1
00:00:10,227 --> 00:00:12,534
OOH.
LOOK WHAT'S FOR DINNER.
2
00:00:12,664 --> 00:00:15,537
A PINK, FOUR-FOOT HOAGIE.
3
00:00:15,667 --> 00:00:16,625
- DAD, STOP.
- [giggling]
4
00:00:16,755 --> 00:00:18,105
DAD, DAD, DAD, DAD, DAD.
5
00:00:18,235 --> 00:00:19,454
SHE'S PLANKING.
6
00:00:19,584 --> 00:00:20,890
YOU'RE PLANKING?
7
00:00:21,021 --> 00:00:23,197
IN MY DAY,
WE CALLED THAT NAPPING.
8
00:00:23,327 --> 00:00:26,113
IN YOUR DAY,
THEY DIDN'T HAVE VIRAL VIDEOS.
9
00:00:26,243 --> 00:00:29,203
IF THIS THING TAKES OFF,
WE COULD MAKE A TON OF MONEY.
10
00:00:29,333 --> 00:00:31,292
CHA-CHING.
11
00:00:31,422 --> 00:00:34,077
OOH, AND I'VE HAD MY EYE
ON SOMETHING.
12
00:00:34,208 --> 00:00:36,601
FROM THE ACTUAL SHOOTING SET
OF {\an8}HARRY POTTER,
13
00:00:36,732 --> 00:00:38,690
A COLLECTOR'S BOX OF GRAVEL.
14
00:00:38,821 --> 00:00:43,521
AND DR. MONKEY CHUNKS
NEEDS A NEW STEP-A-COPE.
15
00:00:43,652 --> 00:00:45,349
LOOK, I ADMIRE
THE WORK ETHIC, GUYS,
16
00:00:45,480 --> 00:00:46,916
AND IF YOU COULD FIGURE OUT
A WAY TO MAKE MONEY
17
00:00:47,047 --> 00:00:48,483
BY LAYING DOWN,
LET ME KNOW.
18
00:00:48,613 --> 00:00:50,659
THANKS.
19
00:00:50,789 --> 00:00:53,053
"STEP-A-COPE"?
- LET IT GO.
20
00:00:53,183 --> 00:00:54,837
- HEY, DAD.
- HEY.
21
00:00:54,967 --> 00:00:56,143
EMILY, HOW WAS SCHOOL?
22
00:00:56,273 --> 00:00:57,274
GOOD, I GOT A PART
IN THE PLAY
23
00:00:57,405 --> 00:00:59,189
AND AN "A"
ON MY ENGLISH PAPER.
24
00:00:59,320 --> 00:01:01,017
WAIT, WHAT?
25
00:01:01,148 --> 00:01:02,453
I GOT AN "A" ON MY PAPER.
26
00:01:02,584 --> 00:01:04,107
YEAH, YEAH, YEAH.
GO BACK.
27
00:01:04,238 --> 00:01:05,761
I GOT A PART IN THE PLAY?
28
00:01:05,891 --> 00:01:07,806
REALLY?
WOW!
29
00:01:07,937 --> 00:01:10,592
EMILY, I AM SO PROUD OF YOU!
I CAN'T BELIEVE IT!
30
00:01:10,722 --> 00:01:13,073
ONE OF MY KIDS IS GOING
TO FOLLOW IN MY FOOTSTEPS.
31
00:01:13,203 --> 00:01:15,205
THIS IS FANTASTIC.
WHAT'S THE PLAY?
32
00:01:15,336 --> 00:01:16,554
OH, I'M SURE
YOU'VE NEVER HEARD OF IT.
33
00:01:16,685 --> 00:01:17,729
{\an8}BATTLE SCA--
34
00:01:17,860 --> 00:01:20,558
{\an8}BATTLE SCARS:
THE JIMMY BURNS STORY?
35
00:01:20,689 --> 00:01:22,299
YEAH.
36
00:01:22,430 --> 00:01:24,780
EMILY, I AUDITIONED
FOR THAT PLAY IN HIGH SCHOOL.
37
00:01:24,910 --> 00:01:28,175
MY ENTIRE JUNIOR YEAR, I LIVED
AND BREATHED JIMMY BURNS.
38
00:01:28,305 --> 00:01:30,612
"MY NAME IS JIMMY BURNS,
AND I WENT OFF TO WAR
39
00:01:30,742 --> 00:01:32,527
"TO FIGHT THE NORTHERN DEVIL.
40
00:01:32,657 --> 00:01:36,444
"AND WHEN I CAME HOME,
I HAD ME A CHANCE AT A NEW LIFE
41
00:01:36,574 --> 00:01:39,447
WITH MY BEAUTIFUL
NURSE VICTORIA."
42
00:01:39,577 --> 00:01:41,144
WOW.
43
00:01:45,844 --> 00:01:47,846
WOW.
- UH-HUH.
44
00:01:47,977 --> 00:01:49,413
I AM SURE YOU WERE GREAT.
45
00:01:49,544 --> 00:01:50,893
YEAH, I WOULD HAVE BEEN.
46
00:01:51,023 --> 00:01:51,937
I DIDN'T GET THE PART.
47
00:01:52,068 --> 00:01:54,462
OH, NO.
48
00:01:54,592 --> 00:01:56,159
TEDDY JOSEFEK STOLE IT.
49
00:01:56,290 --> 00:01:58,944
MR. SENIOR.
MR. I-GET-EVERYTHING.
50
00:01:59,075 --> 00:02:00,859
IT'S OKAY, I'VE MOVED ON.
51
00:02:00,990 --> 00:02:03,558
I CAN SEE THAT.
52
00:02:03,688 --> 00:02:04,994
CAN I GO?
53
00:02:05,125 --> 00:02:05,995
YEAH, WAIT, NO,
WAIT, WAIT, W-WAIT.
54
00:02:06,126 --> 00:02:06,996
WHAT PART DID YOU GET?
VICTORIA?
55
00:02:07,127 --> 00:02:08,519
BECAUSE YOU'RE PERFECT
FOR IT.
56
00:02:08,650 --> 00:02:10,391
NO.
57
00:02:10,521 --> 00:02:11,870
HER EMOTIONALLY DISTURBED
SISTER, AMELIA?
58
00:02:12,001 --> 00:02:13,481
NOPE.
59
00:02:13,611 --> 00:02:17,137
I'M SCREAMING/FAINTING
LADY NUMBER TWO.
60
00:02:17,267 --> 00:02:19,617
WOW.
61
00:02:19,748 --> 00:02:22,011
WOW.
- YEAH.
62
00:02:22,142 --> 00:02:26,363
I--OOH.
SO, SO PROUD OF YOU.
63
00:02:26,494 --> 00:02:28,365
EMILY.
SUPER PROUD.
64
00:02:28,496 --> 00:02:30,802
THANKS.
65
00:02:30,933 --> 00:02:31,890
HEY, BABE.
66
00:02:32,021 --> 00:02:33,501
YEAH, HELLO, WIFE.
67
00:02:33,631 --> 00:02:34,632
WHAT'S WRONG?
68
00:02:34,763 --> 00:02:36,112
EMILY GOT A PART
IN THE SCHOOL PLAY.
69
00:02:36,243 --> 00:02:38,332
- [gasps]
- THAT'S AWESOME!
70
00:02:38,462 --> 00:02:40,290
WE'VE BEEN WAITING
FOR THIS DAY.
71
00:02:40,421 --> 00:02:42,205
THE HOBBS LEGACY LIVES ON.
72
00:02:42,336 --> 00:02:46,992
SHE'S SCREAMING/FAINTING
LADY NUMBER TWO.
73
00:02:47,123 --> 00:02:49,473
- OUR DAUGHTER'S AN EXTRA?
- OH!
74
00:02:51,736 --> 00:02:52,737
[sobs]
75
00:02:52,868 --> 00:02:55,436
[upbeat music]
76
00:02:55,566 --> 00:03:03,661
♪
77
00:03:14,368 --> 00:03:16,631
OH, THIS MUST BE
SO DEVASTATING FOR HER.
78
00:03:16,761 --> 00:03:21,462
I MEAN, SHE CAN'T POSSIBLY
BE OKAY BEING AN EX--
79
00:03:23,072 --> 00:03:25,335
BEING AN EX--
80
00:03:25,466 --> 00:03:28,338
I LITERALLY CAN'T EVEN
SAY THE WORD.
81
00:03:28,469 --> 00:03:29,861
HEY, SOME OF OUR
GREATEST ACTORS WERE
82
00:03:29,992 --> 00:03:32,951
BACKGROUND PERFORMERS
BEFORE THEY WERE STARS, OKAY?
83
00:03:33,082 --> 00:03:34,910
HARRISON FORD, ME,
MEG RYAN, BRAD PITT.
84
00:03:35,040 --> 00:03:37,260
- WAIT, WHAT?
- MEG RYAN, BRAD PITT--
85
00:03:37,391 --> 00:03:38,783
NO, NO, NO.
NO, NO, NO, NO, NO, NO.
86
00:03:38,914 --> 00:03:40,959
NO.
NO, NO, NO.
87
00:03:41,090 --> 00:03:42,091
NO, GO BACK.
GO BACK.
88
00:03:42,222 --> 00:03:44,224
- HM?
- YOU?
89
00:03:44,354 --> 00:03:45,964
YES, I WAS.
90
00:03:46,095 --> 00:03:48,576
I STARTED IN COMMERCIALS
AS A BACKGROUND ARTIST.
91
00:03:48,706 --> 00:03:51,579
SO SHE GETS THIS FROM YOU!
92
00:03:51,709 --> 00:03:55,800
I WAS ABLE TO HONE MY SKILLS
AS AN ACTOR, OKAY?
93
00:03:55,931 --> 00:03:58,586
FOR INSTANCE, HOW TO WAVE
TO SOMEONE WHO ISN'T THERE.
94
00:04:01,937 --> 00:04:04,374
OR HOW TO FAKE TALK
IN THE BACKGROUND.
95
00:04:17,257 --> 00:04:21,130
I DON'T EVEN KNOW
WHO I'M MARRIED TO ANYMORE.
96
00:04:21,261 --> 00:04:22,174
EXCUSE ME, EXCUSE ME.
97
00:04:22,305 --> 00:04:23,350
HEY, HEY, HEY.
WHAT'S UP?
98
00:04:23,480 --> 00:04:25,047
WAIT FOR IT.
99
00:04:25,177 --> 00:04:27,179
I DON'T SEE
WHY THIS IS FUNNY.
100
00:04:27,310 --> 00:04:31,009
[mimicking]
I DON'T SEE WHY THIS IS FUNNY.
101
00:04:31,140 --> 00:04:33,185
I'M SERIOUS.
GAME'S OVER.
102
00:04:33,316 --> 00:04:35,884
[mimicking]
I'M SERIOUS. GAME'S OVER!
103
00:04:36,014 --> 00:04:37,929
PLEASE, MAKE HER STOP.
104
00:04:38,060 --> 00:04:41,890
[mimicking]
PLEASE, MAKE HER STOP.
105
00:04:42,020 --> 00:04:44,109
LET ME GUESS,
THIS IS CALLED "KEVIN-ING"?
106
00:04:44,240 --> 00:04:47,896
THIS IS VIRAL VIDEO GOLD.
107
00:04:48,026 --> 00:04:50,377
YOUR KIDS ARE CRAZY!
108
00:04:50,507 --> 00:04:52,683
[mimicking]
YOUR KIDS ARE CRAZY!
109
00:05:00,778 --> 00:05:03,215
THIS HAS TO BE
SOUL-CRUSHING FOR EMILY.
110
00:05:03,346 --> 00:05:05,305
I MEAN, THIS--
THIS IS AWFUL.
111
00:05:05,435 --> 00:05:06,697
THIS IS AWESOME!
112
00:05:06,828 --> 00:05:08,525
ALL I HAVE TO DO
IS BE AN EXTRA.
113
00:05:08,656 --> 00:05:09,700
GENIUS.
114
00:05:09,831 --> 00:05:10,962
I'M SO PSYCHED.
115
00:05:11,093 --> 00:05:12,877
I'M SO UPSET.
116
00:05:13,008 --> 00:05:15,315
FOR HER.
117
00:05:15,445 --> 00:05:17,229
WELL, OF COURSE
WE'RE UPSET.
118
00:05:17,360 --> 00:05:19,797
WE'RE OUTRAGED.
WE'RE FURIOUS.
119
00:05:19,928 --> 00:05:23,410
FOR HER.
120
00:05:23,540 --> 00:05:25,237
SHE'S PROBABLY
DOWNSTAIRS RIGHT NOW
121
00:05:25,368 --> 00:05:26,761
CRYING ON MARY'S SHOULDER, SAYING,
122
00:05:26,891 --> 00:05:28,980
"I HAVE NO LINES.
NOTHING TO DO.
123
00:05:29,111 --> 00:05:30,895
ALL I HAVE TO DO
IS SCREAM AND FAINT."
124
00:05:31,026 --> 00:05:32,419
I HAVE NO LINES!
125
00:05:32,549 --> 00:05:34,986
NOTHING TO DO EXCEPT
SCREAM AND FAINT.
126
00:05:35,117 --> 00:05:37,032
AND GET YOUR FLIRT ON
WITH JIMMY BURNS.
127
00:05:37,162 --> 00:05:39,556
AKA MATTHEW PEARSON.
128
00:05:39,687 --> 00:05:41,123
TALK ABOUT SCREAMING
AND FAINTING, GIRL.
129
00:05:41,253 --> 00:05:43,038
BEST THING EVER!
130
00:05:43,168 --> 00:05:46,215
WORST THING EVER.
131
00:05:46,346 --> 00:05:47,608
- YOU KNOW WHAT?
- HM?
132
00:05:47,738 --> 00:05:49,740
I CAN GO DOWN THERE
AND TALK TO THE DIRECTOR.
133
00:05:49,871 --> 00:05:51,089
MAYBE GET HER
A JUICIER PART.
134
00:05:51,220 --> 00:05:54,310
MMM, DO WE REALLY WANT
TO BE THOSE PARENTS?
135
00:05:54,441 --> 00:05:55,006
NO, WE DON'T WANT
TO BE THOSE PARENTS.
136
00:05:55,137 --> 00:05:57,531
WE ARE THOSE PARENTS.
137
00:05:57,661 --> 00:06:00,969
SO YOU, YOU'LL GET HER A...
SPEAKING ROLE?
138
00:06:01,099 --> 00:06:03,319
YEAH.
I'M THINKING THE LEAD.
139
00:06:03,450 --> 00:06:06,844
WELCOME TO US.
140
00:06:11,196 --> 00:06:13,198
I KNEW I FELT
PARENT ENERGY BEHIND ME.
141
00:06:13,329 --> 00:06:17,289
NO PARENTS ALLOWED UNTIL
PARENT VOLUNTEER DAYS START.
142
00:06:17,420 --> 00:06:19,596
MAMMA MIA, KISS ME KATE!
143
00:06:19,727 --> 00:06:21,337
DAVID HOBBS!
144
00:06:21,468 --> 00:06:22,860
YEAH, THAT'S ME.
145
00:06:22,991 --> 00:06:26,429
- WAIT, YOU'RE EMILY'S FATHER.
- THERE YOU GO.
146
00:06:26,560 --> 00:06:28,344
YOU MUST BE HERE TO SEE
YOUR MAGNIFICENT DAUGHTER.
147
00:06:28,475 --> 00:06:29,345
UH, NO, ACTUALLY.
148
00:06:29,476 --> 00:06:31,260
I'M HERE TO, UM,
TO VOLUNTEER.
149
00:06:31,391 --> 00:06:32,957
I WAS WONDERING WHEN
THE VOLUNTEER DAYS START.
150
00:06:33,088 --> 00:06:37,658
WELL, WE ARE THRILLED
TO HAVE YOU, SIR DAVID HOBBS.
151
00:06:37,788 --> 00:06:39,834
[inhales sharply]
HAVE YOU BEEN KNIGHTED YET?
152
00:06:39,964 --> 00:06:41,313
BECAUSE YOU SHOULD BE.
153
00:06:41,444 --> 00:06:43,315
I WILL ALERT THE QUEEN.
154
00:06:43,446 --> 00:06:47,015
[as The Queen]
ALERT RECEIVED!
155
00:06:47,145 --> 00:06:49,017
[chuckles]
YEAH.
156
00:06:49,147 --> 00:06:53,674
YOU ARE HEREBY KNIGHTED.
[laughs]
157
00:06:53,804 --> 00:06:55,458
I CAN'T BELIEVE
SUCH A BIG STAR'S
158
00:06:55,589 --> 00:06:56,981
GOING TO PAINT OUR SETS.
159
00:06:57,112 --> 00:07:02,726
OR GIVE YOU A COUPLE OF BUCKS
TO HIRE A PAINTER.
160
00:07:02,857 --> 00:07:06,556
WHILE I ADMIRE THAT GREATLY,
I'M SURE YOU CAN AGREE
161
00:07:06,687 --> 00:07:11,605
THAT VOLUNTEERING
CAN ONLY TAKE US SO FAR.
162
00:07:11,735 --> 00:07:14,129
SPLASH IS WHAT WE REALLY NEED
FOR THIS SHOW.
163
00:07:14,259 --> 00:07:15,870
WOULD YOU BE OKAY
164
00:07:16,000 --> 00:07:18,655
IF I BUMPED
THE DAUGHTER OF DAVID HOBBS
165
00:07:18,786 --> 00:07:20,265
UP TO A SPLASHIER ROLE?
166
00:07:20,396 --> 00:07:24,313
OH, MY GOD, TELL ME.
BE HONEST. GO.
167
00:07:24,444 --> 00:07:26,402
YOU'RE THE DIRECTOR.
168
00:07:26,533 --> 00:07:27,664
YEAH.
169
00:07:27,795 --> 00:07:29,971
OH, WELL.
SPLASH AWAY.
170
00:07:30,101 --> 00:07:31,451
LOOK AT YOU,
171
00:07:31,581 --> 00:07:34,497
WITH THE JAZZ HANDS.
- [laughs]
172
00:07:37,587 --> 00:07:40,982
HEY.
JOE, HOW'S THE VIDEO GOING?
173
00:07:41,112 --> 00:07:42,157
TERRIBLE.
174
00:07:42,287 --> 00:07:43,985
THE "KEVIN-ING" VIDEO
ONLY GOT TEN HITS.
175
00:07:44,115 --> 00:07:46,378
HOW IS THAT POSSIBLE?
176
00:07:46,509 --> 00:07:48,032
BUT MY NEXT ONE
IS GOING TO BLOW UP.
177
00:07:48,163 --> 00:07:51,166
IT'S CALLED "WRAPPING."
178
00:07:51,296 --> 00:07:54,299
OH, WRAPPING.
179
00:07:55,997 --> 00:07:57,346
SHE'S A PRESENT.
180
00:07:57,477 --> 00:08:00,480
I'M A VICTIM.
181
00:08:05,136 --> 00:08:05,920
"WRAPPING."
182
00:08:06,050 --> 00:08:08,357
OH, OH.
183
00:08:08,488 --> 00:08:10,751
HEY.
EMILY, HOW WAS REHEARSAL?
184
00:08:10,881 --> 00:08:13,536
I GOT BUMPED
TO THE LEAD ROLE IN THE PLAY.
185
00:08:13,667 --> 00:08:15,103
[gasps]
186
00:08:15,233 --> 00:08:17,409
MR. PERINO DECIDED
I'D BE THE PERFECT VICTORIA.
187
00:08:17,540 --> 00:08:20,021
SWEETIE,
THIS IS GREAT NEWS!
188
00:08:20,151 --> 00:08:21,326
BUT I DON'T--
189
00:08:21,457 --> 00:08:22,850
"BUT"?
WHAT DO YOU MEAN "BUT"?
190
00:08:22,980 --> 00:08:25,635
YOUR DIRECTOR KNOWS TALENT
WHEN HE SEES IT, OBVIOUSLY.
191
00:08:25,766 --> 00:08:29,247
GUYS, I'M NOT SURE
I WANT TO ACT.
192
00:08:29,378 --> 00:08:34,122
EMILY,
I COMPLETELY UNDERSTAND.
193
00:08:34,252 --> 00:08:38,474
YOU NEVER WANT TO ACT.
YOU WANT TO BE.
194
00:08:38,605 --> 00:08:42,522
RIGHT?
THAT'S YOUR METHOD.
195
00:08:42,652 --> 00:08:43,305
WHAT IF I'M NOT ANY GOOD?
196
00:08:43,435 --> 00:08:44,654
UH, WHAT?
197
00:08:44,785 --> 00:08:47,570
YOU ARE A HOBBS.
YOU'RE GOING TO BE GREAT.
198
00:08:47,701 --> 00:08:49,441
THANKS.
199
00:08:49,572 --> 00:08:51,661
EMILY.
PROUD OF YOU.
200
00:08:51,792 --> 00:08:53,837
- SO PROUD OF YOU.
- SUPER PROUD.
201
00:08:53,968 --> 00:08:55,970
GOT IT.
202
00:08:59,974 --> 00:09:01,889
[Southern accent]
THE WAR WAS BRUTAL.
203
00:09:02,019 --> 00:09:05,806
EACH SUNRISE
WAS LIKE ANOTHER MIRACLE.
204
00:09:05,936 --> 00:09:08,852
IT WAS THE THOUGHT OF HOME
THAT KEPT ME ALIVE.
205
00:09:08,983 --> 00:09:11,463
I COULD HAVE NAILED
THIS ROLE.
206
00:09:11,594 --> 00:09:14,118
BUT IT'S OKAY.
I'VE MOVED ON.
207
00:09:14,249 --> 00:09:17,469
YEAH, I CAN SEE THAT.
208
00:09:17,600 --> 00:09:19,080
I DON'T MEAN
TO SOUND NEGATIVE,
209
00:09:19,210 --> 00:09:23,127
BUT THIS PRODUCTION
SIMPLY ISN'T HOBBS-WORTHY.
210
00:09:23,258 --> 00:09:24,781
WHAT DID YOU EXPECT?
211
00:09:24,912 --> 00:09:27,436
OUR SET DESIGNER'S LAST CREDIT
WAS A HOMECOMING BANNER.
212
00:09:27,567 --> 00:09:29,438
CAN YOU DO BETTER, HON?
213
00:09:29,569 --> 00:09:32,789
DOES THIS ANSWER
YOUR QUESTION?
214
00:09:32,920 --> 00:09:35,270
IT RAISES A FEW.
215
00:09:35,400 --> 00:09:36,576
HE'S WITH ME.
216
00:09:36,706 --> 00:09:39,840
YOU, HEADSET.
217
00:09:39,970 --> 00:09:41,493
WHAT'S YOUR NAME?
- BRITTANY.
218
00:09:41,624 --> 00:09:43,234
YOU WORK FOR ME NOW, BRITTANY.
219
00:09:43,365 --> 00:09:45,628
ALL RIGHT, PEOPLE.
LISTEN UP.
220
00:09:45,759 --> 00:09:47,108
I'M FLYING THIS BIRD NOW.
221
00:09:47,238 --> 00:09:50,024
YOU AND YOU, I NEED A SCRIPT
BREAKDOWN AND A PROP LIST.
222
00:09:50,154 --> 00:09:52,287
YOU, I NEED AN INVENTORY
OF THE LIGHTING GELS.
223
00:09:52,417 --> 00:09:54,594
BRITTANY.
224
00:09:54,724 --> 00:09:55,943
I NEED YOU TO TAKE ME
TO THE NURSE'S OFFICE.
225
00:09:56,073 --> 00:09:57,031
I THINK I MIGHT HAVE
PULLED SOMETHING
226
00:09:57,161 --> 00:10:00,904
WHEN I RIPPED OFF
MY JUMPSUIT.
227
00:10:01,035 --> 00:10:03,080
- DADDY, HERE COMES EMILY.
- OH, OKAY.
228
00:10:03,211 --> 00:10:04,734
[harsh Southern accent]
I CAN'T BELIEVE IT'S YOU,
229
00:10:04,865 --> 00:10:05,953
JIMMY BURNS.
230
00:10:06,083 --> 00:10:09,609
I THOUGHT YOU
HAD PERISHED IN THE "WO-AH."
231
00:10:09,739 --> 00:10:12,220
DADDY,
WHAT'S WRONG WITH EMILY?
232
00:10:12,350 --> 00:10:14,701
I DON'T KNOW.
233
00:10:14,831 --> 00:10:19,227
AND I WAITED ALL THESE
YEARS FOR MY ONE TRUE...
234
00:10:19,357 --> 00:10:21,882
LOVE.
235
00:10:22,012 --> 00:10:24,580
IS SHE SICK?
236
00:10:24,711 --> 00:10:28,410
NO, SHE'S NOT SICK, BABY,
BUT SHE IS DYING.
237
00:10:31,674 --> 00:10:34,155
EMILY CAN'T BE THAT BAD.
238
00:10:34,285 --> 00:10:36,679
MAYBE SHE'S NOT COMFORTABLE
WITH THE CHARACTER YET.
239
00:10:36,810 --> 00:10:38,463
MAYBE SHE DOESN'T
KNOW HER LINES YET.
240
00:10:38,594 --> 00:10:41,162
OUR DAUGHTER HAS
THE EMOTIONAL RANGE OF A ROBOT.
241
00:10:41,292 --> 00:10:43,773
A NON-ACTING ROBOT.
242
00:10:43,904 --> 00:10:45,209
THINK ATM,
243
00:10:45,340 --> 00:10:47,951
BUT WITHOUT THE JOY
OF GETTING CASH.
244
00:10:48,082 --> 00:10:51,172
THIS IS AWFUL!
245
00:10:51,302 --> 00:10:53,522
OH!
246
00:10:53,653 --> 00:10:57,352
JOE, WHY'D YOU LET JANIE
GIVE YOU A WEDGIE?
247
00:10:57,482 --> 00:10:59,441
OOF, FROM THE FRONT
AND BACK.
248
00:10:59,571 --> 00:11:02,444
IT'S LIKE
SHE'S FLOSSING YOU.
249
00:11:02,574 --> 00:11:05,403
I THOUGHT IT'D BE FUNNY.
250
00:11:05,534 --> 00:11:07,797
IT WASN'T.
251
00:11:10,582 --> 00:11:11,714
HEY, ACTRESS GIRL.
252
00:11:11,845 --> 00:11:13,585
HOW WAS REHEARSAL?
253
00:11:13,716 --> 00:11:14,586
WELL,
THE PROGRAMS ARE OUT.
254
00:11:14,717 --> 00:11:17,285
OOH, GREAT.
EMILY, WE ARE SO--
255
00:11:17,415 --> 00:11:20,201
PROUD OF ME.
HAVEN'T FORGOTTEN.
256
00:11:20,331 --> 00:11:21,681
LOOK, HONEY.
257
00:11:21,811 --> 00:11:23,291
{\an8}BATTLE SCARS:
THE JIMMY BURNS STORY.
258
00:11:23,421 --> 00:11:25,249
STARRING EMILY HOBBS,
DAUGHTER OF TV'S NUMBER-ONE DAD,
259
00:11:25,380 --> 00:11:27,121
DAVID HOBBS.
260
00:11:27,251 --> 00:11:28,600
THAT'S HORRIBLE.
261
00:11:28,731 --> 00:11:30,298
USING YOUR NAME
TO SELL TICKETS?
262
00:11:30,428 --> 00:11:31,560
NO, THE PICTURE
THEY USED OF ME.
263
00:11:31,691 --> 00:11:34,737
IT'S THE SAME SIZE
AS THE REST OF THE CAST.
264
00:11:34,868 --> 00:11:35,956
WHAT HAVE THEY DONE?
265
00:11:36,086 --> 00:11:38,001
DAVID, FOCUS.
266
00:11:38,132 --> 00:11:39,829
OKAY, WHAT ARE WE
GOING TO DO?
267
00:11:39,960 --> 00:11:42,571
I DON'T KNOW, DO YOU THINK
I SHOULD ASK THEM TO REPRINT IT?
268
00:11:42,702 --> 00:11:44,355
MAYBE WHAT SHE NEEDS
IS A COACH.
269
00:11:44,486 --> 00:11:47,271
SOMEONE TO JUST TEACH HER
THE FINER POINTS OF ACTING.
270
00:11:47,402 --> 00:11:49,534
SOMEONE WHO ACTUALLY
KNOWS THE COMPLEXITY
271
00:11:49,665 --> 00:11:51,101
OF A WOMAN
LIKE VICTORIA.
272
00:11:51,232 --> 00:11:53,277
UH, OOH.
I CAN DO IT.
273
00:11:53,408 --> 00:11:57,325
SURE, YOU GO.
274
00:11:57,455 --> 00:11:59,196
[harsh Southern accent]
I CAN'T BELIEVE IT IS YOU,
275
00:11:59,327 --> 00:12:00,807
JIM-MY BURNS.
276
00:12:00,937 --> 00:12:05,028
I THOUGHT YOU HAD
PERISHED IN THE "WO-AH."
277
00:12:10,381 --> 00:12:12,035
WELL, UM...
278
00:12:12,166 --> 00:12:15,299
OKAY, Y--UH...
279
00:12:15,430 --> 00:12:18,999
WHAT DO YOU SAY WE PUT
A LITTLE EMOTION INTO THIS?
280
00:12:19,129 --> 00:12:22,480
TRY MOVING YOUR FACE
A LITTLE BIT,
281
00:12:22,611 --> 00:12:25,483
MAYBE THROW IN A BLINK.
282
00:12:25,614 --> 00:12:27,311
DAD, I DON'T THINK
I'M GETTING IT.
283
00:12:27,442 --> 00:12:28,617
YEAH, UM...
284
00:12:28,748 --> 00:12:32,926
WELL, NO. UM...
285
00:12:33,056 --> 00:12:34,884
YOU KNOW, HOW ABOUT--
LET ME DO IT FOR YOU.
286
00:12:35,015 --> 00:12:36,668
THIS WAY YOU CAN
GET A FEEL FOR IT, OKAY?
287
00:12:36,799 --> 00:12:38,540
MM-HMM.
288
00:12:38,670 --> 00:12:40,020
[clears throat]
289
00:12:40,150 --> 00:12:41,543
[as Southern belle]
I CAN'T BELIEVE IT'S YOU,
290
00:12:41,673 --> 00:12:43,980
JIMMY BURNS.
291
00:12:44,111 --> 00:12:46,722
I THOUGHT YOU HAD PERISHED
IN THE WAR.
292
00:12:46,853 --> 00:12:47,897
RIGHT?
293
00:12:48,028 --> 00:12:52,946
- YEAH.
- ALL RIGHT.
294
00:12:53,076 --> 00:12:54,425
[shouting]
I CAN'T BELIEVE IT'S YOU,
295
00:12:54,556 --> 00:12:56,036
JIMMY BURNS!
296
00:12:56,166 --> 00:12:59,779
I THOUGHT YOU HAD
PERISHED IN THE "WO-AH!"
297
00:13:01,650 --> 00:13:05,610
EMILY, YOU KNOW, LOUDER
DOESN'T NECESSARILY MEAN BETTER.
298
00:13:05,741 --> 00:13:09,353
IT-IT JUST MEANS LOUDER.
299
00:13:21,409 --> 00:13:23,019
HOW'D IT GO?
300
00:13:23,150 --> 00:13:26,806
[monotone shouting]
DOES THIS ANSWER YOUR QUESTION?
301
00:13:29,286 --> 00:13:32,637
HONEY,
MAYBE WHAT SHE NEEDS
302
00:13:32,768 --> 00:13:34,161
IS A SOFTER APPROACH.
303
00:13:34,291 --> 00:13:37,381
ONE WITH PATIENCE.
A WOMAN'S TOUCH.
304
00:13:37,512 --> 00:13:40,123
ALL RIGHT,
I'LL GIVE IT A SHOT.
305
00:13:40,254 --> 00:13:42,125
LOOK, NOT SO FAST, OKAY?
306
00:13:42,256 --> 00:13:45,128
STEP ASIDE.
307
00:13:45,259 --> 00:13:47,478
[painfully slow]
I THOUGHT YOU
308
00:13:47,609 --> 00:13:50,786
HAD PE-RISHED IN
309
00:13:50,917 --> 00:13:54,311
THE "WO--AH."
310
00:14:00,752 --> 00:14:02,885
[forced chuckle]
311
00:14:06,715 --> 00:14:07,977
SO?
312
00:14:08,108 --> 00:14:09,370
AHH!
313
00:14:09,500 --> 00:14:13,287
I FEEL LIKE I'VE BEEN
THROUGH A "WO-AH"!
314
00:14:13,417 --> 00:14:15,202
RIGHT?
315
00:14:15,332 --> 00:14:17,334
WOW!
316
00:14:19,206 --> 00:14:22,078
DAVID, MAYBE WE'RE MAKING
THIS MORE ABOUT US.
317
00:14:22,209 --> 00:14:23,863
MAYBE WE WANT IT
MORE THAN SHE DOES.
318
00:14:23,993 --> 00:14:26,953
WE'RE TRYING
TO HELP HER, AMY.
319
00:14:27,083 --> 00:14:30,086
WE'RE FAILING,
BUT WE'RE TRYING.
320
00:14:30,217 --> 00:14:32,567
THEY'RE TRYING
BUT THEY'RE FAILING.
321
00:14:32,697 --> 00:14:34,264
SO WHY DON'T YOU
JUST QUIT?
322
00:14:34,395 --> 00:14:35,483
I CAN'T.
323
00:14:35,613 --> 00:14:37,180
IT WOULD BREAK
MY PARENTS' HEARTS.
324
00:14:37,311 --> 00:14:38,703
I HAVE ABSOLUTELY NO IDEA--
325
00:14:38,834 --> 00:14:40,314
WHAT WE'RE GOING TO DO.
326
00:14:40,444 --> 00:14:42,577
MAYBE WE SHOULD JUST TELL HER
SHE'S NOT CUT OUT FOR THIS.
327
00:14:42,707 --> 00:14:45,972
WHY CAN'T THEY SEE THAT
I'M JUST NOT CUT OUT FOR THIS?
328
00:14:46,102 --> 00:14:48,322
CAN'T DO THAT.
THAT WOULD BREAK HER HEART.
329
00:14:48,452 --> 00:14:50,193
YOU SHOULD SEE HER ON STAGE
WITH THIS BOY, MATTHEW.
330
00:14:50,324 --> 00:14:51,978
SHE LOOKS SO HAPPY.
331
00:14:52,108 --> 00:14:54,894
I WAS SO HAPPY WHEN I WAS
JUST SCREAMING AND FAINTING.
332
00:14:55,024 --> 00:14:56,591
WELL, IF YOU HAVE
A BETTER IDEA,
333
00:14:56,721 --> 00:14:58,071
I WOULD LOVE TO--
334
00:14:58,201 --> 00:15:01,248
- HEAR SOME GOOD NEWS?
- YES, PLEASE.
335
00:15:01,378 --> 00:15:03,467
NOBODY EVER COMES
TO OUR HIGH SCHOOL PLAYS.
336
00:15:03,598 --> 00:15:05,992
I BET IF WE CHECK OUT
THE TICKET SALES, THEY'D BE--
337
00:15:06,122 --> 00:15:09,256
all: [incredulous]
SOLD OUT?
338
00:15:09,386 --> 00:15:11,562
EVEN AN UNDERSIZED PICTURE
OF ME WORKS MAGIC.
339
00:15:11,693 --> 00:15:13,390
[groans]
340
00:15:16,567 --> 00:15:19,222
JUST PULL IT.
341
00:15:19,353 --> 00:15:22,225
YOU PULL IT.
342
00:15:22,356 --> 00:15:23,792
I THOUGHT YOU SAID YOU'D
DO ANYTHING FOR YOUR DAUGHTER.
343
00:15:23,923 --> 00:15:27,796
ALL RIGHT, FINE.
COVER ME.
344
00:15:27,927 --> 00:15:30,886
SIR DAVID!
[gasps]
345
00:15:32,496 --> 00:15:34,237
WE MAY HAVE A PROBLEM
WITH LADY EMILY.
346
00:15:34,368 --> 00:15:39,068
YOU'RE JUST FIGURING
THAT OUT NOW?
347
00:15:39,199 --> 00:15:40,504
SHE WON'T COME OUT
OF HER DRESSING ROOM.
348
00:15:40,635 --> 00:15:42,637
[orchestra begins]
349
00:15:42,767 --> 00:15:45,335
[playing {\an8}When Johnny
Comes Marching Home]
350
00:15:45,466 --> 00:15:49,209
♪
351
00:15:50,993 --> 00:15:52,429
HONEY, YOU OKAY?
352
00:15:52,560 --> 00:15:53,953
- OKAY?
- YEAH?
353
00:15:54,083 --> 00:15:56,346
I AM AWESOME {\an8}AND OKAY.
354
00:15:56,477 --> 00:15:58,827
CAN'T YOU TELL?
355
00:15:58,958 --> 00:16:02,265
HOW ARE YOU GUYS?
356
00:16:02,396 --> 00:16:04,920
HONEY, IT'S TOTALLY NATURAL.
ALL ACTORS GET STAGE FRIGHT.
357
00:16:05,051 --> 00:16:08,706
WELL, NOT ALL.
358
00:16:08,837 --> 00:16:11,231
I DON'T HAVE STAGE FRIGHT.
359
00:16:11,361 --> 00:16:12,754
I'VE BEEN TRYING
TO TELL YOU GUYS THAT
360
00:16:12,884 --> 00:16:17,063
I DON'T WANT TO BE
AN ACTRESS!
361
00:16:17,193 --> 00:16:19,282
I ONLY AUDITIONED TO BE AN EXTRA
TO SPEND TIME WITH MATTHEW,
362
00:16:19,413 --> 00:16:20,936
AND THEN, SOMEHOW,
I END UP IN THE LEAD.
363
00:16:21,067 --> 00:16:22,982
HOW COULD THAT POSSIBLY
HAVE EVEN HAPPENED?
364
00:16:23,112 --> 00:16:26,420
- DON'T WORRY ABOUT THAT.
- WHO KNOWS?
365
00:16:26,550 --> 00:16:28,509
HONEY, WHY DIDN'T YOU
JUST TELL US?
366
00:16:28,639 --> 00:16:29,858
ARE YOU KIDDING?
367
00:16:29,989 --> 00:16:31,425
YOU GUYS HAVE BEEN SO EXCITED
ABOUT ME FOLLOWING
368
00:16:31,555 --> 00:16:34,602
IN YOUR ACTING FOOTSTEPS.
369
00:16:34,732 --> 00:16:36,169
I WAS AFRAID
I'D DISAPPOINT YOU.
370
00:16:36,299 --> 00:16:39,346
WE THOUGHT
YOU WANTED THIS.
371
00:16:39,476 --> 00:16:41,435
WHATEVER YOU DECIDE TO DO,
WE COULD NEVER EVER
372
00:16:41,565 --> 00:16:43,263
BE DISAPPOINTED IN YOU.
373
00:16:43,393 --> 00:16:44,829
WE LOVE YOU.
374
00:16:44,960 --> 00:16:47,006
THANKS, MOM.
LOVE YOU, TOO.
375
00:16:47,136 --> 00:16:48,181
[knock at door]
376
00:16:48,311 --> 00:16:49,704
[breathless]
FIVE MINUTES TILL CURTAIN.
377
00:16:49,834 --> 00:16:54,013
AND FYI, YOUR OTHER KIDS
ARE ORGANIZING A FLASH MOB.
378
00:16:54,143 --> 00:16:57,712
SO THERE'S THAT.
379
00:16:57,842 --> 00:16:59,322
I GOT THAT. OKAY.
380
00:16:59,453 --> 00:17:01,933
THANK YOU.
381
00:17:02,064 --> 00:17:04,110
[sighs]
382
00:17:04,240 --> 00:17:05,502
EMILY, YOU DON'T HAVE
TO DO THIS.
383
00:17:05,633 --> 00:17:06,982
DAD, I'M A HOBBS.
384
00:17:07,113 --> 00:17:08,592
I'M GONNA FINISH
WHAT I START.
385
00:17:08,723 --> 00:17:10,768
THAT'S MY GIRL.
386
00:17:10,899 --> 00:17:13,641
MM!
387
00:17:13,771 --> 00:17:15,556
ALL RIGHT, LISTEN,
388
00:17:15,686 --> 00:17:18,646
AT THE END OF THE DAY,
ALL ACTING REALLY IS
389
00:17:18,776 --> 00:17:21,997
IS JUST TWO PEOPLE
TALKING TO EACH OTHER, RIGHT?
390
00:17:22,128 --> 00:17:24,347
SO WHEN YOU
GET ON THAT STAGE,
391
00:17:24,478 --> 00:17:28,438
ALL YOU HAVE TO DO IS LOOK
INTO MATTHEW PEARSON'S EYES
392
00:17:28,569 --> 00:17:31,006
AND JUST PRETEND YOU'RE THE ONLY
TWO PEOPLE IN THE WORLD.
393
00:17:31,137 --> 00:17:33,704
THAT I CAN DO.
394
00:17:33,835 --> 00:17:35,445
THANKS, DADDY.
395
00:17:35,576 --> 00:17:37,708
OKAY, BABY.
396
00:17:37,839 --> 00:17:40,494
GIVE ME A HUG.
MM!
397
00:17:40,624 --> 00:17:42,757
ALL RIGHT.
398
00:17:42,887 --> 00:17:44,106
[fire alarm rattles]
399
00:17:44,237 --> 00:17:45,803
MR. HOBBS!
400
00:17:45,934 --> 00:17:48,458
MATTHEW?
YOU--YOU OKAY?
401
00:17:48,589 --> 00:17:50,678
UH, YEAH, YEAH.
I'M JUST A LITTLE NERVOUS.
402
00:17:50,808 --> 00:17:51,679
OH.
403
00:17:51,809 --> 00:17:54,203
IT DOESN'T SHOW.
404
00:17:54,334 --> 00:17:57,728
I CAN'T DO THIS.
I CAN'T GO OUT THERE.
405
00:17:57,859 --> 00:17:59,513
I'D RATHER
GO TO AN ACTUAL WAR
406
00:17:59,643 --> 00:18:01,341
THAN STEP OUT THERE
IN FRONT OF ALL THOSE PEOPLE.
407
00:18:01,471 --> 00:18:04,431
I-I DON'T WANT
TO MAKE EMILY LOOK BAD.
408
00:18:04,561 --> 00:18:07,260
EMILY HOBBS?
409
00:18:08,652 --> 00:18:09,523
TELL HER I'M SORRY.
410
00:18:09,653 --> 00:18:10,785
NO, NO.
WAIT, MATTHEW.
411
00:18:10,915 --> 00:18:12,395
WAIT A MINUTE!
412
00:18:13,875 --> 00:18:16,095
- CUE THE STORM CLOUDS.
- STORM CLOUDS.
413
00:18:16,225 --> 00:18:19,924
[thunder rumbling]
414
00:18:20,055 --> 00:18:22,405
- AND CUE THE SUN.
- SUN.
415
00:18:22,536 --> 00:18:25,408
[playing {\an8}When Johnny
Comes Marching Home]
416
00:18:25,539 --> 00:18:28,455
♪
417
00:18:28,585 --> 00:18:30,413
IT'S A NEW DAY
DAWNING, JIMMY.
418
00:18:30,544 --> 00:18:33,590
I'M SO GLAD YOU ARE FINALLY
HOME FROM THE--
419
00:18:33,721 --> 00:18:35,940
WOAH.
420
00:18:36,071 --> 00:18:39,030
I'M SURE YOU'RE SURPRISED, VICTORIA.
421
00:18:39,161 --> 00:18:42,033
WAR DOES STRANGE THINGS
TO A MAN,
422
00:18:42,164 --> 00:18:46,560
CHANGES HIM--
LITERALLY.
423
00:18:46,690 --> 00:18:50,085
I KNOW YOU DIDN'T EXPECT
TO SEE ME LIKE THIS.
424
00:18:50,216 --> 00:18:53,436
UH, YEAH.
425
00:18:53,567 --> 00:18:55,656
TURNS OUT PRIVATE PEARSON
WAS A YELLOW BELLY,
426
00:18:55,786 --> 00:18:58,920
WENT AWOL.
427
00:18:59,050 --> 00:19:02,315
THE IMPORTANT THING
IS THAT YOU HAD THE COURAGE
428
00:19:02,445 --> 00:19:05,274
TO GO ON WITHOUT HIM.
429
00:19:05,405 --> 00:19:07,363
SO WHATEVER YOU
WERE GOING TO SAY TO HIM,
430
00:19:07,494 --> 00:19:09,757
YOU CAN SAY TO ME.
431
00:19:09,887 --> 00:19:13,064
JUST LOOK IN MY EYES.
432
00:19:13,195 --> 00:19:16,677
[deep breath]
433
00:19:16,807 --> 00:19:19,854
I HAVE RECEIVED YOUR NUMEROUS
LETTERS, JIMMY BURNS,
434
00:19:19,984 --> 00:19:22,596
AND I WAS SHOCKED
TO LEARN OF YOUR INJURIES.
435
00:19:22,726 --> 00:19:26,252
BUT I KNEW, ONE DAY,
YOU WOULD RETURN TO ME.
436
00:19:26,382 --> 00:19:28,558
NO MATTER HOW PAINFUL
YOUR WOUNDS,
437
00:19:28,689 --> 00:19:31,779
OR HOW HORRIBLE YOUR SCARS,
438
00:19:31,909 --> 00:19:34,695
IT WAS THE DEPTH OF YOUR SOUL
THAT I KNEW I COULD COUNT ON.
439
00:19:36,436 --> 00:19:39,569
NOW THAT WAS WORTH
COMING HOME FROM THE WAR.
440
00:19:39,700 --> 00:19:44,922
WELL, YOU'VE ALWAYS BEEN
MY INSPIRATION, JIMMY BURNS.
441
00:19:45,053 --> 00:19:50,754
[cheers and applause]
442
00:19:54,889 --> 00:19:56,456
EMILY,
YOU WERE FANTASTIC.
443
00:19:56,586 --> 00:19:58,327
I KNOW! WEIRD.
444
00:19:58,458 --> 00:20:00,199
I HAD NO IDEA
I HAD IT IN ME.
445
00:20:00,329 --> 00:20:02,201
I DID.
I'M SO--
446
00:20:02,331 --> 00:20:03,376
- PROUD.
- [laughs]
447
00:20:03,506 --> 00:20:04,899
I KNOW, DAD.
448
00:20:05,029 --> 00:20:06,857
[cheers and applause]
449
00:20:06,988 --> 00:20:09,469
YES!
THAT'S MY BABY!
450
00:20:09,599 --> 00:20:12,472
FOLLOWING IN MY FOOTSTEPS!
451
00:20:12,602 --> 00:20:15,649
I GREW THAT!
452
00:20:15,779 --> 00:20:18,217
- DADDY.
- YEAH, I'LL TALK TO MOM.
453
00:20:18,347 --> 00:20:20,349
THANK YOU.
454
00:20:22,221 --> 00:20:23,091
[remixed on video]
THE IMPORTANT THING
455
00:20:23,222 --> 00:20:24,223
IS COUR--COURAGE.
COURAGE.
456
00:20:24,353 --> 00:20:25,876
COUR--COUR--COUR--
COURAGE. COURAGE.
457
00:20:26,007 --> 00:20:28,401
COURAGE.
458
00:20:28,531 --> 00:20:31,795
THIS IS A MOCKERY
OF THE PERFORMING ARTS.
459
00:20:31,926 --> 00:20:35,321
BUT WE HAVE 250,000 HITS
ALREADY!
460
00:20:35,451 --> 00:20:36,583
[remixed] YELLO--YELLO--
YELLO--YELLOW BELLY.
461
00:20:36,713 --> 00:20:38,280
REALLY?
462
00:20:38,411 --> 00:20:39,499
[on video]
COURAGE. YELLOW BELLY.
463
00:20:39,629 --> 00:20:42,284
WO-AH.