1
00:00:01,750 --> 00:00:02,583
Maya:
HOW LONG ARE WE
AVOIDING THIS?
2
00:00:02,583 --> 00:00:03,833
Riley:
NOT AVOIDING
NOTHING.
3
00:00:03,833 --> 00:00:05,000
JUST LIFE
MOVING ON BEYOND
4
00:00:05,000 --> 00:00:07,708
THAT THING THAT HAPPENED
BETWEEN ME AND LUCAS.
5
00:00:07,708 --> 00:00:09,833
(kissing noises)
6
00:00:09,833 --> 00:00:12,708
I KNOW WHAT IT WAS,
YOU DO NOT HAVE TO
FISH-FACE AT ME.
7
00:00:12,708 --> 00:00:15,250
(kissing noises continue)
8
00:00:17,208 --> 00:00:19,458
MAYA, OTHER THINGS
ARE HAPPENING.
9
00:00:19,458 --> 00:00:21,416
LIFE GOT OVER IT.
WHY CAN'T YOU?
10
00:00:21,416 --> 00:00:23,708
LIFE ISN'T OVER IT.
HAVEN'T YOU NOTICED
EVERYTHING STOPPED?
11
00:00:23,708 --> 00:00:24,708
NOTHING IS
HAPPENING.
12
00:00:24,708 --> 00:00:26,333
EVERYTHING'S
HAPPENING!
13
00:00:31,208 --> 00:00:32,875
RILEY, UNTIL
WE TALK ABOUT
14
00:00:32,875 --> 00:00:34,583
(kissing noise),
NOTHING'S EVER
HAPPENING AGAIN.
15
00:00:34,583 --> 00:00:36,750
OH, THAT'S THE
TALK OF A KOOK.
16
00:00:42,833 --> 00:00:44,375
(sighs)
17
00:00:46,458 --> 00:00:47,708
LADIES.
18
00:00:49,000 --> 00:00:50,250
YAY!
19
00:00:50,250 --> 00:00:51,458
WELL THAT'S
SETTLED THEN.
20
00:00:51,458 --> 00:00:53,375
ARE YOU HERE FOR
A REASON, FARKLE?
21
00:00:53,375 --> 00:00:55,208
I'VE GOT TWO
TICKETS TO A CONCERT
22
00:00:55,208 --> 00:00:56,708
BUT THERE'S
THREE OF US.
23
00:00:56,708 --> 00:00:58,458
SO WHO DO I TAKE?
24
00:01:00,000 --> 00:01:01,458
YOU SEE, THAT
RIGHT THERE
25
00:01:01,458 --> 00:01:03,708
IS A VERY
ORIGINAL
SITUATION.
26
00:01:03,708 --> 00:01:05,708
THERE WILL BE MANY
TWISTS AND TURNS
27
00:01:05,708 --> 00:01:07,333
THAT NO ONE
WILL SEE COMING.
28
00:01:08,416 --> 00:01:09,708
I LIKE THE WAY
YOU HUGGED ME, RILEY.
29
00:01:09,708 --> 00:01:10,750
I'M TAKING YOU.
30
00:01:12,583 --> 00:01:15,125
I DID NOT SEE
THAT COMING.
31
00:01:15,125 --> 00:01:16,250
SO WE'RE BACK.
32
00:01:16,250 --> 00:01:17,875
SUBWAY CAR,
YOU LOCK EYES,
33
00:01:17,875 --> 00:01:19,958
YOU FALL INTO HIS LAP,
YOU GRAB LUCAS BY THE FACE.
34
00:01:19,958 --> 00:01:21,125
YOU START MOVING
TOWARD HIM AND--
35
00:01:21,125 --> 00:01:22,750
-RILEY!
-YAY!
36
00:01:22,750 --> 00:01:23,833
DID I DO
SOMETHING?
37
00:01:23,833 --> 00:01:25,750
AM I GROUNDED?
DOES SHE HAVE
TO LEAVE?
38
00:01:25,750 --> 00:01:27,708
YOU HAVE
TO LEAVE.
39
00:01:27,708 --> 00:01:28,875
NO WE'RE GLAD
YOU'RE BOTH HERE.
40
00:01:28,875 --> 00:01:30,208
WE NEED YOU
TO BABYSIT AUGGIE.
41
00:01:30,208 --> 00:01:32,583
THEY NEED US
TO BABYSIT AUGGIE.
42
00:01:32,583 --> 00:01:33,583
BEEN THERE
DONE THAT.
43
00:01:33,583 --> 00:01:36,583
THINGS COULD
HAPPEN TWICE.
44
00:01:36,583 --> 00:01:38,708
UNLESS IT'S AN
EMERGENCY, WE
DON'T WANT TO HEAR FROM YOU.
45
00:01:38,708 --> 00:01:40,833
WHAT COULD HAPPEN?
I'LL TELL YA.
46
00:01:40,833 --> 00:01:43,458
WE'LL PUT
TOO MUCH SOAP
IN THE WASHING MACHINE,
47
00:01:43,458 --> 00:01:45,458
AND THEN WE'LL
FIND A PUPPY AND SAY,
48
00:01:45,458 --> 00:01:46,583
"CAN WE
KEEP HIM?"
49
00:01:46,583 --> 00:01:48,208
AND THEN HIS
OWNER WILL SHOW UP.
50
00:01:48,208 --> 00:01:50,958
IT WILL BE
THIS HOT GUY THAT
MAYA WILL TOTALLY LIKE.
51
00:01:50,958 --> 00:01:52,208
YAY!
52
00:01:53,583 --> 00:01:54,875
BUT THEN HE
WILL MOVE AWAY
53
00:01:54,875 --> 00:01:56,708
BECAUSE MAYA CAN
NEVER BE HAPPY.
54
00:01:56,708 --> 00:01:57,583
BOO!
55
00:01:58,625 --> 00:02:01,375
YOU SEE, WE HAVE
A LOT GOING ON TODAY.
56
00:02:01,375 --> 00:02:02,416
TOMORROW.
57
00:02:02,416 --> 00:02:03,583
HUH?
58
00:02:03,583 --> 00:02:05,625
YEAH, WE NEED
YOU TO BABYSIT
TOMORROW.
59
00:02:05,625 --> 00:02:07,083
TODAY WE
GOT NOTHING.
60
00:02:08,833 --> 00:02:11,958
SO, YOU GOT
LUCAS BY THE FACE AND...
61
00:02:11,958 --> 00:02:13,583
HELP ME!
62
00:02:13,583 --> 00:02:16,416
YAY! AUGGIE,
DO YOU HAVE
ANY PROBLEMS
63
00:02:16,416 --> 00:02:17,833
THAT I CAN
HELP YOU WITH?
64
00:02:17,833 --> 00:02:20,625
WELL, I MADE
A NEW FRIEND
AT SCHOOL
65
00:02:20,625 --> 00:02:22,291
WHAT IF MOM
DOESN'T LIKE HIM?
66
00:02:22,291 --> 00:02:24,500
WHAT IF SHE PICKS
HIM UP AND PUTS
HIM IN THE HALLWAY?
67
00:02:24,500 --> 00:02:25,708
LIKE AVA!
68
00:02:25,708 --> 00:02:28,958
WHAT IF NO ONE IS
EVER GOOD ENOUGH FOR
MOMMY'S LITTLE BOY?
69
00:02:31,125 --> 00:02:32,583
THIS IS A THING.
70
00:02:32,583 --> 00:02:35,750
EH, NOT A WHOLE THING.
WE CHECK BACK ON THIS
TWICE TOPS.
71
00:02:36,833 --> 00:02:38,416
I WOULD BE
INVOLVED IN IT.
72
00:02:38,416 --> 00:02:39,708
COMPLETELY YOUR
MOTHER'S THING.
73
00:02:41,708 --> 00:02:43,125
YEAH, SCRAM.
74
00:02:44,708 --> 00:02:46,291
MOM?
75
00:02:52,625 --> 00:02:54,750
SO THAT'S EVERYBODY
WE KNOW, HUH?
76
00:02:54,750 --> 00:02:56,208
NOT QUITE, YOU
GOT ONE MORE FRIEND
77
00:02:56,208 --> 00:02:57,833
THAT HAS A PROBLEM
YOU COULD GET INVOLVED IN.
78
00:02:57,833 --> 00:02:59,291
I DO? WHO?
79
00:03:00,583 --> 00:03:01,833
OH YEAH.
80
00:03:01,833 --> 00:03:03,875
MY TROUBLED,
MISUNDERSTOOD FRIEND.
81
00:03:03,875 --> 00:03:05,750
PEOPLE LOVE
YOUR PROBLEMS.
82
00:03:05,750 --> 00:03:06,833
YOU'RE A MESS!
83
00:03:08,875 --> 00:03:10,375
THANKS.
84
00:03:10,375 --> 00:03:12,000
MY PROBLEM IS THAT
I HAVE A BEST FRIEND
85
00:03:12,000 --> 00:03:13,083
WHO DOESN'T WANT
TO TALK ABOUT
86
00:03:13,083 --> 00:03:14,708
THE MOST IMPORTANT
THING GOING ON
IN HER LIFE,
87
00:03:14,708 --> 00:03:16,583
AND I DON'T
KNOW WHAT TO DO.
88
00:03:16,583 --> 00:03:17,875
CAN YOU HELP
ME PLEASE?
89
00:03:21,708 --> 00:03:23,083
I KISSED LUCAS.
90
00:03:23,083 --> 00:03:24,750
YOU DON'T SAY?
91
00:03:26,250 --> 00:03:28,250
WHAT HAPPENS NOW?
92
00:03:28,250 --> 00:03:30,583
(theme music playing)
93
00:03:34,625 --> 00:03:36,625
♪ I'VE BEEN WAITING ♪
94
00:03:36,625 --> 00:03:38,000
♪ FOR A DAY ♪
95
00:03:38,000 --> 00:03:39,000
♪ LIKE THIS TO COME ♪
96
00:03:39,000 --> 00:03:40,833
♪ STRUCK LIKE LIGHTNING ♪
97
00:03:40,833 --> 00:03:43,375
♪ MY HEART'S BEATING LIKE
A DRUM ♪
98
00:03:43,375 --> 00:03:44,750
♪ ON THE EDGE ♪
99
00:03:44,750 --> 00:03:47,333
♪ OF SOMETHING WONDERFUL ♪
100
00:03:47,333 --> 00:03:50,166
♪ FACE TO FACE WITH CHANGES ♪
101
00:03:50,166 --> 00:03:51,333
♪ WHAT'S IT ALL ABOUT? ♪
102
00:03:51,333 --> 00:03:53,458
♪ LIFE IS CRAZY ♪
103
00:03:53,458 --> 00:03:54,500
♪ BUT I KNOW ♪
104
00:03:54,500 --> 00:03:55,583
♪ I CAN WORK IT OUT ♪
105
00:03:55,583 --> 00:03:56,708
♪ 'CAUSE I GOT YOU ♪
106
00:03:56,708 --> 00:03:59,750
♪ TO LIVE IT WITH ME ♪
107
00:03:59,750 --> 00:04:03,708
♪ I FEEL ALL RIGHT,
I'M GONNA TAKE ON THE WORLD ♪
108
00:04:03,708 --> 00:04:07,208
♪ LIGHT UP THE STARS,
I'VE GOT SOME PAGES TO TURN ♪
109
00:04:07,208 --> 00:04:09,000
♪ I'M SINGING "GO-O-O" ♪
110
00:04:09,000 --> 00:04:12,083
♪ OH, OH, OH, OH ♪
111
00:04:12,083 --> 00:04:15,125
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
112
00:04:15,125 --> 00:04:16,583
♪ TAKE ON THE WORLD ♪
113
00:04:16,583 --> 00:04:19,125
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
114
00:04:19,125 --> 00:04:20,708
♪ TAKE ON THE WORLD. ♪
115
00:04:26,750 --> 00:04:27,875
THE NEW WORLD.
116
00:04:27,875 --> 00:04:29,583
PEOPLE WHO LIVED THEIR
WHOLE LIVES
117
00:04:29,583 --> 00:04:30,708
IN A CERTAIN PLACE
118
00:04:30,708 --> 00:04:32,833
TRAVEL TO A NEW LAND
119
00:04:32,833 --> 00:04:34,125
OF NEW FEELINGS
120
00:04:34,125 --> 00:04:35,833
AND NEW OPPORTUNITIES.
121
00:04:37,250 --> 00:04:40,458
HAVING NO IDEA HOW TO BEHAVE
IN THIS BRAND NEW SOCIETY.
122
00:04:40,458 --> 00:04:42,208
LUCAS, WHAT DID
YOU TELL HIM?
123
00:04:42,208 --> 00:04:44,208
NOTHING, I AM
ALSO UNCOMFORTABLE.
124
00:04:46,000 --> 00:04:49,166
-WAIT, MR. MATTHEWS DOESN'T
KNOW RILEY KISSED LUCAS?
-NO.
125
00:04:49,166 --> 00:04:50,875
SO EVERYTHING HE
SAYS IS MAKING
THEM UNCOMFORTABLE?
126
00:04:50,875 --> 00:04:51,958
UH-HUH.
127
00:04:51,958 --> 00:04:53,166
SHALL WE TAKE
ADVANTAGE OF THIS?
128
00:04:53,166 --> 00:04:54,333
HOW COULD WE NOT?
129
00:04:54,333 --> 00:04:55,708
I WILL BEGIN.
130
00:04:55,708 --> 00:04:57,708
SO, MR. MATTHEWS,
TELL ME,
131
00:04:57,708 --> 00:04:58,750
AFTER YOU'VE HAD
THE COURAGE
132
00:04:58,750 --> 00:04:59,875
TO CLOSE YOUR EYES
133
00:04:59,875 --> 00:05:01,416
AND TAKE THE FACE OF
THE NEW WORLD
STYLE
::cue(.speaker)
::cue(.speakerTop)
134
00:05:01,416 --> 00:05:03,000
IN YOUR TREMBLING HANDS...
135
00:05:03,000 --> 00:05:04,750
WHAT ARE YOU
TRYING TO SAY, FARKLE?
136
00:05:04,750 --> 00:05:06,250
ARE YOU SUPPOSED TO BE
A COUPLE NEXT?
137
00:05:06,250 --> 00:05:07,291
-OR WHAT?
-HUH?
138
00:05:07,291 --> 00:05:08,750
-WHAT?
-HUH?
139
00:05:08,750 --> 00:05:10,750
OH, YOU DON'T UNDERSTAND
MY QUESTION?
140
00:05:10,750 --> 00:05:11,625
PERHAPS MY DEAR FRIEND
141
00:05:11,625 --> 00:05:12,708
MISS MAYA PENELOPE HART
142
00:05:12,708 --> 00:05:14,458
COULD HELP ME OUT.
143
00:05:14,458 --> 00:05:17,000
PENELOPE.
144
00:05:17,000 --> 00:05:18,000
FARKLE...
145
00:05:18,000 --> 00:05:20,750
IT CAME OUT. IT JUST CAME OUT.
IT CAME OUT. IT JUST CAME OUT.
146
00:05:20,750 --> 00:05:21,833
PENELOPE?
147
00:05:21,833 --> 00:05:23,875
REALLY, HUCKLEBERRY?
YOU WANT TO PLAY
WITH ME RIGHT NOW?
148
00:05:23,875 --> 00:05:27,000
-NO.
-'CAUSE YOU'VE DONE QUITE
ENOUGH, HAVEN'T YOU?
149
00:05:28,750 --> 00:05:29,833
MAYA!
150
00:05:29,833 --> 00:05:30,875
MAYA!
151
00:05:30,875 --> 00:05:32,000
MR. MATTHEWS,
152
00:05:32,000 --> 00:05:33,958
I THINK WHAT FARKLE
IS TRYING TO SAY
153
00:05:33,958 --> 00:05:35,583
IS ONCE YOU'VE KISSED...
154
00:05:35,583 --> 00:05:36,708
YEEP!
155
00:05:36,708 --> 00:05:38,625
...THE SHORES
OF THIS NEW WORLD
156
00:05:38,625 --> 00:05:40,416
I BET YOUR FRIENDS
FROM THE OLD WORLD
157
00:05:40,416 --> 00:05:41,958
WOULD WANT
TO HEAR ABOUT HOW
THE NEW WORLD IS,
158
00:05:41,958 --> 00:05:44,000
AND IF YOU DON'T
TELL THEM, WELL
THAT'S JUST SELFISH.
159
00:05:45,083 --> 00:05:46,833
WHAT ARE YOU TRYING
TO SAY, PENELOPE?
160
00:05:46,833 --> 00:05:49,375
ARE YOU SUPPOSED TO BE
A COUPLE NEXT, OR WHAT?
161
00:05:49,375 --> 00:05:51,583
ALRIGHT, WHAT'S GOING
ON HERE, GUYS?
162
00:05:51,583 --> 00:05:55,000
NOTHING! COULD WE
JUST PLEASE, FOR ONCE,
READ FROM THE BOOK?
163
00:05:55,000 --> 00:05:57,166
"THE BOY AND
THE GIRL HAD NO IDEA
164
00:05:57,166 --> 00:05:58,750
"OF THE CHANGES
THEY WOULD SOON
BE FACING.
165
00:05:58,750 --> 00:06:00,500
"EVERYTHING WAS
DIFFERENT
166
00:06:00,500 --> 00:06:02,750
"INCLUDING THEIR
OWN BODIES..."
WHAT THE...
167
00:06:04,250 --> 00:06:05,833
YOU'RE READING
YOUR HEALTH BOOK.
168
00:06:05,833 --> 00:06:07,083
WORD OF WARNING
PAGE 73.
169
00:06:07,083 --> 00:06:09,250
I DON'T UNDERSTAND.
IT MAKES NO SENSE.
IT LOOKS IMPOSSIBLE.
170
00:06:10,875 --> 00:06:13,000
RILEY, WHAT IS
GOING ON HERE?
171
00:06:13,000 --> 00:06:14,875
FARKLE KISSED MY HAND.
172
00:06:14,875 --> 00:06:16,458
-YOU DID?
-IT WAS GLORIOUS.
173
00:06:16,458 --> 00:06:19,125
IT WAS. I WENT HOME AND
QUESTIONED EVERYTHING.
174
00:06:19,125 --> 00:06:21,750
OKAY, AND WHERE
WERE YOU WHILE
ALL OF THIS
175
00:06:21,750 --> 00:06:23,083
HAND KISSING
WAS GOING ON?
176
00:06:23,083 --> 00:06:24,583
NOWHERE,
WITH NO ONE
177
00:06:24,583 --> 00:06:26,083
DOIN' NOTHING
WITH NOBODY.
178
00:06:42,625 --> 00:06:43,833
AUGGIE NOW.
179
00:06:43,833 --> 00:06:45,708
I DON'T SEE WHERE
ELSE WE CAN GO.
180
00:06:53,458 --> 00:06:56,750
SORRY I DIDN'T HAVE TIME
TO BUY YOU SOMETHING
BEFORE YOU CAME OVER.
181
00:06:56,750 --> 00:06:58,833
YOU DIDN'T HAVE TO
BUY ME SOMETHING.
182
00:06:58,833 --> 00:07:00,708
WHY ELSE WOULD
YOU COME OVER?
183
00:07:00,708 --> 00:07:02,708
I CAME TO PLAY
WITH YOU.
184
00:07:02,708 --> 00:07:03,875
AUGGIE
185
00:07:03,875 --> 00:07:05,583
WHO IS YOUR NICE,
NORMAL FRIEND
186
00:07:05,583 --> 00:07:07,083
WHO ISN'T AVA AND
DOESN'T NEED GIFTS
187
00:07:07,083 --> 00:07:08,416
TO COME OVER
AND PLAY WITH YOU?
188
00:07:08,416 --> 00:07:09,583
DOY!
189
00:07:09,583 --> 00:07:10,875
EXCUSE ME?
190
00:07:12,416 --> 00:07:13,583
LEAVE IT ALONE, MOM.
191
00:07:14,875 --> 00:07:16,208
OKAY, WAIT A
MINUTE THOUGH
192
00:07:16,208 --> 00:07:17,875
YOUR NAME AGAIN,
WILL YOU JUST SPELL
THAT FOR ME?
193
00:07:17,875 --> 00:07:20,708
D-E-W-E-Y, DOY.
194
00:07:23,375 --> 00:07:24,833
WAIT A MINUTE.
195
00:07:24,833 --> 00:07:26,416
THE "W" IS SILENT.
196
00:07:27,958 --> 00:07:29,458
LET IT BE SILENT.
197
00:07:29,458 --> 00:07:30,625
HE'S MY FIRST BRO.
198
00:07:33,291 --> 00:07:34,708
OKAY, BUT SEE, HONEY,
199
00:07:34,708 --> 00:07:36,458
THE "W" IS ACTUALLY
200
00:07:36,458 --> 00:07:37,583
NOT SILENT.
201
00:07:37,583 --> 00:07:38,708
NO!
202
00:07:38,708 --> 00:07:39,708
YES.
203
00:07:39,708 --> 00:07:41,166
DOY!
204
00:07:41,166 --> 00:07:43,166
LET HIM BE RIGHT, MOM
205
00:07:44,458 --> 00:07:45,833
EXCEPT, HE'S
NOT RIGHT.
206
00:07:45,833 --> 00:07:48,125
NO, SEE, HIS NAME
IS NOT "DOY"
207
00:07:48,125 --> 00:07:49,875
NO, IT'S "DEWEY."
208
00:07:49,875 --> 00:07:51,875
WITH A "W"
THAT YOU SAY.
209
00:07:52,875 --> 00:07:54,250
(sobbing)
210
00:07:54,250 --> 00:07:55,708
WHAT IS THAT?
WHAT ARE YOU DOING?
211
00:07:55,708 --> 00:07:57,708
(crying)
212
00:07:57,708 --> 00:07:59,458
(screaming)
213
00:08:04,958 --> 00:08:06,625
YOU RUINED
MY PLAYDATE.
214
00:08:06,625 --> 00:08:09,583
I'M SORRY.
I'M SO SORRY, DEWEY.
215
00:08:09,583 --> 00:08:11,583
DOY!
216
00:08:13,291 --> 00:08:15,000
WHAT THE--
WHAT DID YOU DO
TO DOY?
217
00:08:16,583 --> 00:08:17,875
ARE YOU KIDDING
ME, CORY?
218
00:08:17,875 --> 00:08:20,625
IT'S "COY".
AROUND HIM,
IT'S "COY".
219
00:08:21,708 --> 00:08:23,166
COME TO COY, DOY!
220
00:08:26,000 --> 00:08:27,833
CAN WE GO TO
AUGGIE'S ROOM?
221
00:08:27,833 --> 00:08:29,625
YES, I'LL GO AND
READ YOU A STOY.
222
00:08:45,125 --> 00:08:47,416
EVERYBODY STOP
LOOKING AT ME.
223
00:08:47,416 --> 00:08:49,833
-TELL US.
-I DON'T KISS AND TELL.
224
00:08:49,833 --> 00:08:50,875
-DID YOU KISS?
-YES.
225
00:08:50,875 --> 00:08:52,750
-TELL.
-AND TAKE YOUR TIME.
226
00:08:54,500 --> 00:08:56,750
NOTHING HAPPENED.
BACK ME UP, MAYA.
227
00:09:00,625 --> 00:09:02,125
THAT'S INACCURATE.
228
00:09:03,750 --> 00:09:05,291
(kissing noises)
229
00:09:06,291 --> 00:09:07,708
YEAH, THAT'S
PRETTY GOOD.
230
00:09:08,708 --> 00:09:11,291
SO, WHAT'S THE
NEXT THING YOU GUYS
ARE SUPPOSED TO DO?
231
00:09:11,291 --> 00:09:13,583
SUPPOSED TO DO?
WHAT ARE THERE? RULES?
232
00:09:13,583 --> 00:09:15,750
I DON'T KNOW.
BUT I DON'T SEE HOW
YOU CAN JUST KISS SOMEONE
233
00:09:15,750 --> 00:09:16,750
AND NOT BE WITH
THEM AFTER.
234
00:09:16,750 --> 00:09:18,000
I ONLY KISSED
MAYA'S HAND,
235
00:09:18,000 --> 00:09:19,583
AND THEN I GOT HER
THIS ENGAGEMENT RING
236
00:09:19,583 --> 00:09:20,750
RIGHT AFTER WE GOT
OFF THE SUBWAY.
237
00:09:22,625 --> 00:09:24,625
OH MY GOSH, FARKLE,
HOW MUCH WAS THAT?
238
00:09:24,625 --> 00:09:26,125
$78,000.
239
00:09:26,125 --> 00:09:27,708
-BUT, I GOT IT FOR FREE.
-HOW?
240
00:09:27,708 --> 00:09:30,500
BECAUSE THAT'S THE RING
MY MOM KEEPS THROWING
AT MY FATHER.
241
00:09:32,083 --> 00:09:33,750
SHE USUALLY WANTS
IT BACK BY THURSDAY.
242
00:09:33,750 --> 00:09:35,375
SO I GOT TO
WORK FAST.
243
00:09:36,416 --> 00:09:38,208
SO ARE YOU GUYS
BOYFRIEND AND GIRLFRIEND NOW?
244
00:09:38,208 --> 00:09:39,250
-WHAT ARE YOU?
-WHAT ARE YOU?
245
00:09:39,250 --> 00:09:41,625
I DON'T KNOW.
DO WE HAVE TO BE
SOMETHING?
246
00:09:41,625 --> 00:09:42,708
WELL YOU DID
KISS HIM.
247
00:09:42,708 --> 00:09:43,750
WHAT ARE YA?
248
00:09:43,750 --> 00:09:45,125
LOOK, IT JUST
HAPPENED.
249
00:09:45,125 --> 00:09:47,000
SHE'S NOT REALLY SURE
WHAT IT ALL MEANS YET.
250
00:09:47,000 --> 00:09:48,708
YOU GUYS ARE MEANT
TO BE TOGETHER.
251
00:09:48,708 --> 00:09:50,083
LIKE ME AND YOGI!
252
00:09:50,083 --> 00:09:51,708
YOGLES!
253
00:09:53,625 --> 00:09:55,958
WILL LUCAS AND I
EVER HAVE WHAT
THEY HAVE?
254
00:09:55,958 --> 00:09:57,083
BOY, I HOPE NOT.
255
00:09:58,125 --> 00:09:59,750
BUT YOU KNOW, RILES,
THEY DO HAVE A POINT.
256
00:09:59,750 --> 00:10:02,208
I MEAN, YOU LIKE HIM.
HE LIKES YOU. THERE
WAS A KISS.
STYLE
::cue(.speaker)
::cue(.speakerTop)
257
00:10:02,208 --> 00:10:05,500
I WILL NOT ACT
UNDER PEER PRESSURE.
258
00:10:05,500 --> 00:10:06,750
UNLESS YOU THINK
I SHOULD.
259
00:10:08,583 --> 00:10:10,375
I WILL NOT GIVE
INTO PEER PRESSURE.
260
00:10:10,375 --> 00:10:11,583
WHAT IF WE
CARRY YOU?
261
00:10:11,583 --> 00:10:12,708
I'D LIKE TO
SEE YOU TRY.
262
00:10:12,708 --> 00:10:13,833
DARBY.
263
00:10:15,166 --> 00:10:17,708
HEY, STOP.
264
00:10:19,000 --> 00:10:20,208
WHAT ARE YOU?
265
00:10:20,208 --> 00:10:22,458
WHAT ARE WE?
266
00:10:22,458 --> 00:10:24,500
ARE WE BOYFRIEND
AND GIRLFRIEND?
267
00:10:24,500 --> 00:10:26,458
ARE WE?
268
00:10:26,458 --> 00:10:27,750
I DON'T KNOW,
YOU WANNA?
269
00:10:27,750 --> 00:10:31,083
I DON'T KNOW.
YOU THINK, MAYBE?
270
00:10:32,458 --> 00:10:33,708
WANNA?
271
00:10:33,708 --> 00:10:36,500
ARE THEY WEIRD,
OR ADORABLE?
272
00:10:36,500 --> 00:10:37,583
NO.
273
00:10:37,583 --> 00:10:39,625
ME AND YOGI ARE WEIRD.
274
00:10:39,625 --> 00:10:41,750
THEY'RE ADORABLE.
275
00:10:41,750 --> 00:10:43,458
WHAT JUST HAPPENED?
276
00:10:43,458 --> 00:10:45,625
DO I HAVE MY
FIRST BOYFRIEND?
277
00:10:45,625 --> 00:10:48,000
I DON'T KNOW,
WHAT JUST HAPPENED?
278
00:10:48,000 --> 00:10:51,583
I DON'T KNOW.
CAN'T WAIT TO SEE
WHAT HAPPENS NEXT.
279
00:11:06,500 --> 00:11:08,208
OKAY, HERE WE ARE.
280
00:11:08,208 --> 00:11:10,083
WHAT DO WE
DO NOW?
281
00:11:10,083 --> 00:11:12,083
YOU GO ON A
DATE AFTER SCHOOL.
282
00:11:12,083 --> 00:11:14,708
YOU SIT THERE AND
LOOK AT EACH OTHER
ALL STUPID.
283
00:11:14,708 --> 00:11:16,166
LIKE THIS.
284
00:11:19,125 --> 00:11:21,500
STOP. NOBODY'S
TELLING US WHAT TO DO.
285
00:11:21,500 --> 00:11:23,750
WE'RE NOT YOU.
YOU'RE YOU.
286
00:11:23,750 --> 00:11:25,958
WE'RE US. WE DO
WHAT WE DO.
287
00:11:25,958 --> 00:11:28,458
YEAH, WE DO
WHAT WE DO.
288
00:11:29,583 --> 00:11:30,833
WHAT DO WE DO?
289
00:11:43,166 --> 00:11:45,708
WHAT IS IT IN YOU
THAT MAKES YOU DO THIS?
290
00:11:45,708 --> 00:11:47,625
HIS NAME IS DEWEY.
291
00:11:47,625 --> 00:11:49,583
WHAT'S THE DIFFERENCE
WHAT HIS NAME IS?
292
00:11:49,583 --> 00:11:51,333
HE SAYS HIS
NAME IS "DOY,"
293
00:11:51,333 --> 00:11:52,750
AND HE WANTS TO
BE CALLED "DOY,"
294
00:11:52,750 --> 00:11:55,000
SO WE CALL HIM "DOY"
BECAUSE HE SAYS HIS
NAME IS "DOY."
295
00:11:55,000 --> 00:11:56,875
AND DOY IS A GUEST
IN OUR HOUSE.
296
00:11:56,875 --> 00:11:59,458
SO WILL YOU PLEASE LET GO
OF YOUR NEED TO BE
RIGHT ALL THE TIME,
297
00:11:59,458 --> 00:12:01,458
AND WE JUST CALL
THE KID "DOY"?
298
00:12:01,458 --> 00:12:03,125
DOY?
299
00:12:06,166 --> 00:12:07,708
CAN I PLEASE TALK
TO YOU FOR A MINUTE?
300
00:12:09,708 --> 00:12:11,500
I WOULDN'T.
301
00:12:11,500 --> 00:12:12,958
I WOULDN'T EITHER.
302
00:12:14,458 --> 00:12:15,583
COME HERE.
303
00:12:18,625 --> 00:12:20,083
COME ON.
304
00:12:23,833 --> 00:12:25,583
COME ON.
305
00:12:30,083 --> 00:12:31,958
AH!
306
00:12:31,958 --> 00:12:33,375
OKAY.
307
00:12:33,375 --> 00:12:35,500
HERE'S WHAT'S GOING
TO HAPPEN NEXT.
308
00:12:46,000 --> 00:12:47,833
ONE SMOOTHIE,
TWO STRAWS.
309
00:12:49,000 --> 00:12:50,958
YOU TWO NEW
AT THIS?
310
00:12:50,958 --> 00:12:52,625
DON'T WORRY,
IT GETS HARDER.
311
00:13:00,416 --> 00:13:01,583
WE'RE JUST
SITTING HERE.
312
00:13:01,583 --> 00:13:04,458
YEAH, WE HAVEN'T
TALKED TO EACH OTHER
MUCH AT ALL.
313
00:13:05,458 --> 00:13:08,708
IT'S TOO BAD,
BECAUSE YOU'RE ONE OF
MY FAVORITE PEOPLE TO TALK TO.
314
00:13:13,500 --> 00:13:15,583
I THINK YOUR MOM
DID A REALLY GOOD
JOB ON THIS PLACE.
315
00:13:16,583 --> 00:13:19,000
YEAH, GOING TO BE
A GREAT HANG OUT,
ISN'T IT?
316
00:13:19,000 --> 00:13:22,208
YEAH, LOOK AT ALL
THESE NYU STUDENTS.
317
00:13:22,208 --> 00:13:23,500
SMILING...
318
00:13:23,500 --> 00:13:24,583
TALKING...
319
00:13:24,583 --> 00:13:25,583
LOOKING REAL...
320
00:13:25,583 --> 00:13:27,708
COMFORTABLE WITH
EACH OTHER, YEAH.
321
00:13:27,708 --> 00:13:29,000
YEAH.
322
00:13:30,833 --> 00:13:33,625
I DON'T KNOW WHY
IT'S SO HARD FOR US
TO TALK ALL OF A SUDDEN.
323
00:13:33,625 --> 00:13:35,291
IT'S NOT LIKE
WE'VE CHANGED.
324
00:13:35,291 --> 00:13:37,583
WE'RE BOYFRIEND
AND GIRLFRIEND NOW.
325
00:13:37,583 --> 00:13:39,750
YEAH BUT THOSE ARE
JUST WORDS, RILEY.
326
00:13:39,750 --> 00:13:41,125
WORDS DON'T
CHANGE PEOPLE.
327
00:13:44,208 --> 00:13:45,875
MRS. FARKLE MINKUS.
328
00:13:48,583 --> 00:13:49,875
YOU SAID YES?
329
00:13:49,875 --> 00:13:51,625
GOOD-BYE MAYA
PENELOPE HART,
330
00:13:51,625 --> 00:13:53,708
HELLO, MRS.
FARKLE MINKUS.
331
00:13:53,708 --> 00:13:55,708
ALL THIS TIME, I'VE
BEEN TRYING TO LOVE
AND APPRECIATE HER,
332
00:13:55,708 --> 00:13:57,375
BUT ALL IT TOOK
WAS THIS BIG,
HUNKING ROCK.
333
00:13:58,875 --> 00:14:00,458
MAKE A NOTE, RILEY.
334
00:14:00,458 --> 00:14:01,750
THEY PUT ONE OF THESE
IN FRONT OF OUR FACE,
335
00:14:01,750 --> 00:14:03,416
AND WE GET
HYPNOTIZED BY
THE SPARKLES.
336
00:14:03,416 --> 00:14:04,958
WAIT, YOU ONLY
SAID YES BECAUSE
OF THE RING?
337
00:14:04,958 --> 00:14:06,083
IT HAD NOTHING
TO DO WITH ME?
338
00:14:06,083 --> 00:14:08,208
THAT WOULD BE
PRETTY SHALLOW
OF ME, WOULDN'T IT?
339
00:14:08,208 --> 00:14:09,458
I DON'T CARE.
340
00:14:11,625 --> 00:14:13,291
ALL RIGHT, FARKLE,
YOU'RE A SCIENTIST,
341
00:14:13,291 --> 00:14:14,416
LET'S DO AN
EXPERIMENT.
342
00:14:14,416 --> 00:14:15,583
ASK ME WITHOUT
THE RING.
343
00:14:15,583 --> 00:14:16,583
WOULD YOU
MARRY ME?
344
00:14:16,583 --> 00:14:18,375
DIE. NOW ASK
ME WITH THE RING.
345
00:14:18,375 --> 00:14:19,583
WOULD YOU
MARRY ME?
346
00:14:20,583 --> 00:14:22,125
I LOVE YOU
SO MUCH.
347
00:14:22,125 --> 00:14:23,583
I BELIEVE YOU.
348
00:14:24,583 --> 00:14:26,458
HYPNOTIZED, RILEY.
YOU NEED TO PROTECT ME.
349
00:14:26,458 --> 00:14:28,083
PROTECT YOU
FROM WHAT, MAYA?
350
00:14:28,083 --> 00:14:30,625
RELATIONSHIPS
ARE SUPPOSED TO BE
ABOUT TWO PEOPLE
351
00:14:30,625 --> 00:14:33,291
WHO MAKE THE CHOICE
TO COME TOGETHER
BY THEMSELVES.
352
00:14:33,291 --> 00:14:34,750
OF THEIR OWN
FREE WILL
353
00:14:34,750 --> 00:14:36,291
AT THE RIGHT
POINT IN TIME.
354
00:14:36,291 --> 00:14:38,000
IT HAS NOTHING
TO DO WITH--
355
00:14:39,375 --> 00:14:41,625
HOW DO THEY GET
THESE THINGS SO
SPARKLY, FARKLEY?
356
00:14:42,708 --> 00:14:44,000
PRESSURE.
357
00:14:44,000 --> 00:14:45,833
THIS DIAMOND USED
TO JUST BE A
PIECE OF COAL
358
00:14:45,833 --> 00:14:46,958
THAT WAS PUT UNDER
A LOT OF PRESSURE.
359
00:14:46,958 --> 00:14:48,333
YEAH, I'M KEEPING IT.
360
00:14:48,333 --> 00:14:49,625
GOOD. I COME
WITH IT.
361
00:14:49,625 --> 00:14:51,833
HUH, WELL,
I REALLY LOVE YOU
AND EVERYTHING.
362
00:14:51,833 --> 00:14:53,416
-WHY, THANK YOU.
-I WAS TALKING TO THE RING.
363
00:14:53,416 --> 00:14:54,708
OH.
364
00:14:54,708 --> 00:14:56,708
THE WAY I SEE IT,
THE ONLY WAY WE COULD BE HAPPY
365
00:14:56,708 --> 00:14:58,416
IS IF I SELL YOU,
GET A NICE HOUSE
366
00:14:58,416 --> 00:15:00,208
AND THE TWO OF US
WOULD JUST BE HAPPY
WITH EACH OTHER.
367
00:15:00,208 --> 00:15:01,583
-JUST ME AND YOU?
-JUST ME AND THE RING.
368
00:15:01,583 --> 00:15:03,250
-WAIT YOU'RE SELLING ME?
-I THOUGHT THAT WAS CLEAR?
STYLE
::cue(.speaker)
::cue(.speakerTop)
369
00:15:03,250 --> 00:15:05,166
FINE. COME ON LUCAS,
LET'S GET OUT OF HERE.
370
00:15:05,166 --> 00:15:06,708
OH, WELL I WAS GOING
TO WALK RILEY HOME.
371
00:15:07,708 --> 00:15:08,708
YOU DON'T HAVE TO.
372
00:15:08,708 --> 00:15:10,208
NO, I THINK
I SHOULD.
373
00:15:10,208 --> 00:15:11,250
TRY AGAIN.
374
00:15:11,250 --> 00:15:12,708
I WANT TO
VERY MUCH.
375
00:15:12,708 --> 00:15:14,708
WAIT, THAT MEANS
I'M WALKING HOME
WITH FARKLE?
376
00:15:14,708 --> 00:15:15,708
YOU'RE WEARING
MY RING.
377
00:15:15,708 --> 00:15:17,875
BOY, THE STUFF
YOU GOT TO DO.
378
00:15:21,708 --> 00:15:24,625
I'M NOT SURE IT'S
GOING TO WORK OUT
WITH THEM.
379
00:15:24,625 --> 00:15:25,708
YOU THINK?
380
00:15:26,750 --> 00:15:28,333
SO YOU'RE WALKING
ME HOME?
381
00:15:32,875 --> 00:15:33,875
YEAH.
382
00:15:34,875 --> 00:15:36,625
HOLD HANDS?
383
00:15:36,625 --> 00:15:38,583
I GUESS WE SHOULD.
384
00:15:38,583 --> 00:15:39,708
TRY AGAIN.
385
00:15:40,833 --> 00:15:43,000
I WANT TO
VERY MUCH.
386
00:15:51,125 --> 00:15:53,000
OOH!
387
00:15:54,000 --> 00:15:56,166
YEAH THIS ISN'T
GOING TO BE
WEIRD AT ALL.
388
00:16:07,750 --> 00:16:09,708
DO YOU KNOW WHAT
MY NAME IS CALLED?
389
00:16:09,708 --> 00:16:11,375
AUGGIE'S MOMMY.
390
00:16:12,416 --> 00:16:13,625
TOPANGA.
391
00:16:13,625 --> 00:16:15,750
YOU'RE JUST TRYING
TO MAKE ME FEEL BETTER.
392
00:16:16,750 --> 00:16:18,375
YOU THINK YOU
HAVE A FUNNY NAME?
393
00:16:18,375 --> 00:16:19,875
I HAVE A FUNNY
NAME TOO.
394
00:16:19,875 --> 00:16:21,416
AND WHEN I WAS
A LITTLE GIRL,
395
00:16:21,416 --> 00:16:24,166
I COULD NEVER UNDERSTAND WHY
MY PARENTS WOULD DO THAT TO ME.
396
00:16:24,166 --> 00:16:25,833
I KNOW, RIGHT?
397
00:16:27,583 --> 00:16:28,625
BUT THEN,
398
00:16:28,625 --> 00:16:31,083
I FOUND OUT
THAT THEY LOVE ME VERY MUCH.
399
00:16:31,083 --> 00:16:34,083
AND THEY GAVE ME
A NAME THAT WAS
IMPORTANT TO THEM.
400
00:16:34,083 --> 00:16:35,708
DO YOU KNOW WHAT
YOUR NAME MEANS?
401
00:16:37,708 --> 00:16:39,875
EVERY MORNING,
BEFORE THE SUN
COMES UP,
402
00:16:39,875 --> 00:16:41,375
THE GROUND
IS WET.
403
00:16:41,375 --> 00:16:44,583
AND THAT WATER
IS A GIFT FOR THE
FLOWERS AND THE GRASS.
404
00:16:44,583 --> 00:16:46,125
SO THAT THEY CAN GROW.
405
00:16:46,125 --> 00:16:48,708
AND THEY CAN MAKE
THE WORLD MORE BEAUTIFUL.
406
00:16:48,708 --> 00:16:50,583
YOU WERE GIVEN
YOUR NAME
407
00:16:50,583 --> 00:16:53,750
BECAUSE YOU MAKE
YOUR PARENTS' WORLD
MORE BEAUTIFUL.
408
00:16:53,750 --> 00:16:54,833
DO YOU
UNDERSTAND ME?
409
00:16:56,416 --> 00:16:58,083
DO YOU KNOW WHAT
THAT WATER IS CALLED
410
00:16:58,083 --> 00:16:59,125
THAT'S THERE
FOR THE GRASS
411
00:16:59,125 --> 00:17:00,708
EVERY MORNING
BEFORE YOU WAKE UP?
412
00:17:00,708 --> 00:17:01,875
YES.
413
00:17:01,875 --> 00:17:03,208
WHAT IS IT?
414
00:17:03,208 --> 00:17:05,000
MORNING DOY.
415
00:17:09,625 --> 00:17:11,375
OKAY, GET OUT
OF HERE, DOY.
416
00:17:11,375 --> 00:17:12,625
Auggie and Doy:
YAY!
417
00:17:18,708 --> 00:17:19,750
HE BROKE YA.
418
00:17:19,750 --> 00:17:21,125
YEAH, HE DID.
419
00:17:22,291 --> 00:17:23,875
YOU KNOW,
TOPANGA,
420
00:17:23,875 --> 00:17:25,458
ONE OF THE THINGS
THAT I'VE LEARNED
421
00:17:25,458 --> 00:17:26,708
FROM BEING
A TEACHER
422
00:17:26,708 --> 00:17:30,708
IS THAT SOMETIMES
YOU JUST HAVE TO LET
KIDS LIVE.
423
00:17:35,333 --> 00:17:36,750
THANK YOU VERY
MUCH, LUCAS.
424
00:17:36,750 --> 00:17:38,708
I HAD A
WONDERFUL TIME.
425
00:17:39,708 --> 00:17:40,875
YOU'RE WELCOME, RILEY.
426
00:17:40,875 --> 00:17:42,958
I ALSO HAD
A WONDERFUL TIME AS WELL.
427
00:17:44,125 --> 00:17:46,375
UH, WHAT ARE
YOU KIDS DOING?
428
00:17:46,375 --> 00:17:48,250
YOU GUYS LOOK
REALLY AWKWARD AND STIFF.
429
00:17:49,333 --> 00:17:50,625
IS THIS ABOUT
THAT KISS I HEARD ABOUT?
430
00:17:50,625 --> 00:17:52,000
WHAT?
431
00:17:53,000 --> 00:17:55,708
EVERYBODY PRESSURING
YOU TO BE SOMETHING
YOU'RE NOT READY FOR?
432
00:17:55,708 --> 00:17:56,833
NOT READY!
433
00:17:58,000 --> 00:18:00,083
PLEASE, STOP
HOLDING HANDS.
YOU LOOK CRAZY!
434
00:18:01,708 --> 00:18:02,875
YOU TWO ARE
A PART
435
00:18:02,875 --> 00:18:04,875
OF THE BEST GROUP
OF FRIENDS I HAVE
EVER SEEN.
436
00:18:04,875 --> 00:18:06,458
AND IF YOU'RE GOING
TO LET SOME STUPID,
437
00:18:06,458 --> 00:18:07,708
OUTSIDE PRESSURE
HURT THAT,
438
00:18:07,708 --> 00:18:09,708
THEN YOU'RE NOT
ANYWHERE NEAR AS
SMART AS I THOUGHT YOU WERE.
439
00:18:09,708 --> 00:18:13,416
BUT SOMETIMES
THE RIGHT PRESSURE
CAN TURN INTO A DIAMOND.
440
00:18:13,416 --> 00:18:16,250
YEAH, AND THE WRONG
PRESSURE TURNS YOU
INTO DUST.
441
00:18:16,250 --> 00:18:17,750
DO YOU WANT
TO BE DUST?
442
00:18:19,208 --> 00:18:21,291
I DON'T WANT
TO BE DUST.
443
00:18:21,291 --> 00:18:22,333
LUCAS?
444
00:18:22,333 --> 00:18:23,583
I REALLY LIKE
YOU, RILEY.
445
00:18:23,583 --> 00:18:25,833
WE ALWAYS HAVE
SUCH A GREAT TIME
TOGETHER.
446
00:18:25,833 --> 00:18:27,375
WE SHOULD
BREAK UP.
447
00:18:29,625 --> 00:18:31,750
WE SHOULD BREAK UP
RIGHT NOW.
448
00:18:31,750 --> 00:18:34,125
THIS HAS BEEN
MY LONGEST RELATIONSHIP.
449
00:18:35,958 --> 00:18:37,458
HEY RILEY,
DO YOU HAVE TO BE HOME?
450
00:18:40,125 --> 00:18:42,500
NO, WE COULD
GO SOMEWHERE AND TALK.
451
00:18:42,500 --> 00:18:43,583
I'D LIKE THAT.
452
00:18:43,583 --> 00:18:46,583
YEAH, LIKE YOU USED TO
WHEN IT WAS EASY.
453
00:18:50,958 --> 00:18:52,458
LET THE KIDS
LIVE, HUH?
454
00:18:52,458 --> 00:18:53,750
LET THE KIDS
LIVE, HUH?
455
00:18:53,750 --> 00:18:55,833
HA! DEWEY!
456
00:18:55,833 --> 00:18:58,208
GET BACK HERE.
WE'RE NOT DONE, DEWEY!
457
00:19:01,083 --> 00:19:02,500
RUN, DOY!
458
00:19:10,583 --> 00:19:12,583
ALRIGHT, SO THE
PRESSURE'S OFF.
WE'RE FRIENDS NOW.
459
00:19:12,583 --> 00:19:14,166
WHAT DO YOU
WANT TO TALK ABOUT?
460
00:19:14,166 --> 00:19:16,875
WHAT DO YOU TALK
ABOUT WHEN YOU'RE
WITH YOUR FRIENDS?
461
00:19:16,875 --> 00:19:18,250
WELL, WHEN I'M
WITH MY FRIENDS,
462
00:19:18,250 --> 00:19:19,583
WE USUALLY TALK
ABOUT SPORTS.
463
00:19:19,583 --> 00:19:21,625
YOU KNOW ANYTHING
ABOUT SPORTS?
464
00:19:21,625 --> 00:19:22,833
NO?
465
00:19:23,833 --> 00:19:24,708
ANY SPORTS?
LIKE...
466
00:19:24,708 --> 00:19:26,875
WHAT ABOUT BASKETBALL?
YOU KNOW ANYTHING
ABOUT BASKETBALL?
467
00:19:26,875 --> 00:19:28,458
YEAH...
468
00:19:28,458 --> 00:19:30,708
-YEAH?
-YEAH.
469
00:19:30,708 --> 00:19:31,750
MAYBE?
470
00:19:31,750 --> 00:19:33,625
WELL, WE'RE IN NEW YORK,
471
00:19:33,625 --> 00:19:35,500
SO OBVIOUSLY,
MY FAVORITE TEAM ARE THE KNICKS.
472
00:19:35,500 --> 00:19:37,458
AND YOU KNOW,
THIS MAY NOT BE OUR BEST YEAR
473
00:19:37,458 --> 00:19:38,958
BUT AT THE END OF THE DAY,
IT DOESN'T MATTER
474
00:19:38,958 --> 00:19:41,500
BECAUSE WE HAVE MELO,
AND WE HAVE PHIL JACKSON,
AND THAT'S ALL THAT COUNTS.
475
00:19:41,500 --> 00:19:42,875
WE SHOULDN'T
HAVE TRADED J.R. SMITH!
476
00:19:42,875 --> 00:19:45,125
AND AT THE END OF THE DAY,
YOU KNOW WHAT, IT'S NOT
OUR BEST SEASON.
477
00:19:45,125 --> 00:19:47,333
WE HAVE A TERRIBLE RECORD,
WE'RE THE WORST IN THE NBA!
478
00:19:47,333 --> 00:19:50,208
I AM AT MADISON SQUARE GARDEN,
I SEE ALL THESE FAKE FANS
479
00:19:50,208 --> 00:19:53,708
JUST JUMPING ONTO BANDWAGONS
LIKE THE HEAT OR SOMETHING
LIKE THAT.
480
00:19:53,708 --> 00:19:56,333
AND YOU KNOW WHAT?
THAT IS NOT WHAT A TRUE FAN IS!
481
00:19:56,333 --> 00:19:58,708
IF YOU'RE GONNA BE
IN THE GARDEN, YOU BETTER
REPRESENT THE KNICKS!
STYLE
::cue(.speaker)
::cue(.speakerTop)
482
00:20:04,750 --> 00:20:06,833
I DON'T KNOW THAT MUCH
OBVIOUSLY.
483
00:20:08,583 --> 00:20:09,833
I REALLY LIKE YOU, RILEY.
484
00:20:20,833 --> 00:20:23,708
HEY, LUCAS AND I ARE FRIENDS.
485
00:20:23,708 --> 00:20:25,875
THAT'S WHAT WE ARE,
THAT'S WHAT WE'VE ALWAYS BEEN.
486
00:20:25,875 --> 00:20:29,958
AND WE ARE NOT GOING TO HURT
THAT BECAUSE YOU GUYS WANT US
TO BE SOMETHING WE'RE NOT.
487
00:20:29,958 --> 00:20:34,958
SO, GO BACK TO YOUR OWN LIVES
BECAUSE NOBODY IS MOVING
TOO FAST HERE.
488
00:20:38,583 --> 00:20:40,833
'SUP.
489
00:20:55,000 --> 00:20:56,875
I'M NOT GOING ANYWHERE.
490
00:20:56,875 --> 00:20:58,875
I'VE GOT ALL NIGHT.
491
00:20:58,875 --> 00:21:01,166
HI, MY NAME'S TOPANGA,
WHAT'S YOUR NAME?
492
00:21:01,166 --> 00:21:03,000
DOY.
493
00:21:03,000 --> 00:21:04,625
DO YOU KNOW WHAT
I WAS DOING TODAY?
494
00:21:04,625 --> 00:21:07,750
I WAS MAKING A 400-POUND MAN
CONFESS TO HIS CRIMES.
495
00:21:07,750 --> 00:21:09,458
YOU THINK I CAN'T HANDLE YOU?
496
00:21:09,458 --> 00:21:11,750
DOY!
497
00:21:11,750 --> 00:21:14,166
TOPANGA, LET THE KID
GO TO SLEEP.
498
00:21:14,166 --> 00:21:17,458
I'M FINE, MR. MATTHEWS.
I GOT THIS.
499
00:21:19,250 --> 00:21:20,291
OKAY.
500
00:21:20,291 --> 00:21:23,083
YOU CAN GO TO SLEEP
ANYTIME YOU WANT.
501
00:21:23,083 --> 00:21:25,708
YOU JUST HAVE TO SAY ONE
LITTLE WORD.
502
00:21:25,708 --> 00:21:27,291
DO YOU KNOW WHAT
THAT WORD IS, KID?
503
00:21:27,291 --> 00:21:28,333
DOY!