1 00:00:08,250 --> 00:00:09,291 ALL RIGHT. WHERE'S YOUR FATHER? 2 00:00:09,291 --> 00:00:10,333 ARE WE GETTING A SUB? 3 00:00:10,333 --> 00:00:12,000 I DON'T WANT A SUB. YOU NEVER KNOW WHERE THEY'VE BEEN. 4 00:00:13,208 --> 00:00:16,708 WILL YOU CALM DOWN? HE'S ONE MINUTE LATE. STOP OVERREACTING. 5 00:00:16,708 --> 00:00:18,125 WHAT IF HE NEVER SHOWS UP? 6 00:00:18,125 --> 00:00:19,875 WHAT IF I NEVER LEARN ANYTHING ELSE? 7 00:00:21,250 --> 00:00:22,458 I'M GOING DOWN, SIR! 8 00:00:22,458 --> 00:00:23,458 OH, HE'S NOT EVEN HERE. 9 00:00:25,208 --> 00:00:26,750 WE LOST FARKLE. 10 00:00:26,750 --> 00:00:28,333 A LITTLE HELP, MAYA? 11 00:00:28,333 --> 00:00:31,125 MATTHEWS IS OUT, FARKLE IS DOWN, IT'S MAYA TIME. 12 00:00:32,083 --> 00:00:34,500 FARKLE'S FIXED. NO MAYA TIME. 13 00:00:34,500 --> 00:00:35,875 YOU MAY PROCEED. 14 00:00:35,875 --> 00:00:39,000 DURING MAYA TIME, WE OPEN THE CONFISCATION DRAWER 15 00:00:39,000 --> 00:00:41,750 AND TAKE BACK ALL THE STUFF FROM THE LAND OF UNFAIRLY TAKEN TOYS. 16 00:00:41,750 --> 00:00:44,375 (scoffs) MAYA! I DON'T THINK ANYBODY REALLY WANTS-- 17 00:00:44,375 --> 00:00:46,333 (all cheering) 18 00:00:47,500 --> 00:00:49,416 ALL RIGHT, WHOSE IS THIS? 19 00:00:49,416 --> 00:00:50,875 WHAT'D I MISS? 20 00:00:53,208 --> 00:00:55,500 MAYA! HE IS GOING TO WALK IN AND CATCH YOU 21 00:00:55,500 --> 00:00:58,333 AND YOU'RE GOING TO BE IN TROUBLE AND I AM HERE TO KEEP YOU OUT OF TROUBLE, 22 00:00:58,333 --> 00:01:00,708 AND I WILL HAVE FAILED. DO YOU WANT ME TO FAIL? 23 00:01:00,708 --> 00:01:02,125 DO YOU WANT ME TO SHOW YOU HOW TO HAVE FUN? 24 00:01:02,125 --> 00:01:03,458 BEHAVING IS FUN. 25 00:01:03,458 --> 00:01:05,625 -COME HERE! -I REALLY DON'T WANT TO. 26 00:01:05,625 --> 00:01:07,458 YOU COME HERE RIGHT NOW. RING POWER! 27 00:01:07,458 --> 00:01:10,583 WHEN WE SAY "RING POWER" YOU HAVE TO. IT'S A RULE. 28 00:01:10,583 --> 00:01:12,125 TELL ME THIS ISN'T FUN. 29 00:01:13,208 --> 00:01:15,000 (laughing) 30 00:01:15,000 --> 00:01:17,458 YEAH, THAT SEEMS LIKE FUN, 31 00:01:17,458 --> 00:01:21,750 BUT NOW YOU DID IT, SO I DON'T GET TO DO IT, SO ARE WE SITTING DOWN NOW? 32 00:01:21,750 --> 00:01:24,625 -OF COURSE THERE'S ANOTHER ONE! -DO IT. 33 00:01:24,625 --> 00:01:26,708 THERE IS NOTHING IN THIS WORLD THAT CAN MAKE ME DO IT. 34 00:01:26,708 --> 00:01:27,708 RING POWER. 35 00:01:27,708 --> 00:01:28,875 WHAT'D I MISS? 36 00:01:28,875 --> 00:01:30,208 (yelling) 37 00:01:37,708 --> 00:01:39,500 (students quiet down) 38 00:01:40,500 --> 00:01:42,583 WHEN DID YOU GUYS DECIDE THERE ARE NO RULES IN HERE? 39 00:01:43,750 --> 00:01:47,708 WHEN DID MY GENEROSITY IN ALLOWING YOU TO EXPRESS YOURSELVES 40 00:01:47,708 --> 00:01:50,875 MAKE YOU THINK YOU COULD TURN MY CLASS INTO A ZOO? 41 00:01:50,875 --> 00:01:51,875 Both: I'M SORRY. 42 00:01:51,875 --> 00:01:53,625 I'M SORRY. 43 00:01:55,083 --> 00:01:56,750 All: I'M SORRY. 44 00:01:56,750 --> 00:02:00,750 LUCAS. WHY ARE YOU THE ONLY ONE HERE THAT DIDN'T SAY I'M SORRY? 45 00:02:00,750 --> 00:02:02,583 BECAUSE I NEVER DO ANYTHING. 46 00:02:02,583 --> 00:02:05,416 NO. BECAUSE YOU RESPECT THE RULES. 47 00:02:05,416 --> 00:02:08,625 BECAUSE YOU KNOW WITHOUT THEM, CIVILIZATION BECOMES CHAOS. 48 00:02:10,166 --> 00:02:12,833 THE REST OF YOU ARE GONNA SPEND THE AFTERNOON THINKING ABOUT THAT, 49 00:02:12,833 --> 00:02:15,291 WITH THE EXCEPTION OF LUCAS THE GOOD. 50 00:02:15,291 --> 00:02:17,625 OH, BOY! IS THAT GONNA STICK? 51 00:02:17,625 --> 00:02:19,375 I'M ALREADY MAKING T-SHIRTS. 52 00:02:21,583 --> 00:02:23,250 YOU PUT ME IN A REAL BAD POSITION HERE, SIR. 53 00:02:27,583 --> 00:02:28,625 I GOTTA DO SOMETHING. 54 00:02:28,625 --> 00:02:29,875 YOU CAN FIGHT THIS, LUCAS. 55 00:02:29,875 --> 00:02:31,750 NO, I CAN'T, SIR. EVERYONE'S LOOKING. 56 00:02:31,750 --> 00:02:33,833 OKAY. DO WHAT YOU GOTTA DO. 57 00:02:38,000 --> 00:02:39,083 (cell phone bleeps) 58 00:02:42,291 --> 00:02:43,833 -DETENTION. -OH, THANK YOU, SIR. 59 00:02:46,875 --> 00:02:48,875 -FEEL BETTER, HUCKLEBERRY? -I'M JUST LIKE YOU NOW. 60 00:02:48,875 --> 00:02:50,416 YEAH, WE'RE EXACTLY THE SAME. 61 00:02:51,958 --> 00:02:54,250 YEAH, YOU'RE ALL THE SAME. 62 00:02:54,250 --> 00:02:55,416 DETENTION, ALL OF YOU! 63 00:02:56,750 --> 00:02:57,833 WHAT DO YOU WANT? 64 00:02:57,833 --> 00:03:00,458 I'M GOING TO BE HOME LATE TODAY, DADDY. 65 00:03:00,458 --> 00:03:01,875 I KNOW, HONEY. 66 00:03:02,875 --> 00:03:04,750 (theme music playing) 67 00:03:09,416 --> 00:03:11,416 ♪ I'VE BEEN WAITING ♪ 68 00:03:11,416 --> 00:03:12,708 ♪ FOR A DAY ♪ 69 00:03:12,708 --> 00:03:13,750 ♪ LIKE THIS TO COME ♪ 70 00:03:13,750 --> 00:03:15,333 ♪ STRUCK LIKE LIGHTNING ♪ 71 00:03:15,333 --> 00:03:17,625 ♪ MY HEART'S BEATING LIKE A DRUM ♪ 72 00:03:17,625 --> 00:03:18,708 ♪ ON THE EDGE ♪ 73 00:03:18,708 --> 00:03:21,500 ♪ OF SOMETHING WONDERFUL ♪ 74 00:03:21,500 --> 00:03:24,625 ♪ FACE TO FACE WITH CHANGES ♪ 75 00:03:24,625 --> 00:03:25,833 ♪ WHAT'S IT ALL ABOUT? ♪ 76 00:03:25,833 --> 00:03:27,583 ♪ LIFE IS CRAZY ♪ 77 00:03:27,583 --> 00:03:28,625 ♪ BUT I KNOW ♪ 78 00:03:28,625 --> 00:03:30,083 ♪ I CAN WORK IT OUT ♪ 79 00:03:30,083 --> 00:03:31,125 ♪ 'CAUSE I GOT YOU ♪ 80 00:03:31,125 --> 00:03:34,333 ♪ TO LIVE IT WITH ME ♪ 81 00:03:34,333 --> 00:03:38,458 ♪ I FEEL ALL RIGHT, I'M GONNA TAKE ON THE WORLD ♪ 82 00:03:38,458 --> 00:03:41,125 ♪ LIGHT UP THE STARS, I'VE GOT SOME PAGES TO TURN ♪ 83 00:03:41,125 --> 00:03:44,375 ♪ I'M SINGING "GO-O-O" ♪ 84 00:03:44,375 --> 00:03:46,750 ♪ OH, OH, OH, OH ♪ 85 00:03:46,750 --> 00:03:49,833 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 86 00:03:49,833 --> 00:03:51,000 ♪ TAKE ON THE WORLD ♪ 87 00:03:51,000 --> 00:03:53,750 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 88 00:03:53,750 --> 00:03:54,958 ♪ TAKE ON THE WORLD ♪ 89 00:04:00,708 --> 00:04:03,083 I'VE ALWAYS ALLOWED YOU TO BEND THE RULES. 90 00:04:03,083 --> 00:04:05,583 BUT THE BEST OF STUDENTS KNOW JUST HOW FAR THEY CAN PUSH 91 00:04:05,583 --> 00:04:07,875 BEFORE THOSE RULES ARE BROKEN. 92 00:04:07,875 --> 00:04:10,625 TODAY YOU ARE NOT THE BEST OF STUDENTS. 93 00:04:10,625 --> 00:04:14,375 BUT YOU KNOW WE'RE GOOD PEOPLE MOST OF THE TIME, DON'T YOU, DADDY? 94 00:04:14,375 --> 00:04:17,000 DADDY? YOU'RE MY DADDY. 95 00:04:18,458 --> 00:04:19,708 WHY DO WE NEED RULES AT ALL? 96 00:04:19,708 --> 00:04:21,833 YOU THINK YOU COULD MAKE IT IN A WORLD WITHOUT RULES? 97 00:04:21,833 --> 00:04:23,625 I THINK I COULD DO FINE IN ANY WORLD. 98 00:04:23,625 --> 00:04:24,625 THE REST OF YOU BELIEVE THAT? 99 00:04:26,583 --> 00:04:30,000 OKAY. WELL, GUESS WHAT, GUYS. SCHOOL'S OUT. 100 00:04:30,000 --> 00:04:32,166 YOU'VE GOT THE WHOLE PLACE TO YOURSELVES. 101 00:04:32,166 --> 00:04:34,333 NO RULES. 102 00:04:34,333 --> 00:04:37,500 ONE HOUR TO BEHAVE HOWEVER YOU WANT. 103 00:04:37,500 --> 00:04:38,833 LET'S SEE WHAT BECOMES OF YOU. 104 00:04:38,833 --> 00:04:42,458 WELL, I THINK WE'LL BE PERFECTLY BEHAVED LADIES AND GENTLEMEN. 105 00:04:42,458 --> 00:04:45,458 AND I THINK WITHIN ONE MINUTE YOU'LL BE EATING EACH OTHER. 106 00:04:48,208 --> 00:04:50,125 -WHERE ARE YOU GOING? -I'M LOCKING YOU IN. 107 00:04:50,125 --> 00:04:52,000 THE BEST PUNISHMENT I CAN GIVE 108 00:04:52,000 --> 00:04:54,708 IS TO FORCE YOU TO SPEND SOME TIME WITH YOURSELVES. 109 00:04:54,708 --> 00:04:56,750 I'LL SEE YOU IN AN HOUR. 110 00:04:56,750 --> 00:04:57,875 WHOEVER'S LEFT. STYLE ::cue(.speaker) ::cue(.speakerTop) 111 00:05:04,000 --> 00:05:06,458 I CAN'T BELIEVE IT. HE LOCKED US IN. 112 00:05:06,458 --> 00:05:10,250 THAT'S FINE. I DON'T HAVE A PROBLEM WITH THAT. I'M NOT CLAUSTROPHOBIC OR ANYTHING. 113 00:05:12,625 --> 00:05:15,458 WE'RE TRAPPED. (gasping) I CAN'T BREATHE. 114 00:05:15,458 --> 00:05:17,833 THERE'S MORE CARBON DIOXIDE THAN OXYGEN! 115 00:05:17,833 --> 00:05:18,708 THE RATIO IS ALL WRONG! 116 00:05:18,708 --> 00:05:20,583 OKAY. FARKLE GOTSTA GO. 117 00:05:20,583 --> 00:05:23,375 I GOTSTA? 118 00:05:23,375 --> 00:05:26,416 STOP. THIS IS EXACTLY WHAT MY FATHER WANTS. 119 00:05:26,416 --> 00:05:29,000 HE WANTS US TO PANIC AND FALL APART. 120 00:05:29,000 --> 00:05:31,500 WE HAVE TO SHOW HIM THAT WE CAN GET THROUGH THIS 121 00:05:31,500 --> 00:05:33,875 WITHOUT TURNING INTO A PACK OF WILD ANIMALS. 122 00:05:36,000 --> 00:05:37,000 I'M HUNGRY. 123 00:05:38,500 --> 00:05:39,500 WHAT DO YOU MEAN BY THAT? 124 00:05:40,500 --> 00:05:44,333 NOTHING. I'M JUST REALLY HUNGRY. 125 00:05:45,333 --> 00:05:46,583 BECAUSE WE'RE BEST FRIENDS. 126 00:05:46,583 --> 00:05:48,708 YEAH, YOU KNOW WHAT ELSE? 127 00:05:50,208 --> 00:05:51,708 I DON'T THINK I'VE EVER BEEN THIS HUNGRY. 128 00:05:52,708 --> 00:05:54,958 I FEEL YA, RANGER RICK. I'M KINDA HUNGRY, TOO. 129 00:05:54,958 --> 00:05:57,375 AND IT'S NOT LIKE A REGULAR KIND OF HUNGRY, RIGHT? 130 00:05:57,375 --> 00:05:59,708 NO. NO. THIS ONE'S DEEP. 131 00:05:59,708 --> 00:06:01,166 IT MUST BE ATTENDED TO. 132 00:06:01,166 --> 00:06:03,958 OH, GUYS, CAN WE JUST SHOW A LITTLE DISCIPLINE? 133 00:06:03,958 --> 00:06:07,250 I MEAN, HOW MUCH MORE TIME IN HERE COULD WE POSSIBLY HAVE? 134 00:06:11,208 --> 00:06:12,625 YOU KNOW, I COULD EAT, TOO. 135 00:06:15,125 --> 00:06:17,625 WHAT? WHAT ARE YOU LOOKING AT? 136 00:06:18,750 --> 00:06:20,875 GUYS! WHAT ARE YOU SEEING RIGHT NOW? 137 00:06:20,875 --> 00:06:22,208 STOP TALKING, CHICKEN. 138 00:06:24,291 --> 00:06:27,625 ALL RIGHT, COME ON! LET'S PROVE MY FATHER WRONG. 139 00:06:27,625 --> 00:06:30,875 LET'S FORM OUR OWN PERFECT SOCIETY. 140 00:06:30,875 --> 00:06:34,083 RILEYTOWN IS A LAND OF GOODNESS AND RAINBOWS 141 00:06:34,083 --> 00:06:36,750 WHERE EVERYBODY FOLDS THEIR HANDS NICELY LIKE SO. 142 00:06:36,750 --> 00:06:38,125 WHO WANTS TO LIVE IN RILEYTOWN? 143 00:06:38,125 --> 00:06:40,625 NOBODY WANTS RILEYTOWN! IT'S TOO LOLLIPOP! 144 00:06:40,625 --> 00:06:41,708 YOU'RE LOLLIPOP! 145 00:06:41,708 --> 00:06:46,125 SISTER, I'M A LOT OF THINGS, BUT I AIN'T LOLLIPOP. 146 00:06:46,125 --> 00:06:51,125 RILEYTOWN HAS ORDER, STRUCTURE AND OUR HANDS FOLDED LIKE SO! 147 00:06:51,125 --> 00:06:52,291 WHAT DO YOU GOT? 148 00:06:52,291 --> 00:06:57,625 I GOT MAYAVILLE! NO RULES, NO LAWS, NO HAND FOLDING AND NOBODY SAYS NO! 149 00:06:58,875 --> 00:07:00,000 NO. 150 00:07:00,000 --> 00:07:02,458 YOU GOT CHAOS IS WHAT YOU GOT! 151 00:07:02,458 --> 00:07:04,166 I GOT ORDER, YOU GOT CHAOS! 152 00:07:04,166 --> 00:07:06,708 YOU GOT LOLLIPOP, I GOT WHOO! 153 00:07:06,708 --> 00:07:09,708 OKAY, DETENTION MAY BE BRINGING OUT THE WORST IN US, 154 00:07:09,708 --> 00:07:12,000 BUT AT LEAST WE'RE MAKING THE TIME PASS. 155 00:07:16,750 --> 00:07:17,833 EAT RILEY! 156 00:07:17,833 --> 00:07:19,333 OKAY. BUT NO BITING. 157 00:07:23,875 --> 00:07:25,000 (knock on door) 158 00:07:29,625 --> 00:07:31,083 OH, YAY, IT'S YOU. 159 00:07:31,083 --> 00:07:34,458 GO EASY ON ME, TOPY. I'M VULNERABLE TODAY. 160 00:07:34,458 --> 00:07:35,708 AVA? WHAT HAPPENED? 161 00:07:35,708 --> 00:07:36,708 WHAT HAPPENED? 162 00:07:38,750 --> 00:07:39,958 EMMA WEATHERSBEE HAPPENED! 163 00:07:41,625 --> 00:07:44,083 SHE'S MAKIN' INROADS, MAN! 164 00:07:44,083 --> 00:07:47,125 AUGGIE! 165 00:07:53,166 --> 00:07:56,875 (scoffs) AVA, WHATEVER'S GOING ON, IT'S NOT WORTH SHOVING YOUR FACE IN THE CAKE. 166 00:07:56,875 --> 00:08:00,583 DUDE, WHY WOULD I DO THAT? THIS FACE TAKES HOURS. 167 00:08:06,375 --> 00:08:09,708 -JOIN ME? -NO, I COULDN'T POSSIBLY... 168 00:08:09,708 --> 00:08:14,291 OH! THERE'S ACTUALLY NOT GONNA BE ANY LEFT, IS THERE? OKAY, SHOVE OVER. 169 00:08:14,291 --> 00:08:18,458 EMMA WEATHERSBEE DOES THIS THING I CAN'T EVEN BEGIN TO COMPETE WITH. 170 00:08:18,458 --> 00:08:19,875 WHAT DOES SHE DO? 171 00:08:19,875 --> 00:08:22,875 (screaming) OH, IT'S ALL JUST SO OBVIOUS 172 00:08:22,875 --> 00:08:25,583 AND YOUR DOPEY SON IS FALLING FOR IT. 173 00:08:25,583 --> 00:08:26,958 OKAY, WHAT DOES EMMA DO? 174 00:08:26,958 --> 00:08:30,708 SHE'S NICE. SHE'S POLITE. SHE SAYS "PLEASE" AND "THANK YOU" 175 00:08:30,708 --> 00:08:34,583 AND "MAY I" AND... (screaming) 176 00:08:34,583 --> 00:08:36,958 I DON'T WANT TO LIVE IN THIS KIND OF WORLD! 177 00:08:36,958 --> 00:08:40,083 (scoffs) OKAY, AVA, WHAT DO YOU WANT ME TO DO FOR YOU? 178 00:08:40,083 --> 00:08:41,500 COULD YOU MAKE ME LIKABLE? 179 00:08:41,500 --> 00:08:42,958 HONEY, I DON'T SEE HOW. 180 00:08:44,708 --> 00:08:47,416 (sobbing) TOPANGA, I KNOW HOW I COME ACROSS. 181 00:08:48,500 --> 00:08:52,416 BUT I ALSO KNOW THAT IF YOU JUST GIVE ME A CHANCE, 182 00:08:53,375 --> 00:08:58,583 DEEP DOWN INSIDE ME, THERE MAY BE A BEAUTIFUL, SHINING SOUL. 183 00:08:59,625 --> 00:09:00,750 OH, HONEY! 184 00:09:00,750 --> 00:09:02,708 (loudly) HOW WAS THAT? 185 00:09:04,375 --> 00:09:06,750 OH, YOU JUST WANT ME TO HELP YOU BE FAKE NICE? 186 00:09:06,750 --> 00:09:09,833 I AIN'T LOOKIN' FOR MIRACLES. I JUST WANT YOUR KID BACK. 187 00:09:15,458 --> 00:09:17,208 HERE'S WHAT I KNOW, 188 00:09:17,208 --> 00:09:21,125 DEEP DOWN INSIDE YOU, IN YOUR BEAUTIFUL, SHINING SOUL, 189 00:09:22,250 --> 00:09:25,291 YOU ACTUALLY SEE THE GOOD IN ME. 190 00:09:25,291 --> 00:09:26,333 AW, HONEY. 191 00:09:26,333 --> 00:09:28,625 HOW WAS THAT? 192 00:09:33,875 --> 00:09:35,250 WHY ARE YOU GUYS OVER THERE? 193 00:09:35,250 --> 00:09:39,708 WHY CAN'T WE JUST BE ONE HAPPY SOCIETY THAT RUNS THE WAY I THINK IT SHOULD? 194 00:09:39,708 --> 00:09:41,625 BECAUSE YOU WANT US ALL TO BE YOU. 195 00:09:41,625 --> 00:09:42,875 WE'RE NOT ALL YOU, RILEY. 196 00:09:42,875 --> 00:09:45,583 I MEAN, YOU KNOW THE REASON I'VE NEVER BEEN ABLE TO CHOOSE BETWEEN YOU? 197 00:09:45,583 --> 00:09:47,583 BECAUSE IF IT WAS YOU ALL THE TIME, LIFE WOULD BE LIKE... 198 00:09:47,583 --> 00:09:50,833 ♪ LA, LA, LA, LA, LA, LA, LA, LA ♪ 199 00:09:50,833 --> 00:09:54,958 Both: ♪ LA, LA, LA, LA, LA, LA, LA, LA ♪ 200 00:09:54,958 --> 00:09:57,166 AND IF IT WAS YOU ALL THE TIME, LIFE WOULD BE LIKE... 201 00:09:57,166 --> 00:09:59,375 (growling) 202 00:09:59,375 --> 00:10:03,125 DESCENSUS IN CUNICULI CAVUM! 203 00:10:03,125 --> 00:10:04,333 (screaming) STYLE ::cue(.speaker) ::cue(.speakerTop) 204 00:10:04,333 --> 00:10:07,250 (snarling) 205 00:10:08,625 --> 00:10:09,708 I NEED TO BE BOTH OF YOU GUYS. 206 00:10:09,708 --> 00:10:12,250 BUT WHO ARE YOU GOING TO BE WITH RIGHT NOW, FARKLE? 207 00:10:12,250 --> 00:10:16,500 BEFORE YOU ANSWER THAT, YOU MAY WANT TO CONSIDER A LITTLE THING I CALL... THIS. 208 00:10:17,750 --> 00:10:19,583 HE FORGOT TO LOCK THE BACK DOOR? 209 00:10:19,583 --> 00:10:22,000 MAYA, WE'RE IN DETENTION. YOU CAN'T LEAVE. 210 00:10:22,000 --> 00:10:24,708 HEY. SCHOOL'S OUT. HE SAID WE GOT THE PLACE TO OURSELVES. 211 00:10:24,708 --> 00:10:26,583 HE SAID TO MAKE OUR OWN RULES. 212 00:10:26,583 --> 00:10:28,583 RULE NUMBER ONE: SEE YOU AROUND, SUCKERS. 213 00:10:31,708 --> 00:10:32,625 FARKLE? 214 00:10:32,625 --> 00:10:35,625 HEY. WHAT PART OF "DESCENSUS IN CUNICULI CAVUM" DO YOU NOT UNDERSTAND? 215 00:10:35,625 --> 00:10:36,750 ALL OF IT. 216 00:10:36,750 --> 00:10:39,958 IT MEANS WE DROP DOWN INTO THE RABBIT HOLE, MAN. 217 00:10:44,125 --> 00:10:46,875 -LUCAS? -I NEVER DO ANYTHING, RILEY. 218 00:10:50,750 --> 00:10:53,333 (excitedly) YEAH! 219 00:11:04,875 --> 00:11:09,291 OKAY. WE DON'T NEED THEM. WE CAN JUST BE IN HERE, HANDS FOLDED LIKE SO. 220 00:11:10,958 --> 00:11:12,875 SO, WHAT DO YOU GUYS WANT TO TALK ABOUT? 221 00:11:15,083 --> 00:11:17,500 OH, THAT'S RIGHT. YOU GUYS DON'T TALK, DO YOU? 222 00:11:17,500 --> 00:11:20,166 WELL, THE FIRST RULE OF RILEYTOWN 223 00:11:20,166 --> 00:11:23,000 IS THAT EVERYBODY IN HERE GETS TO TALK. 224 00:11:23,000 --> 00:11:25,166 YOU THERE. WHAT DO YOU HAVE TO SAY? 225 00:11:25,166 --> 00:11:28,458 HI. MY NAME IS DAVE. 226 00:11:28,458 --> 00:11:31,583 I LIKE CORN CHIPS AND I'M SORRY I DIDN'T GO WITH THE OTHER GROUP. 227 00:11:32,625 --> 00:11:34,291 (angrily) DAVE! 228 00:11:34,291 --> 00:11:37,333 I MEAN, DON'T GET US WRONG. WE REALLY RESPECT YOU AND EVERYTHING. 229 00:11:37,333 --> 00:11:39,250 -YOU DO? -WE ALWAYS HAVE. 230 00:11:39,250 --> 00:11:41,416 YOU'RE ONE OF THE GOOD ONES AND WE'D FOLLOW YOU ANYWHERE. 231 00:11:41,416 --> 00:11:42,458 THANK YOU. 232 00:11:42,458 --> 00:11:45,083 IT'S JUST THAT WITHOUT THE OTHERS, WE'RE KINDA BORED OUT OF OUR MINDS. 233 00:11:46,250 --> 00:11:47,250 (angrily) DAVE! 234 00:11:48,583 --> 00:11:52,083 WE'RE SAFE AND SOUND AND NOT GETTING INTO TROUBLE. 235 00:11:52,083 --> 00:11:54,708 YEAH, BUT THE PROBLEM WITH THAT IS, ALL THE GOOD KIDS ARE IN HERE. 236 00:11:54,708 --> 00:11:57,333 WE JUST KNOW THAT THEY'RE HAVING A LOT MORE FUN OUT THERE. 237 00:11:59,750 --> 00:12:01,000 WHAT'RE YOU DOING IN HERE? 238 00:12:01,000 --> 00:12:02,875 THEY'RE HAVING A LOT MORE FUN OUT THERE. 239 00:12:03,875 --> 00:12:05,750 WE'RE IN DETENTION, JANITOR HARLEY. 240 00:12:05,750 --> 00:12:09,375 HOW 'BOUT THAT. LITTLE ZIPPY CROSSED THE LINE. 241 00:12:09,375 --> 00:12:10,625 MAYA INFLUENCED ME. 242 00:12:11,708 --> 00:12:13,000 I'VE NOTICED THAT OVER THE YEARS. 243 00:12:14,833 --> 00:12:18,166 YOU DO REALIZE THE BACK DOOR IS WIDE OPEN DON'T YOU, LITTLE ZIPPY? 244 00:12:18,166 --> 00:12:19,875 WE'RE AWARE. 245 00:12:19,875 --> 00:12:25,291 AND YET THIS GROUP STAYS IN HERE, WHILE THE OTHER GROUP IS RAMPAGING DOWN THE HALLWAY. 246 00:12:26,333 --> 00:12:28,333 WELL, WHAT DO YOU MAKE OF THAT? 247 00:12:28,333 --> 00:12:33,708 I'M SURE WE'LL FIND OUT. THIS LESSON HAS YOUR FATHER WRITTEN ALL OVER IT. 248 00:12:35,291 --> 00:12:37,291 YOU'RE SUPPOSED TO LOCK THE FRONT DOOR. 249 00:12:37,291 --> 00:12:39,750 ACTUALLY, I'M NOT. 250 00:12:39,750 --> 00:12:42,500 IT'S TIME TO FIND OUT WHAT MAYA IS UP TO. GOODBYE. 251 00:12:44,625 --> 00:12:45,708 MAYA WILL BE FINE. 252 00:12:45,708 --> 00:12:47,875 LUCAS AND FARKLE WON'T LET HER GET INTO TROUBLE. 253 00:12:47,875 --> 00:12:50,708 -SHE'S STRONGER THAN THEM. -SHE'S BETTER WHEN YOU'RE WITH HER. 254 00:12:50,708 --> 00:12:56,250 OH, PLEASE. 14 YEARS OF GOOD INFLUENCE CAN'T POSSIBLY COME APART IN... 255 00:12:59,500 --> 00:13:01,208 (screaming and ululating) 256 00:13:09,333 --> 00:13:11,625 OKAY, WELL, THIS IS LESS FUN WHEN THERE'S NO ONE TO CHASE. 257 00:13:11,625 --> 00:13:13,708 EVERYBODY ELSE IS IN DETENTION. 258 00:13:13,708 --> 00:13:15,458 I'M FINALLY COOL AND NOBODY NOTICES. 259 00:13:15,458 --> 00:13:17,208 OKAY. OKAY. WATCH THIS. 260 00:13:28,583 --> 00:13:30,750 HUH! ALSO, OW! 261 00:13:31,750 --> 00:13:33,625 MAYA... 262 00:13:33,625 --> 00:13:35,708 IF THERE'S NO GOOD KIDS OUT HERE NOTICING US, 263 00:13:35,708 --> 00:13:36,750 THEN, WHAT'S THE POINT? 264 00:13:37,750 --> 00:13:39,333 YOU QUESTIONING MY LEADERSHIP, HOP-ALONG? 265 00:13:39,333 --> 00:13:42,333 OKAY, THESE NAMES YOU'RE CALLING ME ARE KILLING MY STREET CRED. 266 00:13:42,333 --> 00:13:44,583 AW! AND WHAT WOULD YOU LIKE ME TO CALL YOU? 267 00:13:44,583 --> 00:13:46,166 I'D LIKE YOU TO CALL ME "MAD DOG." 268 00:13:46,166 --> 00:13:48,583 YOU DON'T SEEM LIKE A MAD DOG TO ME. 269 00:13:48,583 --> 00:13:50,583 WHAT DO I SEEM LIKE TO YOU? 270 00:13:50,583 --> 00:13:51,875 YOU KNOW THAT LAMB THAT MARY HAD? 271 00:13:51,875 --> 00:13:53,708 I DON'T LIKE THE WAY THAT THIS IS GOING. 272 00:13:55,250 --> 00:13:57,333 I THINK WHAT MAD DOG IS SAYING IS WHAT GOOD IS BEING BAD 273 00:13:57,333 --> 00:13:59,375 IF THERE'S NO OTHER KIND OF PEOPLE AROUND? 274 00:14:01,125 --> 00:14:02,625 (menacingly) I'M BATMAN. 275 00:14:03,708 --> 00:14:04,958 (wheels squealing) 276 00:14:08,458 --> 00:14:09,458 WHO'S THAT? 277 00:14:11,833 --> 00:14:14,625 I AGREE WITH MAD DOG AND BATMAN. 278 00:14:14,625 --> 00:14:17,708 FOR ME, IT WAS VERY IMPORTANT FOR US TO BE AMONGST THE GOOD. 279 00:14:17,708 --> 00:14:18,833 WHY? 280 00:14:18,833 --> 00:14:21,708 BECAUSE EVEN BAD KIDS HAVE GOOD PARTS. 281 00:14:21,708 --> 00:14:25,416 BUT WITHOUT THE GOOD KIDS, YOU MAY NEVER FIND OUT WHAT THEY ARE. 282 00:14:25,416 --> 00:14:27,625 YOU TOLD US YOU WERE ONE OF THE BAD KIDS WHEN YOU WERE YOUNGER. 283 00:14:27,625 --> 00:14:31,583 WELL, YOU KNOW, I USED TO INTIMIDATE PEOPLE. MAKE 'EM SEE THINGS MY WAY. 284 00:14:31,583 --> 00:14:33,625 -DID THEY? -FOR A WHILE. 285 00:14:33,625 --> 00:14:36,333 -THEN WHAT HAPPENED? -I MET A GOOD KID. 286 00:14:36,333 --> 00:14:38,333 BUT YOU SEEM LIKE SUCH A NICE GUY. 287 00:14:38,333 --> 00:14:40,708 IT'S HARD FOR ME TO BELIEVE YOU EVER INTIMIDATED ANYTHING. 288 00:14:40,708 --> 00:14:41,708 OH, YEAH? 289 00:15:01,750 --> 00:15:05,000 OKAY. MAYBE HE'S RIGHT. STYLE ::cue(.speaker) ::cue(.speakerTop) 290 00:15:05,000 --> 00:15:06,250 MAYBE WE NEED A GOOD KID AROUND. 291 00:15:06,250 --> 00:15:07,500 TO FIND THE GOOD IN US. 292 00:15:08,750 --> 00:15:10,958 YEAH. LET'S GO STEAL ONE. 293 00:15:14,583 --> 00:15:16,083 DUCK. 294 00:15:16,083 --> 00:15:17,625 DUCK. 295 00:15:18,625 --> 00:15:19,583 DUCK. 296 00:15:21,750 --> 00:15:23,750 SHE'S ACTUALLY TOO NICE TO MAKE SOMEONE THE GOOSE. 297 00:15:23,750 --> 00:15:26,250 WITHOUT MAYA AROUND, SHE'S ACTUALLY GETTING WORSE. 298 00:15:26,250 --> 00:15:27,291 DUCK. 299 00:15:27,291 --> 00:15:29,583 (screaming and ululating) 300 00:15:29,583 --> 00:15:30,416 HI. 301 00:15:31,875 --> 00:15:32,750 WAIT! 302 00:15:35,250 --> 00:15:36,000 DUCK! 303 00:15:37,458 --> 00:15:38,458 OKAY! 304 00:15:38,458 --> 00:15:40,458 (continue ululating) 305 00:15:47,708 --> 00:15:49,125 WHY ARE YOU GUYS LOOKIN' AT ME LIKE THAT? 306 00:15:49,125 --> 00:15:52,000 -HELP US. -MAKE US MORE LIKE YOU. 307 00:15:59,875 --> 00:16:01,625 OKAY. 308 00:16:01,625 --> 00:16:02,708 YOU GUYS WANT TO HAVE SOME FUN? 309 00:16:10,166 --> 00:16:11,958 (screaming and ululating) 310 00:16:22,625 --> 00:16:24,958 EVERYBODY CLEAN OFF YOUR FACES, YOU LOOK RIDICULOUS. 311 00:16:27,375 --> 00:16:28,333 LUCAS, 312 00:16:29,750 --> 00:16:30,750 I'LL GET YOU. 313 00:16:32,083 --> 00:16:33,875 THANK YOU. 314 00:16:33,875 --> 00:16:36,333 YOU KNOW, THEY CALL ME "MAD DOG". 315 00:16:36,333 --> 00:16:37,416 OF COURSE THEY DO. 316 00:16:38,458 --> 00:16:39,458 WOULD YOU CALL ME "MAD DOG"? 317 00:16:39,458 --> 00:16:42,500 WOULD YOU CALL ME "PRINCESS DANCING SUNSHINE"? 318 00:16:42,500 --> 00:16:43,708 NO, I WOULD NOT. 319 00:16:43,708 --> 00:16:44,833 WELL, THERE YOU GO. 320 00:16:51,375 --> 00:16:53,708 I'M HOME! 321 00:16:53,708 --> 00:16:56,458 (groans) WHAT A DAY! 322 00:16:58,583 --> 00:17:00,958 (sweetly) WE ALL HAVE BAD DAYS, AUGUST. 323 00:17:00,958 --> 00:17:04,000 PLEASE. I'M SURE YOU DID YOUR BEST. 324 00:17:04,000 --> 00:17:05,708 THANK YOU. MAY I? 325 00:17:07,583 --> 00:17:08,500 WHAT THE-- 326 00:17:09,500 --> 00:17:11,333 I TOLD YOU I DIDN'T THINK I COULD DO THIS. 327 00:17:11,333 --> 00:17:12,625 WHAT DID YOU DO TO HER? 328 00:17:12,625 --> 00:17:14,708 HONEY, SHE ASKED ME TO! 329 00:17:14,708 --> 00:17:18,583 (softly) I WOULD CHANGE MYSELF COMPLETELY 330 00:17:18,583 --> 00:17:21,291 IF IT MEANT NOT LOSING YOU 331 00:17:21,291 --> 00:17:24,000 TO MISS EMMA WEATHERSBEE. 332 00:17:24,000 --> 00:17:26,208 AVA. YOU'RE NOT EMMA. 333 00:17:26,208 --> 00:17:29,125 BE AVA. I DON'T WANT TWO EMMAS. 334 00:17:29,125 --> 00:17:31,125 I CAN'T STAND BEING POLITE ALL DAY. 335 00:17:31,125 --> 00:17:32,750 -YOU CAN'T? -NO. 336 00:17:32,750 --> 00:17:34,875 IT MAKES ME WANT TO DRAW WITH A BLACK CRAYON. 337 00:17:34,875 --> 00:17:36,375 YOU WANT TWO AVAS? 338 00:17:36,375 --> 00:17:37,375 Both: NO! 339 00:17:39,208 --> 00:17:40,750 "PLEASE" AND "THANK YOU" ARE ALL RIGHT, 340 00:17:40,750 --> 00:17:44,000 BUT SOMETIMES A GUY'S GOTTA HEAR "GIVE ME" AND "I WANT!" 341 00:17:44,000 --> 00:17:48,375 WELL, I WANT TO TAKE OFF THIS STUPID HAT! AND I WANT TO TAKE OFF THIS STUPID DRESS! 342 00:17:48,375 --> 00:17:50,750 AND I WANT CHEESE! GIVE ME! 343 00:17:50,750 --> 00:17:52,750 AVA, WE'RE HAVING TEA RIGHT NOW. 344 00:17:52,750 --> 00:17:54,375 LET ME TELL YOU WHAT I THINK ABOUT TEA-- 345 00:17:54,375 --> 00:17:56,083 NO! I WILL GET YOU SOME CHEESE. 346 00:17:57,625 --> 00:17:59,083 TOPANGA... 347 00:17:59,083 --> 00:18:01,416 -YES? -THANK YOU. 348 00:18:02,708 --> 00:18:04,750 WOW, AVA. 349 00:18:04,750 --> 00:18:10,833 YOU KNOW, INSIDE OF THERE, THERE REALLY IS A SWEET LITTLE GIRL AFTER ALL. 350 00:18:12,833 --> 00:18:13,875 AW, TOPY-- 351 00:18:13,875 --> 00:18:15,583 (loudly) HOW WAS THAT? 352 00:18:16,625 --> 00:18:18,125 (sighs) PRETTY GOOD. 353 00:18:23,166 --> 00:18:26,333 (chanting) 354 00:18:36,291 --> 00:18:37,333 YOU HAVE FUN? 355 00:18:37,333 --> 00:18:39,625 I DID. IT WAS QUITE ENJOYABLE. AND YOU? 356 00:18:39,625 --> 00:18:42,416 SOMEONE HAD THE IDEA TO PUT ME IN A BAG. 357 00:18:42,416 --> 00:18:44,625 -DID YOU HEAR ABOUT THAT? -REALLY? 358 00:18:44,625 --> 00:18:46,708 WELL, YOU KNOW, THERE'S SOME BAD KIDS OUT THERE. 359 00:18:48,875 --> 00:18:50,583 OKAY, GUYS. DETENTION OVER. 360 00:18:50,583 --> 00:18:52,125 -DAD. -YEAH? 361 00:18:52,125 --> 00:18:54,625 REMEMBER HOW YOU TOLD US THAT PEOPLE CHANGE PEOPLE? 362 00:18:54,625 --> 00:18:56,375 SECRET OF LIFE. 363 00:18:56,375 --> 00:19:00,291 WELL, WHEN YOU'RE NOT WITH THOSE PEOPLE, HOW DO YOU KEEP FROM CHANGING BACK? 364 00:19:00,291 --> 00:19:01,625 YOU WENT A LITTLE WILD, DID YOU? 365 00:19:01,625 --> 00:19:03,583 WHATEVER I GOT IS STRONG IN ME, MATTHEWS. 366 00:19:04,708 --> 00:19:08,000 YEAH, ME, TOO, BUT THE OTHER WAY. 367 00:19:08,000 --> 00:19:10,083 -HARLEY! -RIGHT HERE. 368 00:19:12,708 --> 00:19:14,458 -YOU WATCHED THEM? -LIKE A HAWK. 369 00:19:15,625 --> 00:19:16,708 -WAIT! -YOU'RE WITH HIM? 370 00:19:16,708 --> 00:19:18,708 YEAH. HE'S MY GOOD KID. 371 00:19:19,708 --> 00:19:20,958 WHAT DO YOU GOT? 372 00:19:20,958 --> 00:19:23,875 EVERYONE WENT NUTS, EXCEPT FOR ZIPPY. 373 00:19:23,875 --> 00:19:25,291 WHY DIDN'T YOU GO NUTS, ZIPPY? 374 00:19:26,458 --> 00:19:27,500 I WAS WITHOUT MAYA. 375 00:19:27,500 --> 00:19:32,125 WITHOUT MAYA, I DON'T THINK I'D EVER UNFOLD MY HANDS. 376 00:19:32,125 --> 00:19:34,083 WHAT ABOUT THIS ONE HERE? 377 00:19:34,083 --> 00:19:35,500 MAYA WAS THE RINGLEADER. 378 00:19:35,500 --> 00:19:37,291 MAYA WAS THE FIRST ONE OUT THE DOOR. 379 00:19:37,291 --> 00:19:39,583 I WAS WITHOUT RILEY. 380 00:19:39,583 --> 00:19:41,625 WITHOUT RILEY, I MAY NEVER COME BACK. 381 00:19:41,625 --> 00:19:43,708 OKAY. 382 00:19:43,708 --> 00:19:46,375 WELL, DETENTION OVER, GUYS. EVERYONE OUT. EXCEPT MAYA. 383 00:19:47,750 --> 00:19:49,000 -DAD-- -EVERYONE OUT. 384 00:19:53,875 --> 00:19:57,708 SO, YOU WERE LIKE ME. WHAT CHANGED YOU? 385 00:19:57,708 --> 00:20:01,458 WELL, IT TURNS OUT THERE IS ALWAYS TWO DOORS. 386 00:20:01,458 --> 00:20:02,625 HE SHOWED ME THE OTHER ONE. 387 00:20:04,833 --> 00:20:06,833 IT'S GOOD TO KNOW THERE'S SOMEONE LIKE THAT AROUND. STYLE ::cue(.speaker) ::cue(.speakerTop) 388 00:20:10,458 --> 00:20:12,000 OKAY, SO... 389 00:20:12,000 --> 00:20:14,708 HOW LONG DID IT TAKE FOR YOU TO GO FULL-BLOWN MAYA? 390 00:20:14,708 --> 00:20:17,708 -FIVE MINUTES. -FIVE MINUTES. THAT'S FOUR MINUTES BETTER THAN LAST TIME. 391 00:20:18,708 --> 00:20:20,291 SO, YOU WEREN'T THERE THIS MORNING? 392 00:20:20,291 --> 00:20:22,333 YEAH, THE SUBWAY WAS LATE OR SOMETHING... 393 00:20:22,333 --> 00:20:23,750 OR SOMETHING. 394 00:20:23,750 --> 00:20:26,625 YOU KNOW, MAYA, IT'S A GOOD THING TO KNOW, I DON'T ALWAYS HAVE TO BE IN THIS ROOM 395 00:20:26,625 --> 00:20:28,125 TO GIVE MY STUDENTS A TEST. 396 00:20:28,125 --> 00:20:31,208 AND IT'S A GOOD THING WE GOT PEOPLE WHO CHECK UP ON US EVERY ONCE IN A WHILE. 397 00:20:32,375 --> 00:20:33,750 YEAH. 398 00:20:33,750 --> 00:20:36,166 OKAY. SO, WHAT'S NEXT? 399 00:20:37,500 --> 00:20:39,291 I SIT HERE ANOTHER HOUR. 400 00:20:39,291 --> 00:20:42,833 MAYA, WHATEVER YOU END UP DECIDING TO BE, 401 00:20:42,833 --> 00:20:46,875 THE BEST THING I CAN TEACH YOU RIGHT NOW IS THAT THERE ARE CONSEQUENCES TO OUR ACTIONS. 402 00:20:48,375 --> 00:20:49,833 THE RULES ARE THERE TO HELP US. 403 00:20:50,875 --> 00:20:52,000 I'LL TRY HARDER NEXT TIME. 404 00:20:52,000 --> 00:20:53,166 I KNOW. 405 00:20:58,000 --> 00:21:00,000 -HEY, MATTHEWS. -YEAH? 406 00:21:01,000 --> 00:21:03,750 NEXT TIME I'M GONNA PUT SOME WAR PAINT ON RILEY'S FACE. 407 00:21:03,750 --> 00:21:06,750 YEAH. I'M SURE SHE'S COUNTING ON IT. 408 00:21:27,875 --> 00:21:28,875 RILEY! 409 00:21:30,416 --> 00:21:31,416 RIGHT HERE. 410 00:21:42,125 --> 00:21:43,708 THANKS FOR COMING OVER, AVA. 411 00:21:43,708 --> 00:21:44,875 I HAD A REAL GOOD TIME. 412 00:21:44,875 --> 00:21:46,583 ME TOO, AUGGIE. 413 00:21:46,583 --> 00:21:49,875 TOMORROW, I WANT TO TALK ABOUT ME MORE 414 00:21:49,875 --> 00:21:53,833 AND I WANT TO WATCH MY TV SHOWS AND I WANT TO TALK ABOUT ME MORE. 415 00:21:55,000 --> 00:21:56,208 SOUNDS GOOD. SEE YOU TOMORROW. 416 00:21:56,208 --> 00:21:58,375 -TOPANGA! -YES! 417 00:21:58,375 --> 00:21:59,125 THROW ME OUT! 418 00:21:59,125 --> 00:22:00,833 (gasps) I HAD THE SAME IDEA. 419 00:22:00,833 --> 00:22:03,208 Both: Whee! 420 00:22:06,250 --> 00:22:08,708 -THANK YOU! -MY PLEASURE. 421 00:22:08,708 --> 00:22:09,750 I NEVER THOUGHT I'D SAY THIS, 422 00:22:09,750 --> 00:22:12,125 BUT SHE IS REALLY STARTING TO GROW ON ME. 423 00:22:12,125 --> 00:22:16,833 REALLY? BECAUSE I DECIDED THAT IF YOU STILL DIDN'T LIKE HER 424 00:22:16,833 --> 00:22:19,208 I WAS NEVER GOING TO SEE HER AGAIN, 425 00:22:19,208 --> 00:22:23,500 BECAUSE YOUR HAPPINESS IS MORE IMPORTANT THAN ANYTHING TO ME. 426 00:22:23,500 --> 00:22:25,000 AW, HONEY--