,009
WHY?
673
00:31:53,044 --> 00:31:55,946
I JUST, UM--
I THOUGHT I SAW
YOUR CAR OUTSIDE.
674
00:32:07,692 --> 00:32:09,693
(soft music plays)
675
00:32:13,665 --> 00:32:15,265
HEY, SO...
676
00:32:15,300 --> 00:32:17,233
I'M KIND OF EMBARRASSED
TO TELL YOU THIS.
677
00:32:17,268 --> 00:32:18,468
WHAT?
678
00:32:20,105 --> 00:32:24,140
THE REASON WHY I DIDN'T WANT
TO HAVE SEX WITH YOU
679
00:32:24,175 --> 00:32:26,510
WASN'T JUST BECAUSE
I WAS LEAVING.
680
00:32:30,181 --> 00:32:32,015
I WANTED IT
TO BE SPECIAL.
681
00:32:33,585 --> 00:32:35,118
I KNOW.
682
00:32:35,153 --> 00:32:36,252
YOU TOLD ME THAT.
683
00:32:36,287 --> 00:32:37,955
YEAH, BUT I DIDN'T
TELL YOU WHY.
684
00:32:39,090 --> 00:32:42,426
I'VE... NEVER HAD
SEX BEFORE.
685
00:32:45,230 --> 00:32:48,131
I WANT MY FIRST TIME
TO BE WITH THE RIGHT GIRL.
686
00:32:50,135 --> 00:32:53,203
AND I WANTED US TO LOSE
OUR VIRGINITY TOGETHER.
687
00:32:54,472 --> 00:32:56,106
YOU KNOW?
688
00:32:56,141 --> 00:32:57,708
SOMEWHERE ROMANTIC.
689
00:32:59,511 --> 00:33:01,144
LIKE HERE.
690
00:33:02,714 --> 00:33:04,448
LIKE NOW.
691
00:33:08,153 --> 00:33:10,087
IF YOU WANT TO.
692
00:33:22,600 --> 00:33:24,067
WHAT'S WRONG?
693
00:33:26,371 --> 00:33:28,071
I'M NOT A VIRGIN.
694
00:33:34,479 --> 00:33:36,646
BUT YOU... YOU TOLD ME--
695
00:33:36,681 --> 00:33:38,315
I WAS, BUT...
696
00:33:39,651 --> 00:33:41,385
I HAD SEX
WITH SOMEONE ELSE.
697
00:33:51,796 --> 00:33:53,096
WHEN?
698
00:33:54,799 --> 00:33:56,600
WHEN WE WERE STILL TOGETHER.
699
00:34:10,248 --> 00:34:11,581
THANKS FOR DOING THIS.
700
00:34:11,616 --> 00:34:13,383
NO PROBLEM.
WHAT AM I LOOKING FOR?
701
00:34:13,418 --> 00:34:17,253
ANY PRINTS OFF THE PEN
THAT MATCH THE ONES ON
A HIT-AND-RUN VEHICLE.
702
00:34:17,288 --> 00:34:19,189
CASE NUMBER'S ON THE BAG.
703
00:34:19,224 --> 00:34:21,257
OKAY. IT MIGHT TAKE
A FEW DAYS.
704
00:34:21,292 --> 00:34:22,759
NO PROBLEM.
APPRECIATE IT.
705
00:34:22,794 --> 00:34:24,227
ALL RIGHT,
YOU GOT IT.
706
00:34:28,600 --> 00:34:29,866
HONEY?
707
00:34:29,901 --> 00:34:31,401
IN HERE.
708
00:34:31,436 --> 00:34:32,836
OH.
709
00:34:34,139 --> 00:34:35,539
WHAT ARE YOU
DOING IN HERE?
710
00:34:37,208 --> 00:34:38,675
WAITING FOR YOU.
711
00:34:40,145 --> 00:34:42,145
DOES YOUR HEAD STILL HURT?
ARE YOU OKAY?
712
00:34:43,515 --> 00:34:45,182
YEAH, MY HEAD IS FINE.
713
00:34:46,351 --> 00:34:49,619
I JUST DIDN'T WANT TO RUIN
BRANDON'S DAY.
714
00:34:49,654 --> 00:34:51,154
WHY WOULD YOU RUIN IT?
715
00:34:57,195 --> 00:34:59,129
ARE YOU HAVING
AN AFFAIR WITH MONTE?
716
00:34:59,931 --> 00:35:01,731
-NO.
-ARE YOU IN LOVE
WITH HER?
717
00:35:01,766 --> 00:35:02,865
NO!
718
00:35:05,236 --> 00:35:08,171
SO THERE'S NOTHING
GOING ON BETWEEN
THE TWO OF YOU?
719
00:35:08,206 --> 00:35:10,273
WHY ARE YOU
ASKING ME THAT?
720
00:35:10,308 --> 00:35:12,142
WHY DON'T YOU
JUST ANSWER ME?
721
00:35:12,177 --> 00:35:13,577
THERE'S NOTHING
GOING ON.
722
00:35:15,180 --> 00:35:16,580
WHAT ABOUT
WHEN YOU KISSED?
723
00:35:22,220 --> 00:35:24,487
I DID NOT KISS HER.
724
00:35:24,522 --> 00:35:26,289
SHE KISSED ME.
725
00:35:26,324 --> 00:35:27,590
(sighs) WHY DIDN'T
YOU TELL ME?
726
00:35:27,625 --> 00:35:29,192
BECAUSE I DIDN'T
WANT TO UPSET YOU.
727
00:35:30,528 --> 00:35:33,263
YOU KNOW, I FEEL LIKE
AN ABSOLUTE IDIOT.
728
00:35:33,298 --> 00:35:35,165
I'VE HAD THAT WOMAN
IN OUR HOUSE--
729
00:35:35,200 --> 00:35:36,500
NOTHING IS GOING ON.
NOTHING HAS EVER
GONE ON.
730
00:35:38,670 --> 00:35:40,537
HOW ABOUT IN FRONT OF
THE FIRE, LAST NIGHT,
731
00:35:40,572 --> 00:35:41,838
JUST THE TWO OF YOU?
732
00:35:41,873 --> 00:35:43,139
NO.
733
00:35:43,175 --> 00:35:45,175
WELL, JENNA SAID THAT
SHE THINKS MONTE'S
IN LOVE WITH YOU,
734
00:35:45,210 --> 00:35:46,476
AND THAT'S WHY
THEY BROKE UP.
735
00:35:46,511 --> 00:35:47,710
OH, GOD.
736
00:35:47,745 --> 00:35:49,279
JENNA IS BEING PARANOID.
737
00:35:50,782 --> 00:35:52,949
MONTE MAY NOT BE IN LOVE
WITH HER, BUT IT'S NOT BECAUSE
SHE'S IN LOVE WITH ME.
738
00:35:52,984 --> 00:35:55,251
YOU KNOW, IT'S REALLY INCREDIBLE
BECAUSE YOU'VE GIVEN ME
739
00:35:55,286 --> 00:35:57,220
SUCH A HARD TIME ABOUT
KEEPING THINGS FROM YOU.
740
00:35:58,456 --> 00:36:00,190
YOU KNOW, EVEN IN THERAPY.
741
00:36:00,225 --> 00:36:02,559
AND YET, HERE YOU ARE
SITTING ON THE MOTHER
OF ALL SECRETS.
742
00:36:02,594 --> 00:36:03,826
IT WAS A KISS.
743
00:36:03,861 --> 00:36:05,428
IT LASTED A SECOND.
744
00:36:07,332 --> 00:36:09,199
I WAS SURPRISED,
I PULLED AWAY,
745
00:36:09,234 --> 00:36:11,267
AND I MADE IT VERY CLEAR
TO HER THAT I AM IN LOVE
WITH MY WIFE.
746
00:36:11,302 --> 00:36:13,303
I SHOULD HAVE TOLD YOU
ABOUT IT BECAUSE IT WAS NOTHING.
747
00:36:19,544 --> 00:36:21,811
IF IT WAS NOTHING, I THINK
YOU WOULD HAVE TOLD ME.
748
00:36:33,992 --> 00:36:35,758
MARIANA'S IN HER ROOM, ASLEEP.
749
00:36:35,793 --> 00:36:37,293
IS SHE ALONE?
750
00:36:37,328 --> 00:36:38,361
YEAH.
751
00:36:39,297 --> 00:36:40,530
I WONDER WHAT HAPPENED TO MAT.
752
00:36:41,532 --> 00:36:42,732
I DON'T KNOW,
753
00:36:42,767 --> 00:36:44,367
BUT THEY LEFT
THIS NICE FIRE.
754
00:36:46,371 --> 00:36:48,838
SO THERE'S SOMETHING
I HAVE TO TELL YOU
755
00:36:48,873 --> 00:36:51,741
BEFORE EVERYTHING
HITS THE FAN.
756
00:36:52,810 --> 00:36:53,909
OKAY.
757
00:36:53,945 --> 00:36:57,414
YOU KNOW ABOUT CARMEN
ACCUSING RITA OF HITTING HER?
758
00:36:58,483 --> 00:36:59,782
YEAH.
759
00:36:59,817 --> 00:37:01,050
SO SHE DIDN'T.
760
00:37:01,085 --> 00:37:05,255
AND I HAVE A RECORDING
OF CARMEN ADMITTING
THAT SHE LIED.
761
00:37:05,290 --> 00:37:06,889
I SENT IT TO RITA
762
00:37:06,924 --> 00:37:08,525
TO CLEAR HER.
763
00:37:09,927 --> 00:37:11,561
WELL, THAT'S GOOD, RIGHT?
764
00:37:11,596 --> 00:37:13,964
YEAH. YEAH,
IT'S GOOD FOR RITA.
765
00:37:15,466 --> 00:37:17,367
IT'S NOT SO GOOD FOR ME
766
00:37:18,369 --> 00:37:20,370
OR YOU, SORT OF,
767
00:37:20,405 --> 00:37:22,005
BECAUSE...
768
00:37:22,040 --> 00:37:24,641
CARMEN KNOWS THAT I KISSED YOU
769
00:37:24,676 --> 00:37:26,343
AT THE FUNDRAISER...
770
00:37:28,346 --> 00:37:31,248
AND THAT WE SAW EACH OTHER
WHEN I WAS AT G.U.
771
00:37:32,583 --> 00:37:35,518
AND SHE'S GONNA TELL
MY SOCIAL WORKER EVERYTHING.
772
00:37:35,553 --> 00:37:37,320
CAN'T YOU JUST DENY IT?
773
00:37:37,355 --> 00:37:39,456
YEAH, I CAN.
774
00:37:41,059 --> 00:37:43,360
BUT I DIDN'T DENY IT
IN THE RECORDING.
775
00:37:44,629 --> 00:37:46,429
SO NOW RITA KNOWS TOO.
776
00:37:47,532 --> 00:37:49,332
AND I'M PRETTY MUCH SCREWED.
777
00:37:52,337 --> 00:37:54,871
THE JUDGE WILL NEVER
LET LENA AND STEF ADOPT ME.
778
00:37:56,474 --> 00:37:59,342
AND THEY'RE PROBABLY GONNA
BE A LITTLE MAD AT YOU TOO,
779
00:37:59,377 --> 00:38:00,977
SO, UM...
780
00:38:01,012 --> 00:38:03,313
I'M SORRY ABOUT THAT.
781
00:38:05,583 --> 00:38:08,017
I JUST-- I COULDN'T
LET RITA GO TO JAIL
782
00:38:08,052 --> 00:38:11,688
AND LOSE EVERYTHING THAT
SHE'S WORKED SO HARD FOR.
783
00:38:11,723 --> 00:38:14,357
AND SHE DIDN'T
DO ANYTHING WRONG,
784
00:38:14,392 --> 00:38:16,393
AND THE TRUTH IS, WE DID.
785
00:38:17,662 --> 00:38:19,396
I DID.
786
00:38:22,667 --> 00:38:24,301
I HOPE YOU UNDERSTAND.
787
00:38:25,970 --> 00:38:27,370
(scoffs)
788
00:38:27,405 --> 00:38:29,039
I DON'T CARE ABOUT ME.
789
00:38:30,475 --> 00:38:32,442
WHAT'S GONNA HAPPEN TO YOU?
790
00:38:35,046 --> 00:38:38,081
UM, I CAN'T GO
BACK TO G.U.
791
00:38:39,550 --> 00:38:40,583
SO...
792
00:38:40,618 --> 00:38:42,686
HOPEFULLY, I CAN LIVE
WITH MY DAD.
793
00:38:43,755 --> 00:38:45,555
CALLIE, THERE MUST BE--
794
00:38:45,590 --> 00:38:47,590
NO, IT'S-- JUST
WASN'T MEANT TO BE.
795
00:38:49,160 --> 00:38:50,693
NONE OF IT,
796
00:38:50,728 --> 00:38:53,029
I GUESS, WAS MEANT TO BE.
797
00:38:53,064 --> 00:38:56,366
¶ IT CAME LIKE A CLOUD ¶
798
00:38:59,804 --> 00:39:03,773
¶ COVERED EVERY DOUBT ¶
799
00:39:03,808 --> 00:39:06,008
I WAS OUTSIDE
OF GIRLS UNITED.
800
00:39:06,043 --> 00:39:07,410
¶ DIDN'T EVEN NOTICE ¶
801
00:39:07,445 --> 00:39:09,112
THE OTHER NIGHT.
802
00:39:11,916 --> 00:39:16,386
¶ THAT THE SUN WAS
FADED OUT ¶
803
00:39:17,688 --> 00:39:19,522
¶ SMILING ¶
804
00:39:21,092 --> 00:39:24,026
¶ WILL ONLY SAVE US
FOR A WHILE ¶
805
00:39:24,061 --> 00:39:26,729
¶ AND WISHING ¶
806
00:39:26,764 --> 00:39:29,565
¶ WON'T HIDE WHAT
WE'RE MISSING ¶
807
00:39:29,600 --> 00:39:31,567
I THINK WE SHOULD
JUST SAY GOOD NIGHT.
808
00:39:31,602 --> 00:39:36,539
¶ YEAH, I LOVE YOU ¶
809
00:39:38,609 --> 00:39:43,046
¶ BUT I SHOULDN'T
HAVE SAID IT YET ¶
810
00:39:45,216 --> 00:39:50,953
¶ AND I KNOW YOU FEEL IT TOO ¶
811
00:39:50,988 --> 00:39:56,159
¶ BUT I WAS NEVER GOOD
AT PLAYING HARD TO GET ¶
812
00:39:58,229 --> 00:40:03,400
¶ IF WE COULD FIND A WAY
TO START THE CHASE AGAIN ¶
813
00:40:04,635 --> 00:40:10,140
¶ MIGHT WE DISCOVER THAT
WE CIRCLED AROUND THE BEND ¶
814
00:40:21,052 --> 00:40:23,853
¶ AROUND THE BEND ¶
815
00:40:30,661 --> 00:40:32,896
¶ AROUND THE BEND ¶
816
00:40:45,176 --> 00:40:49,913
¶ YEAH, I LOVE YOU ¶
817
00:40:50,982 --> 00:40:52,115
(sighs)
818
00:40:52,150 --> 00:40:56,920
¶ BUT I SHOULDN'T
HAVE SAID IT YET ¶
819
00:40:58,856 --> 00:41:04,961
¶ AND I KNOW YOU FEEL IT TOO ¶
820
00:41:04,996 --> 00:41:11,167
¶ BUT I WAS NEVER GOOD
AT PLAYING HARD TO GET ¶
821
00:41:13,538 --> 00:41:17,907
¶ YEAH, I LOVE YOU ¶
822
00:41:19,944 --> 00:41:25,748
¶ BUT I SHOULDN'T
HAVE SAID IT YET ¶
823
00:41:26,984 --> 00:41:31,855
¶ AND I KNOW YOU FEEL IT TOO ¶
824
00:41:33,157 --> 00:41:37,660
¶ BUT I WAS NEVER GOOD
AT PLAYING HARD TO GET ¶
825
00:41:39,597 --> 00:41:44,534
¶ IF WE CAN FIND A WAY
TO START THE CHASE AGAIN ¶
826
00:41:45,970 --> 00:41:51,574
¶ MIGHT WE DISCOVER THAT
WE CIRCLED AROUND THE BEND ¶
827
00:42:01,919 --> 00:42:08,291
¶ MIGHT WE DISCOVER THAT
WE CIRCLED AROUND THE BEND ¶
828
00:42:17,668 --> 00:42:19,569
¶¶