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LADIES AND GENTLEMEN
OF THE HALLWAY,
2
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IT'S YEARBOOK TIME!
3
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HI, PAGE 42.
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HI, PAGES 27, 34, AND 58.
5
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YOU'RE DOING TOO MUCH.
YOU SHOULD CALM DOWN.
6
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YEARBOOKS!
FIND OUT WHO WE ARE
7
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AND WHAT WE REALLY
THINK ABOUT EACH OTHER.
8
00:00:19,583 --> 00:00:21,375
YOU WANNA KNOW
WHAT I THINK ABOUT YOU?
9
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-NO, I DO NOT.
-BUT I WANNA TELL YOU.
10
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-I DON'T THINK YOU NEED TO.
-I'M GONNA DO IT ANYWAY.
11
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-DON'T DO IT.
-IT'S BEEN A WHILE.
12
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I'M ASKING YOU
NOT TO DO IT.
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I'M GONNA DO IT.
YOU WANNA RUN, OR YOU WANT IT
STRAIGHT IN THE FACE?
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WELL, I WANNA RUN,
BUT HOW WOULD THAT LOOK?
15
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(humming scales)
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YOU GUYS WOULDN'T JUDGE ME
IF I RUN, RIGHT?
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(humming scales)
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COME ON, MAN.
THERE'S ALWAYS
ANOTHER OPTION.
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(screams)
20
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YOU OKAY NOW?
21
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HMM. THAT WAS GOOD.
22
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YOU KNOW ELSE IS GOOD?
YEARBOOKS.
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ALL OF OUR CLASSMATES
SAY WHAT THEY THINK OF US.
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YEARBOOK, FIND OUT
HOW WE'LL BE REMEMBERED.
25
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GUESS WHAT. YOU TOOK
ANOTHER NICE PICTURE,
YOU FREAK.
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THANKS, FARKLE.
27
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HOW WILL YOU BE REMEMBERED?
28
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DID THEY DO IT TO YOU AGAIN?
29
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"MOST LIKELY TO BE FARKLE..."
30
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FARKLE.
31
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I DIDN'T THINK
I'D WIN IT AGAIN THIS YEAR,
BUT I DID.
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WHAT DOES THAT
MEAN EXACTLY, FARKLE?
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HOW SHOULD I KNOW?
THEY TURNED BEING ME
INTO A CATEGORY.
34
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HEY, RILEY WON MOST LIKELY
TO SMILE HERSELF TO DEATH.
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AW. WELL, WHO WOULDN'T
WANNA GO THAT WAY?
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I MEAN, WHEN THE TIME COMES,
WHY YOU GOTTA BE A GLOOMY GUS?
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(scoffs) RILES, I DON'T THINK
THEY MEANT THIS AS A GOOD THING.
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THEY'RE MAKING FUN OF ME,
AND THEY'RE MAKING FUN
OF YOU TOO.
39
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-WHAT?
-WOULD YOU STOP SMILING?
40
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I'M NOT SMILING, MAYA.
THIS IS MY UPSET FACE.
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THIS IS SMILING.
42
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YOU KNOW WHAT?
I DON'T CARE WHAT THEY SAY.
43
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NEITHER DO I.
44
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-I DON'T CARE
WHAT THEY SAY AT ALL.
-NEITHER DO I AT ALL.
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(growls)
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HOW DID THIS STUFF
EVEN GET IN HERE?
WE'RE THE EDITORS.
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WOW, WE MUST HAVE
VERY POOR QUALITY CONTROL.
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WHAT DID YOU GET, HUCKLEBERRY?
49
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I GOT MOST LIKELY TO BE OKAY
WITH ANYTHING THAT EVER HAPPENS.
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HOW DO YOU FEEL ABOUT THAT?
51
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WELL, ACTUALLY,
I'M OKAY WITH THAT.
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OH!
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I'M NOT
ALL SUNSHINE AND RAINBOWS.
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I HAVE A DARK SIDE.
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LET ME SEE YOUR DARK-SIDE FACE.
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-AW.
-AW.
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LOOK, GUYS, WE'RE NOT GONNA MAKE
A HUGE DEAL OUT OF THIS, ARE WE?
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-YEAH. WHO CARES?
-IT'S ONLY WHAT
EVERYBODY THINKS OF US.
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WHAT'S MORE IMPORTANT
TO YOU?
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WHAT YOU THINK OF YOURSELF
OR WHAT OTHER PEOPLE
THINK OF YOU?
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-WHAT I THINK OF MYSELF.
-YEAH.
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AND WHAT I THINK OF MYSELF
IS THAT IT REALLY BOTHERS ME
WHAT OTHER PEOPLE THINK OF ME.
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-YEAH.
-WELL, FORGET ABOUT IT.
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IT'S NOT LIKE YOU CAN JUST
TURN AROUND AND BE SOMEONE NEW.
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YEAH.
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THIS IS ME NOW.
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-FARKLE?
-NOPE, FARKLE IS GONE.
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YOU WILL NEVER SEE HIM AGAIN.
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(theme music playing)
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♪ I'VE BEEN WAITING ♪
71
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♪ FOR A DAY ♪
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♪ LIKE THIS TO COME ♪
73
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♪ STRUCK LIKE LIGHTNING ♪
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♪ MY HEART'S BEATING LIKE
A DRUM ♪
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♪ ON THE EDGE ♪
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♪ OF SOMETHING WONDERFUL ♪
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♪ FACE-TO-FACE WITH CHANGES ♪
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♪ WHAT'S IT ALL ABOUT? ♪
79
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♪ LIFE IS CRAZY ♪
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♪ BUT I KNOW ♪
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♪ I CAN WORK IT OUT ♪
82
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♪ 'CAUSE I GOT YOU ♪
83
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♪ TO LIVE IT WITH ME ♪
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♪ I FEEL ALL RIGHT,
I'M GONNA TAKE ON THE WORLD ♪
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♪ LIGHT UP THE STARS,
I'VE GOT SOME PAGES TO TURN ♪
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♪ I'M SINGING "GO-O-O" ♪
87
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♪ OH, OH, OH, OH ♪
88
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♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
89
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♪ TAKE ON THE WORLD ♪
90
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♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
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♪ TAKE ON THE WORLD. ♪
92
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OKAY, WHAT HAVE WE GOT HERE?
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I'M DONNIE BARNES.
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REALLY, FARKLE, OF ALL THE NAMES
IN THE WORLD YOU COULD PICK
FOR ANOTHER PERSONALITY,
95
00:04:03,291 --> 00:04:04,833
YOU PICK DONNIE BARNES?
96
00:04:04,833 --> 00:04:05,833
YOU DON'T GET IT, DO YOU?
97
00:04:05,833 --> 00:04:07,708
I'M DONNIE BARNES, REGULAR GUY.
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I'D SEE THAT MOVIE.
99
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DONNIE BARNES IS THE REAL ME.
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FARKLE MINKUS IS MY GOOFY
OTHER PERSONALITY.
101
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NO, YOU'RE FARKLE.
102
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LOOK, I'LL PROVE IT TO YOU.
103
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SEE?
104
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HOW DID YOU POSSIBLY DO THAT?
105
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I DON'T WANNA BE
MOST LIKELY TO BE FARKLE.
106
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FACE IT, COWBOY.
THERE'S A NEW
PRETTY BOY IN TOWN.
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THANK YOU. I AM...
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DONNIE BARNES.
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ARE YOU GONNA DO SOMETHING?
110
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BECAUSE THIS IS WHERE
YOU DO SOMETHING, RIGHT?
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00:04:41,458 --> 00:04:42,875
ARE YOU GONNA DO SOMETHING?
IS THERE A LESSON?
112
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YOU GOT A LESSON?
IS THERE A LESSON?
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-ICELAND.
-ICELAND!
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YOU ALL FIXED?
115
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NO? I DON'T THINK
HE'S ALL FIXED.
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IF THAT WAS RILEY,
YOU KNOW YOU'D FIX HER.
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-SIT DOWN, LUCAS.
-OH, YOU KNOW I'M RIGHT.
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ICELAND AND GREENLAND.
STYLE
::cue(.speaker)
::cue(.speakerTop)
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WHAT DO YOU THINK ABOUT THEM,
MR. BARNES?
120
00:05:03,083 --> 00:05:05,458
WHEN I LOOK LIKE THIS,
I DON'T HAVE TO THINK,
RIGHT, LUCAS?
121
00:05:05,458 --> 00:05:07,875
DUDE, I WON
THE SCHOLAR ATHLETE AWARD.
122
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OOH, NERD ALERT!
123
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ICELAND AND GREENLAND, ANYBODY?
124
00:05:14,291 --> 00:05:16,833
-ICELAND IS A LAND OF ICE.
-WRONG.
125
00:05:16,833 --> 00:05:19,583
-THEN GREENLAND
IS A LAND OF GREEN.
-WRONG.
126
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THEN WHO CARES?
STUPID COUNTRIES
DON'T EVEN KNOW WHO THEY ARE.
127
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(muttering) STUPID COUNTRIES.
128
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THE VIKINGS DISCOVERED
THIS BEAUTIFUL GREEN COUNTRY.
129
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-I COME FROM VIKINGS.
-YOU DO?
130
00:05:29,458 --> 00:05:30,833
YOU DON'T KNOW ME.
131
00:05:30,833 --> 00:05:32,166
OKAY.
132
00:05:32,166 --> 00:05:35,833
SO, THE VIKINGS,
THEY DIDN'T WANT ANYONE ELSE
TAKING THEIR NEW COUNTRY,
133
00:05:35,833 --> 00:05:38,833
SO THEY DECIDED
TO NAME IT ICELAND.
134
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EVERYONE FIGURES
IT MUST BE COLD.
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NOBODY WANTS TO GO THERE.
136
00:05:42,875 --> 00:05:46,583
SO THEY MADE EVERYBODY
THINK OF IT IN THAT WAY
EVEN THOUGH IT WASN'T TRUE?
137
00:05:46,583 --> 00:05:47,750
THAT'S RIGHT.
138
00:05:47,750 --> 00:05:49,958
THEN ANOTHER VIKING COMES ALONG,
ERIK THE RED,
139
00:05:49,958 --> 00:05:52,875
AND HE DISCOVERS
A LAND OF SNOW AND ICE.
140
00:05:52,875 --> 00:05:54,833
AND HE WANTS EVERYONE
TO GO THERE INSTEAD,
141
00:05:54,833 --> 00:05:56,875
SO HE NAMES THAT GREENLAND,
142
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AND EVERYONE GOES THERE.
143
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THE JERKS!
144
00:06:01,583 --> 00:06:05,125
SO YOU'RE SAYING
THE PERCEPTION OF A THING
DOESN'T MAKE IT SO?
145
00:06:05,125 --> 00:06:07,708
I'M SAYING PEOPLE
ARE ALWAYS GONNA SAY STUFF.
146
00:06:07,708 --> 00:06:11,708
HOW YOU REACT TO WHAT THEY SAY
IS WHAT MAKES YOU
THE PERSON YOU ARE.
147
00:06:11,708 --> 00:06:14,291
-SO DON'T REACT.
-THAT'S RIGHT.
148
00:06:14,291 --> 00:06:16,083
JUST KEEP ON SMILING.
149
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WOULD YOU, PLEASE?
150
00:06:17,750 --> 00:06:18,875
LESSON OVER.
151
00:06:18,875 --> 00:06:23,500
AND NOTHING ANYBODY ELSE SAYS
IS EVER GOING TO MAKE ME FEEL
ANY DIFFERENT.
152
00:06:23,500 --> 00:06:25,583
HEY, MAYA, LUCAS,
153
00:06:25,583 --> 00:06:27,375
CONGRATULATIONS ON WINNING
FAVORITE COUPLE.
154
00:06:30,625 --> 00:06:32,416
I FEEL DIFFERENT.
155
00:06:33,458 --> 00:06:34,583
HOW IS THAT POSSIBLE?
156
00:06:34,583 --> 00:06:37,166
HOW COULD ANYBODY EVER SEE
ME AND LUCAS AS A COUPLE?
157
00:06:37,166 --> 00:06:38,625
EVERYBODY DOES.
158
00:06:38,625 --> 00:06:40,333
BUT WE'RE SO MUCH ALIKE.
159
00:06:40,333 --> 00:06:42,750
AND THEY'RE SO DIFFERENT.
160
00:06:42,750 --> 00:06:44,875
BUT WE'RE LIKE A SUMMER RAIN.
161
00:06:44,875 --> 00:06:47,083
AND THEY'RE LIKE FIRE.
162
00:06:50,833 --> 00:06:52,875
DADDY, REMEMBER
WHEN YOU TOLD ME
NOT TO REACT?
163
00:06:52,875 --> 00:06:54,125
YES.
164
00:06:54,125 --> 00:06:55,750
I'M GONNA REACT.
165
00:07:07,833 --> 00:07:09,416
YOU OPEN THIS BAY WINDOW
RIGHT NOW.
166
00:07:09,416 --> 00:07:11,208
I WISH TO BE ALONE.
167
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RING POWER!
168
00:07:13,708 --> 00:07:15,375
CURSES!
169
00:07:17,166 --> 00:07:18,583
HEY, RILEY, FUNNY QUESTION.
170
00:07:18,583 --> 00:07:20,208
HAVE YOU SEEN
EVERYTHING BLACK I OWN?
171
00:07:20,208 --> 00:07:22,583
OH, HEY, LOOK AT YOU.
172
00:07:22,583 --> 00:07:24,458
THERE IS NO MORE RILEY.
173
00:07:24,458 --> 00:07:26,833
MY NAME IS MOROTIA M. BLACK.
174
00:07:28,708 --> 00:07:29,708
WHAT DOES THE M. STAND FOR?
175
00:07:29,708 --> 00:07:31,166
MOROTIA.
176
00:07:32,625 --> 00:07:34,458
POOR, DARK THING, YOU.
177
00:07:34,458 --> 00:07:36,375
YEAH, SHE'S VERY DEPRESSED.
178
00:07:36,375 --> 00:07:40,875
OH? WELL, THAT'S TOO BAD.
179
00:07:40,875 --> 00:07:45,500
YOU KNOW,
THE NEIGHBOR'S GOLDEN RETRIEVER
JUST GAVE BIRTH TO SIX PUPPIES.
180
00:07:45,500 --> 00:07:47,625
MUST FIGHT CUTE!
181
00:07:47,625 --> 00:07:50,833
OH, BUT HAVE THEY MET
THE OTHER NEIGHBOR'S
BUNNIES YET?
182
00:07:50,833 --> 00:07:53,166
-(gasps)
-THEY JUST DID.
183
00:07:53,166 --> 00:07:58,875
THERE IS A BUNNY AND A PUPPY
NIBBLING AT OPPOSITE ENDS
OF THE SAME CARROT.
184
00:07:58,875 --> 00:07:59,875
GAH!
185
00:08:02,583 --> 00:08:04,500
THEY'RE GONNA KISS.
THIS IS FANTASTIC.
186
00:08:04,500 --> 00:08:06,708
-THAT'S EXACTLY
WHAT THE PONY SAID.
-NO!
187
00:08:06,708 --> 00:08:08,625
CUT IT OUT!
188
00:08:08,625 --> 00:08:10,750
-YOU SNAP OUT OF IT.
-AND DO WHAT?
189
00:08:10,750 --> 00:08:12,375
SMILE MYSELF TO DEATH?
190
00:08:12,375 --> 00:08:15,000
RILEY IS GONE.
EVERYBODY ELSE IS RIGHT.
191
00:08:15,000 --> 00:08:20,000
I'M WASTING MY LIFE,
AND I'M TIRED OF BEING
CHIP-CHIP-CHIPPER.
192
00:08:21,583 --> 00:08:23,708
YOU ARE BEING RIDICULOUS.
193
00:08:23,708 --> 00:08:25,500
IS THERE ANYBODY
MORE RIDICULOUS THAN YOU?
194
00:08:25,500 --> 00:08:26,875
KNOCK, KNOCK.
195
00:08:28,458 --> 00:08:31,125
-WHO'S THERE?
-I'M DONNIE BARNES!
196
00:08:31,125 --> 00:08:34,708
I CAN'T BELIEVE I'M SAYING THIS,
BUT I REALLY MISS, "LADIES."
197
00:08:34,708 --> 00:08:35,833
THAT'S A CATCHPHRASE,
198
00:08:35,833 --> 00:08:38,833
AND DONNIE BARNES DON'T NEED
NO STINKING CATCHPHRASE.
199
00:08:38,833 --> 00:08:40,958
YOU KNOW WHY?
I'M DONNIE BARNES.
200
00:08:40,958 --> 00:08:42,458
SHPLIDOW!
201
00:08:44,708 --> 00:08:45,875
OKAY, I'M OUT.
202
00:08:46,875 --> 00:08:48,333
RILEY, I CAME OVER
TO CHECK ON YOU.
203
00:08:48,333 --> 00:08:50,500
BECAUSE, WELL,
I KIND OF EXPECTED THIS.
204
00:08:50,500 --> 00:08:51,833
DONNIE BARNES, REGULAR GUY.
205
00:08:51,833 --> 00:08:54,708
MOROTIA M. BLACK.
SHPLIDEAD INSIDE.
206
00:08:55,875 --> 00:08:59,000
I FEEL YOU.
WHAT'S SAY YOU AND I
PLAY BY OUR OWN RULES?
207
00:09:00,166 --> 00:09:04,583
SHALL WE SIT AND PONDER
ON THE RIDICULOUS FUTILITY
OF CARING?
208
00:09:04,583 --> 00:09:05,583
LET'S DO IT.
209
00:09:06,750 --> 00:09:08,125
YOU GET ME.
210
00:09:09,875 --> 00:09:13,416
STOP. RILEY, IS THIS ABOUT
THE ME AND LUCAS BEST COUPLE
THING?
211
00:09:13,416 --> 00:09:14,875
THAT DOESN'T AFFECT ME AT ALL.
212
00:09:18,250 --> 00:09:19,750
WE NEED RILEY BACK.
213
00:09:19,750 --> 00:09:22,708
THERE IS NO VALUE
TO THE EXISTENCE OF RILEY.
214
00:09:22,708 --> 00:09:25,458
WELL, WE NEED RILEY BACK
TO GET FARKLE BACK.
215
00:09:25,458 --> 00:09:28,875
THERE IS NO VALUE TO
THE EXISTENCE OF FARKLE, DUDE.
216
00:09:32,458 --> 00:09:35,958
GUYS, LISTEN, OKAY,
I KNOW YOU'RE HURT.
217
00:09:35,958 --> 00:09:38,083
I KNOW WHAT PEOPLE SAY
CAN BE UPSETTING,
218
00:09:38,083 --> 00:09:40,708
BUT I HAVE NO INTEREST
LIVING IN A WORLD
WITHOUT RILEY OR FARKLE.
219
00:09:40,708 --> 00:09:43,583
AND I'M NOT GOING ANYWHERE
UNTIL YOU TWO COME BACK.
YOU HEAR ME?
220
00:09:43,583 --> 00:09:45,583
MAYA, THE PEOPLE YOU KNEW
AREN'T HERE ANYMORE.
221
00:09:45,583 --> 00:09:47,875
THEN CAN YOU PLEASE TELL ME
WHERE I CAN FIND THEM?
222
00:09:48,875 --> 00:09:50,458
THEY'RE IN THE YEARBOOK.
223
00:09:50,458 --> 00:09:53,291
KEEP IN TOUCH
AND HAVE AN AWESOME SUMMER.
224
00:09:55,000 --> 00:09:56,875
KNOWING YOU IS SO HARD.
STYLE
::cue(.speaker)
::cue(.speakerTop)
225
00:10:09,458 --> 00:10:12,583
PAY NO ATTENTION
TO THE BUNNY NIGHT-LIGHT.
226
00:10:14,833 --> 00:10:16,708
I'M DONNIE BARNES.
227
00:10:23,000 --> 00:10:24,458
MOM, I NEED YOUR HELP.
228
00:10:24,458 --> 00:10:28,750
OH, I DON'T THINK I'VE EVER
HEARD MORE BEAUTIFUL WORDS
COME OUT OF THAT LITTLE FACE.
229
00:10:28,750 --> 00:10:30,708
YOU'RE A GREAT
ACTRESS/WAITRESS, RIGHT?
230
00:10:30,708 --> 00:10:34,333
WELL, SOME HAVE SAID
MY CROWD PERSON NUMBER THREE
231
00:10:34,333 --> 00:10:38,000
IN HEY, MISTER,
WATCH OUT FOR THAT CAR
WAS LIFE-CHANGING. YES.
232
00:10:38,000 --> 00:10:42,125
(in cockney accent)
HEY, MISTER, YOU SHOULD HAVE
WATCHED OUT FOR THAT CAR, YEAH!
233
00:10:45,708 --> 00:10:47,208
I NEED YOU
TO TURN ME INTO RILEY.
234
00:10:47,208 --> 00:10:49,833
-DOES RILEY NEED TO SAY,
"HEY, MISTER..."
-NO.
235
00:10:49,833 --> 00:10:50,708
NO?
236
00:10:51,750 --> 00:10:53,083
WELL, IS SHE WILLING TO?
237
00:10:53,083 --> 00:10:55,208
I DON'T KNOW HOW TO DO
WHAT SHE DOES, ALL RIGHT?
238
00:10:55,208 --> 00:10:58,708
SHE FIXES THINGS.
I BREAK THINGS.
WE NEED SOMEONE TO BE HER.
239
00:10:58,708 --> 00:11:01,000
YOU WANNA BE RILEY MATTHEWS,
240
00:11:01,000 --> 00:11:03,083
YOU GOTTA GET INSIDE HER SOUL.
241
00:11:03,083 --> 00:11:05,750
MY SOUL MOTEL HAS NO VACANCY.
242
00:11:05,750 --> 00:11:11,458
IT IS FULLY OCCUPIED
BY SCARY JACK-O-LANTERNS
AND CANDY CORNS.
243
00:11:12,500 --> 00:11:14,208
AW, DARK RILEY
244
00:11:14,208 --> 00:11:17,125
IS REALLY SCRAPING THE BOTTOM
OF THE HALLOWEEN BARREL,
NOW ISN'T SHE?
245
00:11:18,208 --> 00:11:20,750
YOU DIDN'T TEACH ME
ENOUGH BAD THINGS.
246
00:11:20,750 --> 00:11:22,833
I'M SO SORRY, HONEY.
247
00:11:22,833 --> 00:11:24,875
RILEY, WE NEED YOU BACK
TO FIX FARKLE.
248
00:11:24,875 --> 00:11:25,875
IT'S WHAT YOU DO.
249
00:11:25,875 --> 00:11:29,583
WHAT IF WE ARE FIXED?
WHAT IF THIS IS
WHO WE'RE SUPPOSED TO BE?
250
00:11:30,708 --> 00:11:33,833
MA, YOU GOTTA HELP ME OUT HERE.
IF SHE'S NOT GONNA BE HER,
I WILL. SHOW ME HOW.
251
00:11:33,833 --> 00:11:36,708
ALL RIGHT, BUT BEFORE
YOU BECOME ANOTHER PERSON,
252
00:11:36,708 --> 00:11:40,708
UNDERSTAND THAT
YOU MAY LEARN THINGS ABOUT THEM
YOU DIDN'T KNOW BEFORE.
253
00:11:40,708 --> 00:11:44,333
YOU MAY LEARN A SECRET
EVEN THEY DON'T KNOW
ABOUT THEMSELVES.
254
00:11:44,333 --> 00:11:48,250
RILEY, THIS IS YOUR LAST CHANCE,
OR ELSE, I BECOME YOU,
AND KNOW ALL OF YOUR SECRETS.
255
00:11:48,250 --> 00:11:52,125
NONSENSE. IT'S IMPOSSIBLE
TO BECOME SOMEBODY ELSE.
256
00:12:01,833 --> 00:12:04,833
(imitating Riley)
I LOVE TODAY.
257
00:12:04,833 --> 00:12:07,500
TODAY IS EVEN BETTER
THAN YESTERDAY,
258
00:12:07,500 --> 00:12:11,750
AND YESTERDAY WAS
THE BEST DAY EVER!
259
00:12:11,750 --> 00:12:17,125
I'D THINK ABOUT TOMORROW,
BUT I AM AFRAID I'D BURST
INTO SPARKLES.
260
00:12:17,125 --> 00:12:18,875
OH, THERE IT IS. THERE IT IS.
261
00:12:20,708 --> 00:12:23,166
IF YOU WERE BETTER,
PERHAPS I'D GASP.
262
00:12:26,416 --> 00:12:27,708
-STOP IT.
-STOP IT.
263
00:12:29,583 --> 00:12:30,708
GASP.
264
00:12:37,708 --> 00:12:40,166
PLEASE BE BACK TO NORMAL.
PLEASE BE BACK TO NORMAL.
265
00:12:40,166 --> 00:12:41,750
I'M DONNIE BARNES.
266
00:12:41,750 --> 00:12:43,083
(sighs)
267
00:12:48,333 --> 00:12:49,583
WHAT THE...
268
00:12:50,625 --> 00:12:54,708
LIFE IS WHAT WE DO
BETWEEN NOTHINGS.
269
00:12:56,458 --> 00:12:58,458
IS THIS A NEW YORK THING,
OR WHAT IS THIS?
270
00:12:59,958 --> 00:13:01,291
MAYA?
271
00:13:02,333 --> 00:13:06,208
LOLLIPOPS, AND CIRCUSES,
AND THINGS THAT RHYME WITH THAT.
272
00:13:07,500 --> 00:13:10,583
NO! THIS IS YOUR SOLUTION, MAYA?
273
00:13:10,583 --> 00:13:12,375
(shyly) HI.
274
00:13:13,375 --> 00:13:14,500
HEY.
275
00:13:15,583 --> 00:13:16,958
HI.
276
00:13:16,958 --> 00:13:18,250
NO!
277
00:13:20,458 --> 00:13:23,708
PLEASE BE BACK TO NORMAL.
PLEASE BE BACK TO NORMAL.
278
00:13:23,708 --> 00:13:25,000
WHAT'S UP, HAMBONE?
279
00:13:26,708 --> 00:13:29,291
DON'T WORRY, DADDY.
I'M GOING TO FIX
EVERYBODY RIGHT UP.
280
00:13:29,291 --> 00:13:30,583
(screams)
281
00:13:31,583 --> 00:13:34,708
ALL RIGHT, YOU KNOW WHAT?
IT'S LUCAS TIME.
282
00:13:34,708 --> 00:13:36,708
YOU'RE THE BEST FARKLE WE GOT,
AND EVERYONE KNOWS IT.
283
00:13:37,875 --> 00:13:40,875
AND YOU ARE A COMPLETE
RAY OF SUNSHINE.
284
00:13:40,875 --> 00:13:42,000
AND YOU ARE NOT.
285
00:13:43,416 --> 00:13:44,708
AND THAT'S WHO WE ARE.
286
00:13:44,708 --> 00:13:46,333
I DON'T KNOW WHAT THIS IS.
287
00:13:46,333 --> 00:13:48,416
BUT I DO KNOW THAT IF YOU LET
SOMEONE SAY WHO YOU ARE,
288
00:13:48,416 --> 00:13:49,750
THEN YOU REALLY WON'T BE
WHO YOU ARE,
289
00:13:49,750 --> 00:13:53,750
AND YOU CERTAINLY WON'T END UP
BEING WHO YOU WERE MEANT TO BE.
290
00:13:53,750 --> 00:13:55,875
IF YOU END THIS
WITH ICELAND OR GREENLAND,
291
00:13:55,875 --> 00:13:58,000
I'LL GIVE YOU AN A
ON THE REPORT RIGHT NOW.
292
00:13:59,166 --> 00:14:01,625
BECAUSE YOU ARE THE ONLY ONE
IN HERE I RECOGNIZE.
293
00:14:06,000 --> 00:14:07,958
DON'T WORRY.
I'M NOT GONNA STAY RILEY.
294
00:14:07,958 --> 00:14:09,958
I KNOW HOW MUCH EVERYBODY
WOULD MISS ME IF I DID.
295
00:14:09,958 --> 00:14:11,833
NO, NO, STAY RILEY.
296
00:14:11,833 --> 00:14:13,125
YEAH, YOU'RE A GOOD RILEY.
297
00:14:14,583 --> 00:14:16,583
WAIT. YOU LIKE US ALL LIKE THIS?
298
00:14:16,583 --> 00:14:19,000
WE LIKE RILEY.
WE DON'T CARE WHO PLAYS HER.
299
00:14:20,125 --> 00:14:21,166
WHAT ABOUT MAYA?
300
00:14:21,166 --> 00:14:23,583
NOTHING WE DO MATTERS.
301
00:14:24,750 --> 00:14:26,583
MAYA, YOU'RE THE MOST SECURE
PERSON IN THIS ROOM.
302
00:14:26,583 --> 00:14:28,333
YOU HAVE A GREAT LIFE.
WHY WOULD YOU CHANGE?
303
00:14:28,333 --> 00:14:29,583
I MEAN, OKAY, NOT GREAT LIFE.
304
00:14:29,583 --> 00:14:31,500
I MEAN, YOUR FAMILY LIFE
COULD BE, YOU KNOW, BETTER.
305
00:14:31,500 --> 00:14:34,500
BUT AT LEAST
AT SCHOOL, YOU'RE, UH...
YOU'RE HERE A LOT.
306
00:14:34,500 --> 00:14:36,375
RIGHT?
307
00:14:36,375 --> 00:14:37,708
LITTLE HELP, PLEASE.
308
00:14:38,750 --> 00:14:39,708
DONNIE BARNES?
309
00:14:39,708 --> 00:14:42,125
I THINK PEOPLE SHOULD BE
THE BEST PERSON THEY CAN BE.
310
00:14:43,125 --> 00:14:44,125
I AGREE.
311
00:14:45,125 --> 00:14:47,000
RILEY MATTHEWS IS
THE BEST PERSON I CAN BE.
312
00:14:48,000 --> 00:14:50,500
MAYA IS GONE,
AND YOU'RE NEVER GONNA
SEE HER AGAIN.
313
00:14:52,375 --> 00:14:55,500
♪ LA LA LA
LA LA LA ♪
314
00:14:55,500 --> 00:14:58,208
WORLD PEACE.
315
00:14:58,208 --> 00:15:00,291
AND BUNNIES!
316
00:15:07,625 --> 00:15:11,250
OKAY, DO CORY.
HE HAS TO CHOOSE
BETWEEN ME AND SHAWN. GO.
STYLE
::cue(.speaker)
::cue(.speakerTop)
317
00:15:11,250 --> 00:15:12,291
SHAWN.
318
00:15:16,000 --> 00:15:18,000
I WONDER HOW MAYA IS DOING
AS RILEY.
319
00:15:18,000 --> 00:15:20,000
OH, I HOPE EVERYTHING
IS GOING OKAY.
320
00:15:20,000 --> 00:15:23,083
COMING TO TERMS
WITH YOUR IDENTITY CAN
BE SO DIFFICULT AT THEIR AGE.
321
00:15:23,083 --> 00:15:24,583
WELL, I WENT THROUGH IT.
322
00:15:24,583 --> 00:15:25,750
I'M SURE YOU AND CORY
WENT THROUGH IT.
323
00:15:25,750 --> 00:15:28,750
YEAH, I WAS WEIRD.
CORY WAS CELERY.
324
00:15:29,875 --> 00:15:31,583
SOMETHING WILL CHANGE
BECAUSE OF THIS.
325
00:15:31,583 --> 00:15:33,875
WHEN YOU BECOME SOMEONE ELSE,
EVEN THOUGH YOU'RE JUST ACTING,
326
00:15:33,875 --> 00:15:36,875
IT'S IMPOSSIBLE NOT TO DISCOVER
SOMETHING YOU DIDN'T KNOW
BEFORE.
327
00:15:36,875 --> 00:15:38,583
HMM. DO YOU EVER DO MAYA?
328
00:15:38,583 --> 00:15:40,250
OOH, I CAN'T.
329
00:15:40,250 --> 00:15:42,708
WHEN YOU HAVE
STRONG EMOTIONS FOR SOMEONE,
330
00:15:42,708 --> 00:15:44,708
IT'S LIKE YOU'RE TOO CLOSE
TO SEE STRAIGHT.
331
00:15:44,708 --> 00:15:46,750
HMM. DO SHAWN.
332
00:15:49,708 --> 00:15:51,458
HEY, I'M SHAWN.
333
00:15:51,458 --> 00:15:52,583
THAT WASN'T GOOD.
334
00:15:52,583 --> 00:15:54,708
YOU HAVING
SOME ISSUES THERE, KATY?
335
00:15:56,583 --> 00:15:57,583
YOU SET ME UP.
336
00:15:58,708 --> 00:15:59,750
HUH.
337
00:16:06,875 --> 00:16:10,750
ALL RIGHT, YOU ALL SAY
I'M MOST LIKELY
TO BE OKAY WITH ANYTHING.
338
00:16:10,750 --> 00:16:12,625
WELL, I'M NOT OKAY
WITH ANY OF THIS.
339
00:16:12,625 --> 00:16:14,708
I'M NOT OKAY
WITH ALL YOU GUYS NOT REALIZING
340
00:16:14,708 --> 00:16:16,875
THAT WHAT YOU SAY
ABOUT PEOPLE MATTERS.
341
00:16:16,875 --> 00:16:20,708
AND I'M NOT OKAY WITH YOU GUYS
THINKING WHAT PEOPLE SAY
ABOUT YOU MATTERS.
342
00:16:24,000 --> 00:16:26,875
YOU KNOW WHAT HAPPENED AFTER
EVERYBODY WENT TO GREENLAND
BECAUSE SOMEONE TOLD THEM TO?
343
00:16:26,875 --> 00:16:28,625
-DONNIE?
-RILEY?
344
00:16:28,625 --> 00:16:29,875
BLACK SWAN?
345
00:16:29,875 --> 00:16:32,208
THEY ALL DIED.
346
00:16:33,375 --> 00:16:34,375
YEP.
347
00:16:35,375 --> 00:16:37,583
-WHAT? REALLY?
-REALLY.
348
00:16:38,833 --> 00:16:43,416
THEY CAME TO AN INHOSPITABLE,
UNINHABITED ICE BALL
NAMED GREENLAND
349
00:16:43,416 --> 00:16:45,583
BECAUSE SOMEONE SAID
IT WAS PRETTY,
350
00:16:45,583 --> 00:16:49,000
AND THE FIRST THING THEY DID
WAS DIE.
351
00:16:49,000 --> 00:16:50,583
THE JERKS!
352
00:16:52,416 --> 00:16:56,208
SO PLEASE REMEMBER,
YOU SHOULDN'T PAY ATTENTION
TO WHAT EVERYBODY SAYS.
353
00:16:56,208 --> 00:16:58,166
BECAUSE IF YOU LISTEN
TO EVERYBODY ELSE,
354
00:16:58,166 --> 00:17:00,875
YOU JUST MIGHT END UP
CRASHING YOUR LITTLE SHIPS
ONTO THE ROCKS.
355
00:17:00,875 --> 00:17:03,375
BUT YOU SHOULD LISTEN TO
THE PEOPLE WHO CARE ABOUT YOU.
356
00:17:03,375 --> 00:17:06,250
BECAUSE THEY HAVE
YOUR BEST INTEREST AT HEART.
357
00:17:06,250 --> 00:17:07,583
RIGHT, BUDDY?
358
00:17:07,583 --> 00:17:10,208
YOU'RE MUCH MORE
THAN JUST A REGULAR GUY.
359
00:17:10,208 --> 00:17:13,833
AW, LUCAS,
YOU'RE A VERY SWEET GUY.
360
00:17:13,833 --> 00:17:16,625
THAT'S WHY I ALWAYS LIKED YOU
SINCE I FELL INTO YOUR LAP
ON THE SUBWAY.
361
00:17:16,625 --> 00:17:18,458
IT'S WHY WE SHOULD HAVE BEEN
FAVORITE COUPLE,
362
00:17:18,458 --> 00:17:20,083
BECAUSE WE'RE SO MUCH ALIKE.
363
00:17:20,083 --> 00:17:23,875
YOU KNOW, IT'S LIKE
WE'RE TWO SUNSHINE-Y PEOPLE
FROM THE SAME SUNSHINE-Y FAMILY.
364
00:17:23,875 --> 00:17:25,166
THAT'S WHY I LIKE YOU SO MUCH.
365
00:17:25,166 --> 00:17:26,458
IT'S LIKE YOU'RE MY BROTHER.
366
00:17:26,458 --> 00:17:27,458
OH.
367
00:17:29,958 --> 00:17:31,583
-IT'S LIKE HE'S YOUR...
-WHAT?
368
00:17:31,583 --> 00:17:32,958
WHOA.
369
00:17:32,958 --> 00:17:34,458
WHAT JUST HAPPENED?
370
00:17:34,458 --> 00:17:37,416
UH, NOTHING.
NOTHING HAPPENED.
371
00:17:37,416 --> 00:17:38,500
I DON'T WANNA BE RILEY ANYMORE.
372
00:17:38,500 --> 00:17:40,166
ONLY YOU'RE RILEY. I'M MAYA.
373
00:17:40,166 --> 00:17:42,750
WE DON'T CARE WHAT YOU SAY.
WE'RE NOT CRASHING OUR SHIPS.
374
00:17:42,750 --> 00:17:44,416
COME BACK. COME BACK RIGHT NOW.
375
00:17:48,250 --> 00:17:49,833
(bell ringing)
376
00:17:57,583 --> 00:18:00,708
WOW. THERE IS A LOT OF LIGHT
IN THIS WORLD.
377
00:18:02,375 --> 00:18:03,625
IF YOU LET IT IN, YEAH.
378
00:18:04,625 --> 00:18:05,875
YOU KNOW WHO TAUGHT ME THAT?
379
00:18:07,291 --> 00:18:08,458
ME.
380
00:18:08,458 --> 00:18:10,250
THE REAL YOU, YEAH.
381
00:18:11,583 --> 00:18:13,458
WE NEED YOU BACK, RILEY.
382
00:18:13,458 --> 00:18:17,125
IF YOU WANNA LISTEN
TO WHAT PEOPLE SAY,
LISTEN TO THE RIGHT PEOPLE.
383
00:18:17,125 --> 00:18:19,375
LISTEN TO ME. I'M MAYA.
384
00:18:26,333 --> 00:18:27,875
-MAYA.
-YEAH, SUNSHINE.
385
00:18:27,875 --> 00:18:32,000
YOUR MOM TOLD YOU
THAT YOU MIGHT FIND OUT
A SECRET ABOUT ME.
386
00:18:32,000 --> 00:18:34,708
DID YOU FIND ANYTHING OUT
ABOUT ME THAT MAYBE
YOU SHOULD TELL ME?
387
00:18:38,000 --> 00:18:39,125
NO.
388
00:18:40,833 --> 00:18:42,708
DID THE BUNNY AND THE PUPPY
REALLY KISS?
389
00:18:43,708 --> 00:18:45,583
ABSOLUTELY, RILEY, THEY DID.
390
00:18:45,583 --> 00:18:47,583
BUT I KNOW THAT THE PONY
DIDN'T ACTUALLY TALK.
391
00:18:48,708 --> 00:18:50,375
I CAN'T KEEP ANYTHING FROM YOU.
392
00:18:50,375 --> 00:18:52,625
THAT'S BECAUSE
I'M A SMARTY-PANTS.
393
00:18:52,625 --> 00:18:54,583
YES, YOU ARE.
394
00:18:56,833 --> 00:18:58,750
CAN YOU PLEASE
FIX EVERYTHING NOW?
395
00:19:00,583 --> 00:19:01,875
THERE IT IS.
396
00:19:10,833 --> 00:19:12,875
YEAH, WE KNOW WHO WE ARE.
397
00:19:12,875 --> 00:19:14,416
AND YOU KNOW WHO YOU ARE.
398
00:19:15,833 --> 00:19:18,708
YOU'RE FARKLE,
AND IT'S A STATE OF BEING.
399
00:19:18,708 --> 00:19:20,083
THERE'S ONLY ONE,
400
00:19:20,083 --> 00:19:22,583
AND EVERYBODY
WHO CARES ABOUT YOU KNOWS THAT.
401
00:19:22,583 --> 00:19:24,291
YOU ARE IN
YOUR OWN CATEGORY, FARKLE.
402
00:19:24,291 --> 00:19:27,458
I'M GLAD YOU GUYS
ARE BACK TO NORMAL.
I LOVE YOU BOTH ANY WAY YOU ARE.
403
00:19:29,208 --> 00:19:30,625
SO YOU'RE GONNA COME BACK TOO?
404
00:19:30,625 --> 00:19:32,875
-NO.
-WHY NOT?
405
00:19:32,875 --> 00:19:36,416
BECAUSE PEOPLE CHANGE, LUCAS.
I THINK YOU KNOW THAT
BETTER THAN ANYONE.
406
00:19:36,416 --> 00:19:37,750
AND I THINK
IT COULD BE A GOOD THING.
407
00:19:37,750 --> 00:19:38,875
WHAT?
408
00:19:38,875 --> 00:19:41,416
YOU DON'T HAVE
TO CALL ME DONNIE BARNES.
409
00:19:41,416 --> 00:19:44,875
I MADE THAT UP.
MY NAME IS FARKLE MINKUS.
410
00:19:44,875 --> 00:19:46,291
I'M GROWING UP.
411
00:19:46,291 --> 00:19:48,458
AND I DON'T KNOW
WHAT'S GONNA HAPPEN NEXT.
412
00:19:48,458 --> 00:19:51,708
BUT YOU GUYS
ARE MY BEST FRIENDS,
SO DEAL WITH IT.
413
00:20:02,833 --> 00:20:05,750
OKAY, FARKLE,
WHO ARE YOU?
414
00:20:05,750 --> 00:20:07,250
I WANNA KNOW
THE NEW RULES.
415
00:20:07,250 --> 00:20:08,708
I'M FINDING OUT WHO I AM.
416
00:20:08,708 --> 00:20:10,458
YOU KNOW WHO YOU ARE.
417
00:20:10,458 --> 00:20:12,125
YOU HAVE YOUR OWN CATEGORY
NAMED AFTER YOU.
STYLE
::cue(.speaker)
::cue(.speakerTop)
418
00:20:12,125 --> 00:20:13,583
WHAT'S A FARKLE ANYWAY?
419
00:20:13,583 --> 00:20:18,291
A FARKLE IS A LOYAL, LOVING,
BEST POSSIBLE FRIEND
THAT THERE COULD BE.
420
00:20:19,291 --> 00:20:20,458
I THINK EVERYONE
SHOULD HAVE ONE.
421
00:20:20,458 --> 00:20:23,291
BUT THEY DON'T, AND I DO.
422
00:20:23,291 --> 00:20:24,708
AND I NEVER WANT HIM TO GO AWAY.
423
00:20:24,708 --> 00:20:27,750
A FARKLE IS A NERDY, LITTLE
SCIENTIST GENIUS.
424
00:20:27,750 --> 00:20:29,375
YOU SAY THAT
LIKE IT'S A BAD THING.
425
00:20:29,375 --> 00:20:30,875
-IS IT?
-NO.
426
00:20:30,875 --> 00:20:31,708
NOT TO ME.
427
00:20:31,708 --> 00:20:33,833
AND NOT TO THE PEOPLE
WHO TRULY CARE ABOUT YOU.
428
00:20:33,833 --> 00:20:36,583
-SO IT'S OKAY IF I STAY
THE SCIENTIST THAT I AM?
-YES.
429
00:20:36,583 --> 00:20:38,250
AND YOU'LL ALLOW ME
TO RUN SOME TESTS?
430
00:20:39,250 --> 00:20:40,291
WHAT KIND?
431
00:20:41,833 --> 00:20:45,291
IN ORDER FOR
A LIVING ORGANISM TO THRIVE,
432
00:20:45,291 --> 00:20:46,750
IT NEEDS TO BE ALLOWED TO GROW.
433
00:20:48,250 --> 00:20:49,500
I HEAR YOU.
434
00:20:49,500 --> 00:20:51,333
I MAY NOT WEAR
MY TURTLENECKS EVERY DAY.
435
00:20:51,333 --> 00:20:53,583
I'LL MISS THEM.
436
00:20:53,583 --> 00:20:55,625
YOU STILL WANNA
TAKE OVER THE WORLD?
437
00:20:55,625 --> 00:20:57,708
I WANNA TAKE OVER MYSELF FIRST.
438
00:20:57,708 --> 00:20:59,333
BUT THEN, YEAH, THE WORLD.
439
00:21:00,416 --> 00:21:02,416
WELL, I'M RIGHT HERE
NEXT TO YOU.
440
00:21:02,416 --> 00:21:04,583
THANKS. I NEVER WANT THAT
TO CHANGE.