1 00:00:00,583 --> 00:00:03,083 RILEY MATTHEWS FROM GREENWICH VILLAGE, 2 00:00:03,083 --> 00:00:06,083 NEW YORK CITY, THE UNITED STATES OF AMERICA, 3 00:00:06,083 --> 00:00:07,875 THE CONTINENT OF NORTH AMERICA, 4 00:00:07,875 --> 00:00:09,875 WESTERN HEMISPHERE, THE EARTH, 5 00:00:09,875 --> 00:00:12,000 THE SOLAR SYSTEM, THE UNIVERSE. 6 00:00:12,000 --> 00:00:13,291 THE MIND OF GOD. 7 00:00:13,291 --> 00:00:15,125 AND IN THE MIDDLE OF ALL OF IT, 8 00:00:15,125 --> 00:00:16,833 IS JOHN QUINCY ADAMS MIDDLE SCHOOL, 9 00:00:16,833 --> 00:00:18,875 ME AND MY FRIENDS, 10 00:00:18,875 --> 00:00:21,333 BECAUSE WE ARE THE CENTER OF THE UNIVERSE. 11 00:00:22,375 --> 00:00:23,500 AT LEAST, THAT'S WHAT I THOUGHT. 12 00:00:24,500 --> 00:00:26,958 WHO'S READY FOR A BRAND NEW YEAR? 13 00:00:28,125 --> 00:00:29,500 WHY ARE YOU STILL IN BED? 14 00:00:29,500 --> 00:00:31,500 IS HE GONNA BE MY TEACHER? 15 00:00:32,500 --> 00:00:34,708 NO. WE ARE NOT DOING THAT AGAIN. 16 00:00:34,708 --> 00:00:37,416 THAT WAS CRAZY. NEW YEAR, NEW TEACHER, 17 00:00:37,416 --> 00:00:39,333 GET EXCITED, BECAUSE YOU AND YOUR FRIENDS 18 00:00:39,333 --> 00:00:42,000 ARE THE KINGS OF MIDDLE SCHOOL NOW. 19 00:00:42,000 --> 00:00:43,875 FIRST DAY OF THE NEW YEAR! 20 00:00:45,000 --> 00:00:47,750 -WHY ARE YOU STILL IN BED? -ARE YOU GONNA BE MY TEACHER? 21 00:00:47,750 --> 00:00:51,250 NO! YOUR MOTHER AND I WENT THROUGH THAT WITH MR. FEENY. 22 00:00:51,250 --> 00:00:54,083 YEAH, OUR TEACHER FROM SIXTH GRADE TO COLLEGE. 23 00:00:55,250 --> 00:00:57,708 -HOW COULD THAT HAPPEN? -IN AN UNEXPECTED... 24 00:00:57,708 --> 00:00:59,583 BUT COMPLETELY BELIEVABLE WAY... 25 00:01:01,708 --> 00:01:03,083 -EVERY YEAR. -(mouths) 26 00:01:04,458 --> 00:01:05,875 WHAT UP, LOSERS? 27 00:01:08,333 --> 00:01:11,208 NO, NO, NO! NO DOING THAT, GIRLS. SCHOOL! 28 00:01:11,208 --> 00:01:12,958 WHO'S GONNA BE MY TEACHER? 29 00:01:12,958 --> 00:01:14,958 YOUR TEACHER? WHOEVER LOSES. 30 00:01:16,958 --> 00:01:19,375 -I DON'T BELIEVE YOU. -I'M TELLING YOU, GIRLS, 31 00:01:19,375 --> 00:01:20,875 I'M GONNA BE TEACHING YOUR LIVES 32 00:01:20,875 --> 00:01:22,833 TO A WHOLE NEW GROUP OF STUDENTS! 33 00:01:22,833 --> 00:01:24,625 DO YOU BELIEVE HIM? 34 00:01:24,625 --> 00:01:26,375 I CAN'T EVEN BELIEVE WE'RE STARTING OFF THE NEW YEAR 35 00:01:26,375 --> 00:01:28,291 WITHOUT FIRST TALKING ABOUT HOW WHEN WE WERE ON THE SUBWAY 36 00:01:28,291 --> 00:01:29,708 -AND YOU TOOK LUCAS BY THE FACE-- -(laughs) 37 00:01:29,708 --> 00:01:32,875 WE... ARE NOT TALKING ABOUT THAT! 38 00:01:32,875 --> 00:01:34,708 WE'RE KINGS. 39 00:01:34,708 --> 00:01:36,708 WE'RE KINGS, MATTHEWS. 40 00:01:36,708 --> 00:01:38,291 YOU DON'T GET TO TELL US WHAT TO DO ANYMORE. 41 00:01:38,291 --> 00:01:39,625 -GET OUT. -OKAY, BUT THAT WAS THE LAST ONE. 42 00:01:41,333 --> 00:01:44,708 DAD, YOU HAVE TO LET US LEARN HOW TO WALK THROUGH LIFE ON OUR OWN TWO FEET. 43 00:01:48,583 --> 00:01:51,333 HMM, YOU THINK THEY'LL BE BACK? 44 00:01:51,333 --> 00:01:53,750 NO, I THINK THEY'RE GONNA GO WITH THIS. 45 00:01:55,000 --> 00:01:56,875 Maya and Riley: OW. OW. OW. OW. 46 00:01:56,875 --> 00:01:58,458 AH. 47 00:02:04,083 --> 00:02:07,583 HELLO! IT IS US, THE KINGS. 48 00:02:09,000 --> 00:02:11,416 HEY, LOOK AT YOUR FEET. THEY'RE NAKED! 49 00:02:12,416 --> 00:02:13,875 EYES UP HERE, BUDDY. 50 00:02:16,375 --> 00:02:18,416 HEY, RILEY, YOUR DAD GONNA BE OUR TEACHER AGAIN THIS YEAR? 51 00:02:18,416 --> 00:02:20,583 -HE SAID HE'S NOT. -I'LL BELIEVE IT WHEN I DON'T SEE IT. 52 00:02:24,708 --> 00:02:26,958 -OH, HI. -HEY. 53 00:02:28,000 --> 00:02:29,875 HI. 54 00:02:29,875 --> 00:02:31,166 HEY. 55 00:02:31,166 --> 00:02:33,208 HI. 56 00:02:33,208 --> 00:02:34,583 ALL SUMMER. 57 00:02:36,000 --> 00:02:38,208 -HEY. -YOU HAVE TO TALK ABOUT IT. 58 00:02:38,208 --> 00:02:39,458 -SHE'S RIGHT. -HI. 59 00:02:39,458 --> 00:02:41,458 -OH, HEY. -(bell rings) 60 00:02:42,625 --> 00:02:45,375 -GLAD WE TALKED ABOUT IT. -YEAH, ME TOO. 61 00:02:45,375 --> 00:02:46,875 -BYE. -HEY. 62 00:02:48,708 --> 00:02:49,708 HEY. 63 00:02:55,000 --> 00:02:56,583 I KNOW IT'S GONNA BE MY FATHER. 64 00:02:56,583 --> 00:02:58,208 -I CAN'T LOOK. -SCARED. 65 00:02:59,208 --> 00:03:01,416 (sighs) OKAY. 66 00:03:01,416 --> 00:03:02,750 -READY? -QUICK PEEK. 67 00:03:02,750 --> 00:03:04,458 ONE, TWO, THREE, GO. 68 00:03:07,291 --> 00:03:09,500 -DID YOU SEE WHAT I SAW? -OH YEAH. 69 00:03:09,500 --> 00:03:11,833 -THEN WHY ARE WE COVERING OUR EYES? -BECAUSE IT'S GONNA GO AWAY, 70 00:03:11,833 --> 00:03:13,708 I DON'T WANT IT TO GO AWAY, AND IT'S GONNA GO AWAY. 71 00:03:17,458 --> 00:03:22,708 Y-Y-Y-Y-AY! 72 00:03:22,708 --> 00:03:25,000 THANK YOU. GIRLS, TAKE A SEAT. 73 00:03:27,708 --> 00:03:29,375 YOUR SEATS. 74 00:03:33,208 --> 00:03:35,333 YEAH, OKAY, LET'S GET STARTED. 75 00:03:35,333 --> 00:03:37,416 BELGIUM, 1831. 76 00:03:37,416 --> 00:03:41,291 Y-Y-Y-Y-AY! 77 00:03:42,416 --> 00:03:44,583 THIS IS GONNA BE OUR BEST YEAR EVER. 78 00:03:44,583 --> 00:03:46,958 LET'S JUST GET UP, GO OVER, AND LOOK AT HIM UP CLOSE. 79 00:03:56,208 --> 00:03:57,250 YES? 80 00:03:57,250 --> 00:03:59,208 -HE SAID, "YES." -WHAT DO WE DO NOW? 81 00:03:59,208 --> 00:04:01,250 I'M GONNA TOUCH HIM ON THE FACE. 82 00:04:06,291 --> 00:04:07,375 SIT DOWN! 83 00:04:08,833 --> 00:04:10,875 YOU TWO STRIKE ME AS A COUPLE OF GIRLS 84 00:04:10,875 --> 00:04:12,583 WHO ARE USED TO SPECIAL TREATMENT. 85 00:04:12,583 --> 00:04:15,291 I DON'T KNOW WHO YOUR LAST TEACHER WAS, BUT I DON'T DO THAT. 86 00:04:15,291 --> 00:04:16,708 FARKLE TIME, SIR? 87 00:04:16,708 --> 00:04:18,958 GO AHEAD, KID. YOU GOTTA FARKLE, YOU GOTTA FARKLE. 88 00:04:21,875 --> 00:04:26,458 -NO, THIS IS WHERE HE TAKES OVER THE CLASS. -OH. HE TAKES OVER THE CLASS, 89 00:04:26,458 --> 00:04:28,875 YOU JUST TALK WITHOUT RAISING YOUR HAND, 90 00:04:28,875 --> 00:04:30,250 AND THESE TWO JUST DO WHATEVER THEY WANT? 91 00:04:31,458 --> 00:04:33,416 -YES? -PRETTY MUCH, YEAH. 92 00:04:34,833 --> 00:04:37,291 YOU KNOW WHAT? I WANTED TO MAKE A DIFFERENCE. 93 00:04:37,291 --> 00:04:39,583 I WANTED TO SHAPE YOUNG MINDS. 94 00:04:39,583 --> 00:04:41,708 I WANTED TO DEDICATE MY ENTIRE LIFE 95 00:04:41,708 --> 00:04:44,208 TO BEING AN INFLUENTIAL PERSON WHO COMMANDS RESPECT! STYLE ::cue(.speaker) ::cue(.speakerTop) 96 00:05:02,375 --> 00:05:03,375 I QUIT! 97 00:05:05,958 --> 00:05:07,375 WHAT HAPPENS NOW? 98 00:05:12,000 --> 00:05:13,875 YOU DID THIS! 99 00:05:15,416 --> 00:05:17,375 (theme music playing) 100 00:05:22,000 --> 00:05:24,000 ♪ I'VE BEEN WAITING ♪ 101 00:05:24,000 --> 00:05:25,291 ♪ FOR A DAY ♪ 102 00:05:25,291 --> 00:05:26,333 ♪ LIKE THIS TO COME ♪ 103 00:05:26,333 --> 00:05:27,875 ♪ STRUCK LIKE LIGHTNING ♪ 104 00:05:27,875 --> 00:05:29,208 ♪ MY HEART'S ♪ 105 00:05:29,208 --> 00:05:30,500 ♪ BEATING LIKE A DRUM ♪ 106 00:05:30,500 --> 00:05:32,083 ♪ ON THE EDGE ♪ 107 00:05:32,083 --> 00:05:34,500 ♪ OF SOMETHING WONDERFUL ♪ 108 00:05:34,500 --> 00:05:35,875 ♪ FACE TO FACE ♪ 109 00:05:35,875 --> 00:05:37,416 ♪ WITH CHANGES ♪ 110 00:05:37,416 --> 00:05:38,583 ♪ WHAT'S IT ALL ABOUT? ♪ 111 00:05:38,583 --> 00:05:40,708 ♪ LIFE IS CRAZY ♪ 112 00:05:40,708 --> 00:05:41,708 ♪ BUT I KNOW ♪ 113 00:05:41,708 --> 00:05:42,750 ♪ I CAN WORK IT OUT ♪ 114 00:05:42,750 --> 00:05:44,125 ♪ 'CAUSE I GOT YOU ♪ 115 00:05:44,125 --> 00:05:46,958 ♪ TO LIVE IT WITH ME ♪ 116 00:05:46,958 --> 00:05:48,250 ♪ I FEEL ALL RIGHT ♪ 117 00:05:48,250 --> 00:05:51,083 ♪ I'M GONNA TAKE ON THE WORLD ♪ 118 00:05:51,083 --> 00:05:52,458 ♪ LIGHT UP THE STARS ♪ 119 00:05:52,458 --> 00:05:54,375 ♪ I'VE GOT SOME PAGES TO TURN ♪ 120 00:05:54,375 --> 00:05:56,208 ♪ I'M SINGING "GO-O-O" ♪ 121 00:05:56,208 --> 00:05:59,291 ♪ OH OH OH OH ♪ 122 00:05:59,291 --> 00:06:02,375 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 123 00:06:02,375 --> 00:06:03,708 ♪ TAKE ON THE WORLD ♪ 124 00:06:03,708 --> 00:06:06,375 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 125 00:06:06,375 --> 00:06:08,000 ♪ TAKE ON THE WORLD. ♪ 126 00:06:11,583 --> 00:06:14,208 I CAN'T BELIEVE YOU'RE GONNA BE MY FATHER AGAIN. 127 00:06:17,000 --> 00:06:18,708 I SAID WHAT I SAID. 128 00:06:18,708 --> 00:06:19,875 (mouths) 129 00:06:19,875 --> 00:06:22,375 SERIOUSLY, MATTHEWS, HOW'S THIS POSSIBLY HAPPENING? 130 00:06:22,375 --> 00:06:23,416 I LIKE THAT IT'S HAPPENING. 131 00:06:23,416 --> 00:06:24,833 THE OTHER GUY WOULDN'T GIVE ME FARKLE TIME. 132 00:06:24,833 --> 00:06:26,583 YEAH, HE DIDN'T LIKE IT AT ALL WHEN WE TALKED. 133 00:06:26,583 --> 00:06:28,708 IT'S TRUE. IT WAS LIKE HE WANTED TO TALK ALL THE TIME. 134 00:06:30,166 --> 00:06:31,750 I DON'T THINK HE KNEW 135 00:06:31,750 --> 00:06:32,875 THAT HISTORY CLASS IS 136 00:06:32,875 --> 00:06:34,416 SUPPOSED TO BE ABOUT OUR LIVES. 137 00:06:36,208 --> 00:06:37,500 GALILEO. 138 00:06:37,500 --> 00:06:40,958 EVERYONE BELIEVED THAT THE SUN REVOLVED AROUND THE EARTH... 139 00:06:40,958 --> 00:06:42,500 EXCEPT FOR HIM. 140 00:06:42,500 --> 00:06:43,500 EVERYONE THOUGHT THEY WERE 141 00:06:43,500 --> 00:06:44,583 THE CENTER OF THE UNIVERSE 142 00:06:44,583 --> 00:06:45,833 AND THAT EVERYTHING ELSE 143 00:06:45,833 --> 00:06:46,958 CIRCLED AROUND THEM. 144 00:06:46,958 --> 00:06:49,000 I KNOW SOMEBODY WHO CIRCLES AROUND ME... 145 00:06:49,000 --> 00:06:50,375 LITTLE TOO CLOSELY. 146 00:06:50,375 --> 00:06:52,375 IS THAT WHAT YOU THINK'S HAPPENING HERE, RILEY? 147 00:06:52,375 --> 00:06:54,166 WE'RE IN THE EIGHTH GRADE NOW. 148 00:06:54,166 --> 00:06:55,291 WE'RE A YEAR OLDER. 149 00:06:55,291 --> 00:06:56,708 WE SHOULD BE ABLE TO HEAD OFF 150 00:06:56,708 --> 00:06:58,958 -AND EXPLORE WITHOUT YOU. -OKAY. 151 00:06:58,958 --> 00:07:00,125 AND YOU GUYS THINK YOU'RE READY? 152 00:07:00,125 --> 00:07:02,416 -BORN READY. -I'LL GET THERE! 153 00:07:03,958 --> 00:07:05,583 YOU KNOW WHAT WE'RE GONNA DO, MATTHEWS? 154 00:07:05,583 --> 00:07:07,458 WE'RE GONNA TRANSFER OUT OF HERE. 155 00:07:07,458 --> 00:07:09,333 YEAH! YEAH? 156 00:07:09,333 --> 00:07:11,500 -YEAH! -LUCAS? FARKLE? 157 00:07:11,500 --> 00:07:13,250 I DON'T THINK SO, RILEY. 158 00:07:13,250 --> 00:07:15,708 -I REALLY LIKE HIM. -I LIKE THE WAY HE TEACHES US, 159 00:07:15,708 --> 00:07:17,375 I LIKE HOW WE'RE TALKING RIGHT NOW, 160 00:07:17,375 --> 00:07:19,500 AND HE DOESN'T STOP US WHEN HE COULD IF HE WANTED TO. 161 00:07:19,500 --> 00:07:20,708 (chuckles) 162 00:07:22,583 --> 00:07:25,166 WAIT. WHY DON'T YOU STOP US? 163 00:07:26,375 --> 00:07:27,625 YEAH, THAT'S INTERESTING, ISN'T IT? 164 00:07:28,625 --> 00:07:30,458 WELL, WE'RE DONE WITH YOU. 165 00:07:30,458 --> 00:07:31,875 THANKS FOR THE LESSONS. 166 00:07:31,875 --> 00:07:33,750 BUY YOURSELF SOMETHING PRETTY. 167 00:07:35,500 --> 00:07:39,000 THANK YOU. OH, YOU'RE GONNA NEED TRANSFER SLIPS. 168 00:07:39,000 --> 00:07:41,416 I KNEW IT. HE'S GONNA KEEP US HERE ON A TECHNICALITY. 169 00:07:44,083 --> 00:07:45,583 GO AHEAD. BEAT IT. 170 00:07:47,708 --> 00:07:51,083 LOOK AT US, RILES-- TWO YOUNG, INDEPENDENT WOMEN TAKING THEIR OWN ROAD, 171 00:07:51,083 --> 00:07:52,833 MAKING THEIR OWN WAY WITH THEIR GUTS AND THEIR BRAINS. 172 00:07:52,833 --> 00:07:54,458 NEEDING NOTHING FROM NOBODY 173 00:07:54,458 --> 00:07:56,083 FROM THIS MOMENT ON! 174 00:07:57,708 --> 00:07:58,875 HERE COMES FUNNY. 175 00:08:02,708 --> 00:08:05,708 Riley and Maya: Ow. Ow. Ow. Ow. 176 00:08:06,708 --> 00:08:09,125 WE THINK WE'RE THE CENTER OF THE UNIVERSE. 177 00:08:09,125 --> 00:08:12,416 WE THINK EVERYTHING REVOLVES AROUND US. 178 00:08:12,416 --> 00:08:15,375 WE DEPEND ON THE SUN FOR LIGHT, FOR WARMTH 179 00:08:15,375 --> 00:08:17,625 EVERY MORNING, EVERY DAY. AND WHEN IT'S GONE... 180 00:08:17,625 --> 00:08:19,208 WE SLEEP... 181 00:08:19,208 --> 00:08:22,958 TRUSTING THAT IN THE MORNING, IT WILL ALWAYS COME BACK AGAIN. 182 00:08:27,000 --> 00:08:29,875 AUGGIE. OH, TOPANGA. 183 00:08:29,875 --> 00:08:31,708 I'M DROPPING OFF YOUR HELPER FOR THE DAY. 184 00:08:31,708 --> 00:08:33,958 OH, GOOD, BIG, STRONG MAN. 185 00:08:33,958 --> 00:08:35,708 THAT'S ME! 186 00:08:35,708 --> 00:08:40,000 MRS. SVORSKI USED TO ATTRACT ALL THE BIG, STRONG MEN. 187 00:08:40,000 --> 00:08:42,166 -YOU KNOW WHAT HAPPENED? -WHAT? 188 00:08:42,166 --> 00:08:45,458 -NO, I'M ASKING. -(laughs) OKAY. 189 00:08:46,708 --> 00:08:48,000 -OH, TOPANGA. -YEAH? 190 00:08:48,000 --> 00:08:50,583 WE NEED TALK. YOU NEED TO SPEND MORE TIME HERE. 191 00:08:50,583 --> 00:08:52,375 WELL, MRS. SVORSKI, HOW CAN I DO THAT? 192 00:08:52,375 --> 00:08:54,458 MRS. SVORSKI, TELL ME THE JOKE. 193 00:08:54,458 --> 00:08:56,708 YOU QUIT SHARK LAWYER JOB, 194 00:08:56,708 --> 00:09:00,375 AND YOU HELP TURN THIS OLD-WORLD PLACE INTO PLACE FOR YOUNG PEOPLE. 195 00:09:00,375 --> 00:09:02,583 BUT, THIS PLACE HAS BEEN HERE FOR SO LONG! 196 00:09:02,583 --> 00:09:06,125 IS TOO LONG, CREAKY. IS TIRED. 197 00:09:06,125 --> 00:09:08,250 KNOWS TIME IS UP. DING! 198 00:09:08,250 --> 00:09:11,583 (laughs) HOW CAN A BAKERY KNOW THAT IT'S TIME IS UP? 199 00:09:11,583 --> 00:09:13,625 IT KNOWS. YOU MY PARTNER. 200 00:09:13,625 --> 00:09:16,458 YOU BRING NEW LIFE. I NEED YOU HERE. 201 00:09:16,458 --> 00:09:19,583 MRS. SVORSKI! TELL ME THE JOKE! 202 00:09:19,583 --> 00:09:22,458 OKAY. IS NOT UKRAINIAN BAKERY. 203 00:09:22,458 --> 00:09:26,166 -IS MY-KRAINIAN BAKERY. -(laughing) 204 00:09:28,958 --> 00:09:31,000 IT'S NOT FUNNY ANY MORE. 205 00:09:32,000 --> 00:09:36,000 I KNOW. YOU THINK I NEED LITTLE POOTCHKIE LIKE YOU TO TELL ME JOKE ISN'T FUNNY? 206 00:09:36,000 --> 00:09:38,958 IN OLD COUNTRY, I HAD VARIETY SHOW. 207 00:09:38,958 --> 00:09:42,500 IT WAS CALLED MRS. SVORSKI'S NOT SO HAPPY HOUR. 208 00:09:44,583 --> 00:09:46,208 CAN YOU MAKE IT FUNNY FOR ME AGAIN? 209 00:09:46,208 --> 00:09:48,375 CAN YOU TELL YOUR MOMMY WORLD IS CHANGING, 210 00:09:48,375 --> 00:09:50,250 BAKERY NEED TO CHANGE, TOO. 211 00:09:50,250 --> 00:09:52,000 -MOMMY, DO IT. -(chuckles) 212 00:09:52,000 --> 00:09:54,166 BUT, THIS PLACE IS SO CHARMING. 213 00:09:54,166 --> 00:09:55,708 IT'S SO... YOU. 214 00:09:55,708 --> 00:09:57,458 YEAH, PEOPLE COME, PEOPLE GO. 215 00:09:57,458 --> 00:10:01,208 REMINDS ME OF SONG I SANG AT END OF VARIETY SHOW. 216 00:10:01,208 --> 00:10:02,458 OH, HERE WE GO. STYLE ::cue(.speaker) ::cue(.speakerTop) 217 00:10:03,500 --> 00:10:06,458 ♪ MAKE NEW FRIENDS, TREAT THEM RIGHT ♪ 218 00:10:06,458 --> 00:10:08,708 ♪ 'CAUSE YOU NEVER KNOW WHO IS SPY ♪ 219 00:10:10,958 --> 00:10:14,375 OKAY, HOW'S THIS? I'M GONNA SPEND A LITTLE MORE TIME HERE 220 00:10:14,375 --> 00:10:16,708 AND I'LL ALSO TRY TO FIND SOMEONE TO HELP YOU OUT. 221 00:10:16,708 --> 00:10:19,250 -ALSO, YOU CHANGE NAME OF PLACE. -WHAT? 222 00:10:19,250 --> 00:10:21,375 NO, THIS PLACE WILL ALWAYS BE SVORSKI'S. 223 00:10:21,375 --> 00:10:23,833 NO SUCH THING AS "ALWAYS." 224 00:10:23,833 --> 00:10:27,875 NOW PLACE SVORSKI'S, SOON PLACE TOPANGA'S. 225 00:10:27,875 --> 00:10:31,750 WORLD KEEP TURNING. LIFE GO TO NEXT PEOPLE. 226 00:10:31,750 --> 00:10:34,083 THIS HAS ALWAYS BEEN GOOD IDEA. 227 00:10:41,833 --> 00:10:44,583 -TRANSFER SLIP! POOM! -AND POOM! 228 00:10:44,583 --> 00:10:46,583 GREETINGS, NEW CLASSMATES. 229 00:10:46,583 --> 00:10:48,750 RILEY MATTHEWS. READY TO BE YOUR FRIEND. 230 00:10:48,750 --> 00:10:51,333 'SUP? I'M MAYA. YOU DON'T LOOK ME IN THE EYES. 231 00:10:51,333 --> 00:10:54,500 YOU TWO ARE LATE. YOU TWO DON'T TALK. 232 00:10:54,500 --> 00:10:56,375 YOU TWO SIT THERE AND THERE. 233 00:10:58,000 --> 00:11:01,208 -THERE AND THERE? -(chuckles) NO, NO, WE SIT TOGETHER... 234 00:11:01,208 --> 00:11:02,708 IN THE MIDDLE OF EVERYTHING. 235 00:11:02,708 --> 00:11:04,208 -MOVE! -(yelps) 236 00:11:04,208 --> 00:11:05,583 BYE-BYE. (sobs) 237 00:11:06,875 --> 00:11:08,416 EXCUSE ME. 238 00:11:08,416 --> 00:11:10,166 WERE YOU TWO TRYING TO HAVE A MOMENT? 239 00:11:10,166 --> 00:11:11,708 YOU TWO DON'T GET A MOMENT. 240 00:11:11,708 --> 00:11:13,625 THIS IS NOT THE YOU TWO SHOW. 241 00:11:13,625 --> 00:11:15,333 WE WERE TOLD IT WAS. 242 00:11:48,500 --> 00:11:50,250 DURING THE GOLD RUSH, 243 00:11:50,250 --> 00:11:52,875 PEOPLE LEFT THE COMFORT OF THEIR OWN SURROUNDINGS 244 00:11:52,875 --> 00:11:54,875 IN THE HOPE OF FINDING GREATER RICHES 245 00:11:54,875 --> 00:11:57,583 -IN AN INHOSPITABLE LAND. -EXCUSE ME. 246 00:11:57,583 --> 00:11:59,750 I WILL NOT WARN YOU AGAIN, SIDE-PERSON! 247 00:12:00,958 --> 00:12:02,708 (gasps) 248 00:12:04,875 --> 00:12:06,375 YOU TELL HER, MOM. 249 00:12:07,416 --> 00:12:10,458 -YOU FAILED ME. -HA! 250 00:12:10,458 --> 00:12:13,208 I SAW A GOAT GIVE BIRTH. 251 00:12:14,208 --> 00:12:16,208 -HI. -HI. 252 00:12:17,208 --> 00:12:18,583 WAIT A MINUTE! 253 00:12:18,583 --> 00:12:20,958 STUDENTS NUMBER SIX AND SEVEN! 254 00:12:20,958 --> 00:12:22,708 -THAT'S US? -I BELIEVE SO. 255 00:12:22,708 --> 00:12:26,333 -STUDENTS NUMBER SIX AND SEVEN? -HEY, AT LEAST SHE'S TALKING TO US. 256 00:12:27,458 --> 00:12:29,208 YES? 257 00:12:29,208 --> 00:12:30,833 GET OUT! 258 00:12:33,375 --> 00:12:34,416 FINE! 259 00:12:34,416 --> 00:12:37,583 WELL, AT LEAST WE GET A DRAMATIC EXIT! 260 00:12:39,250 --> 00:12:40,708 (footsteps in unison) 261 00:12:43,750 --> 00:12:45,875 OH, COME ON! 262 00:12:49,250 --> 00:12:52,000 HERE'S WHAT'S FUNNY. IF YOU'RE STANDING ON THE MOON, 263 00:12:52,000 --> 00:12:54,291 YOU'D THINK THE EARTH WAS REVOLVING AROUND YOU, 264 00:12:54,291 --> 00:12:56,166 INSTEAD OF THE OTHER WAY AROUND. 265 00:12:56,166 --> 00:12:58,958 IT'S REALLY ALL ABOUT PERSPECTIVE. 266 00:12:58,958 --> 00:13:02,250 IT'S HARD NOT TO BELIEVE THAT YOU'RE THE CENTER OF EVERYTHING... 267 00:13:02,250 --> 00:13:06,208 UNTIL SOMETHING SHOWS YOU YOU'RE NOT. 268 00:13:06,208 --> 00:13:09,625 OUR TOWN, BY THORNTON WILDER. MY FAVORITE PLAY. 269 00:13:09,625 --> 00:13:11,291 YOU CAN'T TEACH ENGLISH. 270 00:13:12,875 --> 00:13:15,583 -IT'S ALL ABOUT THE HISTORY... -THERE YOU GO. 271 00:13:16,583 --> 00:13:18,875 ...OF PEOPLE JUST LIKE YOU AND ME, 272 00:13:18,875 --> 00:13:22,000 MOSTLY ABOUT NOT TAKING WHAT WE HAVE FOR GRANTED, 273 00:13:22,000 --> 00:13:25,333 AND A GIRL WHO GETS A CHANCE TO TAKE ONE LOOK 274 00:13:25,333 --> 00:13:26,833 AT THE LIFE SHE LEFT BEHIND. 275 00:13:31,333 --> 00:13:34,208 "JUST FOR A MOMENT NOW WE'RE ALL TOGETHER. 276 00:13:34,208 --> 00:13:37,166 "JUST FOR A MOMENT WE'RE HAPPY. 277 00:13:38,458 --> 00:13:40,291 "LET'S REALLY LOOK AT ONE ANOTHER." 278 00:13:42,208 --> 00:13:43,416 HELLO, GIRLS. 279 00:13:43,416 --> 00:13:44,875 YOU'RE BACK? 280 00:13:45,958 --> 00:13:47,291 YES. 281 00:13:48,458 --> 00:13:50,958 -AS BAD AS THIS IS... -EVERYTHING ELSE IS WORSE. 282 00:13:52,208 --> 00:13:53,958 WELL, WELCOME BACK, LADIES. 283 00:13:53,958 --> 00:13:55,875 YOU'RE JUST IN TIME FOR TODAY'S LESSON. 284 00:13:55,875 --> 00:13:59,583 -DID WE MISS ANYTHING? -NAH. WE'RE JUST PUTTING EVERYTHING BACK IN PLACE. 285 00:13:59,583 --> 00:14:01,833 THE REAL LESSON BEGINS RIGHT... 286 00:14:01,833 --> 00:14:03,000 (snaps) NOW. 287 00:14:03,000 --> 00:14:06,000 (sighs) FACE IT, WE ARE NEVER GOING TO ESCAPE HIM. 288 00:14:06,000 --> 00:14:08,000 HE'S EVERYWHERE. HOW ARE WE GOING TO BE KINGS OF ANYTHING 289 00:14:08,000 --> 00:14:09,833 -IF EVERYWHERE WE GO... -WE MIGHT RUN INTO MY-- 290 00:14:09,833 --> 00:14:11,750 MOM? WHAT ARE YOU DOING HERE? 291 00:14:11,750 --> 00:14:13,458 IS MY-KRAINIAN BAKERY. 292 00:14:14,500 --> 00:14:15,875 STILL NOT FUNNY. 293 00:14:16,875 --> 00:14:19,416 NOT FUNNY? I'LL TELL YOU WHAT'S NOT FUNNY. 294 00:14:19,416 --> 00:14:21,833 THIS PLACE LOSES $1.50 ON EVERY BULOCHKI. 295 00:14:21,833 --> 00:14:23,875 I BAKE WITH LOVE. 296 00:14:23,875 --> 00:14:26,000 HOW CAN YOU PUT PRICE ON LOVE? 297 00:14:26,000 --> 00:14:27,750 (chuckles) WATCH ME. 298 00:14:27,750 --> 00:14:30,500 OOH! KA-CHING! 299 00:14:32,375 --> 00:14:35,125 BAKERY WINDOW. BAKERY WINDOW RIGHT NOW. 300 00:14:35,125 --> 00:14:38,875 (laughing) THAT'S NICE. 301 00:14:38,875 --> 00:14:41,416 SO, YOUR DAD'S AT SCHOOL, YOUR MOM'S AT OUR HANGOUT. 302 00:14:41,416 --> 00:14:43,083 -THAT'S NICE. -YOU'RE LAUGHING AT ME? 303 00:14:43,083 --> 00:14:44,750 INSIDE, I'M CRYING SO HARD. 304 00:14:46,166 --> 00:14:48,125 AUGGIE, THIS IS FOR YOU. 305 00:14:48,125 --> 00:14:51,000 IS FLOUR SHAKER FROM UKRAINE. 306 00:14:51,000 --> 00:14:52,875 ANTIQUE, LIKE ME. 307 00:14:53,875 --> 00:14:57,208 YOU TAKE NOW. YOU ARE LITTLE BAKER. 308 00:14:58,458 --> 00:15:00,250 WHAT SHOULD I DO WITH IT? 309 00:15:00,250 --> 00:15:03,125 KEEP SAFE, TREASURE ALWAYS. 310 00:15:03,125 --> 00:15:05,500 VERY IMPORTANT WHAT IN THERE. STYLE ::cue(.speaker) ::cue(.speakerTop) 311 00:15:06,583 --> 00:15:09,375 -THANK YOU, MRS. SVORSKI. -THANK YOU, MRS. SVORSKI. 312 00:15:09,375 --> 00:15:12,500 OH, THANK YOU, TOPANGA... 313 00:15:12,500 --> 00:15:13,875 AND AUGGIE. 314 00:15:14,875 --> 00:15:16,333 I CAN'T ESCAPE THEM, MAYA. 315 00:15:16,333 --> 00:15:18,583 MY-- MY PARENTS ARE CONSTANTLY CIRCLING ME... 316 00:15:18,583 --> 00:15:19,750 LIKE PLANETS. 317 00:15:20,833 --> 00:15:22,208 HELLO. 318 00:15:24,625 --> 00:15:27,125 RILEY. (chuckles) I HAVEN'T SEEN YOU IN 20 MINUTES. 319 00:15:27,125 --> 00:15:29,291 DO YOU MISS ME? 'CAUSE I MISSED YOU. 320 00:15:29,291 --> 00:15:33,000 (groans) AUGGIE, COME HERE. I MISS YOU TOO, BUD. 321 00:15:33,000 --> 00:15:35,208 MRS. SVORSKI. I HAVE SOMEONE WHO I THINK 322 00:15:35,208 --> 00:15:37,708 CAN BE THE PERFECT MANAGER FOR WHEN I CAN'T BE AT THE BAKERY. 323 00:15:37,708 --> 00:15:40,375 THIS PERSON KNOW WAY AROUND FOOD GAME? 324 00:15:40,375 --> 00:15:42,750 ABSOLUTELY. SHE'S ALSO VERY COLORFUL. 325 00:15:42,750 --> 00:15:44,750 SHE REALLY GETS INTO WHATEVER SHE'S DOING. 326 00:15:44,750 --> 00:15:47,708 -SOUNDS LIKE GOOD WOMAN. -MMM. 327 00:15:47,708 --> 00:15:50,875 OH! SORRY I'M LATE. 328 00:15:50,875 --> 00:15:53,250 (Ukrainian accent) MY DONKEY DIED ON WAY HERE. 329 00:15:54,875 --> 00:15:56,125 OH. 330 00:15:56,125 --> 00:15:59,708 SMELLS LIKE BEING BACK IN KITCHEN IN UKRAINE. 331 00:15:59,708 --> 00:16:02,500 WAITING FOR TATO TO COME HOME, 332 00:16:02,500 --> 00:16:06,708 HOPING HE HAS NOT LOST LAST FINGER IN FIELD MOWER. 333 00:16:06,708 --> 00:16:09,416 OH NO, NO, HE DID. 334 00:16:09,416 --> 00:16:11,875 OH, POOR TATO. 335 00:16:12,875 --> 00:16:15,291 HE CAN NEVER WIN AT "PAPER, ROCK, SCISSORS." 336 00:16:16,291 --> 00:16:18,583 ALWAYS KNOW ROCK IS COMING. 337 00:16:20,583 --> 00:16:23,875 -ONE... -Both: TWO, THREE! 338 00:16:23,875 --> 00:16:25,375 ROCK! 339 00:16:26,416 --> 00:16:28,000 I LIKE HER. 340 00:16:30,500 --> 00:16:34,875 -MOM. -OHH... MAYABUSHKA. 341 00:16:36,208 --> 00:16:38,208 (normal voice) I AM GONNA BE HERE 342 00:16:38,208 --> 00:16:40,375 ALL THE TIME NOW, BABY GIRL. 343 00:16:40,375 --> 00:16:42,458 HOW GREAT IS THAT? 344 00:16:42,458 --> 00:16:44,208 (laughing) 345 00:16:50,750 --> 00:16:53,333 MOM... YOU CAN'T BE HERE. 346 00:16:53,333 --> 00:16:55,875 DAD, MOM, YOU'RE EVERYWHERE. 347 00:16:55,875 --> 00:16:59,416 -WE JUST NEED SOME SPACE. -IT'S LIKE YOU'RE CIRCLING AROUND US. 348 00:16:59,416 --> 00:17:03,083 I'M SORRY. YOU THINK WE'RE CIRCLING AROUND YOU? 349 00:17:03,083 --> 00:17:05,875 -YES. -OH. I SEE. 350 00:17:05,875 --> 00:17:08,458 SO, I GUESS WE'RE ALL DONE WITH THE PARENTING? 351 00:17:08,458 --> 00:17:10,250 YES, IT SEEMS WE'RE ALL DONE WITH THAT PART NOW. 352 00:17:10,250 --> 00:17:12,208 -GOOD JOB, TOPANGA! -GOOD JOB, COREY! 353 00:17:12,208 --> 00:17:13,875 REMEMBER THAT WHOLE POTTY-TRAINING THING 354 00:17:13,875 --> 00:17:15,583 THAT WE DID FOR HER? AND NOW SHE WANTS TO LEAVE? 355 00:17:15,583 --> 00:17:17,291 OH, I LOVED EVERY MINUTE OF THAT. 356 00:17:17,291 --> 00:17:18,958 GOOD TIMES! 357 00:17:18,958 --> 00:17:21,000 SO, YOU'RE OKAY WITH THIS? 358 00:17:21,000 --> 00:17:22,583 OH YEAH, WE UNDERSTAND. YOU'RE A GROWNUP. 359 00:17:22,583 --> 00:17:25,208 -YOU KNOW EVERYTHING THERE IS TO KNOW. -YUP, YOU'RE READY TO MOVE AWAY. 360 00:17:25,208 --> 00:17:27,583 WELL, I MEAN, I'D LIKE TO STAY IN MY OWN BEDROOM. 361 00:17:27,583 --> 00:17:30,500 OKAY. YOU'LL JUST DROP US A LINE WHEN YOU GET MARRIED AND HAVE KIDS? 362 00:17:30,500 --> 00:17:34,458 (scoffs) MOM, I JUST DON'T WANT YOU TO BE EVERYWHERE. 363 00:17:34,458 --> 00:17:37,875 OKAY. WELL, WHEN YOU NEED US, WE'LL BE AT HOME. 364 00:17:37,875 --> 00:17:40,875 AND I'LL BE BACK THERE, STAYING OUT OF YOUR WAY. 365 00:17:41,875 --> 00:17:44,375 -OKAY. -GOOD. 366 00:17:44,375 --> 00:17:46,416 SO, NOBODY FEELS BAD ABOUT THIS? 367 00:17:46,416 --> 00:17:48,208 WELL, LET'S SEE WHAT HAPPENS. 368 00:17:52,708 --> 00:17:55,250 SO, YOU ARE HERE NOW? 369 00:17:55,250 --> 00:17:57,875 -I'M HERE NOW. -GOOD. 370 00:18:10,583 --> 00:18:11,833 READY? 371 00:18:25,166 --> 00:18:28,208 -SO... -HERE WE ARE. 372 00:18:29,208 --> 00:18:30,375 KINGS. 373 00:18:35,875 --> 00:18:39,166 THE SUN DOESN'T GO AROUND THE EARTH. 374 00:18:39,166 --> 00:18:41,250 WE'RE THE ONES MOVING. 375 00:18:41,250 --> 00:18:43,583 WE ORBIT THE SUN, BECAUSE WE NEED IT. 376 00:18:43,583 --> 00:18:46,375 WE NEED ITS LIGHT AND ITS HEAT, 377 00:18:46,375 --> 00:18:51,250 AND IF IT WASN'T THERE, WE'D BE DARK AND ALONE. 378 00:18:56,083 --> 00:18:59,958 I WASN'T IN MRS. SVORSKI'S ORBIT FOR VERY LONG, 379 00:18:59,958 --> 00:19:04,125 AND I MISSED OUT ON SOMEONE WONDERFUL. 380 00:19:04,125 --> 00:19:06,500 MY BROTHER KNEW BETTER. 381 00:19:06,500 --> 00:19:09,000 HE WAS HER VERY GOOD FRIEND. 382 00:19:19,000 --> 00:19:23,458 WE THINK THAT WE'RE THE CENTER OF THE UNIVERSE, 383 00:19:23,458 --> 00:19:25,458 BUT THE TRUTH IS... 384 00:19:25,458 --> 00:19:28,208 WE NEED TO CIRCLE THE ONES WE LOVE 385 00:19:28,208 --> 00:19:30,208 FOR AS LONG AS THEY'RE HERE. 386 00:19:39,083 --> 00:19:44,375 WE NEED TO HOLD THEM CLOSE, BECAUSE NO MATTER HOW FAR WE TRAVEL, 387 00:19:44,375 --> 00:19:47,833 THEY ARE THE ONES WHO HOLD US IN PLACE. 388 00:19:49,708 --> 00:19:52,000 IT'S GRAVITY, AND WITHOUT IT, 389 00:19:52,000 --> 00:19:54,875 WE WOULD JUST ALL FLOAT AWAY FROM EACH OTHER. 390 00:19:58,416 --> 00:20:01,250 WE ARE NOT KINGS AT ALL. 391 00:20:02,250 --> 00:20:05,208 WE ARE JUST... TINY LITTLE SPECKS. 392 00:20:05,208 --> 00:20:10,208 MY NAME IS RILEY MATTHEWS FROM GREENWICH VILLAGE, STYLE ::cue(.speaker) ::cue(.speakerTop) 393 00:20:10,208 --> 00:20:12,583 NEW YORK CITY, THE UNITED STATES OF AMERICA, 394 00:20:12,583 --> 00:20:14,875 THE CONTINENT OF NORTH AMERICA, 395 00:20:14,875 --> 00:20:17,625 THE WESTERN HEMISPHERE, THE EARTH, 396 00:20:17,625 --> 00:20:21,166 THE SOLAR SYSTEM, THE UNIVERSE, 397 00:20:21,166 --> 00:20:23,208 THE MIND OF GOD. 398 00:20:23,208 --> 00:20:25,291 THAT'S FROM OUR TOWN, 399 00:20:25,291 --> 00:20:27,416 MY FATHER'S FAVORITE PLAY. 400 00:20:29,500 --> 00:20:32,208 "JUST FOR A MOMENT WE'RE ALL TOGETHER. 401 00:20:32,208 --> 00:20:35,000 "LET'S REALLY LOOK AT ONE ANOTHER." 402 00:20:41,416 --> 00:20:43,750 GOOD NIGHT, MRS. SVORSKI. 403 00:20:52,583 --> 00:20:55,958 -GOOD JOB, RILEY. -I KNOW YOU'RE GONNA MISS HER, BUDDY. 404 00:20:55,958 --> 00:20:58,458 SHE GAVE ME HER FLOUR SHAKER. 405 00:20:58,458 --> 00:21:01,416 -THAT'S REALLY NICE. -(rattles) 406 00:21:01,416 --> 00:21:02,833 WHAT'S INSIDE? 407 00:21:05,875 --> 00:21:09,583 IT'S A NOTE. MAYBE SHE WROTE YOU A NOTE. 408 00:21:09,583 --> 00:21:13,500 Mrs. Svorski's voice: IS NOT MY-KRAINIAN BAKERY. I'M DEAD. 409 00:21:13,500 --> 00:21:15,375 (laughing) 410 00:21:20,166 --> 00:21:21,375 I LOVE YOU GUYS. 411 00:21:44,250 --> 00:21:46,708 (clicks, ringing) 412 00:21:46,708 --> 00:21:47,958 (ringing) 413 00:21:52,208 --> 00:21:55,083 -(beeps) -HELLO, MR. MATTHEWS. 414 00:21:55,083 --> 00:21:56,833 HEY, MR. FEENY. 415 00:21:58,000 --> 00:22:01,000 -YOU DOING OKAY? -YES, COREY. 416 00:22:01,000 --> 00:22:03,208 I'M STILL HERE. 417 00:22:03,208 --> 00:22:04,583 GREAT.