1 00:00:02,875 --> 00:00:05,708 -YOU GOT ANY MONEY? -I NEVER HAVE ANY MONEY. 2 00:00:08,875 --> 00:00:11,000 HOW DO WE MAKE MONEY IMMEDIATELY? 3 00:00:11,000 --> 00:00:12,875 WHAT WE NEED IS A BAT MITZVAH! 4 00:00:14,833 --> 00:00:16,583 ARE THERE ANY SPECIAL REQUIREMENTS? 5 00:00:16,583 --> 00:00:19,958 YEAH, AND I'M THINKING IT'S GONNA NEED TO BE YOU. 6 00:00:19,958 --> 00:00:21,000 GET OUT! 7 00:00:21,000 --> 00:00:23,250 YOU GUYS HAVE BEEN SITTING IN THAT WINDOW ALL DAY. 8 00:00:23,250 --> 00:00:24,500 YOU KNOW WHAT'S GREAT ABOUT A WINDOW? 9 00:00:24,500 --> 00:00:26,750 THERE'S A WORLD OUTSIDE. GO THERE. 10 00:00:31,458 --> 00:00:33,166 IT LOOKS FAKEY. 11 00:00:34,875 --> 00:00:36,291 GET OUT OF MY HOUSE. 12 00:00:38,000 --> 00:00:39,833 WHY DON'T I GET A BAT MITZVAH? 13 00:00:39,833 --> 00:00:43,458 -WHAT'S YOUR HEBREW NAME? -RILEY MATTHEWS. 14 00:00:43,458 --> 00:00:45,000 THERE YOU GO. 15 00:00:45,000 --> 00:00:47,500 WHAT DO YOU WANT A BAT MITZVAH FOR? 16 00:00:47,500 --> 00:00:50,000 THERE COMES A TIME IN A YOUNG WOMAN'S LIFE 17 00:00:50,000 --> 00:00:53,000 WHEN SHE JUST WANTS TO SIT IN A ROOM AND OPEN ENVELOPES. 18 00:00:53,000 --> 00:00:54,583 RILEY, DO YOU EVEN KNOW 19 00:00:54,583 --> 00:00:56,583 WHAT THIS HOLY RITE OF PASSAGE IS ABOUT? 20 00:00:56,583 --> 00:00:58,875 YES. THIS HOLY RITE OF PASSAGE 21 00:00:58,875 --> 00:01:03,125 IS ABOUT 12 HOURS BEFORE YOU OPEN THE ENVELOPES. 22 00:01:03,125 --> 00:01:05,083 WHAT DO YOU NEED MONEY FOR? 23 00:01:05,083 --> 00:01:06,833 -BUY STUFF. -SPECIFICALLY. 24 00:01:06,833 --> 00:01:09,458 BUY STUFF FOR ME-E-E. 25 00:01:09,458 --> 00:01:11,083 MONEY NEEDS TO BE WORKED FOR. 26 00:01:11,083 --> 00:01:13,166 IT'S PRETTY HARD TO COME UP WITH A SCHEME 27 00:01:13,166 --> 00:01:15,583 WHEN ALL YOU'VE GOT IS THE CLOTHES ON YOUR BACK, ISN'T IT? 28 00:01:26,208 --> 00:01:30,083 WE'D LIKE TO SELL ALL OF OUR CLOTHES, PLEASE! 29 00:01:37,875 --> 00:01:40,875 WELL, YOU HAVE CERTAINLY COME TO THE RIGHT PLACE. 30 00:01:40,875 --> 00:01:43,208 (theme music playing) 31 00:01:47,833 --> 00:01:49,833 ♪ I'VE BEEN WAITING ♪ 32 00:01:49,833 --> 00:01:51,166 ♪ FOR A DAY ♪ 33 00:01:51,166 --> 00:01:52,208 ♪ LIKE THIS TO COME ♪ 34 00:01:52,208 --> 00:01:54,000 ♪ STRUCK LIKE LIGHTNING ♪ 35 00:01:54,000 --> 00:01:56,500 ♪ MY HEART'S BEATING LIKE A DRUM ♪ 36 00:01:56,500 --> 00:01:57,958 ♪ ON THE EDGE ♪ 37 00:01:57,958 --> 00:02:00,583 ♪ OF SOMETHING WONDERFUL ♪ 38 00:02:00,583 --> 00:02:03,458 ♪ FACE TO FACE WITH CHANGES ♪ 39 00:02:03,458 --> 00:02:04,583 ♪ WHAT'S IT ALL ABOUT? ♪ 40 00:02:04,583 --> 00:02:06,750 ♪ LIFE IS CRAZY ♪ 41 00:02:06,750 --> 00:02:08,875 ♪ BUT I KNOW I CAN WORK IT OUT ♪ 42 00:02:08,875 --> 00:02:10,083 ♪ 'CAUSE I GOT YOU ♪ 43 00:02:10,083 --> 00:02:12,875 ♪ TO LIVE IT WITH ME ♪ 44 00:02:12,875 --> 00:02:17,000 ♪ I FEEL ALL RIGHT, I'M GONNA TAKE ON THE WORLD ♪ 45 00:02:17,000 --> 00:02:20,458 ♪ LIGHT UP THE STARS, I'VE GOT SOME PAGES TO TURN ♪ 46 00:02:20,458 --> 00:02:22,250 ♪ I'M SINGING "GO-O-O" ♪ 47 00:02:22,250 --> 00:02:25,333 ♪ OH, OH, OH, OH ♪ 48 00:02:25,333 --> 00:02:28,333 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 49 00:02:28,333 --> 00:02:29,750 ♪ TAKE ON THE WORLD ♪ 50 00:02:29,750 --> 00:02:32,291 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 51 00:02:32,291 --> 00:02:33,833 ♪ TAKE ON THE WORLD. ♪ 52 00:02:37,583 --> 00:02:39,625 OKAY, WHATEVER SHE SAYS, WE'RE GONNA TRIPLE IT. 53 00:02:39,625 --> 00:02:42,000 WE GO TRIPLE, SHE HITS US BACK WITH DOUBLE, WE TAKE IT AND RUN, ALL RIGHT? 54 00:02:42,000 --> 00:02:44,875 I'M IN CHARGE HERE, JUST LIKE I LET YOU BE IN CHARGE AT THE CANDY STORE, RIGHT? 55 00:02:44,875 --> 00:02:46,833 RIGHT. TRIPLE THE GUMMIES, DOUBLE THE JELLIES 56 00:02:46,833 --> 00:02:49,875 AND PAY WHATEVER THEY SAY, BECAUSE IT'S CANDY. 57 00:02:53,000 --> 00:02:56,458 -ONLY I TALK. -I'M SURE THAT'S BEST. 58 00:02:56,458 --> 00:02:58,958 OH, HONEY, I FEEL SO BAD YOU BOUGHT THAT IN THE FIRST PLACE. 59 00:02:58,958 --> 00:03:01,333 I MEAN, IT'S NOT EVEN A COLOR. LOOK. 60 00:03:01,333 --> 00:03:04,000 I COULD GIVE YOU 10 BUCKS FOR IT, 'CAUSE MAYBE WE'LL SELL IT FOR 15. 61 00:03:04,000 --> 00:03:05,875 BUT HOW ABOUT I'LL GIVE YOU 12? 62 00:03:05,875 --> 00:03:07,750 'CAUSE, SAY, THE NEXT GIRL WHO WALKS THROUGH THE DOOR 63 00:03:07,750 --> 00:03:10,708 IS GOING TO AN UGLY DRESS PARTY, RIGHT? AN OPTIMIST IS WHAT I AM. 64 00:03:10,708 --> 00:03:13,750 SO YOU GIVE ME THAT, I GIVE YOU 12 BUCKS RIGHT NOW. 65 00:03:13,750 --> 00:03:15,458 YOU GIVE ME THAT. 66 00:03:17,625 --> 00:03:19,833 YOU'RE WELCOME. 67 00:03:19,833 --> 00:03:21,166 YOUR TURN. 68 00:03:21,166 --> 00:03:23,291 -TRIPLE, DOUBLE, RUN. -YES, MA'AM. 69 00:03:23,291 --> 00:03:25,000 -'SUP? -'SUP? 70 00:03:25,000 --> 00:03:27,708 -GIVE YOU 38 BUCKS, THE WHOLE THING RIGHT NOW. -WE'LL TAKE TRIPLE. 71 00:03:27,708 --> 00:03:30,000 NOW YOU GO UP TO 76, 72 00:03:30,000 --> 00:03:32,583 BECAUSE THAT'S DOUBLE, AND WE'LL TAKE IT. 73 00:03:34,000 --> 00:03:35,375 -38. -NO. 74 00:03:35,375 --> 00:03:37,333 -38. -SHE'S NOT DOING THIS RIGHT. 75 00:03:37,333 --> 00:03:40,166 -24. -WHAT SAY WE KEEP THIS BETWEEN YOU AND ME? 76 00:03:40,166 --> 00:03:42,000 -WHAT SAY. -YOU OFFERED 38. 77 00:03:42,000 --> 00:03:44,083 IT'S WORTH DOUBLE. YOU KNOW IT, I KNOW IT. 78 00:03:44,083 --> 00:03:46,000 -YOU KNOW IT? -I DO CANDY. 79 00:03:46,000 --> 00:03:48,083 -I HAD A FRIEND LIKE HER ONCE. -WHAT HAPPENED? 80 00:03:48,083 --> 00:03:51,750 -ONE DAY SHE FLOATED AWAY LIKE A BALLOON. -I HOLD ON TIGHT. 81 00:03:51,750 --> 00:03:53,875 WILL YOU GO 42 BUCKS? 82 00:03:53,875 --> 00:03:55,875 WILL YOU BUY THIS DRESS HERE? 83 00:03:58,333 --> 00:03:59,958 IS THAT EVEN A COLOR? 84 00:04:05,083 --> 00:04:07,875 THIS IS THE COLOR OF DREAMS, 85 00:04:07,875 --> 00:04:10,875 UNICORNS BALLET-DANCING ON A CLOUD. 86 00:04:10,875 --> 00:04:14,708 THIS IS THE COLOR OF A HUG, IF THAT HUG WAS GIVEN 87 00:04:14,708 --> 00:04:17,833 BY EVERYBODY IN THE WORLD AT ONCE, 88 00:04:17,833 --> 00:04:19,166 PUPPIES. 89 00:04:21,000 --> 00:04:22,750 THE ANGELS CALL THIS COLOR 90 00:04:22,750 --> 00:04:24,708 IMAGINATIA. 91 00:04:28,708 --> 00:04:30,875 CAN I PLEASE TALK NOW? 92 00:04:30,875 --> 00:04:33,250 DO YOU HAVE SOMETHING TO SAY THAT WON'T HURT US? 93 00:04:33,250 --> 00:04:35,875 I MUST HAVE THAT DRESS. 94 00:04:35,875 --> 00:04:39,833 WELL, AT LEAST THERE'S NOTHING WORSE YOU COULD POSSIBLY SAY. 95 00:04:39,833 --> 00:04:42,583 DO YOU TAKE THIS CREDIT CARD MY MOM GAVE ME FOR EMERGENCIES 96 00:04:42,583 --> 00:04:45,750 WITH A $500 LIMIT ON IT? BECAUSE I NEED A DRESS FOR THE SPRING FORMAL, 97 00:04:45,750 --> 00:04:48,000 AND I WANT THAT ONE. NO OTHER ONE BUT THAT ONE. 98 00:04:48,000 --> 00:04:50,000 SO HOW MUCH FOR THIS DRESS OF HOPE? 99 00:04:50,000 --> 00:04:52,125 RILEY, SHE'S A SHARK. SHE KNOWS YOU WANT THE DRESS. 100 00:04:52,125 --> 00:04:53,958 WE'RE NOT GONNA BE ABLE TO AFFORD ANY OTHER CLOTHES. 101 00:04:53,958 --> 00:04:56,416 WELL, I AM SHOCKED AND OFFENDED 102 00:04:56,416 --> 00:04:58,583 THAT YOU THINK SO LITTLE OF ME. 103 00:04:58,583 --> 00:05:00,708 OH NO. STYLE ::cue(.speaker) ::cue(.speakerTop) 104 00:05:00,708 --> 00:05:03,958 RILEY, I WILL LET YOU HAVE THIS DRESS 105 00:05:03,958 --> 00:05:06,458 FOR $50, IF YOU SAY YES RIGHT THIS SECOND. 106 00:05:06,458 --> 00:05:07,875 -Y-- -A HUNDRED. 107 00:05:07,875 --> 00:05:08,875 -UH... -200. 108 00:05:08,875 --> 00:05:10,291 -I THINK THE NUMBERS ARE GOING UP. -240. 109 00:05:10,291 --> 00:05:12,375 I THINK THAT THEY ARE GOING UP BECAUSE THEY KEEP ON GOING UP, 110 00:05:12,375 --> 00:05:16,250 -BECAUSE I'M NOT SAYING YES, AND THEY'RE GOING UP AND UP. -99... 111 00:05:16,250 --> 00:05:18,583 -NINE-- -AND UP AND-- WHAT IS HAPPENING? 112 00:05:18,583 --> 00:05:20,708 -300. -DEAL. 113 00:05:20,708 --> 00:05:23,958 300, BECAUSE IT WAS GOING TO BE MORE, WASN'T IT? 114 00:05:23,958 --> 00:05:26,208 YEAH, COULD HAVE BEEN. YEAH. 115 00:05:26,208 --> 00:05:27,708 HA-HA! 116 00:05:27,708 --> 00:05:28,958 (mockingly) HUHH-HUHH. 117 00:05:31,291 --> 00:05:33,750 DO YOU HAVE ANY SHOES THAT GO WITH IMAGINATIA? 118 00:05:33,750 --> 00:05:36,583 OH, SHE IS JUST THE GIFT THAT JUST KEEPS GIVING, ISN'T SHE? 119 00:05:37,958 --> 00:05:40,000 HOW MUCH FOR THE SHOES? YES! 120 00:05:50,208 --> 00:05:51,875 WE SOLD ALL OF OUR CLOTHES. 121 00:05:51,875 --> 00:05:54,333 MY PARENTS CAN NEVER KNOW ABOUT THIS. 122 00:05:54,333 --> 00:05:56,125 ARE YOU OUT OF YOUR MINDS? 123 00:05:57,250 --> 00:05:58,291 OKAY. 124 00:05:58,291 --> 00:06:00,708 WE GOT OURSELVES INTO THIS. WE'LL GET OURSELVES OUT. 125 00:06:00,708 --> 00:06:03,333 YEAH, THAT'S A WAY TO GO-- STUBBORN IN THE FACE OF STUPID. 126 00:06:04,875 --> 00:06:07,000 IT'S THE ONLY ROAD I KNOW. 127 00:06:07,000 --> 00:06:09,875 -THERE'S ANOTHER ROAD. -THERE IS NO OTHER ROAD. SEE? 128 00:06:09,875 --> 00:06:12,083 THERE'S ANOTHER ROAD. IT LIES AT THE CORNER OF 129 00:06:12,083 --> 00:06:14,500 "YOUNG AND VULNERABLE" AND "ASK FOR HELP." 130 00:06:14,500 --> 00:06:15,958 I DON'T LIVE THERE. 131 00:06:15,958 --> 00:06:17,458 YOU LIVE THERE. 132 00:06:17,458 --> 00:06:19,583 CAN YOU COME UP WITH SOMETHING TO GET US OUT OF THIS? 133 00:06:28,500 --> 00:06:31,000 DADDY, PLEASE HELP US. WE NEED YOU. 134 00:06:31,000 --> 00:06:33,375 WE MADE A MISTAKE. 135 00:06:33,375 --> 00:06:36,166 YEAH, THIS IS WORKING. THIS WILL WORK EVERY TIME WITH ME. 136 00:06:36,166 --> 00:06:39,416 IT'S GREAT. I COULD NEVER SAY SOMETHING SO DESPERATE. 137 00:06:39,416 --> 00:06:42,166 YOU'D RATHER FACE MY MOTHER TOPANGA? 138 00:06:48,166 --> 00:06:49,500 DADDY, PLEASE HELP US. 139 00:06:49,500 --> 00:06:51,458 WE NEED YOU. WE MADE A MISTAKE. 140 00:06:51,458 --> 00:06:53,208 OKAY, OKAY, ALL RIGHT. LISTEN, 141 00:06:53,208 --> 00:06:56,000 CLEARLY YOU BOTH WERE TAKEN ADVANTAGE OF. 142 00:06:56,000 --> 00:06:58,958 NOW WE'RE GONNA SEE HOW CORY MATTHEWS RESPONDS 143 00:06:58,958 --> 00:07:01,958 WHEN THE PEOPLE HE CARES ABOUT ARE TAKEN ADVANTAGE OF. 144 00:07:01,958 --> 00:07:03,958 ARE YOU EVER GONNA DO THIS AGAIN? 145 00:07:03,958 --> 00:07:05,250 -NO. -YES. 146 00:07:05,250 --> 00:07:07,208 OKAY, LET'S GO ANYWAY. 147 00:07:14,583 --> 00:07:17,000 ALL RIGHT, GIRLS, NOW WHO'S TALKING? 148 00:07:17,000 --> 00:07:19,291 -Both: YOU ARE. -WHO'S NOT TALKING? 149 00:07:20,458 --> 00:07:22,500 WELL DONE. NOW LET'S WATCH WHAT HAPPENS 150 00:07:22,500 --> 00:07:24,958 WHEN SOMEONE WHO KNOWS HIS WAY AROUND THE BLOCK 151 00:07:24,958 --> 00:07:28,250 COME RIDIN' TO THE RESCUE OF YOU TWO DAMSELS IN DISTRESS. 152 00:07:28,250 --> 00:07:30,833 ALL RIGHT, WHO IS THE BIG, BAD SALESGIRL 153 00:07:30,833 --> 00:07:33,291 WHO TOOK ADVANTAGE OF MY LITTLE DAMSELS? 154 00:07:33,291 --> 00:07:34,833 I DON'T KNOW. WHO IS THE HIP, HANDSOME YOUNG GUY 155 00:07:34,833 --> 00:07:36,875 WHO SEEMS WAY TOO COOL TO BE THEIR DAD? 156 00:07:43,583 --> 00:07:45,125 WHAT? 157 00:07:46,625 --> 00:07:48,375 I'M SORRY. I JUST MEAN, 158 00:07:48,375 --> 00:07:50,875 HOW ARE YOU POSSIBLY NOT MADE UP IN EURO RETRO 159 00:07:50,875 --> 00:07:53,708 WITH ACCENTS OF TIMBERLAKE, SINCE YOU HAVE MATCHING BODIES? 160 00:07:56,833 --> 00:07:59,458 I DON'T KNOW. I AM TIMBERLAKE! 161 00:07:59,458 --> 00:08:02,291 YOU KNOW HOW MANY TIMES I'VE DRIVEN PAST HIS BILLBOARD 162 00:08:02,291 --> 00:08:04,291 AND THOUGHT, "IT'S ME!" 163 00:08:04,291 --> 00:08:07,375 BUT NO ONE'S EVER SAID IT OUT LOUD BEFORE BUT YOU. 164 00:08:07,375 --> 00:08:08,833 AND NOW THAT I'VE SAID IT? 165 00:08:08,833 --> 00:08:11,416 IT FEELS RIGHT. 166 00:08:11,416 --> 00:08:13,583 COME ON, LET'S DRESS ME UP. 167 00:08:40,208 --> 00:08:45,000 OKAY, A LOT OF BAD STUFF WENT DOWN IN THE LAST HOUR. 168 00:08:45,000 --> 00:08:46,958 WHAT IS WRONG WITH YOU PEOPLE? 169 00:08:46,958 --> 00:08:49,083 THE ONLY GOOD THING THAT CAME OUT OF THIS 170 00:08:49,083 --> 00:08:51,458 IS THAT I'M BRINGING SEXY BACK. 171 00:08:53,458 --> 00:08:56,083 -MOM'S GONNA KNOW. -SHE'LL NEVER KNOW. 172 00:08:56,083 --> 00:08:58,458 I'M ONLY WEARING THIS WITH SHAWN. 173 00:09:00,500 --> 00:09:03,750 ARE YOU OUT OF YOUR... 174 00:09:03,750 --> 00:09:05,000 (shouts) MINDS? 175 00:09:12,500 --> 00:09:14,000 (shouts) MINDS? 176 00:09:16,125 --> 00:09:17,583 YOU. 177 00:09:17,583 --> 00:09:18,958 YEAH, OKAY. 178 00:09:34,458 --> 00:09:37,583 OKAY, I AM GOING TO GIVE YOU ONE OPPORTUNITY 179 00:09:37,583 --> 00:09:39,500 TO TELL ME HOW IT IS POSSIBLE THAT YOU SPENT, 180 00:09:39,500 --> 00:09:42,125 WHAT, 80? 181 00:09:42,125 --> 00:09:45,750 90 DOLLARS BETWEEN THE TWO OF YOU? 182 00:09:45,750 --> 00:09:48,208 (whispers) OKAY, THIS IS GONNA BE REALLY BAD. 183 00:09:48,208 --> 00:09:51,583 HOW MUCH WAS THAT DRESS? 184 00:09:51,583 --> 00:09:56,250 50, 100, 299, 185 00:09:56,250 --> 00:09:58,500 NINE, UP, NINE, UP, NINE, UP, 186 00:09:58,500 --> 00:10:00,208 300. STYLE ::cue(.speaker) ::cue(.speakerTop) 187 00:10:01,458 --> 00:10:04,583 RILEY, THE CREDIT CARD WAS FOR EMERGENCIES. 188 00:10:04,583 --> 00:10:05,833 I MADE THAT VERY CLEAR. 189 00:10:05,833 --> 00:10:09,250 WHEN IS BUYING A DRESS EVER AN EMERGENCY? 190 00:10:10,375 --> 00:10:13,000 WHEN... 191 00:10:13,000 --> 00:10:16,958 YOU... HAVE SOLD 192 00:10:16,958 --> 00:10:19,000 THE REST OF YOUR CLOTHES. 193 00:10:20,708 --> 00:10:22,333 -MAYA. -I GOT BEAT, OKAY? 194 00:10:22,333 --> 00:10:24,291 DEMOLITION GIRL'S BETTER THAN ME, OKAY? 195 00:10:24,291 --> 00:10:26,708 I MEAN, SHE'S A PRO. WE ALL KNOW RILEY'S A CHUMP. 196 00:10:26,708 --> 00:10:29,250 -HEY! -THERE'S AN ASTRONAUT RIDING A HORSE. 197 00:10:32,000 --> 00:10:35,375 BUT THIS SALESGIRL'S THE GREATEST SCAM ARTIST I'VE EVER SEEN. 198 00:10:35,375 --> 00:10:36,500 CORY? 199 00:10:36,500 --> 00:10:39,000 I'M STILL NOT CONVINCED 200 00:10:39,000 --> 00:10:41,166 THIS OUTFIT ISN'T WORKING FOR ME. 201 00:10:43,166 --> 00:10:45,458 LET ME ASSURE YOU. 202 00:10:45,458 --> 00:10:48,333 WELL, THEN THERE'S $1200 I'M NEVER GETTING BACK. 203 00:11:07,875 --> 00:11:09,333 IF I'M YOU, I LEAVE RIGHT NOW 204 00:11:09,333 --> 00:11:12,583 WHILE I STILL HAVE THE CLOTHES ON MY BACK. 205 00:11:12,583 --> 00:11:15,708 YOU JUST INHIBITED TRADE. I COULD HAVE YOU ARRESTED. 206 00:11:15,708 --> 00:11:17,875 PLEASE TRY. TOPANGA MATTHEWS. 207 00:11:17,875 --> 00:11:19,875 I'M A PARTNER AT ELLIOT, BROWN AND MONTGOMERY. 208 00:11:19,875 --> 00:11:23,000 -THIS COULD BE FUN. -OH, IT WILL BE. 209 00:11:23,000 --> 00:11:25,166 -WHAT'S YOUR NAME? -AUBREY MACAVOY. 210 00:11:25,166 --> 00:11:28,708 WELL, AUBREY, ACCORDING TO MUNICIPAL STATUTE CP 64-- 211 00:11:28,708 --> 00:11:31,375 "CP" STANDING FOR "CONSUMER PROTECTION," 212 00:11:31,375 --> 00:11:34,833 ONE HAS SEVEN DAYS FOR MERCHANDISE RETURN AND FULL REFUND. 213 00:11:34,833 --> 00:11:36,250 THIS STATUTE COVERS EVERYBODY, 214 00:11:36,250 --> 00:11:38,458 INCLUDING MY INNOCENT, TRUSTING DAUGHTER 215 00:11:38,458 --> 00:11:39,958 AND MY HUSBAND THE DOPE. 216 00:11:39,958 --> 00:11:41,583 HE'S CUTE. 217 00:11:41,583 --> 00:11:42,875 THANKS. 218 00:11:42,875 --> 00:11:45,500 HOW LONG DID IT TAKE YOU TO STUFF HIM INTO THAT T-SHIRT? 219 00:11:45,500 --> 00:11:47,708 I'M NEVER DOING THAT AGAIN. 220 00:11:47,708 --> 00:11:50,000 SEE, THE THING ABOUT THE LAW IS, 221 00:11:50,000 --> 00:11:51,958 IT PROTECTS THE NAIVE AND SIMPLE FROM CRIMINALS 222 00:11:51,958 --> 00:11:54,000 WHO HIDE BEHIND A SALES COUNTER. 223 00:11:54,000 --> 00:11:55,708 ALL RIGHT, YOU'RE JUST UPSET 224 00:11:55,708 --> 00:11:57,458 ABOUT MY TAKING ADVANTAGE OF YOUR DAUGHTER. 225 00:11:57,458 --> 00:11:59,500 NO, I'M STILL TALKING ABOUT MY HUSBAND. 226 00:12:01,083 --> 00:12:03,708 FOR MY DAUGHTER, I'M COMING AFTER YOU PERSONALLY. 227 00:12:03,708 --> 00:12:07,416 -TURN YOUR HEAD SLIGHTLY TO THE RIGHT. -IT'S NOT GONNA WORK ON ME. 228 00:12:07,416 --> 00:12:08,875 I JUST WANT YOU TO SEE THE SIGN. 229 00:12:12,875 --> 00:12:14,875 IT'S ALL USED MERCHANDISE. 230 00:12:14,875 --> 00:12:17,875 THE SIGN'S TOO SMALL AND CAN BE EASILY MISSED, YOUR HONOR. 231 00:12:17,875 --> 00:12:20,958 PLEASE PROSECUTE THE OFFENDER TO THE FULL EXTENT OF THE LAW. 232 00:12:20,958 --> 00:12:24,708 HOLD UP, YOUR HONOR. TURN YOUR HEAD SLIGHTLY TO THE LEFT. 233 00:12:27,833 --> 00:12:29,958 WILL YOU LOOK AT THAT? 234 00:12:29,958 --> 00:12:33,000 SEE, MY FAVORITE MUNICIPAL CODE IS 424-- 235 00:12:33,000 --> 00:12:35,416 NO ONE SHALL PREVENT A STORE MERCHANT 236 00:12:35,416 --> 00:12:37,875 FROM THE ACTIVE PURSUIT OF COMMERCE ACCORDING TO LAW, 237 00:12:37,875 --> 00:12:40,291 WHICH I MAKE SURE I STAY JUST UNDER THE RADAR OF. 238 00:12:43,458 --> 00:12:46,208 NICE PLAYING WITH YA. 239 00:12:46,208 --> 00:12:49,625 YOU KNOW, YOU'D MAKE A PRETTY GOOD LAWYER 240 00:12:49,625 --> 00:12:51,750 IF YOU WEREN'T SUCH A LITTLE CRIMINAL. 241 00:12:54,583 --> 00:12:55,958 HOW DO YOU LIVE WITH YOURSELF? 242 00:12:57,708 --> 00:12:58,708 LIKE THIS. 243 00:12:58,708 --> 00:13:01,833 I'M GONNA OWN THIS STORE ONE DAY. AND WHEN I DO, 244 00:13:01,833 --> 00:13:04,875 I'M GONNA HIRE SOMEONE JUST LIKE YOUR DAUGHTER'S FRIEND TO BE THE NEXT ME. 245 00:13:04,875 --> 00:13:07,000 I THINK SHE'S GOT POTENTIAL, DON'T YOU? 246 00:13:07,000 --> 00:13:09,875 MAYA? NO, MAYA WILL NEVER BE LIKE YOU. 247 00:13:09,875 --> 00:13:11,458 -THINK SO? -NO. 248 00:13:11,458 --> 00:13:14,583 SHE'S GOT MY DAUGHTER AS A GOOD INFLUENCE. 249 00:13:14,583 --> 00:13:17,208 I WANT TO SPEAK TO YOUR MANAGER. 250 00:13:17,208 --> 00:13:21,291 YOU KNOW WHAT? I CAN DO BETTER THAN THAT. 251 00:13:21,291 --> 00:13:23,000 HOW ABOUT I BRING THE OWNERS OUT HERE? 252 00:13:23,000 --> 00:13:25,458 RON! HILLARY! 253 00:13:25,458 --> 00:13:27,291 WHAT HAPPENED TO YOU? 254 00:13:27,291 --> 00:13:29,708 DIDN'T YOU HAVE ANY GOOD INFLUENCES GROWING UP? 255 00:13:32,125 --> 00:13:34,583 YEAH, I HAD THESE TWO RIGHT HERE. 256 00:13:34,583 --> 00:13:37,583 RON, HILLARY, THE NICE LAWYER LADY HAS A COMPLAINT 257 00:13:37,583 --> 00:13:39,875 ABOUT HOW I TOOK ADVANTAGE OF HER HUSBAND AND DAUGHTER. 258 00:13:39,875 --> 00:13:43,125 -HOW MUCH ADVANTAGE? -$1700. 259 00:13:43,125 --> 00:13:45,708 NICE. 260 00:13:45,708 --> 00:13:47,958 NO, I DON'T THINK YOU UNDERSTAND. 261 00:13:47,958 --> 00:13:50,375 LET ME SEE IF I DO. YOUR DAUGHTER COMES IN, 262 00:13:50,375 --> 00:13:53,458 EYES THE SIZE OF SAUCERS, LOOKING FOR QUICK, EASY MONEY. 263 00:13:53,458 --> 00:13:56,958 WE BUY HER CLOTHES FOR CHEAP, WE SELL HER OUR CLOTHES FOR NOT CHEAP, 264 00:13:56,958 --> 00:14:00,875 WHICH KEEPS OUR CLOTHES COOL IN ALL THE SAUCER EYES OF THE CURRENT GENERATION. 265 00:14:03,750 --> 00:14:05,083 THESE PEOPLE ARE TERRIBLE. 266 00:14:06,458 --> 00:14:09,250 DO YOUR PARENTS KNOW YOU WORK IN A PLACE LIKE THIS? 267 00:14:09,250 --> 00:14:10,875 MOM, DAD, 268 00:14:10,875 --> 00:14:12,958 I WORK IN A PLACE LIKE THIS. 269 00:14:23,708 --> 00:14:25,333 -WE'VE LOST. -SHE BEAT US. 270 00:14:25,333 --> 00:14:28,416 -WE GOT CRUSHED. -I DON'T LIKE IT VERY MUCH. 271 00:14:30,416 --> 00:14:32,000 HAVE I LET YOU DOWN? 272 00:14:33,208 --> 00:14:36,000 NO, PEACHES. 273 00:14:38,708 --> 00:14:41,000 HOW COULD YOU EVER LET ME DOWN? 274 00:14:43,958 --> 00:14:45,708 WHAT KIND OF A BAD INFLUENCE AM I ON YOU 275 00:14:45,708 --> 00:14:47,166 IF I LET ANOTHER BAD INFLUENCE BE 276 00:14:47,166 --> 00:14:49,875 A BETTER BAD INFLUENCE THAN ME IN YOUR EYES? 277 00:14:55,625 --> 00:14:57,375 HEY. 278 00:14:57,375 --> 00:14:59,750 I WILL NEVER HAVE 279 00:14:59,750 --> 00:15:02,458 A BETTER WORSE INFLUENCE THAN YOU. STYLE ::cue(.speaker) ::cue(.speakerTop) 280 00:15:02,458 --> 00:15:04,708 THANKS. 281 00:15:04,708 --> 00:15:07,875 YOU WILL ALWAYS BE MY FAVORITE CHUMP. 282 00:15:07,875 --> 00:15:09,583 THANKS. 283 00:15:15,833 --> 00:15:17,500 WOULD I STILL BE YOUR FAVORITE 284 00:15:17,500 --> 00:15:19,000 EVEN IF I WASN'T A CHUMP? 285 00:15:19,000 --> 00:15:22,250 YOU WILL ALWAYS BE MY FAVORITE, NO MATTER WHAT YOU ARE. 286 00:15:22,250 --> 00:15:24,375 OKAY, GOOD. 287 00:15:24,375 --> 00:15:27,125 BECAUSE I MAY HAVE TO NOT BE A CHUMP FOR A MINUTE. 288 00:15:29,000 --> 00:15:31,083 BUT THEN YOU WILL AGAIN? 289 00:15:31,083 --> 00:15:33,333 -I KNOW YOU SECRETLY LIKE IT. -I DO. 290 00:15:39,375 --> 00:15:40,875 (phone rings) 291 00:15:40,875 --> 00:15:43,000 DEMOLITION. ALL SALES FINAL. 292 00:15:43,000 --> 00:15:44,875 Evelyn Rand: You the pretty little redhead 293 00:15:44,875 --> 00:15:47,000 with the jazz singer voice? 294 00:15:47,000 --> 00:15:48,458 YEAH, THIS IS... 295 00:15:48,458 --> 00:15:51,291 ♪ BOO-DOP, BEE-DEEP, BAH-DOP, BAH-DOP ♪ AUBREY. 296 00:15:51,291 --> 00:15:54,125 You bought a uniquely colorful dress 297 00:15:54,125 --> 00:15:56,000 yesterday from my daughter. 298 00:15:56,000 --> 00:15:58,416 Paid a fair price, I'm sure. 299 00:15:58,416 --> 00:16:00,000 ALL SALES FINAL. 300 00:16:00,000 --> 00:16:01,708 Well, that's a shame, 301 00:16:01,708 --> 00:16:03,875 because the dress is an heirloom. 302 00:16:03,875 --> 00:16:06,875 Been in my family for generations. I must have it back. 303 00:16:06,875 --> 00:16:10,458 I would pay you... $2500 for it. 304 00:16:11,875 --> 00:16:13,583 $4000, AND IT'S YOURS. 305 00:16:13,583 --> 00:16:15,208 (laughs) 306 00:16:15,208 --> 00:16:17,083 Aren't you a savvy little businesswoman? 307 00:16:17,083 --> 00:16:18,875 I don't like you at all. 308 00:16:18,875 --> 00:16:21,708 YEAH, I GET THAT A LOT. 309 00:16:21,708 --> 00:16:24,083 LOOK, I'LL HAVE TO GET THE DRESS BACK HERE, 310 00:16:24,083 --> 00:16:25,833 'CAUSE IT'S AT THE CLEANER'S. 311 00:16:25,833 --> 00:16:28,250 If I'm paying $4,000, 312 00:16:28,250 --> 00:16:31,875 you have it back at the store by 5:00 today. 313 00:16:31,875 --> 00:16:33,583 IT'LL BE HERE. 314 00:16:33,583 --> 00:16:35,333 REALLY LOOK FORWARD TO MEETING YOU. 315 00:16:35,333 --> 00:16:38,125 Mm-hmm, the feeling is mutual, I'm sure. 316 00:16:55,458 --> 00:16:57,458 SO YOU HAD A CHANGE OF HEART? 317 00:16:57,458 --> 00:16:59,750 WHAT CAN I SAY? YOU AFFECTED ME. 318 00:16:59,750 --> 00:17:03,000 IF YOU DON'T WANT THE DRESS, THE RIGHT THING TO DO IS TO CANCEL THE CHARGE. 319 00:17:03,000 --> 00:17:05,083 SO WE'LL GIVE YOU THE DRESS AND YOU'LL CREDIT THE CARD? 320 00:17:05,083 --> 00:17:06,958 $300 FOR THE DRESS. 321 00:17:06,958 --> 00:17:10,000 -AND $200 FOR THE SHOES. -WAIT A MINUTE. 322 00:17:10,000 --> 00:17:12,166 AND $1200 FOR MY FATHER'S STUFF. 323 00:17:12,166 --> 00:17:13,875 NO, WE'RE JUST TALKING ABOUT THE DRESS. 324 00:17:13,875 --> 00:17:15,833 NO, YOU'RE JUST TALKING ABOUT THE DRESS. 325 00:17:15,833 --> 00:17:19,458 I'M TALKING ABOUT WE ALSO GET OUR CLOTHES BACK. 326 00:17:19,458 --> 00:17:21,708 WELL, WHAT'S GOTTEN INTO YOU? 327 00:17:21,708 --> 00:17:23,166 WHAT HAS GOTTEN INTO YOU? 328 00:17:25,625 --> 00:17:28,000 OKAY, I DON'T SEE THE T-SHIRT HERE. 329 00:17:28,000 --> 00:17:31,000 I CAN'T GET IT OFF. IT'S PART OF MY BODY NOW. 330 00:17:33,000 --> 00:17:34,625 HOW ARE Y'ALL DOING? 331 00:17:39,083 --> 00:17:41,958 (chuckles) 332 00:17:41,958 --> 00:17:44,000 IT'S 5:00. YOU GOT MY DRESS? 333 00:17:44,000 --> 00:17:45,875 HEY, AREN'T YOU EVELYN RAND? 334 00:17:45,875 --> 00:17:47,416 YEAH, YOU GOT MY DRESS? 335 00:17:47,416 --> 00:17:49,000 HEY, AREN'T YOU, LIKE, A BILLIONAIRE? 336 00:17:49,000 --> 00:17:50,875 YEAH, JUST LIKE ONE. YOU GOT MY DRESS? 337 00:17:52,875 --> 00:17:54,500 NOT HER DRESS. 338 00:17:54,500 --> 00:17:56,000 -IT'S STILL-- -DEAL. 339 00:17:56,000 --> 00:17:57,958 SHOES, YOUR FATHER'S STUFF, 340 00:17:57,958 --> 00:17:59,833 AND THE DRESS. 341 00:17:59,833 --> 00:18:02,625 NOW YOU GUYS GET ALL OF YOUR OLD STUFF, 342 00:18:02,625 --> 00:18:04,583 AND WE ARE DONE WITH EACH OTHER. 343 00:18:07,333 --> 00:18:09,875 YEAH, I GOT YOUR DRESS. 344 00:18:09,875 --> 00:18:12,000 YOU GOT MY $5,000? 345 00:18:12,000 --> 00:18:13,458 $4,000, WASN'T IT? 346 00:18:13,458 --> 00:18:15,833 IT WAS BEFORE YOU WERE EVELYN RAND. 347 00:18:15,833 --> 00:18:17,375 NOW YOU ARE. NOW IT'S FIVE. 348 00:18:17,375 --> 00:18:19,416 (laughing) 349 00:18:23,625 --> 00:18:27,125 OOH, YOU'RE RIGHT. SHE'S A REAL HOOT. 350 00:18:27,125 --> 00:18:29,333 WAIT, WAIT, YOU KNOW HER? 351 00:18:29,333 --> 00:18:31,875 THESE TWO? OH, YEAH. 352 00:18:31,875 --> 00:18:34,375 THEY'RE MY OLD PALS. 353 00:18:34,375 --> 00:18:35,875 YOU DID THIS? 354 00:18:35,875 --> 00:18:38,875 I MIGHT HAVE MADE A LITTLE PHONE CALL, YEAH. 355 00:18:40,708 --> 00:18:42,125 A PRETTY GOOD SCAM FOR A CHUMP. 356 00:18:42,125 --> 00:18:46,416 WELL, I HAVE THE BEST POSSIBLE BAD INFLUENCE, DON'T I? 357 00:18:46,416 --> 00:18:47,708 YOU DID GREAT. 358 00:18:47,708 --> 00:18:50,125 OH, IT AIN'T OVER YET. 359 00:18:52,166 --> 00:18:55,000 I'D LIKE TO SPEAK TO THE OWNERS, PLEASE. 360 00:18:55,000 --> 00:18:57,875 -I DON'T SEE WHERE THAT'S-- -OWNERS, PLEASE! 361 00:18:57,875 --> 00:18:59,958 WHAT IS GOING ON OUT HERE? 362 00:18:59,958 --> 00:19:02,083 ALL SALES FINAL. 363 00:19:02,083 --> 00:19:05,083 (gasps) AREN'T YOU EVELYN BILLIONAIRE? 364 00:19:05,083 --> 00:19:06,291 YEAH. 365 00:19:06,291 --> 00:19:10,000 HOW MUCH DO YOU WANT FOR THIS WHOLE PLACE? 366 00:19:10,000 --> 00:19:12,416 OH, THIS PLACE IS NOT FOR SALE. 367 00:19:12,416 --> 00:19:14,458 (laughs) OH, THAT'S CUTE. 368 00:19:14,458 --> 00:19:17,833 YOU BELIEVE THERE'S A THING NOT FOR SALE, 369 00:19:17,833 --> 00:19:20,000 YOU SAVVY LITTLE BUSINESSWOMAN. 370 00:19:20,000 --> 00:19:22,416 WELL, YOU KNOW WHAT I'M GONNA DO? 371 00:19:22,416 --> 00:19:25,833 I'M JUST GONNA WRITE A NUMBER ON THIS LITTLE PIECE OF PAPER, 372 00:19:25,833 --> 00:19:29,958 AND WE'RE JUST GONNA SEE WHAT'S FOR SALE. 373 00:19:29,958 --> 00:19:32,208 NO MATTER WHAT NUMBER SHE WRITES, 374 00:19:32,208 --> 00:19:33,625 DO NOT REACT. 375 00:19:33,625 --> 00:19:35,083 HAVE I EVER REACTED? 376 00:19:35,083 --> 00:19:36,958 NOT TO ME. 377 00:19:36,958 --> 00:19:39,458 IT DOESN'T MATTER WHAT NUMBER YOU WRITE, 378 00:19:39,458 --> 00:19:42,000 BECAUSE THIS PLACE IS ALL GOING TO BE MINE SOMEDAY. 379 00:19:42,000 --> 00:19:43,333 RIGHT? 380 00:19:43,333 --> 00:19:45,250 RIGHT, EXCEPT... 381 00:19:45,250 --> 00:19:49,000 IT'S NOT OUR PLACE ANYMORE. 382 00:19:49,000 --> 00:19:52,458 YOU ARE TERRIBLE PEOPLE. 383 00:19:52,458 --> 00:19:55,000 WAIT, SO YOU'RE NOT BUYING THE STORE? 384 00:19:55,000 --> 00:19:57,000 PLEASE, I GOT CLOSETS BIGGER THAN THIS. 385 00:19:58,458 --> 00:20:00,291 YOU GUYS WOULD HAVE JUST SOLD ME OUT. 386 00:20:00,291 --> 00:20:02,875 I THINK WE'RE ALL DISAPPOINTED HERE. STYLE ::cue(.speaker) ::cue(.speakerTop) 387 00:20:04,291 --> 00:20:06,000 BACK TO WORK, DEAR. 388 00:20:11,291 --> 00:20:13,875 YOU KNOW, THE DRESS REALLY DOES BRINGS OUT YOUR EYES. 389 00:20:15,208 --> 00:20:17,125 NOT THOSE EYES. 390 00:20:17,125 --> 00:20:19,375 LOOK AT ME. 391 00:20:19,375 --> 00:20:21,958 I'M NOT BUYING ANYTHING YOU'RE SELLING, 392 00:20:21,958 --> 00:20:23,833 AND NEITHER WILL ANYBODY ELSE, 393 00:20:23,833 --> 00:20:26,416 EXCEPT THE KIDS YOU'RE TAKING ADVANTAGE OF. 394 00:20:26,416 --> 00:20:27,500 YEAH. 395 00:20:27,500 --> 00:20:29,500 -AND DOPES. -YEAH. 396 00:20:31,000 --> 00:20:33,833 WAKE UP. BE BETTER THAN WHAT YOU ARE. 397 00:20:35,208 --> 00:20:37,000 HOW'D YOU GET TO BE WHO YOU ARE? 398 00:20:37,000 --> 00:20:40,208 BY KNOWING WHAT GOES AROUND COMES AROUND, 399 00:20:40,208 --> 00:20:43,458 AND THAT ALL SALES ARE DEFINITELY NOT FINAL. 400 00:20:43,458 --> 00:20:45,875 AND THE MOST IMPORTANT THING... 401 00:20:48,958 --> 00:20:52,000 I GOT FRIENDS WHO I CAN DEPEND ON 402 00:20:52,000 --> 00:20:55,208 AND WHO CAN DEPEND ON ME. 403 00:20:55,208 --> 00:20:57,958 MY LITTLE DOLLIES, YOU CALL ME ANYTIME YOU WANT, 404 00:20:57,958 --> 00:21:00,583 AND YOU KEEP ON BEING WHO YOU ARE. 405 00:21:02,875 --> 00:21:04,833 ARE WE STILL WHO WE ARE? 406 00:21:04,833 --> 00:21:07,000 YOU'RE NOT SUCH A BAD INFLUENCE. 407 00:21:07,000 --> 00:21:10,000 THANKS. YOU'RE NOT SUCH A CHUMP. 408 00:21:10,000 --> 00:21:11,083 THANKS. 409 00:21:12,375 --> 00:21:14,458 THERE'S AN ASTRONAUT ON A HORSE. 410 00:21:14,458 --> 00:21:16,833 I DON'T FALL FOR THAT ANYMORE. 411 00:21:19,708 --> 00:21:21,375 DO YOU SEE IT, TOO? 412 00:21:24,291 --> 00:21:25,958 IT'S BEAUTIFUL. 413 00:21:25,958 --> 00:21:29,000 WE MUST HAVE IT. HOW MUCH IS IT? 414 00:21:29,000 --> 00:21:32,458 WELL, THIS IS ONE OF A KIND. 415 00:21:33,833 --> 00:21:35,291 AND SO ARE YOU. 416 00:21:35,291 --> 00:21:38,000 IT'S YOURS. 417 00:21:55,125 --> 00:21:56,875 (knocks on door) 418 00:22:03,500 --> 00:22:05,708 YOU REALLY THINK I COULD BECOME A GOOD LAWYER? 419 00:22:05,708 --> 00:22:07,000 YOU'VE GOT SKILLS, 420 00:22:07,000 --> 00:22:10,000 BUT YOU USE YOUR SKILLS AGAINST PEOPLE. 421 00:22:10,000 --> 00:22:13,291 I USE MY SKILLS TO HELP PEOPLE HAVE A VOICE. 422 00:22:13,291 --> 00:22:14,833 YOU WANT TO BE A GOOD LAWYER, 423 00:22:14,833 --> 00:22:17,000 FIRST YOU GOTTA BE A GOOD PERSON. 424 00:22:17,000 --> 00:22:18,875 DO YOU WANT TO BE A GOOD PERSON? 425 00:22:18,875 --> 00:22:21,208 HOW WOULD I DO THAT? 426 00:22:21,208 --> 00:22:24,000 WELL, FIRST YOU FIND A FRIEND LIKE HER, 427 00:22:24,000 --> 00:22:25,958 AND NEVER LET HER FLOAT AWAY. 428 00:22:28,583 --> 00:22:30,458 CAN WE TALK ABOUT IT? 429 00:22:30,458 --> 00:22:33,000 I COULD MAYBE USE SOME NEW INFLUENCES. 430 00:22:33,958 --> 00:22:36,833 OH, WE HAVE A GREAT PLACE TO TALK. 431 00:22:37,833 --> 00:22:39,416 YEAH. 432 00:22:39,416 --> 00:22:41,958 AND WE CAN STAY THERE AS LONG AS YOU WANT. 433 00:22:48,958 --> 00:22:51,875 AUGGIE, DO YOU THINK THAT LOOK WORKED FOR ME?