1
00:00:03,083 --> 00:00:04,958
ANCIENT GREECE--
2
00:00:04,958 --> 00:00:06,125
WHAT THAT?
WHAT THAT THAT?
3
00:00:06,125 --> 00:00:08,500
WHAT THI-THIS?
THIS IS A PRESENT.
4
00:00:08,500 --> 00:00:11,250
- IS IT FOR ME?
- WHAT'S YOUR GAME, MATTHEWS?
5
00:00:11,250 --> 00:00:12,833
GAME?
I MEAN NO GAME.
6
00:00:12,833 --> 00:00:14,958
I JUST WANT TO KNOW WHO HERE
WANTS THIS PRESENT.
7
00:00:18,875 --> 00:00:21,166
OH, MAYA, WHAT?
YOU ASSUME BY PLAYING
HARD TO GET,
8
00:00:21,166 --> 00:00:22,833
- I'M GONNA GIVE IT TO YOU?
- WELL, YES.
9
00:00:22,833 --> 00:00:25,000
THAT'S ONE OF THE MANY ARROWS
IN MY QUIVER.
10
00:00:25,000 --> 00:00:26,708
( shudders )
11
00:00:26,708 --> 00:00:29,083
MEDIEVAL TALK--
WHAT ARE YOU DOING TO ME, WOMAN?
12
00:00:31,208 --> 00:00:33,166
- RILEY.
- YAY!
13
00:00:35,625 --> 00:00:37,583
"THE TROJAN HORSE"?
14
00:00:37,583 --> 00:00:40,125
- SURPRISE.
- THIS ISN'T A PRESENT.
15
00:00:40,125 --> 00:00:43,000
THIS IS ONE OF YOUR LIFE LESSONS
WRAPPED UP IN A CLASS LESSON
16
00:00:43,000 --> 00:00:44,833
WRAPPED UP IN A BOX
OF NOTHING.
17
00:00:46,833 --> 00:00:48,500
- HOW YOU DOING, HONEY?
- I'MA WORKED UP.
18
00:00:48,500 --> 00:00:50,125
I KNOW.
19
00:00:50,125 --> 00:00:52,500
YOU ASSUMED BECAUSE
IT WAS ALL NEAT AND PRETTY
20
00:00:52,500 --> 00:00:54,458
THAT SOMETHING GOOD
WAS INSIDE.
21
00:00:54,458 --> 00:00:57,291
ANCIENT TROY WAS
PROTECTED BY WALLS.
22
00:00:57,291 --> 00:00:59,458
THE GREEKS COULDN'T GET IN,
23
00:00:59,458 --> 00:01:03,583
SO THEY BUILT
A BIG WOODEN HORSE
AND LEFT IT BEHIND.
24
00:01:03,583 --> 00:01:05,250
WHAT DO YOU THINK
THE TROJANS DID?
25
00:01:05,250 --> 00:01:06,875
THEY LEFT IT THERE BECAUSE
THEY WERE AFRAID
26
00:01:06,875 --> 00:01:10,125
THAT SOMEBODY WAS TRYING
TO TEACH THEM SOMETHING.
27
00:01:11,583 --> 00:01:15,000
THEY CAPTURED IT AS A TROPHY
AND BROUGHT IT INSIDE.
28
00:01:15,000 --> 00:01:18,416
THAT NIGHT, THE GREEK SOLDIERS
CRAWLED OUT OF THE HORSE
29
00:01:18,416 --> 00:01:21,166
AND DEFEATED TROY.
30
00:01:21,166 --> 00:01:23,000
WHAT HAVE WE LEARNED HERE?
31
00:01:23,000 --> 00:01:25,166
- MR. FRIAR?
- DON'T MAKE ASSUMPTIONS
32
00:01:25,166 --> 00:01:26,583
BASED ON WHAT YOU SEE?
33
00:01:26,583 --> 00:01:29,208
RILEY, LISTEN, I'M SORRY
I MADE AN EXAMPLE OF YOU.
34
00:01:29,208 --> 00:01:31,708
- SO HERE'S A GIFT FOR YOU.
- OOH-- NO!
35
00:01:31,708 --> 00:01:34,458
I WANT TO-- NO!
PRETTY RIBBON-- NO!
36
00:01:36,083 --> 00:01:38,583
- I'LL TAKE MY CHANCES
WITH THAT, SIR.
- NO, LUCAS.
37
00:01:38,583 --> 00:01:41,583
YOU HAVE TO ASSUME
IT WAS NO GOOD BECAUSE
THE FIRST ONE WAS NO GOOD.
38
00:01:41,583 --> 00:01:44,208
- AREN'T YOU ALL
PROUD OF ME, DAD?
- NO!
39
00:01:45,833 --> 00:01:48,833
- "GET OUT OF DETENTION FREE."
- OOH, I COULD USE ONE OF THOSE.
40
00:01:48,833 --> 00:01:51,166
GIMME THAT
AND I WON'T CALL YOU
"RANGER RICK" ALL WEEK.
41
00:01:51,166 --> 00:01:53,500
- HERE YOU GO.
- THANKS, RANGER ROY.
42
00:01:53,500 --> 00:01:55,458
LEMME GUESS.
43
00:01:55,458 --> 00:01:57,750
RANGER ROY IS FILLING IN
FOR RANGER RICK?
44
00:01:57,750 --> 00:02:00,416
ALL WEEK.
AND NOW... YOU.
45
00:02:00,416 --> 00:02:02,083
OH, IS SOMETHING
GONNA HAPPEN TO ME?
46
00:02:02,083 --> 00:02:04,583
YES, IT IS.
( scatting )
47
00:02:05,875 --> 00:02:07,416
♪ D-D-D-DETENTION ♪
48
00:02:07,416 --> 00:02:09,875
♪ BUT NOT TODAY. ♪
BOOM!
49
00:02:11,833 --> 00:02:13,291
- READ THE CARD.
- HUH?
50
00:02:13,291 --> 00:02:14,875
CARD.
51
00:02:14,875 --> 00:02:17,333
"SAY
'GET OUT OF DETENTION FREE'
THEN GIVE WORTHLESS CARD
52
00:02:17,333 --> 00:02:19,708
TO MAYA THEN WATCH HER
DANCE ON MY DESK."
53
00:02:24,125 --> 00:02:26,458
NEVER ASSUME.
54
00:02:26,458 --> 00:02:28,750
LOOK MORE DEEPLY.
55
00:02:28,750 --> 00:02:31,250
JUST BECAUSE SOMETHING IS
WRAPPED UP ALL PRETTY,
56
00:02:31,250 --> 00:02:33,833
DOESN'T ALWAYS MEAN IT IS.
57
00:02:33,833 --> 00:02:35,625
YOU WERE IN ON THIS!
58
00:02:35,625 --> 00:02:38,083
I'M RANGER ROY
AND I'LL BE HERE ALL WEEK.
59
00:02:39,333 --> 00:02:40,708
OH-HO-HO.
60
00:02:43,125 --> 00:02:45,125
( theme music playing )
61
00:02:47,250 --> 00:02:49,250
♪ I'VE BEEN WAITING ♪
62
00:02:49,250 --> 00:02:51,416
♪ FOR A DAY LIKE THIS TO COME ♪
63
00:02:51,416 --> 00:02:53,208
♪ STRUCK LIKE LIGHTNING ♪
64
00:02:53,208 --> 00:02:55,583
♪ MY HEART'S BEATING
LIKE A DRUM ♪
65
00:02:55,583 --> 00:02:59,833
♪ ON THE EDGE
OF SOMETHING WONDERFUL ♪
66
00:02:59,833 --> 00:03:02,750
♪ FACE TO FACE WITH CHANGES ♪
67
00:03:02,750 --> 00:03:06,125
♪ WHAT'S IT ALL ABOUT?
LIFE IS CRAZY ♪
68
00:03:06,125 --> 00:03:08,208
♪ BUT I KNOW
I CAN WORK IT OUT ♪
69
00:03:08,208 --> 00:03:12,166
♪ 'CAUSE I GOT YOU
TO LIVE IT WITH ME ♪
70
00:03:12,166 --> 00:03:16,250
♪ I FEEL ALL RIGHT,
I'M GONNA TAKE ON THE WORLD ♪
71
00:03:16,250 --> 00:03:19,208
♪ LIGHT UP THE STARS,
I'VE GOT SOME PAGES TO TURN ♪
72
00:03:19,208 --> 00:03:22,250
♪ I'M SINGING "GO-O-O" ♪
73
00:03:22,250 --> 00:03:24,708
♪ OH OH OH OH ♪
74
00:03:24,708 --> 00:03:27,708
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
75
00:03:27,708 --> 00:03:30,416
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
76
00:03:30,416 --> 00:03:33,125
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD. ♪
77
00:03:36,208 --> 00:03:40,000
...IN CONCLUSION, SCHOOL
UNIFORMS REDUCE INDIVIDUALITY
78
00:03:40,000 --> 00:03:42,500
WHICH WILL BE UNNECESSARY
IN THE REAL WORLD
79
00:03:42,500 --> 00:03:44,750
WHEN YOU'RE ALL
WORKING FOR ME.
80
00:03:44,750 --> 00:03:46,083
THANK YOU. I AM FARKLE!
81
00:03:46,083 --> 00:03:49,208
- I DON'T UNDERSTAND DEBATE.
- I SAY YOU DO.
82
00:03:49,208 --> 00:03:51,083
OKAY.
83
00:03:51,083 --> 00:03:53,583
I LIKE DEBATE-- EXPLORING
TWO SIDES OF THE SAME THING--
84
00:03:53,583 --> 00:03:55,458
GOOD AND BAD,
LIGHT AND DARK,
85
00:03:55,458 --> 00:03:56,833
RIGHT IN FRONT OF YOU
AT THE SAME TIME.
86
00:03:56,833 --> 00:03:58,083
WHERE ELSE ARE YOU
GONNA GET THAT?
87
00:03:59,625 --> 00:04:01,250
OH, RIGHT HERE.
LOOK AT YOU.
88
00:04:03,208 --> 00:04:05,708
AND NOW
FROM EINSTEIN ACADEMY,
89
00:04:05,708 --> 00:04:07,958
"UNDEFEATED THIS SEASON,
90
00:04:07,958 --> 00:04:10,958
72 POUNDS OF RAW
INTELLECTUAL POWER!
91
00:04:10,958 --> 00:04:14,833
SHE IS WHO YOUR MAMA
WISHES SHE GAVE BIRTH TO!"
92
00:04:16,125 --> 00:04:18,583
THE ONE, THE ONLY...
93
00:04:18,583 --> 00:04:20,291
SMACKLE!
94
00:04:20,291 --> 00:04:22,875
( rock music playing )
95
00:04:32,291 --> 00:04:34,208
( music stops )
96
00:04:34,208 --> 00:04:36,000
YOU GOIN' DOWN, CHUMP.
97
00:04:40,083 --> 00:04:43,583
WEARING A UNIFORM MAKES YOU
SURRENDER TO CONFORMITY
98
00:04:43,583 --> 00:04:47,000
AND SACRIFICES UNIQUENESS,
WHICH IS OUR MOST
VALUABLE FREEDOM.
99
00:04:47,000 --> 00:04:49,583
DON'T LET ANYBODY TELL YOU
WHAT TO WEAR.
100
00:04:49,583 --> 00:04:51,708
DON'T LET ANYBODY
TELL YOU WHAT TO BE.
101
00:04:51,708 --> 00:04:54,583
SMACKLE,
THE ONE AND ONLY, OUT.
102
00:04:58,250 --> 00:05:00,875
WELL, BEFORE I ANNOUNCE
THE WINNER,
103
00:05:00,875 --> 00:05:03,750
LET ME REMIND YOU ALL THAT
OUR FINAL DEBATE OF THE SEASON
104
00:05:03,750 --> 00:05:06,000
WILL BE HELD RIGHT HERE
NEXT WEEK,
105
00:05:06,000 --> 00:05:08,083
WHERE OUR THOUGHT-PROVOKING
TOPIC WILL BE
106
00:05:08,083 --> 00:05:10,458
"IS BEAUTY ONLY SKIN DEEP?"
107
00:05:14,083 --> 00:05:16,208
GREAT, THANK YOU.
108
00:05:16,208 --> 00:05:18,250
SO THE WINNER
109
00:05:18,250 --> 00:05:20,000
OF TODAY'S DEBATE IS...
110
00:05:21,250 --> 00:05:23,166
ISADORA SMACKLE,
111
00:05:23,166 --> 00:05:25,291
EINSTEIN ACADEMY.
112
00:05:27,208 --> 00:05:29,750
IT LOOKS LIKE OUR DEBATE TEAM
COULD USE SOME HELP.
113
00:05:29,750 --> 00:05:32,208
YEAH, SMACKLE'S
DEFINITELY GOT GAME.
114
00:05:32,208 --> 00:05:34,750
SHE BEATS FARKLE
EVERY TIME.
115
00:05:34,750 --> 00:05:36,625
YOU THINK HE'S GOTTEN
USED TO IT BY NOW?
116
00:05:41,416 --> 00:05:43,708
( groaning )
IT HURTS.
117
00:05:43,708 --> 00:05:45,750
NOPE. GOOD THING
WE'RE THERE FOR HIM.
118
00:05:45,750 --> 00:05:48,375
BEING THERE FOR HIM IS
THE MOST IMPORTANT THING
WE CAN BE--
119
00:05:50,583 --> 00:05:52,625
- MELON BALLS.
- OOH.
120
00:05:56,708 --> 00:05:59,083
VALIANT EFFORT AS USUAL,
MY ARCH-NEMESIS.
121
00:05:59,083 --> 00:06:02,125
PERHAPS A SMOOTHIE
WOULD TAKE THE STING OUT
OF MY LATEST VICTORY.
122
00:06:02,125 --> 00:06:04,125
YEAH.
PERHAPS YOU'RE RIGHT.
123
00:06:04,125 --> 00:06:06,083
I'LL GO SEE.
124
00:06:06,083 --> 00:06:08,875
SMACKLE, YOU FOOL.
YOU FORGOT HOW LITERAL HE IS.
125
00:06:08,875 --> 00:06:10,875
FARKLE, I MEANT
126
00:06:10,875 --> 00:06:12,875
WOULD YOU LIKE TO GET
A SMOOTHIE WITH ME?
127
00:06:12,875 --> 00:06:16,583
ISADORA, WHAT PART
OF "ARCH-NEMESIS"
DO YOU NOT UNDERSTAND?
128
00:06:16,583 --> 00:06:19,083
FARKLE, YOU MIGHT FIND
THIS HARD TO BELIEVE,
129
00:06:19,083 --> 00:06:21,083
BUT I AM A SIGNIFICANT
AMOUNT OF FUN.
130
00:06:21,083 --> 00:06:23,208
WOULD YOU LIKE TO SEE
MY FUN FACE?
131
00:06:23,208 --> 00:06:24,458
THAT WOULD BE
OF INTEREST TO ME.
132
00:06:25,708 --> 00:06:27,375
- PROCEED.
- I'M DOING IT!
133
00:06:29,958 --> 00:06:33,208
WELL, FARKLE, GOOD JOB
BEING SMART AND EVERYTHING.
134
00:06:33,208 --> 00:06:36,083
THANKS FOR COMING, RILEY.
SORRY YOU HAD TO SEE ME
LOSE AGAIN.
135
00:06:36,083 --> 00:06:38,708
WONDERFUL DEBATE, FARKLE.
136
00:06:38,708 --> 00:06:41,583
A MEMORY THAT WILL
LIVE WITH ME RIGHT UP UNTIL
THE NEXT THING HAPPENS.
137
00:06:45,583 --> 00:06:49,000
WELL, SMACKLE, GOOD JOB
BEING SMART AND EVERYTHING.
138
00:06:50,500 --> 00:06:52,125
( robotically )
I AM SAD.
139
00:06:54,083 --> 00:06:55,250
WHAT?
140
00:06:56,708 --> 00:06:58,875
FARKLE AND I ARE
PERFECT FOR EACH OTHER.
141
00:06:58,875 --> 00:07:01,083
- WHY DOES HE PREFER YOU?
- I DON'T KNOW.
142
00:07:01,083 --> 00:07:03,125
IF I KNEW, I'D STOP.
143
00:07:03,125 --> 00:07:05,416
WELL, THERE'S NOTHING
LEFT TO DO NOW
144
00:07:05,416 --> 00:07:08,833
BUT GET A SMOOTHIE
ALL ALONE AND CONTINUE
THIS GOOD CRY I'M HAVING.
145
00:07:08,833 --> 00:07:11,000
- YOU'RE CRYING?
- YES.
146
00:07:11,000 --> 00:07:13,291
A-WAH A-WAH.
147
00:07:13,291 --> 00:07:15,250
I DON'T THINK
THAT'S ACTUALLY--
148
00:07:15,250 --> 00:07:17,000
( louder )
A-WAH A-WAH...
149
00:07:17,000 --> 00:07:19,083
( mumbles gibberish )
150
00:07:20,875 --> 00:07:24,625
LOOK, I AM GOING
TO ASK YOU SOMETHING
151
00:07:24,625 --> 00:07:27,500
REALLY FAST AND THEN
I'M GOING TO REGRET IT.
152
00:07:27,500 --> 00:07:29,458
YOU WANNA COME
TO MY HOUSE?
153
00:07:29,458 --> 00:07:31,458
OOH.
154
00:07:32,708 --> 00:07:35,000
YES, I WOULD LIKE
TO COME TO YOUR HOUSE.
155
00:07:35,000 --> 00:07:37,000
THERE IS MUCH I CAN
LEARN FROM YOU.
156
00:07:47,500 --> 00:07:49,708
OH, NO! I ALREADY HAVE
A WEIRD FRIEND.
157
00:07:49,708 --> 00:07:52,000
SHE MEANS ME.
158
00:08:02,416 --> 00:08:05,291
- AUGGIE?
- WHY-Y-Y?!
159
00:08:06,500 --> 00:08:09,166
DOES THIS HAVE SOMETHING
TO DO WITH-- UCCH-- AVA?
160
00:08:09,166 --> 00:08:11,416
AVA!
161
00:08:11,416 --> 00:08:13,583
EVEN WHEN I THINK OF HER
BACKWARDS
162
00:08:13,583 --> 00:08:15,875
SHE'S STILL AVA!
163
00:08:20,958 --> 00:08:23,125
OKAY, TELL ME
WHAT HAPPENED RIGHT NOW.
164
00:08:23,125 --> 00:08:25,458
SHE'S THROUGH WITH ME.
165
00:08:25,458 --> 00:08:27,833
OH! YAY!
166
00:08:27,833 --> 00:08:31,958
EVEN WHEN I THINK OF IT
BACKWARDS IT'S STILL YAY!
167
00:08:33,750 --> 00:08:36,500
OKAY, TELL ME WHAT--
UCCH-- AVA DID.
168
00:08:36,500 --> 00:08:39,583
( hyperventilating )
SHE SAID WE MIGHT NOT
169
00:08:39,583 --> 00:08:41,833
BE TOGETHER
FOR THE REST
170
00:08:41,833 --> 00:08:44,000
OF OUR LIVES!
171
00:08:44,000 --> 00:08:46,166
OKAY, DEEP BREATH, HONEY.
172
00:08:46,166 --> 00:08:49,416
SHE THINKS THERE COULD BE...
173
00:08:49,416 --> 00:08:51,125
OTHERS.
174
00:08:51,125 --> 00:08:54,000
HONEY, OF COURSE.
THAT'S ONLY NATURAL.
175
00:08:54,000 --> 00:08:55,875
NO, IT'S NOT.
176
00:08:55,875 --> 00:08:57,875
YOU'RE SUPPOSED
TO MEET SOMEBODY
AND FALL IN LOVE
177
00:08:57,875 --> 00:08:59,708
AND BE TOGETHER FOREVER.
178
00:08:59,708 --> 00:09:03,208
OH, HONEY, WHO PUT
THAT CRAZY IDEA IN YOUR HEAD?
179
00:09:03,208 --> 00:09:05,875
YOU AND DADDY.
180
00:09:06,875 --> 00:09:08,583
HUH.
181
00:09:08,583 --> 00:09:12,458
I WONDER HOW MANY PEOPLE
THE IDEA OF CORY AND TOPANGA
HAS RUINED.
182
00:09:12,458 --> 00:09:14,625
ME!
183
00:09:18,583 --> 00:09:20,333
WHY DO I HAVE TO BE
A PART OF YOUR CAMPAIGN
184
00:09:20,333 --> 00:09:22,625
TO BEFRIEND EVERY LITTLE
WOODLAND CREATURE?
185
00:09:22,625 --> 00:09:24,875
WHICH WOODLAND CREATURE
AM I IN YOUR MIND?
186
00:09:24,875 --> 00:09:26,375
YOU'RE LIKE
A LITTLE GOPHER...
187
00:09:26,375 --> 00:09:28,708
CHIPMUNK COMBO DEAL.
188
00:09:30,291 --> 00:09:32,291
MAYA, SMACKLE
NEEDS OUR HELP.
189
00:09:32,291 --> 00:09:35,458
YES.
I NEED YOU TO TEACH ME
THE EQUATION FOR BEAUTY.
190
00:09:35,458 --> 00:09:37,875
- WHY?
- SMACKLE LOVES FARKLE.
191
00:09:37,875 --> 00:09:39,291
WHY?
192
00:09:39,291 --> 00:09:41,000
BUT HE PREFERS
YOU BOTH TO ME
193
00:09:41,000 --> 00:09:43,833
BECAUSE YOU'RE BOTH
AESTHETICALLY PLEASING.
194
00:09:43,833 --> 00:09:46,875
I, ON THE OTHER HAND,
AM LESS AESTHETICALLY
PLEASING,
195
00:09:46,875 --> 00:09:49,833
BUT AM SUPERIOR
IN EVERY OTHER AREA.
196
00:09:49,833 --> 00:09:52,125
OKAY, SO YOU WANT US
TO MAKE YOU BEAUTIFUL?
197
00:09:52,125 --> 00:09:54,625
YES, BUT I DON'T EXPECT
YOU TO BE ABLE TO CHANGE
198
00:09:54,625 --> 00:09:57,083
A TRILLION YEARS OF EVOLUTION
IN FIVE SECONDS.
199
00:09:57,083 --> 00:09:59,875
LET ME KNOW WHEN
IT'S FOUR SECONDS.
200
00:10:00,875 --> 00:10:02,000
GO.
201
00:10:07,000 --> 00:10:09,458
I'M... PRETTY?
202
00:10:09,458 --> 00:10:12,000
YOU'RE THE HOTTEST
LITTLE GOPHER-CHIPMUNK
IN THE WHOLE FOREST.
203
00:10:17,458 --> 00:10:19,250
WHO'S THE GENIUS NOW?
204
00:10:21,458 --> 00:10:23,000
( unison )
STOP IT.
205
00:10:32,583 --> 00:10:34,875
MY OUTWARD APPEARANCE
NOW SEEMS TO REPRESENT
206
00:10:34,875 --> 00:10:37,958
THE CURRENT TRENDS AGREEABLE
TO THE GENERAL POPULACE.
207
00:10:37,958 --> 00:10:40,500
THEN WHY ARE YOU STILL
TALKING LIKE YOU DON'T KNOW
WHAT YOU LOOK LIKE?
208
00:10:42,625 --> 00:10:45,083
AH, MY SPEECH.
THAT'S AN EASY FIX.
209
00:10:45,083 --> 00:10:47,125
- I DON'T THINK SO.
- AWESOME,
210
00:10:47,125 --> 00:10:49,166
LIKE, GIGGLE,
QUESTION, OMIGOSH.
211
00:10:50,708 --> 00:10:53,000
DO YOU WANNA LAY THAT OUT
AGAIN FOR US NORMALS?
212
00:10:53,000 --> 00:10:56,000
OBSERVATIONS REVEAL
THAT IF I MERELY INSERT
"AWESOME,"
213
00:10:56,000 --> 00:10:58,583
"LIKE," "OMIGOSH,"
AND GIGGLE AT EVERYTHING
LIKE IT'S A QUESTION,
214
00:10:58,583 --> 00:11:01,000
I WILL ASSIMILATE
INTO THE GENERAL
TEENAGE POPULATION.
215
00:11:02,583 --> 00:11:04,291
( snickers )
IT'S NOT THAT EASY, SMACKLE.
216
00:11:04,291 --> 00:11:07,000
- E=MC2.
- WHAT DID YOU DO THAT FOR?
217
00:11:07,000 --> 00:11:09,625
LIKE "E" TOTALLY
EQUALS M.C.SQUARED!
218
00:11:09,625 --> 00:11:11,625
( giggles )
OMIGOSH, AWESOME!
219
00:11:14,125 --> 00:11:17,000
- E=MC2.
- I UNDERSTAND THE UNIVERSE.
220
00:11:18,000 --> 00:11:19,875
( mimic explosion )
221
00:11:25,166 --> 00:11:26,708
IS THIS DEBATE TEAM?
222
00:11:26,708 --> 00:11:29,625
NO, IT'S THE AFTER-SCHOOL
MALE MODELS' CLUB.
223
00:11:29,625 --> 00:11:32,000
- HA!
- HA!
224
00:11:33,291 --> 00:11:35,583
I WANT TO JOIN.
225
00:11:35,583 --> 00:11:37,625
( weakly )
HA!
226
00:11:38,958 --> 00:11:41,000
SHOULDN'T YOU BE OUT
HITTING A HOME RUN
OR SOMETHING?
227
00:11:41,000 --> 00:11:42,583
WE DON'T DEBATE
SPORTS OR CARS.
228
00:11:42,583 --> 00:11:44,416
GENTLEMEN, YOU'RE MAKING
ASSUMPTIONS,
229
00:11:44,416 --> 00:11:46,583
AND MY CURRENT ASSIGNMENT
IS TO CONSIDER
HOW ASSUMPTIONS
230
00:11:46,583 --> 00:11:48,000
LEAD TO OUR ULTIMATE DOWNFALL.
231
00:11:48,000 --> 00:11:49,333
SO LET'S NOT JUDGE A BOOK
BY ITS COVER.
232
00:11:50,458 --> 00:11:52,291
LOOKS LIKE A BOOK
ABOUT BASEBALL.
233
00:11:53,583 --> 00:11:56,291
LUCAS IS MY FRIEND.
WELCOME TO THE TEAM.
234
00:11:57,833 --> 00:12:00,000
- LADIES.
- FARKLE.
235
00:12:00,000 --> 00:12:01,708
MAYA, WHY ARE YOU
WEARING GLASSES?
236
00:12:01,708 --> 00:12:04,000
THEY'RE SMACKLE'S.
I'M JUST HOLDING THEM
FOR HER...
237
00:12:04,000 --> 00:12:06,125
ON MY FACE.
238
00:12:06,125 --> 00:12:09,000
WE WANT TO SEE IF PEOPLE
WILL TREAT MAYA DIFFERENTLY
239
00:12:09,000 --> 00:12:12,750
- NOW THAT SHE LOOKS SMART.
- HELLO, SUDDENLY-APPROACHABLE-
WOMAN.
240
00:12:13,875 --> 00:12:15,125
WHAT'S YOUR PRESCRIPTION?
241
00:12:15,125 --> 00:12:19,250
MINE'S 20/800.
I CAN BASICALLY
ONLY HEAR YOU.
242
00:12:19,250 --> 00:12:21,833
I DON'T HAVE
A PRESCRIPTION.
ALTHOUGH I MUST SAY,
243
00:12:21,833 --> 00:12:24,583
YOU GUYS ARE LOOKING
A LOT LESS BLURRY.
244
00:12:24,583 --> 00:12:28,000
THAT'S THE NICEST THING
ANY GIRL'S EVER SAID TO US.
245
00:12:29,166 --> 00:12:31,250
I LIKED YOU BETTER
BLURRY.
246
00:12:31,250 --> 00:12:34,583
THAT'S THE SECOND NICEST THING
A GIRL'S EVER SAID TO US.
247
00:12:34,583 --> 00:12:36,958
I THINK YOU LOOK NICE
ANY WAY YOU ARE, MAYA.
248
00:12:36,958 --> 00:12:38,583
THANKS. YOU WANNA
GO OUT WITH US?
249
00:12:43,083 --> 00:12:45,000
OUT LIKE "OUT ON A DATE"?
250
00:12:45,000 --> 00:12:47,708
AW, NO.
OUT LIKE OUT THERE
WITH ME AND RILEY
251
00:12:47,708 --> 00:12:49,875
BECAUSE THERE'S SOMEONE ELSE
WE WANT TO INTRODUCE YOU TO.
252
00:12:49,875 --> 00:12:51,875
YEP. WE THINK
YOU'LL REALLY LIKE HER.
253
00:12:51,875 --> 00:12:53,958
I HAVE A VERY SPECIFIC
TASTE IN GIRLS.
IS SHE ONE?
254
00:12:53,958 --> 00:12:56,000
- UH-HUH.
- THAT'LL DO IT!
255
00:13:00,458 --> 00:13:04,958
PRESENTING YOUR DATE
FROM THE MODELING RUNWAYS
OF PARIS, FRANCE--
256
00:13:04,958 --> 00:13:07,583
THE NEW FACE OF GEEK CHIC--
257
00:13:07,583 --> 00:13:11,708
( French accent )
ISADORASMACKLE.
258
00:13:11,708 --> 00:13:13,125
WOW.
259
00:13:18,833 --> 00:13:20,000
YOU MADE HER OVER?
260
00:13:20,000 --> 00:13:23,458
YOU KNOW, JUST US GIRLS
PLAYING WITH OUR HAIR
AND CLOTHES.
261
00:13:23,458 --> 00:13:25,500
ARE YOU FINALLY INTRIGUED
BY ME, FARKLE?
262
00:13:25,500 --> 00:13:27,500
I'M INTRIGUED THAT
MY FRIENDS DON'T REALIZE
263
00:13:27,500 --> 00:13:29,708
- THAT YOU ARE AN EVIL GENIUS.
- ( chuckles )
264
00:13:29,708 --> 00:13:31,958
BUT A PRETTY EVIL GENIUS,
DON'T YOU THINK?
265
00:13:31,958 --> 00:13:34,625
THIS IS DEBATE
PREPARATION,
ISN'T IT?
266
00:13:34,625 --> 00:13:37,958
- WHAT?
- THE NEXT DEBATE IS
"IS BEAUTY ONLY SKIN DEEP?"
267
00:13:37,958 --> 00:13:39,958
SMACKLE DOESN'T WANT
TO BE LIKE YOU GUYS.
268
00:13:39,958 --> 00:13:42,875
SMACKLE ONLY WANTS TO WIN.
YOU LADIES HAVE BEEN PLAYED.
269
00:13:42,875 --> 00:13:46,708
- IS THIS TRUE, SMACKLE?
- AFFIRMATIVE.
270
00:13:46,708 --> 00:13:49,958
RILEY, DO I PLEASE
HAVE YOUR PERMISSION
TO MESS HER UP NOW?
271
00:13:51,083 --> 00:13:52,833
NEGATIVE.
272
00:13:52,833 --> 00:13:55,500
SMACKLE, DID YOU ASSUME
THIS OUTWARD CHANGE
IN YOUR APPEARANCE
273
00:13:55,500 --> 00:13:57,875
- WOULD NOT AFFECT
YOUR INNER SELF?
- OF COURSE IT WON'T.
274
00:13:57,875 --> 00:14:00,125
I AM SMACKLE.
275
00:14:00,125 --> 00:14:03,375
BUT LOOK, FOUR RED NAILS
AND ONE BLUE ONE.
276
00:14:03,375 --> 00:14:05,458
I DON'T KNOW WHY.
277
00:14:05,458 --> 00:14:08,750
THAT SAID, HOW COULD
ANY OUTWARD CHANGE
278
00:14:08,750 --> 00:14:10,708
POSSIBLY AFFECT
THE INNER SMACKLE?
279
00:14:11,708 --> 00:14:12,708
HI, GUYS.
280
00:14:13,958 --> 00:14:15,875
WOW, SMACKLE,
YOU LOOK GREAT.
281
00:14:15,875 --> 00:14:17,083
( giggles )
282
00:14:18,875 --> 00:14:21,083
DID THAT JUST
COME FROM ME?
283
00:14:21,083 --> 00:14:23,000
SMILE AT HER.
284
00:14:23,000 --> 00:14:24,583
OMIGOSH.
285
00:14:24,583 --> 00:14:26,875
OMIGOSH,
I JUST SAID "OMIGOSH."
286
00:14:26,875 --> 00:14:29,458
LIKE, AWESOME.
QUESTION?
287
00:14:29,458 --> 00:14:31,208
ARE YOU OKAY, SMACKLE?
288
00:14:31,208 --> 00:14:33,833
I DON'T UNDERSTAND
WHAT'S HAPPENING TO ME.
289
00:14:33,833 --> 00:14:35,875
WHY DON'T YOU
SIT NEXT TO HER, LUCAS?
290
00:14:39,333 --> 00:14:42,958
NO ONE THAT'S EVER
LOOKED LIKE YOU HAS
EVER SAT THIS CLOSE.
291
00:14:42,958 --> 00:14:45,750
ARE YOU SITTING HERE
BECAUSE YOU WANT
TO BE MY MATE?
292
00:14:47,875 --> 00:14:50,500
I'M SITTING HERE
BECAUSE THE SEAT WAS EMPTY.
293
00:14:50,500 --> 00:14:53,583
- YOU SMELL LIKE PINE TREES.
- THANK YOU.
294
00:14:53,583 --> 00:14:56,000
- OUR FEET ARE TOUCHING.
- YOU'RE DOING THAT.
295
00:14:57,583 --> 00:15:00,125
HMM.
SMACKLE, WOULD YOU
MIND TELLING ME,
296
00:15:00,125 --> 00:15:02,000
WHAT IS THE SQUARE ROOT
OF 36?
297
00:15:02,000 --> 00:15:05,125
- WHO CARES?
- EXCELLENT.
298
00:15:05,125 --> 00:15:08,000
LUCAS IS ON OUR DEBATE TEAM.
WILL THAT BE A DISTRACTION
TO YOU?
299
00:15:08,000 --> 00:15:10,291
SHOULD BE, YEAH.
300
00:15:10,291 --> 00:15:11,875
GOOD. LET'S GO.
301
00:15:11,875 --> 00:15:14,000
WE'VE GOT A DEBATE
TO PREPARE FOR.
302
00:15:18,458 --> 00:15:20,500
WHAT HAVE YOU
DONE TO ME?
303
00:15:20,500 --> 00:15:22,458
I'M BROKEN.
I'M PRETTY.
304
00:15:22,458 --> 00:15:24,291
I'M CONFUSED.
305
00:15:24,291 --> 00:15:26,083
WE CAN PUT YOU BACK.
306
00:15:26,083 --> 00:15:28,083
OH, I'M NOT GOIN' BACK!
307
00:15:28,083 --> 00:15:30,250
I'M NOTTHAT CONFUSED.
308
00:15:35,708 --> 00:15:37,750
- HI, AUGGIE.
- HI, FARKLE.
309
00:15:37,750 --> 00:15:40,000
RILEY'S NOT HOME.
310
00:15:40,000 --> 00:15:42,833
SO WHAT ARE YOU DOING
SITTING IN THE BAY WINDOW?
311
00:15:42,833 --> 00:15:46,458
I JUST WANTED TO SEE
IF SITTING IN THE WINDOW
WOULD FIX MY WOMAN TROUBLE.
312
00:15:47,833 --> 00:15:50,000
RILEY ALWAYS SITS
IN THE WINDOW.
313
00:15:50,000 --> 00:15:52,375
BUT I THINK IT
ONLY WORKS FOR HER.
314
00:15:52,375 --> 00:15:55,875
- WHAT HAPPENED?
- AVA SAID WE MIGHT NOT BE
TOGETHER FOREVER.
315
00:15:55,875 --> 00:15:57,875
AND YOU EXPECTED
THAT YOU WOULD BE?
316
00:15:57,875 --> 00:16:00,291
YES, BECAUSE I'M ONLY
THIS MANY
317
00:16:00,291 --> 00:16:02,000
AND I STILL
HAVE HIGH HOPES.
318
00:16:04,083 --> 00:16:06,708
IF YOU LIKE HER,
SHE MUST BE REALLY SOMETHING.
319
00:16:06,708 --> 00:16:09,125
OH YEAH,
SHE'S REALLY SOMETHING.
320
00:16:09,125 --> 00:16:11,583
YOU KNOW, FARKLE,
WE HAVE A FRONT DOOR.
321
00:16:11,583 --> 00:16:13,958
I KNOW, BUT I'M HERE
ON BUSINESS.
322
00:16:15,750 --> 00:16:17,500
OKAY, WHO'S FIRST?
323
00:16:17,500 --> 00:16:19,333
I AM.
324
00:16:19,333 --> 00:16:20,708
FARKLE, DO YOU HAVE
AN APPOINTMENT?
325
00:16:20,708 --> 00:16:23,000
NO, I'M A WALK-IN.
326
00:16:23,000 --> 00:16:25,958
I'M SORRY, FARKLE.
FEEL FREE TO READ
327
00:16:25,958 --> 00:16:27,458
ONE OF OUR WAITING ROOM
MAGAZINES.
328
00:16:27,458 --> 00:16:28,458
WE'RE JAMMED.
329
00:16:35,166 --> 00:16:36,458
GO.
330
00:16:36,458 --> 00:16:38,875
I WANT TO BE WITH AVA
UNTIL I DIE.
331
00:16:38,875 --> 00:16:42,000
- SHE DOESN'T FEEL THE SAME WAY?
- SHE'S VAGUE, MAN.
332
00:16:43,583 --> 00:16:46,208
SHE'S MESSIN'
WITH MY MIND.
333
00:16:46,208 --> 00:16:49,125
BUT IT DOESN'T MATTER
WHAT SHE SAYS,
334
00:16:49,125 --> 00:16:50,833
IT MATTERS IS WHAT SHE DOES.
335
00:16:50,833 --> 00:16:53,833
- DID SHE ACTUALLY
BREAK UP WITH YOU?
- NO.
336
00:16:53,833 --> 00:16:55,833
WHAT?!
WAIT A MINUTE.
337
00:16:55,833 --> 00:16:59,625
AUGGIE, I ASSUMED
YOU GUYS BROKE UP.
338
00:16:59,625 --> 00:17:03,000
OH, MOM.
YOU SHOULD NEVER ASSUME.
DIDN'T DAD TEACH YOU THAT?
339
00:17:03,000 --> 00:17:05,333
YEAH, DON'T YOU
GET THE HOME VERSIONS
OF THESE LESSONS?
340
00:17:05,333 --> 00:17:08,000
- YOU'RE MARRIED TO THE GUY.
- OF COURSE I DO.
341
00:17:08,000 --> 00:17:10,375
THERE'S JUST
SO MANY OF THEM.
342
00:17:10,375 --> 00:17:13,583
OH NO, I MARRIED FEENY.
343
00:17:16,250 --> 00:17:19,125
SO HOW IS AVA MESSIN'
WITH YOU?
344
00:17:19,125 --> 00:17:21,750
SHE SAYS WE MIGHT NOT
BE TOGETHER FOREVER.
345
00:17:21,750 --> 00:17:23,958
BUT SHE ALSO SAYS WE MIGHT.
346
00:17:23,958 --> 00:17:26,166
SO YOU STILL HAVE
A GIRLFRIEND.
347
00:17:26,166 --> 00:17:29,000
AND I LET YOU EAT CAKE
AND WHIPPED CREAM.
348
00:17:30,958 --> 00:17:33,625
HMM, SO I HAD
A PRETTY GOOD DAY!
349
00:17:37,625 --> 00:17:38,833
NEXT!
350
00:17:40,875 --> 00:17:43,208
- YES?
- I'M TORTURED.
351
00:17:43,208 --> 00:17:46,250
- WHAT ABOUT?
- SMACKLE'S NOT GONNA BE
AT HER BEST AT THE DEBATE.
352
00:17:46,250 --> 00:17:48,875
- WHY NOT?
- BECAUSE YOU MADE HER BETTER.
353
00:17:48,875 --> 00:17:53,208
- EXCEPT YOU DIDN'T.
- YOU WANT US TO CHANGE
HER BACK?
354
00:17:53,208 --> 00:17:56,833
IF WE DO, FARKLE,
YOU'LL LOSE THE DEBATE.
355
00:17:56,833 --> 00:17:59,000
I ONLY WANT TO BEAT HER
WHEN SHE'S REALLY HER.
356
00:17:59,000 --> 00:18:01,583
SHE'S THE BEST ARCH-NEMESIS
I COULD EVER HAVE.
357
00:18:01,583 --> 00:18:04,000
OTHERWISE, IF YOU BEAT HER,
358
00:18:04,000 --> 00:18:05,500
IT DOESN'T COUNT.
359
00:18:05,500 --> 00:18:07,458
YOU'RE PRETTY SMART, MAYA.
360
00:18:07,458 --> 00:18:10,166
EVEN WITHOUT GLASSES?
361
00:18:16,708 --> 00:18:18,875
- YOU PROMISED
YOU'D CHANGE HER BACK.
- WE TRIED.
362
00:18:18,875 --> 00:18:20,958
- SHE WOULDN'T GO FOR IT.
- ( sighs )
363
00:18:23,500 --> 00:18:25,250
I DIDN'T WANT TO WIN
THIS WAY, SMACKLE.
364
00:18:25,250 --> 00:18:27,583
I HOPE YOU ENJOY
BEING BEAUTIFUL.
365
00:18:27,583 --> 00:18:29,875
OH, I DO.
366
00:18:31,000 --> 00:18:33,708
HOW THE ONCE-MIGHTY
HAVE FALLEN.
367
00:18:35,583 --> 00:18:39,125
THE NATION OF TROY WAS CHARMED
BY A BEAUTIFUL WOODEN HORSE.
368
00:18:39,125 --> 00:18:41,708
THEY NEGLECTED
TO CONSIDER WHAT WAS INSIDE.
369
00:18:41,708 --> 00:18:45,750
AND THEY LOST EVERYTHING
BECAUSE OF OUTER BEAUTY.
370
00:18:45,750 --> 00:18:48,750
DON'T BE FOOLED
BY A PRETTY WRAPPER.
371
00:18:48,750 --> 00:18:52,291
I MEAN, WHO KEEPS
THE WRAPPING PAPER?
372
00:18:53,291 --> 00:18:55,083
I WEAR RIBBONS.
373
00:18:55,083 --> 00:18:57,000
OKAY.
374
00:18:57,000 --> 00:18:59,583
AND OUR CONCLUDING STATEMENT
WILL BE MADE BY LUCAS FRIAR.
375
00:19:03,875 --> 00:19:05,958
THERE CAN BE ABSOLUTELY
NO DEBATE
376
00:19:05,958 --> 00:19:08,000
THAT THE QUEST FOR OUTER BEAUTY
AT THE EXPENSE
377
00:19:08,000 --> 00:19:10,875
OF ONE'S INNER SELF IS
A ROAD TO PERSONAL DESTRUCTION.
378
00:19:10,875 --> 00:19:13,375
PEOPLE MAKE ASSUMPTIONS.
379
00:19:13,375 --> 00:19:16,000
I'VE BEEN LABELED A JOCK
AND A COWBOY,
380
00:19:16,000 --> 00:19:18,000
AND THIS IS FROM MY FRIENDS.
381
00:19:18,000 --> 00:19:19,583
BUT HERE'S A LITTLE SECRET.
382
00:19:19,583 --> 00:19:23,125
I LIKE SCHOOL
AND I DO PRETTY WELL.
383
00:19:23,125 --> 00:19:26,000
YOU MIGHT LOOK AT ME
AND ASSUME BASEBALL PLAYER.
384
00:19:26,000 --> 00:19:29,333
I LOOK AT ME AND I KNOW
I'D BETTER GET GOOD GRADES,
385
00:19:29,333 --> 00:19:32,125
BECAUSE WHAT'S ON THE INSIDE
HAS TO BE MORE IMPORTANT
386
00:19:32,125 --> 00:19:35,125
THAN WHAT'S ON THE OUTSIDE
TO GET INTO A GOOD COLLEGE
387
00:19:35,125 --> 00:19:38,125
AND INTO A GOOD LIFE.
388
00:19:38,125 --> 00:19:41,375
BECAUSE BEAUTY
IS NOT SKIN DEEP.
389
00:19:41,375 --> 00:19:43,583
THANK YOU.
390
00:19:46,125 --> 00:19:49,708
OMIGOSH, I'M LIKE SO TOTALLY
UNPREPARED AND SCARED.
391
00:19:49,708 --> 00:19:51,583
WE FINALLY GOT HER.
392
00:19:51,583 --> 00:19:54,583
MAYBE THAT'S WHAT
YOU WOULD ASSUME I WOULD SAY,
393
00:19:54,583 --> 00:19:57,000
CONSIDERING THE EFFORT
I PUT INTO MY APPEARANCE.
394
00:19:57,000 --> 00:19:58,416
UH-OH.
395
00:20:00,125 --> 00:20:01,708
I'M HERE TO ARGUE TODAY
396
00:20:01,708 --> 00:20:04,000
THAT BEAUTY
ACTUALLY IS SKIN DEEP.
397
00:20:04,000 --> 00:20:06,208
SO I'VE DONE SOME RESEARCH
398
00:20:06,208 --> 00:20:08,333
AND I'VE LEARNED...
399
00:20:08,333 --> 00:20:10,375
THAT IT IS.
400
00:20:10,375 --> 00:20:13,958
WHEN YOU GET COMPLIMENTS
FROM PEOPLE WHO DON'T ORDINARILY
COMPLIMENT YOU,
401
00:20:13,958 --> 00:20:16,500
WHEN PEOPLE LOOK
AT YOU DIFFERENTLY,
402
00:20:16,500 --> 00:20:18,166
PACKAGING DOES MATTER.
403
00:20:20,333 --> 00:20:22,208
I WASN'T PRETTY,
404
00:20:22,208 --> 00:20:24,000
THEN I WAS.
405
00:20:24,000 --> 00:20:26,833
THIS IS A WORLD
WHERE "PRETTY"
406
00:20:26,833 --> 00:20:29,458
SEEMS BETTER SOMEHOW.
407
00:20:29,458 --> 00:20:32,000
WHICH IS TOO BAD,
408
00:20:32,000 --> 00:20:33,291
BUT IT'S NOT DEBATABLE.
409
00:20:34,583 --> 00:20:37,500
HOWEVER, I ALSO LEARNED
410
00:20:37,500 --> 00:20:41,125
THAT IF YOU GET SWEPT UP
BY WHAT YOU ARE
ON THE OUTSIDE
411
00:20:41,125 --> 00:20:44,291
YOU CAN LOSE WHO YOU ARE
ON THE INSIDE.
412
00:20:44,291 --> 00:20:48,375
EVEN THOUGH IT IS EASY
TO BE FOOLED BY THE BEAUTY
OF A TROJAN HORSE,
413
00:20:48,375 --> 00:20:52,375
ITS REAL POWER COMES
FROM THE ARMY WITHIN--
414
00:20:52,375 --> 00:20:55,125
INTELLIGENCE,
COMPASSION,
415
00:20:55,125 --> 00:20:58,083
INTEGRITY, COURAGE.
416
00:20:58,083 --> 00:21:01,958
THAT ARMY IS THE REAL YOU,
417
00:21:01,958 --> 00:21:04,166
NO MATTER WHAT
YOU LOOK LIKE.
418
00:21:05,250 --> 00:21:09,000
SO EVEN THOUGH BEAUTY
MAY BE SKIN DEEP,
419
00:21:09,000 --> 00:21:12,000
BEAUTY IS NOWHERE NEAR
AS IMPORTANT
420
00:21:12,000 --> 00:21:14,458
AS THE ARMY INSIDE.
421
00:21:14,458 --> 00:21:16,583
AND I'LL TRY
NOT TO FORGET THAT.
422
00:21:22,375 --> 00:21:25,208
WELL, LOOK AT ALL OF YOU.
423
00:21:25,208 --> 00:21:28,875
YOU'RE ALL VERY DEEPLY
BEAUTIFUL.
424
00:21:30,416 --> 00:21:32,375
ESPECIALLY YOU, FARKLE.
425
00:21:34,208 --> 00:21:36,083
THANK YOU.
426
00:21:40,125 --> 00:21:42,958
- SHE BEAT US.
- YEAH.
427
00:21:42,958 --> 00:21:44,458
THANK YOU
FOR TAKING ME IN.
428
00:21:44,458 --> 00:21:46,291
I HOPE WE CAN BE FRIENDS.
429
00:21:46,291 --> 00:21:48,333
COOL.
430
00:21:48,333 --> 00:21:50,708
WE'VE GOT A LOT
TO LEARN FROM EACH OTHER.
431
00:22:08,708 --> 00:22:11,250
I CONTINUE TO NOT
UNDERSTAND ANYTHING.
432
00:22:11,250 --> 00:22:13,333
THAT'S WHAT'S SO BEAUTIFUL
ABOUT YOU.
433
00:22:18,875 --> 00:22:20,750
VALIANT EFFORT, LUCAS,
434
00:22:20,750 --> 00:22:23,958
PERHAPS A SMOOTHIE WOULD
TAKE THE STING OUT OF
MY LATEST VICTORY.
435
00:22:25,166 --> 00:22:27,500
WHOA WHOA,
BACK OFF, SISTER.
436
00:22:28,708 --> 00:22:30,000
I ACTUALLY THINK
THAT SMACKLE IS
437
00:22:30,000 --> 00:22:32,333
JUST ENJOYING SOME
NEWFOUND CONFIDENCE, RILEY.
438
00:22:32,333 --> 00:22:33,958
YOU KNOW ME TOO WELL,
ARCH-NEMESIS.
439
00:22:35,125 --> 00:22:38,708
SHE WAS USING YOU
TO MAKE FARKLE JEALOUS!
440
00:22:38,708 --> 00:22:41,458
( chuckles )
WELL, THAT'S A NEW ONE.
441
00:22:44,458 --> 00:22:46,166
TELL ME THE TRUTH, FARKLE.
442
00:22:46,166 --> 00:22:48,458
IF RILEY AND MAYA
WEREN'T BEAUTIFUL,
443
00:22:48,458 --> 00:22:50,250
WOULD YOU STILL LOVE THEM?
444
00:22:50,250 --> 00:22:52,875
THEY'RE BEAUTIFUL?
445
00:22:52,875 --> 00:22:54,875
OH YEAH,
446
00:22:54,875 --> 00:22:56,250
I NEVER REALLY NOTICED.