1 00:00:03,333 --> 00:00:06,416 ( bell rings ) 2 00:00:06,416 --> 00:00:08,083 ( clicking ) 3 00:00:08,083 --> 00:00:09,875 TALK TO HIM. 4 00:00:09,875 --> 00:00:12,708 WHY? WE HAVE A GREAT TEXT RELATIONSHIP. 5 00:00:12,708 --> 00:00:13,875 YOU KNOW WHAT'S A BETTER TEXT RELATIONSHIP? 6 00:00:13,875 --> 00:00:16,416 - WHAT? - TALK TO HIM. 7 00:00:25,375 --> 00:00:26,500 ( phone swooshing ) 8 00:00:29,416 --> 00:00:31,166 HE'S RIGHT OVER THERE. 9 00:00:32,875 --> 00:00:34,125 NO! 10 00:00:34,125 --> 00:00:35,875 TOO COMPLICATED OVER THERE. 11 00:00:35,875 --> 00:00:37,625 LOTS CAN GO WRONG OVER THERE. 12 00:00:37,625 --> 00:00:40,458 THE ONLY THING THAT CAN GO WRONG OVER HERE IS IF I GO OVER THERE. 13 00:00:57,875 --> 00:01:00,291 ( mouths ) 14 00:01:05,958 --> 00:01:08,708 ( mouths ) 15 00:01:08,708 --> 00:01:10,458 ( mouths ) 16 00:01:12,708 --> 00:01:14,708 ( mouths ) 17 00:01:21,833 --> 00:01:24,208 ( sniffing ) 18 00:01:30,083 --> 00:01:32,291 - HOW'D I DO? - YOU SMELLED HIM. 19 00:01:32,291 --> 00:01:35,583 - YUP. - YOU SMELLED HIM IS WHAT YOU DID. 20 00:01:35,583 --> 00:01:39,583 I WALK THROUGH LIFE THE WAY I WALK THROUGH LIFE. 21 00:01:39,583 --> 00:01:41,500 CAN WE PLEASE TALK ABOUT THIS? 22 00:01:41,500 --> 00:01:43,000 ( clicks, whooshes ) 23 00:01:43,000 --> 00:01:44,708 ( cellphone chimes ) 24 00:01:44,708 --> 00:01:46,166 ( sighs ) 25 00:01:46,166 --> 00:01:48,166 "NOPE." 26 00:01:48,166 --> 00:01:50,875 ( pop music playing ) 27 00:01:54,458 --> 00:01:56,458 ♪ I'VE BEEN WAITING ♪ 28 00:01:56,458 --> 00:01:57,708 ♪ FOR A DAY ♪ 29 00:01:57,708 --> 00:01:58,708 ♪ LIKE THIS TO COME ♪ 30 00:01:58,708 --> 00:02:00,375 ♪ STRUCK LIKE LIGHTNING ♪ 31 00:02:00,375 --> 00:02:03,000 ♪ MY HEART'S BEATING LIKE A DRUM ♪ 32 00:02:03,000 --> 00:02:04,500 ♪ ON THE EDGE ♪ 33 00:02:04,500 --> 00:02:07,000 ♪ OF SOMETHING WONDERFUL ♪ 34 00:02:07,000 --> 00:02:09,875 ♪ FACE TO FACE WITH CHANGES ♪ 35 00:02:09,875 --> 00:02:11,000 ♪ WHAT'S IT ALL ABOUT? ♪ 36 00:02:11,000 --> 00:02:13,208 ♪ LIFE IS CRAZY ♪ 37 00:02:13,208 --> 00:02:15,250 ♪ BUT I KNOW I CAN WORK IT OUT ♪ 38 00:02:15,250 --> 00:02:16,583 ♪ 'CAUSE I GOT YOU ♪ 39 00:02:16,583 --> 00:02:19,416 ♪ TO LIVE IT WITH ME ♪ 40 00:02:19,416 --> 00:02:23,500 ♪ I FEEL ALL RIGHT, I'M GONNA TAKE ON THE WORLD ♪ 41 00:02:23,500 --> 00:02:26,875 ♪ LIGHT UP THE STARS, I'VE GOT SOME PAGES TO TURN ♪ 42 00:02:26,875 --> 00:02:28,708 ♪ I'M SINGING "GO-O-O" ♪ 43 00:02:28,708 --> 00:02:31,750 ♪ OH OH OH OH ♪ 44 00:02:31,750 --> 00:02:34,833 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 45 00:02:34,833 --> 00:02:36,250 ♪ TAKE ON THE WORLD ♪ 46 00:02:36,250 --> 00:02:37,625 ♪ TAKE ON THE WORLD ♪ 47 00:02:37,625 --> 00:02:40,458 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD. ♪ 48 00:02:42,291 --> 00:02:43,250 YOU GUYS DON'T 49 00:02:43,250 --> 00:02:44,416 CONNECT WITH EACH OTHER. 50 00:02:44,416 --> 00:02:47,000 IT'S LIKE YOU CAN'T EXIST WITHOUT THESE. 51 00:02:47,000 --> 00:02:49,958 YOU USE EMOTICONS RATHER THAN EMOTIONS. 52 00:02:49,958 --> 00:02:53,750 YOU'RE AN UNFEELING GENERATION OF ZOMBIES. 53 00:02:53,750 --> 00:02:55,750 ( mimicking zombies ) 54 00:02:58,583 --> 00:02:59,625 STOP EATING HER. 55 00:03:03,708 --> 00:03:06,416 - YOU'RE LATE, MISS MYZELL. - MY GOLDFISH DIED. 56 00:03:08,083 --> 00:03:09,083 YOU SEE? 57 00:03:09,083 --> 00:03:10,416 THIS IS WHAT I'M TALKING ABOUT. 58 00:03:10,416 --> 00:03:12,000 MISS MYZELL HAS CLEARLY 59 00:03:12,000 --> 00:03:13,458 SUFFERED A TRAGIC LOSS. 60 00:03:13,458 --> 00:03:14,833 YET SHE DOES NOT SEEM IN TOUCH 61 00:03:14,833 --> 00:03:16,333 WITH HER ACTUAL EMOTIONS. 62 00:03:16,333 --> 00:03:18,166 'SCUZE ME? 63 00:03:18,166 --> 00:03:20,166 I AM CRYING MY EYES OUT. 64 00:03:20,166 --> 00:03:23,000 I'M GONNA HAVE TO LEAVE CLASS EARLY. 65 00:03:26,333 --> 00:03:28,458 OH, SHE ACTUALLY MADE IT OUT THE DOOR THIS TIME. 66 00:03:28,458 --> 00:03:32,625 I ACTUALLY MADE IT OUT THE DOOR THIS TIME! 67 00:03:34,375 --> 00:03:37,458 DAD, ADJUST AND DEAL. 68 00:03:37,458 --> 00:03:40,000 CELLPHONES HAVE BEEN AROUND FOR, LIKE, EVER. 69 00:03:40,000 --> 00:03:42,458 IT'LL AMAZE YOU TO KNOW THAT THERE WAS A WHOLE WORLD 70 00:03:42,458 --> 00:03:44,500 BEFORE YOU AND CELLPHONES. 71 00:03:44,500 --> 00:03:48,708 AND IT'LL AMAZE YOU TO KNOW THAT I HAVE 394 FRIENDS IN HERE. 72 00:03:48,708 --> 00:03:51,375 AND I'M AMAZED THAT YOU BELIEVE THAT. 73 00:03:54,500 --> 00:03:58,000 THIS IS A TIMELINE OF ALL HUMAN EXISTENCE. 74 00:03:59,333 --> 00:04:02,750 STARTING HERE IS EVERYONE WHO EVER LIVED, 75 00:04:02,750 --> 00:04:07,375 LAUGHED, LOVED, AND UNDERSTOOD THE VALUE OF LIFE. 76 00:04:07,375 --> 00:04:09,708 THE CELLPHONE ERA, WHICH BEGINS 77 00:04:09,708 --> 00:04:12,000 RIGHT AROUND HERE 78 00:04:12,000 --> 00:04:14,416 PRETTY MUCH DESTROYS ALL OF THAT. 79 00:04:14,416 --> 00:04:16,458 WAY TO GO, YOU. 80 00:04:16,458 --> 00:04:19,708 SIR, IF I MAY TAKE A DIFFERENT POSITION? 81 00:04:19,708 --> 00:04:21,875 YEAH, SAVE ME, MR. FRIAR. DO I GO TOO FAR? 82 00:04:21,875 --> 00:04:23,000 ALWAYS, SIR. 83 00:04:25,000 --> 00:04:27,250 I UNDERSTAND YOUR POINT, BUT I USE MY PHONE 84 00:04:27,250 --> 00:04:28,708 TO VIDEO CHAT MY OLD FRIENDS 85 00:04:28,708 --> 00:04:30,708 AND TO FIND OUT WHAT'S GOING ON IN TEXAS. 86 00:04:30,708 --> 00:04:32,833 YEAH. HOW ELSE CAN HE KEEP TABS 87 00:04:32,833 --> 00:04:35,708 ON ALL THE HOEDOWNS AND CATTLE PAGEANTS? 88 00:04:35,708 --> 00:04:37,583 - MAYA! - IT'S OKAY, RILEY. 89 00:04:37,583 --> 00:04:40,416 I'M UNAFFECTED BY MAYA'S VIEWS OF COUNTRY LIFE. 90 00:04:40,416 --> 00:04:42,500 AS MY UNCLE BUSTER ALWAYS SAYS, 91 00:04:42,500 --> 00:04:45,583 "BE LIKE AN EAGLE AND SOAR ABOVE THE MOCKINGBIRD." 92 00:04:45,583 --> 00:04:47,125 YOU'RE THE MOCKINGBIRD. 93 00:04:47,125 --> 00:04:49,250 I KNOW. 94 00:04:49,250 --> 00:04:51,625 IT KILLS ME THAT I CAN'T GET TO YOU. 95 00:04:51,625 --> 00:04:53,958 SORRY, MA'AM. 96 00:04:53,958 --> 00:04:56,291 ( angrily ) OOH-HOO-HOO-HOO. 97 00:04:56,291 --> 00:04:59,291 - FARKLE TIME, SIR? - OH, I LOVE FARKLE TIME. 98 00:05:02,583 --> 00:05:04,500 WITH ALL DUE RESPECT TO HISTORY, MR. MATTHEWS, 99 00:05:04,500 --> 00:05:07,708 WHAT'S IMPORTANT TO OUR GENERATION WILL BE ON THIS SIDE OF THE TIMELINE, 100 00:05:07,708 --> 00:05:10,500 WHEN FARKLE AND TECHNOLOGY RULE. 101 00:05:10,500 --> 00:05:14,000 AND I WILL EASILY BE ABLE TO MAKE ANOTHER ONE OF YOU... 102 00:05:14,000 --> 00:05:15,333 - OW. - ...AND ANOTHER ONE OF YOU. 103 00:05:15,333 --> 00:05:16,625 OW. 104 00:05:16,625 --> 00:05:20,583 WAIT, SO NOW THERE'S FOUR OF US AND ONE OF YOU? 105 00:05:20,583 --> 00:05:22,208 THAT'S AWESOME. 106 00:05:23,583 --> 00:05:25,250 THE FUTURE-- YOU CAN'T ESCAPE IT. 107 00:05:25,250 --> 00:05:26,958 I AM FARKLE! 108 00:05:29,125 --> 00:05:32,000 THE ASSIGNMENT-- YOU CAN'T ESCAPE IT. 109 00:05:32,000 --> 00:05:33,458 I AM TEACHER! 110 00:05:34,958 --> 00:05:36,583 OKAY, SO HERE'S WHAT WE'RE GOING TO DO, GUYS. 111 00:05:36,583 --> 00:05:39,375 WE'RE GOING TO SPLIT INTO TEAMS AND DISCOVER WHETHER OR NOT 112 00:05:39,375 --> 00:05:42,125 NEW TECHNOLOGY HAS MADE US BETTER PEOPLE. 113 00:05:42,125 --> 00:05:44,458 YOU'LL DO PRESENTATIONS ON YOUR FINDINGS. 114 00:05:44,458 --> 00:05:47,000 AND HERE'S A TWIST-- NO COMPUTERS. 115 00:05:47,000 --> 00:05:48,083 WHAT?! 116 00:05:48,083 --> 00:05:50,333 WE'RE GOING OLD SCHOOL. 117 00:05:50,333 --> 00:05:53,250 YOU'RE GOING TO DO YOUR RESEARCH AT THE NEW YORK PUBLIC LIBRARY. 118 00:05:53,250 --> 00:05:54,708 WHERE?! 119 00:05:54,708 --> 00:05:57,458 AND HERE'S ANOTHER TWIST BECAUSE I TRUST YOU NOT AT ALL-- 120 00:05:57,458 --> 00:05:58,833 GIVE ME YOUR CELLPHONES. 121 00:05:58,833 --> 00:06:00,416 - NO! - YEAH. 122 00:06:00,416 --> 00:06:02,583 - ( all grumbling ) - COME ON, HAND 'EM UP, HAND 'EM UP. 123 00:06:02,583 --> 00:06:04,333 ( grumbling continues ) 124 00:06:04,333 --> 00:06:06,000 THANK YOU, THANK YOU. 125 00:06:06,000 --> 00:06:09,458 OKAY, SO OUR TEAMS FOR THIS ASSIGNMENT-- 126 00:06:09,458 --> 00:06:12,750 - MAYA-- - WHAT UP! 127 00:06:12,750 --> 00:06:15,166 AND RILEY, 128 00:06:15,166 --> 00:06:18,375 YOU WILL BE WITH-- NO! 129 00:06:19,583 --> 00:06:21,458 - NO. - ( bell ringing ) 130 00:06:21,458 --> 00:06:22,458 NO! 131 00:06:24,583 --> 00:06:27,500 WHY DID YOU HAVE TO COME HERE? 132 00:06:27,500 --> 00:06:29,125 SORRY I MAKE YOU UNEASY, SIR. 133 00:06:29,125 --> 00:06:32,125 OH, DAD, WE DON'T EVEN HAVE OUR PHONES. 134 00:06:32,125 --> 00:06:34,208 I MEAN, WHAT COULD POSSIBLY HAPPEN? 135 00:06:38,458 --> 00:06:41,833 HEY, SOARING EAGLE, YOU WALKIN' WITH US TO THE LIBRARY TONIGHT? 136 00:06:41,833 --> 00:06:43,833 SURE, IF THAT'S GOOD WITH YOU GUYS. 137 00:06:43,833 --> 00:06:47,708 WELL, SEEING AS HOW YOU'RE RILEY'S PARTNER ON THIS ASSIGNMENT, 138 00:06:47,708 --> 00:06:50,250 I GUESS WE SHOULD FIND OUT IF IT'S OKAY WITH HER. 139 00:06:50,250 --> 00:06:51,875 RILEY? 140 00:06:54,333 --> 00:06:56,000 RILEY, ANY THOUGHTS ON THIS 141 00:06:56,000 --> 00:06:58,708 THAT MIGHT COME OUT OF YOUR MOUTH IN WORD FORM? 142 00:06:58,708 --> 00:07:01,250 NO, BECAUSE YOU DON'T HAVE YOUR PHONE ANYMORE, 143 00:07:01,250 --> 00:07:04,583 SO WHAT ARE YOU GOING TO DO TO COMMUNICATE? I WONDER. 144 00:07:06,250 --> 00:07:07,708 OH, LOOK AT THAT. 145 00:07:07,708 --> 00:07:09,083 TWO THUMBS UP FROM RILEY. 146 00:07:09,083 --> 00:07:11,875 AND A SMILEY FACE. 147 00:07:20,333 --> 00:07:21,958 IT WAS A GOOD DAY. 148 00:07:21,958 --> 00:07:25,333 AND THEN MY FRIENDS TREATED ME NICELY. 149 00:07:25,333 --> 00:07:26,875 AND THEN MY TEACHER MEASURED US 150 00:07:26,875 --> 00:07:28,416 AND THEN I'M GROWING. 151 00:07:28,416 --> 00:07:31,875 AND THEN JENNY LEWIS LOVES ME... 152 00:07:33,125 --> 00:07:35,416 I THINK BECAUSE I'M GROWING. 153 00:07:37,000 --> 00:07:38,583 IT WASN'T A GOOD DAY. 154 00:07:38,583 --> 00:07:41,125 AND THEN MY FRIEND PULLED MY HAIR OUT. 155 00:07:41,125 --> 00:07:43,958 AND THEN MY TEACHER TOOK MY PHONE AWAY 156 00:07:43,958 --> 00:07:47,750 AND THEN MY TEACHER WAS ALSO MY FATHER. 157 00:07:49,000 --> 00:07:51,625 AT LEAST YOU'RE GROWING. 158 00:07:51,625 --> 00:07:53,625 Topanga: HONEY, PLEASE DON'T COME APART. 159 00:07:53,625 --> 00:07:57,083 LOOK AT THIS AS A BEAUTIFUL OPPORTUNITY TO SPEND TIME WITH YOUR FAMILY. 160 00:08:01,333 --> 00:08:02,833 HELLO, RILEY. 161 00:08:02,833 --> 00:08:04,083 HOW YOU DOIN'? 162 00:08:04,083 --> 00:08:06,458 WANT TO HEAR ABOUT MY DAY? IT WAS A GOOD DAY. 163 00:08:06,458 --> 00:08:07,708 MOM! 164 00:08:07,708 --> 00:08:09,833 FORGIVE HER, AUGGIE. SHE MISSES HER TELEPHONE. 165 00:08:09,833 --> 00:08:11,458 WELL, THEN SHE CAN HAVE MINE. 166 00:08:12,625 --> 00:08:14,458 ( play phone beeps ) The cow goes... 167 00:08:14,458 --> 00:08:16,458 "MOO!" 168 00:08:17,875 --> 00:08:19,333 I'M NOT GONNA MAKE IT. 169 00:08:19,333 --> 00:08:20,583 THAT'S WHAT YOUR FATHER THINKS. 170 00:08:20,583 --> 00:08:21,958 SHE CAN'T. 171 00:08:21,958 --> 00:08:23,458 HONEY, PLEASE DON'T MAKE YOUR FATHER RIGHT. 172 00:08:23,458 --> 00:08:25,708 IT'S NO GOOD FOR ANY OF US WHEN YOUR FATHER IS RIGHT. 173 00:08:26,875 --> 00:08:28,000 SHE'S RIGHT. 174 00:08:29,458 --> 00:08:32,000 WHY ARE YOU REALLY DOING THIS? 175 00:08:33,625 --> 00:08:36,208 BECAUSE I WANT YOU AND YOUR FRIENDS TO BECOME HUMAN BEINGS. 176 00:08:36,208 --> 00:08:38,000 AND I BELIEVE THAT BY DOING THIS, 177 00:08:38,000 --> 00:08:40,250 YOU GUYS CAN LEARN TO BECOME REAL HUMAN BEINGS. 178 00:08:40,250 --> 00:08:42,875 - ( buzzes ) - Hey, losers, it's Maya. 179 00:08:42,875 --> 00:08:44,625 EXCEPT HER. 180 00:08:44,625 --> 00:08:48,250 YOU KNOW WHAT? I AM GOING TO DO THIS. 181 00:08:49,833 --> 00:08:51,708 I CAN GET THROUGH THIS WHOLE THING 182 00:08:51,708 --> 00:08:54,333 WITHOUT MAKING A TEXT OR A CALL. 183 00:08:54,333 --> 00:08:56,583 - ( buzzes ) - COME ON UP. 184 00:08:56,583 --> 00:08:58,416 OF COURSE YOU CAN, SWEETHEART. 185 00:08:58,416 --> 00:09:01,416 AND YOU KNOW WHAT? YOU'RE ALREADY A WONDERFUL HUMAN BEING. 186 00:09:01,416 --> 00:09:02,875 BUT EVERY SO OFTEN, 187 00:09:02,875 --> 00:09:05,333 - LITTLE TESTS LIKE THIS ARE GONNA COME UP. - WHY? 188 00:09:05,333 --> 00:09:08,833 BECAUSE IT'S YOUR FATHER'S JOB TO GIVE YOU LITTLE TESTS. 189 00:09:08,833 --> 00:09:10,500 AND MAYBE ALONG THE WAY, 190 00:09:10,500 --> 00:09:12,708 YOU GUYS ARE GOING TO LEARN A LITTLE BIT MORE ABOUT YOURSELVES. 191 00:09:12,708 --> 00:09:14,583 - ( door opens ) - Maya: YEAH, LIKE I'VE LEARNED 192 00:09:14,583 --> 00:09:17,375 THAT I'M ACTUALLY REALLY OKAY WITH ALL OF THIS. 193 00:09:17,375 --> 00:09:20,416 - YOU DON'T MISS YOUR PHONE? - I WAS THE ONLY ONE IN CLASS WITHOUT A SMART PHONE ANYWAY. 194 00:09:20,416 --> 00:09:22,291 AND NOW I KIND OF FEEL LIKE EVERYBODY'S EVEN. 195 00:09:22,291 --> 00:09:24,250 - ( door buzzing ) - Farkle. 196 00:09:24,250 --> 00:09:25,500 BE READY IN A MINUTE. 197 00:09:25,500 --> 00:09:26,625 - ( buzzing ) - And Lucas. 198 00:09:26,625 --> 00:09:28,291 READY NOW! 199 00:09:32,000 --> 00:09:33,708 DID YOU SEE THAT? 200 00:09:33,708 --> 00:09:35,375 YOU KNOW WHAT THAT WAS? 201 00:09:35,375 --> 00:09:37,833 THAT WAS BOYS. TOO SOON FOR BOYS. 202 00:09:37,833 --> 00:09:39,750 NOT READY FOR BOYS. I DON'T WANT BOYS. 203 00:09:39,750 --> 00:09:41,708 WE JUST GONNA ACCEPT BOYS? 204 00:09:41,708 --> 00:09:44,208 IT HAPPENED, SHE'S GONE. SHE WAS NICE, WE HAD FUN, 205 00:09:44,208 --> 00:09:45,500 BUT WE STILL HAVE HIM. 206 00:09:45,500 --> 00:09:47,375 - YOU WANT TO COLOR? - COLOR! 207 00:09:47,375 --> 00:09:50,333 OF COURSE YOU DO. LET'S COLOR FOR THE REST OF OUR LIVES. 208 00:09:55,416 --> 00:09:58,875 - WILL I BE GETTING A REAL CELLPHONE SOMEDAY? - SOMEDAY. 209 00:09:58,875 --> 00:10:01,708 DOMINIC FALCONE HAS A REAL CELLPHONE. 210 00:10:01,708 --> 00:10:03,708 WOULD YOU RATHER HAVE A REAL CELLPHONE 211 00:10:03,708 --> 00:10:06,375 OR WOULD YOU RATHER COLOR WITH US? 212 00:10:06,375 --> 00:10:07,583 COLOR WITH YOU. 213 00:10:09,250 --> 00:10:11,375 DOES THAT GET ME A CELLPHONE? 214 00:10:12,500 --> 00:10:14,000 NOT TOO MUCH LONGER WITH THIS ONE EITHER. 215 00:10:14,000 --> 00:10:15,583 WELL, YOU'LL ALWAYS HAVE ME. 216 00:10:15,583 --> 00:10:17,000 ( inhales sharply ) YEAH. 217 00:10:25,375 --> 00:10:27,083 WHAT IS THIS PLACE? 218 00:10:27,083 --> 00:10:31,250 THIS IS WHERE THE ANCIENTS STORED ALL OF THEIR WISDOM. 219 00:10:31,250 --> 00:10:33,458 - LOOK AT ALL OF THOSE... - BOOKS. 220 00:10:33,458 --> 00:10:36,000 Both: BOOKS. 221 00:10:36,000 --> 00:10:37,500 LOOK. 222 00:10:37,500 --> 00:10:39,875 ( blows ) 223 00:10:39,875 --> 00:10:42,583 "TALES OF HUMAN INTERACTION." 224 00:10:42,583 --> 00:10:44,166 WE'LL TAKE IT. THANKS, QUICKDRAW. 225 00:10:44,166 --> 00:10:46,708 FARKLE, DO WHATEVER YOU DO WITH THAT. 226 00:10:46,708 --> 00:10:48,250 YOU MEAN READ? 227 00:10:48,250 --> 00:10:50,083 - "CHAPTER ONE--" - OH, I'M BORED OUT OF MY MIND. 228 00:10:50,083 --> 00:10:51,291 LET'S GO TO A MOVIE. 229 00:10:51,291 --> 00:10:54,125 - SHH! - All: AH! 230 00:10:54,125 --> 00:10:56,833 THERE'S ONE OF THOSE ANCIENTS NOW. 231 00:11:01,250 --> 00:11:03,291 OH, WONDROUS GATEKEEPER OF THE KNOWLEDGE, 232 00:11:03,291 --> 00:11:05,708 WE ARE TRAVELERS FROM ANOTHER TIME AND PLACE. 233 00:11:05,708 --> 00:11:08,500 SEVENTH GRADE MIDDLE SCHOOL. 234 00:11:09,583 --> 00:11:11,583 WE WISH TO PARTAKE OF THIS INFORMATION 235 00:11:11,583 --> 00:11:13,208 FROM YOUR GREAT HALL OF WISDOM. 236 00:11:13,208 --> 00:11:15,875 - DO YOU RENT PHONES? - SHH! 237 00:11:15,875 --> 00:11:17,875 - THERE'S NO ONE HERE BUT US. - WHY DO WE HAVE TO SHUSH? 238 00:11:17,875 --> 00:11:19,291 LET ME HANDLE THIS, MAYA. 239 00:11:19,291 --> 00:11:21,750 SHE OBVIOUSLY LIKES IT QUIET. 240 00:11:23,083 --> 00:11:25,708 HELLO, BOOK LADY. 241 00:11:27,208 --> 00:11:28,833 WELL, HELLO. 242 00:11:28,833 --> 00:11:30,250 AND WHO MIGHT YOU BE? 243 00:11:30,250 --> 00:11:32,166 I MIGHT BE FARKLE. 244 00:11:32,166 --> 00:11:34,625 WOULD YOU DO ME A FAVOR, FARKLE? 245 00:11:34,625 --> 00:11:37,250 OH, YOU KNOW I WILL. 246 00:11:37,250 --> 00:11:40,500 WHY DON'T YOU GO OVER THERE 247 00:11:40,500 --> 00:11:43,458 AND... SHH! 248 00:11:43,458 --> 00:11:44,708 WELL, THAT'S DISAPPOINTING. 249 00:11:50,291 --> 00:11:52,458 SO... 250 00:11:52,458 --> 00:11:54,375 YEAH. 251 00:11:55,375 --> 00:11:57,708 UH-HUH. 252 00:11:57,708 --> 00:11:59,875 THIS CHAPTER IS CALLED "DISCONNECT TO CONNECT." 253 00:11:59,875 --> 00:12:03,250 "NOT UNTIL WE PUT DOWN OUR PHONES, SWITCH OFF OUR COMPUTERS 254 00:12:03,250 --> 00:12:04,583 AND LOOK IN EACH OTHER'S EYES 255 00:12:04,583 --> 00:12:06,833 WILL WE BE ABLE TO TOUCH EACH OTHER'S HEARTS." 256 00:12:06,833 --> 00:12:08,958 YEAH, LIKE THAT'S GOING TO WORK ON ANYBODY. 257 00:12:19,416 --> 00:12:21,583 PEOPLE USED TO NEED PLACES LIKE THIS. 258 00:12:21,583 --> 00:12:24,208 NOW WE CAN HOLD EVERYTHING THAT'S HERE IN A LITTLE DEVICE WE CAN PUT IN OUR POCKETS. 259 00:12:24,208 --> 00:12:26,000 I DON'T EVEN NEED TO LOOK OUT THIS WINDOW 260 00:12:26,000 --> 00:12:28,166 TO KNOW WHAT PHASE THE MOON IS IN OR WHERE THE STARS ARE. 261 00:12:28,166 --> 00:12:30,000 YEAH, WELL, I DON'T HAVE A PHONE LIKE THAT. 262 00:12:30,000 --> 00:12:31,875 I JUST HAVE THE ACTUAL SKY. 263 00:12:31,875 --> 00:12:33,708 OH, I'M SO SORRY FOR YOU. 264 00:12:33,708 --> 00:12:35,250 YOU'RE AT A REAL DISADVANTAGE. 265 00:12:35,250 --> 00:12:37,500 THAT CAN BE THE BASIS OF OUR PRESENTATION, OKAY? 266 00:12:37,500 --> 00:12:38,750 WANT TO READ BACK THE NOTES? 267 00:12:38,750 --> 00:12:40,958 - WHAT NOTES? - YOU WEREN'T TAKING NOTES? 268 00:12:40,958 --> 00:12:42,708 - NO. - YOU KNOW, WHY BOTHER? 269 00:12:42,708 --> 00:12:44,958 WITHOUT A COMPUTER, ALL WE HAVE IS A PENCIL AND A PAD. 270 00:12:44,958 --> 00:12:47,250 WHAT COULD WE POSSIBLY DO WITH THAT? 271 00:12:49,000 --> 00:12:52,958 MAYA, I HAD NO IDEA. 272 00:12:54,958 --> 00:12:57,958 YEAH, NEITHER DID I. 273 00:13:00,458 --> 00:13:04,125 MY DAD THINKS THAT WE HAVE NO IDEA HOW TO TALK TO EACH OTHER. 274 00:13:04,125 --> 00:13:05,708 WHAT IF HE'S RIGHT? 275 00:13:05,708 --> 00:13:06,875 SHH! 276 00:13:06,875 --> 00:13:08,750 BUT WE'RE NOT SAYING ANYTHING. 277 00:13:08,750 --> 00:13:10,250 I KNOW. 278 00:13:10,250 --> 00:13:12,250 THEN WHY ARE YOU SHUSHING US? 279 00:13:12,250 --> 00:13:13,708 BECAUSE I CAN'T TAKE IT ANYMORE. 280 00:13:13,708 --> 00:13:15,875 YOU GUYS ARE HOPELESS. 281 00:13:15,875 --> 00:13:17,250 COME HERE. 282 00:13:19,291 --> 00:13:21,291 COUPLE OF SWEET KIDS LIKE YOU 283 00:13:21,291 --> 00:13:23,958 AND YOU SIT THERE LIKE A COUPLE OF LUMPS. 284 00:13:23,958 --> 00:13:25,416 YOU'RE A DISGRACE 285 00:13:25,416 --> 00:13:28,583 TO EVERY SINGLE STORY ON THESE SHELVES. 286 00:13:28,583 --> 00:13:32,250 - OKAY, SO WHAT DO I SAY TO HIM? - LOOK AROUND. 287 00:13:32,250 --> 00:13:35,291 NOTHING HERE BUT BOOKS ABOUT BOYS AND GIRLS 288 00:13:35,291 --> 00:13:37,833 AND MEN AND WOMEN AND WHAT THEY SAY TO EACH OTHER. 289 00:13:37,833 --> 00:13:41,458 OPEN ANY ONE OF THEM AND YOU-- NO, NOT THAT ONE. 290 00:13:41,458 --> 00:13:43,625 OH, BOY, NOT THAT ONE! 291 00:13:43,625 --> 00:13:48,458 LOOK, ALL THESE BOOKS HAVE ONE THING IN COMMON. 292 00:13:48,458 --> 00:13:49,750 WHAT'S THAT? 293 00:13:49,750 --> 00:13:52,708 YOU START ON PAGE ONE, AND EACH PAGE YOU TURN 294 00:13:52,708 --> 00:13:54,291 BRINGS YOU DEEPER INTO THE STORY. 295 00:13:54,291 --> 00:13:55,875 - WHAT'S YOUR NAME? - RILEY. 296 00:13:55,875 --> 00:13:58,166 - WHAT'S HIS NAME? - LUCAS. 297 00:13:58,166 --> 00:13:59,833 YOU LIKE A GOOD STORY, RILEY? 298 00:13:59,833 --> 00:14:02,083 THEN START AT THE BEGINNING. 299 00:14:09,333 --> 00:14:12,208 - HI. - HI. 300 00:14:18,625 --> 00:14:21,000 "BECAUSE IT'S NOT UNTIL YOU REALLY LOOKED AT EACH OTHER 301 00:14:21,000 --> 00:14:24,708 AND MADE A HUMAN CONNECTION THAT YOU CAN EVEN BEGIN TO KNOW EACH OTHER." 302 00:14:24,708 --> 00:14:26,458 - LOOK IN MY EYES. LOOK IN MY EYES. - NO. NO. 303 00:14:26,458 --> 00:14:28,250 - LOOK IN MY EYES. - NO! 304 00:14:29,708 --> 00:14:31,708 I GUESS THE THING I MISS MOST ABOUT TEXAS 305 00:14:31,708 --> 00:14:33,291 ARE THE PETS I USED TO HAVE. 306 00:14:33,291 --> 00:14:35,875 I HAD A HAMSTER. 307 00:14:35,875 --> 00:14:37,583 I HAD 24 HORSES. 308 00:14:37,583 --> 00:14:39,583 YOU WIN. 309 00:14:41,000 --> 00:14:42,458 TELL ME ABOUT THEM. 310 00:14:42,458 --> 00:14:44,000 ONE DAY AFTER SCHOOL, 311 00:14:44,000 --> 00:14:45,833 SOFIA WAS FOALING. 312 00:14:45,833 --> 00:14:49,291 THAT MEANS SHE WAS GIVING BIRTH, RIGHT? 313 00:14:49,291 --> 00:14:50,958 NOT TOO BAD, CITY GIRL. 314 00:14:50,958 --> 00:14:52,208 ( laughs ) 315 00:14:52,208 --> 00:14:53,708 AND THERE WAS NO ONE THERE, 316 00:14:53,708 --> 00:14:55,958 SO I CALLED DR. GALENDO 317 00:14:55,958 --> 00:14:57,583 AND HE TALKED ME THROUGH IT. 318 00:14:59,291 --> 00:15:00,833 ANYWAY, THAT WAS ALL. 319 00:15:01,833 --> 00:15:03,708 MORE. 320 00:15:03,708 --> 00:15:08,375 DID YOU KNOW THAT A BABY HORSE STANDS IN THE FIRST HOUR AFTER IT'S BORN? 321 00:15:08,375 --> 00:15:09,708 REALLY? 322 00:15:09,708 --> 00:15:11,458 I'D LIKED TO HAVE BEEN THERE FOR THAT. 323 00:15:11,458 --> 00:15:13,375 THE COOLEST THING I'VE EVER SEEN 324 00:15:13,375 --> 00:15:15,500 AND I WAS A PART OF IT. 325 00:15:17,500 --> 00:15:20,291 - RILEY. - LUCAS. 326 00:15:20,291 --> 00:15:22,875 I'VE NEVER TOLD THIS TO ANYBODY BEFORE. 327 00:15:24,208 --> 00:15:25,875 YEAH? 328 00:15:25,875 --> 00:15:28,708 I THINK SOMEDAY I MIGHT LIKE TO BE A VETERINARIAN. 329 00:15:28,708 --> 00:15:31,500 THAT'S COOL TOO. 330 00:15:31,500 --> 00:15:33,833 I DELIVERED THIS BEAUTIFUL PALOMINO. 331 00:15:33,833 --> 00:15:37,583 I'D SHOW YOU HER PICTURE, BUT I DON'T HAVE MY PHONE. 332 00:15:37,583 --> 00:15:40,416 THAT'S OKAY. JUST... ( sighs ) 333 00:15:40,416 --> 00:15:41,875 KEEP TALKING. 334 00:15:46,750 --> 00:15:49,583 "THERE IS NO CONNECTION YOU CAN MAKE WITH ANY SCREEN 335 00:15:49,583 --> 00:15:51,708 THAT COMPARES TO THE MOMENT YOU UNDERSTAND 336 00:15:51,708 --> 00:15:53,875 ONLY HUMAN BEINGS HAVE SOULS." 337 00:15:53,875 --> 00:15:56,291 ( no discernable dialog ) 338 00:15:56,291 --> 00:15:57,458 - I HAVE A SOUL. - NO. 339 00:15:57,458 --> 00:15:58,833 - I DO! I DO! - NO. 340 00:15:58,833 --> 00:16:00,500 NO. 341 00:16:03,416 --> 00:16:06,750 - I COLORED A NEW PICTURE. - STAY LIKE THIS FOREVER. 342 00:16:06,750 --> 00:16:09,166 WOULD YOU PLEASE? THAT'D BE GREAT. 343 00:16:09,166 --> 00:16:11,458 THE PICTURE'S OVER THERE. 344 00:16:13,458 --> 00:16:17,000 MOMMY, DADDY, AUGGIE, AND NO RILEY. 345 00:16:17,000 --> 00:16:19,416 UH, AUGGIE, I DON'T KNOW IF YOU-- 346 00:16:19,416 --> 00:16:21,000 IT'S BEAUTIFUL! 347 00:16:21,000 --> 00:16:24,000 I THINK THAT'S WHAT YOU'RE SUPPOSED TO DO. I HAVE NO IDEA. 348 00:16:24,000 --> 00:16:26,125 AND LOOK AT THE 'FRIGERATOR. 349 00:16:26,125 --> 00:16:27,291 THE NEW ONE? 350 00:16:29,458 --> 00:16:31,500 THAT'S OUR TRIP TO THE JERSEY SHORE. 351 00:16:31,500 --> 00:16:34,000 IT'S BEAUTIFUL. IT'S BEAUTIFUL. 352 00:16:34,000 --> 00:16:36,000 I THINK THAT'S WHAT YOU'RE SUPPOSED TO DO. 353 00:16:47,458 --> 00:16:49,166 HOW WAS YOUR NIGHT, RILEY? 354 00:16:49,166 --> 00:16:52,583 THANK YOU FOR SENDING US TO THE LIBRARY. 355 00:16:52,583 --> 00:16:54,458 REALLY? 356 00:16:54,458 --> 00:16:58,000 YES. LUCAS AND I DID REALLY WELL ON THE ASSIGNMENT. 357 00:16:58,000 --> 00:17:00,750 I THINK THAT WE CONNECTED. 358 00:17:00,750 --> 00:17:02,708 WHAT DO YOU MEAN, CONNECTED? WHAT ARE YOU TALKING ABOUT? 359 00:17:02,708 --> 00:17:04,625 HOW DID YOU CONNECT? 360 00:17:04,625 --> 00:17:07,833 WE TALKED ABOUT STUFF THAT WAS IMPORTANT TO US-- 361 00:17:07,833 --> 00:17:09,583 TOO IMPORTANT TO TEXT. 362 00:17:11,125 --> 00:17:14,000 DID YOU KNOW THAT WHEN YOU LISTEN TO SOMEONE, 363 00:17:14,000 --> 00:17:15,708 THEY'LL TELL YOU STUFF? 364 00:17:18,416 --> 00:17:21,291 OH, BOY. 365 00:17:21,291 --> 00:17:23,125 FRIENDS TALK TO EACH OTHER, 366 00:17:23,125 --> 00:17:26,333 BUT REAL FRIENDS LISTEN. 367 00:17:26,333 --> 00:17:28,875 MAYA KNOWS HOW TO DRAW 368 00:17:28,875 --> 00:17:31,750 AND I KNOW HOW TO BE A REAL FRIEND. 369 00:17:31,750 --> 00:17:34,500 YOU'RE A GOOD TEACHER, DAD. 370 00:17:34,500 --> 00:17:38,000 YOU CAN KEEP MY PHONE AS LONG AS YOU WANT. 371 00:17:46,375 --> 00:17:49,000 - CONGRATULATIONS, CORY. - WHAT DID I DO? 372 00:17:49,000 --> 00:17:51,208 YOU JUST TAUGHT OUR DAUGHTER HOW TO FEEL. 373 00:17:51,208 --> 00:17:53,166 - I DID THAT? - YOU DID. 374 00:17:53,166 --> 00:17:54,708 I DIDN'T MEAN TO DO THAT. 375 00:17:54,708 --> 00:17:55,833 WELL, YOU DID. 376 00:17:55,833 --> 00:17:57,000 SHE HAS FEELINGS NOW? 377 00:17:57,000 --> 00:17:58,500 - MM-HMM. - HOW MANY? 378 00:17:58,500 --> 00:18:00,500 - ALL OF THEM. - WELL, PUT THEM BACK. 379 00:18:00,500 --> 00:18:01,708 WE CAN'T DO THAT. 380 00:18:01,708 --> 00:18:03,458 I HAVE A WAY. 381 00:18:03,458 --> 00:18:06,250 - THERE'S NO WAY. - I HAVE A WAY. 382 00:18:06,250 --> 00:18:08,625 HERE YOU GO-- TAKE YOUR PHONE. TAKE IT NOW. 383 00:18:08,625 --> 00:18:10,875 VERY GOOD. HERE'S YOUR PHONE. 384 00:18:10,875 --> 00:18:13,333 GOOD, GREAT, NOBODY TALKS TO NOBODY. 385 00:18:13,333 --> 00:18:15,500 NO MORE FEELINGS. THANK YOU. 386 00:18:17,291 --> 00:18:19,875 OKAY, GUYS, THE GREAT TECHNOLOGY DEBATE. 387 00:18:19,875 --> 00:18:21,000 LET'S BOOT IT UP! 388 00:18:24,875 --> 00:18:27,333 I HAVE ALWAYS BELIEVED TECHNOLOGY WOULD HELP US 389 00:18:27,333 --> 00:18:29,416 FULFILL OUR POTENTIAL AS A SPECIES. 390 00:18:29,416 --> 00:18:31,416 AND WHEN FARKLE DOES RULE THE WORLD, 391 00:18:31,416 --> 00:18:34,083 NO MATTER WHAT DEVICES WE COME UP WITH, 392 00:18:34,083 --> 00:18:36,208 WE SHOULD ALSO NEVER FORGET WHAT WE CAN DO WITH A PENCIL, 393 00:18:36,208 --> 00:18:40,208 A PIECE OF PAPER AND OUR OWN IMAGINATIONS. 394 00:18:42,250 --> 00:18:46,750 I'VE BEEN KEEPING THIS IN MY POCKET WHERE MY PHONE USED TO BE. 395 00:18:46,750 --> 00:18:49,083 I KEEP LOOKING AT IT. 396 00:18:51,750 --> 00:18:53,958 I'M FINE. 397 00:18:53,958 --> 00:18:55,125 THANKS, FARKLE. 398 00:18:55,125 --> 00:18:56,875 - LOOK IN MY EYES. - NO. 399 00:18:58,583 --> 00:19:01,291 I THOUGHT MY WHOLE LIFE WAS IN MY PHONE, 400 00:19:01,291 --> 00:19:05,291 BUT IT TURNS OUT THAT I DON'T REALLY HAVE ANY FRIENDS IN HERE. 401 00:19:05,291 --> 00:19:07,000 AND YOU DON'T NEED YOUR PHONE 402 00:19:07,000 --> 00:19:08,958 TO CONNECT WITH YOUR REAL FRIENDS. 403 00:19:10,416 --> 00:19:12,125 ALLOW US TO DEMONSTRATE. 404 00:19:13,875 --> 00:19:16,750 - HI. - HI. 405 00:19:20,125 --> 00:19:23,125 ♪ I'M SINGING "GO-O-O" ♪ 406 00:19:29,250 --> 00:19:31,583 Maya: I'M NOT THAT TALL. 407 00:19:34,125 --> 00:19:36,125 REALLY? 408 00:19:38,458 --> 00:19:42,000 HOW YOU DOIN'? 409 00:19:42,000 --> 00:19:45,125 YOU WILL KEEP AN EYE ON RILEY AT ALL TIMES. 410 00:19:45,125 --> 00:19:46,875 YOU WILL SEND ME MESSAGE ALERTS. 411 00:19:46,875 --> 00:19:48,416 YOU WILL SEND ME PICTURES. 412 00:19:48,416 --> 00:19:50,333 YOU'RE REALLY SCARED, AREN'T YOU? 413 00:19:51,375 --> 00:19:52,458 I'M A FATHER. 414 00:19:52,458 --> 00:19:54,708 YEAH. THEY'RE JUST FRIENDS. 415 00:19:54,708 --> 00:19:57,125 BELIEVE ME, I KNOW THE STORY. 416 00:19:57,125 --> 00:20:00,250 BUT YOU'RE FORGETTING, I DON'T HAVE THE TECHNOLOGY. 417 00:20:00,250 --> 00:20:03,291 NOW YOU DO. 418 00:20:12,958 --> 00:20:15,000 YOU GOT ME A PHONE? 419 00:20:15,000 --> 00:20:18,375 MY MOTIVES ARE COMPLETELY SELFISH. 420 00:20:18,375 --> 00:20:20,625 I'M NOT SURE THEY ARE, MR. MATTHEWS. 421 00:20:20,625 --> 00:20:23,208 WELL, I ALSO GOT YOU THESE. 422 00:20:25,208 --> 00:20:28,083 - COLORED PENCILS? - YEAH. 423 00:20:28,083 --> 00:20:29,875 YOU LET ME KNOW EVERYTHING 424 00:20:29,875 --> 00:20:31,458 THAT'S GOING ON WITH RILEY. 425 00:20:31,458 --> 00:20:33,708 AND IF SOMETHING BEAUTIFUL EVER HAPPENS, 426 00:20:33,708 --> 00:20:35,708 PAINT ME A PICTURE.