1 00:00:03,166 --> 00:00:04,500 LADIES AND GENTLEMEN OF THE HALLWAY, 2 00:00:04,500 --> 00:00:06,250 IT'S YEARBOOK TIME! 3 00:00:08,583 --> 00:00:09,833 HI, PAGE 42. 4 00:00:09,833 --> 00:00:11,875 HI, PAGES 27, 34, AND 58. 5 00:00:11,875 --> 00:00:13,458 YOU'RE DOING TOO MUCH. YOU SHOULD CALM DOWN. 6 00:00:16,000 --> 00:00:17,958 YEARBOOKS! FIND OUT WHO WE ARE 7 00:00:17,958 --> 00:00:19,583 AND WHAT WE REALLY THINK ABOUT EACH OTHER. 8 00:00:19,583 --> 00:00:21,375 YOU WANNA KNOW WHAT I THINK ABOUT YOU? 9 00:00:21,375 --> 00:00:22,875 -NO, I DO NOT. -BUT I WANNA TELL YOU. 10 00:00:22,875 --> 00:00:24,833 -I DON'T THINK YOU NEED TO. -I'M GONNA DO IT ANYWAY. 11 00:00:24,833 --> 00:00:25,875 -DON'T DO IT. -IT'S BEEN A WHILE. 12 00:00:25,875 --> 00:00:27,000 I'M ASKING YOU NOT TO DO IT. 13 00:00:27,000 --> 00:00:29,625 I'M GONNA DO IT. YOU WANNA RUN, OR YOU WANT IT STRAIGHT IN THE FACE? 14 00:00:29,625 --> 00:00:31,708 WELL, I WANNA RUN, BUT HOW WOULD THAT LOOK? 15 00:00:32,708 --> 00:00:35,583 (humming scales) 16 00:00:38,458 --> 00:00:40,250 YOU GUYS WOULDN'T JUDGE ME IF I RUN, RIGHT? 17 00:00:40,250 --> 00:00:42,416 (humming scales) 18 00:00:43,875 --> 00:00:45,625 COME ON, MAN. THERE'S ALWAYS ANOTHER OPTION. 19 00:00:46,708 --> 00:00:50,708 (screams) 20 00:00:52,875 --> 00:00:53,875 YOU OKAY NOW? 21 00:00:53,875 --> 00:00:55,333 HMM. THAT WAS GOOD. 22 00:00:56,333 --> 00:00:57,708 YOU KNOW ELSE IS GOOD? YEARBOOKS. 23 00:00:57,708 --> 00:01:00,208 ALL OF OUR CLASSMATES SAY WHAT THEY THINK OF US. 24 00:01:00,208 --> 00:01:02,166 YEARBOOK, FIND OUT HOW WE'LL BE REMEMBERED. 25 00:01:02,166 --> 00:01:05,083 GUESS WHAT. YOU TOOK ANOTHER NICE PICTURE, YOU FREAK. 26 00:01:05,083 --> 00:01:06,583 THANKS, FARKLE. 27 00:01:06,583 --> 00:01:07,875 HOW WILL YOU BE REMEMBERED? 28 00:01:07,875 --> 00:01:09,333 DID THEY DO IT TO YOU AGAIN? 29 00:01:09,333 --> 00:01:11,583 "MOST LIKELY TO BE FARKLE..." 30 00:01:11,583 --> 00:01:12,625 FARKLE. 31 00:01:12,625 --> 00:01:15,125 I DIDN'T THINK I'D WIN IT AGAIN THIS YEAR, BUT I DID. 32 00:01:15,125 --> 00:01:17,000 WHAT DOES THAT MEAN EXACTLY, FARKLE? 33 00:01:17,000 --> 00:01:19,458 HOW SHOULD I KNOW? THEY TURNED BEING ME INTO A CATEGORY. 34 00:01:19,458 --> 00:01:22,291 HEY, RILEY WON MOST LIKELY TO SMILE HERSELF TO DEATH. 35 00:01:22,291 --> 00:01:24,750 AW. WELL, WHO WOULDN'T WANNA GO THAT WAY? 36 00:01:24,750 --> 00:01:28,583 I MEAN, WHEN THE TIME COMES, WHY YOU GOTTA BE A GLOOMY GUS? 37 00:01:28,583 --> 00:01:31,375 (scoffs) RILES, I DON'T THINK THEY MEANT THIS AS A GOOD THING. 38 00:01:31,375 --> 00:01:33,375 THEY'RE MAKING FUN OF ME, AND THEY'RE MAKING FUN OF YOU TOO. 39 00:01:33,375 --> 00:01:35,625 -WHAT? -WOULD YOU STOP SMILING? 40 00:01:35,625 --> 00:01:38,083 I'M NOT SMILING, MAYA. THIS IS MY UPSET FACE. 41 00:01:38,083 --> 00:01:40,291 THIS IS SMILING. 42 00:01:46,708 --> 00:01:48,458 YOU KNOW WHAT? I DON'T CARE WHAT THEY SAY. 43 00:01:48,458 --> 00:01:49,458 NEITHER DO I. 44 00:01:49,458 --> 00:01:51,750 -I DON'T CARE WHAT THEY SAY AT ALL. -NEITHER DO I AT ALL. 45 00:01:51,750 --> 00:01:52,875 (growls) 46 00:01:54,458 --> 00:01:56,583 HOW DID THIS STUFF EVEN GET IN HERE? WE'RE THE EDITORS. 47 00:01:56,583 --> 00:01:58,583 WOW, WE MUST HAVE VERY POOR QUALITY CONTROL. 48 00:01:59,625 --> 00:02:00,750 WHAT DID YOU GET, HUCKLEBERRY? 49 00:02:00,750 --> 00:02:03,291 I GOT MOST LIKELY TO BE OKAY WITH ANYTHING THAT EVER HAPPENS. 50 00:02:03,291 --> 00:02:04,375 HOW DO YOU FEEL ABOUT THAT? 51 00:02:04,375 --> 00:02:05,708 WELL, ACTUALLY, I'M OKAY WITH THAT. 52 00:02:05,708 --> 00:02:07,250 OH! 53 00:02:09,000 --> 00:02:11,958 I'M NOT ALL SUNSHINE AND RAINBOWS. 54 00:02:11,958 --> 00:02:14,166 I HAVE A DARK SIDE. 55 00:02:14,166 --> 00:02:15,750 LET ME SEE YOUR DARK-SIDE FACE. 56 00:02:18,208 --> 00:02:19,583 -AW. -AW. 57 00:02:20,875 --> 00:02:23,250 LOOK, GUYS, WE'RE NOT GONNA MAKE A HUGE DEAL OUT OF THIS, ARE WE? 58 00:02:23,250 --> 00:02:26,083 -YEAH. WHO CARES? -IT'S ONLY WHAT EVERYBODY THINKS OF US. 59 00:02:26,083 --> 00:02:27,208 WHAT'S MORE IMPORTANT TO YOU? 60 00:02:27,208 --> 00:02:29,250 WHAT YOU THINK OF YOURSELF OR WHAT OTHER PEOPLE THINK OF YOU? 61 00:02:29,250 --> 00:02:31,458 -WHAT I THINK OF MYSELF. -YEAH. 62 00:02:31,458 --> 00:02:35,458 AND WHAT I THINK OF MYSELF IS THAT IT REALLY BOTHERS ME WHAT OTHER PEOPLE THINK OF ME. 63 00:02:35,458 --> 00:02:37,625 -YEAH. -WELL, FORGET ABOUT IT. 64 00:02:37,625 --> 00:02:39,875 IT'S NOT LIKE YOU CAN JUST TURN AROUND AND BE SOMEONE NEW. 65 00:02:39,875 --> 00:02:41,250 YEAH. 66 00:02:48,125 --> 00:02:49,375 THIS IS ME NOW. 67 00:02:49,375 --> 00:02:51,875 -FARKLE? -NOPE, FARKLE IS GONE. 68 00:02:51,875 --> 00:02:53,291 YOU WILL NEVER SEE HIM AGAIN. 69 00:02:56,875 --> 00:02:59,750 (theme music playing) 70 00:03:02,333 --> 00:03:04,458 ♪ I'VE BEEN WAITING ♪ 71 00:03:04,458 --> 00:03:05,750 ♪ FOR A DAY ♪ 72 00:03:05,750 --> 00:03:06,833 ♪ LIKE THIS TO COME ♪ 73 00:03:06,833 --> 00:03:08,375 ♪ STRUCK LIKE LIGHTNING ♪ 74 00:03:08,375 --> 00:03:10,875 ♪ MY HEART'S BEATING LIKE A DRUM ♪ 75 00:03:10,875 --> 00:03:12,583 ♪ ON THE EDGE ♪ 76 00:03:12,583 --> 00:03:14,833 ♪ OF SOMETHING WONDERFUL ♪ 77 00:03:14,833 --> 00:03:17,708 ♪ FACE-TO-FACE WITH CHANGES ♪ 78 00:03:17,708 --> 00:03:18,875 ♪ WHAT'S IT ALL ABOUT? ♪ 79 00:03:18,875 --> 00:03:21,000 ♪ LIFE IS CRAZY ♪ 80 00:03:21,000 --> 00:03:22,083 ♪ BUT I KNOW ♪ 81 00:03:22,083 --> 00:03:23,125 ♪ I CAN WORK IT OUT ♪ 82 00:03:23,125 --> 00:03:24,500 ♪ 'CAUSE I GOT YOU ♪ 83 00:03:24,500 --> 00:03:27,333 ♪ TO LIVE IT WITH ME ♪ 84 00:03:27,333 --> 00:03:31,458 ♪ I FEEL ALL RIGHT, I'M GONNA TAKE ON THE WORLD ♪ 85 00:03:31,458 --> 00:03:34,708 ♪ LIGHT UP THE STARS, I'VE GOT SOME PAGES TO TURN ♪ 86 00:03:34,708 --> 00:03:36,708 ♪ I'M SINGING "GO-O-O" ♪ 87 00:03:36,708 --> 00:03:39,833 ♪ OH, OH, OH, OH ♪ 88 00:03:39,833 --> 00:03:42,875 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 89 00:03:42,875 --> 00:03:44,083 ♪ TAKE ON THE WORLD ♪ 90 00:03:44,083 --> 00:03:46,833 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 91 00:03:46,833 --> 00:03:48,416 ♪ TAKE ON THE WORLD. ♪ 92 00:03:55,625 --> 00:03:58,458 OKAY, WHAT HAVE WE GOT HERE? 93 00:03:58,458 --> 00:03:59,875 I'M DONNIE BARNES. 94 00:03:59,875 --> 00:04:03,291 REALLY, FARKLE, OF ALL THE NAMES IN THE WORLD YOU COULD PICK FOR ANOTHER PERSONALITY, 95 00:04:03,291 --> 00:04:04,833 YOU PICK DONNIE BARNES? 96 00:04:04,833 --> 00:04:05,833 YOU DON'T GET IT, DO YOU? 97 00:04:05,833 --> 00:04:07,708 I'M DONNIE BARNES, REGULAR GUY. 98 00:04:08,750 --> 00:04:10,000 I'D SEE THAT MOVIE. 99 00:04:11,958 --> 00:04:13,583 DONNIE BARNES IS THE REAL ME. 100 00:04:13,583 --> 00:04:16,416 FARKLE MINKUS IS MY GOOFY OTHER PERSONALITY. 101 00:04:16,416 --> 00:04:18,166 NO, YOU'RE FARKLE. 102 00:04:18,166 --> 00:04:19,708 LOOK, I'LL PROVE IT TO YOU. 103 00:04:21,208 --> 00:04:22,500 SEE? 104 00:04:25,833 --> 00:04:27,333 HOW DID YOU POSSIBLY DO THAT? 105 00:04:28,333 --> 00:04:30,166 I DON'T WANNA BE MOST LIKELY TO BE FARKLE. 106 00:04:30,166 --> 00:04:32,375 FACE IT, COWBOY. THERE'S A NEW PRETTY BOY IN TOWN. 107 00:04:32,375 --> 00:04:33,750 THANK YOU. I AM... 108 00:04:35,833 --> 00:04:37,708 DONNIE BARNES. 109 00:04:38,708 --> 00:04:39,750 ARE YOU GONNA DO SOMETHING? 110 00:04:39,750 --> 00:04:41,458 BECAUSE THIS IS WHERE YOU DO SOMETHING, RIGHT? 111 00:04:41,458 --> 00:04:42,875 ARE YOU GONNA DO SOMETHING? IS THERE A LESSON? 112 00:04:42,875 --> 00:04:44,583 YOU GOT A LESSON? IS THERE A LESSON? 113 00:04:45,833 --> 00:04:47,250 -ICELAND. -ICELAND! 114 00:04:47,250 --> 00:04:48,291 YOU ALL FIXED? 115 00:04:49,291 --> 00:04:50,583 NO? I DON'T THINK HE'S ALL FIXED. 116 00:04:50,583 --> 00:04:53,125 IF THAT WAS RILEY, YOU KNOW YOU'D FIX HER. 117 00:04:53,125 --> 00:04:55,708 -SIT DOWN, LUCAS. -OH, YOU KNOW I'M RIGHT. 118 00:04:58,000 --> 00:05:00,458 ICELAND AND GREENLAND. STYLE ::cue(.speaker) ::cue(.speakerTop) 119 00:05:01,458 --> 00:05:03,083 WHAT DO YOU THINK ABOUT THEM, MR. BARNES? 120 00:05:03,083 --> 00:05:05,458 WHEN I LOOK LIKE THIS, I DON'T HAVE TO THINK, RIGHT, LUCAS? 121 00:05:05,458 --> 00:05:07,875 DUDE, I WON THE SCHOLAR ATHLETE AWARD. 122 00:05:07,875 --> 00:05:09,333 OOH, NERD ALERT! 123 00:05:11,291 --> 00:05:14,291 ICELAND AND GREENLAND, ANYBODY? 124 00:05:14,291 --> 00:05:16,833 -ICELAND IS A LAND OF ICE. -WRONG. 125 00:05:16,833 --> 00:05:19,583 -THEN GREENLAND IS A LAND OF GREEN. -WRONG. 126 00:05:19,583 --> 00:05:22,458 THEN WHO CARES? STUPID COUNTRIES DON'T EVEN KNOW WHO THEY ARE. 127 00:05:22,458 --> 00:05:24,708 (muttering) STUPID COUNTRIES. 128 00:05:24,708 --> 00:05:27,750 THE VIKINGS DISCOVERED THIS BEAUTIFUL GREEN COUNTRY. 129 00:05:27,750 --> 00:05:29,458 -I COME FROM VIKINGS. -YOU DO? 130 00:05:29,458 --> 00:05:30,833 YOU DON'T KNOW ME. 131 00:05:30,833 --> 00:05:32,166 OKAY. 132 00:05:32,166 --> 00:05:35,833 SO, THE VIKINGS, THEY DIDN'T WANT ANYONE ELSE TAKING THEIR NEW COUNTRY, 133 00:05:35,833 --> 00:05:38,833 SO THEY DECIDED TO NAME IT ICELAND. 134 00:05:38,833 --> 00:05:41,166 EVERYONE FIGURES IT MUST BE COLD. 135 00:05:41,166 --> 00:05:42,875 NOBODY WANTS TO GO THERE. 136 00:05:42,875 --> 00:05:46,583 SO THEY MADE EVERYBODY THINK OF IT IN THAT WAY EVEN THOUGH IT WASN'T TRUE? 137 00:05:46,583 --> 00:05:47,750 THAT'S RIGHT. 138 00:05:47,750 --> 00:05:49,958 THEN ANOTHER VIKING COMES ALONG, ERIK THE RED, 139 00:05:49,958 --> 00:05:52,875 AND HE DISCOVERS A LAND OF SNOW AND ICE. 140 00:05:52,875 --> 00:05:54,833 AND HE WANTS EVERYONE TO GO THERE INSTEAD, 141 00:05:54,833 --> 00:05:56,875 SO HE NAMES THAT GREENLAND, 142 00:05:56,875 --> 00:05:58,708 AND EVERYONE GOES THERE. 143 00:05:58,708 --> 00:06:00,291 THE JERKS! 144 00:06:01,583 --> 00:06:05,125 SO YOU'RE SAYING THE PERCEPTION OF A THING DOESN'T MAKE IT SO? 145 00:06:05,125 --> 00:06:07,708 I'M SAYING PEOPLE ARE ALWAYS GONNA SAY STUFF. 146 00:06:07,708 --> 00:06:11,708 HOW YOU REACT TO WHAT THEY SAY IS WHAT MAKES YOU THE PERSON YOU ARE. 147 00:06:11,708 --> 00:06:14,291 -SO DON'T REACT. -THAT'S RIGHT. 148 00:06:14,291 --> 00:06:16,083 JUST KEEP ON SMILING. 149 00:06:16,083 --> 00:06:17,750 WOULD YOU, PLEASE? 150 00:06:17,750 --> 00:06:18,875 LESSON OVER. 151 00:06:18,875 --> 00:06:23,500 AND NOTHING ANYBODY ELSE SAYS IS EVER GOING TO MAKE ME FEEL ANY DIFFERENT. 152 00:06:23,500 --> 00:06:25,583 HEY, MAYA, LUCAS, 153 00:06:25,583 --> 00:06:27,375 CONGRATULATIONS ON WINNING FAVORITE COUPLE. 154 00:06:30,625 --> 00:06:32,416 I FEEL DIFFERENT. 155 00:06:33,458 --> 00:06:34,583 HOW IS THAT POSSIBLE? 156 00:06:34,583 --> 00:06:37,166 HOW COULD ANYBODY EVER SEE ME AND LUCAS AS A COUPLE? 157 00:06:37,166 --> 00:06:38,625 EVERYBODY DOES. 158 00:06:38,625 --> 00:06:40,333 BUT WE'RE SO MUCH ALIKE. 159 00:06:40,333 --> 00:06:42,750 AND THEY'RE SO DIFFERENT. 160 00:06:42,750 --> 00:06:44,875 BUT WE'RE LIKE A SUMMER RAIN. 161 00:06:44,875 --> 00:06:47,083 AND THEY'RE LIKE FIRE. 162 00:06:50,833 --> 00:06:52,875 DADDY, REMEMBER WHEN YOU TOLD ME NOT TO REACT? 163 00:06:52,875 --> 00:06:54,125 YES. 164 00:06:54,125 --> 00:06:55,750 I'M GONNA REACT. 165 00:07:07,833 --> 00:07:09,416 YOU OPEN THIS BAY WINDOW RIGHT NOW. 166 00:07:09,416 --> 00:07:11,208 I WISH TO BE ALONE. 167 00:07:12,625 --> 00:07:13,708 RING POWER! 168 00:07:13,708 --> 00:07:15,375 CURSES! 169 00:07:17,166 --> 00:07:18,583 HEY, RILEY, FUNNY QUESTION. 170 00:07:18,583 --> 00:07:20,208 HAVE YOU SEEN EVERYTHING BLACK I OWN? 171 00:07:20,208 --> 00:07:22,583 OH, HEY, LOOK AT YOU. 172 00:07:22,583 --> 00:07:24,458 THERE IS NO MORE RILEY. 173 00:07:24,458 --> 00:07:26,833 MY NAME IS MOROTIA M. BLACK. 174 00:07:28,708 --> 00:07:29,708 WHAT DOES THE M. STAND FOR? 175 00:07:29,708 --> 00:07:31,166 MOROTIA. 176 00:07:32,625 --> 00:07:34,458 POOR, DARK THING, YOU. 177 00:07:34,458 --> 00:07:36,375 YEAH, SHE'S VERY DEPRESSED. 178 00:07:36,375 --> 00:07:40,875 OH? WELL, THAT'S TOO BAD. 179 00:07:40,875 --> 00:07:45,500 YOU KNOW, THE NEIGHBOR'S GOLDEN RETRIEVER JUST GAVE BIRTH TO SIX PUPPIES. 180 00:07:45,500 --> 00:07:47,625 MUST FIGHT CUTE! 181 00:07:47,625 --> 00:07:50,833 OH, BUT HAVE THEY MET THE OTHER NEIGHBOR'S BUNNIES YET? 182 00:07:50,833 --> 00:07:53,166 -(gasps) -THEY JUST DID. 183 00:07:53,166 --> 00:07:58,875 THERE IS A BUNNY AND A PUPPY NIBBLING AT OPPOSITE ENDS OF THE SAME CARROT. 184 00:07:58,875 --> 00:07:59,875 GAH! 185 00:08:02,583 --> 00:08:04,500 THEY'RE GONNA KISS. THIS IS FANTASTIC. 186 00:08:04,500 --> 00:08:06,708 -THAT'S EXACTLY WHAT THE PONY SAID. -NO! 187 00:08:06,708 --> 00:08:08,625 CUT IT OUT! 188 00:08:08,625 --> 00:08:10,750 -YOU SNAP OUT OF IT. -AND DO WHAT? 189 00:08:10,750 --> 00:08:12,375 SMILE MYSELF TO DEATH? 190 00:08:12,375 --> 00:08:15,000 RILEY IS GONE. EVERYBODY ELSE IS RIGHT. 191 00:08:15,000 --> 00:08:20,000 I'M WASTING MY LIFE, AND I'M TIRED OF BEING CHIP-CHIP-CHIPPER. 192 00:08:21,583 --> 00:08:23,708 YOU ARE BEING RIDICULOUS. 193 00:08:23,708 --> 00:08:25,500 IS THERE ANYBODY MORE RIDICULOUS THAN YOU? 194 00:08:25,500 --> 00:08:26,875 KNOCK, KNOCK. 195 00:08:28,458 --> 00:08:31,125 -WHO'S THERE? -I'M DONNIE BARNES! 196 00:08:31,125 --> 00:08:34,708 I CAN'T BELIEVE I'M SAYING THIS, BUT I REALLY MISS, "LADIES." 197 00:08:34,708 --> 00:08:35,833 THAT'S A CATCHPHRASE, 198 00:08:35,833 --> 00:08:38,833 AND DONNIE BARNES DON'T NEED NO STINKING CATCHPHRASE. 199 00:08:38,833 --> 00:08:40,958 YOU KNOW WHY? I'M DONNIE BARNES. 200 00:08:40,958 --> 00:08:42,458 SHPLIDOW! 201 00:08:44,708 --> 00:08:45,875 OKAY, I'M OUT. 202 00:08:46,875 --> 00:08:48,333 RILEY, I CAME OVER TO CHECK ON YOU. 203 00:08:48,333 --> 00:08:50,500 BECAUSE, WELL, I KIND OF EXPECTED THIS. 204 00:08:50,500 --> 00:08:51,833 DONNIE BARNES, REGULAR GUY. 205 00:08:51,833 --> 00:08:54,708 MOROTIA M. BLACK. SHPLIDEAD INSIDE. 206 00:08:55,875 --> 00:08:59,000 I FEEL YOU. WHAT'S SAY YOU AND I PLAY BY OUR OWN RULES? 207 00:09:00,166 --> 00:09:04,583 SHALL WE SIT AND PONDER ON THE RIDICULOUS FUTILITY OF CARING? 208 00:09:04,583 --> 00:09:05,583 LET'S DO IT. 209 00:09:06,750 --> 00:09:08,125 YOU GET ME. 210 00:09:09,875 --> 00:09:13,416 STOP. RILEY, IS THIS ABOUT THE ME AND LUCAS BEST COUPLE THING? 211 00:09:13,416 --> 00:09:14,875 THAT DOESN'T AFFECT ME AT ALL. 212 00:09:18,250 --> 00:09:19,750 WE NEED RILEY BACK. 213 00:09:19,750 --> 00:09:22,708 THERE IS NO VALUE TO THE EXISTENCE OF RILEY. 214 00:09:22,708 --> 00:09:25,458 WELL, WE NEED RILEY BACK TO GET FARKLE BACK. 215 00:09:25,458 --> 00:09:28,875 THERE IS NO VALUE TO THE EXISTENCE OF FARKLE, DUDE. 216 00:09:32,458 --> 00:09:35,958 GUYS, LISTEN, OKAY, I KNOW YOU'RE HURT. 217 00:09:35,958 --> 00:09:38,083 I KNOW WHAT PEOPLE SAY CAN BE UPSETTING, 218 00:09:38,083 --> 00:09:40,708 BUT I HAVE NO INTEREST LIVING IN A WORLD WITHOUT RILEY OR FARKLE. 219 00:09:40,708 --> 00:09:43,583 AND I'M NOT GOING ANYWHERE UNTIL YOU TWO COME BACK. YOU HEAR ME? 220 00:09:43,583 --> 00:09:45,583 MAYA, THE PEOPLE YOU KNEW AREN'T HERE ANYMORE. 221 00:09:45,583 --> 00:09:47,875 THEN CAN YOU PLEASE TELL ME WHERE I CAN FIND THEM? 222 00:09:48,875 --> 00:09:50,458 THEY'RE IN THE YEARBOOK. 223 00:09:50,458 --> 00:09:53,291 KEEP IN TOUCH AND HAVE AN AWESOME SUMMER. 224 00:09:55,000 --> 00:09:56,875 KNOWING YOU IS SO HARD. STYLE ::cue(.speaker) ::cue(.speakerTop) 225 00:10:09,458 --> 00:10:12,583 PAY NO ATTENTION TO THE BUNNY NIGHT-LIGHT. 226 00:10:14,833 --> 00:10:16,708 I'M DONNIE BARNES. 227 00:10:23,000 --> 00:10:24,458 MOM, I NEED YOUR HELP. 228 00:10:24,458 --> 00:10:28,750 OH, I DON'T THINK I'VE EVER HEARD MORE BEAUTIFUL WORDS COME OUT OF THAT LITTLE FACE. 229 00:10:28,750 --> 00:10:30,708 YOU'RE A GREAT ACTRESS/WAITRESS, RIGHT? 230 00:10:30,708 --> 00:10:34,333 WELL, SOME HAVE SAID MY CROWD PERSON NUMBER THREE 231 00:10:34,333 --> 00:10:38,000 IN HEY, MISTER, WATCH OUT FOR THAT CAR WAS LIFE-CHANGING. YES. 232 00:10:38,000 --> 00:10:42,125 (in cockney accent) HEY, MISTER, YOU SHOULD HAVE WATCHED OUT FOR THAT CAR, YEAH! 233 00:10:45,708 --> 00:10:47,208 I NEED YOU TO TURN ME INTO RILEY. 234 00:10:47,208 --> 00:10:49,833 -DOES RILEY NEED TO SAY, "HEY, MISTER..." -NO. 235 00:10:49,833 --> 00:10:50,708 NO? 236 00:10:51,750 --> 00:10:53,083 WELL, IS SHE WILLING TO? 237 00:10:53,083 --> 00:10:55,208 I DON'T KNOW HOW TO DO WHAT SHE DOES, ALL RIGHT? 238 00:10:55,208 --> 00:10:58,708 SHE FIXES THINGS. I BREAK THINGS. WE NEED SOMEONE TO BE HER. 239 00:10:58,708 --> 00:11:01,000 YOU WANNA BE RILEY MATTHEWS, 240 00:11:01,000 --> 00:11:03,083 YOU GOTTA GET INSIDE HER SOUL. 241 00:11:03,083 --> 00:11:05,750 MY SOUL MOTEL HAS NO VACANCY. 242 00:11:05,750 --> 00:11:11,458 IT IS FULLY OCCUPIED BY SCARY JACK-O-LANTERNS AND CANDY CORNS. 243 00:11:12,500 --> 00:11:14,208 AW, DARK RILEY 244 00:11:14,208 --> 00:11:17,125 IS REALLY SCRAPING THE BOTTOM OF THE HALLOWEEN BARREL, NOW ISN'T SHE? 245 00:11:18,208 --> 00:11:20,750 YOU DIDN'T TEACH ME ENOUGH BAD THINGS. 246 00:11:20,750 --> 00:11:22,833 I'M SO SORRY, HONEY. 247 00:11:22,833 --> 00:11:24,875 RILEY, WE NEED YOU BACK TO FIX FARKLE. 248 00:11:24,875 --> 00:11:25,875 IT'S WHAT YOU DO. 249 00:11:25,875 --> 00:11:29,583 WHAT IF WE ARE FIXED? WHAT IF THIS IS WHO WE'RE SUPPOSED TO BE? 250 00:11:30,708 --> 00:11:33,833 MA, YOU GOTTA HELP ME OUT HERE. IF SHE'S NOT GONNA BE HER, I WILL. SHOW ME HOW. 251 00:11:33,833 --> 00:11:36,708 ALL RIGHT, BUT BEFORE YOU BECOME ANOTHER PERSON, 252 00:11:36,708 --> 00:11:40,708 UNDERSTAND THAT YOU MAY LEARN THINGS ABOUT THEM YOU DIDN'T KNOW BEFORE. 253 00:11:40,708 --> 00:11:44,333 YOU MAY LEARN A SECRET EVEN THEY DON'T KNOW ABOUT THEMSELVES. 254 00:11:44,333 --> 00:11:48,250 RILEY, THIS IS YOUR LAST CHANCE, OR ELSE, I BECOME YOU, AND KNOW ALL OF YOUR SECRETS. 255 00:11:48,250 --> 00:11:52,125 NONSENSE. IT'S IMPOSSIBLE TO BECOME SOMEBODY ELSE. 256 00:12:01,833 --> 00:12:04,833 (imitating Riley) I LOVE TODAY. 257 00:12:04,833 --> 00:12:07,500 TODAY IS EVEN BETTER THAN YESTERDAY, 258 00:12:07,500 --> 00:12:11,750 AND YESTERDAY WAS THE BEST DAY EVER! 259 00:12:11,750 --> 00:12:17,125 I'D THINK ABOUT TOMORROW, BUT I AM AFRAID I'D BURST INTO SPARKLES. 260 00:12:17,125 --> 00:12:18,875 OH, THERE IT IS. THERE IT IS. 261 00:12:20,708 --> 00:12:23,166 IF YOU WERE BETTER, PERHAPS I'D GASP. 262 00:12:26,416 --> 00:12:27,708 -STOP IT. -STOP IT. 263 00:12:29,583 --> 00:12:30,708 GASP. 264 00:12:37,708 --> 00:12:40,166 PLEASE BE BACK TO NORMAL. PLEASE BE BACK TO NORMAL. 265 00:12:40,166 --> 00:12:41,750 I'M DONNIE BARNES. 266 00:12:41,750 --> 00:12:43,083 (sighs) 267 00:12:48,333 --> 00:12:49,583 WHAT THE... 268 00:12:50,625 --> 00:12:54,708 LIFE IS WHAT WE DO BETWEEN NOTHINGS. 269 00:12:56,458 --> 00:12:58,458 IS THIS A NEW YORK THING, OR WHAT IS THIS? 270 00:12:59,958 --> 00:13:01,291 MAYA? 271 00:13:02,333 --> 00:13:06,208 LOLLIPOPS, AND CIRCUSES, AND THINGS THAT RHYME WITH THAT. 272 00:13:07,500 --> 00:13:10,583 NO! THIS IS YOUR SOLUTION, MAYA? 273 00:13:10,583 --> 00:13:12,375 (shyly) HI. 274 00:13:13,375 --> 00:13:14,500 HEY. 275 00:13:15,583 --> 00:13:16,958 HI. 276 00:13:16,958 --> 00:13:18,250 NO! 277 00:13:20,458 --> 00:13:23,708 PLEASE BE BACK TO NORMAL. PLEASE BE BACK TO NORMAL. 278 00:13:23,708 --> 00:13:25,000 WHAT'S UP, HAMBONE? 279 00:13:26,708 --> 00:13:29,291 DON'T WORRY, DADDY. I'M GOING TO FIX EVERYBODY RIGHT UP. 280 00:13:29,291 --> 00:13:30,583 (screams) 281 00:13:31,583 --> 00:13:34,708 ALL RIGHT, YOU KNOW WHAT? IT'S LUCAS TIME. 282 00:13:34,708 --> 00:13:36,708 YOU'RE THE BEST FARKLE WE GOT, AND EVERYONE KNOWS IT. 283 00:13:37,875 --> 00:13:40,875 AND YOU ARE A COMPLETE RAY OF SUNSHINE. 284 00:13:40,875 --> 00:13:42,000 AND YOU ARE NOT. 285 00:13:43,416 --> 00:13:44,708 AND THAT'S WHO WE ARE. 286 00:13:44,708 --> 00:13:46,333 I DON'T KNOW WHAT THIS IS. 287 00:13:46,333 --> 00:13:48,416 BUT I DO KNOW THAT IF YOU LET SOMEONE SAY WHO YOU ARE, 288 00:13:48,416 --> 00:13:49,750 THEN YOU REALLY WON'T BE WHO YOU ARE, 289 00:13:49,750 --> 00:13:53,750 AND YOU CERTAINLY WON'T END UP BEING WHO YOU WERE MEANT TO BE. 290 00:13:53,750 --> 00:13:55,875 IF YOU END THIS WITH ICELAND OR GREENLAND, 291 00:13:55,875 --> 00:13:58,000 I'LL GIVE YOU AN A ON THE REPORT RIGHT NOW. 292 00:13:59,166 --> 00:14:01,625 BECAUSE YOU ARE THE ONLY ONE IN HERE I RECOGNIZE. 293 00:14:06,000 --> 00:14:07,958 DON'T WORRY. I'M NOT GONNA STAY RILEY. 294 00:14:07,958 --> 00:14:09,958 I KNOW HOW MUCH EVERYBODY WOULD MISS ME IF I DID. 295 00:14:09,958 --> 00:14:11,833 NO, NO, STAY RILEY. 296 00:14:11,833 --> 00:14:13,125 YEAH, YOU'RE A GOOD RILEY. 297 00:14:14,583 --> 00:14:16,583 WAIT. YOU LIKE US ALL LIKE THIS? 298 00:14:16,583 --> 00:14:19,000 WE LIKE RILEY. WE DON'T CARE WHO PLAYS HER. 299 00:14:20,125 --> 00:14:21,166 WHAT ABOUT MAYA? 300 00:14:21,166 --> 00:14:23,583 NOTHING WE DO MATTERS. 301 00:14:24,750 --> 00:14:26,583 MAYA, YOU'RE THE MOST SECURE PERSON IN THIS ROOM. 302 00:14:26,583 --> 00:14:28,333 YOU HAVE A GREAT LIFE. WHY WOULD YOU CHANGE? 303 00:14:28,333 --> 00:14:29,583 I MEAN, OKAY, NOT GREAT LIFE. 304 00:14:29,583 --> 00:14:31,500 I MEAN, YOUR FAMILY LIFE COULD BE, YOU KNOW, BETTER. 305 00:14:31,500 --> 00:14:34,500 BUT AT LEAST AT SCHOOL, YOU'RE, UH... YOU'RE HERE A LOT. 306 00:14:34,500 --> 00:14:36,375 RIGHT? 307 00:14:36,375 --> 00:14:37,708 LITTLE HELP, PLEASE. 308 00:14:38,750 --> 00:14:39,708 DONNIE BARNES? 309 00:14:39,708 --> 00:14:42,125 I THINK PEOPLE SHOULD BE THE BEST PERSON THEY CAN BE. 310 00:14:43,125 --> 00:14:44,125 I AGREE. 311 00:14:45,125 --> 00:14:47,000 RILEY MATTHEWS IS THE BEST PERSON I CAN BE. 312 00:14:48,000 --> 00:14:50,500 MAYA IS GONE, AND YOU'RE NEVER GONNA SEE HER AGAIN. 313 00:14:52,375 --> 00:14:55,500 ♪ LA LA LA LA LA LA ♪ 314 00:14:55,500 --> 00:14:58,208 WORLD PEACE. 315 00:14:58,208 --> 00:15:00,291 AND BUNNIES! 316 00:15:07,625 --> 00:15:11,250 OKAY, DO CORY. HE HAS TO CHOOSE BETWEEN ME AND SHAWN. GO. STYLE ::cue(.speaker) ::cue(.speakerTop) 317 00:15:11,250 --> 00:15:12,291 SHAWN. 318 00:15:16,000 --> 00:15:18,000 I WONDER HOW MAYA IS DOING AS RILEY. 319 00:15:18,000 --> 00:15:20,000 OH, I HOPE EVERYTHING IS GOING OKAY. 320 00:15:20,000 --> 00:15:23,083 COMING TO TERMS WITH YOUR IDENTITY CAN BE SO DIFFICULT AT THEIR AGE. 321 00:15:23,083 --> 00:15:24,583 WELL, I WENT THROUGH IT. 322 00:15:24,583 --> 00:15:25,750 I'M SURE YOU AND CORY WENT THROUGH IT. 323 00:15:25,750 --> 00:15:28,750 YEAH, I WAS WEIRD. CORY WAS CELERY. 324 00:15:29,875 --> 00:15:31,583 SOMETHING WILL CHANGE BECAUSE OF THIS. 325 00:15:31,583 --> 00:15:33,875 WHEN YOU BECOME SOMEONE ELSE, EVEN THOUGH YOU'RE JUST ACTING, 326 00:15:33,875 --> 00:15:36,875 IT'S IMPOSSIBLE NOT TO DISCOVER SOMETHING YOU DIDN'T KNOW BEFORE. 327 00:15:36,875 --> 00:15:38,583 HMM. DO YOU EVER DO MAYA? 328 00:15:38,583 --> 00:15:40,250 OOH, I CAN'T. 329 00:15:40,250 --> 00:15:42,708 WHEN YOU HAVE STRONG EMOTIONS FOR SOMEONE, 330 00:15:42,708 --> 00:15:44,708 IT'S LIKE YOU'RE TOO CLOSE TO SEE STRAIGHT. 331 00:15:44,708 --> 00:15:46,750 HMM. DO SHAWN. 332 00:15:49,708 --> 00:15:51,458 HEY, I'M SHAWN. 333 00:15:51,458 --> 00:15:52,583 THAT WASN'T GOOD. 334 00:15:52,583 --> 00:15:54,708 YOU HAVING SOME ISSUES THERE, KATY? 335 00:15:56,583 --> 00:15:57,583 YOU SET ME UP. 336 00:15:58,708 --> 00:15:59,750 HUH. 337 00:16:06,875 --> 00:16:10,750 ALL RIGHT, YOU ALL SAY I'M MOST LIKELY TO BE OKAY WITH ANYTHING. 338 00:16:10,750 --> 00:16:12,625 WELL, I'M NOT OKAY WITH ANY OF THIS. 339 00:16:12,625 --> 00:16:14,708 I'M NOT OKAY WITH ALL YOU GUYS NOT REALIZING 340 00:16:14,708 --> 00:16:16,875 THAT WHAT YOU SAY ABOUT PEOPLE MATTERS. 341 00:16:16,875 --> 00:16:20,708 AND I'M NOT OKAY WITH YOU GUYS THINKING WHAT PEOPLE SAY ABOUT YOU MATTERS. 342 00:16:24,000 --> 00:16:26,875 YOU KNOW WHAT HAPPENED AFTER EVERYBODY WENT TO GREENLAND BECAUSE SOMEONE TOLD THEM TO? 343 00:16:26,875 --> 00:16:28,625 -DONNIE? -RILEY? 344 00:16:28,625 --> 00:16:29,875 BLACK SWAN? 345 00:16:29,875 --> 00:16:32,208 THEY ALL DIED. 346 00:16:33,375 --> 00:16:34,375 YEP. 347 00:16:35,375 --> 00:16:37,583 -WHAT? REALLY? -REALLY. 348 00:16:38,833 --> 00:16:43,416 THEY CAME TO AN INHOSPITABLE, UNINHABITED ICE BALL NAMED GREENLAND 349 00:16:43,416 --> 00:16:45,583 BECAUSE SOMEONE SAID IT WAS PRETTY, 350 00:16:45,583 --> 00:16:49,000 AND THE FIRST THING THEY DID WAS DIE. 351 00:16:49,000 --> 00:16:50,583 THE JERKS! 352 00:16:52,416 --> 00:16:56,208 SO PLEASE REMEMBER, YOU SHOULDN'T PAY ATTENTION TO WHAT EVERYBODY SAYS. 353 00:16:56,208 --> 00:16:58,166 BECAUSE IF YOU LISTEN TO EVERYBODY ELSE, 354 00:16:58,166 --> 00:17:00,875 YOU JUST MIGHT END UP CRASHING YOUR LITTLE SHIPS ONTO THE ROCKS. 355 00:17:00,875 --> 00:17:03,375 BUT YOU SHOULD LISTEN TO THE PEOPLE WHO CARE ABOUT YOU. 356 00:17:03,375 --> 00:17:06,250 BECAUSE THEY HAVE YOUR BEST INTEREST AT HEART. 357 00:17:06,250 --> 00:17:07,583 RIGHT, BUDDY? 358 00:17:07,583 --> 00:17:10,208 YOU'RE MUCH MORE THAN JUST A REGULAR GUY. 359 00:17:10,208 --> 00:17:13,833 AW, LUCAS, YOU'RE A VERY SWEET GUY. 360 00:17:13,833 --> 00:17:16,625 THAT'S WHY I ALWAYS LIKED YOU SINCE I FELL INTO YOUR LAP ON THE SUBWAY. 361 00:17:16,625 --> 00:17:18,458 IT'S WHY WE SHOULD HAVE BEEN FAVORITE COUPLE, 362 00:17:18,458 --> 00:17:20,083 BECAUSE WE'RE SO MUCH ALIKE. 363 00:17:20,083 --> 00:17:23,875 YOU KNOW, IT'S LIKE WE'RE TWO SUNSHINE-Y PEOPLE FROM THE SAME SUNSHINE-Y FAMILY. 364 00:17:23,875 --> 00:17:25,166 THAT'S WHY I LIKE YOU SO MUCH. 365 00:17:25,166 --> 00:17:26,458 IT'S LIKE YOU'RE MY BROTHER. 366 00:17:26,458 --> 00:17:27,458 OH. 367 00:17:29,958 --> 00:17:31,583 -IT'S LIKE HE'S YOUR... -WHAT? 368 00:17:31,583 --> 00:17:32,958 WHOA. 369 00:17:32,958 --> 00:17:34,458 WHAT JUST HAPPENED? 370 00:17:34,458 --> 00:17:37,416 UH, NOTHING. NOTHING HAPPENED. 371 00:17:37,416 --> 00:17:38,500 I DON'T WANNA BE RILEY ANYMORE. 372 00:17:38,500 --> 00:17:40,166 ONLY YOU'RE RILEY. I'M MAYA. 373 00:17:40,166 --> 00:17:42,750 WE DON'T CARE WHAT YOU SAY. WE'RE NOT CRASHING OUR SHIPS. 374 00:17:42,750 --> 00:17:44,416 COME BACK. COME BACK RIGHT NOW. 375 00:17:48,250 --> 00:17:49,833 (bell ringing) 376 00:17:57,583 --> 00:18:00,708 WOW. THERE IS A LOT OF LIGHT IN THIS WORLD. 377 00:18:02,375 --> 00:18:03,625 IF YOU LET IT IN, YEAH. 378 00:18:04,625 --> 00:18:05,875 YOU KNOW WHO TAUGHT ME THAT? 379 00:18:07,291 --> 00:18:08,458 ME. 380 00:18:08,458 --> 00:18:10,250 THE REAL YOU, YEAH. 381 00:18:11,583 --> 00:18:13,458 WE NEED YOU BACK, RILEY. 382 00:18:13,458 --> 00:18:17,125 IF YOU WANNA LISTEN TO WHAT PEOPLE SAY, LISTEN TO THE RIGHT PEOPLE. 383 00:18:17,125 --> 00:18:19,375 LISTEN TO ME. I'M MAYA. 384 00:18:26,333 --> 00:18:27,875 -MAYA. -YEAH, SUNSHINE. 385 00:18:27,875 --> 00:18:32,000 YOUR MOM TOLD YOU THAT YOU MIGHT FIND OUT A SECRET ABOUT ME. 386 00:18:32,000 --> 00:18:34,708 DID YOU FIND ANYTHING OUT ABOUT ME THAT MAYBE YOU SHOULD TELL ME? 387 00:18:38,000 --> 00:18:39,125 NO. 388 00:18:40,833 --> 00:18:42,708 DID THE BUNNY AND THE PUPPY REALLY KISS? 389 00:18:43,708 --> 00:18:45,583 ABSOLUTELY, RILEY, THEY DID. 390 00:18:45,583 --> 00:18:47,583 BUT I KNOW THAT THE PONY DIDN'T ACTUALLY TALK. 391 00:18:48,708 --> 00:18:50,375 I CAN'T KEEP ANYTHING FROM YOU. 392 00:18:50,375 --> 00:18:52,625 THAT'S BECAUSE I'M A SMARTY-PANTS. 393 00:18:52,625 --> 00:18:54,583 YES, YOU ARE. 394 00:18:56,833 --> 00:18:58,750 CAN YOU PLEASE FIX EVERYTHING NOW? 395 00:19:00,583 --> 00:19:01,875 THERE IT IS. 396 00:19:10,833 --> 00:19:12,875 YEAH, WE KNOW WHO WE ARE. 397 00:19:12,875 --> 00:19:14,416 AND YOU KNOW WHO YOU ARE. 398 00:19:15,833 --> 00:19:18,708 YOU'RE FARKLE, AND IT'S A STATE OF BEING. 399 00:19:18,708 --> 00:19:20,083 THERE'S ONLY ONE, 400 00:19:20,083 --> 00:19:22,583 AND EVERYBODY WHO CARES ABOUT YOU KNOWS THAT. 401 00:19:22,583 --> 00:19:24,291 YOU ARE IN YOUR OWN CATEGORY, FARKLE. 402 00:19:24,291 --> 00:19:27,458 I'M GLAD YOU GUYS ARE BACK TO NORMAL. I LOVE YOU BOTH ANY WAY YOU ARE. 403 00:19:29,208 --> 00:19:30,625 SO YOU'RE GONNA COME BACK TOO? 404 00:19:30,625 --> 00:19:32,875 -NO. -WHY NOT? 405 00:19:32,875 --> 00:19:36,416 BECAUSE PEOPLE CHANGE, LUCAS. I THINK YOU KNOW THAT BETTER THAN ANYONE. 406 00:19:36,416 --> 00:19:37,750 AND I THINK IT COULD BE A GOOD THING. 407 00:19:37,750 --> 00:19:38,875 WHAT? 408 00:19:38,875 --> 00:19:41,416 YOU DON'T HAVE TO CALL ME DONNIE BARNES. 409 00:19:41,416 --> 00:19:44,875 I MADE THAT UP. MY NAME IS FARKLE MINKUS. 410 00:19:44,875 --> 00:19:46,291 I'M GROWING UP. 411 00:19:46,291 --> 00:19:48,458 AND I DON'T KNOW WHAT'S GONNA HAPPEN NEXT. 412 00:19:48,458 --> 00:19:51,708 BUT YOU GUYS ARE MY BEST FRIENDS, SO DEAL WITH IT. 413 00:20:02,833 --> 00:20:05,750 OKAY, FARKLE, WHO ARE YOU? 414 00:20:05,750 --> 00:20:07,250 I WANNA KNOW THE NEW RULES. 415 00:20:07,250 --> 00:20:08,708 I'M FINDING OUT WHO I AM. 416 00:20:08,708 --> 00:20:10,458 YOU KNOW WHO YOU ARE. 417 00:20:10,458 --> 00:20:12,125 YOU HAVE YOUR OWN CATEGORY NAMED AFTER YOU. STYLE ::cue(.speaker) ::cue(.speakerTop) 418 00:20:12,125 --> 00:20:13,583 WHAT'S A FARKLE ANYWAY? 419 00:20:13,583 --> 00:20:18,291 A FARKLE IS A LOYAL, LOVING, BEST POSSIBLE FRIEND THAT THERE COULD BE. 420 00:20:19,291 --> 00:20:20,458 I THINK EVERYONE SHOULD HAVE ONE. 421 00:20:20,458 --> 00:20:23,291 BUT THEY DON'T, AND I DO. 422 00:20:23,291 --> 00:20:24,708 AND I NEVER WANT HIM TO GO AWAY. 423 00:20:24,708 --> 00:20:27,750 A FARKLE IS A NERDY, LITTLE SCIENTIST GENIUS. 424 00:20:27,750 --> 00:20:29,375 YOU SAY THAT LIKE IT'S A BAD THING. 425 00:20:29,375 --> 00:20:30,875 -IS IT? -NO. 426 00:20:30,875 --> 00:20:31,708 NOT TO ME. 427 00:20:31,708 --> 00:20:33,833 AND NOT TO THE PEOPLE WHO TRULY CARE ABOUT YOU. 428 00:20:33,833 --> 00:20:36,583 -SO IT'S OKAY IF I STAY THE SCIENTIST THAT I AM? -YES. 429 00:20:36,583 --> 00:20:38,250 AND YOU'LL ALLOW ME TO RUN SOME TESTS? 430 00:20:39,250 --> 00:20:40,291 WHAT KIND? 431 00:20:41,833 --> 00:20:45,291 IN ORDER FOR A LIVING ORGANISM TO THRIVE, 432 00:20:45,291 --> 00:20:46,750 IT NEEDS TO BE ALLOWED TO GROW. 433 00:20:48,250 --> 00:20:49,500 I HEAR YOU. 434 00:20:49,500 --> 00:20:51,333 I MAY NOT WEAR MY TURTLENECKS EVERY DAY. 435 00:20:51,333 --> 00:20:53,583 I'LL MISS THEM. 436 00:20:53,583 --> 00:20:55,625 YOU STILL WANNA TAKE OVER THE WORLD? 437 00:20:55,625 --> 00:20:57,708 I WANNA TAKE OVER MYSELF FIRST. 438 00:20:57,708 --> 00:20:59,333 BUT THEN, YEAH, THE WORLD. 439 00:21:00,416 --> 00:21:02,416 WELL, I'M RIGHT HERE NEXT TO YOU. 440 00:21:02,416 --> 00:21:04,583 THANKS. I NEVER WANT THAT TO CHANGE.