1 00:00:04,708 --> 00:00:06,708 YOU KNOW WHAT TODAY IS, DON'TCHA? 2 00:00:06,708 --> 00:00:08,583 OH, I KNOW WHAT TODAY IS. 3 00:00:08,583 --> 00:00:10,250 HOW MUCH DO YOU DREAD THIS DAY? 4 00:00:10,250 --> 00:00:11,875 THIS IS THE DAY I DREAD. 5 00:00:11,875 --> 00:00:14,416 MAYBE THE FRIEND CAN SAVE US. 6 00:00:16,166 --> 00:00:17,750 WERE YOU ABLE TO TALK HER OUT OF IT? 7 00:00:17,750 --> 00:00:18,750 NO. 8 00:00:20,000 --> 00:00:21,708 THEN WHAT GOOD ARE YOU, LADY? 9 00:00:21,708 --> 00:00:23,750 I'M NO GOOD. 10 00:00:23,750 --> 00:00:26,458 CHEERLEADING TRYOUTS TODAY! 11 00:00:28,625 --> 00:00:31,000 I HAVE BETTER CONTROL OF MY BODY NOW, 12 00:00:31,000 --> 00:00:33,166 AND WHEN MY BRAIN TELLS MY ARMS AND LEGS WHAT TO DO, 13 00:00:33,166 --> 00:00:35,250 THEY TRY REAL HARD NOW. 14 00:00:36,250 --> 00:00:38,333 THIS IS GONNA BE MY YEAR, GUYS. 15 00:00:40,875 --> 00:00:42,250 GIVE ME A "Q"! 16 00:00:42,250 --> 00:00:43,416 GIVE ME A "U"! 17 00:00:43,416 --> 00:00:47,458 GIVE ME AN I-N-C-YYY! 18 00:00:49,583 --> 00:00:52,000 (theme music playing) 19 00:00:56,000 --> 00:00:57,958 ♪ I'VE BEEN WAITING ♪ 20 00:00:57,958 --> 00:01:00,416 ♪ FOR A DAY LIKE THIS TO COME ♪ 21 00:01:00,416 --> 00:01:01,958 ♪ STRUCK LIKE LIGHTNING ♪ 22 00:01:01,958 --> 00:01:04,708 ♪ MY HEART'S BEATING LIKE A DRUM ♪ 23 00:01:04,708 --> 00:01:05,625 ♪ ON THE EDGE ♪ 24 00:01:05,625 --> 00:01:08,625 ♪ OF SOMETHING WONDERFUL ♪ 25 00:01:08,625 --> 00:01:11,500 ♪ FACE TO FACE WITH CHANGES ♪ 26 00:01:11,500 --> 00:01:12,708 ♪ WHAT'S IT ALL ABOUT? ♪ 27 00:01:12,708 --> 00:01:14,583 ♪ LIFE IS CRAZY ♪ 28 00:01:14,583 --> 00:01:16,708 ♪ BUT I KNOW I CAN WORK IT OUT ♪ 29 00:01:16,708 --> 00:01:18,125 ♪ 'CAUSE I GOT YOU ♪ 30 00:01:18,125 --> 00:01:20,875 ♪ TO LIVE IT WITH ME ♪ 31 00:01:20,875 --> 00:01:25,000 ♪ I FEEL ALL RIGHT, I'M GONNA TAKE ON THE WORLD ♪ 32 00:01:25,000 --> 00:01:28,500 ♪ LIGHT UP THE STARS, I'VE GOT SOME PAGES TO TURN ♪ 33 00:01:28,500 --> 00:01:30,333 ♪ I'M SINGING "OH-O-O" ♪ 34 00:01:30,333 --> 00:01:33,416 ♪ OH, OH, OH, OH ♪ 35 00:01:33,416 --> 00:01:36,458 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 36 00:01:36,458 --> 00:01:37,625 ♪ TAKE ON THE WORLD ♪ 37 00:01:37,625 --> 00:01:40,416 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 38 00:01:40,416 --> 00:01:42,000 ♪ TAKE ON THE WORLD. ♪ 39 00:01:51,458 --> 00:01:53,291 GREAT JOB, SAMANTHA. 40 00:01:53,291 --> 00:01:55,291 -THANKS! -YOU'RE THE BEST. 41 00:01:55,291 --> 00:01:57,708 SHE'S THE WORST ONE HERE. 42 00:01:57,708 --> 00:01:59,458 SHE'S THE WORST? 43 00:01:59,458 --> 00:02:01,416 SAMANTHA'S THE ONE I GOTTA BEAT TO MAKE THE TEAM. 44 00:02:01,416 --> 00:02:02,875 I'M BETTER THAN HER, RIGHT? 45 00:02:02,875 --> 00:02:04,833 EXPLAIN TO ME WHAT'S THE MATTER WITH YOU. 46 00:02:06,000 --> 00:02:08,000 I'M FOR YOUR ENTERTAINMENT PLEASURE. 47 00:02:08,000 --> 00:02:09,625 HOW MANY YEARS YOU GONNA DO THIS TO ME? 48 00:02:09,625 --> 00:02:10,625 WHAT AM I DOING TO YOU? 49 00:02:10,625 --> 00:02:12,875 EVERY YEAR I HAVE TO TELL YOU THAT YOU'RE GOOD. YOU KNOW WHAT? 50 00:02:12,875 --> 00:02:14,833 YOU'RE NOT GOOD. YOU'RE NOT AS GOOD AS SAMANTHA. 51 00:02:14,833 --> 00:02:17,291 YOU'RE NOT AS GOOD AS HEATHER. YOU'RE NOT AS GOOD AS ANY GIRL 52 00:02:17,291 --> 00:02:18,750 WITH ANY NAME, OR DOESN'T HAVE A NAME, 53 00:02:18,750 --> 00:02:20,833 OR DOESN'T EXIST, OR IS A ROCK. 54 00:02:22,583 --> 00:02:25,000 WELL I DON'T LIKE THAT SHE DOESN'T HAVE A NAME. 55 00:02:25,000 --> 00:02:27,291 I WOULD CALL HER ROXIE. 56 00:02:29,708 --> 00:02:31,458 EVERY YEAR, YOU TRY OUT. 57 00:02:31,458 --> 00:02:33,833 EVERY YEAR, COACH KELLY TELLS YOU NOT TO COME BACK BECAUSE SHE HATES YOU. 58 00:02:33,833 --> 00:02:35,125 COACH KELLY DOES NOT HATE ME. 59 00:02:35,125 --> 00:02:37,416 MATTHEWS, I HATE YOU. 60 00:02:37,416 --> 00:02:38,583 WHY WOULD YOU COME HERE? 61 00:02:38,583 --> 00:02:39,750 WHY ARE YOU WEARING THAT? 62 00:02:39,750 --> 00:02:40,875 WHY WOULD YOU COME HERE? 63 00:02:40,875 --> 00:02:43,333 THIS IS THE YEAR I'M GOING TO MAKE THE TEAM. 64 00:02:43,333 --> 00:02:44,750 IT'S REALLY NOT. 65 00:02:44,750 --> 00:02:46,875 YOU'VE BEEN TRYING TO MAKE THIS TEAM SINCE THIRD GRADE PEE WEES, 66 00:02:46,875 --> 00:02:49,750 AND THEY DON'T LET ME REJECT ANYBODY IN THIRD GRADE PEE WEES. 67 00:02:49,750 --> 00:02:51,958 IT HURTS THEIR SELF-ESTEEM. 68 00:02:53,125 --> 00:02:54,708 THEN WHY DID YOU GET TO REJECT ME? 69 00:02:54,708 --> 00:02:56,958 'CAUSE THAT'S THE YEAR WE PASSED THE RILEY RULE. 70 00:02:56,958 --> 00:02:58,875 (gasps) I HAVE MY OWN RULE. 71 00:03:00,125 --> 00:03:02,750 HOW MUCH REJECTION CAN YOU TAKE? 72 00:03:02,750 --> 00:03:05,625 HEY, LEBRON JAMES WAS CUT FROM HIS HIGH SCHOOL BASKETBALL TEAM. 73 00:03:05,625 --> 00:03:08,458 LEBRON WENT STRAIGHT TO THE NBA FROM HIGH SCHOOL. 74 00:03:08,458 --> 00:03:09,833 I NEW IT WAS SOMETHING. 75 00:03:12,958 --> 00:03:14,708 COACH KELLY, I'M GONNA WIN YOU OVER. 76 00:03:14,708 --> 00:03:17,458 -STAY OUT OF SPORTS. -OH, YOU. 77 00:03:19,625 --> 00:03:22,583 "CHEERLEADING TRYOUTS WILL SPAN THREE DAYS AFTER SCHOOL. 78 00:03:22,583 --> 00:03:25,000 "ON DAY ONE, APPLICANTS WILL BE JUDGED ON COORDINATION." 79 00:03:25,000 --> 00:03:26,583 -DO I HAVE THAT? -NO. 80 00:03:26,583 --> 00:03:28,375 "DAY TWO, TUMBLING." 81 00:03:28,375 --> 00:03:30,125 -I TUMBLE. -NOT ON PURPOSE. 82 00:03:31,166 --> 00:03:32,500 "AND IF YOU MAKE IT TO DAY THREE, 83 00:03:32,500 --> 00:03:33,875 "WE WILL SEE HOW YOU DANCE WITH THE TEAM." 84 00:03:33,875 --> 00:03:34,875 THAT I CAN DO. 85 00:03:34,875 --> 00:03:36,750 IF YOU MAKE IT TO DAY THREE. 86 00:03:37,875 --> 00:03:39,166 Cheerleaders: GIVE ME A "Q," GIVE ME A "U," 87 00:03:39,166 --> 00:03:41,625 GIVE ME A I-N-C-Y, QUINCY! 88 00:03:41,625 --> 00:03:44,833 QUINCY, WE CAN FLY! 89 00:03:44,833 --> 00:03:45,875 WHOO! 90 00:03:45,875 --> 00:03:46,958 (whistle blows) 91 00:03:50,000 --> 00:03:52,875 ALL RIGHT, LADIES, I'VE GOT 13 TRYING OUT. 92 00:03:52,875 --> 00:03:55,208 I NEED 12. MATTHEWS, 93 00:03:55,208 --> 00:03:57,708 WHY DON'T YOU MAKE IT EASY ON ALL OF US AND QUIT RIGHT NOW, 94 00:03:57,708 --> 00:03:59,958 SO WE DON'T HAVE TO GO THROUGH THREE DAYS OF TORTURE? 95 00:03:59,958 --> 00:04:01,708 NO, THANK YOU. 96 00:04:01,708 --> 00:04:03,708 RILEY. 97 00:04:05,708 --> 00:04:07,458 KNOW WHY NOBODY ELSE IS EVEN TRYING OUT? 98 00:04:07,458 --> 00:04:08,833 SHE ALREADY HAS HER TEAM. 99 00:04:08,833 --> 00:04:10,416 THESE ARE THE SAME GIRLS SINCE PEE WEES. 100 00:04:10,416 --> 00:04:12,208 THESE GIRLS ARE THE REASON YOU DON'T MAKE THE TEAM. 101 00:04:16,375 --> 00:04:18,583 MAY WE GET STARTED, PLEASE? 102 00:04:18,583 --> 00:04:20,125 YOU HEARD HER. 103 00:04:20,125 --> 00:04:22,833 LAUNCH, FLY, CATCH. TEAM, LAUNCH. 104 00:04:22,833 --> 00:04:25,625 JENKINS, FLY. MATTHEWS, CATCH. 105 00:04:26,708 --> 00:04:28,458 CATCH! 106 00:04:34,625 --> 00:04:36,875 HI. 107 00:04:38,000 --> 00:04:39,833 OH, CATCH. 108 00:04:41,833 --> 00:04:43,000 YOU ALIVE, JENKINS? 109 00:04:43,000 --> 00:04:44,458 Jenkins: I'M FINE, COACH. 110 00:04:44,458 --> 00:04:45,750 I'M FINE, COACH! 111 00:04:45,750 --> 00:04:47,166 ALL RIGHT, LET'S TRY THAT AGAIN. 112 00:04:47,166 --> 00:04:49,750 MATTHEWS, YOU FLY. JENKINS, YOU CATCH. 113 00:04:50,708 --> 00:04:51,708 CAN I TRUST YOU? 114 00:04:52,875 --> 00:04:55,333 OH, YEAH. I KNOW EXACTLY WHAT I'M GONNA DO. 115 00:04:56,583 --> 00:04:57,833 I'M GONNA DIE! STYLE ::cue(.speaker) ::cue(.speakerTop) 116 00:05:04,583 --> 00:05:05,958 WHO INVENTED THIS? 117 00:05:05,958 --> 00:05:08,083 THOMAS EDISON, THE WIZARD OF MENLO PARK. 118 00:05:08,083 --> 00:05:09,333 AFTER HOW MANY TRIES? 119 00:05:09,333 --> 00:05:10,708 -SIX! -NO! 120 00:05:11,875 --> 00:05:14,458 ANYBODY HERE THINK HE INVENTED IT AFTER HIS FIRST TRY? 121 00:05:14,458 --> 00:05:15,583 -I DO! -NO! 122 00:05:15,583 --> 00:05:17,625 ALL RIGHT, I WAS TRYING SOMETHING, 123 00:05:17,625 --> 00:05:19,625 AND NOW I'M GOING BACK TO THE WAY THINGS WERE. 124 00:05:21,875 --> 00:05:24,250 WHY DIDN'T HE INVENT THE LIGHT BULB ON HIS FIRST TRY? 125 00:05:24,250 --> 00:05:25,458 'CAUSE IT WAS DARK! 126 00:05:26,625 --> 00:05:27,750 GOT YOUR BACK. GOT YOUR BACK. 127 00:05:32,708 --> 00:05:34,833 DID THE BEST I COULD. 128 00:05:36,250 --> 00:05:37,625 I'M FINE. 129 00:05:37,625 --> 00:05:39,083 NOTHING TO SEE, HERE. 130 00:05:39,083 --> 00:05:40,583 GO ON WITH YOUR BUSINESS. 131 00:05:40,583 --> 00:05:41,708 UH, BUT WOULDN'T THE ICE WORK BETTER 132 00:05:41,708 --> 00:05:43,708 IF YOU PUT IT ON SOMETHING? 133 00:05:46,458 --> 00:05:48,458 I SEE. 134 00:05:48,458 --> 00:05:50,291 YOU WERE SUPPOSED TO TALK HER OUT OF THIS. 135 00:05:50,291 --> 00:05:52,166 EVERY YEAR, RILEY TRIES OUT FOR CHEERLEADERS. 136 00:05:52,166 --> 00:05:54,500 OH, RILEY, YOU ARE NO CHEERLEADER. 137 00:05:54,500 --> 00:05:56,625 THAT IS A TERRIBLE THING TO SAY TO ME, ZAY. 138 00:05:56,625 --> 00:05:58,583 I MEANT IT AS A COMPLIMENT. 139 00:05:58,583 --> 00:06:01,875 BACK IN TEXAS, ZAY HAD A LITTLE INCIDENT WITH A CHEERLEADER. 140 00:06:01,875 --> 00:06:04,000 IT WASN'T JUST A LITTLE INCIDENT. 141 00:06:04,000 --> 00:06:07,833 IT WAS TRUE LOVE, BUT I'M OVER IT NOW. 142 00:06:07,833 --> 00:06:09,333 VANESSA! 143 00:06:10,416 --> 00:06:11,708 MATTHEWS, YOU'RE HER FATHER. 144 00:06:11,708 --> 00:06:13,583 IT'S YOUR JOB TO TALK HER OUT OF THIS. 145 00:06:13,583 --> 00:06:17,250 THOMAS EDISON SAW THE NEED FOR A NEW KIND OF LIGHT SOURCE FOR THE HOME. 146 00:06:17,250 --> 00:06:19,750 SEE, PEOPLE RELIED ON KEROSENE LANTERNS, 147 00:06:19,750 --> 00:06:21,875 AND HE TRIED A LOT MORE THAN SIX WAYS 148 00:06:21,875 --> 00:06:24,083 TO COME UP WITH AN ELECTRIC LIGHT WITHOUT SUCCESS. 149 00:06:25,125 --> 00:06:27,291 -YOU KNOW WHAT HE SAID? -"I HAVE FAILED!" 150 00:06:29,166 --> 00:06:30,750 -NO! -YEAH! 151 00:06:33,208 --> 00:06:35,416 "I HAVE NOT FAILED. 152 00:06:35,416 --> 00:06:37,708 "I'VE JUST FOUND 10,000 WAYS THAT WILL NOT WORK." 153 00:06:37,708 --> 00:06:39,416 BUT EDISON FINALLY SUCCEEDED. 154 00:06:39,416 --> 00:06:40,708 THAT'S WHY WE HAVE LIGHT IN HERE. 155 00:06:40,708 --> 00:06:43,000 -BECAUSE HE NEVER GAVE UP. -AND NEITHER SHOULD I. 156 00:06:43,000 --> 00:06:45,583 MMM, WAY TO PUT HER BACK ON TRACK, MATTHEWS. 157 00:06:45,583 --> 00:06:47,833 WHY'D YOU HAVE TO PICK TODAY TO TEACH US ABOUT EDISON? 158 00:06:47,833 --> 00:06:49,750 YEAH, THAT'S SOMETHING, ISN'T IT? 159 00:06:49,750 --> 00:06:52,583 OKAY, WHEN WE WERE AT HOME, YOU DIDN'T WANT HER TO DO THIS. NOBODY DID. 160 00:06:52,583 --> 00:06:54,333 YEAH, BECAUSE AS HER FATHER, 161 00:06:54,333 --> 00:06:56,708 I'VE GONE THROUGH THIS WITH HER HALF A DOZEN TIMES. 162 00:06:56,708 --> 00:06:58,500 AND IT KILLS ME EVERY YEAR. 163 00:06:58,500 --> 00:06:59,833 THEN WHAT ARE YOU DOING? 164 00:07:02,375 --> 00:07:04,208 IN THIS ROOM, I'M YOUR TEACHER. 165 00:07:09,375 --> 00:07:11,708 YOU'VE MADE IT TO DAY TWO? 166 00:07:11,708 --> 00:07:13,000 -YEAH! -WHOO! 167 00:07:13,000 --> 00:07:15,291 AND YOU BROUGHT YOUR OWN CHEERING SECTION? 168 00:07:15,291 --> 00:07:16,708 I'M JUST HERE TO PICK UP THE PIECES. 169 00:07:16,708 --> 00:07:18,083 I'M HERE BECAUSE I WANNA SEE THIS. 170 00:07:18,083 --> 00:07:19,500 I'M HERE BECAUSE I BELIEVE IN RILEY. 171 00:07:19,500 --> 00:07:21,625 I'M HERE BECAUSE I NEED TO SHOW MY CHEERLEADER ENEMIES 172 00:07:21,625 --> 00:07:23,458 THEY HAVE NO HOLD ON ME. 173 00:07:23,458 --> 00:07:24,875 HI, ZAY. 174 00:07:24,875 --> 00:07:28,000 (giggles) YOU KNOW MY NAME. 175 00:07:29,500 --> 00:07:31,208 I HOLD IN MY HAND, 176 00:07:31,208 --> 00:07:32,708 A BELL. 177 00:07:32,708 --> 00:07:34,375 THIS IS THE RILEY BELL. 178 00:07:34,375 --> 00:07:36,000 I HAVE MY OWN BELL. 179 00:07:36,000 --> 00:07:38,500 WHEN YOU QUIT, AND YOU WILL, 180 00:07:38,500 --> 00:07:41,625 YOU WILL RING THIS BELL, AND THIS TRAVESTY WILL BE OVER. 181 00:07:41,625 --> 00:07:44,833 -I WILL NEVER RING THAT BELL. -UH-HUH. 182 00:07:44,833 --> 00:07:46,416 DAY TWO, TUMBLING. 183 00:07:46,416 --> 00:07:50,000 THIS IS THE DAY WE LEARN WHAT KIND OF CONTROL YOU HAVE OVER YOUR BODIES. 184 00:07:51,458 --> 00:07:53,750 -MAYA. -I WANT YOU TO LIVE. 185 00:07:56,000 --> 00:08:00,958 ALL RIGHT, LADIES. ROUND OFF, BACK HANDSPRING, YAMASHIDA. STICK THE LANDING. 186 00:08:01,875 --> 00:08:04,750 -LUCAS! -YAMASHIDA, MAN. 187 00:08:04,750 --> 00:08:07,708 ALL RIGHT, LADIES. SHOW HER HOW IT'S DONE. 188 00:08:12,458 --> 00:08:14,625 FAIR. 189 00:08:21,458 --> 00:08:23,125 WHAT WAS THAT? 190 00:08:23,125 --> 00:08:24,583 HI, THERE. 191 00:08:24,583 --> 00:08:25,875 DID I SEE A LITTLE SOMETHING? 192 00:08:25,875 --> 00:08:28,708 -NO. -YOU SURE, JENKINS? YOU SURE I DIDN'T SEE A LITTLE-- 193 00:08:28,708 --> 00:08:30,750 -NO, NO, NO, NO. -EH, EH, EH, EH, 194 00:08:30,750 --> 00:08:32,208 -NO, NO. -EH. 195 00:08:32,208 --> 00:08:33,500 GIVE ME YOUR FOOT. 196 00:08:33,500 --> 00:08:34,625 I DON'T WANT TO GIVE YOU MY FOOT. 197 00:08:34,625 --> 00:08:38,375 (speaks Russian), JENKINS. 198 00:08:38,375 --> 00:08:39,875 I'M SORRY. 199 00:08:41,750 --> 00:08:43,333 MATTHEWS. 200 00:08:44,291 --> 00:08:46,583 -FARKLE! -NYET! 201 00:08:54,708 --> 00:08:57,458 WHAT ARE YOU DOING? THAT'S MY DONUT! 202 00:09:01,583 --> 00:09:02,750 TUMBLE. 203 00:09:09,750 --> 00:09:11,000 OKAY. 204 00:09:13,958 --> 00:09:15,458 YOU READY FOR ME NOW, CHAMP? 205 00:09:15,458 --> 00:09:17,375 -YEAH. -YOU GET TWO ATTEMPTS. 206 00:09:17,375 --> 00:09:19,708 THAT WASN'T TWICE? 207 00:09:19,708 --> 00:09:22,833 WANNA SHOW US WHAT YOU CAN DO, OR YOU WANNA RING THAT BELL? 208 00:09:34,875 --> 00:09:36,625 GOODBYE. 209 00:09:37,583 --> 00:09:38,708 All: GOODBYE. 210 00:09:44,500 --> 00:09:46,500 (yells) 211 00:09:56,333 --> 00:09:58,000 ALL YOU HAD TO DO, WAS RING THE BELL. 212 00:09:58,000 --> 00:10:00,583 DID YOU RING THE BELL? NO. 213 00:10:00,583 --> 00:10:02,250 WE RANG THE BELL FOR YOU. 214 00:10:02,250 --> 00:10:04,291 WAS THAT GOOD ENOUGH? NO. STYLE ::cue(.speaker) ::cue(.speakerTop) 215 00:10:05,458 --> 00:10:07,208 WELL, I HAVE NEVER BEEN MORE PROUD OF YOU. 216 00:10:07,208 --> 00:10:08,875 YOU MADE IT THROUGH DAY TWO WITHOUT RINGING THE BELL. 217 00:10:08,875 --> 00:10:11,000 NO ONE EXPECTS YOU IN SCHOOL TODAY, OKAY? 218 00:10:11,000 --> 00:10:12,958 SO WE'LL SEE YOU WHEN YOU'RE BACK IN ONE PIECE. 219 00:10:12,958 --> 00:10:14,625 WHAT'S THE MATTER WITH YOU? 220 00:10:14,625 --> 00:10:16,291 RING THE BELL. 221 00:10:16,291 --> 00:10:17,583 RING ANY BELL. RING THE DOORBELL. 222 00:10:17,583 --> 00:10:19,875 I'LL GO TELL COACH KELLY YOU RANG THE BELL, 223 00:10:19,875 --> 00:10:21,833 AND WE CAN ALL WAKE UP FROM THIS HORRIBLE NIGHTMARE. 224 00:10:23,416 --> 00:10:25,166 IS SHE ALIVE? 225 00:10:26,583 --> 00:10:27,833 DID SHE MAKE IT THROUGH THE NIGHT? 226 00:10:27,833 --> 00:10:30,125 RILEY, WE ARE SO PROUD OF YOU. 227 00:10:30,125 --> 00:10:32,250 IS SHE ALIVE? 228 00:10:32,250 --> 00:10:34,583 PLEASE, STOP NOW. WE ALL WANT YOU TO STOP. 229 00:10:34,583 --> 00:10:36,000 IS-- IS SHE ALIVE? 230 00:10:37,375 --> 00:10:38,625 TELL HER, ZAY. 231 00:10:38,625 --> 00:10:39,958 ZAY? 232 00:10:39,958 --> 00:10:41,583 SO, WHAT? 233 00:10:41,583 --> 00:10:44,458 YOU GUYS JUST BREAK INTO HER APARTMENT, AND THAT'S APPROPRIATE? 234 00:10:46,416 --> 00:10:48,000 RILEY, ARE YOU ALIVE? 235 00:10:48,000 --> 00:10:49,583 NO ONE CAN GET AN ANSWER. 236 00:10:49,583 --> 00:10:52,000 ALL OF YOU? ALL OF YOU JUST COME IN HERE? 237 00:10:52,000 --> 00:10:53,708 THAT'S WHAT I'M SAYING. 238 00:10:54,875 --> 00:10:56,458 SHE CAN'T EVEN MOVE. 239 00:10:56,458 --> 00:10:58,208 THIS IS ON YOU, MATTHEWS. 240 00:10:58,208 --> 00:11:00,958 -WHY IS THAT, MAYA? -'CAUSE YOU'RE TALKING OUT OF BOTH SIDES OF YOUR HEAD. 241 00:11:00,958 --> 00:11:02,333 AT HOME, YOU TELL HER TO QUIT, 242 00:11:02,333 --> 00:11:03,875 AT SCHOOL, YOU TEACH HER TO NEVER GIVE UP. 243 00:11:03,875 --> 00:11:06,875 WHAT? HER TEACHER AND HER FATHER DISAGREE? 244 00:11:06,875 --> 00:11:09,083 WELL, MAYBE IT'S THAT THEY BOTH WANT WHAT'S BEST FOR HER. 245 00:11:09,083 --> 00:11:11,875 WAIT, WHICH ONE OF YOU DO YOU HOPE SHE LISTENS TO? 246 00:11:11,875 --> 00:11:14,458 HERE? I WANT HER TO LISTEN TO HER FATHER. 247 00:11:14,458 --> 00:11:15,708 HER FATHER WANTS TO PROTECT HER. 248 00:11:15,708 --> 00:11:17,833 HER FATHER WANTS HER IN THIS BED 249 00:11:17,833 --> 00:11:19,708 ALL DAY WHERE NOTHING BAD CAN HAPPEN TO HER. 250 00:11:19,708 --> 00:11:21,291 QUIT, RILEY. 251 00:11:21,291 --> 00:11:22,875 YOUR FATHER DOESN'T WANT YOU TO GET HURT. 252 00:11:22,875 --> 00:11:24,250 WHAT DOES HER TEACHER WANT? 253 00:11:25,875 --> 00:11:27,708 HER TEACHER WANTS THE SAME THING EVERYDAY. 254 00:11:28,833 --> 00:11:30,750 HE WANTS HER TO HAVE AN EDUCATION. 255 00:11:30,750 --> 00:11:32,625 TO LEARN ABOUT THE WORLD. 256 00:11:32,625 --> 00:11:34,125 TO FIND OUT WHO SHE IS. 257 00:11:34,125 --> 00:11:37,166 AND HER DAD DOESN'T WANT HER TO FIND OUT WHO SHE IS? 258 00:11:37,166 --> 00:11:39,083 NO, NO! 259 00:11:41,291 --> 00:11:44,125 ZAY, I DON'T BLAME YOU FOR NOT WANTING TO BE A PART OF THIS INSANITY. 260 00:11:44,125 --> 00:11:45,833 THANK YOU. 261 00:11:45,833 --> 00:11:47,583 IT'S MUCH WORSE THAN YOU THINK, ACTUALLY. 262 00:11:47,583 --> 00:11:48,958 WHY? 263 00:11:48,958 --> 00:11:51,833 WELL, I WOULDN'T DO THIS WITHOUT AN INVITATION, BUT, UH... 264 00:11:53,583 --> 00:11:54,750 I WAS RAISED BETTER THAN YOU, 265 00:11:56,083 --> 00:11:57,833 AND APPARENTLY SMARTER THAN YOU, 266 00:11:57,833 --> 00:11:59,333 BUT THIS COULD GO ON ALL DAY. 267 00:12:03,083 --> 00:12:05,333 LOOKS LIKE SHE LISTENED TO HER TEACHER. 268 00:12:13,458 --> 00:12:15,125 COACH KELLY! 269 00:12:15,125 --> 00:12:17,625 MATTHEWS, STILL STANDING? 270 00:12:17,625 --> 00:12:19,750 I CAME EARLY. IT'S JUST YOU AND ME. 271 00:12:19,750 --> 00:12:21,125 GIVE ME THE INSPIRATIONAL SPEECH. 272 00:12:21,125 --> 00:12:22,500 GIVE YOU THE WHAT NOW? 273 00:12:22,500 --> 00:12:24,416 THE TEAM ISN'T HERE. 274 00:12:24,416 --> 00:12:25,750 SHOW ME WHO YOU REALLY ARE, JACKIE. 275 00:12:25,750 --> 00:12:27,333 JACKIE? 276 00:12:27,333 --> 00:12:29,458 GIVE ME MY SPEECH. HELP ME DO BETTER. 277 00:12:29,458 --> 00:12:30,958 MATTHEWS, 278 00:12:30,958 --> 00:12:33,500 THESE GIRLS ARE FINELY TUNED PRECISION INSTRUMENTS 279 00:12:33,500 --> 00:12:36,166 WHO HAVE DEDICATED THEIR ENTIRE LIVES TO THIS. 280 00:12:36,166 --> 00:12:37,875 YOU ARE A PINEAPPLE. 281 00:12:39,750 --> 00:12:40,958 I'M GOING TO HUG YOU, NOW. 282 00:12:40,958 --> 00:12:42,208 DON'T YOU COME NEAR ME. 283 00:12:42,208 --> 00:12:43,750 DO YOU THINK THESE GIRLS THINK OF ANYTHING ELSE? 284 00:12:45,708 --> 00:12:47,875 WHAT IS THIS, SAMANTHA? SLOPPY DAY? 285 00:12:49,291 --> 00:12:50,583 I'LL DO BETTER, COACH. 286 00:12:58,333 --> 00:12:59,875 YOU HAVE INVADED MY PERSONAL SPACE. 287 00:12:59,875 --> 00:13:02,750 AND YOU HAVE INVADED MY HEART, COACH KELLY. 288 00:13:02,750 --> 00:13:05,375 YOU AND I BOTH KNOW THAT I AM GOING TO BE A CHEERLEADER. 289 00:13:05,375 --> 00:13:07,875 THAT IS WHAT YOU WANT FROM ME, AND I KNOW YOUR TRUE SOUL. 290 00:13:07,875 --> 00:13:09,000 WHAT'S HAPPENING? 291 00:13:09,000 --> 00:13:11,000 COACH KELLY, LAUNCH. MATTHEWS, FLY. 292 00:13:11,000 --> 00:13:12,708 -WHO'S CATCHING? -IT'S A SURPRISE! 293 00:13:12,708 --> 00:13:14,083 OH, I LOVE SURPRISES. 294 00:13:14,083 --> 00:13:16,708 I'M GONNA DIE! 295 00:13:19,583 --> 00:13:23,000 INCREDIBLY, WELCOME TO DAY THREE. 296 00:13:24,625 --> 00:13:27,000 I CAN'T BELIEVE THIS, BUT HOW MUCH ARE YOU ROOTING FOR HER RIGHT NOW? 297 00:13:27,000 --> 00:13:28,166 AS MUCH AS ALWAYS. 298 00:13:28,166 --> 00:13:29,875 GUYS, YOU KNOW HOW THIS ENDS. 299 00:13:29,875 --> 00:13:31,458 HOW COULD WE LET IT GET THIS FAR? 300 00:13:31,458 --> 00:13:32,708 DON'T YOU EVEN KNOW YOUR BEST FRIEND? 301 00:13:32,708 --> 00:13:33,708 THERE'S NO STOPPING HER. 302 00:13:33,708 --> 00:13:35,000 YES, I KNOW MY BEST FRIEND, 303 00:13:35,000 --> 00:13:36,708 AND I DON'T WANT MY BEST FRIEND TO GET HURT. 304 00:13:36,708 --> 00:13:38,875 WELL, MAYA, SHE'S ALWAYS THERE FOR US. IT'S OUR TURN NOW. 305 00:13:38,875 --> 00:13:40,833 YEAH, WE SHOULDN'T STOP HER FROM DOING WHAT SHE WANTS. 306 00:13:40,833 --> 00:13:42,708 WE JUST NEED TO BE HERE WHEN SHE NEEDS US. 307 00:13:42,708 --> 00:13:44,291 YOU'RE RIGHT. 308 00:13:44,291 --> 00:13:46,125 I KNOW YOU'RE RIGHT. I JUST... 309 00:13:46,125 --> 00:13:47,458 I DON'T WANT HER TO FAIL. 310 00:13:47,458 --> 00:13:50,833 AND IF SHE DOES, YOU'LL BE THE FIRST PERSON SHE WANTS TO PUT AN ARM AROUND HER. 311 00:13:50,833 --> 00:13:53,333 OKAY, I'M NOT GOING ANYWHERE. 312 00:13:53,333 --> 00:13:55,833 THIS IS OUR CHOREOGRAPHED ROUTINE THAT WE HAVE PERFECTED 313 00:13:55,833 --> 00:13:58,500 OVER ALL OUR YEARS TOGETHER. NEWCOMER. 314 00:13:58,500 --> 00:14:00,125 HAVE YOU LEARNED THE STEPS? 315 00:14:00,125 --> 00:14:01,875 -(very loudly) YES, COACH! -WOW. 316 00:14:01,875 --> 00:14:03,500 I WAS ABOUT TO SAY, "I CAN'T HEAR YA," 317 00:14:03,500 --> 00:14:04,750 BUT YOU GOT ME. 318 00:14:04,750 --> 00:14:06,708 OKAY, PLACES, EVERYBODY. 319 00:14:10,500 --> 00:14:13,166 (music plays) STYLE ::cue(.speaker) ::cue(.speakerTop) 320 00:15:22,833 --> 00:15:24,708 OKAY. 321 00:15:26,375 --> 00:15:27,708 "RILEY MATTHEWS?" 322 00:15:28,958 --> 00:15:30,583 I'M THE ONLY ONE WHO MADE THE TEAM? 323 00:15:32,125 --> 00:15:33,750 NO, HONEY. 324 00:15:33,750 --> 00:15:35,458 THAT'S NOT WHAT THAT MEANS. 325 00:15:37,125 --> 00:15:38,250 OH. 326 00:15:39,708 --> 00:15:41,375 I'M REALLY TIRED, MAYA. 327 00:15:41,375 --> 00:15:43,000 I KNOW YOU ARE, RILES. 328 00:15:44,250 --> 00:15:45,333 YOU DID GREAT. 329 00:15:46,333 --> 00:15:47,583 WANNA GO HOME? 330 00:15:47,583 --> 00:15:49,000 YEAH. 331 00:16:15,875 --> 00:16:17,166 COME IN. 332 00:16:17,166 --> 00:16:20,583 I'M VERY SORRY FOR WHAT HAPPENED TO YOU, RILEY, 333 00:16:20,583 --> 00:16:22,833 AND I'M PROUD OF YOU FOR TRYING YOUR BEST. 334 00:16:22,833 --> 00:16:25,375 AND I'M GLAD THAT YOU'RE STILL ALIVE. 335 00:16:26,875 --> 00:16:28,833 THANKS, AUGGIE. 336 00:16:28,833 --> 00:16:31,125 AND THANK YOU, MOM, FOR SITTING WITH ME. 337 00:16:31,125 --> 00:16:33,750 AW, THANK YOU FOR BEING WHO YOU ARE. 338 00:16:35,250 --> 00:16:36,708 WHERE'S DAD? 339 00:16:36,708 --> 00:16:38,250 HE LEFT FOR SCHOOL A LONG TIME AGO. 340 00:16:39,583 --> 00:16:40,875 IS HE DISAPPOINTED IN ME? 341 00:16:40,875 --> 00:16:43,125 OF COURSE NOT. 342 00:16:43,125 --> 00:16:46,708 I THINK HE JUST REALLY WANTS TO BE YOUR TEACHER RIGHT NOW. 343 00:16:59,708 --> 00:17:00,833 NEW DAY? 344 00:17:01,875 --> 00:17:02,958 ABSOLUTELY. 345 00:17:12,125 --> 00:17:13,583 MR. MATTHEWS? 346 00:17:13,583 --> 00:17:15,583 YES, MS. MATTHEWS? 347 00:17:15,583 --> 00:17:17,583 YOU GOT SOMETHING FOR ME? 348 00:17:17,583 --> 00:17:20,208 BECAUSE I'M ASKING MY TEACHER. 349 00:17:20,208 --> 00:17:21,708 'CAUSE I'VE HAD A ROUGH FEW DAYS. 350 00:17:22,875 --> 00:17:27,166 "I HAVE NOT FAILED, I'VE JUST FOUND 10,000 WAYS THAT WILL NOT WORK." 351 00:17:32,416 --> 00:17:34,708 THOMAS EDISON COULDN'T HOLD A JOB WHEN HE WAS YOUNG, 352 00:17:34,708 --> 00:17:36,708 AND NO ONE THOUGHT HE WOULD AMOUNT MUCH TO ANYTHING. 353 00:17:37,708 --> 00:17:40,458 THOMAS EDISON NEVER MADE IT AS AN INVENTOR... 354 00:17:40,458 --> 00:17:41,708 UNTIL HE DID. 355 00:17:42,875 --> 00:17:45,958 ONLY YOU GET TO DECIDE WHEN YOU QUIT. 356 00:17:47,458 --> 00:17:49,583 NO WELL INTENDED FRIEND, 357 00:17:49,583 --> 00:17:52,750 NO PARENT WHO'S ONLY TRYING TO PROTECT YOU, 358 00:17:52,750 --> 00:17:55,166 AND NO TEACHER, WHO'S SUPPOSED TO BRING OUT THE BEST IN YOU, 359 00:17:55,166 --> 00:17:58,000 CAN MAKE YOU TURN YOUR BACK ON SOMETHING YOU'RE PASSIONATE ABOUT. 360 00:17:59,208 --> 00:18:02,166 BECAUSE A TEACHER WHO BRINGS YOU TO FAILURE, 361 00:18:02,166 --> 00:18:03,750 WHO WANTS YOU TO QUIT, 362 00:18:05,000 --> 00:18:06,625 WHO HASN'T TAUGHT YOU ANYTHING, 363 00:18:07,958 --> 00:18:11,708 IS... NO TEACHER AT ALL. 364 00:18:13,458 --> 00:18:15,000 BUT MY NAME WAS ON THE PAPER. 365 00:18:15,000 --> 00:18:16,458 DID YOU QUIT? 366 00:18:17,708 --> 00:18:19,833 I DIDN'T RING THE BELL. I COULDN'T. IT WAS GONE. 367 00:18:19,833 --> 00:18:20,875 I STOLE IT. 368 00:18:22,875 --> 00:18:24,875 MAYA, YOU STOLE THE BELL? 369 00:18:26,416 --> 00:18:29,875 DID YOU THINK ANY OF US WERE GONNA LET YOU RING THIS BELL? 370 00:18:31,458 --> 00:18:32,875 RILEY, 371 00:18:32,875 --> 00:18:35,000 IF YOU LET SOMEBODY MAKE YOU QUIT, 372 00:18:35,000 --> 00:18:38,708 NO MATTER WHAT POSITION OF POWER THAT PERSON IS IN, 373 00:18:38,708 --> 00:18:40,708 IF YOU ONLY TRY 9,000 TIMES, 374 00:18:42,416 --> 00:18:43,750 YOU JUST END UP SITTING IN THE DARK. 375 00:18:45,750 --> 00:18:47,583 DO YOU WANT TO SIT IN THE DARK, RILEY? 376 00:18:59,083 --> 00:19:01,583 THANK YOU, MR. MATTHEWS. 377 00:19:01,583 --> 00:19:03,500 ANYTIME. 378 00:19:11,458 --> 00:19:13,000 OH, MY POOR, LITTLE GIRL. 379 00:19:23,125 --> 00:19:24,958 MATTHEWS. 380 00:19:27,000 --> 00:19:28,333 WHAT ARE YOU DOING HERE? 381 00:19:28,333 --> 00:19:31,000 I WANT TO BE ON THE CHEERLEADING TEAM. 382 00:19:31,000 --> 00:19:33,625 -YOU DIDN'T MAKE IT. -JUST BECAUSE YOU SAY I DIDN'T MAKE THE TEAM, 383 00:19:33,625 --> 00:19:35,166 DOESN'T MEAN I DIDN'T MAKE THE TEAM. 384 00:19:35,166 --> 00:19:36,458 YEAH, IT DOES. 385 00:19:36,458 --> 00:19:39,625 IT'S ACTUALLY THE THING THAT DETERMINES WHO'S ON THE TEAM, AND YOU. 386 00:19:39,625 --> 00:19:42,750 BECAUSE I SAY, "YOU'RE NOT GOOD ENOUGH." 387 00:19:43,833 --> 00:19:45,625 I WANT TO BE ON THE CHEERLEADING TEAM. 388 00:19:45,625 --> 00:19:47,583 -AS WHAT? -YOU NEED 12. 389 00:19:47,583 --> 00:19:50,000 WHAT IF ONE OF YOUR GIRLS GETS HURT? I COULD BE AN ALTERNATE. 390 00:19:50,000 --> 00:19:52,375 MY GIRLS DON'T GET HURT. THEY'RE MACHINES. 391 00:19:54,125 --> 00:19:56,375 -OW. -'SCUSE ME? 392 00:19:56,375 --> 00:19:57,500 OW. 393 00:19:57,500 --> 00:20:00,375 PUT THAT ONE HOP LITTLE LEG BACK ON THE GROUND, JENKINS. 394 00:20:05,250 --> 00:20:07,333 -OW. -WHAT? 395 00:20:07,333 --> 00:20:08,625 CUT IT OUT, SAMANTHA. 396 00:20:08,625 --> 00:20:10,625 JENKINS, SHE DIDN'T EVEN KNOW HOW TO CATCH YOU. 397 00:20:10,625 --> 00:20:13,125 SHE HASN'T BEEN COACHED LIKE WE HAVE. 398 00:20:13,125 --> 00:20:15,166 YEAH, MAYBE IF YOU COACHED HER. 399 00:20:15,166 --> 00:20:16,500 WHY ARE YOU DOING THIS? 400 00:20:16,500 --> 00:20:17,875 WHY WOULD YOU ENCOURAGE HER LIKE THIS? 401 00:20:17,875 --> 00:20:19,458 WE'RE CHEERLEADERS. 402 00:20:19,458 --> 00:20:21,708 WE KNOW SPIRIT WHEN WE SEE IT. STYLE ::cue(.speaker) ::cue(.speakerTop) 403 00:20:25,625 --> 00:20:27,458 I THINK YOU'RE GONNA NEED THIS. 404 00:20:30,708 --> 00:20:31,750 MATTHEWS... 405 00:20:36,125 --> 00:20:37,750 YOU FINALLY BROKE ME. 406 00:20:39,208 --> 00:20:41,625 (cheering) 407 00:20:51,416 --> 00:20:54,083 UH, YOU GUYS MAY WANT TO SEE THIS. 408 00:20:54,083 --> 00:20:55,583 OH, WHATCHA GOT THERE, AUG? 409 00:20:57,833 --> 00:20:59,875 This is Perez Hilton. 410 00:20:59,875 --> 00:21:02,875 MOSTLY, I WRITE ABOUT THE RICH AND FAMOUS, 411 00:21:02,875 --> 00:21:05,875 BUT TODAY I THINK YOU'LL FIND INSPIRATION 412 00:21:05,875 --> 00:21:07,958 IN THE TALENTLESS AND CLUMSY. 413 00:21:07,958 --> 00:21:09,708 I'M BOTH. 414 00:21:10,875 --> 00:21:14,000 HOW LONG HAVE YOU BEEN TRYING TO MAKE THE CHEERLEADING TEAM, RILEY? 415 00:21:14,000 --> 00:21:15,583 ALL MY LIFE, PEREZ. 416 00:21:15,583 --> 00:21:18,583 AND WHERE IS THE COACH WHO FINALLY CAVED IN? 417 00:21:18,583 --> 00:21:19,875 OUTTA MY FACE, HILTON. 418 00:21:21,083 --> 00:21:22,625 FEISTY. 419 00:21:22,625 --> 00:21:27,375 THIS IS A STORY ABOUT A LITTLE GIRL WHO WOULDN'T GIVE UP, 420 00:21:27,375 --> 00:21:30,583 AND WON THE ADMIRATION OF HER TEAMMATES. 421 00:21:32,458 --> 00:21:35,625 (music plays) 422 00:21:43,500 --> 00:21:45,125 OKAY. 423 00:21:45,125 --> 00:21:46,875 I THINK I SEE WHAT WE GOT HERE. 424 00:21:47,875 --> 00:21:50,833 I COULDN'T HAVE DONE THIS WITHOUT MY OLD FRIENDS. 425 00:21:53,708 --> 00:21:55,875 OR MY NEW FRIENDS. 426 00:22:00,625 --> 00:22:04,166 SO, DREAM YOUR DREAMS, LITTLE ONES, 427 00:22:04,166 --> 00:22:05,875 BECAUSE THIS IS A WORLD 428 00:22:05,875 --> 00:22:08,333 WHERE NOTHING IS IMPOSSIBLE. 429 00:22:08,333 --> 00:22:09,625 AND ISN'T THAT THE KIND OF WORLD