1
00:00:04,250 --> 00:00:05,250
SOMEBODY READ THAT.
2
00:00:05,250 --> 00:00:08,375
"HISTORY WILL BE KIND TO ME
FOR I INTEND TO WRITE IT."
WINSTON CHURCHILL.
3
00:00:08,375 --> 00:00:10,000
AND HE DID.
4
00:00:10,000 --> 00:00:11,833
WHO'S GONNA WRITE
THEIR OWN HISTORY HERE?
5
00:00:12,833 --> 00:00:14,708
WHAT IS HISTORY?
I KEEP FORGETTING.
6
00:00:14,708 --> 00:00:16,708
HISTORY IS TIME PASSING.
7
00:00:16,708 --> 00:00:18,458
OH, YEAH?
HOW MUCH TIME?
8
00:00:18,458 --> 00:00:22,583
SOMEONE ONCE SAID,
"100 YEARS FROM NOW,
ALL NEW PEOPLE."
9
00:00:22,583 --> 00:00:23,833
-100 YEARS.
-WRONG.
10
00:00:23,833 --> 00:00:25,708
YOU SET ME UP.
11
00:00:25,708 --> 00:00:28,625
WHEN SHOULD YOU GUYS BEGIN
TO MAKE YOUR OWN HISTORY?
12
00:00:28,625 --> 00:00:29,958
-RIGHT NOW.
-GOOD.
13
00:00:29,958 --> 00:00:32,458
SO, TODAY WE'RE TALKING
ABOUT WINSTON CHURCHILL.
14
00:00:32,458 --> 00:00:35,333
WHEN THE NEW PEOPLE COME,
HOW DO YOU WANT THEM
TALKING ABOUT YOU?
15
00:00:35,333 --> 00:00:36,625
NICELY?
16
00:00:38,583 --> 00:00:41,291
HOW LONG DO WE HAVE BEFORE
HISTORY MAKES ITS DECISION
ABOUT US?
17
00:00:41,291 --> 00:00:42,708
WHAT IF THEY'RE WRITING
IT DOWN NOW?
18
00:00:42,708 --> 00:00:43,833
DOESN'T MATTER.
19
00:00:43,833 --> 00:00:45,833
CHAPTER ONE: INTRODUCTION.
PLEASE READ.
20
00:00:48,208 --> 00:00:51,250
"THERE IS A COMFORT IN KNOWING
THAT HISTORY IS FIXED.
21
00:00:51,250 --> 00:00:52,875
"YOU CAN NO SOONER
CHANGE HISTORY
22
00:00:52,875 --> 00:00:55,625
"THAN YOU CAN CHANGE THE NINE
PLANETS IN OUR SOLAR SYSTEM
23
00:00:55,625 --> 00:00:57,208
"FROM MERCURY TO PLUTO."
24
00:00:58,333 --> 00:01:00,708
All: OH...
25
00:01:00,708 --> 00:01:01,875
WHAT?
26
00:01:01,875 --> 00:01:04,208
NICE JOB, MR. MATTHEWS.
27
00:01:04,208 --> 00:01:05,416
WHAT'D HE DO?
28
00:01:05,416 --> 00:01:07,416
HE JUST SHOWED US
HISTORY BOOKS CAN BE WRONG.
29
00:01:07,416 --> 00:01:08,458
YOU CAN CHANGE HISTORY.
30
00:01:08,458 --> 00:01:09,750
I DON'T GET IT.
31
00:01:09,750 --> 00:01:10,708
HOW CAN SHE NOT KNOW?
32
00:01:10,708 --> 00:01:12,208
LOOK AT THE BIRD!
33
00:01:13,708 --> 00:01:16,458
-SHE DOESN'T KNOW BECAUSE
SHE HAS US.
-THE RILEY COMMITTEE.
34
00:01:16,458 --> 00:01:18,708
THE COMMITTEE EXISTS TO KEEP
CERTAIN INFORMATION AWAY
FROM RILEY.
35
00:01:18,708 --> 00:01:20,583
-LIKE WHAT?
-EVERYTHING, REALLY.
36
00:01:20,583 --> 00:01:23,000
LISTEN, THIS COMMITTEE CAN'T
PROTECT HER FOR THE REST
OF HER LIFE.
37
00:01:23,000 --> 00:01:24,083
SHE'S GETTING TOO SMART.
38
00:01:24,083 --> 00:01:25,458
SHE'S LOOKING FOR A BIRD.
39
00:01:28,125 --> 00:01:29,375
WELL, SOMEONE'S GOTTA
TELL HER.
40
00:01:29,375 --> 00:01:31,125
-YOU DO IT.
-NAH...
41
00:01:31,125 --> 00:01:33,166
YOU DO IT!
42
00:01:33,166 --> 00:01:35,083
-HI, SWEETIE.
-PEACHES.
43
00:01:35,083 --> 00:01:38,708
SEE, WE'VE ALL BEEN PROTECTING
YOU FROM SOMETHING.
44
00:01:38,708 --> 00:01:39,750
YOU KNOW PLUTO?
45
00:01:39,750 --> 00:01:42,458
PLUTO? I LOVE PLUTO.
46
00:01:42,458 --> 00:01:43,708
EVERYBODY KNOWS THAT.
47
00:01:43,708 --> 00:01:45,458
PLUTO'S A LITTLE
CUTIE-PIE.
48
00:01:45,458 --> 00:01:47,583
THE SMALLEST PLANET
WITH THE BIGGEST HEART.
49
00:01:47,583 --> 00:01:49,375
I LOVE PLUTO SO MUCH,
50
00:01:49,375 --> 00:01:51,125
I WOULD KISS IT ON THE FACE.
51
00:01:51,125 --> 00:01:52,750
-NOT DOING IT!
-YOU'RE DOING IT!
52
00:01:52,750 --> 00:01:53,875
-HONEY?
-PEACHES?
53
00:01:55,250 --> 00:01:59,500
PLUTO IS NOT A PLANET ANYMORE.
54
00:02:01,416 --> 00:02:02,625
WHAT'S THAT YOU SAY?
55
00:02:02,625 --> 00:02:05,750
THEY MADE
A SCIENTIFIC DISCOVERY
56
00:02:05,750 --> 00:02:08,208
THAT PLUTO'S NOT
A PLANET ANYMORE.
57
00:02:09,708 --> 00:02:10,750
WILL YOU BE OKAY?
58
00:02:12,583 --> 00:02:14,708
I'M FINE.
59
00:02:14,708 --> 00:02:17,416
I AM TOO OLD NOW TO FLIP OUT
OVER SOMETHING LIKE THAT.
60
00:02:18,708 --> 00:02:21,625
DAD, PLEASE CONTINUE.
61
00:02:21,625 --> 00:02:22,833
YOU SURE, SWEETIE?
62
00:02:22,833 --> 00:02:24,875
PLEASE, CONTINUE.
63
00:02:24,875 --> 00:02:26,750
OKAY.
64
00:02:26,750 --> 00:02:28,291
ALL RIGHT, GUYS.
65
00:02:28,291 --> 00:02:32,208
SO, WE'RE TALKING ABOUT
WHO WE ARE NOW, AND WHO
WE HOPE TO BE SOMEDAY.
66
00:02:32,208 --> 00:02:35,708
HOW WILL WE WRITE OUR OWN
HISTORY AND DECIDE WHAT'S
IMPORTANT TO US?
67
00:02:35,708 --> 00:02:37,708
THEY FOUND A 100-YEAR-OLD
TIME CAPSULE IN BOSTON
LAST WEEK.
68
00:02:37,708 --> 00:02:38,750
COULD WE DO ONE OF THOSE?
69
00:02:38,750 --> 00:02:40,583
I LOVE THAT IDEA, FARKLE.
70
00:02:40,583 --> 00:02:43,875
IN FACT, WE DID ONE OF THOSE
WHEN I WAS IN HIGH SCHOOL.
71
00:02:43,875 --> 00:02:46,708
WE WERE GONNA SEE WHAT BECAME
OF US IN 15 YEARS.
72
00:02:46,708 --> 00:02:48,708
WAIT A MINUTE...
73
00:02:48,708 --> 00:02:50,875
WE WERE GONNA SEE WHAT
BECAME OF US RIGHT NOW!
74
00:02:50,875 --> 00:02:54,458
15 YEARS IS RIGHT NOW.
75
00:02:54,458 --> 00:02:58,083
WE WERE GONNA GO BACK
AND SEE HOW MUCH WE'VE CHANGED.
76
00:02:58,083 --> 00:03:01,125
YEAH, WELL, I HOPE SOME OF US
NEVER DO.
77
00:03:02,291 --> 00:03:04,583
(theme music playing)
78
00:03:08,625 --> 00:03:10,583
♪ I'VE BEEN WAITING ♪
79
00:03:10,583 --> 00:03:11,958
♪ FOR A DAY ♪
80
00:03:11,958 --> 00:03:13,000
♪ LIKE THIS TO COME ♪
81
00:03:13,000 --> 00:03:14,750
♪ STRUCK LIKE LIGHTNING ♪
82
00:03:14,750 --> 00:03:17,333
♪ MY HEART'S BEATING LIKE
A DRUM ♪
83
00:03:17,333 --> 00:03:18,708
♪ ON THE EDGE ♪
84
00:03:18,708 --> 00:03:21,291
♪ OF SOMETHING WONDERFUL ♪
85
00:03:21,291 --> 00:03:24,166
♪ FACE TO FACE WITH CHANGES ♪
86
00:03:24,166 --> 00:03:25,333
♪ WHAT'S IT ALL ABOUT? ♪
87
00:03:25,333 --> 00:03:27,458
♪ LIFE IS CRAZY ♪
88
00:03:27,458 --> 00:03:29,583
♪ BUT I KNOW
I CAN WORK IT OUT ♪
89
00:03:29,583 --> 00:03:30,708
♪ 'CAUSE I GOT YOU ♪
90
00:03:30,708 --> 00:03:33,833
♪ TO LIVE IT WITH ME ♪
91
00:03:33,833 --> 00:03:37,708
♪ I FEEL ALL RIGHT,
I'M GONNA TAKE ON THE WORLD ♪
92
00:03:37,708 --> 00:03:41,166
♪ LIGHT UP THE STARS,
I'VE GOT SOME PAGES TO TURN ♪
93
00:03:41,166 --> 00:03:42,958
♪ I'M SINGING "GO-O-O" ♪
94
00:03:42,958 --> 00:03:46,000
♪ OH, OH, OH, OH ♪
95
00:03:46,000 --> 00:03:49,083
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
96
00:03:49,083 --> 00:03:50,458
♪ TAKE ON THE WORLD ♪
97
00:03:50,458 --> 00:03:53,000
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
98
00:03:53,000 --> 00:03:54,833
♪ TAKE ON THE WORLD. ♪
99
00:03:59,000 --> 00:04:02,583
PROMISE ME WE ARE NOT DRIVING
TO PHILADELPHIA TO DIG UP
STUFF FROM 15 YEARS AGO.
100
00:04:02,583 --> 00:04:04,208
I PROMISE.
101
00:04:04,208 --> 00:04:05,875
WHERE ARE THE SHOVELS
FOR SOMETHING ELSE?
102
00:04:07,833 --> 00:04:08,750
WE DON'T HAVE SHOVELS.
103
00:04:08,750 --> 00:04:10,458
WELL, WHERE WOULD ONE
BUY THESE SHOVELS?
104
00:04:10,458 --> 00:04:12,583
THE HARDWARE STORE,
IF ONE WAS GOING TO BUY SHOVELS,
105
00:04:12,583 --> 00:04:13,583
BUT ONE ISN'T.
106
00:04:13,583 --> 00:04:16,708
WELL, WHERE WOULD ONE FIND
THIS "HARDWARE STORE"
IF ONE WAS?
107
00:04:17,708 --> 00:04:19,708
PROMISE ME YOU'RE NOT
COMING BACK HERE WITH SHOVELS.
108
00:04:19,708 --> 00:04:22,625
I PROMISE YOU I AM NOT
COMING BACK HERE WITH SHOVELS.
109
00:04:22,625 --> 00:04:24,000
THEN WHERE ARE YOU GOING?
110
00:04:24,000 --> 00:04:25,375
I THINK YOU KNOW.
111
00:04:27,000 --> 00:04:28,375
SAY IT!
112
00:04:28,375 --> 00:04:29,708
SHOVELS!
113
00:04:33,708 --> 00:04:35,375
HOW CAN THEY
JUST DO THAT?
114
00:04:36,458 --> 00:04:38,833
SHE WORKS HER WHOLE LIFE
TO BECOME A PLANET,
115
00:04:38,833 --> 00:04:40,708
AND THEN IT'S JUST
TAKEN AWAY FROM HER.
116
00:04:40,708 --> 00:04:43,416
DO OUR HOPES AND DREAMS
EVEN MATTER?
117
00:04:43,416 --> 00:04:45,833
WELL, IN 15 YEARS,
WE'RE GONNA FIND OUT.
118
00:04:45,833 --> 00:04:48,000
A BUFFALO NICKEL.
THAT'S WHAT YOU'RE PUTTING
IN THE TIME CAPSULE?
119
00:04:48,000 --> 00:04:50,125
YEAH, MY GRANDFATHER
GAVE IT TO ME FOR---
120
00:04:51,708 --> 00:04:53,708
ANYWAY, MY GRANDFATHER
GAVE IT TO ME.
121
00:04:53,708 --> 00:04:56,000
NO, NO, NO, NO, NO, NO, NO,
FOR WHAT?
122
00:04:56,000 --> 00:04:57,833
PAPPY JOE GAVE IT TO YOU
FOR WHAT?
123
00:04:57,833 --> 00:05:00,166
DON'T CALL HIS GRANDFATHER
PAPPY JOE.
STYLE
::cue(.speaker)
::cue(.speakerTop)
124
00:05:00,166 --> 00:05:02,625
IT ACTUALLY WAS PAPPY JOE.
125
00:05:04,000 --> 00:05:05,083
YOU KNEW THAT?
126
00:05:05,083 --> 00:05:06,958
EH, IT WOULD'VE
BEEN ANYTHING I SAID.
127
00:05:06,958 --> 00:05:09,083
WHY'D HE GIVE YOU
THE NICKEL? WHY?
128
00:05:09,083 --> 00:05:12,375
NOTHING. HE GAVE IT TO ME
FOR BEING A GOOD LITTLE BOY.
129
00:05:12,375 --> 00:05:14,833
NO, NO, NO, NO, NO, NO,
TELL US.
130
00:05:14,833 --> 00:05:16,708
I WAS A LITTLE KID,
131
00:05:16,708 --> 00:05:18,708
I WANT TO A KIDDIE RODEO,
132
00:05:18,708 --> 00:05:21,291
AND I WAS THE ONLY ONE
WHO MADE IT THE WHOLE
EIGHT SECONDS.
133
00:05:21,291 --> 00:05:22,583
YOU RODE A BULL?
134
00:05:22,583 --> 00:05:23,875
IT WAS SORT OF
LIKE A BULL.
135
00:05:23,875 --> 00:05:25,000
HERE COMES FUNNY.
136
00:05:25,000 --> 00:05:26,458
I RODE A SHEEP.
137
00:05:26,458 --> 00:05:27,750
(laughing)
138
00:05:27,750 --> 00:05:30,083
IT'S A REAL THING!
IT'S CALLED MUTTON BUSTING.
139
00:05:30,083 --> 00:05:32,625
RILEY, YOU'RE LAUGHING AT ME?
140
00:05:32,625 --> 00:05:34,125
NO...
141
00:05:35,750 --> 00:05:37,708
I WANTED TO BE A RODEO STAR.
142
00:05:37,708 --> 00:05:40,458
BUT, I GOT OLDER
AND GAVE UP ON IT.
143
00:05:40,458 --> 00:05:45,416
AWW, DON'T EVER GIVE UP
ON YOUR SHEEP RIDING DREAMS.
144
00:05:45,416 --> 00:05:49,708
YOU GO OUT THERE, AND YOU BECOME
THE BEST SHEEP RIDER THE WORLD
HAS EVER SEEN.
145
00:05:49,708 --> 00:05:51,333
MOM, WHAT ARE YOU DOING?
146
00:05:51,333 --> 00:05:52,750
AS LONG AS I'M HERE,
147
00:05:52,750 --> 00:05:55,833
I'VE DECIDED TO GIVE OUT
VALUABLE LIFE-LIVING ADVICE.
148
00:05:55,833 --> 00:05:57,458
LIKE CORY AND TOPANGA.
149
00:05:57,458 --> 00:06:01,208
SO, YOU ALL COME TO ME
WHEN YOU'RE FEELING LOST
IN THIS WORLD,
150
00:06:01,208 --> 00:06:02,583
AND I'M GONNA FIX YOU
RIGHT UP.
151
00:06:02,583 --> 00:06:04,333
NAH, WE'RE GOOD.
152
00:06:04,333 --> 00:06:08,708
DO NOT LET YOUR SHEEP-RIDING
DISAPPOINTMENT
153
00:06:08,708 --> 00:06:11,125
PREVENT YOU FROM
DREAMING DREAMS.
154
00:06:12,375 --> 00:06:13,750
AS I LOOK BACK AT MY LIFE,
155
00:06:13,750 --> 00:06:16,583
THE ONLY REGRETS I HAVE
ARE THE DREAMS I GAVE UP ON
TOO SOON.
156
00:06:18,375 --> 00:06:21,583
WOW. THANK YOU.
THAT'S GOOD ADVICE.
157
00:06:21,583 --> 00:06:23,125
YES, IT IS!
158
00:06:23,125 --> 00:06:26,750
HEY, NICE TROPHY,
THE FARKLE.
159
00:06:26,750 --> 00:06:28,083
THANKS, THE MAYA'S MOM.
160
00:06:28,083 --> 00:06:30,000
IT'S MY SCIENCE FAIR
LIFETIME ACHIEVEMENT AWARD.
161
00:06:30,000 --> 00:06:32,166
FORGET SCIENCE,
YOU DREAM DREAMS!
162
00:06:32,166 --> 00:06:34,708
-BUT--
-OKAY.
163
00:06:36,625 --> 00:06:38,000
WHAT ARE YOU
PUTTING IN, MAYA?
164
00:06:38,000 --> 00:06:40,375
NOTHING. NO HOPES,
NO DISAPPOINTMENTS.
165
00:06:40,375 --> 00:06:41,583
WHAT ABOUT YOU?
166
00:06:41,583 --> 00:06:43,583
I DON'T KNOW WHY
IT'S SO IMPORTANT FOR ME
167
00:06:43,583 --> 00:06:45,750
TO CARE ABOUT SOMETHING
THAT'S SO FAR AWAY.
168
00:06:45,750 --> 00:06:47,708
BUT, I DO.
169
00:06:47,708 --> 00:06:49,708
I'M PUTTING IN PLUTO.
170
00:06:49,708 --> 00:06:52,000
WELL, IT'S SMALL ENOUGH. HA!
171
00:06:53,750 --> 00:06:54,750
TOO SOON?
172
00:07:06,833 --> 00:07:08,833
BACK FROM THE HARDWARE STORE,
ARE WE?
173
00:07:08,833 --> 00:07:10,000
SHOVEL.
174
00:07:10,000 --> 00:07:11,083
HMM...
175
00:07:18,708 --> 00:07:20,708
PLEASE TELL ME YOU DIDN'T
DRAG SHAWN INTO THIS?
176
00:07:20,708 --> 00:07:22,708
I DID NOT DRAG SHAWN
INTO THIS.
177
00:07:22,708 --> 00:07:23,625
(banging on the door)
178
00:07:23,625 --> 00:07:24,875
WHO'S THAT?
179
00:07:24,875 --> 00:07:26,708
I THINK YOU KNOW.
180
00:07:28,500 --> 00:07:30,375
TOPANGA, YOU ALL RIGHT?
181
00:07:30,375 --> 00:07:31,583
YEAH, I'M FINE, SHAWN.
182
00:07:31,583 --> 00:07:34,000
OH, THEN IT'S CORY.
OH MY GOSH, IT'S YOU.
183
00:07:34,000 --> 00:07:35,875
ALL RIGHT.
WHAT DO THE DOCTORS SAY?
184
00:07:35,875 --> 00:07:37,458
HOW LONG DOES HE HAVE
TO LIVE?
185
00:07:41,125 --> 00:07:42,416
NOT LONG.
186
00:07:44,875 --> 00:07:46,208
ALL RIGHT, BUDDY.
187
00:07:46,208 --> 00:07:49,375
WE ARE GONNA DO EVERYTHING
WE'VE EVER DREAMED OF,
188
00:07:49,375 --> 00:07:52,208
AND IN WHATEVER TIME YOU HAVE
LEFT, WE'RE GONNA DO EVERYTHING.
189
00:07:52,208 --> 00:07:54,833
WE'RE GONNA GO TO YOUR
FAVORITE RESTAURANT,
WE'RE GONNA TAKE ALL THE ROLLS.
190
00:07:54,833 --> 00:07:57,875
THEY WANT YOU
TO TAKE THE ROLLS.
191
00:07:59,875 --> 00:08:01,375
NO!
192
00:08:01,375 --> 00:08:04,625
OH, IT'S OKAY, SHAWN,
I BOUGHT THE SHOVELS MYSELF.
193
00:08:04,625 --> 00:08:07,708
CORY, PAY THE MONEY.
HAVE THE PROFESSIONALS DIG.
194
00:08:09,458 --> 00:08:11,875
SHAWN, HE'S FINE.
EVERYBODY'S FINE.
195
00:08:11,875 --> 00:08:14,166
NO. HE'S NOT FINE.
196
00:08:14,166 --> 00:08:17,583
HE CALLED ME OVER HERE,
SAID IT WAS A MATTER
OF LIFE OR DEATH.
197
00:08:17,583 --> 00:08:18,708
HE'S NOT FINE.
198
00:08:20,250 --> 00:08:21,875
I HAD TO MAKE SURE YOU'D COME.
199
00:08:23,625 --> 00:08:24,708
NOBODY BYE-BYE?
200
00:08:24,708 --> 00:08:26,875
EVERYBODY WHOOP-DI-WHOO!
201
00:08:28,875 --> 00:08:29,958
WHY AM I HERE?
202
00:08:29,958 --> 00:08:32,708
CORY REMEMBERED
THE TIME CAPSULE
FROM HIGH SCHOOL.
203
00:08:32,708 --> 00:08:33,708
IT'S 15 YEARS.
204
00:08:33,708 --> 00:08:36,083
HE WANTS TO DRIVE
TO PHILADELPHIA
TO DIG IT UP.
205
00:08:37,416 --> 00:08:38,500
OH...
206
00:08:40,708 --> 00:08:41,875
OKAY.
207
00:08:45,291 --> 00:08:47,708
WHATCHA DOING WITH
THAT SHOVEL, BUDDY?
208
00:08:47,708 --> 00:08:49,458
I WAS IN PHILADELPHIA!
209
00:08:49,458 --> 00:08:51,708
(yelling)
210
00:08:56,458 --> 00:08:57,458
ROAD TRIP!
211
00:08:57,458 --> 00:08:59,208
WHO WANTS TO GO
INSTEAD OF ME?
212
00:08:59,208 --> 00:09:01,833
I'LL GO.
I'LL DO ANYTHING
WITH ANYBODY.
213
00:09:01,833 --> 00:09:02,625
NO DEAL.
214
00:09:02,625 --> 00:09:05,375
THERE'S NOT ENOUGH ROOM
IN THE CAR FOR YOU
AND ALL YOUR WORDS.
215
00:09:06,458 --> 00:09:07,583
WHAT'S THIS HERE?
216
00:09:07,583 --> 00:09:09,208
THIS IS WHAT WE'RE PUTTING
IN OUR TIME CAPSULE.
217
00:09:09,208 --> 00:09:10,458
OH...
218
00:09:11,958 --> 00:09:13,208
NOPE. NOT GOOD ENOUGH.
219
00:09:13,208 --> 00:09:14,833
THESE THINGS
ARE IMPORTANT TO US.
220
00:09:14,833 --> 00:09:15,958
WHY ARE THERE ONLY
THREE OF THEM?
221
00:09:15,958 --> 00:09:17,583
-I'M NOT PLAYING.
-OH, YOU'RE PLAYING!
222
00:09:17,583 --> 00:09:19,208
-NICE SHOVEL SHIRT.
-THEY GOT PLENTY LEFT.
223
00:09:19,208 --> 00:09:20,458
I DON'T SEE HOW.
224
00:09:22,291 --> 00:09:23,583
MR. SHAWN.
225
00:09:23,583 --> 00:09:24,708
MISS KATY.
226
00:09:24,708 --> 00:09:26,583
HOW ARE YOU?
HOW'S THE WRITING?
227
00:09:26,583 --> 00:09:28,833
WELL, I WAS DOING A STORY
IN PHILADELPHIA
228
00:09:28,833 --> 00:09:30,875
TILL MY FRIEND HERE
BROUGHT ME TO NEW YORK
229
00:09:30,875 --> 00:09:32,875
SO WE COULD GO BACK
TO PHILADELPHIA.
230
00:09:32,875 --> 00:09:34,166
HOW'S THE ACTING?
231
00:09:34,166 --> 00:09:37,333
I WAS PLAYING A WAITRESS
AT THE NIGHTHAWK DINER,
232
00:09:37,333 --> 00:09:39,833
AND NOW I'M PLAYING
A WAITRESS HERE.
233
00:09:39,833 --> 00:09:41,625
-IT'S YOUR REAL LIFE.
-IT CAN'T BE.
234
00:09:43,583 --> 00:09:46,125
WELL, I'M KINDA
LIKING THIS MOVIE.
235
00:09:49,250 --> 00:09:53,458
COME ON! IT'S A CHANCE TO GO
BACK AND SEE WHAT TIME
HAS TAUGHT US.
236
00:09:53,458 --> 00:09:54,875
COME ON, IT'S OUR HISTORY!
237
00:09:54,875 --> 00:09:55,875
YOU AND ME,
238
00:09:55,875 --> 00:09:56,958
FEENY,
239
00:09:56,958 --> 00:09:58,333
SHAWN AND ANGELA.
240
00:09:59,708 --> 00:10:01,833
GIVE ME A SHOVEL.
NO REASON.
STYLE
::cue(.speaker)
::cue(.speakerTop)
241
00:10:01,833 --> 00:10:03,416
GIVE ME A SHOVEL
AND YOUR HEAD.
242
00:10:05,625 --> 00:10:06,625
WHO'S ANGELA?
243
00:10:08,750 --> 00:10:12,000
OH, YOU KNOW.
SOMEONE WHO USED
TO BE IN MY LIFE.
244
00:10:12,000 --> 00:10:15,000
AH, YES. WELL, WE ALL
HAVE ONE OF THOSE, DON'T WE?
245
00:10:15,000 --> 00:10:16,083
DO YOU MISS HER?
246
00:10:16,083 --> 00:10:19,708
I KNOW I'D MISS RILEY AND MAYA
IF I DIDN'T SEE THEM FOR
A LONG TIME.
247
00:10:19,708 --> 00:10:21,750
DO YOU THINK YOUR OLD FEELINGS
WILL GET ALL STIRRED UP
FOR HER?
248
00:10:21,750 --> 00:10:24,708
AND YOU'LL MISS HER?
AND YOU'LL GO BACK AND LIVE
WHEREVER SHE IS?
249
00:10:26,875 --> 00:10:28,208
DO YOU NEVER MISS?
250
00:10:30,125 --> 00:10:33,708
YEAH, MR. HUNTER,
YOU GONNA GET SOME FEELINGS
ALL STIRRED UP?
251
00:10:35,625 --> 00:10:38,708
MAYA, ALL OF A SUDDEN,
I THINK WE SHOULD BE
GOING WITH THEM.
252
00:10:38,708 --> 00:10:39,833
DO YOU THINK
WE SHOULD GO?
253
00:10:41,750 --> 00:10:42,875
WE'RE GOING WITH YOU.
254
00:10:42,875 --> 00:10:43,958
ALL RIGHT.
255
00:10:43,958 --> 00:10:46,333
KATY, DO YOU MIND IF WE
TAKE THIS ONE OFF YOUR HANDS
FOR THE WEEKEND?
256
00:10:46,333 --> 00:10:47,708
HAVE FUN, BABY GIRL.
257
00:10:47,708 --> 00:10:49,458
ALL RIGHT, GIRLS,
GRAB A SHOVEL.
258
00:10:49,458 --> 00:10:51,458
WE'RE DIGGING UP THE PAST!
259
00:10:51,458 --> 00:10:52,500
YAY.
260
00:11:01,333 --> 00:11:04,000
COME ON, TOPANGA!
PUT SOME BACK INTO IT,
WILL YOU?
261
00:11:04,000 --> 00:11:05,958
(whispering)
I HAVE BLISTERS!
262
00:11:05,958 --> 00:11:08,625
AND, IT'S NOT EXACTLY LIKE
I'M WEARING MY SHOVELING SHOES.
263
00:11:08,625 --> 00:11:09,750
WHAT ABOUT YOU GUYS?
264
00:11:09,750 --> 00:11:11,458
WE'RE ON A MANDATORY BREAK.
265
00:11:11,458 --> 00:11:13,500
HEY, I THOUGHT WE WERE
ONLY DOING EVERY OTHER HOLE.
266
00:11:14,625 --> 00:11:16,625
YOU SAID YOU KNEW EXACTLY
WHERE THIS THING WAS BURIED.
267
00:11:16,625 --> 00:11:19,125
WELL, IT'S IN THIS
GENERAL VICINITY, YES.
268
00:11:19,125 --> 00:11:20,208
HOW IS THIS FUN?
269
00:11:20,208 --> 00:11:22,458
YOU SAID THIS WAS GONNA BE FUN.
HOW CAN ANYBODY MAKE THIS FUN?
270
00:11:23,458 --> 00:11:27,833
I MADE ONE FOR MAYA'S HEAD.
271
00:11:27,833 --> 00:11:28,583
YOU'RE SUPPOSED
TO BE DIGGING.
272
00:11:28,583 --> 00:11:30,833
OH, BUT I WAS DIGGING
FOR AN HOUR,
273
00:11:30,833 --> 00:11:33,583
AND ALL I FOUND
WAS THIS OLD METAL BOX.
274
00:11:37,000 --> 00:11:38,125
CORY...
275
00:11:38,125 --> 00:11:39,583
-WHAT?
-I'M CONCERNED.
276
00:11:39,583 --> 00:11:41,750
WHAT'S THERE TO BE
CONCERNED ABOUT, SHAWNIE?
277
00:11:42,958 --> 00:11:44,333
THAT.
278
00:11:46,750 --> 00:11:50,375
(gasping)
279
00:11:52,208 --> 00:11:53,208
MR. MATTHEWS.
280
00:11:54,250 --> 00:11:55,291
MR. HUNTER.
281
00:11:56,708 --> 00:11:57,625
WE MEET AGAIN.
282
00:11:59,125 --> 00:12:00,375
DETENTION?
283
00:12:00,375 --> 00:12:03,208
BIG BOY DETENTION.
284
00:12:04,208 --> 00:12:06,416
I WON'T DO WELL
IN BIG BOY DETENTION.
285
00:12:10,708 --> 00:12:13,083
FEENY!
286
00:12:13,083 --> 00:12:15,958
FEE-HEE-HEE-HEE-HEENAY!
287
00:12:17,333 --> 00:12:23,625
-WHAT, WHAT, WHAT, WHAT...
-HEY, HEY, HEY, HEY...
288
00:12:23,625 --> 00:12:30,458
(hissing like cats)
289
00:12:32,708 --> 00:12:33,708
OKAY, LET'S GO.
290
00:12:35,750 --> 00:12:37,000
MRS. MATTHEWS.
291
00:12:37,000 --> 00:12:38,458
HOW YOU DOING?
292
00:12:39,458 --> 00:12:41,750
PUT BACK MY FLOWERS.
293
00:12:41,750 --> 00:12:42,750
EXCEPT FOR THOSE.
294
00:12:42,750 --> 00:12:44,625
I'LL ATTEND TO THOSE MYSELF.
295
00:12:47,375 --> 00:12:48,750
EXCUSE ME.
296
00:12:53,291 --> 00:12:56,708
IS HE A GOOD FATHER,
YOU POOR, POOR, LITTLE GIRL?
297
00:12:58,833 --> 00:13:00,125
I'M VERY LUCKY.
298
00:13:00,125 --> 00:13:01,166
HMM.
299
00:13:02,166 --> 00:13:03,583
IS HE A GOOD TEACHER?
300
00:13:03,583 --> 00:13:05,625
I THINK HE'S THE BEST
THERE IS.
301
00:13:05,625 --> 00:13:07,166
-OH.
-BUT, HE SAYS YOU ARE.
302
00:13:07,166 --> 00:13:08,458
OH.
303
00:13:09,583 --> 00:13:11,333
AND THAT'S WHAT
YOU WERE DIGGING FOR?
304
00:13:12,625 --> 00:13:14,583
IT'S OUR TIME CAPSULE, REMEMBER?
305
00:13:14,583 --> 00:13:16,750
I REMEMBER EVERYTHING.
306
00:13:17,875 --> 00:13:19,958
WE WANNA SEE
HOW TIME TREATED US.
307
00:13:19,958 --> 00:13:21,750
IF WE TURNED OUT
LIKE WE HOPED WE WOULD.
308
00:13:24,000 --> 00:13:26,458
GOT ANY ADVICE FOR US
WHILE WE'RE ALL OUT HERE
TOGETHER, MR. FEENY?
309
00:13:26,458 --> 00:13:28,000
WELL, YES.
310
00:13:29,708 --> 00:13:32,833
IT'S BEEN A LONG TIME,
AND YOU'RE STILL TOGETHER.
311
00:13:35,125 --> 00:13:36,875
WHAT ELSE DO YOU NEED
TO KNOW?
312
00:13:45,208 --> 00:13:46,750
ALL RIGHT, I'LL GO FIRST.
313
00:13:46,750 --> 00:13:48,583
NOW, NO ONE KNOWS
WHAT ANYONE ELSE BURIED, RIGHT?
314
00:13:48,583 --> 00:13:50,250
-YEAH, THAT WAS THE DEAL.
-DON'T OPEN IT.
315
00:13:51,708 --> 00:13:54,750
YEAH, WOULDN'T YOU RATHER
BELIEVE YOUR LIVES ARE PERFECT?
316
00:13:54,750 --> 00:13:56,708
YOU MAKE A GOOD POINT, GIRLS,
YOU DO.
317
00:13:56,708 --> 00:13:58,083
BUT, HERE'S ANOTHER POINT.
318
00:13:58,083 --> 00:13:59,291
HAVE YOU EVEN MET ME?
319
00:14:03,875 --> 00:14:04,958
THERE IT IS.
320
00:14:09,125 --> 00:14:10,708
IT'S THE JEAN JACKET.
321
00:14:11,583 --> 00:14:13,625
IT'S THE FIRST TIME
WE SAID "I LOVE YOU."
322
00:14:16,250 --> 00:14:17,250
AND IT STILL FITS.
323
00:14:19,500 --> 00:14:20,833
TIME HAS BEEN GOOD
TO YOU, TOPANGA.
324
00:14:20,833 --> 00:14:22,458
TIME HAS BEEN GOOD
TO US ALL.
325
00:14:24,166 --> 00:14:25,750
AND THAT'S HOW YOU DO
THE TIME CAPSULE!
326
00:14:29,000 --> 00:14:30,250
OKAY, YOUR TURN.
327
00:14:30,250 --> 00:14:32,500
OKAY, DON'T OVERREACT.
328
00:14:32,500 --> 00:14:33,708
WHY WOULD I OVERREACT?
329
00:14:33,708 --> 00:14:35,583
BECAUSE I KNOW YOU'RE GOING
TO MISINTERPRET THIS.
330
00:14:39,166 --> 00:14:40,625
LET'S SEE.
331
00:14:42,291 --> 00:14:46,875
"DEAR CORY, IF YOU WOULD LET
IT HAPPEN, I THINK YOU AND I
COULD HAVE A FUTURE."
332
00:14:46,875 --> 00:14:48,708
TOPANGA, WHAT'S WRONG
WITH THIS? THIS IS GREAT.
333
00:14:48,708 --> 00:14:50,250
IT'S NOT FROM HER.
334
00:14:53,250 --> 00:14:54,583
AAH!
335
00:14:55,583 --> 00:14:56,583
IT'S FROM LAUREN.
336
00:14:58,875 --> 00:15:00,083
WHO'S LAUREN?
337
00:15:00,083 --> 00:15:03,583
WELL, BEFORE WE GOT MARRIED,
YOUR FATHER MET A GIRL
AT A SKI LODGE,
STYLE
::cue(.speaker)
::cue(.speakerTop)
338
00:15:03,583 --> 00:15:05,458
AND SHE REALLY LIKED HIM.
339
00:15:05,458 --> 00:15:06,875
MATTHEWS, YOU DOG!
340
00:15:08,583 --> 00:15:11,125
IS THIS WHY WE NEVER
GO SKIING?
341
00:15:12,875 --> 00:15:15,708
WHY WOULD YOU DO THIS,
TOPANGA? I...
342
00:15:15,708 --> 00:15:17,500
I BURIED A SYMBOL
OF OUR LOVE.
343
00:15:17,500 --> 00:15:20,958
CORY, I WAS THREATENED BY THIS
BECAUSE I WAS YOUNG.
344
00:15:20,958 --> 00:15:23,583
THE JEAN JACKET WAS THE FIRST
TIME WE SAID "I LOVE YOU."
345
00:15:23,583 --> 00:15:26,708
BUT, I ALMOST LET THIS LITTLE
PIECE OF PAPER HURT US
346
00:15:26,708 --> 00:15:28,208
BECAUSE I WAS YOUNG.
347
00:15:28,208 --> 00:15:32,583
YOU ALWAYS KNEW,
BUT I DIDN'T UNDERSTAND THAT
OUR LOVE WILL LAST FOREVER.
348
00:15:32,583 --> 00:15:34,458
AND THAT NOTHING COULD HURT IT.
349
00:15:34,458 --> 00:15:37,750
I BURIED THIS BECAUSE
I HOPED THAT WHEN WE OPENED IT,
350
00:15:37,750 --> 00:15:41,875
I WOULD BE SITTING NEXT TO YOU ,
AND THAT I COULD GO LIKE THIS.
351
00:15:48,833 --> 00:15:50,125
HERE GOES.
352
00:15:50,125 --> 00:15:51,958
ALL RIGHT, HERE GOES.
353
00:15:53,708 --> 00:15:55,875
AH...
354
00:15:55,875 --> 00:15:57,625
SHAKESPEARE'S SONNETS.
355
00:15:59,250 --> 00:16:01,000
VIVALDI'S FOUR SEASONS.
356
00:16:02,583 --> 00:16:04,333
A VAN DAMME MOVIE TICKET.
357
00:16:05,708 --> 00:16:06,875
AND LIP GLOSS.
358
00:16:08,125 --> 00:16:09,458
KIWI MANGO.
359
00:16:10,875 --> 00:16:12,750
AH, ME AND ANGELA.
360
00:16:12,750 --> 00:16:15,208
WE WERE GONNA BE
CORY AND TOPANGA.
361
00:16:16,208 --> 00:16:18,458
I GUESS THERE CAN ONLY
BE ONE CORY AND TOPANGA.
362
00:16:18,458 --> 00:16:19,708
BUT, STILL...
363
00:16:20,708 --> 00:16:21,833
ME AND ANGELA.
364
00:16:23,208 --> 00:16:24,833
I WONDER WHAT
SHE'S UP TO NOWADAYS?
365
00:16:26,458 --> 00:16:27,583
BYE, SHAWN.
366
00:16:37,583 --> 00:16:40,708
SEE, LIFE WORKS OUT BETTER
IF YOU DON'T GET YOUR HOPES UP.
367
00:16:40,708 --> 00:16:42,958
SHAWN WILL GET BACK TOGETHER
WITH HIS EX-GIRLFRIEND,
368
00:16:42,958 --> 00:16:44,958
PLUTO IS NOT
A PLANET ANYMORE,
369
00:16:44,958 --> 00:16:47,625
AND MY MOM AND ME
ARE JUST MY MOM AND ME.
370
00:16:48,708 --> 00:16:50,000
PLUTO IS A PLANET.
371
00:16:50,000 --> 00:16:52,291
SORRY, RILEY, BUT YOU'RE
THE ONLY ONE WHO SAYS IT IS.
372
00:16:53,291 --> 00:16:54,708
YOU HEARD THEM TELL
THE STORY, MAYA.
373
00:16:54,708 --> 00:16:57,625
THERE WAS A TIME
WHEN MY FATHER WAS THE ONLY ONE
374
00:16:57,625 --> 00:16:59,833
WHO KNEW HE AND MY MOTHER
WOULD ALWAYS BE TOGETHER.
375
00:16:59,833 --> 00:17:02,416
EVEN WHEN EVERYONE ELSE
SAID THAT THEY WOULDN'T.
376
00:17:02,416 --> 00:17:03,750
HE KNEW.
377
00:17:03,750 --> 00:17:06,000
AND SO DO I.
378
00:17:06,000 --> 00:17:08,750
AND SO DOES YOUR MOTHER.
BECAUSE SHE'S RIGHT.
379
00:17:09,958 --> 00:17:11,625
DREAM DREAMS, MAYA.
380
00:17:12,625 --> 00:17:14,625
YOU'RE GOING TO GET
EVERYTHING YOU WANT IN LIFE.
381
00:17:15,875 --> 00:17:18,250
HOW IS IT POSSIBLE THAT
YOU CAN STILL HAVE HOPE FOR ME?
382
00:17:18,250 --> 00:17:19,708
HEY...
383
00:17:19,708 --> 00:17:22,583
I HAVE HOPE FOR SOMETHING
FOUR BILLION MILES AWAY.
384
00:17:23,583 --> 00:17:26,500
YOU HAVE ALWAYS
BEEN RIGHT HERE.
385
00:17:34,708 --> 00:17:36,708
I KNOW THAT ANGELA AND I
USED TO JUST BE ABLE
TO SIT TOGETHER.
386
00:17:36,708 --> 00:17:38,125
WE DIDN'T EVEN HAVE TO TALK.
387
00:17:38,125 --> 00:17:39,708
-YOU DIDN'T TALK?
-NO.
388
00:17:39,708 --> 00:17:41,708
WE'D JUST BE WITH EACH OTHER.
389
00:17:41,708 --> 00:17:43,458
AM I EVER GONNA
FIND THAT AGAIN?
390
00:17:43,458 --> 00:17:45,125
MAYBE YOU'LL FIND
SOMETHING DIFFERENT?
391
00:17:45,125 --> 00:17:46,458
YEAH, IS DIFFERENT BETTER?
392
00:17:46,458 --> 00:17:48,500
MAYBE, IF YOU GIVE IT
A CHANCE.
393
00:17:50,208 --> 00:17:52,583
SHAWN, WHY DIDN'T YOU
END UP WITH ANGELA?
394
00:17:52,583 --> 00:17:54,833
SHE ENDED IT
AND WALKED OUT ON ME.
395
00:17:54,833 --> 00:17:57,083
TIME HAS TAUGHT ME
THAT'S NOT GOOD
FOR A RELATIONSHIP.
396
00:17:58,708 --> 00:18:01,583
I PUT THIS STUFF
IN THE TIME CAPSULE BECAUSE
I THOUGHT WHEN WE OPENED IT
397
00:18:01,583 --> 00:18:03,708
THERE MIGHT BE
SOMEONE THERE FOR ME TO LOVE.
398
00:18:04,708 --> 00:18:05,875
I'M NOT GONNA HAVE THAT.
399
00:18:08,958 --> 00:18:10,583
DON'T BE SUCH A JERK!
400
00:18:14,833 --> 00:18:16,375
WOMEN USED TO LIKE ME, RIGHT?
401
00:18:19,083 --> 00:18:20,125
(knocking)
402
00:18:20,125 --> 00:18:21,458
COME IN, UNCLE SHAWN.
403
00:18:22,458 --> 00:18:23,500
HOW'D YOU KNOW
IT WAS ME?
404
00:18:23,500 --> 00:18:25,000
MY FAMILY DOESN'T KNOCK.
THEY'RE PIGS.
405
00:18:32,708 --> 00:18:33,750
OKAY.
406
00:18:35,708 --> 00:18:37,625
WHAT?
407
00:18:37,625 --> 00:18:40,000
YOU KNOW HOW THEY SAY
PLUTO ISN'T A PLANET ANYMORE?
408
00:18:40,000 --> 00:18:41,875
YEAH. YEAH, I HEARD
ABOUT THAT.
409
00:18:41,875 --> 00:18:43,583
DOESN'T THAT KILL YOU?
410
00:18:43,583 --> 00:18:44,750
NO.
411
00:18:47,125 --> 00:18:48,583
PLUTO IS STILL
OUT THERE FOR ME.
412
00:18:48,583 --> 00:18:50,208
I DON'T CARE.
413
00:18:52,708 --> 00:18:54,958
YOU WEREN'T AFRAID
TO LOVE SOMEBODY ONCE.
414
00:18:54,958 --> 00:18:58,583
YEAH, WELL, I...
I'M DONE WITH THAT.
415
00:18:58,583 --> 00:19:00,958
I DON'T HAVE THAT,
I'M NOT GOING TO HAVE THAT.
416
00:19:00,958 --> 00:19:03,208
YOU ARE. THERE'S SOMEONE
OUT THERE FOR YOU.
417
00:19:03,208 --> 00:19:05,833
SO, YOU'RE SAYING
PLUTO IS ANGELA?
418
00:19:10,250 --> 00:19:13,500
NO, I'M SAYING THAT PLUTO
IS BELIEVING IN SOMETHING
OUT THERE
419
00:19:13,500 --> 00:19:15,750
NO MATTER WHAT
ANYBODY SAYS.
420
00:19:15,750 --> 00:19:16,583
ESPECIALLY YOU.
421
00:19:16,583 --> 00:19:18,583
BECAUSE THERE IS.
422
00:19:20,458 --> 00:19:21,833
HOW ARE YOU NOT GETTING
THIS YET, BUDDY?
423
00:19:31,416 --> 00:19:32,708
YOU BELIEVE IN ME?
424
00:19:32,708 --> 00:19:33,833
I DO.
425
00:19:33,833 --> 00:19:36,125
I DON'T KNOW WHAT
I'M SUPPOSED TO BE FOR YOU.
426
00:19:36,125 --> 00:19:38,750
CAN YOU JUST BE
OUT THERE FOR ME?
427
00:19:38,750 --> 00:19:40,333
YES.
428
00:19:40,333 --> 00:19:43,000
I CAN DO THAT.
I WANT TO DO THAT.
429
00:19:44,083 --> 00:19:45,125
WHAT DO YOU CALL THAT?
430
00:19:46,166 --> 00:19:47,708
IT DOESN'T MATTER
WHAT YOU CALL IT.
431
00:19:49,000 --> 00:19:50,708
I JUST WANNA KNOW
THAT YOU'RE THERE.
432
00:19:55,333 --> 00:19:56,375
OKAY.
433
00:20:02,250 --> 00:20:03,416
I'M THERE.
STYLE
::cue(.speaker)
::cue(.speakerTop)
434
00:20:10,375 --> 00:20:11,625
OKAY, I'LL GO FIRST.
435
00:20:11,625 --> 00:20:13,458
YOU PUTTING IN
YOUR SHEEP NICKEL, BILLY BOB?
436
00:20:13,458 --> 00:20:15,708
NO, I CHANGED MY MIND
ABOUT THAT.
437
00:20:15,708 --> 00:20:18,458
I'M NOT PUTTING IN A REMINDER
OF WHEN I GAVE UP ON A DREAM.
438
00:20:21,875 --> 00:20:23,291
YOUR TRANSFER SLIP.
439
00:20:23,291 --> 00:20:25,958
I'D RATHER BE REMINDED
OF WHEN SOMETHING GOOD STARTED.
440
00:20:27,708 --> 00:20:28,583
ME NEXT.
441
00:20:28,583 --> 00:20:30,291
YOUR SCIENCE FAIR TROPHY?
442
00:20:30,291 --> 00:20:31,958
WASN'T IMPORTANT ENOUGH
FOR THIS.
443
00:20:34,875 --> 00:20:36,833
YOUR FAVORITE ORANGE
TURTLENECK.
444
00:20:36,833 --> 00:20:39,583
IT WAS THE ONE I TOOK OFF
WHEN I FELT LIKE I WAS NOTHING.
445
00:20:39,583 --> 00:20:41,458
BUT, YOU GUYS WOULDN'T
LET ME BE NOTHING.
446
00:20:41,458 --> 00:20:44,125
AND SINCE IT'S US THAT'S
GONNA BE TOGETHER WHEN
WE OPEN THIS,
447
00:20:44,125 --> 00:20:45,625
I CAN'T WAIT TO SEE
THE SOMETHING THAT I AM.
448
00:20:47,750 --> 00:20:48,833
RILEY, PLUTO?
449
00:20:48,833 --> 00:20:51,583
YEAH. STILL PLUTO.
450
00:20:53,625 --> 00:20:55,375
WHENEVER WE OPEN THIS,
451
00:20:55,375 --> 00:20:58,000
I HOPE I HAVEN'T STOPPED
BELIEVING IN THINGS.
452
00:21:03,500 --> 00:21:04,750
OKAY, I'LL PLAY.
453
00:21:04,750 --> 00:21:06,708
BUT, YOU GUYS
HAVE TO LEAVE.
454
00:21:06,708 --> 00:21:09,500
YOUR PARENTS AND SHAWN
DIDN'T TELL EACH OTHER
WHAT THEY WERE PUTTING IN,
455
00:21:09,500 --> 00:21:11,375
AND THAT'S THE WAY
I WANT TO DO IT.
456
00:21:11,375 --> 00:21:13,000
I'M HOPING WE'LL
ALL BE SURPRISED.
457
00:21:21,625 --> 00:21:23,458
HEY.
458
00:21:23,458 --> 00:21:26,000
WHATEVER IT IS,
I HOPE IT WORKS OUT
THE WAY YOU WANT IT.
459
00:21:26,000 --> 00:21:27,750
ME TOO.
460
00:21:44,416 --> 00:21:45,583
HOPE IS FOR SUCKERS.
461
00:22:03,458 --> 00:22:05,708
HI, SHAWN.
462
00:22:05,708 --> 00:22:07,583
UM, WE'RE CLOSING UP,
463
00:22:07,583 --> 00:22:09,250
BUT I COULD GET YOU
SOMETHING FOR THE ROAD?
464
00:22:09,250 --> 00:22:11,166
UH, YEAH, THAT'D BE GREAT.
465
00:22:11,166 --> 00:22:12,875
ACTUALLY, NO.
466
00:22:14,000 --> 00:22:15,625
FEEL LIKE SITTING DOWN
FOR A SECOND?
467
00:22:15,625 --> 00:22:18,708
YEAH. NO, I DO. YEAH.
468
00:22:18,708 --> 00:22:20,458
WHEW.
469
00:22:23,375 --> 00:22:24,833
DID YOU WANT TO TALK
ABOUT SOMETHING?
470
00:22:24,833 --> 00:22:26,000
WE DON'T HAVE TO TALK.
471
00:22:27,000 --> 00:22:29,166
WE CAN JUST... SIT HERE.
472
00:22:30,875 --> 00:22:33,208
WILL THAT BE OKAY?
473
00:22:33,208 --> 00:22:35,250
(laughs)
474
00:22:41,458 --> 00:22:44,583
THAT WAS GREAT.
NOW TALK?
475
00:22:44,583 --> 00:22:46,291
-YEAH, WOULD THAT BE BETTER?
-MM-HMM.
476
00:22:46,291 --> 00:22:48,875
IT'S CERTAINLY HARDER,
BUT I FOUND IT CAN BE, YEAH.
477
00:22:50,583 --> 00:22:51,583
LIP GLOSS.
478
00:22:51,583 --> 00:22:53,958
YEAH, I PUT THIS ON
WHEN I DON'T KNOW
WHAT'S HAPPENING.
479
00:22:55,750 --> 00:22:57,208
WHAT FLAVOR IS THAT?
480
00:22:58,208 --> 00:22:59,750
CINNAMON SPICE.
481
00:22:59,750 --> 00:23:02,708
IS THAT BETTER THAN
KIWI MANGO?
482
00:23:02,708 --> 00:23:04,000
IT'S DIFFERENT.
483
00:23:05,125 --> 00:23:06,458
IS DIFFERENT BETTER?
484
00:23:06,458 --> 00:23:08,875
WELL, I GUESS THAT DEPENDS
ON THE LIFE YOU'RE HAVING.
485
00:23:10,125 --> 00:23:11,833
FOR ME, YEAH, I'D
TAKE DIFFERENT.
486
00:23:11,833 --> 00:23:14,000
I'M READY FOR DIFFERENT.
487
00:23:14,000 --> 00:23:15,458
HOW ABOUT YOU?
488
00:23:17,875 --> 00:23:20,208
YOU HEAR THEY'RE TALKING ABOUT
MAKING PLUTO A PLANET AGAIN?
489
00:23:21,625 --> 00:23:22,833
YEAH.