1 00:00:08,875 --> 00:00:10,458 I'M BETTER THAN YOU NOW. 2 00:00:10,458 --> 00:00:11,625 I AM RILEY, THE ARTIST, 3 00:00:11,625 --> 00:00:14,125 AND YOU ARE MAYA, THE ARTIST'S BEST FRIEND. 4 00:00:17,458 --> 00:00:20,166 THANK YOU FOR WORKING ON LIGHT AND SHADOW, MAYA. 5 00:00:20,166 --> 00:00:22,291 YEAH, I LOOK AROUND OUTSIDE NOW. 6 00:00:22,291 --> 00:00:24,000 I WATCH THE LIGHT MOVE DURING THE DAY. 7 00:00:24,000 --> 00:00:26,250 THANKS FOR TEACHING ME THAT, MS. KOSSAL. 8 00:00:28,416 --> 00:00:29,708 HEY. ARE YOU OKAY? 9 00:00:30,625 --> 00:00:33,833 I GET EMOTIONAL WHEN I'M AROUND TALENT. 10 00:00:36,416 --> 00:00:38,583 AND NOW I'M FINE. 11 00:00:40,833 --> 00:00:41,958 COME ON! 12 00:00:41,958 --> 00:00:44,333 WHAT DID I TELL YOU ABOUT ONLY USING PURPLE? 13 00:00:44,333 --> 00:00:46,625 -ARE WE GONNA DO THIS AGAIN? -WHY IS EVERYTHING PURPLE? 14 00:00:46,625 --> 00:00:49,708 BECAUSE YOU HIDE THE PURPLE FROM ME AND I FIND IT! 15 00:00:49,708 --> 00:00:51,458 ARE YOU FINGER PAINTING? 16 00:00:51,458 --> 00:00:53,708 I BELIEVE YOU FAVOR MAYA OVER ME. 17 00:00:53,708 --> 00:00:54,708 OH, YEAH? 18 00:00:54,708 --> 00:00:56,583 WELL, LET'S EXPLORE THAT. 19 00:00:56,583 --> 00:00:59,208 LET'S SEE IF I HAVE UNFAIRLY JUDGED YOU. 20 00:00:59,208 --> 00:01:00,750 -TODAY'S ASSIGNMENT... -UH-HUH. 21 00:01:00,750 --> 00:01:02,458 -...WAS THE DOORWAYS OF NEW YORK. -YEP. YEP. 22 00:01:02,458 --> 00:01:04,708 YOU WERE ASKED TO SPECIFICALLY FOCUS ON... 23 00:01:04,708 --> 00:01:06,833 UNIQUE DOORKNOBS. UH-HUH. YEAH. 24 00:01:06,833 --> 00:01:08,291 -...AND PAINT IT FROM MEMORY. -I DID. 25 00:01:08,291 --> 00:01:10,583 YOU PAINTED A CAT. 26 00:01:10,583 --> 00:01:11,625 -IT'S A DOOR. -IT'S A CAT. 27 00:01:11,625 --> 00:01:13,458 THE WHOLE THING'S A DOOR. 28 00:01:13,458 --> 00:01:15,458 ANYBODY HOME? 29 00:01:15,458 --> 00:01:17,833 OKAY, I'LL COME BACK LATER. 30 00:01:17,833 --> 00:01:18,833 DON'T LET THE CAT OUT. 31 00:01:21,125 --> 00:01:24,583 MAYA HAS SOMETHING VERY SPECIAL, RILEY. 32 00:01:24,583 --> 00:01:27,583 SHE PAINTS FROM A PLACE THAT FEW OF US ARE ABLE TO REACH. 33 00:01:27,583 --> 00:01:29,000 THAT'S BECAUSE SHE HAS AN AWFUL LIFE. 34 00:01:29,000 --> 00:01:30,458 I LOVE IT WHEN I'M REMINDED. 35 00:01:30,458 --> 00:01:32,625 TAKE A LOOK AT MAYA'S WORK. 36 00:01:33,875 --> 00:01:35,583 I WANT TO KNOW WHAT'S BEHIND THAT DOOR. 37 00:01:35,583 --> 00:01:36,750 SO DOES THE ARTIST... 38 00:01:36,750 --> 00:01:40,416 BECAUSE I THINK IT'S BEEN CLOSED TO HER UP UNTIL NOW. 39 00:01:40,416 --> 00:01:41,875 I'M GONNA GET YOU IN THAT DOOR, MAYA. 40 00:01:41,875 --> 00:01:43,416 OH, I KNOW YOU ARE, RILEY. 41 00:01:43,416 --> 00:01:45,875 GOOD. BECAUSE IT'S MAYA'S LAST PAINTING. 42 00:01:47,750 --> 00:01:50,291 W-WAIT, WHY IS IT MY LAST PAINTING? 43 00:01:50,291 --> 00:01:53,333 WELL, IT'S YOUR LAST ONE FOR ME, YOU BEAUTIFUL GIRL. 44 00:01:53,333 --> 00:01:54,833 WHAT'S GOING ON? 45 00:01:56,708 --> 00:01:58,875 OUR SCHOOL IS RUNNING OUT OF MONEY. 46 00:01:58,875 --> 00:02:00,708 THEY'RE CUTTING ART AND MUSIC CLASSES, 47 00:02:00,708 --> 00:02:02,708 EFFECTIVE AFTER THE NEXT SCHOOL BOARD MEETING. 48 00:02:02,708 --> 00:02:03,750 WHAT? 49 00:02:03,750 --> 00:02:05,875 HOW WILL MAYA LEARN? WHAT COMES AFTER LIGHT AND SHADOW? 50 00:02:05,875 --> 00:02:06,875 WHAT ABOUT YOU, RILEY? 51 00:02:06,875 --> 00:02:08,708 WHO CARES ABOUT ME? I STINK. 52 00:02:08,708 --> 00:02:09,958 WHAT ABOUT MAYA? 53 00:02:09,958 --> 00:02:11,083 AND WHAT ABOUT DRAMA? 54 00:02:11,083 --> 00:02:12,958 MY ONE-YEAR SUSPENSION FROM NOT BEING ABLE TO AUDITION 55 00:02:12,958 --> 00:02:14,708 FOR ANY OF THE PLAYS ENDS ON TUESDAY. 56 00:02:14,708 --> 00:02:16,583 -I'M GONNA BE PIPPIN! -THEY'RE NOT PUTTING ON PIPPIN. 57 00:02:16,583 --> 00:02:18,083 I'M GONNA BE PIPPIN IN WHATEVER THEY'RE DOING. 58 00:02:19,291 --> 00:02:21,000 NOBODY BETTER CUT MY BALLET. 59 00:02:22,708 --> 00:02:24,583 YEAH, THAT'S RIGHT-- BALLET. 60 00:02:24,583 --> 00:02:26,833 THAT'S WHY I'M SO SINEWY. 61 00:02:26,833 --> 00:02:27,958 SINEWY? 62 00:02:27,958 --> 00:02:29,708 HEY, YOU SPEND YOUR TIME HITTING BASEBALLS, 63 00:02:29,708 --> 00:02:31,708 I SPEND MY TIME LIFTING BEAUTIFUL GIRLS. 64 00:02:33,083 --> 00:02:34,250 MS. HART? 65 00:02:34,250 --> 00:02:36,000 SHALL WE DANCE? 66 00:02:37,458 --> 00:02:38,500 WE SHALL NOT. 67 00:02:39,875 --> 00:02:41,416 BALLET-- GONE. 68 00:02:41,416 --> 00:02:42,875 ART, MUSIC... 69 00:02:42,875 --> 00:02:45,708 DRAMA, DANCE, ALL OF IT-- 70 00:02:45,708 --> 00:02:46,708 GONE. 71 00:02:54,583 --> 00:02:55,625 MAYA? 72 00:02:55,625 --> 00:02:57,750 IT'S OKAY, RILES. 73 00:02:57,750 --> 00:02:59,708 JUST ANOTHER DOOR CLOSED. 74 00:03:01,708 --> 00:03:04,458 (theme music playing) 75 00:03:08,583 --> 00:03:10,583 ♪ I'VE BEEN WAITING ♪ 76 00:03:10,583 --> 00:03:11,708 ♪ FOR A DAY ♪ 77 00:03:11,708 --> 00:03:12,708 ♪ LIKE THIS TO COME ♪ 78 00:03:12,708 --> 00:03:14,458 ♪ STRUCK LIKE LIGHTNING ♪ 79 00:03:14,458 --> 00:03:16,875 ♪ MY HEART'S BEATING LIKE A DRUM ♪ 80 00:03:16,875 --> 00:03:17,958 ♪ ON THE EDGE ♪ 81 00:03:17,958 --> 00:03:20,750 ♪ OF SOMETHING WONDERFUL ♪ 82 00:03:20,750 --> 00:03:23,875 ♪ FACE TO FACE WITH CHANGES ♪ 83 00:03:23,875 --> 00:03:25,000 ♪ WHAT'S IT ALL ABOUT? ♪ 84 00:03:25,000 --> 00:03:27,208 ♪ LIFE IS CRAZY ♪ 85 00:03:27,208 --> 00:03:28,250 ♪ BUT I KNOW ♪ 86 00:03:28,250 --> 00:03:29,291 ♪ I CAN WORK IT OUT ♪ 87 00:03:29,291 --> 00:03:30,708 ♪ 'CAUSE I GOT YOU ♪ 88 00:03:30,708 --> 00:03:33,500 ♪ TO LIVE IT WITH ME ♪ 89 00:03:33,500 --> 00:03:37,625 ♪ I FEEL ALL RIGHT, I'M GONNA TAKE ON THE WORLD ♪ 90 00:03:37,625 --> 00:03:40,875 ♪ LIGHT UP THE STARS, I'VE GOT SOME PAGES TO TURN ♪ 91 00:03:40,875 --> 00:03:42,625 ♪ I'M SINGING "GO-O-O" ♪ 92 00:03:42,625 --> 00:03:45,708 ♪ OH, OH, OH, OH ♪ 93 00:03:45,708 --> 00:03:48,750 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 94 00:03:48,750 --> 00:03:50,250 ♪ TAKE ON THE WORLD ♪ 95 00:03:50,250 --> 00:03:52,708 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 96 00:03:52,708 --> 00:03:54,291 ♪ TAKE ON THE WORLD ♪ 97 00:03:58,583 --> 00:03:59,833 THE DARK AGES-- 98 00:03:59,833 --> 00:04:03,000 THEY'RE CUTTING ART CLASS AND YOU WANT TO TALK ABOUT THE DARK AGES? 99 00:04:03,000 --> 00:04:06,375 THE DARK AGES WAS A TIME OF CULTURAL DETERIORATION. 100 00:04:06,375 --> 00:04:07,958 WHAT DOES THAT HAVE TO DO WITH ME? 101 00:04:07,958 --> 00:04:11,625 THE DARK AGES WAS THE DECLINE OF THE CREATIVE SPIRIT 102 00:04:11,625 --> 00:04:13,166 OF AN ENTIRE CONTINENT. 103 00:04:13,166 --> 00:04:14,708 WHAT ABOUT ME? 104 00:04:15,750 --> 00:04:17,750 THE DARK AGES IS WHEN THEY CUT THE ART CLASS 105 00:04:17,750 --> 00:04:19,708 AT THIS MIDDLE SCHOOL RIGHT NOW. 106 00:04:19,708 --> 00:04:21,583 AND YOU, MAYA HART-- YES, YOU, MAYA HART, 107 00:04:21,583 --> 00:04:22,708 THE ONE I'M LOOKING AT RIGHT HERE-- 108 00:04:22,708 --> 00:04:24,875 CAN'T PAINT ANYMORE. 109 00:04:24,875 --> 00:04:27,208 YOU KNOW, A GOOD TEACHER LETS THE STUDENTS GET THERE ON THEIR OWN. 110 00:04:30,000 --> 00:04:31,250 DADDY? 111 00:04:31,250 --> 00:04:34,000 RILEY, IF YOU PUT ANOTHER PURPLE CAT 112 00:04:34,000 --> 00:04:36,583 ON OUR FRIDGE, I SWEAR I'M MOVING TO BROOKLYN. 113 00:04:36,583 --> 00:04:39,000 SCRATCH MY NOSE. 114 00:04:39,000 --> 00:04:41,583 I WON'T BE DRY UNTIL MATH, AND MRS. KRAVITZ SCRATCHES 115 00:04:41,583 --> 00:04:44,000 MY NOSE LIKE SHE DOESN'T WANT TO. 116 00:04:48,500 --> 00:04:50,583 THAT'S LIKE A DADDY WOULD. 117 00:04:50,583 --> 00:04:52,250 SO... 118 00:04:52,250 --> 00:04:53,875 WHY WERE THE DARK AGES DARK, PIPPIN? 119 00:04:53,875 --> 00:04:55,458 PEOPLE LOST INTEREST IN ART AND MUSIC 120 00:04:55,458 --> 00:04:56,750 BECAUSE IT WAS TAKEN AWAY FROM THEM. 121 00:04:56,750 --> 00:04:58,500 WELL, I DON'T WANT THAT FOR MAYA. 122 00:04:58,500 --> 00:05:00,291 I WANT MAYA TO BE HAPPY. STYLE ::cue(.speaker) ::cue(.speakerTop) 123 00:05:02,208 --> 00:05:04,000 HEY, MAYA, IT LOOKS LIKE LUCAS HERE'S GETTIN' ALL 124 00:05:04,000 --> 00:05:05,750 FIRED UP ON YOUR BEHALF. 125 00:05:05,750 --> 00:05:08,875 THANK YOU, LUCAS. BUT IT'S JUST AN ART CLASS. 126 00:05:08,875 --> 00:05:10,000 I FEEL BAD. 127 00:05:10,000 --> 00:05:11,750 THEY'RE TAKING AWAY SOMETHING YOU'RE VERY GOOD AT. 128 00:05:11,750 --> 00:05:14,458 -YOU'VE NEVER SAID THAT TO ME BEFORE. -I'VE SAID IT. 129 00:05:14,458 --> 00:05:16,708 YEAH, BUT NOT, LIKE STRAIGHT TO MY FACE WHEN YOU WERE LOOKING AT ME. 130 00:05:16,708 --> 00:05:19,125 -I CAN'T REMEMBER YOU ACTUALLY L-- -YOU'RE A GREAT ARTIST, MAYA. 131 00:05:20,208 --> 00:05:23,375 WELL, HE LOOKIN' AT YOU NOW. 132 00:05:23,375 --> 00:05:25,291 YOU HAVE A REAL TALENT. 133 00:05:25,291 --> 00:05:27,583 AND WANT YOU TO BE ABLE TO GET BETTER AND SHARE IT WITH PEOPLE. 134 00:05:29,458 --> 00:05:32,125 NOW THEY'RE JUST LOOKIN' AT EACH OTHER AND NOT SAYIN' NOTHIN'. 135 00:05:32,125 --> 00:05:33,750 ARE THEY SAYING ANYTHING? 136 00:05:33,750 --> 00:05:34,833 NO? 137 00:05:34,833 --> 00:05:36,583 WELL, I WONDER THAT THEY'RE THINKIN'. 138 00:05:38,000 --> 00:05:40,375 I DON'T WANT THEM TO TAKE AWAY YOUR ART CLASS, MAYA. 139 00:05:41,708 --> 00:05:42,750 BAY WINDOW! 140 00:05:42,750 --> 00:05:45,458 BAY WINDOW RIGHT IN FIVE HOURS. 141 00:05:46,833 --> 00:05:47,875 OKAY. 142 00:05:47,875 --> 00:05:49,875 WHO'S GONNA DO SOMETHING ABOUT ART CLASS? 143 00:05:49,875 --> 00:05:52,333 -I'M SURE THAT'LL BE RILEY. -NOPE. 144 00:05:52,333 --> 00:05:54,416 WELL, I KNOW YOU GUYS WOULD LIKE ME TO STEP IN HERE-- 145 00:05:54,416 --> 00:05:55,583 NOPE. 146 00:05:55,583 --> 00:05:56,875 THIS IS BIGGER THAN YOU, DAD. 147 00:05:56,875 --> 00:05:58,708 YOU'RE RIGHT. THIS IS. 148 00:05:58,708 --> 00:06:01,583 IN FACT, THIS DECISION COMES DIRECTLY FROM 149 00:06:01,583 --> 00:06:02,875 THE NEW YORK CITY SCHOOL BOARD. 150 00:06:02,875 --> 00:06:04,708 THAT'S NOT WHAT I'M TALKING ABOUT. 151 00:06:04,708 --> 00:06:06,583 IF THEY'RE GONNA PUT US IN THE DARK AGES, 152 00:06:06,583 --> 00:06:08,333 THEN WHO'S GONNA GET US OUT? 153 00:06:08,333 --> 00:06:10,166 AH. 154 00:06:10,166 --> 00:06:11,583 FUNNY THING ABOUT THAT. 155 00:06:11,583 --> 00:06:12,875 YOU KNOW WHO DID GET US OUT? 156 00:06:12,875 --> 00:06:15,583 -ARTISTS. -AH. 157 00:06:15,583 --> 00:06:18,875 MICHAELANGELO, DA VINCI... THERE WAS AN EXPLOSION 158 00:06:18,875 --> 00:06:21,000 OF CREATIVITY CALLED THE RENAISSANCE. 159 00:06:22,458 --> 00:06:24,625 MAYA, I WOULD THINK YOU'D HAVE SOMETHING TO SAY ABOUT THAT. 160 00:06:24,625 --> 00:06:27,166 CUT THE ART CLASSES, DON'T CUT THE ART CLASSES. 161 00:06:27,166 --> 00:06:29,458 WHAT HAVE I EVER BEEN ABLE TO DO ABOUT MY LIFE? 162 00:06:29,458 --> 00:06:31,416 AND NOW MY LITTLE PURPLE FRIEND WILL GO CRAZY. 163 00:06:31,416 --> 00:06:33,166 NOT THIS TIME, MAYA. 164 00:06:33,166 --> 00:06:35,875 YOU'RE THE ARTIST, AND I'M JUST THE ARTIST'S BEST FRIEND. 165 00:06:46,416 --> 00:06:48,208 YOU THINK YOU'RE GONNA OUTLAST ME? 166 00:06:48,208 --> 00:06:49,583 YOU THINK I'M GONNA DO SOMETHING? 167 00:06:49,583 --> 00:06:51,875 YOU THINK I'D ACTUALLY CARE ABOUT SOMETHING? 168 00:06:51,875 --> 00:06:53,708 I DON'T CARE WHAT YOU CARE ABOUT. 169 00:06:56,833 --> 00:06:58,250 YOU'RE GONNA BREAK FIRST, AND YOU'RE GONNA FIX 170 00:06:58,250 --> 00:07:00,625 THIS WHOLE THING SOMEHOW BECAUSE YOU CAN'T HELP YOURSELF! 171 00:07:00,625 --> 00:07:02,583 YOU KNOW, FOR SOMEBODY WHO DOESN'T CARE, 172 00:07:02,583 --> 00:07:05,333 YOU ARE MOST CERTAINLY TALKING TO ME IN ALL CAPS. 173 00:07:06,625 --> 00:07:08,000 I WILL NEVER BE A GREAT ARTIST. 174 00:07:08,000 --> 00:07:09,333 YOU'RE PROBABLY RIGHT. 175 00:07:10,625 --> 00:07:12,250 YOU DON'T BELIEVE IN ME? 176 00:07:12,250 --> 00:07:13,875 NOT IF YOU WON'T. 177 00:07:13,875 --> 00:07:15,875 WELL, I CAN'T, RILEY. YOU KNOW? 178 00:07:15,875 --> 00:07:18,333 IT'S JUST 'CAUSE DON'T BELIEVE, DON'T GET HURT. 179 00:07:18,333 --> 00:07:19,583 YEAH. 180 00:07:19,583 --> 00:07:21,333 YEAH, YOU'RE PROBABLY RIGHT. BE SAFE. 181 00:07:21,333 --> 00:07:23,208 YOU'RE RIGHT, I'M WRONG. BE SAFE. 182 00:07:23,208 --> 00:07:25,458 LET'S JUST GO TO A MOVIE OR READ A BOOK 183 00:07:25,458 --> 00:07:27,083 OR MAYBE LISTEN TO SOME MUSIC. 184 00:07:28,416 --> 00:07:30,583 YOU MEAN LET'S JUST GO TO ART, OR READ SOME ART, 185 00:07:30,583 --> 00:07:32,708 OR LISTEN TO SOME ART, BECAUSE MOVIES AND BOOKS 186 00:07:32,708 --> 00:07:33,875 AND MUSIC ARE ART? 187 00:07:33,875 --> 00:07:35,291 I DO GO OUTSIDE, RILEY. 188 00:07:35,291 --> 00:07:37,500 I WATCH THE LIGHT MOVE DURING THE DAY. 189 00:07:37,500 --> 00:07:38,708 AND YOU KNOW WHAT HAPPENS AT 5:30? 190 00:07:38,708 --> 00:07:39,708 YOU TURN GOLD. 191 00:07:39,708 --> 00:07:42,250 EVERYTHING IS MORE BEAUTIFUL AT THE BEGINNING AND THE END OF THE DAY, 192 00:07:42,250 --> 00:07:43,500 AND I WANT PEOPLE TO SEE THAT. 193 00:07:43,500 --> 00:07:44,833 I WANT TO CAPTURE THAT. 194 00:07:46,083 --> 00:07:48,416 I DIDN'T MEAN TO BELIEVE IN SOMETHING. 195 00:07:48,416 --> 00:07:50,250 I KNOW YOU DIDN'T, PEACHES. 196 00:07:52,000 --> 00:07:53,333 BUT I DO. 197 00:07:54,333 --> 00:07:55,708 AND YOU KNEW IT. 198 00:07:55,708 --> 00:07:56,875 YOU KNEW THIS WAS IN ME. 199 00:07:56,875 --> 00:07:58,333 -MM-HMM. -YOU DID IT. 200 00:07:58,333 --> 00:07:59,458 YOU BROKE ME. I BROKE FIRST. 201 00:07:59,458 --> 00:08:01,000 THIS IS THE FIRST TIME THIS HAS EVER HAPPENED! 202 00:08:02,458 --> 00:08:03,750 HOW CLOSE WERE YOU TO BREAKING? 203 00:08:03,750 --> 00:08:05,166 I ALMOST DIED! 204 00:08:06,625 --> 00:08:08,625 I'M SO PROUD OF YOU. 205 00:08:08,625 --> 00:08:09,708 ME TOO, YOU! 206 00:08:09,708 --> 00:08:12,000 SOMETHING IS FINALLY IMPORTANT TO YOU. 207 00:08:12,000 --> 00:08:14,000 -YEAH. -HOW COME? 208 00:08:14,000 --> 00:08:16,333 BECAUSE I DON'T WANT TO LIVE IN A WORLD OF STUPID PURPLE CATS! 209 00:08:16,333 --> 00:08:17,708 NO, WAIT. WHAT? 210 00:08:19,125 --> 00:08:20,708 WE NEED A PLAN. 211 00:08:20,708 --> 00:08:21,708 YOU GOT A PLAN? 212 00:08:21,708 --> 00:08:23,708 DO I HAVE A PLAN? 213 00:08:23,708 --> 00:08:26,291 GEE, I ONLY HAVE ABOUT NINE OF THEM. 214 00:08:26,291 --> 00:08:28,000 AND EACH PLAN HAS A LITTLE SUB-PLAN 215 00:08:28,000 --> 00:08:30,875 AND EACH SUB-PLAN HAS A LITTLE BABY PLAN. 216 00:08:30,875 --> 00:08:33,125 DO I HAVE A PLAN? 217 00:08:33,125 --> 00:08:35,250 'KAY. WHAT'S YOUR PLAN? 218 00:08:36,875 --> 00:08:37,708 MOMMY! 219 00:08:37,708 --> 00:08:39,708 WHAT'S OUR PLAN? 220 00:08:39,708 --> 00:08:40,750 I'M SORRY, GIRLS. 221 00:08:40,750 --> 00:08:43,375 I CAN'T WAVE A MAGICAL LAWYER WAND THIS TIME. 222 00:08:43,375 --> 00:08:44,875 THE SCHOOLS ONLY GET SO MUCH MONEY EVERY YEAR. 223 00:08:44,875 --> 00:08:46,166 IT'S NOT A LEGAL ISSUE. 224 00:08:46,166 --> 00:08:48,000 THEY CAN SPEND IT ON WHATEVER THEY SEE FIT. 225 00:08:48,000 --> 00:08:50,000 ARE YOU TELLING US TO GIVE UP? 226 00:08:50,000 --> 00:08:52,000 WOULD I EVER TELL YOU TO DO THAT? 227 00:08:53,375 --> 00:08:54,416 NO. 228 00:08:54,416 --> 00:08:55,625 SO, WHAT ARE YOU TELLING US? 229 00:08:55,625 --> 00:08:56,750 YOU HAVE AN OPPONENT. 230 00:08:56,750 --> 00:08:58,583 YOUR OPPONENT IS THINKING LOGICALLY. 231 00:08:58,583 --> 00:09:01,583 IF YOU THINK LOGICALLY, YOU'RE GONNA LOSE THE CREATIVE ARTS. 232 00:09:01,583 --> 00:09:02,708 OKAY, BUT ARE THEY RIGHT? 233 00:09:02,708 --> 00:09:04,708 ARE ACADEMICS SO MUCH MORE VALUABLE THAN THE ARTS 234 00:09:04,708 --> 00:09:06,291 THAT WE SHOULD JUST LET THEM DO THIS TO US? 235 00:09:07,708 --> 00:09:08,958 DO YOU GUYS LIKE IT? 236 00:09:08,958 --> 00:09:10,708 I DO, AUGGIE. I LOVE IT. 237 00:09:11,625 --> 00:09:13,875 NO ONE SHOULD TAKE IT AWAY FROM YOU. 238 00:09:13,875 --> 00:09:16,000 SOMEONE'S GOING TO TAKE IT AWAY FROM ME? 239 00:09:16,000 --> 00:09:17,625 NO. 240 00:09:17,625 --> 00:09:18,875 LET'S GET 'EM. 241 00:09:18,875 --> 00:09:20,416 LET'S GET 'EM. 242 00:09:20,416 --> 00:09:22,000 (screaming) 243 00:09:27,750 --> 00:09:30,958 MAYA, I'M REALLY PROUD OF YOU FOR DECIDING TO DO SOMETHING 244 00:09:30,958 --> 00:09:32,083 ABOUT YOUR FUTURE. 245 00:09:34,833 --> 00:09:36,875 YOU GUYS LEFT ME OUT THERE TO DIE. 246 00:09:46,708 --> 00:09:48,833 YOU BROUGHT ME HERE TO WATCH THIS? 247 00:09:48,833 --> 00:09:50,416 ENJOYING THE SHOW, UNCLE JONATHAN? 248 00:09:50,416 --> 00:09:52,833 NO, I'M NOT. MATTHEWS, WHY AM I HERE? 249 00:09:52,833 --> 00:09:53,708 IT WAS MY IDEA. 250 00:09:53,708 --> 00:09:55,833 IF YOU'RE GONNA DO THIS, THEN YOU SHOULD WATCH IT HAPPEN. 251 00:09:55,833 --> 00:09:57,708 CORY, WHY WOULD YOU TELL THEM I'M DOING THIS? 252 00:09:57,708 --> 00:10:01,000 BECAUSE YOU'RE A BAD, BAD MAN, AND I LOVE IT 253 00:10:01,000 --> 00:10:03,000 WHEN IT'S SOMEBODY ELSE'S FAULT. STYLE ::cue(.speaker) ::cue(.speakerTop) 254 00:10:03,000 --> 00:10:04,583 WHAT ARE THEY GONNA DO WITH THE ART ROOM 255 00:10:04,583 --> 00:10:05,708 THAT'S MORE IMPORTANT THAN ART? 256 00:10:05,708 --> 00:10:07,708 THIS WILL BE A TEST TAKING CLASS. 257 00:10:07,708 --> 00:10:09,708 WE NEED TO BE TESTED ON HOW TO TAKE A TEST? 258 00:10:09,708 --> 00:10:11,000 WE'RE TESTING IT OUT. 259 00:10:11,000 --> 00:10:12,250 WHY DO YOU HATE ART SO MUCH? 260 00:10:12,250 --> 00:10:13,833 MATTHEWS! 261 00:10:13,833 --> 00:10:16,375 GIRLS, I AM NOT FOR THIS. 262 00:10:16,375 --> 00:10:17,750 WHAT? 263 00:10:17,750 --> 00:10:19,458 MY HANDS ARE TIED. 264 00:10:19,458 --> 00:10:21,250 I'M THE SUPERINTENDENT OF SCHOOLS. 265 00:10:21,250 --> 00:10:23,958 I ANSWER TO THE PANEL FOR EDUCATIONAL POLICY. 266 00:10:23,958 --> 00:10:26,166 I MEAN, ALL THIS, IT COMES FROM THEM. 267 00:10:26,166 --> 00:10:27,833 I'M NOT THE ENEMY HERE. 268 00:10:27,833 --> 00:10:28,875 YES, HE IS. 269 00:10:28,875 --> 00:10:30,250 MATTHEWS! 270 00:10:30,250 --> 00:10:31,458 TURNER! 271 00:10:33,083 --> 00:10:34,625 YOU WOULDN'T GET RID OF THIS? 272 00:10:36,208 --> 00:10:37,875 AH, I'D GET RID OF THAT FOREVER. 273 00:10:41,125 --> 00:10:42,708 BUT THAT'S A REAL LOSS. 274 00:10:53,500 --> 00:10:56,166 WELL, YOU ARE HARDER TO WATCH THAN USUAL. 275 00:10:56,166 --> 00:10:59,250 I MEAN, ALL BROKEN AND POUTY AND STUFF. 276 00:11:00,333 --> 00:11:03,291 LUCAS USED TO CALL ME IN TEXAS AND TELL ME ABOUT YOU GUYS. 277 00:11:03,291 --> 00:11:04,583 YOU WERE LEGENDS. 278 00:11:04,583 --> 00:11:07,750 THE GENIUS WHO'S LOYAL AND KIND... 279 00:11:07,750 --> 00:11:09,375 THE BLOND BEAUTY... 280 00:11:09,375 --> 00:11:11,125 LUCAS TALKS ABOUT HIMSELF LIKE THAT? 281 00:11:12,750 --> 00:11:14,000 HE WAS TALKING ABOUT YOU. 282 00:11:14,000 --> 00:11:15,333 OH. 283 00:11:15,333 --> 00:11:16,500 OH... 284 00:11:17,875 --> 00:11:19,875 HE SAID YOU WERE ALL FULL OF FIRE. 285 00:11:21,083 --> 00:11:23,000 AND THE PRETTY BRUNETTE WHO NEVER GIVES UP 286 00:11:23,000 --> 00:11:24,583 ON ANYONE OR ANYTHING. 287 00:11:24,583 --> 00:11:26,833 AND NO SACRIFICE IS TOO BIG FOR HER FRIENDS. 288 00:11:26,833 --> 00:11:28,208 BUT YOU'VE ALL GIVEN UP. 289 00:11:28,208 --> 00:11:29,708 WHERE'S THE FIRE? 290 00:11:29,708 --> 00:11:31,375 BECAUSE I DON'T SEE ANY OF IT. 291 00:11:31,375 --> 00:11:32,708 YOU KNOW WHAT, LUCAS? 292 00:11:32,708 --> 00:11:34,458 THESE AREN'T THE PEOPLE YOU TOLD ME ABOUT. 293 00:11:34,458 --> 00:11:36,833 YEAH, EXCEPT YOU'VE BEEN HERE LONG ENOUGH TO KNOW THAT THEY ARE. 294 00:11:38,875 --> 00:11:41,166 EINSTEIN SAID WE CANNOT SOLVE OUR PROBLEMS 295 00:11:41,166 --> 00:11:43,375 WITH THE SAME THINKING WE USED WHEN WE CREATED THEM. 296 00:11:43,375 --> 00:11:45,250 YEAH. WE NEED A DIFFERENT KIND OF THINKING. 297 00:11:45,250 --> 00:11:46,583 WELL, WHAT'S ANOTHER WAY TO THINK? 298 00:11:46,583 --> 00:11:49,083 WE'RE TRYING TO SAVE THE CREATIVE ARTS. 299 00:11:49,083 --> 00:11:51,083 WHY CAN'T WE START THINKING CREATIVELY? 300 00:11:52,708 --> 00:11:54,416 THERE'S MY LITTLE ARTIST. 301 00:11:59,833 --> 00:12:04,375 I'M ASKING YOU TO SLOW DOWN BEFORE THIS VOTE BECOMES FINAL. 302 00:12:04,375 --> 00:12:06,583 ONCE THESE CUTS ARE OFFICIAL, THEN ART 303 00:12:06,583 --> 00:12:10,583 AND MUSIC AND DRAMA AND DANCE-- THEY'RE GONE. 304 00:12:10,583 --> 00:12:12,833 I MEAN, IS THAT REALLY ACCEPTABLE? 305 00:12:13,875 --> 00:12:16,500 IT'S NOT TOO LATE TO DO THE RIGHT THING HERE. 306 00:12:16,500 --> 00:12:18,583 THANK YOU, CHAIRPERSON SANCHEZ. 307 00:12:18,583 --> 00:12:20,208 THANK YOU, SUPERINTENDENT TURNER. 308 00:12:20,208 --> 00:12:23,000 THAT WAS A LOVELY, IMPASSIONED SPEECH. 309 00:12:23,000 --> 00:12:25,333 LET ME JUST CHECK AND SEE IF IT CHANGED ANY OF THE NUMBERS. 310 00:12:25,333 --> 00:12:28,000 NO. I'M AFRAID NOT. 311 00:12:29,583 --> 00:12:32,291 OUR NEXT SPEAKER IS MR. ISAIAH BABINEAUX. 312 00:12:32,291 --> 00:12:33,291 MR. BABINEAUX? 313 00:12:37,625 --> 00:12:40,000 HELLO, CHAIRPERSON. 314 00:12:40,000 --> 00:12:42,458 THANK YOU FOR SEEING ME. 315 00:12:42,458 --> 00:12:43,625 YOU'RE WELCOME, MR. BABINEAUX. 316 00:12:43,625 --> 00:12:46,833 WE ARE HAPPY TO SEE A YOUNG REPRESENTATIVE 317 00:12:46,833 --> 00:12:49,083 OF OUR SCHOOL COMMUNITY, WHO IS, I TRUST, 318 00:12:49,083 --> 00:12:52,375 GOING TO ADDRESS US WITH GREAT RESPECT FOR OUR PROCESS. 319 00:12:52,375 --> 00:12:54,875 NO. THAT'S NOT WHAT'S GONNA HAPPEN. 320 00:12:57,875 --> 00:12:59,958 WE COULDN'T REACH YOU WITH LOGIC, 321 00:12:59,958 --> 00:13:03,291 SO WE DECIDED TO THINK... DIFFERENTLY. 322 00:13:03,291 --> 00:13:05,875 OH. SUPER. 323 00:13:13,000 --> 00:13:15,000 OKAY. WAIT A SECOND. WHAT EXACTLY ARE YOU GONNA DO? 324 00:13:15,000 --> 00:13:18,291 -♪ BOMP, BOMP, BOMP ♪ -♪ BA, DA, DA ♪ 325 00:13:18,291 --> 00:13:20,125 -♪ BOMP, BOMP, BOMP ♪ -♪ BA, DA, DA ♪ 326 00:13:20,125 --> 00:13:22,125 -♪ BOMP, BOMP, BOMP ♪ -♪ BA, DA, DA ♪ 327 00:13:22,125 --> 00:13:23,875 -♪ BOMP, BOMP, BOMP ♪ -♪ BA, DA, DA ♪ 328 00:13:23,875 --> 00:13:25,458 -♪ BOMP, BOMP, BOMP ♪ -♪ BA, DA, DA ♪ 329 00:13:25,458 --> 00:13:26,625 ♪ OH, MR. FRIAR ♪ 330 00:13:26,625 --> 00:13:28,708 ♪ YES, MR. BABINEAUX? ♪ 331 00:13:28,708 --> 00:13:30,458 ♪ I LIKE THIS ROOM ♪ 332 00:13:30,458 --> 00:13:31,958 ♪ THIS IS A NICE ROOM ♪ 333 00:13:31,958 --> 00:13:35,000 ♪ SO WHAT DO WE DO TO A ROOM IF WE WANT TO KILL THE... ♪ 334 00:13:35,000 --> 00:13:36,750 ♪ A-R-T-S, ARTS? ♪ 335 00:13:36,750 --> 00:13:38,083 WE DO THIS... 336 00:13:40,625 --> 00:13:41,833 GENTLEMEN, WHAT ARE YOU DOING? 337 00:13:41,833 --> 00:13:43,333 THE SAME THING YOU'RE DOING TO US. 338 00:13:44,708 --> 00:13:46,291 NOT AS INTERESTING A ROOM ANYMORE. 339 00:13:46,291 --> 00:13:47,375 GET THE PICTURE? 340 00:13:48,500 --> 00:13:50,708 THAT'S A VERY COLORFUL SCARF YOU'RE WEARING. 341 00:13:50,708 --> 00:13:52,166 -THANK YOU. -MAY I? 342 00:13:55,166 --> 00:13:58,291 A DANCE TO THE LOSS OF PURPLE. 343 00:14:21,291 --> 00:14:22,958 MY NAME IS MAYA HART. 344 00:14:22,958 --> 00:14:24,625 THIS COMMITTEE RELIES ON CHARTS AND GRAPHS. 345 00:14:24,625 --> 00:14:26,125 I HAVE INFORMATION TO ADD TO THEM. 346 00:14:26,125 --> 00:14:27,708 PLEASE SHARE IT WITH US, MS. HART. 347 00:14:27,708 --> 00:14:28,833 YOU WANT NUMBERS? 348 00:14:28,833 --> 00:14:31,875 THE UNITED STATES RANKING IN MATH, SCIENCE AND READING 349 00:14:31,875 --> 00:14:34,125 HAS DONE NOTHING BUT DROP FOR THE PAST 50 YEARS. 350 00:14:34,125 --> 00:14:35,833 -YOUR PROPOSAL? -GET RID OF 'EM. 351 00:14:35,833 --> 00:14:38,250 CUT MATH, SCIENCE AND READING? 352 00:14:38,250 --> 00:14:40,375 WHY NOT? WE STINK AT 'EM. 353 00:14:40,375 --> 00:14:42,833 BUT YOU KNOW WHAT WE'RE NUMBER ONE AT? 354 00:14:42,833 --> 00:14:44,583 MOVIES AND MUSIC! 355 00:14:44,583 --> 00:14:47,833 PEOPLE ALL OVER THE WORLD ARE INSPIRED BY OUR CREATIVITY. 356 00:14:47,833 --> 00:14:49,416 BUT HEY, I DON'T WANNA GET RID OF ANYTHING. 357 00:14:49,416 --> 00:14:50,458 YOU STARTED IT. 358 00:14:50,458 --> 00:14:51,708 MY HANDS ARE TIED. 359 00:14:51,708 --> 00:14:52,708 YEAH, IT'S SO FUNNY. 360 00:14:52,708 --> 00:14:55,166 EVERYONE KEEPS SAYING THAT, BUT THEY'RE NOT. 361 00:14:55,166 --> 00:14:57,333 LOOK AT 'EM. YOUR HANDS ARE FREE. YOU JUST THINK THEY'RE TIED. 362 00:14:57,333 --> 00:14:59,250 I'M AFRAID YOU'RE OUT OF TIME. 363 00:14:59,250 --> 00:15:01,000 WE HAVE A LONG LIST OF SPEAKERS ON THE LIST TODAY 364 00:15:01,000 --> 00:15:02,500 AND WE NEED TO BE GETTING BACK TO THEM. 365 00:15:02,500 --> 00:15:03,583 TOPANGA MATTHEWS. STYLE ::cue(.speaker) ::cue(.speakerTop) 366 00:15:07,625 --> 00:15:08,875 (clears throat) 367 00:15:10,250 --> 00:15:12,583 I YIELD MY TIME TO THESE CHILDREN. 368 00:15:15,083 --> 00:15:17,000 UH... CORY MATTHEWS. 369 00:15:17,000 --> 00:15:18,500 YIELD. 370 00:15:18,500 --> 00:15:19,875 GABRIELLA KOSSAL. 371 00:15:19,875 --> 00:15:21,000 YIELD. 372 00:15:21,000 --> 00:15:23,583 YES. SUPER. OKAY. 373 00:15:23,583 --> 00:15:26,583 WOULDN'T NOW BE A GOOD TIME FOR AN ADULT POINT-OF-VIEW? 374 00:15:26,583 --> 00:15:28,833 -Adults: YIELD. -OH, COME ON! 375 00:15:28,833 --> 00:15:30,416 THE ADULTS HAVE FAILED THEM. 376 00:15:30,416 --> 00:15:33,958 ESPECIALLY SUPERINTENDENT TURNER! 377 00:15:33,958 --> 00:15:36,000 MATTHEWS! 378 00:15:37,708 --> 00:15:39,333 -♪ BOMP, BOMP, BOMP ♪ -♪ BA, DA, DA ♪ 379 00:15:39,333 --> 00:15:41,250 -♪ BOMP, BOMP, BOMP... ♪ -♪ BA, DA, DA... ♪ 380 00:15:41,250 --> 00:15:43,000 ♪ OH, MR. FARKLE? ♪ 381 00:15:43,000 --> 00:15:44,625 ♪ YES, MR. FREAKFACE? ♪ 382 00:15:44,625 --> 00:15:46,833 ALTHOUGH YOU ARE A SCIENTIST, 383 00:15:46,833 --> 00:15:49,375 WE ARE ALSO TOLD THAT YOU HAVE GREAT CREATIVITY. 384 00:15:49,375 --> 00:15:51,458 WHY, YES. I SING AND DANCE 385 00:15:51,458 --> 00:15:53,333 AND AM THE GREATEST PIPPIN THE STAGE HAS EVER SEEN. 386 00:15:53,333 --> 00:15:54,750 I LOVE PIPPIN. 387 00:15:56,625 --> 00:15:57,750 MAY WE SEE SOME OF IT, PLEASE? 388 00:15:57,750 --> 00:15:59,500 NO, YOU MAY NOT! THERE ARE NO LONGER PLAYS 389 00:15:59,500 --> 00:16:00,625 OR CONCERTS IN THIS SCHOOL. 390 00:16:00,625 --> 00:16:03,625 INSTEAD, I SHALL PERFORM FOR YOU A LIST OF PRIME NUMBERS. 391 00:16:03,625 --> 00:16:05,875 OH, THAT'S DISAPPOINTING. 392 00:16:06,875 --> 00:16:08,708 -♪ BOMP, BOMP, BOMP ♪ -♪ BA, DA, DA ♪ 393 00:16:08,708 --> 00:16:11,416 -♪ BOMP, BOMP, BOMP ♪ -♪ BA, DA, DA, BOMP ♪ 394 00:16:11,416 --> 00:16:12,416 TWO. 395 00:16:13,708 --> 00:16:14,750 THREE. 396 00:16:14,750 --> 00:16:16,375 FIVE. 397 00:16:16,375 --> 00:16:17,583 SEVEN. 398 00:16:17,583 --> 00:16:18,833 11. 399 00:16:18,833 --> 00:16:20,375 -(crowd groans) -13. 400 00:16:20,375 --> 00:16:21,625 Crowd: BOO! 401 00:16:21,625 --> 00:16:23,583 OKAY, OKAY. I THINK WE GET YOUR POINT, MR. FARKLE. 402 00:16:23,583 --> 00:16:25,500 WITH ALL DUE RESPECT, CHAIRPERSON SANCHEZ, 403 00:16:25,500 --> 00:16:26,583 I DON'T THINK YOU DO. 404 00:16:26,583 --> 00:16:28,250 AND LIKE I SAID, I CAN ALSO DO THIS. 405 00:16:30,000 --> 00:16:31,708 (cheering and applause) 406 00:16:34,375 --> 00:16:35,750 -17. -(crowd groans) 407 00:16:35,750 --> 00:16:36,750 19. 408 00:16:38,125 --> 00:16:40,208 -23. -BOO! 409 00:16:40,208 --> 00:16:42,875 I HATE 23. 410 00:16:42,875 --> 00:16:44,458 LET'S GET 'EM! 411 00:16:47,000 --> 00:16:48,625 (cheering and applause) 412 00:16:50,375 --> 00:16:51,458 Crowd: BOO! 413 00:16:51,458 --> 00:16:54,750 CREATIVITY FEEDS SCIENCE, AND SCIENCE FEEDS CREATIVITY. 414 00:16:54,750 --> 00:16:56,291 THAT'S WHAT YOU'RE MISSING BECAUSE YOU'RE NOT 415 00:16:56,291 --> 00:16:58,375 THINKING CREATIVELY. THANK YOU. 416 00:17:04,208 --> 00:17:06,958 I TOOK ALL OF MY ART OFF OF THE REFRIGERATOR. 417 00:17:06,958 --> 00:17:08,000 DO YOU HAVE KIDS? 418 00:17:09,708 --> 00:17:13,416 WHEN YOU GET HOME, PLEASE TAKE THEIR ART OFF OF THE REFRIGERATOR, TOO. 419 00:17:13,416 --> 00:17:16,291 OTHERWISE YOU'RE HIPPOPOTAMUSES. 420 00:17:16,291 --> 00:17:18,166 HYPOCRITES? 421 00:17:18,166 --> 00:17:19,875 PLEASE DON'T CUT READING. 422 00:17:22,750 --> 00:17:25,875 A DANCE IN WHICH A HIPPOPOTAMUS RETURNS HOME 423 00:17:25,875 --> 00:17:29,375 TO FIND HIS ART TAKEN FROM THE REFRIGERATOR. 424 00:17:33,416 --> 00:17:36,500 AHH, OOH, MMM... 425 00:17:47,875 --> 00:17:50,708 MS. HART, I AM TOLD THAT YOU CAN SING. 426 00:17:50,708 --> 00:17:52,583 I CAN WARBLE A TUNE. 427 00:17:52,583 --> 00:17:53,875 WOULD YOU DO US THE GREAT HONOR? 428 00:17:58,833 --> 00:18:00,833 (orchestral music playing) 429 00:18:06,291 --> 00:18:09,000 ♪ ONCE I HAD A DREAM ♪ 430 00:18:09,000 --> 00:18:11,583 -♪ THAT DREAM HAD JUST BEGUN-- ♪ -(microphone feedbacks) 431 00:18:11,583 --> 00:18:13,291 YOINK. 432 00:18:13,291 --> 00:18:15,708 SORRY. NO MORE MUSIC. 433 00:18:17,375 --> 00:18:20,958 CHAIRPERSON SANCHEZ, WITH RESPECT, YOU SEEM UNCOMFORTABLE. 434 00:18:20,958 --> 00:18:23,708 COULD THAT POSSIBLY HAVE TO DO WITH YOUR BACKGROUND? 435 00:18:23,708 --> 00:18:26,083 I'M SURE I HAVE NO IDEA WHAT YOU'RE TALKING ABOUT. 436 00:18:26,083 --> 00:18:28,000 OH, LET ME BE MORE SPECIFIC. 437 00:18:28,000 --> 00:18:30,000 WHERE DID YOU DO YOUR UNDERGRADUATE WORK? 438 00:18:30,000 --> 00:18:31,250 PRINCETON. 439 00:18:31,250 --> 00:18:32,625 OH. GOOD SCHOOL. GOOD SCHOOL. 440 00:18:32,625 --> 00:18:35,000 WHAT'D YOU STUDY? 441 00:18:35,000 --> 00:18:38,083 I DON'T SEE HOW THESE QUESTIONS ARE RELEVANT TO TODAY'S PROCEEDINGS. 442 00:18:38,083 --> 00:18:40,083 OH, YOU WERE AN ART MAJOR! 443 00:18:40,083 --> 00:18:41,125 (crowd gasps) 444 00:18:41,125 --> 00:18:42,833 YES, MR. BABINEAUX. 445 00:18:42,833 --> 00:18:44,583 I HAVE A DEGREE IN STUDIO ART. 446 00:18:44,583 --> 00:18:47,291 A DANCE IN WHICH I GRADUATE 447 00:18:47,291 --> 00:18:50,083 WITH A DEGREE IN STUDIO ART FROM PRINCETON UNIVERSITY 448 00:18:50,083 --> 00:18:53,458 BUT THEN I GET MY HANDS TIED. 449 00:18:53,458 --> 00:18:55,583 I DON'T NEED TO SEE THAT ONE. I LIVED IT. 450 00:18:55,583 --> 00:18:57,750 -DOES IT HURT A LITTLE? -IT DOES. 451 00:18:57,750 --> 00:19:02,125 ESPECIALLY SINCE ONE OF THE PAINTINGS YOU TOOK DOWN WAS MINE. 452 00:19:02,125 --> 00:19:04,750 CHAIRPERSON SANCHEZ, GOT A FAVORITE BOOK? 453 00:19:04,750 --> 00:19:06,625 - BRIDGE TO TERABITHIA. -UN-READ IT. 454 00:19:06,625 --> 00:19:07,750 FAVORITE MOVIE? 455 00:19:07,750 --> 00:19:09,875 -THE WIZARD OF OZ. -UN-WATCH IT. 456 00:19:09,875 --> 00:19:13,083 WELL, YOU'VE JUST KINDA TAKEN AWAY MY WHOLE CHILDHOOD, HAVEN'T YOU? 457 00:19:13,083 --> 00:19:14,458 WHEN DOES IT HAPPEN? 458 00:19:14,458 --> 00:19:15,708 WHEN DOES WHAT HAPPEN? 459 00:19:15,708 --> 00:19:18,000 WHEN DO YOU STOP BEING ABLE TO THINK CREATIVELY? 460 00:19:18,000 --> 00:19:19,875 WHEN DO YOU GET YOUR HANDS TIED? 461 00:19:19,875 --> 00:19:21,458 WE DON'T WANT THAT TO HAPPEN TO US. 462 00:19:21,458 --> 00:19:22,750 YOU WENT TO A GREAT SCHOOL. 463 00:19:22,750 --> 00:19:24,166 I'M SURE ALL OF YOU DID. 464 00:19:24,166 --> 00:19:25,750 Maya: YOU'RE VERY SMART. 465 00:19:25,750 --> 00:19:28,208 YOU KNOW THIS IS THE WRONG WAY TO THINK. 466 00:19:31,708 --> 00:19:34,250 YOU DIDN'T ASK ME WHO MY FAVORITE ARTIST IS. 467 00:19:35,875 --> 00:19:37,583 IT'S PICASSO. 468 00:19:37,583 --> 00:19:39,458 DO YOU HAVE A FAVORITE ARTIST? 469 00:19:41,166 --> 00:19:43,000 ALL OF THEM. 470 00:19:43,000 --> 00:19:45,166 EVERYONE WHO EVER TRIED... 471 00:19:46,458 --> 00:19:47,708 INCLUDING YOU. 472 00:19:47,708 --> 00:19:51,250 YOU KNOW, PICASSO PAINTED A MASTERPIECE CALLED GUERNICA. 473 00:19:51,250 --> 00:19:54,583 ADULTS GOING TO WAR ON HORSES WITH SWORDS. 474 00:19:54,583 --> 00:19:57,625 EXCEPT FOR ONE HORSE WHO WAS HORRIFIED 475 00:19:57,625 --> 00:19:59,416 AT WHAT THE ADULTS WERE DOING. 476 00:19:59,416 --> 00:20:02,958 HE'S HORRIFIED BECAUSE HE KNOWS IT'S WRONG. 477 00:20:02,958 --> 00:20:05,625 I'VE ALWAYS LOVED THAT HORSE. 478 00:20:05,625 --> 00:20:07,125 AND WHEN I WAS AS YOUNG AS YOU, 479 00:20:07,125 --> 00:20:09,625 I MADE A PROMISE TO MYSELF THAT IF I EVER GO TO WAR, STYLE ::cue(.speaker) ::cue(.speakerTop) 480 00:20:09,625 --> 00:20:14,458 I WOULD NEVER FORGET GUERNICA AND THE HORSE THAT KNEW BETTER. 481 00:20:15,875 --> 00:20:18,750 THANK YOU, MS. HART, FOR REMINDING ME. 482 00:20:18,750 --> 00:20:21,291 NO. THANK YOU. 483 00:20:21,291 --> 00:20:23,208 I LOVE LEARNING ABOUT ART. 484 00:20:23,208 --> 00:20:24,708 WOULD HAVE NEVER KNOWN ABOUT GUERNICA 485 00:20:24,708 --> 00:20:26,208 IF SOMEONE DIDN'T CARE ENOUGH TO TEACH ME. 486 00:20:27,958 --> 00:20:29,375 SUPERINTENDENT TURNER... 487 00:20:29,375 --> 00:20:32,833 YOU HAVE BEEN REQUESTING ALL ALONG THAT WE REMAIN PATIENT. 488 00:20:32,833 --> 00:20:33,875 WELL, WE'RE ALL TEACHERS HERE. 489 00:20:33,875 --> 00:20:36,875 I THINK WE CAN APPRECIATE THE VALUE OF A GOOD LESSON. 490 00:20:36,875 --> 00:20:38,416 TURNER! 491 00:20:38,416 --> 00:20:40,000 MY MAN! 492 00:20:40,000 --> 00:20:42,000 WOULD YOU TELL HIM TO STOP? 493 00:20:43,166 --> 00:20:45,166 I CAN'T PROMISE AN IMMEDIATE SOLUTION, 494 00:20:45,166 --> 00:20:48,458 BUT I CAN PROMISE THAT WE CAN TRY AND THINK DIFFERENTLY. 495 00:20:48,458 --> 00:20:51,000 TO THINK CREATIVELY AS THESE STUDENTS. 496 00:20:51,000 --> 00:20:52,583 THANK YOU ALL FOR COMING. 497 00:20:52,583 --> 00:20:54,000 THIS MEETING IS ADJOURNED. 498 00:20:55,708 --> 00:20:58,000 BUT OUR NEXT MEETING BEGINS RIGHT NOW, 499 00:20:58,000 --> 00:21:00,000 AND WE WILL STAY HERE UNTIL WE COME UP WITH SOMETHING THAT 500 00:21:00,000 --> 00:21:02,708 UNTIES OUR HANDS AND WE BEGIN TO THINK DIFFERENTLY. 501 00:21:02,708 --> 00:21:04,083 MS. HART? 502 00:21:04,083 --> 00:21:05,458 YES, MA'AM? 503 00:21:05,458 --> 00:21:07,250 PLEASE HANG UP MY PAINTING. 504 00:21:07,250 --> 00:21:09,291 YES, MA'AM. 505 00:21:34,583 --> 00:21:36,458 VERY HOPEFUL, MAYA. 506 00:21:36,458 --> 00:21:37,625 WHAT DO YOU CALL IT? 507 00:21:37,625 --> 00:21:39,416 THE RENAISSANCE. 508 00:21:42,708 --> 00:21:44,625 OH, MY EYES! 509 00:21:46,000 --> 00:21:47,875 WANT TO KNOW WHAT I CALL IT? 510 00:21:47,875 --> 00:21:49,333 I DON'T CARE. 511 00:21:49,333 --> 00:21:52,458 50 MILLION PURPLE CATS. 512 00:21:52,458 --> 00:21:54,833 ISN'T IT HOPEFUL? 513 00:21:54,833 --> 00:21:56,125 IT IS. 514 00:21:56,125 --> 00:21:57,833 KEEP PAINTING, RILEY. 515 00:21:59,291 --> 00:22:01,000 BECAUSE IT MAKES YOU HAPPY. 516 00:22:01,000 --> 00:22:04,625 IT MAKES YOU FEEL SOMETHING, WHICH IS WHAT ART IS ALL ABOUT. 517 00:22:07,125 --> 00:22:08,833 I'M HAPPY. 518 00:22:08,833 --> 00:22:10,125 I'M A HAPPY ARTIST. 519 00:22:11,291 --> 00:22:13,291 THIS IS WHY I STINK. 520 00:22:15,375 --> 00:22:17,458 ALL RIGHT. REMEMBER YOUR HOMEWORK FOR THE WEEKEND 521 00:22:17,458 --> 00:22:20,458 IS TO VISIT ANY ART MUSEUM IN THE CITY. 522 00:22:20,458 --> 00:22:25,375 FIND SOMETHING THAT INSPIRES YOU AND NEVER FORGET IT 523 00:22:25,375 --> 00:22:28,833 FOR THE REST OF YOUR RICH AND CREATIVE LIVES. 524 00:22:34,333 --> 00:22:36,708 -♪ BOMP, BOMP, BOMP ♪ -♪ BA, DA, DA ♪ 525 00:22:36,708 --> 00:22:38,708 -♪ BOMP, BOMP, BOMP ♪ -♪ BA, DA, DA ♪ 526 00:22:38,708 --> 00:22:41,208 -♪ BOMP, BOMP, BOMP ♪ -♪ BA, DA, DA ♪ 527 00:22:41,208 --> 00:22:43,458 -♪ BOMP, BOMP, BOMP ♪ -♪ BA, DA, DA ♪ 528 00:22:43,458 --> 00:22:45,458 -♪ BOMP, BOMP, BOMP ♪ -♪ BA, DA, DA ♪