1
00:00:06,291 --> 00:00:08,833
COUGH, COUGH. SNIFFLE.
2
00:00:10,166 --> 00:00:11,750
NO, NO, NO, NO.
YOU CAN'T BE SICK.
3
00:00:11,750 --> 00:00:13,625
I DON'T KNOW HOW TO DO
THIS LIFE THING ALONE.
4
00:00:13,625 --> 00:00:15,958
I THINK I HAVE
THE FOO FOO PLAGUE.
5
00:00:17,708 --> 00:00:19,708
YOU DO? AND WHAT DO
YOU TAKE FOR THAT?
6
00:00:19,708 --> 00:00:21,166
FOO FOO MEDICINE.
7
00:00:21,166 --> 00:00:24,750
AND IT MAKES YOU
REALLY SLEEPY.
8
00:00:24,750 --> 00:00:25,625
'NIGHT 'NIGHT. BYE.
9
00:00:25,625 --> 00:00:29,458
OKAY, SO I'M LOOKING UP
YOUR FAKE DISEASE
ON THE FAKE INTERNET...
10
00:00:30,625 --> 00:00:32,416
CAN I HAVE A SICK DAY,
PLEASE?
11
00:00:32,416 --> 00:00:34,458
IT WANTS TO KNOW IF YOU HAVE
A CRUSHING WEIGHT ON YOUR CHEST.
12
00:00:34,458 --> 00:00:35,583
DO YOU HAVE A CRUSHING WEIGHT?
13
00:00:35,583 --> 00:00:37,416
YEP. CRUSHING WEIGHT.
YEP, YEP.
14
00:00:37,416 --> 00:00:39,458
(yelps)
15
00:00:39,458 --> 00:00:42,458
OH, NO! OH, NO!
MAYA, I REALLY DO.
16
00:00:42,458 --> 00:00:45,500
I HAVE THE FOO FOOS!
IT'S LIKE THERE'S AN ELEPHANT
ON MY CHEST.
17
00:00:46,958 --> 00:00:48,625
I AM AT MOST
A LABRADOODLE.
18
00:00:50,708 --> 00:00:52,708
MAYA, YOU HAVE TO GET
FAR, FAR AWAY FROM ME.
19
00:00:52,708 --> 00:00:54,333
I DON'T WANT YOU
TO CATCH THIS.
20
00:00:54,333 --> 00:00:56,250
I KNOW.
THAT WOULD BE TERRIBLE.
21
00:00:57,833 --> 00:00:58,875
(sighs)
22
00:01:00,375 --> 00:01:03,708
(giggles)
23
00:01:04,875 --> 00:01:07,583
OKAY, NOW CAN WE PLEASE
GO TO SCHOOL NOW
AND GET OUT OF RILEYTOWN?
24
00:01:10,250 --> 00:01:12,333
WHAT? I JUST SAID,
"CAN WE GET OUT
OF RILEYTOW--" OOF.
25
00:01:14,000 --> 00:01:16,000
WHAT IS IT WITH YOU?
THAT'S JUST A WORD I MADE UP.
26
00:01:16,000 --> 00:01:17,583
I KNOW WHAT IT MEANS.
27
00:01:17,583 --> 00:01:19,833
IT MEANS THAT I'M GOOFY
AND SILLY AND WEIRD.
28
00:01:19,833 --> 00:01:22,166
-IT MEANS YOU'RE UNIQUE.
-I DON'T WANT TO BE UNIQUE.
29
00:01:23,208 --> 00:01:24,625
I DON'T WANT
ANYBODY TO NOTICE ME.
30
00:01:24,625 --> 00:01:27,208
SINCE WHEN?
RILEYTOWN IS WHERE YOU LIVE.
31
00:01:27,208 --> 00:01:29,875
WE EVEN MADE YOUR OWN FLAG
AND NATIONAL ANTHEM, REMEMBER?
32
00:01:31,000 --> 00:01:34,000
♪ RILEYTOWN, OH RILEYTOWN ♪
33
00:01:34,000 --> 00:01:35,166
WHEE.
34
00:01:36,625 --> 00:01:37,958
YEAH, THAT TOOK US
FOUR DAYS TO WRITE.
35
00:01:40,250 --> 00:01:42,833
IS THIS SERIOUS
OR ARE WE HAVING FUN?
36
00:01:42,833 --> 00:01:44,291
YOU ARE A BULLY.
37
00:01:44,291 --> 00:01:46,708
OKAY, THAT'S NOT FUN.
38
00:01:46,708 --> 00:01:48,166
I DON'T LIKE
BEING LAUGHED AT, MAYA.
39
00:01:48,166 --> 00:01:49,458
NOBODY LIKES BEING LAUGHED AT.
40
00:01:49,458 --> 00:01:51,875
I'M NOT LAUGHING AT YOU.
WHO'S LAUGHING AT YOU?
41
00:01:53,708 --> 00:01:55,750
YOU NEVER SHOULD HAVE
COME UP WITH IT,
AND YOU'RE A BULLY.
42
00:01:55,750 --> 00:01:57,250
OKAY?
43
00:02:01,250 --> 00:02:03,583
(theme music playing)
44
00:02:07,583 --> 00:02:09,625
♪ I'VE BEEN WAITING ♪
45
00:02:09,625 --> 00:02:11,875
♪ FOR A DAY
LIKE THIS TO COME ♪
46
00:02:11,875 --> 00:02:13,833
♪ STRUCK LIKE LIGHTNING ♪
47
00:02:13,833 --> 00:02:16,375
♪ MY HEART'S BEATING LIKE
A DRUM ♪
48
00:02:16,375 --> 00:02:20,333
♪ ON THE EDGE
OF SOMETHING WONDERFUL ♪
49
00:02:20,333 --> 00:02:23,208
♪ FACE TO FACE WITH CHANGES ♪
50
00:02:23,208 --> 00:02:24,375
♪ WHAT'S IT ALL ABOUT? ♪
51
00:02:24,375 --> 00:02:26,500
♪ LIFE IS CRAZY ♪
52
00:02:26,500 --> 00:02:28,583
♪ BUT I KNOW
I CAN WORK IT OUT ♪
53
00:02:28,583 --> 00:02:29,750
♪ 'CAUSE I GOT YOU ♪
54
00:02:29,750 --> 00:02:32,750
♪ TO LIVE IT WITH ME ♪
55
00:02:32,750 --> 00:02:36,625
♪ I FEEL ALL RIGHT,
I'M GONNA TAKE ON THE WORLD ♪
56
00:02:36,625 --> 00:02:40,125
♪ LIGHT UP THE STARS,
I'VE GOT SOME PAGES TO TURN ♪
57
00:02:40,125 --> 00:02:41,875
♪ I'M SINGING "OH-OH-OH" ♪
58
00:02:41,875 --> 00:02:45,000
♪ OH, OH, OH, OH ♪
59
00:02:45,000 --> 00:02:48,000
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
60
00:02:48,000 --> 00:02:49,458
♪ TAKE ON THE WORLD ♪
61
00:02:49,458 --> 00:02:52,000
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
62
00:02:52,000 --> 00:02:53,875
♪ TAKE ON THE WORLD ♪
63
00:02:58,333 --> 00:03:00,583
IN WHAT WAYS DO HUMAN BEINGS
RESOLVE CONFLICT?
64
00:03:00,583 --> 00:03:01,875
BRING IN THE MAMA.
65
00:03:03,333 --> 00:03:04,708
THEY TALK IT OUT.
66
00:03:04,708 --> 00:03:06,708
-THEY GO TO WAR.
-WHY CAN'T THEY TALK IT OUT?
67
00:03:06,708 --> 00:03:09,083
-THEY GO TO WAR.
-OH, OKAY. YOU AND ME
AGAINST FARKLE.
68
00:03:10,416 --> 00:03:11,708
THEY TALK IT OUT.
69
00:03:11,708 --> 00:03:13,125
-THEY GO TO WAR!
-LET'S GET HIM!
70
00:03:18,458 --> 00:03:20,250
YOU SHOULDA TALKED IT OUT.
71
00:03:21,833 --> 00:03:24,875
MANY CONFLICTS ESCALATE
AND DO NOT END WELL.
72
00:03:24,875 --> 00:03:27,625
THE STORY OF ALEXANDER HAMILTON
AND AARON BURR
73
00:03:27,625 --> 00:03:28,875
IS A PRIME EXAMPLE.
74
00:03:28,875 --> 00:03:30,250
ANYBODY KNOW WHAT HAPPENED?
75
00:03:30,250 --> 00:03:31,416
RILEY?
76
00:03:31,416 --> 00:03:33,291
PLEASE STOP PICKING ON ME.
77
00:03:33,291 --> 00:03:34,375
WHAT?
78
00:03:34,375 --> 00:03:35,958
THEY HAD A DUEL.
BURR KILLED HAMILTON.
79
00:03:35,958 --> 00:03:38,750
IN 1791, BURR CAPTURED
A SENATE SEAT
80
00:03:38,750 --> 00:03:40,291
FROM HAMILTON'S
FATHER-IN-LAW,
81
00:03:40,291 --> 00:03:42,291
WHICH LAUNCHED THEIR RIVALRY.
82
00:03:42,291 --> 00:03:45,708
THEN BURR ACCUSED HAMILTON
OF PUBLICLY INSULTING HIM.
83
00:03:45,708 --> 00:03:47,708
(phone dings)
84
00:03:47,708 --> 00:03:49,875
RILEY, NO ONE
SHOULD BE TEXTING YOU IN CLASS.
85
00:03:51,875 --> 00:03:53,625
I AGREE.
86
00:03:53,625 --> 00:03:55,875
I DON'T WANT YOU TO SAY
"RILEYTOWN" ANYMORE.
87
00:03:55,875 --> 00:03:57,583
I LIKE RILEYTOWN.
88
00:03:57,583 --> 00:04:00,375
I LIKE YOU AND I LIKE
TO SAY WHATEVER I WANT.
89
00:04:00,375 --> 00:04:03,250
NOW, BURR CHALLENGED
HAMILTON TO A DUEL
90
00:04:03,250 --> 00:04:04,583
TO RESOLVE THEIR CONFLICT.
91
00:04:04,583 --> 00:04:05,875
MAYBE THAT'S WHAT WE SHOULD DO.
92
00:04:05,875 --> 00:04:07,833
MAYBE YOU WANT TO HEAR
WHAT HAPPENED TO THEM FIRST.
93
00:04:09,416 --> 00:04:12,125
HAMILTON BELIEVED THE DUEL
WASN'T MORALLY RIGHT,
94
00:04:12,125 --> 00:04:14,458
SO HE FIRED HIS PISTOL
IN THE AIR.
95
00:04:14,458 --> 00:04:16,500
BURR, BELIEVING
HE HAD BEEN SHOT AT,
96
00:04:16,500 --> 00:04:19,250
FIRED AT HAMILTON
AND KILLED HIM.
97
00:04:19,250 --> 00:04:21,375
SO, WHY AM I TELLING
YOU GUYS A STORY
98
00:04:21,375 --> 00:04:24,333
ABOUT WHAT HAPPENS WHEN
YOU FAIL TO RESOLVE
A CONFLICT PEACEFULLY?
99
00:04:25,416 --> 00:04:26,625
LUCAS?
100
00:04:26,625 --> 00:04:27,625
PEOPLE GET HURT.
101
00:04:27,625 --> 00:04:28,750
WHAT DO WE NEED TO LEARN?
102
00:04:28,750 --> 00:04:30,708
I NEED TO LEARN
HOW TO RESOLVE A CONFLICT.
103
00:04:30,708 --> 00:04:32,708
WHAT'S GOING ON?
104
00:04:34,458 --> 00:04:35,750
SHE THINKS I'M A BULLY
105
00:04:35,750 --> 00:04:38,000
BECAUSE I KEEP SAYING
SOMETHING SHE DOESN'T LIKE.
106
00:04:38,000 --> 00:04:40,708
A BULLY ISN'T SOMEONE WHO
SAYS SOMETHING YOU DON'T LIKE.
107
00:04:40,708 --> 00:04:42,750
A BULLY IS SOMEONE
WHO USES POWER
108
00:04:42,750 --> 00:04:44,625
AND INTIMIDATION
TO HURT OTHERS.
109
00:04:44,625 --> 00:04:47,708
THERE'S A BIG DIFFERENCE BETWEEN
HAVING A CONFLICT WITH A FRIEND
110
00:04:47,708 --> 00:04:49,000
AND HAVING A BULLY.
111
00:04:49,000 --> 00:04:51,458
SO DON'T JUST
THROW THAT WORD AROUND.
112
00:04:51,458 --> 00:04:53,708
THERE ARE OTHER WORDS
YOU SHOULDN'T JUST
THROW AROUND, EITHER.
113
00:04:53,708 --> 00:04:56,333
WHAT? LIKE RILEYTOWN,
THE PLACE WHERE YOU LIVE
114
00:04:56,333 --> 00:04:57,833
BECAUSE YOU'RE THERE RIGHT NOW?
115
00:04:57,833 --> 00:04:58,958
I ASKED YOU NOT TO.
116
00:04:58,958 --> 00:05:00,708
WHY DO WE HAVE TO
KEEP ON TALKING ABOUT THIS?
STYLE
::cue(.speaker)
::cue(.speakerTop)
117
00:05:00,708 --> 00:05:03,875
BECAUSE THE MOST POWERFUL TOOL
IN THE HUMAN BEING ARSENAL
118
00:05:03,875 --> 00:05:06,708
IS THE ABILITY TO SOLVE
CONFLICT WITH WORDS.
119
00:05:06,708 --> 00:05:09,708
YOU THINK
I'M GOOFY, SILLY AND WEIRD.
120
00:05:09,708 --> 00:05:11,500
NO KIDDING.
121
00:05:11,500 --> 00:05:15,083
YOU'RE UNIQUE AND WONDERFUL,
AND I LOVE IT HERE IN RILEYTOWN.
122
00:05:17,833 --> 00:05:19,625
I CHALLENGE YOU TO A DUEL.
123
00:05:19,625 --> 00:05:23,708
OKAY, YOU'RE NOT REALLY
UNDERSTANDING THIS AT ALL.
124
00:05:25,416 --> 00:05:27,708
MAYA, PLEASE
HELP HER UNDERSTAND.
125
00:05:29,833 --> 00:05:30,625
I ACCEPT.
126
00:05:32,875 --> 00:05:34,583
DUEL TO THE DEATH.
127
00:05:34,583 --> 00:05:36,458
THANK YOU VERY MUCH.
128
00:05:38,416 --> 00:05:40,875
(drum and fife play)
129
00:05:48,958 --> 00:05:52,208
YOU WILL COME BACK
TO ME AFTER THE WAR,
WON'T YOU, DARLIN'?
130
00:05:53,625 --> 00:05:55,583
JUST GIVE ME
THE ICE CREAM, FARKLE.
131
00:05:55,583 --> 00:05:57,625
WHY ARE YOU
MY SECOND, HUCKLEBERRY?
132
00:05:57,625 --> 00:05:59,583
SHOULDN'T YOU BE
OVER THERE WITH RILEY?
133
00:05:59,583 --> 00:06:01,875
WELL, IT WAS DECIDED THAT
IF THINGS GET OUT OF HAND,
134
00:06:01,875 --> 00:06:04,375
I WAS THE BEST CHOICE TO...
135
00:06:04,375 --> 00:06:06,208
CONTAIN YOU.
136
00:06:07,708 --> 00:06:09,750
OH. YOU THINK YOU CAN?
137
00:06:09,750 --> 00:06:12,208
YEAH, BUT I'LL PROBABLY
PAY FOR IT PRETTY GOOD.
138
00:06:17,708 --> 00:06:19,458
WHY WOULD YOU
LET THEM DO THIS?
139
00:06:19,458 --> 00:06:22,000
OH, IT'S A SLOW DAY
AND THE ICE CREAM
EXPIRES TOMORROW.
140
00:06:26,833 --> 00:06:27,708
WHAT ARE YOU DOING?
141
00:06:27,708 --> 00:06:28,958
I'M ITCHY.
142
00:06:29,958 --> 00:06:32,875
MAYA, AS THE ONE
CHALLENGED TO THIS DUEL,
143
00:06:32,875 --> 00:06:33,708
YOU GET THE FIRST SHOT.
144
00:06:33,708 --> 00:06:36,833
ALL RIGHT, YOU'LL TAKE
THREE PACES, TURN, AND FIRE.
145
00:06:36,833 --> 00:06:38,833
HOW DO YOU KNOW
HOW TO DO THIS SO WELL, ZAY?
146
00:06:38,833 --> 00:06:40,875
WELL, BACK IN TEXAS,
WE CALL THIS A WEDNESDAY.
147
00:06:42,833 --> 00:06:44,458
ICE CREAM READY?
148
00:06:46,000 --> 00:06:47,833
ONE...
149
00:06:47,833 --> 00:06:49,083
TWO...
150
00:06:49,083 --> 00:06:50,708
THREE...
151
00:06:50,708 --> 00:06:51,958
TURN...
152
00:06:51,958 --> 00:06:53,083
FIRE!
153
00:06:53,083 --> 00:06:54,083
WAIT A MINUTE.
154
00:06:55,458 --> 00:06:56,625
SOMETHING'S WRONG.
155
00:06:59,083 --> 00:07:00,875
OH, THAT WOULD HAVE BEEN BAD.
156
00:07:02,750 --> 00:07:03,708
FIRE!
157
00:07:09,125 --> 00:07:11,750
THAT'S THE BEST WAY TO
RESOLVE A CONFLICT I EVER SAW.
158
00:07:12,958 --> 00:07:15,166
THIS TASTES ONE DAY
BEFORE EXPIRED.
159
00:07:15,166 --> 00:07:17,083
RILEY, TAKE A HINT, PLEASE,
160
00:07:17,083 --> 00:07:18,708
SO WE CAN
ALL BE DONE WITH THIS.
161
00:07:19,708 --> 00:07:21,458
THIS WILL BE DONE
WHEN YOU TREAT ME LIKE
162
00:07:21,458 --> 00:07:23,708
AN ORDINARY PERSON
WHO NOBODY NOTICES.
163
00:07:23,708 --> 00:07:26,625
YOU'RE NOT. YOU'RE A SWEET,
WEIRD LITTLE GOOFBALL
164
00:07:26,625 --> 00:07:28,000
AND I LOVE YOU
JUST THE WAY YOU ARE.
165
00:07:28,000 --> 00:07:29,250
DEAL WITH IT.
166
00:07:41,625 --> 00:07:43,333
NO NEED TO CONTAIN ME, LUCAS.
167
00:07:43,333 --> 00:07:44,958
I'M FINE.
168
00:07:44,958 --> 00:07:46,708
HOW ARE YOU FINE?
YOU DON'T LOOK FINE.
169
00:07:47,708 --> 00:07:49,875
BECAUSE THAT'S
NOT RILEY AT ALL.
170
00:07:49,875 --> 00:07:51,000
SOMETHING'S REALLY WRONG.
171
00:07:51,000 --> 00:07:53,083
MR. AND MRS. MATTHEWS...
172
00:07:54,875 --> 00:07:56,291
RILEY AND I
HAVE A CONFLICT.
173
00:07:58,250 --> 00:08:00,708
IT WON'T TEACH US ANYTHING
IF YOU GUYS STEP IN.
174
00:08:03,375 --> 00:08:05,166
OKAY.
175
00:08:05,166 --> 00:08:06,458
WE'RE HERE IF YOU NEED US.
176
00:08:06,458 --> 00:08:08,083
I KNOW.
177
00:08:16,458 --> 00:08:17,625
WHY ARE YOU SO CALM?
178
00:08:17,625 --> 00:08:19,833
BECAUSE THIS ISN'T HER.
179
00:08:19,833 --> 00:08:21,750
THIS ISN'T RILEY AT ALL.
180
00:08:21,750 --> 00:08:23,583
WELL, WHAT COULD HAVE
CHANGED HER ALL OF A SUDDEN?
181
00:08:23,583 --> 00:08:25,625
THIS IS LIKE WHEN I ALWAYS
USED TO WEAR MY TURTLENECKS
182
00:08:25,625 --> 00:08:27,583
AND THEN THERE WAS SOMEBODY
THAT DIDN'T LIKE THAT I...
183
00:08:28,708 --> 00:08:29,875
OH, MY GOSH.
184
00:08:29,875 --> 00:08:30,875
WHAT?
185
00:08:32,875 --> 00:08:34,166
WHAT ARE YOU LOOKING AT?
186
00:08:34,166 --> 00:08:35,375
YOU GOTS TO GO.
187
00:08:35,375 --> 00:08:36,625
-WHAT?
-WE NEED MORE TOWELS.
188
00:08:36,625 --> 00:08:37,833
-WHAT?
-MAYA NEEDS MORE TOWELS.
189
00:08:37,833 --> 00:08:39,083
-I'M FINE.
-GET HER MORE TOWELS!
190
00:08:39,083 --> 00:08:40,625
-OKAY.
-YES, SIR.
191
00:08:42,750 --> 00:08:43,708
WHAT'S GOING ON?
192
00:08:44,958 --> 00:08:46,416
OF COURSE
SHE LOVES RILEYTOWN.
193
00:08:46,416 --> 00:08:47,833
OF COURSE SHE'S WEIRD
AND GOOFY AND UNIQUE.
194
00:08:47,833 --> 00:08:49,000
THAT'S WHAT WE ALL
LOVE ABOUT HER.
195
00:08:49,000 --> 00:08:50,083
SO WHAT'S THE PROBLEM?
196
00:08:50,083 --> 00:08:51,166
SOMEBODY DOESN'T.
197
00:08:51,166 --> 00:08:52,500
WHAT?
198
00:08:52,500 --> 00:08:53,708
RILEY DOESN'T
WANT TO BE HER
199
00:08:53,708 --> 00:08:55,291
BECAUSE SHE FEELS
LIKE A NOTHING.
200
00:08:55,291 --> 00:08:57,375
BECAUSE A BULLY MAKES
YOU FEEL LIKE A NOTHING.
201
00:08:57,375 --> 00:08:58,625
A BULLY TOOK
SOMETHING I LIKED
202
00:08:58,625 --> 00:09:00,583
ABOUT MYSELF AND MADE
ME FEEL BAD ABOUT IT.
203
00:09:00,583 --> 00:09:02,375
BUT WHY WOULD SHE THINK
I WOULD EVER DO THAT?
204
00:09:02,375 --> 00:09:04,500
I'M HER BEST FRIEND.
WHY IS SHE YELLING AT ME?
205
00:09:04,500 --> 00:09:06,416
BECAUSE I THINK SHE'S
TRYING TO GET YOU TO HEAR HER.
206
00:09:06,416 --> 00:09:07,708
HEAR WHAT?
207
00:09:07,708 --> 00:09:10,583
WHY DOES SHE KEEP
TALKING ABOUT A BULLY
IF SHE KNOWS I'M NOT--
208
00:09:10,583 --> 00:09:11,875
WHAT?
209
00:09:13,875 --> 00:09:14,875
OH, NO.
210
00:09:20,458 --> 00:09:21,750
WHAT? SHE'S GONE?
211
00:09:21,750 --> 00:09:22,833
YEP.
212
00:09:22,833 --> 00:09:24,625
WELL, WHAT ARE WE SUPPOSED
TO DO WITH THESE TOWELS?
213
00:09:24,625 --> 00:09:25,708
THEY'RE NOT FOR MAYA.
214
00:09:25,708 --> 00:09:26,750
WELL, WHO ARE THEY FOR?
215
00:09:26,750 --> 00:09:27,750
THEY'RE FOR YOU.
216
00:09:29,416 --> 00:09:30,500
WHAT?
217
00:09:31,625 --> 00:09:33,125
-FARKLE, WHAT ARE YOU DOING?
STOP--
-DON'T...
218
00:09:33,125 --> 00:09:35,833
MISTAKE MY SIZE AND DEMEANOR
FOR A LACK OF CRAZY
219
00:09:35,833 --> 00:09:37,625
BECAUSE I GOT IT
AND I'LL USE IT.
220
00:09:37,625 --> 00:09:38,875
SO STAY WHERE YOU ARE.
221
00:09:38,875 --> 00:09:40,291
OKAY.
222
00:09:40,291 --> 00:09:43,000
I AM YOUR BEST FRIEND
AND I NEED YOU TO TRUST ME.
223
00:09:43,000 --> 00:09:44,583
UH-UH. I'M HIS BEST FRIEND.
224
00:09:44,583 --> 00:09:47,375
IF YOU WERE HIS BEST FRIEND,
YOU'D KNOW TO TIE HIM UP
RIGHT NOW.
225
00:09:47,375 --> 00:09:49,583
LOOK, I'MMA JUST DO IT.
I DON'T NEED AN EXPLANATION.
226
00:09:51,625 --> 00:09:52,750
I'M GONNA TELL
YOU SOMETHING BAD
227
00:09:52,750 --> 00:09:55,458
AND I NEED YOU TO
NOT TURN INTO TEXAS LUCAS.
228
00:09:55,458 --> 00:09:56,708
(chuckles)
229
00:09:56,708 --> 00:09:59,875
FARKLE, NOTHING IS GOING
TO TURN ME BACK INTO THAT.
230
00:09:59,875 --> 00:10:01,875
SOMETHING'S HAPPENING
TO RILEY.
STYLE
::cue(.speaker)
::cue(.speakerTop)
231
00:10:03,708 --> 00:10:05,083
WHAT?
232
00:10:18,208 --> 00:10:19,708
WE HAVE SOMETHING
TO TALK ABOUT, YOU AND ME.
233
00:10:19,708 --> 00:10:22,250
I DON'T LIKE IT
WHEN WE FIGHT.
234
00:10:22,250 --> 00:10:25,375
I'M GOING TO BE YOUR FRIEND
FOR THE REST OF YOUR LIFE.
235
00:10:26,500 --> 00:10:28,083
WE'RE GONNA HAVE
SOME CONFLICTS ALONG THE WAY.
236
00:10:28,083 --> 00:10:30,000
WHAT DO WE DO?
237
00:10:30,000 --> 00:10:31,875
WE WILL WORK THEM OUT.
238
00:10:31,875 --> 00:10:34,375
WE'LL ALWAYS WORK THEM OUT
BECAUSE WE'RE FRIENDS.
239
00:10:34,375 --> 00:10:35,875
AND IF THINGS GET ROUGH,
MAYBE WE'LL THROW
240
00:10:35,875 --> 00:10:39,208
SOME ICE CREAM AT EACH OTHER,
BUT WE'LL STILL BE FRIENDS
241
00:10:39,208 --> 00:10:41,708
BECAUSE THAT'S WHAT
REASONABLE PEOPLE DO.
242
00:10:41,708 --> 00:10:43,583
SO WE HAVE
NO CONFLICT ANYMORE?
243
00:10:43,583 --> 00:10:45,083
NO.
244
00:10:45,083 --> 00:10:46,833
NOW WE HAVE A NEW ONE.
245
00:10:48,333 --> 00:10:50,291
WHY WOULDN'T YOU COME TO ME?
246
00:10:52,750 --> 00:10:55,750
HOW COULD YOU NOT COME TO ME
IF SOMEONE IS BULLYING YOU?
247
00:10:58,291 --> 00:10:59,833
I'M HUMILIATED, MAYA.
248
00:11:02,000 --> 00:11:04,083
I DIDN'T WANT TO LET
YOU SEE ME HUMILIATED.
249
00:11:04,083 --> 00:11:06,250
YOU THOUGHT IT WOULD
JUST GO AWAY?
250
00:11:06,250 --> 00:11:07,833
MM-HMM.
251
00:11:09,166 --> 00:11:10,833
IT'S GETTING WORSE.
252
00:11:12,708 --> 00:11:13,708
YOU KNOW WHAT
THE DIFFERENCE IS
253
00:11:13,708 --> 00:11:16,291
BETWEEN A CONFLICT WITH A BULLY
AND A CONFLICT WITH A FRIEND?
254
00:11:16,291 --> 00:11:17,291
WHAT?
255
00:11:21,958 --> 00:11:23,625
YOU'RE THE WORST
BULLY EVER, PEACHES.
256
00:11:23,625 --> 00:11:25,750
(chuckles) I KNOW.
257
00:11:27,875 --> 00:11:29,458
PEACHES THE BULLY JUST...
258
00:11:29,458 --> 00:11:31,458
DOESN'T STRIKE FEAR
INTO THE HEARTS OF ANYBODY.
259
00:11:32,750 --> 00:11:35,625
I CALLED YOU A BULLY
AND I ICE CREAMED YOU.
260
00:11:35,625 --> 00:11:37,708
I'M REALLY SORRY.
261
00:11:37,708 --> 00:11:39,833
IT'S OKAY.
262
00:11:41,583 --> 00:11:43,083
WILL YOU GET BACK AT ME
FOR THE ICE CREAM?
263
00:11:43,083 --> 00:11:44,625
OH, YEAH, AND YOU'RE
NEVER GONNA SEE IT COMING.
264
00:11:44,625 --> 00:11:46,750
COULDN'T YOU TELL ME
JUST BEFORE YOU WERE
GONNA DO IT?
265
00:11:46,750 --> 00:11:48,708
NO, HONEY. THAT WOULD
HURT MY ENJOYMENT.
266
00:11:50,958 --> 00:11:53,333
I'M SORRY I TOOK
EVERYTHING OUT ON YOU.
267
00:11:53,333 --> 00:11:55,583
IT'S OKAY.
268
00:11:55,583 --> 00:11:57,458
YOU HAD TO TAKE IT OUT
ON SOMEBODY.
269
00:11:58,708 --> 00:12:01,708
I'M GLAD YOU FELT SAFE ENOUGH
TO TAKE IT OUT ON ME.
270
00:12:03,333 --> 00:12:06,000
AND I'M SORRY I DIDN'T HEAR
WHAT YOU WERE TRYING
TO SAY EARLIER.
271
00:12:07,375 --> 00:12:10,833
WELL, I WILL
NEVER GO AT YOU AGAIN.
272
00:12:10,833 --> 00:12:13,875
NO, IT'S OKAY.
I CAN TAKE IT.
273
00:12:14,958 --> 00:12:16,708
-LET IT ALL OUT.
-I'M BETTER NOW.
274
00:12:16,708 --> 00:12:19,625
OH, YEAH. I'M SURE YOU ARE.
THAT'S GOOD.
275
00:12:21,875 --> 00:12:23,958
-RILEYTOWN.
-STOP SAYING THAT!
276
00:12:23,958 --> 00:12:25,708
PEOPLE SHOULDN'T MAKE FUN
OF OTHER PEOPLE.
277
00:12:25,708 --> 00:12:26,833
WHAT DID I EVER DO TO YOU?
278
00:12:32,416 --> 00:12:33,625
YOU EXIST.
279
00:12:35,458 --> 00:12:37,083
YOU EXIST, AND YOU'RE WEIRD,
280
00:12:37,083 --> 00:12:38,625
AND YOU GET IN THE WAY
OF WHERE I'M LOOKING,
281
00:12:38,625 --> 00:12:41,750
SO STOP BEING WEIRD
AND STOP BEING HAPPY.
282
00:12:41,750 --> 00:12:44,750
NOBODY SHOULD BE
AS HAPPY AS YOU.
283
00:12:46,625 --> 00:12:48,250
STOP BEING WHO YOU ARE...
284
00:12:50,208 --> 00:12:54,708
OR I'M GONNA PUT MY FOOT
IN YOUR WEIRD, STUPID FACE.
285
00:12:57,000 --> 00:12:58,583
OKAY.
286
00:12:58,583 --> 00:13:00,500
(crying)
287
00:13:02,583 --> 00:13:03,708
I'M FINE.
288
00:13:03,708 --> 00:13:05,333
I'M NOT. HOW LONG?
289
00:13:06,333 --> 00:13:08,500
A FEW WEEKS.
290
00:13:08,500 --> 00:13:10,833
THIS HAS BEEN GOING ON
A FEW WEEKS.
291
00:13:11,875 --> 00:13:13,291
RILES, I GOT YOU.
292
00:13:13,291 --> 00:13:15,708
I TRIED
DEALING WITH HER, MAYA.
293
00:13:15,708 --> 00:13:17,625
SHE'S NOT A REASONABLE PERSON.
294
00:13:17,625 --> 00:13:18,875
HOW DO I HANDLE THIS?
295
00:13:18,875 --> 00:13:20,000
I DON'T KNOW
HOW TO HANDLE THIS.
296
00:13:20,000 --> 00:13:21,833
NOT ALONE.
297
00:13:21,833 --> 00:13:23,875
BUT I THOUGHT I WAS SUPPOSED TO
LEARN HOW TO RESOLVE A CONFLICT.
298
00:13:23,875 --> 00:13:25,708
-YOU HAVE A BULLY!
-AND I HAVE CONFLICT?
299
00:13:25,708 --> 00:13:27,625
-YOU ARE INCREDIBLY SCREWY.
-AND I'M SCREWY,
300
00:13:27,625 --> 00:13:29,625
AND I HAVE A BULLY,
AND I HAVE A CONFLICT?
301
00:13:32,458 --> 00:13:34,458
WHAT A TOUGH DAY
IN RILEYTOWN.
302
00:13:36,291 --> 00:13:38,750
OKAY. SO NOW WE
KNOW TWO THINGS.
303
00:13:40,416 --> 00:13:43,958
FIRST, YOU ARE GOING TO STAY
EXACTLY WHO YOU ARE.
304
00:13:43,958 --> 00:13:45,750
WHAT ELSE?
305
00:13:47,083 --> 00:13:48,625
I DON'T THINK LUCAS WILL.
306
00:13:54,708 --> 00:13:56,583
SO, I WANTED TO MAKE SURE
YOU WERE TIED UP
307
00:13:56,583 --> 00:13:57,833
BECAUSE I KNOW
HOW YOU WERE IN TEXAS
308
00:13:57,833 --> 00:14:00,166
AND I WAS WORRIED ABOUT
WHAT WOULD HAPPEN
WHEN YOU FOUND OUT
309
00:14:00,166 --> 00:14:02,416
ABOUT WHAT SOMEONE WAS DOING
TO RILEY AND GOT ANGRY.
310
00:14:03,833 --> 00:14:05,583
DID I DO THE RIGHT THING, ZAY?
311
00:14:05,583 --> 00:14:06,625
NO.
312
00:14:06,625 --> 00:14:08,750
-WHAT DID I DO WRONG?
-WELL, YOU USED TOWELS.
313
00:14:09,750 --> 00:14:12,458
-WHAT SHOULD I HAVE USED?
-AH, IT WOULDN'T MATTER.
314
00:14:16,000 --> 00:14:18,708
WELL, LOOK AT DAT.
315
00:14:26,416 --> 00:14:29,208
IT'S BEEN MY EXPERIENCE
THAT WHEN IT COMES TO
PROTECTING HIS FRIENDS,
316
00:14:29,208 --> 00:14:31,083
NOTHING CAN HOLD HIM BACK.
317
00:14:36,000 --> 00:14:37,708
OKAY.
THIS OUGHTA HOLD HIM.
318
00:14:44,375 --> 00:14:46,291
WHY WOULD YOU
NOT TELL ME ABOUT THIS?
319
00:14:46,291 --> 00:14:48,625
I SHOULD BE ABLE TO
FIGHT MY OWN BATTLES, LUCAS.
320
00:14:48,625 --> 00:14:51,208
NO, YOU SHOULDN'T.
AND YOU DON'T HAVE TO, RILEY.
321
00:14:51,208 --> 00:14:52,833
THAT'S THE POINT
OF HAVING FRIENDS.
322
00:14:54,458 --> 00:14:56,375
AND DID YOU REALLY THINK THERE
WAS ANYTHING YOU COULD PUT
323
00:14:56,375 --> 00:14:58,000
IN THIS WINDOW TO KEEP
ME FROM HELPING YOU?
324
00:14:58,000 --> 00:15:00,250
WE DON'T LIKE IT
WHEN YOU GET LIKE THIS.
325
00:15:00,250 --> 00:15:01,416
TELL HIM, MAYA.
326
00:15:01,416 --> 00:15:03,708
UM... LUCAS, PICK UP
THAT BED WITH ONE ARM.
STYLE
::cue(.speaker)
::cue(.speakerTop)
327
00:15:08,000 --> 00:15:10,208
RILEY, YOU WOULDN'T LET ME KEEP
THIS KIND OF STUFF TO MYSELF.
328
00:15:10,208 --> 00:15:11,250
YOU THINK WE'RE
GONNA LET YOU?
329
00:15:15,458 --> 00:15:18,625
SO WHAT? YOU GUYS JUST
COME THROUGH THE WINDOW
AND THAT'S OKAY?
330
00:15:18,625 --> 00:15:20,625
I DON'T LIKE IT.
IMPOLITE.
331
00:15:20,625 --> 00:15:22,083
OH, AND I TOOK SOME CEREAL.
332
00:15:24,333 --> 00:15:26,500
YOU'RE OUT OF MILK...
333
00:15:26,500 --> 00:15:27,750
NOW.
334
00:15:29,875 --> 00:15:31,416
I DON'T THINK IT'S RIGHT
THAT RILEY'S ALWAYS
335
00:15:31,416 --> 00:15:32,708
THE FIRST ONE
TO COME HELP US
336
00:15:32,708 --> 00:15:34,000
BUT DOESN'T COME TO US
WHEN SHE NEEDS HELP.
337
00:15:34,000 --> 00:15:35,833
OKAY. I'M SORRY.
338
00:15:35,833 --> 00:15:36,875
I SHOULD HAVE TOLD YOU.
339
00:15:36,875 --> 00:15:38,708
I JUST DIDN'T WANT
TO PUT THIS ON YOU.
340
00:15:38,708 --> 00:15:41,500
WE'RE FRIENDS.
WE CAN FIGURE OUT ANYTHING.
341
00:15:41,500 --> 00:15:44,708
-BUT WHAT IF YOU'RE
DEALING WITH SOMEONE WHO--
-(phone dings)
342
00:15:47,500 --> 00:15:49,833
WHO JUST WON'T STOP?
343
00:15:57,208 --> 00:15:58,583
I WANT TO TALK TO YOU.
344
00:16:00,333 --> 00:16:01,833
I KNOW THERE'S
SOMETHING GOING ON.
345
00:16:03,291 --> 00:16:04,625
DO YOU WANT ME TO
TELL YOU WHAT IT IS?
346
00:16:04,625 --> 00:16:06,750
DO YOU WANT TO, RILEY?
347
00:16:08,291 --> 00:16:10,625
BECAUSE SO FAR,
YOU HAVEN'T TOLD ME,
348
00:16:10,625 --> 00:16:12,875
AND I RESPECT THAT.
349
00:16:13,708 --> 00:16:15,500
IT AIN'T GOOD.
350
00:16:15,500 --> 00:16:17,375
YEAH, I FIGURED.
351
00:16:17,375 --> 00:16:18,708
BUT YOU'RE ON IT?
352
00:16:18,708 --> 00:16:20,458
YES.
353
00:16:20,458 --> 00:16:22,083
AND YOU'RE ON IT?
354
00:16:22,083 --> 00:16:24,125
YEP.
355
00:16:24,125 --> 00:16:25,625
THE RIGHT WAY?
356
00:16:25,625 --> 00:16:27,750
WE'LL SEE.
357
00:16:27,750 --> 00:16:30,083
Cory:
THE RIGHT WAY, LUCAS.
YOU KNOW WHY?
358
00:16:30,083 --> 00:16:33,458
BECAUSE AARON BURR MIGHT
HAVE WON HIS DUEL BY
KILLING HIS RIVAL,
359
00:16:33,458 --> 00:16:35,375
BUT HE NEVER
HELD OFFICE AGAIN
360
00:16:35,375 --> 00:16:37,833
AND HE'LL FOREVER
BE KNOWN FOR THIS.
361
00:16:37,833 --> 00:16:39,500
YOU UNDERSTAND?
362
00:16:39,500 --> 00:16:41,208
YES, SIR.
363
00:16:41,208 --> 00:16:42,833
FARKLE?
364
00:16:42,833 --> 00:16:45,708
EVERYTHING WILL
BE OKAY, MR. MATTHEWS.
IT ALWAYS IS.
365
00:16:45,708 --> 00:16:47,833
YEAH, WHY DO YOU SUPPOSE
IT ALWAYS IS?
366
00:16:47,833 --> 00:16:49,708
ZAY?
367
00:16:51,625 --> 00:16:53,125
IT'S ON THE BOARD.
368
00:16:53,125 --> 00:16:54,875
THE FIRST ONE.
369
00:16:56,625 --> 00:16:57,750
THAT'S RIGHT.
370
00:16:57,750 --> 00:17:00,750
AND THEN YOU'RE GOING TO
TELL US ABOUT THE SECOND ONE.
371
00:17:00,750 --> 00:17:02,375
I AM.
372
00:17:02,375 --> 00:17:04,458
YEAH, I KNOW HOW THIS GOES.
373
00:17:05,583 --> 00:17:07,833
THERE'S NOTHING MORE
VALUABLE THAN FRIENDS
374
00:17:07,833 --> 00:17:09,416
WHEN YOU HAVE TO
GO THROUGH LIFE.
375
00:17:09,416 --> 00:17:11,416
Cory:
BUT EVEN IF YOUR FRIENDS
AREN'T AROUND,
376
00:17:11,416 --> 00:17:12,875
EVEN IF YOU'RE ALL ALONE,
377
00:17:12,875 --> 00:17:14,708
THERE'S ALWAYS
SOMEONE TO TURN TO.
378
00:17:14,708 --> 00:17:17,708
A PARENT OR A TEACHER.
379
00:17:17,708 --> 00:17:20,250
IT'S OKAY TO ASK FOR HELP.
380
00:17:21,583 --> 00:17:23,625
THAT'S BECAUSE THERE'S
SO MUCH OUT THERE
381
00:17:23,625 --> 00:17:25,958
THAT MAKES IT'S WAY
TO YOU GUYS SO MUCH EASIER NOW.
382
00:17:25,958 --> 00:17:28,625
HOW DO WE FIGHT THAT?
383
00:17:28,625 --> 00:17:30,625
WELL, NOW WE TURN TO GROWTH.
384
00:17:31,708 --> 00:17:33,583
RELY ON EACH OTHER.
385
00:17:33,583 --> 00:17:35,291
GROW TOGETHER.
386
00:17:35,291 --> 00:17:38,291
BUT SOMETIMES YOU HAVE TO
GROW BY YOURSELF.
387
00:17:38,291 --> 00:17:41,500
BUT WHATEVER IT IS
THAT MAKES ITS WAY TO YOU,
388
00:17:41,500 --> 00:17:44,333
IT'S JUST SHADOWS
FROM YOUR INTIMIDATING WORLD.
389
00:17:44,333 --> 00:17:46,583
DON'T LIVE IN THE SHADOW.
390
00:17:47,583 --> 00:17:49,958
YOUR GROWTH CAN HELP YOU
GET BACK INTO THE SUN.
391
00:17:49,958 --> 00:17:51,583
THANKS, DAD.
392
00:17:52,875 --> 00:17:55,583
SARAH, DARBY,
393
00:17:55,583 --> 00:17:57,958
JADE, YINDRA, WYATT,
394
00:17:57,958 --> 00:18:00,500
JEFFREY, HALEY,
395
00:18:00,500 --> 00:18:04,708
NATE, YOGI,
DAVE, CLARISSA,
396
00:18:04,708 --> 00:18:07,000
I KNOW THERE ARE LOTS OF
GROUPS OF FRIENDS IN HERE
397
00:18:07,000 --> 00:18:09,583
AND I KNOW YOU GUYS
GO THROUGH STUFF, TOO.
398
00:18:11,250 --> 00:18:13,000
YOUR MATH TEACHER
HELPS YOU GUYS OUT, RIGHT?
399
00:18:14,416 --> 00:18:16,291
AND RELATES ALGEBRA
TO YOUR LIVES?
400
00:18:17,416 --> 00:18:18,708
YOU GUYS OKAY?
401
00:18:21,250 --> 00:18:23,000
LEARN FROM EACH OTHER.
402
00:18:24,291 --> 00:18:25,750
CONTINUE TO GROW.
403
00:18:27,208 --> 00:18:29,500
AND ALWAYS KNOW THAT
I'M HERE FOR YOU.
404
00:18:31,083 --> 00:18:33,583
(bell rings)
405
00:18:56,125 --> 00:18:57,958
I KNOW WHAT
MR. MATTHEWS SAYS IS RIGHT,
406
00:18:57,958 --> 00:18:59,583
BUT, RILEY,
IF YOU WANT ME TO,
407
00:18:59,583 --> 00:19:01,625
WHOEVER THIS IS,
I WILL TAKE CARE
OF IT FOR YOU.
408
00:19:01,625 --> 00:19:03,625
THANK YOU, LUCAS. NO.
409
00:19:03,625 --> 00:19:05,083
RILEY AND I GOT THIS.
410
00:19:05,083 --> 00:19:06,708
THANK YOU, MAYA. NO.
411
00:19:07,708 --> 00:19:11,166
OKAY, GOOD. YOU'RE GONNA
FACE THIS ONE DOWN, BUT HOW?
412
00:19:13,708 --> 00:19:15,166
YOU KNOW WHAT SHE SENT ME?
413
00:19:16,166 --> 00:19:19,458
A VIDEO OF ME
BEING GOOFY...
414
00:19:19,458 --> 00:19:21,166
DOING THE STUFF THAT I DO.
415
00:19:22,583 --> 00:19:24,416
SHE'S BEEN FILMING ME...
416
00:19:24,416 --> 00:19:27,000
AND NOW SHE SAYS SHE'S GONNA
SEND IT TO THE WHOLE SCHOOL.
417
00:19:27,000 --> 00:19:28,625
HONEY, I HATE TO
BREAK IT TO YOU,
418
00:19:28,625 --> 00:19:30,458
BUT THE WHOLE SCHOOL
ALREADY KNOWS YOU'RE GOOFY.
419
00:19:30,458 --> 00:19:32,125
THEY DON'T KNOW
EVERYTHING I DO.
420
00:19:32,125 --> 00:19:33,333
NEITHER DO YOU, MAYA.
421
00:19:33,333 --> 00:19:35,000
WHAT? NO-- YES, I DO.
422
00:19:35,000 --> 00:19:37,458
DEEP IN THE HEART
OF RILEYTOWN,
423
00:19:37,458 --> 00:19:40,083
IN THE DARKEST SECRET CORNER
OF RILEYTOWN...
424
00:19:40,083 --> 00:19:42,750
I CAN'T BELIEVE
I'M FINALLY TELLING YOU.
425
00:19:42,750 --> 00:19:44,500
ONCE A WEEK...
426
00:19:44,500 --> 00:19:46,250
ON FRIDAY AFTERNOONS...
427
00:19:46,250 --> 00:19:48,083
WHEN THE HALLS ARE EMPTY...
428
00:19:48,083 --> 00:19:51,375
I HAVE AN AWARDS CEREMONY.
429
00:19:51,375 --> 00:19:53,458
I THINK WE KNOW
WHAT HAPPENED.
430
00:19:53,458 --> 00:19:54,583
SOMEBODY CAUGHT YOU...
431
00:19:54,583 --> 00:19:57,875
AND THAT'S WHAT SHE'S SENDING
TO THE WHOLE SCHOOL.
432
00:19:57,875 --> 00:19:59,500
WELL, MAYBE IT'S NOT SO BAD--
433
00:19:59,500 --> 00:20:01,583
SOMETIMES I PRETEND
I'M NOT THERE TO ACCEPT,
434
00:20:01,583 --> 00:20:03,416
SO SOMETIMES FRENCH RILEY
ACCEPTS IN MY PLACE.
435
00:20:03,416 --> 00:20:04,875
IT'S BAD. IT'S REALLY BAD.
436
00:20:06,583 --> 00:20:08,333
BONJOUR.
STYLE
::cue(.speaker)
::cue(.speakerTop)
437
00:20:10,125 --> 00:20:11,625
SOMEBODY DOESN'T LOVE THIS?
438
00:20:13,625 --> 00:20:15,000
WHAT DO I DO, MAYA?
439
00:20:17,875 --> 00:20:19,625
UH...
440
00:20:21,208 --> 00:20:22,458
YOU LOOK AT YOUR FRIENDS...
441
00:20:23,750 --> 00:20:24,958
AND YOU REALIZE THAT
442
00:20:24,958 --> 00:20:28,333
NO MATTER HOW DEEP
INTO RILEYTOWN YOU GO,
443
00:20:29,833 --> 00:20:31,125
WE'LL ALL BE
RIGHT BEHIND YOU.
444
00:20:33,833 --> 00:20:34,958
NOW GO GET HER.
445
00:20:48,625 --> 00:20:49,875
THANK YOU FOR MEETING ME.
446
00:20:51,083 --> 00:20:52,708
I KNOW YOU PROBABLY HAVE
SOMETHING TO SAY.
447
00:20:52,708 --> 00:20:54,833
YOU ALWAYS HAVE
SOMETHING TO SAY.
448
00:20:58,750 --> 00:21:00,125
BUT NOW,
IT'S MY TURN TO TALK.
449
00:21:01,750 --> 00:21:02,875
YOU NEED TO LISTEN.
450
00:21:02,875 --> 00:21:05,125
YOU NEED TO WATCH.
451
00:21:06,458 --> 00:21:08,083
WELCOME TO RILEYTOWN.
452
00:21:11,125 --> 00:21:13,000
I TWIRL AROUND WHEN I'M HAPPY.
453
00:21:16,125 --> 00:21:17,833
I DANCE BY MYSELF.
454
00:21:21,708 --> 00:21:23,375
BECAUSE THAT'S WHO I AM.
455
00:21:24,583 --> 00:21:27,375
AND IF I DO SOMETHING GOOD,
I GIVE AWARDS TO MYSELF
456
00:21:27,375 --> 00:21:29,375
SO THAT MAYBE
I'LL DO SOMETHING GOOD AGAIN.
457
00:21:31,125 --> 00:21:32,416
AND YOU'RE
NOT GOING TO STOP ME
458
00:21:32,416 --> 00:21:34,208
BY SHOWING EVERYBODY
YOUR LITTLE VIDEO
459
00:21:34,208 --> 00:21:35,625
THAT SHOWS EVERYBODY
THAT I DO IT
460
00:21:36,625 --> 00:21:38,500
BECAUSE I'M GOING TO
SHOW EVERYBODY RIGHT NOW.
461
00:21:46,416 --> 00:21:48,583
WELCOME BACK TO
THE RILEY AWARDS.
462
00:21:49,833 --> 00:21:53,625
AND NOW, YOUR HOST,
BRITISH RILEY!
463
00:21:53,625 --> 00:21:55,583
HI, BRITISH RILEY.
464
00:21:55,583 --> 00:21:59,583
(speaking with British accent)
AND NOW, THE BIGGEST AWARD
OF THE EVENING.
465
00:22:00,875 --> 00:22:04,458
THIS HERE AWARD IS
FOR NOT ONLY FACING YOUR FEAR,
466
00:22:04,458 --> 00:22:08,250
BUT DOING IT IN FRONT
OF EVERYBODY YOU KNOW
IN MY AWFUL ACCENT.
467
00:22:11,583 --> 00:22:12,833
AND THE WINNER IS...
468
00:22:14,500 --> 00:22:15,583
RILEY!
469
00:22:19,083 --> 00:22:21,583
(in normal voice)
I'D LIKE TO THANK EVERYBODY
WHO HELPED ME GET HERE...
470
00:22:22,958 --> 00:22:24,166
MY FRIENDS.
471
00:22:25,875 --> 00:22:27,875
BECAUSE TRUE FRIENDS
LET YOU BE WHO YOU ARE.
472
00:22:32,708 --> 00:22:34,416
I'D ALSO LIKE TO THANK YOU.
473
00:22:36,833 --> 00:22:38,375
BECAUSE THIS WAS HARD.
474
00:22:40,291 --> 00:22:41,500
BUT I'VE GROWN TODAY.
475
00:22:42,500 --> 00:22:43,583
SO, THANK YOU.
476
00:22:45,083 --> 00:22:47,833
HEY, WHERE ARE YOU GOING?
477
00:22:50,708 --> 00:22:52,708
LOOK, RILES,
478
00:22:52,708 --> 00:22:54,625
THE FARTHER AWAY SHE GOES,
479
00:22:54,625 --> 00:22:55,833
THE SMALLER SHE GETS.
480
00:23:05,375 --> 00:23:06,625
WE DID GOOD.
481
00:23:06,625 --> 00:23:09,000
FRIENDSHIP AND GROWTH.
482
00:23:09,000 --> 00:23:10,875
WHAT COMES NEXT?
483
00:23:10,875 --> 00:23:12,583
I DON'T KNOW,
484
00:23:12,583 --> 00:23:15,750
BUT WHATEVER IT IS,
I KNOW YOU'LL HANDLE IT.
485
00:23:19,750 --> 00:23:22,583
HERE WE ARE AT THE
RILEY AWARDS AFTER PARTY,
486
00:23:22,583 --> 00:23:24,708
WHERE WE'VE BEEN
HAVING ICE CREAM.
487
00:23:24,708 --> 00:23:26,708
BECAUSE I CHALLENGED
MAYA TO A DUEL,
488
00:23:26,708 --> 00:23:28,500
AND THEN I ICE CREAMED HER,
489
00:23:28,500 --> 00:23:30,250
AND THEN SHE SAID
SHE'D GET ME BACK,
490
00:23:30,250 --> 00:23:31,750
AND I'D NEVER SEE IT COMING?