1
00:00:08,250 --> 00:00:09,291
ALL RIGHT.
WHERE'S YOUR FATHER?
2
00:00:09,291 --> 00:00:10,333
ARE WE GETTING A SUB?
3
00:00:10,333 --> 00:00:12,000
I DON'T WANT A SUB.
YOU NEVER KNOW
WHERE THEY'VE BEEN.
4
00:00:13,208 --> 00:00:16,708
WILL YOU CALM DOWN?
HE'S ONE MINUTE LATE.
STOP OVERREACTING.
5
00:00:16,708 --> 00:00:18,125
WHAT IF HE
NEVER SHOWS UP?
6
00:00:18,125 --> 00:00:19,875
WHAT IF I NEVER
LEARN ANYTHING ELSE?
7
00:00:21,250 --> 00:00:22,458
I'M GOING DOWN, SIR!
8
00:00:22,458 --> 00:00:23,458
OH, HE'S NOT EVEN HERE.
9
00:00:25,208 --> 00:00:26,750
WE LOST FARKLE.
10
00:00:26,750 --> 00:00:28,333
A LITTLE HELP, MAYA?
11
00:00:28,333 --> 00:00:31,125
MATTHEWS IS OUT,
FARKLE IS DOWN,
IT'S MAYA TIME.
12
00:00:32,083 --> 00:00:34,500
FARKLE'S FIXED.
NO MAYA TIME.
13
00:00:34,500 --> 00:00:35,875
YOU MAY PROCEED.
14
00:00:35,875 --> 00:00:39,000
DURING MAYA TIME, WE OPEN
THE CONFISCATION DRAWER
15
00:00:39,000 --> 00:00:41,750
AND TAKE BACK ALL THE STUFF FROM
THE LAND OF UNFAIRLY TAKEN TOYS.
16
00:00:41,750 --> 00:00:44,375
(scoffs) MAYA! I DON'T THINK
ANYBODY REALLY WANTS--
17
00:00:44,375 --> 00:00:46,333
(all cheering)
18
00:00:47,500 --> 00:00:49,416
ALL RIGHT,
WHOSE IS THIS?
19
00:00:49,416 --> 00:00:50,875
WHAT'D I MISS?
20
00:00:53,208 --> 00:00:55,500
MAYA! HE IS GOING TO
WALK IN AND CATCH YOU
21
00:00:55,500 --> 00:00:58,333
AND YOU'RE GOING TO BE IN
TROUBLE AND I AM HERE TO
KEEP YOU OUT OF TROUBLE,
22
00:00:58,333 --> 00:01:00,708
AND I WILL HAVE FAILED.
DO YOU WANT ME TO FAIL?
23
00:01:00,708 --> 00:01:02,125
DO YOU WANT ME TO SHOW
YOU HOW TO HAVE FUN?
24
00:01:02,125 --> 00:01:03,458
BEHAVING IS FUN.
25
00:01:03,458 --> 00:01:05,625
-COME HERE!
-I REALLY DON'T WANT TO.
26
00:01:05,625 --> 00:01:07,458
YOU COME HERE RIGHT NOW.
RING POWER!
27
00:01:07,458 --> 00:01:10,583
WHEN WE SAY "RING POWER"
YOU HAVE TO. IT'S A RULE.
28
00:01:10,583 --> 00:01:12,125
TELL ME THIS ISN'T FUN.
29
00:01:13,208 --> 00:01:15,000
(laughing)
30
00:01:15,000 --> 00:01:17,458
YEAH, THAT SEEMS LIKE FUN,
31
00:01:17,458 --> 00:01:21,750
BUT NOW YOU DID IT,
SO I DON'T GET TO DO IT,
SO ARE WE SITTING DOWN NOW?
32
00:01:21,750 --> 00:01:24,625
-OF COURSE THERE'S ANOTHER ONE!
-DO IT.
33
00:01:24,625 --> 00:01:26,708
THERE IS NOTHING
IN THIS WORLD THAT
CAN MAKE ME DO IT.
34
00:01:26,708 --> 00:01:27,708
RING POWER.
35
00:01:27,708 --> 00:01:28,875
WHAT'D I MISS?
36
00:01:28,875 --> 00:01:30,208
(yelling)
37
00:01:37,708 --> 00:01:39,500
(students quiet down)
38
00:01:40,500 --> 00:01:42,583
WHEN DID YOU GUYS DECIDE
THERE ARE NO RULES IN HERE?
39
00:01:43,750 --> 00:01:47,708
WHEN DID MY GENEROSITY
IN ALLOWING YOU
TO EXPRESS YOURSELVES
40
00:01:47,708 --> 00:01:50,875
MAKE YOU THINK YOU COULD
TURN MY CLASS INTO A ZOO?
41
00:01:50,875 --> 00:01:51,875
Both: I'M SORRY.
42
00:01:51,875 --> 00:01:53,625
I'M SORRY.
43
00:01:55,083 --> 00:01:56,750
All: I'M SORRY.
44
00:01:56,750 --> 00:02:00,750
LUCAS. WHY ARE YOU THE ONLY ONE
HERE THAT DIDN'T SAY I'M SORRY?
45
00:02:00,750 --> 00:02:02,583
BECAUSE I NEVER DO ANYTHING.
46
00:02:02,583 --> 00:02:05,416
NO. BECAUSE YOU
RESPECT THE RULES.
47
00:02:05,416 --> 00:02:08,625
BECAUSE YOU KNOW WITHOUT THEM,
CIVILIZATION BECOMES CHAOS.
48
00:02:10,166 --> 00:02:12,833
THE REST OF YOU ARE GONNA
SPEND THE AFTERNOON
THINKING ABOUT THAT,
49
00:02:12,833 --> 00:02:15,291
WITH THE EXCEPTION
OF LUCAS THE GOOD.
50
00:02:15,291 --> 00:02:17,625
OH, BOY!
IS THAT GONNA STICK?
51
00:02:17,625 --> 00:02:19,375
I'M ALREADY MAKING T-SHIRTS.
52
00:02:21,583 --> 00:02:23,250
YOU PUT ME IN A REAL
BAD POSITION HERE, SIR.
53
00:02:27,583 --> 00:02:28,625
I GOTTA DO SOMETHING.
54
00:02:28,625 --> 00:02:29,875
YOU CAN FIGHT THIS, LUCAS.
55
00:02:29,875 --> 00:02:31,750
NO, I CAN'T, SIR.
EVERYONE'S LOOKING.
56
00:02:31,750 --> 00:02:33,833
OKAY. DO WHAT
YOU GOTTA DO.
57
00:02:38,000 --> 00:02:39,083
(cell phone bleeps)
58
00:02:42,291 --> 00:02:43,833
-DETENTION.
-OH, THANK YOU, SIR.
59
00:02:46,875 --> 00:02:48,875
-FEEL BETTER, HUCKLEBERRY?
-I'M JUST LIKE YOU NOW.
60
00:02:48,875 --> 00:02:50,416
YEAH, WE'RE EXACTLY THE SAME.
61
00:02:51,958 --> 00:02:54,250
YEAH, YOU'RE ALL THE SAME.
62
00:02:54,250 --> 00:02:55,416
DETENTION, ALL OF YOU!
63
00:02:56,750 --> 00:02:57,833
WHAT DO YOU WANT?
64
00:02:57,833 --> 00:03:00,458
I'M GOING TO BE HOME
LATE TODAY, DADDY.
65
00:03:00,458 --> 00:03:01,875
I KNOW, HONEY.
66
00:03:02,875 --> 00:03:04,750
(theme music playing)
67
00:03:09,416 --> 00:03:11,416
♪ I'VE BEEN WAITING ♪
68
00:03:11,416 --> 00:03:12,708
♪ FOR A DAY ♪
69
00:03:12,708 --> 00:03:13,750
♪ LIKE THIS TO COME ♪
70
00:03:13,750 --> 00:03:15,333
♪ STRUCK LIKE LIGHTNING ♪
71
00:03:15,333 --> 00:03:17,625
♪ MY HEART'S BEATING LIKE
A DRUM ♪
72
00:03:17,625 --> 00:03:18,708
♪ ON THE EDGE ♪
73
00:03:18,708 --> 00:03:21,500
♪ OF SOMETHING WONDERFUL ♪
74
00:03:21,500 --> 00:03:24,625
♪ FACE TO FACE WITH CHANGES ♪
75
00:03:24,625 --> 00:03:25,833
♪ WHAT'S IT ALL ABOUT? ♪
76
00:03:25,833 --> 00:03:27,583
♪ LIFE IS CRAZY ♪
77
00:03:27,583 --> 00:03:28,625
♪ BUT I KNOW ♪
78
00:03:28,625 --> 00:03:30,083
♪ I CAN WORK IT OUT ♪
79
00:03:30,083 --> 00:03:31,125
♪ 'CAUSE I GOT YOU ♪
80
00:03:31,125 --> 00:03:34,333
♪ TO LIVE IT WITH ME ♪
81
00:03:34,333 --> 00:03:38,458
♪ I FEEL ALL RIGHT,
I'M GONNA TAKE ON THE WORLD ♪
82
00:03:38,458 --> 00:03:41,125
♪ LIGHT UP THE STARS,
I'VE GOT SOME PAGES TO TURN ♪
83
00:03:41,125 --> 00:03:44,375
♪ I'M SINGING "GO-O-O" ♪
84
00:03:44,375 --> 00:03:46,750
♪ OH, OH, OH, OH ♪
85
00:03:46,750 --> 00:03:49,833
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
86
00:03:49,833 --> 00:03:51,000
♪ TAKE ON THE WORLD ♪
87
00:03:51,000 --> 00:03:53,750
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
88
00:03:53,750 --> 00:03:54,958
♪ TAKE ON THE WORLD ♪
89
00:04:00,708 --> 00:04:03,083
I'VE ALWAYS ALLOWED
YOU TO BEND THE RULES.
90
00:04:03,083 --> 00:04:05,583
BUT THE BEST OF STUDENTS KNOW
JUST HOW FAR THEY CAN PUSH
91
00:04:05,583 --> 00:04:07,875
BEFORE THOSE RULES ARE BROKEN.
92
00:04:07,875 --> 00:04:10,625
TODAY YOU ARE NOT
THE BEST OF STUDENTS.
93
00:04:10,625 --> 00:04:14,375
BUT YOU KNOW WE'RE GOOD
PEOPLE MOST OF THE TIME,
DON'T YOU, DADDY?
94
00:04:14,375 --> 00:04:17,000
DADDY? YOU'RE MY DADDY.
95
00:04:18,458 --> 00:04:19,708
WHY DO WE NEED RULES AT ALL?
96
00:04:19,708 --> 00:04:21,833
YOU THINK YOU COULD MAKE IT
IN A WORLD WITHOUT RULES?
97
00:04:21,833 --> 00:04:23,625
I THINK I COULD
DO FINE IN ANY WORLD.
98
00:04:23,625 --> 00:04:24,625
THE REST OF YOU BELIEVE THAT?
99
00:04:26,583 --> 00:04:30,000
OKAY. WELL, GUESS WHAT, GUYS.
SCHOOL'S OUT.
100
00:04:30,000 --> 00:04:32,166
YOU'VE GOT THE WHOLE
PLACE TO YOURSELVES.
101
00:04:32,166 --> 00:04:34,333
NO RULES.
102
00:04:34,333 --> 00:04:37,500
ONE HOUR TO BEHAVE
HOWEVER YOU WANT.
103
00:04:37,500 --> 00:04:38,833
LET'S SEE WHAT
BECOMES OF YOU.
104
00:04:38,833 --> 00:04:42,458
WELL, I THINK WE'LL BE PERFECTLY
BEHAVED LADIES AND GENTLEMEN.
105
00:04:42,458 --> 00:04:45,458
AND I THINK WITHIN ONE MINUTE
YOU'LL BE EATING EACH OTHER.
106
00:04:48,208 --> 00:04:50,125
-WHERE ARE YOU GOING?
-I'M LOCKING YOU IN.
107
00:04:50,125 --> 00:04:52,000
THE BEST PUNISHMENT I CAN GIVE
108
00:04:52,000 --> 00:04:54,708
IS TO FORCE YOU TO SPEND
SOME TIME WITH YOURSELVES.
109
00:04:54,708 --> 00:04:56,750
I'LL SEE YOU IN AN HOUR.
110
00:04:56,750 --> 00:04:57,875
WHOEVER'S LEFT.
STYLE
::cue(.speaker)
::cue(.speakerTop)
111
00:05:04,000 --> 00:05:06,458
I CAN'T BELIEVE IT.
HE LOCKED US IN.
112
00:05:06,458 --> 00:05:10,250
THAT'S FINE. I DON'T HAVE
A PROBLEM WITH THAT. I'M NOT
CLAUSTROPHOBIC OR ANYTHING.
113
00:05:12,625 --> 00:05:15,458
WE'RE TRAPPED.
(gasping)
I CAN'T BREATHE.
114
00:05:15,458 --> 00:05:17,833
THERE'S MORE
CARBON DIOXIDE
THAN OXYGEN!
115
00:05:17,833 --> 00:05:18,708
THE RATIO IS
ALL WRONG!
116
00:05:18,708 --> 00:05:20,583
OKAY. FARKLE GOTSTA GO.
117
00:05:20,583 --> 00:05:23,375
I GOTSTA?
118
00:05:23,375 --> 00:05:26,416
STOP. THIS IS EXACTLY
WHAT MY FATHER WANTS.
119
00:05:26,416 --> 00:05:29,000
HE WANTS US TO PANIC
AND FALL APART.
120
00:05:29,000 --> 00:05:31,500
WE HAVE TO SHOW HIM THAT
WE CAN GET THROUGH THIS
121
00:05:31,500 --> 00:05:33,875
WITHOUT TURNING INTO
A PACK OF WILD ANIMALS.
122
00:05:36,000 --> 00:05:37,000
I'M HUNGRY.
123
00:05:38,500 --> 00:05:39,500
WHAT DO YOU MEAN BY THAT?
124
00:05:40,500 --> 00:05:44,333
NOTHING.
I'M JUST REALLY HUNGRY.
125
00:05:45,333 --> 00:05:46,583
BECAUSE WE'RE BEST FRIENDS.
126
00:05:46,583 --> 00:05:48,708
YEAH, YOU KNOW WHAT ELSE?
127
00:05:50,208 --> 00:05:51,708
I DON'T THINK I'VE EVER
BEEN THIS HUNGRY.
128
00:05:52,708 --> 00:05:54,958
I FEEL YA, RANGER RICK.
I'M KINDA HUNGRY, TOO.
129
00:05:54,958 --> 00:05:57,375
AND IT'S NOT LIKE A REGULAR
KIND OF HUNGRY, RIGHT?
130
00:05:57,375 --> 00:05:59,708
NO. NO. THIS ONE'S DEEP.
131
00:05:59,708 --> 00:06:01,166
IT MUST BE ATTENDED TO.
132
00:06:01,166 --> 00:06:03,958
OH, GUYS, CAN WE JUST SHOW
A LITTLE DISCIPLINE?
133
00:06:03,958 --> 00:06:07,250
I MEAN, HOW MUCH MORE TIME
IN HERE COULD WE POSSIBLY HAVE?
134
00:06:11,208 --> 00:06:12,625
YOU KNOW,
I COULD EAT, TOO.
135
00:06:15,125 --> 00:06:17,625
WHAT? WHAT ARE
YOU LOOKING AT?
136
00:06:18,750 --> 00:06:20,875
GUYS! WHAT ARE YOU
SEEING RIGHT NOW?
137
00:06:20,875 --> 00:06:22,208
STOP TALKING, CHICKEN.
138
00:06:24,291 --> 00:06:27,625
ALL RIGHT, COME ON!
LET'S PROVE MY FATHER WRONG.
139
00:06:27,625 --> 00:06:30,875
LET'S FORM OUR OWN
PERFECT SOCIETY.
140
00:06:30,875 --> 00:06:34,083
RILEYTOWN IS A LAND OF
GOODNESS AND RAINBOWS
141
00:06:34,083 --> 00:06:36,750
WHERE EVERYBODY FOLDS
THEIR HANDS NICELY LIKE SO.
142
00:06:36,750 --> 00:06:38,125
WHO WANTS TO LIVE
IN RILEYTOWN?
143
00:06:38,125 --> 00:06:40,625
NOBODY WANTS RILEYTOWN!
IT'S TOO LOLLIPOP!
144
00:06:40,625 --> 00:06:41,708
YOU'RE LOLLIPOP!
145
00:06:41,708 --> 00:06:46,125
SISTER,
I'M A LOT OF THINGS,
BUT I AIN'T LOLLIPOP.
146
00:06:46,125 --> 00:06:51,125
RILEYTOWN HAS ORDER, STRUCTURE
AND OUR HANDS FOLDED LIKE SO!
147
00:06:51,125 --> 00:06:52,291
WHAT DO YOU GOT?
148
00:06:52,291 --> 00:06:57,625
I GOT MAYAVILLE! NO RULES,
NO LAWS, NO HAND FOLDING
AND NOBODY SAYS NO!
149
00:06:58,875 --> 00:07:00,000
NO.
150
00:07:00,000 --> 00:07:02,458
YOU GOT CHAOS
IS WHAT YOU GOT!
151
00:07:02,458 --> 00:07:04,166
I GOT ORDER, YOU GOT CHAOS!
152
00:07:04,166 --> 00:07:06,708
YOU GOT LOLLIPOP,
I GOT WHOO!
153
00:07:06,708 --> 00:07:09,708
OKAY, DETENTION
MAY BE BRINGING OUT
THE WORST IN US,
154
00:07:09,708 --> 00:07:12,000
BUT AT LEAST WE'RE
MAKING THE TIME PASS.
155
00:07:16,750 --> 00:07:17,833
EAT RILEY!
156
00:07:17,833 --> 00:07:19,333
OKAY. BUT NO BITING.
157
00:07:23,875 --> 00:07:25,000
(knock on door)
158
00:07:29,625 --> 00:07:31,083
OH, YAY, IT'S YOU.
159
00:07:31,083 --> 00:07:34,458
GO EASY ON ME, TOPY.
I'M VULNERABLE TODAY.
160
00:07:34,458 --> 00:07:35,708
AVA? WHAT HAPPENED?
161
00:07:35,708 --> 00:07:36,708
WHAT HAPPENED?
162
00:07:38,750 --> 00:07:39,958
EMMA WEATHERSBEE HAPPENED!
163
00:07:41,625 --> 00:07:44,083
SHE'S MAKIN' INROADS, MAN!
164
00:07:44,083 --> 00:07:47,125
AUGGIE!
165
00:07:53,166 --> 00:07:56,875
(scoffs) AVA, WHATEVER'S
GOING ON, IT'S NOT WORTH
SHOVING YOUR FACE IN THE CAKE.
166
00:07:56,875 --> 00:08:00,583
DUDE, WHY WOULD I DO THAT?
THIS FACE TAKES HOURS.
167
00:08:06,375 --> 00:08:09,708
-JOIN ME?
-NO, I COULDN'T POSSIBLY...
168
00:08:09,708 --> 00:08:14,291
OH! THERE'S ACTUALLY NOT
GONNA BE ANY LEFT, IS THERE?
OKAY, SHOVE OVER.
169
00:08:14,291 --> 00:08:18,458
EMMA WEATHERSBEE DOES
THIS THING I CAN'T EVEN
BEGIN TO COMPETE WITH.
170
00:08:18,458 --> 00:08:19,875
WHAT DOES SHE DO?
171
00:08:19,875 --> 00:08:22,875
(screaming) OH,
IT'S ALL JUST SO OBVIOUS
172
00:08:22,875 --> 00:08:25,583
AND YOUR DOPEY SON
IS FALLING FOR IT.
173
00:08:25,583 --> 00:08:26,958
OKAY, WHAT DOES EMMA DO?
174
00:08:26,958 --> 00:08:30,708
SHE'S NICE. SHE'S POLITE.
SHE SAYS "PLEASE"
AND "THANK YOU"
175
00:08:30,708 --> 00:08:34,583
AND "MAY I" AND...
(screaming)
176
00:08:34,583 --> 00:08:36,958
I DON'T WANT TO LIVE
IN THIS KIND OF WORLD!
177
00:08:36,958 --> 00:08:40,083
(scoffs) OKAY, AVA, WHAT DO
YOU WANT ME TO DO FOR YOU?
178
00:08:40,083 --> 00:08:41,500
COULD YOU MAKE ME LIKABLE?
179
00:08:41,500 --> 00:08:42,958
HONEY, I DON'T SEE HOW.
180
00:08:44,708 --> 00:08:47,416
(sobbing) TOPANGA,
I KNOW HOW I COME ACROSS.
181
00:08:48,500 --> 00:08:52,416
BUT I ALSO KNOW THAT
IF YOU JUST GIVE ME A CHANCE,
182
00:08:53,375 --> 00:08:58,583
DEEP DOWN INSIDE ME,
THERE MAY BE A BEAUTIFUL,
SHINING SOUL.
183
00:08:59,625 --> 00:09:00,750
OH, HONEY!
184
00:09:00,750 --> 00:09:02,708
(loudly)
HOW WAS THAT?
185
00:09:04,375 --> 00:09:06,750
OH, YOU JUST WANT ME
TO HELP YOU BE FAKE NICE?
186
00:09:06,750 --> 00:09:09,833
I AIN'T LOOKIN' FOR MIRACLES.
I JUST WANT YOUR KID BACK.
187
00:09:15,458 --> 00:09:17,208
HERE'S WHAT I KNOW,
188
00:09:17,208 --> 00:09:21,125
DEEP DOWN INSIDE YOU,
IN YOUR BEAUTIFUL,
SHINING SOUL,
189
00:09:22,250 --> 00:09:25,291
YOU ACTUALLY SEE
THE GOOD IN ME.
190
00:09:25,291 --> 00:09:26,333
AW, HONEY.
191
00:09:26,333 --> 00:09:28,625
HOW WAS THAT?
192
00:09:33,875 --> 00:09:35,250
WHY ARE YOU GUYS
OVER THERE?
193
00:09:35,250 --> 00:09:39,708
WHY CAN'T WE JUST BE ONE
HAPPY SOCIETY THAT RUNS
THE WAY I THINK IT SHOULD?
194
00:09:39,708 --> 00:09:41,625
BECAUSE YOU WANT
US ALL TO BE YOU.
195
00:09:41,625 --> 00:09:42,875
WE'RE NOT ALL YOU, RILEY.
196
00:09:42,875 --> 00:09:45,583
I MEAN, YOU KNOW THE REASON
I'VE NEVER BEEN ABLE
TO CHOOSE BETWEEN YOU?
197
00:09:45,583 --> 00:09:47,583
BECAUSE IF IT WAS YOU ALL
THE TIME, LIFE WOULD BE LIKE...
198
00:09:47,583 --> 00:09:50,833
♪ LA, LA, LA, LA,
LA, LA, LA, LA ♪
199
00:09:50,833 --> 00:09:54,958
Both:
♪ LA, LA, LA, LA,
LA, LA, LA, LA ♪
200
00:09:54,958 --> 00:09:57,166
AND IF IT WAS YOU
ALL THE TIME, LIFE
WOULD BE LIKE...
201
00:09:57,166 --> 00:09:59,375
(growling)
202
00:09:59,375 --> 00:10:03,125
DESCENSUS IN CUNICULI CAVUM!
203
00:10:03,125 --> 00:10:04,333
(screaming)
STYLE
::cue(.speaker)
::cue(.speakerTop)
204
00:10:04,333 --> 00:10:07,250
(snarling)
205
00:10:08,625 --> 00:10:09,708
I NEED TO BE
BOTH OF YOU GUYS.
206
00:10:09,708 --> 00:10:12,250
BUT WHO ARE YOU GOING
TO BE WITH RIGHT NOW,
FARKLE?
207
00:10:12,250 --> 00:10:16,500
BEFORE YOU ANSWER THAT, YOU MAY
WANT TO CONSIDER A LITTLE THING
I CALL... THIS.
208
00:10:17,750 --> 00:10:19,583
HE FORGOT TO LOCK
THE BACK DOOR?
209
00:10:19,583 --> 00:10:22,000
MAYA, WE'RE IN DETENTION.
YOU CAN'T LEAVE.
210
00:10:22,000 --> 00:10:24,708
HEY. SCHOOL'S OUT.
HE SAID WE GOT THE
PLACE TO OURSELVES.
211
00:10:24,708 --> 00:10:26,583
HE SAID TO MAKE
OUR OWN RULES.
212
00:10:26,583 --> 00:10:28,583
RULE NUMBER ONE:
SEE YOU AROUND, SUCKERS.
213
00:10:31,708 --> 00:10:32,625
FARKLE?
214
00:10:32,625 --> 00:10:35,625
HEY. WHAT PART OF
"DESCENSUS IN CUNICULI CAVUM"
DO YOU NOT UNDERSTAND?
215
00:10:35,625 --> 00:10:36,750
ALL OF IT.
216
00:10:36,750 --> 00:10:39,958
IT MEANS WE DROP DOWN
INTO THE RABBIT HOLE, MAN.
217
00:10:44,125 --> 00:10:46,875
-LUCAS?
-I NEVER DO ANYTHING, RILEY.
218
00:10:50,750 --> 00:10:53,333
(excitedly) YEAH!
219
00:11:04,875 --> 00:11:09,291
OKAY. WE DON'T NEED THEM.
WE CAN JUST BE IN HERE,
HANDS FOLDED LIKE SO.
220
00:11:10,958 --> 00:11:12,875
SO, WHAT DO YOU GUYS
WANT TO TALK ABOUT?
221
00:11:15,083 --> 00:11:17,500
OH, THAT'S RIGHT.
YOU GUYS DON'T TALK, DO YOU?
222
00:11:17,500 --> 00:11:20,166
WELL, THE FIRST
RULE OF RILEYTOWN
223
00:11:20,166 --> 00:11:23,000
IS THAT EVERYBODY
IN HERE GETS TO TALK.
224
00:11:23,000 --> 00:11:25,166
YOU THERE.
WHAT DO YOU HAVE TO SAY?
225
00:11:25,166 --> 00:11:28,458
HI. MY NAME IS DAVE.
226
00:11:28,458 --> 00:11:31,583
I LIKE CORN CHIPS
AND I'M SORRY I DIDN'T
GO WITH THE OTHER GROUP.
227
00:11:32,625 --> 00:11:34,291
(angrily) DAVE!
228
00:11:34,291 --> 00:11:37,333
I MEAN, DON'T GET US WRONG.
WE REALLY RESPECT
YOU AND EVERYTHING.
229
00:11:37,333 --> 00:11:39,250
-YOU DO?
-WE ALWAYS HAVE.
230
00:11:39,250 --> 00:11:41,416
YOU'RE ONE OF THE GOOD ONES
AND WE'D FOLLOW YOU ANYWHERE.
231
00:11:41,416 --> 00:11:42,458
THANK YOU.
232
00:11:42,458 --> 00:11:45,083
IT'S JUST THAT WITHOUT
THE OTHERS, WE'RE KINDA
BORED OUT OF OUR MINDS.
233
00:11:46,250 --> 00:11:47,250
(angrily) DAVE!
234
00:11:48,583 --> 00:11:52,083
WE'RE SAFE AND SOUND
AND NOT GETTING INTO TROUBLE.
235
00:11:52,083 --> 00:11:54,708
YEAH, BUT THE PROBLEM
WITH THAT IS, ALL THE
GOOD KIDS ARE IN HERE.
236
00:11:54,708 --> 00:11:57,333
WE JUST KNOW THAT
THEY'RE HAVING A LOT
MORE FUN OUT THERE.
237
00:11:59,750 --> 00:12:01,000
WHAT'RE YOU DOING IN HERE?
238
00:12:01,000 --> 00:12:02,875
THEY'RE HAVING A LOT
MORE FUN OUT THERE.
239
00:12:03,875 --> 00:12:05,750
WE'RE IN DETENTION,
JANITOR HARLEY.
240
00:12:05,750 --> 00:12:09,375
HOW 'BOUT THAT.
LITTLE ZIPPY
CROSSED THE LINE.
241
00:12:09,375 --> 00:12:10,625
MAYA INFLUENCED ME.
242
00:12:11,708 --> 00:12:13,000
I'VE NOTICED THAT
OVER THE YEARS.
243
00:12:14,833 --> 00:12:18,166
YOU DO REALIZE
THE BACK DOOR IS WIDE OPEN
DON'T YOU, LITTLE ZIPPY?
244
00:12:18,166 --> 00:12:19,875
WE'RE AWARE.
245
00:12:19,875 --> 00:12:25,291
AND YET THIS GROUP STAYS IN
HERE, WHILE THE OTHER GROUP IS
RAMPAGING DOWN THE HALLWAY.
246
00:12:26,333 --> 00:12:28,333
WELL, WHAT DO YOU
MAKE OF THAT?
247
00:12:28,333 --> 00:12:33,708
I'M SURE WE'LL FIND OUT.
THIS LESSON HAS YOUR FATHER
WRITTEN ALL OVER IT.
248
00:12:35,291 --> 00:12:37,291
YOU'RE SUPPOSED TO
LOCK THE FRONT DOOR.
249
00:12:37,291 --> 00:12:39,750
ACTUALLY, I'M NOT.
250
00:12:39,750 --> 00:12:42,500
IT'S TIME TO FIND OUT WHAT
MAYA IS UP TO. GOODBYE.
251
00:12:44,625 --> 00:12:45,708
MAYA WILL BE FINE.
252
00:12:45,708 --> 00:12:47,875
LUCAS AND FARKLE WON'T
LET HER GET INTO TROUBLE.
253
00:12:47,875 --> 00:12:50,708
-SHE'S STRONGER THAN THEM.
-SHE'S BETTER WHEN
YOU'RE WITH HER.
254
00:12:50,708 --> 00:12:56,250
OH, PLEASE. 14 YEARS
OF GOOD INFLUENCE CAN'T
POSSIBLY COME APART IN...
255
00:12:59,500 --> 00:13:01,208
(screaming and ululating)
256
00:13:09,333 --> 00:13:11,625
OKAY, WELL, THIS IS LESS FUN
WHEN THERE'S NO ONE TO CHASE.
257
00:13:11,625 --> 00:13:13,708
EVERYBODY ELSE
IS IN DETENTION.
258
00:13:13,708 --> 00:13:15,458
I'M FINALLY COOL
AND NOBODY NOTICES.
259
00:13:15,458 --> 00:13:17,208
OKAY. OKAY.
WATCH THIS.
260
00:13:28,583 --> 00:13:30,750
HUH! ALSO, OW!
261
00:13:31,750 --> 00:13:33,625
MAYA...
262
00:13:33,625 --> 00:13:35,708
IF THERE'S NO GOOD KIDS
OUT HERE NOTICING US,
263
00:13:35,708 --> 00:13:36,750
THEN, WHAT'S THE POINT?
264
00:13:37,750 --> 00:13:39,333
YOU QUESTIONING
MY LEADERSHIP, HOP-ALONG?
265
00:13:39,333 --> 00:13:42,333
OKAY, THESE NAMES
YOU'RE CALLING ME ARE
KILLING MY STREET CRED.
266
00:13:42,333 --> 00:13:44,583
AW! AND WHAT WOULD YOU
LIKE ME TO CALL YOU?
267
00:13:44,583 --> 00:13:46,166
I'D LIKE YOU TO
CALL ME "MAD DOG."
268
00:13:46,166 --> 00:13:48,583
YOU DON'T SEEM
LIKE A MAD DOG TO ME.
269
00:13:48,583 --> 00:13:50,583
WHAT DO I SEEM
LIKE TO YOU?
270
00:13:50,583 --> 00:13:51,875
YOU KNOW THAT LAMB
THAT MARY HAD?
271
00:13:51,875 --> 00:13:53,708
I DON'T LIKE THE WAY
THAT THIS IS GOING.
272
00:13:55,250 --> 00:13:57,333
I THINK WHAT MAD DOG
IS SAYING IS WHAT GOOD
IS BEING BAD
273
00:13:57,333 --> 00:13:59,375
IF THERE'S NO OTHER
KIND OF PEOPLE AROUND?
274
00:14:01,125 --> 00:14:02,625
(menacingly) I'M BATMAN.
275
00:14:03,708 --> 00:14:04,958
(wheels squealing)
276
00:14:08,458 --> 00:14:09,458
WHO'S THAT?
277
00:14:11,833 --> 00:14:14,625
I AGREE WITH
MAD DOG AND BATMAN.
278
00:14:14,625 --> 00:14:17,708
FOR ME, IT WAS VERY IMPORTANT
FOR US TO BE AMONGST THE GOOD.
279
00:14:17,708 --> 00:14:18,833
WHY?
280
00:14:18,833 --> 00:14:21,708
BECAUSE EVEN BAD KIDS
HAVE GOOD PARTS.
281
00:14:21,708 --> 00:14:25,416
BUT WITHOUT THE GOOD KIDS,
YOU MAY NEVER FIND OUT
WHAT THEY ARE.
282
00:14:25,416 --> 00:14:27,625
YOU TOLD US YOU WERE
ONE OF THE BAD KIDS
WHEN YOU WERE YOUNGER.
283
00:14:27,625 --> 00:14:31,583
WELL, YOU KNOW,
I USED TO INTIMIDATE PEOPLE.
MAKE 'EM SEE THINGS MY WAY.
284
00:14:31,583 --> 00:14:33,625
-DID THEY?
-FOR A WHILE.
285
00:14:33,625 --> 00:14:36,333
-THEN WHAT HAPPENED?
-I MET A GOOD KID.
286
00:14:36,333 --> 00:14:38,333
BUT YOU SEEM LIKE
SUCH A NICE GUY.
287
00:14:38,333 --> 00:14:40,708
IT'S HARD FOR ME
TO BELIEVE YOU EVER
INTIMIDATED ANYTHING.
288
00:14:40,708 --> 00:14:41,708
OH, YEAH?
289
00:15:01,750 --> 00:15:05,000
OKAY. MAYBE HE'S RIGHT.
STYLE
::cue(.speaker)
::cue(.speakerTop)
290
00:15:05,000 --> 00:15:06,250
MAYBE WE NEED
A GOOD KID AROUND.
291
00:15:06,250 --> 00:15:07,500
TO FIND THE GOOD IN US.
292
00:15:08,750 --> 00:15:10,958
YEAH.
LET'S GO STEAL ONE.
293
00:15:14,583 --> 00:15:16,083
DUCK.
294
00:15:16,083 --> 00:15:17,625
DUCK.
295
00:15:18,625 --> 00:15:19,583
DUCK.
296
00:15:21,750 --> 00:15:23,750
SHE'S ACTUALLY TOO NICE
TO MAKE SOMEONE THE GOOSE.
297
00:15:23,750 --> 00:15:26,250
WITHOUT MAYA AROUND,
SHE'S ACTUALLY GETTING WORSE.
298
00:15:26,250 --> 00:15:27,291
DUCK.
299
00:15:27,291 --> 00:15:29,583
(screaming and ululating)
300
00:15:29,583 --> 00:15:30,416
HI.
301
00:15:31,875 --> 00:15:32,750
WAIT!
302
00:15:35,250 --> 00:15:36,000
DUCK!
303
00:15:37,458 --> 00:15:38,458
OKAY!
304
00:15:38,458 --> 00:15:40,458
(continue ululating)
305
00:15:47,708 --> 00:15:49,125
WHY ARE YOU GUYS
LOOKIN' AT ME LIKE THAT?
306
00:15:49,125 --> 00:15:52,000
-HELP US.
-MAKE US MORE LIKE YOU.
307
00:15:59,875 --> 00:16:01,625
OKAY.
308
00:16:01,625 --> 00:16:02,708
YOU GUYS WANT
TO HAVE SOME FUN?
309
00:16:10,166 --> 00:16:11,958
(screaming and ululating)
310
00:16:22,625 --> 00:16:24,958
EVERYBODY CLEAN OFF YOUR FACES,
YOU LOOK RIDICULOUS.
311
00:16:27,375 --> 00:16:28,333
LUCAS,
312
00:16:29,750 --> 00:16:30,750
I'LL GET YOU.
313
00:16:32,083 --> 00:16:33,875
THANK YOU.
314
00:16:33,875 --> 00:16:36,333
YOU KNOW, THEY
CALL ME "MAD DOG".
315
00:16:36,333 --> 00:16:37,416
OF COURSE THEY DO.
316
00:16:38,458 --> 00:16:39,458
WOULD YOU CALL ME
"MAD DOG"?
317
00:16:39,458 --> 00:16:42,500
WOULD YOU CALL ME
"PRINCESS DANCING SUNSHINE"?
318
00:16:42,500 --> 00:16:43,708
NO, I WOULD NOT.
319
00:16:43,708 --> 00:16:44,833
WELL, THERE YOU GO.
320
00:16:51,375 --> 00:16:53,708
I'M HOME!
321
00:16:53,708 --> 00:16:56,458
(groans) WHAT A DAY!
322
00:16:58,583 --> 00:17:00,958
(sweetly)
WE ALL HAVE BAD DAYS,
AUGUST.
323
00:17:00,958 --> 00:17:04,000
PLEASE. I'M SURE
YOU DID YOUR BEST.
324
00:17:04,000 --> 00:17:05,708
THANK YOU. MAY I?
325
00:17:07,583 --> 00:17:08,500
WHAT THE--
326
00:17:09,500 --> 00:17:11,333
I TOLD YOU I DIDN'T
THINK I COULD DO THIS.
327
00:17:11,333 --> 00:17:12,625
WHAT DID YOU DO TO HER?
328
00:17:12,625 --> 00:17:14,708
HONEY, SHE ASKED ME TO!
329
00:17:14,708 --> 00:17:18,583
(softly) I WOULD CHANGE
MYSELF COMPLETELY
330
00:17:18,583 --> 00:17:21,291
IF IT MEANT
NOT LOSING YOU
331
00:17:21,291 --> 00:17:24,000
TO MISS EMMA WEATHERSBEE.
332
00:17:24,000 --> 00:17:26,208
AVA. YOU'RE NOT EMMA.
333
00:17:26,208 --> 00:17:29,125
BE AVA.
I DON'T WANT TWO EMMAS.
334
00:17:29,125 --> 00:17:31,125
I CAN'T STAND BEING
POLITE ALL DAY.
335
00:17:31,125 --> 00:17:32,750
-YOU CAN'T?
-NO.
336
00:17:32,750 --> 00:17:34,875
IT MAKES ME WANT TO DRAW
WITH A BLACK CRAYON.
337
00:17:34,875 --> 00:17:36,375
YOU WANT TWO AVAS?
338
00:17:36,375 --> 00:17:37,375
Both: NO!
339
00:17:39,208 --> 00:17:40,750
"PLEASE" AND "THANK YOU"
ARE ALL RIGHT,
340
00:17:40,750 --> 00:17:44,000
BUT SOMETIMES A GUY'S GOTTA
HEAR "GIVE ME" AND "I WANT!"
341
00:17:44,000 --> 00:17:48,375
WELL, I WANT TO TAKE OFF
THIS STUPID HAT! AND I WANT
TO TAKE OFF THIS STUPID DRESS!
342
00:17:48,375 --> 00:17:50,750
AND I WANT CHEESE! GIVE ME!
343
00:17:50,750 --> 00:17:52,750
AVA, WE'RE HAVING
TEA RIGHT NOW.
344
00:17:52,750 --> 00:17:54,375
LET ME TELL YOU WHAT
I THINK ABOUT TEA--
345
00:17:54,375 --> 00:17:56,083
NO! I WILL GET
YOU SOME CHEESE.
346
00:17:57,625 --> 00:17:59,083
TOPANGA...
347
00:17:59,083 --> 00:18:01,416
-YES?
-THANK YOU.
348
00:18:02,708 --> 00:18:04,750
WOW, AVA.
349
00:18:04,750 --> 00:18:10,833
YOU KNOW, INSIDE OF THERE,
THERE REALLY IS A SWEET
LITTLE GIRL AFTER ALL.
350
00:18:12,833 --> 00:18:13,875
AW, TOPY--
351
00:18:13,875 --> 00:18:15,583
(loudly)
HOW WAS THAT?
352
00:18:16,625 --> 00:18:18,125
(sighs) PRETTY GOOD.
353
00:18:23,166 --> 00:18:26,333
(chanting)
354
00:18:36,291 --> 00:18:37,333
YOU HAVE FUN?
355
00:18:37,333 --> 00:18:39,625
I DID. IT WAS QUITE
ENJOYABLE. AND YOU?
356
00:18:39,625 --> 00:18:42,416
SOMEONE HAD THE IDEA
TO PUT ME IN A BAG.
357
00:18:42,416 --> 00:18:44,625
-DID YOU HEAR ABOUT THAT?
-REALLY?
358
00:18:44,625 --> 00:18:46,708
WELL, YOU KNOW, THERE'S
SOME BAD KIDS OUT THERE.
359
00:18:48,875 --> 00:18:50,583
OKAY, GUYS. DETENTION OVER.
360
00:18:50,583 --> 00:18:52,125
-DAD.
-YEAH?
361
00:18:52,125 --> 00:18:54,625
REMEMBER HOW YOU TOLD US
THAT PEOPLE CHANGE PEOPLE?
362
00:18:54,625 --> 00:18:56,375
SECRET OF LIFE.
363
00:18:56,375 --> 00:19:00,291
WELL, WHEN YOU'RE NOT WITH
THOSE PEOPLE, HOW DO YOU
KEEP FROM CHANGING BACK?
364
00:19:00,291 --> 00:19:01,625
YOU WENT A LITTLE
WILD, DID YOU?
365
00:19:01,625 --> 00:19:03,583
WHATEVER I GOT IS STRONG
IN ME, MATTHEWS.
366
00:19:04,708 --> 00:19:08,000
YEAH, ME, TOO,
BUT THE OTHER WAY.
367
00:19:08,000 --> 00:19:10,083
-HARLEY!
-RIGHT HERE.
368
00:19:12,708 --> 00:19:14,458
-YOU WATCHED THEM?
-LIKE A HAWK.
369
00:19:15,625 --> 00:19:16,708
-WAIT!
-YOU'RE WITH HIM?
370
00:19:16,708 --> 00:19:18,708
YEAH. HE'S MY GOOD KID.
371
00:19:19,708 --> 00:19:20,958
WHAT DO YOU GOT?
372
00:19:20,958 --> 00:19:23,875
EVERYONE WENT NUTS,
EXCEPT FOR ZIPPY.
373
00:19:23,875 --> 00:19:25,291
WHY DIDN'T YOU
GO NUTS, ZIPPY?
374
00:19:26,458 --> 00:19:27,500
I WAS WITHOUT MAYA.
375
00:19:27,500 --> 00:19:32,125
WITHOUT MAYA, I DON'T THINK
I'D EVER UNFOLD MY HANDS.
376
00:19:32,125 --> 00:19:34,083
WHAT ABOUT THIS ONE HERE?
377
00:19:34,083 --> 00:19:35,500
MAYA WAS THE RINGLEADER.
378
00:19:35,500 --> 00:19:37,291
MAYA WAS THE FIRST
ONE OUT THE DOOR.
379
00:19:37,291 --> 00:19:39,583
I WAS WITHOUT RILEY.
380
00:19:39,583 --> 00:19:41,625
WITHOUT RILEY,
I MAY NEVER COME BACK.
381
00:19:41,625 --> 00:19:43,708
OKAY.
382
00:19:43,708 --> 00:19:46,375
WELL, DETENTION OVER, GUYS.
EVERYONE OUT. EXCEPT MAYA.
383
00:19:47,750 --> 00:19:49,000
-DAD--
-EVERYONE OUT.
384
00:19:53,875 --> 00:19:57,708
SO, YOU WERE LIKE ME.
WHAT CHANGED YOU?
385
00:19:57,708 --> 00:20:01,458
WELL, IT TURNS OUT
THERE IS ALWAYS TWO DOORS.
386
00:20:01,458 --> 00:20:02,625
HE SHOWED ME THE OTHER ONE.
387
00:20:04,833 --> 00:20:06,833
IT'S GOOD TO KNOW
THERE'S SOMEONE
LIKE THAT AROUND.
STYLE
::cue(.speaker)
::cue(.speakerTop)
388
00:20:10,458 --> 00:20:12,000
OKAY, SO...
389
00:20:12,000 --> 00:20:14,708
HOW LONG DID IT TAKE FOR
YOU TO GO FULL-BLOWN MAYA?
390
00:20:14,708 --> 00:20:17,708
-FIVE MINUTES.
-FIVE MINUTES. THAT'S FOUR
MINUTES BETTER THAN LAST TIME.
391
00:20:18,708 --> 00:20:20,291
SO, YOU WEREN'T
THERE THIS MORNING?
392
00:20:20,291 --> 00:20:22,333
YEAH, THE SUBWAY WAS
LATE OR SOMETHING...
393
00:20:22,333 --> 00:20:23,750
OR SOMETHING.
394
00:20:23,750 --> 00:20:26,625
YOU KNOW, MAYA, IT'S A GOOD
THING TO KNOW, I DON'T ALWAYS
HAVE TO BE IN THIS ROOM
395
00:20:26,625 --> 00:20:28,125
TO GIVE MY STUDENTS A TEST.
396
00:20:28,125 --> 00:20:31,208
AND IT'S A GOOD THING WE GOT
PEOPLE WHO CHECK UP ON US
EVERY ONCE IN A WHILE.
397
00:20:32,375 --> 00:20:33,750
YEAH.
398
00:20:33,750 --> 00:20:36,166
OKAY. SO, WHAT'S NEXT?
399
00:20:37,500 --> 00:20:39,291
I SIT HERE ANOTHER HOUR.
400
00:20:39,291 --> 00:20:42,833
MAYA, WHATEVER YOU
END UP DECIDING TO BE,
401
00:20:42,833 --> 00:20:46,875
THE BEST THING I CAN TEACH YOU
RIGHT NOW IS THAT THERE ARE
CONSEQUENCES TO OUR ACTIONS.
402
00:20:48,375 --> 00:20:49,833
THE RULES ARE THERE TO HELP US.
403
00:20:50,875 --> 00:20:52,000
I'LL TRY HARDER NEXT TIME.
404
00:20:52,000 --> 00:20:53,166
I KNOW.
405
00:20:58,000 --> 00:21:00,000
-HEY, MATTHEWS.
-YEAH?
406
00:21:01,000 --> 00:21:03,750
NEXT TIME I'M GONNA PUT
SOME WAR PAINT ON RILEY'S FACE.
407
00:21:03,750 --> 00:21:06,750
YEAH. I'M SURE
SHE'S COUNTING ON IT.
408
00:21:27,875 --> 00:21:28,875
RILEY!
409
00:21:30,416 --> 00:21:31,416
RIGHT HERE.
410
00:21:42,125 --> 00:21:43,708
THANKS FOR COMING OVER, AVA.
411
00:21:43,708 --> 00:21:44,875
I HAD A REAL GOOD TIME.
412
00:21:44,875 --> 00:21:46,583
ME TOO, AUGGIE.
413
00:21:46,583 --> 00:21:49,875
TOMORROW, I WANT
TO TALK ABOUT ME MORE
414
00:21:49,875 --> 00:21:53,833
AND I WANT TO WATCH
MY TV SHOWS AND I WANT
TO TALK ABOUT ME MORE.
415
00:21:55,000 --> 00:21:56,208
SOUNDS GOOD.
SEE YOU TOMORROW.
416
00:21:56,208 --> 00:21:58,375
-TOPANGA!
-YES!
417
00:21:58,375 --> 00:21:59,125
THROW ME OUT!
418
00:21:59,125 --> 00:22:00,833
(gasps) I HAD THE SAME IDEA.
419
00:22:00,833 --> 00:22:03,208
Both: Whee!
420
00:22:06,250 --> 00:22:08,708
-THANK YOU!
-MY PLEASURE.
421
00:22:08,708 --> 00:22:09,750
I NEVER THOUGHT
I'D SAY THIS,
422
00:22:09,750 --> 00:22:12,125
BUT SHE IS REALLY
STARTING TO GROW ON ME.
423
00:22:12,125 --> 00:22:16,833
REALLY? BECAUSE I DECIDED THAT
IF YOU STILL DIDN'T LIKE HER
424
00:22:16,833 --> 00:22:19,208
I WAS NEVER GOING
TO SEE HER AGAIN,
425
00:22:19,208 --> 00:22:23,500
BECAUSE YOUR HAPPINESS IS MORE
IMPORTANT THAN ANYTHING TO ME.
426
00:22:23,500 --> 00:22:25,000
AW, HONEY--