1
00:00:03,333 --> 00:00:06,416
( bell rings )
2
00:00:06,416 --> 00:00:08,083
( clicking )
3
00:00:08,083 --> 00:00:09,875
TALK TO HIM.
4
00:00:09,875 --> 00:00:12,708
WHY? WE HAVE A GREAT
TEXT RELATIONSHIP.
5
00:00:12,708 --> 00:00:13,875
YOU KNOW WHAT'S A BETTER
TEXT RELATIONSHIP?
6
00:00:13,875 --> 00:00:16,416
- WHAT?
- TALK TO HIM.
7
00:00:25,375 --> 00:00:26,500
( phone swooshing )
8
00:00:29,416 --> 00:00:31,166
HE'S RIGHT OVER THERE.
9
00:00:32,875 --> 00:00:34,125
NO!
10
00:00:34,125 --> 00:00:35,875
TOO COMPLICATED OVER THERE.
11
00:00:35,875 --> 00:00:37,625
LOTS CAN GO WRONG
OVER THERE.
12
00:00:37,625 --> 00:00:40,458
THE ONLY THING
THAT CAN GO WRONG OVER HERE
IS IF I GO OVER THERE.
13
00:00:57,875 --> 00:01:00,291
( mouths )
14
00:01:05,958 --> 00:01:08,708
( mouths )
15
00:01:08,708 --> 00:01:10,458
( mouths )
16
00:01:12,708 --> 00:01:14,708
( mouths )
17
00:01:21,833 --> 00:01:24,208
( sniffing )
18
00:01:30,083 --> 00:01:32,291
- HOW'D I DO?
- YOU SMELLED HIM.
19
00:01:32,291 --> 00:01:35,583
- YUP.
- YOU SMELLED HIM
IS WHAT YOU DID.
20
00:01:35,583 --> 00:01:39,583
I WALK THROUGH LIFE
THE WAY I WALK THROUGH LIFE.
21
00:01:39,583 --> 00:01:41,500
CAN WE PLEASE TALK ABOUT THIS?
22
00:01:41,500 --> 00:01:43,000
( clicks, whooshes )
23
00:01:43,000 --> 00:01:44,708
( cellphone chimes )
24
00:01:44,708 --> 00:01:46,166
( sighs )
25
00:01:46,166 --> 00:01:48,166
"NOPE."
26
00:01:48,166 --> 00:01:50,875
( pop music playing )
27
00:01:54,458 --> 00:01:56,458
♪ I'VE BEEN
WAITING ♪
28
00:01:56,458 --> 00:01:57,708
♪ FOR A DAY ♪
29
00:01:57,708 --> 00:01:58,708
♪ LIKE THIS
TO COME ♪
30
00:01:58,708 --> 00:02:00,375
♪ STRUCK LIKE LIGHTNING ♪
31
00:02:00,375 --> 00:02:03,000
♪ MY HEART'S
BEATING LIKE
A DRUM ♪
32
00:02:03,000 --> 00:02:04,500
♪ ON THE
EDGE ♪
33
00:02:04,500 --> 00:02:07,000
♪ OF SOMETHING WONDERFUL ♪
34
00:02:07,000 --> 00:02:09,875
♪ FACE TO FACE
WITH CHANGES ♪
35
00:02:09,875 --> 00:02:11,000
♪ WHAT'S IT
ALL ABOUT? ♪
36
00:02:11,000 --> 00:02:13,208
♪ LIFE IS CRAZY ♪
37
00:02:13,208 --> 00:02:15,250
♪ BUT I KNOW I CAN
WORK IT OUT ♪
38
00:02:15,250 --> 00:02:16,583
♪ 'CAUSE
I GOT YOU ♪
39
00:02:16,583 --> 00:02:19,416
♪ TO LIVE IT
WITH ME ♪
40
00:02:19,416 --> 00:02:23,500
♪ I FEEL ALL RIGHT,
I'M GONNA TAKE ON THE WORLD ♪
41
00:02:23,500 --> 00:02:26,875
♪ LIGHT UP THE STARS,
I'VE GOT SOME PAGES TO TURN ♪
42
00:02:26,875 --> 00:02:28,708
♪ I'M SINGING "GO-O-O" ♪
43
00:02:28,708 --> 00:02:31,750
♪ OH OH OH OH ♪
44
00:02:31,750 --> 00:02:34,833
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
45
00:02:34,833 --> 00:02:36,250
♪ TAKE ON THE WORLD ♪
46
00:02:36,250 --> 00:02:37,625
♪ TAKE ON THE WORLD ♪
47
00:02:37,625 --> 00:02:40,458
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD. ♪
48
00:02:42,291 --> 00:02:43,250
YOU GUYS DON'T
49
00:02:43,250 --> 00:02:44,416
CONNECT WITH
EACH OTHER.
50
00:02:44,416 --> 00:02:47,000
IT'S LIKE YOU CAN'T
EXIST WITHOUT THESE.
51
00:02:47,000 --> 00:02:49,958
YOU USE EMOTICONS
RATHER THAN EMOTIONS.
52
00:02:49,958 --> 00:02:53,750
YOU'RE AN UNFEELING GENERATION
OF ZOMBIES.
53
00:02:53,750 --> 00:02:55,750
( mimicking zombies )
54
00:02:58,583 --> 00:02:59,625
STOP EATING HER.
55
00:03:03,708 --> 00:03:06,416
- YOU'RE LATE, MISS MYZELL.
- MY GOLDFISH DIED.
56
00:03:08,083 --> 00:03:09,083
YOU SEE?
57
00:03:09,083 --> 00:03:10,416
THIS IS WHAT I'M
TALKING ABOUT.
58
00:03:10,416 --> 00:03:12,000
MISS MYZELL
HAS CLEARLY
59
00:03:12,000 --> 00:03:13,458
SUFFERED
A TRAGIC LOSS.
60
00:03:13,458 --> 00:03:14,833
YET SHE DOES NOT
SEEM IN TOUCH
61
00:03:14,833 --> 00:03:16,333
WITH HER
ACTUAL EMOTIONS.
62
00:03:16,333 --> 00:03:18,166
'SCUZE ME?
63
00:03:18,166 --> 00:03:20,166
I AM CRYING MY EYES OUT.
64
00:03:20,166 --> 00:03:23,000
I'M GONNA HAVE TO
LEAVE CLASS EARLY.
65
00:03:26,333 --> 00:03:28,458
OH, SHE ACTUALLY MADE IT
OUT THE DOOR THIS TIME.
66
00:03:28,458 --> 00:03:32,625
I ACTUALLY MADE IT
OUT THE DOOR THIS TIME!
67
00:03:34,375 --> 00:03:37,458
DAD, ADJUST AND DEAL.
68
00:03:37,458 --> 00:03:40,000
CELLPHONES HAVE BEEN AROUND
FOR, LIKE, EVER.
69
00:03:40,000 --> 00:03:42,458
IT'LL AMAZE YOU TO KNOW
THAT THERE WAS A WHOLE WORLD
70
00:03:42,458 --> 00:03:44,500
BEFORE YOU AND CELLPHONES.
71
00:03:44,500 --> 00:03:48,708
AND IT'LL AMAZE YOU TO KNOW
THAT I HAVE 394 FRIENDS IN HERE.
72
00:03:48,708 --> 00:03:51,375
AND I'M AMAZED
THAT YOU BELIEVE THAT.
73
00:03:54,500 --> 00:03:58,000
THIS IS A TIMELINE
OF ALL HUMAN EXISTENCE.
74
00:03:59,333 --> 00:04:02,750
STARTING HERE IS EVERYONE
WHO EVER LIVED,
75
00:04:02,750 --> 00:04:07,375
LAUGHED, LOVED,
AND UNDERSTOOD
THE VALUE OF LIFE.
76
00:04:07,375 --> 00:04:09,708
THE CELLPHONE ERA,
WHICH BEGINS
77
00:04:09,708 --> 00:04:12,000
RIGHT AROUND HERE
78
00:04:12,000 --> 00:04:14,416
PRETTY MUCH DESTROYS
ALL OF THAT.
79
00:04:14,416 --> 00:04:16,458
WAY TO GO, YOU.
80
00:04:16,458 --> 00:04:19,708
SIR, IF I MAY TAKE
A DIFFERENT POSITION?
81
00:04:19,708 --> 00:04:21,875
YEAH, SAVE ME, MR. FRIAR.
DO I GO TOO FAR?
82
00:04:21,875 --> 00:04:23,000
ALWAYS, SIR.
83
00:04:25,000 --> 00:04:27,250
I UNDERSTAND YOUR POINT,
BUT I USE MY PHONE
84
00:04:27,250 --> 00:04:28,708
TO VIDEO CHAT
MY OLD FRIENDS
85
00:04:28,708 --> 00:04:30,708
AND TO FIND OUT
WHAT'S GOING ON IN TEXAS.
86
00:04:30,708 --> 00:04:32,833
YEAH.
HOW ELSE CAN HE KEEP TABS
87
00:04:32,833 --> 00:04:35,708
ON ALL THE HOEDOWNS
AND CATTLE PAGEANTS?
88
00:04:35,708 --> 00:04:37,583
- MAYA!
- IT'S OKAY, RILEY.
89
00:04:37,583 --> 00:04:40,416
I'M UNAFFECTED BY MAYA'S VIEWS
OF COUNTRY LIFE.
90
00:04:40,416 --> 00:04:42,500
AS MY UNCLE BUSTER
ALWAYS SAYS,
91
00:04:42,500 --> 00:04:45,583
"BE LIKE AN EAGLE
AND SOAR ABOVE THE MOCKINGBIRD."
92
00:04:45,583 --> 00:04:47,125
YOU'RE THE MOCKINGBIRD.
93
00:04:47,125 --> 00:04:49,250
I KNOW.
94
00:04:49,250 --> 00:04:51,625
IT KILLS ME
THAT I CAN'T GET TO YOU.
95
00:04:51,625 --> 00:04:53,958
SORRY, MA'AM.
96
00:04:53,958 --> 00:04:56,291
( angrily )
OOH-HOO-HOO-HOO.
97
00:04:56,291 --> 00:04:59,291
- FARKLE TIME, SIR?
- OH, I LOVE FARKLE TIME.
98
00:05:02,583 --> 00:05:04,500
WITH ALL DUE RESPECT
TO HISTORY, MR. MATTHEWS,
99
00:05:04,500 --> 00:05:07,708
WHAT'S IMPORTANT
TO OUR GENERATION WILL BE
ON THIS SIDE OF THE TIMELINE,
100
00:05:07,708 --> 00:05:10,500
WHEN FARKLE
AND TECHNOLOGY RULE.
101
00:05:10,500 --> 00:05:14,000
AND I WILL EASILY BE ABLE
TO MAKE ANOTHER ONE OF YOU...
102
00:05:14,000 --> 00:05:15,333
- OW.
- ...AND ANOTHER ONE OF YOU.
103
00:05:15,333 --> 00:05:16,625
OW.
104
00:05:16,625 --> 00:05:20,583
WAIT, SO NOW THERE'S FOUR
OF US AND ONE OF YOU?
105
00:05:20,583 --> 00:05:22,208
THAT'S AWESOME.
106
00:05:23,583 --> 00:05:25,250
THE FUTURE--
YOU CAN'T ESCAPE IT.
107
00:05:25,250 --> 00:05:26,958
I AM FARKLE!
108
00:05:29,125 --> 00:05:32,000
THE ASSIGNMENT--
YOU CAN'T ESCAPE IT.
109
00:05:32,000 --> 00:05:33,458
I AM TEACHER!
110
00:05:34,958 --> 00:05:36,583
OKAY, SO HERE'S WHAT
WE'RE GOING TO DO, GUYS.
111
00:05:36,583 --> 00:05:39,375
WE'RE GOING TO SPLIT INTO TEAMS
AND DISCOVER WHETHER OR NOT
112
00:05:39,375 --> 00:05:42,125
NEW TECHNOLOGY
HAS MADE US BETTER PEOPLE.
113
00:05:42,125 --> 00:05:44,458
YOU'LL DO PRESENTATIONS
ON YOUR FINDINGS.
114
00:05:44,458 --> 00:05:47,000
AND HERE'S A TWIST--
NO COMPUTERS.
115
00:05:47,000 --> 00:05:48,083
WHAT?!
116
00:05:48,083 --> 00:05:50,333
WE'RE GOING OLD SCHOOL.
117
00:05:50,333 --> 00:05:53,250
YOU'RE GOING TO DO YOUR RESEARCH
AT THE NEW YORK PUBLIC LIBRARY.
118
00:05:53,250 --> 00:05:54,708
WHERE?!
119
00:05:54,708 --> 00:05:57,458
AND HERE'S ANOTHER TWIST
BECAUSE I TRUST YOU NOT AT ALL--
120
00:05:57,458 --> 00:05:58,833
GIVE ME YOUR CELLPHONES.
121
00:05:58,833 --> 00:06:00,416
- NO!
- YEAH.
122
00:06:00,416 --> 00:06:02,583
- ( all grumbling )
- COME ON, HAND 'EM UP,
HAND 'EM UP.
123
00:06:02,583 --> 00:06:04,333
( grumbling continues )
124
00:06:04,333 --> 00:06:06,000
THANK YOU, THANK YOU.
125
00:06:06,000 --> 00:06:09,458
OKAY, SO OUR TEAMS
FOR THIS ASSIGNMENT--
126
00:06:09,458 --> 00:06:12,750
- MAYA--
- WHAT UP!
127
00:06:12,750 --> 00:06:15,166
AND RILEY,
128
00:06:15,166 --> 00:06:18,375
YOU WILL BE WITH-- NO!
129
00:06:19,583 --> 00:06:21,458
- NO.
- ( bell ringing )
130
00:06:21,458 --> 00:06:22,458
NO!
131
00:06:24,583 --> 00:06:27,500
WHY DID YOU
HAVE TO COME HERE?
132
00:06:27,500 --> 00:06:29,125
SORRY I MAKE YOU UNEASY, SIR.
133
00:06:29,125 --> 00:06:32,125
OH, DAD,
WE DON'T EVEN HAVE OUR PHONES.
134
00:06:32,125 --> 00:06:34,208
I MEAN,
WHAT COULD POSSIBLY HAPPEN?
135
00:06:38,458 --> 00:06:41,833
HEY, SOARING EAGLE,
YOU WALKIN' WITH US
TO THE LIBRARY TONIGHT?
136
00:06:41,833 --> 00:06:43,833
SURE, IF THAT'S GOOD
WITH YOU GUYS.
137
00:06:43,833 --> 00:06:47,708
WELL, SEEING AS HOW
YOU'RE RILEY'S PARTNER
ON THIS ASSIGNMENT,
138
00:06:47,708 --> 00:06:50,250
I GUESS WE SHOULD FIND OUT
IF IT'S OKAY WITH HER.
139
00:06:50,250 --> 00:06:51,875
RILEY?
140
00:06:54,333 --> 00:06:56,000
RILEY, ANY THOUGHTS ON THIS
141
00:06:56,000 --> 00:06:58,708
THAT MIGHT COME
OUT OF YOUR MOUTH IN WORD FORM?
142
00:06:58,708 --> 00:07:01,250
NO, BECAUSE YOU DON'T
HAVE YOUR PHONE ANYMORE,
143
00:07:01,250 --> 00:07:04,583
SO WHAT ARE YOU GOING TO DO
TO COMMUNICATE? I WONDER.
144
00:07:06,250 --> 00:07:07,708
OH, LOOK AT THAT.
145
00:07:07,708 --> 00:07:09,083
TWO THUMBS UP FROM RILEY.
146
00:07:09,083 --> 00:07:11,875
AND A SMILEY FACE.
147
00:07:20,333 --> 00:07:21,958
IT WAS A GOOD DAY.
148
00:07:21,958 --> 00:07:25,333
AND THEN MY FRIENDS
TREATED ME NICELY.
149
00:07:25,333 --> 00:07:26,875
AND THEN MY TEACHER
MEASURED US
150
00:07:26,875 --> 00:07:28,416
AND THEN I'M GROWING.
151
00:07:28,416 --> 00:07:31,875
AND THEN JENNY LEWIS
LOVES ME...
152
00:07:33,125 --> 00:07:35,416
I THINK BECAUSE I'M GROWING.
153
00:07:37,000 --> 00:07:38,583
IT WASN'T A GOOD DAY.
154
00:07:38,583 --> 00:07:41,125
AND THEN MY FRIEND
PULLED MY HAIR OUT.
155
00:07:41,125 --> 00:07:43,958
AND THEN MY TEACHER
TOOK MY PHONE AWAY
156
00:07:43,958 --> 00:07:47,750
AND THEN MY TEACHER
WAS ALSO MY FATHER.
157
00:07:49,000 --> 00:07:51,625
AT LEAST YOU'RE GROWING.
158
00:07:51,625 --> 00:07:53,625
Topanga:
HONEY, PLEASE DON'T COME APART.
159
00:07:53,625 --> 00:07:57,083
LOOK AT THIS
AS A BEAUTIFUL OPPORTUNITY
TO SPEND TIME WITH YOUR FAMILY.
160
00:08:01,333 --> 00:08:02,833
HELLO, RILEY.
161
00:08:02,833 --> 00:08:04,083
HOW YOU DOIN'?
162
00:08:04,083 --> 00:08:06,458
WANT TO HEAR ABOUT MY DAY?
IT WAS A GOOD DAY.
163
00:08:06,458 --> 00:08:07,708
MOM!
164
00:08:07,708 --> 00:08:09,833
FORGIVE HER, AUGGIE.
SHE MISSES HER TELEPHONE.
165
00:08:09,833 --> 00:08:11,458
WELL, THEN SHE CAN HAVE MINE.
166
00:08:12,625 --> 00:08:14,458
( play phone beeps )
The cow goes...
167
00:08:14,458 --> 00:08:16,458
"MOO!"
168
00:08:17,875 --> 00:08:19,333
I'M NOT GONNA MAKE IT.
169
00:08:19,333 --> 00:08:20,583
THAT'S WHAT
YOUR FATHER THINKS.
170
00:08:20,583 --> 00:08:21,958
SHE CAN'T.
171
00:08:21,958 --> 00:08:23,458
HONEY, PLEASE
DON'T MAKE YOUR FATHER RIGHT.
172
00:08:23,458 --> 00:08:25,708
IT'S NO GOOD FOR ANY OF US
WHEN YOUR FATHER IS RIGHT.
173
00:08:26,875 --> 00:08:28,000
SHE'S RIGHT.
174
00:08:29,458 --> 00:08:32,000
WHY ARE YOU REALLY DOING THIS?
175
00:08:33,625 --> 00:08:36,208
BECAUSE I WANT
YOU AND YOUR FRIENDS
TO BECOME HUMAN BEINGS.
176
00:08:36,208 --> 00:08:38,000
AND I BELIEVE
THAT BY DOING THIS,
177
00:08:38,000 --> 00:08:40,250
YOU GUYS CAN LEARN
TO BECOME REAL HUMAN BEINGS.
178
00:08:40,250 --> 00:08:42,875
- ( buzzes )
- Hey, losers, it's Maya.
179
00:08:42,875 --> 00:08:44,625
EXCEPT HER.
180
00:08:44,625 --> 00:08:48,250
YOU KNOW WHAT?
I AM GOING TO DO THIS.
181
00:08:49,833 --> 00:08:51,708
I CAN GET THROUGH
THIS WHOLE THING
182
00:08:51,708 --> 00:08:54,333
WITHOUT MAKING A TEXT
OR A CALL.
183
00:08:54,333 --> 00:08:56,583
- ( buzzes )
- COME ON UP.
184
00:08:56,583 --> 00:08:58,416
OF COURSE YOU CAN, SWEETHEART.
185
00:08:58,416 --> 00:09:01,416
AND YOU KNOW WHAT?
YOU'RE ALREADY A WONDERFUL
HUMAN BEING.
186
00:09:01,416 --> 00:09:02,875
BUT EVERY SO OFTEN,
187
00:09:02,875 --> 00:09:05,333
- LITTLE TESTS LIKE THIS
ARE GONNA COME UP.
- WHY?
188
00:09:05,333 --> 00:09:08,833
BECAUSE IT'S YOUR FATHER'S JOB
TO GIVE YOU LITTLE TESTS.
189
00:09:08,833 --> 00:09:10,500
AND MAYBE ALONG THE WAY,
190
00:09:10,500 --> 00:09:12,708
YOU GUYS ARE GOING
TO LEARN A LITTLE BIT MORE
ABOUT YOURSELVES.
191
00:09:12,708 --> 00:09:14,583
- ( door opens )
- Maya: YEAH, LIKE I'VE LEARNED
192
00:09:14,583 --> 00:09:17,375
THAT I'M ACTUALLY REALLY OKAY
WITH ALL OF THIS.
193
00:09:17,375 --> 00:09:20,416
- YOU DON'T MISS YOUR PHONE?
- I WAS THE ONLY ONE IN CLASS
WITHOUT A SMART PHONE ANYWAY.
194
00:09:20,416 --> 00:09:22,291
AND NOW I KIND OF FEEL
LIKE EVERYBODY'S EVEN.
195
00:09:22,291 --> 00:09:24,250
- ( door buzzing )
- Farkle.
196
00:09:24,250 --> 00:09:25,500
BE READY IN A MINUTE.
197
00:09:25,500 --> 00:09:26,625
- ( buzzing )
- And Lucas.
198
00:09:26,625 --> 00:09:28,291
READY NOW!
199
00:09:32,000 --> 00:09:33,708
DID YOU SEE THAT?
200
00:09:33,708 --> 00:09:35,375
YOU KNOW WHAT THAT WAS?
201
00:09:35,375 --> 00:09:37,833
THAT WAS BOYS.
TOO SOON FOR BOYS.
202
00:09:37,833 --> 00:09:39,750
NOT READY FOR BOYS.
I DON'T WANT BOYS.
203
00:09:39,750 --> 00:09:41,708
WE JUST GONNA ACCEPT BOYS?
204
00:09:41,708 --> 00:09:44,208
IT HAPPENED, SHE'S GONE.
SHE WAS NICE, WE HAD FUN,
205
00:09:44,208 --> 00:09:45,500
BUT WE STILL HAVE HIM.
206
00:09:45,500 --> 00:09:47,375
- YOU WANT TO COLOR?
- COLOR!
207
00:09:47,375 --> 00:09:50,333
OF COURSE YOU DO.
LET'S COLOR FOR THE REST
OF OUR LIVES.
208
00:09:55,416 --> 00:09:58,875
- WILL I BE GETTING
A REAL CELLPHONE SOMEDAY?
- SOMEDAY.
209
00:09:58,875 --> 00:10:01,708
DOMINIC FALCONE
HAS A REAL CELLPHONE.
210
00:10:01,708 --> 00:10:03,708
WOULD YOU RATHER
HAVE A REAL CELLPHONE
211
00:10:03,708 --> 00:10:06,375
OR WOULD YOU RATHER
COLOR WITH US?
212
00:10:06,375 --> 00:10:07,583
COLOR WITH YOU.
213
00:10:09,250 --> 00:10:11,375
DOES THAT GET ME A CELLPHONE?
214
00:10:12,500 --> 00:10:14,000
NOT TOO MUCH LONGER
WITH THIS ONE EITHER.
215
00:10:14,000 --> 00:10:15,583
WELL, YOU'LL ALWAYS HAVE ME.
216
00:10:15,583 --> 00:10:17,000
( inhales sharply ) YEAH.
217
00:10:25,375 --> 00:10:27,083
WHAT IS THIS PLACE?
218
00:10:27,083 --> 00:10:31,250
THIS IS WHERE THE ANCIENTS
STORED ALL OF THEIR WISDOM.
219
00:10:31,250 --> 00:10:33,458
- LOOK AT ALL OF THOSE...
- BOOKS.
220
00:10:33,458 --> 00:10:36,000
Both:
BOOKS.
221
00:10:36,000 --> 00:10:37,500
LOOK.
222
00:10:37,500 --> 00:10:39,875
( blows )
223
00:10:39,875 --> 00:10:42,583
"TALES OF HUMAN INTERACTION."
224
00:10:42,583 --> 00:10:44,166
WE'LL TAKE IT.
THANKS, QUICKDRAW.
225
00:10:44,166 --> 00:10:46,708
FARKLE, DO WHATEVER YOU DO
WITH THAT.
226
00:10:46,708 --> 00:10:48,250
YOU MEAN READ?
227
00:10:48,250 --> 00:10:50,083
- "CHAPTER ONE--"
- OH, I'M BORED OUT OF MY MIND.
228
00:10:50,083 --> 00:10:51,291
LET'S GO TO A MOVIE.
229
00:10:51,291 --> 00:10:54,125
- SHH!
- All: AH!
230
00:10:54,125 --> 00:10:56,833
THERE'S ONE
OF THOSE ANCIENTS NOW.
231
00:11:01,250 --> 00:11:03,291
OH, WONDROUS GATEKEEPER
OF THE KNOWLEDGE,
232
00:11:03,291 --> 00:11:05,708
WE ARE TRAVELERS
FROM ANOTHER TIME AND PLACE.
233
00:11:05,708 --> 00:11:08,500
SEVENTH GRADE
MIDDLE SCHOOL.
234
00:11:09,583 --> 00:11:11,583
WE WISH TO PARTAKE
OF THIS INFORMATION
235
00:11:11,583 --> 00:11:13,208
FROM YOUR GREAT HALL
OF WISDOM.
236
00:11:13,208 --> 00:11:15,875
- DO YOU RENT PHONES?
- SHH!
237
00:11:15,875 --> 00:11:17,875
- THERE'S NO ONE HERE BUT US.
- WHY DO WE HAVE TO SHUSH?
238
00:11:17,875 --> 00:11:19,291
LET ME HANDLE THIS, MAYA.
239
00:11:19,291 --> 00:11:21,750
SHE OBVIOUSLY LIKES IT QUIET.
240
00:11:23,083 --> 00:11:25,708
HELLO, BOOK LADY.
241
00:11:27,208 --> 00:11:28,833
WELL, HELLO.
242
00:11:28,833 --> 00:11:30,250
AND WHO MIGHT YOU BE?
243
00:11:30,250 --> 00:11:32,166
I MIGHT BE FARKLE.
244
00:11:32,166 --> 00:11:34,625
WOULD YOU DO ME A FAVOR,
FARKLE?
245
00:11:34,625 --> 00:11:37,250
OH, YOU KNOW I WILL.
246
00:11:37,250 --> 00:11:40,500
WHY DON'T YOU
GO OVER THERE
247
00:11:40,500 --> 00:11:43,458
AND... SHH!
248
00:11:43,458 --> 00:11:44,708
WELL, THAT'S DISAPPOINTING.
249
00:11:50,291 --> 00:11:52,458
SO...
250
00:11:52,458 --> 00:11:54,375
YEAH.
251
00:11:55,375 --> 00:11:57,708
UH-HUH.
252
00:11:57,708 --> 00:11:59,875
THIS CHAPTER IS CALLED
"DISCONNECT TO CONNECT."
253
00:11:59,875 --> 00:12:03,250
"NOT UNTIL
WE PUT DOWN OUR PHONES,
SWITCH OFF OUR COMPUTERS
254
00:12:03,250 --> 00:12:04,583
AND LOOK IN EACH OTHER'S EYES
255
00:12:04,583 --> 00:12:06,833
WILL WE BE ABLE
TO TOUCH EACH OTHER'S HEARTS."
256
00:12:06,833 --> 00:12:08,958
YEAH, LIKE THAT'S GOING
TO WORK ON ANYBODY.
257
00:12:19,416 --> 00:12:21,583
PEOPLE USED TO NEED
PLACES LIKE THIS.
258
00:12:21,583 --> 00:12:24,208
NOW WE CAN HOLD EVERYTHING
THAT'S HERE IN A LITTLE DEVICE
WE CAN PUT IN OUR POCKETS.
259
00:12:24,208 --> 00:12:26,000
I DON'T EVEN NEED
TO LOOK OUT THIS WINDOW
260
00:12:26,000 --> 00:12:28,166
TO KNOW
WHAT PHASE THE MOON IS IN
OR WHERE THE STARS ARE.
261
00:12:28,166 --> 00:12:30,000
YEAH, WELL,
I DON'T HAVE A PHONE LIKE THAT.
262
00:12:30,000 --> 00:12:31,875
I JUST HAVE
THE ACTUAL SKY.
263
00:12:31,875 --> 00:12:33,708
OH, I'M SO SORRY FOR YOU.
264
00:12:33,708 --> 00:12:35,250
YOU'RE AT A REAL DISADVANTAGE.
265
00:12:35,250 --> 00:12:37,500
THAT CAN BE THE BASIS
OF OUR PRESENTATION, OKAY?
266
00:12:37,500 --> 00:12:38,750
WANT TO READ BACK THE NOTES?
267
00:12:38,750 --> 00:12:40,958
- WHAT NOTES?
- YOU WEREN'T TAKING NOTES?
268
00:12:40,958 --> 00:12:42,708
- NO.
- YOU KNOW, WHY BOTHER?
269
00:12:42,708 --> 00:12:44,958
WITHOUT A COMPUTER,
ALL WE HAVE IS A PENCIL
AND A PAD.
270
00:12:44,958 --> 00:12:47,250
WHAT COULD WE
POSSIBLY DO WITH THAT?
271
00:12:49,000 --> 00:12:52,958
MAYA, I HAD NO IDEA.
272
00:12:54,958 --> 00:12:57,958
YEAH, NEITHER DID I.
273
00:13:00,458 --> 00:13:04,125
MY DAD THINKS
THAT WE HAVE NO IDEA
HOW TO TALK TO EACH OTHER.
274
00:13:04,125 --> 00:13:05,708
WHAT IF HE'S RIGHT?
275
00:13:05,708 --> 00:13:06,875
SHH!
276
00:13:06,875 --> 00:13:08,750
BUT WE'RE NOT SAYING ANYTHING.
277
00:13:08,750 --> 00:13:10,250
I KNOW.
278
00:13:10,250 --> 00:13:12,250
THEN WHY ARE YOU SHUSHING US?
279
00:13:12,250 --> 00:13:13,708
BECAUSE I CAN'T TAKE IT ANYMORE.
280
00:13:13,708 --> 00:13:15,875
YOU GUYS ARE HOPELESS.
281
00:13:15,875 --> 00:13:17,250
COME HERE.
282
00:13:19,291 --> 00:13:21,291
COUPLE OF SWEET KIDS LIKE YOU
283
00:13:21,291 --> 00:13:23,958
AND YOU SIT THERE
LIKE A COUPLE OF LUMPS.
284
00:13:23,958 --> 00:13:25,416
YOU'RE A DISGRACE
285
00:13:25,416 --> 00:13:28,583
TO EVERY SINGLE STORY
ON THESE SHELVES.
286
00:13:28,583 --> 00:13:32,250
- OKAY, SO WHAT DO I SAY TO HIM?
- LOOK AROUND.
287
00:13:32,250 --> 00:13:35,291
NOTHING HERE BUT BOOKS
ABOUT BOYS AND GIRLS
288
00:13:35,291 --> 00:13:37,833
AND MEN AND WOMEN
AND WHAT THEY SAY TO EACH OTHER.
289
00:13:37,833 --> 00:13:41,458
OPEN ANY ONE OF THEM AND YOU--
NO, NOT THAT ONE.
290
00:13:41,458 --> 00:13:43,625
OH, BOY, NOT THAT ONE!
291
00:13:43,625 --> 00:13:48,458
LOOK, ALL THESE BOOKS
HAVE ONE THING IN COMMON.
292
00:13:48,458 --> 00:13:49,750
WHAT'S THAT?
293
00:13:49,750 --> 00:13:52,708
YOU START ON PAGE ONE,
AND EACH PAGE YOU TURN
294
00:13:52,708 --> 00:13:54,291
BRINGS YOU DEEPER
INTO THE STORY.
295
00:13:54,291 --> 00:13:55,875
- WHAT'S YOUR NAME?
- RILEY.
296
00:13:55,875 --> 00:13:58,166
- WHAT'S HIS NAME?
- LUCAS.
297
00:13:58,166 --> 00:13:59,833
YOU LIKE A GOOD STORY, RILEY?
298
00:13:59,833 --> 00:14:02,083
THEN START AT THE BEGINNING.
299
00:14:09,333 --> 00:14:12,208
- HI.
- HI.
300
00:14:18,625 --> 00:14:21,000
"BECAUSE IT'S NOT UNTIL
YOU REALLY LOOKED AT EACH OTHER
301
00:14:21,000 --> 00:14:24,708
AND MADE A HUMAN CONNECTION
THAT YOU CAN EVEN BEGIN
TO KNOW EACH OTHER."
302
00:14:24,708 --> 00:14:26,458
- LOOK IN MY EYES.
LOOK IN MY EYES.
- NO. NO.
303
00:14:26,458 --> 00:14:28,250
- LOOK IN MY EYES.
- NO!
304
00:14:29,708 --> 00:14:31,708
I GUESS THE THING
I MISS MOST ABOUT TEXAS
305
00:14:31,708 --> 00:14:33,291
ARE THE PETS
I USED TO HAVE.
306
00:14:33,291 --> 00:14:35,875
I HAD A HAMSTER.
307
00:14:35,875 --> 00:14:37,583
I HAD 24 HORSES.
308
00:14:37,583 --> 00:14:39,583
YOU WIN.
309
00:14:41,000 --> 00:14:42,458
TELL ME ABOUT THEM.
310
00:14:42,458 --> 00:14:44,000
ONE DAY AFTER SCHOOL,
311
00:14:44,000 --> 00:14:45,833
SOFIA WAS FOALING.
312
00:14:45,833 --> 00:14:49,291
THAT MEANS SHE WAS
GIVING BIRTH, RIGHT?
313
00:14:49,291 --> 00:14:50,958
NOT TOO BAD,
CITY GIRL.
314
00:14:50,958 --> 00:14:52,208
( laughs )
315
00:14:52,208 --> 00:14:53,708
AND THERE WAS NO ONE THERE,
316
00:14:53,708 --> 00:14:55,958
SO I CALLED DR. GALENDO
317
00:14:55,958 --> 00:14:57,583
AND HE TALKED ME THROUGH IT.
318
00:14:59,291 --> 00:15:00,833
ANYWAY, THAT WAS ALL.
319
00:15:01,833 --> 00:15:03,708
MORE.
320
00:15:03,708 --> 00:15:08,375
DID YOU KNOW THAT A BABY HORSE
STANDS IN THE FIRST HOUR
AFTER IT'S BORN?
321
00:15:08,375 --> 00:15:09,708
REALLY?
322
00:15:09,708 --> 00:15:11,458
I'D LIKED TO HAVE
BEEN THERE FOR THAT.
323
00:15:11,458 --> 00:15:13,375
THE COOLEST THING
I'VE EVER SEEN
324
00:15:13,375 --> 00:15:15,500
AND I WAS A PART OF IT.
325
00:15:17,500 --> 00:15:20,291
- RILEY.
- LUCAS.
326
00:15:20,291 --> 00:15:22,875
I'VE NEVER TOLD THIS
TO ANYBODY BEFORE.
327
00:15:24,208 --> 00:15:25,875
YEAH?
328
00:15:25,875 --> 00:15:28,708
I THINK SOMEDAY I MIGHT LIKE
TO BE A VETERINARIAN.
329
00:15:28,708 --> 00:15:31,500
THAT'S COOL TOO.
330
00:15:31,500 --> 00:15:33,833
I DELIVERED
THIS BEAUTIFUL PALOMINO.
331
00:15:33,833 --> 00:15:37,583
I'D SHOW YOU HER PICTURE,
BUT I DON'T HAVE MY PHONE.
332
00:15:37,583 --> 00:15:40,416
THAT'S OKAY.
JUST... ( sighs )
333
00:15:40,416 --> 00:15:41,875
KEEP TALKING.
334
00:15:46,750 --> 00:15:49,583
"THERE IS NO CONNECTION
YOU CAN MAKE WITH ANY SCREEN
335
00:15:49,583 --> 00:15:51,708
THAT COMPARES TO THE MOMENT
YOU UNDERSTAND
336
00:15:51,708 --> 00:15:53,875
ONLY HUMAN BEINGS
HAVE SOULS."
337
00:15:53,875 --> 00:15:56,291
( no discernable dialog )
338
00:15:56,291 --> 00:15:57,458
- I HAVE A SOUL.
- NO.
339
00:15:57,458 --> 00:15:58,833
- I DO! I DO!
- NO.
340
00:15:58,833 --> 00:16:00,500
NO.
341
00:16:03,416 --> 00:16:06,750
- I COLORED A NEW PICTURE.
- STAY LIKE THIS FOREVER.
342
00:16:06,750 --> 00:16:09,166
WOULD YOU PLEASE?
THAT'D BE GREAT.
343
00:16:09,166 --> 00:16:11,458
THE PICTURE'S OVER THERE.
344
00:16:13,458 --> 00:16:17,000
MOMMY, DADDY, AUGGIE,
AND NO RILEY.
345
00:16:17,000 --> 00:16:19,416
UH, AUGGIE,
I DON'T KNOW IF YOU--
346
00:16:19,416 --> 00:16:21,000
IT'S BEAUTIFUL!
347
00:16:21,000 --> 00:16:24,000
I THINK THAT'S
WHAT YOU'RE SUPPOSED TO DO.
I HAVE NO IDEA.
348
00:16:24,000 --> 00:16:26,125
AND LOOK AT THE 'FRIGERATOR.
349
00:16:26,125 --> 00:16:27,291
THE NEW ONE?
350
00:16:29,458 --> 00:16:31,500
THAT'S OUR TRIP
TO THE JERSEY SHORE.
351
00:16:31,500 --> 00:16:34,000
IT'S BEAUTIFUL.
IT'S BEAUTIFUL.
352
00:16:34,000 --> 00:16:36,000
I THINK THAT'S WHAT
YOU'RE SUPPOSED TO DO.
353
00:16:47,458 --> 00:16:49,166
HOW WAS YOUR NIGHT, RILEY?
354
00:16:49,166 --> 00:16:52,583
THANK YOU FOR SENDING US
TO THE LIBRARY.
355
00:16:52,583 --> 00:16:54,458
REALLY?
356
00:16:54,458 --> 00:16:58,000
YES.
LUCAS AND I DID REALLY WELL
ON THE ASSIGNMENT.
357
00:16:58,000 --> 00:17:00,750
I THINK THAT WE CONNECTED.
358
00:17:00,750 --> 00:17:02,708
WHAT DO YOU MEAN, CONNECTED?
WHAT ARE YOU TALKING ABOUT?
359
00:17:02,708 --> 00:17:04,625
HOW DID YOU CONNECT?
360
00:17:04,625 --> 00:17:07,833
WE TALKED ABOUT STUFF
THAT WAS IMPORTANT TO US--
361
00:17:07,833 --> 00:17:09,583
TOO IMPORTANT TO TEXT.
362
00:17:11,125 --> 00:17:14,000
DID YOU KNOW THAT
WHEN YOU LISTEN TO SOMEONE,
363
00:17:14,000 --> 00:17:15,708
THEY'LL TELL YOU STUFF?
364
00:17:18,416 --> 00:17:21,291
OH, BOY.
365
00:17:21,291 --> 00:17:23,125
FRIENDS TALK TO EACH OTHER,
366
00:17:23,125 --> 00:17:26,333
BUT REAL FRIENDS LISTEN.
367
00:17:26,333 --> 00:17:28,875
MAYA KNOWS HOW TO DRAW
368
00:17:28,875 --> 00:17:31,750
AND I KNOW HOW TO BE
A REAL FRIEND.
369
00:17:31,750 --> 00:17:34,500
YOU'RE A GOOD TEACHER, DAD.
370
00:17:34,500 --> 00:17:38,000
YOU CAN KEEP MY PHONE
AS LONG AS YOU WANT.
371
00:17:46,375 --> 00:17:49,000
- CONGRATULATIONS, CORY.
- WHAT DID I DO?
372
00:17:49,000 --> 00:17:51,208
YOU JUST TAUGHT OUR DAUGHTER
HOW TO FEEL.
373
00:17:51,208 --> 00:17:53,166
- I DID THAT?
- YOU DID.
374
00:17:53,166 --> 00:17:54,708
I DIDN'T MEAN TO DO THAT.
375
00:17:54,708 --> 00:17:55,833
WELL, YOU DID.
376
00:17:55,833 --> 00:17:57,000
SHE HAS FEELINGS NOW?
377
00:17:57,000 --> 00:17:58,500
- MM-HMM.
- HOW MANY?
378
00:17:58,500 --> 00:18:00,500
- ALL OF THEM.
- WELL, PUT THEM BACK.
379
00:18:00,500 --> 00:18:01,708
WE CAN'T DO THAT.
380
00:18:01,708 --> 00:18:03,458
I HAVE A WAY.
381
00:18:03,458 --> 00:18:06,250
- THERE'S NO WAY.
- I HAVE A WAY.
382
00:18:06,250 --> 00:18:08,625
HERE YOU GO-- TAKE YOUR PHONE.
TAKE IT NOW.
383
00:18:08,625 --> 00:18:10,875
VERY GOOD.
HERE'S YOUR PHONE.
384
00:18:10,875 --> 00:18:13,333
GOOD, GREAT,
NOBODY TALKS TO NOBODY.
385
00:18:13,333 --> 00:18:15,500
NO MORE FEELINGS.
THANK YOU.
386
00:18:17,291 --> 00:18:19,875
OKAY, GUYS,
THE GREAT TECHNOLOGY DEBATE.
387
00:18:19,875 --> 00:18:21,000
LET'S BOOT IT UP!
388
00:18:24,875 --> 00:18:27,333
I HAVE ALWAYS BELIEVED
TECHNOLOGY WOULD HELP US
389
00:18:27,333 --> 00:18:29,416
FULFILL OUR POTENTIAL
AS A SPECIES.
390
00:18:29,416 --> 00:18:31,416
AND WHEN FARKLE
DOES RULE THE WORLD,
391
00:18:31,416 --> 00:18:34,083
NO MATTER WHAT DEVICES
WE COME UP WITH,
392
00:18:34,083 --> 00:18:36,208
WE SHOULD ALSO NEVER FORGET
WHAT WE CAN DO WITH A PENCIL,
393
00:18:36,208 --> 00:18:40,208
A PIECE OF PAPER
AND OUR OWN IMAGINATIONS.
394
00:18:42,250 --> 00:18:46,750
I'VE BEEN KEEPING THIS
IN MY POCKET WHERE MY PHONE
USED TO BE.
395
00:18:46,750 --> 00:18:49,083
I KEEP LOOKING AT IT.
396
00:18:51,750 --> 00:18:53,958
I'M FINE.
397
00:18:53,958 --> 00:18:55,125
THANKS, FARKLE.
398
00:18:55,125 --> 00:18:56,875
- LOOK IN MY EYES.
- NO.
399
00:18:58,583 --> 00:19:01,291
I THOUGHT MY WHOLE LIFE
WAS IN MY PHONE,
400
00:19:01,291 --> 00:19:05,291
BUT IT TURNS OUT
THAT I DON'T REALLY HAVE
ANY FRIENDS IN HERE.
401
00:19:05,291 --> 00:19:07,000
AND YOU DON'T
NEED YOUR PHONE
402
00:19:07,000 --> 00:19:08,958
TO CONNECT
WITH YOUR REAL FRIENDS.
403
00:19:10,416 --> 00:19:12,125
ALLOW US TO DEMONSTRATE.
404
00:19:13,875 --> 00:19:16,750
- HI.
- HI.
405
00:19:20,125 --> 00:19:23,125
♪ I'M SINGING "GO-O-O" ♪
406
00:19:29,250 --> 00:19:31,583
Maya:
I'M NOT THAT TALL.
407
00:19:34,125 --> 00:19:36,125
REALLY?
408
00:19:38,458 --> 00:19:42,000
HOW YOU DOIN'?
409
00:19:42,000 --> 00:19:45,125
YOU WILL KEEP AN EYE ON RILEY
AT ALL TIMES.
410
00:19:45,125 --> 00:19:46,875
YOU WILL SEND ME
MESSAGE ALERTS.
411
00:19:46,875 --> 00:19:48,416
YOU WILL SEND ME PICTURES.
412
00:19:48,416 --> 00:19:50,333
YOU'RE REALLY SCARED,
AREN'T YOU?
413
00:19:51,375 --> 00:19:52,458
I'M A FATHER.
414
00:19:52,458 --> 00:19:54,708
YEAH.
THEY'RE JUST FRIENDS.
415
00:19:54,708 --> 00:19:57,125
BELIEVE ME,
I KNOW THE STORY.
416
00:19:57,125 --> 00:20:00,250
BUT YOU'RE FORGETTING,
I DON'T HAVE THE TECHNOLOGY.
417
00:20:00,250 --> 00:20:03,291
NOW YOU DO.
418
00:20:12,958 --> 00:20:15,000
YOU GOT ME A PHONE?
419
00:20:15,000 --> 00:20:18,375
MY MOTIVES
ARE COMPLETELY SELFISH.
420
00:20:18,375 --> 00:20:20,625
I'M NOT SURE THEY ARE,
MR. MATTHEWS.
421
00:20:20,625 --> 00:20:23,208
WELL, I ALSO
GOT YOU THESE.
422
00:20:25,208 --> 00:20:28,083
- COLORED PENCILS?
- YEAH.
423
00:20:28,083 --> 00:20:29,875
YOU LET ME KNOW
EVERYTHING
424
00:20:29,875 --> 00:20:31,458
THAT'S GOING ON
WITH RILEY.
425
00:20:31,458 --> 00:20:33,708
AND IF SOMETHING
BEAUTIFUL EVER
HAPPENS,
426
00:20:33,708 --> 00:20:35,708
PAINT ME
A PICTURE.