1
00:00:07,875 --> 00:00:09,583
LOOK WHAT'S HAPPENING,
LOOK WHAT'S COMING.

2
00:00:09,583 --> 00:00:10,958
WHAT'S COMING, CRAZY?

3
00:00:10,958 --> 00:00:12,416
INVITATIONS...

4
00:00:12,416 --> 00:00:14,958
TO THE SEVENTH GRADE
PARTIES.

5
00:00:14,958 --> 00:00:16,833
IT'S BEGUN.

6
00:00:16,833 --> 00:00:18,625
WE COULD BE
PARTY GIRLS.

7
00:00:18,625 --> 00:00:20,458
I'M GOING TO NEED
A PARTY-GIRL WALK.

8
00:00:30,083 --> 00:00:31,083
YEAH, THAT'S NOT IT.

9
00:00:32,583 --> 00:00:34,500
YOU KNOW, THERE IS
GOING TO BE BOYS

10
00:00:34,500 --> 00:00:36,750
AT THESE PARTIES.
BUT NOT JUST ANY BOYS.

11
00:00:36,750 --> 00:00:40,000
NO, OPPOSITE-SEX BOYS.

12
00:00:40,000 --> 00:00:41,875
THEY'RE THE BEST KIND.

13
00:00:41,875 --> 00:00:43,875
- YEAH, YOU SOUND
READY FOR THIS.
- OH, I AM.

14
00:00:43,875 --> 00:00:45,583
AND I MAY JUST BE
THE FIRST GIRL

15
00:00:45,583 --> 00:00:48,375
WHO CROSSES OVER
FROM OUR SIDE OF THE ROOM
TO THE...

16
00:00:48,375 --> 00:00:50,375
- YEAH, IT'S GONNA BE ME.
- YEAH, IT'S GONNA BE YOU.

17
00:00:51,958 --> 00:00:54,833
YOU KNOW WHAT PRETTY-BOY
HIPSTER IS HANDING OUT
INVITATIONS TO...

18
00:00:54,833 --> 00:00:56,958
- DON'T YOU?
- A PARTY.

19
00:00:56,958 --> 00:00:59,458
MEMBERSHIP CARDS
TO THE POPULAR CLUB.

20
00:00:59,458 --> 00:01:01,750
WHY CAN'T YOU JUST
LET IT BE A PARTY?

21
00:01:01,750 --> 00:01:03,958
BECAUSE THIS IS IT,
RIGHT HERE.

22
00:01:03,958 --> 00:01:07,125
THIS IS WHERE YOU GO ONE WAY
AND I GO THE OTHER WAY.

23
00:01:07,125 --> 00:01:09,458
YOU GET THE INVITE AND YOU
MARRY PRETTY-BOY HIPSTER

24
00:01:09,458 --> 00:01:12,291
AND I END UP MARRYING
ANTHONY DELVECCIO

25
00:01:12,291 --> 00:01:13,958
AND WE BUY THINGS IN BULK.

26
00:01:17,291 --> 00:01:20,375
YOU'RE GONNA
BE POPULAR.  I'M NOT.

27
00:01:21,375 --> 00:01:23,458
GOOD FOR YOU.

28
00:01:27,250 --> 00:01:28,625
GOOD GIRL.

29
00:01:30,416 --> 00:01:32,250
BYE-BYE, MAYA.

30
00:01:32,250 --> 00:01:33,708
( sobbing )
BYE-BYE.

31
00:01:49,875 --> 00:01:51,875
( humming )

32
00:01:52,958 --> 00:01:54,208
YAY!

33
00:01:54,208 --> 00:01:55,250
FOR ME.

34
00:01:57,458 --> 00:01:59,375
MAYA, I KNOW YOU
DIDN'T GET ONE,

35
00:01:59,375 --> 00:02:01,458
BUT IS IT OKAY
IF I'M REALLY HAPPY?

36
00:02:01,458 --> 00:02:03,333
YOU GO GET 'EM, TIGER.

37
00:02:03,333 --> 00:02:05,333
( laughs )

38
00:02:07,000 --> 00:02:10,000
I LOVE YOU, BUT...
YOU A LOT OF WORK.

39
00:02:13,375 --> 00:02:15,375
<i>( pop music playing ) </i>

40
00:02:17,458 --> 00:02:19,458
<i>♪ I'VE BEEN WAITING ♪ </i>

41
00:02:19,458 --> 00:02:21,208
<i>♪ FOR A DAY LIKE THIS TO COME ♪ </i>

42
00:02:21,208 --> 00:02:23,375
<i>♪ STRUCK LIKE LIGHTNING ♪ </i>

43
00:02:23,375 --> 00:02:25,708
<i>♪ MY HEART'S BEATING </i>
<i>LIKE A DRUM ♪ </i>

44
00:02:25,708 --> 00:02:29,875
<i>♪ ON THE EDGE </i>
<i>OF SOMETHING WONDERFUL ♪ </i>

45
00:02:29,875 --> 00:02:32,750
<i>♪ FACE TO FACE WITH CHANGES ♪ </i>

46
00:02:32,750 --> 00:02:35,458
<i>♪ WHAT'S IT ALL ABOUT? </i>
<i>LIFE IS CRAZY ♪ </i>

47
00:02:35,458 --> 00:02:38,208
<i>♪ BUT I KNOW </i>
<i>I CAN WORK IT OUT ♪ </i>

48
00:02:38,208 --> 00:02:42,333
<i>♪ 'CAUSE I GOT YOU </i>
<i>TO LIVE IT WITH ME ♪ </i>

49
00:02:42,333 --> 00:02:46,375
<i>♪ I FEEL ALL RIGHT, </i>
<i>I'M GONNA TAKE ON THE WORLD ♪ </i>

50
00:02:46,375 --> 00:02:49,375
<i>♪ LIGHT UP THE STARS, </i>
<i>I'VE GOT SOME PAGES TO TURN ♪ </i>

51
00:02:49,375 --> 00:02:52,250
<i>♪ I'M SINGING "GO-O-O" ♪ </i>

52
00:02:52,250 --> 00:02:54,750
<i>♪ OH OH OH OH ♪ </i>

53
00:02:54,750 --> 00:02:57,833
<i>♪ TAKE ON THE WORLD, </i>
<i>TAKE ON THE WORLD ♪ </i>

54
00:02:57,833 --> 00:03:00,583
<i>♪ TAKE ON THE WORLD, </i>
<i>TAKE ON THE WORLD ♪ </i>

55
00:03:00,583 --> 00:03:03,458
<i>♪ TAKE ON THE WORLD, </i>
<i>TAKE ON THE WORLD. ♪ </i>

56
00:03:07,500 --> 00:03:09,500
BOOM!

57
00:03:10,833 --> 00:03:12,000
YOU GOT INVITED
TO SOMETHING?

58
00:03:12,000 --> 00:03:15,875
SO MUCH FOR GENETICS, BABY.

59
00:03:15,875 --> 00:03:18,208
OOH, SEVENTH GRADE PARTY.

60
00:03:18,208 --> 00:03:21,583
YUP, I DIDN'T GET INVITED
TO A WHOLE LOT OF THESE.

61
00:03:23,458 --> 00:03:26,000
GOOD FOR YOU.
I'M PROUD OF YOU.

62
00:03:26,000 --> 00:03:27,583
- BOY-GIRL PARTY?
- YUP.

63
00:03:27,583 --> 00:03:29,208
- YOU CAN'T GO.
- YOU CAN'T GO.

64
00:03:31,458 --> 00:03:32,583
MAY I APPROACH?

65
00:03:32,583 --> 00:03:34,250
- HURRY, PLEASE.
- HURRY, PLEASE.

66
00:03:35,875 --> 00:03:37,875
I'M GONNA KEEP
YOUR YOUNG'UN
OUT OF TROUBLE, SIR.

67
00:03:37,875 --> 00:03:39,583
HART, YOU ARE TROUBLE.

68
00:03:39,583 --> 00:03:41,708
WHY WOULD I WANT
MY YOUNG'UN ANYWHERE NEAR

69
00:03:41,708 --> 00:03:43,291
THE SAME PARTY
YOU'RE GONNA BE AT?

70
00:03:43,291 --> 00:03:44,375
YOU WOULDN'T.

71
00:03:44,375 --> 00:03:46,208
SAY IT.
YOU KNOW YOU WANNA SAY IT.

72
00:03:46,208 --> 00:03:50,000
YOU CAN'T GO
IF MAYA'S INVITED.

73
00:03:50,000 --> 00:03:51,458
MAYA'S NOT INVITED.

74
00:03:51,458 --> 00:03:53,250
- THEN YOU MAY GO.
- THANKS, DADDY.

75
00:03:53,250 --> 00:03:55,708
ALL RIGHT,
GOOD DAY, EVERYBODY.
CLASS DISMISSED.

76
00:03:55,708 --> 00:03:56,875
Cory:
<i>SIT DOWN! </i>

77
00:03:56,875 --> 00:03:58,000
( unison )
SIT DOWN.

78
00:04:00,291 --> 00:04:02,500
SO THERE'S THIS GUY
DAMOCLES

79
00:04:02,500 --> 00:04:04,708
WHO REALLY REALLY
WANTS TO BE KING.

80
00:04:04,708 --> 00:04:09,083
ONE DAY HE GETS AN INVITATION
TO COME SIT ON THE THRONE

81
00:04:09,083 --> 00:04:11,375
AND ACTUALLY HANG
WITH ROYALTY.

82
00:04:11,375 --> 00:04:13,458
- NO!
- 'SUP, RILES?

83
00:04:13,458 --> 00:04:15,208
POP'S LESSON HITTING
A LITTLE CLOSE TO HOME?

84
00:04:15,208 --> 00:04:18,416
NOPE, WHAT HE'S SAYING
HAS NOTHING TO DO WITH ME.

85
00:04:18,416 --> 00:04:21,458
YES, I'VE BEEN INVITED TO HANG
WITH MIDDLE-SCHOOL ROYALTY,

86
00:04:21,458 --> 00:04:23,458
BUT NOTHING BAD COULD HAPPEN.

87
00:04:23,458 --> 00:04:25,708
I'M SURE YOU'RE RIGHT.
FARKLE!

88
00:04:25,708 --> 00:04:27,250
WHEN DAMOCLES SAT
ON THE THRONE

89
00:04:27,250 --> 00:04:28,833
HE NOTICED A SWORD
HANGING OVER IT,

90
00:04:28,833 --> 00:04:30,250
HELP UP BY A SINGLE
TINY THREAD.

91
00:04:30,250 --> 00:04:32,416
- MAYA.
- BE CAREFUL WHAT YOU WISH FOR.

92
00:04:32,416 --> 00:04:34,000
WHY?

93
00:04:34,000 --> 00:04:35,833
BEING WHAT OTHER PEOPLE
WANT YOU TO BE IS

94
00:04:35,833 --> 00:04:38,000
JUST A SWORD
HANGING OVER YOUR HEAD.

95
00:04:38,000 --> 00:04:39,875
GOOD.
RILEY.

96
00:04:39,875 --> 00:04:41,500
NOTHING TO DO WITH ME.

97
00:04:48,000 --> 00:04:51,000
COME ON, MOMMY.
I WANT MY MUFFIN
AND MY JOKE.

98
00:04:51,000 --> 00:04:53,625
OH, HONEY, IT LOOKS LIKE
MRS. SVORSKI IS BUSY
RIGHT NOW.

99
00:04:53,625 --> 00:04:57,750
SO HOW ABOUT
WE JUST FIND YOU
A NEW FAVORITE PLACE?

100
00:04:57,750 --> 00:05:00,708
I LIKE THIS PLACE.
I LIKE MRS. SVORSKI.

101
00:05:01,750 --> 00:05:03,000
AUGGIE!

102
00:05:07,416 --> 00:05:08,875
MUFFIN!

103
00:05:08,875 --> 00:05:12,333
IT'S NOT MUFFIN.
IT'S BULOCHKI.

104
00:05:12,333 --> 00:05:14,750
I BAKED JUST FOR YOU,
LITTLE MAN.

105
00:05:16,583 --> 00:05:19,208
AH, TOPANGA.
SIT, DARLING.

106
00:05:19,208 --> 00:05:21,125
MRS. SVORSKI,
IT'S VERY NICE TO SEE YOU.

107
00:05:21,125 --> 00:05:23,708
I'M AFRAID THAT WE
WON'T BE ABLE TO STAY.

108
00:05:23,708 --> 00:05:25,125
BUT I LOVE HER.

109
00:05:25,125 --> 00:05:27,458
PINCH MY CHEEKS,
DO IT.

110
00:05:27,458 --> 00:05:31,291
40 YEARS HERE,
NOW THEY TRY
TO PUSH ME OUT.

111
00:05:31,291 --> 00:05:34,708
- I KNOW THAT.
- YEAH, YOU CAN'T PUT PRICE
ON GOOD NEIGHBORHOOD PLACE

112
00:05:34,708 --> 00:05:38,291
WHERE PEOPLE COME
AND THEY SIT AND THEY TALK.

113
00:05:38,291 --> 00:05:41,583
- MRS. SVORSKI...
- YEAH, OKAY.

114
00:05:43,000 --> 00:05:46,458
BIG-DEAL-FROZEN-YOGURT PEOPLE
WANT PLACE.

115
00:05:46,458 --> 00:05:49,583
CONTRACT SAY
"NO RAISE RENT."

116
00:05:49,583 --> 00:05:53,250
YOGURT LAWYER
SAY "LOOPHOLE."

117
00:05:53,250 --> 00:05:56,958
YOGURT LAWYER'S
SCUM OF EARTH.

118
00:05:58,333 --> 00:05:59,500
MOMMY'S A LAWYER.

119
00:05:59,500 --> 00:06:01,833
I KNOW.

120
00:06:03,125 --> 00:06:05,458
THREE WEEKS I NOT SEE YOU.

121
00:06:05,458 --> 00:06:07,750
MRS. SVORSKI,
I FEEL TERRIBLE ABOUT THIS.

122
00:06:07,750 --> 00:06:09,458
- OH...
- TELL THE JOKE.

123
00:06:09,458 --> 00:06:12,583
I KNOW NOT YOUR DOING.

124
00:06:12,583 --> 00:06:14,833
IS NOT UKRAINIAN BAKERY.

125
00:06:14,833 --> 00:06:17,208
IS MY-KRAINIAN BAKERY.

126
00:06:17,208 --> 00:06:19,458
( laughs )
OH MAN, THAT'S GOOD.

127
00:06:21,458 --> 00:06:23,000
WHY AREN'T YOU
LAUGHING, MOMMY?

128
00:06:23,000 --> 00:06:25,833
I WORK FOR A VERY BIG
LAW FIRM.

129
00:06:25,833 --> 00:06:27,875
I DON'T HAVE A SAY
IN WHICH CASES WE REPRESENT.

130
00:06:27,875 --> 00:06:30,333
MAYBE SO,
MAYBE NOT SO.

131
00:06:30,333 --> 00:06:33,583
YOU TELL BIG-DEAL LAWYERS
MRS. SVORSKI HOPES

132
00:06:33,583 --> 00:06:36,291
THEY FALL
IN THEIR OWN LOOPHOLE.

133
00:06:36,291 --> 00:06:40,291
DON'T YOU WORRY.
MY MOMMY WILL TAKE CARE
OF EVERYTHING.

134
00:06:40,291 --> 00:06:41,333
RIGHT, MOMMY?

135
00:06:55,875 --> 00:06:57,833
WELL, LOOKY HERE,
TEACHER DADDY,

136
00:06:57,833 --> 00:06:59,458
NOTHING HANGING
OVER MY HEAD

137
00:06:59,458 --> 00:07:03,583
EXCEPT THIS HERE HALO
OF POPULARITY.

138
00:07:03,583 --> 00:07:05,250
AND YAY FOR YOU,
MY BEST FRIEND,

139
00:07:05,250 --> 00:07:07,166
FOR WATCHING ME
WITH A SMILE.

140
00:07:07,166 --> 00:07:09,458
YEAH, I'M SMILING,
I'M WATCHING.

141
00:07:20,000 --> 00:07:22,375
ALL RIGHT, ALL RIGHT.
HALF HOUR YOU CAN STAY.

142
00:07:22,375 --> 00:07:24,458
I'M WAITING RIGHT HERE.

143
00:07:26,125 --> 00:07:27,250
( doorbell buzzes )

144
00:07:27,250 --> 00:07:29,250
( exhales )

145
00:07:29,250 --> 00:07:31,208
I CHANGED MY MIND.
I WANT YOU IN THERE.

146
00:07:31,208 --> 00:07:32,458
PROTECT YOUR FRIEND.

147
00:07:32,458 --> 00:07:34,250
I CAN'T DO THAT, SIR.
WASN'T INVITED.

148
00:07:34,250 --> 00:07:35,833
WHY IS THAT EXACTLY?

149
00:07:35,833 --> 00:07:37,375
ABOUT TO FIND OUT, SIR.

150
00:07:37,375 --> 00:07:39,583
SMILE.
WATCH.

151
00:07:40,833 --> 00:07:42,125
GREETINGS,
FELLOW PARTYGOER.

152
00:07:42,125 --> 00:07:44,625
FARKLE?

153
00:07:44,625 --> 00:07:46,625
STARTING TO BECOME
CLEAR, SIR?

154
00:07:46,625 --> 00:07:49,375
OH YEAH.
I'M SMILING REAL BIG.

155
00:07:50,583 --> 00:07:52,708
ANNOUNCING THE ARRIVAL
OF PARTY GUEST NUMBER SIX,

156
00:07:52,708 --> 00:07:53,708
FEMALE NUMBER ONE.

157
00:07:55,375 --> 00:07:57,333
I'M A FEMALE, FARKLE.

158
00:08:00,416 --> 00:08:02,375
YOU GETTING THIS YET?

159
00:08:02,375 --> 00:08:04,875
BUT PRETTY BOY--
PRETTY BOY'S STILL HERE.

160
00:08:05,875 --> 00:08:07,000
WAIT FOR IT.

161
00:08:12,500 --> 00:08:15,750
THAT'S THE GREATEST THING
I'VE EVER SEEN IN MY LIFE.

162
00:08:15,750 --> 00:08:18,000
IT'S A GEEK PARTY.

163
00:08:18,000 --> 00:08:19,208
I KNOW, HONEY.

164
00:08:19,208 --> 00:08:21,875
EVERYBODY WELCOME RILEY.

165
00:08:21,875 --> 00:08:23,875
( speaking in foreign language )

166
00:08:25,291 --> 00:08:28,458
HONEY, STAY AN HOUR.
STAY A WEEK, STAY FOREVER.

167
00:08:28,458 --> 00:08:29,625
JUST ENJOY.

168
00:08:31,166 --> 00:08:33,708
HEY, YOU KNOW WHAT WOULD
MAKE THIS JUST PERFECT FOR ME?

169
00:08:33,708 --> 00:08:35,958
HAVE YOU NOTICED
THE LIGHTSABERS HANGING
FROM THE CEILING

170
00:08:35,958 --> 00:08:38,083
PRECARIOUSLY OVER
YOUR HEAD?

171
00:08:38,083 --> 00:08:39,708
( lightsaber whirring )

172
00:08:41,166 --> 00:08:43,333
DAMOCLES.

173
00:08:43,333 --> 00:08:45,125
( snickering )

174
00:08:45,125 --> 00:08:46,125
- THERE IT IS.
- I KNOW.

175
00:08:49,458 --> 00:08:51,333
FARKLE, HOW COULD YOU
DO THIS TO ME?

176
00:08:51,333 --> 00:08:53,000
DO WHAT, RILEY?
INVITE YOU TO A PARTY

177
00:08:53,000 --> 00:08:55,750
WITH ALL MY FRIENDS
BECAUSE I ALWAYS THOUGHT
YOU WERE ONE OF US?

178
00:08:55,750 --> 00:08:58,375
YOU THINK I'M ONE OF YOU.

179
00:09:07,250 --> 00:09:09,958
( moaning )

180
00:09:09,958 --> 00:09:12,625
BROCCOLI,
SHE'S INTELLIGENT.

181
00:09:14,750 --> 00:09:17,458
WE COME IN PEACE.

182
00:09:17,458 --> 00:09:19,708
ACTUALLY YOU GUYS
CAME IN TWO PIECES.

183
00:09:19,708 --> 00:09:21,750
( mechanical laugh )

184
00:09:21,750 --> 00:09:23,583
SHE MAKES US LAUGH.

185
00:09:23,583 --> 00:09:24,958
THANK YOU.

186
00:09:24,958 --> 00:09:27,708
SHE SHOULD BE OUR QUEEN.

187
00:09:27,708 --> 00:09:29,708
THEY LOVE YOU, RILEY.
I'VE NEVER SEEN SUCH

188
00:09:29,708 --> 00:09:31,708
IMMEDIATE AND OVERWHELMING
POPULARITY.

189
00:09:31,708 --> 00:09:33,708
I'M POPULAR?

190
00:09:37,958 --> 00:09:39,958
<i>♪ I'M SINGING "GO-O-O" ♪ </i>

191
00:09:39,958 --> 00:09:42,333
<i>♪ OH-OH-OH-OH. ♪ </i>

192
00:09:44,458 --> 00:09:46,208
OKAY, FARKLE.
WHERE IS SHE?

193
00:09:46,208 --> 00:09:50,125
WHATEVER HAVE I DONE TO DESERVE
THIS DISPLAY OF AFFECTION?

194
00:09:50,125 --> 00:09:53,166
THIS LOOK LIKE
AFFECTION TO YOU?

195
00:09:53,166 --> 00:09:56,583
I TAKES IT
HOWEVER I GETS IT.

196
00:09:56,583 --> 00:09:58,625
( smacks lips )
RIGHT THERE, NURSE.

197
00:10:01,250 --> 00:10:03,458
SHE WASN'T THERE WHEN I TRIED
TO PICK HER UP THIS MORNING

198
00:10:03,458 --> 00:10:05,458
AND I COULDN'T
FIND HER IN THE HALLS.

199
00:10:05,458 --> 00:10:06,958
WHAT'D YOU DO
WITH MY GIRL?

200
00:10:06,958 --> 00:10:09,583
Riley:
<i>MAYA, RELEASE THE FARKLE. </i>

201
00:10:15,875 --> 00:10:18,125
FARKLE DIDN'T DO ANYTHING
EXCEPT OPEN MY EYES

202
00:10:18,125 --> 00:10:20,416
TO WHAT THE WORLD
REALLY THINKS I AM.

203
00:10:20,416 --> 00:10:22,875
A HARAJUKU GIRL?

204
00:10:22,875 --> 00:10:26,875
YES, BECAUSE I FIGURE
IF WHAT I AM IS NERDY-GEEKY,

205
00:10:26,875 --> 00:10:30,583
I'M GOING TO SET
THE NERDY-GEEKY WORLD ON FIRE.

206
00:10:33,250 --> 00:10:34,250
YOU TAKE IT.

207
00:10:35,250 --> 00:10:37,833
NOPE, BEYOND ME.
ALL YOURS.

208
00:10:37,833 --> 00:10:38,958
( sighs )

209
00:10:38,958 --> 00:10:40,750
WHY SHOULD I STRUGGLE
TO BE POPULAR

210
00:10:40,750 --> 00:10:43,625
WHEN I CAN BE THESE PEOPLE'S
EMPRESS FAIRY QUEEN?

211
00:10:43,625 --> 00:10:45,000
( honking sound )

212
00:10:49,375 --> 00:10:51,583
NO, PLEASE.
THE ONE GUY WAS TWO GUYS.

213
00:10:51,583 --> 00:10:53,875
THE SWORD FELL.
THIS IS THE WAY
YOU'RE GONNA GO?

214
00:10:53,875 --> 00:10:55,333
YOU'RE GONNA EMBRACE THIS?

215
00:10:55,333 --> 00:10:58,500
DEAL WITH IT.
I'VE GONE OVER TO THE DORK SIDE.

216
00:11:00,166 --> 00:11:01,250
THIS ISN'T YOU.

217
00:11:01,250 --> 00:11:03,000
- THIS IS HER.
- THEY LOVE THIS ME.

218
00:11:03,000 --> 00:11:04,375
I'M NOT CHANGING YOU BACK.

219
00:11:04,375 --> 00:11:05,708
OH, YES YOU ARE.

220
00:11:05,708 --> 00:11:08,000
MY DAUGHTER'S GOING THROUGH
THIS WEEK'S CRAZY...

221
00:11:08,000 --> 00:11:09,125
YOU GET IN THERE.

222
00:11:10,875 --> 00:11:12,750
FATHER, MAY WE CONTINUE
WITH THE LESSON?

223
00:11:12,750 --> 00:11:14,291
I SEEK KNOWLEDGE.

224
00:11:16,416 --> 00:11:18,000
NEVER MIND,
LEAVE HER ALONE.

225
00:11:18,000 --> 00:11:19,500
LOOK AT HER.

226
00:11:24,416 --> 00:11:27,125
ALL RIGHT, WHAT DO YOU GUYS
KNOW ABOUT GIRLS?

227
00:11:27,125 --> 00:11:29,833
MOSTLY WE'RE TERRIFIED
OF THEM, SIR.

228
00:11:29,833 --> 00:11:32,416
SO WE TRY TO KEEP
OUR DISTANCE.

229
00:11:32,416 --> 00:11:35,875
WELL, THEN I CHOOSE
EMPRESS FAIRY NUT JOB.

230
00:11:37,458 --> 00:11:39,458
( vocalizing )

231
00:11:41,250 --> 00:11:44,083
<i>♪ I'M SINGING "OH-OH-OH" ♪ </i>

232
00:11:44,083 --> 00:11:46,125
<i>♪ OH-OH-OH-OH. ♪ </i>

233
00:11:48,583 --> 00:11:50,708
( sighs )

234
00:11:50,708 --> 00:11:55,125
ANOTHER DAY,
ANOTHER LITTLE PIECE
OF MY SOUL GONE.

235
00:11:57,208 --> 00:12:00,708
IT'S NOT GONE.
IT'S STILL RIGHT HERE.

236
00:12:00,708 --> 00:12:03,083
ABOUT TIME YOU SHOWED UP.

237
00:12:03,083 --> 00:12:07,291
YOU STILL FILLED WITH ALL THAT
HOPE AND PROMISE FOR THE WORLD?

238
00:12:07,291 --> 00:12:10,458
YEAH, AREN'T YOU?

239
00:12:10,458 --> 00:12:13,291
WELL, I'VE BEEN LIVING IN IT.

240
00:12:13,291 --> 00:12:16,083
HEY, YOU WANTED
SUCCESS.

241
00:12:16,083 --> 00:12:18,208
I STEPPED
OUT OF THE WAY.

242
00:12:18,208 --> 00:12:20,958
<i>CONGRATULATIONS, </i>
<i>NEW YORK LAWYER. </i>

243
00:12:20,958 --> 00:12:23,375
GO DO WHAT YOU KNOW
HOW TO DO.

244
00:12:23,375 --> 00:12:26,875
THE PEOPLE I WORK FOR
ARE ON THE WRONG SIDE
OF THIS CASE.

245
00:12:26,875 --> 00:12:28,166
WHAT DO I DO?

246
00:12:28,166 --> 00:12:29,875
ARE YOU ASKING
MY HELP?

247
00:12:31,583 --> 00:12:33,583
I THOUGHT
YOU'D NEVER ASK.

248
00:12:39,333 --> 00:12:40,583
HI.

249
00:12:43,583 --> 00:12:45,000
GIVE ME YOUR HAND.

250
00:12:47,708 --> 00:12:48,875
WHY?

251
00:12:48,875 --> 00:12:51,708
I WANT TO SEE
IF OUR ENERGIES CONVERGE.

252
00:12:54,333 --> 00:12:55,625
HI.

253
00:12:56,750 --> 00:12:59,708
MRS. SVORSKI,
WHILE I AM CHARMED

254
00:12:59,708 --> 00:13:04,458
BY YOUR OLD-WORLD BAKERY
AND THOROUGHLY ENJOYED THE...

255
00:13:04,458 --> 00:13:06,291
MUFFIN...

256
00:13:06,291 --> 00:13:09,750
IS NOT MUFFIN,
BIG-DEAL YOGURT LAWYER.

257
00:13:09,750 --> 00:13:12,458
- IT'S BULOCHKI.
- IT'S BULOCHKI.

258
00:13:12,458 --> 00:13:13,958
- TOPANGA?
- TOPANGA?

259
00:13:13,958 --> 00:13:16,708
YEAH, THIS IS ME.

260
00:13:16,708 --> 00:13:17,750
IT'S HER.

261
00:13:17,750 --> 00:13:19,708
( whispers )
SHE TALKS TO HER MIRROR.

262
00:13:19,708 --> 00:13:21,958
YOU'RE NOT ON THIS CASE.

263
00:13:21,958 --> 00:13:24,375
OH, YEAH?
WHY'S THAT?

264
00:13:24,375 --> 00:13:29,125
BECAUSE YOU LIKE PEOPLE
AND THAT GETS IN MY WAY.

265
00:13:29,125 --> 00:13:32,375
I'M NOT TALKING ABOUT YOU,
MRS. SVORSKI, YOU'RE A PEACH.

266
00:13:32,375 --> 00:13:34,333
WHEN YOU GO BALD?

267
00:13:34,333 --> 00:13:35,708
RIGHT NOW.

268
00:13:38,958 --> 00:13:40,125
WHAT ARE YOU DOING?

269
00:13:40,125 --> 00:13:41,750
WHY ARE YOU DOING THAT?
WHAT ARE YOU DOING?

270
00:13:43,291 --> 00:13:45,333
SHE'S GOING
TO HER HAPPY PLACE.

271
00:13:45,333 --> 00:13:47,875
WHAT WE DO IN MEANTIME?

272
00:13:47,875 --> 00:13:50,000
I KNOW!

273
00:13:50,000 --> 00:13:52,583
I SING SONG
FROM OLD COUNTRY.

274
00:13:54,583 --> 00:13:58,375
♪ 100 PEOPLE IN LINE
FOR THE BREAD ♪

275
00:13:58,375 --> 00:14:00,583
♪ 100 PEOPLE IN LINE ♪

276
00:14:00,583 --> 00:14:02,875
♪ ONE GETS A LOAF,
TAKES IT HOME ♪

277
00:14:02,875 --> 00:14:05,416
♪ THAT'S ALL THE BREAD
WE HAVE FOR ENTIRE YEAR. ♪

278
00:14:09,708 --> 00:14:11,583
OH, THAT'S A GOOD SONG.

279
00:14:16,083 --> 00:14:18,750
I THINK IT'S IMPORTANT
TO HAVE A NEIGHBORHOOD PLACE

280
00:14:18,750 --> 00:14:21,375
THAT REFLECTS
AN ACTUAL CULTURE.

281
00:14:21,375 --> 00:14:23,750
WHERE PEOPLE SIT
AND THEY TALK.

282
00:14:23,750 --> 00:14:24,833
THEY TALK.

283
00:14:24,833 --> 00:14:26,000
AND THERE'S A NICE LADY

284
00:14:26,000 --> 00:14:27,416
WHO PINCHES YOUR CHEEKS.

285
00:14:27,416 --> 00:14:28,875
- OH, I--
- DON'T.

286
00:14:30,208 --> 00:14:34,375
SEE, IN MY HAPPY PLACE,
I'M HEARING SHE PAYS TRIPLE RENT

287
00:14:34,375 --> 00:14:37,250
OR SHE'S OUT
ON HER BULOCHKI.

288
00:14:37,250 --> 00:14:39,083
AND HEY, AQUARIUS,
BE A GOOD HIPPIE

289
00:14:39,083 --> 00:14:41,875
AND SEE IF YOU CAN
CHANNEL MY SHARK LAWYER BACK.

290
00:14:41,875 --> 00:14:43,583
ASK HER IF SHE'S STILL
WORKING FOR US.

291
00:14:43,583 --> 00:14:44,958
YOU'RE MEAN.

292
00:14:44,958 --> 00:14:46,375
OH, THANKS, KID.

293
00:14:50,458 --> 00:14:52,125
COME ON.

294
00:14:52,125 --> 00:14:53,333
THIS IS NOT
WHO YOU ARE.

295
00:14:53,333 --> 00:14:55,458
WHAT DO YOU KNOW
ABOUT BEING A HARAJUKU GIRL?

296
00:14:55,458 --> 00:14:58,458
I DON'T HAVE TO KNOW ANYTHING
EXCEPT THAT THEY LOVE IT.

297
00:14:58,458 --> 00:15:01,000
SORRY, MAYA, I WALK
WITH A DIFFERENT CROWD NOW.

298
00:15:01,000 --> 00:15:04,333
AND AS YOU CAN SEE,
I AM QUITE THE INFLUENCE
ON THEM.

299
00:15:14,458 --> 00:15:16,291
MAYA?

300
00:15:16,291 --> 00:15:18,458
SHE'S...

301
00:15:18,458 --> 00:15:20,083
GONE, SIR.

302
00:15:21,625 --> 00:15:23,500
YES, SHE IS.

303
00:15:29,958 --> 00:15:32,166
OKAY, I'M GONNA TAKE
ONE LAST SHOT AT THIS

304
00:15:32,166 --> 00:15:34,208
WHILE I BELIEVE RILEY
IS STILL IN THERE

305
00:15:34,208 --> 00:15:36,500
AND NOT COMPLETELY
UNDER THE SPELL OF--

306
00:15:41,875 --> 00:15:43,250
LADIES.

307
00:15:43,250 --> 00:15:44,833
FARKLE!

308
00:15:46,000 --> 00:15:47,833
SHE'S ON OF US NOW, MAYA.

309
00:15:47,833 --> 00:15:51,125
SHE'S ONE OF ME, FARKLE.

310
00:15:51,125 --> 00:15:53,625
YOU'RE NOT LETTING HER
REACH HER FULL POTENTIAL.

311
00:15:55,875 --> 00:15:58,333
THE WORLD I KNOW
WANTS YOU TO BE YOURSELF.

312
00:15:58,333 --> 00:15:59,875
IN MY WORLD--

313
00:15:59,875 --> 00:16:02,000
IT NEEDS YOU IN IT.

314
00:16:02,000 --> 00:16:03,458
YOU'RE ON OF US NOW.

315
00:16:03,458 --> 00:16:04,958
AND I'VE DECIDED TO PROVE IT

316
00:16:04,958 --> 00:16:06,583
BY LETTING YOU HELP
THE JOHN QUINCY ADAMS'

317
00:16:06,583 --> 00:16:08,250
SPELLING-BEE TEAM
TO THE REGIONAL FINALS.

318
00:16:08,250 --> 00:16:09,333
REALLY?

319
00:16:09,333 --> 00:16:11,375
I'M RIGHT ABOUT YOU, RILEY.
I KNOW I AM.

320
00:16:11,375 --> 00:16:12,583
THANK YOU, FARKLE.

321
00:16:12,583 --> 00:16:14,875
SORRY, MAYA.
THE WORLD WANTS
WHAT THE WORLD WANTS.

322
00:16:14,875 --> 00:16:17,833
AND RIGHT NOW THE WORLD
WANTS ME LIKE THIS.

323
00:16:17,833 --> 00:16:19,458
THIS ISN'T OVER, FARKLE.

324
00:16:19,458 --> 00:16:20,875
I'M NOT SCARED.

325
00:16:20,875 --> 00:16:22,375
OH, REALLY?

326
00:16:22,375 --> 00:16:23,875
<i>( loud thud ) </i>

327
00:16:25,375 --> 00:16:26,875
<i>( loud thud ) </i>

328
00:16:26,875 --> 00:16:28,625
GUYS, WHAT ABOUT ME?

329
00:16:28,625 --> 00:16:29,625
YAY!

330
00:16:29,625 --> 00:16:31,000
<i>( loud thud ) </i>

331
00:16:36,875 --> 00:16:38,375
- HOW YOU DOING?
- HOW YOU DOING?

332
00:16:46,083 --> 00:16:47,291
DADDY?

333
00:16:47,291 --> 00:16:48,416
YUP?

334
00:16:48,416 --> 00:16:51,416
WE'RE THE NORMAL ONES, RIGHT?

335
00:16:51,416 --> 00:16:53,166
I HOPE SO, BUBBA.

336
00:16:54,583 --> 00:16:55,583
WHAT IS THIS?

337
00:16:55,583 --> 00:16:57,083
WHAT IS THAT?

338
00:16:57,083 --> 00:16:58,875
THIS IS WHO I AM INSIDE.

339
00:16:58,875 --> 00:17:02,083
IT'S THE PART OF ME
YOUR FATHER FELL IN LOVE WITH
A LONG TIME AGO.

340
00:17:04,416 --> 00:17:06,166
THIS IS WHAT'S
INSIDE OF YOU?

341
00:17:06,166 --> 00:17:08,750
YEAH, MIGHT BE
THE BEST PART.

342
00:17:08,750 --> 00:17:11,416
IS THIS THE BEST PART
OF YOU?

343
00:17:11,416 --> 00:17:15,500
I'M EXTREMELY POPULAR
WITH FIVE PEOPLE.

344
00:17:16,958 --> 00:17:18,416
IS ONE OF THEM YOU?

345
00:17:22,250 --> 00:17:24,458
WEIRD MOMMY'S COOL.

346
00:17:26,250 --> 00:17:27,750
WAY COOL.

347
00:17:31,291 --> 00:17:32,750
YOU'VE MADE
THE RIGHT DECISION

348
00:17:32,750 --> 00:17:36,125
LETTING THE BAKERY GO,
MRS. SVORSKI.

349
00:17:36,125 --> 00:17:37,625
WHAT'S THE POINT
OF SERVING PEOPLE

350
00:17:37,625 --> 00:17:39,291
IN A SELF-SERVING WORLD?

351
00:17:39,291 --> 00:17:41,708
DON'T SIGN ANYTHING.

352
00:17:41,708 --> 00:17:43,750
YOU WORK FOR ME.

353
00:17:43,750 --> 00:17:46,333
OH, YEAH?
THEN YOU'RE GONNA HATE THIS.

354
00:17:47,458 --> 00:17:49,208
I'D LIKE TO CALL
MY FIRST WITNESS.

355
00:17:49,208 --> 00:17:51,000
NOBODY'S ON TRIAL HERE.

356
00:17:51,000 --> 00:17:53,125
ACTUALLY, A VOICE
I'VE ALWAYS TRUSTED

357
00:17:53,125 --> 00:17:55,000
HAS BEEN TELLING ME
THAT I AM.

358
00:17:55,000 --> 00:17:58,583
WELL, COULD YOU TELL THAT VOICE
THAT YOU'RE IN A BAKERY?

359
00:18:01,291 --> 00:18:04,250
MRS. SVORSKI...

360
00:18:04,250 --> 00:18:08,083
I KNOW THAT YOU CAN'T
AFFORD THE NEW RENT BY YOURSELF.

361
00:18:08,083 --> 00:18:09,875
BUT I WONDER IF YOU WOULD
SHARE YOUR BUSINESS

362
00:18:09,875 --> 00:18:12,583
WITH SOME PEOPLE THAT WILL CARE
ABOUT IT AS MUCH AS YOU DO?

363
00:18:12,583 --> 00:18:14,083
THAT'S US.

364
00:18:15,625 --> 00:18:19,333
TOPANGA SUCCEEDS AT ANYTHING
SHE PUTS HER MIND TO.

365
00:18:19,333 --> 00:18:22,125
AND I'M HERE WITH OUR CHECKBOOK.

366
00:18:22,125 --> 00:18:24,583
WHAT DO YOU DO
FOR LIVING?

367
00:18:24,583 --> 00:18:26,625
I'M A MIDDLE-SCHOOL TEACHER.

368
00:18:26,625 --> 00:18:28,250
( laughs )
OH BOY.

369
00:18:30,000 --> 00:18:32,125
HE'S ALWAYS BEEN
MY PARTNER

370
00:18:32,125 --> 00:18:34,208
AND WE'VE ALWAYS
DONE WELL TOGETHER.

371
00:18:34,208 --> 00:18:36,458
BUT NOW IT'S TIME
TO DO GOOD.

372
00:18:36,458 --> 00:18:38,375
TOPANGA...

373
00:18:38,375 --> 00:18:41,583
YOU WOULD HELP ME
KEEP MY PLACE?

374
00:18:41,583 --> 00:18:44,166
THERE'S A PART OF ME
THAT KNOWS WHAT'S RIGHT.

375
00:18:44,166 --> 00:18:47,416
IT'S RIGHT THAT THIS PLACE
STAYS RIGHT HERE.

376
00:18:47,416 --> 00:18:50,375
YOU SURE
YOU KILLER-SHARK LAWYER?

377
00:18:53,375 --> 00:18:56,000
I NEED
AN ADVANCE ON MY SALARY
IN THE EXACT AMOUNT

378
00:18:56,000 --> 00:18:58,000
IT COSTS TO KEEP
THIS PLACE GOING.

379
00:18:58,000 --> 00:19:01,500
OR I WILL GO
TO THE COMPETITION
AND I WILL DESTROY YOU.

380
00:19:02,708 --> 00:19:04,500
YEAH, SHE SHARK.

381
00:19:04,500 --> 00:19:07,708
WHAT?
WHERE AM I GONNA FIND
SOMEBODY ELSE LIKE YOU?

382
00:19:07,708 --> 00:19:09,375
YOU WON'T.

383
00:19:11,250 --> 00:19:12,833
YOU'RE STILL MEAN.

384
00:19:14,125 --> 00:19:15,500
DON'T TRY
TO CHEER ME UP, KID.

385
00:19:25,708 --> 00:19:28,333
WELCOME,
TO THIS QUALIFYING ROUND

386
00:19:28,333 --> 00:19:31,166
OF THE CITY REGIONAL
SPELLING BEE

387
00:19:31,166 --> 00:19:34,083
BETWEEN OUR OWN
JOHN QUINCY ADAMS
MIDDLE SCHOOL...

388
00:19:34,083 --> 00:19:35,958
( applause )

389
00:19:35,958 --> 00:19:37,458
...AND EINSTEIN ACADEMY.

390
00:19:37,458 --> 00:19:39,750
( applause )

391
00:19:39,750 --> 00:19:44,000
FORMIDABLE OPPONENTS...
AND SMACKLE.

392
00:19:44,000 --> 00:19:45,250
I WILL DESTROY YOU.

393
00:19:45,250 --> 00:19:46,958
I AM ENERGY, YOU CAN'T
DESTROY ENERGY.

394
00:19:46,958 --> 00:19:47,958
HA!

395
00:19:48,958 --> 00:19:50,708
( mouthing )

396
00:19:52,416 --> 00:19:54,875
RILEY, GET UP THERE
AND SHOW US WHO YOU
REALLY ARE.

397
00:20:01,083 --> 00:20:02,416
OKAY, MISS MATTHEWS.

398
00:20:04,250 --> 00:20:06,250
YOUR FIRST WORD IS--

399
00:20:06,250 --> 00:20:08,625
- MAYA, YOU CAN'T--
- CHECK OUT THE WORD,
MR. MATTHEWS.

400
00:20:08,625 --> 00:20:09,958
MAYA, WHAT ARE YOU DOING?

401
00:20:09,958 --> 00:20:13,083
HEY, FARKLE'S
NOT THE ONLY ONE
WITH A MASTER PLAN.

402
00:20:13,083 --> 00:20:15,000
MISS MATTHEWS,

403
00:20:15,000 --> 00:20:18,000
YOUR WORD IS HARAJUKU.

404
00:20:21,166 --> 00:20:22,166
EXCUSE ME?

405
00:20:22,166 --> 00:20:24,125
HARAJUKU.

406
00:20:24,125 --> 00:20:27,458
UH, MAY I HAVE THE MEANING
OF THE WORD?

407
00:20:27,458 --> 00:20:29,125
OH, YOU DON'T KNOW?

408
00:20:30,125 --> 00:20:31,583
THEN LET ME TELL YOU.

409
00:20:31,583 --> 00:20:33,583
IT'S A REAL NEIGHBORHOOD
IN JAPAN,

410
00:20:33,583 --> 00:20:36,375
WHERE AUTHENTIC JAPANESE GIRLS

411
00:20:36,375 --> 00:20:40,000
HAVE CREATED AN AUTHENTIC LOOK
AND LIFE FOR THEMSELVES

412
00:20:40,000 --> 00:20:41,583
THAT IS UNIQUE TO THEM.

413
00:20:42,750 --> 00:20:44,500
COUNTRY OF ORIGIN?

414
00:20:46,958 --> 00:20:49,583
ARE YOU KIDDING ME?

415
00:20:49,583 --> 00:20:51,750
CAN I HEAR IT IN A SENTENCE?

416
00:20:53,333 --> 00:20:54,583
YEAH.

417
00:20:54,583 --> 00:20:57,250
"STOP PRETENDING
TO BE A HARAJUKU GIRL,

418
00:20:57,250 --> 00:20:58,875
BECAUSE YOU'RE NOT;

419
00:20:58,875 --> 00:21:00,458
YOU'RE RILEY."

420
00:21:00,458 --> 00:21:02,250
R-I-L-E-Y.

421
00:21:03,875 --> 00:21:06,000
FIVE SECONDS,
MISS MATTHEWS,

422
00:21:06,000 --> 00:21:07,208
OR YOU'RE ELIMINATED.

423
00:21:07,208 --> 00:21:09,708
WHAT DO YOU MEAN
"ELIMINATED"?

424
00:21:09,708 --> 00:21:12,750
IT MEANS YOU WOULDN'T BE
PART OF THE GROUP ANYMORE.

425
00:21:15,958 --> 00:21:18,250
HARAJUKU,

426
00:21:18,250 --> 00:21:22,083
SOMETHING I'M N-O-T.

427
00:21:22,083 --> 00:21:24,250
SORRY, FARKLE.
IT WAS A LOVELY PARTY

428
00:21:24,250 --> 00:21:26,166
AND YOUR FRIENDS
ARE REALLY PRETTY COOL.

429
00:21:26,166 --> 00:21:27,458
WE ARE?

430
00:21:27,458 --> 00:21:29,583
( chuckles )
WE'VE NEVER BEEN
CALLED THAT BEFORE.

431
00:21:29,583 --> 00:21:32,083
THANKS, RILEY.

432
00:21:32,083 --> 00:21:33,625
WE FEEL THE SAME WAY
ABOUT YOU.

433
00:21:36,333 --> 00:21:37,333
( bell dings )

434
00:21:42,208 --> 00:21:44,291
WELL, I GUESS
WE'RE BACK TO WHERE

435
00:21:44,291 --> 00:21:47,000
POPULAR IS GONNA BE
KIND OF HARD, HUH?

436
00:21:47,000 --> 00:21:48,750
I WOULDN'T KNOW.

437
00:21:48,750 --> 00:21:51,208
AND LET'S NOT TRY SO HARD
TO FIND OUT.

438
00:21:58,125 --> 00:21:59,125
YOU MISS HER?

439
00:21:59,125 --> 00:22:00,833
WHO?

440
00:22:00,833 --> 00:22:02,208
THE OTHER TOPANGA.

441
00:22:02,208 --> 00:22:04,166
NO.

442
00:22:04,166 --> 00:22:06,208
I'VE ALWAYS KNOWN
WHERE SHE IS.

443
00:22:07,875 --> 00:22:09,166
YOU KNOW WHAT
THE BEST THING IS

444
00:22:09,166 --> 00:22:11,333
- ABOUT BEING YOURSELF?
- WHAT?

445
00:22:11,333 --> 00:22:13,291
YOU'RE ALWAYS POPULAR
WITH YOUR BEST FRIEND.

446
00:22:15,000 --> 00:22:17,166
READY FOR NEW JOKE?

447
00:22:17,166 --> 00:22:19,708
IS NOT UKRAINIAN BAKERY...

448
00:22:19,708 --> 00:22:22,375
IS OUR-KRAINIAN BAKERY.

449
00:22:22,375 --> 00:22:24,958
( laughing )
OH MAN, THAT'S GOOD.

450
00:22:26,750 --> 00:22:28,000
I DON'T GET IT.