1 00:00:03,083 --> 00:00:07,250 WELL, ANOTHER YEAR WE'RE NOT GOING TO BE CHEERLEADERS. 2 00:00:07,250 --> 00:00:08,875 WHY DO YOU MAKE ME DO THESE THINGS? 3 00:00:08,875 --> 00:00:12,583 POM-POMS ARE STUPID AND PYRAMIDS MADE OF HUMANS FREAK ME OUT. 4 00:00:12,583 --> 00:00:17,583 - AND WHAT ARE THESE? - THESE ARE YOUR LEGS. 5 00:00:20,583 --> 00:00:22,583 HAVE YOU EVER SEEN ANYTHING SO WHITE? 6 00:00:22,583 --> 00:00:24,875 ONE TIME WHEN I LOOKED INTO THE SUN. 7 00:00:26,875 --> 00:00:28,750 THESE NEED TO BE PUT AWAY. 8 00:00:28,750 --> 00:00:31,833 WE HAVE TO GO TO DEMOLITION RIGHT NOW AND GET CLOTHES. 9 00:00:31,833 --> 00:00:35,208 BECAUSE YOU KNOW THEY'RE GONNA FIND OUT WE TOOK THESE THINGS. 10 00:00:35,208 --> 00:00:37,875 BUT MY CURFEW'S IN FIFTEEN MINUTES. 11 00:00:37,875 --> 00:00:41,708 BUT THEY'RE HAVING A SALE. VINTAGE T-SHIRTS. 12 00:00:41,708 --> 00:00:46,166 OOH, I DO LOVE T-SHIRTS THAT OTHER PEOPLE HAVE ALREADY LOVED. 13 00:00:46,166 --> 00:00:48,708 YOU ARE THE ONLY PERSON I KNOW THAT HAS TO BE HOME BY SEVEN. 14 00:00:48,708 --> 00:00:51,583 IT'S RIDICULOUS. THEY TREAT ME LIKE A BABY. 15 00:00:51,583 --> 00:00:53,583 - WHO? - MA-MA DA-DA. 16 00:00:55,000 --> 00:00:58,083 IT'S TIME I WAS TREATED LIKE THE WOMAN I AM. 17 00:00:58,083 --> 00:01:01,000 - I AM GOING TO DEMOLITION! - THAT'S THE SPIRIT! 18 00:01:02,583 --> 00:01:05,250 - YOU'RE NOT REALLY COMING, ARE YOU? - NAH. 19 00:01:05,250 --> 00:01:08,416 WAIT. YOU KNOW WHAT? I AM. 20 00:01:08,416 --> 00:01:11,333 I AM OLD ENOUGH TO STAY OUT PAST SEVEN O'CLOCK. 21 00:01:11,333 --> 00:01:15,000 WHAT'S THE DAMAGE FOR THIS, IN YOUR PROFESSIONAL OPINION? 22 00:01:15,000 --> 00:01:16,833 BROKEN CURFEW? CHUMP CHANGE. 23 00:01:16,833 --> 00:01:18,458 WHOLE THING BLOWS OVER BY WEDNESDAY. 24 00:01:18,458 --> 00:01:21,958 - WORTH IT! LET'S DO THIS! - GREAT! SEE YOU WEDNESDAY. 25 00:01:23,833 --> 00:01:25,875 ♪ I'M SINGING GO-O-O-O. ♪ 26 00:01:25,875 --> 00:01:27,833 COME ON, AUGGIE. JUST PICK A BABYSITTER. 27 00:01:27,833 --> 00:01:29,833 WHY DO YOU HAVE TO GO ANYWHERE? 28 00:01:29,833 --> 00:01:33,375 AREN'T YOU HAPPY WITH ME? 29 00:01:33,375 --> 00:01:35,500 KNOCK IT OFF, IT'S OUR ANNIVERSARY. 30 00:01:35,500 --> 00:01:40,083 ALL RIGHT, I'LL GIVE YA THREE HOURS. AND BRING ME BACK AN AUGGIE BAG. 31 00:01:40,083 --> 00:01:42,458 OKAY, DEAL. ALL RIGHT. 32 00:01:42,458 --> 00:01:45,458 SO HOW ABOUT SHELLY FROM DOWN THE STREET? 33 00:01:45,458 --> 00:01:46,958 SMELLY SHELLY? 34 00:01:48,458 --> 00:01:50,458 HE'S RIGHT. 35 00:01:50,458 --> 00:01:51,958 HOW ABOUT ANNA STEPHONOPOLI? 36 00:01:51,958 --> 00:01:54,875 "WANNA PLAY MONOPOLY?" NO, ANNA, I DON'T. 37 00:01:54,875 --> 00:01:56,375 OKAY? I DON'T. 38 00:01:58,208 --> 00:02:00,875 I'M LATE, I'M LATE, I KNOW I'M LATE! 39 00:02:00,875 --> 00:02:03,458 - SEVEN MINUTES. - SAY NOTHING. KEEP WALKING. 40 00:02:03,458 --> 00:02:06,708 NO. THIS IS A THING. 41 00:02:06,708 --> 00:02:09,375 DEAL WITH YOUR BAD GIRL. 42 00:02:09,375 --> 00:02:14,166 - OKAY, WHERE WERE YOU? - DEMOLITION. 43 00:02:14,166 --> 00:02:17,208 IT'S AN ALTERNATIVE STORE. 44 00:02:18,583 --> 00:02:21,166 WHERE REBELS GO! 45 00:02:22,416 --> 00:02:23,708 AND I BOUGHT THIS T-SHIRT 46 00:02:23,708 --> 00:02:27,500 I DON'T THINK YOU'LL ENTIRELY APPROVE OF. BLEH! 47 00:02:29,875 --> 00:02:31,833 EDGY. 48 00:02:31,833 --> 00:02:34,375 UH, RILEY, WHAT'S GOING ON? 49 00:02:34,375 --> 00:02:37,708 I AM TOO OLD FOR A SEVEN O'CLOCK CURFEW. 50 00:02:37,708 --> 00:02:39,000 I REJECT IT! 51 00:02:39,000 --> 00:02:43,375 REJECT IT! REJECT IT! WON'T EVEN RESPECT IT! 52 00:02:43,375 --> 00:02:45,708 DIDN'T MAKE THE TEAM AGAIN, HUH? 53 00:02:45,708 --> 00:02:48,500 NO! 54 00:02:48,500 --> 00:02:50,375 EVERY YEAR. 55 00:02:52,291 --> 00:02:53,833 OKAY, LOOK, RILEY, 56 00:02:53,833 --> 00:02:55,625 YOUR FATHER AND I GAVE YOU A 7:00 CURFEW 57 00:02:55,625 --> 00:02:58,166 BECAUSE WE KNEW THAT EVEN WHEN YOU GOT ALL REBELLIOUS 58 00:02:58,166 --> 00:02:59,875 YOU'D STILL BE HOME BY 7:30. 59 00:02:59,875 --> 00:03:01,708 - WHAT? -YEAH. 60 00:03:01,708 --> 00:03:03,208 SO WHEN YOU COME IN HERE AT 7:07 61 00:03:03,208 --> 00:03:04,208 ACTING ALL DANGEROUS, IT'S HARD-- 62 00:03:04,208 --> 00:03:05,583 ( laughs ) I'M SORRY. 63 00:03:05,583 --> 00:03:08,708 I CAN'T EVEN KEEP A STRAIGHT FACE. ( laughing ) 64 00:03:10,000 --> 00:03:11,833 WHAT ARE YOU LAUGHING AT? 65 00:03:11,833 --> 00:03:14,083 I'M OUTTA CONTROL! 66 00:03:14,083 --> 00:03:16,166 ( laughing ) MAYA, 67 00:03:16,166 --> 00:03:18,166 YOU COULDN'T KEEP HER OUT ANY LATER THAN THAT? 68 00:03:18,166 --> 00:03:21,333 I MEAN, WHAT KIND OF BAD INFLUENCE ARE YOU? 69 00:03:21,333 --> 00:03:24,125 YOU'RE RIGHT. I GOTTA UP MY GAME. 70 00:03:24,125 --> 00:03:26,125 THIS'LL LOOK GREAT IN MY ROOM. 71 00:03:31,708 --> 00:03:33,625 NOW, THAT'S WHAT I'M TALKIN' ABOUT! 72 00:03:33,625 --> 00:03:35,750 ( theme music playing ) 73 00:03:39,875 --> 00:03:41,875 ♪ I'VE BEEN WAITING ♪ 74 00:03:41,875 --> 00:03:44,166 ♪ FOR A DAY LIKE THIS TO COME ♪ 75 00:03:44,166 --> 00:03:46,083 ♪ STRUCK LIKE LIGHTNING ♪ 76 00:03:46,083 --> 00:03:48,458 ♪ MY HEART'S BEATING LIKE A DRUM ♪ 77 00:03:48,458 --> 00:03:52,416 ♪ ON THE EDGE OF SOMETHING WONDERFUL ♪ 78 00:03:52,416 --> 00:03:56,083 ♪ FACE TO FACE WITH CHANGES, WHAT'S IT ALL ABOUT? ♪ 79 00:03:56,083 --> 00:04:00,708 ♪ LIFE IS CRAZY, BUT I KNOW I CAN WORK IT OUT ♪ 80 00:04:00,708 --> 00:04:04,875 ♪ 'CAUSE I GOT YOU TO LIVE IT WITH ME ♪ 81 00:04:04,875 --> 00:04:08,958 ♪ I FEEL ALL RIGHT, I'M GONNA TAKE ON THE WORLD ♪ 82 00:04:08,958 --> 00:04:12,291 ♪ LIGHT UP THE STARS, I'VE GOT SOME PAGES TO TURN ♪ 83 00:04:12,291 --> 00:04:16,250 ♪ I'M SINGING GO-O-O, GO-O-O ♪ 84 00:04:16,250 --> 00:04:20,416 ♪ OH, TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 85 00:04:20,416 --> 00:04:23,166 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 86 00:04:23,166 --> 00:04:24,500 ♪ TAKE ON THE WORLD ♪ 87 00:04:24,500 --> 00:04:25,875 ♪ TAKE ON THE WORLD. ♪ 88 00:04:28,250 --> 00:04:31,583 I WANT TO BE TAKEN SERIOUSLY. I DESERVE A LATER CURFEW. 89 00:04:31,583 --> 00:04:33,416 OKAY, FINE, BUT I'M YOUR TEACHER, 90 00:04:33,416 --> 00:04:35,250 AND I WANT YOU TO GET PROPER REST. 91 00:04:35,250 --> 00:04:37,000 I DON'T WANT YOUR SCHOOLWORK TO SUFFER. 92 00:04:37,000 --> 00:04:38,333 AND I'M YOUR ATTORNEY, 93 00:04:38,333 --> 00:04:42,000 SO, PLEASE STATE YOUR CASE, MS. MATTHEWS. 94 00:04:42,000 --> 00:04:45,000 I SUBMIT TO THE COURT, 10:00. 95 00:04:45,000 --> 00:04:47,875 THE COURT LAUGHS IN YOUR FACE. 96 00:04:47,875 --> 00:04:50,375 THE LEGAL SYSTEM IS A JOKE! 97 00:04:50,375 --> 00:04:52,208 YOUR NEW CURFEW IS 8:00. 98 00:04:52,208 --> 00:04:54,208 GOD BLESS AMERICA! 99 00:04:55,750 --> 00:04:58,708 - I WANT A LATER CURFEW TOO. - WHY? 100 00:04:58,708 --> 00:05:01,708 - WHERE DO YOU WANT TO GO AT NIGHT? - WHEREVER YOU GO. 101 00:05:03,291 --> 00:05:05,875 MMM! 102 00:05:05,875 --> 00:05:09,416 DOES THAT MEAN I CAN COME TO YOUR "NANOVERSARY"? 103 00:05:09,416 --> 00:05:12,583 SORRY, HONEY, MOMMY AND DADDY HAVEN'T BEEN ON A DATE FOR, LIKE-- 104 00:05:12,583 --> 00:05:13,875 THREE WEEKS AND FOUR DAYS. 105 00:05:20,291 --> 00:05:24,208 GUYS, GUYS. IT'S NOT JUST THE CURFEW. 106 00:05:24,208 --> 00:05:26,375 I WANT YOU TO THINK OF ME AS MORE OF A GROWN-UP. 107 00:05:26,375 --> 00:05:28,875 - I HAVE AN IDEA. - DEFINE "GROWN-UP." 108 00:05:28,875 --> 00:05:31,875 I CAN GO BUY T-SHIRTS WHENEVER I WANT. 109 00:05:31,875 --> 00:05:33,958 AND HOW DO YOU MAKE THE MONEY TO DO THAT? 110 00:05:33,958 --> 00:05:36,375 I DON'T HAVE TO. I'M A KID. 111 00:05:36,375 --> 00:05:39,583 RILEY, GROWN-UPS HAVE RESPONSIBILITIES. 112 00:05:39,583 --> 00:05:41,875 IDEA IDEA IDEA! IDEA IDEA IDEA! 113 00:05:41,875 --> 00:05:43,875 WHAT'S THE MATTER, AUGGIE? 114 00:05:43,875 --> 00:05:46,375 IS NO ONE BELIEVING THAT THE LITTLE KID COULD POSSIBLY HAVE AN IDEA 115 00:05:46,375 --> 00:05:48,416 ABOUT HOW WE COULD RAISE OUR OLDER CHILD? 116 00:05:48,416 --> 00:05:51,708 LET RILEY BE MY BABYSITTER. 117 00:05:51,708 --> 00:05:53,416 HOLY MOLY! 118 00:05:54,416 --> 00:05:58,583 ALL HAIL AUGUST MATTHEWS! YEAH! 119 00:05:58,583 --> 00:06:02,708 - KING OF APARTMENT 26! - LONG LIVE ME! 120 00:06:02,708 --> 00:06:04,583 WHOO! 121 00:06:04,583 --> 00:06:06,708 AUGGIE, YOU THINK YOUR SISTER'S READY 122 00:06:06,708 --> 00:06:08,333 FOR THAT KIND OF RESPONSIBILITY? 123 00:06:08,333 --> 00:06:10,458 I WOULD PUT MY LIFE IN HER HANDS. 124 00:06:11,958 --> 00:06:14,958 AWW, AUGGIE, YOU REALLY WANT ME TO BABYSIT YOU? 125 00:06:14,958 --> 00:06:16,458 YES. I TRUST YOU. 126 00:06:16,458 --> 00:06:17,583 CATCH ME! 127 00:06:20,500 --> 00:06:24,958 - TEN BUCKS AN HOUR. - THE KING'S ON THE FLOOR. 128 00:06:24,958 --> 00:06:27,375 FIVE BUCKS AN HOUR. 129 00:06:27,375 --> 00:06:28,625 HEY, AUGGIE, 130 00:06:28,625 --> 00:06:30,416 YOU REALLY WANT RILEY TO BE YOUR BABYSITTER? 131 00:06:30,416 --> 00:06:32,583 RILEY MAKES ME SMILEY. 132 00:06:37,291 --> 00:06:40,291 SO, HOW'D YOU GET MOMMY TO GO OUT WITH YOU? 133 00:06:40,291 --> 00:06:43,208 WE'RE MARRIED. SHE HAS TO. 134 00:06:43,208 --> 00:06:45,000 SHOULD I GET MARRIED SOMEDAY? 135 00:06:45,000 --> 00:06:47,083 IF YOU FIND SOMEBODY LIKE MOMMY. 136 00:06:47,083 --> 00:06:51,583 - WHAT ABOUT MRS. DUCKSBERRY? - YOUR KINDERGARTEN TEACHER? 137 00:06:51,583 --> 00:06:53,208 HUBBA HUBBA. 138 00:06:54,500 --> 00:06:56,500 HOW'S THE TIE COMING ALONG? 139 00:06:56,500 --> 00:07:00,458 ONE BUNNY EAR GOES OVER THE OTHER BUNNY EAR. 140 00:07:00,458 --> 00:07:05,250 - HOW DO I LOOK? - LIKE A SHOE. 141 00:07:05,250 --> 00:07:07,875 GREAT. MAMA LOVES SHOES. 142 00:07:10,333 --> 00:07:13,583 - WELL, HOW DO I LOOK? - WOW. 143 00:07:13,583 --> 00:07:15,875 - YOU LOOK WOW. - WOW IS GOOD? 144 00:07:15,875 --> 00:07:19,250 WOW'S AMAZING. WHEN AM I GONNA LOOK WOW? 145 00:07:19,250 --> 00:07:21,583 OH, HONEY, YOU ALREADY DO. 146 00:07:23,708 --> 00:07:27,708 YEAH, BUT NOT WITH THE BAM! AND THE BOOM! 147 00:07:29,125 --> 00:07:31,333 AND THE... YOU KNOW. 148 00:07:32,708 --> 00:07:35,208 DADDY'S GOING TO LOVE THE WAY YOU LOOK. 149 00:07:35,208 --> 00:07:36,583 THANK YOU, HONEY. 150 00:07:36,583 --> 00:07:38,458 BUT YOU WANT TO KNOW ONE OF THE REASONS I MARRIED YOUR FATHER? 151 00:07:38,458 --> 00:07:41,208 - YEAH. - HE LOVES ME NO MATTER HOW I LOOK. 152 00:07:42,500 --> 00:07:43,583 ( chuckles ) 153 00:07:47,291 --> 00:07:51,416 - WOW. - WOW. 154 00:07:51,416 --> 00:07:56,333 - AND BAM, BOOM! - Cory:ABSOLUTELY. 155 00:07:56,333 --> 00:07:58,750 YOU LOOK STUNNING. 156 00:07:58,750 --> 00:08:02,208 - HAPPY ANNIVERSARY, TOPANGA. - YOU TOO, CORY. 157 00:08:05,125 --> 00:08:08,166 - WHAT'S UP WITH THE, UH-- - OH, AUGGIE DID IT. 158 00:08:08,166 --> 00:08:13,166 - IT'S MAGNIFICENT. - NO GOING TO MY ROOM UNTIL I TELL YOU, OKAY, RILEY? 159 00:08:13,166 --> 00:08:15,583 DEAL. 160 00:08:15,583 --> 00:08:18,583 AW, LOOK AT YOU TWO, ALL DRESSED UP. 161 00:08:18,583 --> 00:08:20,458 - GOING OUT FOR DINNER? - BA BA SUSHI. 162 00:08:20,458 --> 00:08:22,375 OOH, YOU HIPSTER! 163 00:08:22,375 --> 00:08:26,125 AND THEN A HORSE-DRAWN CARRIAGE AND A PLAY. 164 00:08:26,125 --> 00:08:28,333 OOH, YOU 80-YEAR-OLD MAN. 165 00:08:30,083 --> 00:08:32,083 AND THEN JAZZ NIGHT AT MUDBONE. 166 00:08:32,083 --> 00:08:34,291 NOW WE'RE PLAYIN'! 167 00:08:34,291 --> 00:08:35,833 THAT'S WHY I MARRIED HIM. 168 00:08:35,833 --> 00:08:37,833 YEAH, WE'RE SOPHISTICATED ADULTS. 169 00:08:37,833 --> 00:08:39,750 WITH A SOPHISTICATED BABYSITTER, RIGHT? 170 00:08:39,750 --> 00:08:42,583 - THE KID'S IN GOOD HANDS. - WE'RE SURE HE IS. 171 00:08:42,583 --> 00:08:45,083 - WE TRUST YOU COMPLETELY. - GOOD NIGHT. 172 00:08:49,291 --> 00:08:51,833 YEAH, I DON'T BELIEVE THIS FOR A SECOND. 173 00:08:51,833 --> 00:08:55,708 - I DON'T BLAME YA! - YEAH, LET'S TALK. 174 00:08:55,708 --> 00:08:59,250 MAN, YOU JUST CAN'T GET OUT OF HERE WITHOUT THE LIFE LESSON THING, CAN YA? 175 00:08:59,250 --> 00:09:01,625 OH, PLEASE, LIKE I HAD SOMETHING PLANNED. 176 00:09:01,625 --> 00:09:02,958 ( laughs ) 177 00:09:02,958 --> 00:09:04,833 SAY HELLO TO YOUR NEW BEST FRIEND. 178 00:09:06,500 --> 00:09:08,000 HELLO, EGG. 179 00:09:08,000 --> 00:09:09,708 YOU GONNA INTRODUCE US, RILEY? 180 00:09:09,708 --> 00:09:11,708 OKAY, UM, MOM, 181 00:09:11,708 --> 00:09:14,416 THIS IS AMANDA McSCRAMBLEFACE. 182 00:09:14,416 --> 00:09:16,875 SHE IS LOVELY. 183 00:09:16,875 --> 00:09:18,875 OH, MOM, YOU, TOO? 184 00:09:18,875 --> 00:09:23,625 - YEAH, I'M WITH HIM. - DRAW A FACE ON HER. 185 00:09:25,833 --> 00:09:28,000 OKAY, WE'RE DOING THE WHOLE "TAKE CARE OF AN EGG" THING? 186 00:09:28,000 --> 00:09:29,333 'CAUSE I'VE SEEN THIS. 187 00:09:29,333 --> 00:09:31,125 NOT THE WAY WE'RE GONNA DO IT. 188 00:09:31,125 --> 00:09:32,875 YEAH, THERE'S A BIG TWIST AT THE END. 189 00:09:32,875 --> 00:09:36,458 SO, UH, TELL US ABOUT YOUR NEW FRIEND, RILEY. 190 00:09:36,458 --> 00:09:38,708 WHAT ARE HER HOPES, WHAT ARE HER DREAMS? 191 00:09:38,708 --> 00:09:41,708 AMANDA MAKES FRIENDS VERY EASILY. 192 00:09:41,708 --> 00:09:44,000 EVERYBODY LIKES HER. SHE'S A GOOD EGG. 193 00:09:45,500 --> 00:09:48,291 WE'RE GOING TO GO BACKPACKING THROUGH EUROPE SOMEDAY. 194 00:09:48,291 --> 00:09:52,250 WOW. OKAY, WELL, BEFORE YOU DO, MAY I HOLD HER? 195 00:09:52,250 --> 00:09:55,083 SURE. SHE'S A PEOPLE PERSON. 196 00:09:55,083 --> 00:09:56,583 ( in baby-talk ) HI, WILEY'S MOM. 197 00:09:56,583 --> 00:09:59,875 YOU WOOK WOW. 198 00:10:02,500 --> 00:10:06,583 THANK YOU, AMANDA. THAT'S VERY SWEET. 199 00:10:06,583 --> 00:10:07,583 DO IT. 200 00:10:10,208 --> 00:10:14,083 ( in normal voice ) NO! WHAT IS THE POINT OF THIS HORRIBLE LESSON? 201 00:10:15,625 --> 00:10:17,875 THIS IS AN EGG YOU KNEW FOR A MINUTE. 202 00:10:17,875 --> 00:10:20,708 WE'RE GIVING YOU RESPONSIBILITY FOR OUR CHILD. 203 00:10:20,708 --> 00:10:24,166 WE ALL LOVE HIM. DON'T DROP HIM. 204 00:10:26,000 --> 00:10:28,375 - SO, CLEAN AMANDA UP AND HAVE A GOOD NIGHT! - BYE! 205 00:10:31,833 --> 00:10:33,583 YOU'RE MY REAL BROTHER! 206 00:10:33,583 --> 00:10:37,083 I CAN'T BREATHE! 207 00:10:40,083 --> 00:10:42,875 - OKAY! I FED YA. - PBJ! 208 00:10:42,875 --> 00:10:46,083 - I PAJAMA'D YA. - PJ! 209 00:10:46,083 --> 00:10:49,416 - I SENT YA TO THE BATHROOM. - P! 210 00:10:49,416 --> 00:10:51,875 SO, I GET TO SEE YOUR ROOM NOW? 211 00:10:51,875 --> 00:10:54,000 IT'LL 'SPLODE YOUR BRAIN! 212 00:10:54,000 --> 00:10:57,250 - ( intercom buzzes ) - Maya:What up, weirdoes? 213 00:10:57,250 --> 00:10:59,708 - MAYA! - MAYA? 214 00:10:59,708 --> 00:11:02,375 EVERY BABYSITTER NEEDS A BABYSITTER'S BEST FRIEND. 215 00:11:02,375 --> 00:11:06,250 - COME ON UP! - SHE SHOULDN'T BE HERE ON OUR NIGHT. 216 00:11:06,250 --> 00:11:08,375 WHY CAN'T IT BE OUR NIGHT WITH MAYA? 217 00:11:08,375 --> 00:11:10,208 I HAVEN'T SHOWED YOU MY ROOM. 218 00:11:10,208 --> 00:11:12,000 - "RED PLANET DIARIES!" - OOH! 219 00:11:12,000 --> 00:11:13,583 TONIGHT'S THE SEASON FINALE! 220 00:11:13,583 --> 00:11:16,708 ( slow music plays on TV ) 221 00:11:16,708 --> 00:11:19,500 ♪ OUT HERE IN SPACE ♪ 222 00:11:19,500 --> 00:11:21,625 ♪ I KISS YOUR GREEN FACE ♪ 223 00:11:21,625 --> 00:11:27,833 ♪ BUT IT FEELS LIKE YOU'RE LIGHT YEARS AWAY. ♪ 224 00:11:27,833 --> 00:11:30,708 Narrator:Previously, on "Red Planet Diaries"... 225 00:11:30,708 --> 00:11:33,166 Female voice:Oh, Blarg. I know I'm from Earth 226 00:11:33,166 --> 00:11:35,291 and not used to your Martian customs yet, 227 00:11:35,291 --> 00:11:39,125 but I think I'm in love with your other head. 228 00:11:39,125 --> 00:11:41,000 Male voice: But what's he have that I don't have? 229 00:11:41,000 --> 00:11:44,458 Male voice #2: Uh, I'm right here. 230 00:11:44,458 --> 00:11:47,500 I'M GOING TO MY ROOM NOW. RILEY, ARE YOU COMING? 231 00:11:47,500 --> 00:11:49,000 YEAH YEAH, JUST GIMME A SEC. 232 00:12:10,458 --> 00:12:14,125 WHERE'S THE TRAIN? WE'RE GONNA BE LATE FOR DINNER. 233 00:12:14,125 --> 00:12:17,875 Man over PA: ...broken down, all trains half hour late. 234 00:12:17,875 --> 00:12:19,708 - THANK YOU. - PA:Thank you. 235 00:12:22,875 --> 00:12:24,000 MAYBE WE CAN GET A CAB? 236 00:12:29,250 --> 00:12:30,708 NOPE. 237 00:12:30,708 --> 00:12:32,416 LOOKS LIKE WE'RE GONNA HAVE TO MISS OUR CARRIAGE RIDE. 238 00:12:32,416 --> 00:12:36,458 NO HORSEYS? BUT IT'S OUR "NANOVERSARY." 239 00:12:36,458 --> 00:12:37,875 WE'VE BEEN MARRIED FIFTEEN YEARS. 240 00:12:37,875 --> 00:12:40,708 THAT'S THE LONGEST ANYONE HAS EVER BEEN MARRIED TO A TOPANGA. 241 00:12:42,708 --> 00:12:45,875 I WANTED TO GIVE YOU A NIGHT OF ROMANCE AND MUSIC. 242 00:12:45,875 --> 00:12:49,375 ( synthesizer music playing ) 243 00:13:00,708 --> 00:13:03,416 THAT'S REALLY VERY GOOD. 244 00:13:03,416 --> 00:13:05,708 I APPRECIATE IT. 245 00:13:05,708 --> 00:13:09,333 YOU SHOULD CONSIDER DOING THIS FOR A LIVING. 246 00:13:09,333 --> 00:13:13,000 THANK YOU FOR CHANGING MY LIFE. 247 00:13:13,000 --> 00:13:15,500 IT'S REALLY A BEAUTIFUL SONG. WHAT DO YOU CALL IT? 248 00:13:15,500 --> 00:13:18,166 - WHAT'S YOUR NAME? - TOPANGA. 249 00:13:18,166 --> 00:13:21,833 - MY NAME'S CORY. - I'M CALLING IT "TOPANGA." 250 00:13:23,583 --> 00:13:24,583 THANK YOU. ( chuckles ) 251 00:13:27,708 --> 00:13:29,583 Female voice: Oh, Blarg's other head, 252 00:13:29,583 --> 00:13:32,458 if only we could run off together, without... 253 00:13:32,458 --> 00:13:36,250 - You know... - Male voice on TV: Actually, there is a way. 254 00:13:36,250 --> 00:13:37,583 ( woman gasps ) What is it?! 255 00:13:37,583 --> 00:13:39,583 - Both: WHAT IS IT? -( TV clicks off ) 256 00:13:39,583 --> 00:13:42,250 - Both: NO! - NO MORE TV! 257 00:13:42,250 --> 00:13:45,250 - AUGGIE, WE WERE WATCHING THAT. - GIVE IT BACK, RUNT! 258 00:13:45,250 --> 00:13:46,416 YOU'RE A RUNT! 259 00:13:46,416 --> 00:13:49,708 AND YOU'RE THE WORST BABYSITTER IN THE WORLD! 260 00:13:51,208 --> 00:13:54,375 YOU SHOULDN'T WATCH TV WHEN YOU BABYSIT YOUR BROTHER! 261 00:13:54,375 --> 00:13:58,500 AUGGIE, WHERE ARE YOU GOING WITH THAT? 262 00:13:58,500 --> 00:14:02,458 I'M GOING TO THROW IT OUT THE WINDOW! 263 00:14:02,458 --> 00:14:04,583 - YOU WOULDN'T DARE. - I WILL DO IT! 264 00:14:04,583 --> 00:14:06,583 I WILL DO IT, LADY! 265 00:14:09,000 --> 00:14:11,416 AWW, LOOK AT THOSE TWO. 266 00:14:11,416 --> 00:14:13,583 YOU THINK IT'S THEIR "NANOVERSARY"? 267 00:14:13,583 --> 00:14:15,458 THINK SHE KISSED HIM UP AGAINST THE LOCKERS 268 00:14:15,458 --> 00:14:16,875 WHILE THEY WERE HANDCUFFED TOGETHER? 269 00:14:28,083 --> 00:14:31,500 HEH, WELL, THAT WOULD MAKE THEM A VERY EXCITING COUPLE. 270 00:14:31,500 --> 00:14:34,833 OH, THEY ARE. AND THEN SHE PROPOSED TO HIM. 271 00:14:34,833 --> 00:14:36,125 AT THEIR GRADUATION. 272 00:14:36,125 --> 00:14:37,958 WILL YOU MARRY ME? 273 00:14:43,416 --> 00:14:45,500 AND HE WAS VERY SMART AND SAID YES. 274 00:14:45,500 --> 00:14:47,166 AND THEY LIVED HAPPILY EVER AFTER. 275 00:14:47,166 --> 00:14:49,291 UNTIL THEIR FIFTEENTH ANNIVERSARY. 276 00:14:49,291 --> 00:14:50,875 WHEN THE SUBWAY DIDN'T COME. 277 00:14:50,875 --> 00:14:54,333 EXCEPT GOOD THINGS COME WHEN YOU LEAST EXPECT IT. 278 00:14:54,333 --> 00:14:56,875 LIKE MAYBE I GOT THAT BRACELET YOU HAD YOUR EYE ON IN MY POCKET. 279 00:14:56,875 --> 00:14:59,708 - REALLY? - NO. 280 00:14:59,708 --> 00:15:01,375 RING MADE OF CANDY. 281 00:15:04,875 --> 00:15:06,583 CORY? 282 00:15:06,583 --> 00:15:10,416 TOPANGA MATTHEWS, WILL YOU MARRY ME AGAIN? 283 00:15:10,416 --> 00:15:13,833 ANYTIME YOU WANT. 284 00:15:13,833 --> 00:15:15,583 MMM! MMM! 285 00:15:15,583 --> 00:15:16,583 BLUE RASPBERRY! 286 00:15:20,000 --> 00:15:22,000 - OH, THANK YOU, THANK YOU. - THANK YOU. 287 00:15:22,000 --> 00:15:24,375 WHO NEEDS A PLAY? WE'RE IN OUR OWN. 288 00:15:24,375 --> 00:15:26,875 - ( chuckles ) - THE ONLY THING WE DIDN'T GET WAS-- 289 00:15:26,875 --> 00:15:28,083 HORSE-DRAWN CARRIAGE. 290 00:15:30,708 --> 00:15:33,958 EXCUSE ME. UM, IT'S OUR ANNIVERSARY AND WE'RE WEIRD. 291 00:15:33,958 --> 00:15:36,000 COULD I BORROW YOUR HORSEY FOR A MINUTE? 292 00:15:38,458 --> 00:15:39,708 THANK YOU. 293 00:15:39,708 --> 00:15:42,583 - M'LADY? - DON'T MIND IF I DO. 294 00:15:47,583 --> 00:15:51,000 HO! OKAY OKAY! OKAY! 295 00:15:51,000 --> 00:15:53,875 THANK YOU. THANK YOU. 296 00:15:55,291 --> 00:15:57,375 THERE'S ONLY ONE THING THAT COULD MAKE THIS NIGHT BETTER. 297 00:15:57,375 --> 00:16:00,375 - YOU MISS THE KIDS? - I DO. 298 00:16:00,375 --> 00:16:02,875 I DO TOO. 299 00:16:02,875 --> 00:16:04,416 LET'S GO HOME AND SPY ON 'EM! 300 00:16:04,416 --> 00:16:07,250 SHOULDN'T WE TRUST RILEY AND AUGGIE THAT NOTHING WILL GO WRONG? 301 00:16:07,250 --> 00:16:09,416 ( both laugh loudly ) 302 00:16:09,416 --> 00:16:10,875 LET'S GO HOME AND SPY ON THE KIDS! 303 00:16:17,875 --> 00:16:20,750 Auggie: YOU'RE THE WORST BABYSITTER IN THE WORLD! 304 00:16:20,750 --> 00:16:22,166 Riley: YOU'RE THE WORST BABY IN THE WORLD! 305 00:16:22,166 --> 00:16:24,000 - SO WE JUMP IN NOW? - NO, WE HAVE FAITH THAT 306 00:16:24,000 --> 00:16:27,708 SHE'S GONNA HANDLE THIS LIKE A MATURE ADULT, LIKE WE ARE. 307 00:16:27,708 --> 00:16:29,333 Maya: YOU TURNED IT OFF AT THE BEST PART. 308 00:16:29,333 --> 00:16:32,583 EASY THERE, PUT THE REMOTE DOWN NICE AND EASY 309 00:16:32,583 --> 00:16:36,583 - AND NOBODY GETS HURT, BUDDY. - YOU'RE NOT MY BUDDY. 310 00:16:36,583 --> 00:16:39,750 YOU SHOULDN'T EVEN BE HERE. 311 00:16:39,750 --> 00:16:42,500 AUGGIE, WHAT'S THE MATTER WITH YOU? 312 00:16:42,500 --> 00:16:44,583 YOU'RE WHAT'S THE MATTER WITH ME. 313 00:16:44,583 --> 00:16:47,583 YOU KNOW WHAT, MAYA? YOU CAN HAVE RILEY. 314 00:16:47,583 --> 00:16:50,750 SHE'D RATHER BE WITH YOU ANYWAY. SHE'S YOUR SISTER NOW. 315 00:16:52,458 --> 00:16:55,125 - AUGGIE! - THIS IS THE WORST NIGHT EVER! 316 00:17:05,583 --> 00:17:08,458 - HI, BUDDY. - HAVING FUN? 317 00:17:08,458 --> 00:17:10,750 ARE YOU HOME? 318 00:17:10,750 --> 00:17:12,708 WHY ARE YOU NOT FIXING THIS? 319 00:17:12,708 --> 00:17:16,083 BECAUSE, AUGGIE, RILEY WANTS RESPONSIBILITY. 320 00:17:16,083 --> 00:17:17,958 AND IT'S IMPORTANT TO LET HER TRY. 321 00:17:17,958 --> 00:17:19,958 SHE HAS FAILED. 322 00:17:19,958 --> 00:17:22,458 WE BELIEVE THAT SHE WON'T FAIL. 323 00:17:22,458 --> 00:17:24,458 TOO LATE. GO YELL AT HER. 324 00:17:24,458 --> 00:17:26,166 YOU'RE REALLY MAD AT HER, HUH? 325 00:17:26,166 --> 00:17:27,375 I GAVE HER TO MAYA, 326 00:17:27,375 --> 00:17:29,458 BECAUSE SHE'S BAD BABYSITTER RILEY. 327 00:17:29,458 --> 00:17:33,125 I KNOW THAT DOESN'T RHYME, BUT I'M JUST SO MAD! 328 00:17:33,125 --> 00:17:36,250 AUGGIE, IT MAY SEEM BAD RIGHT NOW, 329 00:17:36,250 --> 00:17:39,416 BUT I'LL MAKE YOU A BET-- YOU'RE GONNA WANT HER BACK. 330 00:17:39,416 --> 00:17:42,416 FINE. YOU LOSE, YOU MAKE ME A BROTHER. 331 00:17:44,583 --> 00:17:47,083 - DEAL. - ( laughs ) HOLD ON. 332 00:17:47,083 --> 00:17:50,583 FIRST WE'RE GONNA GIVE HER THE OPPORTUNITY TO BE A GOOD BABYSITTER, OKAY? 333 00:17:50,583 --> 00:17:53,083 THEN BROTHER? 334 00:17:53,083 --> 00:17:55,375 BROTHER ANYWAY. 335 00:17:55,375 --> 00:17:58,625 NOW WE'LL NEVER KNOW IF ASHLEY THE ASTRONAUT ENDS UP 336 00:17:58,625 --> 00:18:01,500 WITH BLARG OR BLARG'S OTHER HEAD. 337 00:18:01,500 --> 00:18:03,458 GEE, IF ONLY SOMETHING EXISTED 338 00:18:03,458 --> 00:18:07,250 WHERE WE COULD TYPE IN A FEW WORDS AND... 339 00:18:07,250 --> 00:18:09,333 IT'S NOT THE SAME! 340 00:18:09,333 --> 00:18:13,875 WE WERE REALLY LOOKING FORWARD TO THIS NIGHT AND AUGGIE RUINED IT. 341 00:18:13,875 --> 00:18:17,083 I THINK AUGGIE COULD SAY THE SAME THING ABOUT ME, RILEY. 342 00:18:17,083 --> 00:18:19,416 HE JUST WANTED TO SPEND TIME WITH YOU. 343 00:18:19,416 --> 00:18:21,083 YOU'RE REALLY LUCKY TO HAVE THAT. 344 00:18:21,083 --> 00:18:24,416 I KNOW. IT'S LIKE WE DON'T PAY ATTENTION TO THE PEOPLE 345 00:18:24,416 --> 00:18:26,708 WHO REALLY CARE ABOUT US. 346 00:18:26,708 --> 00:18:28,875 LADIES! 347 00:18:28,875 --> 00:18:31,166 GET LOST, FARKLE, WE CAN'T PAY ATTENTION TO YOU RIGHT NOW. 348 00:18:31,166 --> 00:18:34,166 BUT I FEEL LIKE WHEN WE DON'T HAVE SCHOOL I'M NOT EVEN PART OF THE STORY. 349 00:18:35,708 --> 00:18:38,458 THERE'S SOMEONE WHO REALLY CARES ABOUT ME, 350 00:18:38,458 --> 00:18:41,583 AND I'M NOT LETTING HIM KNOW THAT I CARE ABOUT HIM TOO. 351 00:18:41,583 --> 00:18:44,458 OOH, MAYBE I AM PART OF THE STORY. 352 00:18:44,458 --> 00:18:47,958 AND I REALLY LOVE THE LITTLE GUY. 353 00:18:47,958 --> 00:18:51,250 AND ALL HE WANTED TO DO WAS SHOW ME HIS ROOM. 354 00:18:51,250 --> 00:18:52,875 HOW DID YOU KNOW? 355 00:18:56,583 --> 00:18:58,208 I GOTTA GO TALK TO AUGGIE. 356 00:19:02,208 --> 00:19:04,166 WELL WELL, ALONE AT LAST. 357 00:19:04,166 --> 00:19:06,000 YES, YOU ARE. 358 00:19:08,875 --> 00:19:10,708 YOU KNOW WHERE TO FIND ME. 359 00:19:14,375 --> 00:19:17,250 OKAY, MR. GOOGLY. YOU'RE MY SISTER NOW. 360 00:19:17,250 --> 00:19:21,250 Riley: BUT DON'T YOU WANT TO GIVE RILEY ONE MORE CHANCE? 361 00:19:21,250 --> 00:19:23,291 NO, IT'S YOU AND ME! 362 00:19:24,583 --> 00:19:26,416 OH, IT'S YOU. 363 00:19:28,708 --> 00:19:31,208 I WENT INTO YOUR ROOM LOOKING FOR YOU. 364 00:19:31,208 --> 00:19:35,166 I SAW WHAT YOU DID. I'M SO SORRY. 365 00:19:35,166 --> 00:19:37,458 IT COULD'VE BEEN THE BEST NIGHT EVER. 366 00:19:37,458 --> 00:19:40,458 - MAYBE IT STILL CAN BE. - HOW? 367 00:19:49,833 --> 00:19:51,458 ARRGH! 368 00:19:51,458 --> 00:19:54,125 HOW DID YOU DO THIS?! 369 00:19:54,125 --> 00:19:55,291 DEMOLITION. 370 00:19:55,291 --> 00:19:57,708 OPEN LATE TONIGHT AND I HAVE NO CURFEW AT ALL. 371 00:19:57,708 --> 00:20:00,458 NOW, WHERE'S ALL YOUR TREASURE, MATEY? 372 00:20:00,458 --> 00:20:02,750 WE'RE BEING BOARDED BY BLONDEBEARD! 373 00:20:05,125 --> 00:20:08,583 ( grunting ) 374 00:20:08,583 --> 00:20:11,000 OH! 375 00:20:11,000 --> 00:20:13,458 THANKS FOR LETTING ME STICK AROUND TONIGHT, AUGGIE. 376 00:20:13,458 --> 00:20:15,416 YOU'RE NOT SUCH A BAD PIRATE. 377 00:20:16,708 --> 00:20:20,708 SO, CAN WE KEEP HER? 378 00:20:20,708 --> 00:20:23,583 YEAH. BUT YOU AND ME ARE BROTHER AND SISTER AGAIN. 379 00:20:25,416 --> 00:20:28,291 - THEN WHO AM I? - YOU'RE THE ONE WHO WALKS THE PLANK! 380 00:20:28,291 --> 00:20:30,250 I CAN'T SWIM! 381 00:20:34,291 --> 00:20:35,458 YOU WIN. 382 00:20:35,458 --> 00:20:39,333 - NO BROTHER? - NO. I'M THE BROTHER. 383 00:20:41,625 --> 00:20:45,333 - HA! - HA! HA! 384 00:20:45,333 --> 00:20:48,416 BEST ANNIVERSARY NIGHT EVER. 385 00:20:48,416 --> 00:20:50,708 YOU, ME AND THE KIDS. 386 00:20:51,708 --> 00:20:53,250 AND FARKLE. 387 00:20:54,708 --> 00:20:57,291 DO IT. 388 00:20:57,291 --> 00:20:59,750 ( gasps ) IT'S BEAUTIFUL! 389 00:21:10,083 --> 00:21:12,125 - SMELLS GOOD. - WHAT ARE WE HAVING? 390 00:21:12,125 --> 00:21:15,583 CORY'S BREAKFAST SPECIAL-- SCRAMBLED EGGS! 391 00:21:15,583 --> 00:21:17,125 SERIOUSLY? 392 00:21:17,125 --> 00:21:20,166 YOU COOKED THE ENTIRE McSCRAMBLEFACE FAMILY? 393 00:21:21,583 --> 00:21:23,500 YEAH. YUM YUM. EAT 'EM UP. 394 00:21:23,500 --> 00:21:26,833 THAT WAS AMANDA'S BEST FRIEND. 395 00:21:26,833 --> 00:21:29,583 SHE USED TO COME IN THROUGH HER BEDROOM WINDOW EVERY NIGHT, 396 00:21:29,583 --> 00:21:31,875 AND THEY'D TALK FOR HOURS. 397 00:21:31,875 --> 00:21:33,375 OKAY. 398 00:21:35,208 --> 00:21:38,458 THAT WAS MAMA McSCRAMBLEFACE. 399 00:21:38,458 --> 00:21:40,625 SHE USED TO LOOK WOW. 400 00:21:46,000 --> 00:21:47,458 WHO'D I GET? 401 00:21:47,458 --> 00:21:50,500 YOU GOT BABY BROTHER McSCRAMBLEFACE. 402 00:21:50,500 --> 00:21:52,083 HE WAS MY FAVORITE. 403 00:21:52,083 --> 00:21:54,583 YOU MONSTER. 404 00:21:56,291 --> 00:21:58,291 - OUT FOR PANCAKES? - ( all cheer )