1
00:00:10,750 --> 00:00:12,833
HAPPY 14, MAYA!
2
00:00:19,833 --> 00:00:22,333
HOW'S 14?
TELL ME WHAT IT'S LIKE TO BE 14,
3
00:00:22,333 --> 00:00:23,875
BUT DON'T LEAVE ANYTHING OUT.
4
00:00:23,875 --> 00:00:25,875
SO FAR IT'S A LOT OF WORK.
5
00:00:27,125 --> 00:00:29,125
BECAUSE YOU KNOW
I'LL BE THERE SOON,
6
00:00:29,125 --> 00:00:31,333
AND I WANT TO KNOW WHAT
I HAVE TO LOOK FORWARD TO.
7
00:00:31,333 --> 00:00:33,000
WELL, IF YOU'RE LIKE ME,
YOU CAN LOOK FORWARD
8
00:00:33,000 --> 00:00:34,875
TO YOUR MOTHER
FORGETTING YOUR BIRTHDAY.
9
00:00:34,875 --> 00:00:36,583
OH, NO SHE DID NOT!
10
00:00:38,000 --> 00:00:39,166
WHERE YOU GOIN', HONEY?
11
00:00:39,166 --> 00:00:42,166
- MUST TALK TO YOUR MOM.
- MUST NOT GET INVOLVED.
12
00:00:42,166 --> 00:00:46,000
WHY DO YOU TELL ME THESE THINGS
IF YOU DON'T EXPECT ME
TO FIX THEM?
13
00:00:46,000 --> 00:00:48,250
WHEN YOU'RE 14,
YOU'LL UNDERSTAND.
14
00:00:48,250 --> 00:00:51,250
HOW COULD YOUR MOTHER
FORGET YOUR BIRTHDAY, MAYA?
15
00:00:51,250 --> 00:00:52,708
I'VE STOPPED TRYING
TO FIGURE IT OUT.
16
00:00:52,708 --> 00:00:54,416
SHE WAS ALREADY GONE
WHEN I WOKE UP THIS MORNING.
17
00:00:54,416 --> 00:00:56,458
SHE PROBABLY JUST TOOK
AN EARLY SHIFT AT THE DINER.
18
00:00:56,458 --> 00:00:59,291
RATHER THAN BE THERE
FOR YOUR BIRTHDAY? UNH-UH!
19
00:01:01,291 --> 00:01:03,958
RILES, A FRIENDSHIP RING.
20
00:01:03,958 --> 00:01:05,625
- YEAH.
- TWO OF THEM.
21
00:01:05,625 --> 00:01:07,500
- YEAH!
- IN CASE I LOSE ONE.
22
00:01:07,500 --> 00:01:09,458
NO.
23
00:01:09,458 --> 00:01:11,833
- WELL, ANYBODY ELSE WOULD HAVE
JUST GOTTEN ME ONE.
- NO.
24
00:01:11,833 --> 00:01:13,166
- OH, I GET IT.
- YEAH.
25
00:01:13,166 --> 00:01:15,125
- ONE FOR EACH HAND.
- NO.
26
00:01:16,458 --> 00:01:18,000
I'LL NEVER TAKE THIS OFF
UNTIL I DIE.
27
00:01:18,000 --> 00:01:22,125
YOU'LL PROBABLY DIE BEFORE ME
SINCE YOU'RE OLDER.
28
00:01:22,125 --> 00:01:26,250
SHOULD I TELL THE PEOPLE
NOT TO TAKE IT OFF YOUR DEAD
CORPSE BODY?
29
00:01:26,250 --> 00:01:28,083
YEAH, WOULD YOU DO THAT
FOR ME?
30
00:01:28,083 --> 00:01:30,166
AND, MAYA, THE OTHER RING--
31
00:01:30,166 --> 00:01:32,458
- IS FOR YOU.
- YEAH.
32
00:01:32,458 --> 00:01:34,750
OH, NO.
IF YOU'RE NOT THERE,
33
00:01:34,750 --> 00:01:38,875
WHO'S GOING TO TELL
THE PEOPLE NOT TO TAKE IT OFF
MY DEAD CORPSE BODY?
34
00:01:40,125 --> 00:01:43,166
- HAPPY BIRTHDAY, MAYA.
- THANKS FOR NOT FORGETTING.
35
00:01:43,166 --> 00:01:45,458
OH, YEAH,
THAT REMINDS ME.
36
00:01:48,875 --> 00:01:51,083
( theme music playing )
37
00:01:52,708 --> 00:01:54,875
♪ I'VE BEEN WAITING ♪
38
00:01:54,875 --> 00:01:57,166
♪ FOR A DAY LIKE THIS TO COME ♪
39
00:01:57,166 --> 00:01:59,000
♪ STRUCK LIKE LIGHTNING ♪
40
00:01:59,000 --> 00:02:01,166
♪ MY HEART'S BEATING
LIKE A DRUM ♪
41
00:02:01,166 --> 00:02:04,166
♪ ON THE EDGE OF SOMETHING ♪
42
00:02:04,166 --> 00:02:05,333
♪ WONDERFUL ♪
43
00:02:05,333 --> 00:02:08,125
♪ FACE TO FACE
WITH CHANGES ♪
44
00:02:08,125 --> 00:02:09,833
♪ WHAT'S IT ALL ABOUT? ♪
45
00:02:09,833 --> 00:02:11,583
♪ LIFE IS CRAZY ♪
46
00:02:11,583 --> 00:02:13,583
♪ BUT I KNOW
I CAN WORK IT OUT ♪
47
00:02:13,583 --> 00:02:17,875
♪ 'CAUSE I GOT YOU
TO LIVE IT WITH ME ♪
48
00:02:17,875 --> 00:02:21,958
♪ I FEEL ALL RIGHT,
I'M GONNA TAKE ON THE WORLD ♪
49
00:02:21,958 --> 00:02:25,000
♪ LIGHT UP THE STARS,
I'VE GOT SOME PAGES TO TURN ♪
50
00:02:25,000 --> 00:02:27,583
♪ I'M SINGING, OH OH OH ♪
51
00:02:27,583 --> 00:02:30,125
♪ OH OH OH OH ♪
52
00:02:30,125 --> 00:02:33,208
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
53
00:02:33,208 --> 00:02:35,458
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
54
00:02:35,458 --> 00:02:38,875
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD. ♪
55
00:02:47,750 --> 00:02:50,083
ARE YOU REALLY HERE?
56
00:02:50,083 --> 00:02:52,208
YEP, I'M HERE.
57
00:02:55,250 --> 00:02:58,208
- UNCLE SHAWN!
- HEY THERE.
58
00:02:59,250 --> 00:03:01,000
- HEY.
- HEY.
59
00:03:02,416 --> 00:03:04,458
OKAY.
60
00:03:04,458 --> 00:03:06,416
IT'S HER BIRTHDAY.
SQUEEZE HER GOOD.
61
00:03:06,416 --> 00:03:10,416
OH, HAPPY BIRTHDAY, KIDDO.
YOU DOING SOMETHING SPECIAL?
62
00:03:10,416 --> 00:03:12,625
THIS IS IT.
63
00:03:14,166 --> 00:03:16,875
HONEY, HIDE THE CAKE
BEFORE MAYA GETS HERE.
64
00:03:16,875 --> 00:03:18,416
I KNOW, BUT YOU KNOW
WHAT WE SHOULD DO?
65
00:03:18,416 --> 00:03:20,000
WE SHOULD BRING THIS CAKE
TO MAYA'S MOTHER
66
00:03:20,000 --> 00:03:22,208
JUST IN CASE SHE FORGOT
TO GET HER OWN KID A CAKE.
67
00:03:22,208 --> 00:03:24,166
OH, YOU THINK THAT
COULD ACTUALLY HAPPEN?
68
00:03:24,166 --> 00:03:26,000
HONEY, I GREW UP
WITH SHAWN HUNTER.
69
00:03:26,000 --> 00:03:29,208
REMEMBER HIS MOTHER?
SHE FORGOT WHERE SHE LIVED.
70
00:03:29,208 --> 00:03:31,875
SEE, MY BIGGEST WORRY
IS THAT FORGETTING TO
GIVE YOUR KID A CAKE
71
00:03:31,875 --> 00:03:34,125
IS THE FIRST STEP
TO FORGETTING WHERE YOU LIVE.
72
00:03:34,125 --> 00:03:38,250
OH, THAT'S NOT
YOUR BIGGEST WORRY ANYMORE.
73
00:03:38,250 --> 00:03:40,458
MAYA'S BEHIND ME,
ISN'T SHE?
74
00:03:40,458 --> 00:03:43,708
WHY IS EVERYBODY
ALWAYS BEHIND ME?
75
00:03:43,708 --> 00:03:47,208
OKAY, MAYA,
I'M NOT GOING TO TURN AROUND
BECAUSE I'M ALL EMBARRASSED,
76
00:03:47,208 --> 00:03:48,875
BUT YOU KNOW HOW MUCH
I LIKE YOUR MOTHER.
77
00:03:48,875 --> 00:03:50,458
I KNOW YOU DO.
YOU ALWAYS DEFEND HER.
78
00:03:50,458 --> 00:03:52,375
- BECAUSE AT LEAST SHE'S NOT...
- NO, EVERYTHING'S FINE!
79
00:03:52,375 --> 00:03:54,750
- STOP TALKING.
- ...SHAWN'S MOTHER!
80
00:03:54,750 --> 00:03:56,750
WHAT A CUCKOO.
81
00:03:56,750 --> 00:03:59,416
"AH, IT'S TUESDAY!
I BETTER RUN AWAY!"
82
00:03:59,416 --> 00:04:02,833
( laughs )
YOU HAVE TO LAUGH,
HUH, TOPANGA?
83
00:04:06,208 --> 00:04:08,708
NICE FACE.
84
00:04:08,708 --> 00:04:11,333
YOU WANT TO TURN AROUND
OR YOU WANT ME TO
TURN YOU AROUND?
85
00:04:11,333 --> 00:04:14,291
HOW YOU DOIN', SHAWN?
86
00:04:14,291 --> 00:04:17,625
WELL, IT AIN'T TUESDAY,
SO PRETTY GOOD.
87
00:04:18,833 --> 00:04:22,250
- SHAWNY!
- AH!
88
00:04:23,708 --> 00:04:26,250
HOW YOU DOIN', BUDDY?
89
00:04:26,250 --> 00:04:27,875
JUST HERE DOING A PHOTO ESSAY--
90
00:04:27,875 --> 00:04:30,500
"WEEKENDS IN NEW YORK
FOR UNDER $100."
91
00:04:30,500 --> 00:04:32,583
IT'S IMPOSSIBLE.
CAN I STAY HERE?
92
00:04:34,166 --> 00:04:36,083
WE FOUND HIM ON THE COUCH.
CAN WE KEEP HIM?
93
00:04:37,375 --> 00:04:38,958
WAIT A MINUTE.
WHO LET YOU IN?
94
00:04:38,958 --> 00:04:41,333
- I HAVE A KEY.
- YOU GAVE HIM A KEY?
95
00:04:41,333 --> 00:04:44,083
FINE, I'LL GIVE YOU A KEY.
96
00:04:44,083 --> 00:04:46,166
YOU LOVE ME!
97
00:04:46,166 --> 00:04:47,750
I DO LOVE YOU.
98
00:04:47,750 --> 00:04:50,000
YOU HAVE THE KEY
TO MY HEART.
99
00:04:54,708 --> 00:04:57,500
SO WHO HAS THE KEY
TO YOUR HEART?
100
00:04:58,625 --> 00:05:01,416
YEAH, YOU EVER BEEN IN LOVE
OR WHAT?
101
00:05:01,416 --> 00:05:04,250
- ANGELA TIME?
- SEEMS UNAVOIDABLE.
102
00:05:04,250 --> 00:05:05,875
ANGELA-- SPILL IT.
103
00:05:05,875 --> 00:05:10,375
YEAH, WAS SHE ALL TORTURED
POET-WANDERER-FEMALE-YOU TYPE?
104
00:05:10,375 --> 00:05:12,208
YOU GUYS WANT TO KNOW
HOW THEY FELL IN LOVE?
105
00:05:12,208 --> 00:05:14,583
HE WENT THROUGH HER PURSE.
106
00:05:14,583 --> 00:05:17,208
WHAT?
107
00:05:17,208 --> 00:05:19,583
I CAN EXPLAIN THAT.
108
00:05:19,583 --> 00:05:22,958
GIRLS, TRUST US,
IT WAS VERY ROMANTIC
IN HIGH SCHOOL.
109
00:05:22,958 --> 00:05:26,000
SO BASICALLY HE FELL IN LOVE
WITH A CONCEPT?
110
00:05:26,000 --> 00:05:28,166
- IT WAS DOOMED FROM THE START.
- NEVER LET ME DO THAT.
111
00:05:28,166 --> 00:05:30,708
I WOULD KILL IT IMMEDIATELY.
THAT'S WHAT BEST FRIENDS
ARE SUPPOSED TO DO.
112
00:05:30,708 --> 00:05:32,333
- RING POWER!
- RING POWER!
113
00:05:32,333 --> 00:05:34,333
- THUNDER!
- LIGHTNING!
114
00:05:37,750 --> 00:05:39,000
SO WHERE'S ANGELA NOW?
115
00:05:39,000 --> 00:05:41,250
I DON'T KNOW.
I TRIED TO MAKE IT WORK.
116
00:05:41,250 --> 00:05:43,583
- BUT YOU COULDN'T COMMIT?
- NO.
117
00:05:43,583 --> 00:05:45,458
YOU KNOW, PEOPLE HAVE IT
ALL WRONG ABOUT ME.
118
00:05:45,458 --> 00:05:47,000
I-- I WAS ALL IN.
119
00:05:47,000 --> 00:05:50,250
SHE'S THE ONE WHO LEFT.
I GOT LEFT.
120
00:05:50,250 --> 00:05:52,708
YEAH, I--
I GET A LOT OF THAT TOO.
121
00:05:52,708 --> 00:05:54,458
WHO'S ON YOUR LIST?
122
00:05:54,458 --> 00:05:57,375
MOTHER, FATHER, GIRLFRIEND.
123
00:05:57,375 --> 00:06:00,833
WOW.
WHAT IS IT WITH US?
124
00:06:00,833 --> 00:06:02,375
( laughs )
125
00:06:02,375 --> 00:06:04,875
WHAT IS IT WITH US?
126
00:06:05,875 --> 00:06:09,500
WINDOW!
WINDOW RIGHT NOW!
127
00:06:10,833 --> 00:06:12,166
NOT YOU.
128
00:06:12,166 --> 00:06:14,125
BUT IT'S MY BIRTHDAY.
129
00:06:14,125 --> 00:06:16,208
YEAH, I KNOW.
130
00:06:17,250 --> 00:06:18,708
- YOU.
- REALLY?
131
00:06:18,708 --> 00:06:20,291
- AND YOU!
- OH, BOY!
132
00:06:25,958 --> 00:06:28,958
OKAY, I HAVE HEARD
ALL OF THE STORIES.
133
00:06:28,958 --> 00:06:31,125
BUT TELL ME THE TRUTH, MOM.
134
00:06:31,125 --> 00:06:32,500
WHEN YOU GUYS WERE MY AGE,
135
00:06:32,500 --> 00:06:35,125
WAS DAD REALLY THAT GOOD
AT SCHEMES?
136
00:06:35,125 --> 00:06:36,208
SCHEMES?
137
00:06:36,208 --> 00:06:39,875
YOU KNOW, RACKETS,
SCAMS, PULLING STUFF ON PEOPLE,
138
00:06:39,875 --> 00:06:42,083
CHANGING THEIR LIVES.
139
00:06:42,083 --> 00:06:47,000
COREY MATTHEWS WAS THE BEST
THERE EVER WAS.
140
00:06:47,000 --> 00:06:49,458
- WHY?
- WELL, BECAUSE WHEN
HE BELIEVES IN SOMETHING,
141
00:06:49,458 --> 00:06:51,958
HIS WILL IS STRONGER
THAN ANYBODY'S.
142
00:06:51,958 --> 00:06:54,083
I'M RETIRED.
143
00:06:55,166 --> 00:06:57,458
BUT WHAT IF I BELIEVED
IN SOMETHING?
144
00:06:57,458 --> 00:07:00,708
YOUR MOVE.
145
00:07:00,708 --> 00:07:03,000
RILEY, YOU WANT TO PULL ME
BACK IN THE GAME,
146
00:07:03,000 --> 00:07:06,083
THEN THIS HAS TO BE MONUMENTAL.
147
00:07:07,166 --> 00:07:09,208
A SCHEME OF SCHEMES.
148
00:07:09,208 --> 00:07:12,291
SCHEMETATA DE SCHEMETATA.
149
00:07:13,250 --> 00:07:14,458
WHAT'S THAT MEAN?
150
00:07:14,458 --> 00:07:16,208
HE'S MAKING IT UP.
151
00:07:16,208 --> 00:07:19,833
A SCHEME THAT MAKES
THE ANGELS SING.
152
00:07:19,833 --> 00:07:22,458
OTHERWISE, I'M OUT FOREVER.
YOU HEAR ME?!
153
00:07:24,458 --> 00:07:27,625
NOW YOU'VE GOT ONE MINUTE,
RILEY.
154
00:07:27,625 --> 00:07:29,875
WOW ME.
155
00:07:29,875 --> 00:07:32,125
I WANT SHAWN
TO BE MAYA'S DAD.
156
00:07:36,458 --> 00:07:38,125
WOW.
157
00:07:44,250 --> 00:07:47,208
RILEY, YOU CAN'T JUST
WANT SHAWN TO BE MAYA'S FATHER.
158
00:07:47,208 --> 00:07:50,166
YOUR DAD CAN'T POSSIBLY
MAKE THAT HAPPEN. CAN YOU?
159
00:07:50,166 --> 00:07:52,166
TOUGH ONE.
160
00:07:52,166 --> 00:07:55,250
IT'S THE STUFF
LEGENDS ARE MADE OF.
161
00:07:55,250 --> 00:07:57,208
BUT IF WE CAN PULL IT OFF,
162
00:07:57,208 --> 00:08:00,000
IT WOULD MAKE THE ANGELS SING.
163
00:08:00,000 --> 00:08:03,125
( horn music playing )
164
00:08:04,458 --> 00:08:06,583
I WANT TO DO THIS
WITH YOU, DAD.
165
00:08:06,583 --> 00:08:10,166
TEACH ME.
I WANT TO DO IT FOR MAYA.
166
00:08:10,166 --> 00:08:13,166
( music continues )
167
00:08:14,708 --> 00:08:17,875
RILEY, I DON'T WANT YOU
TO GET YOUR HOPES UP.
168
00:08:17,875 --> 00:08:20,083
BUT IF THERE IS ANYONE
IN THE WORLD
169
00:08:20,083 --> 00:08:23,583
WHO HAS A CHANCE
OF PULLING THIS OFF, IT'S HIM.
170
00:08:23,583 --> 00:08:27,125
( music continues )
171
00:08:28,291 --> 00:08:30,291
WELL, THE BEST MASTER PLAN
172
00:08:30,291 --> 00:08:33,166
INVOLVES HOW WELL
WE KNOW OUR TWO SUBJECTS.
173
00:08:33,166 --> 00:08:36,250
( music continues )
174
00:08:39,000 --> 00:08:41,375
WE GOT RINGS.
175
00:08:41,375 --> 00:08:42,958
SO DO WE.
176
00:08:42,958 --> 00:08:46,291
SHAWN GAVE ME MINE
WHEN I WAS 25 YEARS OLD.
177
00:08:47,458 --> 00:08:50,000
YOUR MOTHER
WON'T LET ME WEAR IT.
178
00:08:51,458 --> 00:08:54,875
OKAY, SO THE NEXT STEP
IN OUR PLAN
179
00:08:54,875 --> 00:08:57,000
IS WE NEED A CUTTING-EDGE
TECH GUY.
180
00:08:57,000 --> 00:09:00,250
- LADIES!
- All: FARKLE!
181
00:09:00,250 --> 00:09:02,250
WANT TO SEE
MY NEW COMPUTER WATCH?
182
00:09:02,250 --> 00:09:04,000
SURE, IT LOOKS LIKE
AN OLD CALCULATOR WATCH,
183
00:09:04,000 --> 00:09:07,166
BUT I UPDATED THE HARD DRIVE
AND ADDED AN INTERESTING
NEW FEATURE.
184
00:09:07,166 --> 00:09:10,291
- ( watch beeps )
- Voice: Riley is
within five feet of you.
185
00:09:10,291 --> 00:09:13,000
HEY, THAT'S MY VOICE.
186
00:09:13,000 --> 00:09:15,000
YEAH, I'VE BEEN RECORDING IT
FOR YEARS.
187
00:09:15,000 --> 00:09:17,083
BUT DON'T WORRY, I WOULD NEVER
TAKE ADVANTAGE OF IT.
188
00:09:17,083 --> 00:09:18,708
- ( beeps )
- I love you, Farkle.
189
00:09:20,333 --> 00:09:22,625
WELL, I GUESS WE FOUND
OUR TECH GUY.
190
00:09:23,708 --> 00:09:28,083
( music continues )
191
00:09:28,083 --> 00:09:29,958
SO THE TEAM'S COMPLETE.
192
00:09:29,958 --> 00:09:31,458
NOT QUITE YET, RILEY.
193
00:09:31,458 --> 00:09:35,083
SEE, THE BEST MASTER PLAN
USUALLY INVOLVES A DISTRACTION.
194
00:09:35,083 --> 00:09:38,166
AND USUALLY IT COMES
IN THE FORM OF A PRETTY FACE.
195
00:09:38,166 --> 00:09:40,166
OH, YOU GUYS.
196
00:09:40,166 --> 00:09:42,458
HI, EVERYBODY.
197
00:09:43,958 --> 00:09:46,083
YEAH, OKAY.
198
00:09:46,083 --> 00:09:50,000
( music continues )
199
00:09:51,000 --> 00:09:52,708
THAT'S HOW YOU THINK OF ME?
200
00:09:52,708 --> 00:09:54,333
A LOT OF THE TIME, YEAH.
201
00:09:54,333 --> 00:09:55,500
OKAY.
202
00:10:00,750 --> 00:10:04,458
I NEVER KNEW WHAT HAPPENED
BETWEEN MY MOM AND DAD.
203
00:10:04,458 --> 00:10:06,208
SHE JUST TELLS ME
NOT TO BE UPSET WITH HIM
204
00:10:06,208 --> 00:10:07,750
AND NEVER WANTS
TO GO INTO DETAILS.
205
00:10:07,750 --> 00:10:10,250
- WHY NOT?
- BECAUSE SHE DID SOMETHING
TO MAKE HIM LEAVE.
206
00:10:10,250 --> 00:10:12,333
YOU AND I ARE THE ONES
THAT GET LEFT,
207
00:10:12,333 --> 00:10:14,208
NOT LIKE HER.
208
00:10:14,208 --> 00:10:17,000
THAT'S WHY WE
UNDERSTAND EACH OTHER, RIGHT?
209
00:10:18,291 --> 00:10:20,708
WHERE HAVE YOU BEEN?
210
00:10:20,708 --> 00:10:23,000
IT'S MY BIRTHDAY.
AND WHEN DID YOU GUYS SHOW UP?
211
00:10:23,000 --> 00:10:25,166
YOU'VE ALL BEEN IN THERE TALKING
FOR THE PAST HOUR?
212
00:10:25,166 --> 00:10:28,458
ACTUALLY, WE SAID
WHAT WE NEEDED TO SAY
IN 10 MINUTES.
213
00:10:28,458 --> 00:10:31,458
LOOKS LIKE YOU TWO
HAVE BEEN TALKING
FOR THE PAST HOUR, THOUGH.
214
00:10:31,458 --> 00:10:33,708
YEAH, WELL,
YOU WOULDN'T LET US
IN YOUR ROOM,
215
00:10:33,708 --> 00:10:35,958
SO IT'S LIKE
YOU TRAPPED US OUT HERE.
216
00:10:35,958 --> 00:10:37,291
UH-HUH.
217
00:10:37,291 --> 00:10:40,166
SO OF COURSE WE'VE BEEN TALKING
FOR THE PAST HOUR.
218
00:10:40,166 --> 00:10:42,500
ACTUALLY,
ACCORDING TO MY WATCH,
IT'S ONLY BEEN--
219
00:10:42,500 --> 00:10:45,750
- ( beeping )
- Maya's voice: Maya is
within five feet of you.
220
00:10:45,750 --> 00:10:48,458
WHAT THE--
221
00:10:48,458 --> 00:10:50,250
Watch:
Danger danger!
222
00:10:52,583 --> 00:10:54,250
( Velcro ripping )
223
00:11:01,833 --> 00:11:03,708
I love you, Farkle.
224
00:11:03,708 --> 00:11:06,166
YEAH, OKAY.
225
00:11:06,166 --> 00:11:08,583
RILEY, I THOUGHT WE WERE
DOING SOMETHING FOR MY BIRTHDAY.
226
00:11:08,583 --> 00:11:12,375
YEAH, I'M PRETTY SURE
SOMETHING'S GOING TO HAPPEN.
227
00:11:12,375 --> 00:11:14,875
HEY, COR.
228
00:11:14,875 --> 00:11:17,291
DO YOU KNOW MAYA'S MOTHER
MISSED HER BIRTHDAY?
229
00:11:17,291 --> 00:11:18,875
I DO.
I DO KNOW.
230
00:11:18,875 --> 00:11:20,583
THAT'S WHY I BOUGHT MAYA
A CAKE.
231
00:11:20,583 --> 00:11:22,166
WHAT, THAT'S IT?
THAT'S ALL YOU DID?
232
00:11:22,166 --> 00:11:24,166
WELL, YOU KNOW ME, SHAWN.
233
00:11:24,166 --> 00:11:26,583
I DON'T LIKE TO MEDDLE.
234
00:11:26,583 --> 00:11:28,083
WHAT?!
235
00:11:28,083 --> 00:11:29,416
WHAT'S BECOME OF YOU?
236
00:11:29,416 --> 00:11:31,833
I'M RETIRED.
I'M OUT.
237
00:11:31,833 --> 00:11:34,708
WHAT?
YOU TWO, WINDOW!
238
00:11:34,708 --> 00:11:37,833
- US?
- WHATEVER FOR?
239
00:11:37,833 --> 00:11:39,958
WINDOW NOW!
240
00:11:43,250 --> 00:11:45,208
- YOU THREE.
- All: US?
241
00:11:45,208 --> 00:11:46,583
WINDOW NOW.
242
00:11:48,583 --> 00:11:50,583
THE COREY MATTHEWS I KNEW
243
00:11:50,583 --> 00:11:53,250
WOULD HAVE IMMEDIATELY
TAKEN THIS LITTLE GIRL
UNDER HIS WING
244
00:11:53,250 --> 00:11:55,583
AND BECOME KIND OF
A FATHER FIGURE TO HER.
245
00:11:55,583 --> 00:11:57,291
- I'M OLD.
- HE'S TIRED.
246
00:11:57,291 --> 00:11:59,083
YOU'RE PATHETIC.
247
00:11:59,083 --> 00:12:00,708
- I'M TIRED.
- HE'S OLD!
248
00:12:00,708 --> 00:12:02,625
COME ON, MAN!
249
00:12:02,625 --> 00:12:04,625
WE WERE KINGS!
250
00:12:06,208 --> 00:12:09,458
THIS COULD BE THE RETURN
OF COREY AND SHAWN.
251
00:12:09,458 --> 00:12:11,083
- HMM.
- COME ON!
252
00:12:11,083 --> 00:12:14,833
LET'S YOU AND ME FIX THINGS
BETWEEN MAYA AND HER MOTHER.
253
00:12:14,833 --> 00:12:17,000
HMM. YOU DON'T THINK
WE'RE TOO OLD
254
00:12:17,000 --> 00:12:19,583
FOR SUCH HIGH JINKS
AND SHENANIGANS?
255
00:12:19,583 --> 00:12:22,125
IS MAYA NOT WORTH IT TO YOU?
256
00:12:22,125 --> 00:12:23,291
IS SHE WORTH IT TO YOU?
257
00:12:23,291 --> 00:12:26,000
YEAH.
I LIKE HER VERY MUCH.
258
00:12:26,000 --> 00:12:30,500
DOESN'T SHE REMIND YOU
OF SOMEONE?
259
00:12:30,500 --> 00:12:34,000
YEAH, WHAT CAN I SAY?
I LIKE PEOPLE THAT
REMIND ME OF ME.
260
00:12:34,000 --> 00:12:36,875
- DO I REMIND YOU OF YOU?
- NO.
261
00:12:40,291 --> 00:12:43,458
YOU KNOW,
IF THIS WERE THE OLD DAYS,
262
00:12:43,458 --> 00:12:45,458
I PROBABLY MIGHT CONSIDER
VISITING KATY...
263
00:12:45,458 --> 00:12:46,625
HER MOTHER'S NAME IS KATY.
264
00:12:46,625 --> 00:12:47,875
...IN THE DINER
WHERE SHE WORKS.
265
00:12:47,875 --> 00:12:49,583
THE NIGHTHAWK DINER
OVER ON 17th STREET.
266
00:12:49,583 --> 00:12:51,250
BUT AGAIN, I'M TOO OLD.
267
00:12:51,250 --> 00:12:53,291
HE NEEDS HIS SLEEP.
268
00:12:53,291 --> 00:12:54,708
WELL, I DON'T.
269
00:12:54,708 --> 00:12:56,500
AND I'M DISGUSTED WITH YOU.
270
00:12:56,500 --> 00:12:58,375
HE JUST NEEDS A LITTLE NAPPY
BEFORE BED.
271
00:12:59,458 --> 00:13:01,708
GOOD JOB.
272
00:13:01,708 --> 00:13:03,166
( snoring )
273
00:13:03,166 --> 00:13:04,291
SERIOUSLY?
274
00:13:04,291 --> 00:13:06,125
YIP YIP YIP YIP YIP YIP.
275
00:13:11,083 --> 00:13:14,125
YOU WANT TO SEE A ROPE TRICK?
276
00:13:16,125 --> 00:13:19,083
MAYA, IT'S IMPORTANT
THAT YOU KNOW
277
00:13:19,083 --> 00:13:22,166
THAT WHAT WE'RE ABOUT TO DO
TO YOU IS FOR YOUR OWN GOOD.
278
00:13:22,166 --> 00:13:24,000
( watch beeps )
279
00:13:24,000 --> 00:13:25,958
Riley's voice:
Maya, it's important
that you know
280
00:13:25,958 --> 00:13:28,208
that what we're about to do
to you is for your own good.
281
00:13:28,208 --> 00:13:29,708
- ( beeping )
- FARKLE.
282
00:13:29,708 --> 00:13:31,583
I'M THE WONK!
283
00:13:31,583 --> 00:13:34,208
OKAY, I GET IT.
NOW WHAT IS SO IMPORTANT?
284
00:13:34,208 --> 00:13:36,125
YOU WANT TO SEE A ROPE TRICK?
285
00:13:36,125 --> 00:13:39,166
WILL YOU STOP DISTRACTING ME
WITH THAT?
286
00:13:39,166 --> 00:13:41,250
IT'S NOT LIKE I ACTUALLY
BELIEVED YOU'RE A REAL COWBOY.
287
00:13:41,250 --> 00:13:43,083
YEAH, 'CAUSE IF I WAS,
288
00:13:43,083 --> 00:13:44,458
THEN I COULD DO THIS.
289
00:13:56,250 --> 00:13:58,875
WHY DID YOU TIE ME UP?
290
00:13:58,875 --> 00:14:02,500
OH, SHAWN'S GOING
TO MEET YOUR MOTHER.
291
00:14:02,500 --> 00:14:05,250
( growling )
292
00:14:05,250 --> 00:14:07,500
WHY WOULD YOU WANT HIM
TO MEET MY MOTHER?
293
00:14:07,500 --> 00:14:09,375
MY MOTHER DRIVES MEN AWAY.
294
00:14:09,375 --> 00:14:11,166
THIS WILL END UP
JUST LIKE MY FATHER, RILEY!
295
00:14:11,166 --> 00:14:12,583
SHAWN WILL RUN FOR THE HILLS!
296
00:14:12,583 --> 00:14:15,625
RUN FOR THE HILLS?
WHO SAYS RUN FOR THE HILLS?
297
00:14:15,625 --> 00:14:17,208
( growling )
298
00:14:17,208 --> 00:14:18,750
RUN FOR THE HILLS!
299
00:14:36,583 --> 00:14:39,875
- KATY?
- THAT'S WHAT IT SAYS
RIGHT HERE.
300
00:14:39,875 --> 00:14:41,875
- YEAH?
- HI.
301
00:14:41,875 --> 00:14:44,291
HI.
WHAT'LL IT BE?
302
00:14:53,208 --> 00:14:55,250
OH, ME?
303
00:14:55,250 --> 00:14:57,625
I'LL HAVE SOME BIRTHDAY CAKE.
304
00:14:57,625 --> 00:14:59,000
WHAT?
305
00:14:59,000 --> 00:15:02,000
WHAT KIND OF MOM ARE YOU, KATY?
306
00:15:02,000 --> 00:15:04,875
WHAT?
307
00:15:04,875 --> 00:15:08,125
HEY, UNLESS YOUR BUSINESS
WITH ME
308
00:15:08,125 --> 00:15:10,166
IS TUNA MELT, MEATLOAF OR PIE,
309
00:15:10,166 --> 00:15:13,000
YOU CAN WALK YOUR NOSY
LITTLE BUTT RIGHT OUT OF HERE.
310
00:15:27,000 --> 00:15:29,291
WHO ARE YOU, BUDDY?
311
00:15:29,291 --> 00:15:31,083
MY NAME'S SHAWN HUNTER.
312
00:15:31,083 --> 00:15:33,625
- WHOA.
- WHAT DO YOU MEAN, WHOA?
313
00:15:33,625 --> 00:15:35,958
YOU'RE THE GUY MAYA
DOESN'T STOP TALKING ABOUT,
314
00:15:35,958 --> 00:15:37,333
THE MATTHEWS' FRIEND.
315
00:15:37,333 --> 00:15:40,166
YOU GUYS ALL WENT
ON A FAMILY WEEKEND TOGETHER.
316
00:15:40,166 --> 00:15:42,708
SHE HAD A REALLY GOOD TIME
AND I APPRECIATE IT.
317
00:15:42,708 --> 00:15:44,083
THANK YOU VERY MUCH.
318
00:15:44,083 --> 00:15:45,000
YOU'RE WELCOME.
319
00:15:45,000 --> 00:15:47,291
AND IF YOU EVER QUESTION
MY MOTHERHOOD AGAIN,
320
00:15:47,291 --> 00:15:49,708
I WILL SMASH A PLATE
OVER YOUR HEAD.
321
00:15:49,708 --> 00:15:51,708
YOU KNOW WHAT, LADY?
322
00:15:51,708 --> 00:15:53,416
YOU ALREADY DON'T LIKE ME,
323
00:15:53,416 --> 00:15:55,500
SO I'M JUST GOING
TO KEEP TALKING, OKAY?
324
00:15:55,500 --> 00:15:57,708
TODAY IS MAYA'S BIRTHDAY.
325
00:15:57,708 --> 00:16:00,083
WHAT ARE YOU DOING HERE
SINCE FIRST THING THIS MORNING?
326
00:16:01,166 --> 00:16:04,333
YOU'RE RIGHT.
327
00:16:04,333 --> 00:16:07,125
I DON'T LIKE YOU AT ALL.
328
00:16:09,833 --> 00:16:11,250
SHOW'S OVER.
329
00:16:11,250 --> 00:16:13,083
LET'S MOVE.
330
00:16:27,166 --> 00:16:28,708
WHOA.
331
00:16:33,125 --> 00:16:35,333
MAYA, I TRIED.
332
00:16:35,333 --> 00:16:37,083
IT DIDN'T WORK.
333
00:16:37,083 --> 00:16:40,458
RILEY, I TOLD YOU,
SOME THINGS CAN'T BE FIXED.
334
00:16:40,458 --> 00:16:43,125
SHE DOES THIS.
SHE MAKES MEN LEAVE.
335
00:16:43,125 --> 00:16:45,208
SHAWN'S PROBABLY
IN MEXICO BY NOW.
336
00:16:45,208 --> 00:16:46,958
WHY DID YOU DO THIS?
337
00:16:46,958 --> 00:16:48,750
YOU'RE ANGRY AT ME.
338
00:16:48,750 --> 00:16:51,083
I AM.
339
00:16:55,000 --> 00:16:57,166
HOW ABOUT NOW?
340
00:16:59,458 --> 00:17:01,000
RIGHT NOW I'M KIND OF,
LIKE, FURIOUS.
341
00:17:01,000 --> 00:17:04,125
- SHOULD I UNTIE YOU THEN?
- I WOULDN'T.
342
00:17:19,000 --> 00:17:22,000
IF YOU WANT TO GIVE ME BACK
THE FRIENDSHIP RING,
I'LL UNDERSTAND.
343
00:17:22,000 --> 00:17:25,083
I AM NEVER
GIVING THIS FRIENDSHIP RING BACK
AS LONG AS I LIVE.
344
00:17:25,083 --> 00:17:28,500
WOW, YOU SAID KIND OF
A NICE THING IN A REALLY
MEAN VOICE.
345
00:17:28,500 --> 00:17:30,583
RILEY, PEOPLE ONLY GET UPSET
WITH EACH OTHER
346
00:17:30,583 --> 00:17:33,166
WHEN WHAT THEY'RE TALKING ABOUT
IS IMPORTANT TO THEM.
347
00:17:33,166 --> 00:17:36,166
HUH.
348
00:17:36,166 --> 00:17:38,000
THEN MAYBE THERE'S STILL HOPE.
349
00:17:39,750 --> 00:17:41,875
THANK YOU FOR UNTYING ME.
350
00:17:41,875 --> 00:17:43,583
ARE YOU STILL ANGRY AT ME?
351
00:17:43,583 --> 00:17:46,208
I'LL THINK ABOUT IT.
YES!
352
00:17:50,000 --> 00:17:52,000
SO DO YOU WANT
TO SLEEP OVER?
353
00:17:57,000 --> 00:17:59,375
DO YOU THINK
I WOULD WALK IN HERE
AND TALK TO YOU LIKE THIS
354
00:17:59,375 --> 00:18:01,500
IF I WASN'T
SO FOND OF YOUR DAUGHTER?
355
00:18:01,500 --> 00:18:03,375
OH, YOU'RE FOND OF MY DAUGHTER.
356
00:18:03,375 --> 00:18:07,291
WHY DON'T YOU TELL ME
ABOUT YOUR VAST EXPERIENCE
RAISING A CHILD?
357
00:18:07,291 --> 00:18:09,291
I DON'T HAVE ANY!
358
00:18:09,291 --> 00:18:12,708
BUT I KNOW YOU DON'T WORK
AN EXTRA SHIFT AT A DINER
359
00:18:12,708 --> 00:18:14,375
AND MISS
YOUR DAUGHTER'S BIRTHDAY.
360
00:18:14,375 --> 00:18:17,750
MM-HMM. AND YOU KNOW THIS
BECAUSE YOU KNOW SO MUCH
ABOUT RELATIONSHIPS?
361
00:18:17,750 --> 00:18:19,708
- I'M TERRIBLE AT RELATIONSHIPS.
- I'M WORSE.
362
00:18:19,708 --> 00:18:21,333
- I DON'T WANT TO BE.
- NEITHER DO I.
363
00:18:21,333 --> 00:18:24,125
WELL, THEN WE'VE GOT
SOMETHING IN COMMON.
364
00:18:27,125 --> 00:18:31,000
LOOK, MY DAUGHTER LIKES
HAVING YOU AROUND.
365
00:18:31,000 --> 00:18:33,166
BUT HOW CAN YOU STICK AROUND
366
00:18:33,166 --> 00:18:36,125
WHEN EVERY WEEKEND SHE TOLD ME
YOU GO SOMEWHERE ELSE?
367
00:18:36,125 --> 00:18:38,125
I WRITE ABOUT PLACES.
THAT'S MY JOB.
368
00:18:38,125 --> 00:18:41,458
I CAN'T LET MAYA
GET CLOSE TO SOMEBODY ELSE
WHO JUST LEAVES.
369
00:18:41,458 --> 00:18:44,125
OKAY, FIRST OF ALL,
I'M NOT A LEAVER.
370
00:18:44,125 --> 00:18:46,083
ALL RIGHT?
I'M A STAYER.
371
00:18:46,083 --> 00:18:48,250
I'M THE ONE
WHO GETS LEFT.
372
00:18:49,375 --> 00:18:53,000
WELL, WE GOT THAT
IN COMMON TOO.
373
00:18:53,000 --> 00:18:54,208
WHAT DO YOU MEAN?
374
00:18:54,208 --> 00:18:55,833
MAYA THINKS
THAT YOU CHASED AWAY--
375
00:18:55,833 --> 00:18:58,000
I KNOW WHAT SHE THINKS.
IT'S HER FATHER.
376
00:18:59,083 --> 00:19:01,583
A GIRL SHOULD THINK WELL
OF HER FATHER.
377
00:19:05,000 --> 00:19:07,833
HI, KATY.
378
00:19:07,833 --> 00:19:10,208
SO I FINISHED IT
379
00:19:10,208 --> 00:19:12,583
AND IT'S JUST
LIKE YOU WANTED IT.
380
00:19:12,583 --> 00:19:14,375
IT'S BEAUTIFUL, CAMILLE.
381
00:19:14,375 --> 00:19:17,208
SHE'LL LOVE IT.
382
00:19:17,208 --> 00:19:19,125
BUT I'M STILL $50 SHORT
383
00:19:19,125 --> 00:19:21,583
AND IT'LL TAKE
AN EXTRA SHIFT TO PAY FOR IT.
384
00:19:21,583 --> 00:19:24,458
IT'S A NICE LOCKET.
385
00:19:24,458 --> 00:19:27,083
FAMILY PHOTO GOING IN THERE?
386
00:19:27,083 --> 00:19:28,291
YEAH.
387
00:19:28,291 --> 00:19:29,750
HER AND ME.
388
00:19:30,875 --> 00:19:33,416
HERE YOU GO.
389
00:19:33,416 --> 00:19:35,083
REALLY?
390
00:19:35,083 --> 00:19:37,166
TODAY IS HER BIRTHDAY.
391
00:19:37,166 --> 00:19:39,083
BUT YOU KNEW THAT.
392
00:19:39,083 --> 00:19:41,625
HE'S CUTE.
393
00:19:45,875 --> 00:19:47,208
I'LL PAY YOU BACK.
394
00:19:47,208 --> 00:19:50,625
YOU WILL.
YOU'LL LET ME TAKE THE PHOTO.
395
00:19:56,208 --> 00:19:59,166
WE JUST WANTED TO GIVE YOU
A BIRTHDAY YOU'D NEVER FORGET,
MAYA.
396
00:19:59,166 --> 00:20:00,875
I APPRECIATE IT.
I DO.
397
00:20:00,875 --> 00:20:04,416
SOME THINGS
ARE JUST IMPOSSIBLE.
398
00:20:04,416 --> 00:20:06,583
I USED TO NOT BELIEVE THAT.
399
00:20:06,583 --> 00:20:09,458
I STILL DON'T.
400
00:20:09,458 --> 00:20:11,625
HAPPY BIRTHDAY.
401
00:20:11,625 --> 00:20:13,291
EVERYTHING YOU THINK
IS WRONG.
402
00:20:13,291 --> 00:20:16,208
I ASKED YOU NOT TO TELL HER.
WHY WOULD YOU DO THIS?
403
00:20:16,208 --> 00:20:18,583
BECAUSE SHE DESERVES TO LOVE
THE PARENT WHO STAYED.
404
00:20:20,208 --> 00:20:21,875
WHAT?
405
00:20:21,875 --> 00:20:25,750
YOUR MOTHER HAD NOTHING TO DO
WITH YOUR FATHER LEAVING, MAYA.
406
00:20:25,750 --> 00:20:27,375
ALL RIGHT?
ALL THIS TIME
407
00:20:27,375 --> 00:20:29,375
SHE'S JUST BEEN PROTECTING HIM
FOR YOU.
408
00:20:31,583 --> 00:20:35,208
MOM?
YOU GOT LEFT?
409
00:20:35,208 --> 00:20:38,166
I'M SORRY.
410
00:20:40,833 --> 00:20:42,333
SHE'S ONE OF US.
411
00:20:45,083 --> 00:20:47,125
COME HERE.
412
00:20:54,291 --> 00:20:57,000
I COULDN'T AFFORD TO GET YOU
WHAT YOU WANTED
413
00:20:57,000 --> 00:20:59,375
WITHOUT WORKING
A COUPLE EXTRA SHIFTS,
414
00:20:59,375 --> 00:21:01,291
BUT I GOT IT, HONEY.
415
00:21:01,291 --> 00:21:03,291
SHAWN HELPED ME.
416
00:21:03,291 --> 00:21:04,625
A LOCKET?
417
00:21:04,625 --> 00:21:06,708
- YEAH.
- WHERE IS IT?
418
00:21:06,708 --> 00:21:08,875
- IT'S IN MY PURSE.
- I'LL GET IT.
419
00:21:08,875 --> 00:21:12,083
YOU CAN'T GO
THROUGH MY PURSE.
420
00:21:12,083 --> 00:21:14,333
Both:
LET HIM!
421
00:21:38,458 --> 00:21:40,583
DID YOU SEE WHAT I DID THERE,
COR?
422
00:21:40,583 --> 00:21:42,625
I GOT MAYA
AND HER MOTHER TOGETHER.
423
00:21:42,625 --> 00:21:45,291
YEAH.
YOU DID GREAT, SHAWN.
424
00:21:45,291 --> 00:21:47,875
WELL, I'D BE HAPPY TO
INCLUDE YOU IN MY NEXT SCHEME.
425
00:21:47,875 --> 00:21:50,083
SORRY, BUDDY.
426
00:21:52,500 --> 00:21:55,166
I GOT ME A NEW PARTNER NOW.
427
00:21:55,166 --> 00:21:57,125
SO YOU'RE WITH HER NOW, HUH?
428
00:21:57,125 --> 00:21:59,125
ME AND HER.
429
00:22:00,291 --> 00:22:01,875
YOU'RE ON YOUR OWN.
430
00:22:01,875 --> 00:22:03,583
COME ON!
431
00:22:03,583 --> 00:22:08,000
WHAT FUN IS PULLING OFF SCHEMES
BY YOURSELF?
432
00:22:09,208 --> 00:22:12,000
OH, IT'S YOU AND ME NOW?
433
00:22:12,000 --> 00:22:13,416
WELL, HEY,
434
00:22:13,416 --> 00:22:17,166
I'M IN THE MARKET
FOR A NEW PARTNER IN CRIME.
435
00:22:17,166 --> 00:22:20,208
YEAH, ALL RIGHT,
I'LL TRY YOU OUT
AND SEE HOW YOU DO.
436
00:22:21,625 --> 00:22:23,083
CAKE TIME.
437
00:22:23,083 --> 00:22:25,708
HAPPY BIRTHDAY,
BABY GIRL.
438
00:22:25,708 --> 00:22:27,500
MAKE A WISH.
439
00:22:37,583 --> 00:22:39,708
WOW.
440
00:22:39,708 --> 00:22:42,875
YOU'RE RIGHT.
I CAN HARDLY MOVE.
441
00:22:44,166 --> 00:22:47,166
I SEE WHY YOU WERE
KIND OF FURIOUS AT ME.
442
00:22:47,166 --> 00:22:49,750
UH-HUH. UH-HUH.
443
00:22:50,958 --> 00:22:53,458
AND I CAN SEE WHY YOU WANTED
TO TIE ME UP TOO,
444
00:22:53,458 --> 00:22:57,083
SO I COULD
SHARE YOUR EXPERIENCE.
445
00:22:57,083 --> 00:23:00,583
I UNDERSTAND THAT YOU WANT US
TO SHARE EVERY EXPERIENCE
446
00:23:00,583 --> 00:23:02,750
BECAUSE WE'RE FRIENDS,
447
00:23:02,750 --> 00:23:04,458
WITH FRIENDSHIP RINGS!
448
00:23:07,208 --> 00:23:11,166
MAYA, COULD YOU AT LEAST
SAY ONE WORD TO ME?
449
00:23:11,166 --> 00:23:14,000
GOOD NIGHT.
450
00:23:18,583 --> 00:23:20,000
MY NOSE ITCHES.
451
00:23:25,208 --> 00:23:27,875
THANK YOU.
HAPPY BIRTHDAY.