1
00:00:02,875 --> 00:00:05,000
EYES, LOOK YOUR LAST.

2
00:00:05,000 --> 00:00:09,000
ARMS, TAKE YOUR
LAST EMBRACE.

3
00:00:13,250 --> 00:00:18,250
AND, LIPS, OH,
YOU THE DOORS OF BREATH,

4
00:00:18,250 --> 00:00:20,250
SEAL WITH A RIGHTEOUS KISS.

5
00:00:21,375 --> 00:00:22,500
BACK OFF!

6
00:00:22,500 --> 00:00:24,833
WHAT MEANEST THOU?

7
00:00:24,833 --> 00:00:27,208
SPEAR CARRIER...

8
00:00:28,583 --> 00:00:30,000
WHO HAVEST NO LINES.

9
00:00:31,208 --> 00:00:32,583
YOU TRIED TO KISS
MY WOMAN.

10
00:00:32,583 --> 00:00:35,000
THIS I CANNOT ALLOW.
PREPARE TO DIE!

11
00:00:35,000 --> 00:00:36,500
Lucas:
<i>FARKLE, </i>

12
00:00:36,500 --> 00:00:37,875
WHAT ARE YOU DOING?

13
00:00:37,875 --> 00:00:39,375
IT'S "ROMEO AND JULIET."

14
00:00:39,375 --> 00:00:42,166
WELL, NOW IT'S
"ROMEO AND JULIET
AND FARKLE."

15
00:00:42,166 --> 00:00:43,708
I PLAY FARKLE.

16
00:00:43,708 --> 00:00:46,291
DUDE, I'M SUPPOSED
TO KISS THE GIRL.

17
00:00:46,291 --> 00:00:47,375
SHAKESPEARE SAID.

18
00:00:47,375 --> 00:00:49,000
WHO THINKS THE SPEAR CARRIER

19
00:00:49,000 --> 00:00:50,416
SHOULD FINALLY GET
TO KISS JULIET?

20
00:00:50,416 --> 00:00:52,083
( cheering )

21
00:00:52,083 --> 00:00:55,708
YEAH, YOU KISS THAT GIRL,
YOU CRAZY SPEAR CARRIER.

22
00:00:55,708 --> 00:00:58,250
HARK!
YOU COMETH UPPETH HERE

23
00:00:58,250 --> 00:00:59,458
AND GETTETH KISSED TOO.

24
00:00:59,458 --> 00:01:02,083
( all cheering )

25
00:01:02,083 --> 00:01:03,625
THANK YOU, THANK YOU.

26
00:01:03,625 --> 00:01:05,333
YOU'RE TOO KIND, SERIOUSLY.

27
00:01:09,625 --> 00:01:10,708
HOW YOU DOING?

28
00:01:10,708 --> 00:01:12,500
I JUST DON'T UNDERSTAND

29
00:01:12,500 --> 00:01:14,583
HOW WE END UP
IN SITUATIONS LIKE THIS.

30
00:01:16,000 --> 00:01:17,708
( applause )

31
00:01:31,875 --> 00:01:33,208
( silence )

32
00:01:34,333 --> 00:01:36,250
- ( claps )
- ( all clapping )

33
00:01:36,250 --> 00:01:38,625
THANK YOU.
THANK YOU, FARKLE NATION!

34
00:01:40,625 --> 00:01:42,208
FARKLE, COME HERE.

35
00:01:42,208 --> 00:01:44,708
MAYA, DON'T.
HE THINKS HE WAS GOOD.

36
00:01:44,708 --> 00:01:46,125
YEAH, I'M GONNA FIX THAT.

37
00:01:46,125 --> 00:01:48,000
BUT YOU CAN'T
TELL HIM THE TRUTH.

38
00:01:48,000 --> 00:01:50,708
- YOU'LL CRUSH HIM.
- OH, I CAN TELL HIM THE TRUTH.

39
00:01:50,708 --> 00:01:53,000
IT'S YOU WHO CAN'T
TELL HIM THE TRUTH
BECAUSE YOU'RE AFRAID.

40
00:01:53,000 --> 00:01:54,958
I'M NOT AFRAID.
I'M NICE.

41
00:01:54,958 --> 00:01:56,583
YOU'RE SAYING I'M NOT NICE?

42
00:01:56,583 --> 00:01:58,458
NO, I'M AFRAID TO SAY THAT.

43
00:01:58,458 --> 00:02:00,708
TELL HIM THE TRUTH.
YOU KNOW FARKLE.

44
00:02:00,708 --> 00:02:02,375
YOU KNOW WHAT
WILL HAPPEN IF YOU DON'T.

45
00:02:03,750 --> 00:02:05,083
FARKLE.

46
00:02:07,083 --> 00:02:10,500
YOU WERE SO--
WHAT ARE THE BEST WORDS?

47
00:02:10,500 --> 00:02:12,708
HE KILLED THE PLAY.
THOSE ARE THE WORDS.

48
00:02:12,708 --> 00:02:14,875
THOSE ARE THE ONLY WORDS.
YOU KILLED THE PLAY.

49
00:02:14,875 --> 00:02:16,333
TELL HIM.

50
00:02:16,333 --> 00:02:18,416
WHAT?  WHAT DOES SHE MEAN?

51
00:02:18,416 --> 00:02:20,458
SHE MEANS YOU
KILLED IT, FARKLE.

52
00:02:20,458 --> 00:02:22,458
KILLED IT!
SHOWBIZ TALK.

53
00:02:22,458 --> 00:02:23,958
I ACTUALLY I THOUGHT
I RUINED THE PLAY.

54
00:02:23,958 --> 00:02:25,000
IF YOU WOULD'VE TOLD ME
I RUINED THE PLAY,

55
00:02:25,000 --> 00:02:26,333
I WOULD HAVE BELIEVED YOU.

56
00:02:26,333 --> 00:02:29,083
I WOULD HAVE BEEN CRUSHED,
BUT I WOULD'VE BELIEVED YOU.

57
00:02:29,083 --> 00:02:31,291
( sighs )
HOW COULD I CRUSH

58
00:02:31,291 --> 00:02:32,625
ONE OF THE BEST ACTORS

59
00:02:32,625 --> 00:02:35,458
WORKING IN MIDDLE SCHOOL
TODAY?

60
00:02:35,458 --> 00:02:37,875
I'M A GOOD ACTOR?
WHAT IF I'M BETTER THAN GOOD?

61
00:02:37,875 --> 00:02:39,708
WHAT IF I'M GREAT?
WHAT IF I'M THE GREATEST ACTOR

62
00:02:39,708 --> 00:02:41,125
WHO EVER LIVED,
AND I NEVER KNEW IT?

63
00:02:41,125 --> 00:02:43,583
THAT WOULD BE SAD.  WAH.
IT'S OKAY, IT'S OKAY.

64
00:02:43,583 --> 00:02:45,083
I WAS ACTING.

65
00:02:46,125 --> 00:02:47,500
THANKS, RILEY,
MY PUBLIC AWAITS.

66
00:02:47,500 --> 00:02:49,583
HELLO, EVERYBODY!

67
00:02:49,583 --> 00:02:51,291
YOU CAN'T LIE TO HIM,
RILEY.

68
00:02:51,291 --> 00:02:52,708
YOU'RE GONNA BREAK
OUR LITTLE FARKLE.

69
00:02:52,708 --> 00:02:54,875
OH, I WILL NOT.
I DIDN'T DO ANYTHING.

70
00:02:54,875 --> 00:02:57,250
THIS WILL ALL GO AWAY.

71
00:02:57,250 --> 00:02:59,833
- <i>( jazz music playing )  </i>
- ( tapping )

72
00:03:07,875 --> 00:03:09,458
AND I THINK...

73
00:03:09,458 --> 00:03:10,458
YOU BROKE HIM.

74
00:03:12,625 --> 00:03:14,458
<i>( theme music playing ) </i>

75
00:03:16,416 --> 00:03:18,416
<i>♪ I'VE BEEN WAITING ♪ </i>

76
00:03:18,416 --> 00:03:20,875
<i>♪ FOR A DAY </i>
<i>LIKE THIS TO COME ♪ </i>

77
00:03:20,875 --> 00:03:22,458
<i>♪ STRUCK LIKE LIGHTNING ♪ </i>

78
00:03:22,458 --> 00:03:25,166
<i>♪ MY HEART'S BEATING </i>
<i>LIKE A DRUM ♪ </i>

79
00:03:25,166 --> 00:03:29,208
<i>♪ ON THE EDGE </i>
<i>OF SOMETHING WONDERFUL ♪ </i>

80
00:03:29,208 --> 00:03:32,000
<i>♪ FACE TO FACE WITH CHANGES ♪ </i>

81
00:03:32,000 --> 00:03:35,333
<i>♪ WHAT'S IT ALL ABOUT? </i>
<i>LIFE IS CRAZY ♪ </i>

82
00:03:35,333 --> 00:03:37,416
<i>♪ BUT I KNOW </i>
<i>I CAN WORK IT OUT ♪ </i>

83
00:03:37,416 --> 00:03:41,583
<i>♪ 'CAUSE I GOT YOU </i>
<i>TO LIVE IT WITH ME ♪ </i>

84
00:03:41,583 --> 00:03:45,625
<i>♪ I FEEL ALL RIGHT, </i>
<i>I'M GONNA TAKE ON THE WORLD ♪ </i>

85
00:03:45,625 --> 00:03:49,000
<i>♪ LIGHT UP THE STARS, </i>
<i>I'VE GOT SOME PAGES TO TURN ♪ </i>

86
00:03:49,000 --> 00:03:50,833
<i>♪ I'M SINGING "GO-O-O" ♪ </i>

87
00:03:50,833 --> 00:03:53,875
<i>♪ OH OH OH OH ♪ </i>

88
00:03:53,875 --> 00:03:55,625
<i>♪ TAKE ON THE WORLD ♪ </i>

89
00:03:55,625 --> 00:03:58,291
<i>♪ TAKE ON THE WORLD, </i>
<i>TAKE ON THE WORLD ♪ </i>

90
00:03:58,291 --> 00:04:00,958
<i>♪ TAKE ON THE WORLD, </i>
<i>TAKE ON THE WORLD ♪ </i>

91
00:04:00,958 --> 00:04:02,583
<i>♪ TAKE ON THE WORLD. ♪ </i>

92
00:04:05,458 --> 00:04:08,625
- NICE LOCKET.
- YOU LIKEY?

93
00:04:08,625 --> 00:04:11,625
IF HISTORY'S ABOUT DISCOVERING
THE TRUTH OF WHAT HAPPENED
IN THE PAST,

94
00:04:11,625 --> 00:04:14,166
WE SPEND SOME TIME
FINDING OUT WHAT TRUTH IS.

95
00:04:14,166 --> 00:04:16,416
WHERE'D YOU <i>GET  </i>
THE NICE LOCKET?

96
00:04:16,416 --> 00:04:19,708
SHH, I COME HERE
TO LEARN.

97
00:04:19,708 --> 00:04:22,000
( both laugh )

98
00:04:22,000 --> 00:04:24,083
ALL THROUGH HISTORY,

99
00:04:24,083 --> 00:04:25,875
PEOPLE HAVE SUFFERED
CONSEQUENCES

100
00:04:25,875 --> 00:04:27,458
FOR TELLING THE TRUTH.

101
00:04:27,458 --> 00:04:30,083
- IS THAT REAL GOLD?
- DON'T KNOW.

102
00:04:30,083 --> 00:04:31,166
DOESN'T MATTER.

103
00:04:31,166 --> 00:04:33,000
THEY ALL SUFFERED DEARLY

104
00:04:33,000 --> 00:04:34,875
FOR HAVING THE COURAGE

105
00:04:34,875 --> 00:04:36,208
TO TELL THE TRUTH.

106
00:04:36,208 --> 00:04:38,500
SO SOMETIMES
IT'S BETTER NOT TO?

107
00:04:38,500 --> 00:04:41,000
BUT AREN'T
THERE CONSEQUENCES
FOR THAT TOO, SIR?

108
00:04:41,000 --> 00:04:42,500
YES, THERE ARE, MR. FRIAR.

109
00:04:42,500 --> 00:04:44,958
BUT IN MY EXPERIENCE
WITH THE UNIVERSE,

110
00:04:44,958 --> 00:04:46,625
NO MATTER WHAT YOU DO,

111
00:04:46,625 --> 00:04:49,375
THE TRUTH
ALWAYS FINDS A WAY
OF COMING OUT.

112
00:04:49,375 --> 00:04:50,875
<i>( bell rings ) </i>

113
00:04:52,375 --> 00:04:53,500
( students chatter )

114
00:04:55,083 --> 00:04:57,833
SO... WHERE'D YOU
GET THE LOCKET?

115
00:04:57,833 --> 00:04:59,416
- FRANCE.
- YOU WERE IN FRANCE?

116
00:04:59,416 --> 00:05:01,083
<i>SI, SENOR. </i>

117
00:05:01,083 --> 00:05:02,875
YOU DIDN'T GO TO FRANCE

118
00:05:02,875 --> 00:05:04,208
BECAUSE IF YOU
WENT TO FRANCE,

119
00:05:04,208 --> 00:05:05,750
YOU WOULD HAVE
BROUGHT ME BACK
A CROISSANT.

120
00:05:05,750 --> 00:05:07,583
- BING.
- OOH.

121
00:05:07,583 --> 00:05:09,583
PIPING HOT.

122
00:05:11,416 --> 00:05:12,875
WAIT A MINUTE.

123
00:05:12,875 --> 00:05:14,416
WHERE DID YOU
REALLY GET THIS?

124
00:05:14,416 --> 00:05:15,833
I FOUND IT ON THE STREET.

125
00:05:15,833 --> 00:05:16,875
BLEAH!

126
00:05:18,000 --> 00:05:20,375
COME ON,
WHERE'D YOU GET THE LOCKET?

127
00:05:20,375 --> 00:05:21,583
MY FATHER SENT IT TO ME.

128
00:05:21,583 --> 00:05:23,000
- HE DID?
- YOU DON'T BELIEVE ME?

129
00:05:23,000 --> 00:05:24,875
- DID YOU JUST TELL ME?
- I JUST TOLD YOU.

130
00:05:24,875 --> 00:05:26,708
- THEN I BELIEVE YOU.
- SO THIS IS OVER?

131
00:05:26,708 --> 00:05:28,083
LIKE IT NEVER HAPPENED.

132
00:05:28,083 --> 00:05:30,958
I DO, HOWEVER,
HAVE ONE QUESTION
FOR THE LOCKET.

133
00:05:32,083 --> 00:05:33,416
WHERE'D YOU GET THE MAYA?!

134
00:05:33,416 --> 00:05:35,375
YOU DON'T BELIEVE
MY FATHER SENT THIS TO ME?

135
00:05:35,375 --> 00:05:37,083
WHY DON'T YOU
JUST TELL ME?

136
00:05:37,083 --> 00:05:38,625
WHY DON'T YOU JUST
CALL ME A LIAR?

137
00:05:38,625 --> 00:05:40,000
WHY DON'T YOU JUST
TELL ME THE TRUTH?

138
00:05:40,000 --> 00:05:41,000
OH, YOU THINK
THAT'S IMPORTANT?

139
00:05:41,000 --> 00:05:42,083
I DO.

140
00:05:42,083 --> 00:05:43,500
DID YOU THINK FARKLE
WAS GOOD IN THE PLAY?

141
00:05:43,500 --> 00:05:45,250
( melodramatic gasp )

142
00:05:50,583 --> 00:05:52,333
I WANT TO SKIP AHEAD
IN YOUR TRUTH LESSON.

143
00:05:53,583 --> 00:05:55,000
IS IT OKAY TO TELL
A LITTLE WHITE LIE

144
00:05:55,000 --> 00:05:57,000
- TO SPARE
SOMEBODY'S FEELINGS?
- NO.

145
00:05:58,708 --> 00:06:00,375
MY FEELINGS?

146
00:06:02,000 --> 00:06:04,375
- NO.
- THEN ALWAYS TRUTH.

147
00:06:07,000 --> 00:06:10,875
WELL, WHAT DO WE HAVE HERE?

148
00:06:10,875 --> 00:06:13,500
- CHICKEN.
- I'LL TELL YOU
RIGHT NOW, TOPANGA,

149
00:06:13,500 --> 00:06:14,708
THIS WAS NEVER A CHICKEN.

150
00:06:16,500 --> 00:06:18,375
WHY DON'T YOU
JUST EAT IT, HONEY.

151
00:06:18,375 --> 00:06:20,875
I'M LOOKING FORWARD TO HEARING
WHAT YOU THINK OF IT AFTER.

152
00:06:23,333 --> 00:06:25,875
OH, GREAT TELLER OF THE TRUTH,

153
00:06:25,875 --> 00:06:27,125
PLEASE DEMONSTRATE

154
00:06:27,125 --> 00:06:28,958
HOW YOU'RE GOING
TO GET OUT OF THIS ONE.

155
00:06:28,958 --> 00:06:31,583
( cracking )

156
00:06:34,333 --> 00:06:36,416
PSST, WHAT'D YOU GET?

157
00:06:36,416 --> 00:06:38,500
S'GHETTI AND MEATBALLS.

158
00:06:38,500 --> 00:06:40,208
OOH, YUM.

159
00:06:41,208 --> 00:06:42,625
YUM THAT!

160
00:06:43,833 --> 00:06:45,625
WHY THIS ME?!
WHY YUM HIM?!

161
00:06:48,000 --> 00:06:49,958
ALL RIGHT, FINE,
I'LL EAT IT.

162
00:06:49,958 --> 00:06:51,500
HERE WE GO.

163
00:06:52,583 --> 00:06:54,833
HAVE WE PRAYED?
HAVE WE PRAYED

164
00:06:54,833 --> 00:06:56,583
AS A FAMILY?

165
00:06:56,583 --> 00:06:57,875
WE HAVEN'T DONE
THAT IN A WHILE.

166
00:06:59,208 --> 00:07:00,875
GO AHEAD, PRAY.

167
00:07:03,250 --> 00:07:04,708
OH, I'LL PRAY.

168
00:07:07,125 --> 00:07:09,416
THE WORLD
IS A BEAUTIFUL PLACE...

169
00:07:10,708 --> 00:07:12,375
FULL OF MANY BEAUTIFUL THINGS.

170
00:07:13,458 --> 00:07:15,208
LOOK WHAT SHE DID
TO YOUR CHICKEN!

171
00:07:17,833 --> 00:07:19,500
EAT YOUR DINNER, HONEY.

172
00:07:19,500 --> 00:07:21,000
OKAY.

173
00:07:21,000 --> 00:07:22,500
I'LL SEE YOU SOON.

174
00:07:25,333 --> 00:07:26,958
( sighs, laughs )

175
00:07:31,125 --> 00:07:33,500
WELL, WHAT DO YOU THINK?

176
00:07:33,500 --> 00:07:36,500
UM, YOU KNOW,
FROM EATING THIS CHICKEN,

177
00:07:36,500 --> 00:07:38,708
I'LL TELL YOU RIGHT NOW
HOW THIS CHICKEN DIED.

178
00:07:38,708 --> 00:07:40,166
IT ATE THIS CHICKEN.

179
00:07:41,875 --> 00:07:45,250
YOU KNOW, DADDY,
SOMETIMES WHEN I DON'T
WANT TO EAT SOMETHING,

180
00:07:45,250 --> 00:07:47,583
MOMMY FEEDS IT TO ME
LIKE IT WAS AN AIRPLANE.

181
00:07:47,583 --> 00:07:49,875
( mimics motor whir )

182
00:07:49,875 --> 00:07:51,583
AND I LIKE THAT.

183
00:07:52,875 --> 00:07:54,458
THAT'S VERY SWEET, AUGGIE,

184
00:07:54,458 --> 00:07:56,166
BUT DADDY'S
A LITTLE TOO OLD

185
00:07:56,166 --> 00:07:57,500
FOR MOMMY TO FEED HIM.

186
00:07:57,500 --> 00:07:58,708
( chuckles )

187
00:07:59,708 --> 00:08:02,208
( mimics motor whirring )

188
00:08:07,000 --> 00:08:09,708
THERE'S A SERIOUS PIGEON
FOLLOWING ME.

189
00:08:09,708 --> 00:08:11,208
HOW YOU DOING?

190
00:08:11,208 --> 00:08:14,083
HEY, HERE'S A NEW THING.
WHERE'D YOU GET THE LOCKET?

191
00:08:14,083 --> 00:08:17,500
HE'S A VERY SNEAKY PIGEON,
BUT I'M ONTO HIM.

192
00:08:17,500 --> 00:08:20,833
BECAUSE IT'S GOLD,
IT'S EXPENSIVE,

193
00:08:20,833 --> 00:08:23,583
AND MY CURIOSITY
GETS THE BETTER OF ME.

194
00:08:23,583 --> 00:08:26,333
SO I DUCKED BEHIND THE TREE
TO FAKE OUT THE PIGEON.

195
00:08:26,333 --> 00:08:27,500
AND YOU KNOW
WHO CAME OVER?

196
00:08:27,500 --> 00:08:28,583
A SQUIRREL.

197
00:08:29,583 --> 00:08:30,708
I DIDN'T SAY HELLO THOUGH,

198
00:08:30,708 --> 00:08:32,625
BECAUSE I WAS ALREADY
IN MY THING WITH THE PIGEON.

199
00:08:33,750 --> 00:08:36,458
I NEED TO KNOW
IF YOU'RE STEALING THINGS.

200
00:08:36,458 --> 00:08:38,250
YOU DON'T THINK
MY DAD SENDS ME STUFF?

201
00:08:38,250 --> 00:08:40,000
MAYA, YOU'VE CRIED TO ME

202
00:08:40,000 --> 00:08:42,375
BECAUSE YOUR DAD
DOESN'T SEND YOU STUFF.

203
00:08:42,375 --> 00:08:45,000
SOMETIMES I WALK
AROUND THE VILLAGE

204
00:08:45,000 --> 00:08:47,500
AND I PASS STORES
AND I LOOK IN WINDOWS

205
00:08:47,500 --> 00:08:49,333
AT THINGS I KNOW
I'LL NEVER HAVE.

206
00:08:49,333 --> 00:08:51,125
SO ONE DAY, I SAW THIS

207
00:08:51,125 --> 00:08:53,000
SITTING IN
A LOST-AND-FOUND BASKET.

208
00:08:53,000 --> 00:08:54,375
DO YOU THINK IT'S RIGHT
THAT SOMEBODY

209
00:08:54,375 --> 00:08:55,708
LOSES SOMETHING
SO BEAUTIFUL

210
00:08:55,708 --> 00:08:57,000
AND NEVER COMES BACK FOR IT?

211
00:08:57,000 --> 00:08:59,458
WHO KNOWS?  I DON'T
HAVE A CRIMINAL MIND.

212
00:08:59,458 --> 00:09:02,291
I DON'T THINK
LIKE YOU PEOPLE.

213
00:09:02,291 --> 00:09:04,000
I WALKED BY THE WINDOW
FOR MONTHS.

214
00:09:04,000 --> 00:09:05,500
NOBODY CLAIMED
THE LOCKET, OKAY?

215
00:09:05,500 --> 00:09:07,708
IT SAT THERE LIKE
A KID THAT HAS NO--

216
00:09:07,708 --> 00:09:09,583
LIKE AN ORPHAN.

217
00:09:09,583 --> 00:09:12,083
SO I CLAIMED IT.
IT'S MINE NOW.

218
00:09:12,083 --> 00:09:13,625
IT'S NOT.

219
00:09:13,625 --> 00:09:16,458
YOU TOOK SOMETHING THAT
DOESN'T BELONG TO YOU.

220
00:09:16,458 --> 00:09:18,000
HOW COME YOU DON'T
TELL FARKLE THE TRUTH,

221
00:09:18,000 --> 00:09:19,416
BUT YOU HAVE NO TROUBLE
TELLING ME?

222
00:09:20,416 --> 00:09:22,625
( warbles )

223
00:09:22,625 --> 00:09:24,208
AND YOU STOP JUDGING ME.

224
00:09:27,000 --> 00:09:29,458
HEY, MY FATHER TELLS
MY MOTHER THE TRUTH,

225
00:09:29,458 --> 00:09:30,625
EVEN WHEN HE KNOWS

226
00:09:30,625 --> 00:09:33,291
SHE'S GONNA SHOVE
A CHICKEN IN HIS FACE.

227
00:09:33,291 --> 00:09:35,625
- SORRY I MISSED IT.
- YEP, I WAS THINKING ABOUT YOU.

228
00:09:35,625 --> 00:09:37,375
- THANKS.
- 'CAUSE I LOVE YOU.

229
00:09:37,375 --> 00:09:38,583
I LOVE YOU TOO.

230
00:09:38,583 --> 00:09:40,208
THEN WHY DO YOU WANT
TO END UP IN THE SLAMMER?

231
00:09:40,208 --> 00:09:42,166
HERE WE GO.

232
00:09:42,166 --> 00:09:43,958
YOU WON'T DO WELL
IN THE SLAMMER.

233
00:09:43,958 --> 00:09:45,583
I WILL SO.

234
00:09:47,166 --> 00:09:48,875
YOU WON'T PACK RIGHT.

235
00:09:48,875 --> 00:09:50,625
AND YOU'LL FORGET
TO BRING SHOWER SHOES

236
00:09:50,625 --> 00:09:52,166
AND YOU'LL TAKE
SOMEBODY ELSE'S

237
00:09:52,166 --> 00:09:53,416
FROM THE LOST-AND-FOUND.

238
00:09:53,416 --> 00:09:55,208
AND I THINK...

239
00:09:55,208 --> 00:09:57,458
YOU'RE GONNA GET
TOE FUNGUS!

240
00:09:57,458 --> 00:09:59,708
AND I THINK YOU DESERVE
TO GET TOE FUNGUS

241
00:09:59,708 --> 00:10:02,166
BECAUSE THEY'RE
NOT YOUR SHOWER SHOES.

242
00:10:02,166 --> 00:10:03,875
( cries )
THEY'RE NOT!

243
00:10:03,875 --> 00:10:05,708
THAT'S ADORABLE.

244
00:10:05,708 --> 00:10:07,708
I THINK YOU'RE A THIEF.

245
00:10:08,708 --> 00:10:10,291
THAT'S NOT.

246
00:10:10,291 --> 00:10:12,375
YOU THINK I'M AFRAID
TO TELL PEOPLE THE TRUTH?

247
00:10:12,375 --> 00:10:15,333
I'M NOT,
AND I NOW AWAIT
YOUR PRAISE.

248
00:10:18,375 --> 00:10:20,833
MAYA?

249
00:10:35,458 --> 00:10:37,166
I GOT SOMETHING
TO SAY TO YOU.

250
00:10:37,166 --> 00:10:38,583
♪ I CAN'T HEAR YOU ♪

251
00:10:38,583 --> 00:10:40,708
♪ BADDADA DADAA DADAA... ♪

252
00:10:40,708 --> 00:10:41,958
I'M TALKING TO YOU.

253
00:10:41,958 --> 00:10:44,750
( singing nonsense words )

254
00:10:47,375 --> 00:10:49,291
( singing continues )

255
00:10:49,291 --> 00:10:51,291
♪ DA DA DADAA ♪

256
00:10:51,291 --> 00:10:53,375
♪ WHATA WHATA WHATA,
WAA WAA WAA ♪

257
00:10:53,375 --> 00:10:55,375
( singing continues )

258
00:10:55,375 --> 00:10:57,583
♪ AND... ♪

259
00:10:57,583 --> 00:10:59,500
GO.

260
00:10:59,500 --> 00:11:01,500
WHETHER OR NOT
YOU'RE A THIEF,

261
00:11:01,500 --> 00:11:02,708
OR NOT A THIEF,

262
00:11:02,708 --> 00:11:05,625
OR YOU STOLE THE LOCKET
OR YOU DIDN'T,

263
00:11:05,625 --> 00:11:07,708
IT DOESN'T BELONG TO YOU.

264
00:11:07,708 --> 00:11:09,166
IT BELONGS TO SOMEBODY ELSE.

265
00:11:09,166 --> 00:11:10,875
<i>AND YOU HAVE TO TELL </i>
<i>THE TRUTH ABOUT IT </i>

266
00:11:10,875 --> 00:11:13,250
BECAUSE YOU
ARE UPSETTING THE UNIVERSE.

267
00:11:13,250 --> 00:11:15,833
AND THE UNIVERSE IS GOING
TO HAVE THE TRUTH
COME OUT ANYWAY.

268
00:11:19,875 --> 00:11:21,166
AND WHAT ABOUT YOU?

269
00:11:21,166 --> 00:11:23,333
WHEN ARE YOU GONNA
TELL THE TRUTH TO FARKLE?

270
00:11:23,333 --> 00:11:25,458
I HARDLY THINK THE UNIVERSE
IS UPSET WITH ME

271
00:11:25,458 --> 00:11:27,208
FOR BEING NICE TO FARKLE.

272
00:11:27,208 --> 00:11:29,375
I MEAN, WHAT COULD
POSSIBLY GO WRONG THERE?

273
00:11:29,375 --> 00:11:30,583
HEY, CHESS CLUB,

274
00:11:30,583 --> 00:11:32,166
YOU CAN MOVE KING'S KNIGHT
TO BISHOP SIX

275
00:11:32,166 --> 00:11:33,208
AND THEN YOU CAN EAT IT!

276
00:11:33,208 --> 00:11:34,583
'CAUSE I QUIT THE CHESS CLUB

277
00:11:34,583 --> 00:11:37,208
'CAUSE I'M AN ACTOR,
'CAUSE RILEY SAID SO.

278
00:11:37,208 --> 00:11:39,375
'CAUSE RILEY SAID SO.

279
00:11:39,375 --> 00:11:41,208
HEY, CHEMISTRY CLUB,
YOU KNOW WHAT YOU GET

280
00:11:41,208 --> 00:11:42,500
WHEN YOU PUT SODIUM
AND CHLORINE TOGETHER?

281
00:11:42,500 --> 00:11:43,500
YOU'RE A BUNCH
OF LOSERS!

282
00:11:45,083 --> 00:11:46,416
- FARKLE!
- RILEY.

283
00:11:46,416 --> 00:11:48,458
YOU CHANGED MY LIFE.
THE FARKLE YOU KNEW
IS GONE.

284
00:11:48,458 --> 00:11:49,875
I AM NOW...

285
00:11:49,875 --> 00:11:51,458
( dramatically )
FARKLE!

286
00:11:54,458 --> 00:11:55,708
♪ WHATA WHATA WHAT ♪

287
00:11:55,708 --> 00:11:58,500
♪ WHAT COULD POSSIBLY
GO WRONG? ♪

288
00:11:58,500 --> 00:12:02,000
♪ WHATA WHATA
WHAT COULD POSSIBLY
GO WRONG? ♪

289
00:12:17,250 --> 00:12:20,000
I'M LOOKING AT THIS BOOK.

290
00:12:20,000 --> 00:12:22,750
IT'S A COOKBOOK
ABOUT CHICKENS.

291
00:12:24,458 --> 00:12:25,875
YOU WANT TO DO THIS?

292
00:12:25,875 --> 00:12:28,000
I DO.

293
00:12:28,000 --> 00:12:29,125
KISS KISS?

294
00:12:29,125 --> 00:12:30,583
NOPE NOPE.

295
00:12:30,583 --> 00:12:32,000
WANT TO SEE
WHERE THIS GOES.

296
00:12:32,000 --> 00:12:34,250
ME TOO.  SO...

297
00:12:34,250 --> 00:12:37,291
TOPANGA, LOOK AT
ALL THESE RECIPES

298
00:12:37,291 --> 00:12:40,291
ABOUT CHICKEN
WITH PICTURES.

299
00:12:40,291 --> 00:12:42,250
FRIED CHICKEN,
BARBECUED CHICKEN...

300
00:12:42,250 --> 00:12:44,125
- UH-HUH, RIGHT, GOT IT.
- ORANGE CHICKEN,
CHICKEN A LA KING.

301
00:12:44,125 --> 00:12:45,958
- SURE, RIGHT.
- CHICKEN MARSALA,
TERIYAKI CHICKEN.

302
00:12:45,958 --> 00:12:48,875
- GREAT, SURE.
- GENERAL TSO'S CHICKEN,
CHICKEN TIKKA MASALA!

303
00:12:50,625 --> 00:12:52,500
- YOUR POINT?
- WELL...

304
00:12:52,500 --> 00:12:54,375
TOPANGA, I THINK
YOU MUST ADMIT

305
00:12:54,375 --> 00:12:56,708
I HAVE BEEN VERY CAREFUL
TO SPAN THE GAMUT

306
00:12:56,708 --> 00:12:58,875
OF MANY INTERNATIONAL
CHICKEN SELECTIONS.

307
00:13:01,708 --> 00:13:03,166
IF YOU STOP RIGHT NOW,

308
00:13:03,166 --> 00:13:05,333
NOTHING BAD
WILL HAPPEN TO YOU.

309
00:13:08,250 --> 00:13:09,958
- BRAISED CHICKEN...
- UH-HUH.

310
00:13:09,958 --> 00:13:13,458
- RIGHT, SURE.
- CHICKEN CORDON BLEU,
CHICKEN POT PIE.

311
00:13:13,458 --> 00:13:15,333
AUGGIE, YOU'VE BEEN
WATCHING US, RIGHT?

312
00:13:16,333 --> 00:13:17,875
YOUR THOUGHTS
ON THE SUBJECT?

313
00:13:23,583 --> 00:13:24,625
GOOD LUCK.

314
00:13:33,000 --> 00:13:37,375
LOOK, HONEY, IT'S AUGGIE'S
BIG BOOK OF DINOSAURS.

315
00:13:37,375 --> 00:13:39,583
LOOK AT THAT.  WOW.

316
00:13:39,583 --> 00:13:42,875
LOOK, AND RIGHT HERE
ON PAGE...

317
00:13:42,875 --> 00:13:45,583
NINE IS YOUR CHICKEN.

318
00:13:48,875 --> 00:13:51,083
IT'S A PTERODACTYL.

319
00:13:52,875 --> 00:13:55,708
NOW IT SAYS HERE
IT DIED OUT

320
00:13:55,708 --> 00:13:58,333
OVER 65 MILLION YEARS AGO.

321
00:13:58,333 --> 00:14:00,291
THAT MIGHT EXPLAIN
WHY YOUR CHICKEN

322
00:14:00,291 --> 00:14:01,875
WAS A LITTLE DRY.

323
00:14:07,708 --> 00:14:09,208
OH.

324
00:14:09,208 --> 00:14:10,416
THIS IS NICE.

325
00:14:12,125 --> 00:14:13,375
OH, ARE WE TAKING
A WALKIE?

326
00:14:13,375 --> 00:14:15,083
YEAH, WE'RE TAKING
A WALKIE.

327
00:14:15,083 --> 00:14:17,708
YOU SEE, HONEY,
MY TRUTH IS THAT

328
00:14:17,708 --> 00:14:19,875
FROM THE MOMENT I MET YOU...

329
00:14:19,875 --> 00:14:21,875
I ADORED YOU.

330
00:14:21,875 --> 00:14:24,208
AND THERE IS NOTHING
YOU COULD DO

331
00:14:24,208 --> 00:14:27,458
OR SAY
THAT COULD EVER
CHANGE THAT.

332
00:14:27,458 --> 00:14:29,291
YOU'RE LOCKING ME
OUT OF THE HOUSE NOW,
AREN'T YOU?

333
00:14:29,291 --> 00:14:31,583
( excitedly )
THAT'S RIGHT!  THAT'S EXACTLY
WHAT I'M GONNA DO!

334
00:14:35,708 --> 00:14:37,583
- <i>( knocks on window )  </i>
- MAYA?

335
00:14:37,583 --> 00:14:39,458
NOPE, ME.

336
00:14:43,416 --> 00:14:45,375
( sighs )
TOLD MORE TRUTHS,

337
00:14:45,375 --> 00:14:46,708
DID YA?

338
00:14:46,708 --> 00:14:48,583
WELL, THE THING I PROBABLY
SHOULD HAVE MENTIONED

339
00:14:48,583 --> 00:14:52,375
IS I'VE NEVER UNDERSTOOD
THE UNIVERSE AT ALL.

340
00:14:53,708 --> 00:14:56,000
THE UNIVERSE IS UPSIDE DOWN.

341
00:14:56,000 --> 00:14:58,333
I LIED TO FARKLE,
HE LOVES ME.

342
00:14:58,333 --> 00:15:00,333
I TOLD MAYA THE TRUTH,

343
00:15:00,333 --> 00:15:01,875
SHE WENT OUT THE WINDOW.

344
00:15:01,875 --> 00:15:03,625
UPSIDE DOWN!
YOU HERE ME?

345
00:15:03,625 --> 00:15:04,875
<i>( creaking ) </i>

346
00:15:04,875 --> 00:15:06,875
HEY.

347
00:15:06,875 --> 00:15:08,958
WELL, NOW SHE'S BACK.

348
00:15:08,958 --> 00:15:11,708
MAYBE IT'S
NOT AS UPSIDE DOWN
AS YOU THINK.

349
00:15:12,708 --> 00:15:14,250
IT'S A NICE LOCKET, MAYA.

350
00:15:14,250 --> 00:15:15,875
THANKS, MR. MATTHEWS.

351
00:15:15,875 --> 00:15:19,208
IT LOOKS LIKE SOMEONE ELSE'S
EXPENSIVE GOLD LOCKET.

352
00:15:19,208 --> 00:15:20,625
MAYBE IT IS.

353
00:15:20,625 --> 00:15:22,416
BUT, YOU KNOW,
I DON'T THINK

354
00:15:22,416 --> 00:15:25,166
- THAT MATTERS
TO MAYA AT ALL.
- YOU DON'T?

355
00:15:25,166 --> 00:15:27,708
YOU KNOW, IT'S AN INTERESTING
THING ABOUT LOCKETS.

356
00:15:27,708 --> 00:15:30,083
IT'S USUALLY
WHAT'S IN THE INSIDE

357
00:15:30,083 --> 00:15:31,875
THAT MATTERS MOST
TO PEOPLE.

358
00:15:31,875 --> 00:15:33,875
ISN'T THAT RIGHT, MAYA?

359
00:15:44,291 --> 00:15:45,375
YEAH, OKAY.

360
00:15:49,291 --> 00:15:50,750
PLEASE DON'T TELL ANYONE

361
00:15:50,750 --> 00:15:52,583
THIS IS HOW I LIVE
IN MY OWN HOUSE.

362
00:16:00,416 --> 00:16:01,750
WHAT'S INSIDE
THE LOCKET, MAYA,

363
00:16:01,750 --> 00:16:03,000
THAT'S SO IMPORTANT
TO YOU?

364
00:16:08,708 --> 00:16:10,333
WHO IS THIS FAMILY?

365
00:16:10,333 --> 00:16:12,083
I DON'T KNOW.

366
00:16:12,083 --> 00:16:14,208
( breathes deeply )
A FATHER,

367
00:16:14,208 --> 00:16:15,583
A MOTHER

368
00:16:15,583 --> 00:16:17,000
AND A LITTLE GIRL.

369
00:16:17,000 --> 00:16:19,208
I JUST LIKE THAT
THEY'RE ALL TOGETHER.

370
00:16:19,208 --> 00:16:21,625
I'M KEEPING IT.

371
00:16:21,625 --> 00:16:23,458
OH, BOY.

372
00:16:28,166 --> 00:16:30,000
SHE'S AT THE FRONT DOOR TOO.

373
00:16:31,708 --> 00:16:33,333
IT'S LIKE THERE'S
TWO OF HER.

374
00:16:34,625 --> 00:16:36,166
- ( mimics motor whir )
- ( Cory screams )

375
00:16:46,208 --> 00:16:48,583
SO WHAT DO WE DO NOW?
JUST SIT HERE OR WHAT?

376
00:16:50,375 --> 00:16:52,291
HEY, DAD.
CAN YOU TELL ME

377
00:16:52,291 --> 00:16:54,375
WHY I KIND OF THINK
TRYING TO HELP FARKLE

378
00:16:54,375 --> 00:16:55,875
MAY HAVE BEEN WRONG

379
00:16:55,875 --> 00:16:57,958
AND MAYBE MAYA
SHOULD KEEP THE LOCKET?

380
00:16:57,958 --> 00:16:59,000
I SHOULD?

381
00:16:59,000 --> 00:17:01,500
MAYBE.

382
00:17:01,500 --> 00:17:03,625
IS IT ME
THAT'S UPSIDE DOWN?

383
00:17:05,083 --> 00:17:06,958
YOU KNOW WHAT, GIRLS?

384
00:17:06,958 --> 00:17:08,208
THE UNIVERSE IS THE MOST

385
00:17:08,208 --> 00:17:10,208
CONFUSING PLACE
YOU'LL EVER LIVE.

386
00:17:12,750 --> 00:17:14,500
BUT IF YOU LISTEN CAREFULLY,

387
00:17:14,500 --> 00:17:17,000
YOU'LL FIND OUT
THAT IT'S PAYING ATTENTION

388
00:17:17,000 --> 00:17:19,333
AND THAT IT CARES ABOUT YOU.

389
00:17:21,000 --> 00:17:22,708
IS THAT THE TRUTH?

390
00:17:22,708 --> 00:17:25,416
IT'S THE ONLY ONE
I'M STILL SURE OF.

391
00:17:28,458 --> 00:17:30,750
HEY, AUGGIE,
IS THAT FOR ME, BUDDY?

392
00:17:30,750 --> 00:17:32,375
I MADE IT FOR YOU.

393
00:17:32,375 --> 00:17:35,416
OH, AUGGIE,
THANK YOU SO MUCH.

394
00:17:35,416 --> 00:17:37,166
THANK YOU.

395
00:17:37,166 --> 00:17:39,500
LOOK AT THIS, OOH.

396
00:17:39,500 --> 00:17:41,583
THIS LOOKS GOOD.

397
00:17:44,333 --> 00:17:47,458
IT'S-- IT'S COLD S'GHETTI.

398
00:17:47,458 --> 00:17:49,083
I KNOW IT'S BETTER WARMER,

399
00:17:49,083 --> 00:17:50,875
BUT I DON'T KNOW
HOW TO DO THAT.

400
00:17:52,583 --> 00:17:54,708
AUGGIE, I APPRECIATE

401
00:17:54,708 --> 00:17:56,833
THAT YOU DID
ANYTHING FOR ME AT ALL.

402
00:17:56,833 --> 00:17:58,958
YOU SAID THAT
VERY NICE.

403
00:17:58,958 --> 00:18:00,958
WHY DIDN'T YOU SAY IT
THAT WAY TO MOM?

404
00:18:03,416 --> 00:18:05,833
WHAT?  BUT ALL I DID
WAS TELL MOM THE TRUTH.

405
00:18:05,833 --> 00:18:08,375
THEN WHY DO YOU GET
COLD S'GHETTI?

406
00:18:10,458 --> 00:18:12,833
Both: WHOA.

407
00:18:12,833 --> 00:18:14,708
WHOA.

408
00:18:16,375 --> 00:18:18,250
AUGGIE, ARE YOU SAYING

409
00:18:18,250 --> 00:18:19,500
THE TRUTH DOESN'T MATTER

410
00:18:19,500 --> 00:18:21,166
AS MUCH AS
HOW YOU TREAT PEOPLE?

411
00:18:21,166 --> 00:18:24,000
AUGGIE, ARE YOU SAYING
THAT THE TRUTH DOES MATTER,

412
00:18:24,000 --> 00:18:25,500
BUT YOU SHOULD TELL IT
TO PEOPLE WARMLY?

413
00:18:25,500 --> 00:18:27,208
Maya: <i>AUGGIE, </i>

414
00:18:27,208 --> 00:18:28,708
ARE YOU SAYING
THAT THE UNIVERSE

415
00:18:28,708 --> 00:18:30,125
PAYS ATTENTION TO ME?

416
00:18:30,125 --> 00:18:32,416
DO YOU PEOPLE REALIZE

417
00:18:32,416 --> 00:18:34,375
THAT I'M ONLY
THIS MANY?

418
00:18:46,416 --> 00:18:48,500
FARKLE, I NEED
TO TALK TO YOU.

419
00:18:48,500 --> 00:18:50,333
I'VE BEEN LOOKING
ALL OVER FOR YOU.

420
00:18:54,958 --> 00:18:56,458
FARKLE.

421
00:18:58,500 --> 00:19:00,250
FARKLE'S GONE.

422
00:19:00,250 --> 00:19:03,125
HE GAVE UP THE CHESS CLUB.
HE GAVE UP THE CHEMISTRY CLUB.

423
00:19:03,125 --> 00:19:05,083
- WHAT HAPPENED?
- YOU HAPPENED.

424
00:19:05,083 --> 00:19:06,583
YOU TOLD ME I WAS GOOD.

425
00:19:06,583 --> 00:19:08,458
WELL, I JUST AUDITIONED
FOR THE NEXT PLAY.

426
00:19:08,458 --> 00:19:10,083
ARE YOU GONNA BE
IN THE NEXT PLAY?

427
00:19:10,083 --> 00:19:12,208
I'M NOT EVEN ALLOWED
TO WATCH THE NEXT PLAY.

428
00:19:13,208 --> 00:19:15,000
I'M SORRY YOU STINK.

429
00:19:16,375 --> 00:19:18,208
I'M SORRY
I COULD NEVER HURT YOU.

430
00:19:18,208 --> 00:19:19,875
I'M SORRY YOU STINK.

431
00:19:19,875 --> 00:19:22,125
- I HEARD YOU!
- WELL, IT WAS VERY IMPORTANT.

432
00:19:23,125 --> 00:19:24,708
( sighs )

433
00:19:24,708 --> 00:19:27,000
YOU MADE ME THINK
I WAS THIS GREAT ACTOR.

434
00:19:27,000 --> 00:19:29,625
YOU FILLED ME UP
WITH CONFIDENCE THAT I WAS
REALLY SPECIAL.

435
00:19:29,625 --> 00:19:32,583
YOU MADE ME THINK
I COULD GO AFTER SOMETHING
TOTALLY UNREALISTIC.

436
00:19:32,583 --> 00:19:33,833
FARKLE...

437
00:19:33,833 --> 00:19:35,708
THANK YOU.

438
00:19:39,125 --> 00:19:41,375
MMMM...

439
00:19:42,500 --> 00:19:43,708
MWUAH!

440
00:19:50,958 --> 00:19:53,000
WELL...

441
00:19:53,000 --> 00:19:54,375
THAT HAPPENED.

442
00:19:54,375 --> 00:19:55,500
IS IT OVER?

443
00:19:56,500 --> 00:19:58,708
- CAN WE TALK ABOUT THIS?
- NO.

444
00:19:58,708 --> 00:20:00,625
BECAUSE THAT WAS
YOUR FIRST KISS

445
00:20:00,625 --> 00:20:02,375
AND IT WAS WITH FARKLE.

446
00:20:02,375 --> 00:20:04,291
- HE MISSED.
- STILL COUNTS.

447
00:20:04,291 --> 00:20:05,416
NOW FOR THE REST
OF YOUR LIFE

448
00:20:05,416 --> 00:20:06,708
WHEN PEOPLE ASK YOU,
"HEY, RILEY,

449
00:20:06,708 --> 00:20:09,250
WHO WAS YOUR FIRST KISS?"
YOU'RE GONNA HAVE TO SAY...

450
00:20:09,250 --> 00:20:10,416
EYES, LOOK YOUR LAST.

451
00:20:10,416 --> 00:20:11,583
OH, YEAH!

452
00:20:14,625 --> 00:20:16,958
ARMS, TAKE YOUR LAST EMBRACE.

453
00:20:16,958 --> 00:20:19,708
AND, LIPS, OH,
YOU THE DOORS OF BREATH,

454
00:20:19,708 --> 00:20:21,875
SEAL WITH A RIGHTEOUS KISS.

455
00:20:21,875 --> 00:20:24,458
- HI.
- HI.

456
00:20:24,458 --> 00:20:25,583
HOW LONG YOU BEEN HERE?

457
00:20:25,583 --> 00:20:27,500
YEAH, I SAW THE WHOLE THING.

458
00:20:27,500 --> 00:20:29,000
I JUST CAN'T BELIEVE
THAT LITTLE GUY

459
00:20:29,000 --> 00:20:31,166
STOLE MY MOMENT...
AGAIN.

460
00:20:32,250 --> 00:20:34,416
YOU THOUGHT THAT
WAS YOUR MOMENT?

461
00:20:34,416 --> 00:20:36,000
NO.

462
00:20:36,000 --> 00:20:37,875
OH.

463
00:20:37,875 --> 00:20:39,500
MY MOMENT

464
00:20:39,500 --> 00:20:42,250
WILL BE <i>MY </i>MOMENT.

465
00:20:44,833 --> 00:20:46,708
( sighs )

466
00:20:46,708 --> 00:20:48,500
( giggles )

467
00:20:56,125 --> 00:20:57,833
HOW YOU DOING?

468
00:20:57,833 --> 00:21:00,291
I LIKE THAT WE END UP
IN SITUATIONS LIKE THIS.

469
00:21:09,166 --> 00:21:10,333
YOU'RE DOING
THE RIGHT THING,

470
00:21:10,333 --> 00:21:11,833
RETURNING THE LOCKET
TO THE STORE.

471
00:21:11,833 --> 00:21:13,291
I GUESS SO.

472
00:21:13,291 --> 00:21:16,375
MAYA, I KNOW HOW MUCH
YOU WANT A LOCKET

473
00:21:16,375 --> 00:21:18,000
WITH A FAMILY INSIDE IT.

474
00:21:18,000 --> 00:21:19,000
YOU WANT THE TRUTH?

475
00:21:19,000 --> 00:21:20,416
YES, PLEASE.

476
00:21:20,416 --> 00:21:23,708
MY FATHER HASN'T SENT ME
ANYTHING IN A LONG TIME.

477
00:21:23,708 --> 00:21:27,000
AND THE UNIVERSE IS
PROBABLY MUCH TOO BUSY

478
00:21:27,000 --> 00:21:29,500
TO NOTICE WHETHER OR NOT
I'M DOING THE RIGHT THING.

479
00:21:48,375 --> 00:21:50,375
HI.

480
00:21:50,375 --> 00:21:52,583
I THINK THIS BELONGS TO YOU.

481
00:21:52,583 --> 00:21:54,375
OH MY GOSH.

482
00:21:54,375 --> 00:21:56,000
I'VE BEEN LOOKING
ALL OVER FOR THAT.

483
00:21:56,000 --> 00:21:57,125
THANK YOU.

484
00:22:10,458 --> 00:22:11,875
THANK YOU.

485
00:22:13,208 --> 00:22:14,625
NEVER LOSE THIS.

486
00:22:23,375 --> 00:22:25,875
A COOL UNIVERSE, HUH?

487
00:22:32,833 --> 00:22:34,083
( tapping )

488
00:22:40,875 --> 00:22:42,875
( sighs )
HI, AUGGIE.

489
00:22:42,875 --> 00:22:44,291
DON'T BLOW THIS.

490
00:22:48,708 --> 00:22:50,125
HI.

491
00:22:50,125 --> 00:22:51,458
HOW YOU DOING, HONEY?

492
00:22:51,458 --> 00:22:53,458
SO...

493
00:22:53,458 --> 00:22:55,500
YOU REMEMBER THAT TIME
YOU WERE REALLY MAD AT ME?

494
00:22:55,500 --> 00:22:57,708
YOU MEAN RIGHT NOW?

495
00:22:57,708 --> 00:22:59,875
YEAH.  YEAH, THAT ONE.

496
00:23:01,416 --> 00:23:03,125
LISTEN, CAN I TELL YOU
THE TRUTH ABOUT SOMETHING?

497
00:23:05,625 --> 00:23:08,833
IT DOESN'T REALLY MATTER
WHAT YOU MAKE FOR DINNER.

498
00:23:08,833 --> 00:23:11,750
IT'S THAT YOU ARE
IN OUR HOUSE WITH ME.

499
00:23:11,750 --> 00:23:14,083
THANK YOU FOR BEING
IN OUR HOUSE WITH ME.

500
00:23:16,458 --> 00:23:18,458
THERE'S NOWHERE ELSE
I'D RATHER BE.

501
00:23:20,291 --> 00:23:21,375
KISS KISS?

502
00:23:21,375 --> 00:23:23,000
BECAUSE YOU LOVE ME?

503
00:23:23,000 --> 00:23:24,000
YES.

504
00:23:24,000 --> 00:23:25,875
AND BECAUSE
IT QUIETS YOU DOWN.