1
00:00:03,375 --> 00:00:05,208
WHY DO WE HAVE TO SNEAK
OUT OF THE HOUSE

2
00:00:05,208 --> 00:00:07,708
IF WE'RE NOT DOING
ANYTHING WRONG UNTIL WE
SNEAK ONTO THE SUBWAY?

3
00:00:07,708 --> 00:00:10,708
- YOU THINK YOU'RE READY
TO JUST WALK BY YOUR PARENTS?
- I THINK I'M READY.

4
00:00:10,708 --> 00:00:13,083
LET ME SEE YOUR FACE
AS YOU WALK BY YOUR PARENTS.

5
00:00:14,625 --> 00:00:16,458
"WHY ARE YOU MAKING
THAT FACE AT US, RILEY?"

6
00:00:16,458 --> 00:00:19,166
BECAUSE I'M SNEAKING
ONTO THE SUBWAY.

7
00:00:19,166 --> 00:00:21,208
- OUT THE WINDOW.
- LET'S GO.

8
00:00:23,833 --> 00:00:25,708
DADDY, WHAT ARE YOU
DOING HERE?

9
00:00:25,708 --> 00:00:29,250
BEING SMARTER THAN ME.
HOW COME YOU'RE ALWAYS
SMARTER THAN ME?

10
00:00:30,416 --> 00:00:32,125
HERE'S WHAT
I'M THINKING.

11
00:00:33,708 --> 00:00:37,500
IT'S NOT YOUR WORLD YET.
IT'S STILL MY WORLD.

12
00:00:37,500 --> 00:00:40,708
BECAUSE IF IT WAS YOUR WORLD,
MAYA WOULD HAVE YOU ON
THE SUBWAY ALREADY,

13
00:00:40,708 --> 00:00:43,416
THINKING YOU PUT
SOMETHING OVER ON ME.
BUT YOU DIDN'T.

14
00:00:43,416 --> 00:00:45,625
KNOW HOW I KNOW?
LOOK AT YA.

15
00:00:45,625 --> 00:00:47,708
YOU'RE RIGHT HERE.

16
00:00:47,708 --> 00:00:51,583
HOW LONG DO I HAVE TO LIVE
IN MY FATHER'S WORLD?

17
00:00:51,583 --> 00:00:53,875
UNTIL YOU MAKE IT
YOURS.

18
00:00:53,875 --> 00:00:56,875
RILEY, DO YOU KNOW WHAT
I WANT MORE THAN ANYTHING?

19
00:00:56,875 --> 00:00:58,750
GO AHEAD,

20
00:00:58,750 --> 00:01:00,875
MAKE IT YOURS.

21
00:01:00,875 --> 00:01:02,875
I WILL.
AND WHEN I DO

22
00:01:02,875 --> 00:01:04,583
WILL YOU STILL
BE THERE FOR ME?

23
00:01:04,583 --> 00:01:05,583
Topanga:
<i>RIGHT HERE.</i>

24
00:01:07,875 --> 00:01:10,291
WE'LL BE RIGHT HERE.

25
00:01:12,750 --> 00:01:14,583
<i>( theme music playing )</i>

26
00:01:19,833 --> 00:01:22,250
<i>( busker drumming )</i>

27
00:01:25,875 --> 00:01:27,875
- WEASEL!
- MAYA!

28
00:01:27,875 --> 00:01:30,583
- WHO'S THE NEW CHICK?
- "CHICK"!

29
00:01:30,583 --> 00:01:32,708
DOWN HERE I'M A CHICK.

30
00:01:32,708 --> 00:01:34,750
NO WONDER MY PARENTS DON'T
WANT ME ON THE SUBWAY.

31
00:01:37,708 --> 00:01:39,875
- YOU'RE SLOUCHING, MAYA.
- THANKS, GRETCHEN.

32
00:01:41,208 --> 00:01:43,291
<i>( drumming continues )</i>

33
00:01:48,333 --> 00:01:50,583
WHOA, RILEY.
YOU DON'T DO LIP GLOSS.

34
00:01:50,583 --> 00:01:52,583
OH, WHAT I FORGOT
TO MENTION

35
00:01:52,583 --> 00:01:54,708
IS THAT I'M COMPLETELY
REINVENTING MYSELF.

36
00:01:54,708 --> 00:01:57,500
I RIDE THE SUBWAY NOW,
I HAVE KIWI LIPS NOW

37
00:01:57,500 --> 00:01:59,375
AND I'M JUST AS COOL
AS YOU NOW.

38
00:01:59,375 --> 00:02:02,333
YEAH?  LET'S SEE
HOW COOL YOU CAN BE

39
00:02:02,333 --> 00:02:04,166
WHEN YOU LOOK AT HIM.

40
00:02:07,333 --> 00:02:09,625
( giggles )

41
00:02:10,708 --> 00:02:12,708
YEAH, YOU'RE GONNA NEED
SOME LESSONS.

42
00:02:12,708 --> 00:02:16,708
OKAY, LET ME SHOW YOU
EVERYTHING YOU NEED TO KNOW
ABOUT BOYS AND GIRLS.

43
00:02:19,000 --> 00:02:21,458
HI, I'M MAYA.
YOU'RE REALLY CUTE.

44
00:02:21,458 --> 00:02:23,708
WE SHOULD HANG OUT SOMETIME.
YOU MAKE ME HAPPY.

45
00:02:23,708 --> 00:02:26,416
YOU DON'T PAY
ENOUGH ATTENTION TO ME.
THIS ISN'T WORKING OUT.

46
00:02:26,416 --> 00:02:28,875
IT'S YOU, NOT ME.
WE CAN STILL BE FRIENDS.
NOT REALLY.

47
00:02:32,458 --> 00:02:35,333
HE'S AVAILABLE.
WE JUST BROKE UP.

48
00:02:35,333 --> 00:02:38,708
ARE YOU OKAY?
DO WE NEED TO TALK
ABOUT IT?

49
00:02:38,708 --> 00:02:40,333
YOU STILL WANT
TO BE LIKE ME?

50
00:02:40,333 --> 00:02:43,375
I WANT TO BE
EXACTLY LIKE YOU.

51
00:02:43,375 --> 00:02:46,708
I THINK TOO MUCH
AND YOU DON'T
THINK AT ALL.

52
00:02:46,708 --> 00:02:50,458
SEE, YOU GET ME.
SO LET'S NOT THINK.

53
00:02:50,458 --> 00:02:52,333
( screams )

54
00:02:55,375 --> 00:02:56,708
HI.

55
00:02:56,708 --> 00:02:59,500
WE WERE JUST
TALKING ABOUT YOU.

56
00:03:01,375 --> 00:03:03,750
YOU USED TO GO OUT
WITH MY FRIEND MAYA.

57
00:03:03,750 --> 00:03:05,958
I'M LUCAS.

58
00:03:05,958 --> 00:03:07,708
I LOVE IT.

59
00:03:09,750 --> 00:03:12,000
PERHAPS SOMEONE WOULD LIKE
TO GIVE THEIR SEAT

60
00:03:12,000 --> 00:03:14,416
TO SOMEONE OLDER?

61
00:03:14,416 --> 00:03:16,958
OH, NOT YOU,
SWEET POTATO PIE.

62
00:03:18,833 --> 00:03:20,583
PLEASE DON'T
MAKE ME MOVE.

63
00:03:20,583 --> 00:03:23,000
I JUST WANT TO SEE
WHERE THIS GOES.

64
00:03:23,000 --> 00:03:24,875
I'VE JUST WORKED
A 12-HOUR SHIFT

65
00:03:24,875 --> 00:03:26,958
AND I JUST WANT TO SEE
WHERE THIS GOES.

66
00:03:26,958 --> 00:03:29,458
- MMM-KAY?
- MMM-KAY.

67
00:03:31,875 --> 00:03:34,291
- THAT WAS GREAT.
- YOU'RE WELCOME.

68
00:03:35,416 --> 00:03:37,750
WHAT IF THAT WAS
THE BEST MOMENT
OF MY LIFE?

69
00:03:37,750 --> 00:03:40,708
WHAT IF NOTHING EVER
HAPPENS FOR ME AGAIN?

70
00:03:41,875 --> 00:03:43,375
( screams )

71
00:03:46,875 --> 00:03:48,750
IT'S FOR YOU.

72
00:03:54,000 --> 00:03:55,708
<i>( pop music playing )</i>

73
00:03:55,708 --> 00:03:57,708
<i>♪ I'VE BEEN WAITING ♪</i>

74
00:03:57,708 --> 00:04:00,000
<i>♪ FOR A DAY</i>
<i>LIKE THIS TO COME ♪</i>

75
00:04:00,000 --> 00:04:01,708
<i>♪ STRUCK LIKE LIGHTNING ♪</i>

76
00:04:01,708 --> 00:04:04,458
<i>♪ MY HEART'S BEATING</i>
<i>LIKE A DRUM ♪</i>

77
00:04:04,458 --> 00:04:08,416
<i>♪ ON THE EDGE</i>
<i>OF SOMETHING WONDERFUL ♪</i>

78
00:04:08,416 --> 00:04:11,333
<i>♪ FACE TO FACE WITH CHANGES ♪</i>

79
00:04:11,333 --> 00:04:14,500
<i>♪ WHAT'S IT ALL ABOUT?</i>
<i>LIFE IS CRAZY ♪</i>

80
00:04:14,500 --> 00:04:16,625
<i>♪ BUT I KNOW</i>
<i>I CAN WORK IT OUT ♪</i>

81
00:04:16,625 --> 00:04:20,750
<i>♪ 'CAUSE I GOT YOU</i>
<i>TO LIVE IT WITH ME ♪</i>

82
00:04:20,750 --> 00:04:24,833
<i>♪ I FEEL ALL RIGHT,</i>
<i>I'M GONNA TAKE ON THE WORLD ♪</i>

83
00:04:24,833 --> 00:04:28,166
<i>♪ LIGHT UP THE STARS,</i>
<i>I'VE GOT SOME PAGES TO TURN ♪</i>

84
00:04:28,166 --> 00:04:30,000
<i>♪ I'M SINGING "GO-O-O" ♪</i>

85
00:04:30,000 --> 00:04:33,000
<i>♪ OH OH OH OH ♪</i>

86
00:04:33,000 --> 00:04:36,000
<i>♪ TAKE ON THE WORLD,</i>
<i>TAKE ON THE WORLD ♪</i>

87
00:04:36,000 --> 00:04:38,833
<i>♪ TAKE ON THE WORLD,</i>
<i>TAKE ON THE WORLD ♪</i>

88
00:04:38,833 --> 00:04:41,708
<i>♪ TAKE ON THE WORLD,</i>
<i>TAKE ON THE WORLD. ♪</i>

89
00:04:43,583 --> 00:04:46,500
<i>♪ I'M SINGING "GO-O-O." ♪</i>

90
00:04:46,500 --> 00:04:49,000
- DID YOU HAVE TROUBLE
WITH THE HOMEWORK?
- PIECE OF CAKE.

91
00:04:49,000 --> 00:04:52,125
- YOU DIDN'T DO IT, DID YOU?
- I DON'T EVEN KNOW WHERE
MY BOOKS ARE.

92
00:04:52,125 --> 00:04:55,000
THEY'RE HERE
AND THEY'RE HEAVY.

93
00:04:55,000 --> 00:04:56,875
<i>( bell rings )</i>

94
00:04:58,083 --> 00:05:00,750
YOU HAVE TO DO
THE HOMEWORK, MAYA.

95
00:05:00,750 --> 00:05:03,416
THIS TEACHER'S INSANE,
A TOTAL NUTJOB.

96
00:05:03,416 --> 00:05:05,875
I THINK THERE'S SOMETHING
SERIOUSLY WRONG WITH HIM.

97
00:05:05,875 --> 00:05:09,208
- HI, HONEY.
- HI, DADDY.

98
00:05:09,208 --> 00:05:10,750
YOU'RE LATE
TO YOUR FATHER'S CLASS.

99
00:05:10,750 --> 00:05:12,208
OH, DON'T WORRY,
MR. MATTHEWS.

100
00:05:12,208 --> 00:05:13,875
- YOU WROTE HER A NOTE.
- I DID?

101
00:05:13,875 --> 00:05:15,000
- HE DID.
- YOU DID.

102
00:05:16,166 --> 00:05:18,375
"RILEY IS LATE.
DEAL WITH IT."

103
00:05:20,166 --> 00:05:22,166
WELL, YOU GOT MY SIGNATURE DOWN
PRETTY GOOD THIS TIME.

104
00:05:22,166 --> 00:05:23,708
OH, IT WAS EASY.
YOU WRITE LIKE A GIRL.

105
00:05:26,000 --> 00:05:28,166
OKAY, LET ME GET BACK
TO JAMMING

106
00:05:28,166 --> 00:05:30,166
SOME LEARNING
INTO YOUR HEADS.

107
00:05:30,166 --> 00:05:32,875
- THE CIVIL WAR.
- THE CIVIL BORE.

108
00:05:32,875 --> 00:05:35,583
THANK YOU, FUTURE MINIMART
EMPLOYEE OF THE MONTH.

109
00:05:35,583 --> 00:05:37,875
WOULD I BE MAKING
MORE MONEY THAN YOU?

110
00:05:39,500 --> 00:05:41,166
THE CIVIL WAR!

111
00:05:41,166 --> 00:05:43,000
ANYBODY?

112
00:05:43,000 --> 00:05:45,208
A WAR WE FOUGHT
AGAINST OURSELVES.

113
00:05:45,208 --> 00:05:47,750
- WHAT, YOU ACTUALLY STUDIED IT?
- NO, I'M ACTUALLY LIVING IT.

114
00:05:50,083 --> 00:05:53,000
PEOPLE, PEOPLE,
ARE WE HERE TO LEARN OR NOT?

115
00:05:53,000 --> 00:05:54,125
WHAT DO YOU MEAN, FARKLE?

116
00:05:54,125 --> 00:05:56,125
I'VE BEEN IN LOVE WITH RILEY
SINCE THE FIRST GRADE.

117
00:05:57,708 --> 00:05:59,583
BUT I'M ALSO EQUALLY
IN LOVE WITH MAYA.

118
00:05:59,583 --> 00:06:01,833
SOME MIGHT SAY THE GREAT
MYSTERY OF THE UNIVERSE

119
00:06:01,833 --> 00:06:04,583
IS WHO'S GONNA BE
THE FIRST MRS. FARKLE.

120
00:06:04,583 --> 00:06:07,583
- YOU DON'T WANT THIS.
- BRING IT ON.

121
00:06:09,208 --> 00:06:11,625
I ALWAYS THOUGHT
HE'D WIND UP WITH
BACK-OF-THE-CLASS BRENDA.

122
00:06:15,708 --> 00:06:17,708
EW, YUCK!

123
00:06:19,583 --> 00:06:21,208
ACTUALLY, THE GREAT MYSTERY
OF THE UNIVERSE

124
00:06:21,208 --> 00:06:22,958
IS HOW YOU COULD LOVE
TWO WOMEN THE SAME

125
00:06:22,958 --> 00:06:24,750
WHO COULDN'T POSSIBLY
BE MORE DIFFERENT.

126
00:06:24,750 --> 00:06:26,583
WE'RE NOT SO DIFFERENT.

127
00:06:26,583 --> 00:06:28,583
MAY I OVERSTEP
MY BOUNDS, SIR?

128
00:06:28,583 --> 00:06:30,000
YOU ALWAYS DO.

129
00:06:36,583 --> 00:06:38,250
RILEY IS THE SUN,

130
00:06:38,250 --> 00:06:40,750
WARM AND BRIGHT
AND LIGHTS UP MY WHOLE DAY.

131
00:06:41,875 --> 00:06:43,208
MAYA IS THE NIGHT,

132
00:06:43,208 --> 00:06:45,166
DARK AND MYSTERIOUS.

133
00:06:45,166 --> 00:06:47,583
AND THE NIGHT HAS ALWAYS BEEN
A MYSTERY TO ME.

134
00:06:47,583 --> 00:06:50,166
BECAUSE I GO TO BED
AT 7:30.

135
00:06:51,500 --> 00:06:53,458
HOW COULD I LOVE THESE
TWO DIFFERENT WOMEN?

136
00:06:53,458 --> 00:06:55,750
HOW COULD I NOT?
THANK YOU!  I AM FARKLE!

137
00:06:58,958 --> 00:07:03,291
SO WE WERE INDEED
TRYING TO FIND OUT

138
00:07:03,291 --> 00:07:05,208
WHO WE WERE AS A PEOPLE.

139
00:07:06,625 --> 00:07:08,166
WHO AM I?

140
00:07:08,166 --> 00:07:09,500
WHAT SHOULD I BE?

141
00:07:09,500 --> 00:07:12,500
HISTORY SHOWS THAT
BAD THINGS HAPPEN

142
00:07:12,500 --> 00:07:14,958
WHEN YOU DON'T KNOW
WHO YOU ARE.

143
00:07:14,958 --> 00:07:17,083
WHO ARE YOU?
I DON'T KNOW WHO YOU ARE.

144
00:07:17,083 --> 00:07:19,166
SUBWAY BOY.

145
00:07:19,166 --> 00:07:22,000
I'M LUCAS FRIAR
FROM AUSTIN, TEXAS.

146
00:07:22,000 --> 00:07:23,875
OH, NEW STUDENT,
MR. FRIAR?

147
00:07:23,875 --> 00:07:27,000
- YES SIR.
- GREAT, YOU'RE JUST IN TIME
FOR TODAY'S ASSIGNMENT.

148
00:07:27,000 --> 00:07:28,000
HAVE A SEAT.

149
00:07:29,000 --> 00:07:31,000
OKAY, SO WE--

150
00:07:35,708 --> 00:07:38,583
SO I'D LIKE YOU GUYS
TO OPEN YOUR BOOKS

151
00:07:38,583 --> 00:07:40,166
TO PAGE 48.

152
00:07:41,875 --> 00:07:43,958
NOW I'D LIKE YOU
TO TURN TO PAGE ONE.

153
00:07:45,000 --> 00:07:47,958
NOW I'D LIKE YOU TO READ
FROM PAGE ONE TO 48.

154
00:07:47,958 --> 00:07:50,875
- ( kids groan )
- OH, TOO BAD ON YOU.

155
00:07:50,875 --> 00:07:54,083
OKAY, SO FOR TONIGHT'S
ASSIGNMENT,

156
00:07:54,083 --> 00:07:57,833
I'D LIKE YOU TO WRITE ME
A THREE-PAGE ESSAY ON ANYTHING--

157
00:07:57,833 --> 00:08:01,583
ANYTHING AT ALL THAT YOU GUYS
BELIEVE IN SO STRONGLY

158
00:08:01,583 --> 00:08:04,708
- YOU'D FIGHT FOR IT.
- THAT!

159
00:08:04,708 --> 00:08:06,000
I'D FIGHT FOR NO HOMEWORK.

160
00:08:06,000 --> 00:08:08,000
I COME HERE EVERY DAY.
WHY CAN'T YOU TEACH ME

161
00:08:08,000 --> 00:08:09,875
EVERYTHING I NEED TO KNOW
WHILE I'M HERE?

162
00:08:09,875 --> 00:08:11,083
WHOO!

163
00:08:12,083 --> 00:08:13,875
NOT WHOO.

164
00:08:13,875 --> 00:08:16,291
HE GETS OUR DAYS.
LET'S TAKE BACK OUR NIGHTS.

165
00:08:16,291 --> 00:08:18,875
NO HOMEWORK, MORE FREEDOM.
WHO'S WITH ME?

166
00:08:18,875 --> 00:08:21,833
( chanting )
NO HOMEWORK, MORE FREEDOM.

167
00:08:21,833 --> 00:08:25,291
NO HOMEWORK, MORE FREEDOM.
NO HOMEWORK, MORE FREEDOM...

168
00:08:25,291 --> 00:08:27,833
THIS IS IT, KID.
YOU WANT TO BE LIKE ME,

169
00:08:27,833 --> 00:08:29,000
STAND UP.

170
00:08:30,250 --> 00:08:31,875
NO HOMEWORK,
MORE FREEDOM.

171
00:08:31,875 --> 00:08:34,000
NO HOMEWORK, MORE FREEDOM.
NO HOMEWORK...

172
00:08:34,000 --> 00:08:37,708
- WHATCHA DOING?
- I'M MAKING A CHOICE
ABOUT WHO I WANT TO BE,

173
00:08:37,708 --> 00:08:40,000
ABOUT WHOSE WORLD
I WANT IT TO BE.

174
00:08:40,000 --> 00:08:43,750
RILEY, I KNOW YOU.
YOU KNOW EXACTLY
WHO YOU ARE.

175
00:08:43,750 --> 00:08:47,083
- WHO AM I, DAD?
- YOU'RE JUST LIKE ME.

176
00:08:47,083 --> 00:08:48,750
YEAH?
WOULD YOU DO THIS?

177
00:08:48,750 --> 00:08:50,875
NO HOMEWORK, MORE FREEDOM.

178
00:08:50,875 --> 00:08:52,333
NO HOMEWORK,
MORE FREEDOM.

179
00:08:52,333 --> 00:08:55,708
FARKLE, ARE YOU WITH US OR NOT?
NO HOMEWORK, MORE FREEDOM.

180
00:08:55,708 --> 00:08:59,708
- NO HOMEWORK, MORE FREEDOM...
- MY EDUCATION OR MY WOMEN?

181
00:08:59,708 --> 00:09:01,875
MY EDUCATION
OR MY WOMEN?

182
00:09:01,875 --> 00:09:04,083
MY EDUCATION OR MY WOMEN?

183
00:09:04,083 --> 00:09:06,250
OH, IT'S HAPPENING AGAIN, SIR.

184
00:09:12,375 --> 00:09:15,250
<i>♪ I'M SINGING "GO-O-O." ♪</i>

185
00:09:15,250 --> 00:09:17,875
- MA!
- MA!

186
00:09:19,708 --> 00:09:21,708
WHATEVER THIS IS,
DO NOT PUT ME IN THE MIDDLE

187
00:09:21,708 --> 00:09:24,625
OF THE TWO PEOPLE
THAT I LOVE EQUALLY.
JUST KIDDING, C'MERE, HONEY.

188
00:09:24,625 --> 00:09:27,000
MY TEACHER
FOLLOWED ME HOME.

189
00:09:27,000 --> 00:09:28,750
CAN WE KEEP HIM,
CAN WE KEEP HIM?

190
00:09:28,750 --> 00:09:31,708
- PLEASE SAY NO!
- SHE WALKED OUT OF MY CLASS.

191
00:09:31,708 --> 00:09:35,250
- SHE'S TRYING TO BE MAYA.
- WHY WOULD YOU WANT TO BE MAYA?

192
00:09:35,250 --> 00:09:38,125
SHE'S COOL.
SHE HAS A WILD SIDE.

193
00:09:38,125 --> 00:09:40,208
SHE DOES
WHAT SHE WANTS.

194
00:09:40,208 --> 00:09:43,375
- BUT YOU'RE SUCH A GOOD PERSON.
- WHO CARES ABOUT THAT?

195
00:09:45,125 --> 00:09:47,125
DO YOU REALLY THINK
I'M ONE OF THOSE GIRLS

196
00:09:47,125 --> 00:09:49,875
WHO FOLLOWS
ALL OF THE RULES AND NEVER
GETS INTO TROUBLE?

197
00:09:49,875 --> 00:09:52,000
I WAS HOPING.

198
00:09:52,000 --> 00:09:54,000
YOU THINK
I'M WELL-RAISED.

199
00:09:55,333 --> 00:09:57,166
HALF.

200
00:10:02,333 --> 00:10:04,958
HOW IMPORTANT IS IT THAT
YOU DON'T KNOW ME AT ALL?

201
00:10:09,833 --> 00:10:11,833
"LET'S GET MARRIED!"
"LET'S HAVE A KID!"

202
00:10:11,833 --> 00:10:13,375
"LET'S HAVE
ANOTHER KID!"

203
00:10:13,375 --> 00:10:15,833
WELL, YOU LISTENED
TO ME, YOU BIG STUPID!

204
00:10:18,208 --> 00:10:21,416
AM I THE TYPE OF PERSON
WHO ALWAYS PLAYS IT SAFE?

205
00:10:21,416 --> 00:10:24,333
IS THIS WHO I'M GOING TO BE
FOR THE REST OF MY LIFE?

206
00:10:24,333 --> 00:10:27,375
AM I EVER GOING TO TAKE A RISK
THAT CHANGES MY DESTINY?

207
00:10:28,375 --> 00:10:30,416
DO BIRDS KNOW
HOW TO SMILE?

208
00:10:32,375 --> 00:10:35,166
WHY IS CAKE ALWAYS
SO DELICIOUS?

209
00:10:36,375 --> 00:10:38,875
WILL MY DRAWINGS
EVER GET ANY BETTER?

210
00:10:40,208 --> 00:10:41,750
ARE YOU
MAKING FUN OF ME?

211
00:10:41,750 --> 00:10:45,333
NO, I THINK JUST LIKE YOU
BECAUSE WE'RE TWINS.

212
00:10:49,000 --> 00:10:51,708
- WE'RE NOT TWINS.
- MA-AAAA!

213
00:10:58,958 --> 00:11:01,208
AWW, LOOK AT HIM
LOOKING FOR A PLACE TO FIT IN.

214
00:11:02,458 --> 00:11:03,958
DO YOU THINK
HE'LL SIT WITH US?

215
00:11:07,375 --> 00:11:09,083
LADIES.

216
00:11:09,083 --> 00:11:11,208
Both:
FARKLE!

217
00:11:11,208 --> 00:11:13,958
INTERESTING LUNCH-LINE DILEMMA:
SLOPPY JOE

218
00:11:13,958 --> 00:11:17,250
OR CHICKEN POT PIE?
OR SLOPPY JOE?

219
00:11:17,250 --> 00:11:19,500
OR CHICKEN POT PIE?

220
00:11:19,500 --> 00:11:22,375
- IS THAT ALL YOU GOT?
- THAT'S IT.  SAME TIME
TOMORROW.

221
00:11:24,000 --> 00:11:26,250
THERE HE IS.
INVITE HIM TO SIT DOWN.

222
00:11:26,250 --> 00:11:28,000
- WITH WORDS?
- YOU'RE READY FOR THIS.

223
00:11:28,000 --> 00:11:31,000
- WHAT DO I SAY?
- "HEY, LUCAS, LOOKING
FOR SOMEBODY SPECIAL?"

224
00:11:31,000 --> 00:11:33,458
- I CAN'T SAY THAT.
- "HEY, LUCAS, LOOKING
FOR SOMEBODY?"

225
00:11:33,458 --> 00:11:35,458
- TOO FORWARD.
- "HEY, LUCAS."

226
00:11:35,458 --> 00:11:37,375
- LIKE WE'RE ON
A FIRST-NAME BASIS?
- "HEY."

227
00:11:37,375 --> 00:11:38,875
- HEY.
- HEY BACK.

228
00:11:41,875 --> 00:11:43,875
HI.

229
00:11:43,875 --> 00:11:45,875
YOU'RE SITTING HERE.

230
00:11:45,875 --> 00:11:47,208
IS THAT OKAY?

231
00:11:49,875 --> 00:11:51,958
CAN YOU EXCUSE ME
FOR JUST ONE SEC?

232
00:11:53,583 --> 00:11:55,375
( squeals )

233
00:11:55,375 --> 00:11:56,875
HOW YA DOING?

234
00:11:59,125 --> 00:12:01,958
DAD, YOU HAVE A CHOICE HERE.

235
00:12:01,958 --> 00:12:04,125
YOU CAN EITHER UNDERSTAND
THAT THIS IS JUST A BOY

236
00:12:04,125 --> 00:12:05,583
TALKING TO ME
IN THE CAFETERIA--

237
00:12:05,583 --> 00:12:08,125
I'M GONNA DO
WHATEVER YOU SAY NEXT.

238
00:12:08,125 --> 00:12:12,291
- BUT THIS IS SO INNOCENT.
- HONEY, FATHERS DON'T SEE
ANYTHING AS INNOCENT.

239
00:12:12,291 --> 00:12:14,958
WE SEE IT AS...
WHAT'S THE OPPOSITE
OF INNOCENT?

240
00:12:14,958 --> 00:12:16,416
RIGHT HERE.

241
00:12:17,458 --> 00:12:19,250
PLEASE DON'T
EMBARRASS ME.

242
00:12:19,250 --> 00:12:21,583
I'M JUST GOING TO TALK
TO MR. FRIAR ABOUT
GEOGRAPHY.

243
00:12:21,583 --> 00:12:23,833
YOU KNOW, I'VE BEEN
TO A LOT OF PLACES,

244
00:12:23,833 --> 00:12:25,458
NEVER BEEN
TO TEXAS THOUGH.

245
00:12:25,458 --> 00:12:29,083
- WHAT PART OF TEXAS
IS CLOSEST TO MEXICO?
- THAT'D BE EL PASO, SIR.

246
00:12:29,083 --> 00:12:30,875
GREAT.
LET'S GO RIGHT NOW.

247
00:12:41,291 --> 00:12:44,000
SO... DID YOU DO
THE HOMEWORK?

248
00:12:44,000 --> 00:12:45,875
NO, I DIDN'T DO
THE HOMEWORK.

249
00:12:45,875 --> 00:12:49,000
THE QUESTION ON
EVERYBODY'S KIWI LIPS IS
DID YOU DO THE HOMEWORK?

250
00:12:49,000 --> 00:12:52,458
NO.  I'M ONE
OF THE FOUNDING MEMBERS
OF THE HOMEWORK REBELLION.

251
00:12:52,458 --> 00:12:55,291
YOU THINK
<i>I </i>DID<i>MY </i>HOMEWORK?

252
00:12:55,291 --> 00:12:58,166
- I THINK YOU DID MINE TOO.
- I DID, I DID AND I REALLY
LIKED IT.

253
00:12:59,166 --> 00:13:01,208
RILEY, DON'T SAVE ME.

254
00:13:01,208 --> 00:13:03,333
- WHAT?
- LET ME BE ME.

255
00:13:05,458 --> 00:13:07,458
OH, YOU GOT
TWO DESSERTS?

256
00:13:07,458 --> 00:13:10,166
- ANGEL'S FOOD CAKE.
- AND DEVIL'S FOOD CAKE.

257
00:13:10,166 --> 00:13:12,583
- LET ME GUESS WHO'S WHO.
- HEY, FARKLE'S JUST HUNGRY.

258
00:13:12,583 --> 00:13:14,333
NOT EVERYTHING IS ABOUT YOU.

259
00:13:21,000 --> 00:13:24,166
- HI, I'M GLAD YOU'RE BACK.
- HI, ME TOO.

260
00:13:24,166 --> 00:13:26,458
HI.

261
00:13:26,458 --> 00:13:28,583
APPARENTLY YOU HAVE
A BETTER SENSE OF DIRECTION

262
00:13:28,583 --> 00:13:31,083
THAN I ANTICIPATED.

263
00:13:34,500 --> 00:13:36,458
YOU ARE A REALLY
GOOD-LOOKING GUY.

264
00:13:39,125 --> 00:13:41,458
OKAY, SO...

265
00:13:41,458 --> 00:13:43,125
TODAY WE'RE GOING TO FIND OUT

266
00:13:43,125 --> 00:13:47,166
IF ANYBODY HERE BELIEVES
IN SOMETHING SO STRONGLY

267
00:13:47,166 --> 00:13:49,458
THEY'D FIGHT FOR IT.

268
00:13:49,458 --> 00:13:50,625
- MAYA.
- YES SIR.

269
00:13:50,625 --> 00:13:52,375
- PRESENT YOUR HOMEWORK.
- CAN'T DO THAT, SIR.

270
00:13:52,375 --> 00:13:54,083
- WHY NOT?
- DIDN'T DO MY HOMEWORK, SIR.

271
00:13:54,083 --> 00:13:56,250
-<i>WHY NOT? </i>
- THAT'S WHAT
I'M FIGHTING AGAINST, SIR.

272
00:13:56,250 --> 00:13:58,250
OH, THIS COULD GO ON
FOR A WHILE.

273
00:14:00,166 --> 00:14:01,458
FARKLE FARKLE FARKLE FARKLE.

274
00:14:01,458 --> 00:14:03,000
( snores )

275
00:14:03,000 --> 00:14:04,333
FARKLE
FARKLE FARKLE.

276
00:14:06,500 --> 00:14:09,291
- I DIDN'T DO
MY HOMEWORK EITHER.
- OH REALLY?

277
00:14:09,291 --> 00:14:12,000
YEAH.
WE'RE THE SAME NOW.
I DON'T BELIEVE IN HOMEWORK.

278
00:14:13,000 --> 00:14:14,583
GUESS WHAT, RILEY?

279
00:14:14,583 --> 00:14:17,000
THAT DOESN'T MAKE YOU
THE SAME AS MAYA AT ALL.

280
00:14:17,000 --> 00:14:18,583
I HAVE SOMETHING TO SAY.

281
00:14:19,625 --> 00:14:21,458
WOW, I DON'T KNOW
WHAT TO DO.

282
00:14:21,458 --> 00:14:23,000
I'VE NEVER SEEN
THIS BEFORE.

283
00:14:23,000 --> 00:14:25,000
THE FLOOR IS YOURS,
MS. HART.

284
00:14:26,458 --> 00:14:29,250
GET UP, FARKLE.
YOU'RE GONNA WANT
TO BE AWAKE FOR THIS.

285
00:14:29,250 --> 00:14:31,291
IS IT OUR HONEYMOON?

286
00:14:31,291 --> 00:14:34,000
NO, YOU MISSED THAT.
NOW IT'S TIME TO HAND IN
OUR ESSAYS.

287
00:14:34,000 --> 00:14:36,250
OH, FARKLE GOES FIRST.
FARKLE ALWAYS GOES FIRST!

288
00:14:37,333 --> 00:14:39,000
ALL RIGHT, EVERYBODY
WHO DID THEIR HOMEWORK,

289
00:14:39,000 --> 00:14:42,000
- PUT IT ON YOUR DESKS.
- CAREFUL THERE, MS. HART.

290
00:14:42,000 --> 00:14:43,708
- ARE YOU SURE ABOUT THIS?
- I GOT THIS.

291
00:14:43,708 --> 00:14:45,000
OKAY.

292
00:14:49,583 --> 00:14:52,291
THE BURNING OF ATLANTA LED
TO THE END OF THE CIVIL WAR

293
00:14:52,291 --> 00:14:55,125
AND TO PEACE.
I BELIEVE THAT PEACE
IS WORTH FIGHTING FOR.

294
00:14:56,291 --> 00:14:58,291
HEY, THAT'S A PIVOTAL
PART OF MY DIORAMA!

295
00:14:59,291 --> 00:15:00,583
AND THERE GOES VIRGINIA.

296
00:15:01,583 --> 00:15:03,291
THE BURNING
OF THE HOMEWORK

297
00:15:03,291 --> 00:15:04,708
LED TO THE END
OF THE HOMEWORK REBELLION--

298
00:15:04,708 --> 00:15:07,708
BECAUSE THERE WAS
NO MORE HOMEWORK.

299
00:15:07,708 --> 00:15:09,708
ALL RIGHT, ALL RIGHT,
THAT'S FAR ENOUGH, MAYA.
I GET IT.

300
00:15:09,708 --> 00:15:12,000
- NO HOMEWORK, MORE FREEDOM!
- ( spurts )

301
00:15:12,000 --> 00:15:14,125
- ( screams )
-<i>( alarm ringing )</i>

302
00:15:17,000 --> 00:15:19,458
OKAY, SO THOSE WORK.

303
00:15:20,583 --> 00:15:22,500
IS THIS STILL PART
OF YOUR PRESENTATION

304
00:15:22,500 --> 00:15:24,166
OR IS THIS
ACTUALLY GOING ON?

305
00:15:27,708 --> 00:15:30,500
- WHY DIDN'T YOU
STOP YOUR FRIEND?
- IT'S NOT WHAT I DO ANYMORE.

306
00:15:30,500 --> 00:15:33,333
- YOU'RE BETTER THAN THAT.
- I'M JUST LETTING HER BE HER.

307
00:15:42,625 --> 00:15:45,583
MS. HART,
YOU HAVE DETENTION.

308
00:15:45,583 --> 00:15:48,583
THE PRINCIPAL WILL DETERMINE
IF IT GOES FURTHER THAN THAT.

309
00:15:48,583 --> 00:15:50,416
MS. MATTHEWS,
PLEASE LEAVE.

310
00:15:50,416 --> 00:15:53,375
- I DESERVE DETENTION TOO.
- NO, YOU DON'T.

311
00:15:53,375 --> 00:15:56,416
YOU DIDN'T DO ANYTHING.
AND BECAUSE YOU DIDN'T
DO ANYTHING,

312
00:15:56,416 --> 00:15:59,000
YOUR BEST FRIEND
IS IN VERY DEEP TROUBLE.

313
00:16:01,416 --> 00:16:03,208
ALL RIGHT, FARKLE,

314
00:16:03,208 --> 00:16:05,125
YOU CAN GET DOWN NOW.

315
00:16:05,125 --> 00:16:07,083
WELL, YOU'RE ACTUALLY
QUITE COMFORTABLE, SIR.

316
00:16:07,083 --> 00:16:08,458
THANK YOU, FARKLE.

317
00:16:08,458 --> 00:16:09,875
GET OFF!

318
00:16:09,875 --> 00:16:11,583
FARKLE ISN'T
GOING ANYWHERE!

319
00:16:22,833 --> 00:16:24,500
DOWN, FARKLE.

320
00:16:27,583 --> 00:16:31,166
YOU'RE LOOKING AT US
PRETTY HARD THERE,
MR. MATTHEWS.

321
00:16:31,166 --> 00:16:32,500
I JUST WANT
TO STAND BY MY GIRL.

322
00:16:33,708 --> 00:16:35,833
YOU MISSED THE MOMENT
TO STAND BY YOUR GIRL.

323
00:16:35,833 --> 00:16:39,083
YOU WERE SO BUSY TRYING
TO BE HER, RILEY,

324
00:16:39,083 --> 00:16:42,000
YOU FORGOT
THE BEST THING YOU CAN
DO FOR HER IS BE YOU.

325
00:16:43,208 --> 00:16:45,125
RILEY, TAKE FARKLE
FOR A WALK.

326
00:16:50,833 --> 00:16:54,125
LISTEN, FOR AS LONG
AS I CAN REMEMBER,

327
00:16:54,125 --> 00:16:56,833
IT'S ALWAYS BEEN
RILEY AND MAYA.

328
00:16:56,833 --> 00:17:00,708
NOW I ALWAYS BELIEVED
A FRIEND HELPS ANOTHER
FRIEND OUT OF TROUBLE,

329
00:17:00,708 --> 00:17:02,208
NOT INTO IT.

330
00:17:03,708 --> 00:17:06,708
- I'M SORRY.
- I AM TOO.

331
00:17:06,708 --> 00:17:09,125
BECAUSE YOU GO TOO FAR.

332
00:17:09,125 --> 00:17:10,708
DO YOU UNDERSTAND ME?

333
00:17:12,750 --> 00:17:15,208
I HAVE NOBODY AT HOME

334
00:17:15,208 --> 00:17:17,250
WHO HELPS ME
WITH MY HOMEWORK.

335
00:17:32,291 --> 00:17:33,875
- RILES?
- YEAH?

336
00:17:33,875 --> 00:17:36,458
IF WE CAN'T HANG OUT
WITH EACH OTHER AS MUCH
ANYMORE,

337
00:17:36,458 --> 00:17:38,583
- DON'T WORRY ABOUT IT.
- WAIT.

338
00:17:38,583 --> 00:17:41,291
- WHY WOULDN'T WE--
- HE'S GOING TO MAKE YOU
END THE FRIENDSHIP.

339
00:17:41,291 --> 00:17:43,166
HE SAID THAT?

340
00:17:43,166 --> 00:17:44,750
HE'S REALLY UPSET
WITH ME.

341
00:17:46,375 --> 00:17:48,291
HE LOVES YOU.

342
00:17:48,291 --> 00:17:50,333
I DON'T THINK SO
ANYMORE.

343
00:17:50,333 --> 00:17:53,291
I JUST WANT YOU TO KNOW
THAT I GET IT WOULDN'T
BE YOUR FAULT.

344
00:17:53,291 --> 00:17:56,583
( laughs )
BEYOOTIFUL!

345
00:17:56,583 --> 00:17:59,708
YOU TWO LITTLE BUMBLEBEES
GOT A SWEET THING GOING.

346
00:17:59,708 --> 00:18:01,708
BUT WHERE'S YOUR HUNK?

347
00:18:03,291 --> 00:18:06,708
YOU AIN'T GOT NO HUNK,
YOU AIN'T GOT NO STORY!

348
00:18:06,708 --> 00:18:10,000
- I HAVEN'T BEEN
YOUR GOOD FRIEND.
- YOU'RE MY BEST FRIEND.

349
00:18:10,000 --> 00:18:13,500
SHE'S YOUR BEST FRIEND!
BEST FRIENDS ARE IMPORTANT.

350
00:18:13,500 --> 00:18:16,625
I GOT A BEST FRIEND.
I'M NOT TALKING TO HER
RIGHT NOW.

351
00:18:18,833 --> 00:18:22,000
I GO TOO FAR.
AND I DON'T THINK
THAT'S GONNA STOP.

352
00:18:22,000 --> 00:18:25,500
- I'M BAD FOR YOU.
- DID HE SAY THAT?

353
00:18:25,500 --> 00:18:27,583
HE WILL.

354
00:18:27,583 --> 00:18:29,333
THIS IS YOUR STOP.

355
00:18:32,250 --> 00:18:33,583
DON'T BE ME.

356
00:18:36,375 --> 00:18:39,583
- YOU DON'T GO AS FAR AS ME.
- NO.

357
00:18:43,333 --> 00:18:44,833
- NO.
- NO!

358
00:18:44,833 --> 00:18:47,416
DO NOT PUSH HER
OFF THIS TRAIN!

359
00:18:47,416 --> 00:18:50,708
<i>YOU DO NOT PUSH</i>
<i>YOUR BEST FRIEND</i>
<i>OFF THE TRAIN.</i>

360
00:18:53,583 --> 00:18:55,375
I'M NOT YOU.

361
00:18:58,708 --> 00:19:00,208
OH, SHE'S BACK!

362
00:19:01,000 --> 00:19:03,875
THAT LITTLE GIRL
PUSHED THOSE DOORS OPEN

363
00:19:03,875 --> 00:19:06,000
WITH THE POWER OF LOVE.

364
00:19:06,000 --> 00:19:09,458
YOU ARE NOT ALLOWED
TO ABANDON OUR FRIENDSHIP!

365
00:19:09,458 --> 00:19:11,458
I WOULD NEVER DO THAT.

366
00:19:11,458 --> 00:19:14,333
RILEY, I'M PUSHING YOU AWAY
BECAUSE I'M NOT GOOD
FOR YOU ANYMORE.

367
00:19:14,333 --> 00:19:16,458
ONLY I DECIDE THAT!

368
00:19:16,458 --> 00:19:18,625
- YOU KNOW WHY?
- WHY?

369
00:19:18,625 --> 00:19:21,500
BECAUSE IF THIS IS
MY WORLD NOW,

370
00:19:21,500 --> 00:19:24,416
THE FIRST PERSON
I WANT IN IT IS YOU.

371
00:19:25,583 --> 00:19:27,333
YOU'RE GONNA SAVE ME,
AREN'T YOU?

372
00:19:28,875 --> 00:19:30,458
I AM.

373
00:19:37,000 --> 00:19:38,583
WHERE IS HE?

374
00:19:41,000 --> 00:19:44,416
THERE IS NO WAY
I'M GONNA LET YOU BREAK-UP
MY FRIENDSHIP WITH MAYA!

375
00:19:45,500 --> 00:19:47,416
IS THAT WHAT YOU THINK
I WANT, RILEY?

376
00:19:48,500 --> 00:19:51,458
NO.  WHAT YOU SAID
YOU REALLY WANT

377
00:19:51,458 --> 00:19:53,875
IS FOR ME TO MAKE
THE WORLD MY OWN.

378
00:19:53,875 --> 00:19:56,583
AND YOU WANT ME
TO DO MY HOMEWORK.

379
00:19:56,583 --> 00:19:58,875
WELL, I'M DOING IT
RIGHT NOW.

380
00:20:00,875 --> 00:20:03,000
HERE'S WHAT I THINK
IS WORTH FIGHTING FOR:

381
00:20:03,000 --> 00:20:05,708
THIS IS MY BEST FRIEND.

382
00:20:05,708 --> 00:20:08,333
SHE'S GONNA GET ME
INTO TROUBLE

383
00:20:08,333 --> 00:20:09,958
AND I'M GONNA
GET US OUT OF IT.

384
00:20:11,583 --> 00:20:14,875
AND I DID.
BECAUSE HERE WE ARE.

385
00:20:14,875 --> 00:20:18,500
LOOK AT US, DAD.
WE'RE RIGHT HERE.

386
00:20:19,875 --> 00:20:22,875
MY CIVIL WAR
IS OVER, DAD.

387
00:20:22,875 --> 00:20:24,375
I WON.

388
00:20:25,458 --> 00:20:27,375
WHAT HAPPENS NOW?

389
00:20:35,750 --> 00:20:38,125
FRIENDS, FAMILY--

390
00:20:38,125 --> 00:20:41,458
AND ALL YOU OTHER
SUBTERRANEAN MOLE PEOPLE--

391
00:20:41,458 --> 00:20:43,875
WE'RE HERE TODAY
TO CELEBRATE

392
00:20:43,875 --> 00:20:45,875
RILEY BEING RILEY.

393
00:20:47,333 --> 00:20:50,000
NOW SOME MAY CALL THIS
A NEW YORK CITY SUBWAY PASS.

394
00:20:50,000 --> 00:20:53,458
BUT YOU, RILEY,
CAN CONSIDER THIS
A TICKET TO THE WORLD.

395
00:20:53,458 --> 00:20:56,500
- YOU THINK I'M READY?
- YOU SHOWED US YOU ARE.

396
00:20:56,500 --> 00:21:00,833
RILEY, I'VE ALREADY
MET THE WORLD.

397
00:21:00,833 --> 00:21:02,500
IT'S YOUR TURN.

398
00:21:05,166 --> 00:21:07,958
HEY, THIS ISN'T
SO DIFFERENT FROM TEXAS.

399
00:21:07,958 --> 00:21:10,625
- LOOK, THERE'S A PONY.
- THAT'S A RAT.

400
00:21:12,833 --> 00:21:15,000
- LADIES.
- FARKLE.

401
00:21:20,125 --> 00:21:22,458
SO WHERE DO
YOU WANNA GO?

402
00:21:22,458 --> 00:21:24,500
DON'T KNOW.
BIG WORLD.

403
00:21:24,500 --> 00:21:27,583
- OURS NOW?
- YEAH, BUT MY DAD DID SAY

404
00:21:27,583 --> 00:21:28,875
I HAVE TO BE HOME
BY 5:00.

405
00:21:28,875 --> 00:21:31,875
DON'T WORRY,
HE WROTE YOU A NOTE.

406
00:21:36,166 --> 00:21:38,500
Conductor:
<i>Next stop, Astor Place,</i>

407
00:21:38,500 --> 00:21:40,208
<i>14th Street...</i>

408
00:21:40,208 --> 00:21:41,708
<i>and the world.</i>

409
00:21:47,000 --> 00:21:48,958
YOU GUYS CAME BACK
AND WAITED FOR US?

410
00:21:48,958 --> 00:21:51,500
HEY, WE TOLD YOU WE WERE
ALWAYS GONNA BE HERE FOR YOU.

411
00:21:51,500 --> 00:21:53,000
YEAH, RILEY.

412
00:21:53,000 --> 00:21:54,875
IT'S NOT SO EASY
HANDING OVER THE WORLD

413
00:21:54,875 --> 00:21:57,375
WITHOUT MAKING SURE
EVERYTHING'S GOING
TO BE OKAY.

414
00:22:01,708 --> 00:22:04,000
WELL DONE,
MR. MATTHEWS.

415
00:22:07,583 --> 00:22:10,125
<i>( theme music playing )</i>

416
00:22:11,166 --> 00:22:13,583
<i>♪ I'M SINGING "GO-O-O." ♪</i>