1 00:00:07,659 --> 00:00:08,877 [hammer pounds] - POUND, POUND, POUND. 2 00:00:09,008 --> 00:00:11,532 EVERY MORNING. 3 00:00:11,663 --> 00:00:13,795 BOB NEXT DOOR, SHOWING OFF AGAIN. 4 00:00:13,926 --> 00:00:15,188 "HEY, NEIGHBOR, I JUST BUILT A NEW PLANTER. 5 00:00:15,319 --> 00:00:17,060 HEY, NEIGHBOR, I JUST BUILT ME A NEW DECK." 6 00:00:17,190 --> 00:00:20,237 YEAH, WE GET IT, BOB! YOU'RE HANDY! 7 00:00:20,367 --> 00:00:23,327 - YEAH, BOB! WE GET IT! - YEAH. 8 00:00:23,457 --> 00:00:24,676 COME ON, MOM. 9 00:00:24,806 --> 00:00:26,634 DAD, YOUR WORKING GIRLS ARE HITTING THE STREETS, 10 00:00:26,765 --> 00:00:28,375 OFF TO MAKE MONEY. - WHOO! 11 00:00:28,506 --> 00:00:30,943 CAN YOU REPHRASE THAT, PLEASE? 12 00:00:31,074 --> 00:00:33,119 REMEMBER? MOM GOT ME A PART-TIME JOB 13 00:00:33,250 --> 00:00:34,903 IN THE WARDROBE DEPARTMENT AT THE SOAP 14 00:00:35,034 --> 00:00:36,296 WHILE I'M ON SCHOOL BREAK. - THAT'S--YES. 15 00:00:36,427 --> 00:00:37,167 THAT'S RIGHT. THIS IS GREAT. YOU KNOW WHY? 16 00:00:37,297 --> 00:00:38,168 'CAUSE JOE AND I HAVE BEEN LOOKING 17 00:00:38,298 --> 00:00:39,256 FOR SOME "DUDES-ONLY TIME," 18 00:00:39,386 --> 00:00:40,779 AND THIS WILL BE PERFECT FOR US. OKAY. 19 00:00:40,909 --> 00:00:42,215 AH, GOOD LUCK WITH THAT. 20 00:00:42,346 --> 00:00:44,087 UNLESS YOU'RE A ZOMBIE SLAYER IN HIS VIDEO GAME, 21 00:00:44,217 --> 00:00:44,826 HE'S NOT GONNA KNOW YOU EXIST, HONEY. 22 00:00:44,957 --> 00:00:46,219 OH, COME ON. 23 00:00:46,350 --> 00:00:47,438 YOU KNOW, ONCE I WALK INTO ANY ROOM, 24 00:00:47,568 --> 00:00:50,005 ALL THE ATTENTION IMMEDIATELY TURNS RIGHT TO ME. 25 00:00:50,136 --> 00:00:52,138 OKAY, HAVE FUN! 26 00:00:54,793 --> 00:00:56,011 [video game gunfire] 27 00:00:56,142 --> 00:00:58,666 HEY, BUDDY. - BACK OFF, YOU SLIMY TOAD. 28 00:00:58,797 --> 00:01:01,104 AND KEEP YOUR HANDS WHERE I CAN SEE 'EM. 29 00:01:01,234 --> 00:01:03,193 IT'S WHAT YOUR MOM SAID TO ME ON OUR FIRST DATE. 30 00:01:03,323 --> 00:01:05,804 OH. HEY, DAD. 31 00:01:05,934 --> 00:01:07,893 I WAS JUST KICKIN' ZOMBIE BUTT IN {\an8}MIND BUILD. 32 00:01:08,023 --> 00:01:09,547 NICE. YOU MIND IF I PLAY? 33 00:01:09,677 --> 00:01:11,331 WE CAN HAVE A LITTLE "DUDES' TIME" RIGHT NOW. 34 00:01:11,462 --> 00:01:12,332 WHAT DO YOU SAY? 35 00:01:12,463 --> 00:01:13,681 - AWESOME. - COOL. 36 00:01:13,812 --> 00:01:14,943 ALL RIGHT, MAN. - OKAY, SO... 37 00:01:15,074 --> 00:01:16,293 - YEAH. - THOSE GUYS ARE US. 38 00:01:16,423 --> 00:01:18,208 WE'RE HUMBLE CRAFTSMEN WHO BUILD SHELTER 39 00:01:18,338 --> 00:01:19,165 FOR THE ULAGOGS TO PROTECT THEM-- 40 00:01:19,296 --> 00:01:20,340 OKAY, ULAGOGS, SCHMULAGOGS. 41 00:01:20,471 --> 00:01:21,646 JOE, I DON'T NEED THE BACK STORY. 42 00:01:21,776 --> 00:01:23,126 I JUST WANT TO KILL SOME STUFF. 43 00:01:23,256 --> 00:01:24,866 OKAY, HERE WE GO. 44 00:01:24,997 --> 00:01:26,564 OKAY, AND-- [video game gunfire] 45 00:01:26,694 --> 00:01:27,826 - OOH. - YEAH, THERE HE GOES. 46 00:01:27,956 --> 00:01:28,783 THERE HE GOES. WAIT A MINUTE, WHAT HAPPENED? 47 00:01:28,914 --> 00:01:30,176 - YOU'RE DEAD. - WHAT? 48 00:01:30,307 --> 00:01:31,438 WHAT DO YOU MEAN I'M DEAD? I JUST-- 49 00:01:31,569 --> 00:01:32,483 I JUST STARTED PLAYING. - THAT'S OKAY. 50 00:01:32,613 --> 00:01:34,398 JUST RE-SPAWN, RE-SPAWN! "X," "X," TRIANGLE, CIRCLE! 51 00:01:34,528 --> 00:01:35,834 WHY ARE YOU SHOUTING SHAPES AT ME, JOE? 52 00:01:35,964 --> 00:01:36,965 OH, WAIT, I'M ALIVE AGAIN! [video game gunfire] 53 00:01:37,096 --> 00:01:38,097 [video game character groans] 54 00:01:38,228 --> 00:01:40,055 - AND YOU'RE DEAD. - OH. 55 00:01:40,186 --> 00:01:43,407 THEY'RE EATING ME. 56 00:01:43,537 --> 00:01:44,669 YEAH. 57 00:01:44,799 --> 00:01:46,105 WHAT DO YOU SAY WE PUT DOWN THIS VIDEO GAME 58 00:01:46,236 --> 00:01:48,455 AND GO OUTSIDE AND DO SOMETHING? 59 00:01:48,586 --> 00:01:50,065 YOU WANT TO DO THAT? - SOUNDS GREAT. 60 00:01:50,196 --> 00:01:52,416 HEY, BOB'S BUILDING A COOL TREE HOUSE OUTSIDE. 61 00:01:52,546 --> 00:01:53,852 WELL, OF COURSE BOB IS. YES, YES. 62 00:01:53,982 --> 00:01:56,985 'CAUSE HE'S "BOB THE BUILDER." 63 00:01:57,116 --> 00:01:58,944 WHAT AM I SAYING? YOU DON'T BUILD STUFF. 64 00:01:59,074 --> 00:02:01,860 I DON'T BUILD STUFF? EXCUSE ME. 65 00:02:01,990 --> 00:02:04,036 I THINK I HAVE A THOUSAND-PIECE TOOL SET IN HERE 66 00:02:04,167 --> 00:02:09,128 THAT TELLS ME THAT I CAN BUILD PLENTY OF STUFF. 67 00:02:09,259 --> 00:02:11,609 ALL RIGHT? LOOK AT THAT. 68 00:02:11,739 --> 00:02:13,741 DAD, YOU NEVER OPENED IT. 69 00:02:13,872 --> 00:02:16,614 OF COURSE NOT. IT KEEPS THE TOOLS FRESH. 70 00:02:16,744 --> 00:02:18,093 WELL, WHAT DO YOU SAY WE CRACK THIS PUPPY OPEN 71 00:02:18,224 --> 00:02:19,617 AND START BUILDING OUR TREE HOUSE, OKAY? 72 00:02:19,747 --> 00:02:20,835 - REALLY? - YEP. 73 00:02:20,966 --> 00:02:22,663 ABSOLUTELY. LET'S CRACK IT OPEN, JOE. 74 00:02:22,794 --> 00:02:24,752 JUST CRACK IT OPEN. HANG ON A SECOND. 75 00:02:24,883 --> 00:02:26,450 LET ME CHEW IT. 76 00:02:26,580 --> 00:02:29,583 LET ME-- [grunts] 77 00:02:29,714 --> 00:02:31,368 YOU KNOW WHAT, JOE? WHY DON'T YOU DO ME A FAVOR? 78 00:02:31,498 --> 00:02:33,283 GO OUT TO THE GARAGE, GET HEDGE CLIPPERS FOR ME, OKAY, 79 00:02:33,413 --> 00:02:34,501 AND HURRY BACK AS QUICK AS YOU CAN. 80 00:02:34,632 --> 00:02:36,982 MOM TOLD ME NOT TO RUN WITH SCISSORS. 81 00:02:37,112 --> 00:02:39,114 JOE, I'M TALKING HEDGE CLIPPERS. 82 00:02:39,245 --> 00:02:40,899 IT'S A COMPLETELY DIFFERENT THING. 83 00:02:41,029 --> 00:02:43,031 [laughs] 84 00:02:43,162 --> 00:02:44,032 YOU'VE GOT SO MUCH TO LEARN. 85 00:02:44,163 --> 00:02:46,426 GO ON, SON. THERE YOU GO 86 00:02:46,557 --> 00:02:49,429 [upbeat music] 87 00:02:49,560 --> 00:02:57,263 ♪ 88 00:03:07,882 --> 00:03:09,971 BOB'S TREE HOUSE IS AMAZING. 89 00:03:10,102 --> 00:03:14,454 WHAT IS THAT, A CLOCK TOWER? 90 00:03:14,585 --> 00:03:16,151 IT'S LIKE A CASTLE IN THE SKY. 91 00:03:16,282 --> 00:03:17,457 HEY, NEIGHBORS. 92 00:03:17,588 --> 00:03:19,111 YEAH, HEY, BOB. 93 00:03:19,242 --> 00:03:21,679 YOU KNOW, IT'S AWFULLY HOT OUT HERE, DAVID. 94 00:03:21,809 --> 00:03:26,031 YOU MIGHT WANT TO THINK ABOUT KEEPING HYDRATED. 95 00:03:26,161 --> 00:03:26,858 LEMONADE? - MMM. 96 00:03:26,988 --> 00:03:28,251 THANK YOU. 97 00:03:28,381 --> 00:03:30,035 SO WHAT ARE YOU BUILDING HERE? 98 00:03:30,165 --> 00:03:31,210 WE'RE BUILDING A TREE HOUSE, TOO. 99 00:03:31,341 --> 00:03:33,952 [laughs] 100 00:03:34,082 --> 00:03:36,346 OH, YOU'RE SERIOUS. 101 00:03:36,476 --> 00:03:38,173 IF YOU NEED ANYTHING, JUST ASK. 102 00:03:38,304 --> 00:03:40,698 YOU KNOW, YOU CAN BUILD ANYTHING WITH THE RIGHT EIGHT TOOLS. 103 00:03:40,828 --> 00:03:42,613 - OKAY. - GOOD LUCK. 104 00:03:42,743 --> 00:03:44,441 [chuckles] 105 00:03:44,571 --> 00:03:47,313 AND THERE GOES YOUR NINTH TOOL. 106 00:03:47,444 --> 00:03:49,359 - SO, WHERE DO WE START, DAD? - HUH? 107 00:03:49,489 --> 00:03:50,969 OH, WHERE DO WE START? OKAY, WELL, JOE, 108 00:03:51,099 --> 00:03:54,581 A TRUE ARTIST FEELS THE WOOD 109 00:03:54,712 --> 00:03:58,019 AND THE WOOD TELLS HIM WHAT IT WANTS TO BE, OKAY? 110 00:03:58,150 --> 00:03:59,325 SO HERE WE GO. 111 00:03:59,456 --> 00:04:01,675 SO THIS PIECE OF WOOD IS TELLING ME 112 00:04:01,806 --> 00:04:02,850 THAT IT WANTS TO BE A... 113 00:04:02,981 --> 00:04:03,851 SPLINTER! 114 00:04:03,982 --> 00:04:05,462 UGH! OKAY. 115 00:04:05,592 --> 00:04:07,159 YEAH. 116 00:04:07,290 --> 00:04:09,248 WHAT'S THE WOOD SAY I GET TO DO, DADDY? 117 00:04:09,379 --> 00:04:11,468 OKAY, WELL, LET'S SEE WHAT THIS PIECE OF WOOD WANTS. 118 00:04:11,598 --> 00:04:13,731 YEAH, UH... UH-HUH. 119 00:04:13,861 --> 00:04:15,385 YEAH, WELL-- OH, THIS ONE SAYS 120 00:04:15,515 --> 00:04:18,562 THAT YOU GET TO DECORATE THE INSIDE. 121 00:04:18,692 --> 00:04:20,738 YAY! I'LL GO GET MY CRAYONS. 122 00:04:20,868 --> 00:04:22,043 THERE YOU GO. 123 00:04:22,174 --> 00:04:23,567 DAVID, DON'T WORRY. 124 00:04:23,697 --> 00:04:26,091 I'LL MAKE SURE SHE DOESN'T CROSS THE GIRLY LINE. 125 00:04:26,221 --> 00:04:27,788 YOU JUST GOT TO LET ME KNOW WHAT COLOR PALETTE 126 00:04:27,919 --> 00:04:29,703 YOU WERE THINKING FOR THE DECORATIVE THROW PILLOWS. 127 00:04:29,834 --> 00:04:30,922 - YEAH. - HUH? 128 00:04:31,052 --> 00:04:32,619 ALL RIGHT, KEVIN, YOU JUST POLE-VAULTED 129 00:04:32,750 --> 00:04:34,317 OVER THE GIRLY LINE, OKAY? 130 00:04:34,447 --> 00:04:36,231 SO JUST GO AND DO YOUR THING. OH, PLEASE. 131 00:04:36,362 --> 00:04:37,972 - HEY, HEY, HEY! - HEY! OH, HEY. 132 00:04:38,103 --> 00:04:41,062 HEY. NOTICE ANYTHING DIFFERENT ABOUT ME? 133 00:04:41,193 --> 00:04:42,847 - YOU'VE COMPLETELY GIVEN UP? - [chuckles] 134 00:04:42,977 --> 00:04:45,719 MY WIFE AND KID ARE GONE FOR THE WEEK. 135 00:04:45,850 --> 00:04:48,983 I'M GONNA HAVE "MARCUS TIME"! YES! 136 00:04:49,114 --> 00:04:50,637 I PLAN STAY IN MY ROBE, 137 00:04:50,768 --> 00:04:53,901 WATCH MY MOVIES, AND EAT MY FOOD. 138 00:04:54,032 --> 00:04:56,556 ALL RIGHT, THEN WHAT ARE YOU DOING HERE? 139 00:04:56,687 --> 00:04:59,080 I GOTTA BORROW YOUR MOVIES AND BORROW YOUR FOOD. 140 00:04:59,211 --> 00:05:00,734 JUST TAKE WHATEVER YOU WANT FROM THE KITCHEN. 141 00:05:00,865 --> 00:05:02,127 LOOK, I'M BUILDING A TREE HOUSE FOR JOE. 142 00:05:02,257 --> 00:05:03,607 IT'S GONNA BE AWESOME. 143 00:05:03,737 --> 00:05:06,087 [laughs] AND YOU KNOW IT. 144 00:05:06,218 --> 00:05:07,611 ARE YOU CRAZY? 145 00:05:07,741 --> 00:05:09,090 - WHAT? - YOU DON'T KNOW THE FIRST THING 146 00:05:09,221 --> 00:05:10,744 ABOUT BUILDING A TREE HOUSE. 147 00:05:10,875 --> 00:05:13,921 AM I NOT THE MAN WHO BUILT A TREE HOUSE OVERNIGHT 148 00:05:14,052 --> 00:05:16,837 WITH NOTHING BUT POPSICLE STICKS AND GUMPTION? 149 00:05:16,968 --> 00:05:18,970 THAT WAS ON THE SHOW, DAVID. 150 00:05:19,100 --> 00:05:20,014 YEAH, YEAH. 151 00:05:20,145 --> 00:05:21,146 EVEN THEN YOU WERE CLUELESS. 152 00:05:21,276 --> 00:05:22,539 WE ASKED YOU TO GRAB A PHILLIPS-HEAD, 153 00:05:22,669 --> 00:05:25,063 AND YOU GRABBED PHILLIP'S HEAD. 154 00:05:25,193 --> 00:05:27,370 THE MAN WAS OUR NETWORK EXECUTIVE. 155 00:05:27,500 --> 00:05:30,111 WELL, HEY. GOOD LUCK TO YOU. - THANK YOU. OKAY. 156 00:05:30,242 --> 00:05:33,680 HEY, IS THAT BOB'S LEMONADE? 157 00:05:33,811 --> 00:05:35,769 OH. OOH. 158 00:05:35,900 --> 00:05:38,598 I CAN SMELL THE AROMA OF FRESH LEMONS. 159 00:05:38,729 --> 00:05:40,557 MMM. 160 00:05:40,687 --> 00:05:42,863 JUST THE RIGHT AMOUNT OF SWEET...AND TART. 161 00:05:42,994 --> 00:05:45,779 WOW. 162 00:05:45,910 --> 00:05:47,477 - OKAY, JUST TAKE IT AND GO. - CAN I TAKE IT? 163 00:05:47,607 --> 00:05:48,695 YEAH, TAKE IT, TAKE IT ALL ACTUALLY IF YOU WANT. 164 00:05:48,826 --> 00:05:50,915 WELL, GOOD LUCK. BUILD EVERYTHING. 165 00:05:51,045 --> 00:05:53,004 HEY, DAD, I'VE GOT SOME GREAT IDEAS FOR THE FLOOR. 166 00:05:53,134 --> 00:05:54,309 YEAH--WHOA, WHOA, WHOA, HOLD ON A SECOND THERE, JOE. 167 00:05:54,440 --> 00:05:55,659 HANG ON THERE, SON. 168 00:05:55,789 --> 00:05:58,052 COME ON. JUST WATCH AND LEARN, OKAY? 169 00:05:58,183 --> 00:06:02,753 HERE WE GO. OKAY. 170 00:06:02,883 --> 00:06:05,973 OOH, OH. 171 00:06:06,104 --> 00:06:08,280 IT'S A DEFECTIVE NAIL. 172 00:06:08,411 --> 00:06:09,281 - CAN I TRY? - JUST TRY--NO. 173 00:06:09,412 --> 00:06:10,369 HANG ON A SECOND. 174 00:06:10,500 --> 00:06:11,588 LET'S GIVE THIS ANOTHER WHACK, OKAY? 175 00:06:11,718 --> 00:06:13,633 HERE WE GO. ALL RIGHT. 176 00:06:13,764 --> 00:06:17,376 OH, VANNA WHITE. COME ON. 177 00:06:17,507 --> 00:06:18,986 MAYBE IF YOU LET ME TRY, I CAN GET IT. 178 00:06:19,117 --> 00:06:20,205 YOU KNOW, JOE, HANG ON A SECOND. 179 00:06:20,335 --> 00:06:22,207 YOU KNOW, I-- 180 00:06:22,337 --> 00:06:25,036 I SEE WHAT THE PROBLEM IS. 181 00:06:25,166 --> 00:06:26,516 SOMEBODY OPENED THIS BOX OF NAILS. 182 00:06:26,646 --> 00:06:28,213 [sniffs] THEY'RE NOT FRESH, JOE. 183 00:06:28,343 --> 00:06:30,824 THIS IS NOT GONNA WORK, MAN. 184 00:06:30,955 --> 00:06:33,000 NO, FIONA, YOUR CHARACTER DOES NOT 185 00:06:33,131 --> 00:06:36,787 HAVE A COSTUME CHANGE IN THE FUNERAL SCENE. 186 00:06:36,917 --> 00:06:38,919 BECAUSE YOU'RE THE ONE IN THE COFFIN. 187 00:06:39,050 --> 00:06:40,486 [headset beeps] 188 00:06:40,617 --> 00:06:42,270 DOESN'T ANYBODY READ THE SCRIPTS? 189 00:06:42,401 --> 00:06:43,794 OH. [laughs] 190 00:06:43,924 --> 00:06:46,492 KAT, THIS IS MY BEAUTIFUL DAUGHTER EMILY. 191 00:06:46,623 --> 00:06:49,277 EMILY, THIS IS KAT, THE WARDROBE SUPERVISOR. 192 00:06:49,408 --> 00:06:50,322 - COOL NAME. - THANK YOU. 193 00:06:50,453 --> 00:06:51,410 COOL OUTFIT. COOL JOB. 194 00:06:51,541 --> 00:06:52,455 I WANT TO BE YOU. 195 00:06:52,585 --> 00:06:53,456 AW. 196 00:06:53,586 --> 00:06:55,719 SHE IS SO SWEET. [laughs] 197 00:06:55,849 --> 00:06:59,157 WE'LL BREAK HER OF THAT. 198 00:06:59,287 --> 00:07:01,855 GOOD LUCK, SWEETIE! 199 00:07:01,986 --> 00:07:04,858 NOW, WHY DON'T YOU START BEING ME 200 00:07:04,989 --> 00:07:07,426 BY STEAMING THIS DRESS? 201 00:07:07,557 --> 00:07:08,906 OH, I ONLY GET TO STEAM ONE DRESS? 202 00:07:09,036 --> 00:07:11,343 OH! YOU ARE AS CUTE AS A BUCKET 203 00:07:11,474 --> 00:07:13,606 FULL OF KITTENS, KITTEN. 204 00:07:13,737 --> 00:07:15,956 IT'S NOT JUST ONE DRESS. 205 00:07:16,087 --> 00:07:18,132 [harp music] 206 00:07:18,263 --> 00:07:19,177 [gasps] WOW. 207 00:07:19,307 --> 00:07:22,354 [plays harp] 208 00:07:22,485 --> 00:07:26,750 MUSICIANS ARE ONE STAGE OVER, PRECIOUS. 209 00:07:46,160 --> 00:07:50,556 OKAY, KAT, I'LL JUST LEAVE YOUR ICED COFFEE IN HERE. 210 00:07:50,687 --> 00:07:53,254 HEY, BOLT. 211 00:07:55,343 --> 00:07:57,128 OH! 212 00:07:57,258 --> 00:08:00,610 both: AW, COME ON! 213 00:08:03,177 --> 00:08:04,265 [hammering] 214 00:08:04,396 --> 00:08:06,790 AND THAT'S HOW IT'S DONE. 215 00:08:08,835 --> 00:08:11,446 I KNEW IT WOULD BE LUCKY HAMMER NUMBER 12. 216 00:08:11,577 --> 00:08:12,622 YOU WERE RIGHT, DAD. 217 00:08:12,752 --> 00:08:13,927 HAMMERS 1 THROUGH 11 218 00:08:14,058 --> 00:08:16,016 WEREN'T WORTHY OF THE NAME "HAMMER." 219 00:08:16,147 --> 00:08:18,932 [electric saw whirring] 220 00:08:19,063 --> 00:08:21,979 WHOA, I THINK BOB'S PUTTING IN A SLIDING DOOR. 221 00:08:22,109 --> 00:08:23,807 HOW DO YOU DO THAT, BOB? 222 00:08:23,937 --> 00:08:25,939 COME ON OVER. I'LL SHOW YOU. 223 00:08:26,070 --> 00:08:28,289 [chuckles] UH, DAVID? 224 00:08:28,420 --> 00:08:29,769 YOU MIGHT WANT TO TRY 225 00:08:29,900 --> 00:08:32,163 WIGGLING THAT NAIL INSTEAD OF PULLING. 226 00:08:32,293 --> 00:08:36,471 YEAH, I THINK I KNOW HOW TO TAKE A NAIL OUT OF A BOARD, BOB. 227 00:08:36,602 --> 00:08:37,734 LET'S GO CHECK IT OUT, DAD. 228 00:08:37,864 --> 00:08:39,387 MAYBE HE CAN GIVE US A FEW POINTERS. 229 00:08:39,518 --> 00:08:41,041 NO, I'M GOOD, JOE. YOU GO. 230 00:08:41,172 --> 00:08:42,042 JUST HURRY BACK, SON. OKAY? 231 00:08:42,173 --> 00:08:43,827 'CAUSE I'M GONNA NEED YOU. 232 00:08:43,957 --> 00:08:45,437 REALLY? I GET TO DO SOMETHING? 233 00:08:45,568 --> 00:08:46,612 YEAH, SOMEBODY'S GOTTA THROW AWAY 234 00:08:46,743 --> 00:08:48,962 THESE FAULTY HAMMERS. 235 00:08:49,093 --> 00:08:52,531 THAT'S WHAT I THOUGHT. 236 00:08:52,662 --> 00:08:53,750 IT'S NOT COMING OUT! 237 00:08:53,880 --> 00:08:55,186 WHAT ARE WE GONNA DO? 238 00:08:55,316 --> 00:08:56,100 [director over PA] ALL RIGHT, LISTEN UP. 239 00:08:56,230 --> 00:08:57,754 both: SHE DID IT! 240 00:08:57,884 --> 00:09:02,149 ALL MUSICIANS, PLEASE REPORT TO STAGE 19. 241 00:09:02,280 --> 00:09:03,847 I CAN'T TAKE THE FALL FOR THIS. 242 00:09:03,977 --> 00:09:05,152 THIS IS MY FIRST JOB. 243 00:09:05,283 --> 00:09:06,501 MINE, TOO. 244 00:09:06,632 --> 00:09:08,416 WHAT YOU DON'T UNDERSTAND IS 245 00:09:08,547 --> 00:09:11,202 THIS DRESS ACTUALLY BELONGS TO DR. SARAH DESARIO... 246 00:09:11,332 --> 00:09:12,333 MY MOTHER. 247 00:09:12,464 --> 00:09:16,511 [plays dramatic music] 248 00:09:16,642 --> 00:09:17,774 YOU DON'T UNDERSTAND. 249 00:09:17,904 --> 00:09:19,906 THE DIRECTOR, WHO GOT ME THIS JOB, 250 00:09:20,037 --> 00:09:21,908 AND WHO ONCE FIRED HIS IDENTICAL TWIN BROTHER 251 00:09:22,039 --> 00:09:24,955 BECAUSE HE DIDN'T LIKE THE WAY HE LOOKED, IS... 252 00:09:25,085 --> 00:09:26,521 MY FATHER. 253 00:09:26,652 --> 00:09:29,133 [plays dramatic music] 254 00:09:29,263 --> 00:09:33,659 both: STAGE 19. 255 00:09:33,790 --> 00:09:36,357 IF MY DAD EVER FINDS OUT ABOUT THIS, I'M DEAD. 256 00:09:36,488 --> 00:09:39,012 DEAD, I TELL YOU! DEAD! 257 00:09:39,143 --> 00:09:41,667 MY MOTHER'S WEARING THIS VERY DRESS TOMORROW! 258 00:09:41,798 --> 00:09:45,497 TOMORROW, I TELL YOU! TOMORROW! 259 00:09:45,628 --> 00:09:49,196 OH, I DON'T BELIEVE THIS. 260 00:09:49,327 --> 00:09:51,024 OH, HEY, KAT. WE WERE JUST-- 261 00:09:51,155 --> 00:09:55,028 NO, BOLT, YOU CAN'T BE SHIRTLESS IN THAT SCENE. 262 00:09:55,159 --> 00:09:59,424 BECAUSE IN THAT SCENE, YOU'RE MODELING A SHIRT! 263 00:09:59,554 --> 00:10:01,774 OH, THESE LAZY ACTORS. 264 00:10:01,905 --> 00:10:03,863 THEY NEVER READ THE SCRIPTS AHEAD OF TIME. 265 00:10:03,994 --> 00:10:08,651 THEY ONLY READ WHAT'S ON THE TELEPROMPTER. 266 00:10:08,781 --> 00:10:11,741 I JUST GOT AN IDEA. 267 00:10:11,871 --> 00:10:14,918 OH, HEY, BOLT. 268 00:10:15,048 --> 00:10:17,050 WE'RE JUST-- 269 00:10:17,181 --> 00:10:18,312 [overlapping babbling] 270 00:10:18,443 --> 00:10:20,924 [both giggling] 271 00:10:24,971 --> 00:10:26,886 AND I BELIEVE, KEVIN, 272 00:10:27,017 --> 00:10:30,847 THAT THE COLORS SHOULD BE PURPLE AND PINK. 273 00:10:30,977 --> 00:10:32,979 A TREE HOUSE CALLS FOR NATURE'S COLORS-- 274 00:10:33,110 --> 00:10:35,590 YOUR GREENS, YOUR ORANGES, YOUR BROWNS. 275 00:10:35,721 --> 00:10:37,941 BROWN? 276 00:10:38,071 --> 00:10:41,814 YOU DID NOT JUST PITCH ME BROWN! 277 00:10:41,945 --> 00:10:44,774 FI--I'M--I'M WILLING TO COMPROMISE. 278 00:10:44,904 --> 00:10:46,079 ON WHAT? ORANGE? 279 00:10:46,210 --> 00:10:48,038 I CAN'T EVEN LOOK AT YOU RIGHT NOW. 280 00:10:52,477 --> 00:10:54,044 UH, UH... 281 00:10:54,174 --> 00:10:56,568 - JUST LEAN ON IT A LITTLE BIT. - OKAY. 282 00:10:56,699 --> 00:10:58,265 HOW LONG DO YOU NEED ME TO HOLD THIS BOARD? 283 00:10:58,396 --> 00:10:59,658 JUST TILL JOE COMES BACK. 284 00:10:59,789 --> 00:11:01,660 HE WENT OVER TO BOB'S AN HOUR AGO. 285 00:11:01,791 --> 00:11:02,705 GREAT. 286 00:11:02,835 --> 00:11:04,184 ODDS ARE JOE WILL BE BACK 287 00:11:04,315 --> 00:11:07,361 BEFORE YOU FINISH CUTTING THIS BOARD. 288 00:11:07,492 --> 00:11:09,450 A SECOND STORY, BOB? 289 00:11:09,581 --> 00:11:10,538 THAT'S SO COOL. 290 00:11:10,669 --> 00:11:11,670 DID YOU HEAR WHAT JOE JUST SAID? 291 00:11:11,801 --> 00:11:13,280 HE JUST SAID THAT BOB WAS SO COOL. 292 00:11:13,411 --> 00:11:16,153 NO, ACTUALLY, HE SAID THE SECOND STORY WAS COOL. 293 00:11:16,283 --> 00:11:18,285 DAD, YOU HAVE TO COME OVER AND SEE 294 00:11:18,416 --> 00:11:19,722 ALL THE STUFF BOB HAS SHOWN ME. 295 00:11:19,852 --> 00:11:21,158 DID YOU HEAR THAT? 296 00:11:21,288 --> 00:11:23,160 HE JUST SAID BOB HAS SHOWN HIM MORE THAN I EVER HAVE. 297 00:11:23,290 --> 00:11:28,600 WHILE THAT'S PROBABLY TRUE, THAT'S NOT WHAT HE SAID. 298 00:11:28,731 --> 00:11:30,515 DAD, BOB TAUGHT ME HOW TO FRAME A WINDOW. 299 00:11:30,645 --> 00:11:32,299 I CAN'T WAIT TO SHOW YOU. 300 00:11:32,430 --> 00:11:33,866 I KNOW YOU HEARD THAT. 301 00:11:33,997 --> 00:11:34,867 HE JUST SAID BOB'S THE BEST TEACHER 302 00:11:34,998 --> 00:11:36,869 IN THE WORLD AND I KNOW NOTHING. 303 00:11:37,000 --> 00:11:38,218 STILL NOT WHAT HE SAID. 304 00:11:38,349 --> 00:11:39,611 YOU KNOW WHAT, BOB HAS BUILT A WALL 305 00:11:39,742 --> 00:11:41,221 BETWEEN ME AND MY SON, AND I AM GONNA TEAR IT DOWN. 306 00:11:41,352 --> 00:11:42,527 YOU WANT TO KNOW HOW I'M GONNA DO IT? 307 00:11:42,657 --> 00:11:45,486 NO, BUT SINCE YOU HAVE THAT SAW IN YOUR HAND, 308 00:11:45,617 --> 00:11:47,401 I'M GONNA PRETEND LIKE I DO. 309 00:11:47,532 --> 00:11:49,577 WE ARE GONNA BUILD THE BEST FATHER-SON TREE HOUSE 310 00:11:49,708 --> 00:11:50,622 JOE HAS EVER SEEN. 311 00:11:50,753 --> 00:11:51,623 YOU KNOW WHY, MARCUS? 312 00:11:51,754 --> 00:11:53,625 'CAUSE THIS IS AMERICA. 313 00:11:53,756 --> 00:11:54,974 THIS COUNTRY WAS BUILT BY 314 00:11:55,105 --> 00:11:56,933 THE BLOOD, SWEAT, AND TEARS OF FATHERS AND SONS 315 00:11:57,063 --> 00:11:59,065 AND THEIR FATHERS AND SONS BEFORE THEM. 316 00:11:59,196 --> 00:12:02,503 AND JOE AND I, WE'RE GONNA FOLLOW IN THAT PROUD TRADITION. 317 00:12:02,634 --> 00:12:04,288 SO WHO YOU CALLING? 318 00:12:04,418 --> 00:12:06,159 GONNA CALL THE CONSTRUCTION CREW FROM THE SHOW. 319 00:12:06,290 --> 00:12:07,334 THEY'RE GONNA COME OUT HERE AND BUILD IT. 320 00:12:10,816 --> 00:12:12,949 VERY IMPRESSIVE, DAVID. 321 00:12:13,079 --> 00:12:16,779 HUH? [laughs] 322 00:12:16,909 --> 00:12:18,345 WENT INSIDE FOR MY AFTERNOON BATH 323 00:12:18,476 --> 00:12:20,739 AND CAME OUT TO THE BEST DARN TREE HOUSE 324 00:12:20,870 --> 00:12:22,697 IN THE NEIGHBORHOOD, BOB! 325 00:12:22,828 --> 00:12:25,222 HEY, THANKS, CHET, GREG, 326 00:12:25,352 --> 00:12:27,790 UH, DUDE, PAL, 327 00:12:27,920 --> 00:12:29,269 OTHER GUY I USED TO THINK WAS GREG. 328 00:12:29,400 --> 00:12:32,011 UH, OKAY. 329 00:12:32,142 --> 00:12:34,753 DAD, WHERE DID THIS COME FROM? 330 00:12:34,884 --> 00:12:38,539 AMERICA, SON. AMERICA. 331 00:12:38,670 --> 00:12:40,454 WHO BUILT THIS WITH YOU? 332 00:12:40,585 --> 00:12:41,978 DOES IT MATTER, JOE? 333 00:12:42,108 --> 00:12:44,284 COME ON, YOU WANTED A FATHER-SON TREE HOUSE. 334 00:12:44,415 --> 00:12:46,939 THIS IS AN EXACT REPLICA OF THE ONE ON MY SHOW. 335 00:12:47,070 --> 00:12:48,288 LET'S CHECK IT OUT. COME ON. 336 00:12:48,419 --> 00:12:49,333 UH, DAVID, DID YOU SAY EXACT? 337 00:12:49,463 --> 00:12:51,291 I SAID, EXACT. MARCUS, COME ON. 338 00:12:51,422 --> 00:12:53,337 I BET YOU THE INSIDE IS BETTER THAN THE OUTSIDE. 339 00:12:53,467 --> 00:12:54,294 DAVID, THE ONE ON THE SHOW... 340 00:12:54,425 --> 00:12:55,382 OH! [thud] 341 00:12:55,513 --> 00:12:57,863 DIDN'T HAVE A FLOOR. 342 00:13:00,779 --> 00:13:02,607 A HEADS-UP WOULD'VE BEEN NICE. 343 00:13:06,263 --> 00:13:10,484 OY, I'VE NEVER SEEN JOE THIS MAD AT ME BEFORE. 344 00:13:10,615 --> 00:13:12,008 I'M NOT QUITE SURE WHY, 345 00:13:12,138 --> 00:13:14,793 BUT I'M PRETTY SURE THAT IT'S BOB'S FAULT. 346 00:13:14,924 --> 00:13:16,229 ME, TOO. 347 00:13:16,360 --> 00:13:18,318 THANK YOU, SWEETHEART. 348 00:13:18,449 --> 00:13:21,452 DAVID, HAVE YOU EVER FELT LIKE SOMEONE'S GETTING 349 00:13:21,582 --> 00:13:22,366 MORE ATTENTION THAN YOU? 350 00:13:22,496 --> 00:13:24,542 NO. 351 00:13:24,672 --> 00:13:26,239 MAYBE YOU'RE JUST FEELING A LITTLE LEFT OUT 352 00:13:26,370 --> 00:13:28,241 BECAUSE JOE AND BOB WERE BUILDING TOGETHER. 353 00:13:28,372 --> 00:13:30,940 WELL, MAYBE. 354 00:13:31,070 --> 00:13:32,593 AND WHAT HAPPENED? 355 00:13:32,724 --> 00:13:34,944 I WANTED JOE TO HAVE A BETTER TREE HOUSE THAN BOB'S, 356 00:13:35,074 --> 00:13:37,207 SO I ASKED MY CREW TO COME OUT HERE 357 00:13:37,337 --> 00:13:39,122 AND BUILD US A FATHER-SON TREE HOUSE. 358 00:13:39,252 --> 00:13:41,907 AND WHO WAS MISSING FROM THAT EQUATION? 359 00:13:42,038 --> 00:13:45,345 THE FA... 360 00:13:45,476 --> 00:13:46,825 SOUND IT OUT, DADDY. 361 00:13:46,956 --> 00:13:49,262 YES, I WILL. THE FATHER. 362 00:13:49,393 --> 00:13:50,350 AND BRING IT HOME, DAVID. 363 00:13:50,481 --> 00:13:51,438 AND THE SON. 364 00:13:51,569 --> 00:13:53,788 - YAY! - OKAY. 365 00:13:53,919 --> 00:13:55,616 IT WAS SUPPOSED TO BE DUDE TIME. 366 00:13:55,747 --> 00:13:57,575 HE JUST WANTED TO BUILD IT WITH YOU TOGETHER. 367 00:13:57,705 --> 00:13:59,969 OH, MAN. I GOTTA GO TALK TO JOE. 368 00:14:00,099 --> 00:14:02,232 BUT CAN I STILL MAKE THIS BOB'S FAULT? 369 00:14:02,362 --> 00:14:03,929 - NO, I DON'T SEE HOW YOU CAN. - REALLY? WATCH ME. 370 00:14:04,060 --> 00:14:05,278 IF BOB HADN'T MOVED IN NEXT DOOR, 371 00:14:05,409 --> 00:14:06,845 HE WOULDN'T HAVE BUILT THAT MUTANT TREE HOUSE, 372 00:14:06,976 --> 00:14:07,672 AND I WOULDN'T BE IN THIS SITUATION. 373 00:14:07,802 --> 00:14:11,110 ERGO, IT'S BOB'S FAULT. 374 00:14:11,241 --> 00:14:13,069 - HE'S GOOD. - THAT'S RIGHT, COME ON. 375 00:14:13,199 --> 00:14:14,984 LET'S STOMP OUT OF HERE TOGETHER FOR MAXIMUM EFFECT. 376 00:14:15,114 --> 00:14:15,985 LET'S GO. 377 00:14:16,115 --> 00:14:19,292 [both stomping] 378 00:14:19,423 --> 00:14:21,512 ALL RIGHT. OKAY. 379 00:14:21,642 --> 00:14:23,079 HEY, BUDDY. 380 00:14:23,209 --> 00:14:25,168 HEY. 381 00:14:25,298 --> 00:14:30,086 LISTEN, JOE, I'M SORRY ABOUT THE-- 382 00:14:30,216 --> 00:14:32,001 I'M SORRY ABOUT THE WHOLE CREW THING BACK THERE. 383 00:14:32,131 --> 00:14:34,394 AND I JUST WANT TO MAKE THIS RIGHT, SO-- 384 00:14:34,525 --> 00:14:35,874 WHAT DO YOU SAY WE GO OUT THERE RIGHT NOW, 385 00:14:36,005 --> 00:14:37,180 AND WE'LL TEAR THAT THING DOWN 386 00:14:37,310 --> 00:14:39,138 AND WE'LL START OVER FROM SCRATCH, OKAY? 387 00:14:39,269 --> 00:14:40,357 COME ON, LET'S DO IT. [claps] 388 00:14:40,487 --> 00:14:41,619 ME AND YOU, TOGETHER, BREAKING STUFF, 389 00:14:41,749 --> 00:14:42,707 FATHER AND SON. 390 00:14:42,837 --> 00:14:44,535 IT'S OKAY. 391 00:14:44,665 --> 00:14:46,406 A TREE HOUSE WAS A DUMB IDEA ANYWAY. 392 00:14:48,626 --> 00:14:50,715 OKAY, WELL... YEAH, I GET IT. 393 00:14:50,845 --> 00:14:52,151 NO, I GET IT. YOU WANT ME TO START, 394 00:14:52,282 --> 00:14:53,805 AND YOU WANT TO-- YOU WANT TO JOIN IN 395 00:14:53,936 --> 00:14:55,024 WHEN YOU'RE READY. 396 00:14:55,154 --> 00:14:56,025 THAT'S COOL. I'M GOOD WITH THAT. 397 00:14:56,155 --> 00:14:58,505 OKAY. 398 00:14:58,636 --> 00:15:02,683 THANKS, BOB! 399 00:15:02,814 --> 00:15:04,903 THE PEACOCK HAS LANDED. 400 00:15:05,034 --> 00:15:07,340 WHAT? 401 00:15:07,471 --> 00:15:09,429 I LOADED THE TELEPROMPTER WITH THE SCRIPT CHANGES 402 00:15:09,560 --> 00:15:10,996 WE WROTE. 403 00:15:11,127 --> 00:15:11,866 LET'S JUST HOPE THESE ACTORS 404 00:15:11,997 --> 00:15:13,477 ARE AS LAZY AS KAT SAYS THEY ARE. 405 00:15:13,607 --> 00:15:15,000 EMILY, SWEETIE, 406 00:15:15,131 --> 00:15:17,002 WHY AM I WEARING A STAINED DRESS? 407 00:15:17,133 --> 00:15:20,179 IT'S IN THE NEW SCRIPT CHANGES, MOM. 408 00:15:20,310 --> 00:15:23,008 HAVEN'T YOU READ THEM? 409 00:15:23,139 --> 00:15:25,315 UH-HUH. YEAH, OF COURSE. 410 00:15:25,445 --> 00:15:28,013 OF COURSE. 411 00:15:28,144 --> 00:15:29,319 AND DON'T FORGET TO HOLD THIS 412 00:15:29,449 --> 00:15:31,582 IN FRONT OF THE STAIN LIKE THE SCRIPT SAYS. 413 00:15:31,712 --> 00:15:33,236 RIGHT. RIGHT. 414 00:15:33,366 --> 00:15:36,587 OKAY, FOLKS, APPARENTLY THERE ARE SOME NEW PAGES. 415 00:15:36,717 --> 00:15:38,850 WE'RE RUNNING BEHIND, SO LET'S JUST SHOOT ONE. 416 00:15:38,981 --> 00:15:40,852 AND... - [blubbers lips] HA! MA! 417 00:15:40,983 --> 00:15:42,985 ACTION! 418 00:15:46,031 --> 00:15:49,861 'SUP, SANTIAGO? 419 00:15:49,992 --> 00:15:51,210 THANK YOU FOR YOUR AWESOME GIFT 420 00:15:51,341 --> 00:15:54,083 OF THIS FEATHERED FAN. 421 00:15:54,213 --> 00:15:55,475 IT IS MADE OF THE FINEST PEACOCK FEATHERS 422 00:15:55,606 --> 00:15:57,782 FROM MY VILLAGE. 423 00:15:57,912 --> 00:16:01,568 WE'RE SUPER FAMOUS FOR OUR PEACOCKS. 424 00:16:04,223 --> 00:16:06,617 HOW 'BOUT A NICE SOY VANILLA LATTE, 425 00:16:06,747 --> 00:16:09,011 NO SUGAR ADDED... 426 00:16:09,141 --> 00:16:13,058 WHICH IS ALSO FROM MY VILLAGE. 427 00:16:13,189 --> 00:16:16,627 YOU'RE SO MAJORLY PROUD OF YOUR VILLAGE. 428 00:16:16,757 --> 00:16:21,066 I'D BE CRAY-CRAY TO SAY NO. 429 00:16:21,197 --> 00:16:23,460 PLEASE, RELAX YOUR TIRED ANKLES 430 00:16:23,590 --> 00:16:25,114 FROM THOSE 5-INCH HEELS, 431 00:16:25,244 --> 00:16:30,554 WHICH, BY THE WAY, ARE ADORBS. 432 00:16:30,684 --> 00:16:33,557 THE COLONEL WAS LIKE, "THOSE ARE WACK." 433 00:16:33,687 --> 00:16:38,649 AND I WAS LIKE, "YOU ARE STRAIGHT TRIPPIN'." 434 00:16:42,392 --> 00:16:46,178 WHOOPSIE DAISIES. 435 00:16:46,309 --> 00:16:47,919 [director over loudspeaker] UH...CUT. 436 00:16:48,050 --> 00:16:49,399 WELL, WE'VE DONE WORSE. 437 00:16:49,529 --> 00:16:52,010 MOVING ON. 438 00:16:53,577 --> 00:16:54,882 NOBODY'S SAID A WORD. 439 00:16:55,013 --> 00:16:57,015 I THINK WE GOT AWAY WITH IT. 440 00:16:57,146 --> 00:16:59,452 WE GET TO KEEP OUR JOBS. 441 00:16:59,583 --> 00:17:02,542 I'M SORRY, KAT, BUT THAT SCRIPT WAS A NEW LOW. 442 00:17:02,673 --> 00:17:04,631 AMY, YOU CAN'T JUST QUIT THE SOAP. 443 00:17:04,762 --> 00:17:05,719 YOU HEARD THE DIALOGUE. 444 00:17:05,850 --> 00:17:07,069 THEY CLEARLY WANT A YOUNGER ACTRESS. 445 00:17:07,199 --> 00:17:08,374 I'M GETTING OUT WHILE I STILL HAVE 446 00:17:08,505 --> 00:17:10,202 A SHRED OF DIGNITY. 447 00:17:10,333 --> 00:17:13,031 [both scream] 448 00:17:13,162 --> 00:17:15,294 WELL, IF YOU QUIT, I QUIT. 449 00:17:15,425 --> 00:17:17,296 THAT MAKES YOU, ME, AND THE DIRECTOR. 450 00:17:17,427 --> 00:17:20,821 - [gasps] - OKAY, HI. 451 00:17:20,952 --> 00:17:24,521 WHO WOULD'VE THOUGHT THE FINAL SCENE OF MY CAREER 452 00:17:24,651 --> 00:17:25,870 WOULD BE WRITTEN BY... 453 00:17:26,000 --> 00:17:28,655 MY DAUGHTER? 454 00:17:28,786 --> 00:17:33,878 AND THE GIRL WHO BRINGS ME MY COFFEE. 455 00:17:34,008 --> 00:17:36,402 EMILY, WHY DIDN'T YOU COME TO ME? 456 00:17:36,533 --> 00:17:38,752 I HAVE FIVE BACKUP DRESSES 457 00:17:38,883 --> 00:17:43,192 FOR EVERY SCENE YOUR MOTHER IS IN. 458 00:17:43,322 --> 00:17:46,543 I GET A LOT OF STUFF THROWN AT ME. 459 00:17:46,673 --> 00:17:48,066 MOM, I'M SO SORRY. 460 00:17:48,197 --> 00:17:51,417 KAT, PLEASE DON'T FIRE ME. 461 00:17:51,548 --> 00:17:54,986 OH, PUMPKIN. I COULD NEVER FIRE YOU. 462 00:17:55,117 --> 00:17:57,467 I REALLY NEED MY COFFEE. 463 00:17:57,597 --> 00:18:01,993 PLUS, I HAVE YET TO LEARN YOUR ACTUAL NAME. 464 00:18:02,124 --> 00:18:04,952 BACK TO WORK, GIRLS. 465 00:18:05,083 --> 00:18:06,519 [both sigh] 466 00:18:06,650 --> 00:18:09,131 I SHOULD PROBABLY APOLOGIZE TO MY DAD TOO. 467 00:18:09,261 --> 00:18:10,262 I'LL COME WITH YOU. 468 00:18:10,393 --> 00:18:11,742 YOU'D DO THAT? 469 00:18:11,872 --> 00:18:12,743 ABSOLUTELY. 470 00:18:12,873 --> 00:18:15,876 I CAN CRY ON CUE. 471 00:18:19,228 --> 00:18:21,578 THAT'S AMAZING. TEACH ME. 472 00:18:21,708 --> 00:18:23,232 OKAY, FIRST YOU HAVE TO QUIVER YOUR LOWER LIP. 473 00:18:23,362 --> 00:18:24,711 MM-HMM. 474 00:18:26,800 --> 00:18:29,455 [clatter] 475 00:18:29,586 --> 00:18:33,633 OW! 476 00:18:33,764 --> 00:18:35,200 [door closes] 477 00:18:35,331 --> 00:18:36,723 I SEE YOUR FATHER MANAGED TO GET 478 00:18:36,854 --> 00:18:38,682 THAT FANCY TREE HOUSE DOWN, HUH? 479 00:18:38,812 --> 00:18:40,162 - YEP. - HMM. 480 00:18:40,292 --> 00:18:41,685 YOU THINK HE'LL GET A NEW ONE UP? 481 00:18:41,815 --> 00:18:44,253 NOPE. 482 00:18:44,383 --> 00:18:45,819 YET HE'S STILL OUT THERE. 483 00:18:45,950 --> 00:18:47,734 WHY DO YOU THINK THAT IS? 484 00:18:47,865 --> 00:18:50,433 I DON'T KNOW. 485 00:18:50,563 --> 00:18:52,652 MAYBE HE'S JUST UNWILLING TO GIVE UP ON SOMETHING. 486 00:18:52,783 --> 00:18:54,785 OR SOMEONE. 487 00:19:05,970 --> 00:19:08,146 NEED SOME HELP, DAD? 488 00:19:08,277 --> 00:19:10,496 YEAH, I'D LIKE THAT. 489 00:19:10,627 --> 00:19:13,630 YOU KNOW, IF WE TAKE THESE 2x4s AND FRAME OUT 490 00:19:13,760 --> 00:19:16,807 A WALL 16 ON CENTER, IT COULD BE LOAD-BEARING. 491 00:19:16,937 --> 00:19:21,551 - BOB? - YEAH. 492 00:19:21,681 --> 00:19:24,684 JOE, I'M GONNA LET YOU IN ON A LITTLE SECRET 493 00:19:24,815 --> 00:19:27,774 THAT MIGHT BE A COMPLETE SHOCK TO YOU. 494 00:19:27,905 --> 00:19:30,516 I HAVE NO IDEA WHAT I'M DOING. 495 00:19:30,647 --> 00:19:32,562 YEAH, TRYING TO CHEW OPEN YOUR OWN TOOL KIT 496 00:19:32,692 --> 00:19:34,085 WAS KIND OF A GIVEAWAY. 497 00:19:34,216 --> 00:19:35,913 OH. [chuckles] 498 00:19:36,043 --> 00:19:38,176 HAVE A SEAT FOR A SEC. 499 00:19:38,307 --> 00:19:39,743 I-I WANT TO TELL YOU SOMETHING. 500 00:19:39,873 --> 00:19:42,963 YOU KNOW, WHEN I WAS A KID, 501 00:19:43,094 --> 00:19:45,923 MY FATHER USED TO TAKE ME FISHING A LOT. 502 00:19:46,053 --> 00:19:47,838 AND HE WAS A HORRIBLE FISHERMAN. 503 00:19:47,968 --> 00:19:49,883 WE WOULD SIT IN THAT LITTLE BOAT FOR HOURS, 504 00:19:50,014 --> 00:19:52,886 AND HE WOULD ALWAYS TRY TO SHOW ME 505 00:19:53,017 --> 00:19:57,717 TRICKS HOW TO CATCH FISH THAT NEVER WORKED. 506 00:19:57,848 --> 00:20:00,111 LIKE, THE ONLY THING HE EVER HOOKED WAS HIS FINGER. 507 00:20:00,242 --> 00:20:02,853 AND ONE TIME MY EYELID. 508 00:20:02,983 --> 00:20:06,422 BUT... 509 00:20:06,552 --> 00:20:09,425 I ALWAYS REMEMBER THE TIME 510 00:20:09,555 --> 00:20:11,514 THAT WE SPENT TOGETHER, ME AND MY DAD. 511 00:20:11,644 --> 00:20:13,516 IT WAS AMAZING, YOU KNOW. 512 00:20:13,646 --> 00:20:17,520 AND SOMEHOW, I JUST LOST SIGHT OF THAT. 513 00:20:17,650 --> 00:20:21,654 MAYBE BECAUSE YOU HAD A HOOK IN YOUR EYELID. 514 00:20:21,785 --> 00:20:25,179 [chuckles] 515 00:20:25,310 --> 00:20:27,878 VERY GOOD. 516 00:20:29,314 --> 00:20:30,359 SHOULD WE GET BACK TO WORK? 517 00:20:30,489 --> 00:20:31,751 [sighs] IT'S KIND OF LATE. 518 00:20:31,882 --> 00:20:33,536 WE MIGHT WAKE UP BOB. 519 00:20:33,666 --> 00:20:35,277 GRAB A HAMMER.