[film roll rattling]
Downloaded from YTS.MX
Official YIFY movies site: YTS.MX
[suspenseful music]
[crowd chattering]
- You want up?
You want up? [Penelope chuckles]
- [Penelope] Are you excited about your exhibition?
- Now, can we get outta here?
- No.
[lips smack]
- A little longer? - Yeah.
- Can we stay just like this a little bit longer?
- A little bit, yeah. - Yeah?
- Just come on, just real quick, you know.
- No, no, come on, Norman.
- It's really you and I, huh?
[Penelope giggles]
- I'd love to, come back. - Yeah, would ya?
Would ya love to, kid? - You gotta,
they're looking for us, yeah.
[Penelope giggles]
- Your dad's just teasing.
[baby cooing]
One. - Ready?
- Two.
- I'm proud of you.
[crowd chattering] [crow cheering]
[heart monitoring beeping]
[baby crying] [ambulance siren wailing]
Is this the family that you wanna have?
Huh?
Is this the kind of father you wanna be?
- [Norman] Oh, don't you fucking talk to me.
- [Penelope] It's fun to destroy everything,
isn't it? - [Norman] Yeah, go ahead,
break everything.
Yeah, break everything. - Its fun, isn't it?
- [Norman] It's a blast. - Yeah.
- Break some more stuff, huh?
- Don't you dare come, don't you dare go near him.
- [Norman] I'm taking him the fuck outta here.
- Don't you dare go near him.
[baby crying]
How dare you leave this shit like this, huh?
Don't you dare go near him.
- I'm taking my fucking son.
- Don't you dare.
Don't, Norman.
Don't you dare.
Don't touch him. [Penelope sobs]
Don't touch him.
- Step the fuck back.
- Don't touch him. - Go, go.
- Norman, don't touch him! - Go, go.
Get the fuck out of here.
- [Penelope] Norman, don't touch.
[hand slaps] - Go.
- [Penelope] Oh, God. [baby crying]
What is it?
Give me my child.
Give him to me.
Stop.
- [Norman] I'm destroying everything I love.
I'm destroying everything I love.
[Norman breathes deeply]
[suspenseful music] [Norman speaking indistinctly]
- Calm down. - You.
- Calm down.
- [Police] Calm yourself down. - Yeah, yeah.
- [Police] You hear me? - Yeah.
- [Police] Calm yourself down.
- You're so fucking rad.
- [Police] Calm yourself down buddy.
- You are so fucking rad. - [Police] You hear me?
- [Police] Relax, relax. [Norman giggles]
- [Police] What's the problem with this guy?
- [Police] Calm down.
- [Police] You have any ID on you?
Huh?
- [Police] Are you okay?
Are you gonna stay calm? - Fuck.
- [Police] Calm down.
- [Police] Are you gonna calm down?
- Fuck.
- [Police] Are you. [Norman grunts]
Are you gonna calm down?
[Norman grunts]
[gentle music]
[Norman humming]
♪ The driver on the bus goes, hm, hm, hm, all the time ♪
♪ Squeak, squeak
♪ The chairs on the bus go squeak squeak squeak ♪
♪ All the time
- That's my mouth.
Where's my nose, hm?
Where's my nose?
Is that my, is that my nose?
Is that my nose?
[Norman whining]
- I don't, I don't think,
we're gonna have trouble with this one, you know.
Who's that?
Who is that?
You.
- Yes.
Yes.
[Penelope giggles]
Dancy, dancy, dancy time.
Dancy, dancy, dancy.
[Norman imitating ghostly moaning]
What is he doing?
- Come to papa.
Who's the cutest man in the world?
Who's the cutest little man in the world?
♪ You wanna go to Birmingham
♪ Or maybe I wanna go to
[fire hissing]
- Where's he?
Hey, look who it is.
[Penelope giggles] [baby giggles]
It's a nice view.
Are you all right?
- Ta-dah. [Penelope gasps]
- What is that?
[Penelope giggles] [lips smack]
- Come on, come on, come on.
Like a reindeer.
Come on, come on, come on.
In the car, in the car.
Come on.
[car engine revving]
[gentle music]
Whoo.
[Norman humming]
♪ Home sweet home
[Norman humming] [Penelope giggles]
Just like your daddy, huh?
Say hello daddy.
You say hello table.
Can you say hello table?
Look, say hello table.
One more time, one more time, one more time.
Let it swing, let it swing, let it swing.
Oh, hold on, don't let go, oh, he let go.
That's hello skull.
That's hello mommy, telling me not to give up.
- [Penelope] Who's that?
[guitar music]
- [Norman] You okay? - [Penelope] Yeah.
[lips smack]
I wanna make sure you're okay.
- [Norman] Okay. - [Penelope] No, no.
- [Norman] I'm just teasing, I'm teasing.
Come on, please, please, please, be right, right?
It's okay.
I love you.
- [Penelope] Don't scare us.
- [Norman] Come on, let's go. - [Penelope] Yeah.
- [Reporter] And when firefighters arrived,
they found a fully evolved house fire and the tragic news
that two people had not made it out alive
and they leave behind a young son.
Now investigators have to sift through the remains
and try to determine what caused this horrible tragedy.
[gentle music]
- Shh.
[lips smack]
- Hi.
- How's it going my little boga-boo?
Huh?
♪ I love you
♪ Do you love me, too
Close your eyes.
Don't think about me.
Don't think about the baby.
I don't want you to think about nothing.
Okay?
I've got you.
[phone vibrates]
Hey Andi, is everything okay?
- [Andi] Hey. [Norman] Hm?
- [Andi] Are you still at the hospital?
- [Norman] What?
- [Andi] Yeah, I got lost in the bridge, could you come?
[Norman giggles]
- Come on, come on.
[gentle music] [both giggles]
[both giggles]
Can you focus?
Look at me with your good eye, can you focus?
[car engine revving]
Little bit of gas, little bit of gas, little bit of gas.
Nah, nah, nah, let go of this, let go of the key,
just keep a little bit of gas.
Just a little bit, little less.
Now a little more.
Just a little bit.
What does that feel like?
[car engine revving]
[both imitates car engine revving]
You feel it?
Great.
You feel it? - Yeah.
- Stop.
You did a beautiful job, okay.
- [Andi] Thank you.
- Vanessa!
- [Vanessa] Hi, Norman.
How are you? - Hey.
Have we got any wedding cakes?
We got wedding cakes. - Long time no see,
how are you? - Long time no see.
I'm doing okay.
- [Vanessa] Hey, what do you want today?
- We try one of these, I don't need to taste it.
- [Vanessa] You tried those already?
- Yeah, yeah, yeah.
And we'll do one of these. - [Vanessa] Okay.
- The pink, she'll like the pink.
- [Vanessa] She likes pink?
- Yeah, well, she doesn't like pink,
but she'll like the pink.
- [Vanessa] You want anything else?
- No.
- How 'bout sweet bread?
What do you want?
You wanna try this one with the pink on the top?
Anything else?
Concha?
How 'bout one of these?
You wanna take one of these?
No coffee today?
- No, no coffee today. - [Vanessa] No?
No coffee today. - No, coffee today.
- Okay, it's all Penelope, 5.75.
- Hey, you can give cake to an 8-month-year-old, can't you?
- [Vanessa] Yeah, give a little piece.
- A little piece, okay.
- [Vanessa] Yeah, thank you, nice seeing you.
- Nice to see you, too.
Keep, keep.
Keep smiling, okay?
- [Vanessa] You too, thank you.
[gentle music]
- Which one?
How about the blue one, huh?
Come on.
Look over here.
Can you see?
[baby cooing]
Who's that?
Is that me?
Huh?
Who's that?
Come on.
Look here. [toy thuds]
Look, who's that?
Look, look, look.
Who's that?
Huh?
[Norman grunts]
[baby crying] [Penelope shushing]
[metal thudding]
[Norman groaning]
- [Norman] You're okay, you're okay.
- You wait. [baby crying]
- Dad's an idiot.
Dad's a real fucking idiot.
- You're scaring us, Norman.
You're scaring us so much, Norman.
- I lost all of Caleb's recordings today.
- So I'll just buy you another computer, okay,
for your birthday?
- In two days, I'll be older than she ever was.
- And you're gonna get to be
at least three times older than her, okay?
Okay?
- I'm having trouble remembering who,
what kind of people they were anymore.
I can't.
[Norman sniffs]
- I thought maybe you'd be better after the hospital.
- I'm not sure what to do anymore.
I can't,
I can't get used to the way I'm supposed to be.
- Yeah, but you've got us, right here,
right here, right?
- [Norman] I need you.
- [Penelope] We need you.
[lips smack]
[train rumbling]
[phone ringing] [Norman breathes heavily]
- Hey!
- [Andi] Fire.
- Andi, talk louder.
- [Andi] Can't find the keys.
- What?
[kick thuds]
Andi. [Andi coughs]
Get up, up. [fire alarm beeping]
Are you okay?
- [Andi] Yeah.
- [Norman] Okay, you're okay, you're okay.
[fire alarm beeping]
[woman vocalizing]
[fire whooshing]
[fire alarm beeping]
[Andi snoring]
I already put him to sleep, he's on my couch.
- Okay.
- [Norman] Hm?
- Hm?
[Penelope sighs]
- [Norman] What's wrong?
- It's just that he is using you.
You know?
At your expense and at mine.
- He doesn't have anyone else.
I'm really trying.
- [Penelope] Okay, I gotta go to sleep.
Come when you can, okay?
- [Norman] Andi, I'm coming.
I remembered something.
Look at the fire.
- [Penelope] I know, it's the fire.
- Yeah, but look.
♪ We're just two groovy characters ♪
♪ Just grooving ourselves along ♪
♪ Just waltz over to the piano
♪ So we can sing mother a song
Take a deep breath.
[Norman breathes deeply]
Take another deep breath.
[Norman breathes deeply]
Okay, and play it, boy, play.
[piano rings]
And maybe the left hand, too?
[piano rings] [Norman humming]
♪ Cheer up, mom
♪ What is wrong
♪ why so long-faced mommy
♪ Why so long-faced, mommy
♪ Why so long, why so long
[baby cooing]
[gentle music]
[fire hissing]
[suspenseful music]
[fire hissing]
[Norman blows]
- [Andi] And if we have two of these statues,
I will also stand in his living room.
- [Norman] Yeah.
I wonder if he even says, hasta la vista, baby
after taking a shower, you know.
- [Norman] You think?
- [Andi] I think he's talking
to his little dick. - [Norman] He scrubs his ass.
- [Andi] To the little Arnold.
- [Norman] Hasta la vista.
- For me pumping feels like sleeping with women, you know.
- [Norman] I know, he said that, didn't he?
- I think so, he said it in Pumping Iron.
- Look at the monitor.
- [Andi] Okay.
- [Norman] Can I show you something?
- [Andi] Show it to me.
- [Norman] Yes, follow the red.
You see the red, you follow the red.
- There is the red. - [Norman] Huh.
Follow the red.
- Yeah.
- [Norman] You see the string?
Stop.
- [Andi] It's dangling.
All right, white.
- Stay there.
Follow it.
You're not following it.
- [Andi] It's in front the lens, I have to go.
- Then go back.
I'm going to lower it, when I lower it,
I want you to drop down with it, yeah?
- [Andi] Mm-hmm.
- Onto your knees.
There is nothing beneath you, everything is fine, ready?
- [Andi] Okay, I'm ready.
- And three, two, one.
Follow the red, keep the red.
[Andi humming]
[water splashing] [Andi breathes deeply]
Look at that.
- Look at that.
- Look at that, huh.
Look at that, huh.
But then we have to get rid of this and this, yes?
- Okay.
Yes, yes.
[both giggles]
[fire hissing]
[both giggles]
You don't see a hole?
[Norman and Andi speaking faintly]
[razor revving]
[Norman giggles]
♪ Happy birthday to you
- [Penelope] Come on.
♪ Happy birthday dear daddy
- I told you I didn't wanna celebrate this birthday,
I told you exactly what it meant to me.
- We're just having a little fun,
it's to celebrate, come on.
Come on, it's okay.
Just do it for us, for Caleb.
Just fun.
[baby cooing]
Just make one wish.
Caleb do you wanna blow out the candles for daddy.
Hmm?
Wanna help daddy blow out the candles?
Hmm? [baby cooing]
Come on, it's your birthday.
♪ Happy birthday to you
♪ Come back right now, please
♪ So that we can blow out the fucking candles ♪
[footsteps tapping]
[car door slams]
[Norman sighs]
- [Penelope] Hey, Luna.
[baby cooing]
- [Luna] Hey. - Hey.
- [Luna] Hey, what's wrong?
Why are you sad?
Hey,
did you guys break up?
- What?
No.
We're not breaking up, we love each other.
[car engine revving]
[Norman grunting]
[car engine revving] [tires screeching]
[Norman grunting] [car engine revving]
[gentle music] [singers harmonizing]
[men chattering]
- Aw.
- [Man] Ready for a party.
- Norman.
- Happy birthday, happy birthday, happy birthday,
happy birthday.
[singers harmonizing]
♪ My body is a little bird, it's flying away ♪
Come here! Come on, come on, come on.
Join us, come on.
♪ It's flying away
♪ My body is a little bird
Huh?
It's birthday time!
- This isn't what I wanted.
- It's birthday time, right?
It's birthday time, come on, huh?
Birthday time, huh?
Come on, have a drink, have a drink.
Drink, come on, you wanted this shit, remember?
You wanted this, remember?
You wanted this.
♪ My body is a little bird, it's flying away ♪
[men cheering]
[men chattering]
Hey Penelope.
Penelope.
Baby.
Baby, just one drink?
Baby, please. [baby crying]
Just one drink, sweetie.
Penelope.
[men harmonizing]
- I'm just afraid that we're both in it
and that we're all in it.
[Penelope sighs]
I know that, I know that love is there.
- From him?
- Yeah.
I don't mean to do this to him.
- [Caty] To who?
- [Penelope] To Caleb.
- This shouldn't be happening.
It happens time and time and time and time again.
- Yeah, I know.
- What are you looking for in him?
Are you looking
for something you can't see? - Our promise, yes.
No, it's a promise.
I know, I've heard it from him before.
- [Caty] So who's worse?
He for doing or you for allowing it to happen?
- Fuck that!
- He doesn't love you.
That's the problem.
- I know he does.
- He doesn't love you enough.
- I'm sorry, Caty.
- Does Caleb grow up without a dad?
- Sometimes, yes.
- Do you want your son to have a dad
that's sometimes around?
- Of course not.
- Caleb needs you.
- I'm there for him.
- [Caty] You can't lose any more people, understand?
- We go through door number one, cross the stairs,
to door number two.
Door number two we make a right,
past door number three, to?
- [Andi] The spiral staircase.
- The spiral staircase.
We go up and float above like a spirit.
We go up the spiral staircase, just like the fire.
And once we've gotten to the top, we go all the way to?
- [Andi] Door number four.
- [Norman] Door number four.
And from door number four, we take?
- [Andi] A left?
- Very good, very good.
And then we go through door number five to door number six.
And at door number six you make a right.
Very good.
And we are free.
Now Andi, you will see it for me.
I need to see it.
Okay?
- [Andi] I'm gonna film it for you.
- I'm guiding you.
Listen, I'm guiding you, so that you can guide me,
after you filmed it.
Say that with me.
You are my eyes.
- I'm your eyes.
- [Norman] I need to see it.
- You need to see it.
- [Norman] You are my eyes.
- I'm your eyes.
- [Norman] I need to see it.
- You need to see it.
I'm your eyes. - You are my eyes
- [Andi] You have to see it.
- I need to see it.
- [Andi] Mm-hmm.
[phone ringing]
- [Penelope] Hi, you've reached Penelope.
Please leave your name and number and I'll call you back.
Thanks.
- [Woman] At the tone please record your message.
When you're finished recording you may hang up
or press one for more options.
[phone beeps]
- Camera and take a deep breath.
[Andi breathes heavily]
And take another deep breath.
[Andi breathes heavily]
Remember it's not about the aesthetics.
- Aesthetics.
- Doesn't matter what it looks like in the end.
- In the end.
- All that matters is that I get a feeling that I'm inside.
- Inside.
- Okay, give me your hand.
You have nothing to worry about.
Just like Arnold said, trust yourself, right?
- [Andi] Trust myself. - Go.
[suspenseful music]
[birds warbling]
[Norman groans]
[suspenseful music]
[woman vocalizing]
[water splashes]
[Andi groans]
Andi.
[Norman grunting]
[Norman breathes deeply]
[woman vocalizing]
[monitor beeping]
- [Reporter] Doctors will fill her up
with a drug named ketamine,
which is an anesthetic and hallucinogenic drug.
- [Doctor] The quantity of ketamine we use
in just one patient is the quantity
of ketamine the hospital would use,
a major medical center would use in an entire year.
- [Woman] Sweet dreams, Emily.
You're gonna make it out of this, sweetie.
- [Reporter] Patients will be in a coma for up to one week,
kept alive by life support.
While they are unconscious,
doctors think that their brain shuts down
and, like a computer, reboots itself.
- [Doctor] By shutting the brain down
and letting its come online again,
there can be a healing that takes place.
[Norman sighs]
[fire crackling]
[baby crying] [door bell ringing]
[phone ringing]
[baby crying] [Penelope shushing]
[suspenseful music]
[Norman grunts]
- You're all right, man.
Breathe, breathe.
Gotta breathe, man.
Breathe, breathe, stay with me here, relax, relax.
Calm yourself, calm yourself.
[Norman breathes heavily]
It's gonna pass.
Take control here, take control, you're in control.
It's all in your head, man.
Deep breaths with me.
Deep breaths.
In through the nose, out through the mouth, come on.
Come on, you can do this.
[both breathes heavily]
Here we go, just like that.
You can do this, man, you can do this, come on.
[Norman breathes heavily]
There we go.
- This is not what I fucking wanted, Larry.
- [Larry] You're gonna be fine.
I've got your back, man.
- I know.
I just want to get the fucking monkey off my back.
I don't want this.
- I've got a supply of meds coming soon.
Lots of medical equipment,
I'll try to get you some ketamine, okay?
- And that one?
That's the one on top?
- Mm-hmm. - That's me.
- A good place to be, on top.
[Penelope giggles]
- [Penelope] And that one is Norman, and then that's Caleb.
- [Caty] Okay.
- [Penelope] Or maybe it's me and Norman,
and Caleb is on top.
- Or maybe you could think about it,
like, how Norman hurt you that one time.
And he hurt you again.
And the last time.
Hmm? - Hmm.
Yeah.
[metal jangling]
- Can I stay?
- Yeah.
[guitar strumming]
Put your finger on this string only.
[Norman vocalizing]
[both giggles]
That's the best part.
Fuck what anyone thinks, fuck what anyone says,
fuck how anyone feels.
Music belongs to you and no one else.
That's a goodie, a real goodie.
- What's that chord?
- It's called a goodie. - A goodie?
- It's a goodie.
[Norman vocalizing]
♪ Yes, I do
♪ I need you
And then we go.
[both vocalizing]
And then the next chord.
Three, four.
[guitar strumming]
Two, three, four, five, six,
and then back eight, one, two, three.
- What?
- Come on.
- What?
Come on what?
Maybe I come over here?
Or I come over here?
- Maybe you shouldn't drink.
- Maybe, maybe, maybe I shouldn't have woken up, hmm?
- What about Penelope?
- What about your photo that you left out last night?
What about that, huh?
Hmm?
What was that?
I'm sorry.
I shouldn't have said that.
- I'm gonna get rid of it anyway.
It's still easy to do now, I can,
I can still do it.
It's, it's very small.
Won't hurt him, you know.
- What you have is the most important thing,
we have is the most important thing in this planet.
And fuck anybody, who tells you that it's not.
You know, that little tadpole,
that little tadpole is trying his best to grow those arms,
trying his best to grow those legs, huh?
It'll become a frog.
- Hey.
- Listen, it's a life.
And it has so much potential right now,
it's at a 100%, okay?
He or she could be anything, could do anything,
could help or destroy.
This possibility is there right now.
- I can't do it.
- Yes, you can, Luna.
It has nothing to do with whoever the father is,
it doesn't fucking matter.
Doesn't have to do with your mom and your dad.
Doesn't have to do with anybody except you.
You understand?
Fuck 'em.
Fuck them.
Fuck them all.
Okay?
This is about you.
It has nothing to do with anybody else.
And I know,
I wasn't there for the first three months
of Penelope's pregnancy
because I was scared.
You know.
No, no, it's okay.
- It's okay.
- Yeah, it's okay.
You're so beautiful.
Eyes,
eyes like Penelope.
[lips smacking]
Luna?
- [Luna] Yeah.
- [Norman] Just walk through the back door,
through door number two,
to the burnt out hallway
and take the lights into the bathroom,
where the fire started.
- It's upstairs, right?
Norman where should I put it?
Norman?
[suspenseful music]
[object thudding]
Hey.
Hey, Norman.
Norman.
[Luna shushing]
Hey, look at me.
Look at me.
Hey, okay, let's get out of here, come on.
[glass shattering]
Come on.
Norman.
Get the fuck out of here, come on.
- [Norman] My head is gonna fucking explode.
- Let's go.
Let's go outside.
It's okay.
- Leave me the fuck alone.
Leave me the fuck alone.
I can't see. - Hey.
Hey.
Come on.
- [Norman] My head feels like it's fucking gonna explode!
- [Luna] I know, I know.
Come on.
Come with me.
Can't feel anything.
- [Norman] Right there.
A little hole?
You don't see the hole?
Right there.
- [Luna] I can't see it.
There's nothing there.
Hey.
- My mother used to do that to me before she died.
It feels nice.
- Do you miss your mom?
And your dad?
- I had a funny dream.
You were driving the car and I was in the back seat.
We were in a field, a really beautiful field.
With a really blue sky, really green grass.
Everything was so alive.
- Mm-hmm.
- But you where driving so fast.
And you where screaming so much.
And I was hurting and I realized
that I was giving birth to a dead baby.
That it was covered in blood.
And you did something and you brought the baby back to life
and I was so grateful.
But then I realized that I only had one day,
because there was something really wrong.
The baby was gonna grow from a baby, to a toddler,
to a child, to an adolescent, to a man all in one day.
So I had to experience this man's life in one day.
And I couldn't feel any joy.
- You're gonna be such a good mom.
- I'm really scared to be a mom.
- You're gonna be such a good mother.
[gentle music]
- Cold, cold.
Keep trying, keep trying. - You put it somewhere
in your body?
- It's on me. - Did you stitch open,
did you cut your. - It's on me,
it's on my person.
- Yeah, yeah, it's on the outside of your person?
- Come on, how long have you known me?
- You're gonna make me go down on you, huh?
[Larry giggles]
You're gonna make me go down on you?
- [Larry] Colder.
Lower, lower, lower.
Maybe a little round the back, yeah.
[Larry giggles] - [Norman] You fuck, you fuck.
- [Larry] Okay, seriously.
- Yeah, seriously.
You fuck!
- Bam!
- Thank you.
Thank you.
Yeah, this foot.
One more.
[Norman giggles]
Open them.
Merry Christmas, Mutzi, huh?
Can you see? - Yes.
- [Norman] You don't like it? - What's that?
- Open up, open up, open up.
Very good.
One more.
One more, open up.
Very good.
Your right arm, left arm.
We're gonna make it, we're gonna make it,
we're gonna make it.
Come on.
Watch your head, watch, watch.
Motherfuckers!
Eh?
I mean, eh?
[car engine revving]
Step.
[birds chirping]
- [Andi] Watch out, there's a step.
The staircase is here.
Is it okay?
[monitor beeps]
[Norman burps]
- What's that?
- You recognize him?
You don't recognize him?
- No. - Look closer.
It's a face.
- [Andi] Is that you?
- No.
It's a baby.
- Whose baby?
- It's you.
I saved it from the fire.
- [Andi] Thank you. - [Norman] For you.
- Thanks.
- Are you ready to help me?
- Yes.
- Are you ready to help me?
- Yes, I'm ready.
Ready to help you.
- You need to keep an eye on me.
You need to keep your eye on me.
- I promise, I won't. - Don't leave me alone.
You can't leave me alone.
When I start to breathe shallow, you turn it off.
- Okay.
- Yeah? - Yeah.
- At the latest when my phone goes off.
- Yes.
- You have to keep an eye on me.
- I will.
- Don't leave me alone.
- I won't leave you alone.
- When my breath becomes shallow, you turn it off.
This is shallow.
And if you can't tell the difference,
you wait for the alarm.
When the alarm goes off, you act.
Let's reboot my fucking brain.
[breathes deeply]
[monitor beeping]
[Norman groaning]
[woman vocalizing]
[both humming]
- Keep picturing the color of your cord.
Up your chest.
Through the center of your lungs, the center of your back.
It goes up through your throat,
the back of your neck,
runs through the center of your head.
And I want you to picture this cord in all its strength.
It gives you strength to endure the pain.
And if you feel like you're losing it,
I'm gonna hold it for you, okay?
- Norman?
Norman?
Hey.
Hey, Norman, wake up.
Come on, wake up.
Hey.
Hey, come on.
Hey, Norman.
Hey, wake up.
Hey.
[Luna crying]
Wake up.
Norman.
Come on.
Wake up.
Hey.
Hey, can you hear me?
Hey, good morning.
Tell me, what's your name?
What's your son's name?
Norman.
Your little baby.
Hey.
What's your name?
[Luna shushing]
Hey, calm down.
Calm down.
[Luna shushing]
What's your name?
Norman, what the fuck, you can't drive like this.
Don't you wanna call an ambulance?
[hand slaps]
Are you fucking kidding me?
- Move.
[door slams]
[car engine revving]
[door bell ringing]
- Caty, he's almost ready to go to sleep.
Do you think that you can just?
I gotta go outside.
- Hey, bubba.
[door bell ringing]
[door clicks]
- [Norman] Penelope.
- How dare you ring the bell at this hour?
Do you know what time it is, Norman?
What?
[Norman crying]
You stink.
You reek.
You stink.
- [Norman] I'm scared.
- Yeah, I'm scared too.
I'm very scared.
You gonna be okay?
Norman, are you gonna be okay?
- You're fucking with me.
I'm afraid that something's, something's wrong with me.
- What are you doing here?
- I was this close tonight.
- Norman.
Huh?
- [Norman] I just, I just wanna go home.
- Yeah, okay, then go fucking home.
Go fucking home
to your fucking home. - [Caty] Pen?
Pen?
- Yeah.
Hey, get back inside.
We are okay. - What is this?
- [Caty] Are you good here? - [Penelope] What is this?
This is our family here, all right.
This is your son.
Hey, babe.
- Well, this makes perfect sense.
This makes sense. - [Penelope] You know what?
- This is beautiful.
- [Penelope] He's been growing up so much.
- This is wonderful. - [Penelope] Every single day
you're missing out on it. - This is real fucking nice.
- [Penelope] You know that?
- Yes, I know that I'm missing out
and I'm the fucking reason why, I understand that
and I know why, I'm missing out on my own fucking son.
- [Penelope] Yes. - I don't know
who the fuck he is. - Hey, you know what?
Look at him.
- [Caty] You okay here? - Yeah, yeah, I'm okay.
I'm okay.
- [Norman] This is wonderful. - Norman.
- [Norman] This is great. - Norman, look at him.
- [Caty] Pen.
- Do you wanna look at your fucking son?
- [Norman] Yeah, yeah, I see him.
You wanna hit me again?
- No, I don't.
Look at your dad.
Do you wanna take him?
[Norman breathes deeply]
Look at him.
Norman, look at him, look at your son.
- Yeah, this, this is good.
- [Caty] Pen,
are you good here? He's up.
- Look.
No.
- You take care, huh?
- [Norman] This is fucking beautiful.
- Say good night to your son.
- [Norman] This is wonderful.
- Say good night to your son.
- You calm down! [Norman] Good job mom.
- [Caty] You calm down! - [Norman] Good job mom.
This is some great ass parenting.
[Penelope shushing] [baby crying]
- Don't you dare. - Oh, fuck me,
what am I supposed to do here, huh?
- Huh?
Do you wanna fucking play this game,
Norman - Ah, fuck me.
- Do you wanna fucking play this game with me?
- [Norman] Yeah, yeah, stop it.
- No, you fucking stop.
Don't you dare come in this fucking house.
Don't you fucking come inside this fucking house, Norman.
- Yeah.
- This is our house.
- I'm really glad the baby's not here
to see this. - You know what?
I'm not going to, yeah, me too.
Fuck.
Come with me, come.
- What am I gonna do?
[gentle music]
- Two shot glasses, and it's all on him.
Thank you.
Come on, sweetheart.
To you and me.
[Penelope groans]
Come on.
[Penelope giggles]
Don't do this to me, come on.
[Penelope giggles]
[Penelope screams]
Come on, sweetheart.
Fucking drink with me.
[hand slaps]
Whoo.
Come here baby.
[Penelope groans]
It's so good, right?
It's nice, right?
[Penelope giggles]
Stop.
[hand slaps] [Norman breathes deeply]
[both groaning]
Where are you?
Norman.
I need you to fuck me.
[both groaning]
What the fuck?
Come on, baby.
Fuck me.
[both groaning]
Yeah.
[both groaning]
[Penelope moaning] [Norman grunting]
Thanks.
[Luna crying]
- [Norman] What happened?
Luna?
You scare me, what happened?
You can tell me.
Luna, what happened?
Luna.
Luna, come on, tell me what happened.
- I lost it.
[Luna crying]
It's in the bathroom.
Can you put it away?
- [Norman] It's not your fault.
It's not your fault.
It's not your fault, sweetie.
- It's not your fault.
It's not your fault.
[metal clanging]
[suspenseful music]
[upbeat music] [woman screaming]
[crowd chattering] [woman screaming]
- I hope this helps you.
[upbeat music continues]
[woman screaming]
- [Woman] Artificial wombs suddenly became
the most unexpected rage of 2017.
The artificial womb shown to the world in April
has a much more focused application.
A support system, or a second womb,
for prematurely born babies,
who would otherwise find themselves struggling
to survive in the outside world.
Lambs that were tested in this system successfully developed
in the same way, as if they had never left
their original biological environment.
- [Man] When you were a child you had a fontanel
that responded to the heartbeat.
And that response to the heartbeat produced a very active,
vital individual.
And as you became an adult that pulsation was lost.
So what you're getting is your childhood level back.
♪ Little curly clown go to sleep ♪
♪ Little curly clown go to sleep, sleep, sleep ♪
♪ In the morn you wake, you wake ♪
♪ Go to sleep
♪ Little curly clown go to sleep, go to sleep ♪
♪ Go to sleep, little curly clown go to sleep ♪
- [Penelope] Hey, go to sleep.
We're all going to sleep, okay?
- Huh?
- We're all gonna go to sleep.
It's all gonna be okay.
All right?
- Can you read me the part of the story again?
- You wanna hear a little part of the story again?
The little curly clown
finally found his family at the circus.
One that he had always been dreaming of.
- [Norman] I like that part.
- And it was the little curly clown,
who asked the tightrope acrobat,
if she thought that his parent were happy.
And she said yes.
And then the little curly clown asked if she though
that they would forgive him that he left,
'cause he ran away.
And she said, "Don't you worry, because one day,
when you're all grown up and strong,
your parents will be very, very proud of you."
- I don't know if my mother ever caressed me,
if she ever held me.
- [Penelope] I'm sure she did.
- [Norman] You come home soon?
- [Penelope] I'm gonna come home soon.
But only if you keep your promise, okay?
- [Norman] I love you.
Are you awake?
[Larry speaking indistinctly]
- [Norman] Thanks for taking care of Luna last night,
I appreciate that.
[Larry speaking indistinctly]
- [Norman] You know that fish tank, that you have?
[Larry speaking indistinctly]
- It's right outside.
[Larry speaking indistinctly]
- I don't, it's 160 gallons or something,
I don't see why that fucking matters.
[Larry speaking indistinctly]
- Has anybody, has anybody picked it up yet?
- [Larry] No, not quite.
- [Norman] No?
[metal clanging]
[gentle music]
[car engine revving]
- All right, straight back, straight back,
watch yourself there.
Okay.
Straight back, fucking watch your step.
Okay, keep coming, keep coming, keep coming.
Real slow, real slow, yeah, we're good, we're good,
keep coming, keep coming.
Slow down.
Okay, fuck, right here, right here, right here.
Real slow, real slow, don't break your fingers.
Home.
- [Norman] Let's put it on again.
♪ Little Larry-Scary got picked up by a hang-up ♪
♪ Dragged through the red light to the promised land ♪
- [Larry] The light's home.
- The red light.
♪ Little Larry-Scary has cherries in his chest ♪
♪ Larry-Scary is better than the rest ♪
[hand claps]
- [Norman] Get into it.
[hands clapping] [hands tapping]
[woman and man harmonizing]
[metal clanging]
[machine engine revving]
[fire hissing]
[fire whooshing]
[water splashing]
And just like we spoke about.
Remember?
You keep it constant.
Circle and light.
Keep repeating it.
Circle and light.
You're my best friend, Andi.
- Circle and light.
Circle and light.
- Circle and light.
Circle and light.
We should be dead right now, you understand?
Both of us should be fucking dead right now,
but we're not, we're still here,
'cause we are fucking survivors.
Together you and I will travel back into childhood.
Right here. - To childhood.
- You and I. - You and I.
- Not there, right here.
- Back, childhood, you and I.
- Okay, come on, get the can.
[electricity buzzing]
[water splashing]
[Andi screams]
[water sloshing]
[Andi screams]
[Norman breathes deeply]
Andi.
[Andi groans]
[Norman screams]
[gentle music]
- Keep going.
Keep going.
[Norman grunting]
[Norman screams]
[Andi groans]
- Andi!
Andi!
[fire whooshing]
[gentle music]
[monitor beeping]
♪ In the morn you wake, you wake, you wake ♪
♪ Go to sleep, go to sleep
♪ Little curly clown go to sleep, go to sleep ♪
[Penelope humming] [baby cooing]
♪ Go to sleep, go to sleep
♪ Little curly clown
[baby cooing]
♪ Little curly clown go to sleep ♪
[Penelope sniffs] [Penelope humming]
[baby cooing]
- Shh, come here, come here, come here.
Yeah, yeah, come here.
I'm destroying everything I love.
I'm destroying everything.
[baby crying]
- Come on.
Get yourself together, let's go.
[baby cooing]
- Penelope?
- What?
- I was so mad when I woke up.
When I woke up I was so pissed.
As I saw you and as I see Caleb.
There was many times I wake up and I keep thinking,
fuck, you woke up, but you should be happy
that you're home.
- Yeah.
It's okay.
- But I don't wanna feel that way.
[Penelope sniffs]
- Yeah, you don't have to.
Okay?
You know, when you were gone,
I used to tell Caleb all the time
how much you loved him, no matter what,
and that you'd always be there for us.
Always.
Yeah?
Okay?
[Norman sighs]
Come on.
Don't scare us anymore, okay?
I have a realtor now, for the house.
They already have somebody
who is interested in the property.
But they are not going to necessarily be keeping the house,
okay?
Look, I can't help you unless I know everything.
[keys jangling]
- Good luck.
Take care.
[car engine revving]
- Let's go.
[car engine revving]
[Penelope sighs] [Norman breathes deeply]
[water splashing]
[Norman sputters]
[Norman breathes deeply]
[Norman sputters]
[water splashing]
[gentle music]
♪ Why must I be the thief
♪ Oh, Lord, please won't you tell me ♪
♪ Why must I be the thief
♪ Please said today a man
♪ And how come you're the only one ♪
♪ Who's beggaring, who always stays ♪
♪ Why must I be the thief
♪ But I stop the hanging man
♪ How come you're the only one
♪ Living by the open hand
♪ Now why must I be the thief
♪ You cursed the butterfly
♪ And the holy man who bowed his head ♪
♪ Looked the Arctic height
♪ The thief tried that cross
♪ To shed the other's face
♪ But the Jesus man said not now ♪
♪ I'd rather not now, it's far too late ♪
♪ Far too late, far too late
♪ Far too late
♪ Do what you must
♪ Take what you can
♪ Steer the part of every heart ♪
♪ Every elder man, every elder man ♪
♪ Every elder man
♪ I'm the thief, I am the thief ♪
♪ And you're my heart, yes, and you're my heart ♪
♪ But I got you then, yes I will ♪
♪ 'Cause you're, 'cause I missed just your flight ♪
♪ Just your flight
♪ Fly, fly, fly, fly