1 00:00:03,166 --> 00:00:05,125 ALL RIGHT, WEIRDOS. LISTEN UP AND LISTEN UP GOOD. 2 00:00:05,125 --> 00:00:06,958 I GOT LIKE A MINUTE BEFORE HE WALKS THROUGH THE DOOR. 3 00:00:06,958 --> 00:00:08,625 WHO'S COMING THROUGH THE DOOR, MAYA? 4 00:00:08,625 --> 00:00:09,708 YOUR UNCLE BOING. 5 00:00:09,708 --> 00:00:11,750 OH, MAYA, YOU'VE GOT TO GET OFF OF THIS. 6 00:00:11,750 --> 00:00:13,625 NOPE. THE REASON HE'S NOT INTERESTED 7 00:00:13,625 --> 00:00:14,958 IS BECAUSE I'VE BEEN PLAYING IT ALL WRONG. 8 00:00:14,958 --> 00:00:17,250 SEE, MY STRATEGY OF TURNING INTO A TOTAL NUT JOB 9 00:00:17,250 --> 00:00:18,291 AT THE MERE SIGHT OF HIM 10 00:00:18,291 --> 00:00:19,500 AIN'T WORKING OUT AS PLANNED. 11 00:00:19,500 --> 00:00:21,375 MAYA, IT'S NOTHING YOU'RE DOING. 12 00:00:21,375 --> 00:00:22,458 IT'S THE AGE DIFFERENCE. 13 00:00:22,458 --> 00:00:23,458 THREE YEARS OLDER. 14 00:00:23,458 --> 00:00:25,250 YOUR DAD MARRIED YOUR MOM. HE'S LIKE 20 YEARS OLDER. 15 00:00:27,375 --> 00:00:29,583 WE'RE EXACTLY THE SAME AGE. 16 00:00:29,583 --> 00:00:30,875 WHAT? 17 00:00:34,875 --> 00:00:36,583 I JUST NEED TO BE CASZH. 18 00:00:36,583 --> 00:00:38,166 HOW'S THIS? 19 00:00:38,166 --> 00:00:39,625 (chuckles) 20 00:00:39,625 --> 00:00:41,000 YEAH, HOW'S THIS? 21 00:00:43,583 --> 00:00:46,083 -HEY, FAMILY. -YEAH, HI. I DON'T CARE. 22 00:00:46,083 --> 00:00:47,708 MY BROTHER. 23 00:00:47,708 --> 00:00:49,000 MY BROTHER. 24 00:00:49,000 --> 00:00:51,458 SO, RILEY, SHOULDN'T WE BE HEADING TO SCHOOL NOW, 25 00:00:51,458 --> 00:00:53,625 SINCE THERE'S NOTHING HERE FOR ME OF ANY INTEREST? 26 00:00:53,625 --> 00:00:54,958 SURE. LET'S GO. 27 00:00:55,958 --> 00:00:57,708 THINK SHE'LL MAKE IT OUT THE DOOR? 28 00:00:57,708 --> 00:00:59,291 I GIVE HER 10 SECONDS 29 00:00:59,291 --> 00:01:01,000 BEFORE SHE JUMPS ON HIS HEAD. 30 00:01:04,000 --> 00:01:06,458 I CAME UP HERE BECAUSE I WANTED TO DO THIS IN FRONT OF ALL OF YOU. 31 00:01:06,458 --> 00:01:09,583 I HOLD IN MY HAND AN ENVELOPE FROM NEW YORK UNIVERSITY. 32 00:01:09,583 --> 00:01:12,583 OHH. ARE WE STOPPING? 33 00:01:12,583 --> 00:01:14,291 I'M NOT STOPPING. I'M RESTING. 34 00:01:16,500 --> 00:01:19,208 WHAT'S IN THIS ENVELOPE TELLS ME WHERE I'M GONNA BE FOR THE NEXT FOUR YEARS. 35 00:01:20,291 --> 00:01:23,208 OHH. ARE WE STOPPING? 36 00:01:23,208 --> 00:01:24,708 I'M NOT AS YOUNG AS I USED TO BE. 37 00:01:26,708 --> 00:01:27,833 GOOD LUCK, JOSH. 38 00:01:27,833 --> 00:01:28,958 YEAH, HI. I DON'T CARE. 39 00:01:31,166 --> 00:01:33,291 IS IT JUST ME OR IS THERE A NEW 40 00:01:33,291 --> 00:01:36,458 MATURITY IN MAYA THAT I HAVEN'T SEEN BEFORE? 41 00:01:36,458 --> 00:01:38,375 I FIND IT INTRIGUING. 42 00:01:39,708 --> 00:01:41,250 (screaming) WHERE WILL YOU BE? 43 00:01:44,708 --> 00:01:47,166 HOLD ON TO YOUR DIGNITY, WOMAN! 44 00:01:48,458 --> 00:01:50,083 TOO LATE FOR THAT. 45 00:01:53,833 --> 00:01:55,708 GET OFF ME, YOU LITTLE FERRET! 46 00:01:55,708 --> 00:01:56,750 GIVE IT! 47 00:01:56,750 --> 00:01:58,583 -IT'S MY LIFE! -IT AFFECTS ME, TOO! 48 00:02:00,250 --> 00:02:02,750 -"DEAR APPLICANT BOING." -IT DOESN'T SAY THAT. 49 00:02:02,750 --> 00:02:05,083 "THIS YEAR WE ARE ONLY ACCEPTING MARRIED APPLICANTS." 50 00:02:05,083 --> 00:02:06,625 IT DOESN'T SAY THAT! 51 00:02:06,625 --> 00:02:08,166 "SO... 52 00:02:08,166 --> 00:02:10,208 WE REGRET TO INFORM YOU THAT..." 53 00:02:10,208 --> 00:02:11,875 REGRET TO INFORM ME? 54 00:02:11,875 --> 00:02:13,833 "WE REGRET TO INFORM YOU THAT YOU WILL BE SPENDING 55 00:02:13,833 --> 00:02:16,333 THE NEXT FOUR YEARS IN NEW YORK WITH MAYA!" 56 00:02:16,333 --> 00:02:17,875 I GOT IN? I GOT IN! 57 00:02:17,875 --> 00:02:19,708 WE GOT IN. CONGRATULATIONS. 58 00:02:19,708 --> 00:02:21,708 -All: YAY! -THAT'S SO GREAT. 59 00:02:21,708 --> 00:02:23,958 I DON'T KNOW WHAT THIS MEANS. 60 00:02:26,208 --> 00:02:27,750 CONGRATULATIONS, BUDDY. 61 00:02:27,750 --> 00:02:28,708 I'M SO PROUD OF YOU. 62 00:02:28,708 --> 00:02:29,875 IT MEANS A LOT, CORY. 63 00:02:29,875 --> 00:02:31,375 ALL VERY EXCITING, I'M SURE. 64 00:02:31,375 --> 00:02:32,833 BUT RILEY AND I 65 00:02:32,833 --> 00:02:34,583 HAVE OUR OWN EDUCATIONS TO WHICH 66 00:02:34,583 --> 00:02:36,208 TO ATTEND... TO WHICH. 67 00:02:37,625 --> 00:02:38,708 THIS IS SO GREAT. 68 00:02:38,708 --> 00:02:39,875 AND MY BUDDY WHO GOES THERE 69 00:02:39,875 --> 00:02:42,458 INVITED ME TO HIS DORM TONIGHT TO MEET SOME COLLEGE FRIENDS IF I GOT IN. 70 00:02:42,458 --> 00:02:44,958 OHH. ARE WE STOPPING? 71 00:02:44,958 --> 00:02:46,958 NOPE. WE'RE DOING SOMETHING ELSE NOW. 72 00:02:49,583 --> 00:02:52,250 WHEN IS THIS LITTLE PARTY? YEAH, WHATEVER, HI, I DON'T CARE. 73 00:02:53,250 --> 00:02:54,500 UH, 10:00 TONIGHT? 74 00:02:54,500 --> 00:02:57,250 WHERE'S THIS LITTLE PARTY? YEAH, WHATEVER, HI, I DON'T CARE. 75 00:02:57,250 --> 00:02:58,250 GREENWICH HALL. 76 00:02:59,875 --> 00:03:01,500 ARE WE SMILING? 77 00:03:01,500 --> 00:03:03,625 I'LL SMILE. I'LL SMILE ANYTIME. 78 00:03:03,625 --> 00:03:05,000 WHAT ARE WE SMILING ABOUT? 79 00:03:05,000 --> 00:03:07,458 BAY WINDOW. 80 00:03:07,458 --> 00:03:08,708 BAY WINDOW RIGHT NOW. 81 00:03:11,333 --> 00:03:12,833 CAN I SLEEP OVER AT YOUR HOUSE TONIGHT? 82 00:03:12,833 --> 00:03:14,833 -YAY. -BUT NOT REALLY? 83 00:03:14,833 --> 00:03:15,708 AWW. 84 00:03:15,708 --> 00:03:17,750 I'M GOING TO THAT PARTY. 85 00:03:17,750 --> 00:03:20,333 OOH, YOU'RE GOING TO SNEAK OUT? 86 00:03:20,333 --> 00:03:22,750 BUT HE SAID IT COULD GO TILL 10:00. 87 00:03:22,750 --> 00:03:24,708 NO, IT STARTS AT 10:00. 88 00:03:24,708 --> 00:03:27,000 IT STARTS AT 10:00? 89 00:03:28,125 --> 00:03:30,000 WHO EVEN HEARD OF SUCH A THING? 90 00:03:30,000 --> 00:03:31,833 THAT BOTHERS YOU, HUH? 91 00:03:31,833 --> 00:03:33,458 IT STARTS AT 10:00? 92 00:03:35,833 --> 00:03:37,833 THERE ARE GOING TO BE COLLEGE GIRLS THERE. 93 00:03:37,833 --> 00:03:39,458 AND THEY'RE PRETTY, AND THEY'RE SMART, 94 00:03:39,458 --> 00:03:40,833 AND THEY'RE WITCHES. 95 00:03:40,833 --> 00:03:41,875 I DON'T LIKE WITCHES. 96 00:03:43,750 --> 00:03:45,500 WE CAN'T LET JOSH FALL UNDER THEIR SPELL, RILEY. 97 00:03:45,500 --> 00:03:46,583 I'M SNEAKING OUT. 98 00:03:46,583 --> 00:03:49,750 YOU WILL BE GROUNDED FOREVER, AND I WILL LOSE MY BEST FRIEND. 99 00:03:49,750 --> 00:03:50,958 -DON'T DO THIS. -NO. 100 00:03:50,958 --> 00:03:53,208 I'M NOT GONNA LOOK BACK AND REGRET THE THINGS I DIDN'T DO. 101 00:03:53,208 --> 00:03:55,000 I WANT TO LOOK BACK AND REGRET THE THINGS 102 00:03:55,000 --> 00:03:56,125 I DID DO. 103 00:03:57,583 --> 00:03:59,000 YOU CAN'T DO THIS. 104 00:03:59,000 --> 00:04:00,625 YOUR CONSCIENCE WILL ALWAYS BOTHER YOU. 105 00:04:00,625 --> 00:04:02,000 I DON'T HAVE A CONSCIENCE. 106 00:04:02,000 --> 00:04:03,000 EVERYBODY DOES. 107 00:04:04,000 --> 00:04:05,875 AND UNTIL YOURS SHOWS UP, 108 00:04:06,875 --> 00:04:08,125 I'M GOING WITH YOU. 109 00:04:08,125 --> 00:04:09,208 OH, REALLY? 110 00:04:09,208 --> 00:04:12,625 YOU READY TO SNEAK OUT THIS WINDOW AND CRASH A 10:00 COLLEGE PARTY WITH ME? 111 00:04:12,625 --> 00:04:14,125 I AM SO READY. 112 00:04:15,708 --> 00:04:17,375 IT STARTS AT 10:00? 113 00:04:17,375 --> 00:04:19,208 (theme music playing) 114 00:04:23,375 --> 00:04:25,375 ♪ I'VE BEEN WAITING ♪ 115 00:04:25,375 --> 00:04:26,708 ♪ FOR A DAY ♪ 116 00:04:26,708 --> 00:04:27,750 ♪ LIKE THIS TO COME ♪ 117 00:04:27,750 --> 00:04:29,291 ♪ STRUCK LIKE LIGHTNING ♪ 118 00:04:29,291 --> 00:04:30,583 ♪ MY HEART'S ♪ 119 00:04:30,583 --> 00:04:31,833 BEATING LIKE A DRUM ♪ 120 00:04:31,833 --> 00:04:33,458 ♪ ON THE EDGE ♪ 121 00:04:33,458 --> 00:04:35,750 ♪ OF SOMETHING WONDERFUL ♪ 122 00:04:35,750 --> 00:04:37,166 ♪ FACE TO FACE ♪ 123 00:04:37,166 --> 00:04:38,583 ♪ WITH CHANGES ♪ 124 00:04:38,583 --> 00:04:39,750 ♪ WHAT'S IT ALL ABOUT? ♪ 125 00:04:39,750 --> 00:04:41,958 ♪ LIFE IS CRAZY ♪ 126 00:04:41,958 --> 00:04:43,000 ♪ BUT I KNOW ♪ 127 00:04:43,000 --> 00:04:44,000 ♪ I CAN WORK IT OUT ♪ 128 00:04:44,000 --> 00:04:45,458 ♪ 'CAUSE I GOT YOU ♪ 129 00:04:45,458 --> 00:04:48,250 ♪ TO LIVE IT WITH ME ♪ 130 00:04:48,250 --> 00:04:49,583 ♪ I FEEL ALL RIGHT ♪ 131 00:04:49,583 --> 00:04:52,375 ♪ I'M GONNA TAKE ON THE WORLD 132 00:04:52,375 --> 00:04:53,708 ♪ LIGHT UP THE STARS ♪ 133 00:04:53,708 --> 00:04:55,833 ♪ I'VE GOT SOME PAGES TO TURN 134 00:04:55,833 --> 00:04:57,625 ♪ I'M SINGING "GO-O-O" ♪ 135 00:04:57,625 --> 00:05:00,833 ♪ OH OH OH OH ♪ STYLE ::cue(.speaker) ::cue(.speakerTop) 136 00:05:00,833 --> 00:05:03,875 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 137 00:05:03,875 --> 00:05:05,083 ♪ TAKE ON THE WORLD ♪ 138 00:05:05,083 --> 00:05:07,833 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 139 00:05:07,833 --> 00:05:09,375 ♪ TAKE ON THE WORLD. ♪ 140 00:05:13,375 --> 00:05:15,958 OKAY, HOW ARE WE PULLING THIS CAPER OFF? 141 00:05:15,958 --> 00:05:18,583 RILEY, IF WE SNUCK OUT FOR AN ADVENTURE, I KNOW YOU'D TELL YOUR PARENTS. 142 00:05:18,583 --> 00:05:20,250 I PROMISE I WON'T. 143 00:05:20,250 --> 00:05:22,166 -WHO'S TALKING? -WE ARE. IT'S US. 144 00:05:22,166 --> 00:05:24,000 YOU AIN'T GOING. 145 00:05:24,000 --> 00:05:25,750 WHAT IS A LIE? 146 00:05:25,750 --> 00:05:27,333 WHAT ARE THE EFFECTS OF A LIE 147 00:05:27,333 --> 00:05:28,416 ON THE HUMAN SOUL? 148 00:05:29,750 --> 00:05:30,958 WHY ARE YOU LOOKING AT ME? 149 00:05:32,833 --> 00:05:35,250 THE MAN WHO SUMMED UP THE PRICE OF A LIE 150 00:05:35,250 --> 00:05:37,291 WAS EDGAR ALLAN POE 151 00:05:37,291 --> 00:05:39,291 IN THE TELL-TALE HEART. 152 00:05:39,291 --> 00:05:40,458 FARKLE. 153 00:05:40,458 --> 00:05:41,583 SO... 154 00:05:41,583 --> 00:05:43,375 THIS GUY CHOPS SOMEBODY UP, 155 00:05:43,375 --> 00:05:44,875 HIDES HIM IN THE FLOOR. 156 00:05:44,875 --> 00:05:46,250 HE'S COOL FOR AWHILE, 157 00:05:46,250 --> 00:05:47,708 BUT ALL OF A SUDDEN, 158 00:05:47,708 --> 00:05:48,708 BOOM, BOOM. 159 00:05:48,708 --> 00:05:50,416 BOOM, BOOM. 160 00:05:50,416 --> 00:05:51,500 BOOM, BOOM! 161 00:05:53,083 --> 00:05:54,625 HIS GUILTY CONSCIENCE MADE HIM HEAR 162 00:05:54,625 --> 00:05:56,000 THE HEARTBEAT UNDER THE FLOORBOARDS. 163 00:05:56,000 --> 00:05:57,500 SO, HE GAVE HIMSELF UP. 164 00:05:57,500 --> 00:05:59,083 SOME PEOPLE JUST AIN'T CUT OUT FOR THIS STUFF. 165 00:06:00,583 --> 00:06:01,833 HE CALLED ON ME, YOU KNOW. 166 00:06:01,833 --> 00:06:03,291 I KNOW STUFF. 167 00:06:03,291 --> 00:06:04,708 I KNOW A LOT OF STUFF. 168 00:06:04,708 --> 00:06:06,708 I KNOW STUFF ABOUT YOU. 169 00:06:06,708 --> 00:06:08,000 YOU DON'T KNOW ANYTHING ABOUT ME. 170 00:06:08,000 --> 00:06:09,208 BOOM, BOOM. 171 00:06:09,208 --> 00:06:10,708 -WHY WOULD YOU DO THAT? -BOOM, BOOM. 172 00:06:10,708 --> 00:06:12,375 -I DON'T UNDERSTAND. -BOOM, BOOM! 173 00:06:12,375 --> 00:06:14,000 ALL THROUGH KINDERGARTEN, I NEVER FELL ASLEEP ONCE. 174 00:06:14,000 --> 00:06:15,708 I WAS FAKING ALL MY NAPS. FAKING THEM. I CAN'T DO IT. 175 00:06:15,708 --> 00:06:17,583 I DON'T KNOW HOW MAYA CAN JUST FALL ASLEEP ANYWHERE. 176 00:06:20,583 --> 00:06:23,750 (snoring) 177 00:06:30,000 --> 00:06:33,750 OKAY, SO, GUYS, THE POINT OF THE STORY IS THAT THE CONSCIENCE 178 00:06:33,750 --> 00:06:35,625 IS MORE POWERFUL THAN WE REALIZE. 179 00:06:35,625 --> 00:06:37,875 I NEVER WAKE YOU UP. 180 00:06:42,250 --> 00:06:43,708 FOR THOSE OF US WHO HAVE ONE. 181 00:06:45,000 --> 00:06:46,125 NOW, 182 00:06:46,125 --> 00:06:47,833 JUST AS THE TRUTH COMES OUT, 183 00:06:47,833 --> 00:06:49,458 SO TOO WILL A LIE. 184 00:06:51,291 --> 00:06:52,625 HOW WILL YOU LIVE YOUR LIVES? 185 00:06:53,625 --> 00:06:56,083 HOW STRONG IS YOUR CONSCIENCE? 186 00:06:56,083 --> 00:06:57,958 (heart beating) 187 00:07:02,125 --> 00:07:03,583 WE HAVEN'T DONE ANYTHING YET. 188 00:07:04,750 --> 00:07:05,750 OH, YEAH. 189 00:07:07,333 --> 00:07:09,833 (lighthearted music playing) 190 00:07:19,125 --> 00:07:20,625 BEFORE YOU GIVE UP ON ME COMPLETELY, 191 00:07:20,625 --> 00:07:22,875 YOU'VE GOTTA GIVE ME A TRIAL RUN AT LEAST. 192 00:07:22,875 --> 00:07:24,458 YOU GOTTA, MAYA. YOU'VE JUST GOTTA. 193 00:07:24,458 --> 00:07:26,583 (groans) 194 00:07:26,583 --> 00:07:28,583 YAY. IF I SUCCEED... 195 00:07:28,583 --> 00:07:30,291 I TAKE YOU. AND IF YOU FAIL... 196 00:07:30,291 --> 00:07:31,583 I'M OUT, AND OUT LIKE A LIGHT. 197 00:07:32,583 --> 00:07:33,583 OKAY. 198 00:07:34,625 --> 00:07:35,750 WHAT'S HE DOING? 199 00:07:37,625 --> 00:07:39,291 HE LOVES HIS TOTS. 200 00:07:39,291 --> 00:07:40,458 Cory: EIGHT. 201 00:07:40,458 --> 00:07:41,833 NINE. 202 00:07:41,833 --> 00:07:43,416 10? 203 00:07:43,416 --> 00:07:45,250 10 TOTS. 204 00:07:45,250 --> 00:07:46,583 AUGGIE, 205 00:07:46,583 --> 00:07:47,625 HOW MANY YOU GOT? 206 00:07:47,625 --> 00:07:48,875 12. 207 00:07:48,875 --> 00:07:50,333 GIMME. 208 00:07:50,333 --> 00:07:52,750 DO I HAVE TO? 209 00:07:52,750 --> 00:07:53,958 HE COUNTS THE TOTS 210 00:07:53,958 --> 00:07:55,416 ON EVERYBODY'S PLATE 211 00:07:55,416 --> 00:07:57,000 TO MAKE SURE THAT NOBODY GETS MORE THAN HIM. 212 00:07:57,000 --> 00:07:58,458 THAT'S NOT WHAT I DO. 213 00:08:00,083 --> 00:08:02,208 I KNOW ONE THING FOR SURE ABOUT LIFE. 214 00:08:02,208 --> 00:08:04,083 10 TOTS IS ONE TOT TOO LITTLE, 215 00:08:04,083 --> 00:08:06,958 AND 12 TOTS IS ONE TOT TOO MUCH. 216 00:08:06,958 --> 00:08:08,708 WATCH THIS, RILEY. 217 00:08:08,708 --> 00:08:11,583 MR. MATTHEWS, YOU'RE LOOKING GOOD. YOU WEARING YOUR HAIR DIFFERENT? 218 00:08:11,583 --> 00:08:13,208 HOW WOULD THAT EVEN BE POSSIBLE? 219 00:08:13,208 --> 00:08:15,333 THANK YOU, MAYA. 220 00:08:15,333 --> 00:08:16,833 A LOT OF WORK. 221 00:08:16,833 --> 00:08:18,833 THIS DOESN'T JUST HAPPEN. 222 00:08:18,833 --> 00:08:20,458 (chuckles) 223 00:08:20,458 --> 00:08:22,583 (heart beating) 224 00:08:26,416 --> 00:08:28,291 WHAT'S THE MATTER WITH RILEY? 225 00:08:28,291 --> 00:08:30,583 I DON'T KNOW, AUGGIE. RILEY, IS THERE SOMETHING WRONG? 226 00:08:31,875 --> 00:08:34,083 YEAH-HUH. 227 00:08:34,083 --> 00:08:35,458 BOOM, BOOM. 228 00:08:38,291 --> 00:08:39,708 YOU KNOW WHAT? 229 00:08:39,708 --> 00:08:41,083 I'M NOT REALLY HUNGRY. 230 00:08:41,083 --> 00:08:42,458 -DOES ANYBODY ELSE WANT THIS? -NO, RILEY. 231 00:08:43,458 --> 00:08:45,375 IT'S YOURS. EAT IT. 232 00:08:45,375 --> 00:08:47,166 (growling) EAT IT. 233 00:08:49,416 --> 00:08:51,083 WHAT HAPPENS IF I EAT YOU? 234 00:08:51,083 --> 00:08:53,708 OH, I BECOME PART OF YOUR SOUL 235 00:08:53,708 --> 00:08:55,458 AND HAUNT YOU FOREVER. 236 00:08:55,458 --> 00:08:56,708 (echoes) 237 00:08:56,708 --> 00:08:59,083 ENJOY ME, AND TELL ME I'M DELICIOUS. 238 00:08:59,083 --> 00:09:01,583 RILEY, ARE YOU GOING TO EAT THIS? 239 00:09:01,583 --> 00:09:03,208 OR ARE YOU NOT GOING? 240 00:09:03,208 --> 00:09:04,208 I'M GOING. 241 00:09:06,625 --> 00:09:07,625 (gags) 242 00:09:09,875 --> 00:09:10,875 SWALLOW IT. 243 00:09:11,875 --> 00:09:13,375 Conscience: HERE I GO. 244 00:09:13,375 --> 00:09:14,875 WHEE. 245 00:09:20,958 --> 00:09:22,416 SO I'M IN, RIGHT? 246 00:09:22,416 --> 00:09:23,583 YES. 247 00:09:23,583 --> 00:09:25,291 SQUEE! 248 00:09:25,291 --> 00:09:27,750 ALL RIGHT. FIRST THING WE'RE GONNA NEED IS ANOTHER RILEY. 249 00:09:27,750 --> 00:09:29,875 -WHY? -YOUR PARENTS ARE GOING TO OPEN THE DOOR 250 00:09:29,875 --> 00:09:32,083 TO CHECK ON YOU, AND IT NEEDS TO LOOK LIKE YOU'RE IN HERE. 251 00:09:32,083 --> 00:09:33,208 MAYA, 252 00:09:33,208 --> 00:09:35,166 HOW COULD IT POSSIBLY HAPPEN 253 00:09:35,166 --> 00:09:36,875 WHERE ANYONE WOULD EVER BELIEVE 254 00:09:36,875 --> 00:09:38,333 THAT WAS ACTUALLY ME UNDER THE COVERS? 255 00:09:38,333 --> 00:09:40,958 I MEAN, WHO WOULD BE DUMB ENOUGH TO FALL FOR-- 256 00:09:43,333 --> 00:09:44,625 HOW DID I GET OVER THERE? 257 00:09:45,875 --> 00:09:47,583 'CAUSE I'M THE BEST THERE IS AT WHAT I DO. 258 00:09:50,000 --> 00:09:51,625 NIGHT, NIGHT, FAKE RILEY. 259 00:09:51,625 --> 00:09:54,583 I WAS ONCE AS INNOCENT AS YOU. 260 00:09:54,583 --> 00:09:56,000 BUT NOW ALL I HAVE TO DO 261 00:09:56,000 --> 00:09:57,416 IS CLIMB OUT THAT WINDOW 262 00:09:57,416 --> 00:09:58,583 AND THEN I AM JUST LIKE THIS 263 00:09:58,583 --> 00:10:00,875 WICKED WOMAN OVER HERE. STYLE ::cue(.speaker) ::cue(.speakerTop) 264 00:10:00,875 --> 00:10:02,458 RILEY, IF YOU JUST LET IT HAPPEN, 265 00:10:02,458 --> 00:10:04,125 THERE'S A CHANCE WE CAN ACTUALLY GET AWAY WITH THIS. 266 00:10:04,125 --> 00:10:06,083 RIGHT. SURE. 267 00:10:06,083 --> 00:10:07,583 I'M LETTING IT HAPPEN. 268 00:10:07,583 --> 00:10:09,583 FIRST TIME I EVER TRY SOMETHING LIKE THIS, 269 00:10:09,583 --> 00:10:11,500 AND I AM GOING TO GET AWAY WITH IT. 270 00:10:11,500 --> 00:10:12,833 YOU KNOW WHY? 271 00:10:12,833 --> 00:10:14,625 BECAUSE I, LIKE YOU, 272 00:10:14,625 --> 00:10:16,625 HAVE NO CONSCIENCE. 273 00:10:16,625 --> 00:10:18,000 GREAT. LET'S GO. 274 00:10:22,625 --> 00:10:24,291 BOOM, BOOM. 275 00:10:25,750 --> 00:10:28,750 OKAY, THIS IS GOING TO BE AN INTERESTING NIGHT. 276 00:10:41,583 --> 00:10:43,208 I CAN'T BELIEVE WE SNUCK OUT THE WINDOW. 277 00:10:43,208 --> 00:10:45,125 I'VE NEVER BEEN TO A COLLEGE BEFORE. 278 00:10:45,125 --> 00:10:46,750 THEY'RE GOING TO KNOW I DON'T BELONG HERE. 279 00:10:46,750 --> 00:10:48,250 DON'T TALK. JUST ACT LIKE YOU FIT IN. 280 00:10:48,250 --> 00:10:49,833 I WANT TO TALK SO BAD. 281 00:10:49,833 --> 00:10:52,166 YOU DON'T KNOW WHAT TO SAY. YOU'VE NEVER BEEN TO A COLLEGE BEFORE. 282 00:10:52,166 --> 00:10:54,750 BEAT NOTRE DAME! 283 00:10:54,750 --> 00:10:57,583 (cheering) 284 00:10:57,583 --> 00:10:59,000 MAYA! 285 00:11:01,000 --> 00:11:02,416 GIVE HER BACK. 286 00:11:02,416 --> 00:11:03,750 (cheering) 287 00:11:06,833 --> 00:11:09,416 SEE YOU AT THE GAME, BOYS. 288 00:11:09,416 --> 00:11:12,000 -RILEY-- -IF YOU TALK HERE, THEY PICK YOU UP 289 00:11:12,000 --> 00:11:13,833 -AND THEY CARRY YOU. -THAT'S RIDICULOUS. 290 00:11:13,833 --> 00:11:15,291 OH, YEAH? 291 00:11:15,291 --> 00:11:16,750 GAMMA GAMMA NU! 292 00:11:16,750 --> 00:11:18,166 (cheering) 293 00:11:23,750 --> 00:11:25,500 GIVE HER BACK. 294 00:11:25,500 --> 00:11:27,166 (cheering) 295 00:11:30,583 --> 00:11:32,708 I JUST PLEDGED. 296 00:11:32,708 --> 00:11:34,708 I DON'T WANT TO WAIT FOR COLLEGE TO BE REAL. 297 00:11:34,708 --> 00:11:35,750 I'M STAYING. 298 00:11:38,583 --> 00:11:39,625 WE'RE LEAVING. 299 00:11:39,625 --> 00:11:40,875 WHY? 300 00:11:40,875 --> 00:11:42,416 WE GOT HERE TOO LATE. 301 00:11:43,750 --> 00:11:46,500 SO HOW LONG DID IT TAKE FOR YOU GUYS TO GET COMFORTABLE AROUND HERE? 302 00:11:46,500 --> 00:11:48,625 IT'S ABOUT THE PEOPLE YOU MEET, REALLY. 303 00:11:48,625 --> 00:11:50,750 IT'S NICE TO MEET YOU. 304 00:11:50,750 --> 00:11:52,208 YOU TOO. 305 00:11:54,250 --> 00:11:56,708 HOW DID I THINK I COULD EVER COMPETE WITH THEM? 306 00:11:56,708 --> 00:11:58,416 MAYA... 307 00:11:58,416 --> 00:12:00,875 A GAMMA GAMMA GIRL DOES NOT LET HER SISTER GIVE UP 308 00:12:00,875 --> 00:12:02,583 AT THE FIRST SIGN OF TROUBLE. 309 00:12:02,583 --> 00:12:04,458 YOU'RE NOT A GAMMA GAMMA GIRL. 310 00:12:04,458 --> 00:12:05,708 RY-RY! 311 00:12:05,708 --> 00:12:07,708 YOU TOTALLY DITCHED US. 312 00:12:07,708 --> 00:12:10,083 I'M DEALING WITH SOME STUFF, HARRIET. 313 00:12:10,083 --> 00:12:11,458 I SHOULDN'T TELL YOU THIS, 314 00:12:11,458 --> 00:12:13,500 BUT YOU WERE ALREADY VOTED BEST FRIEND TO HAVE. 315 00:12:13,500 --> 00:12:15,083 I THOUGHT GRETCHEN HAD THAT. 316 00:12:15,083 --> 00:12:16,625 NOPE. YOU! 317 00:12:16,625 --> 00:12:17,875 GAMMA SONG? 318 00:12:17,875 --> 00:12:19,583 OF COURSE, GAMMA SONG. 319 00:12:19,583 --> 00:12:22,333 ♪ WE ARE THE SISTERS OF GAMMA GAMMA NU ♪ 320 00:12:22,333 --> 00:12:24,708 ♪ WE ARE HUMBLE, BUT WE'RE BETTER THAN YOU ♪ 321 00:12:24,708 --> 00:12:27,708 ♪ WE HELP PEOPLE EVERYWHERE, BUT WE STILL LOVE OUR HAIR ♪ 322 00:12:27,708 --> 00:12:29,500 ♪ 'CAUSE WE'RE GAMMA GAMMA NU ♪ 323 00:12:29,500 --> 00:12:30,708 ♪ WHOO! ♪ 324 00:12:32,708 --> 00:12:34,125 Both: STOP IT. 325 00:12:34,125 --> 00:12:36,708 -THAT'S OURS! -GROW UP. 326 00:12:36,708 --> 00:12:38,833 -I'M LEAVING. -YOU'RE NOT. 327 00:12:38,833 --> 00:12:41,625 RILEY, HOW DO I EVEN BEGIN TO COMPETE WITH THOSE GIRLS IN THERE? 328 00:12:41,625 --> 00:12:42,708 SEE, JOSH? 329 00:12:42,708 --> 00:12:44,416 NOTHING TO WORRY ABOUT AT ALL. 330 00:12:44,416 --> 00:12:45,875 YOU'RE GOING TO FIT RIGHT IN HERE. 331 00:12:45,875 --> 00:12:47,583 YEAH, YOU'VE GOT NEW FRIENDS ALREADY, 332 00:12:47,583 --> 00:12:49,291 AND A NEW LIFE WAITING AS SOON AS YOU GET HERE. 333 00:12:51,833 --> 00:12:53,750 YEAH, HE'S GONE. 334 00:12:54,833 --> 00:12:55,875 PLEASE TAKE ME HOME. 335 00:12:55,875 --> 00:12:58,291 BOLD WOMEN MAKE BOLD CHOICES. 336 00:12:58,291 --> 00:12:59,750 WHAT DOES THAT EVEN MEAN? 337 00:12:59,750 --> 00:13:01,125 IT'S A GAMMA THING. 338 00:13:01,125 --> 00:13:02,833 IT'S WHAT WE SAY RIGHT BEFORE 339 00:13:02,833 --> 00:13:04,875 WE SHOVE A SISTER INTO A BOLD CHOICE. 340 00:13:21,208 --> 00:13:23,875 RILEY, CAN I SLEEP WITH YOU TONIGHT? 341 00:13:25,625 --> 00:13:27,166 YOU'RE NOT SAYING NO? 342 00:13:27,166 --> 00:13:29,416 DOES THAT MEAN YES? 343 00:13:31,583 --> 00:13:33,000 GOOD NIGHT. 344 00:13:42,708 --> 00:13:44,291 UH-OH. 345 00:13:44,291 --> 00:13:46,458 RILEY'S BEING A BAD GIRL. 346 00:13:46,458 --> 00:13:47,500 (knocks on door) 347 00:13:49,166 --> 00:13:50,708 AUGGIE, WHAT ARE YOU DOING IN HERE? 348 00:13:50,708 --> 00:13:52,458 I'M SLEEPING OVER AT RILEY'S. 349 00:13:52,458 --> 00:13:53,625 WE LOVE EACH OTHER. 350 00:13:53,625 --> 00:13:54,875 IS THAT OKAY WITH RILEY? 351 00:13:54,875 --> 00:13:56,750 -RILEY? -SHH. 352 00:13:56,750 --> 00:13:58,000 MOM, 353 00:13:58,000 --> 00:13:59,750 SHE'S REALLY SLEEPY. 354 00:13:59,750 --> 00:14:02,083 AREN'T YOU JUST THE BEST LITTLE BROTHER. 355 00:14:02,083 --> 00:14:04,375 YOU HAVE NO IDEA. 356 00:14:05,625 --> 00:14:06,750 -GOOD NIGHT. -NIGHT. 357 00:14:08,583 --> 00:14:10,875 I OWN YOU NOW. 358 00:14:18,000 --> 00:14:19,500 MAYA, RILEY? 359 00:14:19,500 --> 00:14:21,625 YOU KNOW THESE GIRLS, JOSH? 360 00:14:21,625 --> 00:14:23,333 -HOW YOU DOING? -WE'RE IN MIDDLE SCHOOL. 361 00:14:23,333 --> 00:14:25,708 OH! THEY CAN'T BE HERE, JOSH. 362 00:14:25,708 --> 00:14:27,000 NO KIDDING. RILEY, 363 00:14:27,000 --> 00:14:28,708 WHAT ARE YOU THINKING? YOU HAVE TO GO. 364 00:14:28,708 --> 00:14:30,708 YOU'RE RIGHT, JOSH. WE'RE SORRY. 365 00:14:30,708 --> 00:14:32,708 -THIS WAS A BAD IDEA. -WAIT. 366 00:14:32,708 --> 00:14:34,583 INTRIGUED. 367 00:14:34,583 --> 00:14:35,625 MAYA? 368 00:14:35,625 --> 00:14:37,333 WHAT WAS YOUR BAD IDEA? 369 00:14:38,708 --> 00:14:41,291 HE'S HER UNCLE JOSH. I CALL HIM UNCLE BOING, BECAUSE LOOK AT HIM. 370 00:14:42,625 --> 00:14:44,750 SHE MADE ME SNEAK OUT A WINDOW TO COME HERE. 371 00:14:44,750 --> 00:14:47,000 THAT'S HOW MUCH SHE LIKES HIM. 372 00:14:47,000 --> 00:14:48,833 BECAUSE SHE WAS AFRAID 373 00:14:48,833 --> 00:14:50,458 THAT YOU GUYS WERE WITCHES, 374 00:14:50,458 --> 00:14:51,833 AND THAT YOU WOULD STEAL HIM FROM HER. 375 00:14:53,333 --> 00:14:55,291 THEY'RE NOT WITCHES, RILEY. THEY'RE GIRLS 376 00:14:55,291 --> 00:14:57,291 WHO DON'T LIVE AT HOME ANYMORE AND KNOW A LOT MORE THAN WE DO. 377 00:14:58,708 --> 00:15:00,458 SORRY WE INTERRUPTED YOUR EVENING. 378 00:15:00,458 --> 00:15:02,875 OH, I THINK OUR EVENING HAS JUST BEGUN. STYLE ::cue(.speaker) ::cue(.speakerTop) 379 00:15:05,250 --> 00:15:06,875 INITIATION! 380 00:15:06,875 --> 00:15:07,875 (screams) 381 00:15:11,708 --> 00:15:12,875 ALL RIGHT. BRING HER BACK. 382 00:15:14,333 --> 00:15:15,333 ANDREW? 383 00:15:16,333 --> 00:15:17,458 YOU TOLD ME YOU DIED. 384 00:15:17,458 --> 00:15:19,833 I DID. 385 00:15:19,833 --> 00:15:20,583 I AM. 386 00:15:22,291 --> 00:15:23,583 (whispers) DON'T FORGET ME. 387 00:15:25,583 --> 00:15:26,750 THEY ALL DIE. 388 00:15:28,708 --> 00:15:29,708 HEY. 389 00:15:29,708 --> 00:15:30,875 HEY. 390 00:15:30,875 --> 00:15:31,875 SO, MAYA, 391 00:15:31,875 --> 00:15:33,375 WHAT DO YOU SEE IN THIS GUY? 392 00:15:33,375 --> 00:15:34,708 HOW LONG HAVE YOU HAD A CRUSH ON HIM? 393 00:15:34,708 --> 00:15:37,083 IT'S NOT A CRUSH. IT ISN'T. 394 00:15:37,083 --> 00:15:38,625 MAYBE I'M NOT AS OLD AS YOU GUYS, 395 00:15:39,625 --> 00:15:40,875 BUT I KNOW WHAT I FEEL. 396 00:15:40,875 --> 00:15:42,708 HEY, I'VE NEVER DONE ANYTHING LIKE WHAT YOU'RE DOING. 397 00:15:42,708 --> 00:15:45,166 YEAH, IT MAKES YOU PRETTY GROWN-UP TO ME. 398 00:15:45,166 --> 00:15:47,291 I JUST THOUGHT IF I DID SOMETHING LIKE THIS, 399 00:15:47,291 --> 00:15:50,083 THEN HE MIGHT TAKE ME SERIOUSLY AND THEN MAYBE WE COULD 400 00:15:50,083 --> 00:15:51,583 COME TO SOME KIND OF UNDERSTANDING. 401 00:15:52,708 --> 00:15:54,333 WE HAVE AN UNDERSTANDING. 402 00:15:54,333 --> 00:15:55,375 I STAY HERE, 403 00:15:55,375 --> 00:15:56,416 YOU GO HOME. 404 00:15:56,416 --> 00:15:57,833 -SIT DOWN. -OKAY. 405 00:16:00,833 --> 00:16:02,000 I'M JUST STUPID, RIGHT? 406 00:16:02,000 --> 00:16:03,000 HEY. 407 00:16:03,000 --> 00:16:05,708 I WOULD LOVE IF SOMEBODY DID SOMETHING STUPID FOR ME. 408 00:16:05,708 --> 00:16:07,875 YEAH, IT'S NOT THE BIG GESTURES 409 00:16:07,875 --> 00:16:09,750 THAT WE DO FOR OTHER PEOPLE THAT HELP US GROW UP. 410 00:16:09,750 --> 00:16:12,083 BUT THE SMALL CHOICES YOU MAKE FOR YOURSELF. 411 00:16:13,833 --> 00:16:15,166 OHH. 412 00:16:16,375 --> 00:16:18,583 MAYA TOLD YOU GUYS ABOUT HER CRUSH. 413 00:16:18,583 --> 00:16:19,750 IT'S NOT A CRUSH. 414 00:16:21,083 --> 00:16:22,708 MAYA, 415 00:16:22,708 --> 00:16:24,875 CAN YOU NAME ONE THING YOU KNOW ABOUT HIM 416 00:16:24,875 --> 00:16:26,333 THAT YOU LOVE? 417 00:16:26,333 --> 00:16:28,166 HE'S PART OF YOUR FAMILY, RILEY. 418 00:16:28,166 --> 00:16:29,500 I LOVE YOUR FAMILY. 419 00:16:29,500 --> 00:16:30,625 AND WE LOVE YOU. 420 00:16:31,625 --> 00:16:33,333 WHAT ABOUT JOSH IN PARTICULAR? 421 00:16:33,333 --> 00:16:34,875 YEAH, MAYA, YOU DON'T-- 422 00:16:34,875 --> 00:16:36,583 YOU DON'T EVEN REALLY KNOW ME. 423 00:16:39,000 --> 00:16:40,500 YEAH. 424 00:16:40,500 --> 00:16:41,583 YOU'RE RIGHT. 425 00:16:41,583 --> 00:16:44,083 I DON'T PAY ATTENTION TO ANYTHING YOU DO. 426 00:16:44,083 --> 00:16:46,208 I DON'T KNOW THAT YOU DRIVE FROM 427 00:16:46,208 --> 00:16:48,500 PHILADELPHIA TO NEW YORK, NOT EVEN LOOKING 428 00:16:48,500 --> 00:16:49,750 IF YOU GOT INTO NYU 429 00:16:49,750 --> 00:16:51,500 JUST SO YOU COULD OPEN YOUR ACCEPTANCE LETTER 430 00:16:51,500 --> 00:16:52,708 IN FRONT OF YOUR OLDER BROTHER 431 00:16:52,708 --> 00:16:55,166 BECAUSE YOU LOVE HIM, AND YOU WANT HIM TO BE PROUD OF YOU. 432 00:16:56,833 --> 00:16:58,833 AND I SEE THE WAY YOU ARE WITH AUGGIE. 433 00:16:58,833 --> 00:17:00,500 A LITTLE KID WHO LOOKS UP TO YOU 434 00:17:00,500 --> 00:17:01,875 WHO YOU ALWAYS HAVE TIME FOR. 435 00:17:03,000 --> 00:17:05,958 AND I KNOW THAT EVEN THOUGH YOU'D RATHER STAY HERE WITH THESE GIRLS, 436 00:17:05,958 --> 00:17:07,750 YOU'RE GOING TO WALK RILEY AND ME HOME. 437 00:17:07,750 --> 00:17:10,125 BECAUSE THAT'S JUST THE KIND OF GUY YOU ARE. 438 00:17:11,833 --> 00:17:13,375 I LIKE YOU. 439 00:17:14,458 --> 00:17:17,166 DUDE, WHAT IS WRONG WITH YOU? 440 00:17:17,166 --> 00:17:18,583 SHE'S THREE YEARS YOUNGER THAN ME. 441 00:17:18,583 --> 00:17:20,583 -SIT DOWN. -YEP-- NO! 442 00:17:20,583 --> 00:17:22,000 NO, BECAUSE I SAT DOWN THE FIRST TIME, 443 00:17:22,000 --> 00:17:23,875 AND I FEEL LIKE IF I SIT DOWN THIS TIME 444 00:17:23,875 --> 00:17:27,500 IT WON'T REFLECT WELL ON ME. 445 00:17:27,500 --> 00:17:28,625 YEAH? 446 00:17:28,625 --> 00:17:30,291 HOW'S THIS REFLECT ON YOU? 447 00:17:30,291 --> 00:17:31,708 IF YOU DON'T SIT DOWN, 448 00:17:31,708 --> 00:17:34,500 I'M GONNA TELL EVERY GIRL ON CAMPUS THAT YOU BELONG 449 00:17:34,500 --> 00:17:36,291 TO THE BRAVEST GIRL 450 00:17:36,291 --> 00:17:37,583 THAT I HAVE EVER MET. 451 00:17:37,583 --> 00:17:39,708 I'LL MAKE SURE THAT NO ONE GOES OUT WITH YOU 452 00:17:39,708 --> 00:17:40,875 THE WHOLE TIME YOU'RE HERE. 453 00:17:41,875 --> 00:17:43,000 OKAY. 454 00:17:43,000 --> 00:17:44,166 I'LL SIT DOWN. 455 00:17:44,166 --> 00:17:45,833 BUT ONLY BECAUSE I WANT TO. 456 00:17:47,708 --> 00:17:49,000 MAYA, 457 00:17:49,000 --> 00:17:51,083 HE'S 17 AND YOU'RE 14? 458 00:17:51,083 --> 00:17:52,583 YEAH. 459 00:17:52,583 --> 00:17:55,625 THAT MIGHT SEEM LIKE A REALLY BIG AGE DIFFERENCE NOW, 460 00:17:55,625 --> 00:17:58,708 BUT HERE IN COLLEGE, WE LEARN A REALLY DIFFICULT MATH. 461 00:17:58,708 --> 00:18:00,708 YEAH. 462 00:18:00,708 --> 00:18:03,083 AND WHEN YOU GET HERE, YOU'LL BE 18 463 00:18:03,083 --> 00:18:04,500 AND HE'LL BE 21. 464 00:18:04,500 --> 00:18:07,250 AND THE GOOD NEWS IS THAT HE'LL BE SMARTER BECAUSE HE'LL BE IN COLLEGE. 465 00:18:08,250 --> 00:18:09,875 AND HE JUST MAY BE SMART ENOUGH 466 00:18:09,875 --> 00:18:11,125 TO LOOK AT YOU DIFFERENTLY. 467 00:18:12,875 --> 00:18:14,000 OKAY. 468 00:18:14,000 --> 00:18:17,083 THANK YOU GUYS FOR FIGURING OUT MY ENTIRE LIFE FOR ME. 469 00:18:17,083 --> 00:18:19,125 BUT THIS HAS BEEN THE WORST PARTY OF MY LIFE. 470 00:18:21,583 --> 00:18:22,625 COME ON. LET'S GO. 471 00:18:22,625 --> 00:18:24,708 OH, YOU'RE LEAVING? 472 00:18:26,416 --> 00:18:27,875 I'M GONNA WALK THEM HOME. 473 00:18:34,875 --> 00:18:36,291 NOT SO FAST, TOOTS. 474 00:18:36,291 --> 00:18:38,083 DON'T YOU START WITH ME. 475 00:18:38,083 --> 00:18:40,833 I FEEL GREAT, AND THERE IS NOTHING THAT YOU CAN SAY 476 00:18:40,833 --> 00:18:42,125 THAT WILL TAKE THAT AWAY FROM ME. 477 00:18:42,125 --> 00:18:44,166 BECAUSE YOU HAD THE BEST NIGHT OF YOUR LIFE? 478 00:18:44,166 --> 00:18:45,208 YEAH. 479 00:18:45,208 --> 00:18:46,750 AND YOU CAN'T WAIT TO TELL YOUR PARENTS? 480 00:18:46,750 --> 00:18:47,583 YEAH. 481 00:18:47,583 --> 00:18:49,208 IF ONLY YOU HADN'T LIED TO THEM 482 00:18:49,208 --> 00:18:50,708 AND SNUCK OUT THE WINDOW. 483 00:18:50,708 --> 00:18:51,708 YOU KNOW ABOUT THAT? 484 00:18:51,708 --> 00:18:52,750 I KNOW EVERYTHING. 485 00:18:52,750 --> 00:18:55,375 I ALSO KNOW YOU CAN'T EVER TELL THEM. 486 00:18:57,500 --> 00:18:58,500 OH, YEAH. 487 00:19:01,708 --> 00:19:03,291 ENJOY THE REST OF YOUR EVENING. 488 00:19:03,291 --> 00:19:05,375 I'LL BE WITH YOU ALL NIGHT. 489 00:19:12,250 --> 00:19:13,958 THIS IS JUST HOW YOU LIVE? 490 00:19:13,958 --> 00:19:15,458 YOU JUST DO BAD STUFF 491 00:19:15,458 --> 00:19:16,750 AND YOU GET AWAY WITH IT? 492 00:19:16,750 --> 00:19:18,875 IS SOMETHING BOTHERING YOU, DARLING? 493 00:19:20,000 --> 00:19:21,708 HELLO. 494 00:19:21,708 --> 00:19:22,833 OKAY, GO AHEAD. 495 00:19:22,833 --> 00:19:24,833 YOUR FATHER TRUSTS YOU. 496 00:19:25,833 --> 00:19:26,833 YOUR MOTHER TRUSTS YOU. 497 00:19:27,833 --> 00:19:29,416 YOUR BROTHER LIED FOR YOU. 498 00:19:30,500 --> 00:19:31,833 EVERYTHING BAD IN THE WORLD 499 00:19:31,833 --> 00:19:33,250 IS YOUR FAULT. 500 00:19:33,250 --> 00:19:34,458 WHAT? 501 00:19:34,458 --> 00:19:36,458 NEVER MIND. THAT'S FOR LATER. 502 00:19:39,125 --> 00:19:41,125 -GOOD MORNING. -WHAT HAPPENED TO THE GUY? 503 00:19:41,125 --> 00:19:42,708 WHAT GUY? 504 00:19:42,708 --> 00:19:44,000 THE TELL-TALE HEART GUY. 505 00:19:44,000 --> 00:19:45,875 WHAT HAPPENED WHEN HIS CONSCIENCE 506 00:19:45,875 --> 00:19:46,875 GOT THE BETTER OF HIM? 507 00:19:46,875 --> 00:19:48,458 OH, THE "BOOM, BOOM" GUY. 508 00:19:48,458 --> 00:19:49,583 YEAH, HE WENT CRAZY. 509 00:19:49,583 --> 00:19:51,625 CRAZY? WHAT DO YOU MEAN WENT CRAZY? 510 00:19:51,625 --> 00:19:53,708 HE FREAKED OUT FROM A GUILTY CONSCIENCE. 511 00:19:53,708 --> 00:19:54,833 CLASSIC. 512 00:19:56,083 --> 00:19:58,708 HOW DO YOU GET YOUR CONSCIENCE TO STOP MAKING YOU FEEL GUILTY? 513 00:19:58,708 --> 00:20:02,333 WELL, THE BEST WAY IS TO NOT DO THE THINGS YOU SHOULDN'T DO, 514 00:20:02,333 --> 00:20:03,875 BUT IF YOU DO DO SOMETHING WRONG... 515 00:20:03,875 --> 00:20:05,166 HE SAID "DO DO." STYLE ::cue(.speaker) ::cue(.speakerTop) 516 00:20:06,500 --> 00:20:09,000 YOU HAVE TO UNDERSTAND, THAT'S JUST YOUR CONSCIENCE 517 00:20:09,000 --> 00:20:11,416 TRYING TO GET YOU TO TAKE RESPONSIBILITY FOR IT. 518 00:20:11,416 --> 00:20:12,458 WHY? 519 00:20:12,458 --> 00:20:14,500 BECAUSE WHEN YOU TAKE RESPONSIBILITY 520 00:20:14,500 --> 00:20:15,833 FOR THE THINGS YOU DO, 521 00:20:15,833 --> 00:20:17,833 THAT'S WHEN YOU FINALLY BEGIN TO GROW. 522 00:20:17,833 --> 00:20:19,625 SO, LISTENING TO YOUR CONSCIENCE 523 00:20:19,625 --> 00:20:20,875 -HELPS YOU GROW? -YEAH. 524 00:20:22,250 --> 00:20:23,583 YOU MIGHT WANT TO TRY IT SOMETIME. 525 00:20:25,250 --> 00:20:27,125 WELL, HELLO, MAYA. 526 00:20:27,125 --> 00:20:28,375 IT'S BEEN A LONG TIME. 527 00:20:29,875 --> 00:20:30,708 WHAT THE--? 528 00:20:36,375 --> 00:20:38,291 I WANT TO TELL MY PARENTS WHAT I DID. 529 00:20:38,291 --> 00:20:40,166 -TOO LATE. -I WANT TO TELL THEM 530 00:20:40,166 --> 00:20:42,708 HOW MUCH I'M LOOKING FORWARD TO GOING TO COLLEGE SOMEDAY. 531 00:20:42,708 --> 00:20:45,458 BECAUSE YOU LOVED THOSE COLLEGE GIRLS YOU MET THERE? 532 00:20:45,458 --> 00:20:47,583 THEY WERE SO GREAT. 533 00:20:47,583 --> 00:20:49,708 WHAT? 534 00:20:49,708 --> 00:20:53,083 BECAUSE ONE DAY YOU HOPE TO BE THOSE KINDS OF GIRLS YOURSELVES? 535 00:20:53,083 --> 00:20:54,458 YOU KNEW. 536 00:20:54,458 --> 00:20:56,625 THEY KNEW. PARENTS KNOW EVERYTHING. 537 00:20:56,625 --> 00:20:58,375 NO. SOMEONE TOLD US. 538 00:21:00,250 --> 00:21:02,291 I JUST WANTED TO SAY GOODBYE. 539 00:21:03,291 --> 00:21:04,708 VERY INTERESTING VISIT. 540 00:21:04,708 --> 00:21:07,291 JOSH, YOU TOLD THEM. 541 00:21:07,291 --> 00:21:09,208 TOLD THEM WHAT, RILEY? 542 00:21:09,208 --> 00:21:11,416 THAT NOTHING HAPPENED? WHY WOULD I TELL THEM NOTHING HAPPENED 543 00:21:11,416 --> 00:21:12,875 IF NOTHING HAPPENED? WHY WOULD I TELL THEM THAT? 544 00:21:14,458 --> 00:21:16,333 IT'S OKAY, JOSH. 545 00:21:16,333 --> 00:21:17,833 MAYA TOLD US. 546 00:21:17,833 --> 00:21:19,625 -WHAT? -MAYA TOLD US EVERYTHING. 547 00:21:19,625 --> 00:21:20,708 WHY? 548 00:21:20,708 --> 00:21:21,875 I WOULDN'T RAT YOU OUT, RILEY. 549 00:21:23,250 --> 00:21:24,875 SORRY, CORY. 550 00:21:24,875 --> 00:21:26,333 GUESS I'M STILL YOUR LITTLE BROTHER, HUH? 551 00:21:26,333 --> 00:21:27,875 NO, JOSH. 552 00:21:27,875 --> 00:21:29,583 YOU WERE SO LOOKING FORWARD TO MAKING NEW FRIENDS 553 00:21:29,583 --> 00:21:31,250 AT THAT PARTY. 554 00:21:31,250 --> 00:21:32,583 BUT YOU LEFT. 555 00:21:32,583 --> 00:21:34,125 JUST TO MAKE SURE 556 00:21:34,125 --> 00:21:35,708 THAT RILEY AND MAYA GOT HOME SAFELY. 557 00:21:37,166 --> 00:21:38,833 YOU'RE NOT SO LITTLE ANYMORE, JOSH. 558 00:21:40,333 --> 00:21:42,083 I GUESS I HAVE TO STOP LOOKING AT YOU THAT WAY. 559 00:21:43,583 --> 00:21:45,708 THANKS. THAT MEANS A LOT TO ME. 560 00:21:45,708 --> 00:21:47,583 MAYA, 561 00:21:47,583 --> 00:21:49,250 WHY DID YOU TELL THEM? 562 00:21:49,250 --> 00:21:51,500 IT WAS A CHOICE I MADE FOR MYSELF. 563 00:21:52,500 --> 00:21:54,750 I THOUGHT IT WAS THE GROWN-UP THING TO DO. 564 00:21:54,750 --> 00:21:56,708 IT WAS. 565 00:21:56,708 --> 00:21:58,333 YOU'RE NOT SO LITTLE ANYMORE, MAYA. 566 00:21:59,583 --> 00:22:01,375 I GUESS I HAVE TO STOP LOOKING AT YOU LIKE THAT. 567 00:22:01,375 --> 00:22:02,583 THANKS. 568 00:22:04,000 --> 00:22:05,458 MEANS A LOT TO ME. 569 00:22:05,458 --> 00:22:06,625 RILEY, 570 00:22:06,625 --> 00:22:08,708 ARE YOU EVER GOING TO PULL SOMETHING LIKE THIS AGAIN? 571 00:22:08,708 --> 00:22:09,875 NO. 572 00:22:09,875 --> 00:22:11,708 EVEN THOUGH IT MAY HAVE BEEN A GREAT NIGHT, 573 00:22:11,708 --> 00:22:14,416 IT ISN'T WORTH HOW TERRIBLE I FEEL FOR NOT TELLING YOU. 574 00:22:15,708 --> 00:22:17,625 THANKS. IT MEANS A LOT TO ME. 575 00:22:22,833 --> 00:22:25,166 RILEY, WE'RE HAPPY THAT YOU LIKED YOUR COLLEGE EXPERIENCE. 576 00:22:25,166 --> 00:22:27,583 AND WE'RE SAD TO HAVE TO GIVE YOU A GROUNDING EXPERIENCE. 577 00:22:28,875 --> 00:22:29,708 TWO WEEKS. 578 00:22:29,708 --> 00:22:30,875 IT SHOULD BE THREE. 579 00:22:32,708 --> 00:22:33,875 DEAL. 580 00:22:33,875 --> 00:22:34,958 IT SHOULD BE THREE. 581 00:22:36,000 --> 00:22:37,208 GET A LIFE. 582 00:22:39,458 --> 00:22:41,000 GOOD NIGHT. I BRUSHED MY TEETH. 583 00:22:41,000 --> 00:22:42,458 YOU DID NOT. 584 00:22:44,000 --> 00:22:45,750 WHAT THE--? 585 00:22:45,750 --> 00:22:46,750 AUGGIE. 586 00:22:46,750 --> 00:22:48,875 YOU ARE GROUNDED FOR ONE WEEK 587 00:22:48,875 --> 00:22:49,833 FOR NOT TELLING US 588 00:22:49,833 --> 00:22:51,083 YOUR SISTER SNUCK OUT OF THE HOUSE. 589 00:22:51,083 --> 00:22:52,416 HOW'S THAT A BAD THING? 590 00:22:52,416 --> 00:22:53,875 I WAS PROTECTING HER. 591 00:22:56,750 --> 00:22:57,875 LET'S GO, BLONDIE. 592 00:22:57,875 --> 00:23:00,250 YOU AND I ARE GONNA DO A LITTLE GROWING UP TOGETHER. 593 00:23:01,375 --> 00:23:03,000 WE'RE GONNA TELL MY MOTHER, AREN'T WE? 594 00:23:03,000 --> 00:23:05,708 WE'RE GONNA TELL HER ABOUT A LOT OF STUFF. 595 00:23:06,750 --> 00:23:07,625 YEAH, OKAY. 596 00:23:07,625 --> 00:23:08,625 LET'S GO.