1
00:00:00,708 --> 00:00:02,875
-Riley:
PREVIOUSLY ON GIRL MEETS WORLD
2
00:00:02,875 --> 00:00:06,375
-Maya: I LIKE THE WAY
YOU USED YOUR FANCY VOICE.
-Riley: THANKS.
3
00:00:06,375 --> 00:00:08,125
WE HAVE ENTERED YOU IN...
4
00:00:08,125 --> 00:00:10,166
THE ANNUAL MUTTON
BUSTING TOURNAMENT!
5
00:00:10,166 --> 00:00:13,166
YOU SIGNED ME UP
TO RIDE TOMBSTONE THE BULL!
6
00:00:13,166 --> 00:00:14,708
(cheers and applause)
7
00:00:18,708 --> 00:00:19,708
(crowd groans)
8
00:00:21,416 --> 00:00:23,875
YOU COULDN'T WATCH HIM...
9
00:00:23,875 --> 00:00:28,250
BECAUSE YOU WERE AFRAID
SOMETHING WOULD HAPPEN TO HIM...
10
00:00:31,458 --> 00:00:33,583
BECAUSE YOU LIKE HIM.
11
00:00:33,583 --> 00:00:35,291
YOU'RE MY BROTHER, LUCAS.
12
00:00:35,291 --> 00:00:37,875
AND I'M YOUR SISTER.
13
00:00:37,875 --> 00:00:39,625
THAT'S WHAT
YOU THINK WE ARE?
14
00:00:39,625 --> 00:00:42,250
HOW DO YOU FEEL
ABOUT HIM, MAYA?
15
00:00:44,833 --> 00:00:47,208
(theme music playing)
16
00:00:51,458 --> 00:00:53,458
♪ I'VE BEEN WAITING ♪
17
00:00:53,458 --> 00:00:54,833
♪ FOR A DAY ♪
18
00:00:54,833 --> 00:00:55,875
♪ LIKE THIS TO COME ♪
19
00:00:55,875 --> 00:00:57,416
♪ STRUCK LIKE LIGHTNING ♪
20
00:00:57,416 --> 00:01:00,000
♪ MY HEART'S BEATING
LIKE A DRUM ♪
21
00:01:00,000 --> 00:01:01,708
♪ ON THE EDGE ♪
22
00:01:01,708 --> 00:01:03,958
♪ OF SOMETHING WONDERFUL ♪
23
00:01:03,958 --> 00:01:06,833
♪ FACE TO FACE WITH CHANGES ♪
24
00:01:06,833 --> 00:01:08,000
♪ WHAT'S IT ALL ABOUT? ♪
25
00:01:08,000 --> 00:01:10,166
♪ LIFE IS CRAZY ♪
26
00:01:10,166 --> 00:01:11,208
♪ BUT I KNOW ♪
27
00:01:11,208 --> 00:01:12,250
♪ I CAN WORK IT OUT ♪
28
00:01:12,250 --> 00:01:13,625
♪ 'CAUSE I GOT YOU ♪
29
00:01:13,625 --> 00:01:16,458
♪ TO LIVE IT WITH ME ♪
30
00:01:16,458 --> 00:01:20,583
♪ I FEEL ALL RIGHT,
I'M GONNA TAKE ON THE WORLD ♪
31
00:01:20,583 --> 00:01:23,750
♪ LIGHT UP THE STARS,
I'VE GOT SOME PAGES TO TURN ♪
32
00:01:23,750 --> 00:01:25,833
♪ I'M SINGING "GO-O-O" ♪
33
00:01:25,833 --> 00:01:28,708
♪ OH, OH, OH, OH ♪
34
00:01:28,708 --> 00:01:31,708
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
35
00:01:31,708 --> 00:01:33,208
♪ TAKE ON THE WORLD ♪
36
00:01:33,208 --> 00:01:35,708
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
37
00:01:35,708 --> 00:01:37,500
♪ TAKE ON THE WORLD ♪
38
00:01:40,500 --> 00:01:42,875
BROTHER AND SISTER...
39
00:01:42,875 --> 00:01:45,416
RILEY AND I ARE
BROTHER AND SISTER NOW.
40
00:01:45,416 --> 00:01:46,458
WHAT DOES THAT EVEN MEAN?
41
00:01:47,958 --> 00:01:49,875
WHAT DOES ANYTHING MEAN
OUT THE MOUTH OF A GIRL?
42
00:01:49,875 --> 00:01:52,000
I MEAN, I USED TO
TELL VANESSA, CLEAR AS DAY,
43
00:01:52,000 --> 00:01:53,875
"VANESSA, I'D BUY
YOU A HOUSE,
44
00:01:53,875 --> 00:01:56,416
"AND I'D BE YOURS FOREVER,
AND I'D BUY YOU ICE CREAM,"
45
00:01:56,416 --> 00:01:57,625
YOU KNOW WHAT'D SHE SAY?
46
00:01:57,625 --> 00:01:59,125
"I DON'T WANT YOU
TO BUY ME A HOUSE,
47
00:01:59,125 --> 00:02:02,208
"I DON'T WANT YOUR ICE CREAM,
AND I DON'T LIKE YOU."
48
00:02:02,208 --> 00:02:04,583
HOW AM I SUPPOSED
TO UNDERSTAND THAT?
49
00:02:04,583 --> 00:02:05,708
I UNDERSTAND IT.
50
00:02:10,333 --> 00:02:13,583
WHOA. GENTLEMEN,
LOOK HOW LUCKY YOU ARE.
51
00:02:15,083 --> 00:02:16,583
YOU TREAT 'EM RIGHT.
52
00:02:16,583 --> 00:02:18,208
THANK YOU, PAPPY JOE.
53
00:02:18,208 --> 00:02:21,625
I SEE WHY YOU GET HOMESICK
FOR TEXAS SOMETIMES, LUCAS.
54
00:02:23,208 --> 00:02:25,708
I NEVER KNEW THAT
THE SKY HAD THIS MANY STARS.
55
00:02:26,708 --> 00:02:29,416
YOU KNOW WHAT ELSE?
I DON'T GET NERVOUS
56
00:02:29,416 --> 00:02:31,166
WHEN I'M WITH YOU ANYMORE.
57
00:02:31,166 --> 00:02:33,125
WE'RE DOING THE RIGHT THING.
58
00:02:33,125 --> 00:02:34,375
AH.
59
00:02:34,375 --> 00:02:36,875
REMEMBER WHEN WE COULDN'T
EVEN SAY "HI" TO EACH OTHER?
60
00:02:36,875 --> 00:02:40,166
REMEMBER HOW
WE'D GO, "HI."
61
00:02:40,166 --> 00:02:42,583
"HOWDY." "HI."
REMEMBER?
62
00:02:42,583 --> 00:02:44,291
NOW WATCH THIS.
SAY "HI" TO ME.
63
00:02:44,291 --> 00:02:45,833
-HI.
-HI, LUCAS.
64
00:02:45,833 --> 00:02:47,750
WHAT UP, BRAH?
WHAT'S UP WITH YOU, MAN?
65
00:02:47,750 --> 00:02:49,458
YOU GOOD? YOU COOL?
66
00:02:51,000 --> 00:02:52,250
HI.
67
00:02:52,250 --> 00:02:54,583
STILL GOT SOME
CATCHING UP TO DO.
68
00:02:54,583 --> 00:02:56,458
RILEY, I-- I DON'T EVEN
KNOW WHAT'S GOING ON RIGHT NOW.
69
00:02:56,458 --> 00:02:58,000
WHAT'S GOING ON
IS THAT WE'RE GONNA
70
00:02:58,000 --> 00:03:00,416
BE THE BEST OF FRIENDS
AND CARE ABOUT
71
00:03:00,416 --> 00:03:02,875
WHAT EACH OF US HAS TO SAY
FOR THE REST OF OUR LIVES.
72
00:03:02,875 --> 00:03:04,875
YEAH, I SORT OF
THOUGHT WE HAD THAT.
73
00:03:04,875 --> 00:03:06,250
WHAT DOES BROTHER
AND SISTER MEAN?
74
00:03:06,250 --> 00:03:08,375
IT MEANS... YOU KNOW...
75
00:03:08,375 --> 00:03:09,583
-POOM!
-HEY!
76
00:03:09,583 --> 00:03:10,833
-PING!
-RILEY!
77
00:03:10,833 --> 00:03:13,125
HA, YOU SAID THAT
JUST LIKE A BROTHER WOULD.
78
00:03:13,125 --> 00:03:14,500
-WELL, CAN I HIT YOU BACK?
-NO.
79
00:03:14,500 --> 00:03:16,208
-ONLY YOU GET TO HIT ME?
-MM-HMM.
80
00:03:16,208 --> 00:03:18,125
WE'RE JUST LIKE
HOW YOU AND MAYA WERE.
81
00:03:20,375 --> 00:03:22,416
HA-HEE.
82
00:03:24,125 --> 00:03:25,333
YOU DON'T EVEN DO IT RIGHT.
83
00:03:25,333 --> 00:03:29,000
OH! MAYA,
I THOUGHT YOU WEREN'T
TALKING TO LUCAS.
84
00:03:29,000 --> 00:03:30,416
I'M NOT TALKING TO HIM.
85
00:03:30,416 --> 00:03:31,458
I'M TALKING TO YOU.
86
00:03:31,458 --> 00:03:33,708
MAYA, ARE YOU SERIOUSLY
NOT GONNA TALK TO ME?
87
00:03:33,708 --> 00:03:37,458
YOU COULD'VE GOTTEN HURT
ON THAT STUPID BULL.
88
00:03:38,958 --> 00:03:40,333
WHAT DO YOU THINK
YOU GETTING HURT
89
00:03:40,333 --> 00:03:42,208
WOULD HAVE DONE
TO THE PEOPLE WHO...
90
00:03:43,625 --> 00:03:45,458
CARE ABOUT YOU?
91
00:03:45,458 --> 00:03:46,750
I THINK YOU WERE
GONNA SAY "CARE ABOUT YOU."
92
00:03:46,750 --> 00:03:48,625
I'M NOT TALKING ABOUT ME.
YOU THINK I'M TALKING ABOUT ME?
93
00:03:48,625 --> 00:03:50,875
-YES, I DO.
-I'M TALKING
ABOUT EVERYBODY HERE.
94
00:03:50,875 --> 00:03:51,875
ALL RIGHT.
95
00:03:51,875 --> 00:03:53,833
MAYA, LUCAS IS OKAY.
96
00:03:53,833 --> 00:03:55,000
HE DIDN'T GET HURT.
97
00:03:55,000 --> 00:03:56,500
ALL OF US ARE OKAY.
98
00:03:57,625 --> 00:04:00,000
AND WE'RE GONNA GO SPEND
OUR FIRST NIGHT IN TEXAS...
99
00:04:00,000 --> 00:04:01,291
WHAT SHOULD WE DO?
100
00:04:01,291 --> 00:04:02,500
I'VE BEEN READING
ABOUT AUSTIN,
101
00:04:02,500 --> 00:04:03,750
AND THEY CALL IT
A MUSIC CITY.
102
00:04:03,750 --> 00:04:05,416
THEY CALL IT THE LIVE
MUSIC CAPITAL OF THE WORLD.
103
00:04:05,416 --> 00:04:07,000
THAT'S ABSOLUTELY
WHAT WE SHOULD DO.
104
00:04:07,000 --> 00:04:08,958
SHOW THEM THE TOWN
AND LISTEN TO SOME MUSIC.
105
00:04:08,958 --> 00:04:10,833
YEAH! ANYONE GOOD
PLAYING TONIGHT?
106
00:04:10,833 --> 00:04:14,166
IF I WAS A YOUNG BUCK
TRYING TO IMPRESS MY FRIENDS,
107
00:04:14,166 --> 00:04:17,833
I MIGHT SUGGEST
CHUBBY'S FAMOUS BARBECUE PIT.
108
00:04:17,833 --> 00:04:20,708
ALWAYS GOOD EATS,
ALWAYS GOOD MUSIC.
109
00:04:20,708 --> 00:04:22,416
BUT BARBECUED FOODS
AREN'T GOOD FOR YOU.
110
00:04:31,333 --> 00:04:33,708
LET ME TELL YOU
WHAT AIN'T GOOD FOR YOU.
111
00:04:33,708 --> 00:04:35,166
YOU'RE NOT GONNA DO
ANYTHING TO ME
112
00:04:35,166 --> 00:04:36,875
BECAUSE YOU KNOW
I'M A NEW YORK INTELLECTUAL
113
00:04:36,875 --> 00:04:38,625
AND YOU DON'T WANT
TO BE A CLICHE.
114
00:04:41,166 --> 00:04:43,625
LUCAS, FETCH ME MY SHOTGUN.
115
00:04:43,625 --> 00:04:45,750
-OKAY.
-LUCAS!
116
00:04:45,750 --> 00:04:47,000
OKAY.
117
00:04:49,125 --> 00:04:52,208
OKAY, I'LL GO TO CHUBBY'S,
I'LL EAT YOUR FOOD,
118
00:04:52,208 --> 00:04:53,708
I'LL LISTEN TO YOUR MUSIC,
119
00:04:53,708 --> 00:04:56,625
BUT DON'T EXPECT
A CHANGED FARKLE, HOMBRE.
STYLE
::cue(.speaker)
::cue(.speakerTop)
120
00:05:02,708 --> 00:05:04,083
COMING WITH US?
121
00:05:04,083 --> 00:05:05,833
APPRECIATE THE INVITE.
122
00:05:05,833 --> 00:05:07,250
I'M EXTREMELY BUSY...
123
00:05:11,708 --> 00:05:13,875
AS I FOUND...
124
00:05:13,875 --> 00:05:15,958
THIS CHAIR WON'T ROCK ITSELF.
125
00:05:20,000 --> 00:05:21,583
(country music plays)
126
00:05:23,958 --> 00:05:27,708
WHILE I UNDERSTAND BARBECUE
IS NOT YOUR THING, FARKLE,
127
00:05:27,708 --> 00:05:29,208
YOU DO SEEM
TO HAVE FOUND
128
00:05:29,208 --> 00:05:32,000
A NEW APPRECIATION
FOR OUR HOMETOWN CUISINE.
129
00:05:34,166 --> 00:05:35,583
MORE.
130
00:05:37,291 --> 00:05:40,000
EASY, COWBOY.
YOU NEED TO CALM DOWN.
131
00:05:40,000 --> 00:05:41,625
OH, I HAVE TO CALM DOWN?
132
00:05:41,625 --> 00:05:44,500
THEY MAKE A BIG DEAL
OUT OF YOU RIDING A BULL
FOR FOUR SECONDS.
133
00:05:44,500 --> 00:05:45,875
WELL, I ATE HIM.
134
00:05:52,500 --> 00:05:54,000
Riley:
MAYA...
135
00:05:54,000 --> 00:05:56,000
WILL YOU PLEASE
SAY SOMETHING TO HIM?
136
00:05:56,000 --> 00:05:58,708
I KNOW THAT YOU CARE
ABOUT HIM. IT'S OKAY.
137
00:05:58,708 --> 00:06:00,833
I JUST DON'T WANT
ANYTHING TO CHANGE.
138
00:06:02,083 --> 00:06:04,583
HEY, HUCKLEBERRY...
139
00:06:04,583 --> 00:06:05,750
ARE WE DANCING OR WHAT?
140
00:06:05,750 --> 00:06:07,875
OH, WE CAN DO THAT?
IS THAT PART OF THE NEW RULES?
141
00:06:07,875 --> 00:06:09,458
THIS KIND OF DANCING? SURE.
142
00:06:15,708 --> 00:06:17,750
-MAYA, WHAT'S
GOING ON WITH YOU?
-I DON'T KNOW.
143
00:06:18,875 --> 00:06:21,375
DO YOU KNOW? 'CAUSE...
144
00:06:21,375 --> 00:06:23,125
HELP ME.
145
00:06:33,708 --> 00:06:36,000
-OH, YOU'VE DONE THIS BEFORE?
-NEVER.
146
00:06:36,000 --> 00:06:37,291
THEN HOW ARE YOU SO GOOD?
147
00:06:37,291 --> 00:06:39,250
BECAUSE I'M FINALLY
RELAXED WITH YOU.
148
00:06:39,250 --> 00:06:40,958
I'M NOT SURE
THAT'S GOOD NEWS.
149
00:06:40,958 --> 00:06:42,708
IT IS, LUCAS.
150
00:06:42,708 --> 00:06:44,708
I HAD NO IDEA
I WOULD BE IN TEXAS
151
00:06:44,708 --> 00:06:47,833
JUST LIKE I HAD NO IDEA
I WOULD EVER DANCE
WITH A RODEO STAR.
152
00:06:47,833 --> 00:06:49,875
THE ONLY THING I KNOW
IS THAT I ALWAYS WANT
153
00:06:49,875 --> 00:06:51,250
TO BE ABLE
TO TALK TO YOU,
154
00:06:51,250 --> 00:06:53,166
AND MAYBE THAT THIS
IS THE BEST WAY TO DO THAT.
155
00:06:53,166 --> 00:06:56,000
IF THAT'S WHAT YOU WANT.
156
00:06:56,000 --> 00:06:57,583
YOU KNOW WHAT I DON'T WANT?
157
00:06:57,583 --> 00:07:00,291
I DON'T WANT
TO GO OUT FOR A WHILE
158
00:07:00,291 --> 00:07:03,000
AND BREAK UP
AND NOT LIKE EACH OTHER ANYMORE.
159
00:07:03,000 --> 00:07:04,708
ISN'T THAT
WHAT HAPPENS NEXT?
160
00:07:04,708 --> 00:07:06,625
ISN'T THAT WHAT PEOPLE DO?
161
00:07:06,625 --> 00:07:08,750
I DON'T
UNDERSTAND THAT, LUCAS.
162
00:07:08,750 --> 00:07:11,708
I ALWAYS WANT
YOU AROUND AND...
163
00:07:11,708 --> 00:07:13,166
MAYBE THE BEST WAY
TO DO THAT IS
164
00:07:13,166 --> 00:07:14,833
TO BE LIKE BROTHER AND SISTER.
165
00:07:23,250 --> 00:07:25,166
YOU DIDN'T WANT
HIM TO GET HURT
BECAUSE YOU CARE ABOUT HIM.
166
00:07:25,166 --> 00:07:26,833
-I CARE ABOUT ALL OF US.
-YOU CARE ABOUT HIM.
167
00:07:26,833 --> 00:07:28,250
-I CARE ABOUT ALL OF US.
-YOU CARE ABOUT HIM.
168
00:07:28,250 --> 00:07:29,833
I WILL KILL YOU.
169
00:07:29,833 --> 00:07:31,458
I'M NOT GONNA
CARE ABOUT ANYBODY
170
00:07:31,458 --> 00:07:32,625
FOR THE REST
OF MY LIFE, ALL RIGHT?
171
00:07:32,625 --> 00:07:34,750
I TRIED IT ONCE.
DIDN'T WORK.
172
00:07:34,750 --> 00:07:36,875
FROM NOW ON,
I LIKE NOBODY.
173
00:07:36,875 --> 00:07:38,583
ZAY?
174
00:07:38,583 --> 00:07:39,833
UNBELIEVABLE.
175
00:07:41,083 --> 00:07:42,833
HOW'S NEW YORK
BEEN TREATING YOU?
176
00:07:42,833 --> 00:07:44,583
GOOD, YEAH.
177
00:07:44,583 --> 00:07:45,708
JUST TRYING TO FIT IN.
178
00:07:45,708 --> 00:07:46,750
MAKING NEW FRIENDS...
179
00:07:46,750 --> 00:07:49,000
WELL, LOOKS LIKE
YOU MADE SOME.
180
00:07:49,000 --> 00:07:50,083
WANNA INTRODUCE ME?
181
00:07:51,458 --> 00:07:53,333
YEAH. UM, THIS IS FARKLE...
182
00:07:53,333 --> 00:07:54,625
TEXAS LADY.
183
00:07:54,625 --> 00:07:56,500
AND THIS IS MY FRIEND, MAYA.
184
00:07:56,500 --> 00:07:58,000
YOU DID NOT JUST DO THAT.
185
00:07:58,000 --> 00:07:59,458
WHAT?
186
00:07:59,458 --> 00:08:03,583
YOU DID NOT JUST INTRODUCE
YOUR GIRLFRIEND AS YOUR FRIEND.
187
00:08:03,583 --> 00:08:05,458
(scoffs)
WHAT?
188
00:08:05,458 --> 00:08:07,333
ISAIAH EARL BABINEAUX...
189
00:08:07,333 --> 00:08:09,000
YOUR MIDDLE NAME IS EARL?
190
00:08:09,000 --> 00:08:13,708
-NO.
-THE NEXT TIME YOU INTRODUCE
YOUR GIRLFRIEND AS YOUR FRIEND,
191
00:08:13,708 --> 00:08:15,625
WE ARE THROUGH.
DO YOU HEAR ME?
192
00:08:15,625 --> 00:08:18,708
I MEAN, I HEAR YOU, BUT I...
193
00:08:18,708 --> 00:08:20,625
PUT YOUR ARM AROUND ME.
194
00:08:20,625 --> 00:08:22,500
TWIRL MY HAIR.
195
00:08:24,083 --> 00:08:25,958
CALL ME HONEY NUGGET.
196
00:08:25,958 --> 00:08:27,500
HI, HONEY NUGGET.
197
00:08:27,500 --> 00:08:28,750
HI, HUNKALICIOUS.
198
00:08:30,875 --> 00:08:32,375
VANESSA?
199
00:08:32,375 --> 00:08:34,125
VANESSA.
200
00:08:35,500 --> 00:08:37,375
A LITTLE POSSESSIVE, NO?
201
00:08:37,375 --> 00:08:39,458
WELL, THE GOOD ONES
YOU DON'T LET GET AWAY,
202
00:08:39,458 --> 00:08:40,625
YOU KNOW WHAT I MEAN?
203
00:08:40,625 --> 00:08:43,416
WITH ALL THE GIRLS CHASING
HIM AROUND NEW YORK CITY,
204
00:08:43,416 --> 00:08:45,875
YOU HAVE TO
SWOOP RIGHT IN
OR HE'LL BE GONE.
205
00:08:47,291 --> 00:08:50,583
I SAID, "YOU HAVE TO
SWOOP RIGHT IN OR HE WILL"--
206
00:08:50,583 --> 00:08:52,500
ISAIAH HANK BABINEAUX.
207
00:08:52,500 --> 00:08:55,000
-NO--
-I DON'T CARE.
208
00:08:55,000 --> 00:08:57,708
I ONLY CARE THAT
YOU DON'T LET MAYA GET
209
00:08:57,708 --> 00:08:59,833
HER HOOKS INTO YOU
WHEN YOU KNOW YOU ARE MINE.
210
00:09:01,583 --> 00:09:03,083
THIS IS MY FRIEND, RILEY--
211
00:09:03,083 --> 00:09:05,208
NOW, HOW DO YOU LIKE IT
WHEN HE CALLS YOU
A FRIEND, RILEY?
212
00:09:05,208 --> 00:09:07,000
-I LIKE IT.
-NO, YOU DO NOT LIKE IT.
213
00:09:07,000 --> 00:09:09,625
I DO NOT LIKE
WHEN YOU CALL ME JUST "FRIEND."
214
00:09:09,625 --> 00:09:12,083
WELL, WHAT WOULD YOU LIKE
FOR ME TO CALL YOU?
215
00:09:12,083 --> 00:09:14,875
I WOULD LIKE FOR
YOU TO CALL ME...
216
00:09:14,875 --> 00:09:17,708
COTTON CANDY FACE.
217
00:09:17,708 --> 00:09:19,708
GOOD GIRL.
I KNOW THAT WAS HARD.
218
00:09:19,708 --> 00:09:22,708
ZAY, IS IT POSSIBLE
I'VE MISJUDGED YOU?
219
00:09:22,708 --> 00:09:24,583
IT'S POSSIBLE, VANESSA.
220
00:09:24,583 --> 00:09:26,708
-HOW DO YOU KNOW MY NAME?
-UM...
221
00:09:26,708 --> 00:09:27,750
-TOO MUCH.
-TOO MUCH.
222
00:09:27,750 --> 00:09:28,750
-TOO MUCH.
-TOO MUCH.
223
00:09:30,625 --> 00:09:32,708
HEY, EVERYBODY.
WELCOME TO CHUBBY'S
FAMOUS BARBECUE,
224
00:09:32,708 --> 00:09:34,375
HOME OF THE BEST
RIBS IN TEXAS.
225
00:09:34,375 --> 00:09:35,583
(cheers and applause)
226
00:09:35,583 --> 00:09:37,166
I GREW UP HERE!
227
00:09:37,166 --> 00:09:38,875
OKAY, WELL WE'RE ABOUT
TO INTRODUCE TWO LOVELY LADIES
228
00:09:38,875 --> 00:09:40,208
AND ONE OF THEM
GREW UP HERE AS WELL,
229
00:09:40,208 --> 00:09:41,875
ABOUT TWO HOURS DOWN
THE ROAD IN SUGAR LAND.
230
00:09:41,875 --> 00:09:43,583
LADIES AND GENTLEMEN,
PLEASE HELP ME WELCOME
231
00:09:43,583 --> 00:09:45,083
MADDIE & TAE!
232
00:09:45,083 --> 00:09:46,750
(cheers and applause)
233
00:09:48,291 --> 00:09:51,416
WELL, IT FEELS REAL GOOD
TO BE BACK HOME IN TEXAS.
234
00:09:51,416 --> 00:09:53,000
THIS FIRST ONE'S A LOVE SONG...
235
00:09:53,000 --> 00:09:54,708
All:
UH-OH.
236
00:09:54,708 --> 00:09:56,875
AND IT'S CALLED
NO PLACE LIKE YOU.
237
00:09:56,875 --> 00:09:58,166
(cheers and applause)
STYLE
::cue(.speaker)
::cue(.speakerTop)
238
00:10:13,166 --> 00:10:15,708
♪ CALIFORNIA CHERRY COLA ♪
239
00:10:15,708 --> 00:10:18,000
♪ SANDY SKIES IN ARIZONA ♪
240
00:10:18,000 --> 00:10:21,125
♪ SMOKY MOUNTAIN BLOWIN'
THROUGH TENNESSEE ♪
241
00:10:23,166 --> 00:10:25,416
♪ OKLAHOMA SWEET MAGNOLIA ♪
242
00:10:25,416 --> 00:10:28,000
♪ KANSAS OVER
MY RIGHT SHOULDER ♪
243
00:10:28,000 --> 00:10:31,291
♪ BENDING STRINGS
DOWN IN NEW ORLEANS ♪
244
00:10:32,833 --> 00:10:36,333
♪ EVERYWHERE I GO,
I SEE YOUR SMILE ♪
245
00:10:37,708 --> 00:10:42,166
♪ I WISH I COULD SEE
YOURS ONCE IN A WHILE ♪
246
00:10:42,166 --> 00:10:46,625
♪ THE SUN COMES UP
AND IT SINKS BACK DOWN ♪
247
00:10:46,625 --> 00:10:51,458
♪ ON EVERY FIVE-STAR DREAM
IN EVERY TWO-STAR TOWN ♪
248
00:10:51,458 --> 00:10:56,000
♪ THERE'S A LOT TO SEE
FROM A WISHING VIEW ♪
249
00:10:56,000 --> 00:10:58,125
♪ BUT SOMETIMES,
I WISH I COULD ♪
250
00:10:58,125 --> 00:11:00,958
♪ CLOSE MY EYES
AND CLICK MY SHOES ♪
251
00:11:00,958 --> 00:11:04,291
♪ 'CAUSE THERE'S
NO PLACE LIKE YOU ♪
252
00:11:04,291 --> 00:11:06,708
♪ NO PLACE LIKE YOU ♪
253
00:11:06,708 --> 00:11:09,166
♪ NO PLACE LIKE YOU ♪
254
00:11:12,875 --> 00:11:14,625
♪ YEAH ♪
255
00:11:20,833 --> 00:11:23,708
♪ EVERYWHERE I GO,
I SEE YOUR SMILE ♪
256
00:11:23,708 --> 00:11:26,375
♪ EVERYWHERE I GO,
I SEE... ♪
257
00:11:26,375 --> 00:11:28,500
♪ I WISH I COULD SEE YOURS ♪
258
00:11:28,500 --> 00:11:31,708
♪ ONCE IN A WHILE ♪
259
00:11:31,708 --> 00:11:36,375
♪ THE SUN COMES UP
AND IT SINKS BACK DOWN ♪
260
00:11:36,375 --> 00:11:41,291
♪ ON EVERY FIVE-STAR DREAM
IN EVERY TWO-STAR TOWN ♪
261
00:11:41,291 --> 00:11:46,083
♪ THERE'S A LOT TO SEE
FROM A WISHING VIEW ♪
262
00:11:46,083 --> 00:11:47,875
♪ BUT SOMETIMES,
I WISH I COULD ♪
263
00:11:47,875 --> 00:11:50,208
♪ CLOSE MY EYES
AND CLICK MY SHOES ♪
264
00:11:50,208 --> 00:11:53,875
♪ 'CAUSE THERE'S
NO PLACE LIKE YOU ♪
265
00:11:53,875 --> 00:11:56,416
♪ NO PLACE LIKE YOU ♪
266
00:11:56,416 --> 00:12:00,875
♪ NO PLACE LIKE YOU ♪
267
00:12:00,875 --> 00:12:03,750
♪ YEAH, THERE'S
NO PLACE LIKE YOU ♪
268
00:12:03,750 --> 00:12:06,333
♪ NO PLACE LIKE YOU ♪
269
00:12:06,333 --> 00:12:08,750
♪ NO PLACE LIKE YOU ♪
270
00:12:13,708 --> 00:12:15,125
(cheers and applause)
271
00:12:21,750 --> 00:12:23,583
(chuckles)
272
00:12:23,583 --> 00:12:25,583
YOU'VE JUST BEEN
SITTING HERE, PAPPY JOE?
273
00:12:25,583 --> 00:12:27,416
OH, AFTER YOU RUN
AROUND ENOUGH,
274
00:12:27,416 --> 00:12:29,000
YOU'LL FIND THAT
A COMFY CHAIR
275
00:12:29,000 --> 00:12:31,750
ON YOUR OWN FRONT PORCH
IS YOUR FAVORITE DESTINATION.
276
00:12:31,750 --> 00:12:34,208
OH, BY THE WAY...
277
00:12:39,208 --> 00:12:42,250
LORD CHESTERFIELD'S
LETTERS TO HIS SON.
278
00:12:42,250 --> 00:12:43,333
WHAT?
279
00:12:43,333 --> 00:12:46,500
LORD CHESTERFIELD HAD A SON
WHO TRAVELED THE WORLD.
280
00:12:46,500 --> 00:12:47,875
WHAT IS THAT?
WHAT ARE YOU DOING?
281
00:12:47,875 --> 00:12:49,000
IT'S A BLACKBOARD.
282
00:12:49,000 --> 00:12:50,875
MY DADDY MADE YOU DO THIS.
283
00:12:50,875 --> 00:12:52,708
-HE'S GOOD PEOPLE.
-NO, HE'S NOT.
284
00:12:53,750 --> 00:12:56,250
CHESTERFIELD WRITES
HIM LETTERS ABOUT
285
00:12:56,250 --> 00:12:58,250
HOW HE SHOULD
BEHAVE HIMSELF
286
00:12:58,250 --> 00:13:00,416
BECAUSE A FATHER KNOWS...
287
00:13:00,416 --> 00:13:03,583
THE ONLY WAY FOR A KID
TO REALLY LEARN ANYTHING
288
00:13:03,583 --> 00:13:04,875
IS TO GO OUT
INTO THE WORLD
289
00:13:04,875 --> 00:13:06,375
AND FIND OUT WHO HE IS.
290
00:13:06,375 --> 00:13:09,125
MY DADDY IS TRYING TO TEACH
US FROM BEYOND THE GRAVE.
291
00:13:09,125 --> 00:13:11,375
MATTHEWS WROTE
US A LETTER, DIDN'T HE?
292
00:13:11,375 --> 00:13:12,458
HE DID.
293
00:13:12,458 --> 00:13:13,833
(chuckles)
294
00:13:16,291 --> 00:13:18,166
"DEAR MY FAVORITE CHILDREN...
295
00:13:19,875 --> 00:13:23,000
"TAKE CARE OF EACH OTHER.
ENJOY THE WORLD."
296
00:13:24,291 --> 00:13:25,750
I DON'T WANT
THIS NIGHT TO END.
297
00:13:29,000 --> 00:13:30,750
WHAT DO YOU DO AROUND HERE
WHEN YOU JUST WANT TO LOOK
298
00:13:30,750 --> 00:13:32,291
AT EACH OTHER'S FACES
A LITTLE LONGER?
299
00:13:39,000 --> 00:13:40,750
PLEASE DO ME
THE GREAT FAVOR
300
00:13:40,750 --> 00:13:44,208
OF DOUSING THESE EMBERS
REAL GOOD WHEN YOU'RE DONE.
301
00:13:44,208 --> 00:13:46,375
THAT HOUSE AND ME
MIGHT BE REAL OLD,
302
00:13:46,375 --> 00:13:48,708
BUT WE AIN'T QUITE
READY TO BURNED DOWN YET.
303
00:13:50,000 --> 00:13:53,000
WELL, I NEVER
THOUGHT I'D SAY
ANYTHING LIKE THIS, BUT...
304
00:13:53,000 --> 00:13:55,708
I'M REAL SAD I DON'T
HAVE A PAPPY JOE OF MY OWN.
305
00:13:55,708 --> 00:13:57,416
THANK YOU, MAYA.
306
00:13:57,416 --> 00:13:59,458
I WISH YOU'D
CONSIDER ME YOURS
307
00:13:59,458 --> 00:14:02,708
TILL THE TIME I...
I... YOU KNOW... BLEH.
308
00:14:04,333 --> 00:14:05,458
OKAY.
309
00:14:07,750 --> 00:14:09,458
YOU GUYS WERE LUCKY.
310
00:14:09,458 --> 00:14:10,708
HOW COME?
311
00:14:10,708 --> 00:14:12,625
TO GROW UP OUT HERE...
312
00:14:12,625 --> 00:14:14,583
TO HAVE THIS SKY...
313
00:14:14,583 --> 00:14:16,458
AND THE STARS...
314
00:14:18,250 --> 00:14:20,291
THIS HAS BEEN THE BEST
WEEKEND OF MY LIFE.
315
00:14:20,291 --> 00:14:21,416
THANK YOU.
316
00:14:22,708 --> 00:14:24,708
PROMISE WE'LL ALWAYS
BE FRIENDS NO MATTER WHAT.
317
00:14:24,708 --> 00:14:26,750
-RILEY...
-PROMISE.
318
00:14:26,750 --> 00:14:28,750
NO MATTER WHAT HAPPENS,
I AM TELLING YOU
319
00:14:28,750 --> 00:14:31,000
THAT I WILL ALWAYS
BE YOUR BEST FRIEND.
NO MATTER WHAT.
320
00:14:31,000 --> 00:14:32,416
OH.
321
00:14:33,708 --> 00:14:35,333
THERE'S NOTHING I COULD DO--
322
00:14:35,333 --> 00:14:37,583
NO, THERE'S NOTHING
YOU COULD DO, MAYA.
323
00:14:37,583 --> 00:14:39,166
DO YOU UNDERSTAND?
324
00:14:40,458 --> 00:14:42,833
IT'S YOU AND ME
UNTIL THE TIME WE...
325
00:14:42,833 --> 00:14:44,833
YOU KNOW...
326
00:14:44,833 --> 00:14:45,875
Both:
BLEH.
327
00:14:48,375 --> 00:14:50,333
-ZAY.
-VANESSA?
328
00:14:50,333 --> 00:14:52,708
PAPPY JOE TOLD ME
YOU WERE OUT HERE.
329
00:14:52,708 --> 00:14:53,875
YOU WERE LOOKING FOR ME?
330
00:14:53,875 --> 00:14:56,625
I WANTED TO TELL
YOU I WAS SORRY.
331
00:14:56,625 --> 00:15:00,208
-WHAT'D YOU DO?
-I NEVER REALLY
GAVE YOU A CHANCE.
332
00:15:00,208 --> 00:15:02,708
NOW I'M TOO LATE
BECAUSE I COULD NEVER
333
00:15:02,708 --> 00:15:05,375
STEAL YOU AWAY
FROM YOUR NEW FRIENDS...
334
00:15:05,375 --> 00:15:06,625
COULD I?
335
00:15:10,583 --> 00:15:11,958
STEAL ME FROM THESE PEOPLE?
336
00:15:13,125 --> 00:15:14,500
HMPH.
STYLE
::cue(.speaker)
::cue(.speakerTop)
337
00:15:14,500 --> 00:15:17,333
NO. NO, YOU COULDN'T.
338
00:15:17,333 --> 00:15:19,125
WHAT IF I BOUGHT YOU ICE CREAM?
339
00:15:19,125 --> 00:15:20,583
(sighs)
340
00:15:20,583 --> 00:15:22,208
YOU KNOW, VANESSA...
341
00:15:22,208 --> 00:15:25,708
THEY'RE NOT REALLY
BOTH MY GIRLFRIENDS.
342
00:15:27,458 --> 00:15:29,000
OR EITHER OF 'EM.
343
00:15:29,000 --> 00:15:30,750
I THINK I KNEW THAT.
344
00:15:30,750 --> 00:15:32,583
THAT'S NOT WHAT IMPRESSED ME.
345
00:15:32,583 --> 00:15:34,875
THEY'RE YOUR FRIENDS
WHO STUCK UP FOR YOU,
346
00:15:34,875 --> 00:15:37,458
SO I MUST HAVE
MISSED SOMETHING...
347
00:15:37,458 --> 00:15:39,458
OR YOU MUST HAVE CHANGED.
348
00:15:39,458 --> 00:15:42,625
WELL, I'VE LEARNED
THAT PEOPLE CHANGE PEOPLE.
349
00:15:42,625 --> 00:15:45,375
HM, FROM BEYOND THE GRAVE,
HE'S TEACHING US.
350
00:15:46,708 --> 00:15:48,583
WE'RE BREAKING UP
WITH YOU, HONEY NUGGET.
351
00:15:48,583 --> 00:15:50,708
LET HER BUY YOU ICE CREAM.
352
00:15:52,708 --> 00:15:55,625
VANESSA, YOU MADE
A MISTAKE WITH THIS ONE.
353
00:15:55,625 --> 00:15:57,000
HE'S PRETTY WONDERFUL.
354
00:15:57,000 --> 00:15:59,416
WELL, LET'S GO SEE.
355
00:16:11,708 --> 00:16:13,333
DO YOU WANT ME TO BUY
YOU ICE CREAM, FARKLE?
356
00:16:13,333 --> 00:16:14,416
WHAT?
357
00:16:14,416 --> 00:16:16,833
DO YOU WANT ME TO
BUY YOU ICE CREAM?
358
00:16:16,833 --> 00:16:18,708
-OH. ARE YOU SURE?
-YEAH. LET'S GO.
359
00:16:18,708 --> 00:16:20,375
RILES, WHERE ARE YOU GOING?
360
00:16:21,958 --> 00:16:24,375
YOU NEED TO FEEL
WHATEVER YOU FEEL, MAYA.
361
00:16:26,000 --> 00:16:28,083
IT'S YOU AND ME FOREVER.
362
00:16:28,083 --> 00:16:31,708
THERE IS NOTHING THAT
YOU COULD EVER DO
TO CHANGE THAT.
363
00:16:40,708 --> 00:16:42,458
-MAYA LIKES YOU.
-RILEY!
364
00:16:42,458 --> 00:16:44,166
SHE'S BEEN HIDING
IT ALL THIS TIME.
365
00:16:44,166 --> 00:16:45,750
THAT'S WHY SHE COULDN'T
WATCH YOU AT THE RODEO.
366
00:16:45,750 --> 00:16:47,000
WHAT ARE YOU DOING?
367
00:16:47,000 --> 00:16:48,500
I SAW YOU, MAYA.
368
00:16:48,500 --> 00:16:50,750
I SAW HOW MUCH YOU CARED.
369
00:16:53,625 --> 00:16:56,000
IT'S WHY SHE MAKES
FUN OF YOU, I THINK.
370
00:16:56,000 --> 00:16:58,750
RILEY, WHAT ARE WE?
371
00:16:58,750 --> 00:17:00,708
I TOLD YOU WHAT WE ARE.
372
00:17:00,708 --> 00:17:02,333
WHAT IF THAT'S NOT
WHAT I THINK WE ARE?
373
00:17:04,708 --> 00:17:08,208
WELL, THEN YOU BETTER START
THINKING OF US LIKE THAT.
374
00:17:10,250 --> 00:17:12,708
-RILEY, I--
-LUCAS...
375
00:17:12,708 --> 00:17:15,625
WE WILL ALWAYS BE THERE
FOR EACH OTHER.
376
00:17:18,458 --> 00:17:19,750
YOU STEPPED BACK.
377
00:17:21,750 --> 00:17:23,500
I KNOW THAT YOU STEPPED BACK.
378
00:17:32,833 --> 00:17:34,333
WHAT'S GOING ON?
379
00:17:34,333 --> 00:17:36,750
I DON'T KNOW.
380
00:17:38,125 --> 00:17:40,166
I'M HER BROTHER NOW?
381
00:17:40,166 --> 00:17:41,833
APPARENTLY.
382
00:17:45,416 --> 00:17:47,583
-YOU LIKE ME?
-NO.
383
00:17:47,583 --> 00:17:50,250
MAYA, WHY DIDN'T YOU WANT
ME TO RIDE IN THE RODEO?
384
00:17:52,583 --> 00:17:55,000
BECAUSE I DIDN'T
WANT YOU TO WIN
385
00:17:55,000 --> 00:17:57,250
AND GET ALL CONCEITED.
386
00:17:57,250 --> 00:17:59,708
I DON'T THINK THAT'S IT.
387
00:18:01,250 --> 00:18:02,875
(speaking with a drawl)
I DON'T THINK THAT'S IT.
388
00:18:02,875 --> 00:18:05,500
I DON'T TALK LIKE THAT.
I JUST DON'T.
389
00:18:05,500 --> 00:18:08,583
-WHY DO YOU SEE ME LIKE THAT?
-OF COURSE I DON'T
SEE YOU LIKE THAT.
390
00:18:08,583 --> 00:18:10,583
CAN WE JUST...
391
00:18:10,583 --> 00:18:12,625
CAN WE JUST LOOK
AT THIS FIRE, PLEASE?
392
00:18:12,625 --> 00:18:14,125
YES.
393
00:18:20,833 --> 00:18:21,833
STOP.
394
00:18:31,458 --> 00:18:32,708
CAN WE JUST STOP?
395
00:18:32,708 --> 00:18:34,291
I JUST WANT
EVERYTHING TO STOP.
396
00:18:34,291 --> 00:18:37,083
IT'S BEEN BAD ENOUGH
I'VE BEEN KEEPING THIS SECRET
FROM RILEY ALL THIS TIME.
397
00:18:37,083 --> 00:18:38,583
WHAT SECRET?
398
00:18:41,833 --> 00:18:43,708
YOU GUYS ARE SO MUCH ALIKE.
399
00:18:45,625 --> 00:18:48,583
I THOUGHT YOU WERE JUST LIKE
BROTHER AND SISTER, TOO.
400
00:18:48,583 --> 00:18:49,583
WHY?
401
00:18:52,458 --> 00:18:55,500
YOU'RE AT YOUR BEST
WHEN YOU'RE JUST TALKING
TO EACH OTHER.
402
00:18:55,500 --> 00:18:57,583
LOOKING OUT FOR EACH OTHER.
403
00:18:57,583 --> 00:19:00,875
THAT'S WHAT I BELIEVED,
BUT I KEPT IT A SECRET.
404
00:19:03,750 --> 00:19:06,708
AND NOW THE SECRET'S OUT,
SO I DON'T HAVE TO CARRY
IT AROUND WITH ME ANYMORE.
405
00:19:09,291 --> 00:19:12,708
I JUST DON'T WANT TO HAVE
ANYMORE SECRETS FROM HER.
406
00:19:15,958 --> 00:19:19,833
SO YOU DON'T MAKE FUN OF ME
BECAUSE YOU LIKE ME?
407
00:19:22,625 --> 00:19:24,375
I'M JUST GONNA
WATCH THIS FIRE.
408
00:19:24,375 --> 00:19:26,750
MAYA, WHY DO YOU
MAKE FUN OF ME?
409
00:19:28,208 --> 00:19:30,583
-BECAUSE YOU'RE EASY
TO MAKE FUN OF.
-OKAY, THEN STOP.
410
00:19:30,583 --> 00:19:32,875
BECAUSE YOU'RE A HUCKLEBERRY.
BECAUSE YOU'RE A RANGER--
411
00:19:32,875 --> 00:19:34,708
-WOULD YOU STOP?
-LOOK, IF I HAD
FEELINGS FOR YOU,
412
00:19:34,708 --> 00:19:36,458
DON'T YOU THINK I'D
JUST COME RIGHT OUT AND SAY IT?
413
00:19:36,458 --> 00:19:38,708
WELL, I DON'T.
SO WHAT I DO SAY IS HAR-HAR--
414
00:19:49,416 --> 00:19:50,708
WHY DID YOU DO THAT?
415
00:19:50,708 --> 00:19:53,708
I DON'T KNOW. I JUST...
WANTED YOU TO STOP.
416
00:19:55,125 --> 00:19:56,875
PLEASE DON'T TELL MY SISTER.
417
00:19:59,333 --> 00:20:01,458
YOU COULDN'T THINK OF
ANOTHER WAY TO STOP ME?
418
00:20:01,458 --> 00:20:03,750
NOT AT THE TIME. NO.
419
00:20:03,750 --> 00:20:05,333
I'M SORRY.
420
00:20:08,000 --> 00:20:11,416
YOU DON'T HAVE TO
BE SORRY, HUCKLEBERRY.
421
00:20:11,416 --> 00:20:13,166
OF COURSE I LIKE YOU.
STYLE
::cue(.speaker)
::cue(.speakerTop)
422
00:20:15,000 --> 00:20:16,208
YOU'RE A GOOD GUY.
423
00:20:19,166 --> 00:20:21,875
IF YOU GOT HURT,
I DON'T KNOW WHAT
I WOULD'VE DONE.
424
00:20:33,833 --> 00:20:36,458
I DON'T WANT TO HAVE
ANY MORE SECRETS FROM HER.
425
00:20:50,125 --> 00:20:52,375
I NEED TO TALK
TO BOTH OF YOU.
426
00:20:53,750 --> 00:20:55,625
YOU ARE GENTLE...
427
00:20:55,625 --> 00:20:58,708
BUT WHEN I FIRST MET YOU,
I WAS SCARED OF YOU.
428
00:20:59,875 --> 00:21:01,500
I NEVER TOLD YOU THAT.
429
00:21:01,500 --> 00:21:03,583
YOU WOULDN'T THINK
THAT SOMEONE COULD BE
430
00:21:03,583 --> 00:21:06,250
SCARED OF YOU, BUT...
431
00:21:06,250 --> 00:21:07,625
I WAS.
432
00:21:10,458 --> 00:21:12,458
AND YOU...
433
00:21:12,458 --> 00:21:14,625
NOW, YOU ALWAYS SCARED ME.
434
00:21:14,625 --> 00:21:18,375
YOU GAVE ME NIGHTMARES
FROM THE DAY I FIRST
LOOKED AT YOU.
435
00:21:18,375 --> 00:21:22,000
THEN WHEN I FOUND OUT
THAT I WAS GONNA HAVE
A CHANCE WITH YOU, WELL...
436
00:21:23,625 --> 00:21:25,708
THAT WAS ABOUT
THE SCARIEST MOMENT
OF MY LIFE.
437
00:21:28,125 --> 00:21:30,250
ANYWAY, I...
438
00:21:30,250 --> 00:21:32,166
I WANT YOU TO KNOW THAT
YOU'RE BOTH AN IMPORTANT PART
439
00:21:32,166 --> 00:21:33,875
OF MY GROWING UP.
440
00:21:33,875 --> 00:21:38,333
I WOULDN'T BE WHO I AM TODAY
WITHOUT EITHER ONE OF YOU, SO...
441
00:21:38,333 --> 00:21:40,000
THANK YOU.
442
00:21:40,000 --> 00:21:41,708
BUT...
443
00:21:41,708 --> 00:21:43,625
YOU GUYS ARE NOTHING...
444
00:21:43,625 --> 00:21:45,500
COMPARED TO RILEY AND MAYA.
445
00:21:45,500 --> 00:21:47,708
-(snorts)
-(bleats)
446
00:21:53,708 --> 00:21:54,875
YOU READY?
447
00:21:56,208 --> 00:21:57,750
YEAH.
448
00:21:57,750 --> 00:21:59,250
THANK YOU.
449
00:21:59,250 --> 00:22:01,166
FOR EVERYTHING.