1 00:00:03,083 --> 00:00:04,958 ANCIENT GREECE-- 2 00:00:04,958 --> 00:00:06,125 WHAT THAT? WHAT THAT THAT? 3 00:00:06,125 --> 00:00:08,500 WHAT THI-THIS? THIS IS A PRESENT. 4 00:00:08,500 --> 00:00:11,250 - IS IT FOR ME? - WHAT'S YOUR GAME, MATTHEWS? 5 00:00:11,250 --> 00:00:12,833 GAME? I MEAN NO GAME. 6 00:00:12,833 --> 00:00:14,958 I JUST WANT TO KNOW WHO HERE WANTS THIS PRESENT. 7 00:00:18,875 --> 00:00:21,166 OH, MAYA, WHAT? YOU ASSUME BY PLAYING HARD TO GET, 8 00:00:21,166 --> 00:00:22,833 - I'M GONNA GIVE IT TO YOU? - WELL, YES. 9 00:00:22,833 --> 00:00:25,000 THAT'S ONE OF THE MANY ARROWS IN MY QUIVER. 10 00:00:25,000 --> 00:00:26,708 ( shudders ) 11 00:00:26,708 --> 00:00:29,083 MEDIEVAL TALK-- WHAT ARE YOU DOING TO ME, WOMAN? 12 00:00:31,208 --> 00:00:33,166 - RILEY. - YAY! 13 00:00:35,625 --> 00:00:37,583 "THE TROJAN HORSE"? 14 00:00:37,583 --> 00:00:40,125 - SURPRISE. - THIS ISN'T A PRESENT. 15 00:00:40,125 --> 00:00:43,000 THIS IS ONE OF YOUR LIFE LESSONS WRAPPED UP IN A CLASS LESSON 16 00:00:43,000 --> 00:00:44,833 WRAPPED UP IN A BOX OF NOTHING. 17 00:00:46,833 --> 00:00:48,500 - HOW YOU DOING, HONEY? - I'MA WORKED UP. 18 00:00:48,500 --> 00:00:50,125 I KNOW. 19 00:00:50,125 --> 00:00:52,500 YOU ASSUMED BECAUSE IT WAS ALL NEAT AND PRETTY 20 00:00:52,500 --> 00:00:54,458 THAT SOMETHING GOOD WAS INSIDE. 21 00:00:54,458 --> 00:00:57,291 ANCIENT TROY WAS PROTECTED BY WALLS. 22 00:00:57,291 --> 00:00:59,458 THE GREEKS COULDN'T GET IN, 23 00:00:59,458 --> 00:01:03,583 SO THEY BUILT A BIG WOODEN HORSE AND LEFT IT BEHIND. 24 00:01:03,583 --> 00:01:05,250 WHAT DO YOU THINK THE TROJANS DID? 25 00:01:05,250 --> 00:01:06,875 THEY LEFT IT THERE BECAUSE THEY WERE AFRAID 26 00:01:06,875 --> 00:01:10,125 THAT SOMEBODY WAS TRYING TO TEACH THEM SOMETHING. 27 00:01:11,583 --> 00:01:15,000 THEY CAPTURED IT AS A TROPHY AND BROUGHT IT INSIDE. 28 00:01:15,000 --> 00:01:18,416 THAT NIGHT, THE GREEK SOLDIERS CRAWLED OUT OF THE HORSE 29 00:01:18,416 --> 00:01:21,166 AND DEFEATED TROY. 30 00:01:21,166 --> 00:01:23,000 WHAT HAVE WE LEARNED HERE? 31 00:01:23,000 --> 00:01:25,166 - MR. FRIAR? - DON'T MAKE ASSUMPTIONS 32 00:01:25,166 --> 00:01:26,583 BASED ON WHAT YOU SEE? 33 00:01:26,583 --> 00:01:29,208 RILEY, LISTEN, I'M SORRY I MADE AN EXAMPLE OF YOU. 34 00:01:29,208 --> 00:01:31,708 - SO HERE'S A GIFT FOR YOU. - OOH-- NO! 35 00:01:31,708 --> 00:01:34,458 I WANT TO-- NO! PRETTY RIBBON-- NO! 36 00:01:36,083 --> 00:01:38,583 - I'LL TAKE MY CHANCES WITH THAT, SIR. - NO, LUCAS. 37 00:01:38,583 --> 00:01:41,583 YOU HAVE TO ASSUME IT WAS NO GOOD BECAUSE THE FIRST ONE WAS NO GOOD. 38 00:01:41,583 --> 00:01:44,208 - AREN'T YOU ALL PROUD OF ME, DAD? - NO! 39 00:01:45,833 --> 00:01:48,833 - "GET OUT OF DETENTION FREE." - OOH, I COULD USE ONE OF THOSE. 40 00:01:48,833 --> 00:01:51,166 GIMME THAT AND I WON'T CALL YOU "RANGER RICK" ALL WEEK. 41 00:01:51,166 --> 00:01:53,500 - HERE YOU GO. - THANKS, RANGER ROY. 42 00:01:53,500 --> 00:01:55,458 LEMME GUESS. 43 00:01:55,458 --> 00:01:57,750 RANGER ROY IS FILLING IN FOR RANGER RICK? 44 00:01:57,750 --> 00:02:00,416 ALL WEEK. AND NOW... YOU. 45 00:02:00,416 --> 00:02:02,083 OH, IS SOMETHING GONNA HAPPEN TO ME? 46 00:02:02,083 --> 00:02:04,583 YES, IT IS. ( scatting ) 47 00:02:05,875 --> 00:02:07,416 ♪ D-D-D-DETENTION ♪ 48 00:02:07,416 --> 00:02:09,875 ♪ BUT NOT TODAY. ♪ BOOM! 49 00:02:11,833 --> 00:02:13,291 - READ THE CARD. - HUH? 50 00:02:13,291 --> 00:02:14,875 CARD. 51 00:02:14,875 --> 00:02:17,333 "SAY 'GET OUT OF DETENTION FREE' THEN GIVE WORTHLESS CARD 52 00:02:17,333 --> 00:02:19,708 TO MAYA THEN WATCH HER DANCE ON MY DESK." 53 00:02:24,125 --> 00:02:26,458 NEVER ASSUME. 54 00:02:26,458 --> 00:02:28,750 LOOK MORE DEEPLY. 55 00:02:28,750 --> 00:02:31,250 JUST BECAUSE SOMETHING IS WRAPPED UP ALL PRETTY, 56 00:02:31,250 --> 00:02:33,833 DOESN'T ALWAYS MEAN IT IS. 57 00:02:33,833 --> 00:02:35,625 YOU WERE IN ON THIS! 58 00:02:35,625 --> 00:02:38,083 I'M RANGER ROY AND I'LL BE HERE ALL WEEK. 59 00:02:39,333 --> 00:02:40,708 OH-HO-HO. 60 00:02:43,125 --> 00:02:45,125 ( theme music playing ) 61 00:02:47,250 --> 00:02:49,250 ♪ I'VE BEEN WAITING ♪ 62 00:02:49,250 --> 00:02:51,416 ♪ FOR A DAY LIKE THIS TO COME ♪ 63 00:02:51,416 --> 00:02:53,208 ♪ STRUCK LIKE LIGHTNING ♪ 64 00:02:53,208 --> 00:02:55,583 ♪ MY HEART'S BEATING LIKE A DRUM ♪ 65 00:02:55,583 --> 00:02:59,833 ♪ ON THE EDGE OF SOMETHING WONDERFUL ♪ 66 00:02:59,833 --> 00:03:02,750 ♪ FACE TO FACE WITH CHANGES ♪ 67 00:03:02,750 --> 00:03:06,125 ♪ WHAT'S IT ALL ABOUT? LIFE IS CRAZY ♪ 68 00:03:06,125 --> 00:03:08,208 ♪ BUT I KNOW I CAN WORK IT OUT ♪ 69 00:03:08,208 --> 00:03:12,166 ♪ 'CAUSE I GOT YOU TO LIVE IT WITH ME ♪ 70 00:03:12,166 --> 00:03:16,250 ♪ I FEEL ALL RIGHT, I'M GONNA TAKE ON THE WORLD ♪ 71 00:03:16,250 --> 00:03:19,208 ♪ LIGHT UP THE STARS, I'VE GOT SOME PAGES TO TURN ♪ 72 00:03:19,208 --> 00:03:22,250 ♪ I'M SINGING "GO-O-O" ♪ 73 00:03:22,250 --> 00:03:24,708 ♪ OH OH OH OH ♪ 74 00:03:24,708 --> 00:03:27,708 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 75 00:03:27,708 --> 00:03:30,416 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 76 00:03:30,416 --> 00:03:33,125 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD. ♪ 77 00:03:36,208 --> 00:03:40,000 ...IN CONCLUSION, SCHOOL UNIFORMS REDUCE INDIVIDUALITY 78 00:03:40,000 --> 00:03:42,500 WHICH WILL BE UNNECESSARY IN THE REAL WORLD 79 00:03:42,500 --> 00:03:44,750 WHEN YOU'RE ALL WORKING FOR ME. 80 00:03:44,750 --> 00:03:46,083 THANK YOU. I AM FARKLE! 81 00:03:46,083 --> 00:03:49,208 - I DON'T UNDERSTAND DEBATE. - I SAY YOU DO. 82 00:03:49,208 --> 00:03:51,083 OKAY. 83 00:03:51,083 --> 00:03:53,583 I LIKE DEBATE-- EXPLORING TWO SIDES OF THE SAME THING-- 84 00:03:53,583 --> 00:03:55,458 GOOD AND BAD, LIGHT AND DARK, 85 00:03:55,458 --> 00:03:56,833 RIGHT IN FRONT OF YOU AT THE SAME TIME. 86 00:03:56,833 --> 00:03:58,083 WHERE ELSE ARE YOU GONNA GET THAT? 87 00:03:59,625 --> 00:04:01,250 OH, RIGHT HERE. LOOK AT YOU. 88 00:04:03,208 --> 00:04:05,708 AND NOW FROM EINSTEIN ACADEMY, 89 00:04:05,708 --> 00:04:07,958 "UNDEFEATED THIS SEASON, 90 00:04:07,958 --> 00:04:10,958 72 POUNDS OF RAW INTELLECTUAL POWER! 91 00:04:10,958 --> 00:04:14,833 SHE IS WHO YOUR MAMA WISHES SHE GAVE BIRTH TO!" 92 00:04:16,125 --> 00:04:18,583 THE ONE, THE ONLY... 93 00:04:18,583 --> 00:04:20,291 SMACKLE! 94 00:04:20,291 --> 00:04:22,875 ( rock music playing ) 95 00:04:32,291 --> 00:04:34,208 ( music stops ) 96 00:04:34,208 --> 00:04:36,000 YOU GOIN' DOWN, CHUMP. 97 00:04:40,083 --> 00:04:43,583 WEARING A UNIFORM MAKES YOU SURRENDER TO CONFORMITY 98 00:04:43,583 --> 00:04:47,000 AND SACRIFICES UNIQUENESS, WHICH IS OUR MOST VALUABLE FREEDOM. 99 00:04:47,000 --> 00:04:49,583 DON'T LET ANYBODY TELL YOU WHAT TO WEAR. 100 00:04:49,583 --> 00:04:51,708 DON'T LET ANYBODY TELL YOU WHAT TO BE. 101 00:04:51,708 --> 00:04:54,583 SMACKLE, THE ONE AND ONLY, OUT. 102 00:04:58,250 --> 00:05:00,875 WELL, BEFORE I ANNOUNCE THE WINNER, 103 00:05:00,875 --> 00:05:03,750 LET ME REMIND YOU ALL THAT OUR FINAL DEBATE OF THE SEASON 104 00:05:03,750 --> 00:05:06,000 WILL BE HELD RIGHT HERE NEXT WEEK, 105 00:05:06,000 --> 00:05:08,083 WHERE OUR THOUGHT-PROVOKING TOPIC WILL BE 106 00:05:08,083 --> 00:05:10,458 "IS BEAUTY ONLY SKIN DEEP?" 107 00:05:14,083 --> 00:05:16,208 GREAT, THANK YOU. 108 00:05:16,208 --> 00:05:18,250 SO THE WINNER 109 00:05:18,250 --> 00:05:20,000 OF TODAY'S DEBATE IS... 110 00:05:21,250 --> 00:05:23,166 ISADORA SMACKLE, 111 00:05:23,166 --> 00:05:25,291 EINSTEIN ACADEMY. 112 00:05:27,208 --> 00:05:29,750 IT LOOKS LIKE OUR DEBATE TEAM COULD USE SOME HELP. 113 00:05:29,750 --> 00:05:32,208 YEAH, SMACKLE'S DEFINITELY GOT GAME. 114 00:05:32,208 --> 00:05:34,750 SHE BEATS FARKLE EVERY TIME. 115 00:05:34,750 --> 00:05:36,625 YOU THINK HE'S GOTTEN USED TO IT BY NOW? 116 00:05:41,416 --> 00:05:43,708 ( groaning ) IT HURTS. 117 00:05:43,708 --> 00:05:45,750 NOPE. GOOD THING WE'RE THERE FOR HIM. 118 00:05:45,750 --> 00:05:48,375 BEING THERE FOR HIM IS THE MOST IMPORTANT THING WE CAN BE-- 119 00:05:50,583 --> 00:05:52,625 - MELON BALLS. - OOH. 120 00:05:56,708 --> 00:05:59,083 VALIANT EFFORT AS USUAL, MY ARCH-NEMESIS. 121 00:05:59,083 --> 00:06:02,125 PERHAPS A SMOOTHIE WOULD TAKE THE STING OUT OF MY LATEST VICTORY. 122 00:06:02,125 --> 00:06:04,125 YEAH. PERHAPS YOU'RE RIGHT. 123 00:06:04,125 --> 00:06:06,083 I'LL GO SEE. 124 00:06:06,083 --> 00:06:08,875 SMACKLE, YOU FOOL. YOU FORGOT HOW LITERAL HE IS. 125 00:06:08,875 --> 00:06:10,875 FARKLE, I MEANT 126 00:06:10,875 --> 00:06:12,875 WOULD YOU LIKE TO GET A SMOOTHIE WITH ME? 127 00:06:12,875 --> 00:06:16,583 ISADORA, WHAT PART OF "ARCH-NEMESIS" DO YOU NOT UNDERSTAND? 128 00:06:16,583 --> 00:06:19,083 FARKLE, YOU MIGHT FIND THIS HARD TO BELIEVE, 129 00:06:19,083 --> 00:06:21,083 BUT I AM A SIGNIFICANT AMOUNT OF FUN. 130 00:06:21,083 --> 00:06:23,208 WOULD YOU LIKE TO SEE MY FUN FACE? 131 00:06:23,208 --> 00:06:24,458 THAT WOULD BE OF INTEREST TO ME. 132 00:06:25,708 --> 00:06:27,375 - PROCEED. - I'M DOING IT! 133 00:06:29,958 --> 00:06:33,208 WELL, FARKLE, GOOD JOB BEING SMART AND EVERYTHING. 134 00:06:33,208 --> 00:06:36,083 THANKS FOR COMING, RILEY. SORRY YOU HAD TO SEE ME LOSE AGAIN. 135 00:06:36,083 --> 00:06:38,708 WONDERFUL DEBATE, FARKLE. 136 00:06:38,708 --> 00:06:41,583 A MEMORY THAT WILL LIVE WITH ME RIGHT UP UNTIL THE NEXT THING HAPPENS. 137 00:06:45,583 --> 00:06:49,000 WELL, SMACKLE, GOOD JOB BEING SMART AND EVERYTHING. 138 00:06:50,500 --> 00:06:52,125 ( robotically ) I AM SAD. 139 00:06:54,083 --> 00:06:55,250 WHAT? 140 00:06:56,708 --> 00:06:58,875 FARKLE AND I ARE PERFECT FOR EACH OTHER. 141 00:06:58,875 --> 00:07:01,083 - WHY DOES HE PREFER YOU? - I DON'T KNOW. 142 00:07:01,083 --> 00:07:03,125 IF I KNEW, I'D STOP. 143 00:07:03,125 --> 00:07:05,416 WELL, THERE'S NOTHING LEFT TO DO NOW 144 00:07:05,416 --> 00:07:08,833 BUT GET A SMOOTHIE ALL ALONE AND CONTINUE THIS GOOD CRY I'M HAVING. 145 00:07:08,833 --> 00:07:11,000 - YOU'RE CRYING? - YES. 146 00:07:11,000 --> 00:07:13,291 A-WAH A-WAH. 147 00:07:13,291 --> 00:07:15,250 I DON'T THINK THAT'S ACTUALLY-- 148 00:07:15,250 --> 00:07:17,000 ( louder ) A-WAH A-WAH... 149 00:07:17,000 --> 00:07:19,083 ( mumbles gibberish ) 150 00:07:20,875 --> 00:07:24,625 LOOK, I AM GOING TO ASK YOU SOMETHING 151 00:07:24,625 --> 00:07:27,500 REALLY FAST AND THEN I'M GOING TO REGRET IT. 152 00:07:27,500 --> 00:07:29,458 YOU WANNA COME TO MY HOUSE? 153 00:07:29,458 --> 00:07:31,458 OOH. 154 00:07:32,708 --> 00:07:35,000 YES, I WOULD LIKE TO COME TO YOUR HOUSE. 155 00:07:35,000 --> 00:07:37,000 THERE IS MUCH I CAN LEARN FROM YOU. 156 00:07:47,500 --> 00:07:49,708 OH, NO! I ALREADY HAVE A WEIRD FRIEND. 157 00:07:49,708 --> 00:07:52,000 SHE MEANS ME. 158 00:08:02,416 --> 00:08:05,291 - AUGGIE? - WHY-Y-Y?! 159 00:08:06,500 --> 00:08:09,166 DOES THIS HAVE SOMETHING TO DO WITH-- UCCH-- AVA? 160 00:08:09,166 --> 00:08:11,416 AVA! 161 00:08:11,416 --> 00:08:13,583 EVEN WHEN I THINK OF HER BACKWARDS 162 00:08:13,583 --> 00:08:15,875 SHE'S STILL AVA! 163 00:08:20,958 --> 00:08:23,125 OKAY, TELL ME WHAT HAPPENED RIGHT NOW. 164 00:08:23,125 --> 00:08:25,458 SHE'S THROUGH WITH ME. 165 00:08:25,458 --> 00:08:27,833 OH! YAY! 166 00:08:27,833 --> 00:08:31,958 EVEN WHEN I THINK OF IT BACKWARDS IT'S STILL YAY! 167 00:08:33,750 --> 00:08:36,500 OKAY, TELL ME WHAT-- UCCH-- AVA DID. 168 00:08:36,500 --> 00:08:39,583 ( hyperventilating ) SHE SAID WE MIGHT NOT 169 00:08:39,583 --> 00:08:41,833 BE TOGETHER FOR THE REST 170 00:08:41,833 --> 00:08:44,000 OF OUR LIVES! 171 00:08:44,000 --> 00:08:46,166 OKAY, DEEP BREATH, HONEY. 172 00:08:46,166 --> 00:08:49,416 SHE THINKS THERE COULD BE... 173 00:08:49,416 --> 00:08:51,125 OTHERS. 174 00:08:51,125 --> 00:08:54,000 HONEY, OF COURSE. THAT'S ONLY NATURAL. 175 00:08:54,000 --> 00:08:55,875 NO, IT'S NOT. 176 00:08:55,875 --> 00:08:57,875 YOU'RE SUPPOSED TO MEET SOMEBODY AND FALL IN LOVE 177 00:08:57,875 --> 00:08:59,708 AND BE TOGETHER FOREVER. 178 00:08:59,708 --> 00:09:03,208 OH, HONEY, WHO PUT THAT CRAZY IDEA IN YOUR HEAD? 179 00:09:03,208 --> 00:09:05,875 YOU AND DADDY. 180 00:09:06,875 --> 00:09:08,583 HUH. 181 00:09:08,583 --> 00:09:12,458 I WONDER HOW MANY PEOPLE THE IDEA OF CORY AND TOPANGA HAS RUINED. 182 00:09:12,458 --> 00:09:14,625 ME! 183 00:09:18,583 --> 00:09:20,333 WHY DO I HAVE TO BE A PART OF YOUR CAMPAIGN 184 00:09:20,333 --> 00:09:22,625 TO BEFRIEND EVERY LITTLE WOODLAND CREATURE? 185 00:09:22,625 --> 00:09:24,875 WHICH WOODLAND CREATURE AM I IN YOUR MIND? 186 00:09:24,875 --> 00:09:26,375 YOU'RE LIKE A LITTLE GOPHER... 187 00:09:26,375 --> 00:09:28,708 CHIPMUNK COMBO DEAL. 188 00:09:30,291 --> 00:09:32,291 MAYA, SMACKLE NEEDS OUR HELP. 189 00:09:32,291 --> 00:09:35,458 YES. I NEED YOU TO TEACH ME THE EQUATION FOR BEAUTY. 190 00:09:35,458 --> 00:09:37,875 - WHY? - SMACKLE LOVES FARKLE. 191 00:09:37,875 --> 00:09:39,291 WHY? 192 00:09:39,291 --> 00:09:41,000 BUT HE PREFERS YOU BOTH TO ME 193 00:09:41,000 --> 00:09:43,833 BECAUSE YOU'RE BOTH AESTHETICALLY PLEASING. 194 00:09:43,833 --> 00:09:46,875 I, ON THE OTHER HAND, AM LESS AESTHETICALLY PLEASING, 195 00:09:46,875 --> 00:09:49,833 BUT AM SUPERIOR IN EVERY OTHER AREA. 196 00:09:49,833 --> 00:09:52,125 OKAY, SO YOU WANT US TO MAKE YOU BEAUTIFUL? 197 00:09:52,125 --> 00:09:54,625 YES, BUT I DON'T EXPECT YOU TO BE ABLE TO CHANGE 198 00:09:54,625 --> 00:09:57,083 A TRILLION YEARS OF EVOLUTION IN FIVE SECONDS. 199 00:09:57,083 --> 00:09:59,875 LET ME KNOW WHEN IT'S FOUR SECONDS. 200 00:10:00,875 --> 00:10:02,000 GO. 201 00:10:07,000 --> 00:10:09,458 I'M... PRETTY? 202 00:10:09,458 --> 00:10:12,000 YOU'RE THE HOTTEST LITTLE GOPHER-CHIPMUNK IN THE WHOLE FOREST. 203 00:10:17,458 --> 00:10:19,250 WHO'S THE GENIUS NOW? 204 00:10:21,458 --> 00:10:23,000 ( unison ) STOP IT. 205 00:10:32,583 --> 00:10:34,875 MY OUTWARD APPEARANCE NOW SEEMS TO REPRESENT 206 00:10:34,875 --> 00:10:37,958 THE CURRENT TRENDS AGREEABLE TO THE GENERAL POPULACE. 207 00:10:37,958 --> 00:10:40,500 THEN WHY ARE YOU STILL TALKING LIKE YOU DON'T KNOW WHAT YOU LOOK LIKE? 208 00:10:42,625 --> 00:10:45,083 AH, MY SPEECH. THAT'S AN EASY FIX. 209 00:10:45,083 --> 00:10:47,125 - I DON'T THINK SO. - AWESOME, 210 00:10:47,125 --> 00:10:49,166 LIKE, GIGGLE, QUESTION, OMIGOSH. 211 00:10:50,708 --> 00:10:53,000 DO YOU WANNA LAY THAT OUT AGAIN FOR US NORMALS? 212 00:10:53,000 --> 00:10:56,000 OBSERVATIONS REVEAL THAT IF I MERELY INSERT "AWESOME," 213 00:10:56,000 --> 00:10:58,583 "LIKE," "OMIGOSH," AND GIGGLE AT EVERYTHING LIKE IT'S A QUESTION, 214 00:10:58,583 --> 00:11:01,000 I WILL ASSIMILATE INTO THE GENERAL TEENAGE POPULATION. 215 00:11:02,583 --> 00:11:04,291 ( snickers ) IT'S NOT THAT EASY, SMACKLE. 216 00:11:04,291 --> 00:11:07,000 - E=MC2. - WHAT DID YOU DO THAT FOR? 217 00:11:07,000 --> 00:11:09,625 LIKE "E" TOTALLY EQUALS M.C.SQUARED! 218 00:11:09,625 --> 00:11:11,625 ( giggles ) OMIGOSH, AWESOME! 219 00:11:14,125 --> 00:11:17,000 - E=MC2. - I UNDERSTAND THE UNIVERSE. 220 00:11:18,000 --> 00:11:19,875 ( mimic explosion ) 221 00:11:25,166 --> 00:11:26,708 IS THIS DEBATE TEAM? 222 00:11:26,708 --> 00:11:29,625 NO, IT'S THE AFTER-SCHOOL MALE MODELS' CLUB. 223 00:11:29,625 --> 00:11:32,000 - HA! - HA! 224 00:11:33,291 --> 00:11:35,583 I WANT TO JOIN. 225 00:11:35,583 --> 00:11:37,625 ( weakly ) HA! 226 00:11:38,958 --> 00:11:41,000 SHOULDN'T YOU BE OUT HITTING A HOME RUN OR SOMETHING? 227 00:11:41,000 --> 00:11:42,583 WE DON'T DEBATE SPORTS OR CARS. 228 00:11:42,583 --> 00:11:44,416 GENTLEMEN, YOU'RE MAKING ASSUMPTIONS, 229 00:11:44,416 --> 00:11:46,583 AND MY CURRENT ASSIGNMENT IS TO CONSIDER HOW ASSUMPTIONS 230 00:11:46,583 --> 00:11:48,000 LEAD TO OUR ULTIMATE DOWNFALL. 231 00:11:48,000 --> 00:11:49,333 SO LET'S NOT JUDGE A BOOK BY ITS COVER. 232 00:11:50,458 --> 00:11:52,291 LOOKS LIKE A BOOK ABOUT BASEBALL. 233 00:11:53,583 --> 00:11:56,291 LUCAS IS MY FRIEND. WELCOME TO THE TEAM. 234 00:11:57,833 --> 00:12:00,000 - LADIES. - FARKLE. 235 00:12:00,000 --> 00:12:01,708 MAYA, WHY ARE YOU WEARING GLASSES? 236 00:12:01,708 --> 00:12:04,000 THEY'RE SMACKLE'S. I'M JUST HOLDING THEM FOR HER... 237 00:12:04,000 --> 00:12:06,125 ON MY FACE. 238 00:12:06,125 --> 00:12:09,000 WE WANT TO SEE IF PEOPLE WILL TREAT MAYA DIFFERENTLY 239 00:12:09,000 --> 00:12:12,750 - NOW THAT SHE LOOKS SMART. - HELLO, SUDDENLY-APPROACHABLE- WOMAN. 240 00:12:13,875 --> 00:12:15,125 WHAT'S YOUR PRESCRIPTION? 241 00:12:15,125 --> 00:12:19,250 MINE'S 20/800. I CAN BASICALLY ONLY HEAR YOU. 242 00:12:19,250 --> 00:12:21,833 I DON'T HAVE A PRESCRIPTION. ALTHOUGH I MUST SAY, 243 00:12:21,833 --> 00:12:24,583 YOU GUYS ARE LOOKING A LOT LESS BLURRY. 244 00:12:24,583 --> 00:12:28,000 THAT'S THE NICEST THING ANY GIRL'S EVER SAID TO US. 245 00:12:29,166 --> 00:12:31,250 I LIKED YOU BETTER BLURRY. 246 00:12:31,250 --> 00:12:34,583 THAT'S THE SECOND NICEST THING A GIRL'S EVER SAID TO US. 247 00:12:34,583 --> 00:12:36,958 I THINK YOU LOOK NICE ANY WAY YOU ARE, MAYA. 248 00:12:36,958 --> 00:12:38,583 THANKS. YOU WANNA GO OUT WITH US? 249 00:12:43,083 --> 00:12:45,000 OUT LIKE "OUT ON A DATE"? 250 00:12:45,000 --> 00:12:47,708 AW, NO. OUT LIKE OUT THERE WITH ME AND RILEY 251 00:12:47,708 --> 00:12:49,875 BECAUSE THERE'S SOMEONE ELSE WE WANT TO INTRODUCE YOU TO. 252 00:12:49,875 --> 00:12:51,875 YEP. WE THINK YOU'LL REALLY LIKE HER. 253 00:12:51,875 --> 00:12:53,958 I HAVE A VERY SPECIFIC TASTE IN GIRLS. IS SHE ONE? 254 00:12:53,958 --> 00:12:56,000 - UH-HUH. - THAT'LL DO IT! 255 00:13:00,458 --> 00:13:04,958 PRESENTING YOUR DATE FROM THE MODELING RUNWAYS OF PARIS, FRANCE-- 256 00:13:04,958 --> 00:13:07,583 THE NEW FACE OF GEEK CHIC-- 257 00:13:07,583 --> 00:13:11,708 ( French accent ) ISADORASMACKLE. 258 00:13:11,708 --> 00:13:13,125 WOW. 259 00:13:18,833 --> 00:13:20,000 YOU MADE HER OVER? 260 00:13:20,000 --> 00:13:23,458 YOU KNOW, JUST US GIRLS PLAYING WITH OUR HAIR AND CLOTHES. 261 00:13:23,458 --> 00:13:25,500 ARE YOU FINALLY INTRIGUED BY ME, FARKLE? 262 00:13:25,500 --> 00:13:27,500 I'M INTRIGUED THAT MY FRIENDS DON'T REALIZE 263 00:13:27,500 --> 00:13:29,708 - THAT YOU ARE AN EVIL GENIUS. - ( chuckles ) 264 00:13:29,708 --> 00:13:31,958 BUT A PRETTY EVIL GENIUS, DON'T YOU THINK? 265 00:13:31,958 --> 00:13:34,625 THIS IS DEBATE PREPARATION, ISN'T IT? 266 00:13:34,625 --> 00:13:37,958 - WHAT? - THE NEXT DEBATE IS "IS BEAUTY ONLY SKIN DEEP?" 267 00:13:37,958 --> 00:13:39,958 SMACKLE DOESN'T WANT TO BE LIKE YOU GUYS. 268 00:13:39,958 --> 00:13:42,875 SMACKLE ONLY WANTS TO WIN. YOU LADIES HAVE BEEN PLAYED. 269 00:13:42,875 --> 00:13:46,708 - IS THIS TRUE, SMACKLE? - AFFIRMATIVE. 270 00:13:46,708 --> 00:13:49,958 RILEY, DO I PLEASE HAVE YOUR PERMISSION TO MESS HER UP NOW? 271 00:13:51,083 --> 00:13:52,833 NEGATIVE. 272 00:13:52,833 --> 00:13:55,500 SMACKLE, DID YOU ASSUME THIS OUTWARD CHANGE IN YOUR APPEARANCE 273 00:13:55,500 --> 00:13:57,875 - WOULD NOT AFFECT YOUR INNER SELF? - OF COURSE IT WON'T. 274 00:13:57,875 --> 00:14:00,125 I AM SMACKLE. 275 00:14:00,125 --> 00:14:03,375 BUT LOOK, FOUR RED NAILS AND ONE BLUE ONE. 276 00:14:03,375 --> 00:14:05,458 I DON'T KNOW WHY. 277 00:14:05,458 --> 00:14:08,750 THAT SAID, HOW COULD ANY OUTWARD CHANGE 278 00:14:08,750 --> 00:14:10,708 POSSIBLY AFFECT THE INNER SMACKLE? 279 00:14:11,708 --> 00:14:12,708 HI, GUYS. 280 00:14:13,958 --> 00:14:15,875 WOW, SMACKLE, YOU LOOK GREAT. 281 00:14:15,875 --> 00:14:17,083 ( giggles ) 282 00:14:18,875 --> 00:14:21,083 DID THAT JUST COME FROM ME? 283 00:14:21,083 --> 00:14:23,000 SMILE AT HER. 284 00:14:23,000 --> 00:14:24,583 OMIGOSH. 285 00:14:24,583 --> 00:14:26,875 OMIGOSH, I JUST SAID "OMIGOSH." 286 00:14:26,875 --> 00:14:29,458 LIKE, AWESOME. QUESTION? 287 00:14:29,458 --> 00:14:31,208 ARE YOU OKAY, SMACKLE? 288 00:14:31,208 --> 00:14:33,833 I DON'T UNDERSTAND WHAT'S HAPPENING TO ME. 289 00:14:33,833 --> 00:14:35,875 WHY DON'T YOU SIT NEXT TO HER, LUCAS? 290 00:14:39,333 --> 00:14:42,958 NO ONE THAT'S EVER LOOKED LIKE YOU HAS EVER SAT THIS CLOSE. 291 00:14:42,958 --> 00:14:45,750 ARE YOU SITTING HERE BECAUSE YOU WANT TO BE MY MATE? 292 00:14:47,875 --> 00:14:50,500 I'M SITTING HERE BECAUSE THE SEAT WAS EMPTY. 293 00:14:50,500 --> 00:14:53,583 - YOU SMELL LIKE PINE TREES. - THANK YOU. 294 00:14:53,583 --> 00:14:56,000 - OUR FEET ARE TOUCHING. - YOU'RE DOING THAT. 295 00:14:57,583 --> 00:15:00,125 HMM. SMACKLE, WOULD YOU MIND TELLING ME, 296 00:15:00,125 --> 00:15:02,000 WHAT IS THE SQUARE ROOT OF 36? 297 00:15:02,000 --> 00:15:05,125 - WHO CARES? - EXCELLENT. 298 00:15:05,125 --> 00:15:08,000 LUCAS IS ON OUR DEBATE TEAM. WILL THAT BE A DISTRACTION TO YOU? 299 00:15:08,000 --> 00:15:10,291 SHOULD BE, YEAH. 300 00:15:10,291 --> 00:15:11,875 GOOD. LET'S GO. 301 00:15:11,875 --> 00:15:14,000 WE'VE GOT A DEBATE TO PREPARE FOR. 302 00:15:18,458 --> 00:15:20,500 WHAT HAVE YOU DONE TO ME? 303 00:15:20,500 --> 00:15:22,458 I'M BROKEN. I'M PRETTY. 304 00:15:22,458 --> 00:15:24,291 I'M CONFUSED. 305 00:15:24,291 --> 00:15:26,083 WE CAN PUT YOU BACK. 306 00:15:26,083 --> 00:15:28,083 OH, I'M NOT GOIN' BACK! 307 00:15:28,083 --> 00:15:30,250 I'M NOTTHAT CONFUSED. 308 00:15:35,708 --> 00:15:37,750 - HI, AUGGIE. - HI, FARKLE. 309 00:15:37,750 --> 00:15:40,000 RILEY'S NOT HOME. 310 00:15:40,000 --> 00:15:42,833 SO WHAT ARE YOU DOING SITTING IN THE BAY WINDOW? 311 00:15:42,833 --> 00:15:46,458 I JUST WANTED TO SEE IF SITTING IN THE WINDOW WOULD FIX MY WOMAN TROUBLE. 312 00:15:47,833 --> 00:15:50,000 RILEY ALWAYS SITS IN THE WINDOW. 313 00:15:50,000 --> 00:15:52,375 BUT I THINK IT ONLY WORKS FOR HER. 314 00:15:52,375 --> 00:15:55,875 - WHAT HAPPENED? - AVA SAID WE MIGHT NOT BE TOGETHER FOREVER. 315 00:15:55,875 --> 00:15:57,875 AND YOU EXPECTED THAT YOU WOULD BE? 316 00:15:57,875 --> 00:16:00,291 YES, BECAUSE I'M ONLY THIS MANY 317 00:16:00,291 --> 00:16:02,000 AND I STILL HAVE HIGH HOPES. 318 00:16:04,083 --> 00:16:06,708 IF YOU LIKE HER, SHE MUST BE REALLY SOMETHING. 319 00:16:06,708 --> 00:16:09,125 OH YEAH, SHE'S REALLY SOMETHING. 320 00:16:09,125 --> 00:16:11,583 YOU KNOW, FARKLE, WE HAVE A FRONT DOOR. 321 00:16:11,583 --> 00:16:13,958 I KNOW, BUT I'M HERE ON BUSINESS. 322 00:16:15,750 --> 00:16:17,500 OKAY, WHO'S FIRST? 323 00:16:17,500 --> 00:16:19,333 I AM. 324 00:16:19,333 --> 00:16:20,708 FARKLE, DO YOU HAVE AN APPOINTMENT? 325 00:16:20,708 --> 00:16:23,000 NO, I'M A WALK-IN. 326 00:16:23,000 --> 00:16:25,958 I'M SORRY, FARKLE. FEEL FREE TO READ 327 00:16:25,958 --> 00:16:27,458 ONE OF OUR WAITING ROOM MAGAZINES. 328 00:16:27,458 --> 00:16:28,458 WE'RE JAMMED. 329 00:16:35,166 --> 00:16:36,458 GO. 330 00:16:36,458 --> 00:16:38,875 I WANT TO BE WITH AVA UNTIL I DIE. 331 00:16:38,875 --> 00:16:42,000 - SHE DOESN'T FEEL THE SAME WAY? - SHE'S VAGUE, MAN. 332 00:16:43,583 --> 00:16:46,208 SHE'S MESSIN' WITH MY MIND. 333 00:16:46,208 --> 00:16:49,125 BUT IT DOESN'T MATTER WHAT SHE SAYS, 334 00:16:49,125 --> 00:16:50,833 IT MATTERS IS WHAT SHE DOES. 335 00:16:50,833 --> 00:16:53,833 - DID SHE ACTUALLY BREAK UP WITH YOU? - NO. 336 00:16:53,833 --> 00:16:55,833 WHAT?! WAIT A MINUTE. 337 00:16:55,833 --> 00:16:59,625 AUGGIE, I ASSUMED YOU GUYS BROKE UP. 338 00:16:59,625 --> 00:17:03,000 OH, MOM. YOU SHOULD NEVER ASSUME. DIDN'T DAD TEACH YOU THAT? 339 00:17:03,000 --> 00:17:05,333 YEAH, DON'T YOU GET THE HOME VERSIONS OF THESE LESSONS? 340 00:17:05,333 --> 00:17:08,000 - YOU'RE MARRIED TO THE GUY. - OF COURSE I DO. 341 00:17:08,000 --> 00:17:10,375 THERE'S JUST SO MANY OF THEM. 342 00:17:10,375 --> 00:17:13,583 OH NO, I MARRIED FEENY. 343 00:17:16,250 --> 00:17:19,125 SO HOW IS AVA MESSIN' WITH YOU? 344 00:17:19,125 --> 00:17:21,750 SHE SAYS WE MIGHT NOT BE TOGETHER FOREVER. 345 00:17:21,750 --> 00:17:23,958 BUT SHE ALSO SAYS WE MIGHT. 346 00:17:23,958 --> 00:17:26,166 SO YOU STILL HAVE A GIRLFRIEND. 347 00:17:26,166 --> 00:17:29,000 AND I LET YOU EAT CAKE AND WHIPPED CREAM. 348 00:17:30,958 --> 00:17:33,625 HMM, SO I HAD A PRETTY GOOD DAY! 349 00:17:37,625 --> 00:17:38,833 NEXT! 350 00:17:40,875 --> 00:17:43,208 - YES? - I'M TORTURED. 351 00:17:43,208 --> 00:17:46,250 - WHAT ABOUT? - SMACKLE'S NOT GONNA BE AT HER BEST AT THE DEBATE. 352 00:17:46,250 --> 00:17:48,875 - WHY NOT? - BECAUSE YOU MADE HER BETTER. 353 00:17:48,875 --> 00:17:53,208 - EXCEPT YOU DIDN'T. - YOU WANT US TO CHANGE HER BACK? 354 00:17:53,208 --> 00:17:56,833 IF WE DO, FARKLE, YOU'LL LOSE THE DEBATE. 355 00:17:56,833 --> 00:17:59,000 I ONLY WANT TO BEAT HER WHEN SHE'S REALLY HER. 356 00:17:59,000 --> 00:18:01,583 SHE'S THE BEST ARCH-NEMESIS I COULD EVER HAVE. 357 00:18:01,583 --> 00:18:04,000 OTHERWISE, IF YOU BEAT HER, 358 00:18:04,000 --> 00:18:05,500 IT DOESN'T COUNT. 359 00:18:05,500 --> 00:18:07,458 YOU'RE PRETTY SMART, MAYA. 360 00:18:07,458 --> 00:18:10,166 EVEN WITHOUT GLASSES? 361 00:18:16,708 --> 00:18:18,875 - YOU PROMISED YOU'D CHANGE HER BACK. - WE TRIED. 362 00:18:18,875 --> 00:18:20,958 - SHE WOULDN'T GO FOR IT. - ( sighs ) 363 00:18:23,500 --> 00:18:25,250 I DIDN'T WANT TO WIN THIS WAY, SMACKLE. 364 00:18:25,250 --> 00:18:27,583 I HOPE YOU ENJOY BEING BEAUTIFUL. 365 00:18:27,583 --> 00:18:29,875 OH, I DO. 366 00:18:31,000 --> 00:18:33,708 HOW THE ONCE-MIGHTY HAVE FALLEN. 367 00:18:35,583 --> 00:18:39,125 THE NATION OF TROY WAS CHARMED BY A BEAUTIFUL WOODEN HORSE. 368 00:18:39,125 --> 00:18:41,708 THEY NEGLECTED TO CONSIDER WHAT WAS INSIDE. 369 00:18:41,708 --> 00:18:45,750 AND THEY LOST EVERYTHING BECAUSE OF OUTER BEAUTY. 370 00:18:45,750 --> 00:18:48,750 DON'T BE FOOLED BY A PRETTY WRAPPER. 371 00:18:48,750 --> 00:18:52,291 I MEAN, WHO KEEPS THE WRAPPING PAPER? 372 00:18:53,291 --> 00:18:55,083 I WEAR RIBBONS. 373 00:18:55,083 --> 00:18:57,000 OKAY. 374 00:18:57,000 --> 00:18:59,583 AND OUR CONCLUDING STATEMENT WILL BE MADE BY LUCAS FRIAR. 375 00:19:03,875 --> 00:19:05,958 THERE CAN BE ABSOLUTELY NO DEBATE 376 00:19:05,958 --> 00:19:08,000 THAT THE QUEST FOR OUTER BEAUTY AT THE EXPENSE 377 00:19:08,000 --> 00:19:10,875 OF ONE'S INNER SELF IS A ROAD TO PERSONAL DESTRUCTION. 378 00:19:10,875 --> 00:19:13,375 PEOPLE MAKE ASSUMPTIONS. 379 00:19:13,375 --> 00:19:16,000 I'VE BEEN LABELED A JOCK AND A COWBOY, 380 00:19:16,000 --> 00:19:18,000 AND THIS IS FROM MY FRIENDS. 381 00:19:18,000 --> 00:19:19,583 BUT HERE'S A LITTLE SECRET. 382 00:19:19,583 --> 00:19:23,125 I LIKE SCHOOL AND I DO PRETTY WELL. 383 00:19:23,125 --> 00:19:26,000 YOU MIGHT LOOK AT ME AND ASSUME BASEBALL PLAYER. 384 00:19:26,000 --> 00:19:29,333 I LOOK AT ME AND I KNOW I'D BETTER GET GOOD GRADES, 385 00:19:29,333 --> 00:19:32,125 BECAUSE WHAT'S ON THE INSIDE HAS TO BE MORE IMPORTANT 386 00:19:32,125 --> 00:19:35,125 THAN WHAT'S ON THE OUTSIDE TO GET INTO A GOOD COLLEGE 387 00:19:35,125 --> 00:19:38,125 AND INTO A GOOD LIFE. 388 00:19:38,125 --> 00:19:41,375 BECAUSE BEAUTY IS NOT SKIN DEEP. 389 00:19:41,375 --> 00:19:43,583 THANK YOU. 390 00:19:46,125 --> 00:19:49,708 OMIGOSH, I'M LIKE SO TOTALLY UNPREPARED AND SCARED. 391 00:19:49,708 --> 00:19:51,583 WE FINALLY GOT HER. 392 00:19:51,583 --> 00:19:54,583 MAYBE THAT'S WHAT YOU WOULD ASSUME I WOULD SAY, 393 00:19:54,583 --> 00:19:57,000 CONSIDERING THE EFFORT I PUT INTO MY APPEARANCE. 394 00:19:57,000 --> 00:19:58,416 UH-OH. 395 00:20:00,125 --> 00:20:01,708 I'M HERE TO ARGUE TODAY 396 00:20:01,708 --> 00:20:04,000 THAT BEAUTY ACTUALLY IS SKIN DEEP. 397 00:20:04,000 --> 00:20:06,208 SO I'VE DONE SOME RESEARCH 398 00:20:06,208 --> 00:20:08,333 AND I'VE LEARNED... 399 00:20:08,333 --> 00:20:10,375 THAT IT IS. 400 00:20:10,375 --> 00:20:13,958 WHEN YOU GET COMPLIMENTS FROM PEOPLE WHO DON'T ORDINARILY COMPLIMENT YOU, 401 00:20:13,958 --> 00:20:16,500 WHEN PEOPLE LOOK AT YOU DIFFERENTLY, 402 00:20:16,500 --> 00:20:18,166 PACKAGING DOES MATTER. 403 00:20:20,333 --> 00:20:22,208 I WASN'T PRETTY, 404 00:20:22,208 --> 00:20:24,000 THEN I WAS. 405 00:20:24,000 --> 00:20:26,833 THIS IS A WORLD WHERE "PRETTY" 406 00:20:26,833 --> 00:20:29,458 SEEMS BETTER SOMEHOW. 407 00:20:29,458 --> 00:20:32,000 WHICH IS TOO BAD, 408 00:20:32,000 --> 00:20:33,291 BUT IT'S NOT DEBATABLE. 409 00:20:34,583 --> 00:20:37,500 HOWEVER, I ALSO LEARNED 410 00:20:37,500 --> 00:20:41,125 THAT IF YOU GET SWEPT UP BY WHAT YOU ARE ON THE OUTSIDE 411 00:20:41,125 --> 00:20:44,291 YOU CAN LOSE WHO YOU ARE ON THE INSIDE. 412 00:20:44,291 --> 00:20:48,375 EVEN THOUGH IT IS EASY TO BE FOOLED BY THE BEAUTY OF A TROJAN HORSE, 413 00:20:48,375 --> 00:20:52,375 ITS REAL POWER COMES FROM THE ARMY WITHIN-- 414 00:20:52,375 --> 00:20:55,125 INTELLIGENCE, COMPASSION, 415 00:20:55,125 --> 00:20:58,083 INTEGRITY, COURAGE. 416 00:20:58,083 --> 00:21:01,958 THAT ARMY IS THE REAL YOU, 417 00:21:01,958 --> 00:21:04,166 NO MATTER WHAT YOU LOOK LIKE. 418 00:21:05,250 --> 00:21:09,000 SO EVEN THOUGH BEAUTY MAY BE SKIN DEEP, 419 00:21:09,000 --> 00:21:12,000 BEAUTY IS NOWHERE NEAR AS IMPORTANT 420 00:21:12,000 --> 00:21:14,458 AS THE ARMY INSIDE. 421 00:21:14,458 --> 00:21:16,583 AND I'LL TRY NOT TO FORGET THAT. 422 00:21:22,375 --> 00:21:25,208 WELL, LOOK AT ALL OF YOU. 423 00:21:25,208 --> 00:21:28,875 YOU'RE ALL VERY DEEPLY BEAUTIFUL. 424 00:21:30,416 --> 00:21:32,375 ESPECIALLY YOU, FARKLE. 425 00:21:34,208 --> 00:21:36,083 THANK YOU. 426 00:21:40,125 --> 00:21:42,958 - SHE BEAT US. - YEAH. 427 00:21:42,958 --> 00:21:44,458 THANK YOU FOR TAKING ME IN. 428 00:21:44,458 --> 00:21:46,291 I HOPE WE CAN BE FRIENDS. 429 00:21:46,291 --> 00:21:48,333 COOL. 430 00:21:48,333 --> 00:21:50,708 WE'VE GOT A LOT TO LEARN FROM EACH OTHER. 431 00:22:08,708 --> 00:22:11,250 I CONTINUE TO NOT UNDERSTAND ANYTHING. 432 00:22:11,250 --> 00:22:13,333 THAT'S WHAT'S SO BEAUTIFUL ABOUT YOU. 433 00:22:18,875 --> 00:22:20,750 VALIANT EFFORT, LUCAS, 434 00:22:20,750 --> 00:22:23,958 PERHAPS A SMOOTHIE WOULD TAKE THE STING OUT OF MY LATEST VICTORY. 435 00:22:25,166 --> 00:22:27,500 WHOA WHOA, BACK OFF, SISTER. 436 00:22:28,708 --> 00:22:30,000 I ACTUALLY THINK THAT SMACKLE IS 437 00:22:30,000 --> 00:22:32,333 JUST ENJOYING SOME NEWFOUND CONFIDENCE, RILEY. 438 00:22:32,333 --> 00:22:33,958 YOU KNOW ME TOO WELL, ARCH-NEMESIS. 439 00:22:35,125 --> 00:22:38,708 SHE WAS USING YOU TO MAKE FARKLE JEALOUS! 440 00:22:38,708 --> 00:22:41,458 ( chuckles ) WELL, THAT'S A NEW ONE. 441 00:22:44,458 --> 00:22:46,166 TELL ME THE TRUTH, FARKLE. 442 00:22:46,166 --> 00:22:48,458 IF RILEY AND MAYA WEREN'T BEAUTIFUL, 443 00:22:48,458 --> 00:22:50,250 WOULD YOU STILL LOVE THEM? 444 00:22:50,250 --> 00:22:52,875 THEY'RE BEAUTIFUL? 445 00:22:52,875 --> 00:22:54,875 OH YEAH, 446 00:22:54,875 --> 00:22:56,250 I NEVER REALLY NOTICED.