1 00:00:03,458 --> 00:00:04,000 (both laughing) 2 00:00:05,125 --> 00:00:06,708 THEY'RE SO CUTE TOGETHER! 3 00:00:06,708 --> 00:00:08,833 WE'RE CUTE TOGETHER, RILEY. 4 00:00:11,625 --> 00:00:14,000 WHOA-HO-HO... OH! 5 00:00:16,250 --> 00:00:17,250 WHAT ARE YOU DOING? 6 00:00:19,750 --> 00:00:22,583 WHY DO THEY SHOVE CAKE AND WE DON'T SHOVE CAKE? 7 00:00:22,583 --> 00:00:25,000 RILEY? IS IT OVER BETWEEN US? 8 00:00:27,166 --> 00:00:29,125 IT'S NOT ME, DAD. IT'S YOU. 9 00:00:30,125 --> 00:00:31,625 OKAY! EVENING OVER! 10 00:00:31,625 --> 00:00:32,958 Both: HEY! 11 00:00:32,958 --> 00:00:34,458 DID YOU GIRLS DO YOUR HOMEWORK? 12 00:00:34,458 --> 00:00:35,458 I DID EXCELLENT WORK. 13 00:00:35,458 --> 00:00:36,958 I ALSO DID EXCELLENT WORK. 14 00:00:36,958 --> 00:00:38,750 ONE OF US IS COMPLETELY LYING. 15 00:00:38,750 --> 00:00:40,458 -CAN YOU GUESS WHO? -GIVE THEM A HINT. 16 00:00:40,458 --> 00:00:42,500 -YOU GUYS NEED A HINT? -Cory and Shawn: NO. 17 00:00:44,125 --> 00:00:45,708 THEY REALLY GET ALONG TOGETHER, HUH? 18 00:00:45,708 --> 00:00:47,250 YEAH. THE SOUND OF MY DAUGHTER'S LAUGHTER 19 00:00:47,250 --> 00:00:49,708 HAS ALWAYS BEEN MY FAVORITE SONG. 20 00:00:49,708 --> 00:00:52,458 YOU AND I HAVE THE SAME TASTE IN MUSIC. 21 00:00:52,458 --> 00:00:55,333 YOU KNOW, A LITTLE DISCIPLINE ISN'T A BAD THING, MAYA. 22 00:00:55,333 --> 00:00:57,083 OH, THANKS, MR. MATTHEWS. I'LL PONDER ON THAT. 23 00:01:02,708 --> 00:01:04,250 I'M SORRY, WHAT? 24 00:01:08,416 --> 00:01:10,625 YEAH. JUST BECAUSE YOU DO THE SAME WEIRD GESTURE TWICE 25 00:01:10,625 --> 00:01:11,750 DOESN'T MEAN I GET IT. 26 00:01:12,958 --> 00:01:15,750 YOU KNOW, THIS IS USUALLY THE PART OF THE EVENING 27 00:01:15,750 --> 00:01:18,083 WHEN PEOPLE GIVE OUT FATHERLY ADVICE. 28 00:01:18,083 --> 00:01:21,208 OH! (laughs) NO! 29 00:01:21,208 --> 00:01:23,750 NO, IT'S NOT MY PLACE. 30 00:01:23,750 --> 00:01:25,875 GO AHEAD. WHAT ADVICE YOU GOT FOR ME? I CAN TAKE IT. 31 00:01:25,875 --> 00:01:28,166 OH, COME ON! WE WERE HAVING SUCH A GOOD EVENING. 32 00:01:28,166 --> 00:01:29,583 CAN'T WE JUST LEAVE IT AT THAT? 33 00:01:29,583 --> 00:01:30,750 WHAT'S THE MATTER? 34 00:01:31,750 --> 00:01:33,750 -BOOM! -OH! 35 00:01:33,750 --> 00:01:35,375 YOU DON'T THINK I CAN TAKE IT? 36 00:01:35,375 --> 00:01:37,875 GO AHEAD. PING! GO AHEAD. PONG! 37 00:01:37,875 --> 00:01:38,875 KA-BLAM! 38 00:01:40,416 --> 00:01:41,833 COME ON! LET'S DO THIS! 39 00:01:41,833 --> 00:01:43,458 TELL ME TO DO MY HOMEWORK. 40 00:01:43,458 --> 00:01:46,708 MAYBE I WILL JUST DO IT. YOU DON'T EVEN KNOW IT. COME ON! LET'S DO THIS. 41 00:01:49,208 --> 00:01:51,166 WHY DON'T YOU EVER DO SOMETHING ALL CUTE LIKE THAT? 42 00:01:51,166 --> 00:01:52,625 OKAY! POW! 43 00:01:52,625 --> 00:01:53,833 OW! 44 00:01:54,833 --> 00:01:57,416 COME ON. YOU GOT SOMETHING FOR ME? OUT WITH IT. I DARE YOU. 45 00:01:57,416 --> 00:02:00,750 NO. NO, NO. I HAVE THIS WONDERFUL INSTINCT FOR TOO FAR. 46 00:02:00,750 --> 00:02:01,875 AND WE HAVE ARRIVED. 47 00:02:01,875 --> 00:02:03,958 THERE IS NOTHING HE COULD SAY THAT WOULD BOTHER ME. 48 00:02:03,958 --> 00:02:05,125 IT'S NOT GOING TO HAPPEN. 49 00:02:06,416 --> 00:02:08,000 (mimicking chicken clucking) 50 00:02:08,000 --> 00:02:11,708 OH, RIGHT, RIGHT. BECAUSE CHICKEN NOISES 51 00:02:11,708 --> 00:02:13,708 WORK ON A GROWN MAN. 52 00:02:14,708 --> 00:02:16,708 CLUCK! CLUCK! 53 00:02:17,708 --> 00:02:20,291 I'M A CHICKEN! CLUCK! 54 00:02:22,375 --> 00:02:24,708 ALL RIGHT. YOU WANT ONE PIECE OF FATHERLY ADVICE? 55 00:02:24,708 --> 00:02:26,416 AND HERE COMES THE END OF EVERYTHING. 56 00:02:26,416 --> 00:02:27,875 SURE, GIVE IT YOUR BEST SHOT. 57 00:02:27,875 --> 00:02:29,291 OH, HOW BAD COULD IT BE? 58 00:02:29,291 --> 00:02:30,750 I THINK YOU SHOULD DRESS DIFFERENTLY. 59 00:02:35,458 --> 00:02:36,833 WHAT DID YOU JUST SAY TO ME? 60 00:02:36,833 --> 00:02:39,708 OH. YOU SEE... 61 00:02:41,291 --> 00:02:44,583 YOU ASKED ME FOR ADVICE. I TOLD YOU... BUT YOU PUSHED. 62 00:02:45,583 --> 00:02:47,750 ARE YOU CRYING? I MADE YOU CRY? 63 00:02:48,625 --> 00:02:51,750 MAYA, YOU ASKED ME FOR ADVICE 64 00:02:51,750 --> 00:02:53,708 AND I JUST TOLD YOU HOW I WAS FEELING. 65 00:02:53,708 --> 00:02:54,583 WHY ARE YOU CRYING? 66 00:02:55,708 --> 00:02:58,708 BECAUSE NO ONE'S EVER CARED ENOUGH TO SAY THAT TO ME. 67 00:03:05,750 --> 00:03:09,000 WELL, NOW I WOULD TAKE EXCEPTION TO THAT, 68 00:03:09,000 --> 00:03:11,750 BUT WOW, I LIKE WHERE THIS IS GOING. 69 00:03:11,750 --> 00:03:13,875 (sobbing) 70 00:03:13,875 --> 00:03:15,833 MAKE IT STOP. 71 00:03:15,833 --> 00:03:17,250 CAN WE MAKE IT STOP? 72 00:03:17,250 --> 00:03:20,000 HOW DO I MAKE IT STOP? 73 00:03:22,208 --> 00:03:23,875 HOW 'BOUT I BUY YOU SOME NEW CLOTHES? 74 00:03:23,875 --> 00:03:25,333 (sobbing stops) 75 00:03:29,833 --> 00:03:31,333 OKAY. 76 00:03:32,833 --> 00:03:34,416 (sobbing) YOU'RE RIGHT. 77 00:03:34,416 --> 00:03:36,625 MAYBE WE SHOULD BE MORE LIKE THEM. 78 00:03:38,375 --> 00:03:40,083 NOW YOU SAY I GET NEW CLOTHES. 79 00:03:42,375 --> 00:03:43,958 YOU HAD YOUR CHANCE, RILEY. 80 00:03:45,750 --> 00:03:46,708 POW! 81 00:03:47,750 --> 00:03:49,875 (theme music playing) 82 00:03:54,166 --> 00:03:56,125 ♪ I'VE BEEN WAITING ♪ 83 00:03:56,125 --> 00:03:57,458 ♪ FOR A DAY ♪ 84 00:03:57,458 --> 00:03:58,458 ♪ LIKE THIS TO COME ♪ 85 00:03:58,458 --> 00:04:00,125 ♪ STRUCK LIKE LIGHTNING ♪ 86 00:04:00,125 --> 00:04:02,458 ♪ MY HEART'S BEATING LIKE A DRUM ♪ 87 00:04:02,458 --> 00:04:03,625 ♪ ON THE EDGE ♪ 88 00:04:03,625 --> 00:04:06,291 ♪ OF SOMETHING WONDERFUL ♪ 89 00:04:06,291 --> 00:04:08,750 ♪ FACE TO FACE WITH CHANGES ♪ 90 00:04:08,750 --> 00:04:10,625 ♪ WHAT'S IT ALL ABOUT? ♪ 91 00:04:10,625 --> 00:04:12,250 ♪ LIFE IS CRAZY ♪ 92 00:04:12,250 --> 00:04:13,333 ♪ BUT I KNOW ♪ 93 00:04:13,333 --> 00:04:14,875 ♪ I CAN WORK IT OUT ♪ 94 00:04:14,875 --> 00:04:16,000 ♪ 'CAUSE I GOT YOU ♪ 95 00:04:16,000 --> 00:04:18,625 ♪ TO LIVE IT WITH ME ♪ 96 00:04:18,625 --> 00:04:22,875 ♪ I FEEL ALL RIGHT, I'M GONNA TAKE ON THE WORLD ♪ 97 00:04:22,875 --> 00:04:25,875 ♪ LIGHT UP THE STARS, I'VE GOT SOME PAGES TO TURN ♪ 98 00:04:25,875 --> 00:04:28,500 ♪ I'M SINGING "GO-O-O" ♪ 99 00:04:28,500 --> 00:04:31,583 ♪ OH, OH, OH, OH ♪ 100 00:04:31,583 --> 00:04:34,625 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 101 00:04:34,625 --> 00:04:35,875 ♪ TAKE ON THE WORLD ♪ 102 00:04:35,875 --> 00:04:38,583 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 103 00:04:38,583 --> 00:04:39,583 ♪ TAKE ON THE WORLD ♪ 104 00:04:46,625 --> 00:04:49,208 SIT DOWN, SHAWNIE! RELAX YOURSELF. 105 00:04:50,375 --> 00:04:52,583 TRYIN' ON CLOTHES IS ALL DAY. 106 00:04:52,583 --> 00:04:54,250 NO, I'M JUST HERE TO BUY A KID AN OUTFIT. 107 00:04:54,250 --> 00:04:55,750 I KNOW. 108 00:04:57,000 --> 00:04:58,375 NOT GONNA CHANGE YOU AT ALL 109 00:04:58,375 --> 00:05:01,875 WHEN SHE STEPS OUT FROM BEHIND THAT CURTAIN, WITH A LOOK ON HER FACE THAT SAYS, STYLE ::cue(.speaker) ::cue(.speakerTop) 110 00:05:01,875 --> 00:05:03,625 "DO YOU THINK THIS MAKES ME LOOK BEAUTIFUL, DAD?" 111 00:05:03,625 --> 00:05:06,125 I'M NOT GOING TO SIT IN ONE OF THESE DADDY CHAIRS 112 00:05:06,125 --> 00:05:08,000 AND WAIT FOR A KID TO SPEND MY MONEY. 113 00:05:08,000 --> 00:05:10,291 I KNOW! SIT IN THE CHAIR, SHAWN. 114 00:05:10,291 --> 00:05:12,625 I AM NEVER GOING TO SIT IN THAT CHAIR! 115 00:05:14,208 --> 00:05:16,500 GENTLEMEN, MAY I NOW PRESENT 116 00:05:16,500 --> 00:05:19,000 THE NEW AND DEFINITELY IMPROVED 117 00:05:19,000 --> 00:05:20,250 MISS MAYA HART. 118 00:05:20,250 --> 00:05:23,416 YEAH, YEAH, YEAH. COME ON OUT. LET'S SEE WHAT YOU PUT TOGETHER. 119 00:05:28,291 --> 00:05:29,500 (chuckles) 120 00:05:34,583 --> 00:05:35,708 I KNOW. 121 00:05:38,458 --> 00:05:39,500 DO YOU LIKE IT? 122 00:05:39,500 --> 00:05:41,000 (stammers) 123 00:05:42,625 --> 00:05:44,750 WOW. LOOK AT YOU. 124 00:05:47,291 --> 00:05:49,208 YEAH. THIS MIGHT BE MY FAVORITE DAY EVER. 125 00:05:52,250 --> 00:05:53,708 SHAWN, YOU REALLY DON'T HAVE TO DO THIS. 126 00:05:53,708 --> 00:05:57,750 I WANT TO. I WANT TO BE RESPONSIBLE FOR THIS, IF YOU'LL LET ME. 127 00:05:58,750 --> 00:05:59,833 THANK YOU. 128 00:05:59,833 --> 00:06:01,958 NO ONE'S EVER DONE ANYTHING LIKE THIS FOR ME BEFORE. 129 00:06:01,958 --> 00:06:03,208 YOU'RE WELCOME. 130 00:06:04,208 --> 00:06:07,208 NOW, PICK SOMETHING ELSE OUT 131 00:06:07,208 --> 00:06:10,708 AND GO BACK INTO THE DRESSING ROOM AND BE HAPPY AND COME OUT WITH THAT FACE ON. 132 00:06:11,708 --> 00:06:12,583 YOU'LL BE OKAY? 133 00:06:12,583 --> 00:06:16,208 OH, I'M FINE. I-- I HAVE THIS CHAIR. 134 00:06:21,000 --> 00:06:22,750 -NO! -BUT MY FACE! 135 00:06:22,750 --> 00:06:24,166 -NO! -BUT I LOVE YOU. 136 00:06:24,166 --> 00:06:25,875 NO! 137 00:06:25,875 --> 00:06:26,875 I'LL TEACH YOU THAT NEXT. 138 00:06:28,750 --> 00:06:31,708 I WENT SHOPPING FOR GIRLS CLOTHES AND HAD A GOOD TIME. 139 00:06:34,583 --> 00:06:36,000 WHAT IS HAPPENING TO ME? 140 00:06:37,625 --> 00:06:40,500 -WHAT DO YOU THINK? -WOW! NEW LOOK, MAYA. YOU LOOK GREAT. 141 00:06:42,125 --> 00:06:43,458 YOU LOOK BEAUTIFUL, BABY GIRL. 142 00:06:43,458 --> 00:06:44,708 THANKS, MOM. 143 00:06:44,708 --> 00:06:46,458 CAN I HAVE YOUR T-SHIRT WITH THE BIG TONGUE? 144 00:06:46,458 --> 00:06:48,458 I LIKE THAT BIG TONGUE. BLAH! 145 00:06:53,166 --> 00:06:55,708 -CORY! -NO! IT'S NOT HERS. I GOT HER NOTHIN'! 146 00:06:57,166 --> 00:07:00,875 SHAWN! THAT'S ALL FOR MAYA? IT'S TOO MUCH. 147 00:07:00,875 --> 00:07:02,583 KATY, WHY DO YOU WORK SO HARD? 148 00:07:02,583 --> 00:07:04,333 TO KEEP THE LIGHTS ON, SHAWN. 149 00:07:04,333 --> 00:07:06,375 KATY, WHY DO YOU WORK SO HARD? 150 00:07:06,375 --> 00:07:08,750 BECAUSE I HAVE A DAUGHTER TO TAKE CARE OF. 151 00:07:08,750 --> 00:07:11,458 THERE YOU GO. AND I JUST HAVE ME. 152 00:07:11,458 --> 00:07:14,458 I TRAVEL LIGHT. I JUST NEED A CUP OF COFFEE AND A SANDWICH, 153 00:07:14,458 --> 00:07:16,291 'CAUSE OF THAT I'VE BEEN ABLE TO PUT A LITTLE MONEY AWAY. 154 00:07:16,291 --> 00:07:18,125 HOW MUCH MONEY? 155 00:07:18,125 --> 00:07:19,583 THAT MUCH RIGHT THERE. 156 00:07:20,625 --> 00:07:22,750 AND NOW IT'S ALL GONE. 157 00:07:22,750 --> 00:07:24,458 I LIKE TAKING CARE OF SOMEBODY BESIDES ME. 158 00:07:29,708 --> 00:07:31,250 MAYA ADORES YOU. 159 00:07:31,250 --> 00:07:33,750 AND THE DEEPER THAT THIS GETS, THE MORE IT'S GOING TO CRUSH HER WHEN-- 160 00:07:34,875 --> 00:07:36,583 "WHEN" WHAT? 161 00:07:36,583 --> 00:07:38,583 HER LEGS GET CUT OUT FROM UNDER HER. 162 00:07:38,583 --> 00:07:41,583 KATY. CAN WE JUST HAVE A GOOD DAY? 163 00:07:41,583 --> 00:07:43,583 YOU KEEP THE LIGHTS ON. RIGHT? 164 00:07:43,583 --> 00:07:45,583 AND I DRESS THE KID UP A LITTLE BIT. 165 00:07:45,583 --> 00:07:47,458 CAN'T WE JUST LOOK AT HER AND SMILE? 166 00:07:49,583 --> 00:07:50,750 YEAH. I GUESS WE CAN. 167 00:07:52,250 --> 00:07:53,875 -WE GOOD? -WE'RE GOOD. 168 00:07:54,625 --> 00:07:55,875 THANK YOU. 169 00:07:58,291 --> 00:08:00,333 YEAH, YOU DIDN'T TELL HIM THAT 170 00:08:00,333 --> 00:08:02,583 KEEPING THE LIGHTS ON ISN'T QUITE AS GLAMOROUS 171 00:08:02,583 --> 00:08:04,833 FOR YOUR DAUGHTER AS A WHOLE NEW WARDROBE, DID YOU? 172 00:08:04,833 --> 00:08:06,000 HE DID A KIND THING. 173 00:08:06,000 --> 00:08:08,500 I STOPPED HOPING FOR ANY GLORY LONG AGO. 174 00:08:09,708 --> 00:08:11,750 HEY. YOU. WHO'S YOUR MAMA? 175 00:08:11,750 --> 00:08:13,250 THAT PRETTY BLOND LADY. 176 00:08:14,833 --> 00:08:16,833 SHE DOES ALL THE HEAVY LIFTING. 177 00:08:16,833 --> 00:08:19,000 I GOT TO DO SOMETHING FUN. 178 00:08:19,000 --> 00:08:22,708 SO THIS STUFF COMES FROM ME AND HER. 179 00:08:22,708 --> 00:08:23,500 DON'T EVER FORGET THAT. 180 00:08:24,500 --> 00:08:26,583 I WON'T. THANKS, MOM. 181 00:08:34,708 --> 00:08:36,583 -WHAT'S THIS FOR? -NOTHING. 182 00:08:37,625 --> 00:08:38,875 EVERYTHING. 183 00:08:43,500 --> 00:08:46,833 YOU KNOW, MAYA, YOU CAN BORROW ANY OF MY CLOTHES WHENEVER YOU WANT. 184 00:08:48,333 --> 00:08:49,583 THANKS. 185 00:08:49,583 --> 00:08:50,708 YOU CAN NEVER TOUCH ANY OF THIS STUFF. 186 00:08:57,958 --> 00:08:59,833 IT ISN'T ABOUT THE CLOTHES, YOU KNOW? 187 00:09:00,750 --> 00:09:02,583 IT'S THAT SOMEONE WANTED TO DO THIS FOR ME. 188 00:09:03,583 --> 00:09:06,375 OF COURSE IT ISN'T ABOUT THE CLOTHES. IT'S ABOUT YOU. 189 00:09:09,875 --> 00:09:12,166 -LOVE IT! -LOOK AT ME. 190 00:09:12,166 --> 00:09:13,291 YAY! 191 00:09:14,750 --> 00:09:16,625 -I NEED TO TELL YOU SOMETHING. -ANYTHING. 192 00:09:16,625 --> 00:09:18,625 -AND I DON'T WANT YOU TO REACT. -I WON'T. 193 00:09:18,625 --> 00:09:20,875 BECAUSE IF YOU REACT TOO BIG, YOU'RE GOING TO JINX IT. 194 00:09:20,875 --> 00:09:22,500 PLEASE DON'T JINX IT. 195 00:09:24,583 --> 00:09:26,875 -LOVE IT! -I KNOW! 196 00:09:26,875 --> 00:09:27,875 YAY! 197 00:09:30,500 --> 00:09:33,583 I THINK THERE'S A CHANCE I MIGHT'VE BEEN LIVING LIFE ALL WRONG. 198 00:09:33,583 --> 00:09:36,000 AND I THINK, MAYBE YOU'VE BEEN RIGHT. 199 00:09:36,000 --> 00:09:38,583 I LIKE WHEN I'M RIGHT. WHAT AM I RIGHT ABOUT? 200 00:09:38,583 --> 00:09:39,958 DON'T GET ALL EXCITED, OKAY? 201 00:09:39,958 --> 00:09:42,166 (excitedly) I PROMISE TO NOT BE EXCITED! 202 00:09:44,291 --> 00:09:46,125 I USED TO THINK HOPE WAS FOR SUCKERS. 203 00:09:48,208 --> 00:09:49,333 LOVE IT! 204 00:09:49,333 --> 00:09:50,625 THIS IS ME NOW! 205 00:09:50,625 --> 00:09:52,208 YAY! 206 00:09:54,000 --> 00:09:56,583 BUT MAYBE IF YOU DON'T HOPE FOR TOO MUCH, 207 00:09:56,583 --> 00:09:58,208 BUT LET YOURSELF HOPE FOR ONE THING, 208 00:09:58,208 --> 00:09:59,583 IT MIGHT ACTUALLY HAPPEN. 209 00:10:00,833 --> 00:10:02,583 TODAY WAS A REAL GOOD DAY. STYLE ::cue(.speaker) ::cue(.speakerTop) 210 00:10:02,583 --> 00:10:04,625 I'M GOING TO HOPE FOR ONE MORE AND WE'LL SEE WHAT COMES. 211 00:10:06,375 --> 00:10:07,708 PLEASE DON'T GET EXCITED AND JINX IT. 212 00:10:15,750 --> 00:10:16,875 OKAY, LET IT OUT. 213 00:10:16,875 --> 00:10:18,500 LOVE IT! 214 00:10:18,500 --> 00:10:20,958 -ME, TOO! -YAY! 215 00:10:20,958 --> 00:10:22,708 -NO! -OKAY! 216 00:10:27,708 --> 00:10:29,208 IT CAME OUT OF NOWHERE. 217 00:10:29,208 --> 00:10:32,291 THE WINDS WERE BLOWING AT 175 MILES AN HOUR. 218 00:10:32,291 --> 00:10:34,333 A "CATEGORY FIVE" HURRICANE. 219 00:10:34,333 --> 00:10:36,166 THERE IS NO CATEGORY SIX. 220 00:10:37,375 --> 00:10:39,458 -WHO KNOWS WHAT A LEVEE IS? -RILEY. 221 00:10:39,458 --> 00:10:41,833 IT'S LIKE A HILL OR A DAM THAT'S SUPPOSED TO KEEP WATER OUT. 222 00:10:41,833 --> 00:10:46,000 "SUPPOSED TO." SO, WE BUILD THESE PROTECTIONS TO KEEP OUT THE ELEMENTS, 223 00:10:46,000 --> 00:10:49,000 BUT SOMETIMES THE STORM IS STRONGER THAN WE ARE. 224 00:10:50,250 --> 00:10:51,750 WHO KNOWS ANYTHING ABOUT NEW ORLEANS GEOGRAPHY? 225 00:10:51,750 --> 00:10:54,000 -FARKLE. -IT'S BELOW SEA LEVEL. 226 00:10:54,000 --> 00:10:55,708 SO WHERE DOES THE FLOODWATER GO? 227 00:10:55,708 --> 00:10:57,458 DOWN. RIGHT INTO THE CITY. 228 00:10:57,458 --> 00:10:58,625 AND WHAT'S THE RESULT? 229 00:11:00,625 --> 00:11:03,416 -LUCAS. -PARISH AFTER PARISH WAS DESTROYED. 230 00:11:03,416 --> 00:11:06,458 PEOPLE LOST THEIR HOMES. PEOPLE LOST EVERYTHING. 231 00:11:06,458 --> 00:11:08,708 LUCAS WENT THERE FROM TEXAS TO HELP OUT. 232 00:11:08,708 --> 00:11:10,583 -I TOLD YOU THAT? -NOPE. 233 00:11:12,250 --> 00:11:15,708 YOU KNOW, WHEN IT ENDED, THERE WERE JAZZ BANDS PLAYING ON THE STREET. 234 00:11:15,708 --> 00:11:19,250 OTHER PEOPLE CAME OUT OF WHAT WAS LEFT OF THEIR HOUSES TO DANCE. 235 00:11:19,250 --> 00:11:21,000 YOU KNOW WHAT THEY DO IN NEW ORLEANS? 236 00:11:21,000 --> 00:11:24,125 THEY HAVE HURRICANE BARBECUES. HURRICANE PICNICS. 237 00:11:25,458 --> 00:11:28,583 THEIR CITY DROWNED BUT THEY STILL CELEBRATED EACH OTHER. 238 00:11:28,583 --> 00:11:29,833 THANK YOU, LUCAS. 239 00:11:30,625 --> 00:11:33,875 SO, THEIR HOMES ARE GONE. 240 00:11:33,875 --> 00:11:35,708 THEY HAVE NO POWER. 241 00:11:35,708 --> 00:11:38,333 AND THEY LIVE IN A CITY WHERE EVEN GEOGRAPHY TELLS THEM 242 00:11:38,333 --> 00:11:40,708 IT'S A SUCKER'S BET TO STAY. 243 00:11:40,708 --> 00:11:41,833 WHAT DO THEY DO? 244 00:11:43,458 --> 00:11:45,708 -MAYA, RAISE YOUR HAND. -I DON'T KNOW THE ANSWER. 245 00:11:45,708 --> 00:11:48,125 STOP HIDING OUT IN MY CLASS, MAYA. 246 00:11:48,125 --> 00:11:51,291 YOU KNOW THE ANSWER. WHAT DID THEY DO? 247 00:11:51,291 --> 00:11:54,125 THEY STAYED AND BELIEVED THINGS WOULD GET BETTER. 248 00:11:55,416 --> 00:11:57,750 AND THEY DID. THEY GOT BETTER. 249 00:11:57,750 --> 00:11:59,291 HOW COME? 250 00:11:59,291 --> 00:12:01,291 BECAUSE THEY HAD HOPE. 251 00:12:02,458 --> 00:12:04,875 NEW ORLEANS IS ONE OF MY FAVORITE CITIES IN THE WORLD. 252 00:12:06,166 --> 00:12:08,750 EVEN IN DEVASTATION, THEY DIDN'T MISS A MARDI GRAS. 253 00:12:10,958 --> 00:12:11,875 THE CLOTHES LOOK NICE, MAYA. 254 00:12:13,291 --> 00:12:15,583 BUT IT'S THE HOPE THAT LOOKS GREAT ON YOU. 255 00:12:22,708 --> 00:12:24,291 THANKS FOR COMING. 256 00:12:24,291 --> 00:12:26,583 YOU NEED TO STOP BEING NICE TO ME. 257 00:12:26,583 --> 00:12:29,625 -YOU NEED THERAPY. -NO KIDDING. 258 00:12:30,708 --> 00:12:33,750 LISTEN, I LOVE THE WAY YOU ARE WITH MAYA 259 00:12:33,750 --> 00:12:36,291 AND I BELIEVE YOU MAY EVEN BE SINCERE, 260 00:12:36,291 --> 00:12:38,583 BUT THERE'S NO NEED TO BE NICE TO ME. 261 00:12:38,583 --> 00:12:42,166 I DON'T THINK YOU AND I HAVE EVER EVEN HAD A NORMAL CONVERSATION. 262 00:12:42,166 --> 00:12:45,416 -WHEN KERMIT LEFT ME-- -(laughing) 263 00:12:45,416 --> 00:12:46,625 WHAT? 264 00:12:46,625 --> 00:12:51,833 I'M SORRY. I NEVER PICTURED YOUR EX-HUSBAND AS A "KERMIT". 265 00:12:53,583 --> 00:12:55,416 -WHEN KERMIT LEFT ME-- -(laughing) 266 00:12:55,416 --> 00:12:57,458 -I'M NOT EVEN SORRY. -MM-HMM. 267 00:12:57,458 --> 00:13:00,583 -WHEN HE LEFT-- -WHO? WHEN WHO LEFT? WHO? 268 00:13:04,416 --> 00:13:06,375 I DECIDED TO SHUT THAT PART OF ME OFF. 269 00:13:07,416 --> 00:13:10,083 YOU KNOW, FOOL ME ONCE, SHAME ON YOU. FOOL ME TWICE, 270 00:13:10,083 --> 00:13:11,500 -SHAME ON-- -ME? 271 00:13:11,500 --> 00:13:13,166 SHAME ON ME? WHY? 272 00:13:13,166 --> 00:13:15,125 KATY, I HAVE NO IDEA WHERE THIS CONVERSATION'S COMING FROM. 273 00:13:15,125 --> 00:13:17,583 YOU'RE CONFUSING YOUR AFFECTION FOR MAYA 274 00:13:17,583 --> 00:13:18,625 WITH AFFECTION FOR ME 275 00:13:18,625 --> 00:13:20,000 AND YOU DON'T NEED TO DO THAT. 276 00:13:20,000 --> 00:13:21,750 WAIT. WHEN DID I AFFECTION YOU? 277 00:13:21,750 --> 00:13:24,291 YOU PUT YOUR ARM AROUND ME! 278 00:13:24,291 --> 00:13:26,000 OH. KATY. COME ON. 279 00:13:26,000 --> 00:13:29,750 SOMETIMES AN ARM AROUND SOMEBODY IS JUST AN ARM AROUND SOMEBODY. 280 00:13:36,083 --> 00:13:36,625 UM... 281 00:13:38,250 --> 00:13:39,875 WHAT IS THAT? 282 00:13:40,625 --> 00:13:42,208 -WHAT ARE YOU DOING? -WHAT ARE YOU DOING? 283 00:13:51,583 --> 00:13:53,125 (sighs) KERMIT? 284 00:13:53,125 --> 00:13:55,583 -TOPANGA? -WE'RE EVEN. 285 00:13:56,708 --> 00:13:58,583 SEEMS LIKE IT'S GOING PRETTY GOOD IN THERE. 286 00:13:58,583 --> 00:13:59,958 I'M HOPING. 287 00:14:01,708 --> 00:14:03,500 I KNOW WHAT THINGS MEAN. 288 00:14:03,500 --> 00:14:06,583 I'M A WOMAN AND I HAVE INSTINCTS. 289 00:14:06,583 --> 00:14:08,875 AND YOUR CHARITY DOES NOT EXTEND TO ME, 290 00:14:08,875 --> 00:14:10,833 SO YOU DON'T NEED TO ASK ME ON A DATE-- 291 00:14:10,833 --> 00:14:12,958 WAIT A MINUTE. ARE YOU ASKING ME OUT ON A DATE? 292 00:14:12,958 --> 00:14:14,083 NO! 293 00:14:14,083 --> 00:14:16,583 KATY, YOU SEEM MAD AT ME FOR NO REASON. 294 00:14:16,583 --> 00:14:18,833 DO YOU THINK THERE'S A CHANCE 295 00:14:18,833 --> 00:14:21,166 THAT YOU'RE ACTUALLY MAD AT SOMEBODY ELSE WHO'S NOT ME? 296 00:14:21,166 --> 00:14:24,000 I DIDN'T VIEW MY MARRIAGE AS DISPOSABLE. 297 00:14:25,583 --> 00:14:26,708 I WAS ALL IN. 298 00:14:26,708 --> 00:14:30,000 I SAID THOSE THINGS TO HIM IN FRONT OF GOD AND I MEANT IT. 299 00:14:30,000 --> 00:14:31,583 YEAH. I GET IT. 300 00:14:31,583 --> 00:14:35,333 I THOUGHT MY FIRST REAL GIRLFRIEND WAS GOING TO BE THE ONE FOREVER. 301 00:14:35,333 --> 00:14:36,833 I WANTED ANGELA-- 302 00:14:36,833 --> 00:14:38,708 (scoffing) ANGELA? 303 00:14:38,708 --> 00:14:40,708 WHAT KIND OF NAME-- 304 00:14:40,708 --> 00:14:42,750 NO, ANGELA'S A FINE NAME. 305 00:14:42,750 --> 00:14:44,375 IT'S MY MOTHER'S NAME, ACTUALLY. 306 00:14:46,166 --> 00:14:49,833 I WANTED US TO BE SOME VERSION OF CORY AND TOPANGA. 307 00:14:49,833 --> 00:14:51,708 BUT I GUESS THERE'S ONLY ONE OF THOSE. 308 00:14:51,708 --> 00:14:53,708 KATY, RELATIONSHIPS END. 309 00:14:53,708 --> 00:14:56,875 SOMETIMES OUT OF NOWHERE, ON A SUNNY DAY. 310 00:14:56,875 --> 00:15:00,833 BUT YOU PICK YOURSELF UP, AND YOU REBUILD. 311 00:15:00,833 --> 00:15:01,833 AND YOU DON'T LOOK BACK. STYLE ::cue(.speaker) ::cue(.speakerTop) 312 00:15:04,625 --> 00:15:06,750 -KNOCK! KNOCK! -WHO'S THERE? 313 00:15:06,750 --> 00:15:08,375 THE ONLY PERSON WHO COULD CHANGE YOUR LIFE 314 00:15:08,375 --> 00:15:10,375 FROM THINGS ARE GOING PRETTY GOOD RIGHT NOW TO... (shrieks)! 315 00:15:11,458 --> 00:15:14,458 THE ONLY PERSON WHO COULD CHANGE MY LIFE FROM THINGS ARE GOING PRETTY GOOD RIGHT NOW TO-- 316 00:15:14,458 --> 00:15:15,500 -(shrieks) -WHO? 317 00:15:19,708 --> 00:15:20,708 HI. 318 00:15:22,750 --> 00:15:23,875 ANGELA. 319 00:15:30,500 --> 00:15:33,708 BOY. LOOK AT YOU. YOU'RE HERE. 320 00:15:33,708 --> 00:15:35,000 I NEED TO TALK TO YOU. 321 00:15:44,333 --> 00:15:46,833 AWKWARD. 322 00:15:46,833 --> 00:15:49,875 I NOW PRONOUNCE YOU AWKWARD. 323 00:15:51,708 --> 00:15:54,000 HEY! REMEMBER IN HIGH SCHOOL AND HE FOUND YOUR PURSE? 324 00:15:55,083 --> 00:15:57,375 REMEMBER HE GOT HANDCUFFED IN THE BOATHOUSE? 325 00:15:57,375 --> 00:15:58,708 THAT WAS A GOOD ONE. 326 00:15:58,708 --> 00:16:01,000 REMEMBER YOU AND HIM FOR A WHILE THEN YOU WENT AWAY? 327 00:16:01,000 --> 00:16:02,458 LET ME SHOW YOU WHAT THAT LOOKED LIKE. 328 00:16:05,375 --> 00:16:06,958 WELL, HE'S CALMED DOWN. 329 00:16:13,125 --> 00:16:15,083 HI, ANGELA. I'M KATY. 330 00:16:15,083 --> 00:16:16,708 SHAWN SPEAKS HIGHLY OF YOU. 331 00:16:16,708 --> 00:16:18,708 WELL, I THINK HIGHLY OF HIM. 332 00:16:18,708 --> 00:16:20,125 YOU KNOW WHAT? SO DO I. 333 00:16:23,583 --> 00:16:26,708 WELL, I'M GOING TO LEAVE YOU TWO ALONE. 334 00:16:36,875 --> 00:16:38,583 I REALLY MISSED YOU. 335 00:16:38,583 --> 00:16:42,083 YEAH? YOU'VE GOT A FUNNY WAY OF LETTING SOMEONE KNOW. 336 00:16:42,083 --> 00:16:45,250 SHE SEEMS NICE. SHE'S VERY PRETTY. 337 00:16:45,250 --> 00:16:47,625 -I'M SORRY, MAYA. -FOR WHAT? 338 00:16:47,625 --> 00:16:51,833 IT'S MY FAULT. YOU HOPE FOR THINGS AND YOU GET SMASHED. 339 00:16:51,833 --> 00:16:54,083 YOU'RE RIGHT. I'M WRONG. I'M SORRY. 340 00:16:54,083 --> 00:16:56,875 EVERYTHING WILL TURN OUT THE WAY IT SHOULD. 341 00:16:56,875 --> 00:17:00,708 HOW CAN YOU SAY THAT? THAT'S ANGELA. SHE'S GOING TO TAKE HIM AWAY. 342 00:17:00,708 --> 00:17:02,958 -I'M NOT GIVING UP HOPE YET. -WHY NOT? 343 00:17:02,958 --> 00:17:04,458 I JUST GOT IT. 344 00:17:13,375 --> 00:17:15,000 HELLO! 345 00:17:19,833 --> 00:17:21,875 WELL, DID YOU HEAR MY DAD DIED? 346 00:17:21,875 --> 00:17:24,625 OH, NO, ANGELA. I'M SO SORRY. 347 00:17:24,625 --> 00:17:29,458 (sighs) A MILITARY MAN. A WAR HERO AND HE DIES FISHING. 348 00:17:30,458 --> 00:17:32,625 -I LIKED HIM. -OH, HE LIKED YOU. 349 00:17:33,875 --> 00:17:34,875 BYE! 350 00:17:37,708 --> 00:17:39,416 YOU KNOW I THINK ABOUT HIM EVERY DAY. 351 00:17:40,416 --> 00:17:42,291 HEY! DO YOU STILL HAVE THAT THING 352 00:17:42,291 --> 00:17:45,708 WHERE YOU CAN FEEL YOUR DAD STANDING RIGHT NEXT TO YOU? 353 00:17:45,708 --> 00:17:46,708 I DO. 354 00:17:48,083 --> 00:17:50,458 YEAH, HE WAS BARELY THERE FOR ME WHEN HE WAS ALIVE, 355 00:17:50,458 --> 00:17:53,750 BUT NOW THAT HE'S GONE, I CAN ABSOLUTELY DEPEND ON HIM 356 00:17:53,750 --> 00:17:56,000 TO SHOW UP AT THE MOST IMPORTANT TIMES OF MY LIFE. 357 00:17:57,708 --> 00:17:58,875 ANGELA. WHY ARE YOU HERE? 358 00:17:59,958 --> 00:18:01,833 I NEED SOMEONE TO TALK TO. 359 00:18:01,833 --> 00:18:05,250 -IT CAN ONLY BE YOU. HOW ABOUT THAT? -OKAY. 360 00:18:05,250 --> 00:18:06,583 WHAT DO YOU CALL THIS? 361 00:18:07,583 --> 00:18:09,833 WELL, WE'VE GOT A STORM GOING ON, 362 00:18:09,833 --> 00:18:12,416 SO A HURRICANE PICNIC. 363 00:18:22,208 --> 00:18:23,125 WHAT'S GOING ON? 364 00:18:24,375 --> 00:18:25,458 I'M MARRIED NOW. 365 00:18:26,708 --> 00:18:28,416 Maya: YAY! 366 00:18:29,750 --> 00:18:30,833 HOW LONG HAVE YOU BEEN MARRIED? 367 00:18:30,833 --> 00:18:33,000 FOUR YEARS. HE'S A MILITARY MAN. 368 00:18:33,000 --> 00:18:34,750 WHY DID YOU LEAVE ME? 369 00:18:34,750 --> 00:18:36,250 I WASN'T READY. 370 00:18:36,250 --> 00:18:37,708 AND THEN YOU WERE? 371 00:18:37,708 --> 00:18:39,583 WELL, LIFE GOES ON, SHAWN. 372 00:18:39,583 --> 00:18:42,125 YOU KNOW, I THINK LIFE PUTS PEOPLE IN FRONT OF US, 373 00:18:42,125 --> 00:18:45,375 SO THAT WE CAN BE PREPARED FOR WHAT COMES NEXT. 374 00:18:45,375 --> 00:18:47,000 I WAS READY BECAUSE OF YOU. 375 00:18:47,000 --> 00:18:48,708 I HOPE LIFE KNOWS WHAT IT'S DOING. 376 00:18:56,458 --> 00:18:57,625 WHY DID YOU COME SEE ME? 377 00:18:57,625 --> 00:19:01,708 OKAY. MY HUSBAND WANTS TO HAVE CHILDREN. 378 00:19:01,708 --> 00:19:07,500 AND YOU KNOW THAT I'VE ALWAYS BEEN SCARED OF BEING SOMEBODY'S MOTHER 379 00:19:07,500 --> 00:19:08,875 BECAUSE MY OWN MOTHER LEFT. 380 00:19:08,875 --> 00:19:11,416 YEAH, WE WERE BOTH BROKEN THAT WAY. 381 00:19:11,416 --> 00:19:15,458 YEAH, NOW HE'S TRYING TO CONVINCE ME THAT I'D BE A GOOD ONE 382 00:19:15,458 --> 00:19:20,708 AND I NEED SOMEBODY WHO UNDERSTANDS ME TO TELL ME IF THAT COULD BE TRUE. 383 00:19:22,416 --> 00:19:23,833 I MEAN, I CAN'T TALK TO MY FATHER. 384 00:19:23,833 --> 00:19:26,375 HE DOESN'T JUST SHOW UP FOR ME LIKE YOURS DOES. 385 00:19:27,458 --> 00:19:29,083 YOU'RE THE ONLY ONE I CAN TRUST WITH THIS. 386 00:19:30,458 --> 00:19:32,208 HAVE KIDS, ANGELA. 387 00:19:34,083 --> 00:19:36,375 PUT MORE OF YOU IN THE WORLD. 388 00:19:36,375 --> 00:19:39,708 AND THEN SIT IN A CHAIR AND WATCH THEM. 389 00:19:40,708 --> 00:19:41,958 YOU'D BE AMAZED. 390 00:19:43,833 --> 00:19:45,625 WE'RE HERE TO MAKE SOMEBODY ELSE HAPPY. 391 00:19:46,708 --> 00:19:47,750 THANK YOU, SHAWN. 392 00:19:48,833 --> 00:19:52,125 I KNEW I COULD COUNT ON YOU TO TELL ME WHAT'S RIGHT. 393 00:19:52,125 --> 00:19:53,416 HEY, CAN I TELL YOU SOMETHING RIGHT? 394 00:19:53,416 --> 00:19:54,458 I WISH SOMEBODY WOULD. 395 00:19:59,750 --> 00:20:01,208 WHO'S THAT? 396 00:20:01,208 --> 00:20:02,458 IT'S MAYA. 397 00:20:03,833 --> 00:20:06,833 SHE HAS NOT TAKEN HER EYES OFF YOU SINCE I WALKED IN. STYLE ::cue(.speaker) ::cue(.speakerTop) 398 00:20:06,833 --> 00:20:08,583 YEAH. SHE'S SOMEBODY I'VE GROWN VERY FOND OF. 399 00:20:11,125 --> 00:20:12,833 AND THAT'S HER MOTHER? 400 00:20:15,833 --> 00:20:17,000 KATY, YEAH. THAT'S HER MOM. 401 00:20:18,458 --> 00:20:20,708 MMM. IS SHE THE ONE? 402 00:20:20,708 --> 00:20:22,333 WHAT? NO. 403 00:20:22,333 --> 00:20:24,708 -IS SHE THE ONE, SHAWN? -NO. 404 00:20:24,708 --> 00:20:27,458 I DON'T KNOW. 405 00:20:27,458 --> 00:20:29,833 I DON'T KNOW HER ENOUGH TO KNOW ANYTHING. 406 00:20:29,833 --> 00:20:32,750 WELL, LET ME TELL YOU WHAT'S RIGHT. 407 00:20:32,750 --> 00:20:36,000 LET WHAT WE HAD MAKE YOU READY FOR SOMETHING. 408 00:20:41,708 --> 00:20:43,583 LIFE KNOWS WHAT IT'S DOING. 409 00:21:07,333 --> 00:21:08,625 WHAT'S THIS FOR? 410 00:21:09,625 --> 00:21:11,083 NOTHING. 411 00:21:11,083 --> 00:21:12,416 EVERYTHING. 412 00:21:15,750 --> 00:21:17,125 I THINK WE'RE CUTE TOGETHER. 413 00:21:19,875 --> 00:21:20,708 I KNOW. 414 00:21:27,583 --> 00:21:29,458 HOW'S IT GOING IN THERE, SUPER SPY? 415 00:21:30,500 --> 00:21:34,458 IT'S BAD, MAN. I THINK SHE'S UP TO ABOUT A MILLION DOLLARS. 416 00:21:37,875 --> 00:21:39,083 I DON'T REALLY LIKE ANY OF IT. 417 00:21:39,083 --> 00:21:40,583 (laughing) 418 00:21:40,583 --> 00:21:41,625 WHO'S BETTER THAN YOU? 419 00:21:44,458 --> 00:21:46,625 -HEY, CAN I BUY YOU AN OUTFIT? -HE'S REALLY GOOD AT IT. 420 00:21:46,625 --> 00:21:49,291 NO, NO, YOU CAN'T BUY ME ANYTHING. 421 00:21:49,291 --> 00:21:50,750 WE HARDLY KNOW EACH OTHER. 422 00:21:50,750 --> 00:21:53,083 (chuckles) ARE YOU ASKING ME OUT ON A DATE? 423 00:21:54,375 --> 00:21:55,583 YEAH. 424 00:21:56,708 --> 00:21:58,166 WAIT. WHAT? SERIOUSLY? 425 00:22:00,583 --> 00:22:02,291 RIGHT HERE IN FRONT OF EVERYBODY? 426 00:22:03,708 --> 00:22:05,458 SURE. 427 00:22:05,458 --> 00:22:07,583 IT WOULD BE REAL BAD FOR ME IF YOU SAID NO. 428 00:22:09,458 --> 00:22:11,583 -UNCLE SHAWN? -YEAH? 429 00:22:11,583 --> 00:22:14,208 THIS IS, LIKE, A REAL IMPORTANT MOMENT IN YOUR LIFE. 430 00:22:16,833 --> 00:22:17,708 YEAH, I THINK IT IS. 431 00:22:17,708 --> 00:22:19,750 HOW'RE YOU GONNA HANDLE THIS, ACE? 432 00:22:21,750 --> 00:22:23,625 I'LL TELL YOU HOW YOU'RE GONNA HANDLE IT, SON. 433 00:22:26,416 --> 00:22:29,083 YOU TAKE A LOOK AT THAT TOUGH LITTLE GIRL'S FACE. 434 00:22:30,875 --> 00:22:32,708 YOU KNOW WHAT SHE'S DOIN'? 435 00:22:32,708 --> 00:22:36,708 SHE'S LETTING HER GUARD DOWN JUST ENOUGH TO LET YOU KNOW SHE CARES ABOUT YOU. 436 00:22:36,708 --> 00:22:38,750 SO, HOW YOU'RE GONNA HANDLE THAT IS, 437 00:22:38,750 --> 00:22:42,833 YOU GOTTA DECIDE RIGHT NOW WHAT THAT MEANS TO YOU. 438 00:22:44,875 --> 00:22:47,875 AND THEN TAKE A LOOK AT HER SCREWBALL MOTHER. 439 00:22:51,250 --> 00:22:53,333 DO YOURSELF A FAVOR 440 00:22:53,333 --> 00:22:56,958 AND NOTICE HOW SHE MIGHT BE WONDERFUL, TOO. 441 00:22:56,958 --> 00:22:58,583 YOU GONNA LEAVE ME HANGIN' OR WHAT? 442 00:22:58,583 --> 00:23:00,458 AND FINALLY, 443 00:23:01,875 --> 00:23:02,958 TRUST ME, 444 00:23:04,000 --> 00:23:06,000 TAKE A LOOK AT THE EXPRESSION ON THEM TWO FACES. 445 00:23:07,000 --> 00:23:07,833 YOU KNOW WHAT THAT IS? 446 00:23:08,958 --> 00:23:10,833 HOPE. 447 00:23:10,833 --> 00:23:12,875 FUNNY THING IS, THEY COULD USE JUST ABOUT 448 00:23:12,875 --> 00:23:15,416 EXACTLY AS MUCH OF IT AS YOU CAN. 449 00:23:16,750 --> 00:23:18,458 SHAWN. 450 00:23:18,458 --> 00:23:21,833 IF THAT LITTLE GIRL CAN LET HER GUARD DOWN, 451 00:23:21,833 --> 00:23:22,875 WHY CAN'T YOU? 452 00:23:33,708 --> 00:23:37,625 MAYA? WOULD IT BE OKAY WITH YOU IF I-- 453 00:23:37,625 --> 00:23:38,708 OKAY. LET IT OUT. 454 00:23:38,708 --> 00:23:42,500 YAY! 455 00:23:47,458 --> 00:23:50,208 KATY, I-- I WOULD LOVE TO GO ON A DATE WITH YOU. 456 00:23:50,208 --> 00:23:51,208 THANKS FOR ASKING.