1
00:00:04,708 --> 00:00:06,708
YOU KNOW
WHAT TODAY IS, DON'TCHA?
2
00:00:06,708 --> 00:00:08,583
OH, I KNOW
WHAT TODAY IS.
3
00:00:08,583 --> 00:00:10,250
HOW MUCH DO YOU
DREAD THIS DAY?
4
00:00:10,250 --> 00:00:11,875
THIS IS THE DAY
I DREAD.
5
00:00:11,875 --> 00:00:14,416
MAYBE THE FRIEND
CAN SAVE US.
6
00:00:16,166 --> 00:00:17,750
WERE YOU ABLE TO
TALK HER OUT OF IT?
7
00:00:17,750 --> 00:00:18,750
NO.
8
00:00:20,000 --> 00:00:21,708
THEN WHAT GOOD
ARE YOU, LADY?
9
00:00:21,708 --> 00:00:23,750
I'M NO GOOD.
10
00:00:23,750 --> 00:00:26,458
CHEERLEADING TRYOUTS
TODAY!
11
00:00:28,625 --> 00:00:31,000
I HAVE BETTER CONTROL
OF MY BODY NOW,
12
00:00:31,000 --> 00:00:33,166
AND WHEN MY BRAIN TELLS
MY ARMS AND LEGS
WHAT TO DO,
13
00:00:33,166 --> 00:00:35,250
THEY TRY REAL HARD NOW.
14
00:00:36,250 --> 00:00:38,333
THIS IS GONNA BE
MY YEAR, GUYS.
15
00:00:40,875 --> 00:00:42,250
GIVE ME A "Q"!
16
00:00:42,250 --> 00:00:43,416
GIVE ME A "U"!
17
00:00:43,416 --> 00:00:47,458
GIVE ME AN
I-N-C-YYY!
18
00:00:49,583 --> 00:00:52,000
(theme music playing)
19
00:00:56,000 --> 00:00:57,958
♪ I'VE BEEN WAITING ♪
20
00:00:57,958 --> 00:01:00,416
♪ FOR A DAY
LIKE THIS TO COME ♪
21
00:01:00,416 --> 00:01:01,958
♪ STRUCK LIKE LIGHTNING ♪
22
00:01:01,958 --> 00:01:04,708
♪ MY HEART'S BEATING LIKE
A DRUM ♪
23
00:01:04,708 --> 00:01:05,625
♪ ON THE EDGE ♪
24
00:01:05,625 --> 00:01:08,625
♪ OF SOMETHING WONDERFUL ♪
25
00:01:08,625 --> 00:01:11,500
♪ FACE TO FACE WITH CHANGES ♪
26
00:01:11,500 --> 00:01:12,708
♪ WHAT'S IT ALL ABOUT? ♪
27
00:01:12,708 --> 00:01:14,583
♪ LIFE IS CRAZY ♪
28
00:01:14,583 --> 00:01:16,708
♪ BUT I KNOW
I CAN WORK IT OUT ♪
29
00:01:16,708 --> 00:01:18,125
♪ 'CAUSE I GOT YOU ♪
30
00:01:18,125 --> 00:01:20,875
♪ TO LIVE IT WITH ME ♪
31
00:01:20,875 --> 00:01:25,000
♪ I FEEL ALL RIGHT,
I'M GONNA TAKE ON THE WORLD ♪
32
00:01:25,000 --> 00:01:28,500
♪ LIGHT UP THE STARS,
I'VE GOT SOME PAGES TO TURN ♪
33
00:01:28,500 --> 00:01:30,333
♪ I'M SINGING "OH-O-O" ♪
34
00:01:30,333 --> 00:01:33,416
♪ OH, OH, OH, OH ♪
35
00:01:33,416 --> 00:01:36,458
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
36
00:01:36,458 --> 00:01:37,625
♪ TAKE ON THE WORLD ♪
37
00:01:37,625 --> 00:01:40,416
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
38
00:01:40,416 --> 00:01:42,000
♪ TAKE ON THE WORLD. ♪
39
00:01:51,458 --> 00:01:53,291
GREAT JOB, SAMANTHA.
40
00:01:53,291 --> 00:01:55,291
-THANKS!
-YOU'RE THE BEST.
41
00:01:55,291 --> 00:01:57,708
SHE'S THE WORST ONE HERE.
42
00:01:57,708 --> 00:01:59,458
SHE'S THE WORST?
43
00:01:59,458 --> 00:02:01,416
SAMANTHA'S THE ONE
I GOTTA BEAT
TO MAKE THE TEAM.
44
00:02:01,416 --> 00:02:02,875
I'M BETTER THAN HER,
RIGHT?
45
00:02:02,875 --> 00:02:04,833
EXPLAIN TO ME
WHAT'S THE MATTER
WITH YOU.
46
00:02:06,000 --> 00:02:08,000
I'M FOR YOUR
ENTERTAINMENT PLEASURE.
47
00:02:08,000 --> 00:02:09,625
HOW MANY YEARS
YOU GONNA DO THIS TO ME?
48
00:02:09,625 --> 00:02:10,625
WHAT AM I DOING TO YOU?
49
00:02:10,625 --> 00:02:12,875
EVERY YEAR I HAVE TO
TELL YOU THAT YOU'RE GOOD.
YOU KNOW WHAT?
50
00:02:12,875 --> 00:02:14,833
YOU'RE NOT GOOD.
YOU'RE NOT AS GOOD
AS SAMANTHA.
51
00:02:14,833 --> 00:02:17,291
YOU'RE NOT AS GOOD AS HEATHER.
YOU'RE NOT AS GOOD AS ANY GIRL
52
00:02:17,291 --> 00:02:18,750
WITH ANY NAME,
OR DOESN'T HAVE A NAME,
53
00:02:18,750 --> 00:02:20,833
OR DOESN'T EXIST,
OR IS A ROCK.
54
00:02:22,583 --> 00:02:25,000
WELL I DON'T LIKE THAT
SHE DOESN'T HAVE A NAME.
55
00:02:25,000 --> 00:02:27,291
I WOULD CALL HER ROXIE.
56
00:02:29,708 --> 00:02:31,458
EVERY YEAR, YOU TRY OUT.
57
00:02:31,458 --> 00:02:33,833
EVERY YEAR, COACH KELLY
TELLS YOU NOT TO COME BACK
BECAUSE SHE HATES YOU.
58
00:02:33,833 --> 00:02:35,125
COACH KELLY
DOES NOT HATE ME.
59
00:02:35,125 --> 00:02:37,416
MATTHEWS, I HATE YOU.
60
00:02:37,416 --> 00:02:38,583
WHY WOULD YOU COME HERE?
61
00:02:38,583 --> 00:02:39,750
WHY ARE YOU WEARING THAT?
62
00:02:39,750 --> 00:02:40,875
WHY WOULD YOU COME HERE?
63
00:02:40,875 --> 00:02:43,333
THIS IS THE YEAR
I'M GOING TO MAKE
THE TEAM.
64
00:02:43,333 --> 00:02:44,750
IT'S REALLY NOT.
65
00:02:44,750 --> 00:02:46,875
YOU'VE BEEN TRYING
TO MAKE THIS TEAM SINCE
THIRD GRADE PEE WEES,
66
00:02:46,875 --> 00:02:49,750
AND THEY DON'T LET ME
REJECT ANYBODY IN
THIRD GRADE PEE WEES.
67
00:02:49,750 --> 00:02:51,958
IT HURTS THEIR SELF-ESTEEM.
68
00:02:53,125 --> 00:02:54,708
THEN WHY DID YOU
GET TO REJECT ME?
69
00:02:54,708 --> 00:02:56,958
'CAUSE THAT'S THE YEAR
WE PASSED THE RILEY RULE.
70
00:02:56,958 --> 00:02:58,875
(gasps)
I HAVE MY OWN RULE.
71
00:03:00,125 --> 00:03:02,750
HOW MUCH REJECTION
CAN YOU TAKE?
72
00:03:02,750 --> 00:03:05,625
HEY, LEBRON JAMES WAS CUT
FROM HIS HIGH SCHOOL
BASKETBALL TEAM.
73
00:03:05,625 --> 00:03:08,458
LEBRON WENT STRAIGHT TO
THE NBA FROM HIGH SCHOOL.
74
00:03:08,458 --> 00:03:09,833
I NEW IT WAS SOMETHING.
75
00:03:12,958 --> 00:03:14,708
COACH KELLY, I'M GONNA
WIN YOU OVER.
76
00:03:14,708 --> 00:03:17,458
-STAY OUT OF SPORTS.
-OH, YOU.
77
00:03:19,625 --> 00:03:22,583
"CHEERLEADING TRYOUTS
WILL SPAN THREE DAYS
AFTER SCHOOL.
78
00:03:22,583 --> 00:03:25,000
"ON DAY ONE, APPLICANTS
WILL BE JUDGED
ON COORDINATION."
79
00:03:25,000 --> 00:03:26,583
-DO I HAVE THAT?
-NO.
80
00:03:26,583 --> 00:03:28,375
"DAY TWO, TUMBLING."
81
00:03:28,375 --> 00:03:30,125
-I TUMBLE.
-NOT ON PURPOSE.
82
00:03:31,166 --> 00:03:32,500
"AND IF YOU MAKE IT
TO DAY THREE,
83
00:03:32,500 --> 00:03:33,875
"WE WILL SEE HOW YOU
DANCE WITH THE TEAM."
84
00:03:33,875 --> 00:03:34,875
THAT I CAN DO.
85
00:03:34,875 --> 00:03:36,750
IF YOU MAKE IT
TO DAY THREE.
86
00:03:37,875 --> 00:03:39,166
Cheerleaders:
GIVE ME A "Q,"
GIVE ME A "U,"
87
00:03:39,166 --> 00:03:41,625
GIVE ME A
I-N-C-Y,
QUINCY!
88
00:03:41,625 --> 00:03:44,833
QUINCY,
WE CAN FLY!
89
00:03:44,833 --> 00:03:45,875
WHOO!
90
00:03:45,875 --> 00:03:46,958
(whistle blows)
91
00:03:50,000 --> 00:03:52,875
ALL RIGHT, LADIES,
I'VE GOT 13 TRYING OUT.
92
00:03:52,875 --> 00:03:55,208
I NEED 12.
MATTHEWS,
93
00:03:55,208 --> 00:03:57,708
WHY DON'T YOU MAKE IT
EASY ON ALL OF US
AND QUIT RIGHT NOW,
94
00:03:57,708 --> 00:03:59,958
SO WE DON'T HAVE TO
GO THROUGH THREE DAYS
OF TORTURE?
95
00:03:59,958 --> 00:04:01,708
NO, THANK YOU.
96
00:04:01,708 --> 00:04:03,708
RILEY.
97
00:04:05,708 --> 00:04:07,458
KNOW WHY NOBODY ELSE
IS EVEN TRYING OUT?
98
00:04:07,458 --> 00:04:08,833
SHE ALREADY HAS HER TEAM.
99
00:04:08,833 --> 00:04:10,416
THESE ARE THE SAME GIRLS
SINCE PEE WEES.
100
00:04:10,416 --> 00:04:12,208
THESE GIRLS ARE THE REASON
YOU DON'T MAKE THE TEAM.
101
00:04:16,375 --> 00:04:18,583
MAY WE GET STARTED,
PLEASE?
102
00:04:18,583 --> 00:04:20,125
YOU HEARD HER.
103
00:04:20,125 --> 00:04:22,833
LAUNCH, FLY, CATCH.
TEAM, LAUNCH.
104
00:04:22,833 --> 00:04:25,625
JENKINS, FLY.
MATTHEWS, CATCH.
105
00:04:26,708 --> 00:04:28,458
CATCH!
106
00:04:34,625 --> 00:04:36,875
HI.
107
00:04:38,000 --> 00:04:39,833
OH, CATCH.
108
00:04:41,833 --> 00:04:43,000
YOU ALIVE, JENKINS?
109
00:04:43,000 --> 00:04:44,458
Jenkins:
I'M FINE, COACH.
110
00:04:44,458 --> 00:04:45,750
I'M FINE, COACH!
111
00:04:45,750 --> 00:04:47,166
ALL RIGHT,
LET'S TRY THAT AGAIN.
112
00:04:47,166 --> 00:04:49,750
MATTHEWS, YOU FLY.
JENKINS, YOU CATCH.
113
00:04:50,708 --> 00:04:51,708
CAN I TRUST YOU?
114
00:04:52,875 --> 00:04:55,333
OH, YEAH. I KNOW EXACTLY
WHAT I'M GONNA DO.
115
00:04:56,583 --> 00:04:57,833
I'M GONNA DIE!
STYLE
::cue(.speaker)
::cue(.speakerTop)
116
00:05:04,583 --> 00:05:05,958
WHO INVENTED THIS?
117
00:05:05,958 --> 00:05:08,083
THOMAS EDISON,
THE WIZARD OF MENLO PARK.
118
00:05:08,083 --> 00:05:09,333
AFTER HOW MANY TRIES?
119
00:05:09,333 --> 00:05:10,708
-SIX!
-NO!
120
00:05:11,875 --> 00:05:14,458
ANYBODY HERE THINK HE
INVENTED IT AFTER
HIS FIRST TRY?
121
00:05:14,458 --> 00:05:15,583
-I DO!
-NO!
122
00:05:15,583 --> 00:05:17,625
ALL RIGHT, I WAS
TRYING SOMETHING,
123
00:05:17,625 --> 00:05:19,625
AND NOW I'M GOING BACK
TO THE WAY THINGS WERE.
124
00:05:21,875 --> 00:05:24,250
WHY DIDN'T HE INVENT
THE LIGHT BULB ON
HIS FIRST TRY?
125
00:05:24,250 --> 00:05:25,458
'CAUSE IT WAS DARK!
126
00:05:26,625 --> 00:05:27,750
GOT YOUR BACK.
GOT YOUR BACK.
127
00:05:32,708 --> 00:05:34,833
DID THE BEST
I COULD.
128
00:05:36,250 --> 00:05:37,625
I'M FINE.
129
00:05:37,625 --> 00:05:39,083
NOTHING TO SEE, HERE.
130
00:05:39,083 --> 00:05:40,583
GO ON WITH YOUR BUSINESS.
131
00:05:40,583 --> 00:05:41,708
UH, BUT WOULDN'T THE ICE
WORK BETTER
132
00:05:41,708 --> 00:05:43,708
IF YOU PUT IT
ON SOMETHING?
133
00:05:46,458 --> 00:05:48,458
I SEE.
134
00:05:48,458 --> 00:05:50,291
YOU WERE SUPPOSED TO
TALK HER OUT OF THIS.
135
00:05:50,291 --> 00:05:52,166
EVERY YEAR, RILEY
TRIES OUT FOR CHEERLEADERS.
136
00:05:52,166 --> 00:05:54,500
OH, RILEY, YOU ARE
NO CHEERLEADER.
137
00:05:54,500 --> 00:05:56,625
THAT IS A TERRIBLE THING
TO SAY TO ME, ZAY.
138
00:05:56,625 --> 00:05:58,583
I MEANT IT
AS A COMPLIMENT.
139
00:05:58,583 --> 00:06:01,875
BACK IN TEXAS, ZAY HAD
A LITTLE INCIDENT
WITH A CHEERLEADER.
140
00:06:01,875 --> 00:06:04,000
IT WASN'T JUST
A LITTLE INCIDENT.
141
00:06:04,000 --> 00:06:07,833
IT WAS TRUE LOVE,
BUT I'M OVER IT NOW.
142
00:06:07,833 --> 00:06:09,333
VANESSA!
143
00:06:10,416 --> 00:06:11,708
MATTHEWS, YOU'RE HER FATHER.
144
00:06:11,708 --> 00:06:13,583
IT'S YOUR JOB TO
TALK HER OUT OF THIS.
145
00:06:13,583 --> 00:06:17,250
THOMAS EDISON SAW THE NEED
FOR A NEW KIND OF LIGHT SOURCE
FOR THE HOME.
146
00:06:17,250 --> 00:06:19,750
SEE, PEOPLE RELIED ON
KEROSENE LANTERNS,
147
00:06:19,750 --> 00:06:21,875
AND HE TRIED A LOT MORE
THAN SIX WAYS
148
00:06:21,875 --> 00:06:24,083
TO COME UP WITH
AN ELECTRIC LIGHT
WITHOUT SUCCESS.
149
00:06:25,125 --> 00:06:27,291
-YOU KNOW WHAT HE SAID?
-"I HAVE FAILED!"
150
00:06:29,166 --> 00:06:30,750
-NO!
-YEAH!
151
00:06:33,208 --> 00:06:35,416
"I HAVE NOT FAILED.
152
00:06:35,416 --> 00:06:37,708
"I'VE JUST FOUND 10,000 WAYS
THAT WILL NOT WORK."
153
00:06:37,708 --> 00:06:39,416
BUT EDISON
FINALLY SUCCEEDED.
154
00:06:39,416 --> 00:06:40,708
THAT'S WHY WE HAVE
LIGHT IN HERE.
155
00:06:40,708 --> 00:06:43,000
-BECAUSE HE NEVER GAVE UP.
-AND NEITHER SHOULD I.
156
00:06:43,000 --> 00:06:45,583
MMM, WAY TO PUT HER
BACK ON TRACK, MATTHEWS.
157
00:06:45,583 --> 00:06:47,833
WHY'D YOU HAVE TO PICK TODAY
TO TEACH US ABOUT EDISON?
158
00:06:47,833 --> 00:06:49,750
YEAH, THAT'S SOMETHING,
ISN'T IT?
159
00:06:49,750 --> 00:06:52,583
OKAY, WHEN WE WERE AT HOME,
YOU DIDN'T WANT HER TO DO THIS.
NOBODY DID.
160
00:06:52,583 --> 00:06:54,333
YEAH, BECAUSE
AS HER FATHER,
161
00:06:54,333 --> 00:06:56,708
I'VE GONE THROUGH THIS
WITH HER HALF A DOZEN TIMES.
162
00:06:56,708 --> 00:06:58,500
AND IT KILLS ME EVERY YEAR.
163
00:06:58,500 --> 00:06:59,833
THEN WHAT ARE YOU DOING?
164
00:07:02,375 --> 00:07:04,208
IN THIS ROOM,
I'M YOUR TEACHER.
165
00:07:09,375 --> 00:07:11,708
YOU'VE MADE IT TO DAY TWO?
166
00:07:11,708 --> 00:07:13,000
-YEAH!
-WHOO!
167
00:07:13,000 --> 00:07:15,291
AND YOU BROUGHT YOUR OWN
CHEERING SECTION?
168
00:07:15,291 --> 00:07:16,708
I'M JUST HERE TO
PICK UP THE PIECES.
169
00:07:16,708 --> 00:07:18,083
I'M HERE BECAUSE
I WANNA SEE THIS.
170
00:07:18,083 --> 00:07:19,500
I'M HERE BECAUSE
I BELIEVE IN RILEY.
171
00:07:19,500 --> 00:07:21,625
I'M HERE BECAUSE I NEED TO
SHOW MY CHEERLEADER ENEMIES
172
00:07:21,625 --> 00:07:23,458
THEY HAVE
NO HOLD ON ME.
173
00:07:23,458 --> 00:07:24,875
HI, ZAY.
174
00:07:24,875 --> 00:07:28,000
(giggles)
YOU KNOW MY NAME.
175
00:07:29,500 --> 00:07:31,208
I HOLD IN MY HAND,
176
00:07:31,208 --> 00:07:32,708
A BELL.
177
00:07:32,708 --> 00:07:34,375
THIS IS THE RILEY BELL.
178
00:07:34,375 --> 00:07:36,000
I HAVE MY OWN BELL.
179
00:07:36,000 --> 00:07:38,500
WHEN YOU QUIT,
AND YOU WILL,
180
00:07:38,500 --> 00:07:41,625
YOU WILL RING THIS BELL,
AND THIS TRAVESTY WILL BE OVER.
181
00:07:41,625 --> 00:07:44,833
-I WILL NEVER
RING THAT BELL.
-UH-HUH.
182
00:07:44,833 --> 00:07:46,416
DAY TWO, TUMBLING.
183
00:07:46,416 --> 00:07:50,000
THIS IS THE DAY WE LEARN
WHAT KIND OF CONTROL YOU HAVE
OVER YOUR BODIES.
184
00:07:51,458 --> 00:07:53,750
-MAYA.
-I WANT YOU TO LIVE.
185
00:07:56,000 --> 00:08:00,958
ALL RIGHT, LADIES. ROUND OFF,
BACK HANDSPRING, YAMASHIDA.
STICK THE LANDING.
186
00:08:01,875 --> 00:08:04,750
-LUCAS!
-YAMASHIDA, MAN.
187
00:08:04,750 --> 00:08:07,708
ALL RIGHT, LADIES.
SHOW HER HOW IT'S DONE.
188
00:08:12,458 --> 00:08:14,625
FAIR.
189
00:08:21,458 --> 00:08:23,125
WHAT WAS THAT?
190
00:08:23,125 --> 00:08:24,583
HI, THERE.
191
00:08:24,583 --> 00:08:25,875
DID I SEE
A LITTLE SOMETHING?
192
00:08:25,875 --> 00:08:28,708
-NO.
-YOU SURE, JENKINS? YOU SURE
I DIDN'T SEE A LITTLE--
193
00:08:28,708 --> 00:08:30,750
-NO, NO, NO, NO.
-EH, EH, EH, EH,
194
00:08:30,750 --> 00:08:32,208
-NO, NO.
-EH.
195
00:08:32,208 --> 00:08:33,500
GIVE ME YOUR FOOT.
196
00:08:33,500 --> 00:08:34,625
I DON'T WANT TO
GIVE YOU MY FOOT.
197
00:08:34,625 --> 00:08:38,375
(speaks Russian),
JENKINS.
198
00:08:38,375 --> 00:08:39,875
I'M SORRY.
199
00:08:41,750 --> 00:08:43,333
MATTHEWS.
200
00:08:44,291 --> 00:08:46,583
-FARKLE!
-NYET!
201
00:08:54,708 --> 00:08:57,458
WHAT ARE YOU DOING?
THAT'S MY DONUT!
202
00:09:01,583 --> 00:09:02,750
TUMBLE.
203
00:09:09,750 --> 00:09:11,000
OKAY.
204
00:09:13,958 --> 00:09:15,458
YOU READY FOR ME NOW,
CHAMP?
205
00:09:15,458 --> 00:09:17,375
-YEAH.
-YOU GET TWO ATTEMPTS.
206
00:09:17,375 --> 00:09:19,708
THAT WASN'T TWICE?
207
00:09:19,708 --> 00:09:22,833
WANNA SHOW US WHAT YOU CAN DO,
OR YOU WANNA RING THAT BELL?
208
00:09:34,875 --> 00:09:36,625
GOODBYE.
209
00:09:37,583 --> 00:09:38,708
All: GOODBYE.
210
00:09:44,500 --> 00:09:46,500
(yells)
211
00:09:56,333 --> 00:09:58,000
ALL YOU HAD TO DO,
WAS RING THE BELL.
212
00:09:58,000 --> 00:10:00,583
DID YOU RING THE BELL?
NO.
213
00:10:00,583 --> 00:10:02,250
WE RANG THE BELL FOR YOU.
214
00:10:02,250 --> 00:10:04,291
WAS THAT GOOD ENOUGH?
NO.
STYLE
::cue(.speaker)
::cue(.speakerTop)
215
00:10:05,458 --> 00:10:07,208
WELL, I HAVE NEVER BEEN
MORE PROUD OF YOU.
216
00:10:07,208 --> 00:10:08,875
YOU MADE IT THROUGH DAY TWO
WITHOUT RINGING THE BELL.
217
00:10:08,875 --> 00:10:11,000
NO ONE EXPECTS YOU
IN SCHOOL TODAY, OKAY?
218
00:10:11,000 --> 00:10:12,958
SO WE'LL SEE YOU
WHEN YOU'RE BACK IN ONE PIECE.
219
00:10:12,958 --> 00:10:14,625
WHAT'S THE MATTER
WITH YOU?
220
00:10:14,625 --> 00:10:16,291
RING THE BELL.
221
00:10:16,291 --> 00:10:17,583
RING ANY BELL.
RING THE DOORBELL.
222
00:10:17,583 --> 00:10:19,875
I'LL GO TELL COACH KELLY
YOU RANG THE BELL,
223
00:10:19,875 --> 00:10:21,833
AND WE CAN ALL WAKE UP
FROM THIS HORRIBLE NIGHTMARE.
224
00:10:23,416 --> 00:10:25,166
IS SHE ALIVE?
225
00:10:26,583 --> 00:10:27,833
DID SHE MAKE IT
THROUGH THE NIGHT?
226
00:10:27,833 --> 00:10:30,125
RILEY, WE ARE
SO PROUD OF YOU.
227
00:10:30,125 --> 00:10:32,250
IS SHE ALIVE?
228
00:10:32,250 --> 00:10:34,583
PLEASE, STOP NOW.
WE ALL WANT YOU TO STOP.
229
00:10:34,583 --> 00:10:36,000
IS-- IS SHE ALIVE?
230
00:10:37,375 --> 00:10:38,625
TELL HER, ZAY.
231
00:10:38,625 --> 00:10:39,958
ZAY?
232
00:10:39,958 --> 00:10:41,583
SO, WHAT?
233
00:10:41,583 --> 00:10:44,458
YOU GUYS JUST
BREAK INTO HER APARTMENT,
AND THAT'S APPROPRIATE?
234
00:10:46,416 --> 00:10:48,000
RILEY, ARE YOU ALIVE?
235
00:10:48,000 --> 00:10:49,583
NO ONE CAN GET AN ANSWER.
236
00:10:49,583 --> 00:10:52,000
ALL OF YOU? ALL OF YOU
JUST COME IN HERE?
237
00:10:52,000 --> 00:10:53,708
THAT'S WHAT I'M SAYING.
238
00:10:54,875 --> 00:10:56,458
SHE CAN'T EVEN MOVE.
239
00:10:56,458 --> 00:10:58,208
THIS IS ON YOU,
MATTHEWS.
240
00:10:58,208 --> 00:11:00,958
-WHY IS THAT, MAYA?
-'CAUSE YOU'RE TALKING OUT OF
BOTH SIDES OF YOUR HEAD.
241
00:11:00,958 --> 00:11:02,333
AT HOME, YOU TELL HER TO QUIT,
242
00:11:02,333 --> 00:11:03,875
AT SCHOOL, YOU TEACH
HER TO NEVER GIVE UP.
243
00:11:03,875 --> 00:11:06,875
WHAT? HER TEACHER
AND HER FATHER DISAGREE?
244
00:11:06,875 --> 00:11:09,083
WELL, MAYBE IT'S THAT THEY
BOTH WANT WHAT'S BEST FOR HER.
245
00:11:09,083 --> 00:11:11,875
WAIT, WHICH ONE OF YOU
DO YOU HOPE SHE LISTENS TO?
246
00:11:11,875 --> 00:11:14,458
HERE? I WANT HER TO
LISTEN TO HER FATHER.
247
00:11:14,458 --> 00:11:15,708
HER FATHER
WANTS TO PROTECT HER.
248
00:11:15,708 --> 00:11:17,833
HER FATHER WANTS HER
IN THIS BED
249
00:11:17,833 --> 00:11:19,708
ALL DAY WHERE NOTHING BAD
CAN HAPPEN TO HER.
250
00:11:19,708 --> 00:11:21,291
QUIT, RILEY.
251
00:11:21,291 --> 00:11:22,875
YOUR FATHER DOESN'T WANT YOU
TO GET HURT.
252
00:11:22,875 --> 00:11:24,250
WHAT DOES HER TEACHER WANT?
253
00:11:25,875 --> 00:11:27,708
HER TEACHER WANTS
THE SAME THING EVERYDAY.
254
00:11:28,833 --> 00:11:30,750
HE WANTS HER TO
HAVE AN EDUCATION.
255
00:11:30,750 --> 00:11:32,625
TO LEARN ABOUT THE WORLD.
256
00:11:32,625 --> 00:11:34,125
TO FIND OUT WHO SHE IS.
257
00:11:34,125 --> 00:11:37,166
AND HER DAD DOESN'T WANT HER
TO FIND OUT WHO SHE IS?
258
00:11:37,166 --> 00:11:39,083
NO, NO!
259
00:11:41,291 --> 00:11:44,125
ZAY, I DON'T BLAME YOU FOR
NOT WANTING TO BE
A PART OF THIS INSANITY.
260
00:11:44,125 --> 00:11:45,833
THANK YOU.
261
00:11:45,833 --> 00:11:47,583
IT'S MUCH WORSE
THAN YOU THINK, ACTUALLY.
262
00:11:47,583 --> 00:11:48,958
WHY?
263
00:11:48,958 --> 00:11:51,833
WELL, I WOULDN'T DO THIS
WITHOUT AN INVITATION,
BUT, UH...
264
00:11:53,583 --> 00:11:54,750
I WAS RAISED
BETTER THAN YOU,
265
00:11:56,083 --> 00:11:57,833
AND APPARENTLY
SMARTER THAN YOU,
266
00:11:57,833 --> 00:11:59,333
BUT THIS COULD
GO ON ALL DAY.
267
00:12:03,083 --> 00:12:05,333
LOOKS LIKE SHE LISTENED
TO HER TEACHER.
268
00:12:13,458 --> 00:12:15,125
COACH KELLY!
269
00:12:15,125 --> 00:12:17,625
MATTHEWS, STILL STANDING?
270
00:12:17,625 --> 00:12:19,750
I CAME EARLY.
IT'S JUST YOU AND ME.
271
00:12:19,750 --> 00:12:21,125
GIVE ME THE
INSPIRATIONAL SPEECH.
272
00:12:21,125 --> 00:12:22,500
GIVE YOU THE WHAT NOW?
273
00:12:22,500 --> 00:12:24,416
THE TEAM ISN'T HERE.
274
00:12:24,416 --> 00:12:25,750
SHOW ME WHO YOU
REALLY ARE, JACKIE.
275
00:12:25,750 --> 00:12:27,333
JACKIE?
276
00:12:27,333 --> 00:12:29,458
GIVE ME MY SPEECH.
HELP ME DO BETTER.
277
00:12:29,458 --> 00:12:30,958
MATTHEWS,
278
00:12:30,958 --> 00:12:33,500
THESE GIRLS ARE FINELY TUNED
PRECISION INSTRUMENTS
279
00:12:33,500 --> 00:12:36,166
WHO HAVE DEDICATED
THEIR ENTIRE LIVES TO THIS.
280
00:12:36,166 --> 00:12:37,875
YOU ARE A PINEAPPLE.
281
00:12:39,750 --> 00:12:40,958
I'M GOING TO
HUG YOU, NOW.
282
00:12:40,958 --> 00:12:42,208
DON'T YOU COME NEAR ME.
283
00:12:42,208 --> 00:12:43,750
DO YOU THINK THESE GIRLS
THINK OF ANYTHING ELSE?
284
00:12:45,708 --> 00:12:47,875
WHAT IS THIS, SAMANTHA?
SLOPPY DAY?
285
00:12:49,291 --> 00:12:50,583
I'LL DO BETTER, COACH.
286
00:12:58,333 --> 00:12:59,875
YOU HAVE INVADED
MY PERSONAL SPACE.
287
00:12:59,875 --> 00:13:02,750
AND YOU HAVE INVADED
MY HEART, COACH KELLY.
288
00:13:02,750 --> 00:13:05,375
YOU AND I BOTH KNOW THAT
I AM GOING TO BE A CHEERLEADER.
289
00:13:05,375 --> 00:13:07,875
THAT IS WHAT YOU WANT FROM ME,
AND I KNOW YOUR TRUE SOUL.
290
00:13:07,875 --> 00:13:09,000
WHAT'S HAPPENING?
291
00:13:09,000 --> 00:13:11,000
COACH KELLY, LAUNCH.
MATTHEWS, FLY.
292
00:13:11,000 --> 00:13:12,708
-WHO'S CATCHING?
-IT'S A SURPRISE!
293
00:13:12,708 --> 00:13:14,083
OH, I LOVE SURPRISES.
294
00:13:14,083 --> 00:13:16,708
I'M GONNA DIE!
295
00:13:19,583 --> 00:13:23,000
INCREDIBLY, WELCOME
TO DAY THREE.
296
00:13:24,625 --> 00:13:27,000
I CAN'T BELIEVE THIS,
BUT HOW MUCH ARE YOU
ROOTING FOR HER RIGHT NOW?
297
00:13:27,000 --> 00:13:28,166
AS MUCH AS ALWAYS.
298
00:13:28,166 --> 00:13:29,875
GUYS, YOU KNOW
HOW THIS ENDS.
299
00:13:29,875 --> 00:13:31,458
HOW COULD WE LET IT
GET THIS FAR?
300
00:13:31,458 --> 00:13:32,708
DON'T YOU EVEN KNOW
YOUR BEST FRIEND?
301
00:13:32,708 --> 00:13:33,708
THERE'S NO STOPPING HER.
302
00:13:33,708 --> 00:13:35,000
YES, I KNOW
MY BEST FRIEND,
303
00:13:35,000 --> 00:13:36,708
AND I DON'T WANT
MY BEST FRIEND
TO GET HURT.
304
00:13:36,708 --> 00:13:38,875
WELL, MAYA, SHE'S
ALWAYS THERE FOR US.
IT'S OUR TURN NOW.
305
00:13:38,875 --> 00:13:40,833
YEAH, WE SHOULDN'T STOP HER
FROM DOING WHAT SHE WANTS.
306
00:13:40,833 --> 00:13:42,708
WE JUST NEED TO BE HERE
WHEN SHE NEEDS US.
307
00:13:42,708 --> 00:13:44,291
YOU'RE RIGHT.
308
00:13:44,291 --> 00:13:46,125
I KNOW YOU'RE RIGHT.
I JUST...
309
00:13:46,125 --> 00:13:47,458
I DON'T WANT HER
TO FAIL.
310
00:13:47,458 --> 00:13:50,833
AND IF SHE DOES, YOU'LL BE
THE FIRST PERSON SHE WANTS
TO PUT AN ARM AROUND HER.
311
00:13:50,833 --> 00:13:53,333
OKAY, I'M NOT GOING
ANYWHERE.
312
00:13:53,333 --> 00:13:55,833
THIS IS OUR
CHOREOGRAPHED ROUTINE
THAT WE HAVE PERFECTED
313
00:13:55,833 --> 00:13:58,500
OVER ALL OUR YEARS TOGETHER.
NEWCOMER.
314
00:13:58,500 --> 00:14:00,125
HAVE YOU LEARNED
THE STEPS?
315
00:14:00,125 --> 00:14:01,875
-(very loudly) YES, COACH!
-WOW.
316
00:14:01,875 --> 00:14:03,500
I WAS ABOUT TO SAY,
"I CAN'T HEAR YA,"
317
00:14:03,500 --> 00:14:04,750
BUT YOU GOT ME.
318
00:14:04,750 --> 00:14:06,708
OKAY, PLACES, EVERYBODY.
319
00:14:10,500 --> 00:14:13,166
(music plays)
STYLE
::cue(.speaker)
::cue(.speakerTop)
320
00:15:22,833 --> 00:15:24,708
OKAY.
321
00:15:26,375 --> 00:15:27,708
"RILEY MATTHEWS?"
322
00:15:28,958 --> 00:15:30,583
I'M THE ONLY ONE
WHO MADE THE TEAM?
323
00:15:32,125 --> 00:15:33,750
NO, HONEY.
324
00:15:33,750 --> 00:15:35,458
THAT'S NOT WHAT
THAT MEANS.
325
00:15:37,125 --> 00:15:38,250
OH.
326
00:15:39,708 --> 00:15:41,375
I'M REALLY TIRED, MAYA.
327
00:15:41,375 --> 00:15:43,000
I KNOW YOU ARE, RILES.
328
00:15:44,250 --> 00:15:45,333
YOU DID GREAT.
329
00:15:46,333 --> 00:15:47,583
WANNA GO HOME?
330
00:15:47,583 --> 00:15:49,000
YEAH.
331
00:16:15,875 --> 00:16:17,166
COME IN.
332
00:16:17,166 --> 00:16:20,583
I'M VERY SORRY FOR
WHAT HAPPENED TO YOU, RILEY,
333
00:16:20,583 --> 00:16:22,833
AND I'M PROUD OF YOU
FOR TRYING YOUR BEST.
334
00:16:22,833 --> 00:16:25,375
AND I'M GLAD THAT
YOU'RE STILL ALIVE.
335
00:16:26,875 --> 00:16:28,833
THANKS, AUGGIE.
336
00:16:28,833 --> 00:16:31,125
AND THANK YOU, MOM,
FOR SITTING WITH ME.
337
00:16:31,125 --> 00:16:33,750
AW, THANK YOU FOR BEING
WHO YOU ARE.
338
00:16:35,250 --> 00:16:36,708
WHERE'S DAD?
339
00:16:36,708 --> 00:16:38,250
HE LEFT FOR SCHOOL
A LONG TIME AGO.
340
00:16:39,583 --> 00:16:40,875
IS HE DISAPPOINTED IN ME?
341
00:16:40,875 --> 00:16:43,125
OF COURSE NOT.
342
00:16:43,125 --> 00:16:46,708
I THINK HE JUST REALLY WANTS
TO BE YOUR TEACHER RIGHT NOW.
343
00:16:59,708 --> 00:17:00,833
NEW DAY?
344
00:17:01,875 --> 00:17:02,958
ABSOLUTELY.
345
00:17:12,125 --> 00:17:13,583
MR. MATTHEWS?
346
00:17:13,583 --> 00:17:15,583
YES, MS. MATTHEWS?
347
00:17:15,583 --> 00:17:17,583
YOU GOT SOMETHING FOR ME?
348
00:17:17,583 --> 00:17:20,208
BECAUSE I'M ASKING
MY TEACHER.
349
00:17:20,208 --> 00:17:21,708
'CAUSE I'VE HAD
A ROUGH FEW DAYS.
350
00:17:22,875 --> 00:17:27,166
"I HAVE NOT FAILED,
I'VE JUST FOUND 10,000 WAYS
THAT WILL NOT WORK."
351
00:17:32,416 --> 00:17:34,708
THOMAS EDISON COULDN'T
HOLD A JOB WHEN HE WAS YOUNG,
352
00:17:34,708 --> 00:17:36,708
AND NO ONE THOUGHT HE WOULD
AMOUNT MUCH TO ANYTHING.
353
00:17:37,708 --> 00:17:40,458
THOMAS EDISON NEVER MADE IT
AS AN INVENTOR...
354
00:17:40,458 --> 00:17:41,708
UNTIL HE DID.
355
00:17:42,875 --> 00:17:45,958
ONLY YOU GET TO DECIDE
WHEN YOU QUIT.
356
00:17:47,458 --> 00:17:49,583
NO WELL INTENDED FRIEND,
357
00:17:49,583 --> 00:17:52,750
NO PARENT WHO'S ONLY TRYING
TO PROTECT YOU,
358
00:17:52,750 --> 00:17:55,166
AND NO TEACHER, WHO'S SUPPOSED
TO BRING OUT THE BEST IN YOU,
359
00:17:55,166 --> 00:17:58,000
CAN MAKE YOU TURN
YOUR BACK ON SOMETHING
YOU'RE PASSIONATE ABOUT.
360
00:17:59,208 --> 00:18:02,166
BECAUSE A TEACHER
WHO BRINGS YOU TO FAILURE,
361
00:18:02,166 --> 00:18:03,750
WHO WANTS YOU TO QUIT,
362
00:18:05,000 --> 00:18:06,625
WHO HASN'T TAUGHT
YOU ANYTHING,
363
00:18:07,958 --> 00:18:11,708
IS... NO TEACHER AT ALL.
364
00:18:13,458 --> 00:18:15,000
BUT MY NAME WAS
ON THE PAPER.
365
00:18:15,000 --> 00:18:16,458
DID YOU QUIT?
366
00:18:17,708 --> 00:18:19,833
I DIDN'T RING THE BELL.
I COULDN'T. IT WAS GONE.
367
00:18:19,833 --> 00:18:20,875
I STOLE IT.
368
00:18:22,875 --> 00:18:24,875
MAYA, YOU STOLE THE BELL?
369
00:18:26,416 --> 00:18:29,875
DID YOU THINK ANY OF US
WERE GONNA LET YOU
RING THIS BELL?
370
00:18:31,458 --> 00:18:32,875
RILEY,
371
00:18:32,875 --> 00:18:35,000
IF YOU LET SOMEBODY
MAKE YOU QUIT,
372
00:18:35,000 --> 00:18:38,708
NO MATTER WHAT
POSITION OF POWER
THAT PERSON IS IN,
373
00:18:38,708 --> 00:18:40,708
IF YOU ONLY TRY
9,000 TIMES,
374
00:18:42,416 --> 00:18:43,750
YOU JUST END UP
SITTING IN THE DARK.
375
00:18:45,750 --> 00:18:47,583
DO YOU WANT TO
SIT IN THE DARK, RILEY?
376
00:18:59,083 --> 00:19:01,583
THANK YOU,
MR. MATTHEWS.
377
00:19:01,583 --> 00:19:03,500
ANYTIME.
378
00:19:11,458 --> 00:19:13,000
OH, MY POOR,
LITTLE GIRL.
379
00:19:23,125 --> 00:19:24,958
MATTHEWS.
380
00:19:27,000 --> 00:19:28,333
WHAT ARE YOU DOING HERE?
381
00:19:28,333 --> 00:19:31,000
I WANT TO BE ON
THE CHEERLEADING TEAM.
382
00:19:31,000 --> 00:19:33,625
-YOU DIDN'T MAKE IT.
-JUST BECAUSE YOU SAY
I DIDN'T MAKE THE TEAM,
383
00:19:33,625 --> 00:19:35,166
DOESN'T MEAN
I DIDN'T MAKE THE TEAM.
384
00:19:35,166 --> 00:19:36,458
YEAH, IT DOES.
385
00:19:36,458 --> 00:19:39,625
IT'S ACTUALLY THE THING THAT
DETERMINES WHO'S ON THE TEAM,
AND YOU.
386
00:19:39,625 --> 00:19:42,750
BECAUSE I SAY,
"YOU'RE NOT GOOD ENOUGH."
387
00:19:43,833 --> 00:19:45,625
I WANT TO BE ON
THE CHEERLEADING TEAM.
388
00:19:45,625 --> 00:19:47,583
-AS WHAT?
-YOU NEED 12.
389
00:19:47,583 --> 00:19:50,000
WHAT IF ONE OF YOUR GIRLS
GETS HURT? I COULD BE
AN ALTERNATE.
390
00:19:50,000 --> 00:19:52,375
MY GIRLS DON'T GET HURT.
THEY'RE MACHINES.
391
00:19:54,125 --> 00:19:56,375
-OW.
-'SCUSE ME?
392
00:19:56,375 --> 00:19:57,500
OW.
393
00:19:57,500 --> 00:20:00,375
PUT THAT ONE HOP LITTLE LEG
BACK ON THE GROUND, JENKINS.
394
00:20:05,250 --> 00:20:07,333
-OW.
-WHAT?
395
00:20:07,333 --> 00:20:08,625
CUT IT OUT, SAMANTHA.
396
00:20:08,625 --> 00:20:10,625
JENKINS, SHE DIDN'T EVEN KNOW
HOW TO CATCH YOU.
397
00:20:10,625 --> 00:20:13,125
SHE HASN'T BEEN COACHED
LIKE WE HAVE.
398
00:20:13,125 --> 00:20:15,166
YEAH, MAYBE IF
YOU COACHED HER.
399
00:20:15,166 --> 00:20:16,500
WHY ARE YOU DOING THIS?
400
00:20:16,500 --> 00:20:17,875
WHY WOULD YOU
ENCOURAGE HER LIKE THIS?
401
00:20:17,875 --> 00:20:19,458
WE'RE CHEERLEADERS.
402
00:20:19,458 --> 00:20:21,708
WE KNOW SPIRIT
WHEN WE SEE IT.
STYLE
::cue(.speaker)
::cue(.speakerTop)
403
00:20:25,625 --> 00:20:27,458
I THINK YOU'RE
GONNA NEED THIS.
404
00:20:30,708 --> 00:20:31,750
MATTHEWS...
405
00:20:36,125 --> 00:20:37,750
YOU FINALLY BROKE ME.
406
00:20:39,208 --> 00:20:41,625
(cheering)
407
00:20:51,416 --> 00:20:54,083
UH, YOU GUYS MAY WANT
TO SEE THIS.
408
00:20:54,083 --> 00:20:55,583
OH, WHATCHA GOT THERE, AUG?
409
00:20:57,833 --> 00:20:59,875
This is Perez Hilton.
410
00:20:59,875 --> 00:21:02,875
MOSTLY, I WRITE ABOUT
THE RICH AND FAMOUS,
411
00:21:02,875 --> 00:21:05,875
BUT TODAY I THINK
YOU'LL FIND INSPIRATION
412
00:21:05,875 --> 00:21:07,958
IN THE TALENTLESS
AND CLUMSY.
413
00:21:07,958 --> 00:21:09,708
I'M BOTH.
414
00:21:10,875 --> 00:21:14,000
HOW LONG HAVE YOU
BEEN TRYING TO MAKE THE
CHEERLEADING TEAM, RILEY?
415
00:21:14,000 --> 00:21:15,583
ALL MY LIFE, PEREZ.
416
00:21:15,583 --> 00:21:18,583
AND WHERE IS THE COACH
WHO FINALLY CAVED IN?
417
00:21:18,583 --> 00:21:19,875
OUTTA MY FACE, HILTON.
418
00:21:21,083 --> 00:21:22,625
FEISTY.
419
00:21:22,625 --> 00:21:27,375
THIS IS A STORY
ABOUT A LITTLE GIRL
WHO WOULDN'T GIVE UP,
420
00:21:27,375 --> 00:21:30,583
AND WON THE ADMIRATION
OF HER TEAMMATES.
421
00:21:32,458 --> 00:21:35,625
(music plays)
422
00:21:43,500 --> 00:21:45,125
OKAY.
423
00:21:45,125 --> 00:21:46,875
I THINK I SEE
WHAT WE GOT HERE.
424
00:21:47,875 --> 00:21:50,833
I COULDN'T HAVE DONE THIS
WITHOUT MY OLD FRIENDS.
425
00:21:53,708 --> 00:21:55,875
OR MY NEW FRIENDS.
426
00:22:00,625 --> 00:22:04,166
SO, DREAM YOUR DREAMS,
LITTLE ONES,
427
00:22:04,166 --> 00:22:05,875
BECAUSE THIS IS A WORLD
428
00:22:05,875 --> 00:22:08,333
WHERE NOTHING IS IMPOSSIBLE.
429
00:22:08,333 --> 00:22:09,625
AND ISN'T THAT
THE KIND OF WORLD