1
00:00:03,083 --> 00:00:07,250
WELL, ANOTHER YEAR WE'RE
NOT GOING TO BE CHEERLEADERS.
2
00:00:07,250 --> 00:00:08,875
WHY DO YOU MAKE ME
DO THESE THINGS?
3
00:00:08,875 --> 00:00:12,583
POM-POMS ARE STUPID
AND PYRAMIDS MADE OF
HUMANS FREAK ME OUT.
4
00:00:12,583 --> 00:00:17,583
- AND WHAT ARE THESE?
- THESE ARE YOUR LEGS.
5
00:00:20,583 --> 00:00:22,583
HAVE YOU EVER
SEEN ANYTHING SO WHITE?
6
00:00:22,583 --> 00:00:24,875
ONE TIME WHEN I LOOKED
INTO THE SUN.
7
00:00:26,875 --> 00:00:28,750
THESE NEED TO BE PUT AWAY.
8
00:00:28,750 --> 00:00:31,833
WE HAVE TO GO TO DEMOLITION
RIGHT NOW AND GET CLOTHES.
9
00:00:31,833 --> 00:00:35,208
BECAUSE YOU KNOW THEY'RE GONNA
FIND OUT WE TOOK THESE THINGS.
10
00:00:35,208 --> 00:00:37,875
BUT MY CURFEW'S
IN FIFTEEN MINUTES.
11
00:00:37,875 --> 00:00:41,708
BUT THEY'RE HAVING A SALE.
VINTAGE T-SHIRTS.
12
00:00:41,708 --> 00:00:46,166
OOH, I DO LOVE T-SHIRTS THAT
OTHER PEOPLE HAVE ALREADY LOVED.
13
00:00:46,166 --> 00:00:48,708
YOU ARE THE ONLY PERSON I KNOW
THAT HAS TO BE HOME BY SEVEN.
14
00:00:48,708 --> 00:00:51,583
IT'S RIDICULOUS.
THEY TREAT ME LIKE A BABY.
15
00:00:51,583 --> 00:00:53,583
- WHO?
- MA-MA DA-DA.
16
00:00:55,000 --> 00:00:58,083
IT'S TIME I WAS TREATED
LIKE THE WOMAN I AM.
17
00:00:58,083 --> 00:01:01,000
- I AM GOING TO DEMOLITION!
- THAT'S THE SPIRIT!
18
00:01:02,583 --> 00:01:05,250
- YOU'RE NOT REALLY
COMING, ARE YOU?
- NAH.
19
00:01:05,250 --> 00:01:08,416
WAIT.
YOU KNOW WHAT? I AM.
20
00:01:08,416 --> 00:01:11,333
I AM OLD ENOUGH TO STAY
OUT PAST SEVEN O'CLOCK.
21
00:01:11,333 --> 00:01:15,000
WHAT'S THE DAMAGE FOR THIS,
IN YOUR PROFESSIONAL OPINION?
22
00:01:15,000 --> 00:01:16,833
BROKEN CURFEW?
CHUMP CHANGE.
23
00:01:16,833 --> 00:01:18,458
WHOLE THING BLOWS
OVER BY WEDNESDAY.
24
00:01:18,458 --> 00:01:21,958
- WORTH IT! LET'S DO THIS!
- GREAT! SEE YOU WEDNESDAY.
25
00:01:23,833 --> 00:01:25,875
♪ I'M SINGING GO-O-O-O. ♪
26
00:01:25,875 --> 00:01:27,833
COME ON, AUGGIE.
JUST PICK A BABYSITTER.
27
00:01:27,833 --> 00:01:29,833
WHY DO YOU HAVE TO
GO ANYWHERE?
28
00:01:29,833 --> 00:01:33,375
AREN'T YOU HAPPY WITH ME?
29
00:01:33,375 --> 00:01:35,500
KNOCK IT OFF,
IT'S OUR ANNIVERSARY.
30
00:01:35,500 --> 00:01:40,083
ALL RIGHT,
I'LL GIVE YA THREE HOURS.
AND BRING ME BACK AN AUGGIE BAG.
31
00:01:40,083 --> 00:01:42,458
OKAY, DEAL.
ALL RIGHT.
32
00:01:42,458 --> 00:01:45,458
SO HOW ABOUT SHELLY
FROM DOWN THE STREET?
33
00:01:45,458 --> 00:01:46,958
SMELLY SHELLY?
34
00:01:48,458 --> 00:01:50,458
HE'S RIGHT.
35
00:01:50,458 --> 00:01:51,958
HOW ABOUT ANNA STEPHONOPOLI?
36
00:01:51,958 --> 00:01:54,875
"WANNA PLAY MONOPOLY?"
NO, ANNA, I DON'T.
37
00:01:54,875 --> 00:01:56,375
OKAY? I DON'T.
38
00:01:58,208 --> 00:02:00,875
I'M LATE, I'M LATE,
I KNOW I'M LATE!
39
00:02:00,875 --> 00:02:03,458
- SEVEN MINUTES.
- SAY NOTHING. KEEP WALKING.
40
00:02:03,458 --> 00:02:06,708
NO. THIS IS A THING.
41
00:02:06,708 --> 00:02:09,375
DEAL WITH YOUR BAD GIRL.
42
00:02:09,375 --> 00:02:14,166
- OKAY, WHERE WERE YOU?
- DEMOLITION.
43
00:02:14,166 --> 00:02:17,208
IT'S AN ALTERNATIVE STORE.
44
00:02:18,583 --> 00:02:21,166
WHERE REBELS GO!
45
00:02:22,416 --> 00:02:23,708
AND I BOUGHT THIS T-SHIRT
46
00:02:23,708 --> 00:02:27,500
I DON'T THINK YOU'LL
ENTIRELY APPROVE OF. BLEH!
47
00:02:29,875 --> 00:02:31,833
EDGY.
48
00:02:31,833 --> 00:02:34,375
UH, RILEY, WHAT'S GOING ON?
49
00:02:34,375 --> 00:02:37,708
I AM TOO OLD FOR A
SEVEN O'CLOCK CURFEW.
50
00:02:37,708 --> 00:02:39,000
I REJECT IT!
51
00:02:39,000 --> 00:02:43,375
REJECT IT! REJECT IT!
WON'T EVEN RESPECT IT!
52
00:02:43,375 --> 00:02:45,708
DIDN'T MAKE
THE TEAM AGAIN, HUH?
53
00:02:45,708 --> 00:02:48,500
NO!
54
00:02:48,500 --> 00:02:50,375
EVERY YEAR.
55
00:02:52,291 --> 00:02:53,833
OKAY, LOOK, RILEY,
56
00:02:53,833 --> 00:02:55,625
YOUR FATHER AND I GAVE YOU
A 7:00 CURFEW
57
00:02:55,625 --> 00:02:58,166
BECAUSE WE KNEW THAT
EVEN WHEN YOU GOT
ALL REBELLIOUS
58
00:02:58,166 --> 00:02:59,875
YOU'D STILL BE HOME
BY 7:30.
59
00:02:59,875 --> 00:03:01,708
- WHAT?
-YEAH.
60
00:03:01,708 --> 00:03:03,208
SO WHEN YOU COME IN
HERE AT 7:07
61
00:03:03,208 --> 00:03:04,208
ACTING ALL DANGEROUS,
IT'S HARD--
62
00:03:04,208 --> 00:03:05,583
( laughs ) I'M SORRY.
63
00:03:05,583 --> 00:03:08,708
I CAN'T EVEN KEEP
A STRAIGHT FACE.
( laughing )
64
00:03:10,000 --> 00:03:11,833
WHAT ARE YOU LAUGHING AT?
65
00:03:11,833 --> 00:03:14,083
I'M OUTTA CONTROL!
66
00:03:14,083 --> 00:03:16,166
( laughing ) MAYA,
67
00:03:16,166 --> 00:03:18,166
YOU COULDN'T KEEP HER OUT
ANY LATER THAN THAT?
68
00:03:18,166 --> 00:03:21,333
I MEAN, WHAT KIND
OF BAD INFLUENCE ARE YOU?
69
00:03:21,333 --> 00:03:24,125
YOU'RE RIGHT.
I GOTTA UP MY GAME.
70
00:03:24,125 --> 00:03:26,125
THIS'LL LOOK
GREAT IN MY ROOM.
71
00:03:31,708 --> 00:03:33,625
NOW, THAT'S WHAT
I'M TALKIN' ABOUT!
72
00:03:33,625 --> 00:03:35,750
( theme music playing )
73
00:03:39,875 --> 00:03:41,875
♪ I'VE BEEN WAITING ♪
74
00:03:41,875 --> 00:03:44,166
♪ FOR A DAY LIKE THIS TO COME ♪
75
00:03:44,166 --> 00:03:46,083
♪ STRUCK LIKE LIGHTNING ♪
76
00:03:46,083 --> 00:03:48,458
♪ MY HEART'S BEATING
LIKE A DRUM ♪
77
00:03:48,458 --> 00:03:52,416
♪ ON THE EDGE
OF SOMETHING WONDERFUL ♪
78
00:03:52,416 --> 00:03:56,083
♪ FACE TO FACE WITH CHANGES,
WHAT'S IT ALL ABOUT? ♪
79
00:03:56,083 --> 00:04:00,708
♪ LIFE IS CRAZY,
BUT I KNOW I CAN WORK IT OUT ♪
80
00:04:00,708 --> 00:04:04,875
♪ 'CAUSE I GOT YOU
TO LIVE IT WITH ME ♪
81
00:04:04,875 --> 00:04:08,958
♪ I FEEL ALL RIGHT,
I'M GONNA TAKE ON THE WORLD ♪
82
00:04:08,958 --> 00:04:12,291
♪ LIGHT UP THE STARS,
I'VE GOT SOME PAGES TO TURN ♪
83
00:04:12,291 --> 00:04:16,250
♪ I'M SINGING GO-O-O,
GO-O-O ♪
84
00:04:16,250 --> 00:04:20,416
♪ OH, TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
85
00:04:20,416 --> 00:04:23,166
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
86
00:04:23,166 --> 00:04:24,500
♪ TAKE ON THE WORLD ♪
87
00:04:24,500 --> 00:04:25,875
♪ TAKE ON THE WORLD. ♪
88
00:04:28,250 --> 00:04:31,583
I WANT TO BE TAKEN SERIOUSLY.
I DESERVE A LATER CURFEW.
89
00:04:31,583 --> 00:04:33,416
OKAY, FINE,
BUT I'M YOUR TEACHER,
90
00:04:33,416 --> 00:04:35,250
AND I WANT YOU
TO GET PROPER REST.
91
00:04:35,250 --> 00:04:37,000
I DON'T WANT YOUR
SCHOOLWORK TO SUFFER.
92
00:04:37,000 --> 00:04:38,333
AND I'M YOUR ATTORNEY,
93
00:04:38,333 --> 00:04:42,000
SO, PLEASE STATE YOUR CASE,
MS. MATTHEWS.
94
00:04:42,000 --> 00:04:45,000
I SUBMIT TO THE COURT,
10:00.
95
00:04:45,000 --> 00:04:47,875
THE COURT LAUGHS
IN YOUR FACE.
96
00:04:47,875 --> 00:04:50,375
THE LEGAL SYSTEM IS A JOKE!
97
00:04:50,375 --> 00:04:52,208
YOUR NEW CURFEW
IS 8:00.
98
00:04:52,208 --> 00:04:54,208
GOD BLESS AMERICA!
99
00:04:55,750 --> 00:04:58,708
- I WANT A LATER CURFEW TOO.
- WHY?
100
00:04:58,708 --> 00:05:01,708
- WHERE DO YOU WANT
TO GO AT NIGHT?
- WHEREVER YOU GO.
101
00:05:03,291 --> 00:05:05,875
MMM!
102
00:05:05,875 --> 00:05:09,416
DOES THAT MEAN I CAN
COME TO YOUR "NANOVERSARY"?
103
00:05:09,416 --> 00:05:12,583
SORRY, HONEY, MOMMY AND DADDY
HAVEN'T BEEN ON A DATE
FOR, LIKE--
104
00:05:12,583 --> 00:05:13,875
THREE WEEKS AND FOUR DAYS.
105
00:05:20,291 --> 00:05:24,208
GUYS, GUYS.
IT'S NOT JUST THE CURFEW.
106
00:05:24,208 --> 00:05:26,375
I WANT YOU TO THINK OF ME
AS MORE OF A GROWN-UP.
107
00:05:26,375 --> 00:05:28,875
- I HAVE AN IDEA.
- DEFINE "GROWN-UP."
108
00:05:28,875 --> 00:05:31,875
I CAN GO BUY T-SHIRTS
WHENEVER I WANT.
109
00:05:31,875 --> 00:05:33,958
AND HOW DO YOU MAKE
THE MONEY TO DO THAT?
110
00:05:33,958 --> 00:05:36,375
I DON'T HAVE TO.
I'M A KID.
111
00:05:36,375 --> 00:05:39,583
RILEY, GROWN-UPS HAVE
RESPONSIBILITIES.
112
00:05:39,583 --> 00:05:41,875
IDEA IDEA IDEA!
IDEA IDEA IDEA!
113
00:05:41,875 --> 00:05:43,875
WHAT'S THE MATTER, AUGGIE?
114
00:05:43,875 --> 00:05:46,375
IS NO ONE BELIEVING
THAT THE LITTLE KID
COULD POSSIBLY HAVE AN IDEA
115
00:05:46,375 --> 00:05:48,416
ABOUT HOW WE COULD
RAISE OUR OLDER CHILD?
116
00:05:48,416 --> 00:05:51,708
LET RILEY BE MY BABYSITTER.
117
00:05:51,708 --> 00:05:53,416
HOLY MOLY!
118
00:05:54,416 --> 00:05:58,583
ALL HAIL AUGUST MATTHEWS!
YEAH!
119
00:05:58,583 --> 00:06:02,708
- KING OF APARTMENT 26!
- LONG LIVE ME!
120
00:06:02,708 --> 00:06:04,583
WHOO!
121
00:06:04,583 --> 00:06:06,708
AUGGIE, YOU THINK
YOUR SISTER'S READY
122
00:06:06,708 --> 00:06:08,333
FOR THAT KIND
OF RESPONSIBILITY?
123
00:06:08,333 --> 00:06:10,458
I WOULD PUT MY LIFE
IN HER HANDS.
124
00:06:11,958 --> 00:06:14,958
AWW, AUGGIE, YOU REALLY
WANT ME TO BABYSIT YOU?
125
00:06:14,958 --> 00:06:16,458
YES. I TRUST YOU.
126
00:06:16,458 --> 00:06:17,583
CATCH ME!
127
00:06:20,500 --> 00:06:24,958
- TEN BUCKS AN HOUR.
- THE KING'S ON THE FLOOR.
128
00:06:24,958 --> 00:06:27,375
FIVE BUCKS AN HOUR.
129
00:06:27,375 --> 00:06:28,625
HEY, AUGGIE,
130
00:06:28,625 --> 00:06:30,416
YOU REALLY WANT RILEY
TO BE YOUR BABYSITTER?
131
00:06:30,416 --> 00:06:32,583
RILEY MAKES ME SMILEY.
132
00:06:37,291 --> 00:06:40,291
SO, HOW'D YOU GET MOMMY
TO GO OUT WITH YOU?
133
00:06:40,291 --> 00:06:43,208
WE'RE MARRIED.
SHE HAS TO.
134
00:06:43,208 --> 00:06:45,000
SHOULD I GET
MARRIED SOMEDAY?
135
00:06:45,000 --> 00:06:47,083
IF YOU FIND SOMEBODY
LIKE MOMMY.
136
00:06:47,083 --> 00:06:51,583
- WHAT ABOUT MRS. DUCKSBERRY?
- YOUR KINDERGARTEN TEACHER?
137
00:06:51,583 --> 00:06:53,208
HUBBA HUBBA.
138
00:06:54,500 --> 00:06:56,500
HOW'S THE TIE COMING ALONG?
139
00:06:56,500 --> 00:07:00,458
ONE BUNNY EAR GOES
OVER THE OTHER BUNNY EAR.
140
00:07:00,458 --> 00:07:05,250
- HOW DO I LOOK?
- LIKE A SHOE.
141
00:07:05,250 --> 00:07:07,875
GREAT.
MAMA LOVES SHOES.
142
00:07:10,333 --> 00:07:13,583
- WELL, HOW DO I LOOK?
- WOW.
143
00:07:13,583 --> 00:07:15,875
- YOU LOOK WOW.
- WOW IS GOOD?
144
00:07:15,875 --> 00:07:19,250
WOW'S AMAZING.
WHEN AM I GONNA LOOK WOW?
145
00:07:19,250 --> 00:07:21,583
OH, HONEY, YOU ALREADY DO.
146
00:07:23,708 --> 00:07:27,708
YEAH, BUT NOT WITH THE BAM!
AND THE BOOM!
147
00:07:29,125 --> 00:07:31,333
AND THE... YOU KNOW.
148
00:07:32,708 --> 00:07:35,208
DADDY'S GOING TO
LOVE THE WAY YOU LOOK.
149
00:07:35,208 --> 00:07:36,583
THANK YOU, HONEY.
150
00:07:36,583 --> 00:07:38,458
BUT YOU WANT TO KNOW
ONE OF THE REASONS I
MARRIED YOUR FATHER?
151
00:07:38,458 --> 00:07:41,208
- YEAH.
- HE LOVES ME
NO MATTER HOW I LOOK.
152
00:07:42,500 --> 00:07:43,583
( chuckles )
153
00:07:47,291 --> 00:07:51,416
- WOW.
- WOW.
154
00:07:51,416 --> 00:07:56,333
- AND BAM, BOOM!
- Cory:ABSOLUTELY.
155
00:07:56,333 --> 00:07:58,750
YOU LOOK STUNNING.
156
00:07:58,750 --> 00:08:02,208
- HAPPY ANNIVERSARY, TOPANGA.
- YOU TOO, CORY.
157
00:08:05,125 --> 00:08:08,166
- WHAT'S UP WITH THE, UH--
- OH, AUGGIE DID IT.
158
00:08:08,166 --> 00:08:13,166
- IT'S MAGNIFICENT.
- NO GOING TO MY ROOM UNTIL
I TELL YOU, OKAY, RILEY?
159
00:08:13,166 --> 00:08:15,583
DEAL.
160
00:08:15,583 --> 00:08:18,583
AW, LOOK AT YOU TWO,
ALL DRESSED UP.
161
00:08:18,583 --> 00:08:20,458
- GOING OUT FOR DINNER?
- BA BA SUSHI.
162
00:08:20,458 --> 00:08:22,375
OOH, YOU HIPSTER!
163
00:08:22,375 --> 00:08:26,125
AND THEN A HORSE-DRAWN
CARRIAGE AND A PLAY.
164
00:08:26,125 --> 00:08:28,333
OOH, YOU 80-YEAR-OLD MAN.
165
00:08:30,083 --> 00:08:32,083
AND THEN JAZZ NIGHT
AT MUDBONE.
166
00:08:32,083 --> 00:08:34,291
NOW WE'RE PLAYIN'!
167
00:08:34,291 --> 00:08:35,833
THAT'S WHY I MARRIED HIM.
168
00:08:35,833 --> 00:08:37,833
YEAH, WE'RE
SOPHISTICATED ADULTS.
169
00:08:37,833 --> 00:08:39,750
WITH A SOPHISTICATED
BABYSITTER, RIGHT?
170
00:08:39,750 --> 00:08:42,583
- THE KID'S IN GOOD HANDS.
- WE'RE SURE HE IS.
171
00:08:42,583 --> 00:08:45,083
- WE TRUST YOU COMPLETELY.
- GOOD NIGHT.
172
00:08:49,291 --> 00:08:51,833
YEAH, I DON'T BELIEVE
THIS FOR A SECOND.
173
00:08:51,833 --> 00:08:55,708
- I DON'T BLAME YA!
- YEAH, LET'S TALK.
174
00:08:55,708 --> 00:08:59,250
MAN, YOU JUST CAN'T GET
OUT OF HERE WITHOUT THE
LIFE LESSON THING, CAN YA?
175
00:08:59,250 --> 00:09:01,625
OH, PLEASE, LIKE I HAD
SOMETHING PLANNED.
176
00:09:01,625 --> 00:09:02,958
( laughs )
177
00:09:02,958 --> 00:09:04,833
SAY HELLO TO YOUR
NEW BEST FRIEND.
178
00:09:06,500 --> 00:09:08,000
HELLO, EGG.
179
00:09:08,000 --> 00:09:09,708
YOU GONNA
INTRODUCE US, RILEY?
180
00:09:09,708 --> 00:09:11,708
OKAY, UM, MOM,
181
00:09:11,708 --> 00:09:14,416
THIS IS AMANDA McSCRAMBLEFACE.
182
00:09:14,416 --> 00:09:16,875
SHE IS LOVELY.
183
00:09:16,875 --> 00:09:18,875
OH, MOM, YOU, TOO?
184
00:09:18,875 --> 00:09:23,625
- YEAH, I'M WITH HIM.
- DRAW A FACE ON HER.
185
00:09:25,833 --> 00:09:28,000
OKAY, WE'RE DOING THE WHOLE
"TAKE CARE OF AN EGG" THING?
186
00:09:28,000 --> 00:09:29,333
'CAUSE I'VE SEEN THIS.
187
00:09:29,333 --> 00:09:31,125
NOT THE WAY
WE'RE GONNA DO IT.
188
00:09:31,125 --> 00:09:32,875
YEAH, THERE'S
A BIG TWIST AT THE END.
189
00:09:32,875 --> 00:09:36,458
SO, UH, TELL US
ABOUT YOUR NEW FRIEND, RILEY.
190
00:09:36,458 --> 00:09:38,708
WHAT ARE HER HOPES,
WHAT ARE HER DREAMS?
191
00:09:38,708 --> 00:09:41,708
AMANDA MAKES
FRIENDS VERY EASILY.
192
00:09:41,708 --> 00:09:44,000
EVERYBODY LIKES HER.
SHE'S A GOOD EGG.
193
00:09:45,500 --> 00:09:48,291
WE'RE GOING TO GO BACKPACKING
THROUGH EUROPE SOMEDAY.
194
00:09:48,291 --> 00:09:52,250
WOW. OKAY, WELL, BEFORE
YOU DO, MAY I HOLD HER?
195
00:09:52,250 --> 00:09:55,083
SURE.
SHE'S A PEOPLE PERSON.
196
00:09:55,083 --> 00:09:56,583
( in baby-talk )
HI, WILEY'S MOM.
197
00:09:56,583 --> 00:09:59,875
YOU WOOK WOW.
198
00:10:02,500 --> 00:10:06,583
THANK YOU, AMANDA.
THAT'S VERY SWEET.
199
00:10:06,583 --> 00:10:07,583
DO IT.
200
00:10:10,208 --> 00:10:14,083
( in normal voice )
NO! WHAT IS THE POINT
OF THIS HORRIBLE LESSON?
201
00:10:15,625 --> 00:10:17,875
THIS IS AN EGG
YOU KNEW FOR A MINUTE.
202
00:10:17,875 --> 00:10:20,708
WE'RE GIVING YOU
RESPONSIBILITY
FOR OUR CHILD.
203
00:10:20,708 --> 00:10:24,166
WE ALL LOVE HIM.
DON'T DROP HIM.
204
00:10:26,000 --> 00:10:28,375
- SO, CLEAN AMANDA UP
AND HAVE A GOOD NIGHT!
- BYE!
205
00:10:31,833 --> 00:10:33,583
YOU'RE MY REAL BROTHER!
206
00:10:33,583 --> 00:10:37,083
I CAN'T BREATHE!
207
00:10:40,083 --> 00:10:42,875
- OKAY! I FED YA.
- PBJ!
208
00:10:42,875 --> 00:10:46,083
- I PAJAMA'D YA.
- PJ!
209
00:10:46,083 --> 00:10:49,416
- I SENT YA TO THE BATHROOM.
- P!
210
00:10:49,416 --> 00:10:51,875
SO, I GET
TO SEE YOUR ROOM NOW?
211
00:10:51,875 --> 00:10:54,000
IT'LL 'SPLODE YOUR BRAIN!
212
00:10:54,000 --> 00:10:57,250
- ( intercom buzzes )
- Maya:What up, weirdoes?
213
00:10:57,250 --> 00:10:59,708
- MAYA!
- MAYA?
214
00:10:59,708 --> 00:11:02,375
EVERY BABYSITTER NEEDS
A BABYSITTER'S BEST FRIEND.
215
00:11:02,375 --> 00:11:06,250
- COME ON UP!
- SHE SHOULDN'T BE HERE
ON OUR NIGHT.
216
00:11:06,250 --> 00:11:08,375
WHY CAN'T IT BE
OUR NIGHT WITH MAYA?
217
00:11:08,375 --> 00:11:10,208
I HAVEN'T SHOWED YOU MY ROOM.
218
00:11:10,208 --> 00:11:12,000
- "RED PLANET DIARIES!"
- OOH!
219
00:11:12,000 --> 00:11:13,583
TONIGHT'S THE SEASON FINALE!
220
00:11:13,583 --> 00:11:16,708
( slow music plays on TV )
221
00:11:16,708 --> 00:11:19,500
♪ OUT HERE IN SPACE ♪
222
00:11:19,500 --> 00:11:21,625
♪ I KISS YOUR GREEN FACE ♪
223
00:11:21,625 --> 00:11:27,833
♪ BUT IT FEELS LIKE
YOU'RE LIGHT YEARS AWAY. ♪
224
00:11:27,833 --> 00:11:30,708
Narrator:Previously,
on "Red Planet Diaries"...
225
00:11:30,708 --> 00:11:33,166
Female voice:Oh, Blarg.
I know I'm from Earth
226
00:11:33,166 --> 00:11:35,291
and not used to your
Martian customs yet,
227
00:11:35,291 --> 00:11:39,125
but I think I'm in love
with your other head.
228
00:11:39,125 --> 00:11:41,000
Male voice:
But what's he have
that I don't have?
229
00:11:41,000 --> 00:11:44,458
Male voice #2:
Uh, I'm right here.
230
00:11:44,458 --> 00:11:47,500
I'M GOING TO MY ROOM NOW.
RILEY, ARE YOU COMING?
231
00:11:47,500 --> 00:11:49,000
YEAH YEAH,
JUST GIMME A SEC.
232
00:12:10,458 --> 00:12:14,125
WHERE'S THE TRAIN?
WE'RE GONNA BE LATE FOR DINNER.
233
00:12:14,125 --> 00:12:17,875
Man over PA:
...broken down,
all trains half hour late.
234
00:12:17,875 --> 00:12:19,708
- THANK YOU.
- PA:Thank you.
235
00:12:22,875 --> 00:12:24,000
MAYBE WE CAN GET A CAB?
236
00:12:29,250 --> 00:12:30,708
NOPE.
237
00:12:30,708 --> 00:12:32,416
LOOKS LIKE WE'RE GONNA HAVE
TO MISS OUR CARRIAGE RIDE.
238
00:12:32,416 --> 00:12:36,458
NO HORSEYS?
BUT IT'S OUR "NANOVERSARY."
239
00:12:36,458 --> 00:12:37,875
WE'VE BEEN
MARRIED FIFTEEN YEARS.
240
00:12:37,875 --> 00:12:40,708
THAT'S THE LONGEST ANYONE HAS
EVER BEEN MARRIED TO A TOPANGA.
241
00:12:42,708 --> 00:12:45,875
I WANTED TO GIVE YOU
A NIGHT OF ROMANCE AND MUSIC.
242
00:12:45,875 --> 00:12:49,375
( synthesizer music playing )
243
00:13:00,708 --> 00:13:03,416
THAT'S REALLY VERY GOOD.
244
00:13:03,416 --> 00:13:05,708
I APPRECIATE IT.
245
00:13:05,708 --> 00:13:09,333
YOU SHOULD CONSIDER
DOING THIS FOR A LIVING.
246
00:13:09,333 --> 00:13:13,000
THANK YOU FOR
CHANGING MY LIFE.
247
00:13:13,000 --> 00:13:15,500
IT'S REALLY A BEAUTIFUL SONG.
WHAT DO YOU CALL IT?
248
00:13:15,500 --> 00:13:18,166
- WHAT'S YOUR NAME?
- TOPANGA.
249
00:13:18,166 --> 00:13:21,833
- MY NAME'S CORY.
- I'M CALLING IT "TOPANGA."
250
00:13:23,583 --> 00:13:24,583
THANK YOU.
( chuckles )
251
00:13:27,708 --> 00:13:29,583
Female voice:
Oh, Blarg's other head,
252
00:13:29,583 --> 00:13:32,458
if only we could
run off together, without...
253
00:13:32,458 --> 00:13:36,250
- You know...
- Male voice on TV:
Actually, there is a way.
254
00:13:36,250 --> 00:13:37,583
( woman gasps )
What is it?!
255
00:13:37,583 --> 00:13:39,583
- Both: WHAT IS IT?
-( TV clicks off )
256
00:13:39,583 --> 00:13:42,250
- Both: NO!
- NO MORE TV!
257
00:13:42,250 --> 00:13:45,250
- AUGGIE, WE WERE WATCHING THAT.
- GIVE IT BACK, RUNT!
258
00:13:45,250 --> 00:13:46,416
YOU'RE A RUNT!
259
00:13:46,416 --> 00:13:49,708
AND YOU'RE THE WORST BABYSITTER
IN THE WORLD!
260
00:13:51,208 --> 00:13:54,375
YOU SHOULDN'T WATCH TV
WHEN YOU BABYSIT YOUR BROTHER!
261
00:13:54,375 --> 00:13:58,500
AUGGIE, WHERE ARE
YOU GOING WITH THAT?
262
00:13:58,500 --> 00:14:02,458
I'M GOING TO THROW IT
OUT THE WINDOW!
263
00:14:02,458 --> 00:14:04,583
- YOU WOULDN'T DARE.
- I WILL DO IT!
264
00:14:04,583 --> 00:14:06,583
I WILL DO IT, LADY!
265
00:14:09,000 --> 00:14:11,416
AWW, LOOK AT THOSE TWO.
266
00:14:11,416 --> 00:14:13,583
YOU THINK IT'S THEIR
"NANOVERSARY"?
267
00:14:13,583 --> 00:14:15,458
THINK SHE KISSED HIM
UP AGAINST THE LOCKERS
268
00:14:15,458 --> 00:14:16,875
WHILE THEY WERE
HANDCUFFED TOGETHER?
269
00:14:28,083 --> 00:14:31,500
HEH, WELL, THAT
WOULD MAKE THEM A
VERY EXCITING COUPLE.
270
00:14:31,500 --> 00:14:34,833
OH, THEY ARE.
AND THEN SHE PROPOSED TO HIM.
271
00:14:34,833 --> 00:14:36,125
AT THEIR GRADUATION.
272
00:14:36,125 --> 00:14:37,958
WILL YOU MARRY ME?
273
00:14:43,416 --> 00:14:45,500
AND HE WAS VERY SMART
AND SAID YES.
274
00:14:45,500 --> 00:14:47,166
AND THEY LIVED
HAPPILY EVER AFTER.
275
00:14:47,166 --> 00:14:49,291
UNTIL THEIR
FIFTEENTH ANNIVERSARY.
276
00:14:49,291 --> 00:14:50,875
WHEN THE SUBWAY
DIDN'T COME.
277
00:14:50,875 --> 00:14:54,333
EXCEPT GOOD THINGS COME
WHEN YOU LEAST EXPECT IT.
278
00:14:54,333 --> 00:14:56,875
LIKE MAYBE I GOT THAT BRACELET
YOU HAD YOUR EYE ON
IN MY POCKET.
279
00:14:56,875 --> 00:14:59,708
- REALLY?
- NO.
280
00:14:59,708 --> 00:15:01,375
RING MADE OF CANDY.
281
00:15:04,875 --> 00:15:06,583
CORY?
282
00:15:06,583 --> 00:15:10,416
TOPANGA MATTHEWS,
WILL YOU MARRY ME AGAIN?
283
00:15:10,416 --> 00:15:13,833
ANYTIME YOU WANT.
284
00:15:13,833 --> 00:15:15,583
MMM! MMM!
285
00:15:15,583 --> 00:15:16,583
BLUE RASPBERRY!
286
00:15:20,000 --> 00:15:22,000
- OH, THANK YOU, THANK YOU.
- THANK YOU.
287
00:15:22,000 --> 00:15:24,375
WHO NEEDS A PLAY?
WE'RE IN OUR OWN.
288
00:15:24,375 --> 00:15:26,875
- ( chuckles )
- THE ONLY THING WE
DIDN'T GET WAS--
289
00:15:26,875 --> 00:15:28,083
HORSE-DRAWN CARRIAGE.
290
00:15:30,708 --> 00:15:33,958
EXCUSE ME. UM, IT'S OUR
ANNIVERSARY AND WE'RE WEIRD.
291
00:15:33,958 --> 00:15:36,000
COULD I BORROW
YOUR HORSEY FOR A MINUTE?
292
00:15:38,458 --> 00:15:39,708
THANK YOU.
293
00:15:39,708 --> 00:15:42,583
- M'LADY?
- DON'T MIND IF I DO.
294
00:15:47,583 --> 00:15:51,000
HO! OKAY OKAY! OKAY!
295
00:15:51,000 --> 00:15:53,875
THANK YOU. THANK YOU.
296
00:15:55,291 --> 00:15:57,375
THERE'S ONLY ONE THING THAT
COULD MAKE THIS NIGHT BETTER.
297
00:15:57,375 --> 00:16:00,375
- YOU MISS THE KIDS?
- I DO.
298
00:16:00,375 --> 00:16:02,875
I DO TOO.
299
00:16:02,875 --> 00:16:04,416
LET'S GO HOME AND SPY ON 'EM!
300
00:16:04,416 --> 00:16:07,250
SHOULDN'T WE TRUST
RILEY AND AUGGIE THAT
NOTHING WILL GO WRONG?
301
00:16:07,250 --> 00:16:09,416
( both laugh loudly )
302
00:16:09,416 --> 00:16:10,875
LET'S GO HOME
AND SPY ON THE KIDS!
303
00:16:17,875 --> 00:16:20,750
Auggie:
YOU'RE THE WORST
BABYSITTER IN THE WORLD!
304
00:16:20,750 --> 00:16:22,166
Riley:
YOU'RE THE WORST
BABY IN THE WORLD!
305
00:16:22,166 --> 00:16:24,000
- SO WE JUMP IN NOW?
- NO, WE HAVE FAITH THAT
306
00:16:24,000 --> 00:16:27,708
SHE'S GONNA HANDLE THIS LIKE
A MATURE ADULT, LIKE WE ARE.
307
00:16:27,708 --> 00:16:29,333
Maya:
YOU TURNED IT OFF
AT THE BEST PART.
308
00:16:29,333 --> 00:16:32,583
EASY THERE,
PUT THE REMOTE DOWN
NICE AND EASY
309
00:16:32,583 --> 00:16:36,583
- AND NOBODY GETS HURT, BUDDY.
- YOU'RE NOT MY BUDDY.
310
00:16:36,583 --> 00:16:39,750
YOU SHOULDN'T EVEN BE HERE.
311
00:16:39,750 --> 00:16:42,500
AUGGIE, WHAT'S
THE MATTER WITH YOU?
312
00:16:42,500 --> 00:16:44,583
YOU'RE WHAT'S
THE MATTER WITH ME.
313
00:16:44,583 --> 00:16:47,583
YOU KNOW WHAT, MAYA?
YOU CAN HAVE RILEY.
314
00:16:47,583 --> 00:16:50,750
SHE'D RATHER BE WITH YOU ANYWAY.
SHE'S YOUR SISTER NOW.
315
00:16:52,458 --> 00:16:55,125
- AUGGIE!
- THIS IS THE WORST NIGHT EVER!
316
00:17:05,583 --> 00:17:08,458
- HI, BUDDY.
- HAVING FUN?
317
00:17:08,458 --> 00:17:10,750
ARE YOU HOME?
318
00:17:10,750 --> 00:17:12,708
WHY ARE YOU NOT FIXING THIS?
319
00:17:12,708 --> 00:17:16,083
BECAUSE, AUGGIE, RILEY
WANTS RESPONSIBILITY.
320
00:17:16,083 --> 00:17:17,958
AND IT'S IMPORTANT
TO LET HER TRY.
321
00:17:17,958 --> 00:17:19,958
SHE HAS FAILED.
322
00:17:19,958 --> 00:17:22,458
WE BELIEVE
THAT SHE WON'T FAIL.
323
00:17:22,458 --> 00:17:24,458
TOO LATE.
GO YELL AT HER.
324
00:17:24,458 --> 00:17:26,166
YOU'RE REALLY
MAD AT HER, HUH?
325
00:17:26,166 --> 00:17:27,375
I GAVE HER TO MAYA,
326
00:17:27,375 --> 00:17:29,458
BECAUSE SHE'S BAD
BABYSITTER RILEY.
327
00:17:29,458 --> 00:17:33,125
I KNOW THAT DOESN'T RHYME,
BUT I'M JUST SO MAD!
328
00:17:33,125 --> 00:17:36,250
AUGGIE, IT MAY
SEEM BAD RIGHT NOW,
329
00:17:36,250 --> 00:17:39,416
BUT I'LL MAKE YOU A BET--
YOU'RE GONNA WANT HER BACK.
330
00:17:39,416 --> 00:17:42,416
FINE. YOU LOSE,
YOU MAKE ME A BROTHER.
331
00:17:44,583 --> 00:17:47,083
- DEAL.
- ( laughs ) HOLD ON.
332
00:17:47,083 --> 00:17:50,583
FIRST WE'RE GONNA GIVE
HER THE OPPORTUNITY TO BE
A GOOD BABYSITTER, OKAY?
333
00:17:50,583 --> 00:17:53,083
THEN BROTHER?
334
00:17:53,083 --> 00:17:55,375
BROTHER ANYWAY.
335
00:17:55,375 --> 00:17:58,625
NOW WE'LL NEVER KNOW
IF ASHLEY THE ASTRONAUT ENDS UP
336
00:17:58,625 --> 00:18:01,500
WITH BLARG
OR BLARG'S OTHER HEAD.
337
00:18:01,500 --> 00:18:03,458
GEE, IF ONLY SOMETHING
EXISTED
338
00:18:03,458 --> 00:18:07,250
WHERE WE COULD TYPE IN
A FEW WORDS AND...
339
00:18:07,250 --> 00:18:09,333
IT'S NOT THE SAME!
340
00:18:09,333 --> 00:18:13,875
WE WERE REALLY LOOKING
FORWARD TO THIS NIGHT
AND AUGGIE RUINED IT.
341
00:18:13,875 --> 00:18:17,083
I THINK AUGGIE COULD SAY THE
SAME THING ABOUT ME, RILEY.
342
00:18:17,083 --> 00:18:19,416
HE JUST WANTED
TO SPEND TIME WITH YOU.
343
00:18:19,416 --> 00:18:21,083
YOU'RE REALLY LUCKY
TO HAVE THAT.
344
00:18:21,083 --> 00:18:24,416
I KNOW. IT'S LIKE WE DON'T
PAY ATTENTION TO THE PEOPLE
345
00:18:24,416 --> 00:18:26,708
WHO REALLY CARE ABOUT US.
346
00:18:26,708 --> 00:18:28,875
LADIES!
347
00:18:28,875 --> 00:18:31,166
GET LOST, FARKLE, WE CAN'T
PAY ATTENTION TO YOU RIGHT NOW.
348
00:18:31,166 --> 00:18:34,166
BUT I FEEL LIKE WHEN
WE DON'T HAVE SCHOOL
I'M NOT EVEN PART OF THE STORY.
349
00:18:35,708 --> 00:18:38,458
THERE'S SOMEONE WHO REALLY
CARES ABOUT ME,
350
00:18:38,458 --> 00:18:41,583
AND I'M NOT LETTING HIM KNOW
THAT I CARE ABOUT HIM TOO.
351
00:18:41,583 --> 00:18:44,458
OOH, MAYBE I AM
PART OF THE STORY.
352
00:18:44,458 --> 00:18:47,958
AND I REALLY
LOVE THE LITTLE GUY.
353
00:18:47,958 --> 00:18:51,250
AND ALL HE WANTED TO DO
WAS SHOW ME HIS ROOM.
354
00:18:51,250 --> 00:18:52,875
HOW DID YOU KNOW?
355
00:18:56,583 --> 00:18:58,208
I GOTTA GO TALK TO AUGGIE.
356
00:19:02,208 --> 00:19:04,166
WELL WELL, ALONE AT LAST.
357
00:19:04,166 --> 00:19:06,000
YES, YOU ARE.
358
00:19:08,875 --> 00:19:10,708
YOU KNOW WHERE TO FIND ME.
359
00:19:14,375 --> 00:19:17,250
OKAY, MR. GOOGLY.
YOU'RE MY SISTER NOW.
360
00:19:17,250 --> 00:19:21,250
Riley:
BUT DON'T YOU WANT TO
GIVE RILEY ONE MORE CHANCE?
361
00:19:21,250 --> 00:19:23,291
NO, IT'S YOU AND ME!
362
00:19:24,583 --> 00:19:26,416
OH, IT'S YOU.
363
00:19:28,708 --> 00:19:31,208
I WENT INTO YOUR ROOM
LOOKING FOR YOU.
364
00:19:31,208 --> 00:19:35,166
I SAW WHAT YOU DID.
I'M SO SORRY.
365
00:19:35,166 --> 00:19:37,458
IT COULD'VE BEEN
THE BEST NIGHT EVER.
366
00:19:37,458 --> 00:19:40,458
- MAYBE IT STILL CAN BE.
- HOW?
367
00:19:49,833 --> 00:19:51,458
ARRGH!
368
00:19:51,458 --> 00:19:54,125
HOW DID YOU DO THIS?!
369
00:19:54,125 --> 00:19:55,291
DEMOLITION.
370
00:19:55,291 --> 00:19:57,708
OPEN LATE TONIGHT
AND I HAVE NO CURFEW AT ALL.
371
00:19:57,708 --> 00:20:00,458
NOW, WHERE'S ALL
YOUR TREASURE, MATEY?
372
00:20:00,458 --> 00:20:02,750
WE'RE BEING BOARDED
BY BLONDEBEARD!
373
00:20:05,125 --> 00:20:08,583
( grunting )
374
00:20:08,583 --> 00:20:11,000
OH!
375
00:20:11,000 --> 00:20:13,458
THANKS FOR LETTING ME
STICK AROUND TONIGHT, AUGGIE.
376
00:20:13,458 --> 00:20:15,416
YOU'RE NOT SUCH A BAD PIRATE.
377
00:20:16,708 --> 00:20:20,708
SO, CAN WE KEEP HER?
378
00:20:20,708 --> 00:20:23,583
YEAH. BUT YOU AND ME ARE
BROTHER AND SISTER AGAIN.
379
00:20:25,416 --> 00:20:28,291
- THEN WHO AM I?
- YOU'RE THE ONE
WHO WALKS THE PLANK!
380
00:20:28,291 --> 00:20:30,250
I CAN'T SWIM!
381
00:20:34,291 --> 00:20:35,458
YOU WIN.
382
00:20:35,458 --> 00:20:39,333
- NO BROTHER?
- NO. I'M THE BROTHER.
383
00:20:41,625 --> 00:20:45,333
- HA!
- HA! HA!
384
00:20:45,333 --> 00:20:48,416
BEST ANNIVERSARY NIGHT EVER.
385
00:20:48,416 --> 00:20:50,708
YOU, ME AND THE KIDS.
386
00:20:51,708 --> 00:20:53,250
AND FARKLE.
387
00:20:54,708 --> 00:20:57,291
DO IT.
388
00:20:57,291 --> 00:20:59,750
( gasps )
IT'S BEAUTIFUL!
389
00:21:10,083 --> 00:21:12,125
- SMELLS GOOD.
- WHAT ARE WE HAVING?
390
00:21:12,125 --> 00:21:15,583
CORY'S BREAKFAST SPECIAL--
SCRAMBLED EGGS!
391
00:21:15,583 --> 00:21:17,125
SERIOUSLY?
392
00:21:17,125 --> 00:21:20,166
YOU COOKED THE ENTIRE
McSCRAMBLEFACE FAMILY?
393
00:21:21,583 --> 00:21:23,500
YEAH. YUM YUM.
EAT 'EM UP.
394
00:21:23,500 --> 00:21:26,833
THAT WAS AMANDA'S BEST FRIEND.
395
00:21:26,833 --> 00:21:29,583
SHE USED TO COME IN THROUGH
HER BEDROOM WINDOW EVERY NIGHT,
396
00:21:29,583 --> 00:21:31,875
AND THEY'D TALK FOR HOURS.
397
00:21:31,875 --> 00:21:33,375
OKAY.
398
00:21:35,208 --> 00:21:38,458
THAT WAS MAMA McSCRAMBLEFACE.
399
00:21:38,458 --> 00:21:40,625
SHE USED TO LOOK WOW.
400
00:21:46,000 --> 00:21:47,458
WHO'D I GET?
401
00:21:47,458 --> 00:21:50,500
YOU GOT BABY BROTHER
McSCRAMBLEFACE.
402
00:21:50,500 --> 00:21:52,083
HE WAS MY FAVORITE.
403
00:21:52,083 --> 00:21:54,583
YOU MONSTER.
404
00:21:56,291 --> 00:21:58,291
- OUT FOR PANCAKES?
- ( all cheer )