1
00:00:05,708 --> 00:00:07,583
WHY DRAW FRUIT?

2
00:00:07,583 --> 00:00:10,000
LET'S DRAW
A REAL WORK OF ART.

3
00:00:10,000 --> 00:00:14,083
THAT'S RIGHT.
CHECK OUT 48 LBS OF NASTY.

4
00:00:14,083 --> 00:00:15,458
Both: NO!

5
00:00:15,458 --> 00:00:19,333
WELL!
( chuckles )

6
00:00:19,333 --> 00:00:23,416
LOOKY HERE.
THE MALE... PHYSIQUE.

7
00:00:23,416 --> 00:00:25,875
WHY THANK YOU, ART LADY.

8
00:00:25,875 --> 00:00:27,750
WHY AREN'T
WE DRAWING LUCAS?

9
00:00:30,375 --> 00:00:32,250
BECAUSE NOBODY
LOOKS LIKE THAT.

10
00:00:33,958 --> 00:00:35,458
GET USED TO THIS.

11
00:00:35,458 --> 00:00:37,833
GET USED
TO THIS RIGHT NOW.

12
00:00:39,000 --> 00:00:42,291
WHEN DRAWING A FARKLE,
START WITH THE EYES.

13
00:00:42,291 --> 00:00:44,583
I THINK THE EYES SHOULD GO
STRAIGHT TO THE GUN SHOW.

14
00:00:48,250 --> 00:00:51,166
MAYA, YOU'RE SUPPOSED
TO CONCENTRATE ON THE EYES.

15
00:00:51,166 --> 00:00:53,333
SEE, YOU KNOW
WHAT MY PROBLEM IS?
I DON'T LISTEN.

16
00:00:53,333 --> 00:00:54,958
BY THE WAY,
YOU'RE DRAWING LUCAS.

17
00:00:56,166 --> 00:00:57,875
OH.
( chuckles )

18
00:00:58,875 --> 00:01:01,083
WELL, THAT'S THE FIRST TIME

19
00:01:01,083 --> 00:01:02,333
I'VE EVER DONE THAT.

20
00:01:07,750 --> 00:01:08,875
DO I NEED HELP?

21
00:01:10,333 --> 00:01:12,458
ALL RIGHT, I KNOW THESE
ARE WORKS IN PROGRESS,

22
00:01:12,458 --> 00:01:13,875
BUT LET'S SEE
WHERE WE ARE.

23
00:01:13,875 --> 00:01:16,083
MAYBE WE'LL BECOME
FAMOUS ARTISTS.

24
00:01:16,083 --> 00:01:17,958
WE'LL GO TO PARIS,

25
00:01:17,958 --> 00:01:21,000
DRINK COFFEE
IN OUTDOOR CAFES.

26
00:01:21,000 --> 00:01:22,458
HOW DO I LOOK?

27
00:01:22,458 --> 00:01:25,458
( vocalizing tune )

28
00:01:31,875 --> 00:01:34,166
( humphs )

29
00:01:34,166 --> 00:01:36,000
FINE, MAKE FUN OF ME.

30
00:01:36,000 --> 00:01:39,458
I AM A SERIOUS ARTIST
WHO BELONGS IN PARIS.

31
00:01:39,458 --> 00:01:41,458
<i>BONJOUR, </i>LUCAS.

32
00:01:41,458 --> 00:01:43,458
( speaking
French )

33
00:01:51,500 --> 00:01:53,375
<i>BONJOUR, </i>LUCAS.

34
00:01:56,208 --> 00:01:58,583
- OH MY GOSH.
- SEE?  I AM AN ARTIST.

35
00:01:58,583 --> 00:02:01,583
- I AM FINALLY SOMETHING.
- MAYA.

36
00:02:01,583 --> 00:02:03,875
( annoyed )
WHAT A LIFE I'M HAVING.

37
00:02:03,875 --> 00:02:06,583
MAYA.  MY GOODNESS.

38
00:02:06,583 --> 00:02:10,583
THIS IS BRILLIANT!

39
00:02:10,583 --> 00:02:13,250
FARKLE IS
IN A BIRD'S NEST.

40
00:02:13,250 --> 00:02:15,625
IT'S A WORK
OF SURREALISM, RILEY.

41
00:02:15,625 --> 00:02:18,583
IT'S HOW THIS ARTIST'S MIND
VIEWS THE SUBJECT.

42
00:02:18,583 --> 00:02:20,458
I'M A BIRD TO YOU?

43
00:02:20,458 --> 00:02:23,500
NO, YOU JUST...
NEED TO BE PROTECTED.

44
00:02:23,500 --> 00:02:25,708
- YOU LOVE ME.
- LEAVE ME ALONE.

45
00:02:26,958 --> 00:02:28,875
MAYA, THERE'S A SCHOOL
EXHIBIT COMING UP.

46
00:02:28,875 --> 00:02:30,458
I WANT ONE
OF YOUR PIECES IN IT.

47
00:02:30,458 --> 00:02:32,500
WHAT ABOUT MY PIECE?
( chuckles )

48
00:02:33,958 --> 00:02:35,958
THAT'S A CUTE TOP.

49
00:02:37,375 --> 00:02:39,083
NO THANKS, MISS KOSSAL.

50
00:02:39,083 --> 00:02:41,750
I DON'T DRAW FOR OTHER PEOPLE
TO LOOK AT, BUT THANK YOU.

51
00:02:41,750 --> 00:02:43,875
I'D APPRECIATE YOU
THINKING ABOUT IT, OKAY?

52
00:02:47,958 --> 00:02:50,500
- WHERE YOU HEADED, FARKLE?
- GYM CLASS.

53
00:02:50,500 --> 00:02:52,083
THAT SHOULD GO WELL, RIGHT?

54
00:02:52,083 --> 00:02:55,208
<i>( theme music playing ) </i>

55
00:02:59,000 --> 00:03:01,125
<i>♪ I'VE BEEN WAITING ♪ </i>

56
00:03:01,125 --> 00:03:02,458
<i>♪ FOR A DAY ♪ </i>

57
00:03:02,458 --> 00:03:03,458
<i>♪ LIKE THIS TO COME ♪ </i>

58
00:03:03,458 --> 00:03:05,000
<i>♪ STRUCK LIKE LIGHTNING ♪ </i>

59
00:03:05,000 --> 00:03:07,750
<i>♪ MY HEART'S BEATING </i>
<i>LIKE A DRUM ♪ </i>

60
00:03:07,750 --> 00:03:09,416
<i>♪ ON THE EDGE ♪ </i>

61
00:03:09,416 --> 00:03:11,708
<i>♪ OF SOMETHING WONDERFUL ♪ </i>

62
00:03:11,708 --> 00:03:14,583
<i>♪ FACE TO FACE WITH CHANGES ♪ </i>

63
00:03:14,583 --> 00:03:15,750
<i>♪ WHAT'S IT ALL ABOUT? ♪ </i>

64
00:03:15,750 --> 00:03:17,958
<i>♪ LIFE IS CRAZY ♪ </i>

65
00:03:17,958 --> 00:03:20,000
<i>♪ BUT I KNOW I CAN </i>
<i>WORK IT OUT ♪ </i>

66
00:03:20,000 --> 00:03:21,208
<i>♪ 'CAUSE I GOT YOU ♪ </i>

67
00:03:21,208 --> 00:03:24,000
<i>♪ TO LIVE IT WITH ME ♪ </i>

68
00:03:24,000 --> 00:03:28,125
<i>♪ I FEEL ALL RIGHT, </i>
<i>I'M GONNA TAKE ON THE WORLD ♪ </i>

69
00:03:28,125 --> 00:03:31,583
<i>♪ LIGHT UP THE STARS, </i>
<i>I'VE GOT SOME PAGES TO TURN ♪ </i>

70
00:03:31,583 --> 00:03:33,375
<i>♪ I'M SINGING "GO-O-O" ♪ </i>

71
00:03:33,375 --> 00:03:36,458
<i>♪ OH OH OH OH ♪ </i>

72
00:03:36,458 --> 00:03:39,500
<i>♪ TAKE ON THE WORLD, </i>
<i>TAKE ON THE WORLD ♪ </i>

73
00:03:39,500 --> 00:03:41,416
<i>♪ TAKE ON THE WORLD ♪ </i>

74
00:03:41,416 --> 00:03:43,458
<i>♪ TAKE ON THE WORLD, </i>
<i>TAKE ON THE WORLD ♪ </i>

75
00:03:43,458 --> 00:03:45,000
<i>♪ TAKE ON THE WORLD. ♪ </i>

76
00:03:47,875 --> 00:03:50,000
THEY'VE BEEN
LYING TO YOU,
AUGGIE.

77
00:03:50,000 --> 00:03:51,458
YOUR ARTWORK
WOULD NOT HANG

78
00:03:51,458 --> 00:03:52,958
ON A SINGLE
REFRIGERATOR

79
00:03:52,958 --> 00:03:54,083
OUTSIDE THIS APARTMENT.

80
00:03:54,083 --> 00:03:55,833
YOU SAID I WAS
A LITTLE GENIUS.

81
00:03:55,833 --> 00:03:57,458
OH, YOU ARE A
LITTLE GENIUS.

82
00:03:57,458 --> 00:03:59,458
YOU SAID I WAS
A LITTLE
GENIUS.

83
00:03:59,458 --> 00:04:03,000
WELL, I HAD
NO ONE TO COMPARE
YOU TO, HONEY.

84
00:04:03,833 --> 00:04:05,708
MAYA IS GOING
TO BE A FAMOUS
ARTIST

85
00:04:05,708 --> 00:04:07,875
AND EVERYBODY
SPEAKS FRENCH
BUT ME.

86
00:04:07,875 --> 00:04:09,875
( speaking
French )

87
00:04:15,000 --> 00:04:17,000
YOU ARE GOING TO
CHANGE THE WORLD

88
00:04:17,000 --> 00:04:19,083
WITH YOUR
BRILLIANT MIND.

89
00:04:21,208 --> 00:04:24,000
YOU HAVE
SUCH A CUTE TOP.

90
00:04:25,583 --> 00:04:27,375
ARE THERE ANY MORE
OF THESE MASHED POTATOES?

91
00:04:27,375 --> 00:04:29,458
THAT'S WHAT YOU'RE THINKING
ABOUT RIGHT NOW?

92
00:04:29,458 --> 00:04:32,000
RILEY, THIS WHOLE
WHAT-AM-I-GOOD-AT THING?

93
00:04:32,000 --> 00:04:34,583
I'VE BEEN THERE
MY WHOLE LIFE.
IT'S A WASTE OF TIME.

94
00:04:36,250 --> 00:04:38,291
YOU KNOW WHAT'S
NOT A WASTE OF TIME?

95
00:04:38,291 --> 00:04:40,625
MASHED POTATOES.

96
00:04:40,625 --> 00:04:43,250
YOU KNOW WHY?
THEY NEVER LET YOU DOWN.

97
00:04:44,375 --> 00:04:46,000
THEY'RE THE BEST
IN THE WORLD

98
00:04:46,000 --> 00:04:47,583
AT WHAT THEY DO.

99
00:04:47,583 --> 00:04:49,833
SO DON'T BE MASHED POTATOES,

100
00:04:49,833 --> 00:04:51,750
BECAUSE THEY'RE BETTER AT THAT
THAN YOU COULD EVER BE.

101
00:04:53,416 --> 00:04:56,875
- HOW ARE YOU HELPING ME?
- CAN I EAT A MEAL?

102
00:04:58,166 --> 00:05:00,583
WHAT ABOUT YOU GUYS?
DO YOU HAVE ANY TALENT?

103
00:05:00,583 --> 00:05:02,708
DID I INHERIT ANYTHING
FROM YOU TWO?

104
00:05:02,708 --> 00:05:04,875
( snorts )
SHOULD WE TELL HER?

105
00:05:04,875 --> 00:05:07,000
( snorts )
YOU THINK THEY'RE READY?

106
00:05:08,166 --> 00:05:10,166
YOUR FATHER HAS
A GIFT FOR...

107
00:05:10,166 --> 00:05:11,875
GIMME!  GIMME.
I'LL TAKE ANYTHING.

108
00:05:11,875 --> 00:05:13,875
...CLOSE-UP MAGIC!

109
00:05:19,875 --> 00:05:21,583
- HAH?
- THAT'S RIGHT.

110
00:05:21,583 --> 00:05:24,000
HE'S A CLOSE-UP
MAGICIAN.  YAY.

111
00:05:25,875 --> 00:05:28,333
WHAT IS A--
WHAT IS THAT?

112
00:05:28,333 --> 00:05:31,083
WHAT IS THAT?
OH, I DON'T KNOW.

113
00:05:31,083 --> 00:05:33,000
MAYBE IT'S A LITTLE
SOMETHING LIKE...

114
00:05:33,000 --> 00:05:35,125
I GO OVER
TO THIS GUY OVER HERE--

115
00:05:35,125 --> 00:05:36,833
HI.  HOW ARE YOU?  GOOD.

116
00:05:36,833 --> 00:05:39,875
AND THEN I ASK
A LITTLE QUESTION LIKE, "HEY!

117
00:05:39,875 --> 00:05:43,000
WHERE'S THE SALT?
ANYBODY SEEN THE SALT?"

118
00:05:43,000 --> 00:05:45,125
I DON'T SEE
THE SALT, DADDY.
THE SALT'S GONE.

119
00:05:46,500 --> 00:05:48,375
IS IT, AUGGIE?
IS IT GONE?

120
00:05:48,375 --> 00:05:50,833
OR IS IT--
PIDDLY POBBLY PA-POOM!

121
00:05:50,833 --> 00:05:53,458
( gasps )
WHAT THE...?

122
00:05:55,125 --> 00:05:57,583
- THAT WAS ALREADY THERE.
- I SWEAR, RILEY

123
00:05:57,583 --> 00:05:58,875
I SWEAR.

124
00:06:00,208 --> 00:06:02,375
DO IT RIGHT NOW
WITH THE PEPPER.

125
00:06:02,375 --> 00:06:04,875
PEPPER?
NOBODY COULD DO PEPPER.

126
00:06:05,875 --> 00:06:08,708
PEPPERY POPPILY
PA-POOM!

127
00:06:11,208 --> 00:06:13,458
NOBODY COULD DO PEPPER!

128
00:06:14,875 --> 00:06:16,958
WHY AREN'T YOU FAMOUS?!

129
00:06:16,958 --> 00:06:19,208
SEE?  HE'S VERY GOOD.

130
00:06:19,208 --> 00:06:21,125
YOU COME FROM
A VERY TALENTED FAMILY.

131
00:06:21,125 --> 00:06:23,083
CLOSE-UP MAGIC?
REALLY?

132
00:06:23,083 --> 00:06:24,875
WHAT AM I SUPPOSED
TO DO WITH THAT?

133
00:06:24,875 --> 00:06:27,208
MOM, COULD YOU PLEASE
HELP ME OUT WITH SOMETHING

134
00:06:27,208 --> 00:06:29,875
THAT I COULD ACTUALLY USE?
DO YOU HAVE A TALENT?

135
00:06:29,875 --> 00:06:32,000
- ( snickers )
- DOES SHE?

136
00:06:32,000 --> 00:06:34,500
( laughs )
DOES SHE?

137
00:06:34,500 --> 00:06:38,500
- YOUR MOM--
- DON'T YOU DARE.

138
00:06:38,500 --> 00:06:40,833
YOUR MOM'S HIPS DON'T LIE!

139
00:06:43,833 --> 00:06:45,958
CORY MATTHEWS!

140
00:06:48,333 --> 00:06:50,000
WHOO-HOO!
DO IT, MOMMY!

141
00:06:50,000 --> 00:06:53,166
NO NO NO.
NO, I AM NOT GONNA DO IT.

142
00:06:53,166 --> 00:06:55,125
- ALL RIGHT, FINE, I'LL DO IT.
- OKAY, DO IT! YEAH!

143
00:06:55,125 --> 00:06:57,125
IT GOES A LITTLE SOMETHING
LIKE THIS.

144
00:06:57,125 --> 00:07:00,291
AY YAI YAI YAI,
AY YAI YAI YAI,

145
00:07:00,291 --> 00:07:02,708
AY YAI YAI YAI,
AY YAI,

146
00:07:02,708 --> 00:07:04,500
AY YAI YAI YAI.

147
00:07:04,500 --> 00:07:07,083
HEY, RILEY, PA-POOM!

148
00:07:14,625 --> 00:07:16,291
ALL RIGHT,
FUTURE HISTORY MAKERS,

149
00:07:16,291 --> 00:07:18,416
WELCOME TO CAREER DAY.

150
00:07:18,416 --> 00:07:21,375
NOW THERE ARE
A LOT OF WAYS TO MAKE
YOUR MARK ON THE WORLD.

151
00:07:21,375 --> 00:07:24,375
- HI, RILEY.
- OH GREAT, SHAKIRA IS HERE.

152
00:07:25,833 --> 00:07:28,291
- WHERE'S YOUR MOM?
- SHE WON'T BE COMING.

153
00:07:28,291 --> 00:07:31,458
- BUT SHE TOLD YOU
SHE WAS COMING.
- YES, SHE DID.

154
00:07:31,458 --> 00:07:34,125
OKAY, GUYS,
OUR FIRST GUEST TODAY

155
00:07:34,125 --> 00:07:37,000
IS A LAWYER,
AND I LIKES HER.

156
00:07:38,625 --> 00:07:42,000
HEY, LAWYER LADY.
HOW'S ABOUT WE GO
OUT SOMETIME?

157
00:07:43,000 --> 00:07:45,500
I GET OFF WORK
EVERY DAY AT 3:15...

158
00:07:45,500 --> 00:07:47,708
EXCEPT TUESDAYS.
I GOT PLAYGROUND.

159
00:07:48,958 --> 00:07:51,083
SO I AM AN ATTORNEY.

160
00:07:51,083 --> 00:07:53,875
I GOT HERE THROUGH A LOT
OF HARD WORK IN SCHOOL.

161
00:07:53,875 --> 00:07:58,250
BY THE TIME I WAS YOUR AGE,
I HAD 350 "A"s.

162
00:07:58,250 --> 00:08:01,291
- <i>( knocks on door ) </i>
- YOUR MOM-- THERE SHE IS.

163
00:08:12,500 --> 00:08:14,708
MINKUS.

164
00:08:14,708 --> 00:08:16,708
TOPANGA.

165
00:08:17,875 --> 00:08:20,500
- STUART.
- TOPANGA.

166
00:08:22,875 --> 00:08:24,833
- FATHER.
- FARKLE.

167
00:08:26,250 --> 00:08:28,083
WAIT A MINUTE.

168
00:08:29,333 --> 00:08:31,708
- YES?
- HE'S YOUR FATHER?

169
00:08:31,708 --> 00:08:33,083
LOOK AT US.

170
00:08:34,583 --> 00:08:37,333
YOUR NAME IS
FARKLE MINKUS?

171
00:08:37,333 --> 00:08:39,000
DON'T WEAR IT OUT.

172
00:08:40,583 --> 00:08:42,000
I DON'T KNOW
HOW YOU COULD.

173
00:08:44,208 --> 00:08:45,708
SORRY I'M LATE,
EVERYBODY.

174
00:08:45,708 --> 00:08:47,333
I HAD
HELICOPTER PROBLEMS,

175
00:08:47,333 --> 00:08:49,583
'CAUSE I HAVE
A HELICOPTER.

176
00:08:49,583 --> 00:08:51,875
DO YOU HAVE
A HELICOPTER, CORY?

177
00:08:51,875 --> 00:08:54,333
NOPE.  DO YOU HAVE
A TOPANGA, MINKUS?

178
00:08:55,875 --> 00:08:58,625
NOPE, BECAUSE SHE CHOSE YOU.

179
00:08:58,625 --> 00:09:00,125
I RUN MINKUS INTERNATIONAL,

180
00:09:00,125 --> 00:09:03,000
I HAVE A HELICOPTER,
AND SHE CHOSE YOU.

181
00:09:04,250 --> 00:09:07,000
STUART, PLEASE.
AREN'T WE A LITTLE TOO EVOLVED

182
00:09:07,000 --> 00:09:08,375
TO STILL BE COMPETING
WITH EACH OTHER?

183
00:09:08,375 --> 00:09:10,291
( laughs )
OF COURSE.

184
00:09:10,291 --> 00:09:11,750
( laughs )
OF COURSE.

185
00:09:12,833 --> 00:09:14,375
- Both: GO.
- BETWEEN THE TWO OF US,

186
00:09:14,375 --> 00:09:18,333
RILEY AND I HAVE
1260 "A"s.  HA!

187
00:09:19,375 --> 00:09:20,958
THAT'S REMARKABLE, TOPANGA.

188
00:09:20,958 --> 00:09:22,000
BETWEEN THE TWO OF US,

189
00:09:22,000 --> 00:09:25,125
FARKLE AND I HAVE 1261.

190
00:09:25,125 --> 00:09:26,375
- HA!
- HA!

191
00:09:28,875 --> 00:09:30,875
( screams )

192
00:09:30,875 --> 00:09:32,583
I-- I HAD TO, TOPANGA.

193
00:09:32,583 --> 00:09:34,708
HE'S A LOT SMARTER
THAN I AM.

194
00:09:36,125 --> 00:09:38,208
BUT WHAT'S MORE IMPORTANT
TO ME THAN ANYTHING...

195
00:09:39,416 --> 00:09:41,833
IS THAT I HAVE THIS GUY.
COME UP HERE, SON.

196
00:09:41,833 --> 00:09:44,375
Topanga:
<i>COME UP HERE, DAUGHTER. </i>

197
00:09:44,375 --> 00:09:45,875
LOOK HOW TALL SHE IS.

198
00:09:45,875 --> 00:09:47,875
SHE'S BEEN TALLER THAN ME
SINCE THE DAY SHE WAS BORN.

199
00:09:51,208 --> 00:09:53,583
WELL, VERY NICE.
GOOD FOR YOU GUYS.

200
00:09:53,583 --> 00:09:56,208
SO THIS IS WHAT CAREER DAY
IS REALLY ALL ABOUT.

201
00:09:56,208 --> 00:09:57,833
YEAH, I LOVE IT
EVERY YEAR.

202
00:09:57,833 --> 00:09:59,625
I'M SORRY, MAYA.

203
00:09:59,625 --> 00:10:02,000
MAYBE YOUR MOM
JUST GOT A LITTLE BUSY.

204
00:10:02,000 --> 00:10:04,166
- ARE YOU OKAY?
- I'M ALWAYS OKAY.

205
00:10:05,750 --> 00:10:07,083
YEAH, THANKS.

206
00:10:08,708 --> 00:10:10,583
SO THESE ARE
THE TWO LADIES

207
00:10:10,583 --> 00:10:12,500
YOU TELL ME
KEEP CHASING YOU, HUH?

208
00:10:13,750 --> 00:10:16,875
( whispers ) PLEASE.

209
00:10:16,875 --> 00:10:19,500
- YES SIR, IT IS US.
- I'M NOT DOING IT.

210
00:10:21,000 --> 00:10:22,875
YES SIR, IT'S US.

211
00:10:22,875 --> 00:10:24,875
WE HOPE THAT ONE DAY ONE
OF US WILL BE LUCKY ENOUGH

212
00:10:24,875 --> 00:10:26,833
TO BECOME THE FUTURE
MRS. FARKLE MINKUS

213
00:10:26,833 --> 00:10:28,416
AND HAVE A LOT
OF BABY MINKII.

214
00:10:36,083 --> 00:10:38,583
WHY WON'T YOU
SHOW YOUR ART?

215
00:10:38,583 --> 00:10:40,458
BECAUSE I'M--

216
00:10:40,458 --> 00:10:43,250
I'M FINE BELIEVING
THAT NOTHING MUCH IS
GOING TO HAPPEN FOR ME.

217
00:10:43,250 --> 00:10:44,875
OTHERWISE
I'M FULL OF HOPE.

218
00:10:44,875 --> 00:10:47,166
YOU HOPE FOR THINGS,
YOU GET DISAPPOINTED.

219
00:10:47,166 --> 00:10:49,875
WHAT REASON COULD
YOUR MOM HAVE FOR
NOT SHOWING UP, MAYA?

220
00:10:49,875 --> 00:10:52,583
YOU'RE RIGHT,
I DID EXPECT HER.

221
00:10:52,583 --> 00:10:55,000
AND I DIDN'T.
SEE?  ONLY ONE OF US
IS DISAPPOINTED.

222
00:10:55,000 --> 00:10:57,625
AND ONLY ONE OF US WILL
NEVER LET THIS GO.
YOU KNOW THAT.

223
00:10:57,625 --> 00:11:00,708
I DON'T EXPECT OUT OF LIFE
WHAT YOU EXPECT, RILEY.

224
00:11:00,708 --> 00:11:05,125
- WHAT DO I EXPECT?
- YOU EXPECT... GOOD THINGS.

225
00:11:05,125 --> 00:11:07,625
YOU EXPECT PEOPLE
TO KEEP PROMISES

226
00:11:07,625 --> 00:11:10,000
AND PEOPLE TO SHOW UP.

227
00:11:10,000 --> 00:11:14,166
- YOU DON'T?
- RILEY, I'M NOT ONE
OF THOSE DREAMERS LIKE YOU.

228
00:11:14,166 --> 00:11:16,208
IF YOUR MOM SAW YOUR ART,

229
00:11:16,208 --> 00:11:20,125
DOESN'T IT MAKE SENSE
THAT SHE'D BE PROUD OF YOU?

230
00:11:20,125 --> 00:11:22,708
YEAH, IT MAKES SENSE TO YOU.

231
00:11:22,708 --> 00:11:25,083
RILEY, YOU NEED
TO BE OKAY WITH THIS.

232
00:11:25,083 --> 00:11:28,375
DO YOU UNDERSTAND
THAT FINALLY SOMETHING
IS BEYOND YOUR CONTROL?

233
00:11:28,375 --> 00:11:30,875
LOOK, I KNOW
YOU CAN'T CONTROL
YOUR TWISTED NEED

234
00:11:30,875 --> 00:11:32,458
TO FIX PEOPLE'S LIVES.

235
00:11:36,125 --> 00:11:38,000
I'M BEGGING YOU.

236
00:11:49,708 --> 00:11:52,708
- THE KOREAN WAR.
- GENGHIS KHAN.

237
00:11:52,708 --> 00:11:55,000
- WHAT?
- I JUST WANTED TO SEE
WHAT WOULD HAPPEN.

238
00:11:57,083 --> 00:12:01,250
HELLO, CORY MATTHEWS.
I AM SO SORRY FOR INTERRUPTING.

239
00:12:01,250 --> 00:12:04,083
- ( mutters ) OH NO.
- Cory: <i>NOTHING TO </i>
<i>FORGIVE, KATY. </i>

240
00:12:04,083 --> 00:12:08,000
CLASS, THIS IS
MAYA'S MOTHER, KATY HART.

241
00:12:08,000 --> 00:12:10,125
MOM, WHAT ARE YOU DOING?
IT WAS YESTERDAY.

242
00:12:10,125 --> 00:12:13,708
YESTERDAY I WAS
UNABLE TO ATTEND
YOUR LITTLE JOB FAIR.

243
00:12:13,708 --> 00:12:16,875
- CAREER DAY.
- YESTERDAY I WAS TRAPPED...

244
00:12:16,875 --> 00:12:19,625
IN MY VEHICLE...

245
00:12:19,625 --> 00:12:22,458
IN THE RUSHING FLOOD WATERS

246
00:12:22,458 --> 00:12:25,000
OF THE MIGHTY COLORADO RIVER!

247
00:12:28,750 --> 00:12:31,500
TO MAKE MATTERS WORSE,
I JUST FOUND OUT

248
00:12:31,500 --> 00:12:34,583
I WAS ABOUT TO HAVE
A BABY ANY SECOND.

249
00:12:34,583 --> 00:12:39,000
SO I CRAWLED MYSELF
THROUGH THE SUNROOF

250
00:12:39,000 --> 00:12:42,958
AND I SAID,
"LET'S DO THIS THING."

251
00:12:43,875 --> 00:12:46,958
THEN I COMMENCED

252
00:12:46,958 --> 00:12:50,083
TO DELIVER MY OWN BABY

253
00:12:50,083 --> 00:12:52,000
UNTIL FINALLY

254
00:12:52,000 --> 00:12:55,000
I HEARD THAT WONDERFUL,

255
00:12:55,000 --> 00:12:57,000
MAGICAL SOUND.

256
00:12:58,458 --> 00:12:59,625
( pops )

257
00:13:02,416 --> 00:13:04,875
( mimicking baby crying )

258
00:13:07,708 --> 00:13:10,875
"MAMA?
ARE YOU MY MAMA?"

259
00:13:12,958 --> 00:13:15,000
- MAYA?
- SOAP OPERA.

260
00:13:15,000 --> 00:13:17,458
SHE WAS AUDITIONING
FOR A SOAP OPERA.

261
00:13:17,458 --> 00:13:20,208
CAN YOU BELIEVE
I DIDN'T GET IT?

262
00:13:20,208 --> 00:13:21,416
Kids: YES!

263
00:13:22,708 --> 00:13:24,708
( laughs ) YES.

264
00:13:24,708 --> 00:13:26,625
I AM AN ACTRESS.

265
00:13:26,625 --> 00:13:30,000
ARE THERE ANY QUESTIONS
I CAN ANSWER FOR ANYONE?

266
00:13:30,000 --> 00:13:32,000
AH, YES, THE FARKLE.

267
00:13:32,000 --> 00:13:34,083
WHY ARE YOU WEARING
A WAITRESS OUTFIT?

268
00:13:34,083 --> 00:13:35,875
ANYONE ELSE?

269
00:13:35,875 --> 00:13:39,833
YES, THE PRETTY,
YOUNG MAN RIGHT THERE.

270
00:13:39,833 --> 00:13:41,958
YEAH, THANKS.

271
00:13:41,958 --> 00:13:44,625
UM, WHY ARE YOU WEARING
A WAITRESS OUTFIT?

272
00:13:46,000 --> 00:13:48,250
MY DAD SAYS ACTORS ARE
JUST A BUNCH OF PEOPLE

273
00:13:48,250 --> 00:13:50,875
- WHO NEVER GREW UP.
- ( chuckles ) WHAT DOES
YOUR DAD DO?

274
00:13:50,875 --> 00:13:53,000
HE'S A DIRECTOR.

275
00:13:54,625 --> 00:13:56,875
IS HE?
WELL, I'M SURE

276
00:13:56,875 --> 00:13:58,958
YOUR FATHER NEVER
GAVE ME A JOB EITHER,

277
00:13:58,958 --> 00:14:02,375
WHICH IS THE REAL REASON
I WEAR THIS OUTFIT EVERY DAY.

278
00:14:06,958 --> 00:14:10,000
WELL, I'LL JUST BE
GOING NOW.

279
00:14:21,750 --> 00:14:24,166
NO NO NO.
I SHOULDN'T HAVE COME.

280
00:14:24,166 --> 00:14:25,958
YOU DID FINE,
YOU SHOWED UP.

281
00:14:25,958 --> 00:14:27,958
I SHOWED UP A DAY LATE.

282
00:14:27,958 --> 00:14:30,000
I COULDN'T EVEN GET
THAT ORDER RIGHT.

283
00:14:30,000 --> 00:14:32,708
I KNOW THAT MY DAD
APPRECIATED THE EFFORT.

284
00:14:32,708 --> 00:14:34,166
HI, MOM.

285
00:14:34,166 --> 00:14:36,333
HEY, MAYA.

286
00:14:36,333 --> 00:14:37,708
COULD I ASK YOU
A FAVOR?

287
00:14:37,708 --> 00:14:39,958
OF COURSE, ANYTHING.

288
00:14:39,958 --> 00:14:42,125
I THINK IT WORKS
BEST FOR US

289
00:14:42,125 --> 00:14:44,458
WHEN YOU GO ON
YOUR IMAGINARY AUDITIONS

290
00:14:44,458 --> 00:14:46,375
AND CHASE OUR
IMAGINARY FATHER.

291
00:14:46,375 --> 00:14:48,000
I APPRECIATE
YOUR COMING,

292
00:14:48,000 --> 00:14:49,875
I DO.

293
00:14:49,875 --> 00:14:51,875
AND I'M NOT HUMILIATED.

294
00:14:51,875 --> 00:14:53,625
I'M NOT.  I'M--

295
00:14:53,625 --> 00:14:54,875
I'M OKAY.

296
00:14:54,875 --> 00:14:55,958
( sighs )

297
00:14:55,958 --> 00:14:57,458
YOU OKAY?

298
00:15:00,000 --> 00:15:02,416
GOOD.

299
00:15:06,708 --> 00:15:10,583
YEAH, THIS IS
JUST HOW WE ARE.

300
00:15:10,583 --> 00:15:12,125
FOR ME TO THINK
ANY OTHER WAY

301
00:15:12,125 --> 00:15:15,958
IS JUST ACTING,
AND I'M NOT THAT GOOD.

302
00:15:15,958 --> 00:15:19,875
I WAS RAISED BY TOPANGA
AND CORY MATTHEWS.

303
00:15:19,875 --> 00:15:22,333
THEY'RE MANIACS.

304
00:15:22,333 --> 00:15:24,958
THEY'D WALK THROUGH
AN AVALANCHE FOR FRIENDSHIP,

305
00:15:24,958 --> 00:15:27,333
FOR THE SAKE OF FAMILY.

306
00:15:27,333 --> 00:15:28,958
I GOT THAT FROM THEM.

307
00:15:30,500 --> 00:15:33,000
I GOT A TALENT.
HOW ABOUT THAT?

308
00:15:34,583 --> 00:15:36,750
YOU CAN'T FIX THIS,
RILEY.

309
00:15:41,875 --> 00:15:43,833
YES, I CAN.

310
00:15:43,833 --> 00:15:46,000
THERE IS AN ART SHOW HERE,
TOMORROW NIGHT.

311
00:15:46,000 --> 00:15:48,000
YOU NEED TO BE THERE.

312
00:15:48,000 --> 00:15:50,333
- SURE.
- I EXPECT YOU THERE.

313
00:15:50,333 --> 00:15:51,958
I UNDERSTAND.

314
00:15:53,625 --> 00:15:55,208
DON'T DISAPPOINT US.

315
00:15:59,833 --> 00:16:01,208
DRAWING A WOMAN'S FACE

316
00:16:01,208 --> 00:16:03,000
IS DIFFERENT
THAN DRAWING A MAN'S.

317
00:16:03,000 --> 00:16:05,375
LOOK FOR SUBTLE DIFFERENCES.

318
00:16:05,375 --> 00:16:06,708
THE LIPS ARE DIFFERENT.

319
00:16:06,708 --> 00:16:08,708
NO MATTER WHAT,
DON'T GET MAD AT ME, OKAY?

320
00:16:08,708 --> 00:16:10,000
I COULD NEVER.

321
00:16:10,000 --> 00:16:11,583
TO PAINT
A YOUNG WOMAN'S LIPS,

322
00:16:11,583 --> 00:16:13,875
SHE NEEDS TO STOP
FLAPPING THEM.

323
00:16:13,875 --> 00:16:16,416
BECAUSE IF I HAVE ANY TALENT
AT ALL, IT'S THIS,

324
00:16:16,416 --> 00:16:18,833
- SO DON'T GET MAD AT ME.
- I COULD NEVER.

325
00:16:18,833 --> 00:16:20,375
BECAUSE WHEN
THE MOUTH IS MOVING,

326
00:16:20,375 --> 00:16:22,458
IT WILL AFFECT
ALL THE SKETCHES.

327
00:16:22,458 --> 00:16:25,083
AND THEY ALL COME OUT
LIKE THIS.

328
00:16:27,875 --> 00:16:29,875
EXCEPT FOR THIS ONE.

329
00:16:31,458 --> 00:16:33,708
YOU DON'T LISTEN
TO A WORD I SAY, DO YOU?

330
00:16:33,708 --> 00:16:35,291
UH, IT'S NOT BECAUSE
I'M DISRESPECTFUL.

331
00:16:35,291 --> 00:16:37,833
IT'S BECAUSE YOU'RE
AN ARTIST.

332
00:16:37,833 --> 00:16:40,125
I'M GLAD YOU DECIDED
TO DISPLAY YOUR WORK.

333
00:16:40,125 --> 00:16:41,750
I GOT YOUR NOTE
IN MY TEACHER'S BOX.

334
00:16:43,708 --> 00:16:46,875
THAT'S THE THING
YOU'RE NOT SUPPOSED
TO GET MAD AT.

335
00:16:47,875 --> 00:16:49,583
THE EXHIBIT STARTS
AT 6:00.

336
00:16:49,583 --> 00:16:51,583
IT'S THRILLING SEEING
YOUR ART DISPLAYED,

337
00:16:51,583 --> 00:16:53,000
YOU WON'T REGRET IT.

338
00:16:55,125 --> 00:16:57,125
YOU DON'T LISTEN
TO A WORD I SAY, DO YOU?

339
00:16:57,125 --> 00:16:59,875
I-IT'S NOT BECAUSE
I'M DISRESPECTFUL.

340
00:16:59,875 --> 00:17:01,458
IT'S BECAUSE
YOU'RE AN ARTIST.

341
00:17:02,500 --> 00:17:04,000
YEAH?

342
00:17:04,000 --> 00:17:05,125
THEN LET ME
PAINT YOU SOMETHING.

343
00:17:06,958 --> 00:17:09,000
( gasps )

344
00:17:09,000 --> 00:17:10,208
( sighs )

345
00:17:13,708 --> 00:17:15,291
OKAY.

346
00:17:15,291 --> 00:17:16,875
MAYA, I AM YOUR BEST FRIEND

347
00:17:16,875 --> 00:17:19,000
AND I WILL ALWAYS DO
MY BEST BY YOU,

348
00:17:19,000 --> 00:17:20,458
NO MATTER WHAT YOU...

349
00:17:20,458 --> 00:17:21,958
SAY.

350
00:17:25,833 --> 00:17:29,875
AND WHO MADE YOU
THE KING OF FRIENDSHIP?

351
00:17:29,875 --> 00:17:32,416
( chuckles )

352
00:17:32,416 --> 00:17:37,166
I DID, I MADE MYSELF
THE KING OF FRIENDSHIP.

353
00:17:37,166 --> 00:17:40,333
AND THIS WOULD BE
MY FIRST ACT AS A KING.

354
00:17:46,875 --> 00:17:47,875
WHY WON'T YOU
LEAVE THIS ALONE?!

355
00:17:47,875 --> 00:17:49,250
I DON'T KNOW HOW!

356
00:17:54,583 --> 00:17:56,000
WHOA!

357
00:17:59,250 --> 00:18:01,833
RILEY...

358
00:18:01,833 --> 00:18:04,625
THIS IS THE MOST AUTHENTIC PIECE
YOU'VE DONE ALL SEMESTER.

359
00:18:04,625 --> 00:18:06,875
NOW CLEAN IT UP.

360
00:18:06,875 --> 00:18:08,083
SEE YOU TONIGHT,
MAYA.

361
00:18:12,000 --> 00:18:13,708
ONE OTHER THING--

362
00:18:13,708 --> 00:18:15,500
I INVITED YOUR MOM.

363
00:18:20,458 --> 00:18:22,166
( sighs )

364
00:18:46,500 --> 00:18:48,000
HOW'S IT GOING?

365
00:18:48,000 --> 00:18:49,000
IT'S GOING FINE.

366
00:18:49,000 --> 00:18:50,583
WHAT DOES
YOUR MOM THINK?

367
00:18:53,000 --> 00:18:55,083
SHE NEVER SHOWED UP.

368
00:18:55,083 --> 00:18:56,708
IT'S JUST YOU GUYS.

369
00:18:56,708 --> 00:18:59,583
ARE YOU TELLING ME
YOUR MOM NEVER SHOWED UP?

370
00:18:59,583 --> 00:19:01,958
NO.

371
00:19:01,958 --> 00:19:03,458
BUT OF COURSE YOU DID.

372
00:19:03,458 --> 00:19:05,250
( chuckles )
HEY, MAYA.

373
00:19:05,250 --> 00:19:07,583
WOW, YOU REALLY HAVE
SOME TALENT.

374
00:19:07,583 --> 00:19:09,000
LOOK AT THAT PLACE.

375
00:19:09,000 --> 00:19:11,416
I BET IT'S GOT
GREAT MASHED POTATOES.

376
00:19:12,958 --> 00:19:14,000
LOOK AT THAT LADY,

377
00:19:14,000 --> 00:19:15,583
WHY CAN YOU
ONLY SEE HALF OF HER?

378
00:19:16,625 --> 00:19:17,625
( muffled ) OH.

379
00:19:33,833 --> 00:19:36,208
( emphatically )
GET OUT OF MY WAY.

380
00:19:40,458 --> 00:19:42,958
DID YOU THINK
I WOULDN'T HUNT YOU DOWN?

381
00:19:42,958 --> 00:19:44,958
NO, I WAS PRETTY SURE
YOU WOULD.

382
00:19:44,958 --> 00:19:46,166
YOU WANT A TUNA MELT?

383
00:19:46,166 --> 00:19:48,708
NO, BECAUSE I'M SUPPOSED
TO BE SOMEWHERE,

384
00:19:48,708 --> 00:19:50,166
AND SO ARE YOU.

385
00:19:50,166 --> 00:19:52,000
YOU KNOW,
ALL I DO WITH MAYA

386
00:19:52,000 --> 00:19:54,958
IS DISAPPOINT HER.

387
00:19:54,958 --> 00:19:58,375
HERE'S WHAT'S FUNNY,
YOU'RE NOT DISAPPOINTING
HER AT ALL.

388
00:19:58,375 --> 00:20:00,083
YOU'RE ONLY
DISAPPOINTING ME.

389
00:20:00,083 --> 00:20:02,875
I CAME TO SCHOOL
AND EMBARRASSED HER.

390
00:20:02,875 --> 00:20:04,875
I PRETEND I'M FANCY,
BUT I'M NOT.

391
00:20:04,875 --> 00:20:07,875
I THOUGHT I HAD
A GOOD MARRIAGE,
BUT I DIDN'T.

392
00:20:07,875 --> 00:20:11,708
I PRETEND TO HAVE
A CAREER, AND I DON'T.

393
00:20:11,708 --> 00:20:13,458
I LOVE THAT LITTLE GIRL

394
00:20:13,458 --> 00:20:14,875
AND I WON'T PRETEND
WITH HER.

395
00:20:18,000 --> 00:20:19,875
YOU NEED TO GO TO HER.

396
00:20:19,875 --> 00:20:21,625
( chuckles ) NO.

397
00:20:21,625 --> 00:20:23,625
YOU SAW WHAT HAPPENS
WHEN I DO.

398
00:20:23,625 --> 00:20:26,000
YOU NEED TO GO TO HER.

399
00:20:27,583 --> 00:20:29,875
RILEY, WHAT DOES YOUR DAD
DO FOR A LIVING?

400
00:20:29,875 --> 00:20:32,083
- TEACHER.
- AND MOM?

401
00:20:32,083 --> 00:20:33,583
- LAWYER.
- AND ME?

402
00:20:33,583 --> 00:20:34,875
ACTRESS?

403
00:20:34,875 --> 00:20:37,708
WAITRESS, RILEY.

404
00:20:37,708 --> 00:20:39,083
AND PEOPLE TEND TO STAY

405
00:20:39,083 --> 00:20:41,208
AT THE SAME LEVEL
AS THEIR PARENTS,

406
00:20:41,208 --> 00:20:43,333
AND I WANT MORE FOR HER
THAN COMING HOME

407
00:20:43,333 --> 00:20:46,458
WITH THOSE LITTLE ARMS OF HERS
COVERED IN PANCAKE SYRUP.

408
00:20:48,583 --> 00:20:52,458
MAYA'S VERY LUCKY TO HAVE YOU.
DON'T THINK I DON'T KNOW THAT.

409
00:20:52,458 --> 00:20:55,000
AND I AM OFFERING YOU
A TUNA MELT

410
00:20:55,000 --> 00:20:58,750
TO SHOW MY GRATITUDE.
YES OR NO?

411
00:20:59,875 --> 00:21:01,958
( sighs )

412
00:21:04,166 --> 00:21:06,125
YOU GUYS REALLY DON'T
HAVE TO STAY.

413
00:21:06,125 --> 00:21:09,000
ARE YOU KIDDING?
WE LOVE SUPPORTING

414
00:21:09,000 --> 00:21:10,000
THE MIDDLE SCHOOL
ART SCENE.

415
00:21:10,000 --> 00:21:11,875
YEAH, WE EVEN BOUGHT
A DRAWING.

416
00:21:11,875 --> 00:21:14,416
YOU HAVE TO WONDER
WHO THIS SILLY,
LITTLE WEIRDO IS.

417
00:21:16,625 --> 00:21:18,291
AW...

418
00:21:18,291 --> 00:21:20,500
IT'S OUR SILLY,
LITTLE WEIRDO.

419
00:21:22,000 --> 00:21:23,708
THANK YOU
FOR STAYING WITH MAYA.

420
00:21:23,708 --> 00:21:25,583
ALWAYS.

421
00:21:30,000 --> 00:21:31,458
I COULDN'T
GET HER TO COME

422
00:21:31,458 --> 00:21:33,416
AND I'M VERY
DISAPPOINTED.

423
00:21:33,416 --> 00:21:35,166
I KNOW,
YOU EXPECT TOO MUCH.

424
00:21:35,166 --> 00:21:37,625
THIS IS HARD ON ME.

425
00:21:37,625 --> 00:21:39,416
YOU NEED A HUG, DARLING?

426
00:21:42,875 --> 00:21:45,000
MAYA, I WAS WRONG.

427
00:21:45,000 --> 00:21:46,958
NO, RILEY,
YOU WERE RIGHT.

428
00:21:46,958 --> 00:21:50,000
I'M VERY CONFUSED.

429
00:21:50,000 --> 00:21:53,000
I SHOWED MY WORK.
PEOPLE LIKED IT.

430
00:21:53,000 --> 00:21:56,250
IT MADE ME FEEL LIKE I COULD
BE SOMETHING SOMEDAY.

431
00:21:56,250 --> 00:21:58,833
YOU WILL BE.
YOU ARE NOW.

432
00:21:58,833 --> 00:22:00,291
THANK YOU, RILEY.

433
00:22:00,291 --> 00:22:01,875
YOU'RE WELCOME.

434
00:22:01,875 --> 00:22:04,333
DO YOU WANT HALF
A TUNA MELT?

435
00:22:06,333 --> 00:22:07,416
YOU KNOW WHY SHE GAVE
THIS TO YOU?

436
00:22:07,416 --> 00:22:09,000
WHY?

437
00:22:09,000 --> 00:22:10,875
SHE KNOWS IT'S
MY FAVORITE THING THERE.

438
00:22:10,875 --> 00:22:12,833
SHE KNEW THAT YOU'D
SHARE WITH ME.

439
00:22:12,833 --> 00:22:15,125
I'D BE HAPPY TO GIVE YOU
THE WHOLE THING.

440
00:22:15,125 --> 00:22:17,000
I KNOW YOU WOULD.

441
00:22:20,000 --> 00:22:22,000
I'LL BE JUST FINE
WITH HALF.

442
00:22:30,875 --> 00:22:33,583
AND RILEY...

443
00:22:33,583 --> 00:22:35,000
FOR YOUR EXCELLENCE
IN YOUR DISPLAY

444
00:22:35,000 --> 00:22:37,250
OF UNWAVERING HOPE FOR OTHERS,

445
00:22:37,250 --> 00:22:38,291
I'M GIVING YOU AN "A."

446
00:22:39,500 --> 00:22:40,958
HA!

447
00:22:41,958 --> 00:22:43,458
- WHAT?
- CAN HE DO THAT?

448
00:22:43,458 --> 00:22:47,250
- NO, YOU CAN'T DO THAT.
- I DOES WHATEVER SHE WANTS.

449
00:22:47,250 --> 00:22:49,000
YEAH, SO WOULD I.

450
00:22:49,000 --> 00:22:51,958
I COME FROM
A VERY TALENTED FAMILY.

451
00:22:51,958 --> 00:22:53,416
WHAT AM I TALENTED AT?

452
00:22:53,416 --> 00:22:55,000
YOU'RE GONNA FIND IT
SOMEDAY, HONEY.

453
00:23:00,875 --> 00:23:02,958
( singing in Italian )

454
00:23:22,083 --> 00:23:23,250
NAH.

455
00:23:24,958 --> 00:23:25,958
HEY!

456
00:23:25,958 --> 00:23:27,958
( cheering )