1
00:00:04,375 --> 00:00:08,375
LOOK AT THAT
NINTH-GRADE WOMAN.
SHE'S PUTTING ON MAKEUP.

2
00:00:08,375 --> 00:00:11,125
WE'RE GOING TO BE
NINTH-GRADE WOMEN SOMEDAY.

3
00:00:11,125 --> 00:00:13,875
THIS THING
GOES TO NINTH GRADE?

4
00:00:15,125 --> 00:00:16,416
- WHY THAT?
- BRINGS OUT YOUR EYES.

5
00:00:16,416 --> 00:00:17,958
WHY WOULD I WANT
TO TAKE OUT MY EYES?

6
00:00:17,958 --> 00:00:19,500
SHE'S NOT
TAKING OUT HER EYES.

7
00:00:20,875 --> 00:00:22,458
AND I THINK SHE IS.

8
00:00:22,458 --> 00:00:26,208
IT'S AN EYELASH CURLER.
IT DOESN'T EVEN HURT.

9
00:00:26,208 --> 00:00:28,416
( chuckles )
I HAVE EYELASHES.

10
00:00:28,416 --> 00:00:30,625
WATCH THIS.

11
00:00:30,625 --> 00:00:33,583
- AHH!
- ANYBODY ELSE WOULD STOP.

12
00:00:33,583 --> 00:00:35,833
AHH!

13
00:00:35,833 --> 00:00:38,250
- OPEN IT.
- THANKS, DADDY.

14
00:00:38,250 --> 00:00:39,500
YEAH, OKAY.

15
00:00:40,708 --> 00:00:42,375
YEAH, OKAY.

16
00:00:42,375 --> 00:00:44,375
- LADIES.
- Both: FARKLE.

17
00:00:44,375 --> 00:00:48,500
SCHOOL DANCE.  I'M GONNA PUT
YOU BOTH DOWN FOR DANCE NUMBERS
ONE THROUGH ALL OF THEM.

18
00:00:48,500 --> 00:00:50,500
WE WILL ALTERNATE.
YOU AND ME, ME AND YOU.

19
00:00:50,500 --> 00:00:53,750
WHEN YOU ARE NOT DANCING
WITH ME, YOU MAY NOT
DANCE WITH ANYONE ELSE.

20
00:00:53,750 --> 00:00:56,208
YOU MAY SIT AND WAIT
UNTIL YOU DANCE WITH ME AGAIN.

21
00:00:56,208 --> 00:00:57,583
YEAH, NONE OF THIS
IS HAPPENING.

22
00:00:57,583 --> 00:00:59,583
OH.  WELL, THEN MAY I HAVE ONE
DANCE WITH EACH OF YOU?

23
00:00:59,583 --> 00:01:01,500
- SURE.
- HA!  THAT'S ALL I WANTED.

24
00:01:01,500 --> 00:01:03,583
YOU JUST GOT PLAYED BY FARKLE.

25
00:01:05,416 --> 00:01:07,083
- HEY, GUYS.
- LUCAS!

26
00:01:07,083 --> 00:01:08,458
- HAND.
- LUCAS!

27
00:01:08,458 --> 00:01:10,250
- GROWN-UP VOICE.
- LUCAS, HELLO.

28
00:01:10,250 --> 00:01:12,333
- HEY.
- HEY, HEE HAW.

29
00:01:12,333 --> 00:01:13,708
YOU GOING TO TICK TOCK
SHAKE YOUR BODY TIME?

30
00:01:13,708 --> 00:01:15,958
'CAUSE, YOU KNOW,
IT'S NOT A SQUARE-DANCE,

31
00:01:15,958 --> 00:01:18,583
SO NOT GONNA BE
A WHOLE LOT OF DO-SI-DOIN'.

32
00:01:18,583 --> 00:01:22,125
WELL, THEN I'M SURE
I'LL HAVE NO IDEA WHAT TO DO
AND YOU CAN MAKE FUN OF ME.

33
00:01:22,125 --> 00:01:23,583
YOU'RE NOT
PLAYING THIS RIGHT!

34
00:01:23,583 --> 00:01:26,750
WELL, THAT'S CERTAINLY
NOT MY INTENTION.

35
00:01:26,750 --> 00:01:29,875
- I'LL TRY HARDER NEXT TIME.
- I WILL BREAK YOU!

36
00:01:29,875 --> 00:01:31,250
WELL, IF THAT'S
WHAT MAKES YOU HAPPY,

37
00:01:31,250 --> 00:01:34,875
THEN I CERTAINLY
CAN'T WAIT FOR IT...

38
00:01:34,875 --> 00:01:36,166
MA'AM.

39
00:01:37,708 --> 00:01:41,291
- ( shuddering ) OHHHH!
- YOU GOING TO THE
SCHOOL DANCE, LUCAS?

40
00:01:41,291 --> 00:01:42,958
THOUGHT I WOULD.  YOU?

41
00:01:42,958 --> 00:01:44,875
( mimics gagging )

42
00:01:44,875 --> 00:01:47,708
YOU HEAR ME?
( mimics gagging )

43
00:01:47,708 --> 00:01:50,875
YOU'LL BOTH BE THERE.
HE'LL BE THE ONE IN THE
COWBOY HAT GOING LIKE THIS.

44
00:01:52,875 --> 00:01:54,875
( school bell rings )

45
00:01:54,875 --> 00:01:57,166
- SO, YOU GOIN' TO CLASS?
- THOUGHT I WOULD. YOU?

46
00:02:00,458 --> 00:02:01,750
IT ISN'T FOR YOU!

47
00:02:03,291 --> 00:02:05,458
OKAY, FINE.

48
00:02:05,458 --> 00:02:08,416
<i>( theme music plays )</i>

49
00:02:12,500 --> 00:02:14,500
<i>♪ I'VE BEEN WAITING ♪</i>

50
00:02:14,500 --> 00:02:16,833
<i>♪ FOR A DAY</i>
<i>LIKE THIS TO COME ♪</i>

51
00:02:16,833 --> 00:02:18,458
<i>♪ STRUCK LIKE LIGHTNING ♪</i>

52
00:02:18,458 --> 00:02:21,083
<i>♪ MY HEART'S BEATING</i>
<i>LIKE A DRUM ♪</i>

53
00:02:21,083 --> 00:02:25,083
<i>♪ ON THE EDGE</i>
<i>OF SOMETHING WONDERFUL ♪</i>

54
00:02:25,083 --> 00:02:27,958
<i>♪ FACE TO FACE WITH CHANGES ♪</i>

55
00:02:27,958 --> 00:02:31,208
<i>♪ WHAT'S IT ALL ABOUT?</i>
<i>LIFE IS CRAZY ♪</i>

56
00:02:31,208 --> 00:02:33,250
<i>♪ BUT I KNOW</i>
<i>I CAN WORK IT OUT ♪</i>

57
00:02:33,250 --> 00:02:37,416
<i>♪ 'CAUSE I GOT YOU</i>
<i>TO LIVE IT WITH ME ♪</i>

58
00:02:37,416 --> 00:02:41,500
<i>♪ I FEEL ALL RIGHT,</i>
<i>I'M GONNA TAKE ON THE WORLD ♪</i>

59
00:02:41,500 --> 00:02:44,875
<i>♪ LIGHT UP THE STARS,</i>
<i>I'VE GOT SOME PAGES TO TURN ♪</i>

60
00:02:44,875 --> 00:02:46,708
<i>♪ I'M SINGING "GO-O-O" ♪</i>

61
00:02:46,708 --> 00:02:49,750
<i>♪ OH OH OH OH ♪</i>

62
00:02:49,750 --> 00:02:52,875
<i>♪ TAKE ON THE WORLD,</i>
<i>TAKE ON THE WORLD ♪</i>

63
00:02:52,875 --> 00:02:54,250
<i>♪ TAKE ON THE WORLD ♪</i>

64
00:02:54,250 --> 00:02:56,833
<i>♪ TAKE ON THE WORLD,</i>
<i>TAKE ON THE WORLD ♪</i>

65
00:02:56,833 --> 00:02:58,458
<i>♪ TAKE ON THE WORLD. ♪</i>

66
00:03:04,250 --> 00:03:06,416
MOM, CAN I ASK YOU A QUESTION?

67
00:03:06,416 --> 00:03:09,166
YOU CAN ASK ME
A QUESTION.

68
00:03:09,166 --> 00:03:11,000
IT'S A GIRL THING, AUGGIE.

69
00:03:11,000 --> 00:03:14,291
YOU THINK I DON'T
KNOW ABOUT GIRLS?

70
00:03:14,291 --> 00:03:16,875
- OKAY, I'M AT A CERTAIN AGE--
- I DON'T CARE.

71
00:03:19,875 --> 00:03:21,500
YOU'RE AT A CERTAIN AGE?

72
00:03:21,500 --> 00:03:23,000
YOU HAD TO KNOW
THIS WAS GOING TO HAPPEN.

73
00:03:23,000 --> 00:03:26,125
I KNOW A LOT OF THINGS
ARE GOING TO HAPPEN.

74
00:03:26,125 --> 00:03:28,125
- WHICH ONE IS THIS?
- MAKEUP.

75
00:03:28,125 --> 00:03:29,875
- OH, GOOD.
- I CAN HAVE SOME?

76
00:03:29,875 --> 00:03:32,416
- NO.
- WHY NOT?

77
00:03:32,416 --> 00:03:34,875
WELL, BECAUSE MAKEUP LEADS
TO OTHER THINGS THAT--

78
00:03:34,875 --> 00:03:37,083
WE HAVE OUR FIRST SCHOOL DANCE
ON FRIDAY NIGHT.

79
00:03:37,083 --> 00:03:38,708
AND WE'RE THERE.

80
00:03:38,708 --> 00:03:41,416
Riley:
<i>WHAT'S THE DIFFERENCE</i>
<i>BETWEEN DAYTIME MAKEUP</i>

81
00:03:41,416 --> 00:03:42,416
<i>AND NIGHTTIME MAKEUP?</i>

82
00:03:42,416 --> 00:03:43,583
NO DIFFERENCE...

83
00:03:43,583 --> 00:03:45,583
BECAUSE YOU'RE
NOT WEARING ANY.

84
00:03:45,583 --> 00:03:47,000
Riley:
<i>WHAT ABOUT WHEN I DO?</i>

85
00:03:47,000 --> 00:03:49,083
WHEN WE DECIDE THAT
YOU'RE AT THE RIGHT AGE

86
00:03:49,083 --> 00:03:50,333
- TO START WEARING MAKEUP--
- FRIDAY?

87
00:03:50,333 --> 00:03:51,958
NO--

88
00:03:51,958 --> 00:03:53,458
YOU MIGHT FIND THAT YOU PREFER

89
00:03:53,458 --> 00:03:55,000
A MORE NATURAL
LOOK DURING THE DAY.

90
00:03:55,000 --> 00:03:57,875
SOME WOMEN PREFER TO GO
A BIT BOLDER AT NIGHT.

91
00:03:57,875 --> 00:04:00,375
YOU ARE NOT ALLOWED
TO HANG OUT WITH THOSE WOMEN.

92
00:04:00,375 --> 00:04:03,375
I WANNA PAINT MY FACE!

93
00:04:03,375 --> 00:04:06,000
WAIT.
THE DANCE IS FRIDAY?

94
00:04:06,000 --> 00:04:07,458
YOU'RE DOIN' THAT THING
WITH YOUR VOICE.

95
00:04:07,458 --> 00:04:08,875
BUT FRIDAY IS THE LAST NIGHT

96
00:04:08,875 --> 00:04:10,125
FOR THE CONEY ISLAND CYCLONE.

97
00:04:10,125 --> 00:04:11,875
BUT IT'S OUR FIRST DANCE!

98
00:04:11,875 --> 00:04:15,125
AND DAD TAKES ME TO RIDE
THE ROLLER COASTER
A BUNCH OF TIMES, RIGHT?

99
00:04:15,125 --> 00:04:17,291
YOUR FATHER THINKS
OF IT AS A TRADITION.

100
00:04:17,291 --> 00:04:19,500
- HOW BAD IS THIS?
- YOUR FATHER THINKS OF IT
AS THE REASON

101
00:04:19,500 --> 00:04:21,875
HE WAKES UP IN THE MORNING.

102
00:04:21,875 --> 00:04:23,750
MAYBE HE WON'T
REMEMBER IT THIS YEAR.

103
00:04:23,750 --> 00:04:26,750
THREE DAYS TILL CYCLONE DAY!

104
00:04:28,333 --> 00:04:30,416
- WHEN'S MY BIRTHDAY?
- A HUNDRED FORTY-EIGHT DAYS

105
00:04:30,416 --> 00:04:34,000
- FROM CYCLONE DAY!
- GOOD LUCK TO YOU.

106
00:04:34,000 --> 00:04:36,125
- DADDY!
- AUGGIE!

107
00:04:36,125 --> 00:04:39,750
HEY!
TELL ME STUFF!

108
00:04:39,750 --> 00:04:41,458
RILEY WANTS TO WEAR MAKEUP.

109
00:04:41,458 --> 00:04:45,375
- HEY, YA LITTLE SPY!
- DON'T CALL HIM A SPY.

110
00:04:45,375 --> 00:04:46,833
HE IS NOT A SPY.

111
00:04:46,833 --> 00:04:49,750
I AM A SPY.
YOU MADE ME A CARD.

112
00:04:51,500 --> 00:04:53,166
ALL RIGHT, HE IS A SPY.

113
00:04:53,166 --> 00:04:55,333
AND GUESS WHAT?
HE'S WORKING FOR ME.

114
00:04:55,333 --> 00:04:57,416
AND HE JUST GOT PROMOTED.

115
00:05:00,125 --> 00:05:01,958
SUPERSPY!

116
00:05:01,958 --> 00:05:04,708
- DAD.
- YEAH?

117
00:05:04,708 --> 00:05:07,708
DAD...?

118
00:05:07,708 --> 00:05:10,583
HEY, SUPERSPY,
TELL ME STUFF.

119
00:05:10,583 --> 00:05:13,250
RILEY WANTS TO GO
TO THE SCHOOL DANCE ON--

120
00:05:13,250 --> 00:05:16,166
DUN DUN DUN--
CYCLONE NIGHT.

121
00:05:17,208 --> 00:05:19,458
OH.  WOW.

122
00:05:19,458 --> 00:05:21,500
IT'S THE SAME NIGHT?

123
00:05:21,500 --> 00:05:23,166
I UNDERSTAND.

124
00:05:23,166 --> 00:05:25,875
I UNDERSTAND COMPLETELY.

125
00:05:25,875 --> 00:05:27,625
I'M SORRY YOU'LL HAVE
TO MISS THE DANCE.

126
00:05:29,333 --> 00:05:31,333
TRY AGAIN.

127
00:05:31,333 --> 00:05:32,625
( clears throat )

128
00:05:32,625 --> 00:05:35,250
I'M SORRY YOU'LL HAVE
TO MISS THE DANCE.

129
00:05:35,250 --> 00:05:37,500
NOPE, SAME THING.

130
00:05:38,708 --> 00:05:41,083
BUT IT'S MY FIRST DANCE, DAD.

131
00:05:41,083 --> 00:05:44,458
- OH!
- OH, BOY.

132
00:05:44,458 --> 00:05:47,708
NO, NO, I'M DOWN WITH THIS.

133
00:05:47,708 --> 00:05:49,958
YEAH, I SAID THAT.

134
00:05:49,958 --> 00:05:53,416
DAD, WHEN IT COMES TO THIS
STUFF, I DON'T THINK THERE'S
ANYTHING YOU CAN TEACH ME.

135
00:05:53,416 --> 00:05:56,250
- OH, BOY!
- ( groans loudly )

136
00:05:56,250 --> 00:05:57,750
I'M GROWING UP, DAD.

137
00:05:57,750 --> 00:06:01,708
- OH, BOY!
- GOODBYE!

138
00:06:03,083 --> 00:06:04,500
YOU'RE BREAKING HIM!

139
00:06:06,458 --> 00:06:08,583
YOU WERE A GREAT FATHER
TO ME WHEN I WAS A KID.

140
00:06:08,583 --> 00:06:11,250
DON'T TAKE THIS
THE WRONG WAY, DAD,

141
00:06:11,250 --> 00:06:14,416
BUT THERE'S JUST SOME THINGS
THAT MOM CAN NATURALLY TEACH ME.

142
00:06:14,416 --> 00:06:16,000
LIKE, WHAT DO YOU
KNOW ABOUT MAKEUP?

143
00:06:17,875 --> 00:06:19,958
I KNOW IT'S WHAT YOU'RE
GOING TO HAVE TO DO WITH ME.

144
00:06:24,250 --> 00:06:27,708
- MOM?
- THAT WENT BETTER
THAN I THOUGHT.

145
00:06:31,958 --> 00:06:35,750
FRIAR.  FARKLE.  HART.

146
00:06:35,750 --> 00:06:37,708
YOU.

147
00:06:37,708 --> 00:06:39,875
- DAD, I DIDN'T--
- FERP!

148
00:06:39,875 --> 00:06:42,583
OKAY.

149
00:06:45,250 --> 00:06:48,416
WELL, GUYS, I'VE GOT
YOUR TEST RESULTS ON DARWIN
TO GIVE BACK TO YOU.

150
00:06:48,416 --> 00:06:53,291
AND, UH, I'M PLEASED
TO SEE SOME OF YOU HAVE
EVOLVED SINCE THE LAST QUIZ.

151
00:06:55,708 --> 00:06:56,708
HA!

152
00:06:58,708 --> 00:07:00,125
THANKS, FARKLE.

153
00:07:00,125 --> 00:07:01,708
WELL, YOU WERE DROWNING, SIR.

154
00:07:05,000 --> 00:07:06,708
MS. HART.

155
00:07:09,291 --> 00:07:11,416
<i>MR. FRIAR, NICE WORK.</i>

156
00:07:11,416 --> 00:07:14,875
- THANK YOU, SIR.
- MR. FARKLE.

157
00:07:14,875 --> 00:07:17,833
"A" NUMBER SEVEN HUNDRED.
HUZZAH!

158
00:07:17,833 --> 00:07:19,583
( blows noisemaker )

159
00:07:21,500 --> 00:07:23,291
YOU.

160
00:07:23,291 --> 00:07:27,000
- YOU OKAY?
- HE GAVE ME AN "F."

161
00:07:27,000 --> 00:07:30,416
THAT'S NUTS.
YOU'RE A SOLID "D" STUDENT.

162
00:07:32,083 --> 00:07:34,875
MR. FRIAR, I TOOK PARTICULAR
NOTE OF YOUR POSITION

163
00:07:34,875 --> 00:07:38,875
THAT EVOLUTION DOES NOT
PRECLUDE THE EXISTENCE OF--
HOW DID YOU PUT IT?

164
00:07:38,875 --> 00:07:42,708
"A GUIDING HAND THAT HAS YOUR
BEST INTEREST AT HEART."

165
00:07:44,250 --> 00:07:47,500
- YES, MS. HART?
- YOU FAILED ME.

166
00:07:50,708 --> 00:07:52,708
WHY DON'T WE TALK
ABOUT THIS AFTER CLASS.

167
00:07:52,708 --> 00:07:57,208
WHAT'S THERE TO TALK ABOUT?
YOU FAILED ME.

168
00:07:57,208 --> 00:07:59,500
YOU THINK I'M A FAILURE.

169
00:08:01,000 --> 00:08:02,875
THERE'S NOTHING MORE
FOR YOU TO TEACH ME.

170
00:08:04,208 --> 00:08:06,875
OH, COME ON!
BOTH OF YOU GOTTA SAY THAT?

171
00:08:12,000 --> 00:08:13,583
WHAT, YOU MEAN
I LOST YOU BOTH?

172
00:08:13,583 --> 00:08:16,833
MAYA!

173
00:08:16,833 --> 00:08:18,416
YOU DO NOT WALK OUT OF HERE!

174
00:08:26,291 --> 00:08:27,416
GO.

175
00:08:34,708 --> 00:08:36,250
NO!

176
00:08:39,708 --> 00:08:41,250
REDECORATING YOUR LOCKER?

177
00:08:41,250 --> 00:08:44,416
NOPE. CLEANING IT OUT.

178
00:08:44,416 --> 00:08:47,083
YOU WANT ONE? 'CAUSE IT'S
THE LAST ONE YOU'RE GONNA GET.

179
00:08:48,291 --> 00:08:51,375
-<i>( circus music plays ) </i>
-<i>( whirs )</i>

180
00:08:54,000 --> 00:08:56,125
MAYA, IT'S JUST ONE "F."

181
00:08:56,125 --> 00:08:59,125
IT'S NOT ABOUT
THE PAPER, RILEY.
YOUR DAD FAILED ME.

182
00:08:59,125 --> 00:09:03,000
YEAH, I KNOW. AND I'M
NOT GOING ON THE CYCLONE.
I FAILED HIM.

183
00:09:03,000 --> 00:09:06,333
- CAN'T WE JUST CALL IT EVEN?
- NO.  WE CAN JUST CALL IT
I'M LEAVING.

184
00:09:06,333 --> 00:09:08,875
MAYA, I KNOW YOU.
YOU'LL MAKE A BIG DEAL
ABOUT THIS,

185
00:09:08,875 --> 00:09:11,833
PRETEND TO LEAVE SCHOOL FOREVER,
AND YOU'LL BE BACK BY GYM CLASS.

186
00:09:11,833 --> 00:09:16,250
- NO, THIS TIME I MEAN IT.
- ALL RIGHT, MAYA.
I'LL SEE YOU TOMORROW.

187
00:09:16,250 --> 00:09:18,875
- NO.  YOU WON'T.
- YOU'LL PICK ME UP AT 7:00.

188
00:09:18,875 --> 00:09:21,291
I WON'T BE THERE.

189
00:09:25,375 --> 00:09:28,500
Riley on computer:
<i>Hold me, Daddy!</i>
<i>Daddy, hold me!</i>

190
00:09:28,500 --> 00:09:30,708
Cory:
<i>I've got you, Riley!</i>

191
00:09:30,708 --> 00:09:34,708
- Riley: Daddy!
- ( screaming )

192
00:09:38,708 --> 00:09:40,833
YOU OKAY, BUDDY?

193
00:09:43,333 --> 00:09:45,833
I LOST THE TWO MOST
IMPORTANT GIRLS IN MY LIFE.

194
00:09:50,416 --> 00:09:52,500
HOW YA DOIN'?

195
00:09:52,500 --> 00:09:55,375
STILL GOT THAT ONE.

196
00:09:55,375 --> 00:09:57,333
I'M HANGIN' ON.

197
00:09:58,458 --> 00:10:00,708
WELL, I WILL ALWAYS
BE HERE FOR YOU, DADDY.

198
00:10:02,083 --> 00:10:04,500
ME AND YOU,
TOGETHER FOREVER.

199
00:10:05,875 --> 00:10:07,583
THANK YOU, AUGGIE.

200
00:10:07,583 --> 00:10:10,416
BUT YOU KNOW THAT'S REALLY
NOT THE WAY IT WORKS, RIGHT?

201
00:10:10,416 --> 00:10:12,125
I KNOW.

202
00:10:12,125 --> 00:10:15,875
( both moaning )

203
00:10:15,875 --> 00:10:18,708
AW, MY TWO SAD, LITTLE MEN.

204
00:10:18,708 --> 00:10:22,000
( whispering )
I'M NOT REALLY SAD,
I'M JUST DOING IT FOR HIM.

205
00:10:22,000 --> 00:10:24,000
( whispering ) I KNOW.

206
00:10:24,000 --> 00:10:26,708
- ( whispering ) YOU GOT THIS?
- ( whispering ) I GOT IT.

207
00:10:29,875 --> 00:10:33,750
YOU GOT IT, TOPANGA?
ARE YOU GONNA MAKE THIS
ALL BETTER?

208
00:10:38,125 --> 00:10:40,250
Riley on computer:
<i>I'm okay, I'm okay, I'm okay.</i>

209
00:10:40,250 --> 00:10:43,125
<i>Hold me, Daddy! Daddy!</i>
<i>Hold me!</i>

210
00:10:43,125 --> 00:10:48,000
<i>- Daddy!</i>
<i>- ( screaming )</i>

211
00:10:51,708 --> 00:10:54,208
WE ALWAYS GET THE VERY
LAST RIDE OF THE SEASON.

212
00:10:54,208 --> 00:10:58,000
AND I KNOW ONCE WE STOP GOING,
WE'RE NEVER GOING BACK.

213
00:10:58,000 --> 00:10:59,583
HONEY, IT'S JUST
FOR THIS YEAR.

214
00:10:59,583 --> 00:11:02,708
NO.  TOPANGA, THIS IS
EXACTLY HOW TRADITIONS END.

215
00:11:04,583 --> 00:11:07,166
ONCE WE GOT MOVING ON THAT
RIDE, YOU SHOULD'VE HEARD HER:

216
00:11:07,166 --> 00:11:09,291
WHEE! AHHH!

217
00:11:10,708 --> 00:11:13,000
WHEE!

218
00:11:13,000 --> 00:11:16,000
THE BEST PART WAS RIGHT
BEFORE THE BIG DROP.

219
00:11:16,000 --> 00:11:19,083
I MEAN, YOU'RE GOING UP,
AND IT STARTS SLOWING DOWN,

220
00:11:19,083 --> 00:11:20,458
BUT YOU KNOW WHAT'S COMING.

221
00:11:20,458 --> 00:11:22,708
RILEY, SHE STARTS
LEANING CLOSER TO ME,

222
00:11:22,708 --> 00:11:27,083
SHE PUTS HER ARMS
AROUND ME AND HOLDS ON.

223
00:11:27,083 --> 00:11:29,250
WHAT ELSE IS EVER GONNA
BE LIKE THAT?

224
00:11:29,250 --> 00:11:31,583
LIFE.

225
00:11:31,583 --> 00:11:34,875
OH, BESIDES THAT.

226
00:11:34,875 --> 00:11:38,500
CORY, HER FIRST DANCE IS HARDLY
THE END OF YOUR RELATIONSHIP.

227
00:11:38,500 --> 00:11:41,250
SHE SAID I HAVE
NOTHING LEFT TO TEACH HER.

228
00:11:42,375 --> 00:11:45,375
OUR DADDY-DAUGHTER
STORY IS... OVER.

229
00:11:46,375 --> 00:11:49,125
HER AND MAYA, GONE.

230
00:11:49,125 --> 00:11:51,583
THEY MOVED ON WITHOUT ME.

231
00:11:51,583 --> 00:11:53,458
THEY BOTH GOT MARRIED.

232
00:11:55,000 --> 00:11:57,083
THEY HAVE CHILDREN NOW.

233
00:11:57,083 --> 00:12:00,708
THEY LIVE IN CALIFORNIA,
BY SOME OTHER ROLLER COASTER.

234
00:12:00,708 --> 00:12:03,250
PLEASE.  YOU KNOW,
NO MATTER WHAT,

235
00:12:03,250 --> 00:12:05,625
YOU ARE ALWAYS
GOING TO BE THERE.

236
00:12:05,625 --> 00:12:09,083
I MEAN, EVEN IF ALL SOMEONE
WANTS IS A LITTLE BIT
OF ALONE TIME,

237
00:12:09,083 --> 00:12:11,333
WHICH IS NORMAL
FOR A WOMAN,

238
00:12:11,333 --> 00:12:13,208
YOU ARE THERE.

239
00:12:16,208 --> 00:12:17,708
ALWAYS.

240
00:12:19,708 --> 00:12:22,333
CALIFORNIA.

241
00:12:27,416 --> 00:12:29,875
YOU MADE YOUR POINT, OKAY?

242
00:12:29,875 --> 00:12:32,708
YOU DIDN'T COME TO SCHOOL TODAY
AND YOUR TEACHER IS
REALLY UPSET WITH YOU.

243
00:12:32,708 --> 00:12:37,083
HE'S NOT MY TEACHER ANYMORE.
I NOW ATTEND A PRESTIGIOUS
ONLINE ACADEMY.

244
00:12:37,083 --> 00:12:41,000
<i>( man with Brooklyn accent )</i>
<i>Welcome to the Frank Mantucci</i>
<i>on Da Computer School,</i>

245
00:12:41,000 --> 00:12:44,583
<i>where youse get out of it</i>
<i>what you put into it.</i>

246
00:12:44,583 --> 00:12:45,875
<i>And what you need</i>
<i>to put into it</i>

247
00:12:45,875 --> 00:12:48,458
<i>is 400 dollars.</i>
<i>Gimme.</i>

248
00:12:49,458 --> 00:12:51,708
- YOU PAID THAT?
- FREE TRIAL.

249
00:12:51,708 --> 00:12:54,083
I TOOK THE TEST TO SEE IF I
QUALIFY FOR THE FREE TRIAL.

250
00:12:54,083 --> 00:12:56,250
MAYA, IT'S A SCAM!
THEY TAKE ANYBODY!

251
00:12:56,250 --> 00:12:59,166
- Man:<i>Congratulations! </i>
- I GOT IN!

252
00:12:59,166 --> 00:13:01,875
Man:
<i>You are the first person</i>
<i>to ever fail</i>

253
00:13:01,875 --> 00:13:06,000
<i>the Frank Mantucci</i>
<i>on Da Computer School.</i>

254
00:13:06,000 --> 00:13:08,708
-<i>How'd you do dat? </i>
- ( mimics ) HOW'D YOU DO DAT?

255
00:13:08,708 --> 00:13:12,833
Man:
<i>We asked: "Name?"</i>
<i>You didn't put nuttin'.</i>

256
00:13:12,833 --> 00:13:15,625
WELL, AT LEAST YOU
WERE SMART ENOUGH NOT
TO GIVE THEM YOUR NAME.

257
00:13:15,625 --> 00:13:18,166
- IT'S NOT THAT
I'M SMART ENOUGH.
- THEN WHAT IS IT?

258
00:13:18,166 --> 00:13:20,958
MAYBE SOMETIMES...

259
00:13:20,958 --> 00:13:23,083
I'M NOT SO PROUD
OF WHO I AM.

260
00:13:23,083 --> 00:13:25,833
- ( door opens)
- HOW'S IT GOING IN HERE?

261
00:13:25,833 --> 00:13:30,625
MOM, TELL MAYA
TO COME BACK TO SCHOOL--
REGULAR SCHOOL.

262
00:13:30,625 --> 00:13:32,833
HM... SO YOU DON'T
LIKE THIS, HUH?

263
00:13:32,833 --> 00:13:35,875
OF COURSE NOT!  MAYA ALWAYS
COMES TO SCHOOL WITH ME!

264
00:13:35,875 --> 00:13:39,208
SHE ALWAYS PICKS ME UP AT 7:00.
I LOOK FORWARD TO IT!

265
00:13:39,208 --> 00:13:43,000
- LIKE A TRADITION?
- YEAH!  OH...

266
00:13:43,000 --> 00:13:44,291
YOU KNOW, EVEN THOUGH
YOU'RE A MOTHER,

267
00:13:44,291 --> 00:13:45,750
THAT WAS CREEPY GOOD.

268
00:13:47,750 --> 00:13:49,708
SO, MAYA DOESN'T SHOW UP
LIKE SHE'S SUPPOSED TO

269
00:13:49,708 --> 00:13:51,583
AND HOW DOES
THAT MAKE YOU FEEL?

270
00:13:51,583 --> 00:13:53,958
OH...

271
00:13:53,958 --> 00:13:56,583
HONEY, YOU HAVE
TO GO TO HIM.

272
00:13:56,583 --> 00:13:59,375
HE FEELS BAD.
YOU HAVE TO GO TO YOUR FATHER.

273
00:14:00,416 --> 00:14:02,708
I FEEL BAD.
WILL HE COME TO ME?

274
00:14:02,708 --> 00:14:06,416
NO. HE'S YOUR TEACHER.
HE DOESN'T HAVE TO.

275
00:14:06,416 --> 00:14:08,458
- BUT HE WILL.
- WHAT?

276
00:14:08,458 --> 00:14:10,875
HE DOESN'T HAVE TO,
BUT HE WILL.

277
00:14:10,875 --> 00:14:13,750
- WHY?
- BECAUSE HE'S ALWAYS THERE.

278
00:14:13,750 --> 00:14:14,750
( door opens )

279
00:14:24,083 --> 00:14:25,583
ALWAYS.

280
00:14:33,208 --> 00:14:35,583
- READ IT.
- I DON'T WANT TO DO THIS,
MR. MATTHEWS.

281
00:14:35,583 --> 00:14:37,500
- SIT DOWN.
- YOU CAN'T TELL ME--

282
00:14:37,500 --> 00:14:38,500
I JUST DID.

283
00:14:41,208 --> 00:14:42,708
THANKS.

284
00:14:44,500 --> 00:14:45,875
GO AHEAD.

285
00:14:48,458 --> 00:14:50,583
"DARWIN ANIMAL STUDIES
WERE THOUGHT TO BE

286
00:14:50,583 --> 00:14:52,583
WHEN THE TRAVELS HE TOOK ON
THE BOAT WITH THE BEATLES."

287
00:14:52,583 --> 00:14:54,875
ARE YOU KIDDING ME?

288
00:14:54,875 --> 00:14:56,583
DOES SHE HAVE TO BE HERE?

289
00:14:56,583 --> 00:14:58,583
WHAT WERE
YOU TRYING TO DO?

290
00:14:58,583 --> 00:15:01,166
I TRIED TO WRITE IT
LIKE I WAS SMART.

291
00:15:01,166 --> 00:15:02,500
YOU ARE SMART.

292
00:15:02,500 --> 00:15:03,958
WHAT DID YOU MEAN TO SAY?

293
00:15:03,958 --> 00:15:06,333
DARWIN STUDIED ANIMALS.

294
00:15:06,333 --> 00:15:08,083
- WHAT KIND?
- I DON'T KNOW.

295
00:15:08,083 --> 00:15:09,458
- SHE DOES KNOW.
- I DON'T KNOW.

296
00:15:09,458 --> 00:15:10,625
YOU THINK I DON'T
WHAT I DON'T KNOW?

297
00:15:10,625 --> 00:15:11,833
I THINK YOU KNOW
MORE THAN YOU DON'T KNOW,

298
00:15:11,833 --> 00:15:13,500
- BUT YOU DON'T KNOW THAT!
- YOU KNOW WHAT?

299
00:15:14,708 --> 00:15:17,958
- WHAT DID DARWIN STUDY?
- BIRDS.

300
00:15:17,958 --> 00:15:22,291
- THERE YOU GO.
- REALLY?  I GOT THAT ONE WRONG.

301
00:15:23,500 --> 00:15:25,166
YOU WANT TO BE SMART, MAYA?

302
00:15:25,166 --> 00:15:26,875
SAY WHAT YOU MEAN.

303
00:15:26,875 --> 00:15:29,583
I UNDERSTOOD THAT PERFECTLY,
AND YOU'RE CORRECT.

304
00:15:29,583 --> 00:15:32,708
- THAT'S ALL I HAD TO SAY?
- WHAT WAS THE NAME OF HIS BOAT?

305
00:15:32,708 --> 00:15:34,083
THE BEATLES.

306
00:15:35,583 --> 00:15:37,583
THE BEAGLE.
IT'S A TINY DIFFERENCE,

307
00:15:37,583 --> 00:15:39,833
BUT AN IMPORTANT ONE.

308
00:15:39,833 --> 00:15:42,583
BECAUSE IF YOU KNOW IT,
MAYA, YOU DON'T FAIL.

309
00:15:43,500 --> 00:15:45,125
I WANT TO NOT FAIL.

310
00:15:45,125 --> 00:15:47,208
WHAT KIND OF BIRDS
DID HE STUDY?

311
00:15:47,208 --> 00:15:48,375
- I DON'T KNOW.
- YOU DO.

312
00:15:48,375 --> 00:15:49,375
- FINCHES.
- AND WHAT ELSE?

313
00:15:49,375 --> 00:15:51,000
FINCHES AND MOCKINGBIRDS.

314
00:15:51,000 --> 00:15:53,708
- YES.
- YES.

315
00:15:53,708 --> 00:15:56,375
- HOW DID YOU KNOW SHE KNEW?
- I KNOW SHE LISTENS TO YOU.

316
00:15:57,375 --> 00:15:59,000
I LISTEN TO YOU.

317
00:16:00,166 --> 00:16:02,458
THEN YOU WON'T FAIL...

318
00:16:02,458 --> 00:16:04,000
AND THEN NEITHER WILL I.

319
00:16:05,208 --> 00:16:07,875
HOW ABOUT
SOME TURKEY SANDWICHES?

320
00:16:07,875 --> 00:16:09,625
DARWIN DIDN'T STUDY TURKEYS.

321
00:16:09,625 --> 00:16:12,000
HE STUDIED FINCHES
AND MOCKINGBIRDS.

322
00:16:12,000 --> 00:16:13,500
HIS BOAT WAS THE BEAGLE.

323
00:16:13,500 --> 00:16:16,458
- AND FOR EXTRA CREDIT?
- GALAPAGOS.

324
00:16:16,458 --> 00:16:18,416
THE ISLANDS HE STUDIED
WERE THE GALAPAGOS.

325
00:16:18,416 --> 00:16:20,416
BECAUSE SHE LISTENS TO ME.

326
00:16:22,291 --> 00:16:24,583
HEY, MAYA.

327
00:16:24,583 --> 00:16:26,000
WATCH THIS.

328
00:16:27,708 --> 00:16:29,500
YOU'RE GIVING ME AN "A"?

329
00:16:29,500 --> 00:16:33,333
NO, I'M GIVING YOU
A "C PLUS."

330
00:16:33,333 --> 00:16:37,375
BUT I WANT YOU TO SEE HOW
EASILY AN "F" CAN BECOME AN "A."

331
00:16:38,583 --> 00:16:41,208
NOTHING TO BE ASHAMED
OF ANYMORE, MAYA.

332
00:16:42,833 --> 00:16:46,166
- MY DAD DOESN'T LIVE WITH--
- IT'S OKAY.

333
00:16:47,416 --> 00:16:49,500
HE'S GOT THIS NEW FAMILY.

334
00:16:49,500 --> 00:16:52,250
- MAYA, YOU DON'T HAVE TO--
- I DO HAVE TO.

335
00:16:52,250 --> 00:16:54,375
I HAVE TO BE ABLE
TO TALK TO YOU.

336
00:16:55,875 --> 00:16:58,333
IF YOU GIVE ME AN "F,"

337
00:16:58,333 --> 00:17:01,583
IF YOU DECIDE I'M NOT
WORTH WORKING ON--

338
00:17:01,583 --> 00:17:04,333
MAYA, TAKE A LOOK AROUND YOU.

339
00:17:04,333 --> 00:17:07,375
WE'RE ALL HERE FOR YOU.

340
00:17:07,375 --> 00:17:10,625
DOES THIS LOOK LIKE WE THINK
YOU'RE NOT WORTH WORKING ON?

341
00:17:10,625 --> 00:17:14,500
I JUST DON'T WANT TO FAIL,
MR. MATTHEWS.

342
00:17:16,208 --> 00:17:17,375
THANK YOU.

343
00:17:18,750 --> 00:17:20,375
I DON'T WANT
TO GO TO THE DANCE!

344
00:17:20,375 --> 00:17:22,500
THE DANCE DOESN'T
MATTER TO ME AT ALL!

345
00:17:22,500 --> 00:17:26,000
I WANT TO GO ON THE CYCLONE
WITH YOU MORE THAN
ANYTHING IN THE WORLD!

346
00:17:26,000 --> 00:17:29,708
- YOU'RE GOING TO THE DANCE.
- ( breathily ) HOORAY!

347
00:17:29,708 --> 00:17:31,875
I'M GOING TO CHAPERONE.

348
00:17:31,875 --> 00:17:33,250
- WHAT'S THAT MEAN?
- HAND.

349
00:17:33,250 --> 00:17:34,458
- WHAT'S THAT MEAN?
- GROWN-UP VOICE.

350
00:17:34,458 --> 00:17:37,000
LUCAS, HELLO.

351
00:17:38,083 --> 00:17:39,250
WHAT'S THAT MEAN?

352
00:17:41,375 --> 00:17:45,583
( soft pop music plays )

353
00:17:50,583 --> 00:17:52,375
YOU'RE A REALLY
GOOD DANCER, LUCAS.

354
00:17:52,375 --> 00:17:54,125
THANKS, SO ARE YOU.

355
00:17:54,125 --> 00:17:56,083
LOOK, EVERYONE'S COPYING US.

356
00:18:01,750 --> 00:18:04,000
THE HAT'S JUST
FOR ME, ISN'T IT?

357
00:18:04,000 --> 00:18:06,375
YOU ACTUALLY PUT THOUGHT INTO
OUR LITTLE GAME, DON'T YOU?

358
00:18:06,375 --> 00:18:08,583
I ACTUALLY DO.

359
00:18:09,875 --> 00:18:12,291
( shudders )

360
00:18:12,291 --> 00:18:13,333
( shudders )

361
00:18:19,083 --> 00:18:21,625
( music ends )

362
00:18:25,125 --> 00:18:27,625
WELL, GUYS, IT LOOKS LIKE
THE NIGHT IS WINDING DOWN.

363
00:18:27,625 --> 00:18:29,333
WE HOPE YOU ALL
ENJOYED THE DANCE.

364
00:18:29,333 --> 00:18:31,958
BUT BEFORE WE GO, I NOTICE
SOME FATHERS HAVE ARRIVED

365
00:18:31,958 --> 00:18:33,416
TO PICK UP THEIR DAUGHTERS.

366
00:18:33,416 --> 00:18:36,166
I WONDER IF WE MIGHT
HAVE ONE LAST DANCE.

367
00:18:36,166 --> 00:18:39,958
( cheering )

368
00:18:42,000 --> 00:18:43,583
A FATHER-DAUGHTER DANCE.

369
00:18:45,250 --> 00:18:48,416
( soft music plays )

370
00:18:55,625 --> 00:18:57,750
MAY I PLEASE
HAVE THIS DANCE?

371
00:19:05,333 --> 00:19:10,416
♪ EVER YOU NEEDED TO TALK ♪

372
00:19:10,416 --> 00:19:13,000
♪ YOU CAN TALK TO ME ♪

373
00:19:13,000 --> 00:19:16,708
♪ COULD YOU TALK TO ME ♪

374
00:19:16,708 --> 00:19:19,250
LOOKS LIKE MAYBE
WE HAVE A NEW TRADITION.

375
00:19:19,250 --> 00:19:21,458
THAT'S OKAY.

376
00:19:21,458 --> 00:19:24,500
TRADITIONS ARE SUPPOSED
TO EVOLVE...

377
00:19:24,500 --> 00:19:25,875
JUST LIKE DAUGHTERS.

378
00:19:25,875 --> 00:19:29,375
SOMETIMES DAUGHTERS JUST NEED...

379
00:19:30,416 --> 00:19:32,458
WHAT WAS THAT AGAIN, MR. FRIAR?

380
00:19:32,458 --> 00:19:35,708
"A GUIDING HAND THAT HAS YOUR
BEST INTEREST AT HEART."

381
00:19:38,166 --> 00:19:41,291
THERE'S STILL A WHOLE LOT
I NEED YOU TO TEACH ME, DAD.

382
00:19:42,416 --> 00:19:44,375
THANK YOU, RILEY.

383
00:19:44,375 --> 00:19:47,416
THERE'S STILL A WHOLE LOT
I NEED YOU TO TEACH ME, TOO.

384
00:19:47,416 --> 00:19:50,250
- HEY, HE'S MY FATHER.
- WHATEVER YOU SAY.

385
00:19:50,250 --> 00:19:53,416
YOU DO KNOW THAT YOU'RE
MY FATHER, RIGHT?

386
00:19:53,416 --> 00:19:56,208
YEAH, I'M YOUR FATHER.

387
00:19:57,375 --> 00:19:58,750
THANK YOU, RILEY.

388
00:19:58,750 --> 00:20:02,708
- HOW'S THAT FOR MAKE-UP?
- PERFECT.

389
00:20:19,833 --> 00:20:23,708
RILEY, I NEVER WANT OUR
DADDY-DAUGHTER STORY TO END.

390
00:20:23,708 --> 00:20:26,416
- NEITHER DO I, DAD.
- IT DOESN'T END.

391
00:20:26,416 --> 00:20:29,333
IN ANY GOOD BOOK,
YOU TURN THE PAGE
AND THERE'S ANOTHER CHAPTER.

392
00:20:29,333 --> 00:20:33,708
DADDY, SINCE RILEY'S TOO BIG
FOR YOU, MAYBE WE COULD
DO SOMETHING EVERY YEAR.

393
00:20:36,083 --> 00:20:38,500
OF COURSE, AUGGIE.
WHAT DO YOU HAVE IN MIND?

394
00:20:38,500 --> 00:20:41,708
YOU AND ME.
A SINGLES CRUISE TO ALASKA.

395
00:20:43,416 --> 00:20:46,208
WELL, I GUESS SOME TRADITIONS
ARE MEANT TO CHANGE.

396
00:20:46,208 --> 00:20:48,875
- ( door opens )
- 'SUP, GOOFBALLS?

397
00:20:48,875 --> 00:20:50,416
HEY, RILEY, 7:00.

398
00:20:54,125 --> 00:20:56,416
AND SOME SHOULD
ALWAYS REMAIN THE SAME.