1
00:00:03,458 --> 00:00:04,000
(both laughing)
2
00:00:05,125 --> 00:00:06,708
THEY'RE SO CUTE TOGETHER!
3
00:00:06,708 --> 00:00:08,833
WE'RE CUTE TOGETHER,
RILEY.
4
00:00:11,625 --> 00:00:14,000
WHOA-HO-HO...
OH!
5
00:00:16,250 --> 00:00:17,250
WHAT ARE YOU DOING?
6
00:00:19,750 --> 00:00:22,583
WHY DO THEY SHOVE CAKE
AND WE DON'T SHOVE CAKE?
7
00:00:22,583 --> 00:00:25,000
RILEY?
IS IT OVER BETWEEN US?
8
00:00:27,166 --> 00:00:29,125
IT'S NOT ME, DAD. IT'S YOU.
9
00:00:30,125 --> 00:00:31,625
OKAY! EVENING OVER!
10
00:00:31,625 --> 00:00:32,958
Both: HEY!
11
00:00:32,958 --> 00:00:34,458
DID YOU GIRLS DO
YOUR HOMEWORK?
12
00:00:34,458 --> 00:00:35,458
I DID EXCELLENT WORK.
13
00:00:35,458 --> 00:00:36,958
I ALSO DID EXCELLENT WORK.
14
00:00:36,958 --> 00:00:38,750
ONE OF US IS
COMPLETELY LYING.
15
00:00:38,750 --> 00:00:40,458
-CAN YOU GUESS WHO?
-GIVE THEM A HINT.
16
00:00:40,458 --> 00:00:42,500
-YOU GUYS NEED A HINT?
-Cory and Shawn: NO.
17
00:00:44,125 --> 00:00:45,708
THEY REALLY GET
ALONG TOGETHER, HUH?
18
00:00:45,708 --> 00:00:47,250
YEAH. THE SOUND OF
MY DAUGHTER'S LAUGHTER
19
00:00:47,250 --> 00:00:49,708
HAS ALWAYS BEEN
MY FAVORITE SONG.
20
00:00:49,708 --> 00:00:52,458
YOU AND I HAVE THE
SAME TASTE IN MUSIC.
21
00:00:52,458 --> 00:00:55,333
YOU KNOW,
A LITTLE DISCIPLINE
ISN'T A BAD THING, MAYA.
22
00:00:55,333 --> 00:00:57,083
OH, THANKS, MR. MATTHEWS.
I'LL PONDER ON THAT.
23
00:01:02,708 --> 00:01:04,250
I'M SORRY, WHAT?
24
00:01:08,416 --> 00:01:10,625
YEAH. JUST BECAUSE
YOU DO THE SAME
WEIRD GESTURE TWICE
25
00:01:10,625 --> 00:01:11,750
DOESN'T MEAN
I GET IT.
26
00:01:12,958 --> 00:01:15,750
YOU KNOW, THIS IS USUALLY
THE PART OF THE EVENING
27
00:01:15,750 --> 00:01:18,083
WHEN PEOPLE GIVE OUT
FATHERLY ADVICE.
28
00:01:18,083 --> 00:01:21,208
OH! (laughs) NO!
29
00:01:21,208 --> 00:01:23,750
NO, IT'S NOT MY PLACE.
30
00:01:23,750 --> 00:01:25,875
GO AHEAD.
WHAT ADVICE YOU GOT FOR ME?
I CAN TAKE IT.
31
00:01:25,875 --> 00:01:28,166
OH, COME ON!
WE WERE HAVING SUCH
A GOOD EVENING.
32
00:01:28,166 --> 00:01:29,583
CAN'T WE JUST
LEAVE IT AT THAT?
33
00:01:29,583 --> 00:01:30,750
WHAT'S THE MATTER?
34
00:01:31,750 --> 00:01:33,750
-BOOM!
-OH!
35
00:01:33,750 --> 00:01:35,375
YOU DON'T THINK
I CAN TAKE IT?
36
00:01:35,375 --> 00:01:37,875
GO AHEAD. PING!
GO AHEAD. PONG!
37
00:01:37,875 --> 00:01:38,875
KA-BLAM!
38
00:01:40,416 --> 00:01:41,833
COME ON! LET'S DO THIS!
39
00:01:41,833 --> 00:01:43,458
TELL ME TO DO
MY HOMEWORK.
40
00:01:43,458 --> 00:01:46,708
MAYBE I WILL JUST DO IT.
YOU DON'T EVEN KNOW IT.
COME ON! LET'S DO THIS.
41
00:01:49,208 --> 00:01:51,166
WHY DON'T YOU EVER
DO SOMETHING ALL CUTE
LIKE THAT?
42
00:01:51,166 --> 00:01:52,625
OKAY! POW!
43
00:01:52,625 --> 00:01:53,833
OW!
44
00:01:54,833 --> 00:01:57,416
COME ON.
YOU GOT SOMETHING FOR ME?
OUT WITH IT. I DARE YOU.
45
00:01:57,416 --> 00:02:00,750
NO. NO, NO.
I HAVE THIS WONDERFUL
INSTINCT FOR TOO FAR.
46
00:02:00,750 --> 00:02:01,875
AND WE HAVE ARRIVED.
47
00:02:01,875 --> 00:02:03,958
THERE IS NOTHING HE COULD
SAY THAT WOULD BOTHER ME.
48
00:02:03,958 --> 00:02:05,125
IT'S NOT GOING TO HAPPEN.
49
00:02:06,416 --> 00:02:08,000
(mimicking chicken clucking)
50
00:02:08,000 --> 00:02:11,708
OH, RIGHT, RIGHT.
BECAUSE CHICKEN NOISES
51
00:02:11,708 --> 00:02:13,708
WORK ON A GROWN MAN.
52
00:02:14,708 --> 00:02:16,708
CLUCK! CLUCK!
53
00:02:17,708 --> 00:02:20,291
I'M A CHICKEN! CLUCK!
54
00:02:22,375 --> 00:02:24,708
ALL RIGHT. YOU WANT ONE
PIECE OF FATHERLY ADVICE?
55
00:02:24,708 --> 00:02:26,416
AND HERE COMES
THE END OF EVERYTHING.
56
00:02:26,416 --> 00:02:27,875
SURE, GIVE IT
YOUR BEST SHOT.
57
00:02:27,875 --> 00:02:29,291
OH, HOW BAD
COULD IT BE?
58
00:02:29,291 --> 00:02:30,750
I THINK YOU SHOULD
DRESS DIFFERENTLY.
59
00:02:35,458 --> 00:02:36,833
WHAT DID YOU
JUST SAY TO ME?
60
00:02:36,833 --> 00:02:39,708
OH. YOU SEE...
61
00:02:41,291 --> 00:02:44,583
YOU ASKED ME FOR ADVICE.
I TOLD YOU... BUT YOU PUSHED.
62
00:02:45,583 --> 00:02:47,750
ARE YOU CRYING?
I MADE YOU CRY?
63
00:02:48,625 --> 00:02:51,750
MAYA, YOU ASKED
ME FOR ADVICE
64
00:02:51,750 --> 00:02:53,708
AND I JUST TOLD YOU
HOW I WAS FEELING.
65
00:02:53,708 --> 00:02:54,583
WHY ARE YOU CRYING?
66
00:02:55,708 --> 00:02:58,708
BECAUSE NO ONE'S EVER CARED
ENOUGH TO SAY THAT TO ME.
67
00:03:05,750 --> 00:03:09,000
WELL, NOW I WOULD
TAKE EXCEPTION TO THAT,
68
00:03:09,000 --> 00:03:11,750
BUT WOW, I LIKE
WHERE THIS IS GOING.
69
00:03:11,750 --> 00:03:13,875
(sobbing)
70
00:03:13,875 --> 00:03:15,833
MAKE IT STOP.
71
00:03:15,833 --> 00:03:17,250
CAN WE MAKE IT STOP?
72
00:03:17,250 --> 00:03:20,000
HOW DO I MAKE IT STOP?
73
00:03:22,208 --> 00:03:23,875
HOW 'BOUT I BUY YOU
SOME NEW CLOTHES?
74
00:03:23,875 --> 00:03:25,333
(sobbing stops)
75
00:03:29,833 --> 00:03:31,333
OKAY.
76
00:03:32,833 --> 00:03:34,416
(sobbing) YOU'RE RIGHT.
77
00:03:34,416 --> 00:03:36,625
MAYBE WE SHOULD BE
MORE LIKE THEM.
78
00:03:38,375 --> 00:03:40,083
NOW YOU SAY I GET
NEW CLOTHES.
79
00:03:42,375 --> 00:03:43,958
YOU HAD YOUR CHANCE, RILEY.
80
00:03:45,750 --> 00:03:46,708
POW!
81
00:03:47,750 --> 00:03:49,875
(theme music playing)
82
00:03:54,166 --> 00:03:56,125
♪ I'VE BEEN WAITING ♪
83
00:03:56,125 --> 00:03:57,458
♪ FOR A DAY ♪
84
00:03:57,458 --> 00:03:58,458
♪ LIKE THIS TO COME ♪
85
00:03:58,458 --> 00:04:00,125
♪ STRUCK LIKE LIGHTNING ♪
86
00:04:00,125 --> 00:04:02,458
♪ MY HEART'S BEATING LIKE
A DRUM ♪
87
00:04:02,458 --> 00:04:03,625
♪ ON THE EDGE ♪
88
00:04:03,625 --> 00:04:06,291
♪ OF SOMETHING WONDERFUL ♪
89
00:04:06,291 --> 00:04:08,750
♪ FACE TO FACE WITH CHANGES ♪
90
00:04:08,750 --> 00:04:10,625
♪ WHAT'S IT ALL ABOUT? ♪
91
00:04:10,625 --> 00:04:12,250
♪ LIFE IS CRAZY ♪
92
00:04:12,250 --> 00:04:13,333
♪ BUT I KNOW ♪
93
00:04:13,333 --> 00:04:14,875
♪ I CAN WORK IT OUT ♪
94
00:04:14,875 --> 00:04:16,000
♪ 'CAUSE I GOT YOU ♪
95
00:04:16,000 --> 00:04:18,625
♪ TO LIVE IT WITH ME ♪
96
00:04:18,625 --> 00:04:22,875
♪ I FEEL ALL RIGHT,
I'M GONNA TAKE ON THE WORLD ♪
97
00:04:22,875 --> 00:04:25,875
♪ LIGHT UP THE STARS,
I'VE GOT SOME PAGES TO TURN ♪
98
00:04:25,875 --> 00:04:28,500
♪ I'M SINGING "GO-O-O" ♪
99
00:04:28,500 --> 00:04:31,583
♪ OH, OH, OH, OH ♪
100
00:04:31,583 --> 00:04:34,625
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
101
00:04:34,625 --> 00:04:35,875
♪ TAKE ON THE WORLD ♪
102
00:04:35,875 --> 00:04:38,583
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
103
00:04:38,583 --> 00:04:39,583
♪ TAKE ON THE WORLD ♪
104
00:04:46,625 --> 00:04:49,208
SIT DOWN, SHAWNIE!
RELAX YOURSELF.
105
00:04:50,375 --> 00:04:52,583
TRYIN' ON CLOTHES
IS ALL DAY.
106
00:04:52,583 --> 00:04:54,250
NO, I'M JUST HERE
TO BUY A KID AN OUTFIT.
107
00:04:54,250 --> 00:04:55,750
I KNOW.
108
00:04:57,000 --> 00:04:58,375
NOT GONNA CHANGE YOU AT ALL
109
00:04:58,375 --> 00:05:01,875
WHEN SHE STEPS OUT FROM
BEHIND THAT CURTAIN, WITH A
LOOK ON HER FACE THAT SAYS,
STYLE
::cue(.speaker)
::cue(.speakerTop)
110
00:05:01,875 --> 00:05:03,625
"DO YOU THINK THIS MAKES
ME LOOK BEAUTIFUL, DAD?"
111
00:05:03,625 --> 00:05:06,125
I'M NOT GOING TO SIT IN ONE
OF THESE DADDY CHAIRS
112
00:05:06,125 --> 00:05:08,000
AND WAIT FOR A KID
TO SPEND MY MONEY.
113
00:05:08,000 --> 00:05:10,291
I KNOW! SIT IN
THE CHAIR, SHAWN.
114
00:05:10,291 --> 00:05:12,625
I AM NEVER GOING TO
SIT IN THAT CHAIR!
115
00:05:14,208 --> 00:05:16,500
GENTLEMEN,
MAY I NOW PRESENT
116
00:05:16,500 --> 00:05:19,000
THE NEW AND
DEFINITELY IMPROVED
117
00:05:19,000 --> 00:05:20,250
MISS MAYA HART.
118
00:05:20,250 --> 00:05:23,416
YEAH, YEAH, YEAH. COME ON OUT.
LET'S SEE WHAT YOU PUT TOGETHER.
119
00:05:28,291 --> 00:05:29,500
(chuckles)
120
00:05:34,583 --> 00:05:35,708
I KNOW.
121
00:05:38,458 --> 00:05:39,500
DO YOU LIKE IT?
122
00:05:39,500 --> 00:05:41,000
(stammers)
123
00:05:42,625 --> 00:05:44,750
WOW. LOOK AT YOU.
124
00:05:47,291 --> 00:05:49,208
YEAH. THIS MIGHT BE
MY FAVORITE DAY EVER.
125
00:05:52,250 --> 00:05:53,708
SHAWN, YOU REALLY DON'T
HAVE TO DO THIS.
126
00:05:53,708 --> 00:05:57,750
I WANT TO. I WANT TO BE
RESPONSIBLE FOR THIS,
IF YOU'LL LET ME.
127
00:05:58,750 --> 00:05:59,833
THANK YOU.
128
00:05:59,833 --> 00:06:01,958
NO ONE'S EVER DONE ANYTHING
LIKE THIS FOR ME BEFORE.
129
00:06:01,958 --> 00:06:03,208
YOU'RE WELCOME.
130
00:06:04,208 --> 00:06:07,208
NOW, PICK
SOMETHING ELSE OUT
131
00:06:07,208 --> 00:06:10,708
AND GO BACK INTO THE DRESSING
ROOM AND BE HAPPY AND COME OUT
WITH THAT FACE ON.
132
00:06:11,708 --> 00:06:12,583
YOU'LL BE OKAY?
133
00:06:12,583 --> 00:06:16,208
OH, I'M FINE.
I-- I HAVE THIS CHAIR.
134
00:06:21,000 --> 00:06:22,750
-NO!
-BUT MY FACE!
135
00:06:22,750 --> 00:06:24,166
-NO!
-BUT I LOVE YOU.
136
00:06:24,166 --> 00:06:25,875
NO!
137
00:06:25,875 --> 00:06:26,875
I'LL TEACH YOU
THAT NEXT.
138
00:06:28,750 --> 00:06:31,708
I WENT SHOPPING FOR GIRLS
CLOTHES AND HAD A GOOD TIME.
139
00:06:34,583 --> 00:06:36,000
WHAT IS HAPPENING TO ME?
140
00:06:37,625 --> 00:06:40,500
-WHAT DO YOU THINK?
-WOW! NEW LOOK, MAYA.
YOU LOOK GREAT.
141
00:06:42,125 --> 00:06:43,458
YOU LOOK BEAUTIFUL,
BABY GIRL.
142
00:06:43,458 --> 00:06:44,708
THANKS, MOM.
143
00:06:44,708 --> 00:06:46,458
CAN I HAVE YOUR T-SHIRT
WITH THE BIG TONGUE?
144
00:06:46,458 --> 00:06:48,458
I LIKE THAT BIG TONGUE.
BLAH!
145
00:06:53,166 --> 00:06:55,708
-CORY!
-NO! IT'S NOT HERS.
I GOT HER NOTHIN'!
146
00:06:57,166 --> 00:07:00,875
SHAWN! THAT'S ALL FOR MAYA?
IT'S TOO MUCH.
147
00:07:00,875 --> 00:07:02,583
KATY, WHY DO YOU
WORK SO HARD?
148
00:07:02,583 --> 00:07:04,333
TO KEEP THE
LIGHTS ON, SHAWN.
149
00:07:04,333 --> 00:07:06,375
KATY, WHY DO YOU
WORK SO HARD?
150
00:07:06,375 --> 00:07:08,750
BECAUSE I HAVE A DAUGHTER
TO TAKE CARE OF.
151
00:07:08,750 --> 00:07:11,458
THERE YOU GO.
AND I JUST HAVE ME.
152
00:07:11,458 --> 00:07:14,458
I TRAVEL LIGHT.
I JUST NEED A CUP OF COFFEE
AND A SANDWICH,
153
00:07:14,458 --> 00:07:16,291
'CAUSE OF THAT
I'VE BEEN ABLE TO PUT
A LITTLE MONEY AWAY.
154
00:07:16,291 --> 00:07:18,125
HOW MUCH MONEY?
155
00:07:18,125 --> 00:07:19,583
THAT MUCH RIGHT THERE.
156
00:07:20,625 --> 00:07:22,750
AND NOW IT'S ALL GONE.
157
00:07:22,750 --> 00:07:24,458
I LIKE TAKING CARE OF
SOMEBODY BESIDES ME.
158
00:07:29,708 --> 00:07:31,250
MAYA ADORES YOU.
159
00:07:31,250 --> 00:07:33,750
AND THE DEEPER THAT
THIS GETS, THE MORE
IT'S GOING TO CRUSH HER WHEN--
160
00:07:34,875 --> 00:07:36,583
"WHEN" WHAT?
161
00:07:36,583 --> 00:07:38,583
HER LEGS GET CUT OUT
FROM UNDER HER.
162
00:07:38,583 --> 00:07:41,583
KATY. CAN WE JUST
HAVE A GOOD DAY?
163
00:07:41,583 --> 00:07:43,583
YOU KEEP THE
LIGHTS ON. RIGHT?
164
00:07:43,583 --> 00:07:45,583
AND I DRESS THE KID
UP A LITTLE BIT.
165
00:07:45,583 --> 00:07:47,458
CAN'T WE JUST LOOK
AT HER AND SMILE?
166
00:07:49,583 --> 00:07:50,750
YEAH. I GUESS WE CAN.
167
00:07:52,250 --> 00:07:53,875
-WE GOOD?
-WE'RE GOOD.
168
00:07:54,625 --> 00:07:55,875
THANK YOU.
169
00:07:58,291 --> 00:08:00,333
YEAH, YOU DIDN'T
TELL HIM THAT
170
00:08:00,333 --> 00:08:02,583
KEEPING THE LIGHTS ON
ISN'T QUITE AS GLAMOROUS
171
00:08:02,583 --> 00:08:04,833
FOR YOUR DAUGHTER AS
A WHOLE NEW WARDROBE,
DID YOU?
172
00:08:04,833 --> 00:08:06,000
HE DID A KIND THING.
173
00:08:06,000 --> 00:08:08,500
I STOPPED HOPING
FOR ANY GLORY LONG AGO.
174
00:08:09,708 --> 00:08:11,750
HEY. YOU.
WHO'S YOUR MAMA?
175
00:08:11,750 --> 00:08:13,250
THAT PRETTY BLOND LADY.
176
00:08:14,833 --> 00:08:16,833
SHE DOES ALL
THE HEAVY LIFTING.
177
00:08:16,833 --> 00:08:19,000
I GOT TO DO
SOMETHING FUN.
178
00:08:19,000 --> 00:08:22,708
SO THIS STUFF
COMES FROM ME AND HER.
179
00:08:22,708 --> 00:08:23,500
DON'T EVER FORGET THAT.
180
00:08:24,500 --> 00:08:26,583
I WON'T.
THANKS, MOM.
181
00:08:34,708 --> 00:08:36,583
-WHAT'S THIS FOR?
-NOTHING.
182
00:08:37,625 --> 00:08:38,875
EVERYTHING.
183
00:08:43,500 --> 00:08:46,833
YOU KNOW, MAYA, YOU CAN BORROW
ANY OF MY CLOTHES
WHENEVER YOU WANT.
184
00:08:48,333 --> 00:08:49,583
THANKS.
185
00:08:49,583 --> 00:08:50,708
YOU CAN NEVER TOUCH
ANY OF THIS STUFF.
186
00:08:57,958 --> 00:08:59,833
IT ISN'T ABOUT
THE CLOTHES, YOU KNOW?
187
00:09:00,750 --> 00:09:02,583
IT'S THAT SOMEONE WANTED
TO DO THIS FOR ME.
188
00:09:03,583 --> 00:09:06,375
OF COURSE IT ISN'T
ABOUT THE CLOTHES.
IT'S ABOUT YOU.
189
00:09:09,875 --> 00:09:12,166
-LOVE IT!
-LOOK AT ME.
190
00:09:12,166 --> 00:09:13,291
YAY!
191
00:09:14,750 --> 00:09:16,625
-I NEED TO TELL YOU SOMETHING.
-ANYTHING.
192
00:09:16,625 --> 00:09:18,625
-AND I DON'T WANT YOU TO REACT.
-I WON'T.
193
00:09:18,625 --> 00:09:20,875
BECAUSE IF YOU REACT TOO BIG,
YOU'RE GOING TO JINX IT.
194
00:09:20,875 --> 00:09:22,500
PLEASE DON'T JINX IT.
195
00:09:24,583 --> 00:09:26,875
-LOVE IT!
-I KNOW!
196
00:09:26,875 --> 00:09:27,875
YAY!
197
00:09:30,500 --> 00:09:33,583
I THINK THERE'S A CHANCE
I MIGHT'VE BEEN LIVING LIFE
ALL WRONG.
198
00:09:33,583 --> 00:09:36,000
AND I THINK, MAYBE
YOU'VE BEEN RIGHT.
199
00:09:36,000 --> 00:09:38,583
I LIKE WHEN I'M RIGHT.
WHAT AM I RIGHT ABOUT?
200
00:09:38,583 --> 00:09:39,958
DON'T GET ALL
EXCITED, OKAY?
201
00:09:39,958 --> 00:09:42,166
(excitedly)
I PROMISE TO
NOT BE EXCITED!
202
00:09:44,291 --> 00:09:46,125
I USED TO THINK
HOPE WAS FOR SUCKERS.
203
00:09:48,208 --> 00:09:49,333
LOVE IT!
204
00:09:49,333 --> 00:09:50,625
THIS IS ME NOW!
205
00:09:50,625 --> 00:09:52,208
YAY!
206
00:09:54,000 --> 00:09:56,583
BUT MAYBE IF YOU
DON'T HOPE FOR TOO MUCH,
207
00:09:56,583 --> 00:09:58,208
BUT LET YOURSELF
HOPE FOR ONE THING,
208
00:09:58,208 --> 00:09:59,583
IT MIGHT ACTUALLY HAPPEN.
209
00:10:00,833 --> 00:10:02,583
TODAY WAS A REAL GOOD DAY.
STYLE
::cue(.speaker)
::cue(.speakerTop)
210
00:10:02,583 --> 00:10:04,625
I'M GOING TO HOPE
FOR ONE MORE AND
WE'LL SEE WHAT COMES.
211
00:10:06,375 --> 00:10:07,708
PLEASE DON'T GET
EXCITED AND JINX IT.
212
00:10:15,750 --> 00:10:16,875
OKAY, LET IT OUT.
213
00:10:16,875 --> 00:10:18,500
LOVE IT!
214
00:10:18,500 --> 00:10:20,958
-ME, TOO!
-YAY!
215
00:10:20,958 --> 00:10:22,708
-NO!
-OKAY!
216
00:10:27,708 --> 00:10:29,208
IT CAME OUT OF NOWHERE.
217
00:10:29,208 --> 00:10:32,291
THE WINDS WERE BLOWING
AT 175 MILES AN HOUR.
218
00:10:32,291 --> 00:10:34,333
A "CATEGORY FIVE" HURRICANE.
219
00:10:34,333 --> 00:10:36,166
THERE IS NO CATEGORY SIX.
220
00:10:37,375 --> 00:10:39,458
-WHO KNOWS WHAT A LEVEE IS?
-RILEY.
221
00:10:39,458 --> 00:10:41,833
IT'S LIKE A HILL OR A DAM
THAT'S SUPPOSED TO KEEP
WATER OUT.
222
00:10:41,833 --> 00:10:46,000
"SUPPOSED TO." SO, WE BUILD
THESE PROTECTIONS TO KEEP
OUT THE ELEMENTS,
223
00:10:46,000 --> 00:10:49,000
BUT SOMETIMES THE STORM
IS STRONGER THAN WE ARE.
224
00:10:50,250 --> 00:10:51,750
WHO KNOWS ANYTHING ABOUT
NEW ORLEANS GEOGRAPHY?
225
00:10:51,750 --> 00:10:54,000
-FARKLE.
-IT'S BELOW SEA LEVEL.
226
00:10:54,000 --> 00:10:55,708
SO WHERE DOES
THE FLOODWATER GO?
227
00:10:55,708 --> 00:10:57,458
DOWN. RIGHT INTO THE CITY.
228
00:10:57,458 --> 00:10:58,625
AND WHAT'S THE RESULT?
229
00:11:00,625 --> 00:11:03,416
-LUCAS.
-PARISH AFTER PARISH
WAS DESTROYED.
230
00:11:03,416 --> 00:11:06,458
PEOPLE LOST THEIR HOMES.
PEOPLE LOST EVERYTHING.
231
00:11:06,458 --> 00:11:08,708
LUCAS WENT THERE
FROM TEXAS TO HELP OUT.
232
00:11:08,708 --> 00:11:10,583
-I TOLD YOU THAT?
-NOPE.
233
00:11:12,250 --> 00:11:15,708
YOU KNOW, WHEN IT ENDED,
THERE WERE JAZZ BANDS
PLAYING ON THE STREET.
234
00:11:15,708 --> 00:11:19,250
OTHER PEOPLE CAME OUT OF
WHAT WAS LEFT OF THEIR
HOUSES TO DANCE.
235
00:11:19,250 --> 00:11:21,000
YOU KNOW WHAT
THEY DO IN NEW ORLEANS?
236
00:11:21,000 --> 00:11:24,125
THEY HAVE
HURRICANE BARBECUES.
HURRICANE PICNICS.
237
00:11:25,458 --> 00:11:28,583
THEIR CITY DROWNED
BUT THEY STILL
CELEBRATED EACH OTHER.
238
00:11:28,583 --> 00:11:29,833
THANK YOU, LUCAS.
239
00:11:30,625 --> 00:11:33,875
SO, THEIR HOMES ARE GONE.
240
00:11:33,875 --> 00:11:35,708
THEY HAVE NO POWER.
241
00:11:35,708 --> 00:11:38,333
AND THEY LIVE IN A CITY WHERE
EVEN GEOGRAPHY TELLS THEM
242
00:11:38,333 --> 00:11:40,708
IT'S A SUCKER'S
BET TO STAY.
243
00:11:40,708 --> 00:11:41,833
WHAT DO THEY DO?
244
00:11:43,458 --> 00:11:45,708
-MAYA, RAISE YOUR HAND.
-I DON'T KNOW THE ANSWER.
245
00:11:45,708 --> 00:11:48,125
STOP HIDING OUT
IN MY CLASS, MAYA.
246
00:11:48,125 --> 00:11:51,291
YOU KNOW THE ANSWER.
WHAT DID THEY DO?
247
00:11:51,291 --> 00:11:54,125
THEY STAYED AND BELIEVED
THINGS WOULD GET BETTER.
248
00:11:55,416 --> 00:11:57,750
AND THEY DID.
THEY GOT BETTER.
249
00:11:57,750 --> 00:11:59,291
HOW COME?
250
00:11:59,291 --> 00:12:01,291
BECAUSE THEY HAD HOPE.
251
00:12:02,458 --> 00:12:04,875
NEW ORLEANS IS ONE OF MY
FAVORITE CITIES IN THE WORLD.
252
00:12:06,166 --> 00:12:08,750
EVEN IN DEVASTATION,
THEY DIDN'T MISS A MARDI GRAS.
253
00:12:10,958 --> 00:12:11,875
THE CLOTHES LOOK NICE, MAYA.
254
00:12:13,291 --> 00:12:15,583
BUT IT'S THE HOPE
THAT LOOKS GREAT ON YOU.
255
00:12:22,708 --> 00:12:24,291
THANKS FOR COMING.
256
00:12:24,291 --> 00:12:26,583
YOU NEED TO STOP
BEING NICE TO ME.
257
00:12:26,583 --> 00:12:29,625
-YOU NEED THERAPY.
-NO KIDDING.
258
00:12:30,708 --> 00:12:33,750
LISTEN, I LOVE THE WAY
YOU ARE WITH MAYA
259
00:12:33,750 --> 00:12:36,291
AND I BELIEVE YOU
MAY EVEN BE SINCERE,
260
00:12:36,291 --> 00:12:38,583
BUT THERE'S NO NEED
TO BE NICE TO ME.
261
00:12:38,583 --> 00:12:42,166
I DON'T THINK YOU AND I
HAVE EVER EVEN HAD
A NORMAL CONVERSATION.
262
00:12:42,166 --> 00:12:45,416
-WHEN KERMIT LEFT ME--
-(laughing)
263
00:12:45,416 --> 00:12:46,625
WHAT?
264
00:12:46,625 --> 00:12:51,833
I'M SORRY. I NEVER PICTURED
YOUR EX-HUSBAND AS A "KERMIT".
265
00:12:53,583 --> 00:12:55,416
-WHEN KERMIT LEFT ME--
-(laughing)
266
00:12:55,416 --> 00:12:57,458
-I'M NOT EVEN SORRY.
-MM-HMM.
267
00:12:57,458 --> 00:13:00,583
-WHEN HE LEFT--
-WHO? WHEN WHO LEFT? WHO?
268
00:13:04,416 --> 00:13:06,375
I DECIDED TO SHUT
THAT PART OF ME OFF.
269
00:13:07,416 --> 00:13:10,083
YOU KNOW, FOOL ME ONCE,
SHAME ON YOU. FOOL ME TWICE,
270
00:13:10,083 --> 00:13:11,500
-SHAME ON--
-ME?
271
00:13:11,500 --> 00:13:13,166
SHAME ON ME? WHY?
272
00:13:13,166 --> 00:13:15,125
KATY, I HAVE NO IDEA WHERE THIS
CONVERSATION'S COMING FROM.
273
00:13:15,125 --> 00:13:17,583
YOU'RE CONFUSING
YOUR AFFECTION FOR MAYA
274
00:13:17,583 --> 00:13:18,625
WITH AFFECTION FOR ME
275
00:13:18,625 --> 00:13:20,000
AND YOU DON'T
NEED TO DO THAT.
276
00:13:20,000 --> 00:13:21,750
WAIT. WHEN DID I
AFFECTION YOU?
277
00:13:21,750 --> 00:13:24,291
YOU PUT YOUR
ARM AROUND ME!
278
00:13:24,291 --> 00:13:26,000
OH. KATY. COME ON.
279
00:13:26,000 --> 00:13:29,750
SOMETIMES AN ARM AROUND
SOMEBODY IS JUST AN ARM
AROUND SOMEBODY.
280
00:13:36,083 --> 00:13:36,625
UM...
281
00:13:38,250 --> 00:13:39,875
WHAT IS THAT?
282
00:13:40,625 --> 00:13:42,208
-WHAT ARE YOU DOING?
-WHAT ARE YOU DOING?
283
00:13:51,583 --> 00:13:53,125
(sighs) KERMIT?
284
00:13:53,125 --> 00:13:55,583
-TOPANGA?
-WE'RE EVEN.
285
00:13:56,708 --> 00:13:58,583
SEEMS LIKE IT'S GOING
PRETTY GOOD IN THERE.
286
00:13:58,583 --> 00:13:59,958
I'M HOPING.
287
00:14:01,708 --> 00:14:03,500
I KNOW WHAT THINGS MEAN.
288
00:14:03,500 --> 00:14:06,583
I'M A WOMAN AND
I HAVE INSTINCTS.
289
00:14:06,583 --> 00:14:08,875
AND YOUR CHARITY
DOES NOT EXTEND TO ME,
290
00:14:08,875 --> 00:14:10,833
SO YOU DON'T NEED
TO ASK ME ON A DATE--
291
00:14:10,833 --> 00:14:12,958
WAIT A MINUTE. ARE YOU
ASKING ME OUT ON A DATE?
292
00:14:12,958 --> 00:14:14,083
NO!
293
00:14:14,083 --> 00:14:16,583
KATY, YOU SEEM MAD
AT ME FOR NO REASON.
294
00:14:16,583 --> 00:14:18,833
DO YOU THINK THERE'S A CHANCE
295
00:14:18,833 --> 00:14:21,166
THAT YOU'RE ACTUALLY MAD AT
SOMEBODY ELSE WHO'S NOT ME?
296
00:14:21,166 --> 00:14:24,000
I DIDN'T VIEW MY MARRIAGE
AS DISPOSABLE.
297
00:14:25,583 --> 00:14:26,708
I WAS ALL IN.
298
00:14:26,708 --> 00:14:30,000
I SAID THOSE THINGS TO HIM
IN FRONT OF GOD AND I MEANT IT.
299
00:14:30,000 --> 00:14:31,583
YEAH. I GET IT.
300
00:14:31,583 --> 00:14:35,333
I THOUGHT MY FIRST REAL
GIRLFRIEND WAS GOING TO
BE THE ONE FOREVER.
301
00:14:35,333 --> 00:14:36,833
I WANTED ANGELA--
302
00:14:36,833 --> 00:14:38,708
(scoffing) ANGELA?
303
00:14:38,708 --> 00:14:40,708
WHAT KIND OF NAME--
304
00:14:40,708 --> 00:14:42,750
NO, ANGELA'S A FINE NAME.
305
00:14:42,750 --> 00:14:44,375
IT'S MY MOTHER'S NAME,
ACTUALLY.
306
00:14:46,166 --> 00:14:49,833
I WANTED US TO BE SOME
VERSION OF CORY AND TOPANGA.
307
00:14:49,833 --> 00:14:51,708
BUT I GUESS THERE'S
ONLY ONE OF THOSE.
308
00:14:51,708 --> 00:14:53,708
KATY, RELATIONSHIPS END.
309
00:14:53,708 --> 00:14:56,875
SOMETIMES OUT OF NOWHERE,
ON A SUNNY DAY.
310
00:14:56,875 --> 00:15:00,833
BUT YOU PICK YOURSELF UP,
AND YOU REBUILD.
311
00:15:00,833 --> 00:15:01,833
AND YOU DON'T LOOK BACK.
STYLE
::cue(.speaker)
::cue(.speakerTop)
312
00:15:04,625 --> 00:15:06,750
-KNOCK! KNOCK!
-WHO'S THERE?
313
00:15:06,750 --> 00:15:08,375
THE ONLY PERSON WHO
COULD CHANGE YOUR LIFE
314
00:15:08,375 --> 00:15:10,375
FROM THINGS ARE GOING PRETTY
GOOD RIGHT NOW TO... (shrieks)!
315
00:15:11,458 --> 00:15:14,458
THE ONLY PERSON WHO COULD
CHANGE MY LIFE FROM THINGS ARE
GOING PRETTY GOOD RIGHT NOW TO--
316
00:15:14,458 --> 00:15:15,500
-(shrieks)
-WHO?
317
00:15:19,708 --> 00:15:20,708
HI.
318
00:15:22,750 --> 00:15:23,875
ANGELA.
319
00:15:30,500 --> 00:15:33,708
BOY. LOOK AT YOU. YOU'RE HERE.
320
00:15:33,708 --> 00:15:35,000
I NEED TO TALK TO YOU.
321
00:15:44,333 --> 00:15:46,833
AWKWARD.
322
00:15:46,833 --> 00:15:49,875
I NOW PRONOUNCE YOU
AWKWARD.
323
00:15:51,708 --> 00:15:54,000
HEY! REMEMBER IN HIGH SCHOOL
AND HE FOUND YOUR PURSE?
324
00:15:55,083 --> 00:15:57,375
REMEMBER HE GOT
HANDCUFFED IN THE BOATHOUSE?
325
00:15:57,375 --> 00:15:58,708
THAT WAS A GOOD ONE.
326
00:15:58,708 --> 00:16:01,000
REMEMBER YOU AND HIM FOR
A WHILE THEN YOU WENT AWAY?
327
00:16:01,000 --> 00:16:02,458
LET ME SHOW YOU
WHAT THAT LOOKED LIKE.
328
00:16:05,375 --> 00:16:06,958
WELL, HE'S CALMED DOWN.
329
00:16:13,125 --> 00:16:15,083
HI, ANGELA. I'M KATY.
330
00:16:15,083 --> 00:16:16,708
SHAWN SPEAKS HIGHLY OF YOU.
331
00:16:16,708 --> 00:16:18,708
WELL, I THINK HIGHLY OF HIM.
332
00:16:18,708 --> 00:16:20,125
YOU KNOW WHAT? SO DO I.
333
00:16:23,583 --> 00:16:26,708
WELL, I'M GOING TO
LEAVE YOU TWO ALONE.
334
00:16:36,875 --> 00:16:38,583
I REALLY MISSED YOU.
335
00:16:38,583 --> 00:16:42,083
YEAH? YOU'VE GOT A FUNNY WAY
OF LETTING SOMEONE KNOW.
336
00:16:42,083 --> 00:16:45,250
SHE SEEMS NICE.
SHE'S VERY PRETTY.
337
00:16:45,250 --> 00:16:47,625
-I'M SORRY, MAYA.
-FOR WHAT?
338
00:16:47,625 --> 00:16:51,833
IT'S MY FAULT.
YOU HOPE FOR THINGS
AND YOU GET SMASHED.
339
00:16:51,833 --> 00:16:54,083
YOU'RE RIGHT.
I'M WRONG. I'M SORRY.
340
00:16:54,083 --> 00:16:56,875
EVERYTHING WILL TURN
OUT THE WAY IT SHOULD.
341
00:16:56,875 --> 00:17:00,708
HOW CAN YOU SAY THAT?
THAT'S ANGELA.
SHE'S GOING TO TAKE HIM AWAY.
342
00:17:00,708 --> 00:17:02,958
-I'M NOT GIVING UP HOPE YET.
-WHY NOT?
343
00:17:02,958 --> 00:17:04,458
I JUST GOT IT.
344
00:17:13,375 --> 00:17:15,000
HELLO!
345
00:17:19,833 --> 00:17:21,875
WELL, DID YOU HEAR
MY DAD DIED?
346
00:17:21,875 --> 00:17:24,625
OH, NO, ANGELA.
I'M SO SORRY.
347
00:17:24,625 --> 00:17:29,458
(sighs)
A MILITARY MAN. A WAR HERO
AND HE DIES FISHING.
348
00:17:30,458 --> 00:17:32,625
-I LIKED HIM.
-OH, HE LIKED YOU.
349
00:17:33,875 --> 00:17:34,875
BYE!
350
00:17:37,708 --> 00:17:39,416
YOU KNOW I THINK
ABOUT HIM EVERY DAY.
351
00:17:40,416 --> 00:17:42,291
HEY! DO YOU STILL
HAVE THAT THING
352
00:17:42,291 --> 00:17:45,708
WHERE YOU CAN FEEL YOUR DAD
STANDING RIGHT NEXT TO YOU?
353
00:17:45,708 --> 00:17:46,708
I DO.
354
00:17:48,083 --> 00:17:50,458
YEAH, HE WAS BARELY THERE
FOR ME WHEN HE WAS ALIVE,
355
00:17:50,458 --> 00:17:53,750
BUT NOW THAT HE'S GONE,
I CAN ABSOLUTELY DEPEND ON HIM
356
00:17:53,750 --> 00:17:56,000
TO SHOW UP AT THE MOST
IMPORTANT TIMES OF MY LIFE.
357
00:17:57,708 --> 00:17:58,875
ANGELA. WHY ARE YOU HERE?
358
00:17:59,958 --> 00:18:01,833
I NEED SOMEONE TO TALK TO.
359
00:18:01,833 --> 00:18:05,250
-IT CAN ONLY BE YOU.
HOW ABOUT THAT?
-OKAY.
360
00:18:05,250 --> 00:18:06,583
WHAT DO YOU CALL THIS?
361
00:18:07,583 --> 00:18:09,833
WELL, WE'VE GOT
A STORM GOING ON,
362
00:18:09,833 --> 00:18:12,416
SO A HURRICANE PICNIC.
363
00:18:22,208 --> 00:18:23,125
WHAT'S GOING ON?
364
00:18:24,375 --> 00:18:25,458
I'M MARRIED NOW.
365
00:18:26,708 --> 00:18:28,416
Maya: YAY!
366
00:18:29,750 --> 00:18:30,833
HOW LONG HAVE YOU
BEEN MARRIED?
367
00:18:30,833 --> 00:18:33,000
FOUR YEARS.
HE'S A MILITARY MAN.
368
00:18:33,000 --> 00:18:34,750
WHY DID YOU LEAVE ME?
369
00:18:34,750 --> 00:18:36,250
I WASN'T READY.
370
00:18:36,250 --> 00:18:37,708
AND THEN YOU WERE?
371
00:18:37,708 --> 00:18:39,583
WELL, LIFE GOES ON, SHAWN.
372
00:18:39,583 --> 00:18:42,125
YOU KNOW, I THINK LIFE PUTS
PEOPLE IN FRONT OF US,
373
00:18:42,125 --> 00:18:45,375
SO THAT WE CAN BE PREPARED
FOR WHAT COMES NEXT.
374
00:18:45,375 --> 00:18:47,000
I WAS READY BECAUSE OF YOU.
375
00:18:47,000 --> 00:18:48,708
I HOPE LIFE KNOWS
WHAT IT'S DOING.
376
00:18:56,458 --> 00:18:57,625
WHY DID YOU COME SEE ME?
377
00:18:57,625 --> 00:19:01,708
OKAY. MY HUSBAND
WANTS TO HAVE CHILDREN.
378
00:19:01,708 --> 00:19:07,500
AND YOU KNOW THAT
I'VE ALWAYS BEEN SCARED
OF BEING SOMEBODY'S MOTHER
379
00:19:07,500 --> 00:19:08,875
BECAUSE MY OWN
MOTHER LEFT.
380
00:19:08,875 --> 00:19:11,416
YEAH, WE WERE BOTH
BROKEN THAT WAY.
381
00:19:11,416 --> 00:19:15,458
YEAH, NOW HE'S TRYING
TO CONVINCE ME THAT
I'D BE A GOOD ONE
382
00:19:15,458 --> 00:19:20,708
AND I NEED SOMEBODY WHO
UNDERSTANDS ME TO TELL ME
IF THAT COULD BE TRUE.
383
00:19:22,416 --> 00:19:23,833
I MEAN, I CAN'T
TALK TO MY FATHER.
384
00:19:23,833 --> 00:19:26,375
HE DOESN'T JUST SHOW UP
FOR ME LIKE YOURS DOES.
385
00:19:27,458 --> 00:19:29,083
YOU'RE THE ONLY ONE
I CAN TRUST WITH THIS.
386
00:19:30,458 --> 00:19:32,208
HAVE KIDS, ANGELA.
387
00:19:34,083 --> 00:19:36,375
PUT MORE OF YOU
IN THE WORLD.
388
00:19:36,375 --> 00:19:39,708
AND THEN SIT IN A CHAIR
AND WATCH THEM.
389
00:19:40,708 --> 00:19:41,958
YOU'D BE AMAZED.
390
00:19:43,833 --> 00:19:45,625
WE'RE HERE TO MAKE
SOMEBODY ELSE HAPPY.
391
00:19:46,708 --> 00:19:47,750
THANK YOU, SHAWN.
392
00:19:48,833 --> 00:19:52,125
I KNEW I COULD COUNT ON YOU
TO TELL ME WHAT'S RIGHT.
393
00:19:52,125 --> 00:19:53,416
HEY, CAN I TELL YOU
SOMETHING RIGHT?
394
00:19:53,416 --> 00:19:54,458
I WISH SOMEBODY WOULD.
395
00:19:59,750 --> 00:20:01,208
WHO'S THAT?
396
00:20:01,208 --> 00:20:02,458
IT'S MAYA.
397
00:20:03,833 --> 00:20:06,833
SHE HAS NOT TAKEN HER EYES
OFF YOU SINCE I WALKED IN.
STYLE
::cue(.speaker)
::cue(.speakerTop)
398
00:20:06,833 --> 00:20:08,583
YEAH. SHE'S SOMEBODY
I'VE GROWN VERY FOND OF.
399
00:20:11,125 --> 00:20:12,833
AND THAT'S HER MOTHER?
400
00:20:15,833 --> 00:20:17,000
KATY, YEAH.
THAT'S HER MOM.
401
00:20:18,458 --> 00:20:20,708
MMM. IS SHE THE ONE?
402
00:20:20,708 --> 00:20:22,333
WHAT? NO.
403
00:20:22,333 --> 00:20:24,708
-IS SHE THE ONE, SHAWN?
-NO.
404
00:20:24,708 --> 00:20:27,458
I DON'T KNOW.
405
00:20:27,458 --> 00:20:29,833
I DON'T KNOW HER ENOUGH
TO KNOW ANYTHING.
406
00:20:29,833 --> 00:20:32,750
WELL, LET ME TELL
YOU WHAT'S RIGHT.
407
00:20:32,750 --> 00:20:36,000
LET WHAT WE HAD MAKE
YOU READY FOR SOMETHING.
408
00:20:41,708 --> 00:20:43,583
LIFE KNOWS
WHAT IT'S DOING.
409
00:21:07,333 --> 00:21:08,625
WHAT'S THIS FOR?
410
00:21:09,625 --> 00:21:11,083
NOTHING.
411
00:21:11,083 --> 00:21:12,416
EVERYTHING.
412
00:21:15,750 --> 00:21:17,125
I THINK WE'RE CUTE TOGETHER.
413
00:21:19,875 --> 00:21:20,708
I KNOW.
414
00:21:27,583 --> 00:21:29,458
HOW'S IT GOING
IN THERE, SUPER SPY?
415
00:21:30,500 --> 00:21:34,458
IT'S BAD, MAN.
I THINK SHE'S UP TO
ABOUT A MILLION DOLLARS.
416
00:21:37,875 --> 00:21:39,083
I DON'T REALLY
LIKE ANY OF IT.
417
00:21:39,083 --> 00:21:40,583
(laughing)
418
00:21:40,583 --> 00:21:41,625
WHO'S BETTER THAN YOU?
419
00:21:44,458 --> 00:21:46,625
-HEY, CAN I BUY YOU AN OUTFIT?
-HE'S REALLY GOOD AT IT.
420
00:21:46,625 --> 00:21:49,291
NO, NO, YOU CAN'T
BUY ME ANYTHING.
421
00:21:49,291 --> 00:21:50,750
WE HARDLY KNOW EACH OTHER.
422
00:21:50,750 --> 00:21:53,083
(chuckles) ARE YOU
ASKING ME OUT ON A DATE?
423
00:21:54,375 --> 00:21:55,583
YEAH.
424
00:21:56,708 --> 00:21:58,166
WAIT. WHAT? SERIOUSLY?
425
00:22:00,583 --> 00:22:02,291
RIGHT HERE IN FRONT
OF EVERYBODY?
426
00:22:03,708 --> 00:22:05,458
SURE.
427
00:22:05,458 --> 00:22:07,583
IT WOULD BE REAL BAD
FOR ME IF YOU SAID NO.
428
00:22:09,458 --> 00:22:11,583
-UNCLE SHAWN?
-YEAH?
429
00:22:11,583 --> 00:22:14,208
THIS IS, LIKE,
A REAL IMPORTANT
MOMENT IN YOUR LIFE.
430
00:22:16,833 --> 00:22:17,708
YEAH, I THINK IT IS.
431
00:22:17,708 --> 00:22:19,750
HOW'RE YOU GONNA
HANDLE THIS, ACE?
432
00:22:21,750 --> 00:22:23,625
I'LL TELL YOU HOW YOU'RE
GONNA HANDLE IT, SON.
433
00:22:26,416 --> 00:22:29,083
YOU TAKE A LOOK AT THAT
TOUGH LITTLE GIRL'S FACE.
434
00:22:30,875 --> 00:22:32,708
YOU KNOW WHAT SHE'S DOIN'?
435
00:22:32,708 --> 00:22:36,708
SHE'S LETTING HER GUARD DOWN
JUST ENOUGH TO LET YOU KNOW
SHE CARES ABOUT YOU.
436
00:22:36,708 --> 00:22:38,750
SO, HOW YOU'RE
GONNA HANDLE THAT IS,
437
00:22:38,750 --> 00:22:42,833
YOU GOTTA DECIDE RIGHT NOW
WHAT THAT MEANS TO YOU.
438
00:22:44,875 --> 00:22:47,875
AND THEN TAKE A LOOK
AT HER SCREWBALL MOTHER.
439
00:22:51,250 --> 00:22:53,333
DO YOURSELF A FAVOR
440
00:22:53,333 --> 00:22:56,958
AND NOTICE HOW SHE
MIGHT BE WONDERFUL, TOO.
441
00:22:56,958 --> 00:22:58,583
YOU GONNA LEAVE ME
HANGIN' OR WHAT?
442
00:22:58,583 --> 00:23:00,458
AND FINALLY,
443
00:23:01,875 --> 00:23:02,958
TRUST ME,
444
00:23:04,000 --> 00:23:06,000
TAKE A LOOK AT THE
EXPRESSION ON THEM
TWO FACES.
445
00:23:07,000 --> 00:23:07,833
YOU KNOW WHAT THAT IS?
446
00:23:08,958 --> 00:23:10,833
HOPE.
447
00:23:10,833 --> 00:23:12,875
FUNNY THING IS, THEY
COULD USE JUST ABOUT
448
00:23:12,875 --> 00:23:15,416
EXACTLY AS MUCH
OF IT AS YOU CAN.
449
00:23:16,750 --> 00:23:18,458
SHAWN.
450
00:23:18,458 --> 00:23:21,833
IF THAT LITTLE GIRL
CAN LET HER GUARD DOWN,
451
00:23:21,833 --> 00:23:22,875
WHY CAN'T YOU?
452
00:23:33,708 --> 00:23:37,625
MAYA? WOULD IT BE
OKAY WITH YOU IF I--
453
00:23:37,625 --> 00:23:38,708
OKAY. LET IT OUT.
454
00:23:38,708 --> 00:23:42,500
YAY!
455
00:23:47,458 --> 00:23:50,208
KATY, I-- I WOULD LOVE TO
GO ON A DATE WITH YOU.
456
00:23:50,208 --> 00:23:51,208
THANKS FOR ASKING.