1 00:00:10,750 --> 00:00:12,833 HAPPY 14, MAYA! 2 00:00:19,833 --> 00:00:22,333 HOW'S 14? TELL ME WHAT IT'S LIKE TO BE 14, 3 00:00:22,333 --> 00:00:23,875 BUT DON'T LEAVE ANYTHING OUT. 4 00:00:23,875 --> 00:00:25,875 SO FAR IT'S A LOT OF WORK. 5 00:00:27,125 --> 00:00:29,125 BECAUSE YOU KNOW I'LL BE THERE SOON, 6 00:00:29,125 --> 00:00:31,333 AND I WANT TO KNOW WHAT I HAVE TO LOOK FORWARD TO. 7 00:00:31,333 --> 00:00:33,000 WELL, IF YOU'RE LIKE ME, YOU CAN LOOK FORWARD 8 00:00:33,000 --> 00:00:34,875 TO YOUR MOTHER FORGETTING YOUR BIRTHDAY. 9 00:00:34,875 --> 00:00:36,583 OH, NO SHE DID NOT! 10 00:00:38,000 --> 00:00:39,166 WHERE YOU GOIN', HONEY? 11 00:00:39,166 --> 00:00:42,166 - MUST TALK TO YOUR MOM. - MUST NOT GET INVOLVED. 12 00:00:42,166 --> 00:00:46,000 WHY DO YOU TELL ME THESE THINGS IF YOU DON'T EXPECT ME TO FIX THEM? 13 00:00:46,000 --> 00:00:48,250 WHEN YOU'RE 14, YOU'LL UNDERSTAND. 14 00:00:48,250 --> 00:00:51,250 HOW COULD YOUR MOTHER FORGET YOUR BIRTHDAY, MAYA? 15 00:00:51,250 --> 00:00:52,708 I'VE STOPPED TRYING TO FIGURE IT OUT. 16 00:00:52,708 --> 00:00:54,416 SHE WAS ALREADY GONE WHEN I WOKE UP THIS MORNING. 17 00:00:54,416 --> 00:00:56,458 SHE PROBABLY JUST TOOK AN EARLY SHIFT AT THE DINER. 18 00:00:56,458 --> 00:00:59,291 RATHER THAN BE THERE FOR YOUR BIRTHDAY? UNH-UH! 19 00:01:01,291 --> 00:01:03,958 RILES, A FRIENDSHIP RING. 20 00:01:03,958 --> 00:01:05,625 - YEAH. - TWO OF THEM. 21 00:01:05,625 --> 00:01:07,500 - YEAH! - IN CASE I LOSE ONE. 22 00:01:07,500 --> 00:01:09,458 NO. 23 00:01:09,458 --> 00:01:11,833 - WELL, ANYBODY ELSE WOULD HAVE JUST GOTTEN ME ONE. - NO. 24 00:01:11,833 --> 00:01:13,166 - OH, I GET IT. - YEAH. 25 00:01:13,166 --> 00:01:15,125 - ONE FOR EACH HAND. - NO. 26 00:01:16,458 --> 00:01:18,000 I'LL NEVER TAKE THIS OFF UNTIL I DIE. 27 00:01:18,000 --> 00:01:22,125 YOU'LL PROBABLY DIE BEFORE ME SINCE YOU'RE OLDER. 28 00:01:22,125 --> 00:01:26,250 SHOULD I TELL THE PEOPLE NOT TO TAKE IT OFF YOUR DEAD CORPSE BODY? 29 00:01:26,250 --> 00:01:28,083 YEAH, WOULD YOU DO THAT FOR ME? 30 00:01:28,083 --> 00:01:30,166 AND, MAYA, THE OTHER RING-- 31 00:01:30,166 --> 00:01:32,458 - IS FOR YOU. - YEAH. 32 00:01:32,458 --> 00:01:34,750 OH, NO. IF YOU'RE NOT THERE, 33 00:01:34,750 --> 00:01:38,875 WHO'S GOING TO TELL THE PEOPLE NOT TO TAKE IT OFF MY DEAD CORPSE BODY? 34 00:01:40,125 --> 00:01:43,166 - HAPPY BIRTHDAY, MAYA. - THANKS FOR NOT FORGETTING. 35 00:01:43,166 --> 00:01:45,458 OH, YEAH, THAT REMINDS ME. 36 00:01:48,875 --> 00:01:51,083 ( theme music playing ) 37 00:01:52,708 --> 00:01:54,875 ♪ I'VE BEEN WAITING ♪ 38 00:01:54,875 --> 00:01:57,166 ♪ FOR A DAY LIKE THIS TO COME ♪ 39 00:01:57,166 --> 00:01:59,000 ♪ STRUCK LIKE LIGHTNING ♪ 40 00:01:59,000 --> 00:02:01,166 ♪ MY HEART'S BEATING LIKE A DRUM ♪ 41 00:02:01,166 --> 00:02:04,166 ♪ ON THE EDGE OF SOMETHING ♪ 42 00:02:04,166 --> 00:02:05,333 ♪ WONDERFUL ♪ 43 00:02:05,333 --> 00:02:08,125 ♪ FACE TO FACE WITH CHANGES ♪ 44 00:02:08,125 --> 00:02:09,833 ♪ WHAT'S IT ALL ABOUT? ♪ 45 00:02:09,833 --> 00:02:11,583 ♪ LIFE IS CRAZY ♪ 46 00:02:11,583 --> 00:02:13,583 ♪ BUT I KNOW I CAN WORK IT OUT ♪ 47 00:02:13,583 --> 00:02:17,875 ♪ 'CAUSE I GOT YOU TO LIVE IT WITH ME ♪ 48 00:02:17,875 --> 00:02:21,958 ♪ I FEEL ALL RIGHT, I'M GONNA TAKE ON THE WORLD ♪ 49 00:02:21,958 --> 00:02:25,000 ♪ LIGHT UP THE STARS, I'VE GOT SOME PAGES TO TURN ♪ 50 00:02:25,000 --> 00:02:27,583 ♪ I'M SINGING, OH OH OH ♪ 51 00:02:27,583 --> 00:02:30,125 ♪ OH OH OH OH ♪ 52 00:02:30,125 --> 00:02:33,208 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 53 00:02:33,208 --> 00:02:35,458 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 54 00:02:35,458 --> 00:02:38,875 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD. ♪ 55 00:02:47,750 --> 00:02:50,083 ARE YOU REALLY HERE? 56 00:02:50,083 --> 00:02:52,208 YEP, I'M HERE. 57 00:02:55,250 --> 00:02:58,208 - UNCLE SHAWN! - HEY THERE. 58 00:02:59,250 --> 00:03:01,000 - HEY. - HEY. 59 00:03:02,416 --> 00:03:04,458 OKAY. 60 00:03:04,458 --> 00:03:06,416 IT'S HER BIRTHDAY. SQUEEZE HER GOOD. 61 00:03:06,416 --> 00:03:10,416 OH, HAPPY BIRTHDAY, KIDDO. YOU DOING SOMETHING SPECIAL? 62 00:03:10,416 --> 00:03:12,625 THIS IS IT. 63 00:03:14,166 --> 00:03:16,875 HONEY, HIDE THE CAKE BEFORE MAYA GETS HERE. 64 00:03:16,875 --> 00:03:18,416 I KNOW, BUT YOU KNOW WHAT WE SHOULD DO? 65 00:03:18,416 --> 00:03:20,000 WE SHOULD BRING THIS CAKE TO MAYA'S MOTHER 66 00:03:20,000 --> 00:03:22,208 JUST IN CASE SHE FORGOT TO GET HER OWN KID A CAKE. 67 00:03:22,208 --> 00:03:24,166 OH, YOU THINK THAT COULD ACTUALLY HAPPEN? 68 00:03:24,166 --> 00:03:26,000 HONEY, I GREW UP WITH SHAWN HUNTER. 69 00:03:26,000 --> 00:03:29,208 REMEMBER HIS MOTHER? SHE FORGOT WHERE SHE LIVED. 70 00:03:29,208 --> 00:03:31,875 SEE, MY BIGGEST WORRY IS THAT FORGETTING TO GIVE YOUR KID A CAKE 71 00:03:31,875 --> 00:03:34,125 IS THE FIRST STEP TO FORGETTING WHERE YOU LIVE. 72 00:03:34,125 --> 00:03:38,250 OH, THAT'S NOT YOUR BIGGEST WORRY ANYMORE. 73 00:03:38,250 --> 00:03:40,458 MAYA'S BEHIND ME, ISN'T SHE? 74 00:03:40,458 --> 00:03:43,708 WHY IS EVERYBODY ALWAYS BEHIND ME? 75 00:03:43,708 --> 00:03:47,208 OKAY, MAYA, I'M NOT GOING TO TURN AROUND BECAUSE I'M ALL EMBARRASSED, 76 00:03:47,208 --> 00:03:48,875 BUT YOU KNOW HOW MUCH I LIKE YOUR MOTHER. 77 00:03:48,875 --> 00:03:50,458 I KNOW YOU DO. YOU ALWAYS DEFEND HER. 78 00:03:50,458 --> 00:03:52,375 - BECAUSE AT LEAST SHE'S NOT... - NO, EVERYTHING'S FINE! 79 00:03:52,375 --> 00:03:54,750 - STOP TALKING. - ...SHAWN'S MOTHER! 80 00:03:54,750 --> 00:03:56,750 WHAT A CUCKOO. 81 00:03:56,750 --> 00:03:59,416 "AH, IT'S TUESDAY! I BETTER RUN AWAY!" 82 00:03:59,416 --> 00:04:02,833 ( laughs ) YOU HAVE TO LAUGH, HUH, TOPANGA? 83 00:04:06,208 --> 00:04:08,708 NICE FACE. 84 00:04:08,708 --> 00:04:11,333 YOU WANT TO TURN AROUND OR YOU WANT ME TO TURN YOU AROUND? 85 00:04:11,333 --> 00:04:14,291 HOW YOU DOIN', SHAWN? 86 00:04:14,291 --> 00:04:17,625 WELL, IT AIN'T TUESDAY, SO PRETTY GOOD. 87 00:04:18,833 --> 00:04:22,250 - SHAWNY! - AH! 88 00:04:23,708 --> 00:04:26,250 HOW YOU DOIN', BUDDY? 89 00:04:26,250 --> 00:04:27,875 JUST HERE DOING A PHOTO ESSAY-- 90 00:04:27,875 --> 00:04:30,500 "WEEKENDS IN NEW YORK FOR UNDER $100." 91 00:04:30,500 --> 00:04:32,583 IT'S IMPOSSIBLE. CAN I STAY HERE? 92 00:04:34,166 --> 00:04:36,083 WE FOUND HIM ON THE COUCH. CAN WE KEEP HIM? 93 00:04:37,375 --> 00:04:38,958 WAIT A MINUTE. WHO LET YOU IN? 94 00:04:38,958 --> 00:04:41,333 - I HAVE A KEY. - YOU GAVE HIM A KEY? 95 00:04:41,333 --> 00:04:44,083 FINE, I'LL GIVE YOU A KEY. 96 00:04:44,083 --> 00:04:46,166 YOU LOVE ME! 97 00:04:46,166 --> 00:04:47,750 I DO LOVE YOU. 98 00:04:47,750 --> 00:04:50,000 YOU HAVE THE KEY TO MY HEART. 99 00:04:54,708 --> 00:04:57,500 SO WHO HAS THE KEY TO YOUR HEART? 100 00:04:58,625 --> 00:05:01,416 YEAH, YOU EVER BEEN IN LOVE OR WHAT? 101 00:05:01,416 --> 00:05:04,250 - ANGELA TIME? - SEEMS UNAVOIDABLE. 102 00:05:04,250 --> 00:05:05,875 ANGELA-- SPILL IT. 103 00:05:05,875 --> 00:05:10,375 YEAH, WAS SHE ALL TORTURED POET-WANDERER-FEMALE-YOU TYPE? 104 00:05:10,375 --> 00:05:12,208 YOU GUYS WANT TO KNOW HOW THEY FELL IN LOVE? 105 00:05:12,208 --> 00:05:14,583 HE WENT THROUGH HER PURSE. 106 00:05:14,583 --> 00:05:17,208 WHAT? 107 00:05:17,208 --> 00:05:19,583 I CAN EXPLAIN THAT. 108 00:05:19,583 --> 00:05:22,958 GIRLS, TRUST US, IT WAS VERY ROMANTIC IN HIGH SCHOOL. 109 00:05:22,958 --> 00:05:26,000 SO BASICALLY HE FELL IN LOVE WITH A CONCEPT? 110 00:05:26,000 --> 00:05:28,166 - IT WAS DOOMED FROM THE START. - NEVER LET ME DO THAT. 111 00:05:28,166 --> 00:05:30,708 I WOULD KILL IT IMMEDIATELY. THAT'S WHAT BEST FRIENDS ARE SUPPOSED TO DO. 112 00:05:30,708 --> 00:05:32,333 - RING POWER! - RING POWER! 113 00:05:32,333 --> 00:05:34,333 - THUNDER! - LIGHTNING! 114 00:05:37,750 --> 00:05:39,000 SO WHERE'S ANGELA NOW? 115 00:05:39,000 --> 00:05:41,250 I DON'T KNOW. I TRIED TO MAKE IT WORK. 116 00:05:41,250 --> 00:05:43,583 - BUT YOU COULDN'T COMMIT? - NO. 117 00:05:43,583 --> 00:05:45,458 YOU KNOW, PEOPLE HAVE IT ALL WRONG ABOUT ME. 118 00:05:45,458 --> 00:05:47,000 I-- I WAS ALL IN. 119 00:05:47,000 --> 00:05:50,250 SHE'S THE ONE WHO LEFT. I GOT LEFT. 120 00:05:50,250 --> 00:05:52,708 YEAH, I-- I GET A LOT OF THAT TOO. 121 00:05:52,708 --> 00:05:54,458 WHO'S ON YOUR LIST? 122 00:05:54,458 --> 00:05:57,375 MOTHER, FATHER, GIRLFRIEND. 123 00:05:57,375 --> 00:06:00,833 WOW. WHAT IS IT WITH US? 124 00:06:00,833 --> 00:06:02,375 ( laughs ) 125 00:06:02,375 --> 00:06:04,875 WHAT IS IT WITH US? 126 00:06:05,875 --> 00:06:09,500 WINDOW! WINDOW RIGHT NOW! 127 00:06:10,833 --> 00:06:12,166 NOT YOU. 128 00:06:12,166 --> 00:06:14,125 BUT IT'S MY BIRTHDAY. 129 00:06:14,125 --> 00:06:16,208 YEAH, I KNOW. 130 00:06:17,250 --> 00:06:18,708 - YOU. - REALLY? 131 00:06:18,708 --> 00:06:20,291 - AND YOU! - OH, BOY! 132 00:06:25,958 --> 00:06:28,958 OKAY, I HAVE HEARD ALL OF THE STORIES. 133 00:06:28,958 --> 00:06:31,125 BUT TELL ME THE TRUTH, MOM. 134 00:06:31,125 --> 00:06:32,500 WHEN YOU GUYS WERE MY AGE, 135 00:06:32,500 --> 00:06:35,125 WAS DAD REALLY THAT GOOD AT SCHEMES? 136 00:06:35,125 --> 00:06:36,208 SCHEMES? 137 00:06:36,208 --> 00:06:39,875 YOU KNOW, RACKETS, SCAMS, PULLING STUFF ON PEOPLE, 138 00:06:39,875 --> 00:06:42,083 CHANGING THEIR LIVES. 139 00:06:42,083 --> 00:06:47,000 COREY MATTHEWS WAS THE BEST THERE EVER WAS. 140 00:06:47,000 --> 00:06:49,458 - WHY? - WELL, BECAUSE WHEN HE BELIEVES IN SOMETHING, 141 00:06:49,458 --> 00:06:51,958 HIS WILL IS STRONGER THAN ANYBODY'S. 142 00:06:51,958 --> 00:06:54,083 I'M RETIRED. 143 00:06:55,166 --> 00:06:57,458 BUT WHAT IF I BELIEVED IN SOMETHING? 144 00:06:57,458 --> 00:07:00,708 YOUR MOVE. 145 00:07:00,708 --> 00:07:03,000 RILEY, YOU WANT TO PULL ME BACK IN THE GAME, 146 00:07:03,000 --> 00:07:06,083 THEN THIS HAS TO BE MONUMENTAL. 147 00:07:07,166 --> 00:07:09,208 A SCHEME OF SCHEMES. 148 00:07:09,208 --> 00:07:12,291 SCHEMETATA DE SCHEMETATA. 149 00:07:13,250 --> 00:07:14,458 WHAT'S THAT MEAN? 150 00:07:14,458 --> 00:07:16,208 HE'S MAKING IT UP. 151 00:07:16,208 --> 00:07:19,833 A SCHEME THAT MAKES THE ANGELS SING. 152 00:07:19,833 --> 00:07:22,458 OTHERWISE, I'M OUT FOREVER. YOU HEAR ME?! 153 00:07:24,458 --> 00:07:27,625 NOW YOU'VE GOT ONE MINUTE, RILEY. 154 00:07:27,625 --> 00:07:29,875 WOW ME. 155 00:07:29,875 --> 00:07:32,125 I WANT SHAWN TO BE MAYA'S DAD. 156 00:07:36,458 --> 00:07:38,125 WOW. 157 00:07:44,250 --> 00:07:47,208 RILEY, YOU CAN'T JUST WANT SHAWN TO BE MAYA'S FATHER. 158 00:07:47,208 --> 00:07:50,166 YOUR DAD CAN'T POSSIBLY MAKE THAT HAPPEN. CAN YOU? 159 00:07:50,166 --> 00:07:52,166 TOUGH ONE. 160 00:07:52,166 --> 00:07:55,250 IT'S THE STUFF LEGENDS ARE MADE OF. 161 00:07:55,250 --> 00:07:57,208 BUT IF WE CAN PULL IT OFF, 162 00:07:57,208 --> 00:08:00,000 IT WOULD MAKE THE ANGELS SING. 163 00:08:00,000 --> 00:08:03,125 ( horn music playing ) 164 00:08:04,458 --> 00:08:06,583 I WANT TO DO THIS WITH YOU, DAD. 165 00:08:06,583 --> 00:08:10,166 TEACH ME. I WANT TO DO IT FOR MAYA. 166 00:08:10,166 --> 00:08:13,166 ( music continues ) 167 00:08:14,708 --> 00:08:17,875 RILEY, I DON'T WANT YOU TO GET YOUR HOPES UP. 168 00:08:17,875 --> 00:08:20,083 BUT IF THERE IS ANYONE IN THE WORLD 169 00:08:20,083 --> 00:08:23,583 WHO HAS A CHANCE OF PULLING THIS OFF, IT'S HIM. 170 00:08:23,583 --> 00:08:27,125 ( music continues ) 171 00:08:28,291 --> 00:08:30,291 WELL, THE BEST MASTER PLAN 172 00:08:30,291 --> 00:08:33,166 INVOLVES HOW WELL WE KNOW OUR TWO SUBJECTS. 173 00:08:33,166 --> 00:08:36,250 ( music continues ) 174 00:08:39,000 --> 00:08:41,375 WE GOT RINGS. 175 00:08:41,375 --> 00:08:42,958 SO DO WE. 176 00:08:42,958 --> 00:08:46,291 SHAWN GAVE ME MINE WHEN I WAS 25 YEARS OLD. 177 00:08:47,458 --> 00:08:50,000 YOUR MOTHER WON'T LET ME WEAR IT. 178 00:08:51,458 --> 00:08:54,875 OKAY, SO THE NEXT STEP IN OUR PLAN 179 00:08:54,875 --> 00:08:57,000 IS WE NEED A CUTTING-EDGE TECH GUY. 180 00:08:57,000 --> 00:09:00,250 - LADIES! - All: FARKLE! 181 00:09:00,250 --> 00:09:02,250 WANT TO SEE MY NEW COMPUTER WATCH? 182 00:09:02,250 --> 00:09:04,000 SURE, IT LOOKS LIKE AN OLD CALCULATOR WATCH, 183 00:09:04,000 --> 00:09:07,166 BUT I UPDATED THE HARD DRIVE AND ADDED AN INTERESTING NEW FEATURE. 184 00:09:07,166 --> 00:09:10,291 - ( watch beeps ) - Voice: Riley is within five feet of you. 185 00:09:10,291 --> 00:09:13,000 HEY, THAT'S MY VOICE. 186 00:09:13,000 --> 00:09:15,000 YEAH, I'VE BEEN RECORDING IT FOR YEARS. 187 00:09:15,000 --> 00:09:17,083 BUT DON'T WORRY, I WOULD NEVER TAKE ADVANTAGE OF IT. 188 00:09:17,083 --> 00:09:18,708 - ( beeps ) - I love you, Farkle. 189 00:09:20,333 --> 00:09:22,625 WELL, I GUESS WE FOUND OUR TECH GUY. 190 00:09:23,708 --> 00:09:28,083 ( music continues ) 191 00:09:28,083 --> 00:09:29,958 SO THE TEAM'S COMPLETE. 192 00:09:29,958 --> 00:09:31,458 NOT QUITE YET, RILEY. 193 00:09:31,458 --> 00:09:35,083 SEE, THE BEST MASTER PLAN USUALLY INVOLVES A DISTRACTION. 194 00:09:35,083 --> 00:09:38,166 AND USUALLY IT COMES IN THE FORM OF A PRETTY FACE. 195 00:09:38,166 --> 00:09:40,166 OH, YOU GUYS. 196 00:09:40,166 --> 00:09:42,458 HI, EVERYBODY. 197 00:09:43,958 --> 00:09:46,083 YEAH, OKAY. 198 00:09:46,083 --> 00:09:50,000 ( music continues ) 199 00:09:51,000 --> 00:09:52,708 THAT'S HOW YOU THINK OF ME? 200 00:09:52,708 --> 00:09:54,333 A LOT OF THE TIME, YEAH. 201 00:09:54,333 --> 00:09:55,500 OKAY. 202 00:10:00,750 --> 00:10:04,458 I NEVER KNEW WHAT HAPPENED BETWEEN MY MOM AND DAD. 203 00:10:04,458 --> 00:10:06,208 SHE JUST TELLS ME NOT TO BE UPSET WITH HIM 204 00:10:06,208 --> 00:10:07,750 AND NEVER WANTS TO GO INTO DETAILS. 205 00:10:07,750 --> 00:10:10,250 - WHY NOT? - BECAUSE SHE DID SOMETHING TO MAKE HIM LEAVE. 206 00:10:10,250 --> 00:10:12,333 YOU AND I ARE THE ONES THAT GET LEFT, 207 00:10:12,333 --> 00:10:14,208 NOT LIKE HER. 208 00:10:14,208 --> 00:10:17,000 THAT'S WHY WE UNDERSTAND EACH OTHER, RIGHT? 209 00:10:18,291 --> 00:10:20,708 WHERE HAVE YOU BEEN? 210 00:10:20,708 --> 00:10:23,000 IT'S MY BIRTHDAY. AND WHEN DID YOU GUYS SHOW UP? 211 00:10:23,000 --> 00:10:25,166 YOU'VE ALL BEEN IN THERE TALKING FOR THE PAST HOUR? 212 00:10:25,166 --> 00:10:28,458 ACTUALLY, WE SAID WHAT WE NEEDED TO SAY IN 10 MINUTES. 213 00:10:28,458 --> 00:10:31,458 LOOKS LIKE YOU TWO HAVE BEEN TALKING FOR THE PAST HOUR, THOUGH. 214 00:10:31,458 --> 00:10:33,708 YEAH, WELL, YOU WOULDN'T LET US IN YOUR ROOM, 215 00:10:33,708 --> 00:10:35,958 SO IT'S LIKE YOU TRAPPED US OUT HERE. 216 00:10:35,958 --> 00:10:37,291 UH-HUH. 217 00:10:37,291 --> 00:10:40,166 SO OF COURSE WE'VE BEEN TALKING FOR THE PAST HOUR. 218 00:10:40,166 --> 00:10:42,500 ACTUALLY, ACCORDING TO MY WATCH, IT'S ONLY BEEN-- 219 00:10:42,500 --> 00:10:45,750 - ( beeping ) - Maya's voice: Maya is within five feet of you. 220 00:10:45,750 --> 00:10:48,458 WHAT THE-- 221 00:10:48,458 --> 00:10:50,250 Watch: Danger danger! 222 00:10:52,583 --> 00:10:54,250 ( Velcro ripping ) 223 00:11:01,833 --> 00:11:03,708 I love you, Farkle. 224 00:11:03,708 --> 00:11:06,166 YEAH, OKAY. 225 00:11:06,166 --> 00:11:08,583 RILEY, I THOUGHT WE WERE DOING SOMETHING FOR MY BIRTHDAY. 226 00:11:08,583 --> 00:11:12,375 YEAH, I'M PRETTY SURE SOMETHING'S GOING TO HAPPEN. 227 00:11:12,375 --> 00:11:14,875 HEY, COR. 228 00:11:14,875 --> 00:11:17,291 DO YOU KNOW MAYA'S MOTHER MISSED HER BIRTHDAY? 229 00:11:17,291 --> 00:11:18,875 I DO. I DO KNOW. 230 00:11:18,875 --> 00:11:20,583 THAT'S WHY I BOUGHT MAYA A CAKE. 231 00:11:20,583 --> 00:11:22,166 WHAT, THAT'S IT? THAT'S ALL YOU DID? 232 00:11:22,166 --> 00:11:24,166 WELL, YOU KNOW ME, SHAWN. 233 00:11:24,166 --> 00:11:26,583 I DON'T LIKE TO MEDDLE. 234 00:11:26,583 --> 00:11:28,083 WHAT?! 235 00:11:28,083 --> 00:11:29,416 WHAT'S BECOME OF YOU? 236 00:11:29,416 --> 00:11:31,833 I'M RETIRED. I'M OUT. 237 00:11:31,833 --> 00:11:34,708 WHAT? YOU TWO, WINDOW! 238 00:11:34,708 --> 00:11:37,833 - US? - WHATEVER FOR? 239 00:11:37,833 --> 00:11:39,958 WINDOW NOW! 240 00:11:43,250 --> 00:11:45,208 - YOU THREE. - All: US? 241 00:11:45,208 --> 00:11:46,583 WINDOW NOW. 242 00:11:48,583 --> 00:11:50,583 THE COREY MATTHEWS I KNEW 243 00:11:50,583 --> 00:11:53,250 WOULD HAVE IMMEDIATELY TAKEN THIS LITTLE GIRL UNDER HIS WING 244 00:11:53,250 --> 00:11:55,583 AND BECOME KIND OF A FATHER FIGURE TO HER. 245 00:11:55,583 --> 00:11:57,291 - I'M OLD. - HE'S TIRED. 246 00:11:57,291 --> 00:11:59,083 YOU'RE PATHETIC. 247 00:11:59,083 --> 00:12:00,708 - I'M TIRED. - HE'S OLD! 248 00:12:00,708 --> 00:12:02,625 COME ON, MAN! 249 00:12:02,625 --> 00:12:04,625 WE WERE KINGS! 250 00:12:06,208 --> 00:12:09,458 THIS COULD BE THE RETURN OF COREY AND SHAWN. 251 00:12:09,458 --> 00:12:11,083 - HMM. - COME ON! 252 00:12:11,083 --> 00:12:14,833 LET'S YOU AND ME FIX THINGS BETWEEN MAYA AND HER MOTHER. 253 00:12:14,833 --> 00:12:17,000 HMM. YOU DON'T THINK WE'RE TOO OLD 254 00:12:17,000 --> 00:12:19,583 FOR SUCH HIGH JINKS AND SHENANIGANS? 255 00:12:19,583 --> 00:12:22,125 IS MAYA NOT WORTH IT TO YOU? 256 00:12:22,125 --> 00:12:23,291 IS SHE WORTH IT TO YOU? 257 00:12:23,291 --> 00:12:26,000 YEAH. I LIKE HER VERY MUCH. 258 00:12:26,000 --> 00:12:30,500 DOESN'T SHE REMIND YOU OF SOMEONE? 259 00:12:30,500 --> 00:12:34,000 YEAH, WHAT CAN I SAY? I LIKE PEOPLE THAT REMIND ME OF ME. 260 00:12:34,000 --> 00:12:36,875 - DO I REMIND YOU OF YOU? - NO. 261 00:12:40,291 --> 00:12:43,458 YOU KNOW, IF THIS WERE THE OLD DAYS, 262 00:12:43,458 --> 00:12:45,458 I PROBABLY MIGHT CONSIDER VISITING KATY... 263 00:12:45,458 --> 00:12:46,625 HER MOTHER'S NAME IS KATY. 264 00:12:46,625 --> 00:12:47,875 ...IN THE DINER WHERE SHE WORKS. 265 00:12:47,875 --> 00:12:49,583 THE NIGHTHAWK DINER OVER ON 17th STREET. 266 00:12:49,583 --> 00:12:51,250 BUT AGAIN, I'M TOO OLD. 267 00:12:51,250 --> 00:12:53,291 HE NEEDS HIS SLEEP. 268 00:12:53,291 --> 00:12:54,708 WELL, I DON'T. 269 00:12:54,708 --> 00:12:56,500 AND I'M DISGUSTED WITH YOU. 270 00:12:56,500 --> 00:12:58,375 HE JUST NEEDS A LITTLE NAPPY BEFORE BED. 271 00:12:59,458 --> 00:13:01,708 GOOD JOB. 272 00:13:01,708 --> 00:13:03,166 ( snoring ) 273 00:13:03,166 --> 00:13:04,291 SERIOUSLY? 274 00:13:04,291 --> 00:13:06,125 YIP YIP YIP YIP YIP YIP. 275 00:13:11,083 --> 00:13:14,125 YOU WANT TO SEE A ROPE TRICK? 276 00:13:16,125 --> 00:13:19,083 MAYA, IT'S IMPORTANT THAT YOU KNOW 277 00:13:19,083 --> 00:13:22,166 THAT WHAT WE'RE ABOUT TO DO TO YOU IS FOR YOUR OWN GOOD. 278 00:13:22,166 --> 00:13:24,000 ( watch beeps ) 279 00:13:24,000 --> 00:13:25,958 Riley's voice: Maya, it's important that you know 280 00:13:25,958 --> 00:13:28,208 that what we're about to do to you is for your own good. 281 00:13:28,208 --> 00:13:29,708 - ( beeping ) - FARKLE. 282 00:13:29,708 --> 00:13:31,583 I'M THE WONK! 283 00:13:31,583 --> 00:13:34,208 OKAY, I GET IT. NOW WHAT IS SO IMPORTANT? 284 00:13:34,208 --> 00:13:36,125 YOU WANT TO SEE A ROPE TRICK? 285 00:13:36,125 --> 00:13:39,166 WILL YOU STOP DISTRACTING ME WITH THAT? 286 00:13:39,166 --> 00:13:41,250 IT'S NOT LIKE I ACTUALLY BELIEVED YOU'RE A REAL COWBOY. 287 00:13:41,250 --> 00:13:43,083 YEAH, 'CAUSE IF I WAS, 288 00:13:43,083 --> 00:13:44,458 THEN I COULD DO THIS. 289 00:13:56,250 --> 00:13:58,875 WHY DID YOU TIE ME UP? 290 00:13:58,875 --> 00:14:02,500 OH, SHAWN'S GOING TO MEET YOUR MOTHER. 291 00:14:02,500 --> 00:14:05,250 ( growling ) 292 00:14:05,250 --> 00:14:07,500 WHY WOULD YOU WANT HIM TO MEET MY MOTHER? 293 00:14:07,500 --> 00:14:09,375 MY MOTHER DRIVES MEN AWAY. 294 00:14:09,375 --> 00:14:11,166 THIS WILL END UP JUST LIKE MY FATHER, RILEY! 295 00:14:11,166 --> 00:14:12,583 SHAWN WILL RUN FOR THE HILLS! 296 00:14:12,583 --> 00:14:15,625 RUN FOR THE HILLS? WHO SAYS RUN FOR THE HILLS? 297 00:14:15,625 --> 00:14:17,208 ( growling ) 298 00:14:17,208 --> 00:14:18,750 RUN FOR THE HILLS! 299 00:14:36,583 --> 00:14:39,875 - KATY? - THAT'S WHAT IT SAYS RIGHT HERE. 300 00:14:39,875 --> 00:14:41,875 - YEAH? - HI. 301 00:14:41,875 --> 00:14:44,291 HI. WHAT'LL IT BE? 302 00:14:53,208 --> 00:14:55,250 OH, ME? 303 00:14:55,250 --> 00:14:57,625 I'LL HAVE SOME BIRTHDAY CAKE. 304 00:14:57,625 --> 00:14:59,000 WHAT? 305 00:14:59,000 --> 00:15:02,000 WHAT KIND OF MOM ARE YOU, KATY? 306 00:15:02,000 --> 00:15:04,875 WHAT? 307 00:15:04,875 --> 00:15:08,125 HEY, UNLESS YOUR BUSINESS WITH ME 308 00:15:08,125 --> 00:15:10,166 IS TUNA MELT, MEATLOAF OR PIE, 309 00:15:10,166 --> 00:15:13,000 YOU CAN WALK YOUR NOSY LITTLE BUTT RIGHT OUT OF HERE. 310 00:15:27,000 --> 00:15:29,291 WHO ARE YOU, BUDDY? 311 00:15:29,291 --> 00:15:31,083 MY NAME'S SHAWN HUNTER. 312 00:15:31,083 --> 00:15:33,625 - WHOA. - WHAT DO YOU MEAN, WHOA? 313 00:15:33,625 --> 00:15:35,958 YOU'RE THE GUY MAYA DOESN'T STOP TALKING ABOUT, 314 00:15:35,958 --> 00:15:37,333 THE MATTHEWS' FRIEND. 315 00:15:37,333 --> 00:15:40,166 YOU GUYS ALL WENT ON A FAMILY WEEKEND TOGETHER. 316 00:15:40,166 --> 00:15:42,708 SHE HAD A REALLY GOOD TIME AND I APPRECIATE IT. 317 00:15:42,708 --> 00:15:44,083 THANK YOU VERY MUCH. 318 00:15:44,083 --> 00:15:45,000 YOU'RE WELCOME. 319 00:15:45,000 --> 00:15:47,291 AND IF YOU EVER QUESTION MY MOTHERHOOD AGAIN, 320 00:15:47,291 --> 00:15:49,708 I WILL SMASH A PLATE OVER YOUR HEAD. 321 00:15:49,708 --> 00:15:51,708 YOU KNOW WHAT, LADY? 322 00:15:51,708 --> 00:15:53,416 YOU ALREADY DON'T LIKE ME, 323 00:15:53,416 --> 00:15:55,500 SO I'M JUST GOING TO KEEP TALKING, OKAY? 324 00:15:55,500 --> 00:15:57,708 TODAY IS MAYA'S BIRTHDAY. 325 00:15:57,708 --> 00:16:00,083 WHAT ARE YOU DOING HERE SINCE FIRST THING THIS MORNING? 326 00:16:01,166 --> 00:16:04,333 YOU'RE RIGHT. 327 00:16:04,333 --> 00:16:07,125 I DON'T LIKE YOU AT ALL. 328 00:16:09,833 --> 00:16:11,250 SHOW'S OVER. 329 00:16:11,250 --> 00:16:13,083 LET'S MOVE. 330 00:16:27,166 --> 00:16:28,708 WHOA. 331 00:16:33,125 --> 00:16:35,333 MAYA, I TRIED. 332 00:16:35,333 --> 00:16:37,083 IT DIDN'T WORK. 333 00:16:37,083 --> 00:16:40,458 RILEY, I TOLD YOU, SOME THINGS CAN'T BE FIXED. 334 00:16:40,458 --> 00:16:43,125 SHE DOES THIS. SHE MAKES MEN LEAVE. 335 00:16:43,125 --> 00:16:45,208 SHAWN'S PROBABLY IN MEXICO BY NOW. 336 00:16:45,208 --> 00:16:46,958 WHY DID YOU DO THIS? 337 00:16:46,958 --> 00:16:48,750 YOU'RE ANGRY AT ME. 338 00:16:48,750 --> 00:16:51,083 I AM. 339 00:16:55,000 --> 00:16:57,166 HOW ABOUT NOW? 340 00:16:59,458 --> 00:17:01,000 RIGHT NOW I'M KIND OF, LIKE, FURIOUS. 341 00:17:01,000 --> 00:17:04,125 - SHOULD I UNTIE YOU THEN? - I WOULDN'T. 342 00:17:19,000 --> 00:17:22,000 IF YOU WANT TO GIVE ME BACK THE FRIENDSHIP RING, I'LL UNDERSTAND. 343 00:17:22,000 --> 00:17:25,083 I AM NEVER GIVING THIS FRIENDSHIP RING BACK AS LONG AS I LIVE. 344 00:17:25,083 --> 00:17:28,500 WOW, YOU SAID KIND OF A NICE THING IN A REALLY MEAN VOICE. 345 00:17:28,500 --> 00:17:30,583 RILEY, PEOPLE ONLY GET UPSET WITH EACH OTHER 346 00:17:30,583 --> 00:17:33,166 WHEN WHAT THEY'RE TALKING ABOUT IS IMPORTANT TO THEM. 347 00:17:33,166 --> 00:17:36,166 HUH. 348 00:17:36,166 --> 00:17:38,000 THEN MAYBE THERE'S STILL HOPE. 349 00:17:39,750 --> 00:17:41,875 THANK YOU FOR UNTYING ME. 350 00:17:41,875 --> 00:17:43,583 ARE YOU STILL ANGRY AT ME? 351 00:17:43,583 --> 00:17:46,208 I'LL THINK ABOUT IT. YES! 352 00:17:50,000 --> 00:17:52,000 SO DO YOU WANT TO SLEEP OVER? 353 00:17:57,000 --> 00:17:59,375 DO YOU THINK I WOULD WALK IN HERE AND TALK TO YOU LIKE THIS 354 00:17:59,375 --> 00:18:01,500 IF I WASN'T SO FOND OF YOUR DAUGHTER? 355 00:18:01,500 --> 00:18:03,375 OH, YOU'RE FOND OF MY DAUGHTER. 356 00:18:03,375 --> 00:18:07,291 WHY DON'T YOU TELL ME ABOUT YOUR VAST EXPERIENCE RAISING A CHILD? 357 00:18:07,291 --> 00:18:09,291 I DON'T HAVE ANY! 358 00:18:09,291 --> 00:18:12,708 BUT I KNOW YOU DON'T WORK AN EXTRA SHIFT AT A DINER 359 00:18:12,708 --> 00:18:14,375 AND MISS YOUR DAUGHTER'S BIRTHDAY. 360 00:18:14,375 --> 00:18:17,750 MM-HMM. AND YOU KNOW THIS BECAUSE YOU KNOW SO MUCH ABOUT RELATIONSHIPS? 361 00:18:17,750 --> 00:18:19,708 - I'M TERRIBLE AT RELATIONSHIPS. - I'M WORSE. 362 00:18:19,708 --> 00:18:21,333 - I DON'T WANT TO BE. - NEITHER DO I. 363 00:18:21,333 --> 00:18:24,125 WELL, THEN WE'VE GOT SOMETHING IN COMMON. 364 00:18:27,125 --> 00:18:31,000 LOOK, MY DAUGHTER LIKES HAVING YOU AROUND. 365 00:18:31,000 --> 00:18:33,166 BUT HOW CAN YOU STICK AROUND 366 00:18:33,166 --> 00:18:36,125 WHEN EVERY WEEKEND SHE TOLD ME YOU GO SOMEWHERE ELSE? 367 00:18:36,125 --> 00:18:38,125 I WRITE ABOUT PLACES. THAT'S MY JOB. 368 00:18:38,125 --> 00:18:41,458 I CAN'T LET MAYA GET CLOSE TO SOMEBODY ELSE WHO JUST LEAVES. 369 00:18:41,458 --> 00:18:44,125 OKAY, FIRST OF ALL, I'M NOT A LEAVER. 370 00:18:44,125 --> 00:18:46,083 ALL RIGHT? I'M A STAYER. 371 00:18:46,083 --> 00:18:48,250 I'M THE ONE WHO GETS LEFT. 372 00:18:49,375 --> 00:18:53,000 WELL, WE GOT THAT IN COMMON TOO. 373 00:18:53,000 --> 00:18:54,208 WHAT DO YOU MEAN? 374 00:18:54,208 --> 00:18:55,833 MAYA THINKS THAT YOU CHASED AWAY-- 375 00:18:55,833 --> 00:18:58,000 I KNOW WHAT SHE THINKS. IT'S HER FATHER. 376 00:18:59,083 --> 00:19:01,583 A GIRL SHOULD THINK WELL OF HER FATHER. 377 00:19:05,000 --> 00:19:07,833 HI, KATY. 378 00:19:07,833 --> 00:19:10,208 SO I FINISHED IT 379 00:19:10,208 --> 00:19:12,583 AND IT'S JUST LIKE YOU WANTED IT. 380 00:19:12,583 --> 00:19:14,375 IT'S BEAUTIFUL, CAMILLE. 381 00:19:14,375 --> 00:19:17,208 SHE'LL LOVE IT. 382 00:19:17,208 --> 00:19:19,125 BUT I'M STILL $50 SHORT 383 00:19:19,125 --> 00:19:21,583 AND IT'LL TAKE AN EXTRA SHIFT TO PAY FOR IT. 384 00:19:21,583 --> 00:19:24,458 IT'S A NICE LOCKET. 385 00:19:24,458 --> 00:19:27,083 FAMILY PHOTO GOING IN THERE? 386 00:19:27,083 --> 00:19:28,291 YEAH. 387 00:19:28,291 --> 00:19:29,750 HER AND ME. 388 00:19:30,875 --> 00:19:33,416 HERE YOU GO. 389 00:19:33,416 --> 00:19:35,083 REALLY? 390 00:19:35,083 --> 00:19:37,166 TODAY IS HER BIRTHDAY. 391 00:19:37,166 --> 00:19:39,083 BUT YOU KNEW THAT. 392 00:19:39,083 --> 00:19:41,625 HE'S CUTE. 393 00:19:45,875 --> 00:19:47,208 I'LL PAY YOU BACK. 394 00:19:47,208 --> 00:19:50,625 YOU WILL. YOU'LL LET ME TAKE THE PHOTO. 395 00:19:56,208 --> 00:19:59,166 WE JUST WANTED TO GIVE YOU A BIRTHDAY YOU'D NEVER FORGET, MAYA. 396 00:19:59,166 --> 00:20:00,875 I APPRECIATE IT. I DO. 397 00:20:00,875 --> 00:20:04,416 SOME THINGS ARE JUST IMPOSSIBLE. 398 00:20:04,416 --> 00:20:06,583 I USED TO NOT BELIEVE THAT. 399 00:20:06,583 --> 00:20:09,458 I STILL DON'T. 400 00:20:09,458 --> 00:20:11,625 HAPPY BIRTHDAY. 401 00:20:11,625 --> 00:20:13,291 EVERYTHING YOU THINK IS WRONG. 402 00:20:13,291 --> 00:20:16,208 I ASKED YOU NOT TO TELL HER. WHY WOULD YOU DO THIS? 403 00:20:16,208 --> 00:20:18,583 BECAUSE SHE DESERVES TO LOVE THE PARENT WHO STAYED. 404 00:20:20,208 --> 00:20:21,875 WHAT? 405 00:20:21,875 --> 00:20:25,750 YOUR MOTHER HAD NOTHING TO DO WITH YOUR FATHER LEAVING, MAYA. 406 00:20:25,750 --> 00:20:27,375 ALL RIGHT? ALL THIS TIME 407 00:20:27,375 --> 00:20:29,375 SHE'S JUST BEEN PROTECTING HIM FOR YOU. 408 00:20:31,583 --> 00:20:35,208 MOM? YOU GOT LEFT? 409 00:20:35,208 --> 00:20:38,166 I'M SORRY. 410 00:20:40,833 --> 00:20:42,333 SHE'S ONE OF US. 411 00:20:45,083 --> 00:20:47,125 COME HERE. 412 00:20:54,291 --> 00:20:57,000 I COULDN'T AFFORD TO GET YOU WHAT YOU WANTED 413 00:20:57,000 --> 00:20:59,375 WITHOUT WORKING A COUPLE EXTRA SHIFTS, 414 00:20:59,375 --> 00:21:01,291 BUT I GOT IT, HONEY. 415 00:21:01,291 --> 00:21:03,291 SHAWN HELPED ME. 416 00:21:03,291 --> 00:21:04,625 A LOCKET? 417 00:21:04,625 --> 00:21:06,708 - YEAH. - WHERE IS IT? 418 00:21:06,708 --> 00:21:08,875 - IT'S IN MY PURSE. - I'LL GET IT. 419 00:21:08,875 --> 00:21:12,083 YOU CAN'T GO THROUGH MY PURSE. 420 00:21:12,083 --> 00:21:14,333 Both: LET HIM! 421 00:21:38,458 --> 00:21:40,583 DID YOU SEE WHAT I DID THERE, COR? 422 00:21:40,583 --> 00:21:42,625 I GOT MAYA AND HER MOTHER TOGETHER. 423 00:21:42,625 --> 00:21:45,291 YEAH. YOU DID GREAT, SHAWN. 424 00:21:45,291 --> 00:21:47,875 WELL, I'D BE HAPPY TO INCLUDE YOU IN MY NEXT SCHEME. 425 00:21:47,875 --> 00:21:50,083 SORRY, BUDDY. 426 00:21:52,500 --> 00:21:55,166 I GOT ME A NEW PARTNER NOW. 427 00:21:55,166 --> 00:21:57,125 SO YOU'RE WITH HER NOW, HUH? 428 00:21:57,125 --> 00:21:59,125 ME AND HER. 429 00:22:00,291 --> 00:22:01,875 YOU'RE ON YOUR OWN. 430 00:22:01,875 --> 00:22:03,583 COME ON! 431 00:22:03,583 --> 00:22:08,000 WHAT FUN IS PULLING OFF SCHEMES BY YOURSELF? 432 00:22:09,208 --> 00:22:12,000 OH, IT'S YOU AND ME NOW? 433 00:22:12,000 --> 00:22:13,416 WELL, HEY, 434 00:22:13,416 --> 00:22:17,166 I'M IN THE MARKET FOR A NEW PARTNER IN CRIME. 435 00:22:17,166 --> 00:22:20,208 YEAH, ALL RIGHT, I'LL TRY YOU OUT AND SEE HOW YOU DO. 436 00:22:21,625 --> 00:22:23,083 CAKE TIME. 437 00:22:23,083 --> 00:22:25,708 HAPPY BIRTHDAY, BABY GIRL. 438 00:22:25,708 --> 00:22:27,500 MAKE A WISH. 439 00:22:37,583 --> 00:22:39,708 WOW. 440 00:22:39,708 --> 00:22:42,875 YOU'RE RIGHT. I CAN HARDLY MOVE. 441 00:22:44,166 --> 00:22:47,166 I SEE WHY YOU WERE KIND OF FURIOUS AT ME. 442 00:22:47,166 --> 00:22:49,750 UH-HUH. UH-HUH. 443 00:22:50,958 --> 00:22:53,458 AND I CAN SEE WHY YOU WANTED TO TIE ME UP TOO, 444 00:22:53,458 --> 00:22:57,083 SO I COULD SHARE YOUR EXPERIENCE. 445 00:22:57,083 --> 00:23:00,583 I UNDERSTAND THAT YOU WANT US TO SHARE EVERY EXPERIENCE 446 00:23:00,583 --> 00:23:02,750 BECAUSE WE'RE FRIENDS, 447 00:23:02,750 --> 00:23:04,458 WITH FRIENDSHIP RINGS! 448 00:23:07,208 --> 00:23:11,166 MAYA, COULD YOU AT LEAST SAY ONE WORD TO ME? 449 00:23:11,166 --> 00:23:14,000 GOOD NIGHT. 450 00:23:18,583 --> 00:23:20,000 MY NOSE ITCHES. 451 00:23:25,208 --> 00:23:27,875 THANK YOU. HAPPY BIRTHDAY.