1 00:00:17,875 --> 00:00:21,250 YEAH... I'M NOT BUYING 2 00:00:21,250 --> 00:00:22,833 THE SLEEPWALKING BIT FOR ONE SECOND. 3 00:00:22,833 --> 00:00:25,625 WOULD YOU LET ME HAVE COLD SPAGHETTI AT MIDNIGHT 4 00:00:25,625 --> 00:00:27,500 -IF I WAS AWAKE? -NOPE. 5 00:00:29,625 --> 00:00:31,291 (growls) 6 00:00:34,458 --> 00:00:36,708 WHAT ARE YOU GUYS DOING UP ANYWAY? IT'S MIDNIGHT. 7 00:00:36,708 --> 00:00:38,416 THEY'RE TRYING TO THROW OUT THOSE PEOPLE WHO OWN 8 00:00:38,416 --> 00:00:40,333 THAT WONDERFUL OLD BOOKSTORE OVER ON JANE STREET. 9 00:00:40,333 --> 00:00:42,833 THEY WANT TO PUT IN ANOTHER FAST-FOOD SUPER CLUCK. 10 00:00:42,833 --> 00:00:45,458 BUT THEY'RE THE WORLD'S MOST POWERFUL BUCKET OF FOOD PEOPLE! 11 00:00:47,125 --> 00:00:48,875 THEY DON'T SCARE ME. 12 00:00:48,875 --> 00:00:50,958 WHO ARE YOU? 13 00:00:50,958 --> 00:00:53,125 I AM NO FRIEND OF THE SUPER CLUCK! 14 00:00:53,125 --> 00:00:55,208 THEY'RE TRYING TO TAKE OVER THE WHOLE NEIGHBORHOOD. 15 00:00:55,208 --> 00:00:57,708 BUT I WILL BE THERE EVERYWHERE THEY WANT TO GO. 16 00:00:59,458 --> 00:01:02,000 SO, YOU STAY UP LATE AND PROTECT OUR COMMUNITY? 17 00:01:02,000 --> 00:01:03,083 TRYING. 18 00:01:03,083 --> 00:01:05,750 YEAH, WELL, YOU KNOW WHAT I DO AT NIGHT? I SLEEP. 19 00:01:05,750 --> 00:01:07,708 WELL, THAT'S VERY IMPORTANT, HONEY. 20 00:01:07,708 --> 00:01:09,708 WELL, A KID LIKE ME NEEDS 15 HOURS. 21 00:01:11,333 --> 00:01:14,000 DAD, MOM'S TRYING TO SAVE OUR WHOLE CITY. 22 00:01:14,000 --> 00:01:15,333 HOW ARE YOU GONNA BEAT THAT? 23 00:01:15,333 --> 00:01:18,625 I'M TRYING TO GET THROUGH MAYA'S PAPER. 24 00:01:18,625 --> 00:01:20,375 HE BEAT YOU. 25 00:01:21,375 --> 00:01:24,833 "'AMERICA'S FOREIGN RELATIONS AT THE DAWN OF THE COLD WAR,' 26 00:01:24,833 --> 00:01:28,458 "250 WORDS BY MAYA HART. 27 00:01:28,458 --> 00:01:30,875 "WHAT'S UP, MATTHEWS? 28 00:01:30,875 --> 00:01:32,208 "IT'S ME, MAYA. 29 00:01:32,208 --> 00:01:34,583 "I OWE YOU 218 WORDS. 30 00:01:34,583 --> 00:01:36,458 GOOD LUCK WITH THAT." 31 00:01:37,625 --> 00:01:39,708 SO, YOU GUYS ARE STAYING UP 32 00:01:39,708 --> 00:01:43,083 AND PROTECTING OUR CITY AND OUR MINDS... 33 00:01:43,083 --> 00:01:44,708 WHILE WHAT I DO IS SLEEP. 34 00:01:44,708 --> 00:01:49,750 WELL, HONEY, YOU'RE REALLY VERY GOOD AT IT. 35 00:01:49,750 --> 00:01:51,833 "'WHY NO ONE SHOULD TALK BUT ME' 36 00:01:51,833 --> 00:01:53,083 BY FARKLE MINKUS." 37 00:02:05,875 --> 00:02:07,625 SEVEN HOURS TILL SCHOOL IS OVER! 38 00:02:09,291 --> 00:02:10,708 YOU KNOW WHAT MY MOM DOES? 39 00:02:10,708 --> 00:02:12,291 SHE USES HER INTELLIGENCE 40 00:02:12,291 --> 00:02:13,875 TO HELP THE POWERLESS AGAINST THE POWERFUL. 41 00:02:13,875 --> 00:02:15,458 YEAH. SHE'S REALLY SOMETHIN'. 42 00:02:15,458 --> 00:02:17,291 MY DAD TRIES TO TEACH YOU STUFF. 43 00:02:17,291 --> 00:02:18,583 MM. HE'S CUTE. 44 00:02:19,875 --> 00:02:22,166 -WHAT WILL I EVER DO? -YOU'LL DO STUFF. 45 00:02:22,166 --> 00:02:23,208 WHAT? 46 00:02:23,208 --> 00:02:24,875 RILES, THE GREAT THING ABOUT BEING US, 47 00:02:24,875 --> 00:02:26,625 WE DON'T HAVE TO WORRY ABOUT BEING THEM. 48 00:02:26,625 --> 00:02:29,458 TOO LATE. I STARTED AND I DON'T LIKE WHERE IT'S GOING. 49 00:02:29,458 --> 00:02:31,125 RILEY, IF YOU'RE TRYING TO TELL ME 50 00:02:31,125 --> 00:02:33,000 HOW GREAT YOUR PARENTS ARE, I KNOW. 51 00:02:33,000 --> 00:02:34,583 YOU'RE VERY LUCKY TO HAVE THEM. 52 00:02:34,583 --> 00:02:36,250 NOT EVERYBODY DOES. 53 00:02:36,250 --> 00:02:38,291 MAYBE THEY'RE THE LUCKY ONES, MAYA. 54 00:02:38,291 --> 00:02:39,708 WHY? 55 00:02:39,708 --> 00:02:41,708 THEY'RE CORY AND TOPANGA AND... 56 00:02:41,708 --> 00:02:43,250 I'M JUST THEIR LITTLE SHADOW, 57 00:02:43,250 --> 00:02:44,875 LIVING IN THE REFLECTION OF THE SUN. 58 00:02:46,458 --> 00:02:47,750 WHAT DO YOU DO WHEN YOU KNOW 59 00:02:47,750 --> 00:02:50,166 YOU'LL NEVER BE AS GOOD AS YOUR PARENTS? 60 00:02:54,000 --> 00:02:56,375 (theme music playing) 61 00:02:57,875 --> 00:03:00,333 ♪ I'VE BEEN WAITING ♪ 62 00:03:00,333 --> 00:03:02,333 ♪ FOR A DAY LIKE THIS TO COME ♪ 63 00:03:02,333 --> 00:03:04,458 ♪ STRUCK LIKE LIGHTNING ♪ 64 00:03:04,458 --> 00:03:06,625 ♪ MY HEART'S BEATING LIKE A DRUM ♪ 65 00:03:06,625 --> 00:03:10,500 ♪ ON THE EDGE OF SOMETHING WONDERFUL ♪ 66 00:03:10,500 --> 00:03:13,291 ♪ FACE-TO-FACE WITH CHANGES ♪ 67 00:03:13,291 --> 00:03:14,875 ♪ WHAT'S IT ALL ABOUT? ♪ 68 00:03:14,875 --> 00:03:16,583 ♪ LIFE IS CRAZY ♪ 69 00:03:16,583 --> 00:03:19,291 ♪ BUT I KNOW I CAN WORK IT OUT ♪ 70 00:03:19,291 --> 00:03:22,958 ♪ 'CAUSE I GOT YOU TO LIVE IT WITH ME ♪ 71 00:03:22,958 --> 00:03:27,125 ♪ I FEEL ALL RIGHT, I'M GONNA TAKE ON THE WORLD ♪ 72 00:03:27,125 --> 00:03:30,250 ♪ LIGHT UP THE STARS, I'VE GOT SOME PAGES TO TURN ♪ 73 00:03:30,250 --> 00:03:33,125 ♪ I'M SINGING OH, OH, OH ♪ 74 00:03:33,125 --> 00:03:36,000 ♪ OH, OH, OH, OH ♪ 75 00:03:36,000 --> 00:03:38,375 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 76 00:03:38,375 --> 00:03:39,833 ♪ TAKE ON THE WORLD ♪ 77 00:03:39,833 --> 00:03:42,125 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 78 00:03:42,125 --> 00:03:43,833 ♪ TAKE ON THE WORLD ♪ 79 00:03:48,750 --> 00:03:51,625 FERDINAND MAGELLAN. WHAT DID HE DO? 80 00:03:51,625 --> 00:03:53,583 FIRST BULL WITH A LAST NAME! 81 00:03:53,583 --> 00:03:55,458 FIRST MAN TO CIRCUMNAVIGATE THE GLOBE. 82 00:03:55,458 --> 00:03:56,875 WHO ARE YOU GONNA BELIEVE? 83 00:03:59,958 --> 00:04:02,875 EVERYONE THOUGHT THE WORLD WAS FLAT. WHY? 84 00:04:02,875 --> 00:04:04,458 THEY COULD ONLY SEE TO THE HORIZON. 85 00:04:04,458 --> 00:04:05,625 THEY WERE TOO SCARED TO GO OUT. 86 00:04:05,625 --> 00:04:07,833 THEY THOUGHT THEY'D FALL OFF THE WORLD. 87 00:04:07,833 --> 00:04:09,000 I DON'T BLAME 'EM. 88 00:04:09,000 --> 00:04:11,458 WELL, WHAT ABOUT YOU GUYS? 89 00:04:11,458 --> 00:04:12,708 WHAT'S YOUR HORIZON LINE? 90 00:04:12,708 --> 00:04:16,125 WRITE DOWN THE ONE THING IN LIFE YOU CONSIDER IMPOSSIBLE. 91 00:04:16,125 --> 00:04:17,583 WHERE DO YOU FALL OFF THE EARTH? 92 00:04:19,708 --> 00:04:22,208 WELL, IT LOOKS LIKE EVERYONE FOUND SOMETHING PRETTY EASILY. 93 00:04:22,208 --> 00:04:23,750 THAT'S TOO BAD. 94 00:04:23,750 --> 00:04:26,000 BECAUSE WHEN YOU THINK YOU CAN'T DO SOMETHING, 95 00:04:26,000 --> 00:04:28,875 YOUR WORLD IS AS FLAT AS A PIECE OF PAPER. 96 00:04:28,875 --> 00:04:30,500 SO, CRUMPLE THEM UP. 97 00:04:33,458 --> 00:04:34,750 NOW, LOOK AT 'EM. 98 00:04:36,875 --> 00:04:39,833 YOU HOLD YOUR WORLD IN YOUR HANDS. 99 00:04:39,833 --> 00:04:42,166 NOTHING'S IMPOSSIBLE IF YOU TAKE A SHOT. 100 00:04:43,458 --> 00:04:44,708 SO, TAKE A SHOT. 101 00:04:52,333 --> 00:04:53,583 TAKE A SHOT, FARKLE. 102 00:04:53,583 --> 00:04:55,583 OH, THAT'S OKAY, SIR. 103 00:04:55,583 --> 00:04:56,875 WHY NOT? 104 00:04:56,875 --> 00:04:58,458 WELL, I'D ONLY MISS. 105 00:04:58,458 --> 00:04:59,583 DO YOU MIND? 106 00:04:59,583 --> 00:05:01,708 HEY, IT'S NOT LIKE IT'S A BIG SURPRISE. STYLE ::cue(.speaker) ::cue(.speakerTop) 107 00:05:01,708 --> 00:05:03,500 "ATHLETE." 108 00:05:05,208 --> 00:05:06,708 YOU DON'T THINK YOU COULD BE AN ATHLETE 109 00:05:06,708 --> 00:05:08,125 LIKE LUCAS IF YOU TRIED? 110 00:05:08,125 --> 00:05:09,583 I'M NOT SURE YOU CAN BE AS GOOD AS SOMEONE 111 00:05:09,583 --> 00:05:11,000 -JUST BECAUSE YOU WANT TO, SIR. -WELL... 112 00:05:11,000 --> 00:05:13,083 YOU'LL NEVER KNOW UNLESS YOU TAKE A SHOT. 113 00:05:21,333 --> 00:05:23,708 WHY ARE YOU SMILING AT ME SO PRETTY? 114 00:05:23,708 --> 00:05:27,833 BECAUSE I WANT THE LAST THING YOU EVER SEE TO BE NICE. 115 00:05:38,208 --> 00:05:41,375 OKAY, SO... FARKLE HAS JUST GIVEN US 116 00:05:41,375 --> 00:05:42,875 A GREAT IDEA FOR AN ASSIGNMENT. 117 00:05:42,875 --> 00:05:44,625 -(class groans) -YAY. 118 00:05:46,500 --> 00:05:48,875 FARKLE, YOU'RE GONNA BECOME AN ATHLETE. 119 00:05:48,875 --> 00:05:52,583 -Class: YAY! -(Farkle groans) 120 00:05:52,583 --> 00:05:54,500 -MR. FRIAR... -OH, NO. 121 00:05:55,833 --> 00:05:57,875 YOUR ASSIGNMENT IS TO HELP HIM GET THERE. 122 00:05:57,875 --> 00:06:00,208 I'M SORRY IF THIS CHANGES WHAT YOU THOUGHT WAS IMPOSSIBLE. 123 00:06:00,208 --> 00:06:01,958 NO, THAT'S WHAT I HAD. 124 00:06:01,958 --> 00:06:03,291 HA HA. 125 00:06:03,291 --> 00:06:04,708 THAT'S WHAT I HAD. 126 00:06:06,750 --> 00:06:08,000 RILEY... 127 00:06:08,000 --> 00:06:10,583 IS THERE ANYTHING IN YOUR SWEET RILEY MIND 128 00:06:10,583 --> 00:06:11,708 THAT YOU CONSIDER IMPOSSIBLE? 129 00:06:11,708 --> 00:06:13,875 THERE IS NO FUTURE TO LOOK FORWARD TO 130 00:06:13,875 --> 00:06:15,500 TO WHERE I'M ANYWHERE NEAR AS GOOD AS YOU GUYS. 131 00:06:16,875 --> 00:06:18,375 WHAT ARE YOU TALKING ABOUT? 132 00:06:18,375 --> 00:06:20,875 YOU AND MOM, CORY AND TOPANGA-- 133 00:06:20,875 --> 00:06:22,875 YOU'RE MY IMPOSSIBLE THING. 134 00:06:22,875 --> 00:06:24,208 I DON'T UNDERSTAND. 135 00:06:24,208 --> 00:06:26,583 MAYBE SOME PEOPLE DO JUST FALL OFF THE WORLD, DAD. 136 00:06:26,583 --> 00:06:29,291 -WHAT DO YOU MEAN, RILEY-- -(school bell rings) 137 00:06:35,250 --> 00:06:38,250 LOOK, IT'S JUST TODAY'S THING. IT'LL BE GONE TOMORROW. 138 00:06:38,250 --> 00:06:40,875 THE ONLY THING GOING AWAY IS ME. 139 00:06:40,875 --> 00:06:43,166 CAN SOMEBODY PLEASE DIRECT ME TO THE EDGE OF THE EARTH? 140 00:06:43,166 --> 00:06:44,875 I ASSUME IT'S NEAR THE RIVER. 141 00:06:44,875 --> 00:06:46,625 NOW? 142 00:06:46,625 --> 00:06:48,375 YOU'RE FALLING OFF THE WORLD NOW? 143 00:06:48,375 --> 00:06:49,583 I CAN'T COMPETE WITH YOU. 144 00:06:49,583 --> 00:06:51,583 -IN WHAT? -LIFE. 145 00:06:51,583 --> 00:06:53,833 SO, I HAVE TO GO AND FIND MY OWN WAY. 146 00:06:53,833 --> 00:06:56,583 I HAVE TO GO AND CREATE MY OWN INDIVIDUAL PATH 147 00:06:56,583 --> 00:06:59,083 AND I MUST DO IT ALL ALONE, BY MYSELF. 148 00:06:59,083 --> 00:07:00,708 COME ON, MAYA! 149 00:07:03,583 --> 00:07:05,875 UM... WE'LL BE AT THE RIVER. 150 00:07:11,833 --> 00:07:13,083 HERE? 151 00:07:13,083 --> 00:07:15,375 YOU THINK THIS IS FALLING OFF THE FACE OF THE EARTH? 152 00:07:15,375 --> 00:07:18,875 MY ONLY CHANCE AT PEACE AND SERENITY IS AT A SANCTUARY OF SOLITUDE, 153 00:07:18,875 --> 00:07:21,083 AWAY FROM MOMMY AND DADDY PERFECT. 154 00:07:21,083 --> 00:07:22,708 HELLO. 155 00:07:22,708 --> 00:07:25,625 IS THERE SOMETHING I CAN DO FOR YOU YOUNG LADIES? 156 00:07:25,625 --> 00:07:28,083 I'D LIKE TO RENOUNCE ALL OF MY WORLDLY POSSESSIONS, 157 00:07:28,083 --> 00:07:29,750 EXCEPT FOR ALL OF MY STUFF! 158 00:07:31,208 --> 00:07:33,250 AWW, YOU'RE FUN! 159 00:07:33,250 --> 00:07:34,708 LET ME IN, SISTER. 160 00:07:34,708 --> 00:07:36,833 LIFE OUT HERE HOLDS NO PROMISE FOR ME. 161 00:07:36,833 --> 00:07:39,125 WELL, I'M VERY SORRY TO HEAR THAT. 162 00:07:39,125 --> 00:07:40,875 -WHAT'S YOUR NAME? -RILEY. 163 00:07:40,875 --> 00:07:42,583 BUT I WANT MY NUN NAME TO BE 164 00:07:42,583 --> 00:07:44,125 SISTER RILEY OF PERPETUAL BLEH. 165 00:07:44,125 --> 00:07:47,250 SORRY, THAT NAME'S ALREADY BEEN TAKEN. 166 00:07:47,250 --> 00:07:52,708 HOW ABOUT SIS RI PER BLEH 84263? 167 00:07:52,708 --> 00:07:54,000 -OR BLINKY? -(gasps) 168 00:07:54,000 --> 00:07:56,250 BLINKY WAS MY SECOND CHOICE. 169 00:07:56,250 --> 00:07:58,583 CONGRATULATIONS. YOU'RE BLINKY THE NUN. 170 00:07:58,583 --> 00:08:01,416 -HOW ABOUT YOU? -YOU DON'T WANT THIS. 171 00:08:01,416 --> 00:08:02,708 ALL RIGHT, LADIES. 172 00:08:02,708 --> 00:08:04,583 MAY I ASK WHAT'S REALLY GOING ON? 173 00:08:04,583 --> 00:08:07,000 SISTER BLINKY IS UPSET BECAUSE HER PARENTS ARE PERFECT 174 00:08:07,000 --> 00:08:08,416 AND SHE'LL NEVER LIVE UP TO THEM. 175 00:08:08,416 --> 00:08:10,125 RILEY, LET ME HELP YOU. 176 00:08:10,125 --> 00:08:12,458 HUMAN PERFECTION IS UNATTAINABLE. 177 00:08:12,458 --> 00:08:14,708 IN ALL OF MY EXPERIENCES WITH PEOPLE, 178 00:08:14,708 --> 00:08:17,458 THERE'S ONLY ONE WHO EVEN COMES CLOSE. 179 00:08:17,458 --> 00:08:18,875 OH. (gasps) 180 00:08:18,875 --> 00:08:21,500 -THE MOTHER SUPERIOR? -NO, THE NEXT ONE. 181 00:08:22,750 --> 00:08:24,083 THANK YOU, TOPANGA. 182 00:08:24,083 --> 00:08:25,875 YOU HAVE SAVED OUR ORPHANAGE 183 00:08:25,875 --> 00:08:27,583 FROM BECOMING A SUPER CLUCK. 184 00:08:27,583 --> 00:08:28,958 IT WAS A GROUP EFFORT. 185 00:08:28,958 --> 00:08:30,458 I'M ONLY ONE TOPANGA. 186 00:08:30,458 --> 00:08:32,375 OH, HI, GIRLS. 187 00:08:32,375 --> 00:08:35,166 (heroic music playing) 188 00:08:35,166 --> 00:08:37,375 -CAB! -(wheels screech) 189 00:08:37,375 --> 00:08:38,958 NOW, IF SHE WERE YOUR MOTHER, 190 00:08:38,958 --> 00:08:41,166 I'D UNDERSTAND WHY YOU'D WANNA... 191 00:08:41,166 --> 00:08:43,750 OH, BLINKY. OH, YOU POOR THING. 192 00:08:48,750 --> 00:08:50,750 ALL RIGHT, FARKLE. LET'S SEE WHAT YOU GOT. 193 00:08:50,750 --> 00:08:52,833 (grunts) 194 00:08:52,833 --> 00:08:54,125 I QUIT. 195 00:08:54,125 --> 00:08:56,000 I WILL NOT FAIL THIS ASSIGNMENT-- 196 00:08:56,000 --> 00:08:58,875 -(thuds) -I QUIT AGAIN. 197 00:08:58,875 --> 00:09:00,583 YOU KNOW WHAT SITTING IN THE STANDS, 198 00:09:00,583 --> 00:09:02,291 WATCHING THOSE GAMES YOU PLAY MAKES ME REALIZE? 199 00:09:02,291 --> 00:09:03,625 YOU LOVE SPORTS? 200 00:09:03,625 --> 00:09:05,500 ADMIT IT. YOU LOVE THE THRILL OF COMPETITION. 201 00:09:05,500 --> 00:09:06,708 EVERY SPORT IS THE SAME. 202 00:09:06,708 --> 00:09:08,833 BEING GOOD AT SPORTS IS JUST A MATTER OF PHYSICS. 203 00:09:08,833 --> 00:09:11,416 DON'T YOU MESS UP AMERICA'S MOST FAVORITE THING 204 00:09:11,416 --> 00:09:13,458 WITH AMERICA'S LEAST FAVORITE THING! 205 00:09:13,458 --> 00:09:14,750 WITH THE CORRECT ANGLE AND VELOCITY, 206 00:09:14,750 --> 00:09:16,583 I SHOULD MAKE EVERY SHOT EVERY TIME. 207 00:09:16,583 --> 00:09:17,625 IS THAT RIGHT? 208 00:09:17,625 --> 00:09:19,458 LET'S TRY A FOUL SHOT. 209 00:09:19,458 --> 00:09:21,833 JUST PUT THIS BALL HERE THROUGH THAT HOOP THERE? 210 00:09:21,833 --> 00:09:22,833 THAT'S IT. 211 00:09:24,833 --> 00:09:26,416 (laser humming) 212 00:09:26,416 --> 00:09:27,625 (beeping) 213 00:09:31,708 --> 00:09:32,708 GOT IT. 214 00:09:32,708 --> 00:09:33,833 SHOOT IT. 215 00:09:38,708 --> 00:09:40,458 -HUH. -HUH. 216 00:09:41,833 --> 00:09:44,083 I PROBABLY SHOULD'VE CONSIDERED THE X-FACTOR. 217 00:09:44,083 --> 00:09:46,583 AND WHAT'S THE X-FACTOR? 218 00:09:46,583 --> 00:09:47,583 (laser humming) 219 00:09:47,583 --> 00:09:49,125 (beeping) 220 00:09:51,083 --> 00:09:52,625 (beeping increases) 221 00:09:52,625 --> 00:09:54,750 I STINK. 222 00:09:54,750 --> 00:09:56,375 I'VE GOTTA SAY. 223 00:09:56,375 --> 00:09:58,458 OH, YEAH? WELL, I'D LIKE TO SEE YOU... 224 00:09:59,875 --> 00:10:00,958 DO... STYLE ::cue(.speaker) ::cue(.speakerTop) 225 00:10:02,833 --> 00:10:03,875 BETTER. 226 00:10:07,625 --> 00:10:09,708 NEW SPORT! 227 00:10:09,708 --> 00:10:11,166 OH, PLEASE. 228 00:10:11,166 --> 00:10:12,708 ALL I NEED TO DO IS COMPACT MY BODY 229 00:10:12,708 --> 00:10:14,625 INTO A SOLID MASS AND THEN YOU CAN'T PIN ME. 230 00:10:14,625 --> 00:10:16,875 WHAT IS THAT? PHYSICS? OKAY. 231 00:10:25,750 --> 00:10:26,875 NEW SPORT! 232 00:10:28,708 --> 00:10:30,458 I'VE NEVER EVEN UNDERSTOOD THIS GAME. 233 00:10:30,458 --> 00:10:32,208 YOU RUN AROUND THE BASES AND TRY TO GET HOME, RIGHT? 234 00:10:32,208 --> 00:10:33,250 YEAH. 235 00:10:33,250 --> 00:10:34,875 WELL, WHY DO YOU NEED THE OTHER BASES? 236 00:10:34,875 --> 00:10:37,000 BECAUSE YOU CAN'T GET HOME UNTIL YOU GET AROUND ALL OF THEM. 237 00:10:37,000 --> 00:10:39,583 BUT THE QUICKEST WAY BETWEEN TWO POINTS IS A STRAIGHT LINE. 238 00:10:39,583 --> 00:10:41,875 YOU WANT TO GET RID OF THE BASES? 239 00:10:41,875 --> 00:10:43,000 YEAH. GAME'S OVER SOONER 240 00:10:43,000 --> 00:10:44,458 AND WE CAN ALL GET BACK TO PHYSICS. 241 00:10:44,458 --> 00:10:47,416 FARKLE, NOT EVERYONE LIVES FOR THEORIES AND NUMBERS. 242 00:10:47,416 --> 00:10:48,500 WELL, THEY SHOULD. 243 00:10:50,833 --> 00:10:52,125 COME HERE. 244 00:10:54,958 --> 00:10:56,291 -SHOOT. -(scoffs) 245 00:10:56,291 --> 00:10:58,708 IT'S A WASTE OF TIME. IT'S AN IMPOSSIBLE SHOT. 246 00:10:58,708 --> 00:11:00,458 RUNNING THE BASES IS A WASTE OF TIME. 247 00:11:00,458 --> 00:11:02,375 THIS IMPOSSIBLE SHOT... 248 00:11:02,375 --> 00:11:03,958 (laser humming) 249 00:11:03,958 --> 00:11:05,333 (beeping) 250 00:11:16,208 --> 00:11:17,500 OH. 251 00:11:17,500 --> 00:11:19,208 ...IS NOT IMPOSSIBLE AT ALL. 252 00:11:20,500 --> 00:11:22,625 -I DON'T KNOW, FARKLE. -SHOOT IT. 253 00:11:29,833 --> 00:11:31,958 I BELIEVE EVERYTHING YOU SAY NOW. 254 00:11:31,958 --> 00:11:34,208 AND I BELIEVE BASKETBALL MAY NOT BE SO BAD. 255 00:11:34,208 --> 00:11:35,750 WANNA DO IT AGAIN? 256 00:11:37,875 --> 00:11:39,166 HERE? 257 00:11:39,166 --> 00:11:41,000 YOU THINK THIS IS FALLING OFF THE FACE OF THE EARTH? 258 00:11:41,000 --> 00:11:42,375 WELL, HELLO. 259 00:11:42,375 --> 00:11:43,875 SOMETHING I CAN DO FOR YOU LADIES? 260 00:11:43,875 --> 00:11:46,291 I'M HERE TO RUN AWAY AND JOIN THE CIRCUS. 261 00:11:46,291 --> 00:11:48,708 WELL, YOU CAME TO THE RIGHT PLACE. 262 00:11:48,708 --> 00:11:50,291 YOU GOT A CIRCUS NAME? 263 00:11:50,291 --> 00:11:51,625 HOW ABOUT BLINKY? 264 00:11:51,625 --> 00:11:54,375 THAT'S NO GOOD. I ALREADY GOT 50 BLINKYS 265 00:11:54,375 --> 00:11:55,625 RIGHT NOW IN A LITTLE CAR BACK THERE. 266 00:11:57,458 --> 00:11:59,500 YOU KNOW, I SENSE THAT YOU'RE NOT REALLY RUNNING 267 00:11:59,500 --> 00:12:02,750 TO THE CIRCUS AS MUCH AS RUNNING AWAY FROM SOMETHING. 268 00:12:02,750 --> 00:12:04,500 YOU'RE VERY WISE. 269 00:12:04,500 --> 00:12:05,708 THANK YOU. 270 00:12:05,708 --> 00:12:08,833 ANYWAY, ALL OF US CIRCUS FOLK HAVE, 271 00:12:08,833 --> 00:12:10,208 YOU KNOW, RUN AWAY FROM SOMETHING 272 00:12:10,208 --> 00:12:11,875 AT ONE TIME OR ANOTHER. 273 00:12:11,875 --> 00:12:14,750 FOR ME, IT WAS MY FATHER. 274 00:12:14,750 --> 00:12:17,208 I KNEW I COULD NEVER LIVE UP TO HIM. 275 00:12:17,208 --> 00:12:18,958 YOU UNDERSTAND WHAT I'M SAYIN'? 276 00:12:18,958 --> 00:12:21,750 YES, CLOWN. YES. 277 00:12:21,750 --> 00:12:24,125 -YOU KNOW WHAT THIS IS? -(gasps) 278 00:12:24,125 --> 00:12:27,750 -IT'S A PRETTY FLOWER. -I THINK IT'S NOT. 279 00:12:27,750 --> 00:12:28,625 YEAH, WELL, YOU KNOW WHAT? 280 00:12:28,625 --> 00:12:31,625 IT WAS HANDED DOWN TO ME BY MY FATHER, JINGLES THE FIRST. 281 00:12:31,625 --> 00:12:34,291 -WAS HE A CLOWN? -NO, HE MADE KEYS. 282 00:12:34,291 --> 00:12:37,208 I WOULD LIKE TO HEAR ABOUT THE BEAUTIFUL FLOWER. 283 00:12:37,208 --> 00:12:38,708 I WILL TELL YOU ABOUT THE BEAUTIFUL FLOWER. 284 00:12:38,708 --> 00:12:40,083 IT'S A CLOWN FLOWER. 285 00:12:40,083 --> 00:12:42,833 WHENEVER I AM FEELING SAD IN THIS WORLD, 286 00:12:42,833 --> 00:12:45,875 I LOOK AT THE FLOWER AND IT MAKES ME HAPPY. 287 00:12:45,875 --> 00:12:48,625 OH, I WOULD LIKE TO BE HAPPY. 288 00:12:48,625 --> 00:12:51,625 MR. JINGLES, IS THERE ANY WAY YOU WOULD EVEN CONSIDER 289 00:12:51,625 --> 00:12:53,750 ALLOWING ME TO LOOK AT THE PRETTY FLOWER? 290 00:12:53,750 --> 00:12:55,583 IS SHE FOR REAL? 291 00:12:55,583 --> 00:12:58,500 I TRY, I TRY, AND I TRY. 292 00:12:59,875 --> 00:13:00,958 I'LL TAKE IT FROM HERE. 293 00:13:00,958 --> 00:13:02,375 YOU WON'T HAVE TO. WATCH THIS! 294 00:13:02,375 --> 00:13:04,708 I WANNA LOOK AT THE PRETTY FLOWER! 295 00:13:06,458 --> 00:13:08,625 -SHE'S LIKE A GIFT. -AH, JUST DO IT. 296 00:13:09,958 --> 00:13:14,500 THIS FLOWER IS OF THE SPECIES CARNATIOUS IN YOUR FACIOUS. 297 00:13:14,500 --> 00:13:16,583 WHERE'S IT FROM? WHERE'S IT FROM? 298 00:13:16,583 --> 00:13:19,583 YOU KNOW, I JUST DON'T HAVE THE HEART. 299 00:13:19,583 --> 00:13:21,208 SHE DESERVES IT. DO IT! 300 00:13:21,208 --> 00:13:22,583 (clears throat) 301 00:13:22,583 --> 00:13:23,708 MADE IN CHINA. 302 00:13:23,708 --> 00:13:25,458 LOOK CLOSER. HERE WE GO. 303 00:13:27,208 --> 00:13:29,416 AAH! 304 00:13:29,416 --> 00:13:31,083 WHAT'S THE MATTER, HONEY? 305 00:13:31,083 --> 00:13:32,291 DID SOMETHING HAPPEN? 306 00:13:35,416 --> 00:13:36,875 MR. JINGLES... 307 00:13:36,875 --> 00:13:38,708 MAY I PLEASE BORROW YOUR CLOWN HANDKERCHIEF 308 00:13:38,708 --> 00:13:40,875 -TO DRY MYSELF OFF? -SURE, KID. 309 00:13:42,875 --> 00:13:43,875 (sighs) 310 00:13:43,875 --> 00:13:46,083 YOU KNOW, IT'S NOT LIKE I'M GONNA BE A CLOWN MY WHOLE LIFE. 311 00:13:46,083 --> 00:13:48,833 MY CIRCUSIN' JUST GOT IN THE WAY OF MY... 312 00:13:48,833 --> 00:13:50,583 FORMAL EDUCATION. 313 00:13:53,958 --> 00:13:55,208 HOW DO I LOOK? 314 00:13:55,208 --> 00:13:56,708 SMART. 315 00:14:00,000 --> 00:14:02,125 YEAH, BUT NOW WE GOT THIS VOLUNTEER TEACHER 316 00:14:02,125 --> 00:14:03,708 WHO DEDICATES HIS FREE TIME 317 00:14:03,708 --> 00:14:05,416 TO ENRICHING OUR CLOWN MINDS. 318 00:14:05,416 --> 00:14:07,083 I WONDER WHO THE TEACHER IS. 319 00:14:07,083 --> 00:14:08,583 WHO IS HE? WHO? 320 00:14:10,458 --> 00:14:11,583 HEY, JINGLES. 321 00:14:13,083 --> 00:14:15,500 I'LL SEE YOU NEXT WEEK. HEY, GIRLS. 322 00:14:15,500 --> 00:14:17,458 (heroic music playing) 323 00:14:17,458 --> 00:14:20,166 TRAPEZE! 324 00:14:20,166 --> 00:14:22,500 HOME! 325 00:14:22,500 --> 00:14:23,958 NOW, IF HE WAS YOUR FATHER, 326 00:14:23,958 --> 00:14:26,708 I COULD UNDERSTAND WHY YOU'D WANNA... 327 00:14:26,708 --> 00:14:28,375 OH, YOU POOR KID. 328 00:14:32,000 --> 00:14:33,708 MY PARENTS ARE SUPERHEROES. 329 00:14:33,708 --> 00:14:35,833 CALM DOWN, BLINKY. 330 00:14:35,833 --> 00:14:38,333 SHE SAVES ORPHANAGES AND BOOKSTORES, 331 00:14:38,333 --> 00:14:40,750 AND HE DEDICATES HIS LIFE TO CLOWNS. 332 00:14:40,750 --> 00:14:42,708 WHAT DO I DO? 333 00:14:42,708 --> 00:14:44,958 YOU MAKE YOUR BED. 334 00:14:44,958 --> 00:14:46,583 NOT REALLY. 335 00:14:46,583 --> 00:14:48,958 ALL I DO IS JUST PULL THE COMFORTER UP OVER EVERYTHING. 336 00:14:53,958 --> 00:14:55,333 GET OUT OF HERE! 337 00:14:56,708 --> 00:14:58,583 BUT THIS IS WHERE THE SPAGHETTI IS! STYLE ::cue(.speaker) ::cue(.speakerTop) 338 00:15:06,625 --> 00:15:08,708 -RILEY-- -I CAN'T COMPETE WITH THEM, MAYA. 339 00:15:08,708 --> 00:15:11,416 I HAVE REACHED MY PERSONAL HORIZON LINE. 340 00:15:11,416 --> 00:15:12,583 THERE'S NOWHERE FOR ME TO GO. 341 00:15:12,583 --> 00:15:13,958 HONEY, YOU GOTTA GET 'EM OUT OF YOUR HEAD. 342 00:15:13,958 --> 00:15:15,000 I CAN'T. 343 00:15:15,000 --> 00:15:16,625 I KNOW ALL OF THEIR STORIES. 344 00:15:16,625 --> 00:15:19,083 THEY KEEP ON REPEATING OVER AND OVER. 345 00:15:19,083 --> 00:15:20,333 WERE THEY ALWAYS SO PERFECT? 346 00:15:20,333 --> 00:15:21,375 WHAT? 347 00:15:21,375 --> 00:15:23,416 SURE, THEY'RE GREAT NOW, BUT HOW WERE THEY AT OUR AGE? 348 00:15:23,416 --> 00:15:26,000 I BET THEY WERE JUST AS MESSED UP AND CONFUSED AS WE ARE. 349 00:15:26,000 --> 00:15:28,625 MAYBE WE SHOULD SEE THAT FOR OURSELVES. 350 00:15:28,625 --> 00:15:29,833 HOW WOULD WE DO THAT? 351 00:15:29,833 --> 00:15:32,583 THEY'VE TOLD ME THEIR STORIES A MILLION TIMES. 352 00:15:32,583 --> 00:15:34,208 MAYBE IF WE TRY AND PICK ONE 353 00:15:34,208 --> 00:15:35,708 AND IMAGINE THEM AT OUR AGE, 354 00:15:35,708 --> 00:15:37,166 WE'LL DISCOVER HOW THEY REALLY WERE. 355 00:15:37,166 --> 00:15:38,708 RILEY, HOW MANY TIMES HAVE I TOLD YOU 356 00:15:38,708 --> 00:15:40,375 TO STOP BEING SO INNOCENT? 357 00:15:40,375 --> 00:15:42,500 I'M GOING TO TELL YOU A STORY, MAYA. 358 00:15:42,500 --> 00:15:45,125 SO, CONCENTRATE HARD AND MAYBE WE'LL SEE HOW THEY WERE. 359 00:15:45,125 --> 00:15:46,875 RILES, I'M NOT GONNA SEE YOUR PARENTS AS KIDS 360 00:15:46,875 --> 00:15:48,333 BECAUSE I CONCENTRATE. 361 00:15:48,333 --> 00:15:50,708 ONCE UPON A TIME, THERE WAS A CORY AND TOPANGA. 362 00:15:50,708 --> 00:15:53,250 IT'S NOT LIKE SOMEONE RECORDED EVERYTHING THEY DID. 363 00:15:53,250 --> 00:15:54,583 CONCENTRATE! 364 00:15:56,000 --> 00:15:58,750 AND ONE DAY, TOPANGA WENT OVER TO CORY'S HOUSE... 365 00:15:58,750 --> 00:16:01,125 MAY I ASK YOU A PERSONAL QUESTION? 366 00:16:01,125 --> 00:16:02,875 YOU TELL A GOOD STORY, RILEY. 367 00:16:05,250 --> 00:16:06,500 SURE. 368 00:16:08,083 --> 00:16:09,875 WHY ARE THERE SOCKS ALL OVER YOUR FLOOR? 369 00:16:09,875 --> 00:16:12,708 OH, I WAS JUST PRACTICING. 370 00:16:12,708 --> 00:16:14,250 THIS IS WHERE MY DAD GREW UP. LOOK. 371 00:16:14,250 --> 00:16:16,333 I ENVY YOUR ATHLETIC ABILITY. 372 00:16:16,333 --> 00:16:17,750 OH, THIS? IT'S NOT SO HARD. 373 00:16:17,750 --> 00:16:19,333 COME ON, I'LL GIVE YOU SOME POINTERS. 374 00:16:19,333 --> 00:16:22,375 Cory: ANYWAY, THE KEY IS GOOD COLOR COMMENTARY. 375 00:16:22,375 --> 00:16:23,750 THIS IS WHERE IT ALL BEGAN! 376 00:16:28,708 --> 00:16:30,333 LOOK AT 'EM. 377 00:16:30,333 --> 00:16:31,708 THEY'RE EENSY! 378 00:16:31,708 --> 00:16:33,750 -YOUR DAD'S ADORABLE. -MAYA! 379 00:16:33,750 --> 00:16:35,625 HEY, MATTHEWS, HOW YOU DOIN'? 380 00:16:35,625 --> 00:16:37,500 WATCH THIS. 381 00:16:37,500 --> 00:16:38,708 MATTHEWS SEES AN OPEN LANE, 382 00:16:38,708 --> 00:16:40,083 HE DRIVES HARD TO THE BOARDS, 383 00:16:40,083 --> 00:16:41,875 HE LEAPS OVER SHAQUILLE O'NEAL, 384 00:16:41,875 --> 00:16:43,583 KISSES IT OFF THE GLASS... 385 00:16:43,583 --> 00:16:46,416 IT'S GOOD! HE SCORES! 386 00:16:48,375 --> 00:16:50,000 I COULD NEVER DO THAT. 387 00:16:50,000 --> 00:16:51,750 SURE YOU CAN. GIVE IT A TRY. 388 00:16:51,750 --> 00:16:54,125 BUT I'M NOT FAMILIAR WITH THE TERMINOLOGY. 389 00:16:54,125 --> 00:16:55,625 ALL RIGHT, I'LL DO THE COLOR. YOU JUST WORRY 390 00:16:55,625 --> 00:16:57,833 ABOUT GETTING THE BALL IN THE BASKET. 391 00:16:57,833 --> 00:16:59,708 TOPANGA IS TRIPLE-TEAMED AT THE TIME LINE, 392 00:16:59,708 --> 00:17:01,500 SHE BREAKS A TRAP, HEADS TO THE TOP 393 00:17:01,500 --> 00:17:03,166 OF THE KEY AND LEAPS TOWARD THE BASKET, 394 00:17:03,166 --> 00:17:05,625 DOING A SPIRALING TOMAHAWK 360! 395 00:17:05,625 --> 00:17:07,750 SLAM DUNK! 396 00:17:16,958 --> 00:17:19,333 LOOK. WE BOTH MADE A BASKET. 397 00:17:21,291 --> 00:17:23,083 -RILES? -YEAH? 398 00:17:23,083 --> 00:17:25,000 THEY WERE KIDS JUST LIKE US. 399 00:17:26,583 --> 00:17:29,125 TECHNICALLY, YEAH. BUT BASKETBALL IS SO MUCH 400 00:17:29,125 --> 00:17:31,166 MORE FUN WHEN YOU ACTUALLY MOVE. 401 00:17:31,166 --> 00:17:33,750 ALL RIGHT, YOU TRY AND MAKE ANOTHER BASKET AND I'LL TRY AND BLOCK YOU. 402 00:17:33,750 --> 00:17:35,625 LOOK AT HIM! YOU DAD'S AS WEIRD AS YOU. 403 00:17:35,625 --> 00:17:37,458 YEAH, HE KIND OF IS. 404 00:17:37,458 --> 00:17:39,125 BUT SHE'S GREAT EVEN THEN. 405 00:17:39,125 --> 00:17:41,833 YEAH. TOUGH ACT TO FOLLOW. 406 00:17:57,208 --> 00:18:00,833 WAY TO GO, TOPANGA! 407 00:18:00,833 --> 00:18:02,875 (giggles) 408 00:18:05,250 --> 00:18:07,833 EVEN WHEN THEY WERE KIDS, MY PARENTS WERE STILL PERFECT. 409 00:18:09,333 --> 00:18:11,500 I DON'T KNOW WHAT TO SAY. 410 00:18:11,500 --> 00:18:13,375 THERE'S NOTHING YOU CAN SAY, REALLY. 411 00:18:16,500 --> 00:18:18,458 IF IT HELPS, IT SEEMS LIKE 412 00:18:18,458 --> 00:18:20,708 YOUR DAD WAS JUST AS WEIRD AS YOU. 413 00:18:20,708 --> 00:18:22,875 YOU'RE JUST LIKE HIM, RILEY. AND HE TURNED OUT GREAT. 414 00:18:22,875 --> 00:18:24,458 BUT DID YOU SEE MY MOM? 415 00:18:24,458 --> 00:18:27,583 SHE WAS COMPLETELY TOGETHER EVEN THEN. 416 00:18:27,583 --> 00:18:29,583 WHAT HOPE DO I HAVE? 417 00:18:34,250 --> 00:18:35,750 HOW CAN YOU BEAT THE IMPOSSIBLE? 418 00:18:35,750 --> 00:18:37,750 CAN YOU? DID YOU? IS FARKLE AN ATHLETE NOW? 419 00:18:37,750 --> 00:18:39,000 NOT AS GOOD AS LUCAS. 420 00:18:39,000 --> 00:18:41,833 OH. WELL, WILL YOU EVER BE? 421 00:18:41,833 --> 00:18:43,125 DOESN'T HAVE TO BE. 422 00:18:43,125 --> 00:18:45,250 YOU DON'T HAVE TO BE A GREAT ATHLETE TO LIKE THE GAME. 423 00:18:45,250 --> 00:18:46,875 -OH, REALLY? -YEAH. 424 00:18:46,875 --> 00:18:48,458 THE FUN OF THE GAME IS RUNNING THE BASES. 425 00:18:48,458 --> 00:18:50,250 FARKLE, YOU ACTUALLY RAN? 426 00:18:53,000 --> 00:18:54,208 NOTHIN'. 427 00:18:54,208 --> 00:18:56,125 I DON'T GET THE MOMENT, BUT I'M VERY DISAPPOINTED. 428 00:18:58,083 --> 00:18:59,833 WELL, WHAT HAPPENS IF YOU GET HOME 429 00:18:59,833 --> 00:19:01,625 AND REALIZE YOU'RE NOT AS GOOD AS THE REST OF THE TEAM? 430 00:19:01,625 --> 00:19:03,125 YOU KEEP PLAYING. 431 00:19:03,125 --> 00:19:04,333 IT'S A TEAM SPORT, RILEY. 432 00:19:04,333 --> 00:19:05,416 YOU JUST RUN THE BASES. 433 00:19:05,416 --> 00:19:07,125 THE REST OF YOUR TEAM WILL HELP YOU GET HOME. 434 00:19:17,000 --> 00:19:18,875 YOU KNOW, WHEN YOU WALKED ME THROUGH THEIR STORY, 435 00:19:18,875 --> 00:19:21,458 IT'S AMAZING TO SEE HOW MUCH YOU AND YOUR DAD ARE ALIKE. 436 00:19:21,458 --> 00:19:22,625 TWO GOOFS. 437 00:19:22,625 --> 00:19:25,708 YEAH, I'M DEFINITELY HIS DAUGHTER. 438 00:19:25,708 --> 00:19:27,583 BUT THAT'S NOT THE ONLY STORY, RILEY. 439 00:19:27,583 --> 00:19:29,833 THERE'S GOTTA BE OTHER STORIES ABOUT YOUR MOM. 440 00:19:29,833 --> 00:19:31,708 SHE'S PERFECT IN EVERY STORY. 441 00:19:31,708 --> 00:19:33,750 YEAH? TELL ME ANOTHER ONE AND WE'LL SEE. 442 00:19:33,750 --> 00:19:35,708 MAYA, I DON'T WANNA TELL YOU ANY MORE STORIES. 443 00:19:35,708 --> 00:19:36,833 THEY MAKE ME FEEL BAD. 444 00:19:36,833 --> 00:19:39,333 LOOK, MAYBE IF WE GO BACK, WE CAN FIND SOMETHING ELSE. 445 00:19:39,333 --> 00:19:42,750 THERE'S GOTTA BE SOMETHING THAT MAKES THEM GOOFY LIKE US. 446 00:19:42,750 --> 00:19:45,458 I DO KNOW THAT THERE WERE OTHER BAY WINDOWS. 447 00:19:45,458 --> 00:19:47,416 REALLY? TELL IT TO ME. 448 00:19:49,000 --> 00:19:51,750 ONCE UPON A TIME, THERE WAS ANOTHER BAY WINDOW. 449 00:19:51,750 --> 00:19:53,750 NOW THIS SOUNDS LIKE A GOOD STORY. 450 00:19:55,708 --> 00:19:57,625 I HAVE SOME IDEAS ON OUR PRESENTATION. 451 00:19:57,625 --> 00:19:59,708 SO DO I. HERE'S WHAT WE DO. 452 00:19:59,708 --> 00:20:01,875 WE HIT FEENY HARD. WE HIT HIM FAST. 453 00:20:01,875 --> 00:20:03,708 THE OZONE LAYER-- IT'S GOT A HOLE. 454 00:20:03,708 --> 00:20:06,750 WEAR A HAT. WE'RE IN. WE'RE OUT. STYLE ::cue(.speaker) ::cue(.speakerTop) 455 00:20:06,750 --> 00:20:10,250 I KIND OF HAD A WHOLE DIFFERENT APPROACH TO THE REPORT. 456 00:20:10,250 --> 00:20:14,000 LESS CONVENTIONAL, MORE PERFORMANCE ART. 457 00:20:14,000 --> 00:20:15,583 WHAT'S THIS STORY? 458 00:20:15,583 --> 00:20:16,750 WHAT'S THE DIFFERENCE? 459 00:20:16,750 --> 00:20:18,250 MY MOM WILL STILL BE PERFECT. 460 00:20:19,708 --> 00:20:21,750 NO, PLEASE. LET'S STICK TO CONVENTIONAL. 461 00:20:21,750 --> 00:20:24,833 CONVENTIONAL'S GOOD BECAUSE NO ONE LAUGHS AT CONVENTIONAL. 462 00:20:27,083 --> 00:20:29,583 READ THIS POEM OUT LOUD. 463 00:20:29,583 --> 00:20:31,875 POEM? PLEASE, NOT A POEM. 464 00:20:33,875 --> 00:20:35,625 (dramatic music playing) 465 00:20:35,625 --> 00:20:40,208 "SUN. THE ONLY. THE ONE. 466 00:20:43,125 --> 00:20:44,625 "DONUT IN THE SKY. 467 00:20:44,625 --> 00:20:49,000 "SPACE. BIG GAPING PLACE. 468 00:20:49,000 --> 00:20:53,875 "WITHOUT. WITHIN. OUR SKIN. 469 00:20:53,875 --> 00:20:55,750 "DONUT IN THE SKY. 470 00:20:55,750 --> 00:20:58,750 "FREON. 471 00:21:00,833 --> 00:21:04,416 "FLUOROCARBON. HUMPBACK WHALE. 472 00:21:04,416 --> 00:21:05,750 (laughs) 473 00:21:05,750 --> 00:21:07,625 RILEY... 474 00:21:09,000 --> 00:21:11,083 WOW. SHE'S GOOFIER THAN HE IS. 475 00:21:11,083 --> 00:21:13,291 SHE IS. ISN'T THAT GREAT? 476 00:21:13,291 --> 00:21:16,166 "SO PALE. EXHAUST. 477 00:21:16,166 --> 00:21:19,750 IS ALL LOST? DONUT IN THE SKY." 478 00:21:22,375 --> 00:21:23,875 RILEY, SHE'S YOU. 479 00:21:23,875 --> 00:21:25,958 YEAH, SHE IS. 480 00:21:25,958 --> 00:21:27,708 YOU'RE BOTH OF THEM. 481 00:21:27,708 --> 00:21:28,958 I AM. 482 00:21:40,750 --> 00:21:43,250 YEAH, WE COULD DO THAT IN FRONT OF THE CLASS, 483 00:21:43,250 --> 00:21:46,583 BUT BEFORE WE DO, WILL YOU JUST PLEASE TAKE 484 00:21:46,583 --> 00:21:49,250 A HUGE BASEBALL BAT AND HIT ME OVER THE HEAD? 485 00:21:49,250 --> 00:21:52,833 WHY DO YOU CARE SO MUCH WHAT OTHER PEOPLE THINK? 486 00:21:52,833 --> 00:21:54,583 WHEN PEOPLE LAUGH AT YOU, 487 00:21:54,583 --> 00:21:57,500 THEY'RE DEPLETING THEIR OWN KARMIC RESERVOIR. 488 00:21:57,500 --> 00:21:59,333 YOU'RE GONNA BE ONE OF THOSE GIRLS 489 00:21:59,333 --> 00:22:01,458 WHO DOESN'T SHAVE HER LEGS, AREN'T YOU? 490 00:22:05,708 --> 00:22:07,708 I HAVEN'T DECIDED YET. 491 00:22:07,708 --> 00:22:10,333 DO YOU ACTUALLY TRY TO BE WEIRD? 492 00:22:10,333 --> 00:22:12,458 I DON'T THINK I'M WEIRD. 493 00:22:12,458 --> 00:22:13,875 I THINK I'M UNIQUE. 494 00:22:15,875 --> 00:22:18,125 I DON'T THINK I'M WEIRD, MAYA. 495 00:22:18,125 --> 00:22:20,375 I THINK I'M UNIQUE. 496 00:22:20,375 --> 00:22:23,333 HE'S CORY, SHE'S TOPANGA. 497 00:22:23,333 --> 00:22:25,000 BUT I'M BOTH. 498 00:22:30,708 --> 00:22:32,708 I'M NOT GOING TO FALL OFF THE FACE OF THE EARTH. 499 00:22:35,416 --> 00:22:38,416 THERE IS NO END TO MY HORIZON. 500 00:22:41,708 --> 00:22:43,625 MY PARENTS ARE CORY AND TOPANGA, 501 00:22:43,625 --> 00:22:47,208 AND THEY GAVE ME THE BEST PARTS OF BOTH OF THEM. 502 00:22:47,208 --> 00:22:49,250 I'M NOT GOING TO BE YOU OR MOM, DAD. 503 00:22:49,250 --> 00:22:51,458 WE DON'T WANT YOU TO BE, RILEY. 504 00:22:51,458 --> 00:22:53,583 I'M GOING TO HAVE MY OWN STORIES. 505 00:22:53,583 --> 00:22:55,708 AND I CAN'T WAIT TO WATCH THEM. 506 00:23:01,250 --> 00:23:02,500 RILEY? 507 00:23:02,500 --> 00:23:03,833 YEAH? 508 00:23:03,833 --> 00:23:05,333 WHERE'D YOU GET THAT HAT? 509 00:23:05,333 --> 00:23:07,708 OH. YOU GAVE IT TO ME A LONG TIME AGO. 510 00:23:07,708 --> 00:23:09,250 DON'T YOU REMEMBER? 511 00:23:09,250 --> 00:23:11,875 NO. 512 00:23:11,875 --> 00:23:14,750 IT LOOKS GREAT ON YOU. 513 00:23:14,750 --> 00:23:17,208 THANKS, DAD. 514 00:23:17,208 --> 00:23:18,875 IT'S GOING TO HELP ME RUN THE BASES. 515 00:23:20,208 --> 00:23:21,833 AND I'M GLAD I'M ON YOUR TEAM.