1 00:00:03,500 --> 00:00:07,250 IT'S THIS WEEKEND. LUCAS HASN'T ASKED ME TO THE SEMI-FORMAL. 2 00:00:07,250 --> 00:00:09,250 WE'RE RILEY AND LUCAS, AREN'T WE, MAYA? 3 00:00:09,250 --> 00:00:11,458 I DON'T KNOW ANYMORE. JUST TELL ME WHAT TO SAY. 4 00:00:12,625 --> 00:00:14,583 IT'S ALL OVER THE FRONT OF MY NOTEBOOK. 5 00:00:14,583 --> 00:00:16,750 "RILEY HEARTS LUCAS 4-EVER." 6 00:00:16,750 --> 00:00:18,083 WHAT'S ON THE BACK ON YOUR NOTEBOOK? 7 00:00:18,083 --> 00:00:20,458 "RILEY AND LUCAS, WE'RE JUST FRIENDS." 8 00:00:21,833 --> 00:00:23,833 SWEETIE, WHAT ARE YOU DOING TO YOURSELF? 9 00:00:23,833 --> 00:00:27,083 IT'S THIS WEEKEND, AND LUCAS HASN'T ASKED ME TO THE SEMI-FORMAL. 10 00:00:27,083 --> 00:00:28,708 TOLD YA. 11 00:00:28,708 --> 00:00:29,750 YOU GOT A PROBLEM. 12 00:00:29,750 --> 00:00:32,250 YOU DID? HAVE I BROUGHT THIS UP BEFORE? 13 00:00:33,250 --> 00:00:37,625 IT'S 10 MONTHS AWAY, WHY HASN'T LUCAS ASKED ME TO THE SEMI-FORMAL? 14 00:00:37,625 --> 00:00:39,291 Cory: AAH! 15 00:00:39,291 --> 00:00:40,708 THERE'S NOTHING BUT TIME. 16 00:00:40,708 --> 00:00:43,083 HE DOESN'T ASK YOU BY THE WEEK BEFORE, I'LL LOOK AT YOU LIKE THIS, 17 00:00:43,083 --> 00:00:45,458 AND SAY, "YOU GOT A PROBLEM." 18 00:00:45,458 --> 00:00:47,708 STOP PLANNING YOUR LIFE SO FAR IN ADVANCE. 19 00:00:47,708 --> 00:00:48,625 I'M NOT. 20 00:00:48,625 --> 00:00:50,833 WHEN THE TIME COMES, I WANT MY ASHES SCATTERED OVER-- 21 00:00:50,833 --> 00:00:52,625 LUCAS. IS IT LUCAS? YEAH, I KNOW. 22 00:00:56,625 --> 00:01:00,458 IT'S FIVE MONTHS AWAY, WHY HASN'T LUCAS ASKED ME TO THE SEMI-FORMAL? 23 00:01:00,458 --> 00:01:03,000 ♪ DUH, DA-DA, DA-DA, DUH ♪ (slams) 24 00:01:03,000 --> 00:01:04,125 Cory: AAH! 25 00:01:04,125 --> 00:01:05,708 THERE'S NOTHING BUT TIME. 26 00:01:05,708 --> 00:01:07,958 HE DOESN'T ASK YOU BY THE WEEK BEFORE, I'LL LOOK AT YOU LIKE THIS, 27 00:01:07,958 --> 00:01:10,875 AND SAY, "YOU GOT A PROBLEM." 28 00:01:10,875 --> 00:01:12,500 YOU KNOW, YOU LOOK AT ME LIKE THAT A LOT. 29 00:01:12,500 --> 00:01:14,166 WELL, YOU GOT A LOT OF PROBLEMS. 30 00:01:14,166 --> 00:01:15,750 I DO. 31 00:01:17,333 --> 00:01:19,291 YES, RILEY, YOU'VE HAD PROBLEMS BEFORE, 32 00:01:19,291 --> 00:01:21,166 BUT YOU HAVEN'T HAD A LUCAS PROBLEM UNTIL NOW. 33 00:01:22,875 --> 00:01:24,125 Cory: AAH! 34 00:01:24,125 --> 00:01:25,625 WHY DOES HE KEEP DOING THAT? 35 00:01:26,958 --> 00:01:29,708 LOCKERS, BLACKBOARD. 36 00:01:29,708 --> 00:01:32,000 CHALK, CHALK DUST. 37 00:01:32,000 --> 00:01:33,458 YOUR DADDY. 38 00:01:35,250 --> 00:01:36,833 HOW LONG YOU GONNA KEEP DOING IT? 39 00:01:36,833 --> 00:01:37,875 TILL HE COMES OUT. 40 00:01:45,333 --> 00:01:46,458 OKAY, I'M DONE! 41 00:01:47,583 --> 00:01:49,708 (theme music playing) 42 00:01:53,708 --> 00:01:55,708 ♪ I'VE BEEN WAITING ♪ 43 00:01:55,708 --> 00:01:57,000 ♪ FOR A DAY ♪ 44 00:01:57,000 --> 00:01:58,083 ♪ LIKE THIS TO COME ♪ 45 00:01:58,083 --> 00:01:59,708 ♪ STRUCK LIKE LIGHTNING ♪ 46 00:01:59,708 --> 00:02:02,458 ♪ MY HEART'S BEATING LIKE A DRUM ♪ 47 00:02:02,458 --> 00:02:03,875 ♪ ON THE EDGE ♪ 48 00:02:03,875 --> 00:02:06,458 ♪ OF SOMETHING WONDERFUL ♪ 49 00:02:06,458 --> 00:02:09,333 ♪ FACE TO FACE WITH CHANGES ♪ 50 00:02:09,333 --> 00:02:10,500 ♪ WHAT'S IT ALL ABOUT? ♪ 51 00:02:10,500 --> 00:02:12,708 ♪ LIFE IS CRAZY ♪ 52 00:02:12,708 --> 00:02:13,708 ♪ BUT I KNOW ♪ 53 00:02:13,708 --> 00:02:14,750 ♪ I CAN WORK IT OUT ♪ 54 00:02:14,750 --> 00:02:15,958 ♪ 'CAUSE I GOT YOU ♪ 55 00:02:15,958 --> 00:02:18,708 ♪ TO LIVE IT WITH ME ♪ 56 00:02:18,708 --> 00:02:22,875 ♪ I FEEL ALL RIGHT, I'M GONNA TAKE ON THE WORLD ♪ 57 00:02:22,875 --> 00:02:26,333 ♪ LIGHT UP THE STARS, I'VE GOT SOME PAGES TO TURN ♪ 58 00:02:26,333 --> 00:02:28,083 ♪ I'M SINGING "GO-O-O" ♪ 59 00:02:28,083 --> 00:02:31,166 ♪ OH, OH, OH, OH ♪ 60 00:02:31,166 --> 00:02:34,208 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 61 00:02:34,208 --> 00:02:35,625 ♪ TAKE ON THE WORLD ♪ 62 00:02:35,625 --> 00:02:38,166 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 63 00:02:38,166 --> 00:02:39,708 ♪ TAKE ON THE WORLD. ♪ 64 00:02:43,000 --> 00:02:44,750 SEMI-FORMAL COMING UP. 65 00:02:44,750 --> 00:02:46,958 YOUNG MEN AND YOUNG WOMEN INTERACTING. 66 00:02:46,958 --> 00:02:48,708 MIXING IN A SOCIAL SITUATION. 67 00:02:48,708 --> 00:02:51,625 SO, TO AVOID ANY CASUALTIES, 68 00:02:51,625 --> 00:02:54,458 I THOUGHT WE COULD DISCUSS ETIQUETTE. 69 00:02:54,458 --> 00:02:57,416 CAN ANYONE HERE TELL ME WHAT ETIQUETTE IS? 70 00:02:57,416 --> 00:02:59,208 NO, YOU CAN'T. 71 00:03:00,875 --> 00:03:03,583 ETIQUETTE IS TREATING PEOPLE POLITELY AND WITH RESPECT. 72 00:03:03,583 --> 00:03:06,458 MAYA AND I WILL DEMONSTRATE IN A SHORT PLAY WE PUT ON BEFORE EVERY DANCE. 73 00:03:06,458 --> 00:03:08,833 IT'S CALLED, "NO." 74 00:03:08,833 --> 00:03:10,750 MISS HART, WOULD YOU DO ME THE GREAT HONOR 75 00:03:10,750 --> 00:03:13,166 OF ACCOMPANYING ME TO THE SEMI-FORMAL FESTIVITIES? 76 00:03:13,166 --> 00:03:15,333 NO. 77 00:03:15,333 --> 00:03:16,875 -ETIQUETTE. -ETIQUETTE. 78 00:03:16,875 --> 00:03:18,416 -THANK YOU. -THANK YOU. 79 00:03:18,416 --> 00:03:21,708 WE'LL SEE YOU AT THE HOLIDAYS FOR "A CHRISTMAS NO." 80 00:03:21,708 --> 00:03:23,833 (applause) 81 00:03:23,833 --> 00:03:26,000 OKAY, SO... 82 00:03:26,000 --> 00:03:27,958 THE SCHOOL BOARD SENT ME THIS FILM. 83 00:03:27,958 --> 00:03:29,375 IT'S CALLED, 84 00:03:29,375 --> 00:03:33,333 "HE ASKED ME, HE ASKED ME, HE REALLY ASKED ME." 85 00:03:33,333 --> 00:03:35,875 THIS IS SUPPOSED TO TEACH US HOW TO ACT AT THE DANCE? 86 00:03:35,875 --> 00:03:39,375 THEY SENT IT. I'M SHOWING IT. YOU'RE ANIMALS. 87 00:03:40,833 --> 00:03:44,291 OH, THERE'S A DANCE, AND YOU'RE PLANNING TO ATTEND THIS DANCE 88 00:03:44,291 --> 00:03:46,833 THAT YOU NEVER MENTIONED IN MY GENERAL VICINITY, THAT DANCE? 89 00:03:46,833 --> 00:03:48,333 ACTUALLY, I WANNA TALK TO YOU ABOUT THAT-- 90 00:03:48,333 --> 00:03:49,375 GO ON. 91 00:03:49,375 --> 00:03:51,500 PSST. TALK AFTER CLASS. 92 00:03:51,500 --> 00:03:53,583 HAVE YOU NO SENSE OF ANYTHING? 93 00:03:54,583 --> 00:03:56,583 NOPE. LET'S WATCH. 94 00:03:56,583 --> 00:03:59,833 OH, WHAT'S THIS HERE? 95 00:03:59,833 --> 00:04:03,125 WELL, ENJOY THE OLD-TIME PICTURE SHOW. 96 00:04:06,208 --> 00:04:09,208 WELL, IF IT ISN'T OUR OLD FRIEND, BILLY. 97 00:04:09,208 --> 00:04:10,708 LAST TIME WE SAW YOU, BILLY, 98 00:04:10,708 --> 00:04:14,416 YOU WERE TEACHING US THAT OUR BODIES GO THROUGH STRANGE AND HORRIFYING CHANGES. 99 00:04:14,416 --> 00:04:15,458 UCK. 100 00:04:16,875 --> 00:04:20,333 BUT TODAY, WE'RE HERE TO TALK ABOUT THE BIGGEST NIGHT IN A YOUNG PERSON'S LIFE. 101 00:04:20,333 --> 00:04:21,583 THE SEMI-FORMAL. 102 00:04:21,583 --> 00:04:23,708 BILLY'S BEEN LOOKING FORWARD TO IT ALL YEAR. 103 00:04:23,708 --> 00:04:25,083 ISN'T THAT RIGHT, BILLY? 104 00:04:26,708 --> 00:04:28,625 WHOA, WHOA, WHOA, SLOW DOWN, BILLY. 105 00:04:28,625 --> 00:04:30,250 BECAUSE YOU KNOW WHO HANGS OUT AT DANCES? 106 00:04:30,250 --> 00:04:33,375 YOUR OLD FRIENDS POLIO, TYPHOID, AND THE DEVIL. 107 00:04:33,375 --> 00:04:34,583 HE'S MEAN. 108 00:04:34,583 --> 00:04:36,708 NOW, LET'S MEET YOUR BEST GAL, SALLY, 109 00:04:36,708 --> 00:04:40,416 WHO, SINCE YOU'RE A GENTLEMAN, YOU ASKED TO THE DANCE AT LEAST 10 MONTHS IN ADVANCE. 110 00:04:40,416 --> 00:04:41,458 (bell dings) 111 00:04:42,708 --> 00:04:43,708 BILLY GETS IT. 112 00:04:43,708 --> 00:04:46,333 BILLY'S DEAD, AND ALL OF HIS FRIENDS ARE DEAD TOO. 113 00:04:46,333 --> 00:04:49,458 EXCEPT ONE. NO, WAIT, NOW HE'S DEAD TOO. 114 00:04:49,458 --> 00:04:52,708 IT DOES SEEM LIKE RELATIONSHIPS ARE A LITTLE MORE COMPLEX NOW 115 00:04:52,708 --> 00:04:53,875 THAN THEY WERE IN THE 1950s. 116 00:04:53,875 --> 00:04:55,708 I JUST WANNA BE ASKED TO THE DANCE. 117 00:04:55,708 --> 00:04:57,000 -YOU WANNA GO TO THE DANCE? -NO. 118 00:04:57,000 --> 00:04:58,458 OH, YOU'VE SEEN MY PLAY. STYLE ::cue(.speaker) ::cue(.speakerTop) 119 00:05:01,166 --> 00:05:03,750 MEET SALLY. SHE'S A GOOD GIRL. 120 00:05:03,750 --> 00:05:06,958 SALLY'S DREAMING OF HER HANDSOME PRINCE SWEEPING HER OFF HER FEET. 121 00:05:06,958 --> 00:05:08,458 DID HE ASK YOU, SALLY? 122 00:05:08,458 --> 00:05:11,291 HE ASKED ME, HE ASKED ME! HE REALLY ASKED ME! 123 00:05:12,250 --> 00:05:13,833 YOU AND ME, SALLY. 124 00:05:13,833 --> 00:05:15,583 FRONT OF THE NOTEBOOK, BABY. 125 00:05:16,708 --> 00:05:18,250 BECAUSE EVERYBODY KNOWS 126 00:05:18,250 --> 00:05:21,125 THE SEMI-FORMAL IS THE DANCE THAT DETERMINES THE REST OF YOUR LIFE. 127 00:05:21,125 --> 00:05:23,833 OH, THERE'S NOTHING LIKE A BEAUTIFUL GOWN THAT MAKES YOU FEEL 128 00:05:23,833 --> 00:05:25,000 LIKE YOU'RE IN A BEAUTIFUL GOWN. 129 00:05:27,208 --> 00:05:29,208 HOW YOU ENJOYING THE PICTURE SHOW, SALLY? 130 00:05:29,208 --> 00:05:32,208 LIFE IS SO MUCH SIMPLER IN BLACK AND WHITE. 131 00:05:32,208 --> 00:05:35,000 LOOK HOW BILLY HOLDS THE DOOR OPEN FOR SALLY 132 00:05:35,000 --> 00:05:38,458 SO SHE WON'T DEVELOP UNSIGHTLY ARM MUSCLES. 133 00:05:38,458 --> 00:05:40,166 NOW THAT'S ETIQUETTE. 134 00:05:40,166 --> 00:05:41,458 (bell dings) 135 00:05:48,625 --> 00:05:49,875 YIKES. 136 00:05:51,958 --> 00:05:55,583 OKAY. SO, CAN ANYONE HERE TELL ME 137 00:05:55,583 --> 00:05:58,708 IF THEY POSSIBLY LEARNED ANYTHING FROM THAT? 138 00:05:58,708 --> 00:06:02,625 YES. TIME TO MAKE SOME CHOICES, BILLY. 139 00:06:02,625 --> 00:06:05,750 SIMPLE ENOUGH FOR YOU, BILLY? 140 00:06:10,583 --> 00:06:12,166 (knocking) 141 00:06:13,166 --> 00:06:15,333 STAND ASIDE, UNDERPANTS. 142 00:06:15,333 --> 00:06:16,458 UNDERPANTS? 143 00:06:16,458 --> 00:06:17,708 YOU'RE THE BROTHER OF A SENATOR NOW. 144 00:06:17,708 --> 00:06:19,125 SECURITY ISSUES. 145 00:06:19,125 --> 00:06:20,333 THAT'S YOUR CODENAME. 146 00:06:20,333 --> 00:06:21,708 UNDERPANTS! 147 00:06:21,708 --> 00:06:23,333 YEAH. 148 00:06:23,333 --> 00:06:25,458 AS A NEW SENATOR, I NEED PROTECTION. 149 00:06:25,458 --> 00:06:26,833 I'M NOT SURE IF YOU'RE AWARE OF THIS, 150 00:06:26,833 --> 00:06:28,833 THERE'S A LOT OF PEOPLE OUT THERE THAT'D LIKE TO DO ME HARM. 151 00:06:28,833 --> 00:06:30,083 AND IN HERE. 152 00:06:31,083 --> 00:06:34,000 PLUS, EVER SINCE I WAS ELECTED, 153 00:06:34,000 --> 00:06:35,583 SOME GUY'S BEEN STALKING ME. 154 00:06:41,750 --> 00:06:43,166 HE'S THERE. 155 00:06:43,166 --> 00:06:44,875 OH, HE'S WALKING THROUGH THE OORWAY-DAY. 156 00:06:46,208 --> 00:06:48,458 AGENT LaCHANCE, SIR. SECRET SERVICE. 157 00:06:48,458 --> 00:06:50,750 I'M ASSIGNED TO SENATOR MATTHEWS' SECURITY DETAIL. 158 00:06:50,750 --> 00:06:53,083 WAIT, YOU ARE? WHY DIDN'T YOU TELL ME? 159 00:06:53,083 --> 00:06:55,333 I'VE TOLD YOU SEVERAL TIMES, SENATOR. 160 00:06:55,333 --> 00:06:57,000 I KEEP SAYING "SECRET SERVICE," 161 00:06:57,000 --> 00:06:59,208 YOU KEEP SAYING, "I'LL HAVE THE HUMMUS." 162 00:07:00,458 --> 00:07:02,458 AND I NEVER GOT MY HUMMUS. 163 00:07:03,458 --> 00:07:06,458 I'M NOT ROOM SERVICE, I'M SECRET SERVICE. 164 00:07:06,458 --> 00:07:08,875 I HAVEN'T EATEN IN THREE DAYS! 165 00:07:11,125 --> 00:07:12,833 I'M SORRY YOU GOT STUCK WITH HIM. 166 00:07:12,833 --> 00:07:16,000 ACTUALLY, HE'S THE SMARTEST SENATOR I'VE EVER WORKED WITH. 167 00:07:16,000 --> 00:07:18,083 ASK HIM WHY HE'S HERE... 168 00:07:18,083 --> 00:07:19,583 UNDERPANTS. 169 00:07:19,583 --> 00:07:21,333 I'LL PLAY ALONG. 170 00:07:21,333 --> 00:07:22,458 WHY ARE YOU HERE? 171 00:07:22,458 --> 00:07:27,250 SENATE RESOLUTION 328-17 AWARDS A MULTI-BILLION DOLLAR NATURAL GAS PIPELINE 172 00:07:27,250 --> 00:07:28,625 TO EITHER THE GOOD COMPANY OR THE EVIL ONE. 173 00:07:28,625 --> 00:07:31,416 I'M IN TOWN TO MEET WITH THE GUY FROM THE EVIL COMPANY. 174 00:07:31,416 --> 00:07:33,708 HE'S GOING TO TRY TO BUY MY VOTE. 175 00:07:33,708 --> 00:07:34,875 (sneezes) 176 00:07:36,166 --> 00:07:37,208 CAN YOU BE BOUGHT? 177 00:07:37,208 --> 00:07:38,250 I DON'T KNOW. 178 00:07:40,250 --> 00:07:41,958 ERIC, IS THAT EVEN CONNECTED TO ANYTHING? 179 00:07:41,958 --> 00:07:43,333 THIS? NO, THIS IS CANDY. 180 00:07:43,333 --> 00:07:46,708 (electrical surge) IT'S NOT THE CANDY ONE! IT'S NOT THE CANDY ONE! 181 00:07:53,958 --> 00:07:55,250 YOU KNOW WHAT I THINK? 182 00:07:55,250 --> 00:07:57,166 I THINK HE'S WAITING UNTIL THE VERY LAST MINUTE, 183 00:07:57,166 --> 00:07:58,583 AND THEN HE'S GONNA DO THE BIG ASK. 184 00:07:58,583 --> 00:07:59,833 SURE, HE IS. 185 00:07:59,833 --> 00:08:02,833 FIRST, THERE'LL BE BALLOONS IN YOUR LOCKER. 186 00:08:02,833 --> 00:08:03,875 OOH! 187 00:08:03,875 --> 00:08:06,708 THEN, PEOPLE WILL HAND YOU ROSES UNTIL YOU HAVE A BIG BOUQUET. 188 00:08:06,708 --> 00:08:08,625 (gasps) 189 00:08:10,833 --> 00:08:11,583 WHAT THE? 190 00:08:11,583 --> 00:08:14,458 KEEP MAKING THINGS HAPPEN, MAYA! 191 00:08:14,458 --> 00:08:15,500 Cory: AAH! 192 00:08:15,500 --> 00:08:18,208 OKAY, UH... DISCO BALL? 193 00:08:18,208 --> 00:08:19,625 MUSIC? (romantic music swells) 194 00:08:19,625 --> 00:08:21,416 YOGI ON SKATES! 195 00:08:21,416 --> 00:08:22,708 DROP A BANNER, 196 00:08:22,708 --> 00:08:24,625 AND THEN LUCAS IS RIGHT THERE NEXT TO YOU. 197 00:08:24,625 --> 00:08:25,708 (needle scratch) 198 00:08:25,708 --> 00:08:26,958 -RILEY-- -YES, YES! 199 00:08:26,958 --> 00:08:28,750 I WOULD LOVE TO GO TO THE SEMI-FORMAL WITH YOU! 200 00:08:28,750 --> 00:08:31,583 GOOD. I WAS HOPING YOU WOULD. 201 00:08:39,250 --> 00:08:40,833 (mimicking narrator) MEET RILEY, 202 00:08:40,833 --> 00:08:42,875 A SWELL GAL WHO FINDS HERSELF IN QUITE THE PICKLE! 203 00:08:42,875 --> 00:08:45,250 WHAT WILL SHE DO? WHAT WILL SHE DO? 204 00:08:50,750 --> 00:08:53,625 WHEN WE LAST LEFT OUR HERO, SHE SAID SHE'D GO TO THE DANCE WITH CHARLIE GARDNER. 205 00:08:53,625 --> 00:08:55,875 -THAT'S ME. -OH, CHARLIE. 206 00:08:58,083 --> 00:09:00,416 I CAN'T BELIEVE THAT YOU ACTUALLY SAID YES. 207 00:09:00,416 --> 00:09:03,208 I WAITED BECAUSE I WAS SURE LUCAS WAS GONNA ASK YOU, 208 00:09:03,208 --> 00:09:06,416 BUT WHEN HE DIDN'T, I JUST FIGURED THERE WAS A PROBLEM. 209 00:09:06,416 --> 00:09:09,625 SO, I ASKED YOU BECAUSE I THINK A GIRL LIKE YOU DESERVES TO BE SWEPT OFF HER FEET. 210 00:09:09,625 --> 00:09:11,208 UH-OH. 211 00:09:13,250 --> 00:09:14,958 WHAT DO I DO? 212 00:09:14,958 --> 00:09:16,625 ARE YOU ASKING ME? 213 00:09:16,625 --> 00:09:19,500 BECAUSE IF YOU'RE ASKING ME, I SAY YOU GIVE ME A CHANCE. 214 00:09:19,500 --> 00:09:20,583 UH-OH. 215 00:09:22,375 --> 00:09:26,833 CHARLIE, I WANT TO THANK YOU FOR THE FLOWERS AND THE BANNER AND YOGI ON SKATES. 216 00:09:26,833 --> 00:09:28,458 YEAH, I HAD TO TEACH HIM. 217 00:09:28,458 --> 00:09:29,833 Yogi: AAH! (bangs into locker) 218 00:09:29,833 --> 00:09:32,958 BUT THERE'S ONLY SO MUCH TIME IN THE DAY. 219 00:09:32,958 --> 00:09:34,458 I'M SO SORRY, BUT I CAN'T GO. 220 00:09:34,458 --> 00:09:36,708 -YOU CAN'T GO WITH ME? -NO, I CAN'T GO WITH ANYBODY. 221 00:09:36,708 --> 00:09:40,083 -I CAN'T GO WITH ANYBODY BECAUSE I CAN'T GO WITH ANYBODY -YES... 222 00:09:40,083 --> 00:09:42,250 -THAT NIGHT BECAUSE I CAN'T GO ANYWHERE THAT NIGHT -YES... 223 00:09:42,250 --> 00:09:44,583 BECAUSE MY PARENTS HAVE SOMETHING THAT NIGHT. 224 00:09:44,583 --> 00:09:46,625 WHAT RILEY WILL REALIZE IMMEDIATELY 225 00:09:46,625 --> 00:09:49,625 IS THAT HER FATHER IS ONE OF THE CHAPERONES AT THE DANCE. 226 00:09:49,625 --> 00:09:52,166 ISN'T YOUR DAD ONE OF THE CHAPERONES AT THE DANCE? 227 00:09:52,166 --> 00:09:54,458 I'M NOT TALKING ABOUT THOSE PARENTS. 228 00:09:54,458 --> 00:09:56,875 WELL, THERE'S NO COMING BACK FROM THAT. 229 00:09:56,875 --> 00:09:59,250 UH, YES, YES, THERE IS, MAYA, 230 00:09:59,250 --> 00:10:01,125 BECAUSE, SEE, MY DAD IS AT THE DANCE, 231 00:10:01,125 --> 00:10:03,333 AND MY MOM, MY OTHER PARENT I WAS TALKING ABOUT-- STYLE ::cue(.speaker) ::cue(.speakerTop) 232 00:10:03,333 --> 00:10:05,125 -OKAY. -IS ALSO NOT HOME THAT NIGHT. 233 00:10:05,125 --> 00:10:07,708 AND SO I PROMISED HER I WOULD BABYSIT MY LITTLE BROTHER, AUGIE, 234 00:10:07,708 --> 00:10:09,458 BECAUSE NOBODY HAD ASKED ME TO THE DANCE. 235 00:10:09,458 --> 00:10:11,291 I'M SO PROUD OF US. 236 00:10:11,291 --> 00:10:12,750 SHE'S OBVIOUSLY HAD A GOOD BAD INFLUENCE. 237 00:10:12,750 --> 00:10:14,708 WELL, RILEY'S GOTTEN HERSELF OUT OF THIS MESS, 238 00:10:14,708 --> 00:10:16,375 WHAT COULD POSSIBLY GO WRONG NOW? 239 00:10:16,375 --> 00:10:17,708 OH, YOU CAN'T GO TO THE DANCE? 240 00:10:17,708 --> 00:10:19,458 UNBELIEVABLE! 241 00:10:19,458 --> 00:10:22,416 WELL, YOU TWO MUST HAVE A LOT TO TALK ABOUT. 242 00:10:23,500 --> 00:10:24,875 BUT BEFORE I GO, 243 00:10:24,875 --> 00:10:27,875 I'D LIKE YOU BOTH TO KNOW THAT I DON'T REGRET ASKING HER. 244 00:10:27,875 --> 00:10:29,875 I DID IT BECAUSE I KNOW YOU'RE THE TYPE OF PERSON 245 00:10:29,875 --> 00:10:32,708 WHO WOULD GIVE UP THE DANCE TO HELP YOUR PARENTS OUT. 246 00:10:32,708 --> 00:10:37,000 UH, LET ME UNDERSTAND THIS, YOU-- YOU ASKED RILEY TO THE DANCE? 247 00:10:37,000 --> 00:10:39,958 I DID BECAUSE, SEE, YOU DIDN'T. 248 00:10:39,958 --> 00:10:42,333 AND I'M SORRY, BUT DO YOU NEED MORE THAN 10 MONTHS? 249 00:10:44,166 --> 00:10:46,166 CHARLIE, YOU MAY NOT KNOW THIS, 250 00:10:46,166 --> 00:10:48,958 BUT RILEY AND I KINDA HAVE AN UNOFFICIAL THING GOING. 251 00:10:48,958 --> 00:10:51,708 YEAH, BUT I'VE BEEN TRACKING THIS THING ALL YEAR, 252 00:10:51,708 --> 00:10:53,583 AND I'VE SEEN BOTH SIDES OF HER NOTEBOOK. 253 00:10:54,750 --> 00:10:57,708 -YOU LET HIM SEE YOUR NOTEBOOK? -IT WAS ONLY ONE TIME. 254 00:11:01,583 --> 00:11:03,708 SO, WHAT HAPPENS NOW? 255 00:11:03,708 --> 00:11:05,708 GUESS THAT'D DEPEND ON RILEY, WOULDN'T IT? 256 00:11:07,250 --> 00:11:08,750 CLOSE YOUR MOUTH, RILEY. 257 00:11:11,166 --> 00:11:13,708 WELL, I'LL LEAVE YOU GUYS TO IT. 258 00:11:13,708 --> 00:11:17,958 (applause) 259 00:11:25,375 --> 00:11:27,458 I JUST NATURALLY ASSUMED THAT WE WERE GOING TOGETHER. 260 00:11:27,458 --> 00:11:29,291 -WHAT? -I THOUGHT WE WERE GOING TOGETHER. 261 00:11:29,291 --> 00:11:30,458 I'M-- I SHOULD HAVE ASKED. 262 00:11:30,458 --> 00:11:32,250 -WHAT? -I'M SORRY YOU CAN'T GO. 263 00:11:33,833 --> 00:11:34,625 DO IT FOR ME. 264 00:11:34,625 --> 00:11:36,583 UNBELIEVABLE! 265 00:11:36,583 --> 00:11:37,583 AND NOW THIS. 266 00:11:42,416 --> 00:11:43,583 WHY, AGENT LaCHANCE, 267 00:11:43,583 --> 00:11:46,625 THIS MIGHT JUST BE THE START OF THE BEST FRIENDSHIP SINCE... 268 00:11:46,625 --> 00:11:49,000 JACK, WHO WAS THAT GUY I USED TO KNOW? 269 00:11:49,000 --> 00:11:50,458 WHAT'S UP, BUDDY? 270 00:11:50,458 --> 00:11:51,875 -JACK! -ERIC! 271 00:11:51,875 --> 00:11:53,708 -HEY! -COME ON! 272 00:11:53,708 --> 00:11:55,291 HOW ARE YOU DOING? 273 00:11:55,291 --> 00:11:56,708 I'M A SENATOR NOW, DIDN'T YOU HEAR? 274 00:11:56,708 --> 00:11:58,875 NO! YEAH, IT'S THE END OF THE WORLD. 275 00:11:58,875 --> 00:12:00,708 HAHA! PROBABLY. 276 00:12:00,708 --> 00:12:03,500 SO-- I MEAN, WHAT ARE YOU DOING HERE? 277 00:12:03,500 --> 00:12:05,208 WHAT? I NEED A REASON TO SEE MY FRIEND? 278 00:12:05,208 --> 00:12:08,708 SO, WE'RE STILL FRIENDS? 'CAUSE I HAVEN'T SEEN YOU IN A REALLY LONG TIME. 279 00:12:08,708 --> 00:12:12,250 NOT A DAY GOES BY THAT YOUR VOICE STILL ISN'T INSIDE MY HEAD. 280 00:12:12,250 --> 00:12:14,083 NO MATTER WHAT I DO. 281 00:12:14,083 --> 00:12:16,416 YOU KNOW WHAT I'M DOING RIGHT NOW? COME ON, SIT DOWN. 282 00:12:16,416 --> 00:12:18,583 I'M ACTUALLY SENATORING RIGHT NOW. 283 00:12:18,583 --> 00:12:21,750 YEAH, I'M WAITING FOR SOME EVIL GUY FROM SOME EVIL COMPANY 284 00:12:21,750 --> 00:12:24,708 WHO'S GONNA COME IN AND TRY TO SLEAZE HIS WAY INTO MY POCKET TO BUY MY VOTE. 285 00:12:24,708 --> 00:12:26,208 REALLY? WHY WOULD HE DO THAT? 286 00:12:26,208 --> 00:12:29,000 WELL, BECAUSE THE OTHER COMPANY IS REALLY ENVIRONMENTALLY CONSCIOUS, 287 00:12:29,000 --> 00:12:30,291 AND THEY SAVED THE POLAR BEARS, 288 00:12:30,291 --> 00:12:33,416 BUT THE EVIL COMPANY IS SCUM WHO TURNS CLEAN WATER INTO DIRTY WATER, 289 00:12:33,416 --> 00:12:36,625 AND HIRES REALLY GOOD-LOOKING EMPLOYEES 290 00:12:36,625 --> 00:12:39,208 WITH POCKET SQUARES 291 00:12:39,208 --> 00:12:41,208 AND HAIR THAT GOES "SWOOSH"... 292 00:12:43,000 --> 00:12:46,416 TO HIDE THEIR COMPANY'S EVIL FACES. 293 00:12:48,875 --> 00:12:51,125 YOU'RE STILL AN IDIOT GENIUS, AREN'T YOU? 294 00:12:51,125 --> 00:12:53,250 JACK HUNTER JOINED THE PEACE CORPS WITH RACHEL McGUIRE. 295 00:12:53,250 --> 00:12:54,958 SHE STAYED, YOU LEFT, AND YOU JOINED AN EVIL COMPANY, 296 00:12:54,958 --> 00:12:56,750 AND YOU HAVEN'T BEEN THE SAME EVER SINCE. 297 00:12:56,750 --> 00:12:57,875 (sneezes) 298 00:13:00,583 --> 00:13:01,708 YOU KNOW ALL ABOUT ME, HUH? 299 00:13:01,708 --> 00:13:04,250 I KNOW WHAT ALL MY FRIENDS ARE DOING. 300 00:13:04,250 --> 00:13:06,416 WHAT I DON'T KNOW IS WHY? 301 00:13:06,416 --> 00:13:07,583 REMEMBER WHEN WE WERE KIDS? 302 00:13:07,583 --> 00:13:10,166 AND THE TOUGHEST CHOICE WE HAD WAS WHICH ONE OF US WAS GONNA END UP WITH RACHEL? 303 00:13:10,166 --> 00:13:12,083 RACHEL! 304 00:13:12,083 --> 00:13:14,708 WHAT WE NEVER KNEW WAS THAT LIFE WAS PREPARING US 305 00:13:14,708 --> 00:13:16,875 TO MAKE THE RIGHT DECISIONS LATER. 306 00:13:16,875 --> 00:13:19,875 BUT THEN, YOU KNOW, YOU GET A LITTLE OLDER. GROW UP, 307 00:13:19,875 --> 00:13:22,166 AND FACE ANOTHER CHOICE, 308 00:13:22,166 --> 00:13:24,000 AND YOU MAKE THE WRONG DECISION. 309 00:13:24,000 --> 00:13:25,375 WHY DOES THAT HAPPEN? 310 00:13:25,375 --> 00:13:27,166 I DON'T KNOW, JACK. 311 00:13:27,166 --> 00:13:28,708 I WASN'T THERE. 312 00:13:28,708 --> 00:13:32,208 AND NOW I'M IN A POSITION TO INFLUENCE THE WHOLE WORLD. 313 00:13:32,208 --> 00:13:35,000 WHAT DO YOU KNOW? ME TOO. 314 00:13:35,000 --> 00:13:38,833 I GUESS THE ONLY CHOICE LEFT IS WHO INFLUENCES WHO. 315 00:13:38,833 --> 00:13:41,416 WELL, I GUESS THAT'S UP TO US NOW, ISN'T IT? 316 00:13:41,416 --> 00:13:42,583 HEY, YOU FREE TONIGHT? 317 00:13:42,583 --> 00:13:44,583 YEAH, I'M FREE. IT'S NEW YORK CITY. 318 00:13:44,583 --> 00:13:46,583 -WHAT'CHA GOT IN MIND, BUDDY? -HAHAHA, DON'T TOUCH. 319 00:13:51,583 --> 00:13:52,833 HELP ME. 320 00:13:52,833 --> 00:13:54,708 I GOT NOTHING. 321 00:13:54,708 --> 00:13:55,833 HELP ME! 322 00:13:55,833 --> 00:13:57,625 THIS ONE'S A DOOZY. 323 00:14:00,000 --> 00:14:01,625 YOU'VE BEEN IN HERE SIX HOURS. 324 00:14:01,625 --> 00:14:02,833 WE DON'T HEAR ANY TALKING. 325 00:14:02,833 --> 00:14:04,708 THE BAY WINDOW'S BROKEN. 326 00:14:04,708 --> 00:14:05,875 WHAT'S UP? 327 00:14:05,875 --> 00:14:07,750 I GOT ASKED TO THE SEMI-FORMAL. 328 00:14:07,750 --> 00:14:09,000 OH, LUCAS GOT AROUND TO IT? 329 00:14:09,000 --> 00:14:11,208 NO, LUCAS ASSUMED WE WERE GOING. 330 00:14:11,208 --> 00:14:12,708 I GOT ASKED BY CHARLIE. 331 00:14:12,708 --> 00:14:14,166 GARDNER? 332 00:14:14,166 --> 00:14:15,208 I LIKE HIM. 333 00:14:15,208 --> 00:14:16,250 LITTLE QUIET, SO FAR. 334 00:14:17,625 --> 00:14:20,583 SO, WHY AREN'T YOU DRESSED? 335 00:14:20,583 --> 00:14:22,875 BECAUSE I KINDA MADE UP A STORY AND SAID I COULDN'T GO. 336 00:14:22,875 --> 00:14:25,250 AND LUCAS OVERHEARD, AND NOW SALLY'S IN A PICKLE! 337 00:14:25,250 --> 00:14:27,458 WHAT IS THAT? WHAT ARE YOU DOING? WHAT IS THAT? 338 00:14:27,458 --> 00:14:30,166 (mimicry continues) I'M NEVER STOPPING. CHEESE SOUFFLE! 339 00:14:31,583 --> 00:14:35,000 LISTEN, RILEY... 340 00:14:35,000 --> 00:14:37,250 I'M DISAPPOINTED YOU FELT YOU HAD TO MAKE UP A STORY. 341 00:14:37,250 --> 00:14:38,708 WHAT'S WRONG WITH CHARLIE? 342 00:14:38,708 --> 00:14:40,833 NOTHING. IT'S JUST, HE'S KINDA-- 343 00:14:40,833 --> 00:14:41,875 SWELL! 344 00:14:43,625 --> 00:14:45,333 I JUST HAD THIS VISION IN MY HEAD 345 00:14:45,333 --> 00:14:47,583 ABOUT HOW THE SEMI-FORMAL WAS SUPPOSED TO GO. 346 00:14:47,583 --> 00:14:52,708 HOW LUCAS WOULD ASK, THE DRESS I WOULD WEAR, THE CORSAGE HE WOULD GIVE ME. 347 00:14:52,708 --> 00:14:54,458 RILEY DIDN'T DO ANYTHING WRONG. 348 00:14:54,458 --> 00:14:55,750 NO? 349 00:14:55,750 --> 00:14:56,625 NO. 350 00:14:56,625 --> 00:14:58,833 I THINK SHE'S JUST... 351 00:14:58,833 --> 00:15:01,583 CONFUSED ABOUT HOW SHE FEELS. 352 00:15:01,583 --> 00:15:03,833 HOW AM I SUPPOSED TO FEEL, MAYA? STYLE ::cue(.speaker) ::cue(.speakerTop) 353 00:15:03,833 --> 00:15:05,333 I LIKE LUCAS, DON'T I? 354 00:15:05,333 --> 00:15:08,375 YOU WERE ME. HOW DID I FEEL WHEN YOU WERE ME? 355 00:15:08,375 --> 00:15:09,416 WHAT ARE ME AND LUCAS? 356 00:15:11,750 --> 00:15:13,708 JUST TELL ME WHAT TO SAY. 357 00:15:13,708 --> 00:15:15,750 YOU KNOW SOMETHING. TELL ME. 358 00:15:17,750 --> 00:15:19,416 GO TO THE DANCE. 359 00:15:19,416 --> 00:15:21,333 I CAN'T. THEY'RE GONNA PUNISH ME. 360 00:15:21,333 --> 00:15:22,583 GO TO THE DANCE. 361 00:15:22,583 --> 00:15:24,750 THEY'RE NOT GONNA PUNISH ME. 362 00:15:24,750 --> 00:15:27,583 ACTUALLY, WE KINDA ARE. 363 00:15:27,583 --> 00:15:28,583 HOW? 364 00:15:28,583 --> 00:15:31,500 WELL, LUCAS AND CHARLIE ARE BOTH GONNA BE AT THE DANCE. 365 00:15:31,500 --> 00:15:33,250 YOU NEED TO FACE THEM, RILEY. 366 00:15:33,250 --> 00:15:34,833 YOU'VE GOT CHOICES TO MAKE. 367 00:15:36,708 --> 00:15:38,125 OH, BOY. 368 00:15:38,125 --> 00:15:41,333 ALL RIGHT, I'LL GO. 369 00:15:41,333 --> 00:15:42,875 WHAT COLOR GOES WITH SHAME? 370 00:15:48,000 --> 00:15:49,750 RILES, LOOK, BIG TURNOUT. 371 00:15:49,750 --> 00:15:52,875 GOOD. MAYBE THERE'S A CHANCE I WON'T RUN INTO EITHER OF THEM. 372 00:15:54,250 --> 00:15:57,125 OH, THIS IS MY PUNISHMENT. 373 00:15:57,125 --> 00:15:58,958 MY PARENTS ARE SMART. 374 00:15:58,958 --> 00:16:00,083 HI. 375 00:16:00,083 --> 00:16:01,416 RILEY, DANCE? 376 00:16:01,416 --> 00:16:02,458 ABSOLUTELY. 377 00:16:02,458 --> 00:16:03,708 NO, NO, NO, NO, NO, NO, NO. 378 00:16:03,708 --> 00:16:05,833 RILEY'S BUSY. I'LL DANCE WITH YOU. 379 00:16:05,833 --> 00:16:07,416 THAT WORKS FOR ME. YOU'RE RILEY OR MAYA. 380 00:16:08,708 --> 00:16:10,458 I OWE YOU BOTH AN APOLOGY. 381 00:16:10,458 --> 00:16:13,416 IF WE DIDN'T KNOW WHO YOU REALLY ARE, RILEY, THEN MAYBE YOU WOULD. 382 00:16:13,416 --> 00:16:14,708 YOU DON'T OWE ME ANYTHING. 383 00:16:14,708 --> 00:16:17,458 SO, YOU GUYS ARE BOTH JUST GONNA LET ME OFF THE HOOK? 384 00:16:17,458 --> 00:16:19,416 MMM... NOT REALLY. 385 00:16:19,416 --> 00:16:21,000 WELL, THEN WHAT ARE YOU GONNA DO? 386 00:16:21,000 --> 00:16:22,708 WELL, SEE, I TALKED TO CHARLIE, 387 00:16:22,708 --> 00:16:25,625 'CAUSE, YOU KNOW, I THOUGHT HE SHOULD HAVE KNOWN BETTER THAN TO ASK YOU TO THIS DANCE. 388 00:16:25,625 --> 00:16:27,166 YEAH, BUT WHEN I EXPLAINED THE WHOLE 389 00:16:27,166 --> 00:16:30,500 "10 MONTHS, FIVE MONTHS, WEEK BEFORE THE DANCE" THING WAS KINDA DISRESPECTFUL, 390 00:16:30,500 --> 00:16:31,875 -WE DECIDED-- -WELL, NO, CHARLIE. 391 00:16:31,875 --> 00:16:34,708 I THINK WHAT WE CAME UP WITH IS THAT IT WASN'T SO MUCH DISRESPECTFUL 392 00:16:34,708 --> 00:16:37,583 AS IT WAS AN ASSUMED UNDERSTANDING BETWEEN MY FRIEND RILEY AND ME 393 00:16:37,583 --> 00:16:39,833 THAT WE WOULD, YOU KNOW, NATURALLY GO TO THIS DANCE TOGETHER. 394 00:16:39,833 --> 00:16:40,875 WHICH IS WHEN I SAID 395 00:16:40,875 --> 00:16:43,291 THAT THE SEMI-FORMAL DESERVES A LITTLE EXTRA EFFORT, 396 00:16:43,291 --> 00:16:45,875 LIKE BALLOONS AND ROSES AND YOGI ON SKATES. 397 00:16:45,875 --> 00:16:47,250 YEAH, WELL... 398 00:16:47,250 --> 00:16:48,875 YOU KNOW WHAT? I GOTTA GIVE YOU POINTS FOR THAT. 399 00:16:48,875 --> 00:16:50,708 -THAT WAS A GOOD ONE. -THANKS, MAN. 400 00:16:50,708 --> 00:16:53,375 AFTER I SAW YOU PUT HER ON A WHITE HORSE, I KNEW I HAD TO BRING IT. 401 00:16:55,500 --> 00:16:57,125 YES? 402 00:16:57,125 --> 00:16:58,708 WHAT IS GOING ON HERE? 403 00:16:58,708 --> 00:17:01,083 I REALLY LIKE THIS GUY, RILEY. HE'S ALL RIGHT. 404 00:17:01,083 --> 00:17:02,958 -YEAH, NEW FRIENDSHIP. -THANKS TO YOU. 405 00:17:04,750 --> 00:17:07,291 WAIT A MINUTE! 406 00:17:07,291 --> 00:17:08,375 WHAT DO I DO HERE? 407 00:17:08,375 --> 00:17:10,625 OH, WELL, THAT'S UP TO YOU, RILEY. 408 00:17:10,625 --> 00:17:13,125 YEAH. WHY MAKE IT EASY FOR YOU? 409 00:17:20,083 --> 00:17:21,333 HERE WE ARE. 410 00:17:21,333 --> 00:17:22,458 ARE YOU KIDDING ME? 411 00:17:22,458 --> 00:17:23,958 YOU BROUGHT ME TO A SCHOOL DANCE? 412 00:17:23,958 --> 00:17:26,708 NO, JACK, I BROUGHT YOU BACK IN TIME. 413 00:17:26,708 --> 00:17:27,750 SEE, LOOK... 414 00:17:27,750 --> 00:17:29,250 THERE'S FEENY. 415 00:17:29,250 --> 00:17:30,708 CORY! 416 00:17:33,208 --> 00:17:34,583 -JACK? -'SUP BUDDY! 417 00:17:34,583 --> 00:17:35,708 -HEY! -HEY! 418 00:17:37,166 --> 00:17:38,458 HOW'S LIFE TREATING YOU? 419 00:17:38,458 --> 00:17:41,875 WELL, YOU KNOW, I'M AT A MIDDLE SCHOOL DANCE, AND YOUR BROTHER'S MY DATE. 420 00:17:43,125 --> 00:17:44,708 SO, NOTHING'S CHANGED. 421 00:17:44,708 --> 00:17:46,333 GUYS, DO YOU REMEMBER? 422 00:17:46,333 --> 00:17:47,708 WE USED TO BE JUST LIKE THEM. 423 00:17:47,708 --> 00:17:50,000 I REMEMBER US EVERY DAY. 424 00:17:50,000 --> 00:17:51,583 WHAT ARE YOU GUYS DOING HERE? 425 00:17:51,583 --> 00:17:55,708 I WANTED TO BRING HIM BACK TO A TIME WHEN LIFE WAS A LITTLE LESS COMPLICATED. 426 00:17:55,708 --> 00:17:59,458 I THOUGHT IT WAS EITHER GONNA BE THE FRONT OF MY NOTEBOOK OR THE BACK OF MY NOTEBOOK, 427 00:17:59,458 --> 00:18:02,333 BUT NOW THERE'S ANOTHER GUY, SO I THINK I'M GONNA NEED TO GET A WHOLE NEW NOTEBOOK 428 00:18:02,333 --> 00:18:04,083 BECAUSE MAYA WON'T TELL ME HOW I FEEL. 429 00:18:05,708 --> 00:18:07,291 ADULTS HAVE IT EASY, DAD. 430 00:18:07,291 --> 00:18:10,458 ALL YOU DECIDE IS WHAT'S FOR DINNER AND WHAT TO PUT THE THERMOSTAT AT. 431 00:18:10,458 --> 00:18:11,958 92! 432 00:18:11,958 --> 00:18:13,708 THAT'S WHY ALL THE POLAR BEARS LEFT. 433 00:18:13,708 --> 00:18:15,000 I'M THE ONE WHO GLOBAL WARMED THEM. 434 00:18:16,708 --> 00:18:19,708 DAD? WAIT, THIS IS YOUR DAUGHTER? 435 00:18:19,708 --> 00:18:21,583 -HI, I'M RILEY. -HI. 436 00:18:21,583 --> 00:18:23,708 OH, HI, RILEY, IT'S A PLEASURE TO MEET YOU. 437 00:18:23,708 --> 00:18:25,166 WHAT IS IT LIKE HAVING A DAUGHTER, MAN? 438 00:18:25,166 --> 00:18:26,708 HOW DO YOU LIKE TWO PEOPLE DIFFERENTLY? 439 00:18:28,250 --> 00:18:30,708 JACK, YOU WANNA KNOW WHAT IT'S LIKE HAVING A DAUGHTER? 440 00:18:30,708 --> 00:18:31,833 WHY DON'T YOU TAKE THIS ONE? 441 00:18:33,166 --> 00:18:34,416 OH, BUDDY. 442 00:18:34,416 --> 00:18:35,833 WELL, UM... 443 00:18:35,833 --> 00:18:39,875 OKAY, THERE WAS ONCE THIS GIRL WHO HAD TO MAKE A CHOICE BETWEEN ERIC AND ME. 444 00:18:39,875 --> 00:18:41,125 SHE LIKED ME AS A BOYFRIEND. 445 00:18:41,125 --> 00:18:42,875 -AND SHE LIKED ME-- -HOW? 446 00:18:42,875 --> 00:18:44,291 HOW DID SHE LIKE YOU? 447 00:18:44,291 --> 00:18:45,708 SHE LIKED ME AS A BROTHER. 448 00:18:50,416 --> 00:18:52,875 ARE YOU TWO STILL FRIENDS? 449 00:18:52,875 --> 00:18:54,875 YOU KNOW WHAT? I HAVEN'T SEEN HER IN A REALLY LONG TIME. 450 00:18:54,875 --> 00:18:57,000 ARE YOU TWO STILL FRIENDS? 451 00:18:57,000 --> 00:18:58,708 YEAH, WE TALK ALL THE TIME. 452 00:18:58,708 --> 00:19:00,500 SHE AND I ARE STILL GREAT FRIENDS. 453 00:19:00,500 --> 00:19:03,333 KEEP YOUR FRIENDS AROUND AS LONG AS YOU CAN. 454 00:19:03,333 --> 00:19:05,083 THAT'S THE BEST CHOICE YOU CAN MAKE. 455 00:19:07,166 --> 00:19:08,625 DAD? 456 00:19:08,625 --> 00:19:11,250 RILEY, YOU GOT A LOT TO THINK ABOUT. 457 00:19:11,250 --> 00:19:12,625 WHY DON'T YOU GO DANCE WITH YOUR FRIENDS? 458 00:19:16,875 --> 00:19:18,875 MAN... 459 00:19:18,875 --> 00:19:21,875 KEEPING YOU AROUND WAS ALWAYS THE BEST CHOICE I EVER MADE, WASN'T IT? 460 00:19:21,875 --> 00:19:23,458 YEAH. I GOTTA GO. 461 00:19:27,458 --> 00:19:29,458 HEY, EVERYBODY. HI. 462 00:19:29,458 --> 00:19:31,416 YOU ALL HELPED TO GET ME ELECTED, 463 00:19:31,416 --> 00:19:34,000 SO I WANTED TO DO SOMETHING A LITTLE BIT SPECIAL FOR YOU. 464 00:19:34,000 --> 00:19:37,250 SO, LADIES AND GENTLEMEN, ALL THE WAY FROM KANGAROOTOWN, 465 00:19:37,250 --> 00:19:38,291 SHEPPARD. 466 00:19:38,291 --> 00:19:41,458 (cheering) 467 00:19:41,458 --> 00:19:42,958 HEY, GUYS, WE'RE SHEPPARD. 468 00:19:42,958 --> 00:19:44,833 NOW, EVERYBODY GRAB YOUR DATES AND HIT THE FLOOR! 469 00:19:44,833 --> 00:19:47,291 (rock music plays) 470 00:19:47,291 --> 00:19:49,208 ♪ CAN YOU FEEL IT? ♪ 471 00:19:49,208 --> 00:19:51,000 ♪ NOW IT'S COMING BACK ♪ 472 00:19:51,000 --> 00:19:52,750 ♪ WE CAN STEAL IT ♪ 473 00:19:52,750 --> 00:19:54,458 ♪ IF WE BRIDGE THIS GAP ♪ 474 00:19:54,458 --> 00:19:58,708 ♪ I CAN SEE YOU THROUGH THE CURTAINS OF THE WATERFALL ♪ 475 00:20:00,875 --> 00:20:03,416 ♪ SO, SAY GERONIMO ♪ 476 00:20:03,416 --> 00:20:04,750 ♪ SAY GERONIMO ♪ STYLE ::cue(.speaker) ::cue(.speakerTop) 477 00:20:04,750 --> 00:20:08,125 ♪ SAY GERONIMO, SAY GERONIMO ♪ 478 00:20:08,125 --> 00:20:10,000 ♪ SAY GERONIMO ♪ 479 00:20:10,000 --> 00:20:14,166 ♪ SAY GERONIMO, SAY GERONIMO ♪ 480 00:20:14,166 --> 00:20:18,583 ♪ CAN YOU FEEL MY LOVE? ♪ 481 00:20:18,583 --> 00:20:22,000 ♪ CAN YOU FEEL MY LOVE? ♪ 482 00:20:22,000 --> 00:20:25,000 ♪ BOMBS AWAY, BOMBS AWAY ♪ 483 00:20:25,000 --> 00:20:26,625 -HI. -HEY. 484 00:20:26,625 --> 00:20:28,458 WHY DID YOU ASSUME WE WERE GOING TO THE DANCE 485 00:20:28,458 --> 00:20:29,833 IF WE'RE NOT OFFICIALLY TOGETHER? 486 00:20:29,833 --> 00:20:33,000 I DON'T KNOW. WHY WOULD YOU MAKE A BIG DEAL ABOUT IT IF WE'RE NOT OFFICIALLY TOGETHER? 487 00:20:33,000 --> 00:20:34,833 WHY WOULD YOU MAKE SUCH A BIG DEAL ABOUT ME ASKING HER 488 00:20:34,833 --> 00:20:36,000 IF YOU'RE NOT OFFICIALLY TOGETHER? 489 00:20:36,000 --> 00:20:37,708 YEAH, NO, I DON'T DO THAT. 490 00:20:39,250 --> 00:20:41,875 WHY WOULD YOU BE DANCING WITH ME IF YOU'RE OFFICIALLY A HUCKLEBERRY? 491 00:20:43,750 --> 00:20:45,291 NO, I'M NOT DANCING WITH YOU. 492 00:20:48,500 --> 00:20:49,875 HOW YOU DOIN'? 493 00:20:50,875 --> 00:20:53,833 I HATE TO BREAK IT TO YOU, COWBOY, BUT YOU'RE STILL DANCING WITH ME, 494 00:20:53,833 --> 00:20:56,708 AND RILEY'S DANCING WITH THAT GUY. 495 00:20:56,708 --> 00:20:59,958 I'M SORRY EVERYTHING DIDN'T WORK OUT AS PLANNED, CHARLIE. 496 00:20:59,958 --> 00:21:02,500 HEY, I'M HERE, AND WE'RE DANCING. 497 00:21:02,500 --> 00:21:04,166 -WE'RE ALL DANCING. -WE'RE ALL FRIENDS. 498 00:21:04,166 --> 00:21:05,500 WHAT ELSE IS THERE TO FIGURE OUT? 499 00:21:06,500 --> 00:21:07,583 HI. 500 00:21:07,583 --> 00:21:08,750 HEY. 501 00:21:11,708 --> 00:21:14,375 ♪ SO, SAY GERONIMO ♪ 502 00:21:14,375 --> 00:21:15,833 ♪ SAY GERONIMO ♪ 503 00:21:15,833 --> 00:21:19,458 ♪ SAY GERONIMO, SAY GERONIMO ♪ 504 00:21:19,458 --> 00:21:20,833 ♪ SAY GERONIMO ♪ 505 00:21:20,833 --> 00:21:24,458 ♪ SAY GERONIMO, SAY GERONIMO ♪ 506 00:21:24,458 --> 00:21:25,583 ♪ SAY GERONIMO ♪ 507 00:21:25,583 --> 00:21:29,208 ♪ CAN YOU FEEL... (SAY GERONIMO, SAY GERONIMO) ♪ 508 00:21:29,208 --> 00:21:32,750 ♪ (SAY, GERONIMO, SAY GERONIMO) ...MY LOVE? ♪ 509 00:21:32,750 --> 00:21:36,166 ♪ (SAY GERONIMO, SAY GERONIMO) BOMBS AWAY, BOMBS AWAY ♪ 510 00:21:36,166 --> 00:21:39,375 ♪ BOMBS AWAY, BOMBS AWAY (SAY GERONIMO, SAY GERONIMO) ♪ 511 00:21:39,375 --> 00:21:42,750 ♪ CAN YOU FEEL... (MAKE THIS LEAP) ♪ 512 00:21:42,750 --> 00:21:44,708 ♪ MAKE THIS LEAP ♪ 513 00:21:44,708 --> 00:21:47,833 ♪ ...MY LOVE? (MAKE THIS LEAP) ♪ 514 00:21:47,833 --> 00:21:49,458 ♪ OOH, OOH, OOH-OOH ♪ 515 00:21:49,458 --> 00:21:51,208 ♪ MAKE THIS LEAP ♪ 516 00:21:51,208 --> 00:21:52,375 ♪ OOH, OOH, OOH-OOH ♪ 517 00:21:52,375 --> 00:21:54,750 ♪ CAN YOU FEEL... ♪ 518 00:21:59,208 --> 00:22:00,291 ♪ ...MY LOVE? ♪ 519 00:22:01,833 --> 00:22:04,583 (cheering and applause) 520 00:22:09,833 --> 00:22:12,291 HI. I'M SENATOR ERIC MATTHEWS, 521 00:22:12,291 --> 00:22:13,625 AND THIS IS MY NICHE, RILEY. 522 00:22:13,625 --> 00:22:14,708 HI. 523 00:22:14,708 --> 00:22:15,958 AND HER FRIEND, MAYONNAISE. 524 00:22:15,958 --> 00:22:17,583 YOU'RE NOT EVEN TRYING ANYMORE. 525 00:22:17,583 --> 00:22:19,083 WHEN I WAS A KID LIKE THEM, 526 00:22:19,083 --> 00:22:21,750 THERE USED TO BE POLAR BEARS ALL OVER NEW YORK CITY. 527 00:22:21,750 --> 00:22:24,875 BUT NOW, BECAUSE OF "UH-OH, WE BROKE THE EARTH," 528 00:22:24,875 --> 00:22:27,125 THESE BEARS HAVE BEEN FORCED TO MOVE TO PLACES 529 00:22:27,125 --> 00:22:29,208 THEIR TRAVEL AGENTS TOLD THEM WERE COLDER, 530 00:22:29,208 --> 00:22:30,833 BUT AREN'T ANYMORE. 531 00:22:30,833 --> 00:22:33,083 HELP ME MAKE THE RIGHT DECISIONS. 532 00:22:33,083 --> 00:22:36,708 LET'S MAKE THE WORLD COLD WHERE IT'S SUPPOSED TO BE. 533 00:22:36,708 --> 00:22:39,250 IT'S THE WARM THING TO DO.