1
00:00:02,875 --> 00:00:05,708
-YOU GOT ANY MONEY?
-I NEVER HAVE ANY MONEY.
2
00:00:08,875 --> 00:00:11,000
HOW DO WE MAKE MONEY
IMMEDIATELY?
3
00:00:11,000 --> 00:00:12,875
WHAT WE NEED IS
A BAT MITZVAH!
4
00:00:14,833 --> 00:00:16,583
ARE THERE ANY SPECIAL
REQUIREMENTS?
5
00:00:16,583 --> 00:00:19,958
YEAH, AND I'M THINKING
IT'S GONNA NEED TO BE YOU.
6
00:00:19,958 --> 00:00:21,000
GET OUT!
7
00:00:21,000 --> 00:00:23,250
YOU GUYS HAVE BEEN SITTING
IN THAT WINDOW ALL DAY.
8
00:00:23,250 --> 00:00:24,500
YOU KNOW WHAT'S GREAT
ABOUT A WINDOW?
9
00:00:24,500 --> 00:00:26,750
THERE'S A WORLD OUTSIDE.
GO THERE.
10
00:00:31,458 --> 00:00:33,166
IT LOOKS FAKEY.
11
00:00:34,875 --> 00:00:36,291
GET OUT OF MY HOUSE.
12
00:00:38,000 --> 00:00:39,833
WHY DON'T I GET
A BAT MITZVAH?
13
00:00:39,833 --> 00:00:43,458
-WHAT'S YOUR HEBREW NAME?
-RILEY MATTHEWS.
14
00:00:43,458 --> 00:00:45,000
THERE YOU GO.
15
00:00:45,000 --> 00:00:47,500
WHAT DO YOU WANT
A BAT MITZVAH FOR?
16
00:00:47,500 --> 00:00:50,000
THERE COMES A TIME
IN A YOUNG WOMAN'S LIFE
17
00:00:50,000 --> 00:00:53,000
WHEN SHE JUST WANTS
TO SIT IN A ROOM AND
OPEN ENVELOPES.
18
00:00:53,000 --> 00:00:54,583
RILEY, DO YOU EVEN KNOW
19
00:00:54,583 --> 00:00:56,583
WHAT THIS HOLY
RITE OF PASSAGE
IS ABOUT?
20
00:00:56,583 --> 00:00:58,875
YES. THIS HOLY
RITE OF PASSAGE
21
00:00:58,875 --> 00:01:03,125
IS ABOUT 12 HOURS BEFORE
YOU OPEN THE ENVELOPES.
22
00:01:03,125 --> 00:01:05,083
WHAT DO YOU NEED
MONEY FOR?
23
00:01:05,083 --> 00:01:06,833
-BUY STUFF.
-SPECIFICALLY.
24
00:01:06,833 --> 00:01:09,458
BUY STUFF
FOR ME-E-E.
25
00:01:09,458 --> 00:01:11,083
MONEY NEEDS TO BE
WORKED FOR.
26
00:01:11,083 --> 00:01:13,166
IT'S PRETTY HARD
TO COME UP WITH
A SCHEME
27
00:01:13,166 --> 00:01:15,583
WHEN ALL YOU'VE GOT
IS THE CLOTHES ON YOUR
BACK, ISN'T IT?
28
00:01:26,208 --> 00:01:30,083
WE'D LIKE TO SELL
ALL OF OUR CLOTHES,
PLEASE!
29
00:01:37,875 --> 00:01:40,875
WELL, YOU HAVE CERTAINLY COME
TO THE RIGHT PLACE.
30
00:01:40,875 --> 00:01:43,208
(theme music playing)
31
00:01:47,833 --> 00:01:49,833
♪ I'VE BEEN
WAITING ♪
32
00:01:49,833 --> 00:01:51,166
♪ FOR A DAY ♪
33
00:01:51,166 --> 00:01:52,208
♪ LIKE THIS
TO COME ♪
34
00:01:52,208 --> 00:01:54,000
♪ STRUCK LIKE LIGHTNING ♪
35
00:01:54,000 --> 00:01:56,500
♪ MY HEART'S
BEATING LIKE
A DRUM ♪
36
00:01:56,500 --> 00:01:57,958
♪ ON THE
EDGE ♪
37
00:01:57,958 --> 00:02:00,583
♪ OF SOMETHING WONDERFUL ♪
38
00:02:00,583 --> 00:02:03,458
♪ FACE TO FACE
WITH CHANGES ♪
39
00:02:03,458 --> 00:02:04,583
♪ WHAT'S IT
ALL ABOUT? ♪
40
00:02:04,583 --> 00:02:06,750
♪ LIFE IS CRAZY ♪
41
00:02:06,750 --> 00:02:08,875
♪ BUT I KNOW I CAN
WORK IT OUT ♪
42
00:02:08,875 --> 00:02:10,083
♪ 'CAUSE I GOT YOU ♪
43
00:02:10,083 --> 00:02:12,875
♪ TO LIVE IT
WITH ME ♪
44
00:02:12,875 --> 00:02:17,000
♪ I FEEL ALL RIGHT,
I'M GONNA TAKE ON THE WORLD ♪
45
00:02:17,000 --> 00:02:20,458
♪ LIGHT UP THE STARS,
I'VE GOT SOME PAGES TO TURN ♪
46
00:02:20,458 --> 00:02:22,250
♪ I'M SINGING "GO-O-O" ♪
47
00:02:22,250 --> 00:02:25,333
♪ OH, OH, OH, OH ♪
48
00:02:25,333 --> 00:02:28,333
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
49
00:02:28,333 --> 00:02:29,750
♪ TAKE ON THE WORLD ♪
50
00:02:29,750 --> 00:02:32,291
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
51
00:02:32,291 --> 00:02:33,833
♪ TAKE ON THE WORLD. ♪
52
00:02:37,583 --> 00:02:39,625
OKAY, WHATEVER SHE SAYS,
WE'RE GONNA TRIPLE IT.
53
00:02:39,625 --> 00:02:42,000
WE GO TRIPLE, SHE HITS US BACK
WITH DOUBLE, WE TAKE IT
AND RUN, ALL RIGHT?
54
00:02:42,000 --> 00:02:44,875
I'M IN CHARGE HERE, JUST
LIKE I LET YOU BE IN CHARGE
AT THE CANDY STORE, RIGHT?
55
00:02:44,875 --> 00:02:46,833
RIGHT. TRIPLE THE GUMMIES,
DOUBLE THE JELLIES
56
00:02:46,833 --> 00:02:49,875
AND PAY WHATEVER THEY SAY,
BECAUSE IT'S CANDY.
57
00:02:53,000 --> 00:02:56,458
-ONLY I TALK.
-I'M SURE THAT'S BEST.
58
00:02:56,458 --> 00:02:58,958
OH, HONEY, I FEEL SO BAD
YOU BOUGHT THAT IN
THE FIRST PLACE.
59
00:02:58,958 --> 00:03:01,333
I MEAN, IT'S NOT EVEN
A COLOR. LOOK.
60
00:03:01,333 --> 00:03:04,000
I COULD GIVE YOU
10 BUCKS FOR IT, 'CAUSE
MAYBE WE'LL SELL IT FOR 15.
61
00:03:04,000 --> 00:03:05,875
BUT HOW ABOUT
I'LL GIVE YOU 12?
62
00:03:05,875 --> 00:03:07,750
'CAUSE, SAY, THE NEXT GIRL
WHO WALKS THROUGH THE DOOR
63
00:03:07,750 --> 00:03:10,708
IS GOING TO
AN UGLY DRESS PARTY, RIGHT?
AN OPTIMIST IS WHAT I AM.
64
00:03:10,708 --> 00:03:13,750
SO YOU GIVE ME THAT,
I GIVE YOU 12 BUCKS
RIGHT NOW.
65
00:03:13,750 --> 00:03:15,458
YOU GIVE ME THAT.
66
00:03:17,625 --> 00:03:19,833
YOU'RE WELCOME.
67
00:03:19,833 --> 00:03:21,166
YOUR TURN.
68
00:03:21,166 --> 00:03:23,291
-TRIPLE, DOUBLE, RUN.
-YES, MA'AM.
69
00:03:23,291 --> 00:03:25,000
-'SUP?
-'SUP?
70
00:03:25,000 --> 00:03:27,708
-GIVE YOU 38 BUCKS,
THE WHOLE THING RIGHT NOW.
-WE'LL TAKE TRIPLE.
71
00:03:27,708 --> 00:03:30,000
NOW YOU GO UP
TO 76,
72
00:03:30,000 --> 00:03:32,583
BECAUSE THAT'S DOUBLE,
AND WE'LL TAKE IT.
73
00:03:34,000 --> 00:03:35,375
-38.
-NO.
74
00:03:35,375 --> 00:03:37,333
-38.
-SHE'S NOT DOING
THIS RIGHT.
75
00:03:37,333 --> 00:03:40,166
-24.
-WHAT SAY WE KEEP THIS
BETWEEN YOU AND ME?
76
00:03:40,166 --> 00:03:42,000
-WHAT SAY.
-YOU OFFERED 38.
77
00:03:42,000 --> 00:03:44,083
IT'S WORTH DOUBLE.
YOU KNOW IT, I KNOW IT.
78
00:03:44,083 --> 00:03:46,000
-YOU KNOW IT?
-I DO CANDY.
79
00:03:46,000 --> 00:03:48,083
-I HAD A FRIEND
LIKE HER ONCE.
-WHAT HAPPENED?
80
00:03:48,083 --> 00:03:51,750
-ONE DAY SHE FLOATED AWAY
LIKE A BALLOON.
-I HOLD ON TIGHT.
81
00:03:51,750 --> 00:03:53,875
WILL YOU GO
42 BUCKS?
82
00:03:53,875 --> 00:03:55,875
WILL YOU BUY
THIS DRESS HERE?
83
00:03:58,333 --> 00:03:59,958
IS THAT EVEN
A COLOR?
84
00:04:05,083 --> 00:04:07,875
THIS IS THE COLOR
OF DREAMS,
85
00:04:07,875 --> 00:04:10,875
UNICORNS BALLET-DANCING
ON A CLOUD.
86
00:04:10,875 --> 00:04:14,708
THIS IS THE COLOR OF A HUG,
IF THAT HUG WAS GIVEN
87
00:04:14,708 --> 00:04:17,833
BY EVERYBODY
IN THE WORLD AT ONCE,
88
00:04:17,833 --> 00:04:19,166
PUPPIES.
89
00:04:21,000 --> 00:04:22,750
THE ANGELS
CALL THIS COLOR
90
00:04:22,750 --> 00:04:24,708
IMAGINATIA.
91
00:04:28,708 --> 00:04:30,875
CAN I PLEASE
TALK NOW?
92
00:04:30,875 --> 00:04:33,250
DO YOU HAVE
SOMETHING TO SAY
THAT WON'T HURT US?
93
00:04:33,250 --> 00:04:35,875
I MUST HAVE
THAT DRESS.
94
00:04:35,875 --> 00:04:39,833
WELL, AT LEAST
THERE'S NOTHING WORSE
YOU COULD POSSIBLY SAY.
95
00:04:39,833 --> 00:04:42,583
DO YOU TAKE THIS
CREDIT CARD MY MOM
GAVE ME FOR EMERGENCIES
96
00:04:42,583 --> 00:04:45,750
WITH A $500 LIMIT ON IT?
BECAUSE I NEED A DRESS
FOR THE SPRING FORMAL,
97
00:04:45,750 --> 00:04:48,000
AND I WANT THAT ONE.
NO OTHER ONE
BUT THAT ONE.
98
00:04:48,000 --> 00:04:50,000
SO HOW MUCH FOR THIS
DRESS OF HOPE?
99
00:04:50,000 --> 00:04:52,125
RILEY, SHE'S A SHARK.
SHE KNOWS YOU WANT
THE DRESS.
100
00:04:52,125 --> 00:04:53,958
WE'RE NOT GONNA BE
ABLE TO AFFORD ANY
OTHER CLOTHES.
101
00:04:53,958 --> 00:04:56,416
WELL, I AM SHOCKED
AND OFFENDED
102
00:04:56,416 --> 00:04:58,583
THAT YOU THINK
SO LITTLE OF ME.
103
00:04:58,583 --> 00:05:00,708
OH NO.
STYLE
::cue(.speaker)
::cue(.speakerTop)
104
00:05:00,708 --> 00:05:03,958
RILEY, I WILL LET YOU
HAVE THIS DRESS
105
00:05:03,958 --> 00:05:06,458
FOR $50,
IF YOU SAY YES
RIGHT THIS SECOND.
106
00:05:06,458 --> 00:05:07,875
-Y--
-A HUNDRED.
107
00:05:07,875 --> 00:05:08,875
-UH...
-200.
108
00:05:08,875 --> 00:05:10,291
-I THINK THE NUMBERS
ARE GOING UP.
-240.
109
00:05:10,291 --> 00:05:12,375
I THINK THAT
THEY ARE GOING UP BECAUSE
THEY KEEP ON GOING UP,
110
00:05:12,375 --> 00:05:16,250
-BECAUSE I'M NOT SAYING YES,
AND THEY'RE GOING UP AND UP.
-99...
111
00:05:16,250 --> 00:05:18,583
-NINE--
-AND UP AND--
WHAT IS HAPPENING?
112
00:05:18,583 --> 00:05:20,708
-300.
-DEAL.
113
00:05:20,708 --> 00:05:23,958
300, BECAUSE IT WAS GOING
TO BE MORE, WASN'T IT?
114
00:05:23,958 --> 00:05:26,208
YEAH, COULD HAVE BEEN.
YEAH.
115
00:05:26,208 --> 00:05:27,708
HA-HA!
116
00:05:27,708 --> 00:05:28,958
(mockingly)
HUHH-HUHH.
117
00:05:31,291 --> 00:05:33,750
DO YOU HAVE ANY SHOES
THAT GO WITH IMAGINATIA?
118
00:05:33,750 --> 00:05:36,583
OH, SHE IS JUST THE GIFT
THAT JUST KEEPS GIVING,
ISN'T SHE?
119
00:05:37,958 --> 00:05:40,000
HOW MUCH
FOR THE SHOES? YES!
120
00:05:50,208 --> 00:05:51,875
WE SOLD ALL
OF OUR CLOTHES.
121
00:05:51,875 --> 00:05:54,333
MY PARENTS CAN NEVER
KNOW ABOUT THIS.
122
00:05:54,333 --> 00:05:56,125
ARE YOU OUT OF
YOUR MINDS?
123
00:05:57,250 --> 00:05:58,291
OKAY.
124
00:05:58,291 --> 00:06:00,708
WE GOT OURSELVES INTO THIS.
WE'LL GET OURSELVES OUT.
125
00:06:00,708 --> 00:06:03,333
YEAH, THAT'S A WAY TO GO--
STUBBORN IN THE FACE
OF STUPID.
126
00:06:04,875 --> 00:06:07,000
IT'S THE ONLY ROAD
I KNOW.
127
00:06:07,000 --> 00:06:09,875
-THERE'S ANOTHER ROAD.
-THERE IS NO OTHER ROAD. SEE?
128
00:06:09,875 --> 00:06:12,083
THERE'S ANOTHER ROAD.
IT LIES AT THE CORNER OF
129
00:06:12,083 --> 00:06:14,500
"YOUNG AND VULNERABLE"
AND "ASK FOR HELP."
130
00:06:14,500 --> 00:06:15,958
I DON'T LIVE THERE.
131
00:06:15,958 --> 00:06:17,458
YOU LIVE THERE.
132
00:06:17,458 --> 00:06:19,583
CAN YOU COME UP WITH
SOMETHING TO GET US
OUT OF THIS?
133
00:06:28,500 --> 00:06:31,000
DADDY, PLEASE HELP US.
WE NEED YOU.
134
00:06:31,000 --> 00:06:33,375
WE MADE A MISTAKE.
135
00:06:33,375 --> 00:06:36,166
YEAH, THIS IS WORKING.
THIS WILL WORK EVERY TIME
WITH ME.
136
00:06:36,166 --> 00:06:39,416
IT'S GREAT.
I COULD NEVER SAY
SOMETHING SO DESPERATE.
137
00:06:39,416 --> 00:06:42,166
YOU'D RATHER FACE
MY MOTHER TOPANGA?
138
00:06:48,166 --> 00:06:49,500
DADDY, PLEASE HELP US.
139
00:06:49,500 --> 00:06:51,458
WE NEED YOU.
WE MADE A MISTAKE.
140
00:06:51,458 --> 00:06:53,208
OKAY, OKAY,
ALL RIGHT. LISTEN,
141
00:06:53,208 --> 00:06:56,000
CLEARLY YOU BOTH WERE
TAKEN ADVANTAGE OF.
142
00:06:56,000 --> 00:06:58,958
NOW WE'RE GONNA SEE
HOW CORY MATTHEWS RESPONDS
143
00:06:58,958 --> 00:07:01,958
WHEN THE PEOPLE
HE CARES ABOUT ARE
TAKEN ADVANTAGE OF.
144
00:07:01,958 --> 00:07:03,958
ARE YOU EVER GONNA
DO THIS AGAIN?
145
00:07:03,958 --> 00:07:05,250
-NO.
-YES.
146
00:07:05,250 --> 00:07:07,208
OKAY, LET'S GO ANYWAY.
147
00:07:14,583 --> 00:07:17,000
ALL RIGHT, GIRLS,
NOW WHO'S TALKING?
148
00:07:17,000 --> 00:07:19,291
-Both: YOU ARE.
-WHO'S NOT TALKING?
149
00:07:20,458 --> 00:07:22,500
WELL DONE.
NOW LET'S WATCH
WHAT HAPPENS
150
00:07:22,500 --> 00:07:24,958
WHEN SOMEONE
WHO KNOWS HIS WAY
AROUND THE BLOCK
151
00:07:24,958 --> 00:07:28,250
COME RIDIN' TO THE RESCUE
OF YOU TWO DAMSELS
IN DISTRESS.
152
00:07:28,250 --> 00:07:30,833
ALL RIGHT, WHO IS
THE BIG, BAD SALESGIRL
153
00:07:30,833 --> 00:07:33,291
WHO TOOK ADVANTAGE
OF MY LITTLE DAMSELS?
154
00:07:33,291 --> 00:07:34,833
I DON'T KNOW.
WHO IS THE HIP,
HANDSOME YOUNG GUY
155
00:07:34,833 --> 00:07:36,875
WHO SEEMS WAY TOO COOL
TO BE THEIR DAD?
156
00:07:43,583 --> 00:07:45,125
WHAT?
157
00:07:46,625 --> 00:07:48,375
I'M SORRY.
I JUST MEAN,
158
00:07:48,375 --> 00:07:50,875
HOW ARE YOU POSSIBLY
NOT MADE UP IN
EURO RETRO
159
00:07:50,875 --> 00:07:53,708
WITH ACCENTS OF TIMBERLAKE,
SINCE YOU HAVE MATCHING BODIES?
160
00:07:56,833 --> 00:07:59,458
I DON'T KNOW.
I AM TIMBERLAKE!
161
00:07:59,458 --> 00:08:02,291
YOU KNOW HOW MANY TIMES
I'VE DRIVEN PAST
HIS BILLBOARD
162
00:08:02,291 --> 00:08:04,291
AND THOUGHT,
"IT'S ME!"
163
00:08:04,291 --> 00:08:07,375
BUT NO ONE'S EVER
SAID IT OUT LOUD BEFORE
BUT YOU.
164
00:08:07,375 --> 00:08:08,833
AND NOW THAT
I'VE SAID IT?
165
00:08:08,833 --> 00:08:11,416
IT FEELS RIGHT.
166
00:08:11,416 --> 00:08:13,583
COME ON,
LET'S DRESS ME UP.
167
00:08:40,208 --> 00:08:45,000
OKAY, A LOT OF BAD STUFF
WENT DOWN IN THE LAST HOUR.
168
00:08:45,000 --> 00:08:46,958
WHAT IS WRONG
WITH YOU PEOPLE?
169
00:08:46,958 --> 00:08:49,083
THE ONLY GOOD THING
THAT CAME OUT OF THIS
170
00:08:49,083 --> 00:08:51,458
IS THAT I'M
BRINGING SEXY BACK.
171
00:08:53,458 --> 00:08:56,083
-MOM'S GONNA KNOW.
-SHE'LL NEVER KNOW.
172
00:08:56,083 --> 00:08:58,458
I'M ONLY WEARING THIS
WITH SHAWN.
173
00:09:00,500 --> 00:09:03,750
ARE YOU OUT
OF YOUR...
174
00:09:03,750 --> 00:09:05,000
(shouts)
MINDS?
175
00:09:12,500 --> 00:09:14,000
(shouts)
MINDS?
176
00:09:16,125 --> 00:09:17,583
YOU.
177
00:09:17,583 --> 00:09:18,958
YEAH, OKAY.
178
00:09:34,458 --> 00:09:37,583
OKAY, I AM GOING
TO GIVE YOU ONE
OPPORTUNITY
179
00:09:37,583 --> 00:09:39,500
TO TELL ME
HOW IT IS POSSIBLE
THAT YOU SPENT,
180
00:09:39,500 --> 00:09:42,125
WHAT, 80?
181
00:09:42,125 --> 00:09:45,750
90 DOLLARS
BETWEEN THE TWO OF YOU?
182
00:09:45,750 --> 00:09:48,208
(whispers)
OKAY, THIS IS
GONNA BE REALLY BAD.
183
00:09:48,208 --> 00:09:51,583
HOW MUCH WAS
THAT DRESS?
184
00:09:51,583 --> 00:09:56,250
50, 100, 299,
185
00:09:56,250 --> 00:09:58,500
NINE, UP, NINE, UP,
NINE, UP,
186
00:09:58,500 --> 00:10:00,208
300.
STYLE
::cue(.speaker)
::cue(.speakerTop)
187
00:10:01,458 --> 00:10:04,583
RILEY, THE CREDIT CARD
WAS FOR EMERGENCIES.
188
00:10:04,583 --> 00:10:05,833
I MADE THAT
VERY CLEAR.
189
00:10:05,833 --> 00:10:09,250
WHEN IS BUYING A DRESS
EVER AN EMERGENCY?
190
00:10:10,375 --> 00:10:13,000
WHEN...
191
00:10:13,000 --> 00:10:16,958
YOU... HAVE SOLD
192
00:10:16,958 --> 00:10:19,000
THE REST
OF YOUR CLOTHES.
193
00:10:20,708 --> 00:10:22,333
-MAYA.
-I GOT BEAT, OKAY?
194
00:10:22,333 --> 00:10:24,291
DEMOLITION GIRL'S
BETTER THAN ME, OKAY?
195
00:10:24,291 --> 00:10:26,708
I MEAN, SHE'S A PRO.
WE ALL KNOW RILEY'S
A CHUMP.
196
00:10:26,708 --> 00:10:29,250
-HEY!
-THERE'S AN ASTRONAUT
RIDING A HORSE.
197
00:10:32,000 --> 00:10:35,375
BUT THIS SALESGIRL'S
THE GREATEST SCAM ARTIST
I'VE EVER SEEN.
198
00:10:35,375 --> 00:10:36,500
CORY?
199
00:10:36,500 --> 00:10:39,000
I'M STILL
NOT CONVINCED
200
00:10:39,000 --> 00:10:41,166
THIS OUTFIT ISN'T
WORKING FOR ME.
201
00:10:43,166 --> 00:10:45,458
LET ME ASSURE YOU.
202
00:10:45,458 --> 00:10:48,333
WELL, THEN THERE'S $1200
I'M NEVER GETTING BACK.
203
00:11:07,875 --> 00:11:09,333
IF I'M YOU,
I LEAVE RIGHT NOW
204
00:11:09,333 --> 00:11:12,583
WHILE I STILL HAVE
THE CLOTHES ON MY BACK.
205
00:11:12,583 --> 00:11:15,708
YOU JUST INHIBITED TRADE.
I COULD HAVE YOU ARRESTED.
206
00:11:15,708 --> 00:11:17,875
PLEASE TRY.
TOPANGA MATTHEWS.
207
00:11:17,875 --> 00:11:19,875
I'M A PARTNER AT ELLIOT,
BROWN AND MONTGOMERY.
208
00:11:19,875 --> 00:11:23,000
-THIS COULD BE FUN.
-OH, IT WILL BE.
209
00:11:23,000 --> 00:11:25,166
-WHAT'S YOUR NAME?
-AUBREY MACAVOY.
210
00:11:25,166 --> 00:11:28,708
WELL, AUBREY,
ACCORDING TO MUNICIPAL
STATUTE CP 64--
211
00:11:28,708 --> 00:11:31,375
"CP" STANDING FOR
"CONSUMER PROTECTION,"
212
00:11:31,375 --> 00:11:34,833
ONE HAS SEVEN DAYS
FOR MERCHANDISE RETURN
AND FULL REFUND.
213
00:11:34,833 --> 00:11:36,250
THIS STATUTE
COVERS EVERYBODY,
214
00:11:36,250 --> 00:11:38,458
INCLUDING MY INNOCENT,
TRUSTING DAUGHTER
215
00:11:38,458 --> 00:11:39,958
AND MY HUSBAND
THE DOPE.
216
00:11:39,958 --> 00:11:41,583
HE'S CUTE.
217
00:11:41,583 --> 00:11:42,875
THANKS.
218
00:11:42,875 --> 00:11:45,500
HOW LONG DID IT TAKE YOU
TO STUFF HIM INTO
THAT T-SHIRT?
219
00:11:45,500 --> 00:11:47,708
I'M NEVER
DOING THAT AGAIN.
220
00:11:47,708 --> 00:11:50,000
SEE, THE THING
ABOUT THE LAW IS,
221
00:11:50,000 --> 00:11:51,958
IT PROTECTS
THE NAIVE AND SIMPLE
FROM CRIMINALS
222
00:11:51,958 --> 00:11:54,000
WHO HIDE BEHIND
A SALES COUNTER.
223
00:11:54,000 --> 00:11:55,708
ALL RIGHT,
YOU'RE JUST UPSET
224
00:11:55,708 --> 00:11:57,458
ABOUT MY TAKING ADVANTAGE
OF YOUR DAUGHTER.
225
00:11:57,458 --> 00:11:59,500
NO, I'M STILL TALKING
ABOUT MY HUSBAND.
226
00:12:01,083 --> 00:12:03,708
FOR MY DAUGHTER,
I'M COMING AFTER YOU
PERSONALLY.
227
00:12:03,708 --> 00:12:07,416
-TURN YOUR HEAD
SLIGHTLY TO THE RIGHT.
-IT'S NOT GONNA WORK ON ME.
228
00:12:07,416 --> 00:12:08,875
I JUST WANT YOU
TO SEE THE SIGN.
229
00:12:12,875 --> 00:12:14,875
IT'S ALL
USED MERCHANDISE.
230
00:12:14,875 --> 00:12:17,875
THE SIGN'S TOO SMALL
AND CAN BE EASILY MISSED,
YOUR HONOR.
231
00:12:17,875 --> 00:12:20,958
PLEASE PROSECUTE THE OFFENDER
TO THE FULL EXTENT OF THE LAW.
232
00:12:20,958 --> 00:12:24,708
HOLD UP, YOUR HONOR.
TURN YOUR HEAD SLIGHTLY
TO THE LEFT.
233
00:12:27,833 --> 00:12:29,958
WILL YOU LOOK
AT THAT?
234
00:12:29,958 --> 00:12:33,000
SEE, MY FAVORITE
MUNICIPAL CODE IS 424--
235
00:12:33,000 --> 00:12:35,416
NO ONE SHALL PREVENT
A STORE MERCHANT
236
00:12:35,416 --> 00:12:37,875
FROM THE ACTIVE
PURSUIT OF COMMERCE
ACCORDING TO LAW,
237
00:12:37,875 --> 00:12:40,291
WHICH I MAKE SURE
I STAY JUST UNDER
THE RADAR OF.
238
00:12:43,458 --> 00:12:46,208
NICE PLAYING
WITH YA.
239
00:12:46,208 --> 00:12:49,625
YOU KNOW, YOU'D MAKE
A PRETTY GOOD LAWYER
240
00:12:49,625 --> 00:12:51,750
IF YOU WEREN'T
SUCH A LITTLE CRIMINAL.
241
00:12:54,583 --> 00:12:55,958
HOW DO YOU LIVE
WITH YOURSELF?
242
00:12:57,708 --> 00:12:58,708
LIKE THIS.
243
00:12:58,708 --> 00:13:01,833
I'M GONNA OWN
THIS STORE ONE DAY.
AND WHEN I DO,
244
00:13:01,833 --> 00:13:04,875
I'M GONNA HIRE SOMEONE JUST
LIKE YOUR DAUGHTER'S FRIEND
TO BE THE NEXT ME.
245
00:13:04,875 --> 00:13:07,000
I THINK
SHE'S GOT POTENTIAL,
DON'T YOU?
246
00:13:07,000 --> 00:13:09,875
MAYA? NO, MAYA WILL
NEVER BE LIKE YOU.
247
00:13:09,875 --> 00:13:11,458
-THINK SO?
-NO.
248
00:13:11,458 --> 00:13:14,583
SHE'S GOT MY DAUGHTER
AS A GOOD INFLUENCE.
249
00:13:14,583 --> 00:13:17,208
I WANT TO SPEAK
TO YOUR MANAGER.
250
00:13:17,208 --> 00:13:21,291
YOU KNOW WHAT?
I CAN DO BETTER THAN THAT.
251
00:13:21,291 --> 00:13:23,000
HOW ABOUT I BRING
THE OWNERS OUT HERE?
252
00:13:23,000 --> 00:13:25,458
RON!
HILLARY!
253
00:13:25,458 --> 00:13:27,291
WHAT HAPPENED
TO YOU?
254
00:13:27,291 --> 00:13:29,708
DIDN'T YOU HAVE
ANY GOOD INFLUENCES
GROWING UP?
255
00:13:32,125 --> 00:13:34,583
YEAH, I HAD THESE TWO
RIGHT HERE.
256
00:13:34,583 --> 00:13:37,583
RON, HILLARY,
THE NICE LAWYER LADY
HAS A COMPLAINT
257
00:13:37,583 --> 00:13:39,875
ABOUT HOW I TOOK ADVANTAGE
OF HER HUSBAND AND DAUGHTER.
258
00:13:39,875 --> 00:13:43,125
-HOW MUCH ADVANTAGE?
-$1700.
259
00:13:43,125 --> 00:13:45,708
NICE.
260
00:13:45,708 --> 00:13:47,958
NO, I DON'T THINK
YOU UNDERSTAND.
261
00:13:47,958 --> 00:13:50,375
LET ME SEE IF I DO.
YOUR DAUGHTER COMES IN,
262
00:13:50,375 --> 00:13:53,458
EYES THE SIZE OF SAUCERS,
LOOKING FOR QUICK,
EASY MONEY.
263
00:13:53,458 --> 00:13:56,958
WE BUY HER CLOTHES FOR CHEAP,
WE SELL HER OUR CLOTHES
FOR NOT CHEAP,
264
00:13:56,958 --> 00:14:00,875
WHICH KEEPS OUR CLOTHES COOL
IN ALL THE SAUCER EYES OF
THE CURRENT GENERATION.
265
00:14:03,750 --> 00:14:05,083
THESE PEOPLE
ARE TERRIBLE.
266
00:14:06,458 --> 00:14:09,250
DO YOUR PARENTS KNOW
YOU WORK IN A PLACE
LIKE THIS?
267
00:14:09,250 --> 00:14:10,875
MOM, DAD,
268
00:14:10,875 --> 00:14:12,958
I WORK IN A PLACE
LIKE THIS.
269
00:14:23,708 --> 00:14:25,333
-WE'VE LOST.
-SHE BEAT US.
270
00:14:25,333 --> 00:14:28,416
-WE GOT CRUSHED.
-I DON'T LIKE IT VERY MUCH.
271
00:14:30,416 --> 00:14:32,000
HAVE I LET YOU DOWN?
272
00:14:33,208 --> 00:14:36,000
NO, PEACHES.
273
00:14:38,708 --> 00:14:41,000
HOW COULD YOU
EVER LET ME DOWN?
274
00:14:43,958 --> 00:14:45,708
WHAT KIND OF
A BAD INFLUENCE
AM I ON YOU
275
00:14:45,708 --> 00:14:47,166
IF I LET ANOTHER
BAD INFLUENCE BE
276
00:14:47,166 --> 00:14:49,875
A BETTER BAD INFLUENCE
THAN ME IN YOUR EYES?
277
00:14:55,625 --> 00:14:57,375
HEY.
278
00:14:57,375 --> 00:14:59,750
I WILL NEVER HAVE
279
00:14:59,750 --> 00:15:02,458
A BETTER WORSE INFLUENCE
THAN YOU.
STYLE
::cue(.speaker)
::cue(.speakerTop)
280
00:15:02,458 --> 00:15:04,708
THANKS.
281
00:15:04,708 --> 00:15:07,875
YOU WILL ALWAYS BE
MY FAVORITE CHUMP.
282
00:15:07,875 --> 00:15:09,583
THANKS.
283
00:15:15,833 --> 00:15:17,500
WOULD I STILL BE
YOUR FAVORITE
284
00:15:17,500 --> 00:15:19,000
EVEN IF I WASN'T
A CHUMP?
285
00:15:19,000 --> 00:15:22,250
YOU WILL ALWAYS BE
MY FAVORITE, NO MATTER
WHAT YOU ARE.
286
00:15:22,250 --> 00:15:24,375
OKAY, GOOD.
287
00:15:24,375 --> 00:15:27,125
BECAUSE I MAY HAVE TO
NOT BE A CHUMP
FOR A MINUTE.
288
00:15:29,000 --> 00:15:31,083
BUT THEN
YOU WILL AGAIN?
289
00:15:31,083 --> 00:15:33,333
-I KNOW YOU SECRETLY
LIKE IT.
-I DO.
290
00:15:39,375 --> 00:15:40,875
(phone rings)
291
00:15:40,875 --> 00:15:43,000
DEMOLITION.
ALL SALES FINAL.
292
00:15:43,000 --> 00:15:44,875
Evelyn Rand:
You the pretty
little redhead
293
00:15:44,875 --> 00:15:47,000
with the jazz singer
voice?
294
00:15:47,000 --> 00:15:48,458
YEAH, THIS IS...
295
00:15:48,458 --> 00:15:51,291
♪ BOO-DOP, BEE-DEEP,
BAH-DOP, BAH-DOP ♪
AUBREY.
296
00:15:51,291 --> 00:15:54,125
You bought
a uniquely colorful dress
297
00:15:54,125 --> 00:15:56,000
yesterday
from my daughter.
298
00:15:56,000 --> 00:15:58,416
Paid a fair price,
I'm sure.
299
00:15:58,416 --> 00:16:00,000
ALL SALES FINAL.
300
00:16:00,000 --> 00:16:01,708
Well, that's a shame,
301
00:16:01,708 --> 00:16:03,875
because the dress
is an heirloom.
302
00:16:03,875 --> 00:16:06,875
Been in my
family for generations.
I must have it back.
303
00:16:06,875 --> 00:16:10,458
I would pay you...
$2500 for it.
304
00:16:11,875 --> 00:16:13,583
$4000, AND IT'S YOURS.
305
00:16:13,583 --> 00:16:15,208
(laughs)
306
00:16:15,208 --> 00:16:17,083
Aren't you a savvy
little businesswoman?
307
00:16:17,083 --> 00:16:18,875
I don't like you at all.
308
00:16:18,875 --> 00:16:21,708
YEAH, I GET THAT A LOT.
309
00:16:21,708 --> 00:16:24,083
LOOK, I'LL HAVE TO GET
THE DRESS BACK HERE,
310
00:16:24,083 --> 00:16:25,833
'CAUSE IT'S
AT THE CLEANER'S.
311
00:16:25,833 --> 00:16:28,250
If I'm paying $4,000,
312
00:16:28,250 --> 00:16:31,875
you have it back
at the store by 5:00 today.
313
00:16:31,875 --> 00:16:33,583
IT'LL BE HERE.
314
00:16:33,583 --> 00:16:35,333
REALLY LOOK FORWARD
TO MEETING YOU.
315
00:16:35,333 --> 00:16:38,125
Mm-hmm, the feeling
is mutual, I'm sure.
316
00:16:55,458 --> 00:16:57,458
SO YOU HAD
A CHANGE OF HEART?
317
00:16:57,458 --> 00:16:59,750
WHAT CAN I SAY?
YOU AFFECTED ME.
318
00:16:59,750 --> 00:17:03,000
IF YOU DON'T WANT THE DRESS,
THE RIGHT THING TO DO IS
TO CANCEL THE CHARGE.
319
00:17:03,000 --> 00:17:05,083
SO WE'LL GIVE YOU THE DRESS
AND YOU'LL CREDIT THE CARD?
320
00:17:05,083 --> 00:17:06,958
$300 FOR THE DRESS.
321
00:17:06,958 --> 00:17:10,000
-AND $200 FOR THE SHOES.
-WAIT A MINUTE.
322
00:17:10,000 --> 00:17:12,166
AND $1200 FOR MY
FATHER'S STUFF.
323
00:17:12,166 --> 00:17:13,875
NO, WE'RE JUST TALKING
ABOUT THE DRESS.
324
00:17:13,875 --> 00:17:15,833
NO, YOU'RE JUST TALKING
ABOUT THE DRESS.
325
00:17:15,833 --> 00:17:19,458
I'M TALKING ABOUT
WE ALSO GET OUR
CLOTHES BACK.
326
00:17:19,458 --> 00:17:21,708
WELL, WHAT'S GOTTEN
INTO YOU?
327
00:17:21,708 --> 00:17:23,166
WHAT HAS GOTTEN
INTO YOU?
328
00:17:25,625 --> 00:17:28,000
OKAY, I DON'T SEE
THE T-SHIRT HERE.
329
00:17:28,000 --> 00:17:31,000
I CAN'T GET IT OFF.
IT'S PART OF MY BODY NOW.
330
00:17:33,000 --> 00:17:34,625
HOW ARE Y'ALL DOING?
331
00:17:39,083 --> 00:17:41,958
(chuckles)
332
00:17:41,958 --> 00:17:44,000
IT'S 5:00.
YOU GOT MY DRESS?
333
00:17:44,000 --> 00:17:45,875
HEY, AREN'T YOU
EVELYN RAND?
334
00:17:45,875 --> 00:17:47,416
YEAH, YOU GOT MY DRESS?
335
00:17:47,416 --> 00:17:49,000
HEY, AREN'T YOU,
LIKE, A BILLIONAIRE?
336
00:17:49,000 --> 00:17:50,875
YEAH, JUST LIKE ONE.
YOU GOT MY DRESS?
337
00:17:52,875 --> 00:17:54,500
NOT HER DRESS.
338
00:17:54,500 --> 00:17:56,000
-IT'S STILL--
-DEAL.
339
00:17:56,000 --> 00:17:57,958
SHOES, YOUR FATHER'S STUFF,
340
00:17:57,958 --> 00:17:59,833
AND THE DRESS.
341
00:17:59,833 --> 00:18:02,625
NOW YOU GUYS GET
ALL OF YOUR OLD STUFF,
342
00:18:02,625 --> 00:18:04,583
AND WE ARE DONE
WITH EACH OTHER.
343
00:18:07,333 --> 00:18:09,875
YEAH, I GOT
YOUR DRESS.
344
00:18:09,875 --> 00:18:12,000
YOU GOT MY $5,000?
345
00:18:12,000 --> 00:18:13,458
$4,000, WASN'T IT?
346
00:18:13,458 --> 00:18:15,833
IT WAS BEFORE YOU WERE
EVELYN RAND.
347
00:18:15,833 --> 00:18:17,375
NOW YOU ARE.
NOW IT'S FIVE.
348
00:18:17,375 --> 00:18:19,416
(laughing)
349
00:18:23,625 --> 00:18:27,125
OOH, YOU'RE RIGHT.
SHE'S A REAL HOOT.
350
00:18:27,125 --> 00:18:29,333
WAIT, WAIT,
YOU KNOW HER?
351
00:18:29,333 --> 00:18:31,875
THESE TWO?
OH, YEAH.
352
00:18:31,875 --> 00:18:34,375
THEY'RE MY OLD PALS.
353
00:18:34,375 --> 00:18:35,875
YOU DID THIS?
354
00:18:35,875 --> 00:18:38,875
I MIGHT HAVE
MADE A LITTLE
PHONE CALL, YEAH.
355
00:18:40,708 --> 00:18:42,125
A PRETTY GOOD SCAM
FOR A CHUMP.
356
00:18:42,125 --> 00:18:46,416
WELL, I HAVE THE BEST
POSSIBLE BAD INFLUENCE,
DON'T I?
357
00:18:46,416 --> 00:18:47,708
YOU DID GREAT.
358
00:18:47,708 --> 00:18:50,125
OH, IT AIN'T OVER YET.
359
00:18:52,166 --> 00:18:55,000
I'D LIKE TO SPEAK
TO THE OWNERS, PLEASE.
360
00:18:55,000 --> 00:18:57,875
-I DON'T SEE WHERE THAT'S--
-OWNERS, PLEASE!
361
00:18:57,875 --> 00:18:59,958
WHAT IS GOING ON
OUT HERE?
362
00:18:59,958 --> 00:19:02,083
ALL SALES FINAL.
363
00:19:02,083 --> 00:19:05,083
(gasps)
AREN'T YOU
EVELYN BILLIONAIRE?
364
00:19:05,083 --> 00:19:06,291
YEAH.
365
00:19:06,291 --> 00:19:10,000
HOW MUCH DO YOU WANT
FOR THIS WHOLE PLACE?
366
00:19:10,000 --> 00:19:12,416
OH, THIS PLACE
IS NOT FOR SALE.
367
00:19:12,416 --> 00:19:14,458
(laughs)
OH, THAT'S CUTE.
368
00:19:14,458 --> 00:19:17,833
YOU BELIEVE THERE'S
A THING NOT FOR SALE,
369
00:19:17,833 --> 00:19:20,000
YOU SAVVY LITTLE
BUSINESSWOMAN.
370
00:19:20,000 --> 00:19:22,416
WELL, YOU KNOW
WHAT I'M GONNA DO?
371
00:19:22,416 --> 00:19:25,833
I'M JUST GONNA
WRITE A NUMBER ON THIS
LITTLE PIECE OF PAPER,
372
00:19:25,833 --> 00:19:29,958
AND WE'RE JUST GONNA SEE
WHAT'S FOR SALE.
373
00:19:29,958 --> 00:19:32,208
NO MATTER WHAT NUMBER
SHE WRITES,
374
00:19:32,208 --> 00:19:33,625
DO NOT REACT.
375
00:19:33,625 --> 00:19:35,083
HAVE I EVER REACTED?
376
00:19:35,083 --> 00:19:36,958
NOT TO ME.
377
00:19:36,958 --> 00:19:39,458
IT DOESN'T MATTER
WHAT NUMBER YOU WRITE,
378
00:19:39,458 --> 00:19:42,000
BECAUSE THIS PLACE IS ALL
GOING TO BE MINE SOMEDAY.
379
00:19:42,000 --> 00:19:43,333
RIGHT?
380
00:19:43,333 --> 00:19:45,250
RIGHT, EXCEPT...
381
00:19:45,250 --> 00:19:49,000
IT'S NOT OUR PLACE
ANYMORE.
382
00:19:49,000 --> 00:19:52,458
YOU ARE TERRIBLE PEOPLE.
383
00:19:52,458 --> 00:19:55,000
WAIT, SO YOU'RE NOT
BUYING THE STORE?
384
00:19:55,000 --> 00:19:57,000
PLEASE, I GOT CLOSETS
BIGGER THAN THIS.
385
00:19:58,458 --> 00:20:00,291
YOU GUYS WOULD HAVE
JUST SOLD ME OUT.
386
00:20:00,291 --> 00:20:02,875
I THINK WE'RE ALL
DISAPPOINTED HERE.
STYLE
::cue(.speaker)
::cue(.speakerTop)
387
00:20:04,291 --> 00:20:06,000
BACK TO WORK, DEAR.
388
00:20:11,291 --> 00:20:13,875
YOU KNOW, THE DRESS REALLY
DOES BRINGS OUT YOUR EYES.
389
00:20:15,208 --> 00:20:17,125
NOT THOSE EYES.
390
00:20:17,125 --> 00:20:19,375
LOOK AT ME.
391
00:20:19,375 --> 00:20:21,958
I'M NOT BUYING
ANYTHING YOU'RE SELLING,
392
00:20:21,958 --> 00:20:23,833
AND NEITHER WILL
ANYBODY ELSE,
393
00:20:23,833 --> 00:20:26,416
EXCEPT THE KIDS YOU'RE
TAKING ADVANTAGE OF.
394
00:20:26,416 --> 00:20:27,500
YEAH.
395
00:20:27,500 --> 00:20:29,500
-AND DOPES.
-YEAH.
396
00:20:31,000 --> 00:20:33,833
WAKE UP.
BE BETTER THAN
WHAT YOU ARE.
397
00:20:35,208 --> 00:20:37,000
HOW'D YOU GET TO BE
WHO YOU ARE?
398
00:20:37,000 --> 00:20:40,208
BY KNOWING
WHAT GOES AROUND
COMES AROUND,
399
00:20:40,208 --> 00:20:43,458
AND THAT ALL SALES ARE
DEFINITELY NOT FINAL.
400
00:20:43,458 --> 00:20:45,875
AND THE MOST
IMPORTANT THING...
401
00:20:48,958 --> 00:20:52,000
I GOT FRIENDS
WHO I CAN DEPEND ON
402
00:20:52,000 --> 00:20:55,208
AND WHO CAN
DEPEND ON ME.
403
00:20:55,208 --> 00:20:57,958
MY LITTLE DOLLIES,
YOU CALL ME ANYTIME
YOU WANT,
404
00:20:57,958 --> 00:21:00,583
AND YOU KEEP ON
BEING WHO YOU ARE.
405
00:21:02,875 --> 00:21:04,833
ARE WE STILL
WHO WE ARE?
406
00:21:04,833 --> 00:21:07,000
YOU'RE NOT SUCH
A BAD INFLUENCE.
407
00:21:07,000 --> 00:21:10,000
THANKS. YOU'RE NOT
SUCH A CHUMP.
408
00:21:10,000 --> 00:21:11,083
THANKS.
409
00:21:12,375 --> 00:21:14,458
THERE'S AN ASTRONAUT
ON A HORSE.
410
00:21:14,458 --> 00:21:16,833
I DON'T FALL FOR THAT
ANYMORE.
411
00:21:19,708 --> 00:21:21,375
DO YOU SEE IT, TOO?
412
00:21:24,291 --> 00:21:25,958
IT'S BEAUTIFUL.
413
00:21:25,958 --> 00:21:29,000
WE MUST HAVE IT.
HOW MUCH IS IT?
414
00:21:29,000 --> 00:21:32,458
WELL, THIS IS
ONE OF A KIND.
415
00:21:33,833 --> 00:21:35,291
AND SO ARE YOU.
416
00:21:35,291 --> 00:21:38,000
IT'S YOURS.
417
00:21:55,125 --> 00:21:56,875
(knocks on door)
418
00:22:03,500 --> 00:22:05,708
YOU REALLY THINK I COULD
BECOME A GOOD LAWYER?
419
00:22:05,708 --> 00:22:07,000
YOU'VE GOT SKILLS,
420
00:22:07,000 --> 00:22:10,000
BUT YOU USE YOUR SKILLS
AGAINST PEOPLE.
421
00:22:10,000 --> 00:22:13,291
I USE MY SKILLS
TO HELP PEOPLE
HAVE A VOICE.
422
00:22:13,291 --> 00:22:14,833
YOU WANT TO BE
A GOOD LAWYER,
423
00:22:14,833 --> 00:22:17,000
FIRST YOU GOTTA BE
A GOOD PERSON.
424
00:22:17,000 --> 00:22:18,875
DO YOU WANT
TO BE A GOOD PERSON?
425
00:22:18,875 --> 00:22:21,208
HOW WOULD I DO THAT?
426
00:22:21,208 --> 00:22:24,000
WELL, FIRST YOU FIND
A FRIEND LIKE HER,
427
00:22:24,000 --> 00:22:25,958
AND NEVER LET HER
FLOAT AWAY.
428
00:22:28,583 --> 00:22:30,458
CAN WE TALK ABOUT IT?
429
00:22:30,458 --> 00:22:33,000
I COULD MAYBE USE
SOME NEW INFLUENCES.
430
00:22:33,958 --> 00:22:36,833
OH, WE HAVE A GREAT
PLACE TO TALK.
431
00:22:37,833 --> 00:22:39,416
YEAH.
432
00:22:39,416 --> 00:22:41,958
AND WE CAN STAY THERE
AS LONG AS YOU WANT.
433
00:22:48,958 --> 00:22:51,875
AUGGIE, DO YOU THINK
THAT LOOK WORKED FOR ME?