1
00:00:13,056 --> 00:00:15,319
- HEY, DUDE.
- HEY.
2
00:00:15,319 --> 00:00:17,277
BILL.
- HEY.
3
00:00:17,277 --> 00:00:20,454
OH, LOOK AT HANNAH'’S
PRETTY HANDS.
4
00:00:20,454 --> 00:00:21,629
I THOUGHT WE AGREED
NOT TO USE THAT TERM,
5
00:00:21,629 --> 00:00:23,762
BUT SINCE
YOU SAID IT...
6
00:00:23,762 --> 00:00:25,416
JANIE, COME ON.
PRETTY HANDS, SWEETIE.
7
00:00:25,416 --> 00:00:28,854
NO, NO, PRETTY, PRETTY HANDS.
8
00:00:28,854 --> 00:00:30,943
OKAY, CLASS,
LET'’S GET TOGETHER
9
00:00:30,943 --> 00:00:33,641
AND PRACTICE
OUR BOURREE SECTION, HUH?
10
00:00:33,641 --> 00:00:37,906
AND FIVE, SIX,
SEVEN, EIGHT.
11
00:00:39,647 --> 00:00:41,345
YEAH, OH, THERE WE GO.
12
00:00:41,345 --> 00:00:44,174
JANIE'’S DOING
MUCH BETTER TODAY.
13
00:00:44,174 --> 00:00:45,871
LOOKS MORE LIKE
SHE'’S STOMPING GRAPES...
14
00:00:45,871 --> 00:00:47,655
[both chuckle]
15
00:00:47,655 --> 00:00:49,353
BUT IN A GOOD WAY.
16
00:00:49,353 --> 00:00:52,269
YEAH, SO THEIR FIRST--
FIRST RECITAL'’S NEXT WEEK, HUH?
17
00:00:52,269 --> 00:00:53,661
SPEAKING OF WHICH,
ANY CHANCE
18
00:00:53,661 --> 00:00:55,837
YOU'’LL BE OUT OF TOWN
FOR THAT?
19
00:00:55,837 --> 00:00:57,404
NO.
WHY?
20
00:00:57,404 --> 00:00:58,927
OH, NO REASON.
21
00:00:58,927 --> 00:01:01,626
SAY, MY FAMILY HAS A CABIN
IN MAMMOTH,
22
00:01:01,626 --> 00:01:03,758
AND YOUR FAMILY IS WELCOME
TO USE IT,
23
00:01:03,758 --> 00:01:06,935
NEXT WEEKEND SPECIFICALLY.
24
00:01:06,935 --> 00:01:09,547
JUST THROWING IT
OUT THERE.
25
00:01:09,547 --> 00:01:11,940
WINE MAKING
AND A CABIN IN MAMMOTH?
26
00:01:11,940 --> 00:01:14,726
YOU GUYS TRYING TO KEEP JANIE
FROM GOING TO THE RECITAL?
27
00:01:14,726 --> 00:01:18,338
THE CABIN HAS A HOT TUB.
28
00:01:18,338 --> 00:01:20,732
DAVID, I'’M SORRY, BUT I'’VE
BEEN TAPING THESE REHEARSALS,
29
00:01:20,732 --> 00:01:23,909
AND TRUST ME,
YOUR EYE JUST GOES RIGHT TO HER.
30
00:01:28,131 --> 00:01:30,785
OKAY, THAT'’S ENOUGH REHEARSAL
FOR TODAY.
31
00:01:30,785 --> 00:01:32,047
IS IT?
32
00:01:32,047 --> 00:01:34,267
UM, I DON'’T WANT
TO NAME NAMES,
33
00:01:34,267 --> 00:01:37,227
BUT SOMEONE COULD USE
SOME EXTRA PRACTICES.
34
00:01:37,227 --> 00:01:39,403
- DADDY!
- OH, YES.
35
00:01:39,403 --> 00:01:41,100
I'’M SO EXCITED
ABOUT THE RECITAL!
36
00:01:41,100 --> 00:01:42,362
I'’M GONNA BE GREAT!
37
00:01:42,362 --> 00:01:44,712
ARE YOU GONNA
INVITE GRANDMA?
38
00:01:44,712 --> 00:01:46,801
WELL, HONEY, I DON'’T THINK
SHE COULD TAKE IT.
39
00:01:46,801 --> 00:01:49,195
FAKE--MAKE IT.
I-I-I THINK--
40
00:01:49,195 --> 00:01:51,937
I THINK GRANDMA'’S VERY,
VERY BUSY THAT DAY, SO I'’LL...
41
00:01:51,937 --> 00:01:54,635
[upbeat music]
42
00:01:54,635 --> 00:02:02,643
♪
43
00:02:15,743 --> 00:02:19,182
OH, YES, GOOD TIMING.
DINNER'’S ALMOST READY.
44
00:02:19,182 --> 00:02:20,661
OOH, MAC AND CHEESE
45
00:02:20,661 --> 00:02:23,011
WITH LITTLE HOT DOGS
IN IT, HUH?
46
00:02:23,011 --> 00:02:26,058
WHAT'’S THE OCCASION?
- WELL, JANIE'’S FAVORITE.
47
00:02:26,058 --> 00:02:28,930
LET'’S JUST SAY THAT I KNOW
THE WAY TO A WOMAN'’S HEART...
48
00:02:28,930 --> 00:02:30,410
RIGHT BEFORE I BREAK IT.
49
00:02:30,410 --> 00:02:33,021
OKAY, DAVID,
WHAT'’S GOING ON?
50
00:02:33,021 --> 00:02:35,285
WELL, HONEY, I--
YOU'’VE SEEN IT.
51
00:02:35,285 --> 00:02:38,418
JANIE--
SHE STINKS AT BALLET.
52
00:02:38,418 --> 00:02:41,116
SHE DOES, AND I'’M GONNA HAVE TO
TELL HER THAT SHE HAS TO QUIT.
53
00:02:41,116 --> 00:02:42,466
YOU KNOW PRETTY HANDS?
54
00:02:42,466 --> 00:02:44,424
YOU KNOW,
I MEAN, I COULD EVEN DO IT.
55
00:02:44,424 --> 00:02:46,034
AND WHEN SHE DOES IT,
IT LOOKS LIKE
56
00:02:46,034 --> 00:02:48,036
THAT CLAW THING
AT THE ARCADE?
57
00:02:48,036 --> 00:02:49,516
WHEN I WATCH HER DANCE,
I'’M HOPING
58
00:02:49,516 --> 00:02:51,431
THAT I'’M GONNA GET
A STUFFED ANIMAL WITH IT.
59
00:02:51,431 --> 00:02:54,478
[laughs]
DAVID, SHE'’S SIX.
60
00:02:54,478 --> 00:02:56,871
JUST LET JANIE HAVE FUN.
- I KNOW. I KNOW.
61
00:02:56,871 --> 00:03:01,267
SHE LOVES IT, BUT SHE'’S GOT TO
KNOW THAT IT DOESN'’T LOVE HER.
62
00:03:01,267 --> 00:03:03,400
AND I JUST WANT TO PROTECT HER
FROM THAT HEARTACHE NOW, HONEY.
63
00:03:03,400 --> 00:03:04,879
I REALLY DO.
- OH, DAVID.
64
00:03:04,879 --> 00:03:08,143
ALL LITTLE GIRLS DREAM
OF BECOMING REAL BALLERINAS.
65
00:03:08,143 --> 00:03:09,971
YOU KNOW WHAT?
66
00:03:09,971 --> 00:03:11,059
THAT'’S A GREAT IDEA.
67
00:03:11,059 --> 00:03:12,974
IF I SHOW HER
A REAL BALLERINA,
68
00:03:12,974 --> 00:03:14,498
SHE'’LL KNOW
THAT SHE DOESN'’T HAVE A PRAYER
69
00:03:14,498 --> 00:03:16,326
AT EVER BECOMING
A PROFESSIONAL DANCER.
70
00:03:16,326 --> 00:03:18,371
THAT IS BEAUTIFUL. YES.
71
00:03:18,371 --> 00:03:20,591
- SOLID PARENTING SKILLS, DAVID.
- OKAY.
72
00:03:20,591 --> 00:03:22,897
TAKE HER OUT TO A SHOW
AND THEN CRUSH HER DREAMS.
73
00:03:22,897 --> 00:03:25,030
YEAH, ALL I GOT TO DO
IS GET RID OF THIS SLOP HERE.
74
00:03:25,030 --> 00:03:26,640
[cell phone chimes]
75
00:03:26,640 --> 00:03:30,383
OOH, I'’VE BEEN INVITED
TO A MAC-AND-CHEESE MIXER.
76
00:03:32,167 --> 00:03:36,084
KEVIN, WHAT IS THIS?
77
00:03:36,084 --> 00:03:38,565
THAT IS A VIDEOTAPE,
78
00:03:38,565 --> 00:03:40,872
AND LEGEND HAS IT
WHEN YOU WERE FINISHED WITH IT,
79
00:03:40,872 --> 00:03:43,004
YOU HAD TO BE KIND
AND REWIND
80
00:03:43,004 --> 00:03:45,224
BEFORE YOU RETURNED IT.
81
00:03:45,224 --> 00:03:47,531
RETURNED IT TO WHERE?
82
00:03:47,531 --> 00:03:49,837
THE VIDEO STORE.
83
00:03:49,837 --> 00:03:51,970
YEAH, RIGHT.
NEXT THING YOU'’RE GONNA TELL ME
84
00:03:51,970 --> 00:03:54,886
IS THAT THERE WAS A STORE
THAT SOLD MUSIC OR BOOKS?
85
00:03:56,844 --> 00:03:57,845
HO.
86
00:03:57,845 --> 00:03:59,804
HOT DOGS,
MAC AND CHEESE--
87
00:03:59,804 --> 00:04:02,763
BOO-YOW! WAH!
88
00:04:02,763 --> 00:04:05,200
IS THAT A VHS TAPE?
89
00:04:05,200 --> 00:04:07,377
WOW.
DINNER AND A MOVIE.
90
00:04:07,377 --> 00:04:09,117
WHAT ARE WE WATCHING?
I LOVE THE '’80s.
91
00:04:09,117 --> 00:04:10,771
WATCHING {\an8}FOOTLOOSE.
92
00:04:10,771 --> 00:04:12,556
I FOUND THIS UP
IN THE ATTIC--
93
00:04:12,556 --> 00:04:14,993
OH, THE ATTIC.
I'’LL TAKE THAT.
94
00:04:14,993 --> 00:04:16,603
WHAT'’S ON THE TAPE, KEVIN?
95
00:04:16,603 --> 00:04:17,996
I DON'’T KNOW.
I'’VE NEVER SEEN IT.
96
00:04:17,996 --> 00:04:20,085
WELL, PUT THE TAPE IN.
LET'’S WATCH IT.
97
00:04:20,085 --> 00:04:21,956
NO, NEVER.
DAVID TOLD ME TO DESTROY THIS
98
00:04:21,956 --> 00:04:24,568
AND THEN NEVER SPEAK
OF IT AGAIN.
99
00:04:24,568 --> 00:04:27,919
FORGET THAT I SPOKE
OF IT AGAIN.
100
00:04:27,919 --> 00:04:30,269
YOU THINKING
WHAT I'’M THINKING?
101
00:04:30,269 --> 00:04:32,140
THAT WE GOT TO GET OUR HANDS
ON THAT TAPE?
102
00:04:32,140 --> 00:04:33,751
MM-HMM.
103
00:04:33,751 --> 00:04:36,231
BUT FIRST,
THE MAC AND CHEESE!
104
00:04:40,235 --> 00:04:42,020
I CAN'’T BELIEVE THIS.
105
00:04:42,020 --> 00:04:44,762
MY MOM IS FINALLY PLAYING SUCH
A COOL CHARACTER ON THE SOAP.
106
00:04:44,762 --> 00:04:46,633
YEAH, USUALLY,
DR. SARAH DESARIO'’S
107
00:04:46,633 --> 00:04:48,766
MULTIPLE PERSONALITIES
ARE, LIKE, YAWN,
108
00:04:48,766 --> 00:04:51,159
BUT SASHA DESARIO,
THE TROUBLED TEEN,
109
00:04:51,159 --> 00:04:53,423
REALLY SPEAKS TO ME.
110
00:04:53,423 --> 00:04:56,469
AND WHAT DOES
SHE SAY?
111
00:04:58,123 --> 00:04:59,429
HERE SHE COMES.
112
00:04:59,429 --> 00:05:02,388
[monitor beeping]
113
00:05:02,388 --> 00:05:04,738
COLONEL, I HAVE SOMETHING
TO CONFESS.
114
00:05:04,738 --> 00:05:06,479
YES?
115
00:05:06,479 --> 00:05:08,438
I TOTALLY TOTALED
YOUR FERRARI...
116
00:05:08,438 --> 00:05:10,222
[monitor beeping faster]
117
00:05:10,222 --> 00:05:11,832
WITH YOUR BENTLEY.
118
00:05:11,832 --> 00:05:14,052
[monitor beeping faster]
119
00:05:14,052 --> 00:05:17,229
PULL YOURSELVES
TOGETHER, WOMAN.
120
00:05:17,229 --> 00:05:19,100
YOU'’RE NOT A TEENAGER.
121
00:05:19,100 --> 00:05:22,190
YOU'’RE MY WIFE
AND THE SOLE HEIRESS
122
00:05:22,190 --> 00:05:24,932
TO THE GLAMCO FORTUNE.
123
00:05:24,932 --> 00:05:27,500
WHAT DO I CARE?
124
00:05:31,809 --> 00:05:33,898
all: WHOO!
- [giggles]
125
00:05:33,898 --> 00:05:37,728
I LOVE HOW SHE ALWAYS
NEVER CARES.
126
00:05:37,728 --> 00:05:39,947
HEY, GUYS.
I'’M HOME.
127
00:05:39,947 --> 00:05:44,778
WOW.
YOU GOT HOME, LIKE, SUPER FAST.
128
00:05:44,778 --> 00:05:46,911
DID YOU GUYS
MAKE T-SHIRTS?
129
00:05:46,911 --> 00:05:49,087
BETTER.
WE BOUGHT THEM AT THE MALL.
130
00:05:49,087 --> 00:05:50,567
MOM...
131
00:05:50,567 --> 00:05:53,004
YOU HAVE YOUR OWN KIOSK.
132
00:05:55,572 --> 00:05:57,791
- I HAVE MY OWN KIOSK?
- YEAH.
133
00:05:57,791 --> 00:06:00,403
[both scream]
- EXCITING!
134
00:06:00,403 --> 00:06:02,361
WELL, THE NETWORK AGREES.
135
00:06:02,361 --> 00:06:04,276
WE'’RE DOING A-A LIVE BROADCAST
NEXT WEEK, BUT...
136
00:06:04,276 --> 00:06:05,756
all:
WHAT DO I CARE?
137
00:06:05,756 --> 00:06:07,540
[screams]
WHAT DO I CARE?
138
00:06:07,540 --> 00:06:08,846
I DON'’T. I DON'’T.
139
00:06:08,846 --> 00:06:11,805
[door closes]
140
00:06:11,805 --> 00:06:13,633
MARCUS, WHAT ARE
YOU DOING?
141
00:06:13,633 --> 00:06:15,026
YOU WERE SUPPOSED TO BE
THE LOOKOUT
142
00:06:15,026 --> 00:06:16,201
WHILE I SNUCK
INTO KEVIN'’S TRAILER
143
00:06:16,201 --> 00:06:17,898
TO GET THE VIDEOTAPE.
144
00:06:17,898 --> 00:06:19,683
HEATING UP
THE MAC AND CHEESE.
145
00:06:19,683 --> 00:06:21,554
SEE, IT'’S ALWAYS BETTER
THE SECOND DAY.
146
00:06:21,554 --> 00:06:26,298
THE FLAVORS BECOME
MORE COMPLEX.
147
00:06:26,298 --> 00:06:29,649
OKAY, WE HAVE TO WATCH THIS
BEFORE MY DAD COMES HOME.
148
00:06:29,649 --> 00:06:32,086
UH-OH, TOO LATE.
149
00:06:32,086 --> 00:06:34,088
YOU BETTER HIDE THAT THING.
I'’LL COVER.
150
00:06:34,088 --> 00:06:37,440
- YOU'’RE JUST EATING.
- THAT'’S MY COVER.
151
00:06:39,703 --> 00:06:42,836
DADDY, THOSE BALLERINAS
WERE SO PRETTY,
152
00:06:42,836 --> 00:06:46,100
AND THE ONE IN THE FRONT
JUST KEPT TWIRLING AND TWIRLING.
153
00:06:46,100 --> 00:06:47,798
I KNOW, AND IT PROBABLY
MADE HER REAL DIZZY
154
00:06:47,798 --> 00:06:49,626
AND--
AND WANT TO THROW UP.
155
00:06:49,626 --> 00:06:50,844
BLECH.
156
00:06:50,844 --> 00:06:53,238
NO, IT MADE HER BEAUTIFUL.
157
00:06:53,238 --> 00:06:57,155
I WANT TO BE THE BALLERINA
IN THE FRONT.
158
00:06:57,155 --> 00:07:01,115
AND YOU SHOULD BE THE ONE
IN THE FRONT.
159
00:07:01,115 --> 00:07:05,163
AND MAKE SURE YOU--YOU WAVE
YOUR PRETTY HANDS, OKAY?
160
00:07:05,163 --> 00:07:07,339
'’CAUSE THAT'’LL MAKE YOU
THE BEST BALLERINA
161
00:07:07,339 --> 00:07:08,906
IN THE WORLD, BABY GIRL.
162
00:07:08,906 --> 00:07:10,473
BOOM.
163
00:07:10,473 --> 00:07:13,519
SWEETHEART, JUST SIT DOWN
FOR A SECOND, PLEASE.
164
00:07:16,261 --> 00:07:19,699
LISTEN, UM...
165
00:07:19,699 --> 00:07:21,919
ABOUT YOU BEING
A BALLERINA...
166
00:07:21,919 --> 00:07:23,660
I WANT TO BE THE ONE
IN THE FRONT
167
00:07:23,660 --> 00:07:26,053
MORE THAN ANYTHING, DADDY.
168
00:07:29,274 --> 00:07:32,799
[groans]
169
00:07:32,799 --> 00:07:34,758
YOU CAN BE.
170
00:07:34,758 --> 00:07:36,586
Y-YOU JUST HAVE TO KNOW
THAT IT TAKES
171
00:07:36,586 --> 00:07:38,326
A LOT OF HARD WORK, SWEETHEART.
172
00:07:38,326 --> 00:07:40,503
AND IF YOU WANT TO BE
CENTER STAGE,
173
00:07:40,503 --> 00:07:43,157
YOU'’RE GONNA HAVE TO PUSH
YOUR WAY THROUGH THE PACK
174
00:07:43,157 --> 00:07:46,030
AND DON'’T LET ANYTHING
GET IN YOUR WAY, OKAY?
175
00:07:46,030 --> 00:07:47,901
- THANK YOU, DADDY.
- ALL RIGHT.
176
00:07:47,901 --> 00:07:49,250
I'’M GONNA GO WORK
ON MY PLIES.
177
00:07:49,250 --> 00:07:50,991
GOOD GIRL.
178
00:07:50,991 --> 00:07:54,342
AND PLIE.
179
00:07:54,342 --> 00:07:56,040
AND...
[crash]
180
00:07:58,521 --> 00:08:01,001
I'’M OKAY.
181
00:08:01,001 --> 00:08:04,178
PLIES BE CAREFUL.
182
00:08:04,178 --> 00:08:05,571
[sighs]
183
00:08:09,270 --> 00:08:11,882
COME ON, EMILY, WHAT HAPPENS
IN THE NEXT EPISODE?
184
00:08:11,882 --> 00:08:14,362
WHAT DOESN'’T SASHA
CARE ABOUT NOW?
185
00:08:14,362 --> 00:08:16,626
THERE YOU ARE, EMILY.
186
00:08:16,626 --> 00:08:18,105
OH, WHAT DO YOU WANT,
MEREDITH?
187
00:08:18,105 --> 00:08:19,150
NORMALLY,
I WOULDN'’T KISS UP TO YOU
188
00:08:19,150 --> 00:08:20,499
IN, LIKE,
A BILLION YEARS,
189
00:08:20,499 --> 00:08:22,109
BUT YOUR MOM'’S
SO MEGA NOW,
190
00:08:22,109 --> 00:08:23,633
IT'’S REALLY LIKE
I'’M KISSING UP TO HER,
191
00:08:23,633 --> 00:08:25,765
SO JUST GO WITH IT.
- [giggles]
192
00:08:25,765 --> 00:08:27,462
OKAY.
193
00:08:27,462 --> 00:08:28,768
THE GIRLS AND I HAVE DECIDED
194
00:08:28,768 --> 00:08:30,683
THAT WE'’RE GONNA PULL
A SASHA DESARIO.
195
00:08:30,683 --> 00:08:32,467
WHAT'’S THAT?
196
00:08:32,467 --> 00:08:34,208
WE'’RE GONNA DO SOMETHING
AND NOT CARE THAT WE DID IT.
197
00:08:34,208 --> 00:08:35,862
[all giggle]
198
00:08:35,862 --> 00:08:38,256
- WHAT ARE YOU GONNA DO?
- WHO CARES? FOLLOW US.
199
00:08:38,256 --> 00:08:40,214
[chuckles]
200
00:08:40,214 --> 00:08:43,348
WHY'’S THIS IS SO EXCITING?
201
00:08:43,348 --> 00:08:47,482
COME ON, EMILY, YOU GOT TO START
NOT CARING SO MUCH.
202
00:08:47,482 --> 00:08:51,617
BUT I'’M PRESIDENT
OF THE "WE CARE" COMMITTEE.
203
00:08:51,617 --> 00:08:54,881
OH, WHAT DO I CARE?
204
00:08:58,319 --> 00:09:00,931
HURRY UP.
WHAT'’S TAKING SO LONG?
205
00:09:00,931 --> 00:09:03,368
[VCR whirring]
- IT'’S REWINDING.
206
00:09:03,368 --> 00:09:06,110
WHAT DOES THAT EVEN MEAN?
207
00:09:06,110 --> 00:09:07,807
[VCR clicks]
- IT'’S DONE.
208
00:09:07,807 --> 00:09:10,070
ALL RIGHT,
LET'’S WATCH THIS.
209
00:09:12,812 --> 00:09:14,509
[VCR clicks]
210
00:09:14,509 --> 00:09:16,860
MARCUS, JOE,
211
00:09:16,860 --> 00:09:18,470
IF YOU'’RE WATCHING THIS
RIGHT NOW,
212
00:09:18,470 --> 00:09:20,211
YOU'’VE JUST WASTED
OVER FIVE MINUTES
213
00:09:20,211 --> 00:09:21,691
WAITING FOR THE TAPE
TO REWIND.
214
00:09:21,691 --> 00:09:26,130
[chuckles]
215
00:09:26,130 --> 00:09:28,262
DID YOU REALLY THINK
I'’D BE STUPID ENOUGH
216
00:09:28,262 --> 00:09:30,351
TO LEAVE THE TAPE
WHERE JOE COULD FIND IT?
217
00:09:30,351 --> 00:09:33,790
[chuckles]
218
00:09:33,790 --> 00:09:36,444
AND, MARCUS,
DID YOU REALLY THINK
219
00:09:36,444 --> 00:09:38,795
I'’D LEAVE ALL THE LEFTOVERS
FOR YOU?
220
00:09:38,795 --> 00:09:41,145
[sniffs]
221
00:09:41,145 --> 00:09:42,537
MMM.
222
00:09:42,537 --> 00:09:44,801
YOU UNDERESTIMATE ME, PLAYER.
223
00:09:44,801 --> 00:09:47,194
[laughs]
224
00:09:47,194 --> 00:09:50,894
HOT, HOT, HOT, HOT, HOT!
OH! OH!
225
00:09:52,983 --> 00:09:55,986
[upbeat orchestration]
226
00:09:55,986 --> 00:10:01,774
♪
227
00:10:01,774 --> 00:10:03,994
SO, HEY, UH, DAVID, UM...
228
00:10:03,994 --> 00:10:05,517
IF YOU DON'’T WANT TO USE
THE MAMMOTH CABIN,
229
00:10:05,517 --> 00:10:07,084
THE MOMS HAVE BEEN POOLING
SOME OF THEIR CASH TOGETHER
230
00:10:07,084 --> 00:10:09,042
FOR A NICE BEACHFRONT ROOM
IN SAN DIEGO.
231
00:10:09,042 --> 00:10:11,741
WAH-WHOO!
232
00:10:11,741 --> 00:10:15,440
THANK YOU FOR THE VERY NICE
OFFER, BILL, BUT I'’M GONNA PASS.
233
00:10:15,440 --> 00:10:17,747
I JUST WANT YOU TO KNOW THAT
JANIE AND I HAD A LONG TALK,
234
00:10:17,747 --> 00:10:19,270
AND I THINK YOU'’RE GONNA SEE
235
00:10:19,270 --> 00:10:21,620
A VERY INSPIRED
LITTLE BALLERINA HERE TODAY.
236
00:10:21,620 --> 00:10:22,926
HMM.
237
00:10:26,581 --> 00:10:29,672
- MAX!
- WHAT?
238
00:10:29,672 --> 00:10:32,936
JANIE, WHAT ARE YOU DOING?
239
00:10:32,936 --> 00:10:35,547
MY DAD TOLD ME
TO PUSH MY WAY TO THE FRONT.
240
00:10:35,547 --> 00:10:37,070
HE SAID IF I WANT IT
BAD ENOUGH,
241
00:10:37,070 --> 00:10:40,030
I SHOULDN'’T LET ANYONE
STAND IN MY WAY.
242
00:10:40,030 --> 00:10:43,120
KIDS--SO LITERAL.
243
00:10:43,120 --> 00:10:46,558
DADDY, WHAT'’S WRONG?
I DID WHAT YOU TOLD ME TO.
244
00:10:46,558 --> 00:10:49,126
STOP SAYING THAT, SWEETIE.
245
00:10:49,126 --> 00:10:51,258
THAT'’S ALL
FOR TODAY, DANCERS.
246
00:10:51,258 --> 00:10:53,260
UNFORTUNATELY,
THIS WAS OUR LAST REHEARSAL
247
00:10:53,260 --> 00:10:55,306
BEFORE THE BIG RECITAL,
248
00:10:55,306 --> 00:10:58,788
SO KEEP STRETCHING
AND SAY YOUR PRAYERS.
249
00:10:58,788 --> 00:11:02,313
JANIE SHOULD BE KICKED
OUT OF THE RECITAL FOR THAT.
250
00:11:02,313 --> 00:11:04,968
WHAT? SHE JUST MISUNDERSTOOD
MY ADVICE.
251
00:11:04,968 --> 00:11:06,796
SHE--SHE DIDN'’T MEAN
TO HURT ANYBODY.
252
00:11:06,796 --> 00:11:08,623
FINE.
THEN SHE SHOULD BE KICKED OUT
253
00:11:08,623 --> 00:11:10,538
BECAUSE SHE'’S THE WEAK LINK.
254
00:11:10,538 --> 00:11:12,366
SHE HAS NO FUTURE
IN BALLET.
255
00:11:12,366 --> 00:11:14,412
OH, PLIES.
256
00:11:14,412 --> 00:11:16,893
LIKE ANYBODY IN THIS CLASS
HAS A FUTURE IN BALLET.
257
00:11:16,893 --> 00:11:20,592
REALLY, I MEAN, YOUR KID
WITH--WITH THE PRETTY HANDS.
258
00:11:20,592 --> 00:11:24,509
MORE LIKE
STRUCK-BY-LIGHTNING HANDS.
259
00:11:24,509 --> 00:11:26,163
BILL, NO DISRESPECT,
BUT HANNAH--A BIT OF A DIVA.
260
00:11:26,163 --> 00:11:29,340
- [gasps]
- AND--AND WHAT ABOUT MAX?
261
00:11:29,340 --> 00:11:30,950
YOUR KID--
WHAT ABOUT HIM?
262
00:11:30,950 --> 00:11:33,170
WHAT'’S WITH THE PLASTERED SMILE
AND THE CRAZY EYES?
263
00:11:33,170 --> 00:11:34,824
WHAT IS THAT?
YOU KNOW, WHEN I WAS A KID,
264
00:11:34,824 --> 00:11:36,303
I HAD A VENTRILOQUIST DUMMY
IN MY ROOM,
265
00:11:36,303 --> 00:11:37,783
AND IT SCARED THE CRAP
OUT OF ME,
266
00:11:37,783 --> 00:11:41,134
AND THEY LOOK EXACTLY THE SAME,
SO MAKE HIM STOP.
267
00:11:41,134 --> 00:11:44,529
LOOK, GUYS,
JANIE MAY BE A BAD DANCER,
268
00:11:44,529 --> 00:11:46,618
BUT WHAT DOES IT MATTER?
269
00:11:46,618 --> 00:11:48,663
JUST EVERYBODY
PLEASE RELAX.
270
00:11:48,663 --> 00:11:51,405
TAKE IT EASY.
271
00:11:51,405 --> 00:11:53,364
YOU DON'’T THINK
I'’M GOOD?
272
00:11:53,364 --> 00:11:55,148
I DON'’T WANT TO DO
THE RECITAL ANYMORE.
273
00:11:55,148 --> 00:11:57,542
- ME NEITHER.
- I DON'’T WANT TO DO THIS.
274
00:11:57,542 --> 00:11:59,152
YOUR DAD IS MEAN.
275
00:12:04,244 --> 00:12:05,680
YOU KNOW, WHEN I LEFT
FOR WORK TODAY,
276
00:12:05,680 --> 00:12:07,073
I DIDN'’T EXPECT TO PICK UP
MY DAUGHTER
277
00:12:07,073 --> 00:12:08,335
FROM THE PRINCIPAL'’S OFFICE.
278
00:12:08,335 --> 00:12:10,207
AT BREAKFAST,
YOU HAD A 4.0.
279
00:12:10,207 --> 00:12:12,426
NOW YOU HAVE A RAP SHEET.
280
00:12:12,426 --> 00:12:14,124
YEAH, BUT I THOUGHT
YOU'’D UNDERSTAND,
281
00:12:14,124 --> 00:12:15,473
YOU KNOW,
'’CAUSE OF SASHA.
282
00:12:15,473 --> 00:12:17,301
WAIT, HOLD ON--
YOU AND YOUR FRIENDS
283
00:12:17,301 --> 00:12:20,130
TOILET-PAPERED THE GYM
BECAUSE OF MY CHARACTER?
284
00:12:20,130 --> 00:12:22,741
YEAH, EVERYONE WAS ASKING,
"WHAT WOULD SASHA DO?"
285
00:12:22,741 --> 00:12:26,658
AND WE DECIDED
SHE WOULD T.P. THE GYM.
286
00:12:26,658 --> 00:12:30,009
THAT IS SO SASHA.
287
00:12:30,009 --> 00:12:31,924
BUT THAT DOESN'’T SOUND
LIKE YOU.
288
00:12:31,924 --> 00:12:34,231
OKAY, MAYBE I DID USE
THE TOILET PAPER
289
00:12:34,231 --> 00:12:36,320
TO CLEAN THE SCUFF MARKS
OFF THE GYM FLOOR.
290
00:12:36,320 --> 00:12:37,800
HMM.
291
00:12:37,800 --> 00:12:42,239
BUT WHEN I THREW THEM AWAY,
I DID NOT RECYCLE.
292
00:12:42,239 --> 00:12:44,154
NOW, THAT SOUNDS
LIKE YOU.
293
00:12:44,154 --> 00:12:46,286
SASHA'’S THE NEW BAD-GIRL
ROCK STAR, MOM.
294
00:12:46,286 --> 00:12:48,375
EVERYONE WANTS TO BE
LIKE HER.
295
00:12:48,375 --> 00:12:50,725
BUT, HONEY, YOU GOT SENT
TO THE PRINCIPAL'’S OFFICE.
296
00:12:50,725 --> 00:12:52,553
WHAT DO I CARE?
297
00:12:55,513 --> 00:12:58,298
OKAY, I'’M TELLING YOU
I DON'’T HAVE DAVID'’S TAPE.
298
00:12:58,298 --> 00:13:00,083
IT'’S GONE.
I DESTROYED IT.
299
00:13:00,083 --> 00:13:02,607
I-I-I CRUMPLED IT UP
WITH MY OWN HANDS,
300
00:13:02,607 --> 00:13:05,088
AND THEN I ATE IT.
301
00:13:05,088 --> 00:13:06,611
YOU'’RE LYING.
302
00:13:06,611 --> 00:13:09,657
YOU CAN'’T DOWN 120 MINUTES
OF VIDEOTAPE.
303
00:13:09,657 --> 00:13:12,312
YOU GAG ON SPAGHETTI.
304
00:13:12,312 --> 00:13:15,576
COME ON, I--
HONEY, I SAID I'’M SORRY.
305
00:13:15,576 --> 00:13:17,840
DON'’T DO THE SILENT TREATMENT.
DON'’T DO THAT TO ME.
306
00:13:17,840 --> 00:13:19,319
WHAT IF I GOT YOU
A PUPPY?
307
00:13:22,932 --> 00:13:26,718
OOH, WOW.
SHE IS SERIOUS.
308
00:13:26,718 --> 00:13:29,329
DAD, WILL YOU PLEASE MAKE
KEVIN GIVE US THE TAPE?
309
00:13:29,329 --> 00:13:31,418
YEAH, IT'’S KILLING US. WE WANT
TO KNOW WHAT'’S ON THAT THING.
310
00:13:31,418 --> 00:13:33,812
- WHAT TAPE?
- {\an8}THE TAPE, DAVID--
311
00:13:33,812 --> 00:13:35,945
THE ONE YOU TOLD ME TO DESTROY
MY FIRST WEEK ON THE JOB.
312
00:13:35,945 --> 00:13:37,685
KEVIN, THAT WAS
A MILLION YEARS AGO.
313
00:13:37,685 --> 00:13:39,644
I DON'’T EVEN KNOW WHAT TAPE
YOU'’RE TALKING ABOUT.
314
00:13:39,644 --> 00:13:42,560
- GIVE UP THE TAPE, KEVIN.
- NO.
315
00:13:42,560 --> 00:13:44,170
I CAN ONLY RELEASE IT
316
00:13:44,170 --> 00:13:45,955
IF DAVID GIVES ME
THE SAFE WORD.
317
00:13:45,955 --> 00:13:47,304
OH, GIVE THEM
THE DANG TAPE, KEVIN.
318
00:13:47,304 --> 00:13:49,219
THAT'’S THE SAFE WORD.
319
00:13:49,219 --> 00:13:51,961
OKAY, ALL RIGHT, NOW, JUST--
JUST BE CAREFUL, ALL RIGHT?
320
00:13:51,961 --> 00:13:54,267
THIS IS EXTRA-STRENGTH
DUCT TAPE, GUYS.
321
00:13:54,267 --> 00:13:56,356
I DON'’T WANT TO--
I HAVE SENSITIVE SKIN, OKAY?
322
00:13:58,881 --> 00:14:02,710
OH! OH!
323
00:14:02,710 --> 00:14:05,104
[VCR whirring, clicks]
- OH, FINALLY.
324
00:14:05,104 --> 00:14:09,108
LET'’S SEE WHAT'’S ON
THIS THING.
325
00:14:09,108 --> 00:14:10,893
DAD, IS THAT YOU?
326
00:14:10,893 --> 00:14:13,634
OH, NO.
327
00:14:13,634 --> 00:14:16,202
DAVID HOBBS SCREEN TEST-- {\an8}
PRAIRIE BOY DIARIES,
328
00:14:16,202 --> 00:14:17,943
TAKE 17.
329
00:14:17,943 --> 00:14:19,292
AND ACTION.
330
00:14:19,292 --> 00:14:20,903
HOW COULD YOU, PA?
331
00:14:20,903 --> 00:14:23,296
HE WAS MY ONLY HORSE.
332
00:14:23,296 --> 00:14:25,820
AND NOW YOU--Y'’ALL--
333
00:14:25,820 --> 00:14:29,781
AND NOW Y'’ALL DONE BURNT DOWN
THE BARN WITH HIM IN IT...
334
00:14:29,781 --> 00:14:31,914
[poorly imitates crying]
335
00:14:31,914 --> 00:14:33,916
AND MY FAVORITE GOAT.
336
00:14:33,916 --> 00:14:38,529
[poorly imitates crying]
337
00:14:45,362 --> 00:14:47,233
WHOO.
338
00:14:47,233 --> 00:14:50,367
DAD, YOU WERE HORRIBLE.
339
00:14:50,367 --> 00:14:53,587
HOW COULD YOU BURN DOWN
THE BARN, PA?
340
00:14:53,587 --> 00:14:57,200
[both laughing]
341
00:14:57,200 --> 00:15:00,551
I DON'’T EVEN KNOW
WHO YOU ARE ANYMORE.
342
00:15:00,551 --> 00:15:02,031
[exhales deeply]
I FORGOT HOW BAD I WAS
343
00:15:02,031 --> 00:15:04,424
WHEN I FIRST STARTED.
344
00:15:04,424 --> 00:15:06,078
NO ONE MUST EVER SEE
THIS TAPE.
345
00:15:06,078 --> 00:15:08,472
- YEAH.
- WAIT.
346
00:15:08,472 --> 00:15:10,822
ONE PERSON MUST SEE IT.
347
00:15:10,822 --> 00:15:13,956
AND THEN IT SWIMS
WITH THE FISHES.
348
00:15:17,742 --> 00:15:20,397
[poorly imitates crying]
349
00:15:20,397 --> 00:15:24,183
DADDY, THAT BOY STINKS.
350
00:15:24,183 --> 00:15:27,056
THAT BOY IS ME.
351
00:15:29,014 --> 00:15:33,366
WHAT ARE YOU DOING
WITH YOUR FACE?
352
00:15:33,366 --> 00:15:37,414
WELL, I WAS TRYING TO ACT..
353
00:15:37,414 --> 00:15:40,721
AND NOT DOING
A VERY GOOD JOB.
354
00:15:40,721 --> 00:15:43,246
BUT I LOVED IT,
355
00:15:43,246 --> 00:15:45,161
AND I--AND I WORKED
REALLY HARD.
356
00:15:45,161 --> 00:15:47,859
AND YEARS LATER,
357
00:15:47,859 --> 00:15:51,994
I BECAME THE BEST ACTOR
IN THE LAND.
358
00:15:51,994 --> 00:15:54,083
NO ONE EVER TOLD ME
359
00:15:54,083 --> 00:15:57,086
THAT I WAS NO GOOD, AND...
360
00:15:57,086 --> 00:15:58,957
I'’M SORRY THAT I SAID THAT
ABOUT YOU.
361
00:15:58,957 --> 00:16:00,915
DOES THAT MEAN I'’M GOOD?
362
00:16:07,879 --> 00:16:10,447
WELL, UM...
363
00:16:10,447 --> 00:16:13,406
IT--IT--IT MEANS
THAT YOU CAN BE.
364
00:16:13,406 --> 00:16:16,409
BUT, SWEETIE, LISTEN, YOU HAVE
TO PROMISE ME SOMETHING.
365
00:16:16,409 --> 00:16:18,672
IF YOU REALLY LOVE DANCING,
IF YOU REALLY LOVE IT,
366
00:16:18,672 --> 00:16:20,631
JUST PROMISE ME
YOU'’LL STICK WITH IT, OKAY?
367
00:16:20,631 --> 00:16:24,113
- I PROMISE, DADDY.
- OKAY, AND I'’M SORRY.
368
00:16:26,811 --> 00:16:29,118
- DADDY?
- YES.
369
00:16:29,118 --> 00:16:32,382
YOU SHOULD DESTROY
THAT TAPE.
370
00:16:34,384 --> 00:16:35,385
I'’M WAY AHEAD OF YOU.
371
00:16:38,910 --> 00:16:40,912
OKAY, WE'’RE GOING
LIVE, PEOPLE.
372
00:16:40,912 --> 00:16:43,784
AND ACTION.
373
00:16:43,784 --> 00:16:46,135
COLONEL...
374
00:16:46,135 --> 00:16:49,486
I'’M TOLD YOU'’RE SUFFERING
FROM A LIGHT COMA.
375
00:16:49,486 --> 00:16:52,315
EW.
376
00:16:52,315 --> 00:16:53,881
AND I HAVE A CHOICE TO MAKE.
377
00:16:53,881 --> 00:16:55,709
IF I PULL THE PLUG,
378
00:16:55,709 --> 00:16:58,582
I WILL INHERIT
ALL OF GLAMCO'’S FORTUNE.
379
00:16:58,582 --> 00:17:00,192
[laughs]
380
00:17:00,192 --> 00:17:02,064
BUT IF I WAIT
UNTIL TOMORROW,
381
00:17:02,064 --> 00:17:06,285
I AM TOLD YOU WILL RECOVER COMPLETELY.
382
00:17:06,285 --> 00:17:09,027
WHAT'’S SHE GONNA DO, EMILY?
383
00:17:09,027 --> 00:17:10,594
I DON'’T KNOW.
384
00:17:10,594 --> 00:17:12,987
ALL SHE SAID IS THAT
A BIG SECRET WILL BE REVEALED.
385
00:17:12,987 --> 00:17:14,859
PULL THE PLUG.
PULL THE PLUG.
386
00:17:14,859 --> 00:17:17,992
THINK, MEREDITH.
THEN HOW WILL WE SEE THE TV?
387
00:17:19,733 --> 00:17:21,518
THAT IS WHY I NEED TO MAKE
388
00:17:21,518 --> 00:17:24,173
THE MOST IMPORTANT DECISION
OF MY LIFE.
389
00:17:24,173 --> 00:17:26,262
DO I CARE ENOUGH
NOT TO PULL THE PLUG?
390
00:17:29,526 --> 00:17:30,701
YES, I DO.
391
00:17:30,701 --> 00:17:32,659
I DO CARE.
392
00:17:32,659 --> 00:17:35,445
I'’M PRETTY SURE
YOU DON'’T.
393
00:17:35,445 --> 00:17:38,230
I WAS NEVER A TOUGH RUNAWAY
FROM THE STREETS,
394
00:17:38,230 --> 00:17:40,711
BECAUSE WHAT I REALLY AM IS
395
00:17:40,711 --> 00:17:43,105
A PREMED STUDENT AT STANFORD
WHO APPRECIATES
396
00:17:43,105 --> 00:17:45,324
WHAT YOU, THE COLONEL,
HAVE DONE FOR OUR COUNTRY.
397
00:17:45,324 --> 00:17:47,979
- DIDN'’T I GO AWOL?
- SHH.
398
00:17:47,979 --> 00:17:49,937
I'’M A GOOD GIRL,
AND I'’D NEVER HURT YOU
399
00:17:49,937 --> 00:17:51,417
OR SMALL ANIMALS.
400
00:17:51,417 --> 00:17:53,245
AND I DON'’T SUCCUMB
TO PEER PRESSURE.
401
00:17:53,245 --> 00:17:55,900
AND I ONLY USE TOILET PAPER
FOR ITS INTENDED PURPOSE.
402
00:17:55,900 --> 00:17:59,556
SO, WHENEVER ANYONE ASKS,
"WHAT WOULD SASHA DO?"
403
00:17:59,556 --> 00:18:03,255
REMEMBER,
SHE'’D DO THE RIGHT THING.
404
00:18:06,911 --> 00:18:08,608
SHE CARES?
405
00:18:08,608 --> 00:18:12,177
LAME.
406
00:18:12,177 --> 00:18:14,527
SORRY, EMILY. GUESS YOUR MOM'’S
NOT COOL ANYMORE.
407
00:18:14,527 --> 00:18:16,747
SO I HAVE NO MORE USE
FOR YOU.
408
00:18:16,747 --> 00:18:20,142
HEY, MEREDITH.
409
00:18:20,142 --> 00:18:22,361
WHAT DO I CARE?
410
00:18:31,892 --> 00:18:34,678
AND I'’M SORRY.
411
00:18:34,678 --> 00:18:37,202
I MAY HAVE SAID SOME THINGS
THAT WERE UNFAIR
412
00:18:37,202 --> 00:18:40,379
ABOUT HOW YOU ALL DANCE...
413
00:18:40,379 --> 00:18:43,208
EXCEPT FOR YOU, MAX.
414
00:18:43,208 --> 00:18:46,820
I THINK IF YOU CALM
YOUR EYES DOWN,
415
00:18:46,820 --> 00:18:50,998
YOU COULD HAVE A REAL CAREER
IN THIS, MY FRIEND...
416
00:18:50,998 --> 00:18:52,609
AND--AND SO COULD THE REST
OF YOU.
417
00:18:52,609 --> 00:18:55,002
BUT, UM, ANYWAY,
418
00:18:55,002 --> 00:18:58,615
JUST DON'’T LET ANYTHING
I SAID
419
00:18:58,615 --> 00:19:02,271
STOP YOU FROM DANCING.
420
00:19:02,271 --> 00:19:04,447
SO LET THEM
HAVE THEIR RECITAL.
421
00:19:04,447 --> 00:19:05,926
LET THEM ENJOY IT,
422
00:19:05,926 --> 00:19:07,580
NOT FOR US,
FOR THEMSELVES.
423
00:19:07,580 --> 00:19:08,929
WHAT DO YOU SAY?
424
00:19:08,929 --> 00:19:11,976
- CAN YOU GIVE US A SECOND?
- SURE.
425
00:19:16,589 --> 00:19:19,462
ALL RIGHT,
WE'’VE THOUGHT ABOUT IT, DAVID,
426
00:19:19,462 --> 00:19:22,204
AND--
- WE'’LL DO IT!
427
00:19:22,204 --> 00:19:24,815
BUT WE HAVE
ONE CONDITION.
428
00:19:24,815 --> 00:19:27,818
[upbeat orchestration]
429
00:19:27,818 --> 00:19:32,475
♪
430
00:19:32,475 --> 00:19:34,085
THIS IS RIDICULOUS.
431
00:19:34,085 --> 00:19:36,392
WHO EVER HEARD OF A RECITAL
WITHOUT PARENTS?
432
00:19:36,392 --> 00:19:39,308
WELL, DAVID HAD TO SAY,
"LET THEM DO IT FOR THEMSELVES."
433
00:19:39,308 --> 00:19:40,787
KIDS--SO LITERAL.
434
00:19:40,787 --> 00:19:42,485
COME ON, MOVE OUT OF THE WAY.
I CAN'’T SEE.
435
00:19:42,485 --> 00:19:45,227
NOW WE SEE WHERE JANIE
GETS IT.
436
00:19:47,446 --> 00:19:49,535
AND WHERE MAX GETS IT.
437
00:19:49,535 --> 00:19:51,058
BILL, SWITCH WITH ME,
WILL YOU?
438
00:19:51,058 --> 00:19:54,366
HER EYES ARE FREAKING ME OUT
A LITTLE BIT.
439
00:20:19,565 --> 00:20:21,306
I JUST WISH I HADN'’T SEEN
YOUR AUDITION TAPE.
440
00:20:21,306 --> 00:20:22,960
IT CHANGES EVERYTHING.
441
00:20:22,960 --> 00:20:25,441
UP IS DOWN.
RIGHT IS WRONG.
442
00:20:25,441 --> 00:20:28,226
GOOD IS HORRIFYINGLY BAD.
443
00:20:28,226 --> 00:20:31,838
DADDY, LOOK,
I'’VE BEEN PRACTICING.
444
00:20:35,712 --> 00:20:37,366
DON'’T I LOOK PRETTY?
445
00:20:37,366 --> 00:20:38,932
YOU'’VE BEEN PRACTICING
WITH MAX?
446
00:20:38,932 --> 00:20:40,238
HOW'’D YOU KNOW?
447
00:20:40,238 --> 00:20:43,154
LUCKY GUESS.