1
00:00:08,875 --> 00:00:10,458
I'M BETTER THAN YOU NOW.
2
00:00:10,458 --> 00:00:11,625
I AM RILEY,
THE ARTIST,
3
00:00:11,625 --> 00:00:14,125
AND YOU ARE MAYA,
THE ARTIST'S BEST FRIEND.
4
00:00:17,458 --> 00:00:20,166
THANK YOU FOR WORKING
ON LIGHT AND SHADOW, MAYA.
5
00:00:20,166 --> 00:00:22,291
YEAH, I LOOK
AROUND OUTSIDE NOW.
6
00:00:22,291 --> 00:00:24,000
I WATCH THE LIGHT
MOVE DURING THE DAY.
7
00:00:24,000 --> 00:00:26,250
THANKS FOR TEACHING
ME THAT, MS. KOSSAL.
8
00:00:28,416 --> 00:00:29,708
HEY. ARE YOU OKAY?
9
00:00:30,625 --> 00:00:33,833
I GET EMOTIONAL
WHEN I'M AROUND TALENT.
10
00:00:36,416 --> 00:00:38,583
AND NOW I'M FINE.
11
00:00:40,833 --> 00:00:41,958
COME ON!
12
00:00:41,958 --> 00:00:44,333
WHAT DID I TELL YOU
ABOUT ONLY USING PURPLE?
13
00:00:44,333 --> 00:00:46,625
-ARE WE GONNA DO THIS AGAIN?
-WHY IS EVERYTHING PURPLE?
14
00:00:46,625 --> 00:00:49,708
BECAUSE YOU HIDE THE PURPLE
FROM ME AND I FIND IT!
15
00:00:49,708 --> 00:00:51,458
ARE YOU FINGER PAINTING?
16
00:00:51,458 --> 00:00:53,708
I BELIEVE YOU FAVOR
MAYA OVER ME.
17
00:00:53,708 --> 00:00:54,708
OH, YEAH?
18
00:00:54,708 --> 00:00:56,583
WELL, LET'S EXPLORE THAT.
19
00:00:56,583 --> 00:00:59,208
LET'S SEE IF I HAVE
UNFAIRLY JUDGED YOU.
20
00:00:59,208 --> 00:01:00,750
-TODAY'S ASSIGNMENT...
-UH-HUH.
21
00:01:00,750 --> 00:01:02,458
-...WAS THE DOORWAYS
OF NEW YORK.
-YEP. YEP.
22
00:01:02,458 --> 00:01:04,708
YOU WERE ASKED
TO SPECIFICALLY FOCUS ON...
23
00:01:04,708 --> 00:01:06,833
UNIQUE DOORKNOBS.
UH-HUH. YEAH.
24
00:01:06,833 --> 00:01:08,291
-...AND PAINT IT FROM MEMORY.
-I DID.
25
00:01:08,291 --> 00:01:10,583
YOU PAINTED A CAT.
26
00:01:10,583 --> 00:01:11,625
-IT'S A DOOR.
-IT'S A CAT.
27
00:01:11,625 --> 00:01:13,458
THE WHOLE THING'S A DOOR.
28
00:01:13,458 --> 00:01:15,458
ANYBODY HOME?
29
00:01:15,458 --> 00:01:17,833
OKAY, I'LL COME BACK LATER.
30
00:01:17,833 --> 00:01:18,833
DON'T LET THE CAT OUT.
31
00:01:21,125 --> 00:01:24,583
MAYA HAS SOMETHING
VERY SPECIAL, RILEY.
32
00:01:24,583 --> 00:01:27,583
SHE PAINTS FROM A PLACE
THAT FEW OF US ARE
ABLE TO REACH.
33
00:01:27,583 --> 00:01:29,000
THAT'S BECAUSE
SHE HAS AN AWFUL LIFE.
34
00:01:29,000 --> 00:01:30,458
I LOVE IT
WHEN I'M REMINDED.
35
00:01:30,458 --> 00:01:32,625
TAKE A LOOK AT MAYA'S WORK.
36
00:01:33,875 --> 00:01:35,583
I WANT TO KNOW
WHAT'S BEHIND THAT DOOR.
37
00:01:35,583 --> 00:01:36,750
SO DOES THE ARTIST...
38
00:01:36,750 --> 00:01:40,416
BECAUSE I THINK IT'S BEEN
CLOSED TO HER UP UNTIL NOW.
39
00:01:40,416 --> 00:01:41,875
I'M GONNA GET YOU
IN THAT DOOR, MAYA.
40
00:01:41,875 --> 00:01:43,416
OH, I KNOW YOU ARE, RILEY.
41
00:01:43,416 --> 00:01:45,875
GOOD. BECAUSE
IT'S MAYA'S LAST PAINTING.
42
00:01:47,750 --> 00:01:50,291
W-WAIT, WHY IS
IT MY LAST PAINTING?
43
00:01:50,291 --> 00:01:53,333
WELL, IT'S YOUR LAST ONE
FOR ME, YOU BEAUTIFUL GIRL.
44
00:01:53,333 --> 00:01:54,833
WHAT'S GOING ON?
45
00:01:56,708 --> 00:01:58,875
OUR SCHOOL IS
RUNNING OUT OF MONEY.
46
00:01:58,875 --> 00:02:00,708
THEY'RE CUTTING ART
AND MUSIC CLASSES,
47
00:02:00,708 --> 00:02:02,708
EFFECTIVE AFTER
THE NEXT SCHOOL BOARD MEETING.
48
00:02:02,708 --> 00:02:03,750
WHAT?
49
00:02:03,750 --> 00:02:05,875
HOW WILL MAYA LEARN?
WHAT COMES AFTER
LIGHT AND SHADOW?
50
00:02:05,875 --> 00:02:06,875
WHAT ABOUT YOU, RILEY?
51
00:02:06,875 --> 00:02:08,708
WHO CARES ABOUT ME?
I STINK.
52
00:02:08,708 --> 00:02:09,958
WHAT ABOUT MAYA?
53
00:02:09,958 --> 00:02:11,083
AND WHAT ABOUT DRAMA?
54
00:02:11,083 --> 00:02:12,958
MY ONE-YEAR SUSPENSION
FROM NOT BEING ABLE TO AUDITION
55
00:02:12,958 --> 00:02:14,708
FOR ANY OF THE PLAYS
ENDS ON TUESDAY.
56
00:02:14,708 --> 00:02:16,583
-I'M GONNA BE PIPPIN!
-THEY'RE NOT PUTTING ON PIPPIN.
57
00:02:16,583 --> 00:02:18,083
I'M GONNA BE PIPPIN
IN WHATEVER THEY'RE DOING.
58
00:02:19,291 --> 00:02:21,000
NOBODY BETTER CUT MY BALLET.
59
00:02:22,708 --> 00:02:24,583
YEAH, THAT'S RIGHT--
BALLET.
60
00:02:24,583 --> 00:02:26,833
THAT'S WHY I'M SO SINEWY.
61
00:02:26,833 --> 00:02:27,958
SINEWY?
62
00:02:27,958 --> 00:02:29,708
HEY, YOU SPEND YOUR TIME
HITTING BASEBALLS,
63
00:02:29,708 --> 00:02:31,708
I SPEND MY TIME
LIFTING BEAUTIFUL GIRLS.
64
00:02:33,083 --> 00:02:34,250
MS. HART?
65
00:02:34,250 --> 00:02:36,000
SHALL WE DANCE?
66
00:02:37,458 --> 00:02:38,500
WE SHALL NOT.
67
00:02:39,875 --> 00:02:41,416
BALLET-- GONE.
68
00:02:41,416 --> 00:02:42,875
ART, MUSIC...
69
00:02:42,875 --> 00:02:45,708
DRAMA, DANCE, ALL OF IT--
70
00:02:45,708 --> 00:02:46,708
GONE.
71
00:02:54,583 --> 00:02:55,625
MAYA?
72
00:02:55,625 --> 00:02:57,750
IT'S OKAY, RILES.
73
00:02:57,750 --> 00:02:59,708
JUST ANOTHER DOOR CLOSED.
74
00:03:01,708 --> 00:03:04,458
(theme music playing)
75
00:03:08,583 --> 00:03:10,583
♪ I'VE BEEN WAITING ♪
76
00:03:10,583 --> 00:03:11,708
♪ FOR A DAY ♪
77
00:03:11,708 --> 00:03:12,708
♪ LIKE THIS TO COME ♪
78
00:03:12,708 --> 00:03:14,458
♪ STRUCK LIKE LIGHTNING ♪
79
00:03:14,458 --> 00:03:16,875
♪ MY HEART'S BEATING LIKE
A DRUM ♪
80
00:03:16,875 --> 00:03:17,958
♪ ON THE EDGE ♪
81
00:03:17,958 --> 00:03:20,750
♪ OF SOMETHING WONDERFUL ♪
82
00:03:20,750 --> 00:03:23,875
♪ FACE TO FACE WITH CHANGES ♪
83
00:03:23,875 --> 00:03:25,000
♪ WHAT'S IT ALL ABOUT? ♪
84
00:03:25,000 --> 00:03:27,208
♪ LIFE IS CRAZY ♪
85
00:03:27,208 --> 00:03:28,250
♪ BUT I KNOW ♪
86
00:03:28,250 --> 00:03:29,291
♪ I CAN WORK IT OUT ♪
87
00:03:29,291 --> 00:03:30,708
♪ 'CAUSE I GOT YOU ♪
88
00:03:30,708 --> 00:03:33,500
♪ TO LIVE IT WITH ME ♪
89
00:03:33,500 --> 00:03:37,625
♪ I FEEL ALL RIGHT,
I'M GONNA TAKE ON THE WORLD ♪
90
00:03:37,625 --> 00:03:40,875
♪ LIGHT UP THE STARS,
I'VE GOT SOME PAGES TO TURN ♪
91
00:03:40,875 --> 00:03:42,625
♪ I'M SINGING "GO-O-O" ♪
92
00:03:42,625 --> 00:03:45,708
♪ OH, OH, OH, OH ♪
93
00:03:45,708 --> 00:03:48,750
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
94
00:03:48,750 --> 00:03:50,250
♪ TAKE ON THE WORLD ♪
95
00:03:50,250 --> 00:03:52,708
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
96
00:03:52,708 --> 00:03:54,291
♪ TAKE ON THE WORLD ♪
97
00:03:58,583 --> 00:03:59,833
THE DARK AGES--
98
00:03:59,833 --> 00:04:03,000
THEY'RE CUTTING ART CLASS
AND YOU WANT TO TALK
ABOUT THE DARK AGES?
99
00:04:03,000 --> 00:04:06,375
THE DARK AGES WAS A TIME
OF CULTURAL DETERIORATION.
100
00:04:06,375 --> 00:04:07,958
WHAT DOES THAT
HAVE TO DO WITH ME?
101
00:04:07,958 --> 00:04:11,625
THE DARK AGES WAS THE DECLINE
OF THE CREATIVE SPIRIT
102
00:04:11,625 --> 00:04:13,166
OF AN ENTIRE CONTINENT.
103
00:04:13,166 --> 00:04:14,708
WHAT ABOUT ME?
104
00:04:15,750 --> 00:04:17,750
THE DARK AGES IS WHEN
THEY CUT THE ART CLASS
105
00:04:17,750 --> 00:04:19,708
AT THIS MIDDLE SCHOOL
RIGHT NOW.
106
00:04:19,708 --> 00:04:21,583
AND YOU, MAYA HART--
YES, YOU, MAYA HART,
107
00:04:21,583 --> 00:04:22,708
THE ONE I'M LOOKING
AT RIGHT HERE--
108
00:04:22,708 --> 00:04:24,875
CAN'T PAINT ANYMORE.
109
00:04:24,875 --> 00:04:27,208
YOU KNOW, A GOOD TEACHER
LETS THE STUDENTS GET THERE
ON THEIR OWN.
110
00:04:30,000 --> 00:04:31,250
DADDY?
111
00:04:31,250 --> 00:04:34,000
RILEY, IF YOU PUT
ANOTHER PURPLE CAT
112
00:04:34,000 --> 00:04:36,583
ON OUR FRIDGE, I SWEAR
I'M MOVING TO BROOKLYN.
113
00:04:36,583 --> 00:04:39,000
SCRATCH MY NOSE.
114
00:04:39,000 --> 00:04:41,583
I WON'T BE DRY UNTIL MATH,
AND MRS. KRAVITZ SCRATCHES
115
00:04:41,583 --> 00:04:44,000
MY NOSE LIKE
SHE DOESN'T WANT TO.
116
00:04:48,500 --> 00:04:50,583
THAT'S LIKE A DADDY WOULD.
117
00:04:50,583 --> 00:04:52,250
SO...
118
00:04:52,250 --> 00:04:53,875
WHY WERE THE DARK AGES
DARK, PIPPIN?
119
00:04:53,875 --> 00:04:55,458
PEOPLE LOST INTEREST
IN ART AND MUSIC
120
00:04:55,458 --> 00:04:56,750
BECAUSE IT WAS
TAKEN AWAY FROM THEM.
121
00:04:56,750 --> 00:04:58,500
WELL, I DON'T
WANT THAT FOR MAYA.
122
00:04:58,500 --> 00:05:00,291
I WANT MAYA TO BE HAPPY.
STYLE
::cue(.speaker)
::cue(.speakerTop)
123
00:05:02,208 --> 00:05:04,000
HEY, MAYA, IT LOOKS LIKE
LUCAS HERE'S GETTIN' ALL
124
00:05:04,000 --> 00:05:05,750
FIRED UP ON YOUR BEHALF.
125
00:05:05,750 --> 00:05:08,875
THANK YOU, LUCAS.
BUT IT'S JUST AN ART CLASS.
126
00:05:08,875 --> 00:05:10,000
I FEEL BAD.
127
00:05:10,000 --> 00:05:11,750
THEY'RE TAKING AWAY
SOMETHING YOU'RE VERY GOOD AT.
128
00:05:11,750 --> 00:05:14,458
-YOU'VE NEVER SAID
THAT TO ME BEFORE.
-I'VE SAID IT.
129
00:05:14,458 --> 00:05:16,708
YEAH, BUT NOT, LIKE
STRAIGHT TO MY FACE
WHEN YOU WERE LOOKING AT ME.
130
00:05:16,708 --> 00:05:19,125
-I CAN'T REMEMBER
YOU ACTUALLY L--
-YOU'RE A GREAT ARTIST, MAYA.
131
00:05:20,208 --> 00:05:23,375
WELL, HE LOOKIN' AT YOU NOW.
132
00:05:23,375 --> 00:05:25,291
YOU HAVE A REAL TALENT.
133
00:05:25,291 --> 00:05:27,583
AND WANT YOU TO
BE ABLE TO GET BETTER
AND SHARE IT WITH PEOPLE.
134
00:05:29,458 --> 00:05:32,125
NOW THEY'RE JUST
LOOKIN' AT EACH OTHER
AND NOT SAYIN' NOTHIN'.
135
00:05:32,125 --> 00:05:33,750
ARE THEY SAYING ANYTHING?
136
00:05:33,750 --> 00:05:34,833
NO?
137
00:05:34,833 --> 00:05:36,583
WELL, I WONDER
THAT THEY'RE THINKIN'.
138
00:05:38,000 --> 00:05:40,375
I DON'T WANT THEM TO
TAKE AWAY YOUR ART CLASS, MAYA.
139
00:05:41,708 --> 00:05:42,750
BAY WINDOW!
140
00:05:42,750 --> 00:05:45,458
BAY WINDOW RIGHT IN FIVE HOURS.
141
00:05:46,833 --> 00:05:47,875
OKAY.
142
00:05:47,875 --> 00:05:49,875
WHO'S GONNA DO SOMETHING
ABOUT ART CLASS?
143
00:05:49,875 --> 00:05:52,333
-I'M SURE THAT'LL BE RILEY.
-NOPE.
144
00:05:52,333 --> 00:05:54,416
WELL, I KNOW YOU GUYS
WOULD LIKE ME TO STEP IN HERE--
145
00:05:54,416 --> 00:05:55,583
NOPE.
146
00:05:55,583 --> 00:05:56,875
THIS IS BIGGER THAN YOU, DAD.
147
00:05:56,875 --> 00:05:58,708
YOU'RE RIGHT. THIS IS.
148
00:05:58,708 --> 00:06:01,583
IN FACT, THIS DECISION
COMES DIRECTLY FROM
149
00:06:01,583 --> 00:06:02,875
THE NEW YORK CITY SCHOOL BOARD.
150
00:06:02,875 --> 00:06:04,708
THAT'S NOT
WHAT I'M TALKING ABOUT.
151
00:06:04,708 --> 00:06:06,583
IF THEY'RE GONNA
PUT US IN THE DARK AGES,
152
00:06:06,583 --> 00:06:08,333
THEN WHO'S GONNA GET US OUT?
153
00:06:08,333 --> 00:06:10,166
AH.
154
00:06:10,166 --> 00:06:11,583
FUNNY THING ABOUT THAT.
155
00:06:11,583 --> 00:06:12,875
YOU KNOW WHO DID GET US OUT?
156
00:06:12,875 --> 00:06:15,583
-ARTISTS.
-AH.
157
00:06:15,583 --> 00:06:18,875
MICHAELANGELO, DA VINCI...
THERE WAS AN EXPLOSION
158
00:06:18,875 --> 00:06:21,000
OF CREATIVITY
CALLED THE RENAISSANCE.
159
00:06:22,458 --> 00:06:24,625
MAYA, I WOULD THINK
YOU'D HAVE SOMETHING
TO SAY ABOUT THAT.
160
00:06:24,625 --> 00:06:27,166
CUT THE ART CLASSES,
DON'T CUT THE ART CLASSES.
161
00:06:27,166 --> 00:06:29,458
WHAT HAVE I EVER BEEN
ABLE TO DO ABOUT MY LIFE?
162
00:06:29,458 --> 00:06:31,416
AND NOW MY LITTLE
PURPLE FRIEND WILL GO CRAZY.
163
00:06:31,416 --> 00:06:33,166
NOT THIS TIME, MAYA.
164
00:06:33,166 --> 00:06:35,875
YOU'RE THE ARTIST, AND I'M JUST
THE ARTIST'S BEST FRIEND.
165
00:06:46,416 --> 00:06:48,208
YOU THINK
YOU'RE GONNA OUTLAST ME?
166
00:06:48,208 --> 00:06:49,583
YOU THINK
I'M GONNA DO SOMETHING?
167
00:06:49,583 --> 00:06:51,875
YOU THINK I'D ACTUALLY
CARE ABOUT SOMETHING?
168
00:06:51,875 --> 00:06:53,708
I DON'T CARE
WHAT YOU CARE ABOUT.
169
00:06:56,833 --> 00:06:58,250
YOU'RE GONNA BREAK FIRST,
AND YOU'RE GONNA FIX
170
00:06:58,250 --> 00:07:00,625
THIS WHOLE THING SOMEHOW
BECAUSE YOU CAN'T HELP YOURSELF!
171
00:07:00,625 --> 00:07:02,583
YOU KNOW, FOR SOMEBODY
WHO DOESN'T CARE,
172
00:07:02,583 --> 00:07:05,333
YOU ARE MOST CERTAINLY
TALKING TO ME IN ALL CAPS.
173
00:07:06,625 --> 00:07:08,000
I WILL NEVER BE A GREAT ARTIST.
174
00:07:08,000 --> 00:07:09,333
YOU'RE PROBABLY RIGHT.
175
00:07:10,625 --> 00:07:12,250
YOU DON'T BELIEVE IN ME?
176
00:07:12,250 --> 00:07:13,875
NOT IF YOU WON'T.
177
00:07:13,875 --> 00:07:15,875
WELL, I CAN'T, RILEY.
YOU KNOW?
178
00:07:15,875 --> 00:07:18,333
IT'S JUST 'CAUSE
DON'T BELIEVE, DON'T GET HURT.
179
00:07:18,333 --> 00:07:19,583
YEAH.
180
00:07:19,583 --> 00:07:21,333
YEAH, YOU'RE PROBABLY RIGHT.
BE SAFE.
181
00:07:21,333 --> 00:07:23,208
YOU'RE RIGHT, I'M WRONG.
BE SAFE.
182
00:07:23,208 --> 00:07:25,458
LET'S JUST GO TO A MOVIE
OR READ A BOOK
183
00:07:25,458 --> 00:07:27,083
OR MAYBE LISTEN
TO SOME MUSIC.
184
00:07:28,416 --> 00:07:30,583
YOU MEAN LET'S JUST GO TO ART,
OR READ SOME ART,
185
00:07:30,583 --> 00:07:32,708
OR LISTEN TO SOME ART,
BECAUSE MOVIES AND BOOKS
186
00:07:32,708 --> 00:07:33,875
AND MUSIC ARE ART?
187
00:07:33,875 --> 00:07:35,291
I DO GO OUTSIDE, RILEY.
188
00:07:35,291 --> 00:07:37,500
I WATCH THE LIGHT
MOVE DURING THE DAY.
189
00:07:37,500 --> 00:07:38,708
AND YOU KNOW
WHAT HAPPENS AT 5:30?
190
00:07:38,708 --> 00:07:39,708
YOU TURN GOLD.
191
00:07:39,708 --> 00:07:42,250
EVERYTHING IS MORE BEAUTIFUL
AT THE BEGINNING
AND THE END OF THE DAY,
192
00:07:42,250 --> 00:07:43,500
AND I WANT PEOPLE TO SEE THAT.
193
00:07:43,500 --> 00:07:44,833
I WANT TO CAPTURE THAT.
194
00:07:46,083 --> 00:07:48,416
I DIDN'T MEAN TO
BELIEVE IN SOMETHING.
195
00:07:48,416 --> 00:07:50,250
I KNOW YOU DIDN'T, PEACHES.
196
00:07:52,000 --> 00:07:53,333
BUT I DO.
197
00:07:54,333 --> 00:07:55,708
AND YOU KNEW IT.
198
00:07:55,708 --> 00:07:56,875
YOU KNEW THIS WAS IN ME.
199
00:07:56,875 --> 00:07:58,333
-MM-HMM.
-YOU DID IT.
200
00:07:58,333 --> 00:07:59,458
YOU BROKE ME.
I BROKE FIRST.
201
00:07:59,458 --> 00:08:01,000
THIS IS THE FIRST TIME
THIS HAS EVER HAPPENED!
202
00:08:02,458 --> 00:08:03,750
HOW CLOSE WERE YOU TO BREAKING?
203
00:08:03,750 --> 00:08:05,166
I ALMOST DIED!
204
00:08:06,625 --> 00:08:08,625
I'M SO PROUD OF YOU.
205
00:08:08,625 --> 00:08:09,708
ME TOO, YOU!
206
00:08:09,708 --> 00:08:12,000
SOMETHING IS FINALLY
IMPORTANT TO YOU.
207
00:08:12,000 --> 00:08:14,000
-YEAH.
-HOW COME?
208
00:08:14,000 --> 00:08:16,333
BECAUSE I DON'T WANT
TO LIVE IN A WORLD
OF STUPID PURPLE CATS!
209
00:08:16,333 --> 00:08:17,708
NO, WAIT. WHAT?
210
00:08:19,125 --> 00:08:20,708
WE NEED A PLAN.
211
00:08:20,708 --> 00:08:21,708
YOU GOT A PLAN?
212
00:08:21,708 --> 00:08:23,708
DO I HAVE A PLAN?
213
00:08:23,708 --> 00:08:26,291
GEE, I ONLY HAVE
ABOUT NINE OF THEM.
214
00:08:26,291 --> 00:08:28,000
AND EACH PLAN
HAS A LITTLE SUB-PLAN
215
00:08:28,000 --> 00:08:30,875
AND EACH SUB-PLAN
HAS A LITTLE BABY PLAN.
216
00:08:30,875 --> 00:08:33,125
DO I HAVE A PLAN?
217
00:08:33,125 --> 00:08:35,250
'KAY. WHAT'S YOUR PLAN?
218
00:08:36,875 --> 00:08:37,708
MOMMY!
219
00:08:37,708 --> 00:08:39,708
WHAT'S OUR PLAN?
220
00:08:39,708 --> 00:08:40,750
I'M SORRY, GIRLS.
221
00:08:40,750 --> 00:08:43,375
I CAN'T WAVE A MAGICAL
LAWYER WAND THIS TIME.
222
00:08:43,375 --> 00:08:44,875
THE SCHOOLS ONLY GET
SO MUCH MONEY EVERY YEAR.
223
00:08:44,875 --> 00:08:46,166
IT'S NOT A LEGAL ISSUE.
224
00:08:46,166 --> 00:08:48,000
THEY CAN SPEND IT
ON WHATEVER THEY SEE FIT.
225
00:08:48,000 --> 00:08:50,000
ARE YOU TELLING US TO GIVE UP?
226
00:08:50,000 --> 00:08:52,000
WOULD I EVER TELL
YOU TO DO THAT?
227
00:08:53,375 --> 00:08:54,416
NO.
228
00:08:54,416 --> 00:08:55,625
SO, WHAT ARE YOU TELLING US?
229
00:08:55,625 --> 00:08:56,750
YOU HAVE AN OPPONENT.
230
00:08:56,750 --> 00:08:58,583
YOUR OPPONENT
IS THINKING LOGICALLY.
231
00:08:58,583 --> 00:09:01,583
IF YOU THINK LOGICALLY,
YOU'RE GONNA LOSE
THE CREATIVE ARTS.
232
00:09:01,583 --> 00:09:02,708
OKAY, BUT ARE THEY RIGHT?
233
00:09:02,708 --> 00:09:04,708
ARE ACADEMICS SO MUCH
MORE VALUABLE THAN THE ARTS
234
00:09:04,708 --> 00:09:06,291
THAT WE SHOULD JUST
LET THEM DO THIS TO US?
235
00:09:07,708 --> 00:09:08,958
DO YOU GUYS LIKE IT?
236
00:09:08,958 --> 00:09:10,708
I DO, AUGGIE.
I LOVE IT.
237
00:09:11,625 --> 00:09:13,875
NO ONE SHOULD
TAKE IT AWAY FROM YOU.
238
00:09:13,875 --> 00:09:16,000
SOMEONE'S GOING TO
TAKE IT AWAY FROM ME?
239
00:09:16,000 --> 00:09:17,625
NO.
240
00:09:17,625 --> 00:09:18,875
LET'S GET 'EM.
241
00:09:18,875 --> 00:09:20,416
LET'S GET 'EM.
242
00:09:20,416 --> 00:09:22,000
(screaming)
243
00:09:27,750 --> 00:09:30,958
MAYA, I'M REALLY PROUD OF YOU
FOR DECIDING TO DO SOMETHING
244
00:09:30,958 --> 00:09:32,083
ABOUT YOUR FUTURE.
245
00:09:34,833 --> 00:09:36,875
YOU GUYS LEFT ME
OUT THERE TO DIE.
246
00:09:46,708 --> 00:09:48,833
YOU BROUGHT ME HERE
TO WATCH THIS?
247
00:09:48,833 --> 00:09:50,416
ENJOYING THE SHOW,
UNCLE JONATHAN?
248
00:09:50,416 --> 00:09:52,833
NO, I'M NOT.
MATTHEWS, WHY AM I HERE?
249
00:09:52,833 --> 00:09:53,708
IT WAS MY IDEA.
250
00:09:53,708 --> 00:09:55,833
IF YOU'RE GONNA DO THIS,
THEN YOU SHOULD WATCH IT HAPPEN.
251
00:09:55,833 --> 00:09:57,708
CORY, WHY WOULD YOU
TELL THEM I'M DOING THIS?
252
00:09:57,708 --> 00:10:01,000
BECAUSE YOU'RE A BAD,
BAD MAN, AND I LOVE IT
253
00:10:01,000 --> 00:10:03,000
WHEN IT'S
SOMEBODY ELSE'S FAULT.
STYLE
::cue(.speaker)
::cue(.speakerTop)
254
00:10:03,000 --> 00:10:04,583
WHAT ARE THEY GONNA DO
WITH THE ART ROOM
255
00:10:04,583 --> 00:10:05,708
THAT'S MORE IMPORTANT THAN ART?
256
00:10:05,708 --> 00:10:07,708
THIS WILL BE
A TEST TAKING CLASS.
257
00:10:07,708 --> 00:10:09,708
WE NEED TO BE TESTED
ON HOW TO TAKE A TEST?
258
00:10:09,708 --> 00:10:11,000
WE'RE TESTING IT OUT.
259
00:10:11,000 --> 00:10:12,250
WHY DO YOU HATE ART SO MUCH?
260
00:10:12,250 --> 00:10:13,833
MATTHEWS!
261
00:10:13,833 --> 00:10:16,375
GIRLS, I AM NOT FOR THIS.
262
00:10:16,375 --> 00:10:17,750
WHAT?
263
00:10:17,750 --> 00:10:19,458
MY HANDS ARE TIED.
264
00:10:19,458 --> 00:10:21,250
I'M THE SUPERINTENDENT
OF SCHOOLS.
265
00:10:21,250 --> 00:10:23,958
I ANSWER TO THE PANEL
FOR EDUCATIONAL POLICY.
266
00:10:23,958 --> 00:10:26,166
I MEAN, ALL THIS,
IT COMES FROM THEM.
267
00:10:26,166 --> 00:10:27,833
I'M NOT THE ENEMY HERE.
268
00:10:27,833 --> 00:10:28,875
YES, HE IS.
269
00:10:28,875 --> 00:10:30,250
MATTHEWS!
270
00:10:30,250 --> 00:10:31,458
TURNER!
271
00:10:33,083 --> 00:10:34,625
YOU WOULDN'T GET RID OF THIS?
272
00:10:36,208 --> 00:10:37,875
AH, I'D GET RID
OF THAT FOREVER.
273
00:10:41,125 --> 00:10:42,708
BUT THAT'S A REAL LOSS.
274
00:10:53,500 --> 00:10:56,166
WELL, YOU ARE HARDER
TO WATCH THAN USUAL.
275
00:10:56,166 --> 00:10:59,250
I MEAN, ALL BROKEN
AND POUTY AND STUFF.
276
00:11:00,333 --> 00:11:03,291
LUCAS USED TO
CALL ME IN TEXAS
AND TELL ME ABOUT YOU GUYS.
277
00:11:03,291 --> 00:11:04,583
YOU WERE LEGENDS.
278
00:11:04,583 --> 00:11:07,750
THE GENIUS
WHO'S LOYAL AND KIND...
279
00:11:07,750 --> 00:11:09,375
THE BLOND BEAUTY...
280
00:11:09,375 --> 00:11:11,125
LUCAS TALKS
ABOUT HIMSELF LIKE THAT?
281
00:11:12,750 --> 00:11:14,000
HE WAS TALKING ABOUT YOU.
282
00:11:14,000 --> 00:11:15,333
OH.
283
00:11:15,333 --> 00:11:16,500
OH...
284
00:11:17,875 --> 00:11:19,875
HE SAID YOU WERE
ALL FULL OF FIRE.
285
00:11:21,083 --> 00:11:23,000
AND THE PRETTY BRUNETTE
WHO NEVER GIVES UP
286
00:11:23,000 --> 00:11:24,583
ON ANYONE OR ANYTHING.
287
00:11:24,583 --> 00:11:26,833
AND NO SACRIFICE
IS TOO BIG FOR HER FRIENDS.
288
00:11:26,833 --> 00:11:28,208
BUT YOU'VE ALL GIVEN UP.
289
00:11:28,208 --> 00:11:29,708
WHERE'S THE FIRE?
290
00:11:29,708 --> 00:11:31,375
BECAUSE I DON'T
SEE ANY OF IT.
291
00:11:31,375 --> 00:11:32,708
YOU KNOW WHAT, LUCAS?
292
00:11:32,708 --> 00:11:34,458
THESE AREN'T THE PEOPLE
YOU TOLD ME ABOUT.
293
00:11:34,458 --> 00:11:36,833
YEAH, EXCEPT YOU'VE BEEN HERE
LONG ENOUGH TO KNOW
THAT THEY ARE.
294
00:11:38,875 --> 00:11:41,166
EINSTEIN SAID WE CANNOT
SOLVE OUR PROBLEMS
295
00:11:41,166 --> 00:11:43,375
WITH THE SAME THINKING
WE USED WHEN WE CREATED THEM.
296
00:11:43,375 --> 00:11:45,250
YEAH. WE NEED
A DIFFERENT KIND OF THINKING.
297
00:11:45,250 --> 00:11:46,583
WELL, WHAT'S
ANOTHER WAY TO THINK?
298
00:11:46,583 --> 00:11:49,083
WE'RE TRYING TO
SAVE THE CREATIVE ARTS.
299
00:11:49,083 --> 00:11:51,083
WHY CAN'T WE START
THINKING CREATIVELY?
300
00:11:52,708 --> 00:11:54,416
THERE'S MY LITTLE ARTIST.
301
00:11:59,833 --> 00:12:04,375
I'M ASKING YOU TO SLOW DOWN
BEFORE THIS VOTE BECOMES FINAL.
302
00:12:04,375 --> 00:12:06,583
ONCE THESE CUTS
ARE OFFICIAL, THEN ART
303
00:12:06,583 --> 00:12:10,583
AND MUSIC AND DRAMA
AND DANCE-- THEY'RE GONE.
304
00:12:10,583 --> 00:12:12,833
I MEAN, IS THAT
REALLY ACCEPTABLE?
305
00:12:13,875 --> 00:12:16,500
IT'S NOT TOO LATE
TO DO THE RIGHT THING HERE.
306
00:12:16,500 --> 00:12:18,583
THANK YOU,
CHAIRPERSON SANCHEZ.
307
00:12:18,583 --> 00:12:20,208
THANK YOU,
SUPERINTENDENT TURNER.
308
00:12:20,208 --> 00:12:23,000
THAT WAS A LOVELY,
IMPASSIONED SPEECH.
309
00:12:23,000 --> 00:12:25,333
LET ME JUST CHECK
AND SEE IF IT CHANGED
ANY OF THE NUMBERS.
310
00:12:25,333 --> 00:12:28,000
NO. I'M AFRAID NOT.
311
00:12:29,583 --> 00:12:32,291
OUR NEXT SPEAKER
IS MR. ISAIAH BABINEAUX.
312
00:12:32,291 --> 00:12:33,291
MR. BABINEAUX?
313
00:12:37,625 --> 00:12:40,000
HELLO, CHAIRPERSON.
314
00:12:40,000 --> 00:12:42,458
THANK YOU FOR SEEING ME.
315
00:12:42,458 --> 00:12:43,625
YOU'RE WELCOME, MR. BABINEAUX.
316
00:12:43,625 --> 00:12:46,833
WE ARE HAPPY TO SEE
A YOUNG REPRESENTATIVE
317
00:12:46,833 --> 00:12:49,083
OF OUR SCHOOL COMMUNITY,
WHO IS, I TRUST,
318
00:12:49,083 --> 00:12:52,375
GOING TO ADDRESS US
WITH GREAT RESPECT
FOR OUR PROCESS.
319
00:12:52,375 --> 00:12:54,875
NO. THAT'S NOT
WHAT'S GONNA HAPPEN.
320
00:12:57,875 --> 00:12:59,958
WE COULDN'T REACH YOU
WITH LOGIC,
321
00:12:59,958 --> 00:13:03,291
SO WE DECIDED
TO THINK... DIFFERENTLY.
322
00:13:03,291 --> 00:13:05,875
OH. SUPER.
323
00:13:13,000 --> 00:13:15,000
OKAY. WAIT A SECOND.
WHAT EXACTLY ARE YOU GONNA DO?
324
00:13:15,000 --> 00:13:18,291
-♪ BOMP, BOMP, BOMP ♪
-♪ BA, DA, DA ♪
325
00:13:18,291 --> 00:13:20,125
-♪ BOMP, BOMP, BOMP ♪
-♪ BA, DA, DA ♪
326
00:13:20,125 --> 00:13:22,125
-♪ BOMP, BOMP, BOMP ♪
-♪ BA, DA, DA ♪
327
00:13:22,125 --> 00:13:23,875
-♪ BOMP, BOMP, BOMP ♪
-♪ BA, DA, DA ♪
328
00:13:23,875 --> 00:13:25,458
-♪ BOMP, BOMP, BOMP ♪
-♪ BA, DA, DA ♪
329
00:13:25,458 --> 00:13:26,625
♪ OH, MR. FRIAR ♪
330
00:13:26,625 --> 00:13:28,708
♪ YES, MR. BABINEAUX? ♪
331
00:13:28,708 --> 00:13:30,458
♪ I LIKE THIS ROOM ♪
332
00:13:30,458 --> 00:13:31,958
♪ THIS IS A NICE ROOM ♪
333
00:13:31,958 --> 00:13:35,000
♪ SO WHAT DO WE DO TO A ROOM
IF WE WANT TO KILL THE... ♪
334
00:13:35,000 --> 00:13:36,750
♪ A-R-T-S, ARTS? ♪
335
00:13:36,750 --> 00:13:38,083
WE DO THIS...
336
00:13:40,625 --> 00:13:41,833
GENTLEMEN, WHAT ARE YOU DOING?
337
00:13:41,833 --> 00:13:43,333
THE SAME THING
YOU'RE DOING TO US.
338
00:13:44,708 --> 00:13:46,291
NOT AS INTERESTING
A ROOM ANYMORE.
339
00:13:46,291 --> 00:13:47,375
GET THE PICTURE?
340
00:13:48,500 --> 00:13:50,708
THAT'S A VERY COLORFUL
SCARF YOU'RE WEARING.
341
00:13:50,708 --> 00:13:52,166
-THANK YOU.
-MAY I?
342
00:13:55,166 --> 00:13:58,291
A DANCE TO THE LOSS OF PURPLE.
343
00:14:21,291 --> 00:14:22,958
MY NAME IS MAYA HART.
344
00:14:22,958 --> 00:14:24,625
THIS COMMITTEE RELIES
ON CHARTS AND GRAPHS.
345
00:14:24,625 --> 00:14:26,125
I HAVE INFORMATION
TO ADD TO THEM.
346
00:14:26,125 --> 00:14:27,708
PLEASE SHARE IT
WITH US, MS. HART.
347
00:14:27,708 --> 00:14:28,833
YOU WANT NUMBERS?
348
00:14:28,833 --> 00:14:31,875
THE UNITED STATES RANKING
IN MATH, SCIENCE AND READING
349
00:14:31,875 --> 00:14:34,125
HAS DONE NOTHING
BUT DROP FOR THE PAST 50 YEARS.
350
00:14:34,125 --> 00:14:35,833
-YOUR PROPOSAL?
-GET RID OF 'EM.
351
00:14:35,833 --> 00:14:38,250
CUT MATH,
SCIENCE AND READING?
352
00:14:38,250 --> 00:14:40,375
WHY NOT? WE STINK AT 'EM.
353
00:14:40,375 --> 00:14:42,833
BUT YOU KNOW WHAT
WE'RE NUMBER ONE AT?
354
00:14:42,833 --> 00:14:44,583
MOVIES AND MUSIC!
355
00:14:44,583 --> 00:14:47,833
PEOPLE ALL OVER THE WORLD
ARE INSPIRED BY OUR CREATIVITY.
356
00:14:47,833 --> 00:14:49,416
BUT HEY, I DON'T WANNA
GET RID OF ANYTHING.
357
00:14:49,416 --> 00:14:50,458
YOU STARTED IT.
358
00:14:50,458 --> 00:14:51,708
MY HANDS ARE TIED.
359
00:14:51,708 --> 00:14:52,708
YEAH, IT'S SO FUNNY.
360
00:14:52,708 --> 00:14:55,166
EVERYONE KEEPS SAYING THAT,
BUT THEY'RE NOT.
361
00:14:55,166 --> 00:14:57,333
LOOK AT 'EM.
YOUR HANDS ARE FREE.
YOU JUST THINK THEY'RE TIED.
362
00:14:57,333 --> 00:14:59,250
I'M AFRAID YOU'RE OUT OF TIME.
363
00:14:59,250 --> 00:15:01,000
WE HAVE A LONG LIST
OF SPEAKERS ON THE LIST TODAY
364
00:15:01,000 --> 00:15:02,500
AND WE NEED TO BE
GETTING BACK TO THEM.
365
00:15:02,500 --> 00:15:03,583
TOPANGA MATTHEWS.
STYLE
::cue(.speaker)
::cue(.speakerTop)
366
00:15:07,625 --> 00:15:08,875
(clears throat)
367
00:15:10,250 --> 00:15:12,583
I YIELD MY TIME
TO THESE CHILDREN.
368
00:15:15,083 --> 00:15:17,000
UH... CORY MATTHEWS.
369
00:15:17,000 --> 00:15:18,500
YIELD.
370
00:15:18,500 --> 00:15:19,875
GABRIELLA KOSSAL.
371
00:15:19,875 --> 00:15:21,000
YIELD.
372
00:15:21,000 --> 00:15:23,583
YES. SUPER. OKAY.
373
00:15:23,583 --> 00:15:26,583
WOULDN'T NOW BE A GOOD TIME
FOR AN ADULT POINT-OF-VIEW?
374
00:15:26,583 --> 00:15:28,833
-Adults: YIELD.
-OH, COME ON!
375
00:15:28,833 --> 00:15:30,416
THE ADULTS HAVE FAILED THEM.
376
00:15:30,416 --> 00:15:33,958
ESPECIALLY
SUPERINTENDENT TURNER!
377
00:15:33,958 --> 00:15:36,000
MATTHEWS!
378
00:15:37,708 --> 00:15:39,333
-♪ BOMP, BOMP, BOMP ♪
-♪ BA, DA, DA ♪
379
00:15:39,333 --> 00:15:41,250
-♪ BOMP, BOMP, BOMP... ♪
-♪ BA, DA, DA... ♪
380
00:15:41,250 --> 00:15:43,000
♪ OH, MR. FARKLE? ♪
381
00:15:43,000 --> 00:15:44,625
♪ YES, MR. FREAKFACE? ♪
382
00:15:44,625 --> 00:15:46,833
ALTHOUGH YOU ARE A SCIENTIST,
383
00:15:46,833 --> 00:15:49,375
WE ARE ALSO TOLD THAT
YOU HAVE GREAT CREATIVITY.
384
00:15:49,375 --> 00:15:51,458
WHY, YES.
I SING AND DANCE
385
00:15:51,458 --> 00:15:53,333
AND AM THE GREATEST PIPPIN
THE STAGE HAS EVER SEEN.
386
00:15:53,333 --> 00:15:54,750
I LOVE PIPPIN.
387
00:15:56,625 --> 00:15:57,750
MAY WE SEE SOME OF IT, PLEASE?
388
00:15:57,750 --> 00:15:59,500
NO, YOU MAY NOT!
THERE ARE NO LONGER PLAYS
389
00:15:59,500 --> 00:16:00,625
OR CONCERTS IN THIS SCHOOL.
390
00:16:00,625 --> 00:16:03,625
INSTEAD, I SHALL PERFORM FOR YOU
A LIST OF PRIME NUMBERS.
391
00:16:03,625 --> 00:16:05,875
OH, THAT'S DISAPPOINTING.
392
00:16:06,875 --> 00:16:08,708
-♪ BOMP, BOMP, BOMP ♪
-♪ BA, DA, DA ♪
393
00:16:08,708 --> 00:16:11,416
-♪ BOMP, BOMP, BOMP ♪
-♪ BA, DA, DA, BOMP ♪
394
00:16:11,416 --> 00:16:12,416
TWO.
395
00:16:13,708 --> 00:16:14,750
THREE.
396
00:16:14,750 --> 00:16:16,375
FIVE.
397
00:16:16,375 --> 00:16:17,583
SEVEN.
398
00:16:17,583 --> 00:16:18,833
11.
399
00:16:18,833 --> 00:16:20,375
-(crowd groans)
-13.
400
00:16:20,375 --> 00:16:21,625
Crowd:
BOO!
401
00:16:21,625 --> 00:16:23,583
OKAY, OKAY. I THINK WE GET
YOUR POINT, MR. FARKLE.
402
00:16:23,583 --> 00:16:25,500
WITH ALL DUE RESPECT,
CHAIRPERSON SANCHEZ,
403
00:16:25,500 --> 00:16:26,583
I DON'T THINK YOU DO.
404
00:16:26,583 --> 00:16:28,250
AND LIKE I SAID,
I CAN ALSO DO THIS.
405
00:16:30,000 --> 00:16:31,708
(cheering and applause)
406
00:16:34,375 --> 00:16:35,750
-17.
-(crowd groans)
407
00:16:35,750 --> 00:16:36,750
19.
408
00:16:38,125 --> 00:16:40,208
-23.
-BOO!
409
00:16:40,208 --> 00:16:42,875
I HATE 23.
410
00:16:42,875 --> 00:16:44,458
LET'S GET 'EM!
411
00:16:47,000 --> 00:16:48,625
(cheering and applause)
412
00:16:50,375 --> 00:16:51,458
Crowd:
BOO!
413
00:16:51,458 --> 00:16:54,750
CREATIVITY FEEDS SCIENCE,
AND SCIENCE FEEDS CREATIVITY.
414
00:16:54,750 --> 00:16:56,291
THAT'S WHAT YOU'RE MISSING
BECAUSE YOU'RE NOT
415
00:16:56,291 --> 00:16:58,375
THINKING CREATIVELY.
THANK YOU.
416
00:17:04,208 --> 00:17:06,958
I TOOK ALL OF MY ART
OFF OF THE REFRIGERATOR.
417
00:17:06,958 --> 00:17:08,000
DO YOU HAVE KIDS?
418
00:17:09,708 --> 00:17:13,416
WHEN YOU GET HOME,
PLEASE TAKE THEIR ART
OFF OF THE REFRIGERATOR, TOO.
419
00:17:13,416 --> 00:17:16,291
OTHERWISE YOU'RE HIPPOPOTAMUSES.
420
00:17:16,291 --> 00:17:18,166
HYPOCRITES?
421
00:17:18,166 --> 00:17:19,875
PLEASE DON'T CUT READING.
422
00:17:22,750 --> 00:17:25,875
A DANCE IN WHICH
A HIPPOPOTAMUS RETURNS HOME
423
00:17:25,875 --> 00:17:29,375
TO FIND HIS ART TAKEN
FROM THE REFRIGERATOR.
424
00:17:33,416 --> 00:17:36,500
AHH, OOH, MMM...
425
00:17:47,875 --> 00:17:50,708
MS. HART, I AM TOLD
THAT YOU CAN SING.
426
00:17:50,708 --> 00:17:52,583
I CAN WARBLE A TUNE.
427
00:17:52,583 --> 00:17:53,875
WOULD YOU DO US
THE GREAT HONOR?
428
00:17:58,833 --> 00:18:00,833
(orchestral music playing)
429
00:18:06,291 --> 00:18:09,000
♪ ONCE I HAD A DREAM ♪
430
00:18:09,000 --> 00:18:11,583
-♪ THAT DREAM HAD JUST BEGUN-- ♪
-(microphone feedbacks)
431
00:18:11,583 --> 00:18:13,291
YOINK.
432
00:18:13,291 --> 00:18:15,708
SORRY. NO MORE MUSIC.
433
00:18:17,375 --> 00:18:20,958
CHAIRPERSON SANCHEZ,
WITH RESPECT,
YOU SEEM UNCOMFORTABLE.
434
00:18:20,958 --> 00:18:23,708
COULD THAT POSSIBLY
HAVE TO DO WITH YOUR BACKGROUND?
435
00:18:23,708 --> 00:18:26,083
I'M SURE I HAVE NO IDEA
WHAT YOU'RE TALKING ABOUT.
436
00:18:26,083 --> 00:18:28,000
OH, LET ME BE MORE SPECIFIC.
437
00:18:28,000 --> 00:18:30,000
WHERE DID YOU DO
YOUR UNDERGRADUATE WORK?
438
00:18:30,000 --> 00:18:31,250
PRINCETON.
439
00:18:31,250 --> 00:18:32,625
OH. GOOD SCHOOL.
GOOD SCHOOL.
440
00:18:32,625 --> 00:18:35,000
WHAT'D YOU STUDY?
441
00:18:35,000 --> 00:18:38,083
I DON'T SEE HOW
THESE QUESTIONS ARE RELEVANT
TO TODAY'S PROCEEDINGS.
442
00:18:38,083 --> 00:18:40,083
OH, YOU WERE AN ART MAJOR!
443
00:18:40,083 --> 00:18:41,125
(crowd gasps)
444
00:18:41,125 --> 00:18:42,833
YES, MR. BABINEAUX.
445
00:18:42,833 --> 00:18:44,583
I HAVE A DEGREE IN STUDIO ART.
446
00:18:44,583 --> 00:18:47,291
A DANCE IN WHICH I GRADUATE
447
00:18:47,291 --> 00:18:50,083
WITH A DEGREE IN STUDIO ART
FROM PRINCETON UNIVERSITY
448
00:18:50,083 --> 00:18:53,458
BUT THEN I GET MY HANDS TIED.
449
00:18:53,458 --> 00:18:55,583
I DON'T NEED TO SEE THAT ONE.
I LIVED IT.
450
00:18:55,583 --> 00:18:57,750
-DOES IT HURT A LITTLE?
-IT DOES.
451
00:18:57,750 --> 00:19:02,125
ESPECIALLY SINCE
ONE OF THE PAINTINGS
YOU TOOK DOWN WAS MINE.
452
00:19:02,125 --> 00:19:04,750
CHAIRPERSON SANCHEZ,
GOT A FAVORITE BOOK?
453
00:19:04,750 --> 00:19:06,625
- BRIDGE TO TERABITHIA.
-UN-READ IT.
454
00:19:06,625 --> 00:19:07,750
FAVORITE MOVIE?
455
00:19:07,750 --> 00:19:09,875
-THE WIZARD OF OZ.
-UN-WATCH IT.
456
00:19:09,875 --> 00:19:13,083
WELL, YOU'VE JUST KINDA
TAKEN AWAY MY WHOLE
CHILDHOOD, HAVEN'T YOU?
457
00:19:13,083 --> 00:19:14,458
WHEN DOES IT HAPPEN?
458
00:19:14,458 --> 00:19:15,708
WHEN DOES WHAT HAPPEN?
459
00:19:15,708 --> 00:19:18,000
WHEN DO YOU STOP BEING
ABLE TO THINK CREATIVELY?
460
00:19:18,000 --> 00:19:19,875
WHEN DO YOU
GET YOUR HANDS TIED?
461
00:19:19,875 --> 00:19:21,458
WE DON'T WANT THAT
TO HAPPEN TO US.
462
00:19:21,458 --> 00:19:22,750
YOU WENT TO A GREAT SCHOOL.
463
00:19:22,750 --> 00:19:24,166
I'M SURE ALL OF YOU DID.
464
00:19:24,166 --> 00:19:25,750
Maya:
YOU'RE VERY SMART.
465
00:19:25,750 --> 00:19:28,208
YOU KNOW THIS IS
THE WRONG WAY TO THINK.
466
00:19:31,708 --> 00:19:34,250
YOU DIDN'T ASK ME
WHO MY FAVORITE ARTIST IS.
467
00:19:35,875 --> 00:19:37,583
IT'S PICASSO.
468
00:19:37,583 --> 00:19:39,458
DO YOU HAVE A FAVORITE ARTIST?
469
00:19:41,166 --> 00:19:43,000
ALL OF THEM.
470
00:19:43,000 --> 00:19:45,166
EVERYONE WHO EVER TRIED...
471
00:19:46,458 --> 00:19:47,708
INCLUDING YOU.
472
00:19:47,708 --> 00:19:51,250
YOU KNOW, PICASSO PAINTED
A MASTERPIECE CALLED GUERNICA.
473
00:19:51,250 --> 00:19:54,583
ADULTS GOING TO WAR
ON HORSES WITH SWORDS.
474
00:19:54,583 --> 00:19:57,625
EXCEPT FOR ONE HORSE
WHO WAS HORRIFIED
475
00:19:57,625 --> 00:19:59,416
AT WHAT THE ADULTS WERE DOING.
476
00:19:59,416 --> 00:20:02,958
HE'S HORRIFIED
BECAUSE HE KNOWS IT'S WRONG.
477
00:20:02,958 --> 00:20:05,625
I'VE ALWAYS LOVED THAT HORSE.
478
00:20:05,625 --> 00:20:07,125
AND WHEN I WAS
AS YOUNG AS YOU,
479
00:20:07,125 --> 00:20:09,625
I MADE A PROMISE TO MYSELF
THAT IF I EVER GO TO WAR,
STYLE
::cue(.speaker)
::cue(.speakerTop)
480
00:20:09,625 --> 00:20:14,458
I WOULD NEVER FORGET GUERNICA
AND THE HORSE THAT KNEW BETTER.
481
00:20:15,875 --> 00:20:18,750
THANK YOU, MS. HART,
FOR REMINDING ME.
482
00:20:18,750 --> 00:20:21,291
NO. THANK YOU.
483
00:20:21,291 --> 00:20:23,208
I LOVE LEARNING ABOUT ART.
484
00:20:23,208 --> 00:20:24,708
WOULD HAVE NEVER
KNOWN ABOUT GUERNICA
485
00:20:24,708 --> 00:20:26,208
IF SOMEONE DIDN'T CARE
ENOUGH TO TEACH ME.
486
00:20:27,958 --> 00:20:29,375
SUPERINTENDENT TURNER...
487
00:20:29,375 --> 00:20:32,833
YOU HAVE BEEN
REQUESTING ALL ALONG
THAT WE REMAIN PATIENT.
488
00:20:32,833 --> 00:20:33,875
WELL, WE'RE ALL TEACHERS HERE.
489
00:20:33,875 --> 00:20:36,875
I THINK WE CAN APPRECIATE
THE VALUE OF A GOOD LESSON.
490
00:20:36,875 --> 00:20:38,416
TURNER!
491
00:20:38,416 --> 00:20:40,000
MY MAN!
492
00:20:40,000 --> 00:20:42,000
WOULD YOU TELL HIM TO STOP?
493
00:20:43,166 --> 00:20:45,166
I CAN'T PROMISE
AN IMMEDIATE SOLUTION,
494
00:20:45,166 --> 00:20:48,458
BUT I CAN PROMISE THAT WE CAN
TRY AND THINK DIFFERENTLY.
495
00:20:48,458 --> 00:20:51,000
TO THINK CREATIVELY
AS THESE STUDENTS.
496
00:20:51,000 --> 00:20:52,583
THANK YOU ALL FOR COMING.
497
00:20:52,583 --> 00:20:54,000
THIS MEETING IS ADJOURNED.
498
00:20:55,708 --> 00:20:58,000
BUT OUR NEXT MEETING
BEGINS RIGHT NOW,
499
00:20:58,000 --> 00:21:00,000
AND WE WILL STAY HERE UNTIL
WE COME UP WITH SOMETHING THAT
500
00:21:00,000 --> 00:21:02,708
UNTIES OUR HANDS AND WE BEGIN
TO THINK DIFFERENTLY.
501
00:21:02,708 --> 00:21:04,083
MS. HART?
502
00:21:04,083 --> 00:21:05,458
YES, MA'AM?
503
00:21:05,458 --> 00:21:07,250
PLEASE HANG UP MY PAINTING.
504
00:21:07,250 --> 00:21:09,291
YES, MA'AM.
505
00:21:34,583 --> 00:21:36,458
VERY HOPEFUL, MAYA.
506
00:21:36,458 --> 00:21:37,625
WHAT DO YOU CALL IT?
507
00:21:37,625 --> 00:21:39,416
THE RENAISSANCE.
508
00:21:42,708 --> 00:21:44,625
OH, MY EYES!
509
00:21:46,000 --> 00:21:47,875
WANT TO KNOW WHAT I CALL IT?
510
00:21:47,875 --> 00:21:49,333
I DON'T CARE.
511
00:21:49,333 --> 00:21:52,458
50 MILLION PURPLE CATS.
512
00:21:52,458 --> 00:21:54,833
ISN'T IT HOPEFUL?
513
00:21:54,833 --> 00:21:56,125
IT IS.
514
00:21:56,125 --> 00:21:57,833
KEEP PAINTING, RILEY.
515
00:21:59,291 --> 00:22:01,000
BECAUSE IT MAKES YOU HAPPY.
516
00:22:01,000 --> 00:22:04,625
IT MAKES YOU FEEL SOMETHING,
WHICH IS WHAT ART IS ALL ABOUT.
517
00:22:07,125 --> 00:22:08,833
I'M HAPPY.
518
00:22:08,833 --> 00:22:10,125
I'M A HAPPY ARTIST.
519
00:22:11,291 --> 00:22:13,291
THIS IS WHY I STINK.
520
00:22:15,375 --> 00:22:17,458
ALL RIGHT. REMEMBER
YOUR HOMEWORK FOR THE WEEKEND
521
00:22:17,458 --> 00:22:20,458
IS TO VISIT ANY ART MUSEUM
IN THE CITY.
522
00:22:20,458 --> 00:22:25,375
FIND SOMETHING THAT INSPIRES YOU
AND NEVER FORGET IT
523
00:22:25,375 --> 00:22:28,833
FOR THE REST OF YOUR RICH
AND CREATIVE LIVES.
524
00:22:34,333 --> 00:22:36,708
-♪ BOMP, BOMP, BOMP ♪
-♪ BA, DA, DA ♪
525
00:22:36,708 --> 00:22:38,708
-♪ BOMP, BOMP, BOMP ♪
-♪ BA, DA, DA ♪
526
00:22:38,708 --> 00:22:41,208
-♪ BOMP, BOMP, BOMP ♪
-♪ BA, DA, DA ♪
527
00:22:41,208 --> 00:22:43,458
-♪ BOMP, BOMP, BOMP ♪
-♪ BA, DA, DA ♪
528
00:22:43,458 --> 00:22:45,458
-♪ BOMP, BOMP, BOMP ♪
-♪ BA, DA, DA ♪