1 00:00:04,250 --> 00:00:05,250 SOMEBODY READ THAT. 2 00:00:05,250 --> 00:00:08,375 "HISTORY WILL BE KIND TO ME FOR I INTEND TO WRITE IT." WINSTON CHURCHILL. 3 00:00:08,375 --> 00:00:10,000 AND HE DID. 4 00:00:10,000 --> 00:00:11,833 WHO'S GONNA WRITE THEIR OWN HISTORY HERE? 5 00:00:12,833 --> 00:00:14,708 WHAT IS HISTORY? I KEEP FORGETTING. 6 00:00:14,708 --> 00:00:16,708 HISTORY IS TIME PASSING. 7 00:00:16,708 --> 00:00:18,458 OH, YEAH? HOW MUCH TIME? 8 00:00:18,458 --> 00:00:22,583 SOMEONE ONCE SAID, "100 YEARS FROM NOW, ALL NEW PEOPLE." 9 00:00:22,583 --> 00:00:23,833 -100 YEARS. -WRONG. 10 00:00:23,833 --> 00:00:25,708 YOU SET ME UP. 11 00:00:25,708 --> 00:00:28,625 WHEN SHOULD YOU GUYS BEGIN TO MAKE YOUR OWN HISTORY? 12 00:00:28,625 --> 00:00:29,958 -RIGHT NOW. -GOOD. 13 00:00:29,958 --> 00:00:32,458 SO, TODAY WE'RE TALKING ABOUT WINSTON CHURCHILL. 14 00:00:32,458 --> 00:00:35,333 WHEN THE NEW PEOPLE COME, HOW DO YOU WANT THEM TALKING ABOUT YOU? 15 00:00:35,333 --> 00:00:36,625 NICELY? 16 00:00:38,583 --> 00:00:41,291 HOW LONG DO WE HAVE BEFORE HISTORY MAKES ITS DECISION ABOUT US? 17 00:00:41,291 --> 00:00:42,708 WHAT IF THEY'RE WRITING IT DOWN NOW? 18 00:00:42,708 --> 00:00:43,833 DOESN'T MATTER. 19 00:00:43,833 --> 00:00:45,833 CHAPTER ONE: INTRODUCTION. PLEASE READ. 20 00:00:48,208 --> 00:00:51,250 "THERE IS A COMFORT IN KNOWING THAT HISTORY IS FIXED. 21 00:00:51,250 --> 00:00:52,875 "YOU CAN NO SOONER CHANGE HISTORY 22 00:00:52,875 --> 00:00:55,625 "THAN YOU CAN CHANGE THE NINE PLANETS IN OUR SOLAR SYSTEM 23 00:00:55,625 --> 00:00:57,208 "FROM MERCURY TO PLUTO." 24 00:00:58,333 --> 00:01:00,708 All: OH... 25 00:01:00,708 --> 00:01:01,875 WHAT? 26 00:01:01,875 --> 00:01:04,208 NICE JOB, MR. MATTHEWS. 27 00:01:04,208 --> 00:01:05,416 WHAT'D HE DO? 28 00:01:05,416 --> 00:01:07,416 HE JUST SHOWED US HISTORY BOOKS CAN BE WRONG. 29 00:01:07,416 --> 00:01:08,458 YOU CAN CHANGE HISTORY. 30 00:01:08,458 --> 00:01:09,750 I DON'T GET IT. 31 00:01:09,750 --> 00:01:10,708 HOW CAN SHE NOT KNOW? 32 00:01:10,708 --> 00:01:12,208 LOOK AT THE BIRD! 33 00:01:13,708 --> 00:01:16,458 -SHE DOESN'T KNOW BECAUSE SHE HAS US. -THE RILEY COMMITTEE. 34 00:01:16,458 --> 00:01:18,708 THE COMMITTEE EXISTS TO KEEP CERTAIN INFORMATION AWAY FROM RILEY. 35 00:01:18,708 --> 00:01:20,583 -LIKE WHAT? -EVERYTHING, REALLY. 36 00:01:20,583 --> 00:01:23,000 LISTEN, THIS COMMITTEE CAN'T PROTECT HER FOR THE REST OF HER LIFE. 37 00:01:23,000 --> 00:01:24,083 SHE'S GETTING TOO SMART. 38 00:01:24,083 --> 00:01:25,458 SHE'S LOOKING FOR A BIRD. 39 00:01:28,125 --> 00:01:29,375 WELL, SOMEONE'S GOTTA TELL HER. 40 00:01:29,375 --> 00:01:31,125 -YOU DO IT. -NAH... 41 00:01:31,125 --> 00:01:33,166 YOU DO IT! 42 00:01:33,166 --> 00:01:35,083 -HI, SWEETIE. -PEACHES. 43 00:01:35,083 --> 00:01:38,708 SEE, WE'VE ALL BEEN PROTECTING YOU FROM SOMETHING. 44 00:01:38,708 --> 00:01:39,750 YOU KNOW PLUTO? 45 00:01:39,750 --> 00:01:42,458 PLUTO? I LOVE PLUTO. 46 00:01:42,458 --> 00:01:43,708 EVERYBODY KNOWS THAT. 47 00:01:43,708 --> 00:01:45,458 PLUTO'S A LITTLE CUTIE-PIE. 48 00:01:45,458 --> 00:01:47,583 THE SMALLEST PLANET WITH THE BIGGEST HEART. 49 00:01:47,583 --> 00:01:49,375 I LOVE PLUTO SO MUCH, 50 00:01:49,375 --> 00:01:51,125 I WOULD KISS IT ON THE FACE. 51 00:01:51,125 --> 00:01:52,750 -NOT DOING IT! -YOU'RE DOING IT! 52 00:01:52,750 --> 00:01:53,875 -HONEY? -PEACHES? 53 00:01:55,250 --> 00:01:59,500 PLUTO IS NOT A PLANET ANYMORE. 54 00:02:01,416 --> 00:02:02,625 WHAT'S THAT YOU SAY? 55 00:02:02,625 --> 00:02:05,750 THEY MADE A SCIENTIFIC DISCOVERY 56 00:02:05,750 --> 00:02:08,208 THAT PLUTO'S NOT A PLANET ANYMORE. 57 00:02:09,708 --> 00:02:10,750 WILL YOU BE OKAY? 58 00:02:12,583 --> 00:02:14,708 I'M FINE. 59 00:02:14,708 --> 00:02:17,416 I AM TOO OLD NOW TO FLIP OUT OVER SOMETHING LIKE THAT. 60 00:02:18,708 --> 00:02:21,625 DAD, PLEASE CONTINUE. 61 00:02:21,625 --> 00:02:22,833 YOU SURE, SWEETIE? 62 00:02:22,833 --> 00:02:24,875 PLEASE, CONTINUE. 63 00:02:24,875 --> 00:02:26,750 OKAY. 64 00:02:26,750 --> 00:02:28,291 ALL RIGHT, GUYS. 65 00:02:28,291 --> 00:02:32,208 SO, WE'RE TALKING ABOUT WHO WE ARE NOW, AND WHO WE HOPE TO BE SOMEDAY. 66 00:02:32,208 --> 00:02:35,708 HOW WILL WE WRITE OUR OWN HISTORY AND DECIDE WHAT'S IMPORTANT TO US? 67 00:02:35,708 --> 00:02:37,708 THEY FOUND A 100-YEAR-OLD TIME CAPSULE IN BOSTON LAST WEEK. 68 00:02:37,708 --> 00:02:38,750 COULD WE DO ONE OF THOSE? 69 00:02:38,750 --> 00:02:40,583 I LOVE THAT IDEA, FARKLE. 70 00:02:40,583 --> 00:02:43,875 IN FACT, WE DID ONE OF THOSE WHEN I WAS IN HIGH SCHOOL. 71 00:02:43,875 --> 00:02:46,708 WE WERE GONNA SEE WHAT BECAME OF US IN 15 YEARS. 72 00:02:46,708 --> 00:02:48,708 WAIT A MINUTE... 73 00:02:48,708 --> 00:02:50,875 WE WERE GONNA SEE WHAT BECAME OF US RIGHT NOW! 74 00:02:50,875 --> 00:02:54,458 15 YEARS IS RIGHT NOW. 75 00:02:54,458 --> 00:02:58,083 WE WERE GONNA GO BACK AND SEE HOW MUCH WE'VE CHANGED. 76 00:02:58,083 --> 00:03:01,125 YEAH, WELL, I HOPE SOME OF US NEVER DO. 77 00:03:02,291 --> 00:03:04,583 (theme music playing) 78 00:03:08,625 --> 00:03:10,583 ♪ I'VE BEEN WAITING ♪ 79 00:03:10,583 --> 00:03:11,958 ♪ FOR A DAY ♪ 80 00:03:11,958 --> 00:03:13,000 ♪ LIKE THIS TO COME ♪ 81 00:03:13,000 --> 00:03:14,750 ♪ STRUCK LIKE LIGHTNING ♪ 82 00:03:14,750 --> 00:03:17,333 ♪ MY HEART'S BEATING LIKE A DRUM ♪ 83 00:03:17,333 --> 00:03:18,708 ♪ ON THE EDGE ♪ 84 00:03:18,708 --> 00:03:21,291 ♪ OF SOMETHING WONDERFUL ♪ 85 00:03:21,291 --> 00:03:24,166 ♪ FACE TO FACE WITH CHANGES ♪ 86 00:03:24,166 --> 00:03:25,333 ♪ WHAT'S IT ALL ABOUT? ♪ 87 00:03:25,333 --> 00:03:27,458 ♪ LIFE IS CRAZY ♪ 88 00:03:27,458 --> 00:03:29,583 ♪ BUT I KNOW I CAN WORK IT OUT ♪ 89 00:03:29,583 --> 00:03:30,708 ♪ 'CAUSE I GOT YOU ♪ 90 00:03:30,708 --> 00:03:33,833 ♪ TO LIVE IT WITH ME ♪ 91 00:03:33,833 --> 00:03:37,708 ♪ I FEEL ALL RIGHT, I'M GONNA TAKE ON THE WORLD ♪ 92 00:03:37,708 --> 00:03:41,166 ♪ LIGHT UP THE STARS, I'VE GOT SOME PAGES TO TURN ♪ 93 00:03:41,166 --> 00:03:42,958 ♪ I'M SINGING "GO-O-O" ♪ 94 00:03:42,958 --> 00:03:46,000 ♪ OH, OH, OH, OH ♪ 95 00:03:46,000 --> 00:03:49,083 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 96 00:03:49,083 --> 00:03:50,458 ♪ TAKE ON THE WORLD ♪ 97 00:03:50,458 --> 00:03:53,000 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 98 00:03:53,000 --> 00:03:54,833 ♪ TAKE ON THE WORLD. ♪ 99 00:03:59,000 --> 00:04:02,583 PROMISE ME WE ARE NOT DRIVING TO PHILADELPHIA TO DIG UP STUFF FROM 15 YEARS AGO. 100 00:04:02,583 --> 00:04:04,208 I PROMISE. 101 00:04:04,208 --> 00:04:05,875 WHERE ARE THE SHOVELS FOR SOMETHING ELSE? 102 00:04:07,833 --> 00:04:08,750 WE DON'T HAVE SHOVELS. 103 00:04:08,750 --> 00:04:10,458 WELL, WHERE WOULD ONE BUY THESE SHOVELS? 104 00:04:10,458 --> 00:04:12,583 THE HARDWARE STORE, IF ONE WAS GOING TO BUY SHOVELS, 105 00:04:12,583 --> 00:04:13,583 BUT ONE ISN'T. 106 00:04:13,583 --> 00:04:16,708 WELL, WHERE WOULD ONE FIND THIS "HARDWARE STORE" IF ONE WAS? 107 00:04:17,708 --> 00:04:19,708 PROMISE ME YOU'RE NOT COMING BACK HERE WITH SHOVELS. 108 00:04:19,708 --> 00:04:22,625 I PROMISE YOU I AM NOT COMING BACK HERE WITH SHOVELS. 109 00:04:22,625 --> 00:04:24,000 THEN WHERE ARE YOU GOING? 110 00:04:24,000 --> 00:04:25,375 I THINK YOU KNOW. 111 00:04:27,000 --> 00:04:28,375 SAY IT! 112 00:04:28,375 --> 00:04:29,708 SHOVELS! 113 00:04:33,708 --> 00:04:35,375 HOW CAN THEY JUST DO THAT? 114 00:04:36,458 --> 00:04:38,833 SHE WORKS HER WHOLE LIFE TO BECOME A PLANET, 115 00:04:38,833 --> 00:04:40,708 AND THEN IT'S JUST TAKEN AWAY FROM HER. 116 00:04:40,708 --> 00:04:43,416 DO OUR HOPES AND DREAMS EVEN MATTER? 117 00:04:43,416 --> 00:04:45,833 WELL, IN 15 YEARS, WE'RE GONNA FIND OUT. 118 00:04:45,833 --> 00:04:48,000 A BUFFALO NICKEL. THAT'S WHAT YOU'RE PUTTING IN THE TIME CAPSULE? 119 00:04:48,000 --> 00:04:50,125 YEAH, MY GRANDFATHER GAVE IT TO ME FOR--- 120 00:04:51,708 --> 00:04:53,708 ANYWAY, MY GRANDFATHER GAVE IT TO ME. 121 00:04:53,708 --> 00:04:56,000 NO, NO, NO, NO, NO, NO, NO, FOR WHAT? 122 00:04:56,000 --> 00:04:57,833 PAPPY JOE GAVE IT TO YOU FOR WHAT? 123 00:04:57,833 --> 00:05:00,166 DON'T CALL HIS GRANDFATHER PAPPY JOE. STYLE ::cue(.speaker) ::cue(.speakerTop) 124 00:05:00,166 --> 00:05:02,625 IT ACTUALLY WAS PAPPY JOE. 125 00:05:04,000 --> 00:05:05,083 YOU KNEW THAT? 126 00:05:05,083 --> 00:05:06,958 EH, IT WOULD'VE BEEN ANYTHING I SAID. 127 00:05:06,958 --> 00:05:09,083 WHY'D HE GIVE YOU THE NICKEL? WHY? 128 00:05:09,083 --> 00:05:12,375 NOTHING. HE GAVE IT TO ME FOR BEING A GOOD LITTLE BOY. 129 00:05:12,375 --> 00:05:14,833 NO, NO, NO, NO, NO, NO, TELL US. 130 00:05:14,833 --> 00:05:16,708 I WAS A LITTLE KID, 131 00:05:16,708 --> 00:05:18,708 I WANT TO A KIDDIE RODEO, 132 00:05:18,708 --> 00:05:21,291 AND I WAS THE ONLY ONE WHO MADE IT THE WHOLE EIGHT SECONDS. 133 00:05:21,291 --> 00:05:22,583 YOU RODE A BULL? 134 00:05:22,583 --> 00:05:23,875 IT WAS SORT OF LIKE A BULL. 135 00:05:23,875 --> 00:05:25,000 HERE COMES FUNNY. 136 00:05:25,000 --> 00:05:26,458 I RODE A SHEEP. 137 00:05:26,458 --> 00:05:27,750 (laughing) 138 00:05:27,750 --> 00:05:30,083 IT'S A REAL THING! IT'S CALLED MUTTON BUSTING. 139 00:05:30,083 --> 00:05:32,625 RILEY, YOU'RE LAUGHING AT ME? 140 00:05:32,625 --> 00:05:34,125 NO... 141 00:05:35,750 --> 00:05:37,708 I WANTED TO BE A RODEO STAR. 142 00:05:37,708 --> 00:05:40,458 BUT, I GOT OLDER AND GAVE UP ON IT. 143 00:05:40,458 --> 00:05:45,416 AWW, DON'T EVER GIVE UP ON YOUR SHEEP RIDING DREAMS. 144 00:05:45,416 --> 00:05:49,708 YOU GO OUT THERE, AND YOU BECOME THE BEST SHEEP RIDER THE WORLD HAS EVER SEEN. 145 00:05:49,708 --> 00:05:51,333 MOM, WHAT ARE YOU DOING? 146 00:05:51,333 --> 00:05:52,750 AS LONG AS I'M HERE, 147 00:05:52,750 --> 00:05:55,833 I'VE DECIDED TO GIVE OUT VALUABLE LIFE-LIVING ADVICE. 148 00:05:55,833 --> 00:05:57,458 LIKE CORY AND TOPANGA. 149 00:05:57,458 --> 00:06:01,208 SO, YOU ALL COME TO ME WHEN YOU'RE FEELING LOST IN THIS WORLD, 150 00:06:01,208 --> 00:06:02,583 AND I'M GONNA FIX YOU RIGHT UP. 151 00:06:02,583 --> 00:06:04,333 NAH, WE'RE GOOD. 152 00:06:04,333 --> 00:06:08,708 DO NOT LET YOUR SHEEP-RIDING DISAPPOINTMENT 153 00:06:08,708 --> 00:06:11,125 PREVENT YOU FROM DREAMING DREAMS. 154 00:06:12,375 --> 00:06:13,750 AS I LOOK BACK AT MY LIFE, 155 00:06:13,750 --> 00:06:16,583 THE ONLY REGRETS I HAVE ARE THE DREAMS I GAVE UP ON TOO SOON. 156 00:06:18,375 --> 00:06:21,583 WOW. THANK YOU. THAT'S GOOD ADVICE. 157 00:06:21,583 --> 00:06:23,125 YES, IT IS! 158 00:06:23,125 --> 00:06:26,750 HEY, NICE TROPHY, THE FARKLE. 159 00:06:26,750 --> 00:06:28,083 THANKS, THE MAYA'S MOM. 160 00:06:28,083 --> 00:06:30,000 IT'S MY SCIENCE FAIR LIFETIME ACHIEVEMENT AWARD. 161 00:06:30,000 --> 00:06:32,166 FORGET SCIENCE, YOU DREAM DREAMS! 162 00:06:32,166 --> 00:06:34,708 -BUT-- -OKAY. 163 00:06:36,625 --> 00:06:38,000 WHAT ARE YOU PUTTING IN, MAYA? 164 00:06:38,000 --> 00:06:40,375 NOTHING. NO HOPES, NO DISAPPOINTMENTS. 165 00:06:40,375 --> 00:06:41,583 WHAT ABOUT YOU? 166 00:06:41,583 --> 00:06:43,583 I DON'T KNOW WHY IT'S SO IMPORTANT FOR ME 167 00:06:43,583 --> 00:06:45,750 TO CARE ABOUT SOMETHING THAT'S SO FAR AWAY. 168 00:06:45,750 --> 00:06:47,708 BUT, I DO. 169 00:06:47,708 --> 00:06:49,708 I'M PUTTING IN PLUTO. 170 00:06:49,708 --> 00:06:52,000 WELL, IT'S SMALL ENOUGH. HA! 171 00:06:53,750 --> 00:06:54,750 TOO SOON? 172 00:07:06,833 --> 00:07:08,833 BACK FROM THE HARDWARE STORE, ARE WE? 173 00:07:08,833 --> 00:07:10,000 SHOVEL. 174 00:07:10,000 --> 00:07:11,083 HMM... 175 00:07:18,708 --> 00:07:20,708 PLEASE TELL ME YOU DIDN'T DRAG SHAWN INTO THIS? 176 00:07:20,708 --> 00:07:22,708 I DID NOT DRAG SHAWN INTO THIS. 177 00:07:22,708 --> 00:07:23,625 (banging on the door) 178 00:07:23,625 --> 00:07:24,875 WHO'S THAT? 179 00:07:24,875 --> 00:07:26,708 I THINK YOU KNOW. 180 00:07:28,500 --> 00:07:30,375 TOPANGA, YOU ALL RIGHT? 181 00:07:30,375 --> 00:07:31,583 YEAH, I'M FINE, SHAWN. 182 00:07:31,583 --> 00:07:34,000 OH, THEN IT'S CORY. OH MY GOSH, IT'S YOU. 183 00:07:34,000 --> 00:07:35,875 ALL RIGHT. WHAT DO THE DOCTORS SAY? 184 00:07:35,875 --> 00:07:37,458 HOW LONG DOES HE HAVE TO LIVE? 185 00:07:41,125 --> 00:07:42,416 NOT LONG. 186 00:07:44,875 --> 00:07:46,208 ALL RIGHT, BUDDY. 187 00:07:46,208 --> 00:07:49,375 WE ARE GONNA DO EVERYTHING WE'VE EVER DREAMED OF, 188 00:07:49,375 --> 00:07:52,208 AND IN WHATEVER TIME YOU HAVE LEFT, WE'RE GONNA DO EVERYTHING. 189 00:07:52,208 --> 00:07:54,833 WE'RE GONNA GO TO YOUR FAVORITE RESTAURANT, WE'RE GONNA TAKE ALL THE ROLLS. 190 00:07:54,833 --> 00:07:57,875 THEY WANT YOU TO TAKE THE ROLLS. 191 00:07:59,875 --> 00:08:01,375 NO! 192 00:08:01,375 --> 00:08:04,625 OH, IT'S OKAY, SHAWN, I BOUGHT THE SHOVELS MYSELF. 193 00:08:04,625 --> 00:08:07,708 CORY, PAY THE MONEY. HAVE THE PROFESSIONALS DIG. 194 00:08:09,458 --> 00:08:11,875 SHAWN, HE'S FINE. EVERYBODY'S FINE. 195 00:08:11,875 --> 00:08:14,166 NO. HE'S NOT FINE. 196 00:08:14,166 --> 00:08:17,583 HE CALLED ME OVER HERE, SAID IT WAS A MATTER OF LIFE OR DEATH. 197 00:08:17,583 --> 00:08:18,708 HE'S NOT FINE. 198 00:08:20,250 --> 00:08:21,875 I HAD TO MAKE SURE YOU'D COME. 199 00:08:23,625 --> 00:08:24,708 NOBODY BYE-BYE? 200 00:08:24,708 --> 00:08:26,875 EVERYBODY WHOOP-DI-WHOO! 201 00:08:28,875 --> 00:08:29,958 WHY AM I HERE? 202 00:08:29,958 --> 00:08:32,708 CORY REMEMBERED THE TIME CAPSULE FROM HIGH SCHOOL. 203 00:08:32,708 --> 00:08:33,708 IT'S 15 YEARS. 204 00:08:33,708 --> 00:08:36,083 HE WANTS TO DRIVE TO PHILADELPHIA TO DIG IT UP. 205 00:08:37,416 --> 00:08:38,500 OH... 206 00:08:40,708 --> 00:08:41,875 OKAY. 207 00:08:45,291 --> 00:08:47,708 WHATCHA DOING WITH THAT SHOVEL, BUDDY? 208 00:08:47,708 --> 00:08:49,458 I WAS IN PHILADELPHIA! 209 00:08:49,458 --> 00:08:51,708 (yelling) 210 00:08:56,458 --> 00:08:57,458 ROAD TRIP! 211 00:08:57,458 --> 00:08:59,208 WHO WANTS TO GO INSTEAD OF ME? 212 00:08:59,208 --> 00:09:01,833 I'LL GO. I'LL DO ANYTHING WITH ANYBODY. 213 00:09:01,833 --> 00:09:02,625 NO DEAL. 214 00:09:02,625 --> 00:09:05,375 THERE'S NOT ENOUGH ROOM IN THE CAR FOR YOU AND ALL YOUR WORDS. 215 00:09:06,458 --> 00:09:07,583 WHAT'S THIS HERE? 216 00:09:07,583 --> 00:09:09,208 THIS IS WHAT WE'RE PUTTING IN OUR TIME CAPSULE. 217 00:09:09,208 --> 00:09:10,458 OH... 218 00:09:11,958 --> 00:09:13,208 NOPE. NOT GOOD ENOUGH. 219 00:09:13,208 --> 00:09:14,833 THESE THINGS ARE IMPORTANT TO US. 220 00:09:14,833 --> 00:09:15,958 WHY ARE THERE ONLY THREE OF THEM? 221 00:09:15,958 --> 00:09:17,583 -I'M NOT PLAYING. -OH, YOU'RE PLAYING! 222 00:09:17,583 --> 00:09:19,208 -NICE SHOVEL SHIRT. -THEY GOT PLENTY LEFT. 223 00:09:19,208 --> 00:09:20,458 I DON'T SEE HOW. 224 00:09:22,291 --> 00:09:23,583 MR. SHAWN. 225 00:09:23,583 --> 00:09:24,708 MISS KATY. 226 00:09:24,708 --> 00:09:26,583 HOW ARE YOU? HOW'S THE WRITING? 227 00:09:26,583 --> 00:09:28,833 WELL, I WAS DOING A STORY IN PHILADELPHIA 228 00:09:28,833 --> 00:09:30,875 TILL MY FRIEND HERE BROUGHT ME TO NEW YORK 229 00:09:30,875 --> 00:09:32,875 SO WE COULD GO BACK TO PHILADELPHIA. 230 00:09:32,875 --> 00:09:34,166 HOW'S THE ACTING? 231 00:09:34,166 --> 00:09:37,333 I WAS PLAYING A WAITRESS AT THE NIGHTHAWK DINER, 232 00:09:37,333 --> 00:09:39,833 AND NOW I'M PLAYING A WAITRESS HERE. 233 00:09:39,833 --> 00:09:41,625 -IT'S YOUR REAL LIFE. -IT CAN'T BE. 234 00:09:43,583 --> 00:09:46,125 WELL, I'M KINDA LIKING THIS MOVIE. 235 00:09:49,250 --> 00:09:53,458 COME ON! IT'S A CHANCE TO GO BACK AND SEE WHAT TIME HAS TAUGHT US. 236 00:09:53,458 --> 00:09:54,875 COME ON, IT'S OUR HISTORY! 237 00:09:54,875 --> 00:09:55,875 YOU AND ME, 238 00:09:55,875 --> 00:09:56,958 FEENY, 239 00:09:56,958 --> 00:09:58,333 SHAWN AND ANGELA. 240 00:09:59,708 --> 00:10:01,833 GIVE ME A SHOVEL. NO REASON. STYLE ::cue(.speaker) ::cue(.speakerTop) 241 00:10:01,833 --> 00:10:03,416 GIVE ME A SHOVEL AND YOUR HEAD. 242 00:10:05,625 --> 00:10:06,625 WHO'S ANGELA? 243 00:10:08,750 --> 00:10:12,000 OH, YOU KNOW. SOMEONE WHO USED TO BE IN MY LIFE. 244 00:10:12,000 --> 00:10:15,000 AH, YES. WELL, WE ALL HAVE ONE OF THOSE, DON'T WE? 245 00:10:15,000 --> 00:10:16,083 DO YOU MISS HER? 246 00:10:16,083 --> 00:10:19,708 I KNOW I'D MISS RILEY AND MAYA IF I DIDN'T SEE THEM FOR A LONG TIME. 247 00:10:19,708 --> 00:10:21,750 DO YOU THINK YOUR OLD FEELINGS WILL GET ALL STIRRED UP FOR HER? 248 00:10:21,750 --> 00:10:24,708 AND YOU'LL MISS HER? AND YOU'LL GO BACK AND LIVE WHEREVER SHE IS? 249 00:10:26,875 --> 00:10:28,208 DO YOU NEVER MISS? 250 00:10:30,125 --> 00:10:33,708 YEAH, MR. HUNTER, YOU GONNA GET SOME FEELINGS ALL STIRRED UP? 251 00:10:35,625 --> 00:10:38,708 MAYA, ALL OF A SUDDEN, I THINK WE SHOULD BE GOING WITH THEM. 252 00:10:38,708 --> 00:10:39,833 DO YOU THINK WE SHOULD GO? 253 00:10:41,750 --> 00:10:42,875 WE'RE GOING WITH YOU. 254 00:10:42,875 --> 00:10:43,958 ALL RIGHT. 255 00:10:43,958 --> 00:10:46,333 KATY, DO YOU MIND IF WE TAKE THIS ONE OFF YOUR HANDS FOR THE WEEKEND? 256 00:10:46,333 --> 00:10:47,708 HAVE FUN, BABY GIRL. 257 00:10:47,708 --> 00:10:49,458 ALL RIGHT, GIRLS, GRAB A SHOVEL. 258 00:10:49,458 --> 00:10:51,458 WE'RE DIGGING UP THE PAST! 259 00:10:51,458 --> 00:10:52,500 YAY. 260 00:11:01,333 --> 00:11:04,000 COME ON, TOPANGA! PUT SOME BACK INTO IT, WILL YOU? 261 00:11:04,000 --> 00:11:05,958 (whispering) I HAVE BLISTERS! 262 00:11:05,958 --> 00:11:08,625 AND, IT'S NOT EXACTLY LIKE I'M WEARING MY SHOVELING SHOES. 263 00:11:08,625 --> 00:11:09,750 WHAT ABOUT YOU GUYS? 264 00:11:09,750 --> 00:11:11,458 WE'RE ON A MANDATORY BREAK. 265 00:11:11,458 --> 00:11:13,500 HEY, I THOUGHT WE WERE ONLY DOING EVERY OTHER HOLE. 266 00:11:14,625 --> 00:11:16,625 YOU SAID YOU KNEW EXACTLY WHERE THIS THING WAS BURIED. 267 00:11:16,625 --> 00:11:19,125 WELL, IT'S IN THIS GENERAL VICINITY, YES. 268 00:11:19,125 --> 00:11:20,208 HOW IS THIS FUN? 269 00:11:20,208 --> 00:11:22,458 YOU SAID THIS WAS GONNA BE FUN. HOW CAN ANYBODY MAKE THIS FUN? 270 00:11:23,458 --> 00:11:27,833 I MADE ONE FOR MAYA'S HEAD. 271 00:11:27,833 --> 00:11:28,583 YOU'RE SUPPOSED TO BE DIGGING. 272 00:11:28,583 --> 00:11:30,833 OH, BUT I WAS DIGGING FOR AN HOUR, 273 00:11:30,833 --> 00:11:33,583 AND ALL I FOUND WAS THIS OLD METAL BOX. 274 00:11:37,000 --> 00:11:38,125 CORY... 275 00:11:38,125 --> 00:11:39,583 -WHAT? -I'M CONCERNED. 276 00:11:39,583 --> 00:11:41,750 WHAT'S THERE TO BE CONCERNED ABOUT, SHAWNIE? 277 00:11:42,958 --> 00:11:44,333 THAT. 278 00:11:46,750 --> 00:11:50,375 (gasping) 279 00:11:52,208 --> 00:11:53,208 MR. MATTHEWS. 280 00:11:54,250 --> 00:11:55,291 MR. HUNTER. 281 00:11:56,708 --> 00:11:57,625 WE MEET AGAIN. 282 00:11:59,125 --> 00:12:00,375 DETENTION? 283 00:12:00,375 --> 00:12:03,208 BIG BOY DETENTION. 284 00:12:04,208 --> 00:12:06,416 I WON'T DO WELL IN BIG BOY DETENTION. 285 00:12:10,708 --> 00:12:13,083 FEENY! 286 00:12:13,083 --> 00:12:15,958 FEE-HEE-HEE-HEE-HEENAY! 287 00:12:17,333 --> 00:12:23,625 -WHAT, WHAT, WHAT, WHAT... -HEY, HEY, HEY, HEY... 288 00:12:23,625 --> 00:12:30,458 (hissing like cats) 289 00:12:32,708 --> 00:12:33,708 OKAY, LET'S GO. 290 00:12:35,750 --> 00:12:37,000 MRS. MATTHEWS. 291 00:12:37,000 --> 00:12:38,458 HOW YOU DOING? 292 00:12:39,458 --> 00:12:41,750 PUT BACK MY FLOWERS. 293 00:12:41,750 --> 00:12:42,750 EXCEPT FOR THOSE. 294 00:12:42,750 --> 00:12:44,625 I'LL ATTEND TO THOSE MYSELF. 295 00:12:47,375 --> 00:12:48,750 EXCUSE ME. 296 00:12:53,291 --> 00:12:56,708 IS HE A GOOD FATHER, YOU POOR, POOR, LITTLE GIRL? 297 00:12:58,833 --> 00:13:00,125 I'M VERY LUCKY. 298 00:13:00,125 --> 00:13:01,166 HMM. 299 00:13:02,166 --> 00:13:03,583 IS HE A GOOD TEACHER? 300 00:13:03,583 --> 00:13:05,625 I THINK HE'S THE BEST THERE IS. 301 00:13:05,625 --> 00:13:07,166 -OH. -BUT, HE SAYS YOU ARE. 302 00:13:07,166 --> 00:13:08,458 OH. 303 00:13:09,583 --> 00:13:11,333 AND THAT'S WHAT YOU WERE DIGGING FOR? 304 00:13:12,625 --> 00:13:14,583 IT'S OUR TIME CAPSULE, REMEMBER? 305 00:13:14,583 --> 00:13:16,750 I REMEMBER EVERYTHING. 306 00:13:17,875 --> 00:13:19,958 WE WANNA SEE HOW TIME TREATED US. 307 00:13:19,958 --> 00:13:21,750 IF WE TURNED OUT LIKE WE HOPED WE WOULD. 308 00:13:24,000 --> 00:13:26,458 GOT ANY ADVICE FOR US WHILE WE'RE ALL OUT HERE TOGETHER, MR. FEENY? 309 00:13:26,458 --> 00:13:28,000 WELL, YES. 310 00:13:29,708 --> 00:13:32,833 IT'S BEEN A LONG TIME, AND YOU'RE STILL TOGETHER. 311 00:13:35,125 --> 00:13:36,875 WHAT ELSE DO YOU NEED TO KNOW? 312 00:13:45,208 --> 00:13:46,750 ALL RIGHT, I'LL GO FIRST. 313 00:13:46,750 --> 00:13:48,583 NOW, NO ONE KNOWS WHAT ANYONE ELSE BURIED, RIGHT? 314 00:13:48,583 --> 00:13:50,250 -YEAH, THAT WAS THE DEAL. -DON'T OPEN IT. 315 00:13:51,708 --> 00:13:54,750 YEAH, WOULDN'T YOU RATHER BELIEVE YOUR LIVES ARE PERFECT? 316 00:13:54,750 --> 00:13:56,708 YOU MAKE A GOOD POINT, GIRLS, YOU DO. 317 00:13:56,708 --> 00:13:58,083 BUT, HERE'S ANOTHER POINT. 318 00:13:58,083 --> 00:13:59,291 HAVE YOU EVEN MET ME? 319 00:14:03,875 --> 00:14:04,958 THERE IT IS. 320 00:14:09,125 --> 00:14:10,708 IT'S THE JEAN JACKET. 321 00:14:11,583 --> 00:14:13,625 IT'S THE FIRST TIME WE SAID "I LOVE YOU." 322 00:14:16,250 --> 00:14:17,250 AND IT STILL FITS. 323 00:14:19,500 --> 00:14:20,833 TIME HAS BEEN GOOD TO YOU, TOPANGA. 324 00:14:20,833 --> 00:14:22,458 TIME HAS BEEN GOOD TO US ALL. 325 00:14:24,166 --> 00:14:25,750 AND THAT'S HOW YOU DO THE TIME CAPSULE! 326 00:14:29,000 --> 00:14:30,250 OKAY, YOUR TURN. 327 00:14:30,250 --> 00:14:32,500 OKAY, DON'T OVERREACT. 328 00:14:32,500 --> 00:14:33,708 WHY WOULD I OVERREACT? 329 00:14:33,708 --> 00:14:35,583 BECAUSE I KNOW YOU'RE GOING TO MISINTERPRET THIS. 330 00:14:39,166 --> 00:14:40,625 LET'S SEE. 331 00:14:42,291 --> 00:14:46,875 "DEAR CORY, IF YOU WOULD LET IT HAPPEN, I THINK YOU AND I COULD HAVE A FUTURE." 332 00:14:46,875 --> 00:14:48,708 TOPANGA, WHAT'S WRONG WITH THIS? THIS IS GREAT. 333 00:14:48,708 --> 00:14:50,250 IT'S NOT FROM HER. 334 00:14:53,250 --> 00:14:54,583 AAH! 335 00:14:55,583 --> 00:14:56,583 IT'S FROM LAUREN. 336 00:14:58,875 --> 00:15:00,083 WHO'S LAUREN? 337 00:15:00,083 --> 00:15:03,583 WELL, BEFORE WE GOT MARRIED, YOUR FATHER MET A GIRL AT A SKI LODGE, STYLE ::cue(.speaker) ::cue(.speakerTop) 338 00:15:03,583 --> 00:15:05,458 AND SHE REALLY LIKED HIM. 339 00:15:05,458 --> 00:15:06,875 MATTHEWS, YOU DOG! 340 00:15:08,583 --> 00:15:11,125 IS THIS WHY WE NEVER GO SKIING? 341 00:15:12,875 --> 00:15:15,708 WHY WOULD YOU DO THIS, TOPANGA? I... 342 00:15:15,708 --> 00:15:17,500 I BURIED A SYMBOL OF OUR LOVE. 343 00:15:17,500 --> 00:15:20,958 CORY, I WAS THREATENED BY THIS BECAUSE I WAS YOUNG. 344 00:15:20,958 --> 00:15:23,583 THE JEAN JACKET WAS THE FIRST TIME WE SAID "I LOVE YOU." 345 00:15:23,583 --> 00:15:26,708 BUT, I ALMOST LET THIS LITTLE PIECE OF PAPER HURT US 346 00:15:26,708 --> 00:15:28,208 BECAUSE I WAS YOUNG. 347 00:15:28,208 --> 00:15:32,583 YOU ALWAYS KNEW, BUT I DIDN'T UNDERSTAND THAT OUR LOVE WILL LAST FOREVER. 348 00:15:32,583 --> 00:15:34,458 AND THAT NOTHING COULD HURT IT. 349 00:15:34,458 --> 00:15:37,750 I BURIED THIS BECAUSE I HOPED THAT WHEN WE OPENED IT, 350 00:15:37,750 --> 00:15:41,875 I WOULD BE SITTING NEXT TO YOU , AND THAT I COULD GO LIKE THIS. 351 00:15:48,833 --> 00:15:50,125 HERE GOES. 352 00:15:50,125 --> 00:15:51,958 ALL RIGHT, HERE GOES. 353 00:15:53,708 --> 00:15:55,875 AH... 354 00:15:55,875 --> 00:15:57,625 SHAKESPEARE'S SONNETS. 355 00:15:59,250 --> 00:16:01,000 VIVALDI'S FOUR SEASONS. 356 00:16:02,583 --> 00:16:04,333 A VAN DAMME MOVIE TICKET. 357 00:16:05,708 --> 00:16:06,875 AND LIP GLOSS. 358 00:16:08,125 --> 00:16:09,458 KIWI MANGO. 359 00:16:10,875 --> 00:16:12,750 AH, ME AND ANGELA. 360 00:16:12,750 --> 00:16:15,208 WE WERE GONNA BE CORY AND TOPANGA. 361 00:16:16,208 --> 00:16:18,458 I GUESS THERE CAN ONLY BE ONE CORY AND TOPANGA. 362 00:16:18,458 --> 00:16:19,708 BUT, STILL... 363 00:16:20,708 --> 00:16:21,833 ME AND ANGELA. 364 00:16:23,208 --> 00:16:24,833 I WONDER WHAT SHE'S UP TO NOWADAYS? 365 00:16:26,458 --> 00:16:27,583 BYE, SHAWN. 366 00:16:37,583 --> 00:16:40,708 SEE, LIFE WORKS OUT BETTER IF YOU DON'T GET YOUR HOPES UP. 367 00:16:40,708 --> 00:16:42,958 SHAWN WILL GET BACK TOGETHER WITH HIS EX-GIRLFRIEND, 368 00:16:42,958 --> 00:16:44,958 PLUTO IS NOT A PLANET ANYMORE, 369 00:16:44,958 --> 00:16:47,625 AND MY MOM AND ME ARE JUST MY MOM AND ME. 370 00:16:48,708 --> 00:16:50,000 PLUTO IS A PLANET. 371 00:16:50,000 --> 00:16:52,291 SORRY, RILEY, BUT YOU'RE THE ONLY ONE WHO SAYS IT IS. 372 00:16:53,291 --> 00:16:54,708 YOU HEARD THEM TELL THE STORY, MAYA. 373 00:16:54,708 --> 00:16:57,625 THERE WAS A TIME WHEN MY FATHER WAS THE ONLY ONE 374 00:16:57,625 --> 00:16:59,833 WHO KNEW HE AND MY MOTHER WOULD ALWAYS BE TOGETHER. 375 00:16:59,833 --> 00:17:02,416 EVEN WHEN EVERYONE ELSE SAID THAT THEY WOULDN'T. 376 00:17:02,416 --> 00:17:03,750 HE KNEW. 377 00:17:03,750 --> 00:17:06,000 AND SO DO I. 378 00:17:06,000 --> 00:17:08,750 AND SO DOES YOUR MOTHER. BECAUSE SHE'S RIGHT. 379 00:17:09,958 --> 00:17:11,625 DREAM DREAMS, MAYA. 380 00:17:12,625 --> 00:17:14,625 YOU'RE GOING TO GET EVERYTHING YOU WANT IN LIFE. 381 00:17:15,875 --> 00:17:18,250 HOW IS IT POSSIBLE THAT YOU CAN STILL HAVE HOPE FOR ME? 382 00:17:18,250 --> 00:17:19,708 HEY... 383 00:17:19,708 --> 00:17:22,583 I HAVE HOPE FOR SOMETHING FOUR BILLION MILES AWAY. 384 00:17:23,583 --> 00:17:26,500 YOU HAVE ALWAYS BEEN RIGHT HERE. 385 00:17:34,708 --> 00:17:36,708 I KNOW THAT ANGELA AND I USED TO JUST BE ABLE TO SIT TOGETHER. 386 00:17:36,708 --> 00:17:38,125 WE DIDN'T EVEN HAVE TO TALK. 387 00:17:38,125 --> 00:17:39,708 -YOU DIDN'T TALK? -NO. 388 00:17:39,708 --> 00:17:41,708 WE'D JUST BE WITH EACH OTHER. 389 00:17:41,708 --> 00:17:43,458 AM I EVER GONNA FIND THAT AGAIN? 390 00:17:43,458 --> 00:17:45,125 MAYBE YOU'LL FIND SOMETHING DIFFERENT? 391 00:17:45,125 --> 00:17:46,458 YEAH, IS DIFFERENT BETTER? 392 00:17:46,458 --> 00:17:48,500 MAYBE, IF YOU GIVE IT A CHANCE. 393 00:17:50,208 --> 00:17:52,583 SHAWN, WHY DIDN'T YOU END UP WITH ANGELA? 394 00:17:52,583 --> 00:17:54,833 SHE ENDED IT AND WALKED OUT ON ME. 395 00:17:54,833 --> 00:17:57,083 TIME HAS TAUGHT ME THAT'S NOT GOOD FOR A RELATIONSHIP. 396 00:17:58,708 --> 00:18:01,583 I PUT THIS STUFF IN THE TIME CAPSULE BECAUSE I THOUGHT WHEN WE OPENED IT 397 00:18:01,583 --> 00:18:03,708 THERE MIGHT BE SOMEONE THERE FOR ME TO LOVE. 398 00:18:04,708 --> 00:18:05,875 I'M NOT GONNA HAVE THAT. 399 00:18:08,958 --> 00:18:10,583 DON'T BE SUCH A JERK! 400 00:18:14,833 --> 00:18:16,375 WOMEN USED TO LIKE ME, RIGHT? 401 00:18:19,083 --> 00:18:20,125 (knocking) 402 00:18:20,125 --> 00:18:21,458 COME IN, UNCLE SHAWN. 403 00:18:22,458 --> 00:18:23,500 HOW'D YOU KNOW IT WAS ME? 404 00:18:23,500 --> 00:18:25,000 MY FAMILY DOESN'T KNOCK. THEY'RE PIGS. 405 00:18:32,708 --> 00:18:33,750 OKAY. 406 00:18:35,708 --> 00:18:37,625 WHAT? 407 00:18:37,625 --> 00:18:40,000 YOU KNOW HOW THEY SAY PLUTO ISN'T A PLANET ANYMORE? 408 00:18:40,000 --> 00:18:41,875 YEAH. YEAH, I HEARD ABOUT THAT. 409 00:18:41,875 --> 00:18:43,583 DOESN'T THAT KILL YOU? 410 00:18:43,583 --> 00:18:44,750 NO. 411 00:18:47,125 --> 00:18:48,583 PLUTO IS STILL OUT THERE FOR ME. 412 00:18:48,583 --> 00:18:50,208 I DON'T CARE. 413 00:18:52,708 --> 00:18:54,958 YOU WEREN'T AFRAID TO LOVE SOMEBODY ONCE. 414 00:18:54,958 --> 00:18:58,583 YEAH, WELL, I... I'M DONE WITH THAT. 415 00:18:58,583 --> 00:19:00,958 I DON'T HAVE THAT, I'M NOT GOING TO HAVE THAT. 416 00:19:00,958 --> 00:19:03,208 YOU ARE. THERE'S SOMEONE OUT THERE FOR YOU. 417 00:19:03,208 --> 00:19:05,833 SO, YOU'RE SAYING PLUTO IS ANGELA? 418 00:19:10,250 --> 00:19:13,500 NO, I'M SAYING THAT PLUTO IS BELIEVING IN SOMETHING OUT THERE 419 00:19:13,500 --> 00:19:15,750 NO MATTER WHAT ANYBODY SAYS. 420 00:19:15,750 --> 00:19:16,583 ESPECIALLY YOU. 421 00:19:16,583 --> 00:19:18,583 BECAUSE THERE IS. 422 00:19:20,458 --> 00:19:21,833 HOW ARE YOU NOT GETTING THIS YET, BUDDY? 423 00:19:31,416 --> 00:19:32,708 YOU BELIEVE IN ME? 424 00:19:32,708 --> 00:19:33,833 I DO. 425 00:19:33,833 --> 00:19:36,125 I DON'T KNOW WHAT I'M SUPPOSED TO BE FOR YOU. 426 00:19:36,125 --> 00:19:38,750 CAN YOU JUST BE OUT THERE FOR ME? 427 00:19:38,750 --> 00:19:40,333 YES. 428 00:19:40,333 --> 00:19:43,000 I CAN DO THAT. I WANT TO DO THAT. 429 00:19:44,083 --> 00:19:45,125 WHAT DO YOU CALL THAT? 430 00:19:46,166 --> 00:19:47,708 IT DOESN'T MATTER WHAT YOU CALL IT. 431 00:19:49,000 --> 00:19:50,708 I JUST WANNA KNOW THAT YOU'RE THERE. 432 00:19:55,333 --> 00:19:56,375 OKAY. 433 00:20:02,250 --> 00:20:03,416 I'M THERE. STYLE ::cue(.speaker) ::cue(.speakerTop) 434 00:20:10,375 --> 00:20:11,625 OKAY, I'LL GO FIRST. 435 00:20:11,625 --> 00:20:13,458 YOU PUTTING IN YOUR SHEEP NICKEL, BILLY BOB? 436 00:20:13,458 --> 00:20:15,708 NO, I CHANGED MY MIND ABOUT THAT. 437 00:20:15,708 --> 00:20:18,458 I'M NOT PUTTING IN A REMINDER OF WHEN I GAVE UP ON A DREAM. 438 00:20:21,875 --> 00:20:23,291 YOUR TRANSFER SLIP. 439 00:20:23,291 --> 00:20:25,958 I'D RATHER BE REMINDED OF WHEN SOMETHING GOOD STARTED. 440 00:20:27,708 --> 00:20:28,583 ME NEXT. 441 00:20:28,583 --> 00:20:30,291 YOUR SCIENCE FAIR TROPHY? 442 00:20:30,291 --> 00:20:31,958 WASN'T IMPORTANT ENOUGH FOR THIS. 443 00:20:34,875 --> 00:20:36,833 YOUR FAVORITE ORANGE TURTLENECK. 444 00:20:36,833 --> 00:20:39,583 IT WAS THE ONE I TOOK OFF WHEN I FELT LIKE I WAS NOTHING. 445 00:20:39,583 --> 00:20:41,458 BUT, YOU GUYS WOULDN'T LET ME BE NOTHING. 446 00:20:41,458 --> 00:20:44,125 AND SINCE IT'S US THAT'S GONNA BE TOGETHER WHEN WE OPEN THIS, 447 00:20:44,125 --> 00:20:45,625 I CAN'T WAIT TO SEE THE SOMETHING THAT I AM. 448 00:20:47,750 --> 00:20:48,833 RILEY, PLUTO? 449 00:20:48,833 --> 00:20:51,583 YEAH. STILL PLUTO. 450 00:20:53,625 --> 00:20:55,375 WHENEVER WE OPEN THIS, 451 00:20:55,375 --> 00:20:58,000 I HOPE I HAVEN'T STOPPED BELIEVING IN THINGS. 452 00:21:03,500 --> 00:21:04,750 OKAY, I'LL PLAY. 453 00:21:04,750 --> 00:21:06,708 BUT, YOU GUYS HAVE TO LEAVE. 454 00:21:06,708 --> 00:21:09,500 YOUR PARENTS AND SHAWN DIDN'T TELL EACH OTHER WHAT THEY WERE PUTTING IN, 455 00:21:09,500 --> 00:21:11,375 AND THAT'S THE WAY I WANT TO DO IT. 456 00:21:11,375 --> 00:21:13,000 I'M HOPING WE'LL ALL BE SURPRISED. 457 00:21:21,625 --> 00:21:23,458 HEY. 458 00:21:23,458 --> 00:21:26,000 WHATEVER IT IS, I HOPE IT WORKS OUT THE WAY YOU WANT IT. 459 00:21:26,000 --> 00:21:27,750 ME TOO. 460 00:21:44,416 --> 00:21:45,583 HOPE IS FOR SUCKERS. 461 00:22:03,458 --> 00:22:05,708 HI, SHAWN. 462 00:22:05,708 --> 00:22:07,583 UM, WE'RE CLOSING UP, 463 00:22:07,583 --> 00:22:09,250 BUT I COULD GET YOU SOMETHING FOR THE ROAD? 464 00:22:09,250 --> 00:22:11,166 UH, YEAH, THAT'D BE GREAT. 465 00:22:11,166 --> 00:22:12,875 ACTUALLY, NO. 466 00:22:14,000 --> 00:22:15,625 FEEL LIKE SITTING DOWN FOR A SECOND? 467 00:22:15,625 --> 00:22:18,708 YEAH. NO, I DO. YEAH. 468 00:22:18,708 --> 00:22:20,458 WHEW. 469 00:22:23,375 --> 00:22:24,833 DID YOU WANT TO TALK ABOUT SOMETHING? 470 00:22:24,833 --> 00:22:26,000 WE DON'T HAVE TO TALK. 471 00:22:27,000 --> 00:22:29,166 WE CAN JUST... SIT HERE. 472 00:22:30,875 --> 00:22:33,208 WILL THAT BE OKAY? 473 00:22:33,208 --> 00:22:35,250 (laughs) 474 00:22:41,458 --> 00:22:44,583 THAT WAS GREAT. NOW TALK? 475 00:22:44,583 --> 00:22:46,291 -YEAH, WOULD THAT BE BETTER? -MM-HMM. 476 00:22:46,291 --> 00:22:48,875 IT'S CERTAINLY HARDER, BUT I FOUND IT CAN BE, YEAH. 477 00:22:50,583 --> 00:22:51,583 LIP GLOSS. 478 00:22:51,583 --> 00:22:53,958 YEAH, I PUT THIS ON WHEN I DON'T KNOW WHAT'S HAPPENING. 479 00:22:55,750 --> 00:22:57,208 WHAT FLAVOR IS THAT? 480 00:22:58,208 --> 00:22:59,750 CINNAMON SPICE. 481 00:22:59,750 --> 00:23:02,708 IS THAT BETTER THAN KIWI MANGO? 482 00:23:02,708 --> 00:23:04,000 IT'S DIFFERENT. 483 00:23:05,125 --> 00:23:06,458 IS DIFFERENT BETTER? 484 00:23:06,458 --> 00:23:08,875 WELL, I GUESS THAT DEPENDS ON THE LIFE YOU'RE HAVING. 485 00:23:10,125 --> 00:23:11,833 FOR ME, YEAH, I'D TAKE DIFFERENT. 486 00:23:11,833 --> 00:23:14,000 I'M READY FOR DIFFERENT. 487 00:23:14,000 --> 00:23:15,458 HOW ABOUT YOU? 488 00:23:17,875 --> 00:23:20,208 YOU HEAR THEY'RE TALKING ABOUT MAKING PLUTO A PLANET AGAIN? 489 00:23:21,625 --> 00:23:22,833 YEAH.