1
00:00:17,875 --> 00:00:21,250
YEAH...
I'M NOT BUYING
2
00:00:21,250 --> 00:00:22,833
THE SLEEPWALKING BIT
FOR ONE SECOND.
3
00:00:22,833 --> 00:00:25,625
WOULD YOU LET ME HAVE
COLD SPAGHETTI AT MIDNIGHT
4
00:00:25,625 --> 00:00:27,500
-IF I WAS AWAKE?
-NOPE.
5
00:00:29,625 --> 00:00:31,291
(growls)
6
00:00:34,458 --> 00:00:36,708
WHAT ARE YOU GUYS
DOING UP ANYWAY?
IT'S MIDNIGHT.
7
00:00:36,708 --> 00:00:38,416
THEY'RE TRYING TO THROW OUT
THOSE PEOPLE WHO OWN
8
00:00:38,416 --> 00:00:40,333
THAT WONDERFUL OLD BOOKSTORE
OVER ON JANE STREET.
9
00:00:40,333 --> 00:00:42,833
THEY WANT TO PUT IN
ANOTHER FAST-FOOD SUPER CLUCK.
10
00:00:42,833 --> 00:00:45,458
BUT THEY'RE THE WORLD'S MOST
POWERFUL BUCKET OF FOOD PEOPLE!
11
00:00:47,125 --> 00:00:48,875
THEY DON'T SCARE ME.
12
00:00:48,875 --> 00:00:50,958
WHO ARE YOU?
13
00:00:50,958 --> 00:00:53,125
I AM NO FRIEND
OF THE SUPER CLUCK!
14
00:00:53,125 --> 00:00:55,208
THEY'RE TRYING TO TAKE OVER
THE WHOLE NEIGHBORHOOD.
15
00:00:55,208 --> 00:00:57,708
BUT I WILL BE THERE
EVERYWHERE THEY WANT TO GO.
16
00:00:59,458 --> 00:01:02,000
SO, YOU STAY UP LATE
AND PROTECT OUR COMMUNITY?
17
00:01:02,000 --> 00:01:03,083
TRYING.
18
00:01:03,083 --> 00:01:05,750
YEAH, WELL, YOU KNOW
WHAT I DO AT NIGHT? I SLEEP.
19
00:01:05,750 --> 00:01:07,708
WELL, THAT'S VERY
IMPORTANT, HONEY.
20
00:01:07,708 --> 00:01:09,708
WELL, A KID LIKE ME
NEEDS 15 HOURS.
21
00:01:11,333 --> 00:01:14,000
DAD, MOM'S TRYING
TO SAVE OUR WHOLE CITY.
22
00:01:14,000 --> 00:01:15,333
HOW ARE YOU GONNA BEAT THAT?
23
00:01:15,333 --> 00:01:18,625
I'M TRYING TO GET
THROUGH MAYA'S PAPER.
24
00:01:18,625 --> 00:01:20,375
HE BEAT YOU.
25
00:01:21,375 --> 00:01:24,833
"'AMERICA'S FOREIGN RELATIONS
AT THE DAWN OF THE COLD WAR,'
26
00:01:24,833 --> 00:01:28,458
"250 WORDS BY MAYA HART.
27
00:01:28,458 --> 00:01:30,875
"WHAT'S UP, MATTHEWS?
28
00:01:30,875 --> 00:01:32,208
"IT'S ME, MAYA.
29
00:01:32,208 --> 00:01:34,583
"I OWE YOU 218 WORDS.
30
00:01:34,583 --> 00:01:36,458
GOOD LUCK WITH THAT."
31
00:01:37,625 --> 00:01:39,708
SO, YOU GUYS ARE STAYING UP
32
00:01:39,708 --> 00:01:43,083
AND PROTECTING
OUR CITY AND OUR MINDS...
33
00:01:43,083 --> 00:01:44,708
WHILE WHAT I DO IS SLEEP.
34
00:01:44,708 --> 00:01:49,750
WELL, HONEY, YOU'RE
REALLY VERY GOOD AT IT.
35
00:01:49,750 --> 00:01:51,833
"'WHY NO ONE SHOULD
TALK BUT ME'
36
00:01:51,833 --> 00:01:53,083
BY FARKLE MINKUS."
37
00:02:05,875 --> 00:02:07,625
SEVEN HOURS TILL
SCHOOL IS OVER!
38
00:02:09,291 --> 00:02:10,708
YOU KNOW WHAT MY MOM DOES?
39
00:02:10,708 --> 00:02:12,291
SHE USES HER INTELLIGENCE
40
00:02:12,291 --> 00:02:13,875
TO HELP THE POWERLESS
AGAINST THE POWERFUL.
41
00:02:13,875 --> 00:02:15,458
YEAH. SHE'S REALLY SOMETHIN'.
42
00:02:15,458 --> 00:02:17,291
MY DAD TRIES
TO TEACH YOU STUFF.
43
00:02:17,291 --> 00:02:18,583
MM. HE'S CUTE.
44
00:02:19,875 --> 00:02:22,166
-WHAT WILL I EVER DO?
-YOU'LL DO STUFF.
45
00:02:22,166 --> 00:02:23,208
WHAT?
46
00:02:23,208 --> 00:02:24,875
RILES, THE GREAT THING
ABOUT BEING US,
47
00:02:24,875 --> 00:02:26,625
WE DON'T HAVE TO WORRY
ABOUT BEING THEM.
48
00:02:26,625 --> 00:02:29,458
TOO LATE.
I STARTED AND I DON'T
LIKE WHERE IT'S GOING.
49
00:02:29,458 --> 00:02:31,125
RILEY, IF YOU'RE TRYING
TO TELL ME
50
00:02:31,125 --> 00:02:33,000
HOW GREAT YOUR PARENTS ARE,
I KNOW.
51
00:02:33,000 --> 00:02:34,583
YOU'RE VERY LUCKY
TO HAVE THEM.
52
00:02:34,583 --> 00:02:36,250
NOT EVERYBODY DOES.
53
00:02:36,250 --> 00:02:38,291
MAYBE THEY'RE
THE LUCKY ONES, MAYA.
54
00:02:38,291 --> 00:02:39,708
WHY?
55
00:02:39,708 --> 00:02:41,708
THEY'RE CORY AND TOPANGA AND...
56
00:02:41,708 --> 00:02:43,250
I'M JUST
THEIR LITTLE SHADOW,
57
00:02:43,250 --> 00:02:44,875
LIVING IN THE REFLECTION
OF THE SUN.
58
00:02:46,458 --> 00:02:47,750
WHAT DO YOU DO WHEN YOU KNOW
59
00:02:47,750 --> 00:02:50,166
YOU'LL NEVER BE
AS GOOD AS YOUR PARENTS?
60
00:02:54,000 --> 00:02:56,375
(theme music playing)
61
00:02:57,875 --> 00:03:00,333
♪ I'VE BEEN WAITING ♪
62
00:03:00,333 --> 00:03:02,333
♪ FOR A DAY LIKE THIS TO COME ♪
63
00:03:02,333 --> 00:03:04,458
♪ STRUCK LIKE LIGHTNING ♪
64
00:03:04,458 --> 00:03:06,625
♪ MY HEART'S BEATING LIKE
A DRUM ♪
65
00:03:06,625 --> 00:03:10,500
♪ ON THE EDGE
OF SOMETHING WONDERFUL ♪
66
00:03:10,500 --> 00:03:13,291
♪ FACE-TO-FACE WITH CHANGES ♪
67
00:03:13,291 --> 00:03:14,875
♪ WHAT'S IT ALL ABOUT? ♪
68
00:03:14,875 --> 00:03:16,583
♪ LIFE IS CRAZY ♪
69
00:03:16,583 --> 00:03:19,291
♪ BUT I KNOW
I CAN WORK IT OUT ♪
70
00:03:19,291 --> 00:03:22,958
♪ 'CAUSE I GOT YOU
TO LIVE IT WITH ME ♪
71
00:03:22,958 --> 00:03:27,125
♪ I FEEL ALL RIGHT,
I'M GONNA TAKE ON THE WORLD ♪
72
00:03:27,125 --> 00:03:30,250
♪ LIGHT UP THE STARS,
I'VE GOT SOME PAGES TO TURN ♪
73
00:03:30,250 --> 00:03:33,125
♪ I'M SINGING OH, OH, OH ♪
74
00:03:33,125 --> 00:03:36,000
♪ OH, OH, OH, OH ♪
75
00:03:36,000 --> 00:03:38,375
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
76
00:03:38,375 --> 00:03:39,833
♪ TAKE ON THE WORLD ♪
77
00:03:39,833 --> 00:03:42,125
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
78
00:03:42,125 --> 00:03:43,833
♪ TAKE ON THE WORLD ♪
79
00:03:48,750 --> 00:03:51,625
FERDINAND MAGELLAN.
WHAT DID HE DO?
80
00:03:51,625 --> 00:03:53,583
FIRST BULL WITH A LAST NAME!
81
00:03:53,583 --> 00:03:55,458
FIRST MAN TO CIRCUMNAVIGATE
THE GLOBE.
82
00:03:55,458 --> 00:03:56,875
WHO ARE YOU GONNA BELIEVE?
83
00:03:59,958 --> 00:04:02,875
EVERYONE THOUGHT
THE WORLD WAS FLAT. WHY?
84
00:04:02,875 --> 00:04:04,458
THEY COULD ONLY SEE
TO THE HORIZON.
85
00:04:04,458 --> 00:04:05,625
THEY WERE TOO SCARED
TO GO OUT.
86
00:04:05,625 --> 00:04:07,833
THEY THOUGHT THEY'D
FALL OFF THE WORLD.
87
00:04:07,833 --> 00:04:09,000
I DON'T BLAME 'EM.
88
00:04:09,000 --> 00:04:11,458
WELL, WHAT ABOUT YOU GUYS?
89
00:04:11,458 --> 00:04:12,708
WHAT'S YOUR HORIZON LINE?
90
00:04:12,708 --> 00:04:16,125
WRITE DOWN THE ONE THING
IN LIFE YOU CONSIDER IMPOSSIBLE.
91
00:04:16,125 --> 00:04:17,583
WHERE DO YOU
FALL OFF THE EARTH?
92
00:04:19,708 --> 00:04:22,208
WELL, IT LOOKS LIKE
EVERYONE FOUND SOMETHING
PRETTY EASILY.
93
00:04:22,208 --> 00:04:23,750
THAT'S TOO BAD.
94
00:04:23,750 --> 00:04:26,000
BECAUSE WHEN YOU THINK
YOU CAN'T DO SOMETHING,
95
00:04:26,000 --> 00:04:28,875
YOUR WORLD IS AS FLAT
AS A PIECE OF PAPER.
96
00:04:28,875 --> 00:04:30,500
SO, CRUMPLE THEM UP.
97
00:04:33,458 --> 00:04:34,750
NOW, LOOK AT 'EM.
98
00:04:36,875 --> 00:04:39,833
YOU HOLD YOUR WORLD
IN YOUR HANDS.
99
00:04:39,833 --> 00:04:42,166
NOTHING'S IMPOSSIBLE
IF YOU TAKE A SHOT.
100
00:04:43,458 --> 00:04:44,708
SO, TAKE A SHOT.
101
00:04:52,333 --> 00:04:53,583
TAKE A SHOT, FARKLE.
102
00:04:53,583 --> 00:04:55,583
OH, THAT'S OKAY, SIR.
103
00:04:55,583 --> 00:04:56,875
WHY NOT?
104
00:04:56,875 --> 00:04:58,458
WELL, I'D ONLY MISS.
105
00:04:58,458 --> 00:04:59,583
DO YOU MIND?
106
00:04:59,583 --> 00:05:01,708
HEY, IT'S NOT LIKE
IT'S A BIG SURPRISE.
STYLE
::cue(.speaker)
::cue(.speakerTop)
107
00:05:01,708 --> 00:05:03,500
"ATHLETE."
108
00:05:05,208 --> 00:05:06,708
YOU DON'T THINK
YOU COULD BE AN ATHLETE
109
00:05:06,708 --> 00:05:08,125
LIKE LUCAS IF YOU TRIED?
110
00:05:08,125 --> 00:05:09,583
I'M NOT SURE YOU CAN
BE AS GOOD AS SOMEONE
111
00:05:09,583 --> 00:05:11,000
-JUST BECAUSE
YOU WANT TO, SIR.
-WELL...
112
00:05:11,000 --> 00:05:13,083
YOU'LL NEVER KNOW
UNLESS YOU TAKE A SHOT.
113
00:05:21,333 --> 00:05:23,708
WHY ARE YOU SMILING
AT ME SO PRETTY?
114
00:05:23,708 --> 00:05:27,833
BECAUSE I WANT THE LAST THING
YOU EVER SEE TO BE NICE.
115
00:05:38,208 --> 00:05:41,375
OKAY, SO...
FARKLE HAS JUST GIVEN US
116
00:05:41,375 --> 00:05:42,875
A GREAT IDEA
FOR AN ASSIGNMENT.
117
00:05:42,875 --> 00:05:44,625
-(class groans)
-YAY.
118
00:05:46,500 --> 00:05:48,875
FARKLE, YOU'RE GONNA
BECOME AN ATHLETE.
119
00:05:48,875 --> 00:05:52,583
-Class: YAY!
-(Farkle groans)
120
00:05:52,583 --> 00:05:54,500
-MR. FRIAR...
-OH, NO.
121
00:05:55,833 --> 00:05:57,875
YOUR ASSIGNMENT IS
TO HELP HIM GET THERE.
122
00:05:57,875 --> 00:06:00,208
I'M SORRY IF THIS CHANGES
WHAT YOU THOUGHT WAS IMPOSSIBLE.
123
00:06:00,208 --> 00:06:01,958
NO, THAT'S WHAT I HAD.
124
00:06:01,958 --> 00:06:03,291
HA HA.
125
00:06:03,291 --> 00:06:04,708
THAT'S WHAT I HAD.
126
00:06:06,750 --> 00:06:08,000
RILEY...
127
00:06:08,000 --> 00:06:10,583
IS THERE ANYTHING
IN YOUR SWEET RILEY MIND
128
00:06:10,583 --> 00:06:11,708
THAT YOU CONSIDER IMPOSSIBLE?
129
00:06:11,708 --> 00:06:13,875
THERE IS NO FUTURE
TO LOOK FORWARD TO
130
00:06:13,875 --> 00:06:15,500
TO WHERE I'M ANYWHERE
NEAR AS GOOD AS YOU GUYS.
131
00:06:16,875 --> 00:06:18,375
WHAT ARE YOU TALKING ABOUT?
132
00:06:18,375 --> 00:06:20,875
YOU AND MOM,
CORY AND TOPANGA--
133
00:06:20,875 --> 00:06:22,875
YOU'RE MY IMPOSSIBLE THING.
134
00:06:22,875 --> 00:06:24,208
I DON'T UNDERSTAND.
135
00:06:24,208 --> 00:06:26,583
MAYBE SOME PEOPLE DO
JUST FALL OFF THE WORLD, DAD.
136
00:06:26,583 --> 00:06:29,291
-WHAT DO YOU MEAN, RILEY--
-(school bell rings)
137
00:06:35,250 --> 00:06:38,250
LOOK, IT'S JUST TODAY'S THING.
IT'LL BE GONE TOMORROW.
138
00:06:38,250 --> 00:06:40,875
THE ONLY THING
GOING AWAY IS ME.
139
00:06:40,875 --> 00:06:43,166
CAN SOMEBODY PLEASE DIRECT
ME TO THE EDGE OF THE EARTH?
140
00:06:43,166 --> 00:06:44,875
I ASSUME IT'S NEAR THE RIVER.
141
00:06:44,875 --> 00:06:46,625
NOW?
142
00:06:46,625 --> 00:06:48,375
YOU'RE FALLING
OFF THE WORLD NOW?
143
00:06:48,375 --> 00:06:49,583
I CAN'T COMPETE WITH YOU.
144
00:06:49,583 --> 00:06:51,583
-IN WHAT?
-LIFE.
145
00:06:51,583 --> 00:06:53,833
SO, I HAVE TO GO
AND FIND MY OWN WAY.
146
00:06:53,833 --> 00:06:56,583
I HAVE TO GO AND CREATE
MY OWN INDIVIDUAL PATH
147
00:06:56,583 --> 00:06:59,083
AND I MUST DO IT
ALL ALONE, BY MYSELF.
148
00:06:59,083 --> 00:07:00,708
COME ON, MAYA!
149
00:07:03,583 --> 00:07:05,875
UM... WE'LL BE AT THE RIVER.
150
00:07:11,833 --> 00:07:13,083
HERE?
151
00:07:13,083 --> 00:07:15,375
YOU THINK THIS IS FALLING
OFF THE FACE OF THE EARTH?
152
00:07:15,375 --> 00:07:18,875
MY ONLY CHANCE
AT PEACE AND SERENITY IS
AT A SANCTUARY OF SOLITUDE,
153
00:07:18,875 --> 00:07:21,083
AWAY FROM MOMMY
AND DADDY PERFECT.
154
00:07:21,083 --> 00:07:22,708
HELLO.
155
00:07:22,708 --> 00:07:25,625
IS THERE SOMETHING I CAN DO
FOR YOU YOUNG LADIES?
156
00:07:25,625 --> 00:07:28,083
I'D LIKE TO RENOUNCE
ALL OF MY WORLDLY POSSESSIONS,
157
00:07:28,083 --> 00:07:29,750
EXCEPT FOR ALL OF MY STUFF!
158
00:07:31,208 --> 00:07:33,250
AWW, YOU'RE FUN!
159
00:07:33,250 --> 00:07:34,708
LET ME IN, SISTER.
160
00:07:34,708 --> 00:07:36,833
LIFE OUT HERE HOLDS
NO PROMISE FOR ME.
161
00:07:36,833 --> 00:07:39,125
WELL, I'M VERY SORRY
TO HEAR THAT.
162
00:07:39,125 --> 00:07:40,875
-WHAT'S YOUR NAME?
-RILEY.
163
00:07:40,875 --> 00:07:42,583
BUT I WANT
MY NUN NAME TO BE
164
00:07:42,583 --> 00:07:44,125
SISTER RILEY
OF PERPETUAL BLEH.
165
00:07:44,125 --> 00:07:47,250
SORRY, THAT NAME'S
ALREADY BEEN TAKEN.
166
00:07:47,250 --> 00:07:52,708
HOW ABOUT
SIS RI PER BLEH 84263?
167
00:07:52,708 --> 00:07:54,000
-OR BLINKY?
-(gasps)
168
00:07:54,000 --> 00:07:56,250
BLINKY WAS
MY SECOND CHOICE.
169
00:07:56,250 --> 00:07:58,583
CONGRATULATIONS.
YOU'RE BLINKY THE NUN.
170
00:07:58,583 --> 00:08:01,416
-HOW ABOUT YOU?
-YOU DON'T WANT THIS.
171
00:08:01,416 --> 00:08:02,708
ALL RIGHT, LADIES.
172
00:08:02,708 --> 00:08:04,583
MAY I ASK
WHAT'S REALLY GOING ON?
173
00:08:04,583 --> 00:08:07,000
SISTER BLINKY IS UPSET
BECAUSE HER PARENTS ARE PERFECT
174
00:08:07,000 --> 00:08:08,416
AND SHE'LL NEVER
LIVE UP TO THEM.
175
00:08:08,416 --> 00:08:10,125
RILEY, LET ME HELP YOU.
176
00:08:10,125 --> 00:08:12,458
HUMAN PERFECTION
IS UNATTAINABLE.
177
00:08:12,458 --> 00:08:14,708
IN ALL OF MY EXPERIENCES
WITH PEOPLE,
178
00:08:14,708 --> 00:08:17,458
THERE'S ONLY ONE
WHO EVEN COMES CLOSE.
179
00:08:17,458 --> 00:08:18,875
OH. (gasps)
180
00:08:18,875 --> 00:08:21,500
-THE MOTHER SUPERIOR?
-NO, THE NEXT ONE.
181
00:08:22,750 --> 00:08:24,083
THANK YOU, TOPANGA.
182
00:08:24,083 --> 00:08:25,875
YOU HAVE SAVED
OUR ORPHANAGE
183
00:08:25,875 --> 00:08:27,583
FROM BECOMING
A SUPER CLUCK.
184
00:08:27,583 --> 00:08:28,958
IT WAS A GROUP EFFORT.
185
00:08:28,958 --> 00:08:30,458
I'M ONLY ONE TOPANGA.
186
00:08:30,458 --> 00:08:32,375
OH, HI, GIRLS.
187
00:08:32,375 --> 00:08:35,166
(heroic music playing)
188
00:08:35,166 --> 00:08:37,375
-CAB!
-(wheels screech)
189
00:08:37,375 --> 00:08:38,958
NOW, IF SHE WERE YOUR MOTHER,
190
00:08:38,958 --> 00:08:41,166
I'D UNDERSTAND
WHY YOU'D WANNA...
191
00:08:41,166 --> 00:08:43,750
OH, BLINKY.
OH, YOU POOR THING.
192
00:08:48,750 --> 00:08:50,750
ALL RIGHT, FARKLE.
LET'S SEE WHAT YOU GOT.
193
00:08:50,750 --> 00:08:52,833
(grunts)
194
00:08:52,833 --> 00:08:54,125
I QUIT.
195
00:08:54,125 --> 00:08:56,000
I WILL NOT FAIL
THIS ASSIGNMENT--
196
00:08:56,000 --> 00:08:58,875
-(thuds)
-I QUIT AGAIN.
197
00:08:58,875 --> 00:09:00,583
YOU KNOW WHAT SITTING
IN THE STANDS,
198
00:09:00,583 --> 00:09:02,291
WATCHING THOSE GAMES
YOU PLAY MAKES ME REALIZE?
199
00:09:02,291 --> 00:09:03,625
YOU LOVE SPORTS?
200
00:09:03,625 --> 00:09:05,500
ADMIT IT.
YOU LOVE THE THRILL
OF COMPETITION.
201
00:09:05,500 --> 00:09:06,708
EVERY SPORT IS THE SAME.
202
00:09:06,708 --> 00:09:08,833
BEING GOOD AT SPORTS
IS JUST A MATTER OF PHYSICS.
203
00:09:08,833 --> 00:09:11,416
DON'T YOU MESS UP
AMERICA'S MOST FAVORITE THING
204
00:09:11,416 --> 00:09:13,458
WITH AMERICA'S
LEAST FAVORITE THING!
205
00:09:13,458 --> 00:09:14,750
WITH THE CORRECT
ANGLE AND VELOCITY,
206
00:09:14,750 --> 00:09:16,583
I SHOULD MAKE
EVERY SHOT EVERY TIME.
207
00:09:16,583 --> 00:09:17,625
IS THAT RIGHT?
208
00:09:17,625 --> 00:09:19,458
LET'S TRY A FOUL SHOT.
209
00:09:19,458 --> 00:09:21,833
JUST PUT THIS BALL HERE
THROUGH THAT HOOP THERE?
210
00:09:21,833 --> 00:09:22,833
THAT'S IT.
211
00:09:24,833 --> 00:09:26,416
(laser humming)
212
00:09:26,416 --> 00:09:27,625
(beeping)
213
00:09:31,708 --> 00:09:32,708
GOT IT.
214
00:09:32,708 --> 00:09:33,833
SHOOT IT.
215
00:09:38,708 --> 00:09:40,458
-HUH.
-HUH.
216
00:09:41,833 --> 00:09:44,083
I PROBABLY SHOULD'VE
CONSIDERED THE X-FACTOR.
217
00:09:44,083 --> 00:09:46,583
AND WHAT'S THE X-FACTOR?
218
00:09:46,583 --> 00:09:47,583
(laser humming)
219
00:09:47,583 --> 00:09:49,125
(beeping)
220
00:09:51,083 --> 00:09:52,625
(beeping increases)
221
00:09:52,625 --> 00:09:54,750
I STINK.
222
00:09:54,750 --> 00:09:56,375
I'VE GOTTA SAY.
223
00:09:56,375 --> 00:09:58,458
OH, YEAH?
WELL, I'D LIKE TO SEE YOU...
224
00:09:59,875 --> 00:10:00,958
DO...
STYLE
::cue(.speaker)
::cue(.speakerTop)
225
00:10:02,833 --> 00:10:03,875
BETTER.
226
00:10:07,625 --> 00:10:09,708
NEW SPORT!
227
00:10:09,708 --> 00:10:11,166
OH, PLEASE.
228
00:10:11,166 --> 00:10:12,708
ALL I NEED TO DO
IS COMPACT MY BODY
229
00:10:12,708 --> 00:10:14,625
INTO A SOLID MASS
AND THEN YOU CAN'T PIN ME.
230
00:10:14,625 --> 00:10:16,875
WHAT IS THAT?
PHYSICS? OKAY.
231
00:10:25,750 --> 00:10:26,875
NEW SPORT!
232
00:10:28,708 --> 00:10:30,458
I'VE NEVER EVEN
UNDERSTOOD THIS GAME.
233
00:10:30,458 --> 00:10:32,208
YOU RUN AROUND THE BASES
AND TRY TO GET HOME, RIGHT?
234
00:10:32,208 --> 00:10:33,250
YEAH.
235
00:10:33,250 --> 00:10:34,875
WELL, WHY DO YOU
NEED THE OTHER BASES?
236
00:10:34,875 --> 00:10:37,000
BECAUSE YOU CAN'T GET HOME
UNTIL YOU GET AROUND
ALL OF THEM.
237
00:10:37,000 --> 00:10:39,583
BUT THE QUICKEST WAY
BETWEEN TWO POINTS
IS A STRAIGHT LINE.
238
00:10:39,583 --> 00:10:41,875
YOU WANT TO GET RID
OF THE BASES?
239
00:10:41,875 --> 00:10:43,000
YEAH. GAME'S OVER SOONER
240
00:10:43,000 --> 00:10:44,458
AND WE CAN ALL
GET BACK TO PHYSICS.
241
00:10:44,458 --> 00:10:47,416
FARKLE, NOT EVERYONE LIVES
FOR THEORIES AND NUMBERS.
242
00:10:47,416 --> 00:10:48,500
WELL, THEY SHOULD.
243
00:10:50,833 --> 00:10:52,125
COME HERE.
244
00:10:54,958 --> 00:10:56,291
-SHOOT.
-(scoffs)
245
00:10:56,291 --> 00:10:58,708
IT'S A WASTE OF TIME.
IT'S AN IMPOSSIBLE SHOT.
246
00:10:58,708 --> 00:11:00,458
RUNNING THE BASES
IS A WASTE OF TIME.
247
00:11:00,458 --> 00:11:02,375
THIS IMPOSSIBLE SHOT...
248
00:11:02,375 --> 00:11:03,958
(laser humming)
249
00:11:03,958 --> 00:11:05,333
(beeping)
250
00:11:16,208 --> 00:11:17,500
OH.
251
00:11:17,500 --> 00:11:19,208
...IS NOT IMPOSSIBLE AT ALL.
252
00:11:20,500 --> 00:11:22,625
-I DON'T KNOW, FARKLE.
-SHOOT IT.
253
00:11:29,833 --> 00:11:31,958
I BELIEVE
EVERYTHING YOU SAY NOW.
254
00:11:31,958 --> 00:11:34,208
AND I BELIEVE
BASKETBALL MAY NOT BE SO BAD.
255
00:11:34,208 --> 00:11:35,750
WANNA DO IT AGAIN?
256
00:11:37,875 --> 00:11:39,166
HERE?
257
00:11:39,166 --> 00:11:41,000
YOU THINK THIS IS FALLING
OFF THE FACE OF THE EARTH?
258
00:11:41,000 --> 00:11:42,375
WELL, HELLO.
259
00:11:42,375 --> 00:11:43,875
SOMETHING I CAN DO
FOR YOU LADIES?
260
00:11:43,875 --> 00:11:46,291
I'M HERE TO RUN AWAY
AND JOIN THE CIRCUS.
261
00:11:46,291 --> 00:11:48,708
WELL, YOU CAME
TO THE RIGHT PLACE.
262
00:11:48,708 --> 00:11:50,291
YOU GOT A CIRCUS NAME?
263
00:11:50,291 --> 00:11:51,625
HOW ABOUT BLINKY?
264
00:11:51,625 --> 00:11:54,375
THAT'S NO GOOD.
I ALREADY GOT 50 BLINKYS
265
00:11:54,375 --> 00:11:55,625
RIGHT NOW
IN A LITTLE CAR BACK THERE.
266
00:11:57,458 --> 00:11:59,500
YOU KNOW, I SENSE THAT
YOU'RE NOT REALLY RUNNING
267
00:11:59,500 --> 00:12:02,750
TO THE CIRCUS
AS MUCH AS RUNNING
AWAY FROM SOMETHING.
268
00:12:02,750 --> 00:12:04,500
YOU'RE VERY WISE.
269
00:12:04,500 --> 00:12:05,708
THANK YOU.
270
00:12:05,708 --> 00:12:08,833
ANYWAY, ALL
OF US CIRCUS FOLK HAVE,
271
00:12:08,833 --> 00:12:10,208
YOU KNOW, RUN AWAY
FROM SOMETHING
272
00:12:10,208 --> 00:12:11,875
AT ONE TIME OR ANOTHER.
273
00:12:11,875 --> 00:12:14,750
FOR ME, IT WAS MY FATHER.
274
00:12:14,750 --> 00:12:17,208
I KNEW I COULD NEVER
LIVE UP TO HIM.
275
00:12:17,208 --> 00:12:18,958
YOU UNDERSTAND
WHAT I'M SAYIN'?
276
00:12:18,958 --> 00:12:21,750
YES, CLOWN. YES.
277
00:12:21,750 --> 00:12:24,125
-YOU KNOW WHAT THIS IS?
-(gasps)
278
00:12:24,125 --> 00:12:27,750
-IT'S A PRETTY FLOWER.
-I THINK IT'S NOT.
279
00:12:27,750 --> 00:12:28,625
YEAH, WELL, YOU KNOW WHAT?
280
00:12:28,625 --> 00:12:31,625
IT WAS HANDED DOWN
TO ME BY MY FATHER,
JINGLES THE FIRST.
281
00:12:31,625 --> 00:12:34,291
-WAS HE A CLOWN?
-NO, HE MADE KEYS.
282
00:12:34,291 --> 00:12:37,208
I WOULD LIKE TO HEAR
ABOUT THE BEAUTIFUL FLOWER.
283
00:12:37,208 --> 00:12:38,708
I WILL TELL YOU
ABOUT THE BEAUTIFUL FLOWER.
284
00:12:38,708 --> 00:12:40,083
IT'S A CLOWN FLOWER.
285
00:12:40,083 --> 00:12:42,833
WHENEVER I AM FEELING SAD
IN THIS WORLD,
286
00:12:42,833 --> 00:12:45,875
I LOOK AT THE FLOWER
AND IT MAKES ME HAPPY.
287
00:12:45,875 --> 00:12:48,625
OH, I WOULD LIKE TO BE HAPPY.
288
00:12:48,625 --> 00:12:51,625
MR. JINGLES, IS THERE ANY WAY
YOU WOULD EVEN CONSIDER
289
00:12:51,625 --> 00:12:53,750
ALLOWING ME TO LOOK
AT THE PRETTY FLOWER?
290
00:12:53,750 --> 00:12:55,583
IS SHE FOR REAL?
291
00:12:55,583 --> 00:12:58,500
I TRY, I TRY, AND I TRY.
292
00:12:59,875 --> 00:13:00,958
I'LL TAKE IT FROM HERE.
293
00:13:00,958 --> 00:13:02,375
YOU WON'T HAVE TO.
WATCH THIS!
294
00:13:02,375 --> 00:13:04,708
I WANNA LOOK
AT THE PRETTY FLOWER!
295
00:13:06,458 --> 00:13:08,625
-SHE'S LIKE A GIFT.
-AH, JUST DO IT.
296
00:13:09,958 --> 00:13:14,500
THIS FLOWER IS OF THE SPECIES
CARNATIOUS IN YOUR FACIOUS.
297
00:13:14,500 --> 00:13:16,583
WHERE'S IT FROM?
WHERE'S IT FROM?
298
00:13:16,583 --> 00:13:19,583
YOU KNOW, I JUST DON'T
HAVE THE HEART.
299
00:13:19,583 --> 00:13:21,208
SHE DESERVES IT. DO IT!
300
00:13:21,208 --> 00:13:22,583
(clears throat)
301
00:13:22,583 --> 00:13:23,708
MADE IN CHINA.
302
00:13:23,708 --> 00:13:25,458
LOOK CLOSER.
HERE WE GO.
303
00:13:27,208 --> 00:13:29,416
AAH!
304
00:13:29,416 --> 00:13:31,083
WHAT'S THE MATTER, HONEY?
305
00:13:31,083 --> 00:13:32,291
DID SOMETHING HAPPEN?
306
00:13:35,416 --> 00:13:36,875
MR. JINGLES...
307
00:13:36,875 --> 00:13:38,708
MAY I PLEASE BORROW
YOUR CLOWN HANDKERCHIEF
308
00:13:38,708 --> 00:13:40,875
-TO DRY MYSELF OFF?
-SURE, KID.
309
00:13:42,875 --> 00:13:43,875
(sighs)
310
00:13:43,875 --> 00:13:46,083
YOU KNOW, IT'S NOT LIKE
I'M GONNA BE A CLOWN
MY WHOLE LIFE.
311
00:13:46,083 --> 00:13:48,833
MY CIRCUSIN' JUST GOT
IN THE WAY OF MY...
312
00:13:48,833 --> 00:13:50,583
FORMAL EDUCATION.
313
00:13:53,958 --> 00:13:55,208
HOW DO I LOOK?
314
00:13:55,208 --> 00:13:56,708
SMART.
315
00:14:00,000 --> 00:14:02,125
YEAH, BUT NOW WE GOT
THIS VOLUNTEER TEACHER
316
00:14:02,125 --> 00:14:03,708
WHO DEDICATES
HIS FREE TIME
317
00:14:03,708 --> 00:14:05,416
TO ENRICHING
OUR CLOWN MINDS.
318
00:14:05,416 --> 00:14:07,083
I WONDER WHO THE TEACHER IS.
319
00:14:07,083 --> 00:14:08,583
WHO IS HE? WHO?
320
00:14:10,458 --> 00:14:11,583
HEY, JINGLES.
321
00:14:13,083 --> 00:14:15,500
I'LL SEE YOU NEXT WEEK.
HEY, GIRLS.
322
00:14:15,500 --> 00:14:17,458
(heroic music playing)
323
00:14:17,458 --> 00:14:20,166
TRAPEZE!
324
00:14:20,166 --> 00:14:22,500
HOME!
325
00:14:22,500 --> 00:14:23,958
NOW, IF HE WAS YOUR FATHER,
326
00:14:23,958 --> 00:14:26,708
I COULD UNDERSTAND
WHY YOU'D WANNA...
327
00:14:26,708 --> 00:14:28,375
OH, YOU POOR KID.
328
00:14:32,000 --> 00:14:33,708
MY PARENTS ARE SUPERHEROES.
329
00:14:33,708 --> 00:14:35,833
CALM DOWN, BLINKY.
330
00:14:35,833 --> 00:14:38,333
SHE SAVES ORPHANAGES
AND BOOKSTORES,
331
00:14:38,333 --> 00:14:40,750
AND HE DEDICATES
HIS LIFE TO CLOWNS.
332
00:14:40,750 --> 00:14:42,708
WHAT DO I DO?
333
00:14:42,708 --> 00:14:44,958
YOU MAKE YOUR BED.
334
00:14:44,958 --> 00:14:46,583
NOT REALLY.
335
00:14:46,583 --> 00:14:48,958
ALL I DO IS JUST
PULL THE COMFORTER
UP OVER EVERYTHING.
336
00:14:53,958 --> 00:14:55,333
GET OUT OF HERE!
337
00:14:56,708 --> 00:14:58,583
BUT THIS IS WHERE
THE SPAGHETTI IS!
STYLE
::cue(.speaker)
::cue(.speakerTop)
338
00:15:06,625 --> 00:15:08,708
-RILEY--
-I CAN'T COMPETE
WITH THEM, MAYA.
339
00:15:08,708 --> 00:15:11,416
I HAVE REACHED
MY PERSONAL HORIZON LINE.
340
00:15:11,416 --> 00:15:12,583
THERE'S NOWHERE
FOR ME TO GO.
341
00:15:12,583 --> 00:15:13,958
HONEY, YOU GOTTA
GET 'EM OUT OF YOUR HEAD.
342
00:15:13,958 --> 00:15:15,000
I CAN'T.
343
00:15:15,000 --> 00:15:16,625
I KNOW ALL OF THEIR STORIES.
344
00:15:16,625 --> 00:15:19,083
THEY KEEP ON REPEATING
OVER AND OVER.
345
00:15:19,083 --> 00:15:20,333
WERE THEY ALWAYS SO PERFECT?
346
00:15:20,333 --> 00:15:21,375
WHAT?
347
00:15:21,375 --> 00:15:23,416
SURE, THEY'RE GREAT NOW,
BUT HOW WERE THEY
AT OUR AGE?
348
00:15:23,416 --> 00:15:26,000
I BET THEY WERE
JUST AS MESSED UP
AND CONFUSED AS WE ARE.
349
00:15:26,000 --> 00:15:28,625
MAYBE WE SHOULD SEE
THAT FOR OURSELVES.
350
00:15:28,625 --> 00:15:29,833
HOW WOULD WE DO THAT?
351
00:15:29,833 --> 00:15:32,583
THEY'VE TOLD ME
THEIR STORIES A MILLION TIMES.
352
00:15:32,583 --> 00:15:34,208
MAYBE IF WE TRY
AND PICK ONE
353
00:15:34,208 --> 00:15:35,708
AND IMAGINE THEM
AT OUR AGE,
354
00:15:35,708 --> 00:15:37,166
WE'LL DISCOVER
HOW THEY REALLY WERE.
355
00:15:37,166 --> 00:15:38,708
RILEY, HOW MANY TIMES
HAVE I TOLD YOU
356
00:15:38,708 --> 00:15:40,375
TO STOP BEING SO INNOCENT?
357
00:15:40,375 --> 00:15:42,500
I'M GOING TO TELL
YOU A STORY, MAYA.
358
00:15:42,500 --> 00:15:45,125
SO, CONCENTRATE HARD AND MAYBE
WE'LL SEE HOW THEY WERE.
359
00:15:45,125 --> 00:15:46,875
RILES, I'M NOT GONNA SEE
YOUR PARENTS AS KIDS
360
00:15:46,875 --> 00:15:48,333
BECAUSE I CONCENTRATE.
361
00:15:48,333 --> 00:15:50,708
ONCE UPON A TIME,
THERE WAS A CORY AND TOPANGA.
362
00:15:50,708 --> 00:15:53,250
IT'S NOT LIKE SOMEONE RECORDED
EVERYTHING THEY DID.
363
00:15:53,250 --> 00:15:54,583
CONCENTRATE!
364
00:15:56,000 --> 00:15:58,750
AND ONE DAY, TOPANGA WENT
OVER TO CORY'S HOUSE...
365
00:15:58,750 --> 00:16:01,125
MAY I ASK YOU
A PERSONAL QUESTION?
366
00:16:01,125 --> 00:16:02,875
YOU TELL
A GOOD STORY, RILEY.
367
00:16:05,250 --> 00:16:06,500
SURE.
368
00:16:08,083 --> 00:16:09,875
WHY ARE THERE SOCKS
ALL OVER YOUR FLOOR?
369
00:16:09,875 --> 00:16:12,708
OH, I WAS JUST PRACTICING.
370
00:16:12,708 --> 00:16:14,250
THIS IS WHERE
MY DAD GREW UP. LOOK.
371
00:16:14,250 --> 00:16:16,333
I ENVY
YOUR ATHLETIC ABILITY.
372
00:16:16,333 --> 00:16:17,750
OH, THIS?
IT'S NOT SO HARD.
373
00:16:17,750 --> 00:16:19,333
COME ON, I'LL GIVE
YOU SOME POINTERS.
374
00:16:19,333 --> 00:16:22,375
Cory:
ANYWAY, THE KEY IS
GOOD COLOR COMMENTARY.
375
00:16:22,375 --> 00:16:23,750
THIS IS WHERE
IT ALL BEGAN!
376
00:16:28,708 --> 00:16:30,333
LOOK AT 'EM.
377
00:16:30,333 --> 00:16:31,708
THEY'RE EENSY!
378
00:16:31,708 --> 00:16:33,750
-YOUR DAD'S ADORABLE.
-MAYA!
379
00:16:33,750 --> 00:16:35,625
HEY, MATTHEWS,
HOW YOU DOIN'?
380
00:16:35,625 --> 00:16:37,500
WATCH THIS.
381
00:16:37,500 --> 00:16:38,708
MATTHEWS SEES
AN OPEN LANE,
382
00:16:38,708 --> 00:16:40,083
HE DRIVES HARD
TO THE BOARDS,
383
00:16:40,083 --> 00:16:41,875
HE LEAPS
OVER SHAQUILLE O'NEAL,
384
00:16:41,875 --> 00:16:43,583
KISSES IT OFF THE GLASS...
385
00:16:43,583 --> 00:16:46,416
IT'S GOOD!
HE SCORES!
386
00:16:48,375 --> 00:16:50,000
I COULD NEVER DO THAT.
387
00:16:50,000 --> 00:16:51,750
SURE YOU CAN.
GIVE IT A TRY.
388
00:16:51,750 --> 00:16:54,125
BUT I'M NOT FAMILIAR
WITH THE TERMINOLOGY.
389
00:16:54,125 --> 00:16:55,625
ALL RIGHT, I'LL DO THE COLOR.
YOU JUST WORRY
390
00:16:55,625 --> 00:16:57,833
ABOUT GETTING THE BALL
IN THE BASKET.
391
00:16:57,833 --> 00:16:59,708
TOPANGA IS TRIPLE-TEAMED
AT THE TIME LINE,
392
00:16:59,708 --> 00:17:01,500
SHE BREAKS A TRAP,
HEADS TO THE TOP
393
00:17:01,500 --> 00:17:03,166
OF THE KEY AND LEAPS
TOWARD THE BASKET,
394
00:17:03,166 --> 00:17:05,625
DOING A SPIRALING
TOMAHAWK 360!
395
00:17:05,625 --> 00:17:07,750
SLAM DUNK!
396
00:17:16,958 --> 00:17:19,333
LOOK. WE BOTH MADE A BASKET.
397
00:17:21,291 --> 00:17:23,083
-RILES?
-YEAH?
398
00:17:23,083 --> 00:17:25,000
THEY WERE KIDS
JUST LIKE US.
399
00:17:26,583 --> 00:17:29,125
TECHNICALLY, YEAH.
BUT BASKETBALL IS SO MUCH
400
00:17:29,125 --> 00:17:31,166
MORE FUN WHEN
YOU ACTUALLY MOVE.
401
00:17:31,166 --> 00:17:33,750
ALL RIGHT, YOU TRY
AND MAKE ANOTHER BASKET
AND I'LL TRY AND BLOCK YOU.
402
00:17:33,750 --> 00:17:35,625
LOOK AT HIM!
YOU DAD'S AS WEIRD AS YOU.
403
00:17:35,625 --> 00:17:37,458
YEAH, HE KIND OF IS.
404
00:17:37,458 --> 00:17:39,125
BUT SHE'S GREAT EVEN THEN.
405
00:17:39,125 --> 00:17:41,833
YEAH. TOUGH ACT TO FOLLOW.
406
00:17:57,208 --> 00:18:00,833
WAY TO GO, TOPANGA!
407
00:18:00,833 --> 00:18:02,875
(giggles)
408
00:18:05,250 --> 00:18:07,833
EVEN WHEN THEY WERE KIDS,
MY PARENTS WERE STILL PERFECT.
409
00:18:09,333 --> 00:18:11,500
I DON'T KNOW
WHAT TO SAY.
410
00:18:11,500 --> 00:18:13,375
THERE'S NOTHING
YOU CAN SAY, REALLY.
411
00:18:16,500 --> 00:18:18,458
IF IT HELPS,
IT SEEMS LIKE
412
00:18:18,458 --> 00:18:20,708
YOUR DAD WAS
JUST AS WEIRD AS YOU.
413
00:18:20,708 --> 00:18:22,875
YOU'RE JUST LIKE HIM, RILEY.
AND HE TURNED OUT GREAT.
414
00:18:22,875 --> 00:18:24,458
BUT DID YOU SEE MY MOM?
415
00:18:24,458 --> 00:18:27,583
SHE WAS COMPLETELY
TOGETHER EVEN THEN.
416
00:18:27,583 --> 00:18:29,583
WHAT HOPE DO I HAVE?
417
00:18:34,250 --> 00:18:35,750
HOW CAN YOU BEAT
THE IMPOSSIBLE?
418
00:18:35,750 --> 00:18:37,750
CAN YOU? DID YOU?
IS FARKLE AN ATHLETE NOW?
419
00:18:37,750 --> 00:18:39,000
NOT AS GOOD AS LUCAS.
420
00:18:39,000 --> 00:18:41,833
OH. WELL, WILL YOU EVER BE?
421
00:18:41,833 --> 00:18:43,125
DOESN'T HAVE TO BE.
422
00:18:43,125 --> 00:18:45,250
YOU DON'T HAVE TO BE
A GREAT ATHLETE
TO LIKE THE GAME.
423
00:18:45,250 --> 00:18:46,875
-OH, REALLY?
-YEAH.
424
00:18:46,875 --> 00:18:48,458
THE FUN OF THE GAME
IS RUNNING THE BASES.
425
00:18:48,458 --> 00:18:50,250
FARKLE, YOU ACTUALLY RAN?
426
00:18:53,000 --> 00:18:54,208
NOTHIN'.
427
00:18:54,208 --> 00:18:56,125
I DON'T GET THE MOMENT,
BUT I'M VERY DISAPPOINTED.
428
00:18:58,083 --> 00:18:59,833
WELL, WHAT HAPPENS
IF YOU GET HOME
429
00:18:59,833 --> 00:19:01,625
AND REALIZE YOU'RE NOT
AS GOOD AS THE REST OF THE TEAM?
430
00:19:01,625 --> 00:19:03,125
YOU KEEP PLAYING.
431
00:19:03,125 --> 00:19:04,333
IT'S A TEAM SPORT, RILEY.
432
00:19:04,333 --> 00:19:05,416
YOU JUST RUN THE BASES.
433
00:19:05,416 --> 00:19:07,125
THE REST OF YOUR TEAM
WILL HELP YOU GET HOME.
434
00:19:17,000 --> 00:19:18,875
YOU KNOW, WHEN YOU WALKED
ME THROUGH THEIR STORY,
435
00:19:18,875 --> 00:19:21,458
IT'S AMAZING TO SEE HOW MUCH
YOU AND YOUR DAD ARE ALIKE.
436
00:19:21,458 --> 00:19:22,625
TWO GOOFS.
437
00:19:22,625 --> 00:19:25,708
YEAH, I'M DEFINITELY
HIS DAUGHTER.
438
00:19:25,708 --> 00:19:27,583
BUT THAT'S NOT
THE ONLY STORY, RILEY.
439
00:19:27,583 --> 00:19:29,833
THERE'S GOTTA BE OTHER
STORIES ABOUT YOUR MOM.
440
00:19:29,833 --> 00:19:31,708
SHE'S PERFECT IN EVERY STORY.
441
00:19:31,708 --> 00:19:33,750
YEAH? TELL ME ANOTHER ONE
AND WE'LL SEE.
442
00:19:33,750 --> 00:19:35,708
MAYA, I DON'T WANNA TELL
YOU ANY MORE STORIES.
443
00:19:35,708 --> 00:19:36,833
THEY MAKE ME FEEL BAD.
444
00:19:36,833 --> 00:19:39,333
LOOK, MAYBE IF WE GO BACK,
WE CAN FIND SOMETHING ELSE.
445
00:19:39,333 --> 00:19:42,750
THERE'S GOTTA BE SOMETHING
THAT MAKES THEM GOOFY LIKE US.
446
00:19:42,750 --> 00:19:45,458
I DO KNOW THAT
THERE WERE OTHER BAY WINDOWS.
447
00:19:45,458 --> 00:19:47,416
REALLY? TELL IT TO ME.
448
00:19:49,000 --> 00:19:51,750
ONCE UPON A TIME,
THERE WAS ANOTHER BAY WINDOW.
449
00:19:51,750 --> 00:19:53,750
NOW THIS SOUNDS
LIKE A GOOD STORY.
450
00:19:55,708 --> 00:19:57,625
I HAVE SOME IDEAS
ON OUR PRESENTATION.
451
00:19:57,625 --> 00:19:59,708
SO DO I.
HERE'S WHAT WE DO.
452
00:19:59,708 --> 00:20:01,875
WE HIT FEENY HARD.
WE HIT HIM FAST.
453
00:20:01,875 --> 00:20:03,708
THE OZONE LAYER--
IT'S GOT A HOLE.
454
00:20:03,708 --> 00:20:06,750
WEAR A HAT.
WE'RE IN. WE'RE OUT.
STYLE
::cue(.speaker)
::cue(.speakerTop)
455
00:20:06,750 --> 00:20:10,250
I KIND OF HAD A WHOLE DIFFERENT
APPROACH TO THE REPORT.
456
00:20:10,250 --> 00:20:14,000
LESS CONVENTIONAL,
MORE PERFORMANCE ART.
457
00:20:14,000 --> 00:20:15,583
WHAT'S THIS STORY?
458
00:20:15,583 --> 00:20:16,750
WHAT'S THE DIFFERENCE?
459
00:20:16,750 --> 00:20:18,250
MY MOM WILL STILL BE PERFECT.
460
00:20:19,708 --> 00:20:21,750
NO, PLEASE.
LET'S STICK TO CONVENTIONAL.
461
00:20:21,750 --> 00:20:24,833
CONVENTIONAL'S GOOD
BECAUSE NO ONE LAUGHS
AT CONVENTIONAL.
462
00:20:27,083 --> 00:20:29,583
READ THIS POEM OUT LOUD.
463
00:20:29,583 --> 00:20:31,875
POEM?
PLEASE, NOT A POEM.
464
00:20:33,875 --> 00:20:35,625
(dramatic music playing)
465
00:20:35,625 --> 00:20:40,208
"SUN. THE ONLY. THE ONE.
466
00:20:43,125 --> 00:20:44,625
"DONUT IN THE SKY.
467
00:20:44,625 --> 00:20:49,000
"SPACE. BIG GAPING PLACE.
468
00:20:49,000 --> 00:20:53,875
"WITHOUT. WITHIN. OUR SKIN.
469
00:20:53,875 --> 00:20:55,750
"DONUT IN THE SKY.
470
00:20:55,750 --> 00:20:58,750
"FREON.
471
00:21:00,833 --> 00:21:04,416
"FLUOROCARBON.
HUMPBACK WHALE.
472
00:21:04,416 --> 00:21:05,750
(laughs)
473
00:21:05,750 --> 00:21:07,625
RILEY...
474
00:21:09,000 --> 00:21:11,083
WOW. SHE'S GOOFIER
THAN HE IS.
475
00:21:11,083 --> 00:21:13,291
SHE IS. ISN'T THAT GREAT?
476
00:21:13,291 --> 00:21:16,166
"SO PALE. EXHAUST.
477
00:21:16,166 --> 00:21:19,750
IS ALL LOST?
DONUT IN THE SKY."
478
00:21:22,375 --> 00:21:23,875
RILEY, SHE'S YOU.
479
00:21:23,875 --> 00:21:25,958
YEAH, SHE IS.
480
00:21:25,958 --> 00:21:27,708
YOU'RE BOTH OF THEM.
481
00:21:27,708 --> 00:21:28,958
I AM.
482
00:21:40,750 --> 00:21:43,250
YEAH, WE COULD DO THAT
IN FRONT OF THE CLASS,
483
00:21:43,250 --> 00:21:46,583
BUT BEFORE WE DO,
WILL YOU JUST PLEASE TAKE
484
00:21:46,583 --> 00:21:49,250
A HUGE BASEBALL BAT
AND HIT ME OVER THE HEAD?
485
00:21:49,250 --> 00:21:52,833
WHY DO YOU CARE SO MUCH
WHAT OTHER PEOPLE THINK?
486
00:21:52,833 --> 00:21:54,583
WHEN PEOPLE LAUGH AT YOU,
487
00:21:54,583 --> 00:21:57,500
THEY'RE DEPLETING
THEIR OWN KARMIC RESERVOIR.
488
00:21:57,500 --> 00:21:59,333
YOU'RE GONNA BE ONE
OF THOSE GIRLS
489
00:21:59,333 --> 00:22:01,458
WHO DOESN'T SHAVE
HER LEGS, AREN'T YOU?
490
00:22:05,708 --> 00:22:07,708
I HAVEN'T DECIDED YET.
491
00:22:07,708 --> 00:22:10,333
DO YOU ACTUALLY
TRY TO BE WEIRD?
492
00:22:10,333 --> 00:22:12,458
I DON'T THINK I'M WEIRD.
493
00:22:12,458 --> 00:22:13,875
I THINK I'M UNIQUE.
494
00:22:15,875 --> 00:22:18,125
I DON'T THINK
I'M WEIRD, MAYA.
495
00:22:18,125 --> 00:22:20,375
I THINK I'M UNIQUE.
496
00:22:20,375 --> 00:22:23,333
HE'S CORY, SHE'S TOPANGA.
497
00:22:23,333 --> 00:22:25,000
BUT I'M BOTH.
498
00:22:30,708 --> 00:22:32,708
I'M NOT GOING TO FALL
OFF THE FACE OF THE EARTH.
499
00:22:35,416 --> 00:22:38,416
THERE IS NO END
TO MY HORIZON.
500
00:22:41,708 --> 00:22:43,625
MY PARENTS ARE
CORY AND TOPANGA,
501
00:22:43,625 --> 00:22:47,208
AND THEY GAVE ME THE BEST
PARTS OF BOTH OF THEM.
502
00:22:47,208 --> 00:22:49,250
I'M NOT GOING TO BE
YOU OR MOM, DAD.
503
00:22:49,250 --> 00:22:51,458
WE DON'T WANT
YOU TO BE, RILEY.
504
00:22:51,458 --> 00:22:53,583
I'M GOING TO HAVE
MY OWN STORIES.
505
00:22:53,583 --> 00:22:55,708
AND I CAN'T WAIT
TO WATCH THEM.
506
00:23:01,250 --> 00:23:02,500
RILEY?
507
00:23:02,500 --> 00:23:03,833
YEAH?
508
00:23:03,833 --> 00:23:05,333
WHERE'D YOU GET THAT HAT?
509
00:23:05,333 --> 00:23:07,708
OH. YOU GAVE IT
TO ME A LONG TIME AGO.
510
00:23:07,708 --> 00:23:09,250
DON'T YOU REMEMBER?
511
00:23:09,250 --> 00:23:11,875
NO.
512
00:23:11,875 --> 00:23:14,750
IT LOOKS GREAT ON YOU.
513
00:23:14,750 --> 00:23:17,208
THANKS, DAD.
514
00:23:17,208 --> 00:23:18,875
IT'S GOING TO HELP
ME RUN THE BASES.
515
00:23:20,208 --> 00:23:21,833
AND I'M GLAD
I'M ON YOUR TEAM.