1
00:00:03,500 --> 00:00:07,250
IT'S THIS WEEKEND.
LUCAS HASN'T ASKED ME
TO THE SEMI-FORMAL.
2
00:00:07,250 --> 00:00:09,250
WE'RE RILEY AND LUCAS,
AREN'T WE, MAYA?
3
00:00:09,250 --> 00:00:11,458
I DON'T KNOW ANYMORE.
JUST TELL ME WHAT TO SAY.
4
00:00:12,625 --> 00:00:14,583
IT'S ALL OVER
THE FRONT OF MY NOTEBOOK.
5
00:00:14,583 --> 00:00:16,750
"RILEY HEARTS LUCAS 4-EVER."
6
00:00:16,750 --> 00:00:18,083
WHAT'S ON THE BACK
ON YOUR NOTEBOOK?
7
00:00:18,083 --> 00:00:20,458
"RILEY AND LUCAS,
WE'RE JUST FRIENDS."
8
00:00:21,833 --> 00:00:23,833
SWEETIE, WHAT ARE
YOU DOING TO YOURSELF?
9
00:00:23,833 --> 00:00:27,083
IT'S THIS WEEKEND,
AND LUCAS HASN'T ASKED ME
TO THE SEMI-FORMAL.
10
00:00:27,083 --> 00:00:28,708
TOLD YA.
11
00:00:28,708 --> 00:00:29,750
YOU GOT A PROBLEM.
12
00:00:29,750 --> 00:00:32,250
YOU DID? HAVE I BROUGHT
THIS UP BEFORE?
13
00:00:33,250 --> 00:00:37,625
IT'S 10 MONTHS AWAY,
WHY HASN'T LUCAS ASKED ME
TO THE SEMI-FORMAL?
14
00:00:37,625 --> 00:00:39,291
Cory: AAH!
15
00:00:39,291 --> 00:00:40,708
THERE'S NOTHING BUT TIME.
16
00:00:40,708 --> 00:00:43,083
HE DOESN'T ASK YOU BY
THE WEEK BEFORE,
I'LL LOOK AT YOU LIKE THIS,
17
00:00:43,083 --> 00:00:45,458
AND SAY, "YOU GOT A PROBLEM."
18
00:00:45,458 --> 00:00:47,708
STOP PLANNING YOUR LIFE
SO FAR IN ADVANCE.
19
00:00:47,708 --> 00:00:48,625
I'M NOT.
20
00:00:48,625 --> 00:00:50,833
WHEN THE TIME COMES,
I WANT MY ASHES SCATTERED
OVER--
21
00:00:50,833 --> 00:00:52,625
LUCAS. IS IT LUCAS?
YEAH, I KNOW.
22
00:00:56,625 --> 00:01:00,458
IT'S FIVE MONTHS AWAY,
WHY HASN'T LUCAS ASKED ME
TO THE SEMI-FORMAL?
23
00:01:00,458 --> 00:01:03,000
♪ DUH, DA-DA, DA-DA, DUH ♪
(slams)
24
00:01:03,000 --> 00:01:04,125
Cory: AAH!
25
00:01:04,125 --> 00:01:05,708
THERE'S NOTHING BUT TIME.
26
00:01:05,708 --> 00:01:07,958
HE DOESN'T ASK YOU BY
THE WEEK BEFORE,
I'LL LOOK AT YOU LIKE THIS,
27
00:01:07,958 --> 00:01:10,875
AND SAY, "YOU GOT A PROBLEM."
28
00:01:10,875 --> 00:01:12,500
YOU KNOW, YOU LOOK
AT ME LIKE THAT A LOT.
29
00:01:12,500 --> 00:01:14,166
WELL, YOU GOT A LOT
OF PROBLEMS.
30
00:01:14,166 --> 00:01:15,750
I DO.
31
00:01:17,333 --> 00:01:19,291
YES, RILEY,
YOU'VE HAD PROBLEMS BEFORE,
32
00:01:19,291 --> 00:01:21,166
BUT YOU HAVEN'T HAD
A LUCAS PROBLEM UNTIL NOW.
33
00:01:22,875 --> 00:01:24,125
Cory: AAH!
34
00:01:24,125 --> 00:01:25,625
WHY DOES HE KEEP
DOING THAT?
35
00:01:26,958 --> 00:01:29,708
LOCKERS, BLACKBOARD.
36
00:01:29,708 --> 00:01:32,000
CHALK,
CHALK DUST.
37
00:01:32,000 --> 00:01:33,458
YOUR DADDY.
38
00:01:35,250 --> 00:01:36,833
HOW LONG YOU GONNA
KEEP DOING IT?
39
00:01:36,833 --> 00:01:37,875
TILL HE COMES OUT.
40
00:01:45,333 --> 00:01:46,458
OKAY, I'M DONE!
41
00:01:47,583 --> 00:01:49,708
(theme music playing)
42
00:01:53,708 --> 00:01:55,708
♪ I'VE BEEN WAITING ♪
43
00:01:55,708 --> 00:01:57,000
♪ FOR A DAY ♪
44
00:01:57,000 --> 00:01:58,083
♪ LIKE THIS TO COME ♪
45
00:01:58,083 --> 00:01:59,708
♪ STRUCK LIKE LIGHTNING ♪
46
00:01:59,708 --> 00:02:02,458
♪ MY HEART'S BEATING LIKE
A DRUM ♪
47
00:02:02,458 --> 00:02:03,875
♪ ON THE EDGE ♪
48
00:02:03,875 --> 00:02:06,458
♪ OF SOMETHING WONDERFUL ♪
49
00:02:06,458 --> 00:02:09,333
♪ FACE TO FACE WITH CHANGES ♪
50
00:02:09,333 --> 00:02:10,500
♪ WHAT'S IT ALL ABOUT? ♪
51
00:02:10,500 --> 00:02:12,708
♪ LIFE IS CRAZY ♪
52
00:02:12,708 --> 00:02:13,708
♪ BUT I KNOW ♪
53
00:02:13,708 --> 00:02:14,750
♪ I CAN WORK IT OUT ♪
54
00:02:14,750 --> 00:02:15,958
♪ 'CAUSE I GOT YOU ♪
55
00:02:15,958 --> 00:02:18,708
♪ TO LIVE IT WITH ME ♪
56
00:02:18,708 --> 00:02:22,875
♪ I FEEL ALL RIGHT,
I'M GONNA TAKE ON THE WORLD ♪
57
00:02:22,875 --> 00:02:26,333
♪ LIGHT UP THE STARS,
I'VE GOT SOME PAGES TO TURN ♪
58
00:02:26,333 --> 00:02:28,083
♪ I'M SINGING "GO-O-O" ♪
59
00:02:28,083 --> 00:02:31,166
♪ OH, OH, OH, OH ♪
60
00:02:31,166 --> 00:02:34,208
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
61
00:02:34,208 --> 00:02:35,625
♪ TAKE ON THE WORLD ♪
62
00:02:35,625 --> 00:02:38,166
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
63
00:02:38,166 --> 00:02:39,708
♪ TAKE ON THE WORLD. ♪
64
00:02:43,000 --> 00:02:44,750
SEMI-FORMAL COMING UP.
65
00:02:44,750 --> 00:02:46,958
YOUNG MEN
AND YOUNG WOMEN INTERACTING.
66
00:02:46,958 --> 00:02:48,708
MIXING IN A SOCIAL SITUATION.
67
00:02:48,708 --> 00:02:51,625
SO, TO AVOID ANY CASUALTIES,
68
00:02:51,625 --> 00:02:54,458
I THOUGHT WE COULD
DISCUSS ETIQUETTE.
69
00:02:54,458 --> 00:02:57,416
CAN ANYONE HERE TELL ME
WHAT ETIQUETTE IS?
70
00:02:57,416 --> 00:02:59,208
NO, YOU CAN'T.
71
00:03:00,875 --> 00:03:03,583
ETIQUETTE IS TREATING PEOPLE
POLITELY AND WITH RESPECT.
72
00:03:03,583 --> 00:03:06,458
MAYA AND I WILL DEMONSTRATE
IN A SHORT PLAY WE PUT ON
BEFORE EVERY DANCE.
73
00:03:06,458 --> 00:03:08,833
IT'S CALLED, "NO."
74
00:03:08,833 --> 00:03:10,750
MISS HART, WOULD YOU DO ME
THE GREAT HONOR
75
00:03:10,750 --> 00:03:13,166
OF ACCOMPANYING ME
TO THE SEMI-FORMAL FESTIVITIES?
76
00:03:13,166 --> 00:03:15,333
NO.
77
00:03:15,333 --> 00:03:16,875
-ETIQUETTE.
-ETIQUETTE.
78
00:03:16,875 --> 00:03:18,416
-THANK YOU.
-THANK YOU.
79
00:03:18,416 --> 00:03:21,708
WE'LL SEE YOU AT THE HOLIDAYS
FOR "A CHRISTMAS NO."
80
00:03:21,708 --> 00:03:23,833
(applause)
81
00:03:23,833 --> 00:03:26,000
OKAY, SO...
82
00:03:26,000 --> 00:03:27,958
THE SCHOOL BOARD
SENT ME THIS FILM.
83
00:03:27,958 --> 00:03:29,375
IT'S CALLED,
84
00:03:29,375 --> 00:03:33,333
"HE ASKED ME, HE ASKED ME,
HE REALLY ASKED ME."
85
00:03:33,333 --> 00:03:35,875
THIS IS SUPPOSED TO TEACH US
HOW TO ACT AT THE DANCE?
86
00:03:35,875 --> 00:03:39,375
THEY SENT IT. I'M SHOWING IT.
YOU'RE ANIMALS.
87
00:03:40,833 --> 00:03:44,291
OH, THERE'S A DANCE,
AND YOU'RE PLANNING
TO ATTEND THIS DANCE
88
00:03:44,291 --> 00:03:46,833
THAT YOU NEVER MENTIONED
IN MY GENERAL VICINITY,
THAT DANCE?
89
00:03:46,833 --> 00:03:48,333
ACTUALLY, I WANNA TALK
TO YOU ABOUT THAT--
90
00:03:48,333 --> 00:03:49,375
GO ON.
91
00:03:49,375 --> 00:03:51,500
PSST. TALK AFTER CLASS.
92
00:03:51,500 --> 00:03:53,583
HAVE YOU NO SENSE
OF ANYTHING?
93
00:03:54,583 --> 00:03:56,583
NOPE. LET'S WATCH.
94
00:03:56,583 --> 00:03:59,833
OH, WHAT'S THIS HERE?
95
00:03:59,833 --> 00:04:03,125
WELL, ENJOY THE OLD-TIME
PICTURE SHOW.
96
00:04:06,208 --> 00:04:09,208
WELL, IF IT ISN'T
OUR OLD FRIEND, BILLY.
97
00:04:09,208 --> 00:04:10,708
LAST TIME WE SAW YOU, BILLY,
98
00:04:10,708 --> 00:04:14,416
YOU WERE TEACHING US THAT
OUR BODIES GO THROUGH STRANGE
AND HORRIFYING CHANGES.
99
00:04:14,416 --> 00:04:15,458
UCK.
100
00:04:16,875 --> 00:04:20,333
BUT TODAY, WE'RE HERE TO TALK
ABOUT THE BIGGEST NIGHT
IN A YOUNG PERSON'S LIFE.
101
00:04:20,333 --> 00:04:21,583
THE SEMI-FORMAL.
102
00:04:21,583 --> 00:04:23,708
BILLY'S BEEN LOOKING FORWARD
TO IT ALL YEAR.
103
00:04:23,708 --> 00:04:25,083
ISN'T THAT RIGHT, BILLY?
104
00:04:26,708 --> 00:04:28,625
WHOA, WHOA, WHOA,
SLOW DOWN, BILLY.
105
00:04:28,625 --> 00:04:30,250
BECAUSE YOU KNOW WHO HANGS OUT
AT DANCES?
106
00:04:30,250 --> 00:04:33,375
YOUR OLD FRIENDS POLIO,
TYPHOID, AND THE DEVIL.
107
00:04:33,375 --> 00:04:34,583
HE'S MEAN.
108
00:04:34,583 --> 00:04:36,708
NOW, LET'S MEET
YOUR BEST GAL, SALLY,
109
00:04:36,708 --> 00:04:40,416
WHO, SINCE YOU'RE A GENTLEMAN,
YOU ASKED TO THE DANCE AT LEAST
10 MONTHS IN ADVANCE.
110
00:04:40,416 --> 00:04:41,458
(bell dings)
111
00:04:42,708 --> 00:04:43,708
BILLY GETS IT.
112
00:04:43,708 --> 00:04:46,333
BILLY'S DEAD, AND ALL OF HIS
FRIENDS ARE DEAD TOO.
113
00:04:46,333 --> 00:04:49,458
EXCEPT ONE. NO, WAIT,
NOW HE'S DEAD TOO.
114
00:04:49,458 --> 00:04:52,708
IT DOES SEEM LIKE RELATIONSHIPS
ARE A LITTLE MORE COMPLEX NOW
115
00:04:52,708 --> 00:04:53,875
THAN THEY WERE IN THE 1950s.
116
00:04:53,875 --> 00:04:55,708
I JUST WANNA BE ASKED
TO THE DANCE.
117
00:04:55,708 --> 00:04:57,000
-YOU WANNA GO TO THE DANCE?
-NO.
118
00:04:57,000 --> 00:04:58,458
OH, YOU'VE SEEN MY PLAY.
STYLE
::cue(.speaker)
::cue(.speakerTop)
119
00:05:01,166 --> 00:05:03,750
MEET SALLY.
SHE'S A GOOD GIRL.
120
00:05:03,750 --> 00:05:06,958
SALLY'S DREAMING OF HER
HANDSOME PRINCE SWEEPING
HER OFF HER FEET.
121
00:05:06,958 --> 00:05:08,458
DID HE ASK YOU, SALLY?
122
00:05:08,458 --> 00:05:11,291
HE ASKED ME, HE ASKED ME!
HE REALLY ASKED ME!
123
00:05:12,250 --> 00:05:13,833
YOU AND ME, SALLY.
124
00:05:13,833 --> 00:05:15,583
FRONT OF THE NOTEBOOK, BABY.
125
00:05:16,708 --> 00:05:18,250
BECAUSE EVERYBODY KNOWS
126
00:05:18,250 --> 00:05:21,125
THE SEMI-FORMAL IS THE DANCE
THAT DETERMINES THE REST
OF YOUR LIFE.
127
00:05:21,125 --> 00:05:23,833
OH, THERE'S NOTHING LIKE
A BEAUTIFUL GOWN THAT
MAKES YOU FEEL
128
00:05:23,833 --> 00:05:25,000
LIKE YOU'RE IN
A BEAUTIFUL GOWN.
129
00:05:27,208 --> 00:05:29,208
HOW YOU ENJOYING
THE PICTURE SHOW, SALLY?
130
00:05:29,208 --> 00:05:32,208
LIFE IS SO MUCH SIMPLER
IN BLACK AND WHITE.
131
00:05:32,208 --> 00:05:35,000
LOOK HOW BILLY HOLDS THE DOOR
OPEN FOR SALLY
132
00:05:35,000 --> 00:05:38,458
SO SHE WON'T DEVELOP
UNSIGHTLY ARM MUSCLES.
133
00:05:38,458 --> 00:05:40,166
NOW THAT'S ETIQUETTE.
134
00:05:40,166 --> 00:05:41,458
(bell dings)
135
00:05:48,625 --> 00:05:49,875
YIKES.
136
00:05:51,958 --> 00:05:55,583
OKAY. SO,
CAN ANYONE HERE TELL ME
137
00:05:55,583 --> 00:05:58,708
IF THEY POSSIBLY
LEARNED ANYTHING
FROM THAT?
138
00:05:58,708 --> 00:06:02,625
YES. TIME TO MAKE
SOME CHOICES, BILLY.
139
00:06:02,625 --> 00:06:05,750
SIMPLE ENOUGH
FOR YOU, BILLY?
140
00:06:10,583 --> 00:06:12,166
(knocking)
141
00:06:13,166 --> 00:06:15,333
STAND ASIDE, UNDERPANTS.
142
00:06:15,333 --> 00:06:16,458
UNDERPANTS?
143
00:06:16,458 --> 00:06:17,708
YOU'RE THE BROTHER
OF A SENATOR NOW.
144
00:06:17,708 --> 00:06:19,125
SECURITY ISSUES.
145
00:06:19,125 --> 00:06:20,333
THAT'S YOUR CODENAME.
146
00:06:20,333 --> 00:06:21,708
UNDERPANTS!
147
00:06:21,708 --> 00:06:23,333
YEAH.
148
00:06:23,333 --> 00:06:25,458
AS A NEW SENATOR,
I NEED PROTECTION.
149
00:06:25,458 --> 00:06:26,833
I'M NOT SURE
IF YOU'RE AWARE OF THIS,
150
00:06:26,833 --> 00:06:28,833
THERE'S A LOT OF PEOPLE
OUT THERE THAT'D LIKE
TO DO ME HARM.
151
00:06:28,833 --> 00:06:30,083
AND IN HERE.
152
00:06:31,083 --> 00:06:34,000
PLUS, EVER SINCE I WAS ELECTED,
153
00:06:34,000 --> 00:06:35,583
SOME GUY'S BEEN STALKING ME.
154
00:06:41,750 --> 00:06:43,166
HE'S THERE.
155
00:06:43,166 --> 00:06:44,875
OH, HE'S WALKING THROUGH
THE OORWAY-DAY.
156
00:06:46,208 --> 00:06:48,458
AGENT LaCHANCE, SIR.
SECRET SERVICE.
157
00:06:48,458 --> 00:06:50,750
I'M ASSIGNED
TO SENATOR MATTHEWS'
SECURITY DETAIL.
158
00:06:50,750 --> 00:06:53,083
WAIT, YOU ARE?
WHY DIDN'T YOU TELL ME?
159
00:06:53,083 --> 00:06:55,333
I'VE TOLD YOU
SEVERAL TIMES, SENATOR.
160
00:06:55,333 --> 00:06:57,000
I KEEP SAYING
"SECRET SERVICE,"
161
00:06:57,000 --> 00:06:59,208
YOU KEEP SAYING,
"I'LL HAVE THE HUMMUS."
162
00:07:00,458 --> 00:07:02,458
AND I NEVER GOT
MY HUMMUS.
163
00:07:03,458 --> 00:07:06,458
I'M NOT ROOM SERVICE,
I'M SECRET SERVICE.
164
00:07:06,458 --> 00:07:08,875
I HAVEN'T EATEN
IN THREE DAYS!
165
00:07:11,125 --> 00:07:12,833
I'M SORRY YOU GOT
STUCK WITH HIM.
166
00:07:12,833 --> 00:07:16,000
ACTUALLY, HE'S THE SMARTEST
SENATOR I'VE EVER WORKED WITH.
167
00:07:16,000 --> 00:07:18,083
ASK HIM WHY
HE'S HERE...
168
00:07:18,083 --> 00:07:19,583
UNDERPANTS.
169
00:07:19,583 --> 00:07:21,333
I'LL PLAY ALONG.
170
00:07:21,333 --> 00:07:22,458
WHY ARE YOU HERE?
171
00:07:22,458 --> 00:07:27,250
SENATE RESOLUTION 328-17
AWARDS A MULTI-BILLION DOLLAR
NATURAL GAS PIPELINE
172
00:07:27,250 --> 00:07:28,625
TO EITHER THE GOOD COMPANY
OR THE EVIL ONE.
173
00:07:28,625 --> 00:07:31,416
I'M IN TOWN TO MEET WITH
THE GUY FROM THE EVIL COMPANY.
174
00:07:31,416 --> 00:07:33,708
HE'S GOING TO TRY
TO BUY MY VOTE.
175
00:07:33,708 --> 00:07:34,875
(sneezes)
176
00:07:36,166 --> 00:07:37,208
CAN YOU BE BOUGHT?
177
00:07:37,208 --> 00:07:38,250
I DON'T KNOW.
178
00:07:40,250 --> 00:07:41,958
ERIC, IS THAT EVEN
CONNECTED TO ANYTHING?
179
00:07:41,958 --> 00:07:43,333
THIS? NO, THIS IS CANDY.
180
00:07:43,333 --> 00:07:46,708
(electrical surge)
IT'S NOT THE CANDY ONE!
IT'S NOT THE CANDY ONE!
181
00:07:53,958 --> 00:07:55,250
YOU KNOW WHAT I THINK?
182
00:07:55,250 --> 00:07:57,166
I THINK HE'S WAITING
UNTIL THE VERY LAST MINUTE,
183
00:07:57,166 --> 00:07:58,583
AND THEN HE'S GONNA
DO THE BIG ASK.
184
00:07:58,583 --> 00:07:59,833
SURE, HE IS.
185
00:07:59,833 --> 00:08:02,833
FIRST, THERE'LL BE BALLOONS
IN YOUR LOCKER.
186
00:08:02,833 --> 00:08:03,875
OOH!
187
00:08:03,875 --> 00:08:06,708
THEN, PEOPLE WILL HAND YOU ROSES
UNTIL YOU HAVE A BIG BOUQUET.
188
00:08:06,708 --> 00:08:08,625
(gasps)
189
00:08:10,833 --> 00:08:11,583
WHAT THE?
190
00:08:11,583 --> 00:08:14,458
KEEP MAKING THINGS
HAPPEN, MAYA!
191
00:08:14,458 --> 00:08:15,500
Cory: AAH!
192
00:08:15,500 --> 00:08:18,208
OKAY, UH... DISCO BALL?
193
00:08:18,208 --> 00:08:19,625
MUSIC?
(romantic music swells)
194
00:08:19,625 --> 00:08:21,416
YOGI ON SKATES!
195
00:08:21,416 --> 00:08:22,708
DROP A BANNER,
196
00:08:22,708 --> 00:08:24,625
AND THEN LUCAS IS RIGHT THERE
NEXT TO YOU.
197
00:08:24,625 --> 00:08:25,708
(needle scratch)
198
00:08:25,708 --> 00:08:26,958
-RILEY--
-YES, YES!
199
00:08:26,958 --> 00:08:28,750
I WOULD LOVE TO GO
TO THE SEMI-FORMAL WITH YOU!
200
00:08:28,750 --> 00:08:31,583
GOOD. I WAS HOPING YOU WOULD.
201
00:08:39,250 --> 00:08:40,833
(mimicking narrator)
MEET RILEY,
202
00:08:40,833 --> 00:08:42,875
A SWELL GAL
WHO FINDS HERSELF
IN QUITE THE PICKLE!
203
00:08:42,875 --> 00:08:45,250
WHAT WILL SHE DO?
WHAT WILL SHE DO?
204
00:08:50,750 --> 00:08:53,625
WHEN WE LAST LEFT OUR HERO,
SHE SAID SHE'D GO TO THE DANCE
WITH CHARLIE GARDNER.
205
00:08:53,625 --> 00:08:55,875
-THAT'S ME.
-OH, CHARLIE.
206
00:08:58,083 --> 00:09:00,416
I CAN'T BELIEVE
THAT YOU ACTUALLY SAID YES.
207
00:09:00,416 --> 00:09:03,208
I WAITED BECAUSE I WAS SURE
LUCAS WAS GONNA ASK YOU,
208
00:09:03,208 --> 00:09:06,416
BUT WHEN HE DIDN'T,
I JUST FIGURED THERE
WAS A PROBLEM.
209
00:09:06,416 --> 00:09:09,625
SO, I ASKED YOU BECAUSE I THINK
A GIRL LIKE YOU DESERVES
TO BE SWEPT OFF HER FEET.
210
00:09:09,625 --> 00:09:11,208
UH-OH.
211
00:09:13,250 --> 00:09:14,958
WHAT DO I DO?
212
00:09:14,958 --> 00:09:16,625
ARE YOU ASKING ME?
213
00:09:16,625 --> 00:09:19,500
BECAUSE IF YOU'RE ASKING ME,
I SAY YOU GIVE ME A CHANCE.
214
00:09:19,500 --> 00:09:20,583
UH-OH.
215
00:09:22,375 --> 00:09:26,833
CHARLIE, I WANT TO THANK YOU
FOR THE FLOWERS AND THE BANNER
AND YOGI ON SKATES.
216
00:09:26,833 --> 00:09:28,458
YEAH, I HAD TO TEACH HIM.
217
00:09:28,458 --> 00:09:29,833
Yogi: AAH!
(bangs into locker)
218
00:09:29,833 --> 00:09:32,958
BUT THERE'S ONLY SO MUCH
TIME IN THE DAY.
219
00:09:32,958 --> 00:09:34,458
I'M SO SORRY,
BUT I CAN'T GO.
220
00:09:34,458 --> 00:09:36,708
-YOU CAN'T GO WITH ME?
-NO, I CAN'T GO WITH ANYBODY.
221
00:09:36,708 --> 00:09:40,083
-I CAN'T GO WITH ANYBODY BECAUSE
I CAN'T GO WITH ANYBODY
-YES...
222
00:09:40,083 --> 00:09:42,250
-THAT NIGHT BECAUSE I CAN'T
GO ANYWHERE THAT NIGHT
-YES...
223
00:09:42,250 --> 00:09:44,583
BECAUSE MY PARENTS
HAVE SOMETHING THAT NIGHT.
224
00:09:44,583 --> 00:09:46,625
WHAT RILEY WILL
REALIZE IMMEDIATELY
225
00:09:46,625 --> 00:09:49,625
IS THAT HER FATHER IS ONE OF
THE CHAPERONES AT THE DANCE.
226
00:09:49,625 --> 00:09:52,166
ISN'T YOUR DAD ONE OF
THE CHAPERONES AT THE DANCE?
227
00:09:52,166 --> 00:09:54,458
I'M NOT TALKING ABOUT
THOSE PARENTS.
228
00:09:54,458 --> 00:09:56,875
WELL, THERE'S NO COMING BACK
FROM THAT.
229
00:09:56,875 --> 00:09:59,250
UH, YES, YES, THERE IS, MAYA,
230
00:09:59,250 --> 00:10:01,125
BECAUSE, SEE, MY DAD
IS AT THE DANCE,
231
00:10:01,125 --> 00:10:03,333
AND MY MOM, MY OTHER PARENT
I WAS TALKING ABOUT--
STYLE
::cue(.speaker)
::cue(.speakerTop)
232
00:10:03,333 --> 00:10:05,125
-OKAY.
-IS ALSO NOT HOME THAT NIGHT.
233
00:10:05,125 --> 00:10:07,708
AND SO I PROMISED HER
I WOULD BABYSIT
MY LITTLE BROTHER, AUGIE,
234
00:10:07,708 --> 00:10:09,458
BECAUSE NOBODY HAD ASKED ME
TO THE DANCE.
235
00:10:09,458 --> 00:10:11,291
I'M SO PROUD OF US.
236
00:10:11,291 --> 00:10:12,750
SHE'S OBVIOUSLY HAD
A GOOD BAD INFLUENCE.
237
00:10:12,750 --> 00:10:14,708
WELL, RILEY'S GOTTEN HERSELF
OUT OF THIS MESS,
238
00:10:14,708 --> 00:10:16,375
WHAT COULD POSSIBLY
GO WRONG NOW?
239
00:10:16,375 --> 00:10:17,708
OH, YOU CAN'T GO
TO THE DANCE?
240
00:10:17,708 --> 00:10:19,458
UNBELIEVABLE!
241
00:10:19,458 --> 00:10:22,416
WELL, YOU TWO MUST
HAVE A LOT TO TALK ABOUT.
242
00:10:23,500 --> 00:10:24,875
BUT BEFORE I GO,
243
00:10:24,875 --> 00:10:27,875
I'D LIKE YOU BOTH TO KNOW
THAT I DON'T REGRET ASKING HER.
244
00:10:27,875 --> 00:10:29,875
I DID IT BECAUSE
I KNOW YOU'RE THE TYPE OF PERSON
245
00:10:29,875 --> 00:10:32,708
WHO WOULD GIVE UP THE DANCE
TO HELP YOUR PARENTS OUT.
246
00:10:32,708 --> 00:10:37,000
UH, LET ME UNDERSTAND THIS,
YOU-- YOU ASKED RILEY
TO THE DANCE?
247
00:10:37,000 --> 00:10:39,958
I DID BECAUSE, SEE,
YOU DIDN'T.
248
00:10:39,958 --> 00:10:42,333
AND I'M SORRY, BUT DO YOU NEED
MORE THAN 10 MONTHS?
249
00:10:44,166 --> 00:10:46,166
CHARLIE, YOU MAY NOT
KNOW THIS,
250
00:10:46,166 --> 00:10:48,958
BUT RILEY AND I KINDA HAVE
AN UNOFFICIAL THING GOING.
251
00:10:48,958 --> 00:10:51,708
YEAH, BUT I'VE BEEN TRACKING
THIS THING ALL YEAR,
252
00:10:51,708 --> 00:10:53,583
AND I'VE SEEN BOTH SIDES
OF HER NOTEBOOK.
253
00:10:54,750 --> 00:10:57,708
-YOU LET HIM SEE
YOUR NOTEBOOK?
-IT WAS ONLY ONE TIME.
254
00:11:01,583 --> 00:11:03,708
SO, WHAT HAPPENS NOW?
255
00:11:03,708 --> 00:11:05,708
GUESS THAT'D DEPEND
ON RILEY, WOULDN'T IT?
256
00:11:07,250 --> 00:11:08,750
CLOSE YOUR MOUTH, RILEY.
257
00:11:11,166 --> 00:11:13,708
WELL, I'LL LEAVE
YOU GUYS TO IT.
258
00:11:13,708 --> 00:11:17,958
(applause)
259
00:11:25,375 --> 00:11:27,458
I JUST NATURALLY ASSUMED
THAT WE WERE GOING TOGETHER.
260
00:11:27,458 --> 00:11:29,291
-WHAT?
-I THOUGHT WE WERE
GOING TOGETHER.
261
00:11:29,291 --> 00:11:30,458
I'M-- I SHOULD HAVE ASKED.
262
00:11:30,458 --> 00:11:32,250
-WHAT?
-I'M SORRY YOU CAN'T GO.
263
00:11:33,833 --> 00:11:34,625
DO IT FOR ME.
264
00:11:34,625 --> 00:11:36,583
UNBELIEVABLE!
265
00:11:36,583 --> 00:11:37,583
AND NOW THIS.
266
00:11:42,416 --> 00:11:43,583
WHY, AGENT LaCHANCE,
267
00:11:43,583 --> 00:11:46,625
THIS MIGHT JUST BE THE START
OF THE BEST FRIENDSHIP SINCE...
268
00:11:46,625 --> 00:11:49,000
JACK, WHO WAS THAT GUY
I USED TO KNOW?
269
00:11:49,000 --> 00:11:50,458
WHAT'S UP, BUDDY?
270
00:11:50,458 --> 00:11:51,875
-JACK!
-ERIC!
271
00:11:51,875 --> 00:11:53,708
-HEY!
-COME ON!
272
00:11:53,708 --> 00:11:55,291
HOW ARE YOU DOING?
273
00:11:55,291 --> 00:11:56,708
I'M A SENATOR NOW,
DIDN'T YOU HEAR?
274
00:11:56,708 --> 00:11:58,875
NO! YEAH, IT'S THE END
OF THE WORLD.
275
00:11:58,875 --> 00:12:00,708
HAHA! PROBABLY.
276
00:12:00,708 --> 00:12:03,500
SO-- I MEAN, WHAT ARE
YOU DOING HERE?
277
00:12:03,500 --> 00:12:05,208
WHAT? I NEED A REASON
TO SEE MY FRIEND?
278
00:12:05,208 --> 00:12:08,708
SO, WE'RE STILL FRIENDS?
'CAUSE I HAVEN'T SEEN YOU
IN A REALLY LONG TIME.
279
00:12:08,708 --> 00:12:12,250
NOT A DAY GOES BY
THAT YOUR VOICE STILL
ISN'T INSIDE MY HEAD.
280
00:12:12,250 --> 00:12:14,083
NO MATTER WHAT I DO.
281
00:12:14,083 --> 00:12:16,416
YOU KNOW WHAT I'M DOING
RIGHT NOW? COME ON, SIT DOWN.
282
00:12:16,416 --> 00:12:18,583
I'M ACTUALLY
SENATORING RIGHT NOW.
283
00:12:18,583 --> 00:12:21,750
YEAH, I'M WAITING FOR SOME
EVIL GUY FROM SOME
EVIL COMPANY
284
00:12:21,750 --> 00:12:24,708
WHO'S GONNA COME IN AND TRY
TO SLEAZE HIS WAY INTO MY POCKET
TO BUY MY VOTE.
285
00:12:24,708 --> 00:12:26,208
REALLY? WHY WOULD
HE DO THAT?
286
00:12:26,208 --> 00:12:29,000
WELL, BECAUSE THE OTHER COMPANY
IS REALLY ENVIRONMENTALLY
CONSCIOUS,
287
00:12:29,000 --> 00:12:30,291
AND THEY SAVED
THE POLAR BEARS,
288
00:12:30,291 --> 00:12:33,416
BUT THE EVIL COMPANY IS SCUM
WHO TURNS CLEAN WATER
INTO DIRTY WATER,
289
00:12:33,416 --> 00:12:36,625
AND HIRES REALLY
GOOD-LOOKING EMPLOYEES
290
00:12:36,625 --> 00:12:39,208
WITH POCKET SQUARES
291
00:12:39,208 --> 00:12:41,208
AND HAIR
THAT GOES "SWOOSH"...
292
00:12:43,000 --> 00:12:46,416
TO HIDE THEIR COMPANY'S
EVIL FACES.
293
00:12:48,875 --> 00:12:51,125
YOU'RE STILL
AN IDIOT GENIUS, AREN'T YOU?
294
00:12:51,125 --> 00:12:53,250
JACK HUNTER JOINED
THE PEACE CORPS WITH
RACHEL McGUIRE.
295
00:12:53,250 --> 00:12:54,958
SHE STAYED, YOU LEFT,
AND YOU JOINED
AN EVIL COMPANY,
296
00:12:54,958 --> 00:12:56,750
AND YOU HAVEN'T BEEN
THE SAME EVER SINCE.
297
00:12:56,750 --> 00:12:57,875
(sneezes)
298
00:13:00,583 --> 00:13:01,708
YOU KNOW ALL ABOUT ME, HUH?
299
00:13:01,708 --> 00:13:04,250
I KNOW WHAT ALL
MY FRIENDS ARE DOING.
300
00:13:04,250 --> 00:13:06,416
WHAT I DON'T KNOW IS WHY?
301
00:13:06,416 --> 00:13:07,583
REMEMBER WHEN
WE WERE KIDS?
302
00:13:07,583 --> 00:13:10,166
AND THE TOUGHEST CHOICE
WE HAD WAS WHICH ONE OF US
WAS GONNA END UP WITH RACHEL?
303
00:13:10,166 --> 00:13:12,083
RACHEL!
304
00:13:12,083 --> 00:13:14,708
WHAT WE NEVER KNEW WAS
THAT LIFE WAS PREPARING US
305
00:13:14,708 --> 00:13:16,875
TO MAKE THE RIGHT
DECISIONS LATER.
306
00:13:16,875 --> 00:13:19,875
BUT THEN, YOU KNOW,
YOU GET A LITTLE OLDER.
GROW UP,
307
00:13:19,875 --> 00:13:22,166
AND FACE ANOTHER CHOICE,
308
00:13:22,166 --> 00:13:24,000
AND YOU MAKE
THE WRONG DECISION.
309
00:13:24,000 --> 00:13:25,375
WHY DOES THAT HAPPEN?
310
00:13:25,375 --> 00:13:27,166
I DON'T KNOW, JACK.
311
00:13:27,166 --> 00:13:28,708
I WASN'T THERE.
312
00:13:28,708 --> 00:13:32,208
AND NOW I'M IN A POSITION
TO INFLUENCE THE WHOLE WORLD.
313
00:13:32,208 --> 00:13:35,000
WHAT DO YOU KNOW?
ME TOO.
314
00:13:35,000 --> 00:13:38,833
I GUESS THE ONLY CHOICE LEFT
IS WHO INFLUENCES WHO.
315
00:13:38,833 --> 00:13:41,416
WELL, I GUESS THAT'S UP
TO US NOW, ISN'T IT?
316
00:13:41,416 --> 00:13:42,583
HEY, YOU FREE TONIGHT?
317
00:13:42,583 --> 00:13:44,583
YEAH, I'M FREE.
IT'S NEW YORK CITY.
318
00:13:44,583 --> 00:13:46,583
-WHAT'CHA GOT IN MIND, BUDDY?
-HAHAHA, DON'T TOUCH.
319
00:13:51,583 --> 00:13:52,833
HELP ME.
320
00:13:52,833 --> 00:13:54,708
I GOT NOTHING.
321
00:13:54,708 --> 00:13:55,833
HELP ME!
322
00:13:55,833 --> 00:13:57,625
THIS ONE'S A DOOZY.
323
00:14:00,000 --> 00:14:01,625
YOU'VE BEEN IN HERE
SIX HOURS.
324
00:14:01,625 --> 00:14:02,833
WE DON'T HEAR
ANY TALKING.
325
00:14:02,833 --> 00:14:04,708
THE BAY WINDOW'S BROKEN.
326
00:14:04,708 --> 00:14:05,875
WHAT'S UP?
327
00:14:05,875 --> 00:14:07,750
I GOT ASKED
TO THE SEMI-FORMAL.
328
00:14:07,750 --> 00:14:09,000
OH, LUCAS GOT
AROUND TO IT?
329
00:14:09,000 --> 00:14:11,208
NO, LUCAS ASSUMED
WE WERE GOING.
330
00:14:11,208 --> 00:14:12,708
I GOT ASKED
BY CHARLIE.
331
00:14:12,708 --> 00:14:14,166
GARDNER?
332
00:14:14,166 --> 00:14:15,208
I LIKE HIM.
333
00:14:15,208 --> 00:14:16,250
LITTLE QUIET, SO FAR.
334
00:14:17,625 --> 00:14:20,583
SO, WHY AREN'T YOU DRESSED?
335
00:14:20,583 --> 00:14:22,875
BECAUSE I KINDA MADE UP
A STORY AND SAID I COULDN'T GO.
336
00:14:22,875 --> 00:14:25,250
AND LUCAS OVERHEARD,
AND NOW SALLY'S IN A PICKLE!
337
00:14:25,250 --> 00:14:27,458
WHAT IS THAT?
WHAT ARE YOU DOING?
WHAT IS THAT?
338
00:14:27,458 --> 00:14:30,166
(mimicry continues)
I'M NEVER STOPPING.
CHEESE SOUFFLE!
339
00:14:31,583 --> 00:14:35,000
LISTEN, RILEY...
340
00:14:35,000 --> 00:14:37,250
I'M DISAPPOINTED YOU FELT
YOU HAD TO MAKE UP A STORY.
341
00:14:37,250 --> 00:14:38,708
WHAT'S WRONG
WITH CHARLIE?
342
00:14:38,708 --> 00:14:40,833
NOTHING. IT'S JUST,
HE'S KINDA--
343
00:14:40,833 --> 00:14:41,875
SWELL!
344
00:14:43,625 --> 00:14:45,333
I JUST HAD THIS VISION
IN MY HEAD
345
00:14:45,333 --> 00:14:47,583
ABOUT HOW THE SEMI-FORMAL
WAS SUPPOSED TO GO.
346
00:14:47,583 --> 00:14:52,708
HOW LUCAS WOULD ASK,
THE DRESS I WOULD WEAR,
THE CORSAGE HE WOULD GIVE ME.
347
00:14:52,708 --> 00:14:54,458
RILEY DIDN'T DO
ANYTHING WRONG.
348
00:14:54,458 --> 00:14:55,750
NO?
349
00:14:55,750 --> 00:14:56,625
NO.
350
00:14:56,625 --> 00:14:58,833
I THINK SHE'S JUST...
351
00:14:58,833 --> 00:15:01,583
CONFUSED ABOUT
HOW SHE FEELS.
352
00:15:01,583 --> 00:15:03,833
HOW AM I SUPPOSED
TO FEEL, MAYA?
STYLE
::cue(.speaker)
::cue(.speakerTop)
353
00:15:03,833 --> 00:15:05,333
I LIKE LUCAS, DON'T I?
354
00:15:05,333 --> 00:15:08,375
YOU WERE ME.
HOW DID I FEEL
WHEN YOU WERE ME?
355
00:15:08,375 --> 00:15:09,416
WHAT ARE ME AND LUCAS?
356
00:15:11,750 --> 00:15:13,708
JUST TELL ME
WHAT TO SAY.
357
00:15:13,708 --> 00:15:15,750
YOU KNOW SOMETHING.
TELL ME.
358
00:15:17,750 --> 00:15:19,416
GO TO THE DANCE.
359
00:15:19,416 --> 00:15:21,333
I CAN'T.
THEY'RE GONNA PUNISH ME.
360
00:15:21,333 --> 00:15:22,583
GO TO THE DANCE.
361
00:15:22,583 --> 00:15:24,750
THEY'RE NOT
GONNA PUNISH ME.
362
00:15:24,750 --> 00:15:27,583
ACTUALLY, WE KINDA ARE.
363
00:15:27,583 --> 00:15:28,583
HOW?
364
00:15:28,583 --> 00:15:31,500
WELL, LUCAS AND CHARLIE
ARE BOTH GONNA BE AT THE DANCE.
365
00:15:31,500 --> 00:15:33,250
YOU NEED TO FACE THEM, RILEY.
366
00:15:33,250 --> 00:15:34,833
YOU'VE GOT CHOICES
TO MAKE.
367
00:15:36,708 --> 00:15:38,125
OH, BOY.
368
00:15:38,125 --> 00:15:41,333
ALL RIGHT, I'LL GO.
369
00:15:41,333 --> 00:15:42,875
WHAT COLOR
GOES WITH SHAME?
370
00:15:48,000 --> 00:15:49,750
RILES, LOOK,
BIG TURNOUT.
371
00:15:49,750 --> 00:15:52,875
GOOD. MAYBE THERE'S A CHANCE
I WON'T RUN INTO EITHER OF THEM.
372
00:15:54,250 --> 00:15:57,125
OH, THIS IS MY PUNISHMENT.
373
00:15:57,125 --> 00:15:58,958
MY PARENTS ARE SMART.
374
00:15:58,958 --> 00:16:00,083
HI.
375
00:16:00,083 --> 00:16:01,416
RILEY, DANCE?
376
00:16:01,416 --> 00:16:02,458
ABSOLUTELY.
377
00:16:02,458 --> 00:16:03,708
NO, NO, NO,
NO, NO, NO, NO.
378
00:16:03,708 --> 00:16:05,833
RILEY'S BUSY.
I'LL DANCE WITH YOU.
379
00:16:05,833 --> 00:16:07,416
THAT WORKS FOR ME.
YOU'RE RILEY OR MAYA.
380
00:16:08,708 --> 00:16:10,458
I OWE YOU BOTH
AN APOLOGY.
381
00:16:10,458 --> 00:16:13,416
IF WE DIDN'T KNOW WHO
YOU REALLY ARE, RILEY,
THEN MAYBE YOU WOULD.
382
00:16:13,416 --> 00:16:14,708
YOU DON'T OWE ME ANYTHING.
383
00:16:14,708 --> 00:16:17,458
SO, YOU GUYS ARE BOTH
JUST GONNA LET ME OFF THE HOOK?
384
00:16:17,458 --> 00:16:19,416
MMM... NOT REALLY.
385
00:16:19,416 --> 00:16:21,000
WELL, THEN WHAT ARE
YOU GONNA DO?
386
00:16:21,000 --> 00:16:22,708
WELL, SEE, I TALKED TO CHARLIE,
387
00:16:22,708 --> 00:16:25,625
'CAUSE, YOU KNOW, I THOUGHT
HE SHOULD HAVE KNOWN BETTER
THAN TO ASK YOU TO THIS DANCE.
388
00:16:25,625 --> 00:16:27,166
YEAH, BUT WHEN I EXPLAINED
THE WHOLE
389
00:16:27,166 --> 00:16:30,500
"10 MONTHS, FIVE MONTHS,
WEEK BEFORE THE DANCE" THING
WAS KINDA DISRESPECTFUL,
390
00:16:30,500 --> 00:16:31,875
-WE DECIDED--
-WELL, NO, CHARLIE.
391
00:16:31,875 --> 00:16:34,708
I THINK WHAT WE CAME UP WITH
IS THAT IT WASN'T SO MUCH
DISRESPECTFUL
392
00:16:34,708 --> 00:16:37,583
AS IT WAS AN ASSUMED
UNDERSTANDING BETWEEN
MY FRIEND RILEY AND ME
393
00:16:37,583 --> 00:16:39,833
THAT WE WOULD, YOU KNOW,
NATURALLY GO TO
THIS DANCE TOGETHER.
394
00:16:39,833 --> 00:16:40,875
WHICH IS WHEN I SAID
395
00:16:40,875 --> 00:16:43,291
THAT THE SEMI-FORMAL DESERVES
A LITTLE EXTRA EFFORT,
396
00:16:43,291 --> 00:16:45,875
LIKE BALLOONS AND ROSES
AND YOGI ON SKATES.
397
00:16:45,875 --> 00:16:47,250
YEAH, WELL...
398
00:16:47,250 --> 00:16:48,875
YOU KNOW WHAT?
I GOTTA GIVE YOU
POINTS FOR THAT.
399
00:16:48,875 --> 00:16:50,708
-THAT WAS A GOOD ONE.
-THANKS, MAN.
400
00:16:50,708 --> 00:16:53,375
AFTER I SAW YOU PUT HER
ON A WHITE HORSE, I KNEW
I HAD TO BRING IT.
401
00:16:55,500 --> 00:16:57,125
YES?
402
00:16:57,125 --> 00:16:58,708
WHAT IS GOING ON HERE?
403
00:16:58,708 --> 00:17:01,083
I REALLY LIKE THIS GUY, RILEY.
HE'S ALL RIGHT.
404
00:17:01,083 --> 00:17:02,958
-YEAH, NEW FRIENDSHIP.
-THANKS TO YOU.
405
00:17:04,750 --> 00:17:07,291
WAIT A MINUTE!
406
00:17:07,291 --> 00:17:08,375
WHAT DO I DO HERE?
407
00:17:08,375 --> 00:17:10,625
OH, WELL, THAT'S
UP TO YOU, RILEY.
408
00:17:10,625 --> 00:17:13,125
YEAH. WHY MAKE IT
EASY FOR YOU?
409
00:17:20,083 --> 00:17:21,333
HERE WE ARE.
410
00:17:21,333 --> 00:17:22,458
ARE YOU KIDDING ME?
411
00:17:22,458 --> 00:17:23,958
YOU BROUGHT ME
TO A SCHOOL DANCE?
412
00:17:23,958 --> 00:17:26,708
NO, JACK, I BROUGHT YOU
BACK IN TIME.
413
00:17:26,708 --> 00:17:27,750
SEE, LOOK...
414
00:17:27,750 --> 00:17:29,250
THERE'S FEENY.
415
00:17:29,250 --> 00:17:30,708
CORY!
416
00:17:33,208 --> 00:17:34,583
-JACK?
-'SUP BUDDY!
417
00:17:34,583 --> 00:17:35,708
-HEY!
-HEY!
418
00:17:37,166 --> 00:17:38,458
HOW'S LIFE TREATING YOU?
419
00:17:38,458 --> 00:17:41,875
WELL, YOU KNOW, I'M AT
A MIDDLE SCHOOL DANCE,
AND YOUR BROTHER'S MY DATE.
420
00:17:43,125 --> 00:17:44,708
SO, NOTHING'S CHANGED.
421
00:17:44,708 --> 00:17:46,333
GUYS, DO YOU REMEMBER?
422
00:17:46,333 --> 00:17:47,708
WE USED TO BE
JUST LIKE THEM.
423
00:17:47,708 --> 00:17:50,000
I REMEMBER US
EVERY DAY.
424
00:17:50,000 --> 00:17:51,583
WHAT ARE YOU GUYS
DOING HERE?
425
00:17:51,583 --> 00:17:55,708
I WANTED TO BRING HIM BACK
TO A TIME WHEN LIFE WAS
A LITTLE LESS COMPLICATED.
426
00:17:55,708 --> 00:17:59,458
I THOUGHT IT WAS EITHER GONNA BE
THE FRONT OF MY NOTEBOOK
OR THE BACK OF MY NOTEBOOK,
427
00:17:59,458 --> 00:18:02,333
BUT NOW THERE'S ANOTHER GUY,
SO I THINK I'M GONNA NEED
TO GET A WHOLE NEW NOTEBOOK
428
00:18:02,333 --> 00:18:04,083
BECAUSE MAYA WON'T TELL ME
HOW I FEEL.
429
00:18:05,708 --> 00:18:07,291
ADULTS HAVE IT EASY, DAD.
430
00:18:07,291 --> 00:18:10,458
ALL YOU DECIDE IS WHAT'S
FOR DINNER AND WHAT TO PUT
THE THERMOSTAT AT.
431
00:18:10,458 --> 00:18:11,958
92!
432
00:18:11,958 --> 00:18:13,708
THAT'S WHY ALL
THE POLAR BEARS LEFT.
433
00:18:13,708 --> 00:18:15,000
I'M THE ONE WHO
GLOBAL WARMED THEM.
434
00:18:16,708 --> 00:18:19,708
DAD? WAIT,
THIS IS YOUR DAUGHTER?
435
00:18:19,708 --> 00:18:21,583
-HI, I'M RILEY.
-HI.
436
00:18:21,583 --> 00:18:23,708
OH, HI, RILEY,
IT'S A PLEASURE TO MEET YOU.
437
00:18:23,708 --> 00:18:25,166
WHAT IS IT LIKE
HAVING A DAUGHTER, MAN?
438
00:18:25,166 --> 00:18:26,708
HOW DO YOU LIKE
TWO PEOPLE DIFFERENTLY?
439
00:18:28,250 --> 00:18:30,708
JACK, YOU WANNA KNOW WHAT
IT'S LIKE HAVING A DAUGHTER?
440
00:18:30,708 --> 00:18:31,833
WHY DON'T YOU
TAKE THIS ONE?
441
00:18:33,166 --> 00:18:34,416
OH, BUDDY.
442
00:18:34,416 --> 00:18:35,833
WELL, UM...
443
00:18:35,833 --> 00:18:39,875
OKAY, THERE WAS ONCE THIS GIRL
WHO HAD TO MAKE A CHOICE
BETWEEN ERIC AND ME.
444
00:18:39,875 --> 00:18:41,125
SHE LIKED ME
AS A BOYFRIEND.
445
00:18:41,125 --> 00:18:42,875
-AND SHE LIKED ME--
-HOW?
446
00:18:42,875 --> 00:18:44,291
HOW DID SHE LIKE YOU?
447
00:18:44,291 --> 00:18:45,708
SHE LIKED ME
AS A BROTHER.
448
00:18:50,416 --> 00:18:52,875
ARE YOU TWO STILL FRIENDS?
449
00:18:52,875 --> 00:18:54,875
YOU KNOW WHAT?
I HAVEN'T SEEN HER
IN A REALLY LONG TIME.
450
00:18:54,875 --> 00:18:57,000
ARE YOU TWO
STILL FRIENDS?
451
00:18:57,000 --> 00:18:58,708
YEAH, WE TALK ALL THE TIME.
452
00:18:58,708 --> 00:19:00,500
SHE AND I
ARE STILL GREAT FRIENDS.
453
00:19:00,500 --> 00:19:03,333
KEEP YOUR FRIENDS AROUND
AS LONG AS YOU CAN.
454
00:19:03,333 --> 00:19:05,083
THAT'S THE BEST CHOICE
YOU CAN MAKE.
455
00:19:07,166 --> 00:19:08,625
DAD?
456
00:19:08,625 --> 00:19:11,250
RILEY, YOU GOT
A LOT TO THINK ABOUT.
457
00:19:11,250 --> 00:19:12,625
WHY DON'T YOU GO
DANCE WITH YOUR FRIENDS?
458
00:19:16,875 --> 00:19:18,875
MAN...
459
00:19:18,875 --> 00:19:21,875
KEEPING YOU AROUND WAS
ALWAYS THE BEST CHOICE I EVER
MADE, WASN'T IT?
460
00:19:21,875 --> 00:19:23,458
YEAH. I GOTTA GO.
461
00:19:27,458 --> 00:19:29,458
HEY, EVERYBODY. HI.
462
00:19:29,458 --> 00:19:31,416
YOU ALL HELPED
TO GET ME ELECTED,
463
00:19:31,416 --> 00:19:34,000
SO I WANTED TO DO SOMETHING
A LITTLE BIT SPECIAL FOR YOU.
464
00:19:34,000 --> 00:19:37,250
SO, LADIES AND GENTLEMEN,
ALL THE WAY FROM KANGAROOTOWN,
465
00:19:37,250 --> 00:19:38,291
SHEPPARD.
466
00:19:38,291 --> 00:19:41,458
(cheering)
467
00:19:41,458 --> 00:19:42,958
HEY, GUYS,
WE'RE SHEPPARD.
468
00:19:42,958 --> 00:19:44,833
NOW, EVERYBODY GRAB YOUR DATES
AND HIT THE FLOOR!
469
00:19:44,833 --> 00:19:47,291
(rock music plays)
470
00:19:47,291 --> 00:19:49,208
♪ CAN YOU FEEL IT? ♪
471
00:19:49,208 --> 00:19:51,000
♪ NOW IT'S COMING BACK ♪
472
00:19:51,000 --> 00:19:52,750
♪ WE CAN STEAL IT ♪
473
00:19:52,750 --> 00:19:54,458
♪ IF WE BRIDGE THIS GAP ♪
474
00:19:54,458 --> 00:19:58,708
♪ I CAN SEE YOU
THROUGH THE CURTAINS
OF THE WATERFALL ♪
475
00:20:00,875 --> 00:20:03,416
♪ SO, SAY GERONIMO ♪
476
00:20:03,416 --> 00:20:04,750
♪ SAY GERONIMO ♪
STYLE
::cue(.speaker)
::cue(.speakerTop)
477
00:20:04,750 --> 00:20:08,125
♪ SAY GERONIMO,
SAY GERONIMO ♪
478
00:20:08,125 --> 00:20:10,000
♪ SAY GERONIMO ♪
479
00:20:10,000 --> 00:20:14,166
♪ SAY GERONIMO,
SAY GERONIMO ♪
480
00:20:14,166 --> 00:20:18,583
♪ CAN YOU FEEL MY LOVE? ♪
481
00:20:18,583 --> 00:20:22,000
♪ CAN YOU FEEL MY LOVE? ♪
482
00:20:22,000 --> 00:20:25,000
♪ BOMBS AWAY,
BOMBS AWAY ♪
483
00:20:25,000 --> 00:20:26,625
-HI.
-HEY.
484
00:20:26,625 --> 00:20:28,458
WHY DID YOU ASSUME
WE WERE GOING TO THE DANCE
485
00:20:28,458 --> 00:20:29,833
IF WE'RE NOT
OFFICIALLY TOGETHER?
486
00:20:29,833 --> 00:20:33,000
I DON'T KNOW. WHY WOULD YOU
MAKE A BIG DEAL ABOUT IT IF
WE'RE NOT OFFICIALLY TOGETHER?
487
00:20:33,000 --> 00:20:34,833
WHY WOULD YOU MAKE SUCH
A BIG DEAL ABOUT ME ASKING HER
488
00:20:34,833 --> 00:20:36,000
IF YOU'RE NOT
OFFICIALLY TOGETHER?
489
00:20:36,000 --> 00:20:37,708
YEAH, NO, I DON'T DO THAT.
490
00:20:39,250 --> 00:20:41,875
WHY WOULD YOU BE
DANCING WITH ME IF YOU'RE
OFFICIALLY A HUCKLEBERRY?
491
00:20:43,750 --> 00:20:45,291
NO, I'M NOT DANCING WITH YOU.
492
00:20:48,500 --> 00:20:49,875
HOW YOU DOIN'?
493
00:20:50,875 --> 00:20:53,833
I HATE TO BREAK IT TO YOU,
COWBOY, BUT YOU'RE STILL
DANCING WITH ME,
494
00:20:53,833 --> 00:20:56,708
AND RILEY'S DANCING
WITH THAT GUY.
495
00:20:56,708 --> 00:20:59,958
I'M SORRY EVERYTHING DIDN'T
WORK OUT AS PLANNED, CHARLIE.
496
00:20:59,958 --> 00:21:02,500
HEY, I'M HERE,
AND WE'RE DANCING.
497
00:21:02,500 --> 00:21:04,166
-WE'RE ALL DANCING.
-WE'RE ALL FRIENDS.
498
00:21:04,166 --> 00:21:05,500
WHAT ELSE IS THERE
TO FIGURE OUT?
499
00:21:06,500 --> 00:21:07,583
HI.
500
00:21:07,583 --> 00:21:08,750
HEY.
501
00:21:11,708 --> 00:21:14,375
♪ SO, SAY GERONIMO ♪
502
00:21:14,375 --> 00:21:15,833
♪ SAY GERONIMO ♪
503
00:21:15,833 --> 00:21:19,458
♪ SAY GERONIMO,
SAY GERONIMO ♪
504
00:21:19,458 --> 00:21:20,833
♪ SAY GERONIMO ♪
505
00:21:20,833 --> 00:21:24,458
♪ SAY GERONIMO,
SAY GERONIMO ♪
506
00:21:24,458 --> 00:21:25,583
♪ SAY GERONIMO ♪
507
00:21:25,583 --> 00:21:29,208
♪ CAN YOU FEEL...
(SAY GERONIMO, SAY GERONIMO) ♪
508
00:21:29,208 --> 00:21:32,750
♪ (SAY, GERONIMO, SAY GERONIMO)
...MY LOVE? ♪
509
00:21:32,750 --> 00:21:36,166
♪ (SAY GERONIMO, SAY GERONIMO)
BOMBS AWAY, BOMBS AWAY ♪
510
00:21:36,166 --> 00:21:39,375
♪ BOMBS AWAY, BOMBS AWAY
(SAY GERONIMO, SAY GERONIMO) ♪
511
00:21:39,375 --> 00:21:42,750
♪ CAN YOU FEEL...
(MAKE THIS LEAP) ♪
512
00:21:42,750 --> 00:21:44,708
♪ MAKE THIS LEAP ♪
513
00:21:44,708 --> 00:21:47,833
♪ ...MY LOVE?
(MAKE THIS LEAP) ♪
514
00:21:47,833 --> 00:21:49,458
♪ OOH, OOH, OOH-OOH ♪
515
00:21:49,458 --> 00:21:51,208
♪ MAKE THIS LEAP ♪
516
00:21:51,208 --> 00:21:52,375
♪ OOH, OOH, OOH-OOH ♪
517
00:21:52,375 --> 00:21:54,750
♪ CAN YOU FEEL... ♪
518
00:21:59,208 --> 00:22:00,291
♪ ...MY LOVE? ♪
519
00:22:01,833 --> 00:22:04,583
(cheering and applause)
520
00:22:09,833 --> 00:22:12,291
HI. I'M SENATOR ERIC MATTHEWS,
521
00:22:12,291 --> 00:22:13,625
AND THIS IS MY NICHE, RILEY.
522
00:22:13,625 --> 00:22:14,708
HI.
523
00:22:14,708 --> 00:22:15,958
AND HER FRIEND, MAYONNAISE.
524
00:22:15,958 --> 00:22:17,583
YOU'RE NOT EVEN
TRYING ANYMORE.
525
00:22:17,583 --> 00:22:19,083
WHEN I WAS A KID LIKE THEM,
526
00:22:19,083 --> 00:22:21,750
THERE USED TO BE POLAR BEARS
ALL OVER NEW YORK CITY.
527
00:22:21,750 --> 00:22:24,875
BUT NOW, BECAUSE OF
"UH-OH, WE BROKE THE EARTH,"
528
00:22:24,875 --> 00:22:27,125
THESE BEARS HAVE BEEN FORCED
TO MOVE TO PLACES
529
00:22:27,125 --> 00:22:29,208
THEIR TRAVEL AGENTS TOLD THEM
WERE COLDER,
530
00:22:29,208 --> 00:22:30,833
BUT AREN'T ANYMORE.
531
00:22:30,833 --> 00:22:33,083
HELP ME MAKE
THE RIGHT DECISIONS.
532
00:22:33,083 --> 00:22:36,708
LET'S MAKE THE WORLD COLD
WHERE IT'S SUPPOSED TO BE.
533
00:22:36,708 --> 00:22:39,250
IT'S THE WARM THING TO DO.