1 00:00:07,333 --> 00:00:09,125 -WHERE'S GARABOSKI? -UH-OH. 2 00:00:09,125 --> 00:00:10,875 -DID WE DO IT? -DID WE FINALLY BREAK HIM? 3 00:00:10,875 --> 00:00:12,250 YOU BROKE HIM. 4 00:00:12,250 --> 00:00:13,458 (all cheering) 5 00:00:13,458 --> 00:00:16,333 QUIET! MR. GARABOSKI RETIRED YESTERDAY. 6 00:00:16,333 --> 00:00:17,291 (all cheering) 7 00:00:17,291 --> 00:00:20,750 QUIET! THE GUY SURVIVES VIETNAM AND MRS. GARABOSKI, 8 00:00:20,750 --> 00:00:22,875 AND HE CAN'T GET PAST YOU. 9 00:00:25,708 --> 00:00:28,125 NOW, HE LEFT A LETTER HERE THAT EXPRESSED HIS FEELINGS. 10 00:00:29,250 --> 00:00:30,708 "DEAR YOU LITTLE--" 11 00:00:30,708 --> 00:00:31,875 OKAY, I CAN'T READ THIS. 12 00:00:33,833 --> 00:00:37,000 HE ALWAYS TALKED ABOUT THE GOOD OLD DAYS BEFORE 1985. 13 00:00:37,000 --> 00:00:38,958 WHAT HAPPENED IN 1985? 14 00:00:38,958 --> 00:00:42,250 THAT WAS THE YEAR THE NEW YORK BOARD OF EDUCATION SAID YOU COULDN'T HIT A KID WITH A RULER. 15 00:00:42,250 --> 00:00:44,875 "BORED" OF EDUCATION? I DO BELIEVE I AM. 16 00:00:46,708 --> 00:00:48,958 WELL, NOW YOU'RE GONNA NEED A NEW ENGLISH TEACHER. 17 00:00:48,958 --> 00:00:50,500 THAT'S OKAY, THANKS. 18 00:00:50,500 --> 00:00:53,083 UH, I DON'T KNOW, MAYA. YOU MAY WANT TO CONSIDER THIS ONE. 19 00:00:54,083 --> 00:00:55,125 (rock music playing) 20 00:00:56,958 --> 00:01:00,125 LADIES AND GENTLEMEN, PLEASE WELCOME MS. HARPER BURGESS. 21 00:01:04,500 --> 00:01:06,000 YOU GOT A BIKE THAT GOES WITH THAT OUTFIT? 22 00:01:07,000 --> 00:01:11,000 1800 CC TWIN CAM FAT BOB FUEL TANK WIDE GLIDE. 23 00:01:11,000 --> 00:01:12,875 WHAT DO YOU RIDE? 24 00:01:12,875 --> 00:01:14,458 HE RODE A SHEEP. 25 00:01:16,958 --> 00:01:22,000 62-POUND QUAD HOOF WHITE FLEECE, KIND YOU COUNT BEFORE YOU FALL ASLEEP. BAA BAA. 26 00:01:25,000 --> 00:01:25,958 WANNA RACE? 27 00:01:25,958 --> 00:01:27,208 NO. 28 00:01:30,125 --> 00:01:34,333 MS. BURGESS IS HERE TO TEACH YOU ABOUT GREAT BOOKS AND GREAT IDEAS. 29 00:01:34,333 --> 00:01:37,083 PLEASE GIVE HER THE SAME RESPECT THAT YOU GIVE ME. 30 00:01:37,083 --> 00:01:39,583 OH, WE COULD DO BETTER THAN THAT. 31 00:01:40,625 --> 00:01:43,000 (theme music playing) 32 00:01:47,000 --> 00:01:49,000 ♪ I'VE BEEN WAITING ♪ 33 00:01:49,000 --> 00:01:50,375 ♪ FOR A DAY ♪ 34 00:01:50,375 --> 00:01:51,416 ♪ LIKE THIS TO COME ♪ 35 00:01:51,416 --> 00:01:52,875 ♪ STRUCK LIKE LIGHTNING ♪ 36 00:01:52,875 --> 00:01:55,708 ♪ MY HEART'S BEATING LIKE A DRUM ♪ 37 00:01:55,708 --> 00:01:57,125 ♪ ON THE EDGE ♪ 38 00:01:57,125 --> 00:01:59,625 ♪ OF SOMETHING WONDERFUL ♪ 39 00:01:59,625 --> 00:02:02,583 ♪ FACE TO FACE WITH CHANGES ♪ 40 00:02:02,583 --> 00:02:03,750 ♪ WHAT'S IT ALL ABOUT? ♪ 41 00:02:03,750 --> 00:02:05,958 ♪ LIFE IS CRAZY ♪ 42 00:02:05,958 --> 00:02:07,000 ♪ BUT I KNOW ♪ 43 00:02:07,000 --> 00:02:08,000 ♪ I CAN WORK IT OUT ♪ 44 00:02:08,000 --> 00:02:09,208 ♪ 'CAUSE I GOT YOU ♪ 45 00:02:09,208 --> 00:02:12,000 ♪ TO LIVE IT WITH ME ♪ 46 00:02:12,000 --> 00:02:16,166 ♪ I FEEL ALL RIGHT, I'M GONNA TAKE ON THE WORLD ♪ 47 00:02:16,166 --> 00:02:19,583 ♪ LIGHT UP THE STARS, I'VE GOT SOME PAGES TO TURN ♪ 48 00:02:19,583 --> 00:02:21,416 ♪ I'M SINGING "GO-O-O" ♪ 49 00:02:21,416 --> 00:02:24,458 ♪ OH, OH, OH, OH ♪ 50 00:02:24,458 --> 00:02:27,500 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 51 00:02:27,500 --> 00:02:29,000 ♪ TAKE ON THE WORLD ♪ 52 00:02:29,000 --> 00:02:31,458 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 53 00:02:31,458 --> 00:02:33,083 ♪ TAKE ON THE WORLD ♪ 54 00:02:37,291 --> 00:02:40,250 FRANK MILLER, THE DARK NIGHT RETURNS. 55 00:02:40,250 --> 00:02:41,583 THIS IS BATMAN. 56 00:02:41,583 --> 00:02:43,083 A FUTURE BATMAN. 57 00:02:43,083 --> 00:02:44,416 WHAT'S THE DIFFERENCE? 58 00:02:44,416 --> 00:02:46,333 THIS STORY IS THE CONTINUATION 59 00:02:46,333 --> 00:02:48,583 BASED ON AN ORIGINAL SERIES OF CHARACTERS. 60 00:02:49,875 --> 00:02:51,208 DO YOU GUYS KNOW WHAT THAT MEANS? 61 00:02:51,208 --> 00:02:52,583 All: YEAH. 62 00:02:53,875 --> 00:02:57,000 UM, AREN'T YOU SUPPOSED TO BE TEACHING US THE IMPORTANT BOOKS? 63 00:02:57,000 --> 00:03:01,208 MMM, THIS GRAPHIC NOVEL WAS AS IMPORTANT TO ITS STYLE OF LITERATURE 64 00:03:01,208 --> 00:03:03,583 AS ANY BOOK YOU CAN THINK OF. 65 00:03:03,583 --> 00:03:04,875 WHAT'S IT ABOUT? 66 00:03:04,875 --> 00:03:07,333 IT'S ABOUT A WORLD THAT'S BECOME SO TOUGH 67 00:03:07,333 --> 00:03:09,291 THAT BATMAN FIGHTS SUPERMAN. 68 00:03:10,833 --> 00:03:12,833 YOU WILL TELL ME WHY HE DOES THAT. 69 00:03:12,833 --> 00:03:15,000 YOU'RE GONNA START BY TEACHING US A COMIC BOOK, 70 00:03:15,000 --> 00:03:16,291 MISS MOTORCYCLE? 71 00:03:16,291 --> 00:03:20,583 YEAH, AND YOU'RE GONNA START BY NOT CALLING ME MISS ANYTHING. 72 00:03:20,583 --> 00:03:22,416 YOU CAN CALL ME HARPER. 73 00:03:23,625 --> 00:03:25,000 -HARPER? -YES? 74 00:03:25,000 --> 00:03:26,333 I JUST WANTED TO SEE IF IT WOULD WORK. 75 00:03:27,875 --> 00:03:28,875 FARKLE? 76 00:03:28,875 --> 00:03:30,833 YOU KNOW MY NAME, HARPER? 77 00:03:30,833 --> 00:03:32,416 I KNOW ALL OF YOUR NAMES. 78 00:03:32,416 --> 00:03:34,875 MR. MATTHEWS TOLD ME ALL ABOUT YOU. 79 00:03:34,875 --> 00:03:36,583 WHEN IS THIS DUE, PLEASE? 80 00:03:36,583 --> 00:03:37,958 HI, RILEY. 81 00:03:37,958 --> 00:03:39,208 HI. 82 00:03:40,333 --> 00:03:41,583 HOW DO YOU LIKE HAVING HIM HERE? 83 00:03:41,583 --> 00:03:43,291 IT'S TERRIBLE. 84 00:03:43,291 --> 00:03:45,250 IT'S WONDERFUL. 85 00:03:45,250 --> 00:03:47,875 MY FATHER GAVE ME MY LOVE OF BOOKS. 86 00:03:47,875 --> 00:03:48,875 HE DID? 87 00:03:48,875 --> 00:03:50,625 HE'S WHY I BECAME A TEACHER. 88 00:03:50,625 --> 00:03:52,458 IT'S WHY HE NAMED ME HARPER. 89 00:03:54,000 --> 00:03:55,458 YOU'LL FIGURE IT OUT. 90 00:03:57,166 --> 00:03:58,708 RILEY, STOP ME RIGHT NOW. 91 00:03:58,708 --> 00:04:01,000 -FROM WHAT? -I CAN'T LIKE A TEACHER, I'M MAYA. 92 00:04:01,000 --> 00:04:02,958 IT'S A GOOD DAY, MAYA. 93 00:04:02,958 --> 00:04:06,083 SCHOOL GOT BETTER AND NOW NOTHING BAD IS EVER GOING TO HAPPEN AGAIN. 94 00:04:06,083 --> 00:04:08,583 SO, I'M PASSING BY YOUR CLASSROOM 95 00:04:08,583 --> 00:04:10,250 ON THIS, YOUR FIRST DAY, 96 00:04:10,250 --> 00:04:11,875 AND I CAN'T HELP NOTICING 97 00:04:11,875 --> 00:04:14,291 THAT SOMEBODY HAS A COMIC BOOK-- 98 00:04:14,291 --> 00:04:16,833 THAT EVERYBODY HAS A COMIC BOOK. 99 00:04:16,833 --> 00:04:18,208 THEY'RE GRAPHIC NOVELS. 100 00:04:18,208 --> 00:04:19,416 PIPE DOWN, FARKLE. 101 00:04:20,416 --> 00:04:22,250 I THINK HARPER'S TRYING TO TEACH US SOMETHING IMPORTANT. 102 00:04:22,250 --> 00:04:24,000 OH, HARPER IS? 103 00:04:24,000 --> 00:04:26,083 HM? WELL, SHE'S NOT. 104 00:04:26,083 --> 00:04:28,750 IT ISN'T LITERATURE, IT'S COMIC BOOKS. 105 00:04:28,750 --> 00:04:31,000 WHICH ARE AGAINST SCHOOL POLICY, MISS BURGESS. 106 00:04:31,000 --> 00:04:34,958 AND SO IS CALLING MISS BURGESS BY HER FIRST NAME. 107 00:04:36,375 --> 00:04:40,000 YOU WILL GATHER THESE UP, AND YOU WILL TEACH SOMETHING IMPORTANT. 108 00:04:41,875 --> 00:04:43,625 TO KILL A MOCKINGBIRD? 109 00:04:43,625 --> 00:04:45,000 ARE YOU FAMILIAR WITH THIS? 110 00:04:45,000 --> 00:04:46,208 I KNOW THIS BOOK. 111 00:04:46,208 --> 00:04:48,291 THEN TEACH IT, MISS BURGESS. 112 00:04:56,875 --> 00:04:58,250 SO... STYLE ::cue(.speaker) ::cue(.speakerTop) 113 00:05:00,458 --> 00:05:02,458 THE DARK KNIGHT RETURNS. 114 00:05:04,416 --> 00:05:06,000 READ IT TONIGHT, 115 00:05:06,000 --> 00:05:09,375 AND TOMORROW WE WILL LEARN SOMETHING IMPORTANT. 116 00:05:10,375 --> 00:05:12,000 (all cheering) 117 00:05:12,000 --> 00:05:13,291 AH, STOP IT. 118 00:05:13,291 --> 00:05:15,375 YOU'RE NOT SUPPOSED TO LIKE A TEACHER. 119 00:05:15,375 --> 00:05:16,500 YOU'RE MAYA. 120 00:05:16,500 --> 00:05:19,000 OH, NO, WHAT ARE YOU DOING TO ME? 121 00:05:26,000 --> 00:05:27,500 GIRLS, 122 00:05:27,500 --> 00:05:29,458 SLOW DOWN. WHAT IS THE RUSH? 123 00:05:29,458 --> 00:05:31,083 DINNER IS KEEPING US FROM OUR HOMEWORK. 124 00:05:33,458 --> 00:05:35,291 THE NEW ENGLISH TEACHER WANTS US TO READ THIS. 125 00:05:35,291 --> 00:05:36,708 WELL, THIS LOOKS LIKE A COMIC BOOK. 126 00:05:36,708 --> 00:05:37,708 YES. 127 00:05:37,708 --> 00:05:39,291 DIDN'T WE HAVE A TEACHER WHO TAUGHT US-- 128 00:05:39,291 --> 00:05:40,291 YES. 129 00:05:41,583 --> 00:05:43,416 TELL ME MORE ABOUT THIS NEW ENGLISH TEACHER. 130 00:05:43,416 --> 00:05:45,083 -MOTORCYCLE. -LEATHER JACKET. 131 00:05:45,083 --> 00:05:46,583 SOUNDS FAMILIAR. 132 00:05:46,583 --> 00:05:49,833 WEREN'T YOU ON THE COMMITTEE TO HIRE THE NEW ENGLISH TEACHER? 133 00:05:49,833 --> 00:05:50,875 YES. 134 00:05:52,875 --> 00:05:55,000 PRINCIPAL YANCY DOESN'T LIKE HER VERY MUCH. 135 00:05:55,000 --> 00:05:56,250 SHE'S A YOUNG IDEALIST. 136 00:05:56,250 --> 00:05:57,458 YOU THINK SHE'S GONNA WIN HIM OVER. 137 00:05:57,458 --> 00:05:59,500 I'M JUST LOOKING FOR A LITTLE ACTION. 138 00:06:01,583 --> 00:06:03,583 NOT ALL HISTORY REPEATS, CORY. 139 00:06:03,583 --> 00:06:05,375 WHY, WHAT HAPPENED TO YOU GUYS? 140 00:06:05,375 --> 00:06:07,083 WELL, WE HAD A PRETTY COOL TEACHER ONCE. 141 00:06:07,083 --> 00:06:08,833 FEENY! 142 00:06:11,000 --> 00:06:13,875 NO, WE ACTUALLY HAD ONE OTHER TEACHER. 143 00:06:13,875 --> 00:06:15,583 DID THAT TEACHER GET ALONG WITH THE PRINCIPAL? 144 00:06:15,583 --> 00:06:16,958 FEENY WAS THE PRINCIPAL. 145 00:06:16,958 --> 00:06:19,416 FEENY TAUGHT YOU EVERY YEAR AND WAS ALSO YOUR PRINCIPAL? 146 00:06:19,416 --> 00:06:20,875 YES. 147 00:06:21,958 --> 00:06:23,625 THAT WOULD NEVER HAPPEN TODAY. 148 00:06:23,625 --> 00:06:25,083 WE'LL SEE. 149 00:06:26,000 --> 00:06:28,291 OUR PRINCIPAL WON'T LET HER TEACH US THIS. 150 00:06:28,291 --> 00:06:29,458 BUT SHE IS ANYWAY? 151 00:06:29,458 --> 00:06:31,250 IT'S A MORE COMPLICATED WORLD NOW. 152 00:06:31,250 --> 00:06:34,208 HEROES AND VILLAINS AREN'T AS EASILY RECOGNIZED. 153 00:06:35,250 --> 00:06:37,750 MAYBE IT TAKES DIFFERENT TEACHING METHODS TO TELL THEM APART. 154 00:06:37,750 --> 00:06:41,333 SHE THINKS THIS WILL HELP, AND I LIKE THAT SHE BELIEVES IN SOMETHING. 155 00:06:41,333 --> 00:06:43,291 BUT CORY, THE WORLD ISN'T SO DIFFERENT THAT THE PRINCIPAL 156 00:06:43,291 --> 00:06:45,000 DOESN'T STILL MAKE THE FINAL DECISION. 157 00:06:45,000 --> 00:06:46,583 YEAH, THAT'S INTERESTING, ISN'T IT? 158 00:06:46,583 --> 00:06:49,000 YANCY HAS A LOT OF POWER. 159 00:06:49,000 --> 00:06:50,958 HE'S LIKE... 160 00:06:50,958 --> 00:06:53,625 WHO'S A GUY WITH A LOT OF POWER, GIRLS? 161 00:06:55,083 --> 00:06:56,875 SUPERMAN. 162 00:06:56,875 --> 00:06:58,208 WHOA. 163 00:06:59,875 --> 00:07:02,208 -THEN HARPER'S LIKE-- -BATMAN! 164 00:07:02,208 --> 00:07:03,375 WHOA! 165 00:07:04,583 --> 00:07:06,250 WHAT'S THE DIFFERENCE BETWEEN THE TWO? 166 00:07:06,250 --> 00:07:08,208 WELL, ONE HAS SUPERPOWERS AND ONE DOESN'T. 167 00:07:08,208 --> 00:07:09,875 WELL, HOW CAN THAT BE A FAIR FIGHT? 168 00:07:09,875 --> 00:07:11,750 I MEAN, THAT'S LIKE A FIGHT BETWEEN YOU AND ME. 169 00:07:14,000 --> 00:07:15,083 I KNOW. 170 00:07:16,875 --> 00:07:18,125 YOU KNOW, I DON'T WANT HARPER... 171 00:07:18,125 --> 00:07:19,458 -BATMAN. -...TO LOSE. 172 00:07:20,708 --> 00:07:23,375 WELL, MAYBE YOU SHOULD DO YOUR HOMEWORK AND FIND OUT WHAT HAPPENS NEXT. 173 00:07:24,583 --> 00:07:26,125 (giggles) YEAH, LIKE THEY'RE GONNA RUN-- 174 00:07:29,583 --> 00:07:31,708 THIS IS GONNA BE REAL TROUBLE, ISN'T IT, CORY? 175 00:07:31,708 --> 00:07:33,000 I HOPE SO. 176 00:07:38,750 --> 00:07:40,583 CAN GOOD CHANGE? 177 00:07:40,583 --> 00:07:42,000 GOOD IS GOOD. 178 00:07:42,000 --> 00:07:44,000 CAN EVIL CHANGE? 179 00:07:44,000 --> 00:07:46,833 IT SEEMS LIKE JUST WHEN WE THINK WE'VE SEEN THE WORST THAT THERE CAN BE, 180 00:07:46,833 --> 00:07:48,291 SOMEBODY COMES UP WITH SOMETHING. 181 00:07:48,291 --> 00:07:49,875 WHY DO YOU SUPPOSE THAT IS? 182 00:07:49,875 --> 00:07:52,000 BECAUSE IT'S EVIL THAT FASCINATES US. 183 00:07:52,000 --> 00:07:54,000 BUT DOESN'T GOOD HAVE TO WIN IN THE END? 184 00:07:54,000 --> 00:07:55,458 DOES IT? 185 00:07:57,000 --> 00:07:59,166 SO I'M PASSING BY YOUR CLASSROOM ON THIS, YOUR SECOND DAY, 186 00:07:59,166 --> 00:08:01,083 AND I SEE NO MOCKINGBIRD. 187 00:08:01,083 --> 00:08:03,166 BUT I STILL SEE COMIC BOOKS. 188 00:08:03,166 --> 00:08:05,875 YES, WE'RE STUDYING THE NATURE OF GOOD AND EVIL. 189 00:08:05,875 --> 00:08:07,500 (gasps) I DON'T CARE. 190 00:08:07,500 --> 00:08:09,500 -CLASS DISMISSED. -EXCUSE ME? 191 00:08:09,500 --> 00:08:11,166 STUDY HALL, ALL OF YOU! 192 00:08:11,166 --> 00:08:13,875 EXCEPT FARKLE. YOU... GO SIT IN A GARBAGE CAN. 193 00:08:15,291 --> 00:08:16,500 YAY! 194 00:08:17,500 --> 00:08:19,166 LEAVE NOW. 195 00:08:21,208 --> 00:08:22,625 GO. 196 00:08:22,625 --> 00:08:24,291 -RILEY. -YES. 197 00:08:32,416 --> 00:08:35,166 IF I MAY EXPLAIN MY LESSON PLAN. 198 00:08:35,166 --> 00:08:37,000 OH, THERE'S NO NEED, MISS BURGESS. YOU'RE FIRED. 199 00:08:38,583 --> 00:08:40,458 YOU ARE BRAND-NEW, KID. 200 00:08:40,458 --> 00:08:43,833 YOU THINK THERE ARE HEROES AND VILLAINS? THERE AREN'T. 201 00:08:43,833 --> 00:08:45,958 THERE ARE ONLY KIDS WHO COME AND GO. 202 00:08:47,333 --> 00:08:49,875 YOU REALLY THINK THAT YOU'VE AFFECTED ANYBODY? 203 00:08:52,833 --> 00:08:54,000 UH... 204 00:08:54,000 --> 00:08:55,833 WHAT'S GOING ON HERE? 205 00:08:55,833 --> 00:08:57,750 I'VE BEEN FIRED. 206 00:08:57,750 --> 00:08:59,875 I WANT TO THANK YOU FOR BELIEVING IN ME. 207 00:08:59,875 --> 00:09:01,500 YOU'RE WELCOME. 208 00:09:01,500 --> 00:09:02,875 OH, WAIT. 209 00:09:02,875 --> 00:09:04,083 THAT HASN'T CHANGED. 210 00:09:04,083 --> 00:09:05,291 UH... 211 00:09:05,291 --> 00:09:08,333 HOW CAN YOU POSSIBLY FIRE SOMEONE LIKE HER, YANCY? 212 00:09:08,333 --> 00:09:09,958 GO BACK TO YOUR CLASS, MATTHEWS. 213 00:09:09,958 --> 00:09:12,875 YOU'RE RIGHT, THIS ISN'T HISTORY, THIS IS ENGLISH, BUT... 214 00:09:13,875 --> 00:09:15,875 YOU KNOW WHAT HISTORY HAS IN COMMON WITH THE GREAT BOOKS? 215 00:09:17,000 --> 00:09:18,375 IT TURNS OUT 216 00:09:18,375 --> 00:09:19,875 THERE ARE HEROES AND VILLAINS. 217 00:09:19,875 --> 00:09:21,833 ALL THROUGH THEM. 218 00:09:23,125 --> 00:09:25,708 AND THE VILLAINS WILL ALWAYS CAUSE TROUBLE. 219 00:09:25,708 --> 00:09:27,875 BUT THERE'S ALWAYS GONNA BE HEROES TO FIGHT BACK. 220 00:09:27,875 --> 00:09:29,958 YOU RUINED MY ENTIRE LESSON. 221 00:09:29,958 --> 00:09:33,083 SHE WAS HIRED TO TEACH LITERATURE, BUT SHE'S NOT. 222 00:09:33,083 --> 00:09:36,000 SHE RIDES A MOTORCYCLE AND SHE TEACHES COMIC BOOKS. 223 00:09:36,000 --> 00:09:38,166 HOW IS THAT A TEACHER? 224 00:09:38,166 --> 00:09:39,958 THAT CAN BE A GREAT TEACHER. 225 00:09:39,958 --> 00:09:44,000 A PASSIONATE TEACHER WHO DOESN'T BELIEVE THAT KIDS JUST COME AND GO. 226 00:09:45,416 --> 00:09:47,166 AND IF YOU LET HER GO, THEN... 227 00:09:47,166 --> 00:09:49,833 YOU HAVE TO BE PREPARED TO LET ME GO AS WELL. 228 00:09:50,833 --> 00:09:52,083 LET YOU GO? 229 00:09:53,833 --> 00:09:55,833 [exhales] WELL, I WASN'T PREPARED FOR THAT AT ALL. 230 00:09:55,833 --> 00:09:57,625 JUST GIVE ME A SECOND-- 231 00:09:57,625 --> 00:09:59,125 OKAY, I'M GOOD. YOU'RE FIRED, TOO. STYLE ::cue(.speaker) ::cue(.speakerTop) 232 00:10:09,875 --> 00:10:11,458 HOW WAS EVERYBODY'S DAY TODAY? 233 00:10:11,458 --> 00:10:12,875 IT WAS A GOOD DAY 234 00:10:12,875 --> 00:10:14,458 AND THEN MY FRIENDS TREATED ME NICELY 235 00:10:14,458 --> 00:10:15,958 AND THEN MY TEACHER MEASURED ME, 236 00:10:15,958 --> 00:10:18,958 AND I'M GROWING, AND THEN JENNY LEWIS LOVES ME. 237 00:10:20,375 --> 00:10:22,833 WAIT A MINUTE, THIS ALREADY HAPPENED. 238 00:10:23,875 --> 00:10:25,500 YEAH, I'M OUT OF STUFF. 239 00:10:26,875 --> 00:10:29,708 HE'S RIGHT. NOTHING NEW HAPPENED AT ALL. 240 00:10:29,708 --> 00:10:31,208 DAD GOT FIRED TODAY. 241 00:10:32,875 --> 00:10:34,500 (chuckles nervously) WELL, THERE'S THAT. 242 00:10:36,500 --> 00:10:38,000 YOU KNOW HOW YOU THOUGHT THERE MIGHT BE TROUBLE 243 00:10:38,000 --> 00:10:39,625 BETWEEN YANCY AND THE NEW TEACHER? 244 00:10:39,625 --> 00:10:41,250 THE YOUNG IDEALIST WHO WAS GONNA WIN HIM OVER? 245 00:10:41,250 --> 00:10:43,833 SHE DIDN'T... SO MUCH. 246 00:10:43,833 --> 00:10:45,250 BUT YOU DEFENDED HER? 247 00:10:45,250 --> 00:10:46,583 -I DID. -SO YANCY FIRED YOU? 248 00:10:46,583 --> 00:10:48,708 SO MUCH. 249 00:10:48,708 --> 00:10:50,208 YANCY CAN'T FIRE YOU. 250 00:10:50,208 --> 00:10:53,500 ACCORDING TO STATUE 3028, TEACHER DISMISSALS HAVE TO COME FROM THE STATE. 251 00:10:53,500 --> 00:10:55,083 MOM, DO YOU KNOW EVERYTHING? 252 00:10:55,083 --> 00:10:55,875 YEAH. 253 00:10:57,250 --> 00:10:58,833 SO MR. MATTHEWS IS SAFE? 254 00:10:58,833 --> 00:11:01,416 AW, MAYA... YOU CARE? 255 00:11:02,458 --> 00:11:04,291 NO, I JUST HAVEN'T SPOKEN YET. 256 00:11:05,875 --> 00:11:07,958 I'VE MET PRINCIPAL YANCY. 257 00:11:07,958 --> 00:11:09,000 HE CAN BE PRETTY STUBBORN. 258 00:11:09,000 --> 00:11:10,958 YEAH, HE'S GONNA PURSUE THIS. 259 00:11:10,958 --> 00:11:12,458 WHAT WILL WE DO NEXT? 260 00:11:12,458 --> 00:11:14,000 WELL, HE HAS TO TAKE IT TO HIS BOSS. 261 00:11:14,000 --> 00:11:17,750 HE HAS TO TAKE IT TO THE SUPERINTENDENT OF SCHOOLS. 262 00:11:20,458 --> 00:11:22,708 DOESN'T THAT MAKE YOU GUYS NERVOUS? 263 00:11:22,708 --> 00:11:24,958 UM, THEY DON'T SEEM NERVOUS. 264 00:11:31,000 --> 00:11:33,000 TODAY'S LESSON. 265 00:11:34,000 --> 00:11:35,458 OKAY. 266 00:11:35,458 --> 00:11:38,000 SO I'VE LEARNED IT'S MORE DIFFICULT TO GET RID OF RABBLE ROUSERS 267 00:11:38,000 --> 00:11:39,208 THAN I THOUGHT. 268 00:11:39,208 --> 00:11:40,875 TOO BAD FOR YOU, 269 00:11:40,875 --> 00:11:44,333 I'VE GOT A GREAT RELATIONSHIP WITH THE SUPERINTENDENT OF SCHOOLS. 270 00:11:44,333 --> 00:11:45,708 (chuckles) 271 00:11:45,708 --> 00:11:47,708 HOW'S YOUR RELATIONSHIP, MATTHEWS? 272 00:11:55,000 --> 00:11:56,958 OKAY, SO WHY DO I HAVE TO DO ANYTHING? 273 00:11:59,208 --> 00:12:01,125 MR. TURNER AND I GO BACK A BIT. 274 00:12:01,125 --> 00:12:04,333 SO, I HEAR YOU WANT TO DISMISS A COUPLE OF EDUCATORS, YANCY? 275 00:12:04,333 --> 00:12:07,083 SHE'S HERE ONE DAY, AND SHE'S TEACHING COMIC BOOKS! 276 00:12:07,083 --> 00:12:09,625 YEAH, MY FIRST DAY I TAUGHT THE X-MEN. 277 00:12:09,625 --> 00:12:11,833 (chuckles) 278 00:12:11,833 --> 00:12:13,000 THAT'S FUNNY. 279 00:12:15,375 --> 00:12:17,000 OH, NO! 280 00:12:18,875 --> 00:12:20,875 NOW, WHY WOULD I DO THAT, I WONDER? 281 00:12:20,875 --> 00:12:22,250 MATTHEWS? 282 00:12:22,250 --> 00:12:24,958 WELL, YOU TOOK CHARACTERS WE ALREADY LOVED TO SHOW US 283 00:12:24,958 --> 00:12:27,000 THAT GOOD AND EVIL WASN'T ALWAYS SO BLACK AND WHITE. 284 00:12:27,000 --> 00:12:29,000 -HOW COME? -SO WE'D UNDERSTAND IT BETTER WHEN 285 00:12:29,000 --> 00:12:30,166 YOU TAUGHT US REAL BOOKS. 286 00:12:30,166 --> 00:12:32,125 CORY, YOU WERE LISTENING. 287 00:12:34,000 --> 00:12:35,333 HOW COULD I NOT? 288 00:12:35,333 --> 00:12:38,208 I MEAN, YOU WORE A LEATHER JACKET TO WORK EVERY DAY. 289 00:12:38,208 --> 00:12:39,416 YOU TAUGHT COMIC BOOKS 290 00:12:39,416 --> 00:12:41,583 AND YOU RODE TO WORK ON A MOTORCYCLE. 291 00:12:46,083 --> 00:12:48,958 RIGHT UP UNTIL THE DAY THE BIKE AND I BOTH GOT TOTALED. 292 00:12:48,958 --> 00:12:52,250 BUT THINGS HAPPEN FOR A REASON. I MARRIED MY NURSE. 293 00:12:52,250 --> 00:12:53,875 AW. 294 00:12:53,875 --> 00:12:55,291 YOU FELL IN LOVE WITH HER? 295 00:12:55,291 --> 00:12:56,875 NAH, IN CASE IT EVER HAPPENS AGAIN. 296 00:12:56,875 --> 00:12:57,875 I-- 297 00:13:00,375 --> 00:13:03,416 THERE'S A PRETTY COOL BIKE PARKED NEXT TO YOUR SENSIBLE SEDAN. 298 00:13:03,416 --> 00:13:05,708 WHAT, DID YOU BUY THAT FROM FEENY? 299 00:13:07,958 --> 00:13:09,875 WELL, IT ONLY HAD FOUR MILES ON IT. 300 00:13:12,500 --> 00:13:14,833 THE ROLL-UP WINDOWS ARE A REAL WORKOUT. 301 00:13:16,875 --> 00:13:18,208 HEY, BURGESS, 302 00:13:18,208 --> 00:13:20,875 YOU BE CAREFUL ON THAT BIKE, OKAY? 303 00:13:20,875 --> 00:13:21,958 THANK YOU, SIR. 304 00:13:24,708 --> 00:13:28,125 JON, I JUST WANTED HER TO TEACH TO KILL A MOCKINGBIRD. 305 00:13:29,458 --> 00:13:30,875 YOUR MOM OR YOUR DAD? 306 00:13:31,875 --> 00:13:33,000 MY DAD. 307 00:13:33,000 --> 00:13:34,166 WHAT ABOUT HIM? 308 00:13:34,166 --> 00:13:36,375 HE NAMED HER HARPER LEE BURGESS. 309 00:13:36,375 --> 00:13:38,875 I FIGURE SHE'LL GET AROUND TO IT. 310 00:13:38,875 --> 00:13:41,291 ISN'T THIS THE ONE ABOUT UNDERSTANDING 311 00:13:41,291 --> 00:13:44,375 THAT PEOPLE TURN OUT PRETTY GOOD IF YOU GIVE THEM A CHANCE? 312 00:13:44,375 --> 00:13:46,208 DON'T ASK ME, I READ COMIC BOOKS. 313 00:13:48,583 --> 00:13:49,958 LOOK, YANCY, 314 00:13:49,958 --> 00:13:52,333 I'LL OBSERVE HARPER'S CLASS, 315 00:13:52,333 --> 00:13:53,833 I'LL MAKE MY DECISION THEN. 316 00:13:53,833 --> 00:13:56,208 I ALREADY MADE MY DECISION ON MATTHEWS LONG AGO. 317 00:13:58,375 --> 00:13:59,958 I HIRED HIM, YOU KNOW? 318 00:14:00,958 --> 00:14:02,750 I DID NOT KNOW THAT. 319 00:14:02,750 --> 00:14:05,500 I WITHDRAW MY OBJECTION. 320 00:14:05,500 --> 00:14:07,083 TOO LATE FOR THAT. 321 00:14:07,083 --> 00:14:08,458 TOO IMPORTANT. 322 00:14:08,458 --> 00:14:12,458 WHAT A KID IS TAUGHT IS WHAT A KID BECOMES. THAT'S THE JOB WE HAVE. 323 00:14:14,083 --> 00:14:16,291 YOU ASK ME TO SEE HOW IT'S BEING DONE, AND I WILL. 324 00:14:19,583 --> 00:14:21,000 HMM. 325 00:14:22,375 --> 00:14:23,875 INTERESTING LESSON. 326 00:14:24,958 --> 00:14:26,375 LET'S SEE WHAT COMES OF IT. 327 00:14:33,583 --> 00:14:35,750 WE HAVE SOME SPECIAL GUESTS IN OUR CLASSROOM. 328 00:14:35,750 --> 00:14:37,583 PLEASE BEHAVE AS YOU NORMALLY WOULD. 329 00:14:37,583 --> 00:14:39,000 -HI. -HI. 330 00:14:39,000 --> 00:14:40,291 WE LOVE HARPER. 331 00:14:40,291 --> 00:14:41,958 DO YOU UNDERSTAND, UNCLE JON? 332 00:14:41,958 --> 00:14:44,000 REAL UNCLE, OR DO YOU JUST CALL HIM THAT? 333 00:14:44,000 --> 00:14:45,958 HE COMES OVER LIKE A MILLION TIMES A WEEK-- 334 00:14:45,958 --> 00:14:47,125 I WITHDRAW MY COMPLAINT. 335 00:14:49,500 --> 00:14:51,750 YOU GOT THEM CALLING YOU BY YOUR FIRST NAME? 336 00:14:51,750 --> 00:14:54,875 YES, I WANTED THEM TO PUT TOGETHER THE MOCKINGBIRD THING 337 00:14:54,875 --> 00:14:58,000 TO SEE HOW MUCH I CARE ABOUT WHAT I'LL BE TEACHING. 338 00:14:58,000 --> 00:15:01,958 ALL RIGHT, DOES ANYBODY UNDERSTAND THE SIGNIFICANCE OF HARPER'S NAME 339 00:15:01,958 --> 00:15:04,875 IN REGARDS TO THE AUTHOR OF TO KILL A MOCKINGBIRD? 340 00:15:05,958 --> 00:15:08,000 HARPER'S FIRST NAME IS CHARLES TWAIN! STYLE ::cue(.speaker) ::cue(.speakerTop) 341 00:15:10,250 --> 00:15:12,000 YOU'RE DOING A BANG-UP JOB WITH HER, MATTHEWS. 342 00:15:13,583 --> 00:15:15,875 LOOK, SHE WAS TOLD BY THE PRINCIPAL NOT TO TEACH US SOMETHING, 343 00:15:15,875 --> 00:15:17,875 BUT SHE DID ANYWAYS. THAT'S GOTTA MEAN SOMETHING. 344 00:15:17,875 --> 00:15:20,000 PSST, WILL YOU STOP HELPING US? 345 00:15:21,000 --> 00:15:23,000 YEAH, IT MEANS SOMETHING. 346 00:15:23,000 --> 00:15:25,250 NOW, MAY I SEE WHAT YOU'VE LEARNED? 347 00:15:25,250 --> 00:15:28,250 BECAUSE THAT'S WHAT MEANS EVERYTHING. 348 00:15:28,250 --> 00:15:30,250 FARKLE GOES FIRST, FARKLE ALWAYS GOES FIRST! 349 00:15:32,250 --> 00:15:33,708 STUART MINKUS' KID? 350 00:15:33,708 --> 00:15:34,875 -YEAH. -SUPER GENIUS? 351 00:15:34,875 --> 00:15:36,333 -OUTER SPACE. -REAL HUMAN BOY? 352 00:15:36,333 --> 00:15:37,458 WE'RE NOT SURE YET. 353 00:15:37,458 --> 00:15:38,750 SIT DOWN. 354 00:15:39,875 --> 00:15:41,583 I'LL MAKE THE PRESENTATION. 355 00:15:41,583 --> 00:15:43,000 YOU LIKE THIS TEACHER? 356 00:15:43,000 --> 00:15:44,333 I LIKE BOTH OF THESE TEACHERS. 357 00:15:44,333 --> 00:15:45,708 ARE YOU FAMILIAR WITH THE MATERIAL? 358 00:15:45,708 --> 00:15:47,583 ME? NO, I NEVER SAW THIS THING BEFORE. 359 00:15:47,583 --> 00:15:49,125 I NEVER SAW THIS THING BEFORE IN MY LIFE. 360 00:15:49,125 --> 00:15:51,625 YEAH, I READ IT. I READ IT, ACTUALLY, A LOT. 361 00:15:53,458 --> 00:15:55,083 THANKS FOR TELLING THE TRUTH. 362 00:15:55,083 --> 00:15:58,000 YEAH, I CAN'T HELP MYSELF. (sighs) 363 00:15:58,000 --> 00:16:01,416 NOW, I PREFER SOMEONE WHO IS UNFAMILIAR WITH THE MATERIAL. 364 00:16:01,416 --> 00:16:06,083 SOMEONE WHO IS NOTORIOUSLY UNTEACHABLE. 365 00:16:08,333 --> 00:16:09,958 HOW YOU DOIN'? 366 00:16:13,000 --> 00:16:14,458 NOT YOU, RILEY. 367 00:16:14,458 --> 00:16:15,875 I ONLY LOOKED AT THE PICTURES. 368 00:16:15,875 --> 00:16:17,000 I READ THE WORDS. 369 00:16:17,000 --> 00:16:18,333 IT'S A DUET. 370 00:16:19,625 --> 00:16:21,208 I HOPE YOU LEARNED SOMETHING, GIRLS. 371 00:16:21,208 --> 00:16:22,875 I LEARN SOMETHING ALL THE TIME. 372 00:16:22,875 --> 00:16:24,583 I COME HERE BECAUSE MY APARTMENT LEAKS. 373 00:16:25,708 --> 00:16:26,875 COME HERE. 374 00:16:26,875 --> 00:16:28,083 YES...? 375 00:16:30,000 --> 00:16:31,875 I KNOW YOU JUST SAY THIS STUFF. 376 00:16:31,875 --> 00:16:35,000 I KNOW YOU'RE A LOT SMARTER THAN YOU WANT US TO KNOW. 377 00:16:35,000 --> 00:16:36,208 SHH. 378 00:16:37,583 --> 00:16:39,000 WE GOT THIS. 379 00:16:39,000 --> 00:16:40,458 I HOPE SO. 380 00:16:40,458 --> 00:16:42,000 OUR FUTURE'S IN YOUR HANDS. 381 00:16:48,500 --> 00:16:51,000 IN FRANK MILLER'S THE DARK NIGHT RETURNS 382 00:16:51,000 --> 00:16:52,958 THE KEYWORD IS DARK. 383 00:16:52,958 --> 00:16:57,166 HE DOESN'T WRITE HEROES OR VILLAINS THAT YOU ARE USED TO. 384 00:16:58,291 --> 00:17:01,875 YOU HAVE TO REALLY THINK ABOUT WHAT'S RIGHT AND WHAT'S WRONG. 385 00:17:01,875 --> 00:17:03,875 THE PICTURES MAKE YOU WORK, TOO. 386 00:17:03,875 --> 00:17:06,958 YOU HAVE TO LOOK UP, DOWN, ACROSS, AND SIDEWAYS, 387 00:17:06,958 --> 00:17:11,083 BUT I BELIEVE HE'S TRYING TO GET US TO LOOK AT WHAT OUR OWN WORLD HAS BECOME. 388 00:17:11,083 --> 00:17:14,000 UP, DOWN, ACROSS, AND SIDEWAYS. 389 00:17:14,875 --> 00:17:17,875 HEROES THAT SHOULD BE FRIENDS WITH A COMMON GOAL, 390 00:17:17,875 --> 00:17:19,875 FIGHT EACH OTHER INSTEAD. 391 00:17:19,875 --> 00:17:23,583 ONE HERO WAS TRYING TO INSPIRE HIS OLD FRIEND TO TAKE A LOOK AT THE WORLD, 392 00:17:23,583 --> 00:17:25,166 AND REALIZED THAT IT'S CHANGED. 393 00:17:25,166 --> 00:17:27,583 SO, HE NEEDED TO CHANGE, TOO. 394 00:17:28,833 --> 00:17:30,291 BUT HE WOULDN'T, 395 00:17:30,291 --> 00:17:32,000 SO HE FOUGHT AGAINST HIM. 396 00:17:32,000 --> 00:17:33,708 WHICH WAS HARD TO LOOK AT, 397 00:17:33,708 --> 00:17:35,333 BECAUSE THE WORLD IS DARK ENOUGH 398 00:17:35,333 --> 00:17:37,458 AND HEROES ARE SUPPOSED TO BRING LIGHT. 399 00:17:38,583 --> 00:17:42,000 EVERYONE IN THIS ROOM KNOWS THAT SOMEONE WITH REAL POWER 400 00:17:42,000 --> 00:17:45,875 DOESN'T NEED TO HIT A KID WITH A RULER TO GET THE KID TO WANT TO LEARN. 401 00:17:45,875 --> 00:17:48,583 BECAUSE THIS IS A NEW WORLD, AND WE DON'T DO THAT HERE. 402 00:17:50,000 --> 00:17:53,875 FRANK MILLER TURNED A COMIC BOOK INTO-- WHAT'S THE WORD? 403 00:17:53,875 --> 00:17:55,000 YOU KNOW THE WORD. 404 00:17:55,000 --> 00:17:56,416 LITERATURE. 405 00:17:57,708 --> 00:17:59,833 AND HARPER HERE, 406 00:17:59,833 --> 00:18:03,250 IS NAMED AFTER SOMEONE WHO GAVE US A GREAT STORY. 407 00:18:04,708 --> 00:18:07,833 WHICH HER FATHER TAUGHT HER TO APPRECIATE, 408 00:18:07,833 --> 00:18:10,166 AND IT MEANS EVERYTHING TO HER 409 00:18:10,166 --> 00:18:12,000 THAT HER FATHER TAUGHT HER. 410 00:18:12,000 --> 00:18:14,416 SHE'S TAUGHT ME SO MUCH ALREADY. 411 00:18:15,500 --> 00:18:17,083 YOU DID THAT IN TWO DAYS? 412 00:18:17,083 --> 00:18:18,083 (laughs) 413 00:18:18,083 --> 00:18:20,000 THEY'RE SMARTER THAN THEY WANT US TO KNOW. 414 00:18:20,000 --> 00:18:21,583 SHE DID THAT IN TWO DAYS! 415 00:18:21,583 --> 00:18:23,000 SHAPE UP, MATTHEWS. 416 00:18:25,000 --> 00:18:26,333 YES, SIR. 417 00:18:26,333 --> 00:18:30,000 JON, COMIC BOOKS ARE AGAINST SCHOOL POLICY. 418 00:18:30,000 --> 00:18:33,708 YEAH, AND YOU CAN HIT A KID WITH A RULER IN 19 STATES. 419 00:18:40,583 --> 00:18:43,583 HEY, MATTHEWS, I KNOW IT WAS YOU THAT CHOSE HARPER FOR THESE KIDS. 420 00:18:43,583 --> 00:18:47,833 IS THAT BECAUSE MAYBE SHE, UH... REMINDED YOU OF SOMEONE? 421 00:18:49,166 --> 00:18:51,000 -NO. -OKAY. 422 00:18:57,083 --> 00:18:58,208 RILES? 423 00:18:58,208 --> 00:18:59,458 YEAH? 424 00:18:59,458 --> 00:19:00,875 WHAT DO YOU WANT TO BE WHEN YOU GROW UP? 425 00:19:02,416 --> 00:19:04,000 I DON'T KNOW YET. 426 00:19:04,000 --> 00:19:05,083 IS THAT OKAY? 427 00:19:05,083 --> 00:19:06,416 YEAH. 428 00:19:12,291 --> 00:19:14,083 AM I SUPPOSED TO ASK YOU NOW? 429 00:19:14,083 --> 00:19:16,708 THAT WOULD CERTAINLY KEEP THIS GOING, SO... 430 00:19:18,416 --> 00:19:19,583 -MAYA? -YES! 431 00:19:20,583 --> 00:19:23,000 DO YOU HAVE ANY IDEA WHAT YOU WANT TO BE WHEN YOU GROW UP? 432 00:19:23,000 --> 00:19:24,500 NO. 433 00:19:25,750 --> 00:19:28,375 BUT BEING A TEACHER MIGHT BE COOLER THAN I THOUGHT. 434 00:19:28,375 --> 00:19:30,125 YOU KNOW WHAT ELSE IS COOL? 435 00:19:30,125 --> 00:19:34,000 UNCLE JON USED TO TAKE CARE OF SHAWN WHEN HE WAS YOUNGER, 436 00:19:34,000 --> 00:19:35,708 YOU DON'T SAY. 437 00:19:35,708 --> 00:19:37,333 I DO SAY. 438 00:19:37,333 --> 00:19:40,583 AND MY DAD SAID THAT THEY WERE REALLY GOOD FOR EACH OTHER. 439 00:19:45,500 --> 00:19:48,708 OKAY, RILEY, I FINISHED THIS ARCHIE COMIC YOU GAVE ME. 440 00:19:48,708 --> 00:19:53,000 I WANTED TO START HIM ON THE ROAD TO GOOD BOOKS. 441 00:19:53,000 --> 00:19:54,625 WHAT'D YOU LEARN FROM IT, AUGS? 442 00:19:54,625 --> 00:19:57,000 WELL... THIS DARK-HAIRED GIRL AND THIS BLONDE GIRL 443 00:19:57,000 --> 00:19:59,583 BOTH LIKE THE SAME BOY AND THEY ALL STAY BEST FRIENDS. 444 00:19:59,583 --> 00:20:00,875 COULD THAT REALLY HAPPEN? 445 00:20:00,875 --> 00:20:02,458 -NO. -OKAY. 446 00:20:07,583 --> 00:20:08,875 GOOD MORNING. 447 00:20:08,875 --> 00:20:10,833 BEFORE WE BEGIN TODAY, STYLE ::cue(.speaker) ::cue(.speakerTop) 448 00:20:10,833 --> 00:20:12,458 A DECISION HAS BEEN REACHED. 449 00:20:12,458 --> 00:20:16,000 NOW, I KNOW YOU'RE ALL GOING TO REMAIN QUIET AND CALM. 450 00:20:16,000 --> 00:20:17,458 Both: WE LOVE HER! 451 00:20:21,833 --> 00:20:23,000 THANK YOU. 452 00:20:23,000 --> 00:20:26,291 WE APPRECIATE IT WHEN STUDENTS ARE FOND OF A TEACHER. 453 00:20:26,291 --> 00:20:30,333 I MEAN, IT FACTORS INTO A DECISION, BUT IT CANNOT BE THE FIRST PRIORITY. 454 00:20:30,333 --> 00:20:31,708 UH-OH. 455 00:20:31,708 --> 00:20:34,083 THAT HAS TO BE 456 00:20:34,083 --> 00:20:38,083 PREPARATION THAT A TEACHER PUTS INTO A LESSON PLAN, 457 00:20:38,083 --> 00:20:39,875 AND WHAT THE STUDENTS TAKE FROM IT. 458 00:20:39,875 --> 00:20:41,416 CORY, WHAT ARE YOU TEACHING TODAY? 459 00:20:41,416 --> 00:20:43,708 I DON'T KNOW. I'M PROBABLY MAKING SOMETHING UP. 460 00:20:46,000 --> 00:20:48,875 ALL RIGHT, NOW MS. BURGESS WENT AGAINST SCHOOL POLICY. 461 00:20:50,083 --> 00:20:52,333 THE PRINCIPAL DECIDED WHAT HE SAW FIT. 462 00:20:53,458 --> 00:20:55,875 RIGHT AND WRONG CAN BE DIFFICULT TO IDENTIFY SOMETIMES. 463 00:20:55,875 --> 00:20:57,875 THAT'S WHAT YOU JUST READ IN ENGLISH CLASS. 464 00:20:57,875 --> 00:20:59,458 BUT THIS IS HISTORY. 465 00:20:59,458 --> 00:21:01,708 AND WHAT DOES HISTORY TEACH US. YOU? 466 00:21:01,708 --> 00:21:03,833 WHEN IT'S A STRUGGLE BETWEEN RIGHT AND WRONG, 467 00:21:03,833 --> 00:21:05,875 THAT'S WHEN THE REAL HERO FIGHTS HARDEST. 468 00:21:07,458 --> 00:21:08,875 SO... 469 00:21:08,875 --> 00:21:11,500 FOR THE GREATER GOOD OF THIS SCHOOL, 470 00:21:11,500 --> 00:21:14,083 IT HAS BEEN DECIDED 471 00:21:14,083 --> 00:21:16,000 THAT SOMEONE HAD TO GO. 472 00:21:17,875 --> 00:21:20,958 SO I WOULD LIKE TO INTRODUCE YOU TO YOUR NEW ENGLISH TEACHER. 473 00:21:20,958 --> 00:21:22,000 NO! 474 00:21:22,000 --> 00:21:24,000 WHY IS IT WORTH LEARNING ANYTHING 475 00:21:24,000 --> 00:21:25,708 IF WE CAN'T CHANGE THE WORLD FOR THE BETTER? 476 00:21:25,708 --> 00:21:29,458 HOW ARE WE SUPPOSED TO BE HEROES IF WE CAN'T DO ANYTHING ABOUT ANYTHING? 477 00:21:29,458 --> 00:21:30,875 HI! 478 00:21:30,875 --> 00:21:32,750 (all cheering) 479 00:21:34,875 --> 00:21:36,125 WOW! 480 00:21:36,125 --> 00:21:38,250 SOMETIMES YOU CAN BEAT SUPERMAN. 481 00:21:38,250 --> 00:21:40,000 VERY GOOD, MAYA. 482 00:21:40,000 --> 00:21:41,333 YOU GET AN A. 483 00:21:41,333 --> 00:21:43,875 THIS NEW TEACHER'S OUT TO RUIN MY REPUTATION. 484 00:21:50,416 --> 00:21:52,375 HE WAS ONE OF YOUR TEACHERS, MOMMY? 485 00:21:52,375 --> 00:21:55,000 YEAH, MR. TURNER HELPED ME LEARN EVERYTHING I KNOW. 486 00:21:55,000 --> 00:21:56,750 SHE KNOWS EVERYTHING. 487 00:21:56,750 --> 00:21:58,083 I KNOW. 488 00:21:58,083 --> 00:22:00,083 WAS MY DADDY A GOOD STUDENT? 489 00:22:00,083 --> 00:22:01,583 HE WAS A WONDERFUL STUDENT. 490 00:22:01,583 --> 00:22:03,000 WHY WOULD YOU LIE TO MY KID? 491 00:22:05,708 --> 00:22:07,000 HE TRIED HIS BEST. 492 00:22:07,000 --> 00:22:08,458 WHY WOULD YOU LIE TO MY KID? 493 00:22:09,750 --> 00:22:13,375 HE WAS SO BAD, HE BECAME A TEACHER SO HE COULD GO BACK TO SCHOOL AGAIN. 494 00:22:16,458 --> 00:22:20,000 SO... WORD HAS IT YOU TOOK CARE OF SHAWN HUNTER? 495 00:22:20,000 --> 00:22:21,458 YEAH, I DID. 496 00:22:21,458 --> 00:22:24,000 HIS DAD WAS A LITTLE OFF AND ON. 497 00:22:24,000 --> 00:22:25,166 NO KID SHOULD HAVE THAT. 498 00:22:25,166 --> 00:22:26,458 YEAH. 499 00:22:26,458 --> 00:22:28,500 DID YOU CARE ABOUT HIM, THOUGH? 500 00:22:28,500 --> 00:22:29,875 YOU WEREN'T HIS REAL FATHER. 501 00:22:29,875 --> 00:22:31,458 NO, I WASN'T. 502 00:22:31,458 --> 00:22:33,708 BUT WAS IT POSSIBLE FOR YOU TO-- 503 00:22:33,708 --> 00:22:35,416 YES, MAYA. 504 00:22:35,416 --> 00:22:36,750 I LOVED HIM LIKE A SON. 505 00:22:38,708 --> 00:22:40,000 I STILL DO. 506 00:22:41,000 --> 00:22:42,708 THAT'S GOOD. 507 00:22:44,000 --> 00:22:45,000 DAD? 508 00:22:45,000 --> 00:22:46,083 YEAH? 509 00:22:46,083 --> 00:22:47,583 THANK YOU FOR BEING A GOOD TEACHER. 510 00:22:47,583 --> 00:22:48,875 YEAH, THANKS. 511 00:22:50,291 --> 00:22:51,416 BOY, THERE'S NOTHING BETTER 512 00:22:51,416 --> 00:22:52,833 THAN HEARING THAT FROM YOUR STUDENTS. 513 00:22:56,125 --> 00:22:58,000 MR. TURNER. 514 00:22:58,000 --> 00:22:59,875 THANK YOU FOR BEING A GOOD TEACHER. 515 00:22:59,875 --> 00:23:01,750 YEAH, THANKS. 516 00:23:04,458 --> 00:23:06,875 YOU GAVE ME AN A-MINUS ONCE. 517 00:23:06,875 --> 00:23:08,000 TOPANGA. 518 00:23:08,875 --> 00:23:10,958 -TOPANGA. -I WANT YOU TO CHANGE IT.