1
00:00:07,333 --> 00:00:09,125
-WHERE'S GARABOSKI?
-UH-OH.
2
00:00:09,125 --> 00:00:10,875
-DID WE DO IT?
-DID WE FINALLY BREAK HIM?
3
00:00:10,875 --> 00:00:12,250
YOU BROKE HIM.
4
00:00:12,250 --> 00:00:13,458
(all cheering)
5
00:00:13,458 --> 00:00:16,333
QUIET! MR. GARABOSKI
RETIRED YESTERDAY.
6
00:00:16,333 --> 00:00:17,291
(all cheering)
7
00:00:17,291 --> 00:00:20,750
QUIET! THE GUY SURVIVES
VIETNAM AND MRS. GARABOSKI,
8
00:00:20,750 --> 00:00:22,875
AND HE CAN'T GET PAST YOU.
9
00:00:25,708 --> 00:00:28,125
NOW, HE LEFT A LETTER HERE
THAT EXPRESSED HIS FEELINGS.
10
00:00:29,250 --> 00:00:30,708
"DEAR YOU LITTLE--"
11
00:00:30,708 --> 00:00:31,875
OKAY, I CAN'T READ THIS.
12
00:00:33,833 --> 00:00:37,000
HE ALWAYS TALKED ABOUT
THE GOOD OLD DAYS
BEFORE 1985.
13
00:00:37,000 --> 00:00:38,958
WHAT HAPPENED IN 1985?
14
00:00:38,958 --> 00:00:42,250
THAT WAS THE YEAR THE NEW YORK
BOARD OF EDUCATION SAID YOU
COULDN'T HIT A KID WITH A RULER.
15
00:00:42,250 --> 00:00:44,875
"BORED" OF EDUCATION?
I DO BELIEVE I AM.
16
00:00:46,708 --> 00:00:48,958
WELL, NOW YOU'RE GONNA NEED
A NEW ENGLISH TEACHER.
17
00:00:48,958 --> 00:00:50,500
THAT'S OKAY, THANKS.
18
00:00:50,500 --> 00:00:53,083
UH, I DON'T KNOW, MAYA.
YOU MAY WANT TO CONSIDER
THIS ONE.
19
00:00:54,083 --> 00:00:55,125
(rock music playing)
20
00:00:56,958 --> 00:01:00,125
LADIES AND GENTLEMEN, PLEASE
WELCOME MS. HARPER BURGESS.
21
00:01:04,500 --> 00:01:06,000
YOU GOT A BIKE
THAT GOES WITH THAT OUTFIT?
22
00:01:07,000 --> 00:01:11,000
1800 CC TWIN CAM FAT BOB
FUEL TANK WIDE GLIDE.
23
00:01:11,000 --> 00:01:12,875
WHAT DO YOU RIDE?
24
00:01:12,875 --> 00:01:14,458
HE RODE A SHEEP.
25
00:01:16,958 --> 00:01:22,000
62-POUND QUAD HOOF
WHITE FLEECE, KIND YOU COUNT
BEFORE YOU FALL ASLEEP. BAA BAA.
26
00:01:25,000 --> 00:01:25,958
WANNA RACE?
27
00:01:25,958 --> 00:01:27,208
NO.
28
00:01:30,125 --> 00:01:34,333
MS. BURGESS IS HERE TO TEACH
YOU ABOUT GREAT BOOKS
AND GREAT IDEAS.
29
00:01:34,333 --> 00:01:37,083
PLEASE GIVE HER
THE SAME RESPECT
THAT YOU GIVE ME.
30
00:01:37,083 --> 00:01:39,583
OH, WE COULD DO BETTER
THAN THAT.
31
00:01:40,625 --> 00:01:43,000
(theme music playing)
32
00:01:47,000 --> 00:01:49,000
♪ I'VE BEEN WAITING ♪
33
00:01:49,000 --> 00:01:50,375
♪ FOR A DAY ♪
34
00:01:50,375 --> 00:01:51,416
♪ LIKE THIS TO COME ♪
35
00:01:51,416 --> 00:01:52,875
♪ STRUCK LIKE LIGHTNING ♪
36
00:01:52,875 --> 00:01:55,708
♪ MY HEART'S BEATING LIKE
A DRUM ♪
37
00:01:55,708 --> 00:01:57,125
♪ ON THE EDGE ♪
38
00:01:57,125 --> 00:01:59,625
♪ OF SOMETHING WONDERFUL ♪
39
00:01:59,625 --> 00:02:02,583
♪ FACE TO FACE WITH CHANGES ♪
40
00:02:02,583 --> 00:02:03,750
♪ WHAT'S IT ALL ABOUT? ♪
41
00:02:03,750 --> 00:02:05,958
♪ LIFE IS CRAZY ♪
42
00:02:05,958 --> 00:02:07,000
♪ BUT I KNOW ♪
43
00:02:07,000 --> 00:02:08,000
♪ I CAN WORK IT OUT ♪
44
00:02:08,000 --> 00:02:09,208
♪ 'CAUSE I GOT YOU ♪
45
00:02:09,208 --> 00:02:12,000
♪ TO LIVE IT WITH ME ♪
46
00:02:12,000 --> 00:02:16,166
♪ I FEEL ALL RIGHT,
I'M GONNA TAKE ON THE WORLD ♪
47
00:02:16,166 --> 00:02:19,583
♪ LIGHT UP THE STARS,
I'VE GOT SOME PAGES TO TURN ♪
48
00:02:19,583 --> 00:02:21,416
♪ I'M SINGING "GO-O-O" ♪
49
00:02:21,416 --> 00:02:24,458
♪ OH, OH, OH, OH ♪
50
00:02:24,458 --> 00:02:27,500
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
51
00:02:27,500 --> 00:02:29,000
♪ TAKE ON THE WORLD ♪
52
00:02:29,000 --> 00:02:31,458
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
53
00:02:31,458 --> 00:02:33,083
♪ TAKE ON THE WORLD ♪
54
00:02:37,291 --> 00:02:40,250
FRANK MILLER,
THE DARK NIGHT RETURNS.
55
00:02:40,250 --> 00:02:41,583
THIS IS BATMAN.
56
00:02:41,583 --> 00:02:43,083
A FUTURE BATMAN.
57
00:02:43,083 --> 00:02:44,416
WHAT'S THE DIFFERENCE?
58
00:02:44,416 --> 00:02:46,333
THIS STORY IS
THE CONTINUATION
59
00:02:46,333 --> 00:02:48,583
BASED ON AN ORIGINAL
SERIES OF CHARACTERS.
60
00:02:49,875 --> 00:02:51,208
DO YOU GUYS
KNOW WHAT THAT MEANS?
61
00:02:51,208 --> 00:02:52,583
All: YEAH.
62
00:02:53,875 --> 00:02:57,000
UM, AREN'T YOU SUPPOSED
TO BE TEACHING US
THE IMPORTANT BOOKS?
63
00:02:57,000 --> 00:03:01,208
MMM, THIS GRAPHIC NOVEL
WAS AS IMPORTANT TO ITS
STYLE OF LITERATURE
64
00:03:01,208 --> 00:03:03,583
AS ANY BOOK YOU CAN THINK OF.
65
00:03:03,583 --> 00:03:04,875
WHAT'S IT ABOUT?
66
00:03:04,875 --> 00:03:07,333
IT'S ABOUT A WORLD
THAT'S BECOME SO TOUGH
67
00:03:07,333 --> 00:03:09,291
THAT BATMAN FIGHTS SUPERMAN.
68
00:03:10,833 --> 00:03:12,833
YOU WILL TELL ME
WHY HE DOES THAT.
69
00:03:12,833 --> 00:03:15,000
YOU'RE GONNA START
BY TEACHING US A COMIC BOOK,
70
00:03:15,000 --> 00:03:16,291
MISS MOTORCYCLE?
71
00:03:16,291 --> 00:03:20,583
YEAH, AND YOU'RE GONNA START
BY NOT CALLING ME MISS ANYTHING.
72
00:03:20,583 --> 00:03:22,416
YOU CAN CALL ME
HARPER.
73
00:03:23,625 --> 00:03:25,000
-HARPER?
-YES?
74
00:03:25,000 --> 00:03:26,333
I JUST WANTED TO SEE
IF IT WOULD WORK.
75
00:03:27,875 --> 00:03:28,875
FARKLE?
76
00:03:28,875 --> 00:03:30,833
YOU KNOW MY NAME, HARPER?
77
00:03:30,833 --> 00:03:32,416
I KNOW ALL OF YOUR NAMES.
78
00:03:32,416 --> 00:03:34,875
MR. MATTHEWS TOLD ME
ALL ABOUT YOU.
79
00:03:34,875 --> 00:03:36,583
WHEN IS THIS DUE, PLEASE?
80
00:03:36,583 --> 00:03:37,958
HI, RILEY.
81
00:03:37,958 --> 00:03:39,208
HI.
82
00:03:40,333 --> 00:03:41,583
HOW DO YOU LIKE
HAVING HIM HERE?
83
00:03:41,583 --> 00:03:43,291
IT'S TERRIBLE.
84
00:03:43,291 --> 00:03:45,250
IT'S WONDERFUL.
85
00:03:45,250 --> 00:03:47,875
MY FATHER GAVE ME
MY LOVE OF BOOKS.
86
00:03:47,875 --> 00:03:48,875
HE DID?
87
00:03:48,875 --> 00:03:50,625
HE'S WHY I BECAME
A TEACHER.
88
00:03:50,625 --> 00:03:52,458
IT'S WHY HE NAMED
ME HARPER.
89
00:03:54,000 --> 00:03:55,458
YOU'LL FIGURE IT OUT.
90
00:03:57,166 --> 00:03:58,708
RILEY, STOP ME RIGHT NOW.
91
00:03:58,708 --> 00:04:01,000
-FROM WHAT?
-I CAN'T LIKE
A TEACHER, I'M MAYA.
92
00:04:01,000 --> 00:04:02,958
IT'S A GOOD DAY, MAYA.
93
00:04:02,958 --> 00:04:06,083
SCHOOL GOT BETTER AND NOW
NOTHING BAD IS EVER GOING
TO HAPPEN AGAIN.
94
00:04:06,083 --> 00:04:08,583
SO, I'M PASSING BY
YOUR CLASSROOM
95
00:04:08,583 --> 00:04:10,250
ON THIS, YOUR FIRST DAY,
96
00:04:10,250 --> 00:04:11,875
AND I CAN'T HELP NOTICING
97
00:04:11,875 --> 00:04:14,291
THAT SOMEBODY HAS A COMIC BOOK--
98
00:04:14,291 --> 00:04:16,833
THAT EVERYBODY HAS A COMIC BOOK.
99
00:04:16,833 --> 00:04:18,208
THEY'RE GRAPHIC NOVELS.
100
00:04:18,208 --> 00:04:19,416
PIPE DOWN, FARKLE.
101
00:04:20,416 --> 00:04:22,250
I THINK HARPER'S TRYING
TO TEACH US SOMETHING IMPORTANT.
102
00:04:22,250 --> 00:04:24,000
OH, HARPER IS?
103
00:04:24,000 --> 00:04:26,083
HM? WELL, SHE'S NOT.
104
00:04:26,083 --> 00:04:28,750
IT ISN'T LITERATURE,
IT'S COMIC BOOKS.
105
00:04:28,750 --> 00:04:31,000
WHICH ARE AGAINST
SCHOOL POLICY, MISS BURGESS.
106
00:04:31,000 --> 00:04:34,958
AND SO IS CALLING MISS BURGESS
BY HER FIRST NAME.
107
00:04:36,375 --> 00:04:40,000
YOU WILL GATHER THESE UP,
AND YOU WILL TEACH SOMETHING
IMPORTANT.
108
00:04:41,875 --> 00:04:43,625
TO KILL A MOCKINGBIRD?
109
00:04:43,625 --> 00:04:45,000
ARE YOU FAMILIAR
WITH THIS?
110
00:04:45,000 --> 00:04:46,208
I KNOW THIS BOOK.
111
00:04:46,208 --> 00:04:48,291
THEN TEACH IT, MISS BURGESS.
112
00:04:56,875 --> 00:04:58,250
SO...
STYLE
::cue(.speaker)
::cue(.speakerTop)
113
00:05:00,458 --> 00:05:02,458
THE DARK KNIGHT RETURNS.
114
00:05:04,416 --> 00:05:06,000
READ IT TONIGHT,
115
00:05:06,000 --> 00:05:09,375
AND TOMORROW WE WILL
LEARN SOMETHING IMPORTANT.
116
00:05:10,375 --> 00:05:12,000
(all cheering)
117
00:05:12,000 --> 00:05:13,291
AH, STOP IT.
118
00:05:13,291 --> 00:05:15,375
YOU'RE NOT SUPPOSED
TO LIKE A TEACHER.
119
00:05:15,375 --> 00:05:16,500
YOU'RE MAYA.
120
00:05:16,500 --> 00:05:19,000
OH, NO, WHAT ARE YOU
DOING TO ME?
121
00:05:26,000 --> 00:05:27,500
GIRLS,
122
00:05:27,500 --> 00:05:29,458
SLOW DOWN.
WHAT IS THE RUSH?
123
00:05:29,458 --> 00:05:31,083
DINNER IS KEEPING US
FROM OUR HOMEWORK.
124
00:05:33,458 --> 00:05:35,291
THE NEW ENGLISH TEACHER
WANTS US TO READ THIS.
125
00:05:35,291 --> 00:05:36,708
WELL, THIS LOOKS LIKE
A COMIC BOOK.
126
00:05:36,708 --> 00:05:37,708
YES.
127
00:05:37,708 --> 00:05:39,291
DIDN'T WE HAVE A TEACHER
WHO TAUGHT US--
128
00:05:39,291 --> 00:05:40,291
YES.
129
00:05:41,583 --> 00:05:43,416
TELL ME MORE ABOUT
THIS NEW ENGLISH TEACHER.
130
00:05:43,416 --> 00:05:45,083
-MOTORCYCLE.
-LEATHER JACKET.
131
00:05:45,083 --> 00:05:46,583
SOUNDS FAMILIAR.
132
00:05:46,583 --> 00:05:49,833
WEREN'T YOU ON THE COMMITTEE
TO HIRE THE NEW ENGLISH TEACHER?
133
00:05:49,833 --> 00:05:50,875
YES.
134
00:05:52,875 --> 00:05:55,000
PRINCIPAL YANCY
DOESN'T LIKE HER VERY MUCH.
135
00:05:55,000 --> 00:05:56,250
SHE'S A YOUNG IDEALIST.
136
00:05:56,250 --> 00:05:57,458
YOU THINK SHE'S GONNA
WIN HIM OVER.
137
00:05:57,458 --> 00:05:59,500
I'M JUST LOOKING
FOR A LITTLE ACTION.
138
00:06:01,583 --> 00:06:03,583
NOT ALL HISTORY
REPEATS, CORY.
139
00:06:03,583 --> 00:06:05,375
WHY, WHAT HAPPENED
TO YOU GUYS?
140
00:06:05,375 --> 00:06:07,083
WELL, WE HAD
A PRETTY COOL
TEACHER ONCE.
141
00:06:07,083 --> 00:06:08,833
FEENY!
142
00:06:11,000 --> 00:06:13,875
NO, WE ACTUALLY HAD
ONE OTHER TEACHER.
143
00:06:13,875 --> 00:06:15,583
DID THAT TEACHER
GET ALONG WITH
THE PRINCIPAL?
144
00:06:15,583 --> 00:06:16,958
FEENY WAS THE PRINCIPAL.
145
00:06:16,958 --> 00:06:19,416
FEENY TAUGHT YOU
EVERY YEAR AND WAS ALSO
YOUR PRINCIPAL?
146
00:06:19,416 --> 00:06:20,875
YES.
147
00:06:21,958 --> 00:06:23,625
THAT WOULD NEVER HAPPEN TODAY.
148
00:06:23,625 --> 00:06:25,083
WE'LL SEE.
149
00:06:26,000 --> 00:06:28,291
OUR PRINCIPAL WON'T
LET HER TEACH US THIS.
150
00:06:28,291 --> 00:06:29,458
BUT SHE IS ANYWAY?
151
00:06:29,458 --> 00:06:31,250
IT'S A MORE
COMPLICATED WORLD NOW.
152
00:06:31,250 --> 00:06:34,208
HEROES AND VILLAINS
AREN'T AS EASILY RECOGNIZED.
153
00:06:35,250 --> 00:06:37,750
MAYBE IT TAKES
DIFFERENT TEACHING METHODS
TO TELL THEM APART.
154
00:06:37,750 --> 00:06:41,333
SHE THINKS THIS WILL HELP,
AND I LIKE THAT SHE BELIEVES
IN SOMETHING.
155
00:06:41,333 --> 00:06:43,291
BUT CORY, THE WORLD ISN'T
SO DIFFERENT THAT THE PRINCIPAL
156
00:06:43,291 --> 00:06:45,000
DOESN'T STILL MAKE
THE FINAL DECISION.
157
00:06:45,000 --> 00:06:46,583
YEAH, THAT'S INTERESTING,
ISN'T IT?
158
00:06:46,583 --> 00:06:49,000
YANCY HAS A LOT OF POWER.
159
00:06:49,000 --> 00:06:50,958
HE'S LIKE...
160
00:06:50,958 --> 00:06:53,625
WHO'S A GUY WITH
A LOT OF POWER, GIRLS?
161
00:06:55,083 --> 00:06:56,875
SUPERMAN.
162
00:06:56,875 --> 00:06:58,208
WHOA.
163
00:06:59,875 --> 00:07:02,208
-THEN HARPER'S LIKE--
-BATMAN!
164
00:07:02,208 --> 00:07:03,375
WHOA!
165
00:07:04,583 --> 00:07:06,250
WHAT'S THE DIFFERENCE
BETWEEN THE TWO?
166
00:07:06,250 --> 00:07:08,208
WELL, ONE HAS SUPERPOWERS
AND ONE DOESN'T.
167
00:07:08,208 --> 00:07:09,875
WELL, HOW CAN THAT
BE A FAIR FIGHT?
168
00:07:09,875 --> 00:07:11,750
I MEAN, THAT'S LIKE A FIGHT
BETWEEN YOU AND ME.
169
00:07:14,000 --> 00:07:15,083
I KNOW.
170
00:07:16,875 --> 00:07:18,125
YOU KNOW,
I DON'T WANT HARPER...
171
00:07:18,125 --> 00:07:19,458
-BATMAN.
-...TO LOSE.
172
00:07:20,708 --> 00:07:23,375
WELL, MAYBE YOU SHOULD
DO YOUR HOMEWORK AND FIND OUT
WHAT HAPPENS NEXT.
173
00:07:24,583 --> 00:07:26,125
(giggles) YEAH,
LIKE THEY'RE GONNA RUN--
174
00:07:29,583 --> 00:07:31,708
THIS IS GONNA BE REAL TROUBLE,
ISN'T IT, CORY?
175
00:07:31,708 --> 00:07:33,000
I HOPE SO.
176
00:07:38,750 --> 00:07:40,583
CAN GOOD CHANGE?
177
00:07:40,583 --> 00:07:42,000
GOOD IS GOOD.
178
00:07:42,000 --> 00:07:44,000
CAN EVIL CHANGE?
179
00:07:44,000 --> 00:07:46,833
IT SEEMS LIKE JUST
WHEN WE THINK WE'VE SEEN
THE WORST THAT THERE CAN BE,
180
00:07:46,833 --> 00:07:48,291
SOMEBODY COMES UP
WITH SOMETHING.
181
00:07:48,291 --> 00:07:49,875
WHY DO YOU SUPPOSE THAT IS?
182
00:07:49,875 --> 00:07:52,000
BECAUSE IT'S EVIL
THAT FASCINATES US.
183
00:07:52,000 --> 00:07:54,000
BUT DOESN'T GOOD
HAVE TO WIN IN THE END?
184
00:07:54,000 --> 00:07:55,458
DOES IT?
185
00:07:57,000 --> 00:07:59,166
SO I'M PASSING BY YOUR CLASSROOM
ON THIS, YOUR SECOND DAY,
186
00:07:59,166 --> 00:08:01,083
AND I SEE NO MOCKINGBIRD.
187
00:08:01,083 --> 00:08:03,166
BUT I STILL SEE COMIC BOOKS.
188
00:08:03,166 --> 00:08:05,875
YES, WE'RE STUDYING
THE NATURE OF GOOD AND EVIL.
189
00:08:05,875 --> 00:08:07,500
(gasps)
I DON'T CARE.
190
00:08:07,500 --> 00:08:09,500
-CLASS DISMISSED.
-EXCUSE ME?
191
00:08:09,500 --> 00:08:11,166
STUDY HALL, ALL OF YOU!
192
00:08:11,166 --> 00:08:13,875
EXCEPT FARKLE. YOU...
GO SIT IN A GARBAGE CAN.
193
00:08:15,291 --> 00:08:16,500
YAY!
194
00:08:17,500 --> 00:08:19,166
LEAVE NOW.
195
00:08:21,208 --> 00:08:22,625
GO.
196
00:08:22,625 --> 00:08:24,291
-RILEY.
-YES.
197
00:08:32,416 --> 00:08:35,166
IF I MAY EXPLAIN
MY LESSON PLAN.
198
00:08:35,166 --> 00:08:37,000
OH, THERE'S NO NEED,
MISS BURGESS. YOU'RE FIRED.
199
00:08:38,583 --> 00:08:40,458
YOU ARE BRAND-NEW, KID.
200
00:08:40,458 --> 00:08:43,833
YOU THINK THERE ARE HEROES
AND VILLAINS? THERE AREN'T.
201
00:08:43,833 --> 00:08:45,958
THERE ARE ONLY KIDS
WHO COME AND GO.
202
00:08:47,333 --> 00:08:49,875
YOU REALLY THINK THAT
YOU'VE AFFECTED ANYBODY?
203
00:08:52,833 --> 00:08:54,000
UH...
204
00:08:54,000 --> 00:08:55,833
WHAT'S GOING ON HERE?
205
00:08:55,833 --> 00:08:57,750
I'VE BEEN FIRED.
206
00:08:57,750 --> 00:08:59,875
I WANT TO THANK YOU
FOR BELIEVING IN ME.
207
00:08:59,875 --> 00:09:01,500
YOU'RE WELCOME.
208
00:09:01,500 --> 00:09:02,875
OH, WAIT.
209
00:09:02,875 --> 00:09:04,083
THAT HASN'T CHANGED.
210
00:09:04,083 --> 00:09:05,291
UH...
211
00:09:05,291 --> 00:09:08,333
HOW CAN YOU POSSIBLY FIRE
SOMEONE LIKE HER, YANCY?
212
00:09:08,333 --> 00:09:09,958
GO BACK TO YOUR CLASS, MATTHEWS.
213
00:09:09,958 --> 00:09:12,875
YOU'RE RIGHT, THIS ISN'T
HISTORY, THIS IS ENGLISH, BUT...
214
00:09:13,875 --> 00:09:15,875
YOU KNOW WHAT HISTORY
HAS IN COMMON WITH
THE GREAT BOOKS?
215
00:09:17,000 --> 00:09:18,375
IT TURNS OUT
216
00:09:18,375 --> 00:09:19,875
THERE ARE HEROES
AND VILLAINS.
217
00:09:19,875 --> 00:09:21,833
ALL THROUGH THEM.
218
00:09:23,125 --> 00:09:25,708
AND THE VILLAINS WILL
ALWAYS CAUSE TROUBLE.
219
00:09:25,708 --> 00:09:27,875
BUT THERE'S ALWAYS
GONNA BE HEROES
TO FIGHT BACK.
220
00:09:27,875 --> 00:09:29,958
YOU RUINED MY
ENTIRE LESSON.
221
00:09:29,958 --> 00:09:33,083
SHE WAS HIRED
TO TEACH LITERATURE,
BUT SHE'S NOT.
222
00:09:33,083 --> 00:09:36,000
SHE RIDES A MOTORCYCLE
AND SHE TEACHES COMIC BOOKS.
223
00:09:36,000 --> 00:09:38,166
HOW IS THAT A TEACHER?
224
00:09:38,166 --> 00:09:39,958
THAT CAN BE
A GREAT TEACHER.
225
00:09:39,958 --> 00:09:44,000
A PASSIONATE TEACHER
WHO DOESN'T BELIEVE
THAT KIDS JUST COME AND GO.
226
00:09:45,416 --> 00:09:47,166
AND IF YOU LET HER GO, THEN...
227
00:09:47,166 --> 00:09:49,833
YOU HAVE TO BE PREPARED
TO LET ME GO AS WELL.
228
00:09:50,833 --> 00:09:52,083
LET YOU GO?
229
00:09:53,833 --> 00:09:55,833
[exhales] WELL, I WASN'T
PREPARED FOR THAT AT ALL.
230
00:09:55,833 --> 00:09:57,625
JUST GIVE ME A SECOND--
231
00:09:57,625 --> 00:09:59,125
OKAY, I'M GOOD.
YOU'RE FIRED, TOO.
STYLE
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232
00:10:09,875 --> 00:10:11,458
HOW WAS EVERYBODY'S
DAY TODAY?
233
00:10:11,458 --> 00:10:12,875
IT WAS A GOOD DAY
234
00:10:12,875 --> 00:10:14,458
AND THEN MY FRIENDS
TREATED ME NICELY
235
00:10:14,458 --> 00:10:15,958
AND THEN MY TEACHER
MEASURED ME,
236
00:10:15,958 --> 00:10:18,958
AND I'M GROWING,
AND THEN JENNY LEWIS LOVES ME.
237
00:10:20,375 --> 00:10:22,833
WAIT A MINUTE,
THIS ALREADY HAPPENED.
238
00:10:23,875 --> 00:10:25,500
YEAH, I'M OUT OF STUFF.
239
00:10:26,875 --> 00:10:29,708
HE'S RIGHT.
NOTHING NEW HAPPENED AT ALL.
240
00:10:29,708 --> 00:10:31,208
DAD GOT FIRED TODAY.
241
00:10:32,875 --> 00:10:34,500
(chuckles nervously)
WELL, THERE'S THAT.
242
00:10:36,500 --> 00:10:38,000
YOU KNOW HOW YOU THOUGHT
THERE MIGHT BE TROUBLE
243
00:10:38,000 --> 00:10:39,625
BETWEEN YANCY
AND THE NEW TEACHER?
244
00:10:39,625 --> 00:10:41,250
THE YOUNG IDEALIST
WHO WAS GONNA WIN HIM OVER?
245
00:10:41,250 --> 00:10:43,833
SHE DIDN'T... SO MUCH.
246
00:10:43,833 --> 00:10:45,250
BUT YOU DEFENDED HER?
247
00:10:45,250 --> 00:10:46,583
-I DID.
-SO YANCY FIRED YOU?
248
00:10:46,583 --> 00:10:48,708
SO MUCH.
249
00:10:48,708 --> 00:10:50,208
YANCY CAN'T FIRE YOU.
250
00:10:50,208 --> 00:10:53,500
ACCORDING TO STATUE 3028,
TEACHER DISMISSALS HAVE
TO COME FROM THE STATE.
251
00:10:53,500 --> 00:10:55,083
MOM, DO YOU KNOW EVERYTHING?
252
00:10:55,083 --> 00:10:55,875
YEAH.
253
00:10:57,250 --> 00:10:58,833
SO MR. MATTHEWS IS SAFE?
254
00:10:58,833 --> 00:11:01,416
AW, MAYA... YOU CARE?
255
00:11:02,458 --> 00:11:04,291
NO, I JUST HAVEN'T
SPOKEN YET.
256
00:11:05,875 --> 00:11:07,958
I'VE MET PRINCIPAL YANCY.
257
00:11:07,958 --> 00:11:09,000
HE CAN BE PRETTY STUBBORN.
258
00:11:09,000 --> 00:11:10,958
YEAH, HE'S GONNA
PURSUE THIS.
259
00:11:10,958 --> 00:11:12,458
WHAT WILL WE DO NEXT?
260
00:11:12,458 --> 00:11:14,000
WELL, HE HAS TO TAKE IT
TO HIS BOSS.
261
00:11:14,000 --> 00:11:17,750
HE HAS TO TAKE IT
TO THE SUPERINTENDENT
OF SCHOOLS.
262
00:11:20,458 --> 00:11:22,708
DOESN'T THAT MAKE
YOU GUYS NERVOUS?
263
00:11:22,708 --> 00:11:24,958
UM, THEY DON'T SEEM NERVOUS.
264
00:11:31,000 --> 00:11:33,000
TODAY'S LESSON.
265
00:11:34,000 --> 00:11:35,458
OKAY.
266
00:11:35,458 --> 00:11:38,000
SO I'VE LEARNED
IT'S MORE DIFFICULT TO GET
RID OF RABBLE ROUSERS
267
00:11:38,000 --> 00:11:39,208
THAN I THOUGHT.
268
00:11:39,208 --> 00:11:40,875
TOO BAD FOR YOU,
269
00:11:40,875 --> 00:11:44,333
I'VE GOT A GREAT RELATIONSHIP
WITH THE SUPERINTENDENT
OF SCHOOLS.
270
00:11:44,333 --> 00:11:45,708
(chuckles)
271
00:11:45,708 --> 00:11:47,708
HOW'S YOUR
RELATIONSHIP, MATTHEWS?
272
00:11:55,000 --> 00:11:56,958
OKAY, SO WHY DO I
HAVE TO DO ANYTHING?
273
00:11:59,208 --> 00:12:01,125
MR. TURNER AND I
GO BACK A BIT.
274
00:12:01,125 --> 00:12:04,333
SO, I HEAR YOU WANT
TO DISMISS A COUPLE
OF EDUCATORS, YANCY?
275
00:12:04,333 --> 00:12:07,083
SHE'S HERE ONE DAY,
AND SHE'S TEACHING COMIC BOOKS!
276
00:12:07,083 --> 00:12:09,625
YEAH, MY FIRST DAY
I TAUGHT THE X-MEN.
277
00:12:09,625 --> 00:12:11,833
(chuckles)
278
00:12:11,833 --> 00:12:13,000
THAT'S FUNNY.
279
00:12:15,375 --> 00:12:17,000
OH, NO!
280
00:12:18,875 --> 00:12:20,875
NOW, WHY WOULD I DO THAT,
I WONDER?
281
00:12:20,875 --> 00:12:22,250
MATTHEWS?
282
00:12:22,250 --> 00:12:24,958
WELL, YOU TOOK CHARACTERS
WE ALREADY LOVED TO SHOW US
283
00:12:24,958 --> 00:12:27,000
THAT GOOD AND EVIL
WASN'T ALWAYS SO
BLACK AND WHITE.
284
00:12:27,000 --> 00:12:29,000
-HOW COME?
-SO WE'D UNDERSTAND
IT BETTER WHEN
285
00:12:29,000 --> 00:12:30,166
YOU TAUGHT US REAL BOOKS.
286
00:12:30,166 --> 00:12:32,125
CORY, YOU WERE LISTENING.
287
00:12:34,000 --> 00:12:35,333
HOW COULD I NOT?
288
00:12:35,333 --> 00:12:38,208
I MEAN, YOU WORE
A LEATHER JACKET
TO WORK EVERY DAY.
289
00:12:38,208 --> 00:12:39,416
YOU TAUGHT COMIC BOOKS
290
00:12:39,416 --> 00:12:41,583
AND YOU RODE TO WORK
ON A MOTORCYCLE.
291
00:12:46,083 --> 00:12:48,958
RIGHT UP UNTIL
THE DAY THE BIKE AND I
BOTH GOT TOTALED.
292
00:12:48,958 --> 00:12:52,250
BUT THINGS HAPPEN FOR A REASON.
I MARRIED MY NURSE.
293
00:12:52,250 --> 00:12:53,875
AW.
294
00:12:53,875 --> 00:12:55,291
YOU FELL IN LOVE WITH HER?
295
00:12:55,291 --> 00:12:56,875
NAH, IN CASE IT EVER
HAPPENS AGAIN.
296
00:12:56,875 --> 00:12:57,875
I--
297
00:13:00,375 --> 00:13:03,416
THERE'S A PRETTY COOL BIKE
PARKED NEXT TO YOUR
SENSIBLE SEDAN.
298
00:13:03,416 --> 00:13:05,708
WHAT, DID YOU BUY THAT
FROM FEENY?
299
00:13:07,958 --> 00:13:09,875
WELL, IT ONLY HAD
FOUR MILES ON IT.
300
00:13:12,500 --> 00:13:14,833
THE ROLL-UP WINDOWS
ARE A REAL WORKOUT.
301
00:13:16,875 --> 00:13:18,208
HEY, BURGESS,
302
00:13:18,208 --> 00:13:20,875
YOU BE CAREFUL
ON THAT BIKE, OKAY?
303
00:13:20,875 --> 00:13:21,958
THANK YOU, SIR.
304
00:13:24,708 --> 00:13:28,125
JON, I JUST WANTED HER TO TEACH
TO KILL A MOCKINGBIRD.
305
00:13:29,458 --> 00:13:30,875
YOUR MOM OR YOUR DAD?
306
00:13:31,875 --> 00:13:33,000
MY DAD.
307
00:13:33,000 --> 00:13:34,166
WHAT ABOUT HIM?
308
00:13:34,166 --> 00:13:36,375
HE NAMED HER
HARPER LEE BURGESS.
309
00:13:36,375 --> 00:13:38,875
I FIGURE SHE'LL GET
AROUND TO IT.
310
00:13:38,875 --> 00:13:41,291
ISN'T THIS THE ONE
ABOUT UNDERSTANDING
311
00:13:41,291 --> 00:13:44,375
THAT PEOPLE TURN OUT
PRETTY GOOD IF YOU GIVE
THEM A CHANCE?
312
00:13:44,375 --> 00:13:46,208
DON'T ASK ME,
I READ COMIC BOOKS.
313
00:13:48,583 --> 00:13:49,958
LOOK, YANCY,
314
00:13:49,958 --> 00:13:52,333
I'LL OBSERVE HARPER'S CLASS,
315
00:13:52,333 --> 00:13:53,833
I'LL MAKE MY DECISION THEN.
316
00:13:53,833 --> 00:13:56,208
I ALREADY MADE MY DECISION
ON MATTHEWS LONG AGO.
317
00:13:58,375 --> 00:13:59,958
I HIRED HIM, YOU KNOW?
318
00:14:00,958 --> 00:14:02,750
I DID NOT KNOW THAT.
319
00:14:02,750 --> 00:14:05,500
I WITHDRAW MY OBJECTION.
320
00:14:05,500 --> 00:14:07,083
TOO LATE FOR THAT.
321
00:14:07,083 --> 00:14:08,458
TOO IMPORTANT.
322
00:14:08,458 --> 00:14:12,458
WHAT A KID IS TAUGHT
IS WHAT A KID BECOMES.
THAT'S THE JOB WE HAVE.
323
00:14:14,083 --> 00:14:16,291
YOU ASK ME TO SEE
HOW IT'S BEING DONE,
AND I WILL.
324
00:14:19,583 --> 00:14:21,000
HMM.
325
00:14:22,375 --> 00:14:23,875
INTERESTING LESSON.
326
00:14:24,958 --> 00:14:26,375
LET'S SEE WHAT COMES OF IT.
327
00:14:33,583 --> 00:14:35,750
WE HAVE SOME SPECIAL GUESTS
IN OUR CLASSROOM.
328
00:14:35,750 --> 00:14:37,583
PLEASE BEHAVE AS YOU
NORMALLY WOULD.
329
00:14:37,583 --> 00:14:39,000
-HI.
-HI.
330
00:14:39,000 --> 00:14:40,291
WE LOVE HARPER.
331
00:14:40,291 --> 00:14:41,958
DO YOU UNDERSTAND,
UNCLE JON?
332
00:14:41,958 --> 00:14:44,000
REAL UNCLE, OR DO YOU
JUST CALL HIM THAT?
333
00:14:44,000 --> 00:14:45,958
HE COMES OVER LIKE
A MILLION TIMES A WEEK--
334
00:14:45,958 --> 00:14:47,125
I WITHDRAW MY COMPLAINT.
335
00:14:49,500 --> 00:14:51,750
YOU GOT THEM CALLING YOU
BY YOUR FIRST NAME?
336
00:14:51,750 --> 00:14:54,875
YES, I WANTED THEM TO PUT
TOGETHER THE MOCKINGBIRD THING
337
00:14:54,875 --> 00:14:58,000
TO SEE HOW MUCH I CARE
ABOUT WHAT I'LL BE TEACHING.
338
00:14:58,000 --> 00:15:01,958
ALL RIGHT, DOES ANYBODY
UNDERSTAND THE SIGNIFICANCE
OF HARPER'S NAME
339
00:15:01,958 --> 00:15:04,875
IN REGARDS TO THE AUTHOR
OF TO KILL A MOCKINGBIRD?
340
00:15:05,958 --> 00:15:08,000
HARPER'S FIRST NAME
IS CHARLES TWAIN!
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341
00:15:10,250 --> 00:15:12,000
YOU'RE DOING A BANG-UP JOB
WITH HER, MATTHEWS.
342
00:15:13,583 --> 00:15:15,875
LOOK, SHE WAS TOLD
BY THE PRINCIPAL NOT TO
TEACH US SOMETHING,
343
00:15:15,875 --> 00:15:17,875
BUT SHE DID ANYWAYS.
THAT'S GOTTA MEAN SOMETHING.
344
00:15:17,875 --> 00:15:20,000
PSST, WILL YOU STOP
HELPING US?
345
00:15:21,000 --> 00:15:23,000
YEAH, IT MEANS SOMETHING.
346
00:15:23,000 --> 00:15:25,250
NOW, MAY I SEE
WHAT YOU'VE LEARNED?
347
00:15:25,250 --> 00:15:28,250
BECAUSE THAT'S
WHAT MEANS EVERYTHING.
348
00:15:28,250 --> 00:15:30,250
FARKLE GOES FIRST,
FARKLE ALWAYS GOES FIRST!
349
00:15:32,250 --> 00:15:33,708
STUART MINKUS' KID?
350
00:15:33,708 --> 00:15:34,875
-YEAH.
-SUPER GENIUS?
351
00:15:34,875 --> 00:15:36,333
-OUTER SPACE.
-REAL HUMAN BOY?
352
00:15:36,333 --> 00:15:37,458
WE'RE NOT SURE YET.
353
00:15:37,458 --> 00:15:38,750
SIT DOWN.
354
00:15:39,875 --> 00:15:41,583
I'LL MAKE THE PRESENTATION.
355
00:15:41,583 --> 00:15:43,000
YOU LIKE THIS TEACHER?
356
00:15:43,000 --> 00:15:44,333
I LIKE BOTH OF THESE TEACHERS.
357
00:15:44,333 --> 00:15:45,708
ARE YOU FAMILIAR
WITH THE MATERIAL?
358
00:15:45,708 --> 00:15:47,583
ME? NO, I NEVER SAW
THIS THING BEFORE.
359
00:15:47,583 --> 00:15:49,125
I NEVER SAW THIS THING
BEFORE IN MY LIFE.
360
00:15:49,125 --> 00:15:51,625
YEAH, I READ IT.
I READ IT, ACTUALLY,
A LOT.
361
00:15:53,458 --> 00:15:55,083
THANKS FOR TELLING THE TRUTH.
362
00:15:55,083 --> 00:15:58,000
YEAH, I CAN'T
HELP MYSELF. (sighs)
363
00:15:58,000 --> 00:16:01,416
NOW, I PREFER SOMEONE
WHO IS UNFAMILIAR WITH
THE MATERIAL.
364
00:16:01,416 --> 00:16:06,083
SOMEONE WHO IS
NOTORIOUSLY UNTEACHABLE.
365
00:16:08,333 --> 00:16:09,958
HOW YOU DOIN'?
366
00:16:13,000 --> 00:16:14,458
NOT YOU, RILEY.
367
00:16:14,458 --> 00:16:15,875
I ONLY LOOKED
AT THE PICTURES.
368
00:16:15,875 --> 00:16:17,000
I READ THE WORDS.
369
00:16:17,000 --> 00:16:18,333
IT'S A DUET.
370
00:16:19,625 --> 00:16:21,208
I HOPE YOU LEARNED
SOMETHING, GIRLS.
371
00:16:21,208 --> 00:16:22,875
I LEARN SOMETHING
ALL THE TIME.
372
00:16:22,875 --> 00:16:24,583
I COME HERE
BECAUSE MY APARTMENT LEAKS.
373
00:16:25,708 --> 00:16:26,875
COME HERE.
374
00:16:26,875 --> 00:16:28,083
YES...?
375
00:16:30,000 --> 00:16:31,875
I KNOW YOU JUST
SAY THIS STUFF.
376
00:16:31,875 --> 00:16:35,000
I KNOW YOU'RE A LOT
SMARTER THAN YOU WANT
US TO KNOW.
377
00:16:35,000 --> 00:16:36,208
SHH.
378
00:16:37,583 --> 00:16:39,000
WE GOT THIS.
379
00:16:39,000 --> 00:16:40,458
I HOPE SO.
380
00:16:40,458 --> 00:16:42,000
OUR FUTURE'S IN YOUR HANDS.
381
00:16:48,500 --> 00:16:51,000
IN FRANK MILLER'S
THE DARK NIGHT RETURNS
382
00:16:51,000 --> 00:16:52,958
THE KEYWORD IS DARK.
383
00:16:52,958 --> 00:16:57,166
HE DOESN'T WRITE
HEROES OR VILLAINS
THAT YOU ARE USED TO.
384
00:16:58,291 --> 00:17:01,875
YOU HAVE TO REALLY THINK
ABOUT WHAT'S RIGHT
AND WHAT'S WRONG.
385
00:17:01,875 --> 00:17:03,875
THE PICTURES
MAKE YOU WORK, TOO.
386
00:17:03,875 --> 00:17:06,958
YOU HAVE TO LOOK
UP, DOWN, ACROSS,
AND SIDEWAYS,
387
00:17:06,958 --> 00:17:11,083
BUT I BELIEVE HE'S TRYING
TO GET US TO LOOK AT
WHAT OUR OWN WORLD HAS BECOME.
388
00:17:11,083 --> 00:17:14,000
UP, DOWN, ACROSS,
AND SIDEWAYS.
389
00:17:14,875 --> 00:17:17,875
HEROES THAT SHOULD BE FRIENDS
WITH A COMMON GOAL,
390
00:17:17,875 --> 00:17:19,875
FIGHT EACH OTHER
INSTEAD.
391
00:17:19,875 --> 00:17:23,583
ONE HERO WAS TRYING
TO INSPIRE HIS OLD FRIEND
TO TAKE A LOOK AT THE WORLD,
392
00:17:23,583 --> 00:17:25,166
AND REALIZED
THAT IT'S CHANGED.
393
00:17:25,166 --> 00:17:27,583
SO, HE NEEDED
TO CHANGE, TOO.
394
00:17:28,833 --> 00:17:30,291
BUT HE WOULDN'T,
395
00:17:30,291 --> 00:17:32,000
SO HE FOUGHT
AGAINST HIM.
396
00:17:32,000 --> 00:17:33,708
WHICH WAS HARD TO LOOK AT,
397
00:17:33,708 --> 00:17:35,333
BECAUSE THE WORLD
IS DARK ENOUGH
398
00:17:35,333 --> 00:17:37,458
AND HEROES
ARE SUPPOSED TO BRING LIGHT.
399
00:17:38,583 --> 00:17:42,000
EVERYONE IN THIS ROOM
KNOWS THAT SOMEONE
WITH REAL POWER
400
00:17:42,000 --> 00:17:45,875
DOESN'T NEED TO HIT A KID
WITH A RULER TO GET THE KID
TO WANT TO LEARN.
401
00:17:45,875 --> 00:17:48,583
BECAUSE THIS IS A NEW WORLD,
AND WE DON'T DO THAT HERE.
402
00:17:50,000 --> 00:17:53,875
FRANK MILLER TURNED
A COMIC BOOK INTO--
WHAT'S THE WORD?
403
00:17:53,875 --> 00:17:55,000
YOU KNOW THE WORD.
404
00:17:55,000 --> 00:17:56,416
LITERATURE.
405
00:17:57,708 --> 00:17:59,833
AND HARPER HERE,
406
00:17:59,833 --> 00:18:03,250
IS NAMED AFTER SOMEONE
WHO GAVE US A GREAT STORY.
407
00:18:04,708 --> 00:18:07,833
WHICH HER FATHER TAUGHT HER
TO APPRECIATE,
408
00:18:07,833 --> 00:18:10,166
AND IT MEANS EVERYTHING TO HER
409
00:18:10,166 --> 00:18:12,000
THAT HER FATHER TAUGHT HER.
410
00:18:12,000 --> 00:18:14,416
SHE'S TAUGHT ME
SO MUCH ALREADY.
411
00:18:15,500 --> 00:18:17,083
YOU DID THAT
IN TWO DAYS?
412
00:18:17,083 --> 00:18:18,083
(laughs)
413
00:18:18,083 --> 00:18:20,000
THEY'RE SMARTER
THAN THEY WANT US
TO KNOW.
414
00:18:20,000 --> 00:18:21,583
SHE DID THAT
IN TWO DAYS!
415
00:18:21,583 --> 00:18:23,000
SHAPE UP, MATTHEWS.
416
00:18:25,000 --> 00:18:26,333
YES, SIR.
417
00:18:26,333 --> 00:18:30,000
JON, COMIC BOOKS
ARE AGAINST SCHOOL POLICY.
418
00:18:30,000 --> 00:18:33,708
YEAH, AND YOU CAN HIT
A KID WITH A RULER
IN 19 STATES.
419
00:18:40,583 --> 00:18:43,583
HEY, MATTHEWS, I KNOW
IT WAS YOU THAT CHOSE
HARPER FOR THESE KIDS.
420
00:18:43,583 --> 00:18:47,833
IS THAT BECAUSE MAYBE
SHE, UH... REMINDED YOU
OF SOMEONE?
421
00:18:49,166 --> 00:18:51,000
-NO.
-OKAY.
422
00:18:57,083 --> 00:18:58,208
RILES?
423
00:18:58,208 --> 00:18:59,458
YEAH?
424
00:18:59,458 --> 00:19:00,875
WHAT DO YOU WANT TO BE
WHEN YOU GROW UP?
425
00:19:02,416 --> 00:19:04,000
I DON'T KNOW YET.
426
00:19:04,000 --> 00:19:05,083
IS THAT OKAY?
427
00:19:05,083 --> 00:19:06,416
YEAH.
428
00:19:12,291 --> 00:19:14,083
AM I SUPPOSED
TO ASK YOU NOW?
429
00:19:14,083 --> 00:19:16,708
THAT WOULD CERTAINLY
KEEP THIS GOING, SO...
430
00:19:18,416 --> 00:19:19,583
-MAYA?
-YES!
431
00:19:20,583 --> 00:19:23,000
DO YOU HAVE
ANY IDEA WHAT YOU WANT
TO BE WHEN YOU GROW UP?
432
00:19:23,000 --> 00:19:24,500
NO.
433
00:19:25,750 --> 00:19:28,375
BUT BEING A TEACHER
MIGHT BE COOLER
THAN I THOUGHT.
434
00:19:28,375 --> 00:19:30,125
YOU KNOW WHAT ELSE
IS COOL?
435
00:19:30,125 --> 00:19:34,000
UNCLE JON USED TO TAKE
CARE OF SHAWN WHEN HE
WAS YOUNGER,
436
00:19:34,000 --> 00:19:35,708
YOU DON'T SAY.
437
00:19:35,708 --> 00:19:37,333
I DO SAY.
438
00:19:37,333 --> 00:19:40,583
AND MY DAD SAID
THAT THEY WERE REALLY
GOOD FOR EACH OTHER.
439
00:19:45,500 --> 00:19:48,708
OKAY, RILEY,
I FINISHED THIS ARCHIE
COMIC YOU GAVE ME.
440
00:19:48,708 --> 00:19:53,000
I WANTED TO START HIM
ON THE ROAD TO GOOD BOOKS.
441
00:19:53,000 --> 00:19:54,625
WHAT'D YOU LEARN
FROM IT, AUGS?
442
00:19:54,625 --> 00:19:57,000
WELL... THIS DARK-HAIRED GIRL
AND THIS BLONDE GIRL
443
00:19:57,000 --> 00:19:59,583
BOTH LIKE THE SAME BOY
AND THEY ALL STAY
BEST FRIENDS.
444
00:19:59,583 --> 00:20:00,875
COULD THAT
REALLY HAPPEN?
445
00:20:00,875 --> 00:20:02,458
-NO.
-OKAY.
446
00:20:07,583 --> 00:20:08,875
GOOD MORNING.
447
00:20:08,875 --> 00:20:10,833
BEFORE WE BEGIN TODAY,
STYLE
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448
00:20:10,833 --> 00:20:12,458
A DECISION
HAS BEEN REACHED.
449
00:20:12,458 --> 00:20:16,000
NOW, I KNOW YOU'RE ALL
GOING TO REMAIN
QUIET AND CALM.
450
00:20:16,000 --> 00:20:17,458
Both:
WE LOVE HER!
451
00:20:21,833 --> 00:20:23,000
THANK YOU.
452
00:20:23,000 --> 00:20:26,291
WE APPRECIATE IT
WHEN STUDENTS ARE
FOND OF A TEACHER.
453
00:20:26,291 --> 00:20:30,333
I MEAN, IT FACTORS INTO
A DECISION, BUT IT CANNOT
BE THE FIRST PRIORITY.
454
00:20:30,333 --> 00:20:31,708
UH-OH.
455
00:20:31,708 --> 00:20:34,083
THAT HAS TO BE
456
00:20:34,083 --> 00:20:38,083
PREPARATION THAT A TEACHER
PUTS INTO A LESSON PLAN,
457
00:20:38,083 --> 00:20:39,875
AND WHAT THE STUDENTS
TAKE FROM IT.
458
00:20:39,875 --> 00:20:41,416
CORY, WHAT ARE YOU
TEACHING TODAY?
459
00:20:41,416 --> 00:20:43,708
I DON'T KNOW.
I'M PROBABLY
MAKING SOMETHING UP.
460
00:20:46,000 --> 00:20:48,875
ALL RIGHT, NOW MS. BURGESS
WENT AGAINST SCHOOL POLICY.
461
00:20:50,083 --> 00:20:52,333
THE PRINCIPAL DECIDED
WHAT HE SAW FIT.
462
00:20:53,458 --> 00:20:55,875
RIGHT AND WRONG
CAN BE DIFFICULT
TO IDENTIFY SOMETIMES.
463
00:20:55,875 --> 00:20:57,875
THAT'S WHAT YOU JUST READ
IN ENGLISH CLASS.
464
00:20:57,875 --> 00:20:59,458
BUT THIS IS HISTORY.
465
00:20:59,458 --> 00:21:01,708
AND WHAT DOES HISTORY
TEACH US. YOU?
466
00:21:01,708 --> 00:21:03,833
WHEN IT'S A STRUGGLE
BETWEEN RIGHT AND WRONG,
467
00:21:03,833 --> 00:21:05,875
THAT'S WHEN THE REAL HERO
FIGHTS HARDEST.
468
00:21:07,458 --> 00:21:08,875
SO...
469
00:21:08,875 --> 00:21:11,500
FOR THE GREATER GOOD
OF THIS SCHOOL,
470
00:21:11,500 --> 00:21:14,083
IT HAS BEEN DECIDED
471
00:21:14,083 --> 00:21:16,000
THAT SOMEONE HAD TO GO.
472
00:21:17,875 --> 00:21:20,958
SO I WOULD LIKE
TO INTRODUCE YOU TO
YOUR NEW ENGLISH TEACHER.
473
00:21:20,958 --> 00:21:22,000
NO!
474
00:21:22,000 --> 00:21:24,000
WHY IS IT WORTH
LEARNING ANYTHING
475
00:21:24,000 --> 00:21:25,708
IF WE CAN'T CHANGE
THE WORLD FOR THE BETTER?
476
00:21:25,708 --> 00:21:29,458
HOW ARE WE SUPPOSED TO BE HEROES
IF WE CAN'T DO ANYTHING
ABOUT ANYTHING?
477
00:21:29,458 --> 00:21:30,875
HI!
478
00:21:30,875 --> 00:21:32,750
(all cheering)
479
00:21:34,875 --> 00:21:36,125
WOW!
480
00:21:36,125 --> 00:21:38,250
SOMETIMES YOU CAN
BEAT SUPERMAN.
481
00:21:38,250 --> 00:21:40,000
VERY GOOD, MAYA.
482
00:21:40,000 --> 00:21:41,333
YOU GET AN A.
483
00:21:41,333 --> 00:21:43,875
THIS NEW TEACHER'S OUT
TO RUIN MY REPUTATION.
484
00:21:50,416 --> 00:21:52,375
HE WAS ONE OF
YOUR TEACHERS, MOMMY?
485
00:21:52,375 --> 00:21:55,000
YEAH, MR. TURNER HELPED
ME LEARN EVERYTHING I KNOW.
486
00:21:55,000 --> 00:21:56,750
SHE KNOWS EVERYTHING.
487
00:21:56,750 --> 00:21:58,083
I KNOW.
488
00:21:58,083 --> 00:22:00,083
WAS MY DADDY
A GOOD STUDENT?
489
00:22:00,083 --> 00:22:01,583
HE WAS A WONDERFUL STUDENT.
490
00:22:01,583 --> 00:22:03,000
WHY WOULD YOU LIE
TO MY KID?
491
00:22:05,708 --> 00:22:07,000
HE TRIED HIS BEST.
492
00:22:07,000 --> 00:22:08,458
WHY WOULD YOU LIE
TO MY KID?
493
00:22:09,750 --> 00:22:13,375
HE WAS SO BAD, HE BECAME
A TEACHER SO HE COULD
GO BACK TO SCHOOL AGAIN.
494
00:22:16,458 --> 00:22:20,000
SO... WORD HAS IT
YOU TOOK CARE
OF SHAWN HUNTER?
495
00:22:20,000 --> 00:22:21,458
YEAH, I DID.
496
00:22:21,458 --> 00:22:24,000
HIS DAD WAS A LITTLE
OFF AND ON.
497
00:22:24,000 --> 00:22:25,166
NO KID SHOULD HAVE THAT.
498
00:22:25,166 --> 00:22:26,458
YEAH.
499
00:22:26,458 --> 00:22:28,500
DID YOU CARE
ABOUT HIM, THOUGH?
500
00:22:28,500 --> 00:22:29,875
YOU WEREN'T HIS REAL FATHER.
501
00:22:29,875 --> 00:22:31,458
NO, I WASN'T.
502
00:22:31,458 --> 00:22:33,708
BUT WAS IT POSSIBLE
FOR YOU TO--
503
00:22:33,708 --> 00:22:35,416
YES, MAYA.
504
00:22:35,416 --> 00:22:36,750
I LOVED HIM
LIKE A SON.
505
00:22:38,708 --> 00:22:40,000
I STILL DO.
506
00:22:41,000 --> 00:22:42,708
THAT'S GOOD.
507
00:22:44,000 --> 00:22:45,000
DAD?
508
00:22:45,000 --> 00:22:46,083
YEAH?
509
00:22:46,083 --> 00:22:47,583
THANK YOU FOR BEING
A GOOD TEACHER.
510
00:22:47,583 --> 00:22:48,875
YEAH, THANKS.
511
00:22:50,291 --> 00:22:51,416
BOY, THERE'S NOTHING BETTER
512
00:22:51,416 --> 00:22:52,833
THAN HEARING THAT
FROM YOUR STUDENTS.
513
00:22:56,125 --> 00:22:58,000
MR. TURNER.
514
00:22:58,000 --> 00:22:59,875
THANK YOU FOR BEING
A GOOD TEACHER.
515
00:22:59,875 --> 00:23:01,750
YEAH, THANKS.
516
00:23:04,458 --> 00:23:06,875
YOU GAVE ME
AN A-MINUS ONCE.
517
00:23:06,875 --> 00:23:08,000
TOPANGA.
518
00:23:08,875 --> 00:23:10,958
-TOPANGA.
-I WANT YOU TO CHANGE IT.