1 00:00:11,880 --> 00:00:14,883 I'M SO EXCITED NOW. EXCITING, YOU KNOW? 2 00:00:15,014 --> 00:00:17,538 THAT CAREER DAY ASSEMBLY WAS AMAZING. 3 00:00:17,669 --> 00:00:20,411 I GUESS IT WAS OKAY. 4 00:00:20,541 --> 00:00:22,891 I ALWAYS THOUGHT I WANTED TO BE A METEOROLOGIST, 5 00:00:23,022 --> 00:00:25,459 BUT NOW I'M 100% SURE 6 00:00:25,590 --> 00:00:28,767 WITH A PARTIAL CHANCE OF TOTAL EXCITEMENT. 7 00:00:28,897 --> 00:00:30,725 AND NOW I KNOW I WANT TO BE GENETICIST, 8 00:00:30,856 --> 00:00:31,987 SO I CAN STUDY GENES. 9 00:00:32,118 --> 00:00:33,815 YOU SHOULD STUDY SKINNY JEANS. 10 00:00:36,383 --> 00:00:38,994 THIS IS SO NICE SEEING OUR FUTURE LEADERS 11 00:00:39,125 --> 00:00:41,258 ALREADY ON THEIR CHOSEN CAREER PATHS. 12 00:00:41,388 --> 00:00:42,998 WELL, NOT EVERYONE. 13 00:00:43,129 --> 00:00:44,565 I MEAN, YOU KNOW, YOU GUYS REMIND ME SO MUCH 14 00:00:44,696 --> 00:00:45,653 OF MYSELF AT YOUR AGE. 15 00:00:45,784 --> 00:00:47,002 YOU KNOW, YOU'RE SO--SO YOUNG, 16 00:00:47,133 --> 00:00:49,309 YET SO CONFIDENT. 17 00:00:49,440 --> 00:00:50,441 IT'S LIKE YOU READ AN ARTICLE ON ME 18 00:00:50,571 --> 00:00:54,097 IN {\an8}TEEN THROB MAGAZINE CIRCA 1986 19 00:00:54,227 --> 00:00:56,360 TITLED {\an8}SO YOUNG, YET SO CONFIDENT. 20 00:00:56,490 --> 00:00:59,798 BUT EVEN IF YOU'RE NOT SURE, THAT'S OKAY TOO. 21 00:00:59,928 --> 00:01:02,322 NO, IT'S NOT. 22 00:01:02,453 --> 00:01:06,544 BUT SOMETIMES THE CHOICE ISN'T SO CLEAR. 23 00:01:06,674 --> 00:01:07,675 YEAH, FOR LOSERS. 24 00:01:09,373 --> 00:01:10,635 SEE, YOU KNOW WHAT I DON'T KNOW? 25 00:01:10,765 --> 00:01:12,245 HOW TO READ A ROOM? 26 00:01:12,376 --> 00:01:14,378 I DON'T KNOW HOW ANYBODY COULD STAY IN A CAREER THAT THEY HATE. 27 00:01:14,508 --> 00:01:16,423 I MEAN, THE SOONER YOU KNOW WHAT YOU WANT, 28 00:01:16,554 --> 00:01:19,209 THE BETTER CHANCE YOU HAVE OF GETTING IT. 29 00:01:20,601 --> 00:01:22,473 I'VE GOT IT. 30 00:01:22,603 --> 00:01:23,778 FASHION! 31 00:01:23,909 --> 00:01:25,519 I LOVE IT. IT LOVES ME. 32 00:01:25,650 --> 00:01:27,173 WHEW. THAT'S SETTLED. 33 00:01:31,960 --> 00:01:33,048 WHAT WAS I THINKING? 34 00:01:33,179 --> 00:01:35,616 WHAT'S HAPPENING? 35 00:01:35,747 --> 00:01:38,184 I CAN'T GO INTO FASHION. MEDICINE! 36 00:01:38,315 --> 00:01:40,578 I LOVE SCIENCE AND ANIMALS. 37 00:01:40,708 --> 00:01:42,754 I'LL BE A VETERINARIAN. OKAY. 38 00:01:47,541 --> 00:01:48,934 I CAN'T BE A VET. 39 00:01:49,064 --> 00:01:51,371 HONEY, MAKE IT STOP. 40 00:01:51,502 --> 00:01:54,200 I LOVE ANIMALS TOO MUCH TO SEE THEM IN PAIN. 41 00:01:54,331 --> 00:01:56,507 THIS IS SO FRUSTRATING. 42 00:01:58,813 --> 00:02:02,165 - I HAVE THE ANSWER. - OH, GOOD. 43 00:02:27,146 --> 00:02:31,019 THANK YOU. WE ARE AIR CLUB FOR MEN. 44 00:02:31,150 --> 00:02:34,022 THAT WAS FUNNY. 45 00:02:34,153 --> 00:02:37,200 DON'T LISTEN TO HER. YOU GUYS LOOK COOL. 46 00:02:37,330 --> 00:02:38,984 WE'RE PRACTICING OUR AIR GUITAR PERFORMANCE 47 00:02:39,114 --> 00:02:40,203 FOR THE SCHOOL TALENT SHOW. 48 00:02:40,333 --> 00:02:41,508 WAIT, YOU'RE GONNA DO THAT 49 00:02:41,639 --> 00:02:43,728 IN FRONT OF THE ENTIRE SCHOOL? 50 00:02:43,858 --> 00:02:46,513 THAT IS FUNNY. 51 00:02:48,428 --> 00:02:50,517 DADDY, WERE YOU EVER IN A BAND AT SCHOOL? 52 00:02:50,648 --> 00:02:51,866 NO, SWEETHEART, 53 00:02:51,997 --> 00:02:54,347 DADDY DIDN'T GO TO REGULAR SCHOOL, 54 00:02:54,478 --> 00:02:56,741 BUT I DID GET TO DO A LOT OF REALLY COOL STUFF, 55 00:02:56,871 --> 00:03:00,135 LIKE I GOT TO GO TO MOVIE PREMIERES, 56 00:03:00,266 --> 00:03:02,137 AND I GOT FREE CLOTHES. 57 00:03:02,268 --> 00:03:05,967 I'M A KID. EVERYTHING IS FREE. 58 00:03:06,098 --> 00:03:08,579 - I GOT TO MEET HEF. - WHO? 59 00:03:08,709 --> 00:03:11,408 THAT'S NOT IMPORTANT, SWEETHEART. 60 00:03:16,021 --> 00:03:20,025 ♪ GLORIOUS 61 00:03:20,155 --> 00:03:22,375 SEE THAT, SILHOUETTE DANCERS? 62 00:03:22,506 --> 00:03:25,422 WE NEED TO CLEAN UP OUR LINES, RIGHT, EM? 63 00:03:25,552 --> 00:03:28,251 UH, YEAH, CLEAN LINES. 64 00:03:28,381 --> 00:03:29,252 OKAY, LET'S TRY IT AGAIN. 65 00:03:29,382 --> 00:03:30,775 EVERYBODY GET INTO POSITIONS. 66 00:03:33,125 --> 00:03:35,519 OKAY, EM, GRAB MY LEG. 67 00:03:35,649 --> 00:03:37,695 EM, YOU CAN--ANYTIME. JUST GRAB IT. 68 00:03:37,825 --> 00:03:38,565 EM--EMILY! 69 00:03:42,090 --> 00:03:45,877 SO WHEN I SAY, "GRAB MY LEG," 70 00:03:46,007 --> 00:03:49,489 WHAT DO YOU HEAR? 71 00:03:49,620 --> 00:03:51,839 SORRY, GUYS. 72 00:03:51,970 --> 00:03:54,146 - KIND OF COOL, RIGHT? - MM-HMM. 73 00:03:54,277 --> 00:03:55,626 HOW COME YOU'RE NOT IN THERE REHEARSING 74 00:03:55,756 --> 00:03:58,629 YOUR SHADOW PUPPET THING? 75 00:03:58,759 --> 00:04:00,718 I CAN'T CONCENTRATE. 76 00:04:00,848 --> 00:04:03,503 I'M FEELING SO MUCH PRESSURE TO CHOOSE A CAREER PATH. 77 00:04:03,634 --> 00:04:06,376 I HAVE NO IDEA WHAT I WANT TO DO. 78 00:04:06,506 --> 00:04:09,466 WHO SAID THAT YOU HAVE TO HAVE IT 79 00:04:09,596 --> 00:04:11,598 ALL FIGURED OUT ANYWAY? 80 00:04:11,729 --> 00:04:13,992 YOU. 81 00:04:14,122 --> 00:04:16,603 YOU JUST NEED TO FIGURE OUT WHAT YOUR PASSION IS, 82 00:04:16,734 --> 00:04:18,126 YOU KNOW, WHAT IT IS THAT YOU WAKE UP 83 00:04:18,257 --> 00:04:19,780 AND LOOK FORWARD TO DOING EACH DAY. 84 00:04:19,911 --> 00:04:22,870 I MEAN, FOR ME, IT'S BEING AMERICA'S NUMBER ONE DAD. 85 00:04:23,001 --> 00:04:25,743 WELL, I LOVE PRODUCING MY HIGH SCHOOL NEWS PROGRAM. 86 00:04:25,873 --> 00:04:28,180 OKAY, WELL, THAT'S A GOOD START. 87 00:04:28,311 --> 00:04:29,573 YOU KNOW WHAT I COULD DO FOR YOU? 88 00:04:29,703 --> 00:04:32,010 I CAN CALL BROOKE MILLER AT NNC NEWS AND TALK TO HER. 89 00:04:32,140 --> 00:04:33,794 YOU KNOW BROOKE MILLER, 90 00:04:33,925 --> 00:04:36,231 TELEVISION'S NUMBER ONE TV NEWS DIRECTOR? 91 00:04:36,362 --> 00:04:38,538 HONEY, ALL US NUMBER ONES KNOW EACH OTHER. 92 00:04:38,669 --> 00:04:41,367 - WHY DIDN'T YOU TELL ME? - WELL, I DON'T KNOW. 93 00:04:41,498 --> 00:04:42,542 I THOUGHT YOU WANTED TO GO 94 00:04:42,673 --> 00:04:45,937 INTO ANIMAL FASHION DESIGN OR SOMETHING. 95 00:04:46,067 --> 00:04:48,722 I WAS HALF ASLEEP. I DON'T KNOW WHAT IT WAS. 96 00:04:48,853 --> 00:04:50,507 I'LL CALL HER UP AND SEE IF I CAN GET YOU AN INTERNSHIP, 97 00:04:50,637 --> 00:04:52,204 AND YOU CAN SEE IF YOU LIKE IT. 98 00:04:52,335 --> 00:04:54,380 - WOW. THANKS, DADDY. - YOU'RE WELCOME. 99 00:04:54,511 --> 00:04:55,947 FOR THE FIRST TIME IN DAYS, I FEEL BETTER. 100 00:04:56,077 --> 00:04:57,557 OH, GOOD. AND LISTEN. 101 00:04:57,688 --> 00:04:58,906 YOU KNOW, ANIMAL FASHION DESIGN IS AN UP-AND-COMING INDUSTRY. 102 00:04:59,037 --> 00:05:01,256 YOU WOULD BE--YOU CAN MAKE, YOU KNOW, SKINNY JEANS 103 00:05:01,387 --> 00:05:03,346 FOR DOGS OR SOMETHING. 104 00:05:09,613 --> 00:05:12,180 HERE ARE THE FILES FOR TONIGHT'S STORY, BROOKE. 105 00:05:12,311 --> 00:05:13,573 OH, IT'S INTERESTING 106 00:05:13,704 --> 00:05:15,575 THAT YOU FEEL THE NEED TO TELL ME, 107 00:05:15,706 --> 00:05:16,968 THE NEWS DIRECTOR, 108 00:05:17,098 --> 00:05:20,363 THE CONTENTS OF THE FOLDERS I ASKED YOU TO ACQUIRE, 109 00:05:20,493 --> 00:05:23,757 SO EITHER YOU THINK I'M STUPID, MM, 110 00:05:23,888 --> 00:05:26,586 OR YOU WANT ME TO PRAISE YOU 111 00:05:26,717 --> 00:05:29,720 FOR SOMETHING A POORLY TRAINED MONKEY COULD DO. 112 00:05:29,850 --> 00:05:31,983 WHICH ONE IS IT, EMILY? 113 00:05:32,113 --> 00:05:34,159 - WELL-- - TOO SLOW. DON'T CARE. 114 00:05:34,289 --> 00:05:36,770 SPEAKING OF TRAINED MONKEYS, WHERE IS MY ANCHOR? 115 00:05:36,901 --> 00:05:39,425 CHANCE IS OVER THERE WITH MY FATHER. 116 00:05:39,556 --> 00:05:41,688 AND I FEEL LIKE THE "RINSE, THEN REPEAT" DIRECTIONS... 117 00:05:41,819 --> 00:05:44,038 both: DRY YOUR HAIR OUT FASTER. 118 00:05:44,169 --> 00:05:45,562 THAT'S RIGHT. NOW, DO YOU DO THIS? 119 00:05:45,692 --> 00:05:47,215 DO YOU SPRITZ AND JUST WALK INTO IT? 120 00:05:47,346 --> 00:05:48,826 DO I? WATCH THIS. 121 00:05:48,956 --> 00:05:50,480 THAT'S EXACTLY WHAT I DO. 122 00:05:50,610 --> 00:05:52,656 - CHANCE! - UH-OH, SAVE YOURSELF. 123 00:05:52,786 --> 00:05:55,659 HERE COMES DAN "I'D RATHER NOT." - OH. 124 00:05:55,789 --> 00:05:56,964 - DAVID, YOU HANDSOME DEVIL. - HEY, HEY, HEY, HEY. 125 00:05:57,095 --> 00:05:58,444 WHAT ARE YOU STILL DOING HERE? 126 00:05:58,575 --> 00:06:00,620 WELL, YOU KNOW, MY KID'S FIRST DAY ON THE JOB, 127 00:06:00,751 --> 00:06:02,622 AND SHE'S TRYING TO FIND HER PASSION 128 00:06:02,753 --> 00:06:04,058 AND ALL THAT STUFF, YOU KNOW? 129 00:06:04,189 --> 00:06:05,930 - I GET IT. I GET IT. - GOOD. 130 00:06:06,060 --> 00:06:08,367 ACTUALLY I HATE KIDS, SO I DON'T GET IT. 131 00:06:08,498 --> 00:06:09,760 ALL RIGHT, I NEED YOU TO LEAVE. 132 00:06:09,890 --> 00:06:11,370 GOT WORK TO DO. THANK YOU. 133 00:06:11,501 --> 00:06:13,590 DO ME A FAVOR. I JUST NEED YOU-- 134 00:06:13,720 --> 00:06:15,418 JUST GO A LITTLE EASIER ON HER. 135 00:06:15,548 --> 00:06:16,288 OKAY? 136 00:06:16,419 --> 00:06:19,987 JUST TRY NOT TO BE SO BROOKE-ISH. 137 00:06:20,118 --> 00:06:21,554 I DON'T-- I DON'T HAVE ANY IDEA 138 00:06:21,685 --> 00:06:23,251 WHAT YOU'RE TALKING ABOUT. 139 00:06:23,382 --> 00:06:26,080 ALL RIGHT, MINIONS! LISTEN UP. 140 00:06:26,211 --> 00:06:30,084 APPARENTLY ROCK LEGEND A.W.O.L. HAS GONE M.I.A., 141 00:06:30,215 --> 00:06:33,697 AND I WANT TO FIND OUT WHY A.S.A.P. 142 00:06:33,827 --> 00:06:34,741 YOU HEARD HER, PEOPLE. 143 00:06:34,872 --> 00:06:38,092 WE HAVE A TENSE MILITARY SITUATION. 144 00:06:38,223 --> 00:06:40,138 BROOKE, HOW ARE WE SUPPOSED TO FIND AWOL 145 00:06:40,268 --> 00:06:43,228 IF WE DON'T KNOW WHERE HE IS? 146 00:06:43,358 --> 00:06:45,926 GOSH, JOANIE. 147 00:06:46,057 --> 00:06:47,711 HMM. 148 00:06:47,841 --> 00:06:50,017 IF ONLY THERE WERE AN ORGANIZATION 149 00:06:50,148 --> 00:06:53,891 THAT OBTAINED HARD-TO-FIND INFORMATION 150 00:06:54,021 --> 00:06:57,068 AND THEN REPORTED ON IT. 151 00:06:57,198 --> 00:06:59,723 WHAT SMELLS LIKE FEAR? - I JUST PEED A LITTLE. 152 00:06:59,853 --> 00:07:02,160 MM-HMM. 153 00:07:02,290 --> 00:07:04,292 SEE, THAT RIGHT THERE IS BROOKE-ISH. 154 00:07:04,423 --> 00:07:05,990 MM. 155 00:07:06,120 --> 00:07:09,559 BROOKE. 156 00:07:09,689 --> 00:07:11,517 I KNOW AWOL'S FAVORITE PLACE TO STAY WHEN HE'S IN TOWN 157 00:07:11,648 --> 00:07:13,301 IS THE BEVERLY HOTEL. 158 00:07:13,432 --> 00:07:15,826 WOW. WOW, WOW, WOW. 159 00:07:15,956 --> 00:07:18,176 WOW, WOW, WOW, WOW, WOW, WOW, WOW. 160 00:07:18,306 --> 00:07:20,308 GOSH, MY UNPAID INTERN, 161 00:07:20,439 --> 00:07:22,397 WHO'S ONLY BEEN HERE FIVE SECONDS, 162 00:07:22,528 --> 00:07:24,399 IS ALREADY DOING THE JOB 163 00:07:24,530 --> 00:07:28,621 YOU GUYS WERE HIRED TO DO. 164 00:07:28,752 --> 00:07:29,840 I WANT YOU TO GO WITH CHANCE, 165 00:07:29,970 --> 00:07:31,102 AND I WANT YOU GUYS TO GET ME THAT STORY. 166 00:07:31,232 --> 00:07:32,930 OKAY. 167 00:07:33,060 --> 00:07:35,367 HE NEVER USES HIS REAL NAME. HE BOOKS UNDER A PSEUDONYM. 168 00:07:35,498 --> 00:07:36,760 YOU HEAR THAT, PEOPLE? 169 00:07:36,890 --> 00:07:41,721 WE'RE LOOKING FOR SOMEONE NAMED SUE DOUGHNIM. 170 00:07:50,817 --> 00:07:53,428 OW! OW, OW. 171 00:07:53,559 --> 00:07:56,127 - COOL SPLIT, JOE. - NO, I CAN'T--I CAN'T GET UP. 172 00:07:56,257 --> 00:07:56,823 KILL THE MUSIC. 173 00:07:59,565 --> 00:08:02,612 JOE, EVEN I KNOW THIS IS A BAD IDEA, 174 00:08:02,742 --> 00:08:04,701 AND I EAT PASTE. 175 00:08:04,831 --> 00:08:05,702 TAKE IT EASY, JANIE. 176 00:08:05,832 --> 00:08:07,225 I THINK THAT JOE IS WAY AHEAD OF YOU 177 00:08:07,355 --> 00:08:09,532 ON THIS BEING A BAD IDEA. 178 00:08:09,662 --> 00:08:11,577 HEY, JOE, YOU READY TO GO, BUDDY? 179 00:08:11,708 --> 00:08:13,274 YOUR DAD'S WITH EMILY AT NNC, 180 00:08:13,405 --> 00:08:14,754 SO WE'RE HERE TO PICK YOU UP. 181 00:08:14,885 --> 00:08:17,365 I THINK I SNAPPED MY G-STRING. 182 00:08:17,496 --> 00:08:19,977 I THINK HE MEANS HAMSTRING. 183 00:08:20,107 --> 00:08:22,370 WE CAN ONLY HOPE. 184 00:08:22,501 --> 00:08:23,546 THIS LOOKS INTERESTING. 185 00:08:23,676 --> 00:08:25,373 WHAT--WHAT-- 186 00:08:29,552 --> 00:08:30,814 UH, UH, PEOPLE, GATHER. 187 00:08:30,944 --> 00:08:33,904 I HAVE KNOWLEDGE TO IMPART. 188 00:08:34,034 --> 00:08:35,470 THE ART OF SILHOUETTE 189 00:08:35,601 --> 00:08:38,822 IS NOT JUST THROWING AN IMAGE ON-SCREEN. 190 00:08:38,952 --> 00:08:41,651 YOU WANT TO CAPTIVATE THE AUDIENCE. 191 00:08:41,781 --> 00:08:44,436 WHAT MAKES YOU SUCH AN EXPERT? 192 00:08:44,567 --> 00:08:46,133 IT'S QUITE AN INTERESTING TALE, ACTUALLY. 193 00:08:46,264 --> 00:08:48,048 OUR FASCINATION WITH-- 194 00:08:48,179 --> 00:08:51,399 WE TOOK A CLASS AT THE LEARNING ANNEX. 195 00:08:51,530 --> 00:08:53,010 JUST WATCH AND LEARN, 196 00:08:53,140 --> 00:08:55,752 BUT KEEP IN MIND WE HAVEN'T STRETCHED YET. 197 00:09:13,421 --> 00:09:15,902 THAT WAS AMAZING. 198 00:09:16,033 --> 00:09:17,687 COULD YOU GUYS COACH US? 199 00:09:21,038 --> 00:09:25,216 THEY'RE SPELLING OUT "YES" WITH THEIR BODIES. 200 00:09:27,610 --> 00:09:30,177 OH, MY GOSH, I'M SO EXCITED. 201 00:09:30,308 --> 00:09:32,571 TODAY WAS AMAZING. 202 00:09:32,702 --> 00:09:34,355 BROOKE SAID I WAS LIKE A YOUNGER VERSION OF HER, 203 00:09:34,486 --> 00:09:35,705 AND THEN IT HIT ME. 204 00:09:35,835 --> 00:09:37,576 DAD, YOU'VE BEEN RIGHT ALL ALONG. 205 00:09:37,707 --> 00:09:40,753 OF COURSE DAD WAS RIGHT. WHAT WAS I RIGHT ABOUT? 206 00:09:40,884 --> 00:09:42,189 THE SECRET TO SUCCESS 207 00:09:42,320 --> 00:09:43,974 IS WORKING AT WHAT MAKES YOU HAPPY, 208 00:09:44,104 --> 00:09:45,323 SO JUST LIKE YOU, 209 00:09:45,453 --> 00:09:47,499 I'M GONNA FOCUS ALL MY ENERGY ON MY CAREER. 210 00:09:47,630 --> 00:09:49,283 OH, SWEETHEART, GOOD FOR YOU. 211 00:09:49,414 --> 00:09:50,937 THAT'S FANTASTIC. 212 00:09:51,068 --> 00:09:52,243 I'M GONNA WORK FOR BROOKE FULL-TIME, 213 00:09:52,373 --> 00:09:54,941 SO I'M QUITTING SCHOOL. 214 00:09:55,072 --> 00:09:58,641 - WHAT? - IT'S ALL THANKS TO DAD. 215 00:10:03,602 --> 00:10:04,864 I'M SO HAPPY. YOU HEAR THAT, HONEY? 216 00:10:04,995 --> 00:10:07,084 OUR DAUGHTER HAS FOUND HER CAREER PATH. 217 00:10:07,214 --> 00:10:08,694 I DON'T WANT TO TAKE ALL THE CREDIT, 218 00:10:08,825 --> 00:10:11,697 BUT SHE DID SAY, "THANKS TO DAD." 219 00:10:11,828 --> 00:10:16,397 OH, MAN, YOU REALLY CAN'T READ A ROOM, CAN YOU? 220 00:10:16,528 --> 00:10:18,269 LET ME READ IT TO YOU, OKAY? 221 00:10:18,399 --> 00:10:20,358 YOUR DAUGHTER 222 00:10:20,488 --> 00:10:25,711 IS DROPPING OUT OF SCHOOL. 223 00:10:25,842 --> 00:10:28,322 - I'M NOT DROPPING OUT. - SHE'S NOT DROPPING OUT. 224 00:10:28,453 --> 00:10:31,195 I'M TESTING OUT EARLY AND GETTING MY G.E.D. 225 00:10:31,325 --> 00:10:33,066 YEAH, G.E.D. WELL, "GED" FOR YOU. 226 00:10:33,197 --> 00:10:35,025 ATTAGIRL. 227 00:10:35,155 --> 00:10:38,811 WHAT ABOUT ALL OF THE ONCE-IN-A-LIFETIME EXPERIENCES 228 00:10:38,942 --> 00:10:40,639 THAT COME WITH GOING TO HIGH SCHOOL? 229 00:10:40,770 --> 00:10:43,337 HIGH SCHOOL IS SO HIGH SCHOOL. 230 00:10:43,468 --> 00:10:45,731 I'VE HAD A TASTE OF THE REAL WORLD. 231 00:10:45,862 --> 00:10:47,820 WELL, I GUESS A TASTE IS ALL IT TAKES 232 00:10:47,951 --> 00:10:50,388 TO MAKE LIFE-CHANGING DECISIONS. 233 00:10:50,518 --> 00:10:55,175 HUH. - OH, AMY, RELAX. 234 00:10:55,306 --> 00:10:58,178 IS SHE TALKING TO ME? 235 00:10:58,309 --> 00:11:01,573 DAD DIDN'T GO TO HIGH SCHOOL, AND HE TURNED OUT JUST FINE. 236 00:11:01,704 --> 00:11:03,880 FINE? YOU SEE YOUR DAD AS FINE? 237 00:11:04,010 --> 00:11:05,620 DAVID, DID YOU HEAR WHAT SHE JUST SAID? 238 00:11:05,751 --> 00:11:09,015 SHE SAID SHE THINKS I'M FINE. 239 00:11:09,146 --> 00:11:12,758 IF I WAS EAVESDROPPING CORRECTLY, 240 00:11:12,889 --> 00:11:16,066 DID DAD JUST SAY WE DIDN'T HAVE TO FINISH HIGH SCHOOL? 241 00:11:16,196 --> 00:11:18,329 NO, NO, NO, HE DID NOT. GET--NO. 242 00:11:18,459 --> 00:11:20,810 OH, AMY, YOU'RE ADORABLE. 243 00:11:26,380 --> 00:11:27,381 WHAT ARE YOU SAYING, DAVID? 244 00:11:27,512 --> 00:11:29,862 I'M SAYING TO GET YOUR BROOKE ON, 245 00:11:29,993 --> 00:11:32,691 TO GO BROOKE-LYN ON HER. 246 00:11:32,822 --> 00:11:34,171 RELEASE THE BROOKE-EN. 247 00:11:34,301 --> 00:11:35,389 I HATE TO TELL YOU THIS, DAVID, 248 00:11:35,520 --> 00:11:36,564 BUT YOUR DAUGHTER'S BEEN HANDLING 249 00:11:36,695 --> 00:11:38,610 EVERYTHING I'VE THROWN AT HER. 250 00:11:38,741 --> 00:11:40,220 WATCH. 251 00:11:40,351 --> 00:11:42,005 EMILY, I NEED THE ROUGH CUT OF THE EARTHQUAKE. 252 00:11:42,135 --> 00:11:44,007 - IT'S ON YOUR DESK. - I MEANT THE MUDSLIDE. 253 00:11:44,137 --> 00:11:45,356 IT WAS ON YOUR DESK. 254 00:11:45,486 --> 00:11:47,662 MUST HAVE FALLEN OFF DURING THE EARTHQUAKE. 255 00:11:47,793 --> 00:11:49,795 IF YOU'RE SO CLEVER, LITTLE MISS, 256 00:11:49,926 --> 00:11:51,144 WHAT AM I GONNA ASK FOR NEXT? 257 00:11:51,275 --> 00:11:53,451 WATER? 258 00:11:53,581 --> 00:11:55,627 NOT THAT KIND. 259 00:11:55,758 --> 00:11:57,890 WITH BUBBLES. 260 00:11:58,021 --> 00:12:01,459 THAT'LL BE ALL. 261 00:12:01,589 --> 00:12:04,244 SHE'S GOOD. SHE KIND OF REMINDS ME OF ME. 262 00:12:04,375 --> 00:12:06,377 THAT IS AWESOME. 263 00:12:06,507 --> 00:12:07,987 BUT YOU KNOW THE WIFE-- 264 00:12:08,118 --> 00:12:09,859 SHE THINKS THAT HER QUITTING SCHOOL 265 00:12:09,989 --> 00:12:12,818 AND GOING IN THE NEWS BUSINESS IS A BAD IDEA. 266 00:12:12,949 --> 00:12:14,428 YOU KNOW, SHE THINKS SHE'LL MISS ALL KINDS OF STUFF. 267 00:12:14,559 --> 00:12:15,690 OH, COME ON, WHAT? 268 00:12:15,821 --> 00:12:17,170 YOU KNOW, I NEVER WAS A CHEERLEADER. 269 00:12:17,301 --> 00:12:20,173 I NEVER WENT TO A DANCE, NEVER HAD ANY FRIENDS. 270 00:12:20,304 --> 00:12:23,698 BUT, YOU KNOW, WHO'S GOT TIME FOR SUCH NONSENSE? 271 00:12:23,829 --> 00:12:26,266 - YOU DON'T HAVE ONE FRIEND? - OF COURSE I DO. 272 00:12:26,397 --> 00:12:28,094 CHANCE AND I HAVE BEEN WORKING TOGETHER FOR YEARS. 273 00:12:28,225 --> 00:12:32,795 WE'RE VERY CLOSE. CHANCE, COME! 274 00:12:32,925 --> 00:12:36,102 CHANCE, UM, HOW'S YOUR WIFE? 275 00:12:36,233 --> 00:12:39,540 SHE LEFT ME THREE YEARS AGO FOR THE GUY THAT WALKED OUR PUG. 276 00:12:39,671 --> 00:12:43,283 I DO MISS LADY PUGLINGTON. 277 00:12:47,200 --> 00:12:48,506 SO YOU DON'T HAVE ANY FRIENDS. 278 00:12:48,636 --> 00:12:51,944 NO. NOT A ONE, BUT... 279 00:12:52,075 --> 00:12:54,251 THAT WAS PRICELESS. 280 00:12:59,386 --> 00:13:02,389 AND A-ONE, TWO, THREE. 281 00:13:02,520 --> 00:13:04,174 HOW DO YOU KEEP DROPPING YOUR DRUMSTICK? 282 00:13:04,304 --> 00:13:05,784 IT'S NOT EVEN REAL. 283 00:13:05,915 --> 00:13:08,265 I DON'T KNOW, JOE. JUST HELP ME FIND IT. 284 00:13:10,267 --> 00:13:13,357 - REALLY? - DON'T LISTEN TO HER, GUYS. 285 00:13:13,487 --> 00:13:14,967 SHE DOESN'T KNOW ANYTHING ABOUT COOL. 286 00:13:15,098 --> 00:13:17,927 - DO WE? - CAN YOU HELP US? 287 00:13:18,057 --> 00:13:19,493 WELL, I CAN TRY. 288 00:13:19,624 --> 00:13:22,801 SINCE YOU'RE NOT COOL, YOU NEED TO PRETEND TO BE COOL, 289 00:13:22,932 --> 00:13:24,411 AND WHO'S THE BEST PRETENDER HERE? 290 00:13:24,542 --> 00:13:26,326 THIS PRINCESS. 291 00:13:29,460 --> 00:13:31,636 LOOK, WE APPRECIATE YOUR HELP, 292 00:13:31,766 --> 00:13:33,725 BUT WE CAN'T SILHOUETTE DANCE WITHOUT EMILY. 293 00:13:33,856 --> 00:13:35,596 SHE'S THE ONE WHO STARTED THE SILHOUETTERS. 294 00:13:35,727 --> 00:13:38,469 AND WITHOUT HER, IT'S JUST NOT THE SAME, 295 00:13:38,599 --> 00:13:40,166 SO WE'RE QUITTING. 296 00:13:40,297 --> 00:13:41,907 FINE, QUIT, 297 00:13:42,038 --> 00:13:44,562 BUT YOU DON'T DESERVE TO HAVE SHADOWS. 298 00:13:44,692 --> 00:13:45,868 KEVIN, TAKE IT EASY. 299 00:13:45,998 --> 00:13:48,914 THEY'RE JUST YOUNG GIRLS WITH BROKEN DREAMS. 300 00:13:49,045 --> 00:13:53,005 SO WERE WE ONCE, MARCUS. SO WERE WE. 301 00:13:55,051 --> 00:13:57,183 WHAT--WHAT'S-- WHAT'S GOING ON? 302 00:13:57,314 --> 00:13:59,185 WE'RE THROUGH WITH THE SILHOUETTES, MR. HOBBS. 303 00:13:59,316 --> 00:14:00,491 WITHOUT EMILY, 304 00:14:00,621 --> 00:14:02,580 WE'RE LIKE SHADOWS OF OUR FORMER SHADOWS. 305 00:14:02,710 --> 00:14:04,190 LET'S FACE IT-- NO MATTER HOW HARD WE TRY, 306 00:14:04,321 --> 00:14:05,757 OUR FRIENDSHIP'S NEVER GONNA BE THE SAME. 307 00:14:05,888 --> 00:14:06,801 GUYS, COME ON, YOU'RE TAKING THIS 308 00:14:06,932 --> 00:14:09,108 A LITTLE TOO FAR, AREN'T YOU? 309 00:14:09,239 --> 00:14:12,155 EMILY'S NOT GONE. SHE'S JUST LEAVING SCHOOL. 310 00:14:12,285 --> 00:14:14,244 BUT SHE'S ALREADY STARTING TO FADE FROM MY MEMORY. 311 00:14:14,374 --> 00:14:18,030 I'VE EVEN FORGOTTEN HER LAST NAME, MR. HOBBS. 312 00:14:18,161 --> 00:14:19,423 SHE'S MADE HER DECISION. 313 00:14:19,553 --> 00:14:21,294 OUR FRIENDSHIP'S AS GOOD AS OVER. 314 00:14:21,425 --> 00:14:23,862 OH, WELL, MAYBE SHE HASN'T MADE A DECISION YET. 315 00:14:23,993 --> 00:14:26,647 ALL I'M TELLING YOU GUYS IS, DON'T GIVE UP ON EMILY. 316 00:14:26,778 --> 00:14:29,433 LET HER GIVE UP ON YOU. - WHAT? 317 00:14:29,563 --> 00:14:30,651 THAT DIDN'T COME OUT RIGHT. 318 00:14:30,782 --> 00:14:33,959 WHAT I MEANT TO SAY WAS, 319 00:14:34,090 --> 00:14:36,701 GIVE HER THE CHANCE TO GIVE UP ON YOU. 320 00:14:36,831 --> 00:14:37,920 HOW IS THAT BETTER? 321 00:14:38,050 --> 00:14:39,791 I DON'T KNOW. LOOK, I HAVE A PLAN, OKAY? 322 00:14:39,922 --> 00:14:41,097 GUYS, STICK TO YOUR SHADOW PUPPETS. 323 00:14:41,227 --> 00:14:42,098 I GOT A PLAN. 324 00:14:42,228 --> 00:14:45,144 WHAT DO YOU GUYS THINK? 325 00:14:45,275 --> 00:14:48,017 LET'S DO THIS FOR WHAT'S HER NAME. 326 00:14:52,717 --> 00:14:54,893 GOT IT. ALL RIGHT, LACKEYS. 327 00:14:55,024 --> 00:14:55,938 I JUST GOT A HOT LEAD 328 00:14:56,068 --> 00:14:58,549 FROM SOMEONE AT THE BEVERLY HOTEL. 329 00:14:58,679 --> 00:15:01,813 AWOL IS HEADING TO AN EVENT AT BRENTVIEW SCHOOL TONIGHT, 330 00:15:01,944 --> 00:15:04,033 AND I WANT TO KNOW WHY. 331 00:15:04,163 --> 00:15:05,991 THANKS AGAIN FOR THE TIP, MA'AM. 332 00:15:06,122 --> 00:15:09,864 OH, YOU'RE WELCOME. 333 00:15:09,995 --> 00:15:12,215 YOU KNOW, I COULD'VE PROVIDED AN ACTUAL FEMALE VOICE. 334 00:15:12,345 --> 00:15:16,436 MY PLAN, MY LADY VOICE. 335 00:15:17,872 --> 00:15:19,700 AWOL IS COMING OUT OF HIDING, 336 00:15:19,831 --> 00:15:21,833 BUT, UGH, WHY TONIGHT? 337 00:15:21,964 --> 00:15:26,055 AND WHY BRENTVIEW SCHOOL? 338 00:15:26,185 --> 00:15:27,665 I WENT TO BRENTVIEW SCHOOL. 339 00:15:27,795 --> 00:15:29,754 I CAN GET US IN WITH MY SCHOOL I.D. 340 00:15:29,884 --> 00:15:31,364 OKAY, ALL RIGHT. 341 00:15:31,495 --> 00:15:32,452 TAKE CHANCE WITH YOU, 342 00:15:32,583 --> 00:15:34,498 AND MAKE SURE HE GETS ME SOME ANSWERS. 343 00:15:34,628 --> 00:15:36,587 WHERE IS CHANCE? 344 00:15:36,717 --> 00:15:38,806 WHEREVER THERE'S A CHANCE OF NEWS, 345 00:15:38,937 --> 00:15:42,680 THERE'S CHANCE WITH NEWS. 346 00:15:46,640 --> 00:15:47,815 THANK YOU, JEROME. 347 00:15:47,946 --> 00:15:52,168 WHO KNEW SO MANY THINGS COULD COME OUT OF A NOSE? 348 00:15:52,298 --> 00:15:55,214 NEXT, BE AMAZED BY NATE 349 00:15:55,345 --> 00:15:58,261 AND HIS SPINNING PLATES. 350 00:15:58,391 --> 00:16:00,002 I'M HEADING BACKSTAGE TO GET INTEL. 351 00:16:00,132 --> 00:16:01,003 YOU KEEP AN EYE OUT FOR AWOL. 352 00:16:01,133 --> 00:16:02,221 I'M ON IT. 353 00:16:02,352 --> 00:16:04,136 BUT WHO IS THIS INTEL, 354 00:16:04,267 --> 00:16:07,966 AND IS HE IN CAHOOTS WITH AWOL? 355 00:16:08,097 --> 00:16:09,576 JUST STAY HERE AND LOOK PRETTY. 356 00:16:09,707 --> 00:16:13,102 OH, I CAN DO THAT. 357 00:16:13,232 --> 00:16:14,842 I CAN'T BELIEVE WE'RE LEAVING OUR COOL 358 00:16:14,973 --> 00:16:16,583 IN THE HANDS OF A SIX-YEAR-OLD. 359 00:16:16,714 --> 00:16:18,803 BOYS. 360 00:16:18,933 --> 00:16:21,762 TIME TO PLAY DRESS-UP. 361 00:16:21,893 --> 00:16:25,027 - HEY, GUYS. - EMILY, YOU'RE HERE! 362 00:16:25,157 --> 00:16:28,204 I'VE OLIVIA. THAT'S BEA, AND THAT'S TAYLOR. 363 00:16:29,553 --> 00:16:32,425 SHE DIDN'T FORGET US, OLIVIA. 364 00:16:32,556 --> 00:16:33,861 I BROUGHT YOUR LEOTARD. 365 00:16:33,992 --> 00:16:36,168 I'M SO EXCITED TO SEE YOU GUYS PERFORM, 366 00:16:36,299 --> 00:16:38,562 BUT I'M ACTUALLY HERE FOR A NEWS STORY. 367 00:16:38,692 --> 00:16:40,520 OH, HEY, GUYS. EVERYBODY, COME ON. 368 00:16:40,651 --> 00:16:43,436 AT LEAST YOU'RE HERE FOR THE YEARBOOK PHOTO. 369 00:16:45,134 --> 00:16:45,960 COME ON, EM. - COME ON. 370 00:16:46,091 --> 00:16:47,136 OH, IT'S OKAY. 371 00:16:47,266 --> 00:16:48,702 THIS IS GONNA BE THE LAST SCHOOL PHOTO 372 00:16:48,833 --> 00:16:51,357 OF US ALL TOGETHER. 373 00:16:51,488 --> 00:16:53,011 - WOW, I GUESS YOU'RE RIGHT. - THERE SHE IS. 374 00:16:53,142 --> 00:16:55,405 EMILY, NEWS-MERGENCY! all: SHH! 375 00:16:55,535 --> 00:16:57,581 EMILY, NEWS-MERGENCY. 376 00:16:57,711 --> 00:16:59,931 LISTEN, I HAVE A CRITICAL UPDATE FROM A TRUSTED SOURCE. 377 00:17:00,062 --> 00:17:02,760 AWOL'S BEEN SPOTTED AT THE SANTA MONICA PIER. 378 00:17:02,890 --> 00:17:04,327 BROOKE'S LEAD MUST HAVE BEEN FALSE. 379 00:17:04,457 --> 00:17:05,937 BROOKE'S LEAD MUST HAVE BEEN FALSE. 380 00:17:06,068 --> 00:17:07,460 LISTEN, IF WE LEAVE JUST RIGHT NOW, 381 00:17:07,591 --> 00:17:09,941 WE'LL STILL BE THE FIRST TO BE ABLE TO BREAK THIS STORY. 382 00:17:10,072 --> 00:17:11,943 THIS IS WHERE CAREERS ARE MADE, KID. 383 00:17:12,074 --> 00:17:14,119 LET'S GO. - NO, NO. 384 00:17:14,250 --> 00:17:15,294 THIS WAY. 385 00:17:21,126 --> 00:17:23,215 DO WHAT MAKES YOU HAPPY, EMILY. 386 00:17:23,346 --> 00:17:25,304 IT'S YOUR CHOICE. 387 00:17:33,443 --> 00:17:34,357 HERE'S A THOUGHT, NATE. 388 00:17:34,487 --> 00:17:36,402 NEXT TIME, PLASTIC PLATES. 389 00:17:39,710 --> 00:17:42,147 ALL RIGHT, NOW IT'S TIME TO ENJOY THE STORYTELLING 390 00:17:42,278 --> 00:17:44,671 OF THE BRENTVIEW SILHOUETTES. 391 00:18:14,310 --> 00:18:16,573 ♪ WHO WE ARE 392 00:18:16,703 --> 00:18:17,835 ♪ WHO WE ARE NOW 393 00:18:17,965 --> 00:18:19,576 ♪ WHO WE ARE 394 00:18:19,706 --> 00:18:23,971 ♪ IS GLORIOUS 395 00:18:28,802 --> 00:18:31,979 ♪ GLORIOUS 396 00:18:37,071 --> 00:18:39,465 ♪ GLORIOUS 397 00:18:43,948 --> 00:18:46,385 ♪ GLORIOUS 398 00:18:54,828 --> 00:18:57,614 THAT WAS BEAUTIFUL. RIGHT, MARCUS? 399 00:18:59,311 --> 00:19:01,052 MARCUS, ARE YOU CRYING? 400 00:19:01,183 --> 00:19:04,316 I AM NOT MADE OF STONE. 401 00:19:06,536 --> 00:19:08,015 GUYS, THAT WAS FANTASTIC. WHERE'S EMILY? 402 00:19:08,146 --> 00:19:09,626 EMILY, EMILY. YES. 403 00:19:09,756 --> 00:19:11,671 I'M SO--I MEAN, I'M GLAD YOU DECIDED 404 00:19:11,802 --> 00:19:14,239 TO DO ONE LAST HIGH SCHOOL THING. 405 00:19:14,370 --> 00:19:17,416 WELL, I CHECKED MY FACTS, CONFIRMED MY SOURCES, 406 00:19:17,547 --> 00:19:20,550 AND THE REAL STORY IS THAT TONIGHT MADE ME 407 00:19:20,680 --> 00:19:22,160 WANT TO STAY IN HIGH SCHOOL. 408 00:19:22,291 --> 00:19:26,773 - AWW, I LOVE YOU. - I LOVE YOU TOO, MOM. 409 00:19:26,904 --> 00:19:31,082 SO WHEN DID YOU START WORKING AT THE BEVERLY HOTEL? 410 00:19:31,213 --> 00:19:33,432 I'M SORRY ABOUT THE FALSE LEAD THERE, BROOKE, 411 00:19:33,563 --> 00:19:35,652 BUT I HAD TO GIVE MY KID ALL THE INFORMATION 412 00:19:35,782 --> 00:19:38,002 SHE NEEDED BEFORE SHE MADE A LIFE-CHANGING DECISION. 413 00:19:38,132 --> 00:19:39,830 WELL, YOU CHEATED ME OUT OF ONE OF THE BEST EMPLOYEES 414 00:19:39,960 --> 00:19:41,440 I EVER HAD. 415 00:19:41,571 --> 00:19:44,878 WELL, YOU MAY GET HER BACK SOMEDAY. 416 00:19:45,009 --> 00:19:46,053 YOU WANT TO COME? 417 00:19:46,184 --> 00:19:47,446 WE'RE GONNA HAVE A NICE FAMILY DINNER. 418 00:19:47,577 --> 00:19:50,710 YOU WANT TO JOIN US? - OH, DAVID, I'D LOVE TO. 419 00:19:50,841 --> 00:19:53,235 I'M SORRY. 420 00:19:53,365 --> 00:19:55,280 I CAN'T EVEN KEEP A STRAIGHT FACE. 421 00:19:55,411 --> 00:19:59,458 OH, I WOULD RATHER HEAD-BUTT A CACTUS. 422 00:19:59,589 --> 00:20:01,808 BUT THANKS ANYWAY, "FRIEND." - OKAY. 423 00:20:01,939 --> 00:20:04,942 I DON'T EVEN KNOW HOW THIS STUFF WORKS. 424 00:20:05,072 --> 00:20:06,552 LADIES AND GENTLEMEN, 425 00:20:06,683 --> 00:20:09,990 THE MUSICAL STYLINGS OF AIR CLUB FOR MEN. 426 00:20:15,039 --> 00:20:16,258 HELLO, BRENTVIEW. 427 00:20:16,388 --> 00:20:18,695 WE ARE AIR CLUB FOR MEN. 428 00:20:18,825 --> 00:20:21,915 AND I'M NOT JUST A MEMBER. I'M THE PRESIDENT OF ROCK. 429 00:20:24,048 --> 00:20:24,918 WHOO! 430 00:20:29,314 --> 00:20:32,099 WHOO! - NOW, THAT'S COOL. 431 00:20:32,230 --> 00:20:33,623 ROCK ON, BROTHER! 432 00:20:36,626 --> 00:20:37,627 WHOO!