1 00:00:02,708 --> 00:00:06,833 HI. WELCOME BACK TO ANOTHER YEAR OF SPINE-TINGLING TERROR. 2 00:00:06,833 --> 00:00:09,166 YOU SAID, "NO TERROR." 3 00:00:09,166 --> 00:00:12,083 BUT DOY, IT'S OUR HALLOWEEN SCARY TIME THEATER . 4 00:00:12,083 --> 00:00:14,500 I DON'T WANT IT TO BE CALLED THAT. 5 00:00:14,500 --> 00:00:16,166 WELL, WHAT DO YOU WANT IT TO BE CALLED? 6 00:00:16,166 --> 00:00:17,583 DOY STORY. 7 00:00:18,708 --> 00:00:21,250 THAT MOVIE ISN'T ACTUALLY CALLED DOY STORY , IT'S CALLED-- 8 00:00:21,250 --> 00:00:24,250 -(cry screaming) -OKAY. 9 00:00:24,250 --> 00:00:26,625 I'M THE SCARECROW FROM THE WIZARD OF OZ. 10 00:00:26,625 --> 00:00:28,708 I'M THE COWARDOY LION. 11 00:00:28,708 --> 00:00:30,583 OH, COME ON. 12 00:00:30,583 --> 00:00:31,833 (knocking) 13 00:00:31,833 --> 00:00:37,000 WE'RE ALSO EXPECTING ONE MORE PERSON FROM THE LAND OF OZ. 14 00:00:39,708 --> 00:00:42,750 (laughs) YEAH, NOBODY'S BUYING THAT FOR A SECOND. 15 00:00:42,750 --> 00:00:44,708 WHERE'S YOUR BROOM, TOPY? 16 00:00:47,833 --> 00:00:49,583 (knocking) 17 00:00:51,625 --> 00:00:53,375 THERE YOU ARE. 18 00:00:53,375 --> 00:00:55,875 HELLO, MY BOYS. 19 00:00:56,708 --> 00:00:58,708 OKAY, SO WE'RE HOSTING THIS THING? 20 00:00:58,708 --> 00:01:00,333 WHERE ARE THE PEOPLE? 21 00:01:00,333 --> 00:01:02,875 THEY'RE WATCHING US FROM RIGHT OUT THERE. 22 00:01:02,875 --> 00:01:04,583 HI. 23 00:01:04,583 --> 00:01:07,250 I'M NOT ACTUALLY LIKE THIS. THEY JUST WRITE ME THIS WAY. 24 00:01:07,250 --> 00:01:11,625 IN REAL LIFE, I'M A SWEET LITTLE GIRL JUST TRYING TO GET BY. 25 00:01:11,625 --> 00:01:13,750 CURTSY TO FOOL THEM. 26 00:01:13,750 --> 00:01:15,166 AVA... 27 00:01:15,166 --> 00:01:18,458 DID I READ THE STAGE DIRECTIONS OUT LOUD AGAIN? 28 00:01:18,458 --> 00:01:20,000 ALL THE TIME. 29 00:01:21,166 --> 00:01:22,958 UGH! SHE SAYS, FRUSTRATED. 30 00:01:26,708 --> 00:01:28,416 TONIGHT'S FIRST TALE OF TERROR 31 00:01:28,416 --> 00:01:31,000 IS ABOUT MY SISTER'S FAVORITE PLACE IN THE WORLD. 32 00:01:31,000 --> 00:01:32,416 HER BAY WINDOW. 33 00:01:32,416 --> 00:01:34,208 THAT DOESN'T SOUND SCARY. 34 00:01:34,208 --> 00:01:35,458 IT'S HAUNTED. 35 00:01:35,458 --> 00:01:37,000 OH, NO! 36 00:01:37,000 --> 00:01:40,416 LET'S GO SEE THE SCARY, HORRIBLE GHOST. 37 00:01:40,416 --> 00:01:43,166 I'LL STAY RIGHT HERE WHERE IT'S SAFE. 38 00:01:46,208 --> 00:01:50,833 (screams) 39 00:01:50,833 --> 00:01:52,500 WHAT ARE THESE COSTUMES AGAIN? 40 00:01:52,500 --> 00:01:53,708 -WE'RE FLAPPERS. -WHY? 41 00:01:53,708 --> 00:01:56,875 WELL, I WAS LYING MY BED LAST NIGHT THINKING ABOUT WHAT WE COULD BE 42 00:01:56,875 --> 00:01:59,291 WHEN I HEARD A VOICE IN MY HEAD THAT SAID-- 43 00:01:59,291 --> 00:02:00,833 Ghost: YOU SHOULD BE FLAPPERS. 44 00:02:00,833 --> 00:02:03,958 SO, I SAID TO THE VOICE IN MY HEAD, "WHAT ARE FLAPPERS?" 45 00:02:03,958 --> 00:02:05,458 AND THEN THE VOICE SAID-- 46 00:02:05,458 --> 00:02:06,625 Ghost: WE WERE JAZZ BABIES. 47 00:02:06,625 --> 00:02:08,500 JAZZ BABIES! 48 00:02:08,500 --> 00:02:09,875 UH, RI-- RILEY... 49 00:02:09,875 --> 00:02:11,083 I WANT TO BE A JAZZ BABY. 50 00:02:11,083 --> 00:02:12,708 I CAN HEAR THE VOICE IN YOUR HEAD! 51 00:02:12,708 --> 00:02:14,750 THIS TAKES OUR FRIENDSHIP TO A NEW LEVEL. 52 00:02:18,875 --> 00:02:20,708 I LIVED IN THE 1920S. 53 00:02:20,708 --> 00:02:23,750 JAZZ BABIES WERE FUN-LOVING, DANCE-ALL-NIGHT GALS 54 00:02:23,750 --> 00:02:26,333 WITH A SONG IN OUR HEART AND TAPS ON OUR TOES. 55 00:02:26,333 --> 00:02:30,625 SHE IS JUST A CUTIE PIE, MAYA. I WANT TO HUG HER. 56 00:02:30,625 --> 00:02:32,375 SHE'S A 100-YEAR-OLD DEAD GHOST LADY. 57 00:02:34,833 --> 00:02:36,000 SO SCREAM? 58 00:02:36,000 --> 00:02:37,083 BIG ONE! 59 00:02:37,083 --> 00:02:40,000 YEAH, GET THE SCREAM OUT OF THE WAY SO WE CAN BE CHUMS. 60 00:02:40,000 --> 00:02:43,500 CHUMS. I DON'T EVEN FEEL LIKE SCREAMING AT HER ANYMORE. 61 00:02:45,875 --> 00:02:47,416 HOW ABOUT NOW? 62 00:02:47,416 --> 00:02:49,125 YEAH, NOW'S GOOD. 63 00:02:49,125 --> 00:02:51,833 Both: (scream) 64 00:02:51,833 --> 00:02:52,958 NOW CHUMS? 65 00:02:52,958 --> 00:02:54,875 -SURE. NICE JOB. -VERY GHOSTY. 66 00:02:54,875 --> 00:02:56,208 THANKS. 67 00:02:57,833 --> 00:03:00,000 (theme music playing) 68 00:03:01,625 --> 00:03:03,625 ♪ I'VE BEEN WAITING ♪ 69 00:03:03,625 --> 00:03:05,875 ♪ FOR A DAY LIKE THIS TO COME ♪ 70 00:03:05,875 --> 00:03:07,833 ♪ STRUCK LIKE LIGHTNING ♪ 71 00:03:07,833 --> 00:03:10,375 ♪ MY HEART'S BEATING LIKE A DRUM ♪ 72 00:03:10,375 --> 00:03:14,291 ♪ ON THE EDGE OF SOMETHING WONDERFUL ♪ 73 00:03:14,291 --> 00:03:17,166 ♪ FACE TO FACE WITH CHANGES ♪ 74 00:03:17,166 --> 00:03:18,333 ♪ WHAT'S IT ALL ABOUT? ♪ 75 00:03:18,333 --> 00:03:20,458 ♪ LIFE IS CRAZY ♪ 76 00:03:20,458 --> 00:03:22,583 ♪ BUT I KNOW I CAN WORK IT OUT ♪ 77 00:03:22,583 --> 00:03:23,708 ♪ 'CAUSE I GOT YOU ♪ 78 00:03:23,708 --> 00:03:26,750 ♪ TO LIVE IT WITH ME ♪ 79 00:03:26,750 --> 00:03:30,625 ♪ I FEEL ALL RIGHT, I'M GONNA TAKE ON THE WORLD ♪ 80 00:03:30,625 --> 00:03:34,166 ♪ LIGHT UP THE STARS, I'VE GOT SOME PAGES TO TURN ♪ 81 00:03:34,166 --> 00:03:36,333 ♪ I'M SINGING "GO-O-O" ♪ 82 00:03:36,333 --> 00:03:39,000 ♪ OH, OH, OH, OH ♪ 83 00:03:39,000 --> 00:03:42,083 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 84 00:03:42,083 --> 00:03:43,291 ♪ TAKE ON THE WORLD ♪ 85 00:03:43,291 --> 00:03:46,000 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 86 00:03:46,000 --> 00:03:47,583 ♪ TAKE ON THE WORLD. ♪ 87 00:03:53,000 --> 00:03:58,583 (spooky voice) I AM THE GHOST OF THE BAY WINDOW. 88 00:03:58,583 --> 00:04:00,833 (chuckles) IT'S OKAY, HONEY. YOU CAN TAKE IT DOWN A NOTCH. 89 00:04:00,833 --> 00:04:02,958 YEAH, YA AIN'T GONNA BEAT THE HEAD THING. 90 00:04:02,958 --> 00:04:04,958 (normal voice) YOU DIDN'T LIKE MY SPOOKY VOICE? 91 00:04:04,958 --> 00:04:09,708 (spooky voice) IT WAS A LITTLE BIG. 92 00:04:11,583 --> 00:04:15,166 (crying) 93 00:04:15,166 --> 00:04:17,333 OH, NO. 94 00:04:17,333 --> 00:04:19,083 MAYA, I UPSET THE GHOST. 95 00:04:19,083 --> 00:04:21,833 IT'S THE FIRST THING ANYBODY'S SAID TO ME 96 00:04:21,833 --> 00:04:24,208 IN 100 YEARS, AND IT WAS KINDA MEAN. 97 00:04:27,000 --> 00:04:28,875 YEAH, SHE'S THE MEAN ONE OF US. 98 00:04:28,875 --> 00:04:31,166 NO, I'M SORRY. YOU WERE JUST-- 99 00:04:31,166 --> 00:04:32,875 YOU'RE THE BEST GHOST EVER. 100 00:04:32,875 --> 00:04:35,750 YOU MEAN THAT? BECAUSE I REALLY LIKE YOU GUYS. 101 00:04:35,750 --> 00:04:36,583 YOU DO? 102 00:04:36,583 --> 00:04:40,166 I'VE BEEN WATCHING YOU IN THIS WINDOW SINCE YOU WERE VERY LITTLE GIRLS. 103 00:04:40,166 --> 00:04:42,333 THAT'S CRAZY. WE WOULD HAVE KNOWN YOU WERE HERE. 104 00:04:42,333 --> 00:04:43,708 YEAH. PROVE IT. 105 00:04:43,708 --> 00:04:46,208 SHE'S NOT THE MEAN ONE. 106 00:04:46,208 --> 00:04:47,833 SHE WAS HERE! 107 00:04:47,833 --> 00:04:49,750 YOU KNOW ME. 108 00:04:49,750 --> 00:04:52,625 MY BEST FWEND IS TOUGH AND COOL. 109 00:04:52,625 --> 00:04:54,458 I'M SCAWED OF EVWYTHING. 110 00:04:54,458 --> 00:04:57,416 I WANNA DO EVWYTHING WIF YOU. 111 00:04:57,416 --> 00:05:00,583 OH, MY GOSH, MAYA. SHE'S BEEN WATCHING US FOR WEEKS. STYLE ::cue(.speaker) ::cue(.speakerTop) 112 00:05:00,583 --> 00:05:03,083 YOU'RE BECOMING WONDERFUL YOUNG ADULTS. 113 00:05:03,083 --> 00:05:05,708 THANK YOU, GHOSTY. 114 00:05:05,708 --> 00:05:08,125 IS THAT WHY THIS WINDOW IS SO POWERFUL IN OUR LIVES? 115 00:05:08,125 --> 00:05:09,875 BECAUSE YOU'VE BEEN HERE WATCHING US? 116 00:05:11,250 --> 00:05:13,250 I USED TO LIVE IN THIS HOUSE. 117 00:05:13,250 --> 00:05:14,958 THIS WAS MY BEDROOM. 118 00:05:14,958 --> 00:05:18,750 I PLANNED MY CAPERS HERE, I HATCHED MY SCHEMES. 119 00:05:18,750 --> 00:05:19,875 WE DO THAT. 120 00:05:19,875 --> 00:05:21,750 -I HATCH. -I SCHEME. 121 00:05:21,750 --> 00:05:23,708 BUT, IT'S MORE THAN THAT. 122 00:05:23,708 --> 00:05:24,625 THIS PLACE... 123 00:05:24,625 --> 00:05:26,583 IT HAS, LIKE... 124 00:05:26,583 --> 00:05:27,583 A SPIRIT. 125 00:05:28,625 --> 00:05:32,583 I PROMISED I WOULD NEVER LEAVE UNTIL SOMEONE ELSE FINALLY REALIZED 126 00:05:32,583 --> 00:05:35,291 HOW WONDERFUL IT WAS TO SIT IN THIS WINDOW 127 00:05:35,291 --> 00:05:37,208 AND LAUGH AND CRY AND DANCE. 128 00:05:37,208 --> 00:05:40,625 WELL, THEN YOU'RE FREE TO GO OUT IN THE WORLD BECAUSE THAT'S ALL WE DO. 129 00:05:40,625 --> 00:05:42,000 BYE-BYE. DON'T FORGET YOUR HEAD. 130 00:05:44,000 --> 00:05:45,875 I CAN'T GO YET. 131 00:05:45,875 --> 00:05:47,833 I HAVEN'T SEEN YOU DANCE. 132 00:05:47,833 --> 00:05:50,208 DANCE FOR NO REASON? 133 00:05:50,208 --> 00:05:52,708 JAZZ BABIES DANCE. WE DID THE CHARLESTON. 134 00:05:52,708 --> 00:05:56,083 THAT'S WHERE YOU PUT YOUR HANDS LIKE THIS AND SWITCH KNEES. 135 00:05:56,083 --> 00:05:57,708 WE DON'T KNOW HOW TO DO THE CHARLESTON. 136 00:05:57,708 --> 00:05:58,875 DO THE CHARLESTON RIGHT NOW. 137 00:05:58,875 --> 00:06:00,291 BUT THERE'S NO MUSIC. 138 00:06:01,625 --> 00:06:03,708 (20s music plays) 139 00:06:10,875 --> 00:06:12,833 MAYA, WE'RE FLAPPING. 140 00:06:12,833 --> 00:06:14,583 RILEY, WE'RE PUPPETS OF THE FLAPPER GHOST. 141 00:06:14,583 --> 00:06:16,958 THAT'S CRAZY. NOBODY CAN CONTROL US. 142 00:06:37,458 --> 00:06:39,250 THAT'S NOTHING. I MAKE YOU DO THAT EVERY WEEK. 143 00:06:39,250 --> 00:06:40,583 -NO, YOU DON'T. -DANCE. 144 00:06:45,375 --> 00:06:47,291 IS THIS WHY I'M SO TIRED ALL THE TIME. 145 00:06:47,291 --> 00:06:51,333 WELL, IT'S GONNA TAKE A LOT MORE THAN THAT TO CONTROL ME, SISTER. 146 00:06:53,458 --> 00:06:54,500 RUH-ROH. 147 00:06:54,500 --> 00:06:56,750 -♪ HOT FEET ♪ -♪ HOT FEET, FIRE IN THE MIDDLE ♪ 148 00:06:56,750 --> 00:06:59,583 -♪ HOT FEET ♪ -♪ HOT FEET WARM AS THE GRIDDLE ♪ 149 00:06:59,583 --> 00:07:02,291 ♪ HOT FEET SIZZLIN' THROUGH, OH, WHAT WILL I DO? ♪ 150 00:07:02,291 --> 00:07:03,875 ♪ LIKE SKIDDLY BOP, BOP, HOT FEET! ♪ 151 00:07:03,875 --> 00:07:05,583 ♪ HOT FEET STINGIN' LIKE A BUSY BEE ♪ 152 00:07:05,583 --> 00:07:07,750 -♪ HOT FEET ♪ -Both: ♪ DROP FEET, SMOKIN' LIKE A CHIMNEY ♪ 153 00:07:07,750 --> 00:07:09,750 ♪ HOT FEET, BURNS HEAVILY ♪ 154 00:07:09,750 --> 00:07:12,000 ♪ NEARLY MAKES A FURNACE OUT OF ME! ♪ 155 00:07:12,000 --> 00:07:15,750 ♪ I WANNA BE HOT, HOT, HOT, HOT, HOT ♪ 156 00:07:15,750 --> 00:07:19,125 ♪ HOT, HOT, HOT FEET! ♪ 157 00:07:24,583 --> 00:07:26,708 -All: ♪ HOT FEET ♪ -DOY. 158 00:07:26,708 --> 00:07:28,000 All: ♪ FIRE IN THE MIDDLE, HOT FEET ♪ 159 00:07:28,000 --> 00:07:30,000 -DOY. -All: ♪ WARM AS A GRIDDLE ♪ 160 00:07:30,000 --> 00:07:32,583 ♪ HOT FEET SIZZLIN' THROUGH, OH, WHAT WOULD I DO ♪ 161 00:07:32,583 --> 00:07:34,291 ♪ LIKE SKIDDLY BOP, BOP, BOP! ♪ 162 00:07:34,291 --> 00:07:35,375 DOY! 163 00:07:37,166 --> 00:07:38,625 WHAT'S HAPPENING TO US? 164 00:07:38,625 --> 00:07:40,750 SHE GHOSTED US, AND WE DON'T KNOW HOW TO GET RID OF HER. 165 00:07:40,750 --> 00:07:43,708 HEY, LITTLE GUY. WHY DO YOU KEEP SAYING "DOY?" 166 00:07:43,708 --> 00:07:46,500 IT'S HIS NAME. JUST GO WITH IT. 167 00:07:46,500 --> 00:07:48,000 HOW DO YOU SPELL THAT? 168 00:07:48,000 --> 00:07:50,333 D-E-W-E-Y. 169 00:07:50,333 --> 00:07:52,333 DOY. THE "W" IS SILENT. 170 00:07:52,333 --> 00:07:54,458 OH, HONEY. I THINK IT'S PRONOUNCED-- 171 00:07:54,458 --> 00:07:55,500 I WOULDN'T. 172 00:07:55,500 --> 00:07:56,625 DEWEY. 173 00:07:56,625 --> 00:07:58,875 (screams) 174 00:08:02,833 --> 00:08:03,750 NICE WORK. 175 00:08:04,833 --> 00:08:06,000 Doy: DOY! 176 00:08:07,125 --> 00:08:08,625 BOY, AM I GLAD THAT'S OVER. 177 00:08:08,625 --> 00:08:09,708 DANCE. 178 00:08:09,708 --> 00:08:11,708 (20s music plays) 179 00:08:18,708 --> 00:08:21,833 IN OUR NEXT STORY, WE GO FROM THIS HAUNTED HOUSE 180 00:08:21,833 --> 00:08:23,750 TO ANOTHER HAUNTED HOUSE. 181 00:08:23,750 --> 00:08:29,500 YEAH! RILEY AND MAYA GO TO THE CENTRAL PARK SPOOKTACULAR! 182 00:08:29,500 --> 00:08:33,083 AND WE'RE GONNA TRICK PEOPLE INTO GIVING US A TREAT. 183 00:08:33,083 --> 00:08:36,291 I DON'T THINK THAT'S THE SPIRIT OF HALLOWEEN, AVA. 184 00:08:36,291 --> 00:08:39,000 ARE THE STREETS FILLED WITH FREE SUGAR? 185 00:08:40,708 --> 00:08:42,083 YES, M'LOVE. 186 00:08:42,083 --> 00:08:44,083 DO WE GOT BABY-FACE THE LION BOY? 187 00:08:44,083 --> 00:08:47,458 ONE OF THE GREAT TRICK OR TREAT FACES OF OUR GENERATION. 188 00:08:47,458 --> 00:08:50,708 DOY, SHOW US YOUR CANDYMAKER. 189 00:08:51,875 --> 00:08:54,708 OH, AM I GONNA GET SICK TONIGHT. 190 00:08:57,833 --> 00:09:00,833 ALL RIGHT, TOPANGA. SO, ARE YOU GONNA GO 191 00:09:00,833 --> 00:09:02,583 TRICK OR TREATING WITH THESE KIDS, 192 00:09:02,583 --> 00:09:04,875 OR ARE YOU GONNA GO TO THE HAUNTED HOUSE WITH THOSE KIDS? 193 00:09:04,875 --> 00:09:06,708 WE DON'T NEED ADULT SUPERVISION ANYMORE. 194 00:09:06,708 --> 00:09:08,375 WE'RE BECOMING WONDERFUL YOUNG ADULTS. 195 00:09:08,375 --> 00:09:09,833 -SAYS WHO? -THE GHOST OF THE BAY WINDOW. 196 00:09:09,833 --> 00:09:12,375 OH, THE GHOST OF THE BAY WINDOW. 197 00:09:12,375 --> 00:09:15,708 WHEN YOU GUYS GO TO SLEEP, SHE FLOATS IN. SHE GOES, "BOO." 198 00:09:15,708 --> 00:09:17,291 WE GO, "AAH." 199 00:09:17,291 --> 00:09:19,750 WE ALL LAUGH AND DISCUSS THE WAY GHOSTS ARE PORTRAYED IN THE MEDIA. 200 00:09:21,125 --> 00:09:22,708 ARE YOU MAKING FUN OF US? 201 00:09:22,708 --> 00:09:24,750 -PRETTY SURE WE ARE. -NO, WE ARE. 202 00:09:25,708 --> 00:09:28,291 OKAY, DO YOU WANT TO GO TO THE HAUNTED HOUSE WITH THESE DUMB-HEADS? 203 00:09:29,833 --> 00:09:32,208 WELL, THEN I WILL GO TRICK OR TREATING WITH THESE GUYS. 204 00:09:32,208 --> 00:09:36,208 (screams) 205 00:09:40,833 --> 00:09:42,458 I'M GOING TRICK OR TREATING, HUH, DOY? 206 00:09:42,458 --> 00:09:43,958 YOU KNOW YOU WANT TO. 207 00:09:43,958 --> 00:09:45,875 OH, I DO. 208 00:09:45,875 --> 00:09:48,708 OKAY, FINE. THEN I WILL GO WITH THESE GIRLS. 209 00:09:48,708 --> 00:09:50,333 YOU GUYS LOVE ME, RIGHT? 210 00:09:50,333 --> 00:09:51,708 TO PIECES, TOPANGA. 211 00:09:51,708 --> 00:09:52,833 YEAH, ME TOO. 212 00:09:52,833 --> 00:09:53,875 THANK YOU. 213 00:10:00,291 --> 00:10:02,000 SEE, MOM? ALL KIDS. YOU KNOW WHY? STYLE ::cue(.speaker) ::cue(.speakerTop) 214 00:10:02,000 --> 00:10:04,708 BECAUSE YOU DON'T GO TO A CREEPY HAUNTED HOUSE WITH YOUR MOMMY. 215 00:10:04,708 --> 00:10:05,625 IT SIMPLY ISN'T DONE. 216 00:10:05,625 --> 00:10:07,708 OH, YEAH. YOU GUYS ARE TALKING ALL BRAVE NOW, 217 00:10:07,708 --> 00:10:09,875 BUT YOU'RE GONNA GO IN THERE AND BE SCARED TO DEATH WITHOUT ME. 218 00:10:09,875 --> 00:10:12,458 (laughing) 219 00:10:12,458 --> 00:10:13,875 THAT WAS FUN. 220 00:10:13,875 --> 00:10:16,708 I LIKED THE ZOMBIE WHO TRIED TO EAT MY GUTS. 221 00:10:16,708 --> 00:10:18,708 I WASN'T SCARED AT ALL. 222 00:10:19,708 --> 00:10:21,750 (screams) 223 00:10:21,750 --> 00:10:24,583 CORY, DID YOU GO INTO THE HAUNTED HOUSE WITH THREE LITTLE KIDS? 224 00:10:24,583 --> 00:10:26,083 I WASN'T GONNA GO IN THERE ALONE. 225 00:10:27,083 --> 00:10:29,583 LISTEN, TOPANGA, WHY DON'T YOU COME WITH US? THE GIRLS WILL BE FINE. 226 00:10:29,583 --> 00:10:31,833 LOOK, JUST BECAUSE THIS IS A FUN-LOOKING HAUNTED HOUSE, 227 00:10:31,833 --> 00:10:33,458 AND THERE'S A SECURITY GUARD NAMED LARRY 228 00:10:33,458 --> 00:10:35,833 DOESN'T MEAN I FEEL COMFORTABLE JUST LEAVING YOU HERE. 229 00:10:35,833 --> 00:10:37,708 I MEAN, WHO KNOWS WHAT KIND OF KIDS HANG OUT HERE? 230 00:10:37,708 --> 00:10:39,416 HEY, BACON. TOMATO. 231 00:10:40,750 --> 00:10:42,750 COULD YOU PLEASE TELL MY FRIEND'S MOM IT'S OKAY TO LEAVE US HERE? 232 00:10:42,750 --> 00:10:45,208 YEAH, WE'RE PRETTY GOOD KIDS. 233 00:10:45,208 --> 00:10:47,500 WHO DOESN'T FEEL SAFE WITH A TOMATO? 234 00:10:48,708 --> 00:10:51,583 HOLD THE PHONE. ARE YOU WHO I THINK YOU ARE? 235 00:10:51,583 --> 00:10:53,333 WHO SAYS, "HOLD THE PHONE?" 236 00:10:53,333 --> 00:10:57,375 I DO... WHEN I WANT SOMEBODY TO HOLD MY PHONE. 237 00:10:57,375 --> 00:11:00,708 HEY, LADY. TAKE A PICTURE OF ME WITH AUSTIN MOON. 238 00:11:00,708 --> 00:11:02,625 AVA, THAT'S ALLY DAWSON. 239 00:11:03,875 --> 00:11:04,958 HEY, ALLY DAWSON, 240 00:11:04,958 --> 00:11:06,875 TAKE A PICTURE OF ME WITH AUSTIN MOON! 241 00:11:08,208 --> 00:11:09,291 (camera phone clicks) 242 00:11:09,291 --> 00:11:10,583 HOW YOU DOIN'? 243 00:11:11,625 --> 00:11:15,708 HA. WELL, I CAN APPRECIATE A GIRL WHO KNOWS WHAT SHE WANTS. 244 00:11:15,708 --> 00:11:17,708 TAKE ME AWAY, GORGEOUS. 245 00:11:17,708 --> 00:11:20,458 WHERE DOES THAT BEAUTIFUL BLONDE HEAD OF YOURS CALL HOME? 246 00:11:20,458 --> 00:11:21,750 FLORIDA. 247 00:11:21,750 --> 00:11:23,291 THIS RELATIONSHIP IS OVER. 248 00:11:24,708 --> 00:11:26,000 OH, NO! 249 00:11:26,000 --> 00:11:27,833 SO YOU'RE A NEW YORK KIND OF GAL? 250 00:11:27,833 --> 00:11:30,291 I GUESS SO. HERE'S YOUR WALLET BACK. 251 00:11:30,291 --> 00:11:32,000 HUH. 252 00:11:33,583 --> 00:11:36,416 I THINK WE'LL BE OKAY HERE, MOM. LOOK AROUND. 253 00:11:36,416 --> 00:11:37,625 WHAT DO YOU THINK, CORY? 254 00:11:37,625 --> 00:11:41,291 I THINK AVA'S THE SCARIEST ONE HERE. 255 00:11:41,291 --> 00:11:44,291 AND WE'RE HAPPY TO HANG WITH THESE TWO JAZZ BABIES. 256 00:11:44,291 --> 00:11:47,833 -WELL, THANK YOU VERY MUCH. -NEW BEST FRIENDS. BYE-BYE. 257 00:11:47,833 --> 00:11:48,958 ALL RIGHT. I JUST WANT YOU HOME BY-- 258 00:11:48,958 --> 00:11:51,291 DON'T SAY A TIME. I WANT TO BE COOL. 259 00:11:51,291 --> 00:11:52,458 THEN I WON'T. 260 00:11:52,458 --> 00:11:54,875 THEN I'M VERY COOL. 261 00:11:54,875 --> 00:11:56,625 10:00. 262 00:11:56,625 --> 00:11:59,166 BUT THAT'S WHEN THE MONSTER PARADE STARTS. 263 00:11:59,166 --> 00:12:00,833 IT STARTS AT 10:00? 264 00:12:03,708 --> 00:12:06,000 DO YOU WANNA GO TRICK OR TREATING, DOY? 265 00:12:06,000 --> 00:12:07,833 WHAT DID YOU JUST CALL ME? 266 00:12:07,833 --> 00:12:08,833 DOY. 267 00:12:11,166 --> 00:12:12,625 (laughs) LET'S GO. 268 00:12:14,875 --> 00:12:16,708 AVA, I NEED MY WALLET BACK. 269 00:12:17,708 --> 00:12:18,875 THANKS A LOT, GUYS. 270 00:12:18,875 --> 00:12:21,083 BUT YOU DON'T ACTUALLY HAVE TO WATCH US OR ANYTHING. 271 00:12:21,083 --> 00:12:22,750 I MEAN, LUCAS AND FARKLE ARE ALREADY ON THEIR WAY 272 00:12:22,750 --> 00:12:25,708 AND IT'S NOT LIKE WE'RE A COUPLE OF SCARED KIDS AT A HAUNTED HOUSE. 273 00:12:29,750 --> 00:12:31,708 -HI. -Both: (scream) 274 00:12:33,833 --> 00:12:36,000 IF YOU'RE SCARED OF HER, I DON'T THINK YOU'LL DO TOO GOOD IN THERE. 275 00:12:36,000 --> 00:12:38,083 SHE IS A GHOST AND SHE WILL GHOST YOU. 276 00:12:38,083 --> 00:12:41,208 YES, DO IT. GHOST THEM LIKE THEY'VE NEVER BEEN GHOSTED. 277 00:12:41,208 --> 00:12:44,083 I WANT YOU TO TAKE ME BACK HOME. I'M SCARED. 278 00:12:45,208 --> 00:12:47,500 YEAH. THIS IS A GHOST. 279 00:12:47,500 --> 00:12:48,708 WHAT ARE YOU SCARED OF? 280 00:12:48,708 --> 00:12:51,750 PROMISE ME YOU WON'T LET OUR HOUSE BECOME LIKE THIS ONE. 281 00:12:51,750 --> 00:12:53,625 PLEASE TELL ME WHAT'S BOTHERING YOU. 282 00:12:53,625 --> 00:12:56,583 IT BOTHERS ME THAT THIS IS THE HAUNTED HOUSE. 283 00:12:56,583 --> 00:12:58,250 YOU DON'T THINK IT LOOKS AUTHENTIC? 284 00:12:58,250 --> 00:13:01,833 OH, IT'S REAL AUTHENTIC. I KNOW THE GHOST WHO LIVES HERE. 285 00:13:01,833 --> 00:13:04,458 OH, REALLY? (chuckles) 286 00:13:04,458 --> 00:13:05,958 LOOK, I KNOW IT'S HALLOWEEN, 287 00:13:05,958 --> 00:13:08,416 BUT THIS GHOST IS ABOUT AS REAL AS THE FAKE ZOMBIES INSIDE. 288 00:13:08,416 --> 00:13:10,708 OH, DO NOT DOUBT HER GHOSTINESS. 289 00:13:11,958 --> 00:13:14,625 OH, PLEASE. WHAT CAN SHE DO? 290 00:13:17,250 --> 00:13:18,875 OH, WOULD YOU LOOK AT THAT? 291 00:13:20,125 --> 00:13:21,416 SHE IS A GHOST. 292 00:13:22,875 --> 00:13:24,625 AND SHE'S GOT STYLE. 293 00:13:25,750 --> 00:13:27,875 EVERYBODY USED TO KNOW THIS HOUSE. 294 00:13:27,875 --> 00:13:30,000 THIS IS MY BEST FRIEND TESSIE'S HOUSE. 295 00:13:30,000 --> 00:13:32,458 WE'D ALL COME HERE TO DANCE THE NIGHT AWAY. 296 00:13:32,458 --> 00:13:34,000 TESSIE WAS THE LIFE OF THE PARTY. 297 00:13:34,000 --> 00:13:35,750 BUT LOOK AT THE PLACE NOW. 298 00:13:35,750 --> 00:13:37,500 WHY IS IT LIKE THIS? 299 00:13:37,500 --> 00:13:40,458 NOBODY'S HATCHED ANY SCHEMES OR PLANNED ANY CAPERS 300 00:13:40,458 --> 00:13:42,125 IN THE BAY WINDOW OF THIS HOUSE 301 00:13:42,125 --> 00:13:43,708 THE WAY YOU HAVE IN OURS. 302 00:13:43,708 --> 00:13:45,625 SO NOBODY LIVES HERE NOW. 303 00:13:45,625 --> 00:13:47,333 ONLY TESSIE. 304 00:13:47,333 --> 00:13:49,458 THE PARTY'S BEEN OVER FOR A LONG TIME. 305 00:13:49,458 --> 00:13:51,583 SHE JUST SITS, 306 00:13:51,583 --> 00:13:54,166 STARING OUT AT A WORLD THAT'S FORGOTTEN ALL ABOUT US. 307 00:13:55,375 --> 00:13:57,458 AUSTIN, ARE YOU CRYING? 308 00:13:59,583 --> 00:14:00,708 (in British accent) NO. 309 00:14:04,000 --> 00:14:05,500 WHERE'S TESSIE NOW? 310 00:14:05,500 --> 00:14:07,416 OH, SHE'S IN THERE... 311 00:14:07,416 --> 00:14:09,250 BY HERSELF IN THE BAY WINDOW. 312 00:14:09,250 --> 00:14:11,333 IS THERE ANY WAY WE CAN HELP? 313 00:14:11,333 --> 00:14:14,500 WELL, THERE IS ONE THING TESSIE COULD NEVER RESIST. 314 00:14:14,500 --> 00:14:16,291 NO, NO, NO, NO, NO, NO, NO, NO, NO. 315 00:14:16,291 --> 00:14:18,125 DANCE AGAIN. YAY! 316 00:14:19,083 --> 00:14:21,208 -♪ DAH, DAH, DAH, DAH, DAH, DAH ♪ -DOY. 317 00:14:23,083 --> 00:14:24,500 -♪ HOT FEET ♪ -♪ HOT FEET ♪ 318 00:14:24,500 --> 00:14:25,583 Both: ♪ FIRE IN THE MIDDLE ♪ 319 00:14:25,583 --> 00:14:26,708 -♪ HOT FEET ♪ -♪ HOT FEET ♪ 320 00:14:26,708 --> 00:14:27,833 Both: ♪ WARM AS A GRIDDLE ♪ 321 00:14:27,833 --> 00:14:28,625 -♪ HOT FEET ♪ -♪ HOT FEET ♪ 322 00:14:28,625 --> 00:14:30,625 Both: ♪ SIZZLIN' THROUGH, OH, WHAT WILL I DO? ♪ 323 00:14:30,625 --> 00:14:31,875 ♪ LIKE SKIDDLY BOP, BOP, BOP! ♪ 324 00:14:31,875 --> 00:14:33,000 -♪ HOT FEET ♪ -ALL: ♪ HOT FEET ♪ 325 00:14:33,000 --> 00:14:34,458 -♪ FIRE IN THE MIDDLE ♪ -♪ HOT FEET ♪ 326 00:14:34,458 --> 00:14:35,875 -All: ♪ HOT FEET WARM AS A GRIDDLE ♪ 327 00:14:35,875 --> 00:14:37,291 -♪ HOT FEET ♪ -All: ♪ HOT FEET ♪ 328 00:14:37,291 --> 00:14:39,083 ♪ SIZZLIN' THROUGH, OH, WHAT WILL I DO? ♪ 329 00:14:39,083 --> 00:14:40,833 ♪ LIKE SKIDDLY BOP, BOP, BOP! ♪ 330 00:14:40,833 --> 00:14:44,083 ♪ I WANNA BE HOT, HOT, HOT, HOT, HOT ♪ 331 00:14:44,083 --> 00:14:47,250 ♪ HOT, HOT, HOT FEET! ♪ 332 00:14:51,875 --> 00:14:52,833 TESSIE? 333 00:14:52,833 --> 00:14:55,875 TESSIE, IT'S ME, RILEY. PLEASE COME LOVE US. 334 00:14:55,875 --> 00:14:58,833 HEY, WE FLAPPED FOR YOU, CASPER. GET OUT HERE. 335 00:14:58,833 --> 00:15:00,583 THIS IS NOT LIKE HER AT ALL. 336 00:15:00,583 --> 00:15:03,416 WELL, MAYBE HER NOT COMING OUT IS HER WAY OF INVITING US IN. STYLE ::cue(.speaker) ::cue(.speakerTop) 337 00:15:03,416 --> 00:15:05,833 NO, NO. IF SHE DIDN'T COME OUT FOR DANCING, 338 00:15:05,833 --> 00:15:08,166 TESSIE IS NOT IN THE MOOD FOR COMPANY. 339 00:15:08,166 --> 00:15:09,833 (20's music plays) 340 00:15:09,833 --> 00:15:11,291 -♪ HOT FEET ♪ -I WOULDN'T. 341 00:15:11,291 --> 00:15:12,833 -♪ FIRE IN THE MIDDLE ♪ -♪ HOT FEET ♪ 342 00:15:12,833 --> 00:15:14,500 -I MEAN IT. -♪ WARM AS A GRIDDLE ♪ 343 00:15:14,500 --> 00:15:15,833 -♪ HOT FEET ♪ -All: ♪ HOT FEET ♪ 344 00:15:15,833 --> 00:15:17,583 ♪ SIZZLIN' THROUGH, OH, WHAT WILL I DO? ♪ 345 00:15:17,583 --> 00:15:19,125 ♪ LIKE SKIDDLY BOP, BOP, BOP! ♪ 346 00:15:19,125 --> 00:15:22,750 ♪ I WANNA BE HOT, HOT, HOT, HOT, HOT ♪ 347 00:15:22,750 --> 00:15:25,625 ♪ HOT, HOT, HOT FEET! ♪ 348 00:15:28,166 --> 00:15:30,291 -(laughter) -(shattering) 349 00:15:30,291 --> 00:15:32,250 All: (scream) 350 00:15:39,291 --> 00:15:40,458 OH! 351 00:15:40,458 --> 00:15:41,958 -THANK YOU! -WE HAD A LOVELY EVENING. 352 00:15:46,166 --> 00:15:47,750 TESSIE'S CHANGED, MAN. 353 00:15:47,750 --> 00:15:49,875 IT'S BEEN REAL, GHOSTY. HAPPY HALLOWEEN. 354 00:15:58,583 --> 00:16:01,375 OKAY, EVERYBODY POUR OUT YOUR CANDY. 355 00:16:01,375 --> 00:16:03,250 WHY? EVERYBODY HAS THEIR OWN PUMPKIN. 356 00:16:05,875 --> 00:16:08,875 YEAH, BUT I LIKE DIVIDING IT ALL UP FAIRLY. 357 00:16:08,875 --> 00:16:10,833 WELL, WELL, WELL... 358 00:16:10,833 --> 00:16:13,083 TOPANGA'S WRONG ABOUT YOU, AVA MORGENSTERN. 359 00:16:13,083 --> 00:16:14,125 NO, SHE'S NOT. 360 00:16:15,125 --> 00:16:18,000 MINI, MINI, FULL SIZE. 361 00:16:18,000 --> 00:16:20,833 TOOTHBRUSH, TOOTHBRUSH, CRUNCH BAR. 362 00:16:20,833 --> 00:16:23,458 SKIP TURN, SKIP TURN, UH. 363 00:16:23,458 --> 00:16:25,083 UH, LET'S JUST SPEED THIS UP. 364 00:16:31,166 --> 00:16:33,416 PLEASURE DOING BUSINESS WITH YOU, BOYS. 365 00:16:34,958 --> 00:16:36,458 -GOOD NIGHT. -GOOD NIGHT. 366 00:16:36,458 --> 00:16:37,708 WHOA, WHOA, WHOA. 367 00:16:37,708 --> 00:16:39,500 THE HAUNTED HOUSE FREAK YOU OUT? 368 00:16:39,500 --> 00:16:40,750 A LITTLE TOO HAUNTED FOR ME, THANK YOU. 369 00:16:40,750 --> 00:16:42,708 I CAN'T BELIEVE YOU JUST LEFT US THERE. 370 00:16:47,625 --> 00:16:48,708 TRICK OR TREAT. 371 00:16:48,708 --> 00:16:50,750 EXCUSE ME, DOY? 372 00:16:50,750 --> 00:16:52,291 DIDN'T YOU JUST GO TRICK OR TREATING? 373 00:16:52,291 --> 00:16:53,750 AVA HAPPENED. 374 00:16:55,000 --> 00:16:58,583 TOPY, I'M CRASHING BAD, MAN! 375 00:16:58,583 --> 00:17:00,958 I'M SLEEPING OVER. 376 00:17:00,958 --> 00:17:03,166 (snoring) 377 00:17:07,583 --> 00:17:09,750 TRICK OR TREAT. HELP A DOY OUT. 378 00:17:09,750 --> 00:17:12,833 OH, I'M SORRY, DOY, BUT WE DON'T HAVE ANY CANDY. 379 00:17:12,833 --> 00:17:13,708 YOU DON'T? 380 00:17:13,708 --> 00:17:15,583 -NOPE. -THEN TRICK. 381 00:17:15,583 --> 00:17:17,083 EXCUSE ME? 382 00:17:17,083 --> 00:17:20,833 IF YOU DON'T HAVE ANY CANDY, THEN I'M FORCED TO DO A TRICK ON YOU. 383 00:17:20,833 --> 00:17:21,833 OH, REALLY? 384 00:17:21,833 --> 00:17:24,625 YOU WANT STINKY FEET OR SURPRISE? 385 00:17:25,625 --> 00:17:27,583 WELL, WHICH ONE DO YOU WANT, MAYA? 386 00:17:27,583 --> 00:17:29,875 I MEAN, WHO DOESN'T LIKE A NICE SURPRISE, RIGHT? 387 00:17:29,875 --> 00:17:31,166 DO YOUR WORST. 388 00:17:33,583 --> 00:17:34,708 DOY! 389 00:17:34,708 --> 00:17:35,958 Both: (scream) 390 00:17:35,958 --> 00:17:38,208 -DO YOU FEEL ANYTHING? -PRETEND. 391 00:17:38,208 --> 00:17:43,250 Both: OOOH! EEEH! AAAH! ARG! 392 00:17:43,250 --> 00:17:46,625 NICE JOB. WANNA EAT AVA'S CANDY? 393 00:17:46,625 --> 00:17:48,583 DON'T MIND IF I DOY. 394 00:17:51,166 --> 00:17:52,750 THAT WAS KINDA CUTE. 395 00:17:52,750 --> 00:17:53,625 DOY PUT A SPELL ON US. 396 00:17:53,625 --> 00:17:55,708 WHAT COULD HE POSSIBLY THINK OF TO DO TO US? 397 00:17:55,708 --> 00:17:57,416 HE'S SIX YEARS OLD LIKE AUGGIE. 398 00:17:57,416 --> 00:17:59,708 THERE'S NOTHING IN THEIR HEADS EXCEPT CARTOONS. 399 00:18:01,875 --> 00:18:03,833 UH, RILEY? 400 00:18:03,833 --> 00:18:07,166 MAYA, YOU GOT REAL TALL. YAY! 401 00:18:08,416 --> 00:18:11,083 AND NOW YOU'RE A CARTOON. I LOVE OUR LIVES. 402 00:18:11,083 --> 00:18:12,875 RILEY, IS THIS REALLY HAPPENING, 403 00:18:12,875 --> 00:18:14,625 OR IS EVERYTHING IN YOUR HEAD JUST COMING OUT? 404 00:18:14,625 --> 00:18:17,291 NO, I STILL GOT STUFF IN MY HEAD. 405 00:18:21,125 --> 00:18:22,750 WHAT'S IN YOUR HEAD? 406 00:18:24,333 --> 00:18:25,875 -DON'T DO THIS. -DON'T DO THAT. 407 00:18:25,875 --> 00:18:28,083 -BE LIKE ME. -TODAY IS THE BEST DAY EVER. 408 00:18:28,083 --> 00:18:30,708 All: PEACHES! 409 00:18:30,708 --> 00:18:33,000 OH, MY GOSH. I HAVE NEVER FELT BETTER IN MY LIFE. 410 00:18:33,000 --> 00:18:34,250 LET'S GO ROB A BANK. 411 00:18:34,250 --> 00:18:35,708 QUICK, BACK IN HER HEAD. 412 00:18:35,708 --> 00:18:37,208 AFTER YOU. 413 00:18:37,208 --> 00:18:39,708 -NO, AFTER YOU. -PLEASE, I INSIST. 414 00:18:39,708 --> 00:18:41,416 -AFTER YOU. -AFTER YOU. 415 00:18:41,416 --> 00:18:42,750 RILEY, WE'RE CARTOONS. 416 00:18:42,750 --> 00:18:44,333 I KNOW. ISN'T IT GREAT? BLEH. 417 00:18:44,333 --> 00:18:45,750 WHY IS THIS SO GREAT? BLEH. 418 00:18:45,750 --> 00:18:48,750 BECAUSE NOW WE CAN FINALLY SEE THE WORLD THROUGH EACH OTHER'S EYES. 419 00:18:55,708 --> 00:18:57,708 UGH. EVERYTHING'S PRETTY. 420 00:18:59,708 --> 00:19:02,000 (screams) 421 00:19:02,000 --> 00:19:05,583 HOW DO I UNSEE THIS? SWITCH BACK! SWITCH BACK! 422 00:19:06,625 --> 00:19:08,583 -(sigh) -(sigh) 423 00:19:08,583 --> 00:19:10,416 I LIKE IT BETTER AS A HUMAN BEING. 424 00:19:10,416 --> 00:19:12,750 ME TOO. I DO WANNA DO THIS THOUGH. 425 00:19:12,750 --> 00:19:15,583 BING, BING, BANG, BANG, BOING, BOING, BING, 426 00:19:15,583 --> 00:19:16,708 OKAY, I'M OVER IT. 427 00:19:16,708 --> 00:19:19,875 YOU DO REALIZE THAT DOY DIDN'T DO THIS TO US, DON'T YOU? 428 00:19:19,875 --> 00:19:22,625 YOU'RE BACK, AREN'T YOU GHOSTY? 429 00:19:26,375 --> 00:19:28,833 IT'S VERY HARD TO LEAVE A PLACE LIKE THIS. 430 00:19:28,833 --> 00:19:31,750 -WE KNOW. -WE KEEP COMING BACK, TOO. 431 00:19:31,750 --> 00:19:34,875 I PROMISED MYSELF I WOULDN'T GO UNTIL I FOUND SOMEBODY ELSE 432 00:19:34,875 --> 00:19:37,625 WHO APPRECIATED THIS BAY WINDOW AS MUCH AS I DID. 433 00:19:37,625 --> 00:19:39,291 YOU KNOW WHY? 434 00:19:39,291 --> 00:19:44,208 BECAUSE YOU NEVER WANTED THIS BAY WINDOW TO BECOME LIKE THAT BAY WINDOW. 435 00:19:44,208 --> 00:19:46,750 I PROMISE YOU, IT NEVER WILL BE. 436 00:19:46,750 --> 00:19:48,083 I KNOW. 437 00:19:48,083 --> 00:19:50,375 I WATCHED YOU BOTH SHARE YOUR DREAMS IN HERE. 438 00:19:50,375 --> 00:19:52,583 THEY'RE GOOD DREAMS. 439 00:19:52,583 --> 00:19:53,750 I HOPE THEY COME TRUE. 440 00:19:53,750 --> 00:19:56,416 SO, YOU'RE ACTUALLY LEAVING US? 441 00:19:56,416 --> 00:19:59,750 I HAVE A FRIEND WHO COULD USE SOME COMPANY IN HER BAY WINDOW. 442 00:19:59,750 --> 00:20:01,750 THIS PLACE IS IN GOOD HANDS. STYLE ::cue(.speaker) ::cue(.speakerTop) 443 00:20:03,583 --> 00:20:04,958 CAN WE ASK YOU SOMETHING? 444 00:20:04,958 --> 00:20:06,333 ANYTHING YOU WANT. 445 00:20:06,333 --> 00:20:10,583 WE SIT IN THIS WINDOW BECAUSE WE'VE ALWAYS FELT THAT IT HAD SOME POWER. 446 00:20:10,583 --> 00:20:13,583 BUT WILL IT AFTER YOU'RE GONE? 447 00:20:15,583 --> 00:20:17,958 I'M NOT THE MAGIC OF THIS PLACE ANYMORE. 448 00:20:17,958 --> 00:20:19,250 YOU ARE. 449 00:20:22,458 --> 00:20:25,750 (harp plays) 450 00:20:29,958 --> 00:20:31,625 ANOTHER DAY. 451 00:20:31,625 --> 00:20:32,875 YEAH. 452 00:20:32,875 --> 00:20:34,708 CAN'T WAIT 'TIL TOMORROW. 453 00:20:34,708 --> 00:20:36,125 YEAH. 454 00:20:41,708 --> 00:20:45,291 All: (snoring) 455 00:20:58,250 --> 00:20:59,708 KIDS. 456 00:20:59,708 --> 00:21:01,291 WAKE UP. YOU'RE HOSTING THE EVENING. 457 00:21:01,291 --> 00:21:02,833 YEAH. YOU'VE GOTTA SAY GOOD NIGHT TO THE PEOPLE. 458 00:21:04,750 --> 00:21:05,833 TOPANGA, WHAT DO WE DO? 459 00:21:05,833 --> 00:21:07,458 SAME THING WE DO EVERY YEAR. 460 00:21:10,833 --> 00:21:13,291 MINI, MINI, FULL SIZE. EH, LET'S JUST SPEED THIS UP. 461 00:21:14,708 --> 00:21:16,208 ALL RIGHT. 462 00:21:16,208 --> 00:21:17,458 OH... 463 00:21:20,333 --> 00:21:22,208 WAIT, WAIT, WAIT. WHAT DO I GET? 464 00:21:22,208 --> 00:21:24,833 UH, YOU GET TO PUT THE KIDS TO BED. YOU'RE SO LUCKY! 465 00:21:26,875 --> 00:21:28,583 BUT LOOK AT ALL OF 'EM. 466 00:21:28,583 --> 00:21:30,833 WHAT DO I DO NOW? 467 00:21:32,875 --> 00:21:35,000 ♪ DAH, DAH, DAH, DAH, DAH, DAH ♪ 468 00:21:35,000 --> 00:21:36,875 -All: DOY. -WHAT? 469 00:21:36,875 --> 00:21:39,000 (20s music plays) 470 00:22:14,583 --> 00:22:16,708 DID I FORGET ANYONE?