1 00:00:06,291 --> 00:00:08,833 COUGH, COUGH. SNIFFLE. 2 00:00:10,166 --> 00:00:11,750 NO, NO, NO, NO. YOU CAN'T BE SICK. 3 00:00:11,750 --> 00:00:13,625 I DON'T KNOW HOW TO DO THIS LIFE THING ALONE. 4 00:00:13,625 --> 00:00:15,958 I THINK I HAVE THE FOO FOO PLAGUE. 5 00:00:17,708 --> 00:00:19,708 YOU DO? AND WHAT DO YOU TAKE FOR THAT? 6 00:00:19,708 --> 00:00:21,166 FOO FOO MEDICINE. 7 00:00:21,166 --> 00:00:24,750 AND IT MAKES YOU REALLY SLEEPY. 8 00:00:24,750 --> 00:00:25,625 'NIGHT 'NIGHT. BYE. 9 00:00:25,625 --> 00:00:29,458 OKAY, SO I'M LOOKING UP YOUR FAKE DISEASE ON THE FAKE INTERNET... 10 00:00:30,625 --> 00:00:32,416 CAN I HAVE A SICK DAY, PLEASE? 11 00:00:32,416 --> 00:00:34,458 IT WANTS TO KNOW IF YOU HAVE A CRUSHING WEIGHT ON YOUR CHEST. 12 00:00:34,458 --> 00:00:35,583 DO YOU HAVE A CRUSHING WEIGHT? 13 00:00:35,583 --> 00:00:37,416 YEP. CRUSHING WEIGHT. YEP, YEP. 14 00:00:37,416 --> 00:00:39,458 (yelps) 15 00:00:39,458 --> 00:00:42,458 OH, NO! OH, NO! MAYA, I REALLY DO. 16 00:00:42,458 --> 00:00:45,500 I HAVE THE FOO FOOS! IT'S LIKE THERE'S AN ELEPHANT ON MY CHEST. 17 00:00:46,958 --> 00:00:48,625 I AM AT MOST A LABRADOODLE. 18 00:00:50,708 --> 00:00:52,708 MAYA, YOU HAVE TO GET FAR, FAR AWAY FROM ME. 19 00:00:52,708 --> 00:00:54,333 I DON'T WANT YOU TO CATCH THIS. 20 00:00:54,333 --> 00:00:56,250 I KNOW. THAT WOULD BE TERRIBLE. 21 00:00:57,833 --> 00:00:58,875 (sighs) 22 00:01:00,375 --> 00:01:03,708 (giggles) 23 00:01:04,875 --> 00:01:07,583 OKAY, NOW CAN WE PLEASE GO TO SCHOOL NOW AND GET OUT OF RILEYTOWN? 24 00:01:10,250 --> 00:01:12,333 WHAT? I JUST SAID, "CAN WE GET OUT OF RILEYTOW--" OOF. 25 00:01:14,000 --> 00:01:16,000 WHAT IS IT WITH YOU? THAT'S JUST A WORD I MADE UP. 26 00:01:16,000 --> 00:01:17,583 I KNOW WHAT IT MEANS. 27 00:01:17,583 --> 00:01:19,833 IT MEANS THAT I'M GOOFY AND SILLY AND WEIRD. 28 00:01:19,833 --> 00:01:22,166 -IT MEANS YOU'RE UNIQUE. -I DON'T WANT TO BE UNIQUE. 29 00:01:23,208 --> 00:01:24,625 I DON'T WANT ANYBODY TO NOTICE ME. 30 00:01:24,625 --> 00:01:27,208 SINCE WHEN? RILEYTOWN IS WHERE YOU LIVE. 31 00:01:27,208 --> 00:01:29,875 WE EVEN MADE YOUR OWN FLAG AND NATIONAL ANTHEM, REMEMBER? 32 00:01:31,000 --> 00:01:34,000 ♪ RILEYTOWN, OH RILEYTOWN ♪ 33 00:01:34,000 --> 00:01:35,166 WHEE. 34 00:01:36,625 --> 00:01:37,958 YEAH, THAT TOOK US FOUR DAYS TO WRITE. 35 00:01:40,250 --> 00:01:42,833 IS THIS SERIOUS OR ARE WE HAVING FUN? 36 00:01:42,833 --> 00:01:44,291 YOU ARE A BULLY. 37 00:01:44,291 --> 00:01:46,708 OKAY, THAT'S NOT FUN. 38 00:01:46,708 --> 00:01:48,166 I DON'T LIKE BEING LAUGHED AT, MAYA. 39 00:01:48,166 --> 00:01:49,458 NOBODY LIKES BEING LAUGHED AT. 40 00:01:49,458 --> 00:01:51,875 I'M NOT LAUGHING AT YOU. WHO'S LAUGHING AT YOU? 41 00:01:53,708 --> 00:01:55,750 YOU NEVER SHOULD HAVE COME UP WITH IT, AND YOU'RE A BULLY. 42 00:01:55,750 --> 00:01:57,250 OKAY? 43 00:02:01,250 --> 00:02:03,583 (theme music playing) 44 00:02:07,583 --> 00:02:09,625 ♪ I'VE BEEN WAITING ♪ 45 00:02:09,625 --> 00:02:11,875 ♪ FOR A DAY LIKE THIS TO COME ♪ 46 00:02:11,875 --> 00:02:13,833 ♪ STRUCK LIKE LIGHTNING ♪ 47 00:02:13,833 --> 00:02:16,375 ♪ MY HEART'S BEATING LIKE A DRUM ♪ 48 00:02:16,375 --> 00:02:20,333 ♪ ON THE EDGE OF SOMETHING WONDERFUL ♪ 49 00:02:20,333 --> 00:02:23,208 ♪ FACE TO FACE WITH CHANGES ♪ 50 00:02:23,208 --> 00:02:24,375 ♪ WHAT'S IT ALL ABOUT? ♪ 51 00:02:24,375 --> 00:02:26,500 ♪ LIFE IS CRAZY ♪ 52 00:02:26,500 --> 00:02:28,583 ♪ BUT I KNOW I CAN WORK IT OUT ♪ 53 00:02:28,583 --> 00:02:29,750 ♪ 'CAUSE I GOT YOU ♪ 54 00:02:29,750 --> 00:02:32,750 ♪ TO LIVE IT WITH ME ♪ 55 00:02:32,750 --> 00:02:36,625 ♪ I FEEL ALL RIGHT, I'M GONNA TAKE ON THE WORLD ♪ 56 00:02:36,625 --> 00:02:40,125 ♪ LIGHT UP THE STARS, I'VE GOT SOME PAGES TO TURN ♪ 57 00:02:40,125 --> 00:02:41,875 ♪ I'M SINGING "OH-OH-OH" ♪ 58 00:02:41,875 --> 00:02:45,000 ♪ OH, OH, OH, OH ♪ 59 00:02:45,000 --> 00:02:48,000 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 60 00:02:48,000 --> 00:02:49,458 ♪ TAKE ON THE WORLD ♪ 61 00:02:49,458 --> 00:02:52,000 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 62 00:02:52,000 --> 00:02:53,875 ♪ TAKE ON THE WORLD ♪ 63 00:02:58,333 --> 00:03:00,583 IN WHAT WAYS DO HUMAN BEINGS RESOLVE CONFLICT? 64 00:03:00,583 --> 00:03:01,875 BRING IN THE MAMA. 65 00:03:03,333 --> 00:03:04,708 THEY TALK IT OUT. 66 00:03:04,708 --> 00:03:06,708 -THEY GO TO WAR. -WHY CAN'T THEY TALK IT OUT? 67 00:03:06,708 --> 00:03:09,083 -THEY GO TO WAR. -OH, OKAY. YOU AND ME AGAINST FARKLE. 68 00:03:10,416 --> 00:03:11,708 THEY TALK IT OUT. 69 00:03:11,708 --> 00:03:13,125 -THEY GO TO WAR! -LET'S GET HIM! 70 00:03:18,458 --> 00:03:20,250 YOU SHOULDA TALKED IT OUT. 71 00:03:21,833 --> 00:03:24,875 MANY CONFLICTS ESCALATE AND DO NOT END WELL. 72 00:03:24,875 --> 00:03:27,625 THE STORY OF ALEXANDER HAMILTON AND AARON BURR 73 00:03:27,625 --> 00:03:28,875 IS A PRIME EXAMPLE. 74 00:03:28,875 --> 00:03:30,250 ANYBODY KNOW WHAT HAPPENED? 75 00:03:30,250 --> 00:03:31,416 RILEY? 76 00:03:31,416 --> 00:03:33,291 PLEASE STOP PICKING ON ME. 77 00:03:33,291 --> 00:03:34,375 WHAT? 78 00:03:34,375 --> 00:03:35,958 THEY HAD A DUEL. BURR KILLED HAMILTON. 79 00:03:35,958 --> 00:03:38,750 IN 1791, BURR CAPTURED A SENATE SEAT 80 00:03:38,750 --> 00:03:40,291 FROM HAMILTON'S FATHER-IN-LAW, 81 00:03:40,291 --> 00:03:42,291 WHICH LAUNCHED THEIR RIVALRY. 82 00:03:42,291 --> 00:03:45,708 THEN BURR ACCUSED HAMILTON OF PUBLICLY INSULTING HIM. 83 00:03:45,708 --> 00:03:47,708 (phone dings) 84 00:03:47,708 --> 00:03:49,875 RILEY, NO ONE SHOULD BE TEXTING YOU IN CLASS. 85 00:03:51,875 --> 00:03:53,625 I AGREE. 86 00:03:53,625 --> 00:03:55,875 I DON'T WANT YOU TO SAY "RILEYTOWN" ANYMORE. 87 00:03:55,875 --> 00:03:57,583 I LIKE RILEYTOWN. 88 00:03:57,583 --> 00:04:00,375 I LIKE YOU AND I LIKE TO SAY WHATEVER I WANT. 89 00:04:00,375 --> 00:04:03,250 NOW, BURR CHALLENGED HAMILTON TO A DUEL 90 00:04:03,250 --> 00:04:04,583 TO RESOLVE THEIR CONFLICT. 91 00:04:04,583 --> 00:04:05,875 MAYBE THAT'S WHAT WE SHOULD DO. 92 00:04:05,875 --> 00:04:07,833 MAYBE YOU WANT TO HEAR WHAT HAPPENED TO THEM FIRST. 93 00:04:09,416 --> 00:04:12,125 HAMILTON BELIEVED THE DUEL WASN'T MORALLY RIGHT, 94 00:04:12,125 --> 00:04:14,458 SO HE FIRED HIS PISTOL IN THE AIR. 95 00:04:14,458 --> 00:04:16,500 BURR, BELIEVING HE HAD BEEN SHOT AT, 96 00:04:16,500 --> 00:04:19,250 FIRED AT HAMILTON AND KILLED HIM. 97 00:04:19,250 --> 00:04:21,375 SO, WHY AM I TELLING YOU GUYS A STORY 98 00:04:21,375 --> 00:04:24,333 ABOUT WHAT HAPPENS WHEN YOU FAIL TO RESOLVE A CONFLICT PEACEFULLY? 99 00:04:25,416 --> 00:04:26,625 LUCAS? 100 00:04:26,625 --> 00:04:27,625 PEOPLE GET HURT. 101 00:04:27,625 --> 00:04:28,750 WHAT DO WE NEED TO LEARN? 102 00:04:28,750 --> 00:04:30,708 I NEED TO LEARN HOW TO RESOLVE A CONFLICT. 103 00:04:30,708 --> 00:04:32,708 WHAT'S GOING ON? 104 00:04:34,458 --> 00:04:35,750 SHE THINKS I'M A BULLY 105 00:04:35,750 --> 00:04:38,000 BECAUSE I KEEP SAYING SOMETHING SHE DOESN'T LIKE. 106 00:04:38,000 --> 00:04:40,708 A BULLY ISN'T SOMEONE WHO SAYS SOMETHING YOU DON'T LIKE. 107 00:04:40,708 --> 00:04:42,750 A BULLY IS SOMEONE WHO USES POWER 108 00:04:42,750 --> 00:04:44,625 AND INTIMIDATION TO HURT OTHERS. 109 00:04:44,625 --> 00:04:47,708 THERE'S A BIG DIFFERENCE BETWEEN HAVING A CONFLICT WITH A FRIEND 110 00:04:47,708 --> 00:04:49,000 AND HAVING A BULLY. 111 00:04:49,000 --> 00:04:51,458 SO DON'T JUST THROW THAT WORD AROUND. 112 00:04:51,458 --> 00:04:53,708 THERE ARE OTHER WORDS YOU SHOULDN'T JUST THROW AROUND, EITHER. 113 00:04:53,708 --> 00:04:56,333 WHAT? LIKE RILEYTOWN, THE PLACE WHERE YOU LIVE 114 00:04:56,333 --> 00:04:57,833 BECAUSE YOU'RE THERE RIGHT NOW? 115 00:04:57,833 --> 00:04:58,958 I ASKED YOU NOT TO. 116 00:04:58,958 --> 00:05:00,708 WHY DO WE HAVE TO KEEP ON TALKING ABOUT THIS? STYLE ::cue(.speaker) ::cue(.speakerTop) 117 00:05:00,708 --> 00:05:03,875 BECAUSE THE MOST POWERFUL TOOL IN THE HUMAN BEING ARSENAL 118 00:05:03,875 --> 00:05:06,708 IS THE ABILITY TO SOLVE CONFLICT WITH WORDS. 119 00:05:06,708 --> 00:05:09,708 YOU THINK I'M GOOFY, SILLY AND WEIRD. 120 00:05:09,708 --> 00:05:11,500 NO KIDDING. 121 00:05:11,500 --> 00:05:15,083 YOU'RE UNIQUE AND WONDERFUL, AND I LOVE IT HERE IN RILEYTOWN. 122 00:05:17,833 --> 00:05:19,625 I CHALLENGE YOU TO A DUEL. 123 00:05:19,625 --> 00:05:23,708 OKAY, YOU'RE NOT REALLY UNDERSTANDING THIS AT ALL. 124 00:05:25,416 --> 00:05:27,708 MAYA, PLEASE HELP HER UNDERSTAND. 125 00:05:29,833 --> 00:05:30,625 I ACCEPT. 126 00:05:32,875 --> 00:05:34,583 DUEL TO THE DEATH. 127 00:05:34,583 --> 00:05:36,458 THANK YOU VERY MUCH. 128 00:05:38,416 --> 00:05:40,875 (drum and fife play) 129 00:05:48,958 --> 00:05:52,208 YOU WILL COME BACK TO ME AFTER THE WAR, WON'T YOU, DARLIN'? 130 00:05:53,625 --> 00:05:55,583 JUST GIVE ME THE ICE CREAM, FARKLE. 131 00:05:55,583 --> 00:05:57,625 WHY ARE YOU MY SECOND, HUCKLEBERRY? 132 00:05:57,625 --> 00:05:59,583 SHOULDN'T YOU BE OVER THERE WITH RILEY? 133 00:05:59,583 --> 00:06:01,875 WELL, IT WAS DECIDED THAT IF THINGS GET OUT OF HAND, 134 00:06:01,875 --> 00:06:04,375 I WAS THE BEST CHOICE TO... 135 00:06:04,375 --> 00:06:06,208 CONTAIN YOU. 136 00:06:07,708 --> 00:06:09,750 OH. YOU THINK YOU CAN? 137 00:06:09,750 --> 00:06:12,208 YEAH, BUT I'LL PROBABLY PAY FOR IT PRETTY GOOD. 138 00:06:17,708 --> 00:06:19,458 WHY WOULD YOU LET THEM DO THIS? 139 00:06:19,458 --> 00:06:22,000 OH, IT'S A SLOW DAY AND THE ICE CREAM EXPIRES TOMORROW. 140 00:06:26,833 --> 00:06:27,708 WHAT ARE YOU DOING? 141 00:06:27,708 --> 00:06:28,958 I'M ITCHY. 142 00:06:29,958 --> 00:06:32,875 MAYA, AS THE ONE CHALLENGED TO THIS DUEL, 143 00:06:32,875 --> 00:06:33,708 YOU GET THE FIRST SHOT. 144 00:06:33,708 --> 00:06:36,833 ALL RIGHT, YOU'LL TAKE THREE PACES, TURN, AND FIRE. 145 00:06:36,833 --> 00:06:38,833 HOW DO YOU KNOW HOW TO DO THIS SO WELL, ZAY? 146 00:06:38,833 --> 00:06:40,875 WELL, BACK IN TEXAS, WE CALL THIS A WEDNESDAY. 147 00:06:42,833 --> 00:06:44,458 ICE CREAM READY? 148 00:06:46,000 --> 00:06:47,833 ONE... 149 00:06:47,833 --> 00:06:49,083 TWO... 150 00:06:49,083 --> 00:06:50,708 THREE... 151 00:06:50,708 --> 00:06:51,958 TURN... 152 00:06:51,958 --> 00:06:53,083 FIRE! 153 00:06:53,083 --> 00:06:54,083 WAIT A MINUTE. 154 00:06:55,458 --> 00:06:56,625 SOMETHING'S WRONG. 155 00:06:59,083 --> 00:07:00,875 OH, THAT WOULD HAVE BEEN BAD. 156 00:07:02,750 --> 00:07:03,708 FIRE! 157 00:07:09,125 --> 00:07:11,750 THAT'S THE BEST WAY TO RESOLVE A CONFLICT I EVER SAW. 158 00:07:12,958 --> 00:07:15,166 THIS TASTES ONE DAY BEFORE EXPIRED. 159 00:07:15,166 --> 00:07:17,083 RILEY, TAKE A HINT, PLEASE, 160 00:07:17,083 --> 00:07:18,708 SO WE CAN ALL BE DONE WITH THIS. 161 00:07:19,708 --> 00:07:21,458 THIS WILL BE DONE WHEN YOU TREAT ME LIKE 162 00:07:21,458 --> 00:07:23,708 AN ORDINARY PERSON WHO NOBODY NOTICES. 163 00:07:23,708 --> 00:07:26,625 YOU'RE NOT. YOU'RE A SWEET, WEIRD LITTLE GOOFBALL 164 00:07:26,625 --> 00:07:28,000 AND I LOVE YOU JUST THE WAY YOU ARE. 165 00:07:28,000 --> 00:07:29,250 DEAL WITH IT. 166 00:07:41,625 --> 00:07:43,333 NO NEED TO CONTAIN ME, LUCAS. 167 00:07:43,333 --> 00:07:44,958 I'M FINE. 168 00:07:44,958 --> 00:07:46,708 HOW ARE YOU FINE? YOU DON'T LOOK FINE. 169 00:07:47,708 --> 00:07:49,875 BECAUSE THAT'S NOT RILEY AT ALL. 170 00:07:49,875 --> 00:07:51,000 SOMETHING'S REALLY WRONG. 171 00:07:51,000 --> 00:07:53,083 MR. AND MRS. MATTHEWS... 172 00:07:54,875 --> 00:07:56,291 RILEY AND I HAVE A CONFLICT. 173 00:07:58,250 --> 00:08:00,708 IT WON'T TEACH US ANYTHING IF YOU GUYS STEP IN. 174 00:08:03,375 --> 00:08:05,166 OKAY. 175 00:08:05,166 --> 00:08:06,458 WE'RE HERE IF YOU NEED US. 176 00:08:06,458 --> 00:08:08,083 I KNOW. 177 00:08:16,458 --> 00:08:17,625 WHY ARE YOU SO CALM? 178 00:08:17,625 --> 00:08:19,833 BECAUSE THIS ISN'T HER. 179 00:08:19,833 --> 00:08:21,750 THIS ISN'T RILEY AT ALL. 180 00:08:21,750 --> 00:08:23,583 WELL, WHAT COULD HAVE CHANGED HER ALL OF A SUDDEN? 181 00:08:23,583 --> 00:08:25,625 THIS IS LIKE WHEN I ALWAYS USED TO WEAR MY TURTLENECKS 182 00:08:25,625 --> 00:08:27,583 AND THEN THERE WAS SOMEBODY THAT DIDN'T LIKE THAT I... 183 00:08:28,708 --> 00:08:29,875 OH, MY GOSH. 184 00:08:29,875 --> 00:08:30,875 WHAT? 185 00:08:32,875 --> 00:08:34,166 WHAT ARE YOU LOOKING AT? 186 00:08:34,166 --> 00:08:35,375 YOU GOTS TO GO. 187 00:08:35,375 --> 00:08:36,625 -WHAT? -WE NEED MORE TOWELS. 188 00:08:36,625 --> 00:08:37,833 -WHAT? -MAYA NEEDS MORE TOWELS. 189 00:08:37,833 --> 00:08:39,083 -I'M FINE. -GET HER MORE TOWELS! 190 00:08:39,083 --> 00:08:40,625 -OKAY. -YES, SIR. 191 00:08:42,750 --> 00:08:43,708 WHAT'S GOING ON? 192 00:08:44,958 --> 00:08:46,416 OF COURSE SHE LOVES RILEYTOWN. 193 00:08:46,416 --> 00:08:47,833 OF COURSE SHE'S WEIRD AND GOOFY AND UNIQUE. 194 00:08:47,833 --> 00:08:49,000 THAT'S WHAT WE ALL LOVE ABOUT HER. 195 00:08:49,000 --> 00:08:50,083 SO WHAT'S THE PROBLEM? 196 00:08:50,083 --> 00:08:51,166 SOMEBODY DOESN'T. 197 00:08:51,166 --> 00:08:52,500 WHAT? 198 00:08:52,500 --> 00:08:53,708 RILEY DOESN'T WANT TO BE HER 199 00:08:53,708 --> 00:08:55,291 BECAUSE SHE FEELS LIKE A NOTHING. 200 00:08:55,291 --> 00:08:57,375 BECAUSE A BULLY MAKES YOU FEEL LIKE A NOTHING. 201 00:08:57,375 --> 00:08:58,625 A BULLY TOOK SOMETHING I LIKED 202 00:08:58,625 --> 00:09:00,583 ABOUT MYSELF AND MADE ME FEEL BAD ABOUT IT. 203 00:09:00,583 --> 00:09:02,375 BUT WHY WOULD SHE THINK I WOULD EVER DO THAT? 204 00:09:02,375 --> 00:09:04,500 I'M HER BEST FRIEND. WHY IS SHE YELLING AT ME? 205 00:09:04,500 --> 00:09:06,416 BECAUSE I THINK SHE'S TRYING TO GET YOU TO HEAR HER. 206 00:09:06,416 --> 00:09:07,708 HEAR WHAT? 207 00:09:07,708 --> 00:09:10,583 WHY DOES SHE KEEP TALKING ABOUT A BULLY IF SHE KNOWS I'M NOT-- 208 00:09:10,583 --> 00:09:11,875 WHAT? 209 00:09:13,875 --> 00:09:14,875 OH, NO. 210 00:09:20,458 --> 00:09:21,750 WHAT? SHE'S GONE? 211 00:09:21,750 --> 00:09:22,833 YEP. 212 00:09:22,833 --> 00:09:24,625 WELL, WHAT ARE WE SUPPOSED TO DO WITH THESE TOWELS? 213 00:09:24,625 --> 00:09:25,708 THEY'RE NOT FOR MAYA. 214 00:09:25,708 --> 00:09:26,750 WELL, WHO ARE THEY FOR? 215 00:09:26,750 --> 00:09:27,750 THEY'RE FOR YOU. 216 00:09:29,416 --> 00:09:30,500 WHAT? 217 00:09:31,625 --> 00:09:33,125 -FARKLE, WHAT ARE YOU DOING? STOP-- -DON'T... 218 00:09:33,125 --> 00:09:35,833 MISTAKE MY SIZE AND DEMEANOR FOR A LACK OF CRAZY 219 00:09:35,833 --> 00:09:37,625 BECAUSE I GOT IT AND I'LL USE IT. 220 00:09:37,625 --> 00:09:38,875 SO STAY WHERE YOU ARE. 221 00:09:38,875 --> 00:09:40,291 OKAY. 222 00:09:40,291 --> 00:09:43,000 I AM YOUR BEST FRIEND AND I NEED YOU TO TRUST ME. 223 00:09:43,000 --> 00:09:44,583 UH-UH. I'M HIS BEST FRIEND. 224 00:09:44,583 --> 00:09:47,375 IF YOU WERE HIS BEST FRIEND, YOU'D KNOW TO TIE HIM UP RIGHT NOW. 225 00:09:47,375 --> 00:09:49,583 LOOK, I'MMA JUST DO IT. I DON'T NEED AN EXPLANATION. 226 00:09:51,625 --> 00:09:52,750 I'M GONNA TELL YOU SOMETHING BAD 227 00:09:52,750 --> 00:09:55,458 AND I NEED YOU TO NOT TURN INTO TEXAS LUCAS. 228 00:09:55,458 --> 00:09:56,708 (chuckles) 229 00:09:56,708 --> 00:09:59,875 FARKLE, NOTHING IS GOING TO TURN ME BACK INTO THAT. 230 00:09:59,875 --> 00:10:01,875 SOMETHING'S HAPPENING TO RILEY. STYLE ::cue(.speaker) ::cue(.speakerTop) 231 00:10:03,708 --> 00:10:05,083 WHAT? 232 00:10:18,208 --> 00:10:19,708 WE HAVE SOMETHING TO TALK ABOUT, YOU AND ME. 233 00:10:19,708 --> 00:10:22,250 I DON'T LIKE IT WHEN WE FIGHT. 234 00:10:22,250 --> 00:10:25,375 I'M GOING TO BE YOUR FRIEND FOR THE REST OF YOUR LIFE. 235 00:10:26,500 --> 00:10:28,083 WE'RE GONNA HAVE SOME CONFLICTS ALONG THE WAY. 236 00:10:28,083 --> 00:10:30,000 WHAT DO WE DO? 237 00:10:30,000 --> 00:10:31,875 WE WILL WORK THEM OUT. 238 00:10:31,875 --> 00:10:34,375 WE'LL ALWAYS WORK THEM OUT BECAUSE WE'RE FRIENDS. 239 00:10:34,375 --> 00:10:35,875 AND IF THINGS GET ROUGH, MAYBE WE'LL THROW 240 00:10:35,875 --> 00:10:39,208 SOME ICE CREAM AT EACH OTHER, BUT WE'LL STILL BE FRIENDS 241 00:10:39,208 --> 00:10:41,708 BECAUSE THAT'S WHAT REASONABLE PEOPLE DO. 242 00:10:41,708 --> 00:10:43,583 SO WE HAVE NO CONFLICT ANYMORE? 243 00:10:43,583 --> 00:10:45,083 NO. 244 00:10:45,083 --> 00:10:46,833 NOW WE HAVE A NEW ONE. 245 00:10:48,333 --> 00:10:50,291 WHY WOULDN'T YOU COME TO ME? 246 00:10:52,750 --> 00:10:55,750 HOW COULD YOU NOT COME TO ME IF SOMEONE IS BULLYING YOU? 247 00:10:58,291 --> 00:10:59,833 I'M HUMILIATED, MAYA. 248 00:11:02,000 --> 00:11:04,083 I DIDN'T WANT TO LET YOU SEE ME HUMILIATED. 249 00:11:04,083 --> 00:11:06,250 YOU THOUGHT IT WOULD JUST GO AWAY? 250 00:11:06,250 --> 00:11:07,833 MM-HMM. 251 00:11:09,166 --> 00:11:10,833 IT'S GETTING WORSE. 252 00:11:12,708 --> 00:11:13,708 YOU KNOW WHAT THE DIFFERENCE IS 253 00:11:13,708 --> 00:11:16,291 BETWEEN A CONFLICT WITH A BULLY AND A CONFLICT WITH A FRIEND? 254 00:11:16,291 --> 00:11:17,291 WHAT? 255 00:11:21,958 --> 00:11:23,625 YOU'RE THE WORST BULLY EVER, PEACHES. 256 00:11:23,625 --> 00:11:25,750 (chuckles) I KNOW. 257 00:11:27,875 --> 00:11:29,458 PEACHES THE BULLY JUST... 258 00:11:29,458 --> 00:11:31,458 DOESN'T STRIKE FEAR INTO THE HEARTS OF ANYBODY. 259 00:11:32,750 --> 00:11:35,625 I CALLED YOU A BULLY AND I ICE CREAMED YOU. 260 00:11:35,625 --> 00:11:37,708 I'M REALLY SORRY. 261 00:11:37,708 --> 00:11:39,833 IT'S OKAY. 262 00:11:41,583 --> 00:11:43,083 WILL YOU GET BACK AT ME FOR THE ICE CREAM? 263 00:11:43,083 --> 00:11:44,625 OH, YEAH, AND YOU'RE NEVER GONNA SEE IT COMING. 264 00:11:44,625 --> 00:11:46,750 COULDN'T YOU TELL ME JUST BEFORE YOU WERE GONNA DO IT? 265 00:11:46,750 --> 00:11:48,708 NO, HONEY. THAT WOULD HURT MY ENJOYMENT. 266 00:11:50,958 --> 00:11:53,333 I'M SORRY I TOOK EVERYTHING OUT ON YOU. 267 00:11:53,333 --> 00:11:55,583 IT'S OKAY. 268 00:11:55,583 --> 00:11:57,458 YOU HAD TO TAKE IT OUT ON SOMEBODY. 269 00:11:58,708 --> 00:12:01,708 I'M GLAD YOU FELT SAFE ENOUGH TO TAKE IT OUT ON ME. 270 00:12:03,333 --> 00:12:06,000 AND I'M SORRY I DIDN'T HEAR WHAT YOU WERE TRYING TO SAY EARLIER. 271 00:12:07,375 --> 00:12:10,833 WELL, I WILL NEVER GO AT YOU AGAIN. 272 00:12:10,833 --> 00:12:13,875 NO, IT'S OKAY. I CAN TAKE IT. 273 00:12:14,958 --> 00:12:16,708 -LET IT ALL OUT. -I'M BETTER NOW. 274 00:12:16,708 --> 00:12:19,625 OH, YEAH. I'M SURE YOU ARE. THAT'S GOOD. 275 00:12:21,875 --> 00:12:23,958 -RILEYTOWN. -STOP SAYING THAT! 276 00:12:23,958 --> 00:12:25,708 PEOPLE SHOULDN'T MAKE FUN OF OTHER PEOPLE. 277 00:12:25,708 --> 00:12:26,833 WHAT DID I EVER DO TO YOU? 278 00:12:32,416 --> 00:12:33,625 YOU EXIST. 279 00:12:35,458 --> 00:12:37,083 YOU EXIST, AND YOU'RE WEIRD, 280 00:12:37,083 --> 00:12:38,625 AND YOU GET IN THE WAY OF WHERE I'M LOOKING, 281 00:12:38,625 --> 00:12:41,750 SO STOP BEING WEIRD AND STOP BEING HAPPY. 282 00:12:41,750 --> 00:12:44,750 NOBODY SHOULD BE AS HAPPY AS YOU. 283 00:12:46,625 --> 00:12:48,250 STOP BEING WHO YOU ARE... 284 00:12:50,208 --> 00:12:54,708 OR I'M GONNA PUT MY FOOT IN YOUR WEIRD, STUPID FACE. 285 00:12:57,000 --> 00:12:58,583 OKAY. 286 00:12:58,583 --> 00:13:00,500 (crying) 287 00:13:02,583 --> 00:13:03,708 I'M FINE. 288 00:13:03,708 --> 00:13:05,333 I'M NOT. HOW LONG? 289 00:13:06,333 --> 00:13:08,500 A FEW WEEKS. 290 00:13:08,500 --> 00:13:10,833 THIS HAS BEEN GOING ON A FEW WEEKS. 291 00:13:11,875 --> 00:13:13,291 RILES, I GOT YOU. 292 00:13:13,291 --> 00:13:15,708 I TRIED DEALING WITH HER, MAYA. 293 00:13:15,708 --> 00:13:17,625 SHE'S NOT A REASONABLE PERSON. 294 00:13:17,625 --> 00:13:18,875 HOW DO I HANDLE THIS? 295 00:13:18,875 --> 00:13:20,000 I DON'T KNOW HOW TO HANDLE THIS. 296 00:13:20,000 --> 00:13:21,833 NOT ALONE. 297 00:13:21,833 --> 00:13:23,875 BUT I THOUGHT I WAS SUPPOSED TO LEARN HOW TO RESOLVE A CONFLICT. 298 00:13:23,875 --> 00:13:25,708 -YOU HAVE A BULLY! -AND I HAVE CONFLICT? 299 00:13:25,708 --> 00:13:27,625 -YOU ARE INCREDIBLY SCREWY. -AND I'M SCREWY, 300 00:13:27,625 --> 00:13:29,625 AND I HAVE A BULLY, AND I HAVE A CONFLICT? 301 00:13:32,458 --> 00:13:34,458 WHAT A TOUGH DAY IN RILEYTOWN. 302 00:13:36,291 --> 00:13:38,750 OKAY. SO NOW WE KNOW TWO THINGS. 303 00:13:40,416 --> 00:13:43,958 FIRST, YOU ARE GOING TO STAY EXACTLY WHO YOU ARE. 304 00:13:43,958 --> 00:13:45,750 WHAT ELSE? 305 00:13:47,083 --> 00:13:48,625 I DON'T THINK LUCAS WILL. 306 00:13:54,708 --> 00:13:56,583 SO, I WANTED TO MAKE SURE YOU WERE TIED UP 307 00:13:56,583 --> 00:13:57,833 BECAUSE I KNOW HOW YOU WERE IN TEXAS 308 00:13:57,833 --> 00:14:00,166 AND I WAS WORRIED ABOUT WHAT WOULD HAPPEN WHEN YOU FOUND OUT 309 00:14:00,166 --> 00:14:02,416 ABOUT WHAT SOMEONE WAS DOING TO RILEY AND GOT ANGRY. 310 00:14:03,833 --> 00:14:05,583 DID I DO THE RIGHT THING, ZAY? 311 00:14:05,583 --> 00:14:06,625 NO. 312 00:14:06,625 --> 00:14:08,750 -WHAT DID I DO WRONG? -WELL, YOU USED TOWELS. 313 00:14:09,750 --> 00:14:12,458 -WHAT SHOULD I HAVE USED? -AH, IT WOULDN'T MATTER. 314 00:14:16,000 --> 00:14:18,708 WELL, LOOK AT DAT. 315 00:14:26,416 --> 00:14:29,208 IT'S BEEN MY EXPERIENCE THAT WHEN IT COMES TO PROTECTING HIS FRIENDS, 316 00:14:29,208 --> 00:14:31,083 NOTHING CAN HOLD HIM BACK. 317 00:14:36,000 --> 00:14:37,708 OKAY. THIS OUGHTA HOLD HIM. 318 00:14:44,375 --> 00:14:46,291 WHY WOULD YOU NOT TELL ME ABOUT THIS? 319 00:14:46,291 --> 00:14:48,625 I SHOULD BE ABLE TO FIGHT MY OWN BATTLES, LUCAS. 320 00:14:48,625 --> 00:14:51,208 NO, YOU SHOULDN'T. AND YOU DON'T HAVE TO, RILEY. 321 00:14:51,208 --> 00:14:52,833 THAT'S THE POINT OF HAVING FRIENDS. 322 00:14:54,458 --> 00:14:56,375 AND DID YOU REALLY THINK THERE WAS ANYTHING YOU COULD PUT 323 00:14:56,375 --> 00:14:58,000 IN THIS WINDOW TO KEEP ME FROM HELPING YOU? 324 00:14:58,000 --> 00:15:00,250 WE DON'T LIKE IT WHEN YOU GET LIKE THIS. 325 00:15:00,250 --> 00:15:01,416 TELL HIM, MAYA. 326 00:15:01,416 --> 00:15:03,708 UM... LUCAS, PICK UP THAT BED WITH ONE ARM. STYLE ::cue(.speaker) ::cue(.speakerTop) 327 00:15:08,000 --> 00:15:10,208 RILEY, YOU WOULDN'T LET ME KEEP THIS KIND OF STUFF TO MYSELF. 328 00:15:10,208 --> 00:15:11,250 YOU THINK WE'RE GONNA LET YOU? 329 00:15:15,458 --> 00:15:18,625 SO WHAT? YOU GUYS JUST COME THROUGH THE WINDOW AND THAT'S OKAY? 330 00:15:18,625 --> 00:15:20,625 I DON'T LIKE IT. IMPOLITE. 331 00:15:20,625 --> 00:15:22,083 OH, AND I TOOK SOME CEREAL. 332 00:15:24,333 --> 00:15:26,500 YOU'RE OUT OF MILK... 333 00:15:26,500 --> 00:15:27,750 NOW. 334 00:15:29,875 --> 00:15:31,416 I DON'T THINK IT'S RIGHT THAT RILEY'S ALWAYS 335 00:15:31,416 --> 00:15:32,708 THE FIRST ONE TO COME HELP US 336 00:15:32,708 --> 00:15:34,000 BUT DOESN'T COME TO US WHEN SHE NEEDS HELP. 337 00:15:34,000 --> 00:15:35,833 OKAY. I'M SORRY. 338 00:15:35,833 --> 00:15:36,875 I SHOULD HAVE TOLD YOU. 339 00:15:36,875 --> 00:15:38,708 I JUST DIDN'T WANT TO PUT THIS ON YOU. 340 00:15:38,708 --> 00:15:41,500 WE'RE FRIENDS. WE CAN FIGURE OUT ANYTHING. 341 00:15:41,500 --> 00:15:44,708 -BUT WHAT IF YOU'RE DEALING WITH SOMEONE WHO-- -(phone dings) 342 00:15:47,500 --> 00:15:49,833 WHO JUST WON'T STOP? 343 00:15:57,208 --> 00:15:58,583 I WANT TO TALK TO YOU. 344 00:16:00,333 --> 00:16:01,833 I KNOW THERE'S SOMETHING GOING ON. 345 00:16:03,291 --> 00:16:04,625 DO YOU WANT ME TO TELL YOU WHAT IT IS? 346 00:16:04,625 --> 00:16:06,750 DO YOU WANT TO, RILEY? 347 00:16:08,291 --> 00:16:10,625 BECAUSE SO FAR, YOU HAVEN'T TOLD ME, 348 00:16:10,625 --> 00:16:12,875 AND I RESPECT THAT. 349 00:16:13,708 --> 00:16:15,500 IT AIN'T GOOD. 350 00:16:15,500 --> 00:16:17,375 YEAH, I FIGURED. 351 00:16:17,375 --> 00:16:18,708 BUT YOU'RE ON IT? 352 00:16:18,708 --> 00:16:20,458 YES. 353 00:16:20,458 --> 00:16:22,083 AND YOU'RE ON IT? 354 00:16:22,083 --> 00:16:24,125 YEP. 355 00:16:24,125 --> 00:16:25,625 THE RIGHT WAY? 356 00:16:25,625 --> 00:16:27,750 WE'LL SEE. 357 00:16:27,750 --> 00:16:30,083 Cory: THE RIGHT WAY, LUCAS. YOU KNOW WHY? 358 00:16:30,083 --> 00:16:33,458 BECAUSE AARON BURR MIGHT HAVE WON HIS DUEL BY KILLING HIS RIVAL, 359 00:16:33,458 --> 00:16:35,375 BUT HE NEVER HELD OFFICE AGAIN 360 00:16:35,375 --> 00:16:37,833 AND HE'LL FOREVER BE KNOWN FOR THIS. 361 00:16:37,833 --> 00:16:39,500 YOU UNDERSTAND? 362 00:16:39,500 --> 00:16:41,208 YES, SIR. 363 00:16:41,208 --> 00:16:42,833 FARKLE? 364 00:16:42,833 --> 00:16:45,708 EVERYTHING WILL BE OKAY, MR. MATTHEWS. IT ALWAYS IS. 365 00:16:45,708 --> 00:16:47,833 YEAH, WHY DO YOU SUPPOSE IT ALWAYS IS? 366 00:16:47,833 --> 00:16:49,708 ZAY? 367 00:16:51,625 --> 00:16:53,125 IT'S ON THE BOARD. 368 00:16:53,125 --> 00:16:54,875 THE FIRST ONE. 369 00:16:56,625 --> 00:16:57,750 THAT'S RIGHT. 370 00:16:57,750 --> 00:17:00,750 AND THEN YOU'RE GOING TO TELL US ABOUT THE SECOND ONE. 371 00:17:00,750 --> 00:17:02,375 I AM. 372 00:17:02,375 --> 00:17:04,458 YEAH, I KNOW HOW THIS GOES. 373 00:17:05,583 --> 00:17:07,833 THERE'S NOTHING MORE VALUABLE THAN FRIENDS 374 00:17:07,833 --> 00:17:09,416 WHEN YOU HAVE TO GO THROUGH LIFE. 375 00:17:09,416 --> 00:17:11,416 Cory: BUT EVEN IF YOUR FRIENDS AREN'T AROUND, 376 00:17:11,416 --> 00:17:12,875 EVEN IF YOU'RE ALL ALONE, 377 00:17:12,875 --> 00:17:14,708 THERE'S ALWAYS SOMEONE TO TURN TO. 378 00:17:14,708 --> 00:17:17,708 A PARENT OR A TEACHER. 379 00:17:17,708 --> 00:17:20,250 IT'S OKAY TO ASK FOR HELP. 380 00:17:21,583 --> 00:17:23,625 THAT'S BECAUSE THERE'S SO MUCH OUT THERE 381 00:17:23,625 --> 00:17:25,958 THAT MAKES IT'S WAY TO YOU GUYS SO MUCH EASIER NOW. 382 00:17:25,958 --> 00:17:28,625 HOW DO WE FIGHT THAT? 383 00:17:28,625 --> 00:17:30,625 WELL, NOW WE TURN TO GROWTH. 384 00:17:31,708 --> 00:17:33,583 RELY ON EACH OTHER. 385 00:17:33,583 --> 00:17:35,291 GROW TOGETHER. 386 00:17:35,291 --> 00:17:38,291 BUT SOMETIMES YOU HAVE TO GROW BY YOURSELF. 387 00:17:38,291 --> 00:17:41,500 BUT WHATEVER IT IS THAT MAKES ITS WAY TO YOU, 388 00:17:41,500 --> 00:17:44,333 IT'S JUST SHADOWS FROM YOUR INTIMIDATING WORLD. 389 00:17:44,333 --> 00:17:46,583 DON'T LIVE IN THE SHADOW. 390 00:17:47,583 --> 00:17:49,958 YOUR GROWTH CAN HELP YOU GET BACK INTO THE SUN. 391 00:17:49,958 --> 00:17:51,583 THANKS, DAD. 392 00:17:52,875 --> 00:17:55,583 SARAH, DARBY, 393 00:17:55,583 --> 00:17:57,958 JADE, YINDRA, WYATT, 394 00:17:57,958 --> 00:18:00,500 JEFFREY, HALEY, 395 00:18:00,500 --> 00:18:04,708 NATE, YOGI, DAVE, CLARISSA, 396 00:18:04,708 --> 00:18:07,000 I KNOW THERE ARE LOTS OF GROUPS OF FRIENDS IN HERE 397 00:18:07,000 --> 00:18:09,583 AND I KNOW YOU GUYS GO THROUGH STUFF, TOO. 398 00:18:11,250 --> 00:18:13,000 YOUR MATH TEACHER HELPS YOU GUYS OUT, RIGHT? 399 00:18:14,416 --> 00:18:16,291 AND RELATES ALGEBRA TO YOUR LIVES? 400 00:18:17,416 --> 00:18:18,708 YOU GUYS OKAY? 401 00:18:21,250 --> 00:18:23,000 LEARN FROM EACH OTHER. 402 00:18:24,291 --> 00:18:25,750 CONTINUE TO GROW. 403 00:18:27,208 --> 00:18:29,500 AND ALWAYS KNOW THAT I'M HERE FOR YOU. 404 00:18:31,083 --> 00:18:33,583 (bell rings) 405 00:18:56,125 --> 00:18:57,958 I KNOW WHAT MR. MATTHEWS SAYS IS RIGHT, 406 00:18:57,958 --> 00:18:59,583 BUT, RILEY, IF YOU WANT ME TO, 407 00:18:59,583 --> 00:19:01,625 WHOEVER THIS IS, I WILL TAKE CARE OF IT FOR YOU. 408 00:19:01,625 --> 00:19:03,625 THANK YOU, LUCAS. NO. 409 00:19:03,625 --> 00:19:05,083 RILEY AND I GOT THIS. 410 00:19:05,083 --> 00:19:06,708 THANK YOU, MAYA. NO. 411 00:19:07,708 --> 00:19:11,166 OKAY, GOOD. YOU'RE GONNA FACE THIS ONE DOWN, BUT HOW? 412 00:19:13,708 --> 00:19:15,166 YOU KNOW WHAT SHE SENT ME? 413 00:19:16,166 --> 00:19:19,458 A VIDEO OF ME BEING GOOFY... 414 00:19:19,458 --> 00:19:21,166 DOING THE STUFF THAT I DO. 415 00:19:22,583 --> 00:19:24,416 SHE'S BEEN FILMING ME... 416 00:19:24,416 --> 00:19:27,000 AND NOW SHE SAYS SHE'S GONNA SEND IT TO THE WHOLE SCHOOL. 417 00:19:27,000 --> 00:19:28,625 HONEY, I HATE TO BREAK IT TO YOU, 418 00:19:28,625 --> 00:19:30,458 BUT THE WHOLE SCHOOL ALREADY KNOWS YOU'RE GOOFY. 419 00:19:30,458 --> 00:19:32,125 THEY DON'T KNOW EVERYTHING I DO. 420 00:19:32,125 --> 00:19:33,333 NEITHER DO YOU, MAYA. 421 00:19:33,333 --> 00:19:35,000 WHAT? NO-- YES, I DO. 422 00:19:35,000 --> 00:19:37,458 DEEP IN THE HEART OF RILEYTOWN, 423 00:19:37,458 --> 00:19:40,083 IN THE DARKEST SECRET CORNER OF RILEYTOWN... 424 00:19:40,083 --> 00:19:42,750 I CAN'T BELIEVE I'M FINALLY TELLING YOU. 425 00:19:42,750 --> 00:19:44,500 ONCE A WEEK... 426 00:19:44,500 --> 00:19:46,250 ON FRIDAY AFTERNOONS... 427 00:19:46,250 --> 00:19:48,083 WHEN THE HALLS ARE EMPTY... 428 00:19:48,083 --> 00:19:51,375 I HAVE AN AWARDS CEREMONY. 429 00:19:51,375 --> 00:19:53,458 I THINK WE KNOW WHAT HAPPENED. 430 00:19:53,458 --> 00:19:54,583 SOMEBODY CAUGHT YOU... 431 00:19:54,583 --> 00:19:57,875 AND THAT'S WHAT SHE'S SENDING TO THE WHOLE SCHOOL. 432 00:19:57,875 --> 00:19:59,500 WELL, MAYBE IT'S NOT SO BAD-- 433 00:19:59,500 --> 00:20:01,583 SOMETIMES I PRETEND I'M NOT THERE TO ACCEPT, 434 00:20:01,583 --> 00:20:03,416 SO SOMETIMES FRENCH RILEY ACCEPTS IN MY PLACE. 435 00:20:03,416 --> 00:20:04,875 IT'S BAD. IT'S REALLY BAD. 436 00:20:06,583 --> 00:20:08,333 BONJOUR. STYLE ::cue(.speaker) ::cue(.speakerTop) 437 00:20:10,125 --> 00:20:11,625 SOMEBODY DOESN'T LOVE THIS? 438 00:20:13,625 --> 00:20:15,000 WHAT DO I DO, MAYA? 439 00:20:17,875 --> 00:20:19,625 UH... 440 00:20:21,208 --> 00:20:22,458 YOU LOOK AT YOUR FRIENDS... 441 00:20:23,750 --> 00:20:24,958 AND YOU REALIZE THAT 442 00:20:24,958 --> 00:20:28,333 NO MATTER HOW DEEP INTO RILEYTOWN YOU GO, 443 00:20:29,833 --> 00:20:31,125 WE'LL ALL BE RIGHT BEHIND YOU. 444 00:20:33,833 --> 00:20:34,958 NOW GO GET HER. 445 00:20:48,625 --> 00:20:49,875 THANK YOU FOR MEETING ME. 446 00:20:51,083 --> 00:20:52,708 I KNOW YOU PROBABLY HAVE SOMETHING TO SAY. 447 00:20:52,708 --> 00:20:54,833 YOU ALWAYS HAVE SOMETHING TO SAY. 448 00:20:58,750 --> 00:21:00,125 BUT NOW, IT'S MY TURN TO TALK. 449 00:21:01,750 --> 00:21:02,875 YOU NEED TO LISTEN. 450 00:21:02,875 --> 00:21:05,125 YOU NEED TO WATCH. 451 00:21:06,458 --> 00:21:08,083 WELCOME TO RILEYTOWN. 452 00:21:11,125 --> 00:21:13,000 I TWIRL AROUND WHEN I'M HAPPY. 453 00:21:16,125 --> 00:21:17,833 I DANCE BY MYSELF. 454 00:21:21,708 --> 00:21:23,375 BECAUSE THAT'S WHO I AM. 455 00:21:24,583 --> 00:21:27,375 AND IF I DO SOMETHING GOOD, I GIVE AWARDS TO MYSELF 456 00:21:27,375 --> 00:21:29,375 SO THAT MAYBE I'LL DO SOMETHING GOOD AGAIN. 457 00:21:31,125 --> 00:21:32,416 AND YOU'RE NOT GOING TO STOP ME 458 00:21:32,416 --> 00:21:34,208 BY SHOWING EVERYBODY YOUR LITTLE VIDEO 459 00:21:34,208 --> 00:21:35,625 THAT SHOWS EVERYBODY THAT I DO IT 460 00:21:36,625 --> 00:21:38,500 BECAUSE I'M GOING TO SHOW EVERYBODY RIGHT NOW. 461 00:21:46,416 --> 00:21:48,583 WELCOME BACK TO THE RILEY AWARDS. 462 00:21:49,833 --> 00:21:53,625 AND NOW, YOUR HOST, BRITISH RILEY! 463 00:21:53,625 --> 00:21:55,583 HI, BRITISH RILEY. 464 00:21:55,583 --> 00:21:59,583 (speaking with British accent) AND NOW, THE BIGGEST AWARD OF THE EVENING. 465 00:22:00,875 --> 00:22:04,458 THIS HERE AWARD IS FOR NOT ONLY FACING YOUR FEAR, 466 00:22:04,458 --> 00:22:08,250 BUT DOING IT IN FRONT OF EVERYBODY YOU KNOW IN MY AWFUL ACCENT. 467 00:22:11,583 --> 00:22:12,833 AND THE WINNER IS... 468 00:22:14,500 --> 00:22:15,583 RILEY! 469 00:22:19,083 --> 00:22:21,583 (in normal voice) I'D LIKE TO THANK EVERYBODY WHO HELPED ME GET HERE... 470 00:22:22,958 --> 00:22:24,166 MY FRIENDS. 471 00:22:25,875 --> 00:22:27,875 BECAUSE TRUE FRIENDS LET YOU BE WHO YOU ARE. 472 00:22:32,708 --> 00:22:34,416 I'D ALSO LIKE TO THANK YOU. 473 00:22:36,833 --> 00:22:38,375 BECAUSE THIS WAS HARD. 474 00:22:40,291 --> 00:22:41,500 BUT I'VE GROWN TODAY. 475 00:22:42,500 --> 00:22:43,583 SO, THANK YOU. 476 00:22:45,083 --> 00:22:47,833 HEY, WHERE ARE YOU GOING? 477 00:22:50,708 --> 00:22:52,708 LOOK, RILES, 478 00:22:52,708 --> 00:22:54,625 THE FARTHER AWAY SHE GOES, 479 00:22:54,625 --> 00:22:55,833 THE SMALLER SHE GETS. 480 00:23:05,375 --> 00:23:06,625 WE DID GOOD. 481 00:23:06,625 --> 00:23:09,000 FRIENDSHIP AND GROWTH. 482 00:23:09,000 --> 00:23:10,875 WHAT COMES NEXT? 483 00:23:10,875 --> 00:23:12,583 I DON'T KNOW, 484 00:23:12,583 --> 00:23:15,750 BUT WHATEVER IT IS, I KNOW YOU'LL HANDLE IT. 485 00:23:19,750 --> 00:23:22,583 HERE WE ARE AT THE RILEY AWARDS AFTER PARTY, 486 00:23:22,583 --> 00:23:24,708 WHERE WE'VE BEEN HAVING ICE CREAM. 487 00:23:24,708 --> 00:23:26,708 BECAUSE I CHALLENGED MAYA TO A DUEL, 488 00:23:26,708 --> 00:23:28,500 AND THEN I ICE CREAMED HER, 489 00:23:28,500 --> 00:23:30,250 AND THEN SHE SAID SHE'D GET ME BACK, 490 00:23:30,250 --> 00:23:31,750 AND I'D NEVER SEE IT COMING?