1 00:00:01,750 --> 00:00:02,583 Maya: HOW LONG ARE WE AVOIDING THIS? 2 00:00:02,583 --> 00:00:03,833 Riley: NOT AVOIDING NOTHING. 3 00:00:03,833 --> 00:00:05,000 JUST LIFE MOVING ON BEYOND 4 00:00:05,000 --> 00:00:07,708 THAT THING THAT HAPPENED BETWEEN ME AND LUCAS. 5 00:00:07,708 --> 00:00:09,833 (kissing noises) 6 00:00:09,833 --> 00:00:12,708 I KNOW WHAT IT WAS, YOU DO NOT HAVE TO FISH-FACE AT ME. 7 00:00:12,708 --> 00:00:15,250 (kissing noises continue) 8 00:00:17,208 --> 00:00:19,458 MAYA, OTHER THINGS ARE HAPPENING. 9 00:00:19,458 --> 00:00:21,416 LIFE GOT OVER IT. WHY CAN'T YOU? 10 00:00:21,416 --> 00:00:23,708 LIFE ISN'T OVER IT. HAVEN'T YOU NOTICED EVERYTHING STOPPED? 11 00:00:23,708 --> 00:00:24,708 NOTHING IS HAPPENING. 12 00:00:24,708 --> 00:00:26,333 EVERYTHING'S HAPPENING! 13 00:00:31,208 --> 00:00:32,875 RILEY, UNTIL WE TALK ABOUT 14 00:00:32,875 --> 00:00:34,583 (kissing noise), NOTHING'S EVER HAPPENING AGAIN. 15 00:00:34,583 --> 00:00:36,750 OH, THAT'S THE TALK OF A KOOK. 16 00:00:42,833 --> 00:00:44,375 (sighs) 17 00:00:46,458 --> 00:00:47,708 LADIES. 18 00:00:49,000 --> 00:00:50,250 YAY! 19 00:00:50,250 --> 00:00:51,458 WELL THAT'S SETTLED THEN. 20 00:00:51,458 --> 00:00:53,375 ARE YOU HERE FOR A REASON, FARKLE? 21 00:00:53,375 --> 00:00:55,208 I'VE GOT TWO TICKETS TO A CONCERT 22 00:00:55,208 --> 00:00:56,708 BUT THERE'S THREE OF US. 23 00:00:56,708 --> 00:00:58,458 SO WHO DO I TAKE? 24 00:01:00,000 --> 00:01:01,458 YOU SEE, THAT RIGHT THERE 25 00:01:01,458 --> 00:01:03,708 IS A VERY ORIGINAL SITUATION. 26 00:01:03,708 --> 00:01:05,708 THERE WILL BE MANY TWISTS AND TURNS 27 00:01:05,708 --> 00:01:07,333 THAT NO ONE WILL SEE COMING. 28 00:01:08,416 --> 00:01:09,708 I LIKE THE WAY YOU HUGGED ME, RILEY. 29 00:01:09,708 --> 00:01:10,750 I'M TAKING YOU. 30 00:01:12,583 --> 00:01:15,125 I DID NOT SEE THAT COMING. 31 00:01:15,125 --> 00:01:16,250 SO WE'RE BACK. 32 00:01:16,250 --> 00:01:17,875 SUBWAY CAR, YOU LOCK EYES, 33 00:01:17,875 --> 00:01:19,958 YOU FALL INTO HIS LAP, YOU GRAB LUCAS BY THE FACE. 34 00:01:19,958 --> 00:01:21,125 YOU START MOVING TOWARD HIM AND-- 35 00:01:21,125 --> 00:01:22,750 -RILEY! -YAY! 36 00:01:22,750 --> 00:01:23,833 DID I DO SOMETHING? 37 00:01:23,833 --> 00:01:25,750 AM I GROUNDED? DOES SHE HAVE TO LEAVE? 38 00:01:25,750 --> 00:01:27,708 YOU HAVE TO LEAVE. 39 00:01:27,708 --> 00:01:28,875 NO WE'RE GLAD YOU'RE BOTH HERE. 40 00:01:28,875 --> 00:01:30,208 WE NEED YOU TO BABYSIT AUGGIE. 41 00:01:30,208 --> 00:01:32,583 THEY NEED US TO BABYSIT AUGGIE. 42 00:01:32,583 --> 00:01:33,583 BEEN THERE DONE THAT. 43 00:01:33,583 --> 00:01:36,583 THINGS COULD HAPPEN TWICE. 44 00:01:36,583 --> 00:01:38,708 UNLESS IT'S AN EMERGENCY, WE DON'T WANT TO HEAR FROM YOU. 45 00:01:38,708 --> 00:01:40,833 WHAT COULD HAPPEN? I'LL TELL YA. 46 00:01:40,833 --> 00:01:43,458 WE'LL PUT TOO MUCH SOAP IN THE WASHING MACHINE, 47 00:01:43,458 --> 00:01:45,458 AND THEN WE'LL FIND A PUPPY AND SAY, 48 00:01:45,458 --> 00:01:46,583 "CAN WE KEEP HIM?" 49 00:01:46,583 --> 00:01:48,208 AND THEN HIS OWNER WILL SHOW UP. 50 00:01:48,208 --> 00:01:50,958 IT WILL BE THIS HOT GUY THAT MAYA WILL TOTALLY LIKE. 51 00:01:50,958 --> 00:01:52,208 YAY! 52 00:01:53,583 --> 00:01:54,875 BUT THEN HE WILL MOVE AWAY 53 00:01:54,875 --> 00:01:56,708 BECAUSE MAYA CAN NEVER BE HAPPY. 54 00:01:56,708 --> 00:01:57,583 BOO! 55 00:01:58,625 --> 00:02:01,375 YOU SEE, WE HAVE A LOT GOING ON TODAY. 56 00:02:01,375 --> 00:02:02,416 TOMORROW. 57 00:02:02,416 --> 00:02:03,583 HUH? 58 00:02:03,583 --> 00:02:05,625 YEAH, WE NEED YOU TO BABYSIT TOMORROW. 59 00:02:05,625 --> 00:02:07,083 TODAY WE GOT NOTHING. 60 00:02:08,833 --> 00:02:11,958 SO, YOU GOT LUCAS BY THE FACE AND... 61 00:02:11,958 --> 00:02:13,583 HELP ME! 62 00:02:13,583 --> 00:02:16,416 YAY! AUGGIE, DO YOU HAVE ANY PROBLEMS 63 00:02:16,416 --> 00:02:17,833 THAT I CAN HELP YOU WITH? 64 00:02:17,833 --> 00:02:20,625 WELL, I MADE A NEW FRIEND AT SCHOOL 65 00:02:20,625 --> 00:02:22,291 WHAT IF MOM DOESN'T LIKE HIM? 66 00:02:22,291 --> 00:02:24,500 WHAT IF SHE PICKS HIM UP AND PUTS HIM IN THE HALLWAY? 67 00:02:24,500 --> 00:02:25,708 LIKE AVA! 68 00:02:25,708 --> 00:02:28,958 WHAT IF NO ONE IS EVER GOOD ENOUGH FOR MOMMY'S LITTLE BOY? 69 00:02:31,125 --> 00:02:32,583 THIS IS A THING. 70 00:02:32,583 --> 00:02:35,750 EH, NOT A WHOLE THING. WE CHECK BACK ON THIS TWICE TOPS. 71 00:02:36,833 --> 00:02:38,416 I WOULD BE INVOLVED IN IT. 72 00:02:38,416 --> 00:02:39,708 COMPLETELY YOUR MOTHER'S THING. 73 00:02:41,708 --> 00:02:43,125 YEAH, SCRAM. 74 00:02:44,708 --> 00:02:46,291 MOM? 75 00:02:52,625 --> 00:02:54,750 SO THAT'S EVERYBODY WE KNOW, HUH? 76 00:02:54,750 --> 00:02:56,208 NOT QUITE, YOU GOT ONE MORE FRIEND 77 00:02:56,208 --> 00:02:57,833 THAT HAS A PROBLEM YOU COULD GET INVOLVED IN. 78 00:02:57,833 --> 00:02:59,291 I DO? WHO? 79 00:03:00,583 --> 00:03:01,833 OH YEAH. 80 00:03:01,833 --> 00:03:03,875 MY TROUBLED, MISUNDERSTOOD FRIEND. 81 00:03:03,875 --> 00:03:05,750 PEOPLE LOVE YOUR PROBLEMS. 82 00:03:05,750 --> 00:03:06,833 YOU'RE A MESS! 83 00:03:08,875 --> 00:03:10,375 THANKS. 84 00:03:10,375 --> 00:03:12,000 MY PROBLEM IS THAT I HAVE A BEST FRIEND 85 00:03:12,000 --> 00:03:13,083 WHO DOESN'T WANT TO TALK ABOUT 86 00:03:13,083 --> 00:03:14,708 THE MOST IMPORTANT THING GOING ON IN HER LIFE, 87 00:03:14,708 --> 00:03:16,583 AND I DON'T KNOW WHAT TO DO. 88 00:03:16,583 --> 00:03:17,875 CAN YOU HELP ME PLEASE? 89 00:03:21,708 --> 00:03:23,083 I KISSED LUCAS. 90 00:03:23,083 --> 00:03:24,750 YOU DON'T SAY? 91 00:03:26,250 --> 00:03:28,250 WHAT HAPPENS NOW? 92 00:03:28,250 --> 00:03:30,583 (theme music playing) 93 00:03:34,625 --> 00:03:36,625 ♪ I'VE BEEN WAITING ♪ 94 00:03:36,625 --> 00:03:38,000 ♪ FOR A DAY ♪ 95 00:03:38,000 --> 00:03:39,000 ♪ LIKE THIS TO COME ♪ 96 00:03:39,000 --> 00:03:40,833 ♪ STRUCK LIKE LIGHTNING ♪ 97 00:03:40,833 --> 00:03:43,375 ♪ MY HEART'S BEATING LIKE A DRUM ♪ 98 00:03:43,375 --> 00:03:44,750 ♪ ON THE EDGE ♪ 99 00:03:44,750 --> 00:03:47,333 ♪ OF SOMETHING WONDERFUL ♪ 100 00:03:47,333 --> 00:03:50,166 ♪ FACE TO FACE WITH CHANGES ♪ 101 00:03:50,166 --> 00:03:51,333 ♪ WHAT'S IT ALL ABOUT? ♪ 102 00:03:51,333 --> 00:03:53,458 ♪ LIFE IS CRAZY ♪ 103 00:03:53,458 --> 00:03:54,500 ♪ BUT I KNOW ♪ 104 00:03:54,500 --> 00:03:55,583 ♪ I CAN WORK IT OUT ♪ 105 00:03:55,583 --> 00:03:56,708 ♪ 'CAUSE I GOT YOU ♪ 106 00:03:56,708 --> 00:03:59,750 ♪ TO LIVE IT WITH ME ♪ 107 00:03:59,750 --> 00:04:03,708 ♪ I FEEL ALL RIGHT, I'M GONNA TAKE ON THE WORLD ♪ 108 00:04:03,708 --> 00:04:07,208 ♪ LIGHT UP THE STARS, I'VE GOT SOME PAGES TO TURN ♪ 109 00:04:07,208 --> 00:04:09,000 ♪ I'M SINGING "GO-O-O" ♪ 110 00:04:09,000 --> 00:04:12,083 ♪ OH, OH, OH, OH ♪ 111 00:04:12,083 --> 00:04:15,125 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 112 00:04:15,125 --> 00:04:16,583 ♪ TAKE ON THE WORLD ♪ 113 00:04:16,583 --> 00:04:19,125 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 114 00:04:19,125 --> 00:04:20,708 ♪ TAKE ON THE WORLD. ♪ 115 00:04:26,750 --> 00:04:27,875 THE NEW WORLD. 116 00:04:27,875 --> 00:04:29,583 PEOPLE WHO LIVED THEIR WHOLE LIVES 117 00:04:29,583 --> 00:04:30,708 IN A CERTAIN PLACE 118 00:04:30,708 --> 00:04:32,833 TRAVEL TO A NEW LAND 119 00:04:32,833 --> 00:04:34,125 OF NEW FEELINGS 120 00:04:34,125 --> 00:04:35,833 AND NEW OPPORTUNITIES. 121 00:04:37,250 --> 00:04:40,458 HAVING NO IDEA HOW TO BEHAVE IN THIS BRAND NEW SOCIETY. 122 00:04:40,458 --> 00:04:42,208 LUCAS, WHAT DID YOU TELL HIM? 123 00:04:42,208 --> 00:04:44,208 NOTHING, I AM ALSO UNCOMFORTABLE. 124 00:04:46,000 --> 00:04:49,166 -WAIT, MR. MATTHEWS DOESN'T KNOW RILEY KISSED LUCAS? -NO. 125 00:04:49,166 --> 00:04:50,875 SO EVERYTHING HE SAYS IS MAKING THEM UNCOMFORTABLE? 126 00:04:50,875 --> 00:04:51,958 UH-HUH. 127 00:04:51,958 --> 00:04:53,166 SHALL WE TAKE ADVANTAGE OF THIS? 128 00:04:53,166 --> 00:04:54,333 HOW COULD WE NOT? 129 00:04:54,333 --> 00:04:55,708 I WILL BEGIN. 130 00:04:55,708 --> 00:04:57,708 SO, MR. MATTHEWS, TELL ME, 131 00:04:57,708 --> 00:04:58,750 AFTER YOU'VE HAD THE COURAGE 132 00:04:58,750 --> 00:04:59,875 TO CLOSE YOUR EYES 133 00:04:59,875 --> 00:05:01,416 AND TAKE THE FACE OF THE NEW WORLD STYLE ::cue(.speaker) ::cue(.speakerTop) 134 00:05:01,416 --> 00:05:03,000 IN YOUR TREMBLING HANDS... 135 00:05:03,000 --> 00:05:04,750 WHAT ARE YOU TRYING TO SAY, FARKLE? 136 00:05:04,750 --> 00:05:06,250 ARE YOU SUPPOSED TO BE A COUPLE NEXT? 137 00:05:06,250 --> 00:05:07,291 -OR WHAT? -HUH? 138 00:05:07,291 --> 00:05:08,750 -WHAT? -HUH? 139 00:05:08,750 --> 00:05:10,750 OH, YOU DON'T UNDERSTAND MY QUESTION? 140 00:05:10,750 --> 00:05:11,625 PERHAPS MY DEAR FRIEND 141 00:05:11,625 --> 00:05:12,708 MISS MAYA PENELOPE HART 142 00:05:12,708 --> 00:05:14,458 COULD HELP ME OUT. 143 00:05:14,458 --> 00:05:17,000 PENELOPE. 144 00:05:17,000 --> 00:05:18,000 FARKLE... 145 00:05:18,000 --> 00:05:20,750 IT CAME OUT. IT JUST CAME OUT. IT CAME OUT. IT JUST CAME OUT. 146 00:05:20,750 --> 00:05:21,833 PENELOPE? 147 00:05:21,833 --> 00:05:23,875 REALLY, HUCKLEBERRY? YOU WANT TO PLAY WITH ME RIGHT NOW? 148 00:05:23,875 --> 00:05:27,000 -NO. -'CAUSE YOU'VE DONE QUITE ENOUGH, HAVEN'T YOU? 149 00:05:28,750 --> 00:05:29,833 MAYA! 150 00:05:29,833 --> 00:05:30,875 MAYA! 151 00:05:30,875 --> 00:05:32,000 MR. MATTHEWS, 152 00:05:32,000 --> 00:05:33,958 I THINK WHAT FARKLE IS TRYING TO SAY 153 00:05:33,958 --> 00:05:35,583 IS ONCE YOU'VE KISSED... 154 00:05:35,583 --> 00:05:36,708 YEEP! 155 00:05:36,708 --> 00:05:38,625 ...THE SHORES OF THIS NEW WORLD 156 00:05:38,625 --> 00:05:40,416 I BET YOUR FRIENDS FROM THE OLD WORLD 157 00:05:40,416 --> 00:05:41,958 WOULD WANT TO HEAR ABOUT HOW THE NEW WORLD IS, 158 00:05:41,958 --> 00:05:44,000 AND IF YOU DON'T TELL THEM, WELL THAT'S JUST SELFISH. 159 00:05:45,083 --> 00:05:46,833 WHAT ARE YOU TRYING TO SAY, PENELOPE? 160 00:05:46,833 --> 00:05:49,375 ARE YOU SUPPOSED TO BE A COUPLE NEXT, OR WHAT? 161 00:05:49,375 --> 00:05:51,583 ALRIGHT, WHAT'S GOING ON HERE, GUYS? 162 00:05:51,583 --> 00:05:55,000 NOTHING! COULD WE JUST PLEASE, FOR ONCE, READ FROM THE BOOK? 163 00:05:55,000 --> 00:05:57,166 "THE BOY AND THE GIRL HAD NO IDEA 164 00:05:57,166 --> 00:05:58,750 "OF THE CHANGES THEY WOULD SOON BE FACING. 165 00:05:58,750 --> 00:06:00,500 "EVERYTHING WAS DIFFERENT 166 00:06:00,500 --> 00:06:02,750 "INCLUDING THEIR OWN BODIES..." WHAT THE... 167 00:06:04,250 --> 00:06:05,833 YOU'RE READING YOUR HEALTH BOOK. 168 00:06:05,833 --> 00:06:07,083 WORD OF WARNING PAGE 73. 169 00:06:07,083 --> 00:06:09,250 I DON'T UNDERSTAND. IT MAKES NO SENSE. IT LOOKS IMPOSSIBLE. 170 00:06:10,875 --> 00:06:13,000 RILEY, WHAT IS GOING ON HERE? 171 00:06:13,000 --> 00:06:14,875 FARKLE KISSED MY HAND. 172 00:06:14,875 --> 00:06:16,458 -YOU DID? -IT WAS GLORIOUS. 173 00:06:16,458 --> 00:06:19,125 IT WAS. I WENT HOME AND QUESTIONED EVERYTHING. 174 00:06:19,125 --> 00:06:21,750 OKAY, AND WHERE WERE YOU WHILE ALL OF THIS 175 00:06:21,750 --> 00:06:23,083 HAND KISSING WAS GOING ON? 176 00:06:23,083 --> 00:06:24,583 NOWHERE, WITH NO ONE 177 00:06:24,583 --> 00:06:26,083 DOIN' NOTHING WITH NOBODY. 178 00:06:42,625 --> 00:06:43,833 AUGGIE NOW. 179 00:06:43,833 --> 00:06:45,708 I DON'T SEE WHERE ELSE WE CAN GO. 180 00:06:53,458 --> 00:06:56,750 SORRY I DIDN'T HAVE TIME TO BUY YOU SOMETHING BEFORE YOU CAME OVER. 181 00:06:56,750 --> 00:06:58,833 YOU DIDN'T HAVE TO BUY ME SOMETHING. 182 00:06:58,833 --> 00:07:00,708 WHY ELSE WOULD YOU COME OVER? 183 00:07:00,708 --> 00:07:02,708 I CAME TO PLAY WITH YOU. 184 00:07:02,708 --> 00:07:03,875 AUGGIE 185 00:07:03,875 --> 00:07:05,583 WHO IS YOUR NICE, NORMAL FRIEND 186 00:07:05,583 --> 00:07:07,083 WHO ISN'T AVA AND DOESN'T NEED GIFTS 187 00:07:07,083 --> 00:07:08,416 TO COME OVER AND PLAY WITH YOU? 188 00:07:08,416 --> 00:07:09,583 DOY! 189 00:07:09,583 --> 00:07:10,875 EXCUSE ME? 190 00:07:12,416 --> 00:07:13,583 LEAVE IT ALONE, MOM. 191 00:07:14,875 --> 00:07:16,208 OKAY, WAIT A MINUTE THOUGH 192 00:07:16,208 --> 00:07:17,875 YOUR NAME AGAIN, WILL YOU JUST SPELL THAT FOR ME? 193 00:07:17,875 --> 00:07:20,708 D-E-W-E-Y, DOY. 194 00:07:23,375 --> 00:07:24,833 WAIT A MINUTE. 195 00:07:24,833 --> 00:07:26,416 THE "W" IS SILENT. 196 00:07:27,958 --> 00:07:29,458 LET IT BE SILENT. 197 00:07:29,458 --> 00:07:30,625 HE'S MY FIRST BRO. 198 00:07:33,291 --> 00:07:34,708 OKAY, BUT SEE, HONEY, 199 00:07:34,708 --> 00:07:36,458 THE "W" IS ACTUALLY 200 00:07:36,458 --> 00:07:37,583 NOT SILENT. 201 00:07:37,583 --> 00:07:38,708 NO! 202 00:07:38,708 --> 00:07:39,708 YES. 203 00:07:39,708 --> 00:07:41,166 DOY! 204 00:07:41,166 --> 00:07:43,166 LET HIM BE RIGHT, MOM 205 00:07:44,458 --> 00:07:45,833 EXCEPT, HE'S NOT RIGHT. 206 00:07:45,833 --> 00:07:48,125 NO, SEE, HIS NAME IS NOT "DOY" 207 00:07:48,125 --> 00:07:49,875 NO, IT'S "DEWEY." 208 00:07:49,875 --> 00:07:51,875 WITH A "W" THAT YOU SAY. 209 00:07:52,875 --> 00:07:54,250 (sobbing) 210 00:07:54,250 --> 00:07:55,708 WHAT IS THAT? WHAT ARE YOU DOING? 211 00:07:55,708 --> 00:07:57,708 (crying) 212 00:07:57,708 --> 00:07:59,458 (screaming) 213 00:08:04,958 --> 00:08:06,625 YOU RUINED MY PLAYDATE. 214 00:08:06,625 --> 00:08:09,583 I'M SORRY. I'M SO SORRY, DEWEY. 215 00:08:09,583 --> 00:08:11,583 DOY! 216 00:08:13,291 --> 00:08:15,000 WHAT THE-- WHAT DID YOU DO TO DOY? 217 00:08:16,583 --> 00:08:17,875 ARE YOU KIDDING ME, CORY? 218 00:08:17,875 --> 00:08:20,625 IT'S "COY". AROUND HIM, IT'S "COY". 219 00:08:21,708 --> 00:08:23,166 COME TO COY, DOY! 220 00:08:26,000 --> 00:08:27,833 CAN WE GO TO AUGGIE'S ROOM? 221 00:08:27,833 --> 00:08:29,625 YES, I'LL GO AND READ YOU A STOY. 222 00:08:45,125 --> 00:08:47,416 EVERYBODY STOP LOOKING AT ME. 223 00:08:47,416 --> 00:08:49,833 -TELL US. -I DON'T KISS AND TELL. 224 00:08:49,833 --> 00:08:50,875 -DID YOU KISS? -YES. 225 00:08:50,875 --> 00:08:52,750 -TELL. -AND TAKE YOUR TIME. 226 00:08:54,500 --> 00:08:56,750 NOTHING HAPPENED. BACK ME UP, MAYA. 227 00:09:00,625 --> 00:09:02,125 THAT'S INACCURATE. 228 00:09:03,750 --> 00:09:05,291 (kissing noises) 229 00:09:06,291 --> 00:09:07,708 YEAH, THAT'S PRETTY GOOD. 230 00:09:08,708 --> 00:09:11,291 SO, WHAT'S THE NEXT THING YOU GUYS ARE SUPPOSED TO DO? 231 00:09:11,291 --> 00:09:13,583 SUPPOSED TO DO? WHAT ARE THERE? RULES? 232 00:09:13,583 --> 00:09:15,750 I DON'T KNOW. BUT I DON'T SEE HOW YOU CAN JUST KISS SOMEONE 233 00:09:15,750 --> 00:09:16,750 AND NOT BE WITH THEM AFTER. 234 00:09:16,750 --> 00:09:18,000 I ONLY KISSED MAYA'S HAND, 235 00:09:18,000 --> 00:09:19,583 AND THEN I GOT HER THIS ENGAGEMENT RING 236 00:09:19,583 --> 00:09:20,750 RIGHT AFTER WE GOT OFF THE SUBWAY. 237 00:09:22,625 --> 00:09:24,625 OH MY GOSH, FARKLE, HOW MUCH WAS THAT? 238 00:09:24,625 --> 00:09:26,125 $78,000. 239 00:09:26,125 --> 00:09:27,708 -BUT, I GOT IT FOR FREE. -HOW? 240 00:09:27,708 --> 00:09:30,500 BECAUSE THAT'S THE RING MY MOM KEEPS THROWING AT MY FATHER. 241 00:09:32,083 --> 00:09:33,750 SHE USUALLY WANTS IT BACK BY THURSDAY. 242 00:09:33,750 --> 00:09:35,375 SO I GOT TO WORK FAST. 243 00:09:36,416 --> 00:09:38,208 SO ARE YOU GUYS BOYFRIEND AND GIRLFRIEND NOW? 244 00:09:38,208 --> 00:09:39,250 -WHAT ARE YOU? -WHAT ARE YOU? 245 00:09:39,250 --> 00:09:41,625 I DON'T KNOW. DO WE HAVE TO BE SOMETHING? 246 00:09:41,625 --> 00:09:42,708 WELL YOU DID KISS HIM. 247 00:09:42,708 --> 00:09:43,750 WHAT ARE YA? 248 00:09:43,750 --> 00:09:45,125 LOOK, IT JUST HAPPENED. 249 00:09:45,125 --> 00:09:47,000 SHE'S NOT REALLY SURE WHAT IT ALL MEANS YET. 250 00:09:47,000 --> 00:09:48,708 YOU GUYS ARE MEANT TO BE TOGETHER. 251 00:09:48,708 --> 00:09:50,083 LIKE ME AND YOGI! 252 00:09:50,083 --> 00:09:51,708 YOGLES! 253 00:09:53,625 --> 00:09:55,958 WILL LUCAS AND I EVER HAVE WHAT THEY HAVE? 254 00:09:55,958 --> 00:09:57,083 BOY, I HOPE NOT. 255 00:09:58,125 --> 00:09:59,750 BUT YOU KNOW, RILES, THEY DO HAVE A POINT. 256 00:09:59,750 --> 00:10:02,208 I MEAN, YOU LIKE HIM. HE LIKES YOU. THERE WAS A KISS. STYLE ::cue(.speaker) ::cue(.speakerTop) 257 00:10:02,208 --> 00:10:05,500 I WILL NOT ACT UNDER PEER PRESSURE. 258 00:10:05,500 --> 00:10:06,750 UNLESS YOU THINK I SHOULD. 259 00:10:08,583 --> 00:10:10,375 I WILL NOT GIVE INTO PEER PRESSURE. 260 00:10:10,375 --> 00:10:11,583 WHAT IF WE CARRY YOU? 261 00:10:11,583 --> 00:10:12,708 I'D LIKE TO SEE YOU TRY. 262 00:10:12,708 --> 00:10:13,833 DARBY. 263 00:10:15,166 --> 00:10:17,708 HEY, STOP. 264 00:10:19,000 --> 00:10:20,208 WHAT ARE YOU? 265 00:10:20,208 --> 00:10:22,458 WHAT ARE WE? 266 00:10:22,458 --> 00:10:24,500 ARE WE BOYFRIEND AND GIRLFRIEND? 267 00:10:24,500 --> 00:10:26,458 ARE WE? 268 00:10:26,458 --> 00:10:27,750 I DON'T KNOW, YOU WANNA? 269 00:10:27,750 --> 00:10:31,083 I DON'T KNOW. YOU THINK, MAYBE? 270 00:10:32,458 --> 00:10:33,708 WANNA? 271 00:10:33,708 --> 00:10:36,500 ARE THEY WEIRD, OR ADORABLE? 272 00:10:36,500 --> 00:10:37,583 NO. 273 00:10:37,583 --> 00:10:39,625 ME AND YOGI ARE WEIRD. 274 00:10:39,625 --> 00:10:41,750 THEY'RE ADORABLE. 275 00:10:41,750 --> 00:10:43,458 WHAT JUST HAPPENED? 276 00:10:43,458 --> 00:10:45,625 DO I HAVE MY FIRST BOYFRIEND? 277 00:10:45,625 --> 00:10:48,000 I DON'T KNOW, WHAT JUST HAPPENED? 278 00:10:48,000 --> 00:10:51,583 I DON'T KNOW. CAN'T WAIT TO SEE WHAT HAPPENS NEXT. 279 00:11:06,500 --> 00:11:08,208 OKAY, HERE WE ARE. 280 00:11:08,208 --> 00:11:10,083 WHAT DO WE DO NOW? 281 00:11:10,083 --> 00:11:12,083 YOU GO ON A DATE AFTER SCHOOL. 282 00:11:12,083 --> 00:11:14,708 YOU SIT THERE AND LOOK AT EACH OTHER ALL STUPID. 283 00:11:14,708 --> 00:11:16,166 LIKE THIS. 284 00:11:19,125 --> 00:11:21,500 STOP. NOBODY'S TELLING US WHAT TO DO. 285 00:11:21,500 --> 00:11:23,750 WE'RE NOT YOU. YOU'RE YOU. 286 00:11:23,750 --> 00:11:25,958 WE'RE US. WE DO WHAT WE DO. 287 00:11:25,958 --> 00:11:28,458 YEAH, WE DO WHAT WE DO. 288 00:11:29,583 --> 00:11:30,833 WHAT DO WE DO? 289 00:11:43,166 --> 00:11:45,708 WHAT IS IT IN YOU THAT MAKES YOU DO THIS? 290 00:11:45,708 --> 00:11:47,625 HIS NAME IS DEWEY. 291 00:11:47,625 --> 00:11:49,583 WHAT'S THE DIFFERENCE WHAT HIS NAME IS? 292 00:11:49,583 --> 00:11:51,333 HE SAYS HIS NAME IS "DOY," 293 00:11:51,333 --> 00:11:52,750 AND HE WANTS TO BE CALLED "DOY," 294 00:11:52,750 --> 00:11:55,000 SO WE CALL HIM "DOY" BECAUSE HE SAYS HIS NAME IS "DOY." 295 00:11:55,000 --> 00:11:56,875 AND DOY IS A GUEST IN OUR HOUSE. 296 00:11:56,875 --> 00:11:59,458 SO WILL YOU PLEASE LET GO OF YOUR NEED TO BE RIGHT ALL THE TIME, 297 00:11:59,458 --> 00:12:01,458 AND WE JUST CALL THE KID "DOY"? 298 00:12:01,458 --> 00:12:03,125 DOY? 299 00:12:06,166 --> 00:12:07,708 CAN I PLEASE TALK TO YOU FOR A MINUTE? 300 00:12:09,708 --> 00:12:11,500 I WOULDN'T. 301 00:12:11,500 --> 00:12:12,958 I WOULDN'T EITHER. 302 00:12:14,458 --> 00:12:15,583 COME HERE. 303 00:12:18,625 --> 00:12:20,083 COME ON. 304 00:12:23,833 --> 00:12:25,583 COME ON. 305 00:12:30,083 --> 00:12:31,958 AH! 306 00:12:31,958 --> 00:12:33,375 OKAY. 307 00:12:33,375 --> 00:12:35,500 HERE'S WHAT'S GOING TO HAPPEN NEXT. 308 00:12:46,000 --> 00:12:47,833 ONE SMOOTHIE, TWO STRAWS. 309 00:12:49,000 --> 00:12:50,958 YOU TWO NEW AT THIS? 310 00:12:50,958 --> 00:12:52,625 DON'T WORRY, IT GETS HARDER. 311 00:13:00,416 --> 00:13:01,583 WE'RE JUST SITTING HERE. 312 00:13:01,583 --> 00:13:04,458 YEAH, WE HAVEN'T TALKED TO EACH OTHER MUCH AT ALL. 313 00:13:05,458 --> 00:13:08,708 IT'S TOO BAD, BECAUSE YOU'RE ONE OF MY FAVORITE PEOPLE TO TALK TO. 314 00:13:13,500 --> 00:13:15,583 I THINK YOUR MOM DID A REALLY GOOD JOB ON THIS PLACE. 315 00:13:16,583 --> 00:13:19,000 YEAH, GOING TO BE A GREAT HANG OUT, ISN'T IT? 316 00:13:19,000 --> 00:13:22,208 YEAH, LOOK AT ALL THESE NYU STUDENTS. 317 00:13:22,208 --> 00:13:23,500 SMILING... 318 00:13:23,500 --> 00:13:24,583 TALKING... 319 00:13:24,583 --> 00:13:25,583 LOOKING REAL... 320 00:13:25,583 --> 00:13:27,708 COMFORTABLE WITH EACH OTHER, YEAH. 321 00:13:27,708 --> 00:13:29,000 YEAH. 322 00:13:30,833 --> 00:13:33,625 I DON'T KNOW WHY IT'S SO HARD FOR US TO TALK ALL OF A SUDDEN. 323 00:13:33,625 --> 00:13:35,291 IT'S NOT LIKE WE'VE CHANGED. 324 00:13:35,291 --> 00:13:37,583 WE'RE BOYFRIEND AND GIRLFRIEND NOW. 325 00:13:37,583 --> 00:13:39,750 YEAH BUT THOSE ARE JUST WORDS, RILEY. 326 00:13:39,750 --> 00:13:41,125 WORDS DON'T CHANGE PEOPLE. 327 00:13:44,208 --> 00:13:45,875 MRS. FARKLE MINKUS. 328 00:13:48,583 --> 00:13:49,875 YOU SAID YES? 329 00:13:49,875 --> 00:13:51,625 GOOD-BYE MAYA PENELOPE HART, 330 00:13:51,625 --> 00:13:53,708 HELLO, MRS. FARKLE MINKUS. 331 00:13:53,708 --> 00:13:55,708 ALL THIS TIME, I'VE BEEN TRYING TO LOVE AND APPRECIATE HER, 332 00:13:55,708 --> 00:13:57,375 BUT ALL IT TOOK WAS THIS BIG, HUNKING ROCK. 333 00:13:58,875 --> 00:14:00,458 MAKE A NOTE, RILEY. 334 00:14:00,458 --> 00:14:01,750 THEY PUT ONE OF THESE IN FRONT OF OUR FACE, 335 00:14:01,750 --> 00:14:03,416 AND WE GET HYPNOTIZED BY THE SPARKLES. 336 00:14:03,416 --> 00:14:04,958 WAIT, YOU ONLY SAID YES BECAUSE OF THE RING? 337 00:14:04,958 --> 00:14:06,083 IT HAD NOTHING TO DO WITH ME? 338 00:14:06,083 --> 00:14:08,208 THAT WOULD BE PRETTY SHALLOW OF ME, WOULDN'T IT? 339 00:14:08,208 --> 00:14:09,458 I DON'T CARE. 340 00:14:11,625 --> 00:14:13,291 ALL RIGHT, FARKLE, YOU'RE A SCIENTIST, 341 00:14:13,291 --> 00:14:14,416 LET'S DO AN EXPERIMENT. 342 00:14:14,416 --> 00:14:15,583 ASK ME WITHOUT THE RING. 343 00:14:15,583 --> 00:14:16,583 WOULD YOU MARRY ME? 344 00:14:16,583 --> 00:14:18,375 DIE. NOW ASK ME WITH THE RING. 345 00:14:18,375 --> 00:14:19,583 WOULD YOU MARRY ME? 346 00:14:20,583 --> 00:14:22,125 I LOVE YOU SO MUCH. 347 00:14:22,125 --> 00:14:23,583 I BELIEVE YOU. 348 00:14:24,583 --> 00:14:26,458 HYPNOTIZED, RILEY. YOU NEED TO PROTECT ME. 349 00:14:26,458 --> 00:14:28,083 PROTECT YOU FROM WHAT, MAYA? 350 00:14:28,083 --> 00:14:30,625 RELATIONSHIPS ARE SUPPOSED TO BE ABOUT TWO PEOPLE 351 00:14:30,625 --> 00:14:33,291 WHO MAKE THE CHOICE TO COME TOGETHER BY THEMSELVES. 352 00:14:33,291 --> 00:14:34,750 OF THEIR OWN FREE WILL 353 00:14:34,750 --> 00:14:36,291 AT THE RIGHT POINT IN TIME. 354 00:14:36,291 --> 00:14:38,000 IT HAS NOTHING TO DO WITH-- 355 00:14:39,375 --> 00:14:41,625 HOW DO THEY GET THESE THINGS SO SPARKLY, FARKLEY? 356 00:14:42,708 --> 00:14:44,000 PRESSURE. 357 00:14:44,000 --> 00:14:45,833 THIS DIAMOND USED TO JUST BE A PIECE OF COAL 358 00:14:45,833 --> 00:14:46,958 THAT WAS PUT UNDER A LOT OF PRESSURE. 359 00:14:46,958 --> 00:14:48,333 YEAH, I'M KEEPING IT. 360 00:14:48,333 --> 00:14:49,625 GOOD. I COME WITH IT. 361 00:14:49,625 --> 00:14:51,833 HUH, WELL, I REALLY LOVE YOU AND EVERYTHING. 362 00:14:51,833 --> 00:14:53,416 -WHY, THANK YOU. -I WAS TALKING TO THE RING. 363 00:14:53,416 --> 00:14:54,708 OH. 364 00:14:54,708 --> 00:14:56,708 THE WAY I SEE IT, THE ONLY WAY WE COULD BE HAPPY 365 00:14:56,708 --> 00:14:58,416 IS IF I SELL YOU, GET A NICE HOUSE 366 00:14:58,416 --> 00:15:00,208 AND THE TWO OF US WOULD JUST BE HAPPY WITH EACH OTHER. 367 00:15:00,208 --> 00:15:01,583 -JUST ME AND YOU? -JUST ME AND THE RING. 368 00:15:01,583 --> 00:15:03,250 -WAIT YOU'RE SELLING ME? -I THOUGHT THAT WAS CLEAR? STYLE ::cue(.speaker) ::cue(.speakerTop) 369 00:15:03,250 --> 00:15:05,166 FINE. COME ON LUCAS, LET'S GET OUT OF HERE. 370 00:15:05,166 --> 00:15:06,708 OH, WELL I WAS GOING TO WALK RILEY HOME. 371 00:15:07,708 --> 00:15:08,708 YOU DON'T HAVE TO. 372 00:15:08,708 --> 00:15:10,208 NO, I THINK I SHOULD. 373 00:15:10,208 --> 00:15:11,250 TRY AGAIN. 374 00:15:11,250 --> 00:15:12,708 I WANT TO VERY MUCH. 375 00:15:12,708 --> 00:15:14,708 WAIT, THAT MEANS I'M WALKING HOME WITH FARKLE? 376 00:15:14,708 --> 00:15:15,708 YOU'RE WEARING MY RING. 377 00:15:15,708 --> 00:15:17,875 BOY, THE STUFF YOU GOT TO DO. 378 00:15:21,708 --> 00:15:24,625 I'M NOT SURE IT'S GOING TO WORK OUT WITH THEM. 379 00:15:24,625 --> 00:15:25,708 YOU THINK? 380 00:15:26,750 --> 00:15:28,333 SO YOU'RE WALKING ME HOME? 381 00:15:32,875 --> 00:15:33,875 YEAH. 382 00:15:34,875 --> 00:15:36,625 HOLD HANDS? 383 00:15:36,625 --> 00:15:38,583 I GUESS WE SHOULD. 384 00:15:38,583 --> 00:15:39,708 TRY AGAIN. 385 00:15:40,833 --> 00:15:43,000 I WANT TO VERY MUCH. 386 00:15:51,125 --> 00:15:53,000 OOH! 387 00:15:54,000 --> 00:15:56,166 YEAH THIS ISN'T GOING TO BE WEIRD AT ALL. 388 00:16:07,750 --> 00:16:09,708 DO YOU KNOW WHAT MY NAME IS CALLED? 389 00:16:09,708 --> 00:16:11,375 AUGGIE'S MOMMY. 390 00:16:12,416 --> 00:16:13,625 TOPANGA. 391 00:16:13,625 --> 00:16:15,750 YOU'RE JUST TRYING TO MAKE ME FEEL BETTER. 392 00:16:16,750 --> 00:16:18,375 YOU THINK YOU HAVE A FUNNY NAME? 393 00:16:18,375 --> 00:16:19,875 I HAVE A FUNNY NAME TOO. 394 00:16:19,875 --> 00:16:21,416 AND WHEN I WAS A LITTLE GIRL, 395 00:16:21,416 --> 00:16:24,166 I COULD NEVER UNDERSTAND WHY MY PARENTS WOULD DO THAT TO ME. 396 00:16:24,166 --> 00:16:25,833 I KNOW, RIGHT? 397 00:16:27,583 --> 00:16:28,625 BUT THEN, 398 00:16:28,625 --> 00:16:31,083 I FOUND OUT THAT THEY LOVE ME VERY MUCH. 399 00:16:31,083 --> 00:16:34,083 AND THEY GAVE ME A NAME THAT WAS IMPORTANT TO THEM. 400 00:16:34,083 --> 00:16:35,708 DO YOU KNOW WHAT YOUR NAME MEANS? 401 00:16:37,708 --> 00:16:39,875 EVERY MORNING, BEFORE THE SUN COMES UP, 402 00:16:39,875 --> 00:16:41,375 THE GROUND IS WET. 403 00:16:41,375 --> 00:16:44,583 AND THAT WATER IS A GIFT FOR THE FLOWERS AND THE GRASS. 404 00:16:44,583 --> 00:16:46,125 SO THAT THEY CAN GROW. 405 00:16:46,125 --> 00:16:48,708 AND THEY CAN MAKE THE WORLD MORE BEAUTIFUL. 406 00:16:48,708 --> 00:16:50,583 YOU WERE GIVEN YOUR NAME 407 00:16:50,583 --> 00:16:53,750 BECAUSE YOU MAKE YOUR PARENTS' WORLD MORE BEAUTIFUL. 408 00:16:53,750 --> 00:16:54,833 DO YOU UNDERSTAND ME? 409 00:16:56,416 --> 00:16:58,083 DO YOU KNOW WHAT THAT WATER IS CALLED 410 00:16:58,083 --> 00:16:59,125 THAT'S THERE FOR THE GRASS 411 00:16:59,125 --> 00:17:00,708 EVERY MORNING BEFORE YOU WAKE UP? 412 00:17:00,708 --> 00:17:01,875 YES. 413 00:17:01,875 --> 00:17:03,208 WHAT IS IT? 414 00:17:03,208 --> 00:17:05,000 MORNING DOY. 415 00:17:09,625 --> 00:17:11,375 OKAY, GET OUT OF HERE, DOY. 416 00:17:11,375 --> 00:17:12,625 Auggie and Doy: YAY! 417 00:17:18,708 --> 00:17:19,750 HE BROKE YA. 418 00:17:19,750 --> 00:17:21,125 YEAH, HE DID. 419 00:17:22,291 --> 00:17:23,875 YOU KNOW, TOPANGA, 420 00:17:23,875 --> 00:17:25,458 ONE OF THE THINGS THAT I'VE LEARNED 421 00:17:25,458 --> 00:17:26,708 FROM BEING A TEACHER 422 00:17:26,708 --> 00:17:30,708 IS THAT SOMETIMES YOU JUST HAVE TO LET KIDS LIVE. 423 00:17:35,333 --> 00:17:36,750 THANK YOU VERY MUCH, LUCAS. 424 00:17:36,750 --> 00:17:38,708 I HAD A WONDERFUL TIME. 425 00:17:39,708 --> 00:17:40,875 YOU'RE WELCOME, RILEY. 426 00:17:40,875 --> 00:17:42,958 I ALSO HAD A WONDERFUL TIME AS WELL. 427 00:17:44,125 --> 00:17:46,375 UH, WHAT ARE YOU KIDS DOING? 428 00:17:46,375 --> 00:17:48,250 YOU GUYS LOOK REALLY AWKWARD AND STIFF. 429 00:17:49,333 --> 00:17:50,625 IS THIS ABOUT THAT KISS I HEARD ABOUT? 430 00:17:50,625 --> 00:17:52,000 WHAT? 431 00:17:53,000 --> 00:17:55,708 EVERYBODY PRESSURING YOU TO BE SOMETHING YOU'RE NOT READY FOR? 432 00:17:55,708 --> 00:17:56,833 NOT READY! 433 00:17:58,000 --> 00:18:00,083 PLEASE, STOP HOLDING HANDS. YOU LOOK CRAZY! 434 00:18:01,708 --> 00:18:02,875 YOU TWO ARE A PART 435 00:18:02,875 --> 00:18:04,875 OF THE BEST GROUP OF FRIENDS I HAVE EVER SEEN. 436 00:18:04,875 --> 00:18:06,458 AND IF YOU'RE GOING TO LET SOME STUPID, 437 00:18:06,458 --> 00:18:07,708 OUTSIDE PRESSURE HURT THAT, 438 00:18:07,708 --> 00:18:09,708 THEN YOU'RE NOT ANYWHERE NEAR AS SMART AS I THOUGHT YOU WERE. 439 00:18:09,708 --> 00:18:13,416 BUT SOMETIMES THE RIGHT PRESSURE CAN TURN INTO A DIAMOND. 440 00:18:13,416 --> 00:18:16,250 YEAH, AND THE WRONG PRESSURE TURNS YOU INTO DUST. 441 00:18:16,250 --> 00:18:17,750 DO YOU WANT TO BE DUST? 442 00:18:19,208 --> 00:18:21,291 I DON'T WANT TO BE DUST. 443 00:18:21,291 --> 00:18:22,333 LUCAS? 444 00:18:22,333 --> 00:18:23,583 I REALLY LIKE YOU, RILEY. 445 00:18:23,583 --> 00:18:25,833 WE ALWAYS HAVE SUCH A GREAT TIME TOGETHER. 446 00:18:25,833 --> 00:18:27,375 WE SHOULD BREAK UP. 447 00:18:29,625 --> 00:18:31,750 WE SHOULD BREAK UP RIGHT NOW. 448 00:18:31,750 --> 00:18:34,125 THIS HAS BEEN MY LONGEST RELATIONSHIP. 449 00:18:35,958 --> 00:18:37,458 HEY RILEY, DO YOU HAVE TO BE HOME? 450 00:18:40,125 --> 00:18:42,500 NO, WE COULD GO SOMEWHERE AND TALK. 451 00:18:42,500 --> 00:18:43,583 I'D LIKE THAT. 452 00:18:43,583 --> 00:18:46,583 YEAH, LIKE YOU USED TO WHEN IT WAS EASY. 453 00:18:50,958 --> 00:18:52,458 LET THE KIDS LIVE, HUH? 454 00:18:52,458 --> 00:18:53,750 LET THE KIDS LIVE, HUH? 455 00:18:53,750 --> 00:18:55,833 HA! DEWEY! 456 00:18:55,833 --> 00:18:58,208 GET BACK HERE. WE'RE NOT DONE, DEWEY! 457 00:19:01,083 --> 00:19:02,500 RUN, DOY! 458 00:19:10,583 --> 00:19:12,583 ALRIGHT, SO THE PRESSURE'S OFF. WE'RE FRIENDS NOW. 459 00:19:12,583 --> 00:19:14,166 WHAT DO YOU WANT TO TALK ABOUT? 460 00:19:14,166 --> 00:19:16,875 WHAT DO YOU TALK ABOUT WHEN YOU'RE WITH YOUR FRIENDS? 461 00:19:16,875 --> 00:19:18,250 WELL, WHEN I'M WITH MY FRIENDS, 462 00:19:18,250 --> 00:19:19,583 WE USUALLY TALK ABOUT SPORTS. 463 00:19:19,583 --> 00:19:21,625 YOU KNOW ANYTHING ABOUT SPORTS? 464 00:19:21,625 --> 00:19:22,833 NO? 465 00:19:23,833 --> 00:19:24,708 ANY SPORTS? LIKE... 466 00:19:24,708 --> 00:19:26,875 WHAT ABOUT BASKETBALL? YOU KNOW ANYTHING ABOUT BASKETBALL? 467 00:19:26,875 --> 00:19:28,458 YEAH... 468 00:19:28,458 --> 00:19:30,708 -YEAH? -YEAH. 469 00:19:30,708 --> 00:19:31,750 MAYBE? 470 00:19:31,750 --> 00:19:33,625 WELL, WE'RE IN NEW YORK, 471 00:19:33,625 --> 00:19:35,500 SO OBVIOUSLY, MY FAVORITE TEAM ARE THE KNICKS. 472 00:19:35,500 --> 00:19:37,458 AND YOU KNOW, THIS MAY NOT BE OUR BEST YEAR 473 00:19:37,458 --> 00:19:38,958 BUT AT THE END OF THE DAY, IT DOESN'T MATTER 474 00:19:38,958 --> 00:19:41,500 BECAUSE WE HAVE MELO, AND WE HAVE PHIL JACKSON, AND THAT'S ALL THAT COUNTS. 475 00:19:41,500 --> 00:19:42,875 WE SHOULDN'T HAVE TRADED J.R. SMITH! 476 00:19:42,875 --> 00:19:45,125 AND AT THE END OF THE DAY, YOU KNOW WHAT, IT'S NOT OUR BEST SEASON. 477 00:19:45,125 --> 00:19:47,333 WE HAVE A TERRIBLE RECORD, WE'RE THE WORST IN THE NBA! 478 00:19:47,333 --> 00:19:50,208 I AM AT MADISON SQUARE GARDEN, I SEE ALL THESE FAKE FANS 479 00:19:50,208 --> 00:19:53,708 JUST JUMPING ONTO BANDWAGONS LIKE THE HEAT OR SOMETHING LIKE THAT. 480 00:19:53,708 --> 00:19:56,333 AND YOU KNOW WHAT? THAT IS NOT WHAT A TRUE FAN IS! 481 00:19:56,333 --> 00:19:58,708 IF YOU'RE GONNA BE IN THE GARDEN, YOU BETTER REPRESENT THE KNICKS! STYLE ::cue(.speaker) ::cue(.speakerTop) 482 00:20:04,750 --> 00:20:06,833 I DON'T KNOW THAT MUCH OBVIOUSLY. 483 00:20:08,583 --> 00:20:09,833 I REALLY LIKE YOU, RILEY. 484 00:20:20,833 --> 00:20:23,708 HEY, LUCAS AND I ARE FRIENDS. 485 00:20:23,708 --> 00:20:25,875 THAT'S WHAT WE ARE, THAT'S WHAT WE'VE ALWAYS BEEN. 486 00:20:25,875 --> 00:20:29,958 AND WE ARE NOT GOING TO HURT THAT BECAUSE YOU GUYS WANT US TO BE SOMETHING WE'RE NOT. 487 00:20:29,958 --> 00:20:34,958 SO, GO BACK TO YOUR OWN LIVES BECAUSE NOBODY IS MOVING TOO FAST HERE. 488 00:20:38,583 --> 00:20:40,833 'SUP. 489 00:20:55,000 --> 00:20:56,875 I'M NOT GOING ANYWHERE. 490 00:20:56,875 --> 00:20:58,875 I'VE GOT ALL NIGHT. 491 00:20:58,875 --> 00:21:01,166 HI, MY NAME'S TOPANGA, WHAT'S YOUR NAME? 492 00:21:01,166 --> 00:21:03,000 DOY. 493 00:21:03,000 --> 00:21:04,625 DO YOU KNOW WHAT I WAS DOING TODAY? 494 00:21:04,625 --> 00:21:07,750 I WAS MAKING A 400-POUND MAN CONFESS TO HIS CRIMES. 495 00:21:07,750 --> 00:21:09,458 YOU THINK I CAN'T HANDLE YOU? 496 00:21:09,458 --> 00:21:11,750 DOY! 497 00:21:11,750 --> 00:21:14,166 TOPANGA, LET THE KID GO TO SLEEP. 498 00:21:14,166 --> 00:21:17,458 I'M FINE, MR. MATTHEWS. I GOT THIS. 499 00:21:19,250 --> 00:21:20,291 OKAY. 500 00:21:20,291 --> 00:21:23,083 YOU CAN GO TO SLEEP ANYTIME YOU WANT. 501 00:21:23,083 --> 00:21:25,708 YOU JUST HAVE TO SAY ONE LITTLE WORD. 502 00:21:25,708 --> 00:21:27,291 DO YOU KNOW WHAT THAT WORD IS, KID? 503 00:21:27,291 --> 00:21:28,333 DOY!