1 00:00:00,708 --> 00:00:02,875 -Riley: PREVIOUSLY ON GIRL MEETS WORLD 2 00:00:02,875 --> 00:00:06,375 -Maya: I LIKE THE WAY YOU USED YOUR FANCY VOICE. -Riley: THANKS. 3 00:00:06,375 --> 00:00:08,125 WE HAVE ENTERED YOU IN... 4 00:00:08,125 --> 00:00:10,166 THE ANNUAL MUTTON BUSTING TOURNAMENT! 5 00:00:10,166 --> 00:00:13,166 YOU SIGNED ME UP TO RIDE TOMBSTONE THE BULL! 6 00:00:13,166 --> 00:00:14,708 (cheers and applause) 7 00:00:18,708 --> 00:00:19,708 (crowd groans) 8 00:00:21,416 --> 00:00:23,875 YOU COULDN'T WATCH HIM... 9 00:00:23,875 --> 00:00:28,250 BECAUSE YOU WERE AFRAID SOMETHING WOULD HAPPEN TO HIM... 10 00:00:31,458 --> 00:00:33,583 BECAUSE YOU LIKE HIM. 11 00:00:33,583 --> 00:00:35,291 YOU'RE MY BROTHER, LUCAS. 12 00:00:35,291 --> 00:00:37,875 AND I'M YOUR SISTER. 13 00:00:37,875 --> 00:00:39,625 THAT'S WHAT YOU THINK WE ARE? 14 00:00:39,625 --> 00:00:42,250 HOW DO YOU FEEL ABOUT HIM, MAYA? 15 00:00:44,833 --> 00:00:47,208 (theme music playing) 16 00:00:51,458 --> 00:00:53,458 ♪ I'VE BEEN WAITING ♪ 17 00:00:53,458 --> 00:00:54,833 ♪ FOR A DAY ♪ 18 00:00:54,833 --> 00:00:55,875 ♪ LIKE THIS TO COME ♪ 19 00:00:55,875 --> 00:00:57,416 ♪ STRUCK LIKE LIGHTNING ♪ 20 00:00:57,416 --> 00:01:00,000 ♪ MY HEART'S BEATING LIKE A DRUM ♪ 21 00:01:00,000 --> 00:01:01,708 ♪ ON THE EDGE ♪ 22 00:01:01,708 --> 00:01:03,958 ♪ OF SOMETHING WONDERFUL ♪ 23 00:01:03,958 --> 00:01:06,833 ♪ FACE TO FACE WITH CHANGES ♪ 24 00:01:06,833 --> 00:01:08,000 ♪ WHAT'S IT ALL ABOUT? ♪ 25 00:01:08,000 --> 00:01:10,166 ♪ LIFE IS CRAZY ♪ 26 00:01:10,166 --> 00:01:11,208 ♪ BUT I KNOW ♪ 27 00:01:11,208 --> 00:01:12,250 ♪ I CAN WORK IT OUT ♪ 28 00:01:12,250 --> 00:01:13,625 ♪ 'CAUSE I GOT YOU ♪ 29 00:01:13,625 --> 00:01:16,458 ♪ TO LIVE IT WITH ME ♪ 30 00:01:16,458 --> 00:01:20,583 ♪ I FEEL ALL RIGHT, I'M GONNA TAKE ON THE WORLD ♪ 31 00:01:20,583 --> 00:01:23,750 ♪ LIGHT UP THE STARS, I'VE GOT SOME PAGES TO TURN ♪ 32 00:01:23,750 --> 00:01:25,833 ♪ I'M SINGING "GO-O-O" ♪ 33 00:01:25,833 --> 00:01:28,708 ♪ OH, OH, OH, OH ♪ 34 00:01:28,708 --> 00:01:31,708 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 35 00:01:31,708 --> 00:01:33,208 ♪ TAKE ON THE WORLD ♪ 36 00:01:33,208 --> 00:01:35,708 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 37 00:01:35,708 --> 00:01:37,500 ♪ TAKE ON THE WORLD ♪ 38 00:01:40,500 --> 00:01:42,875 BROTHER AND SISTER... 39 00:01:42,875 --> 00:01:45,416 RILEY AND I ARE BROTHER AND SISTER NOW. 40 00:01:45,416 --> 00:01:46,458 WHAT DOES THAT EVEN MEAN? 41 00:01:47,958 --> 00:01:49,875 WHAT DOES ANYTHING MEAN OUT THE MOUTH OF A GIRL? 42 00:01:49,875 --> 00:01:52,000 I MEAN, I USED TO TELL VANESSA, CLEAR AS DAY, 43 00:01:52,000 --> 00:01:53,875 "VANESSA, I'D BUY YOU A HOUSE, 44 00:01:53,875 --> 00:01:56,416 "AND I'D BE YOURS FOREVER, AND I'D BUY YOU ICE CREAM," 45 00:01:56,416 --> 00:01:57,625 YOU KNOW WHAT'D SHE SAY? 46 00:01:57,625 --> 00:01:59,125 "I DON'T WANT YOU TO BUY ME A HOUSE, 47 00:01:59,125 --> 00:02:02,208 "I DON'T WANT YOUR ICE CREAM, AND I DON'T LIKE YOU." 48 00:02:02,208 --> 00:02:04,583 HOW AM I SUPPOSED TO UNDERSTAND THAT? 49 00:02:04,583 --> 00:02:05,708 I UNDERSTAND IT. 50 00:02:10,333 --> 00:02:13,583 WHOA. GENTLEMEN, LOOK HOW LUCKY YOU ARE. 51 00:02:15,083 --> 00:02:16,583 YOU TREAT 'EM RIGHT. 52 00:02:16,583 --> 00:02:18,208 THANK YOU, PAPPY JOE. 53 00:02:18,208 --> 00:02:21,625 I SEE WHY YOU GET HOMESICK FOR TEXAS SOMETIMES, LUCAS. 54 00:02:23,208 --> 00:02:25,708 I NEVER KNEW THAT THE SKY HAD THIS MANY STARS. 55 00:02:26,708 --> 00:02:29,416 YOU KNOW WHAT ELSE? I DON'T GET NERVOUS 56 00:02:29,416 --> 00:02:31,166 WHEN I'M WITH YOU ANYMORE. 57 00:02:31,166 --> 00:02:33,125 WE'RE DOING THE RIGHT THING. 58 00:02:33,125 --> 00:02:34,375 AH. 59 00:02:34,375 --> 00:02:36,875 REMEMBER WHEN WE COULDN'T EVEN SAY "HI" TO EACH OTHER? 60 00:02:36,875 --> 00:02:40,166 REMEMBER HOW WE'D GO, "HI." 61 00:02:40,166 --> 00:02:42,583 "HOWDY." "HI." REMEMBER? 62 00:02:42,583 --> 00:02:44,291 NOW WATCH THIS. SAY "HI" TO ME. 63 00:02:44,291 --> 00:02:45,833 -HI. -HI, LUCAS. 64 00:02:45,833 --> 00:02:47,750 WHAT UP, BRAH? WHAT'S UP WITH YOU, MAN? 65 00:02:47,750 --> 00:02:49,458 YOU GOOD? YOU COOL? 66 00:02:51,000 --> 00:02:52,250 HI. 67 00:02:52,250 --> 00:02:54,583 STILL GOT SOME CATCHING UP TO DO. 68 00:02:54,583 --> 00:02:56,458 RILEY, I-- I DON'T EVEN KNOW WHAT'S GOING ON RIGHT NOW. 69 00:02:56,458 --> 00:02:58,000 WHAT'S GOING ON IS THAT WE'RE GONNA 70 00:02:58,000 --> 00:03:00,416 BE THE BEST OF FRIENDS AND CARE ABOUT 71 00:03:00,416 --> 00:03:02,875 WHAT EACH OF US HAS TO SAY FOR THE REST OF OUR LIVES. 72 00:03:02,875 --> 00:03:04,875 YEAH, I SORT OF THOUGHT WE HAD THAT. 73 00:03:04,875 --> 00:03:06,250 WHAT DOES BROTHER AND SISTER MEAN? 74 00:03:06,250 --> 00:03:08,375 IT MEANS... YOU KNOW... 75 00:03:08,375 --> 00:03:09,583 -POOM! -HEY! 76 00:03:09,583 --> 00:03:10,833 -PING! -RILEY! 77 00:03:10,833 --> 00:03:13,125 HA, YOU SAID THAT JUST LIKE A BROTHER WOULD. 78 00:03:13,125 --> 00:03:14,500 -WELL, CAN I HIT YOU BACK? -NO. 79 00:03:14,500 --> 00:03:16,208 -ONLY YOU GET TO HIT ME? -MM-HMM. 80 00:03:16,208 --> 00:03:18,125 WE'RE JUST LIKE HOW YOU AND MAYA WERE. 81 00:03:20,375 --> 00:03:22,416 HA-HEE. 82 00:03:24,125 --> 00:03:25,333 YOU DON'T EVEN DO IT RIGHT. 83 00:03:25,333 --> 00:03:29,000 OH! MAYA, I THOUGHT YOU WEREN'T TALKING TO LUCAS. 84 00:03:29,000 --> 00:03:30,416 I'M NOT TALKING TO HIM. 85 00:03:30,416 --> 00:03:31,458 I'M TALKING TO YOU. 86 00:03:31,458 --> 00:03:33,708 MAYA, ARE YOU SERIOUSLY NOT GONNA TALK TO ME? 87 00:03:33,708 --> 00:03:37,458 YOU COULD'VE GOTTEN HURT ON THAT STUPID BULL. 88 00:03:38,958 --> 00:03:40,333 WHAT DO YOU THINK YOU GETTING HURT 89 00:03:40,333 --> 00:03:42,208 WOULD HAVE DONE TO THE PEOPLE WHO... 90 00:03:43,625 --> 00:03:45,458 CARE ABOUT YOU? 91 00:03:45,458 --> 00:03:46,750 I THINK YOU WERE GONNA SAY "CARE ABOUT YOU." 92 00:03:46,750 --> 00:03:48,625 I'M NOT TALKING ABOUT ME. YOU THINK I'M TALKING ABOUT ME? 93 00:03:48,625 --> 00:03:50,875 -YES, I DO. -I'M TALKING ABOUT EVERYBODY HERE. 94 00:03:50,875 --> 00:03:51,875 ALL RIGHT. 95 00:03:51,875 --> 00:03:53,833 MAYA, LUCAS IS OKAY. 96 00:03:53,833 --> 00:03:55,000 HE DIDN'T GET HURT. 97 00:03:55,000 --> 00:03:56,500 ALL OF US ARE OKAY. 98 00:03:57,625 --> 00:04:00,000 AND WE'RE GONNA GO SPEND OUR FIRST NIGHT IN TEXAS... 99 00:04:00,000 --> 00:04:01,291 WHAT SHOULD WE DO? 100 00:04:01,291 --> 00:04:02,500 I'VE BEEN READING ABOUT AUSTIN, 101 00:04:02,500 --> 00:04:03,750 AND THEY CALL IT A MUSIC CITY. 102 00:04:03,750 --> 00:04:05,416 THEY CALL IT THE LIVE MUSIC CAPITAL OF THE WORLD. 103 00:04:05,416 --> 00:04:07,000 THAT'S ABSOLUTELY WHAT WE SHOULD DO. 104 00:04:07,000 --> 00:04:08,958 SHOW THEM THE TOWN AND LISTEN TO SOME MUSIC. 105 00:04:08,958 --> 00:04:10,833 YEAH! ANYONE GOOD PLAYING TONIGHT? 106 00:04:10,833 --> 00:04:14,166 IF I WAS A YOUNG BUCK TRYING TO IMPRESS MY FRIENDS, 107 00:04:14,166 --> 00:04:17,833 I MIGHT SUGGEST CHUBBY'S FAMOUS BARBECUE PIT. 108 00:04:17,833 --> 00:04:20,708 ALWAYS GOOD EATS, ALWAYS GOOD MUSIC. 109 00:04:20,708 --> 00:04:22,416 BUT BARBECUED FOODS AREN'T GOOD FOR YOU. 110 00:04:31,333 --> 00:04:33,708 LET ME TELL YOU WHAT AIN'T GOOD FOR YOU. 111 00:04:33,708 --> 00:04:35,166 YOU'RE NOT GONNA DO ANYTHING TO ME 112 00:04:35,166 --> 00:04:36,875 BECAUSE YOU KNOW I'M A NEW YORK INTELLECTUAL 113 00:04:36,875 --> 00:04:38,625 AND YOU DON'T WANT TO BE A CLICHE. 114 00:04:41,166 --> 00:04:43,625 LUCAS, FETCH ME MY SHOTGUN. 115 00:04:43,625 --> 00:04:45,750 -OKAY. -LUCAS! 116 00:04:45,750 --> 00:04:47,000 OKAY. 117 00:04:49,125 --> 00:04:52,208 OKAY, I'LL GO TO CHUBBY'S, I'LL EAT YOUR FOOD, 118 00:04:52,208 --> 00:04:53,708 I'LL LISTEN TO YOUR MUSIC, 119 00:04:53,708 --> 00:04:56,625 BUT DON'T EXPECT A CHANGED FARKLE, HOMBRE. STYLE ::cue(.speaker) ::cue(.speakerTop) 120 00:05:02,708 --> 00:05:04,083 COMING WITH US? 121 00:05:04,083 --> 00:05:05,833 APPRECIATE THE INVITE. 122 00:05:05,833 --> 00:05:07,250 I'M EXTREMELY BUSY... 123 00:05:11,708 --> 00:05:13,875 AS I FOUND... 124 00:05:13,875 --> 00:05:15,958 THIS CHAIR WON'T ROCK ITSELF. 125 00:05:20,000 --> 00:05:21,583 (country music plays) 126 00:05:23,958 --> 00:05:27,708 WHILE I UNDERSTAND BARBECUE IS NOT YOUR THING, FARKLE, 127 00:05:27,708 --> 00:05:29,208 YOU DO SEEM TO HAVE FOUND 128 00:05:29,208 --> 00:05:32,000 A NEW APPRECIATION FOR OUR HOMETOWN CUISINE. 129 00:05:34,166 --> 00:05:35,583 MORE. 130 00:05:37,291 --> 00:05:40,000 EASY, COWBOY. YOU NEED TO CALM DOWN. 131 00:05:40,000 --> 00:05:41,625 OH, I HAVE TO CALM DOWN? 132 00:05:41,625 --> 00:05:44,500 THEY MAKE A BIG DEAL OUT OF YOU RIDING A BULL FOR FOUR SECONDS. 133 00:05:44,500 --> 00:05:45,875 WELL, I ATE HIM. 134 00:05:52,500 --> 00:05:54,000 Riley: MAYA... 135 00:05:54,000 --> 00:05:56,000 WILL YOU PLEASE SAY SOMETHING TO HIM? 136 00:05:56,000 --> 00:05:58,708 I KNOW THAT YOU CARE ABOUT HIM. IT'S OKAY. 137 00:05:58,708 --> 00:06:00,833 I JUST DON'T WANT ANYTHING TO CHANGE. 138 00:06:02,083 --> 00:06:04,583 HEY, HUCKLEBERRY... 139 00:06:04,583 --> 00:06:05,750 ARE WE DANCING OR WHAT? 140 00:06:05,750 --> 00:06:07,875 OH, WE CAN DO THAT? IS THAT PART OF THE NEW RULES? 141 00:06:07,875 --> 00:06:09,458 THIS KIND OF DANCING? SURE. 142 00:06:15,708 --> 00:06:17,750 -MAYA, WHAT'S GOING ON WITH YOU? -I DON'T KNOW. 143 00:06:18,875 --> 00:06:21,375 DO YOU KNOW? 'CAUSE... 144 00:06:21,375 --> 00:06:23,125 HELP ME. 145 00:06:33,708 --> 00:06:36,000 -OH, YOU'VE DONE THIS BEFORE? -NEVER. 146 00:06:36,000 --> 00:06:37,291 THEN HOW ARE YOU SO GOOD? 147 00:06:37,291 --> 00:06:39,250 BECAUSE I'M FINALLY RELAXED WITH YOU. 148 00:06:39,250 --> 00:06:40,958 I'M NOT SURE THAT'S GOOD NEWS. 149 00:06:40,958 --> 00:06:42,708 IT IS, LUCAS. 150 00:06:42,708 --> 00:06:44,708 I HAD NO IDEA I WOULD BE IN TEXAS 151 00:06:44,708 --> 00:06:47,833 JUST LIKE I HAD NO IDEA I WOULD EVER DANCE WITH A RODEO STAR. 152 00:06:47,833 --> 00:06:49,875 THE ONLY THING I KNOW IS THAT I ALWAYS WANT 153 00:06:49,875 --> 00:06:51,250 TO BE ABLE TO TALK TO YOU, 154 00:06:51,250 --> 00:06:53,166 AND MAYBE THAT THIS IS THE BEST WAY TO DO THAT. 155 00:06:53,166 --> 00:06:56,000 IF THAT'S WHAT YOU WANT. 156 00:06:56,000 --> 00:06:57,583 YOU KNOW WHAT I DON'T WANT? 157 00:06:57,583 --> 00:07:00,291 I DON'T WANT TO GO OUT FOR A WHILE 158 00:07:00,291 --> 00:07:03,000 AND BREAK UP AND NOT LIKE EACH OTHER ANYMORE. 159 00:07:03,000 --> 00:07:04,708 ISN'T THAT WHAT HAPPENS NEXT? 160 00:07:04,708 --> 00:07:06,625 ISN'T THAT WHAT PEOPLE DO? 161 00:07:06,625 --> 00:07:08,750 I DON'T UNDERSTAND THAT, LUCAS. 162 00:07:08,750 --> 00:07:11,708 I ALWAYS WANT YOU AROUND AND... 163 00:07:11,708 --> 00:07:13,166 MAYBE THE BEST WAY TO DO THAT IS 164 00:07:13,166 --> 00:07:14,833 TO BE LIKE BROTHER AND SISTER. 165 00:07:23,250 --> 00:07:25,166 YOU DIDN'T WANT HIM TO GET HURT BECAUSE YOU CARE ABOUT HIM. 166 00:07:25,166 --> 00:07:26,833 -I CARE ABOUT ALL OF US. -YOU CARE ABOUT HIM. 167 00:07:26,833 --> 00:07:28,250 -I CARE ABOUT ALL OF US. -YOU CARE ABOUT HIM. 168 00:07:28,250 --> 00:07:29,833 I WILL KILL YOU. 169 00:07:29,833 --> 00:07:31,458 I'M NOT GONNA CARE ABOUT ANYBODY 170 00:07:31,458 --> 00:07:32,625 FOR THE REST OF MY LIFE, ALL RIGHT? 171 00:07:32,625 --> 00:07:34,750 I TRIED IT ONCE. DIDN'T WORK. 172 00:07:34,750 --> 00:07:36,875 FROM NOW ON, I LIKE NOBODY. 173 00:07:36,875 --> 00:07:38,583 ZAY? 174 00:07:38,583 --> 00:07:39,833 UNBELIEVABLE. 175 00:07:41,083 --> 00:07:42,833 HOW'S NEW YORK BEEN TREATING YOU? 176 00:07:42,833 --> 00:07:44,583 GOOD, YEAH. 177 00:07:44,583 --> 00:07:45,708 JUST TRYING TO FIT IN. 178 00:07:45,708 --> 00:07:46,750 MAKING NEW FRIENDS... 179 00:07:46,750 --> 00:07:49,000 WELL, LOOKS LIKE YOU MADE SOME. 180 00:07:49,000 --> 00:07:50,083 WANNA INTRODUCE ME? 181 00:07:51,458 --> 00:07:53,333 YEAH. UM, THIS IS FARKLE... 182 00:07:53,333 --> 00:07:54,625 TEXAS LADY. 183 00:07:54,625 --> 00:07:56,500 AND THIS IS MY FRIEND, MAYA. 184 00:07:56,500 --> 00:07:58,000 YOU DID NOT JUST DO THAT. 185 00:07:58,000 --> 00:07:59,458 WHAT? 186 00:07:59,458 --> 00:08:03,583 YOU DID NOT JUST INTRODUCE YOUR GIRLFRIEND AS YOUR FRIEND. 187 00:08:03,583 --> 00:08:05,458 (scoffs) WHAT? 188 00:08:05,458 --> 00:08:07,333 ISAIAH EARL BABINEAUX... 189 00:08:07,333 --> 00:08:09,000 YOUR MIDDLE NAME IS EARL? 190 00:08:09,000 --> 00:08:13,708 -NO. -THE NEXT TIME YOU INTRODUCE YOUR GIRLFRIEND AS YOUR FRIEND, 191 00:08:13,708 --> 00:08:15,625 WE ARE THROUGH. DO YOU HEAR ME? 192 00:08:15,625 --> 00:08:18,708 I MEAN, I HEAR YOU, BUT I... 193 00:08:18,708 --> 00:08:20,625 PUT YOUR ARM AROUND ME. 194 00:08:20,625 --> 00:08:22,500 TWIRL MY HAIR. 195 00:08:24,083 --> 00:08:25,958 CALL ME HONEY NUGGET. 196 00:08:25,958 --> 00:08:27,500 HI, HONEY NUGGET. 197 00:08:27,500 --> 00:08:28,750 HI, HUNKALICIOUS. 198 00:08:30,875 --> 00:08:32,375 VANESSA? 199 00:08:32,375 --> 00:08:34,125 VANESSA. 200 00:08:35,500 --> 00:08:37,375 A LITTLE POSSESSIVE, NO? 201 00:08:37,375 --> 00:08:39,458 WELL, THE GOOD ONES YOU DON'T LET GET AWAY, 202 00:08:39,458 --> 00:08:40,625 YOU KNOW WHAT I MEAN? 203 00:08:40,625 --> 00:08:43,416 WITH ALL THE GIRLS CHASING HIM AROUND NEW YORK CITY, 204 00:08:43,416 --> 00:08:45,875 YOU HAVE TO SWOOP RIGHT IN OR HE'LL BE GONE. 205 00:08:47,291 --> 00:08:50,583 I SAID, "YOU HAVE TO SWOOP RIGHT IN OR HE WILL"-- 206 00:08:50,583 --> 00:08:52,500 ISAIAH HANK BABINEAUX. 207 00:08:52,500 --> 00:08:55,000 -NO-- -I DON'T CARE. 208 00:08:55,000 --> 00:08:57,708 I ONLY CARE THAT YOU DON'T LET MAYA GET 209 00:08:57,708 --> 00:08:59,833 HER HOOKS INTO YOU WHEN YOU KNOW YOU ARE MINE. 210 00:09:01,583 --> 00:09:03,083 THIS IS MY FRIEND, RILEY-- 211 00:09:03,083 --> 00:09:05,208 NOW, HOW DO YOU LIKE IT WHEN HE CALLS YOU A FRIEND, RILEY? 212 00:09:05,208 --> 00:09:07,000 -I LIKE IT. -NO, YOU DO NOT LIKE IT. 213 00:09:07,000 --> 00:09:09,625 I DO NOT LIKE WHEN YOU CALL ME JUST "FRIEND." 214 00:09:09,625 --> 00:09:12,083 WELL, WHAT WOULD YOU LIKE FOR ME TO CALL YOU? 215 00:09:12,083 --> 00:09:14,875 I WOULD LIKE FOR YOU TO CALL ME... 216 00:09:14,875 --> 00:09:17,708 COTTON CANDY FACE. 217 00:09:17,708 --> 00:09:19,708 GOOD GIRL. I KNOW THAT WAS HARD. 218 00:09:19,708 --> 00:09:22,708 ZAY, IS IT POSSIBLE I'VE MISJUDGED YOU? 219 00:09:22,708 --> 00:09:24,583 IT'S POSSIBLE, VANESSA. 220 00:09:24,583 --> 00:09:26,708 -HOW DO YOU KNOW MY NAME? -UM... 221 00:09:26,708 --> 00:09:27,750 -TOO MUCH. -TOO MUCH. 222 00:09:27,750 --> 00:09:28,750 -TOO MUCH. -TOO MUCH. 223 00:09:30,625 --> 00:09:32,708 HEY, EVERYBODY. WELCOME TO CHUBBY'S FAMOUS BARBECUE, 224 00:09:32,708 --> 00:09:34,375 HOME OF THE BEST RIBS IN TEXAS. 225 00:09:34,375 --> 00:09:35,583 (cheers and applause) 226 00:09:35,583 --> 00:09:37,166 I GREW UP HERE! 227 00:09:37,166 --> 00:09:38,875 OKAY, WELL WE'RE ABOUT TO INTRODUCE TWO LOVELY LADIES 228 00:09:38,875 --> 00:09:40,208 AND ONE OF THEM GREW UP HERE AS WELL, 229 00:09:40,208 --> 00:09:41,875 ABOUT TWO HOURS DOWN THE ROAD IN SUGAR LAND. 230 00:09:41,875 --> 00:09:43,583 LADIES AND GENTLEMEN, PLEASE HELP ME WELCOME 231 00:09:43,583 --> 00:09:45,083 MADDIE & TAE! 232 00:09:45,083 --> 00:09:46,750 (cheers and applause) 233 00:09:48,291 --> 00:09:51,416 WELL, IT FEELS REAL GOOD TO BE BACK HOME IN TEXAS. 234 00:09:51,416 --> 00:09:53,000 THIS FIRST ONE'S A LOVE SONG... 235 00:09:53,000 --> 00:09:54,708 All: UH-OH. 236 00:09:54,708 --> 00:09:56,875 AND IT'S CALLED NO PLACE LIKE YOU. 237 00:09:56,875 --> 00:09:58,166 (cheers and applause) STYLE ::cue(.speaker) ::cue(.speakerTop) 238 00:10:13,166 --> 00:10:15,708 ♪ CALIFORNIA CHERRY COLA ♪ 239 00:10:15,708 --> 00:10:18,000 ♪ SANDY SKIES IN ARIZONA ♪ 240 00:10:18,000 --> 00:10:21,125 ♪ SMOKY MOUNTAIN BLOWIN' THROUGH TENNESSEE ♪ 241 00:10:23,166 --> 00:10:25,416 ♪ OKLAHOMA SWEET MAGNOLIA ♪ 242 00:10:25,416 --> 00:10:28,000 ♪ KANSAS OVER MY RIGHT SHOULDER ♪ 243 00:10:28,000 --> 00:10:31,291 ♪ BENDING STRINGS DOWN IN NEW ORLEANS ♪ 244 00:10:32,833 --> 00:10:36,333 ♪ EVERYWHERE I GO, I SEE YOUR SMILE ♪ 245 00:10:37,708 --> 00:10:42,166 ♪ I WISH I COULD SEE YOURS ONCE IN A WHILE ♪ 246 00:10:42,166 --> 00:10:46,625 ♪ THE SUN COMES UP AND IT SINKS BACK DOWN ♪ 247 00:10:46,625 --> 00:10:51,458 ♪ ON EVERY FIVE-STAR DREAM IN EVERY TWO-STAR TOWN ♪ 248 00:10:51,458 --> 00:10:56,000 ♪ THERE'S A LOT TO SEE FROM A WISHING VIEW ♪ 249 00:10:56,000 --> 00:10:58,125 ♪ BUT SOMETIMES, I WISH I COULD ♪ 250 00:10:58,125 --> 00:11:00,958 ♪ CLOSE MY EYES AND CLICK MY SHOES ♪ 251 00:11:00,958 --> 00:11:04,291 ♪ 'CAUSE THERE'S NO PLACE LIKE YOU ♪ 252 00:11:04,291 --> 00:11:06,708 ♪ NO PLACE LIKE YOU ♪ 253 00:11:06,708 --> 00:11:09,166 ♪ NO PLACE LIKE YOU ♪ 254 00:11:12,875 --> 00:11:14,625 ♪ YEAH ♪ 255 00:11:20,833 --> 00:11:23,708 ♪ EVERYWHERE I GO, I SEE YOUR SMILE ♪ 256 00:11:23,708 --> 00:11:26,375 ♪ EVERYWHERE I GO, I SEE... ♪ 257 00:11:26,375 --> 00:11:28,500 ♪ I WISH I COULD SEE YOURS ♪ 258 00:11:28,500 --> 00:11:31,708 ♪ ONCE IN A WHILE ♪ 259 00:11:31,708 --> 00:11:36,375 ♪ THE SUN COMES UP AND IT SINKS BACK DOWN ♪ 260 00:11:36,375 --> 00:11:41,291 ♪ ON EVERY FIVE-STAR DREAM IN EVERY TWO-STAR TOWN ♪ 261 00:11:41,291 --> 00:11:46,083 ♪ THERE'S A LOT TO SEE FROM A WISHING VIEW ♪ 262 00:11:46,083 --> 00:11:47,875 ♪ BUT SOMETIMES, I WISH I COULD ♪ 263 00:11:47,875 --> 00:11:50,208 ♪ CLOSE MY EYES AND CLICK MY SHOES ♪ 264 00:11:50,208 --> 00:11:53,875 ♪ 'CAUSE THERE'S NO PLACE LIKE YOU ♪ 265 00:11:53,875 --> 00:11:56,416 ♪ NO PLACE LIKE YOU ♪ 266 00:11:56,416 --> 00:12:00,875 ♪ NO PLACE LIKE YOU ♪ 267 00:12:00,875 --> 00:12:03,750 ♪ YEAH, THERE'S NO PLACE LIKE YOU ♪ 268 00:12:03,750 --> 00:12:06,333 ♪ NO PLACE LIKE YOU ♪ 269 00:12:06,333 --> 00:12:08,750 ♪ NO PLACE LIKE YOU ♪ 270 00:12:13,708 --> 00:12:15,125 (cheers and applause) 271 00:12:21,750 --> 00:12:23,583 (chuckles) 272 00:12:23,583 --> 00:12:25,583 YOU'VE JUST BEEN SITTING HERE, PAPPY JOE? 273 00:12:25,583 --> 00:12:27,416 OH, AFTER YOU RUN AROUND ENOUGH, 274 00:12:27,416 --> 00:12:29,000 YOU'LL FIND THAT A COMFY CHAIR 275 00:12:29,000 --> 00:12:31,750 ON YOUR OWN FRONT PORCH IS YOUR FAVORITE DESTINATION. 276 00:12:31,750 --> 00:12:34,208 OH, BY THE WAY... 277 00:12:39,208 --> 00:12:42,250 LORD CHESTERFIELD'S LETTERS TO HIS SON. 278 00:12:42,250 --> 00:12:43,333 WHAT? 279 00:12:43,333 --> 00:12:46,500 LORD CHESTERFIELD HAD A SON WHO TRAVELED THE WORLD. 280 00:12:46,500 --> 00:12:47,875 WHAT IS THAT? WHAT ARE YOU DOING? 281 00:12:47,875 --> 00:12:49,000 IT'S A BLACKBOARD. 282 00:12:49,000 --> 00:12:50,875 MY DADDY MADE YOU DO THIS. 283 00:12:50,875 --> 00:12:52,708 -HE'S GOOD PEOPLE. -NO, HE'S NOT. 284 00:12:53,750 --> 00:12:56,250 CHESTERFIELD WRITES HIM LETTERS ABOUT 285 00:12:56,250 --> 00:12:58,250 HOW HE SHOULD BEHAVE HIMSELF 286 00:12:58,250 --> 00:13:00,416 BECAUSE A FATHER KNOWS... 287 00:13:00,416 --> 00:13:03,583 THE ONLY WAY FOR A KID TO REALLY LEARN ANYTHING 288 00:13:03,583 --> 00:13:04,875 IS TO GO OUT INTO THE WORLD 289 00:13:04,875 --> 00:13:06,375 AND FIND OUT WHO HE IS. 290 00:13:06,375 --> 00:13:09,125 MY DADDY IS TRYING TO TEACH US FROM BEYOND THE GRAVE. 291 00:13:09,125 --> 00:13:11,375 MATTHEWS WROTE US A LETTER, DIDN'T HE? 292 00:13:11,375 --> 00:13:12,458 HE DID. 293 00:13:12,458 --> 00:13:13,833 (chuckles) 294 00:13:16,291 --> 00:13:18,166 "DEAR MY FAVORITE CHILDREN... 295 00:13:19,875 --> 00:13:23,000 "TAKE CARE OF EACH OTHER. ENJOY THE WORLD." 296 00:13:24,291 --> 00:13:25,750 I DON'T WANT THIS NIGHT TO END. 297 00:13:29,000 --> 00:13:30,750 WHAT DO YOU DO AROUND HERE WHEN YOU JUST WANT TO LOOK 298 00:13:30,750 --> 00:13:32,291 AT EACH OTHER'S FACES A LITTLE LONGER? 299 00:13:39,000 --> 00:13:40,750 PLEASE DO ME THE GREAT FAVOR 300 00:13:40,750 --> 00:13:44,208 OF DOUSING THESE EMBERS REAL GOOD WHEN YOU'RE DONE. 301 00:13:44,208 --> 00:13:46,375 THAT HOUSE AND ME MIGHT BE REAL OLD, 302 00:13:46,375 --> 00:13:48,708 BUT WE AIN'T QUITE READY TO BURNED DOWN YET. 303 00:13:50,000 --> 00:13:53,000 WELL, I NEVER THOUGHT I'D SAY ANYTHING LIKE THIS, BUT... 304 00:13:53,000 --> 00:13:55,708 I'M REAL SAD I DON'T HAVE A PAPPY JOE OF MY OWN. 305 00:13:55,708 --> 00:13:57,416 THANK YOU, MAYA. 306 00:13:57,416 --> 00:13:59,458 I WISH YOU'D CONSIDER ME YOURS 307 00:13:59,458 --> 00:14:02,708 TILL THE TIME I... I... YOU KNOW... BLEH. 308 00:14:04,333 --> 00:14:05,458 OKAY. 309 00:14:07,750 --> 00:14:09,458 YOU GUYS WERE LUCKY. 310 00:14:09,458 --> 00:14:10,708 HOW COME? 311 00:14:10,708 --> 00:14:12,625 TO GROW UP OUT HERE... 312 00:14:12,625 --> 00:14:14,583 TO HAVE THIS SKY... 313 00:14:14,583 --> 00:14:16,458 AND THE STARS... 314 00:14:18,250 --> 00:14:20,291 THIS HAS BEEN THE BEST WEEKEND OF MY LIFE. 315 00:14:20,291 --> 00:14:21,416 THANK YOU. 316 00:14:22,708 --> 00:14:24,708 PROMISE WE'LL ALWAYS BE FRIENDS NO MATTER WHAT. 317 00:14:24,708 --> 00:14:26,750 -RILEY... -PROMISE. 318 00:14:26,750 --> 00:14:28,750 NO MATTER WHAT HAPPENS, I AM TELLING YOU 319 00:14:28,750 --> 00:14:31,000 THAT I WILL ALWAYS BE YOUR BEST FRIEND. NO MATTER WHAT. 320 00:14:31,000 --> 00:14:32,416 OH. 321 00:14:33,708 --> 00:14:35,333 THERE'S NOTHING I COULD DO-- 322 00:14:35,333 --> 00:14:37,583 NO, THERE'S NOTHING YOU COULD DO, MAYA. 323 00:14:37,583 --> 00:14:39,166 DO YOU UNDERSTAND? 324 00:14:40,458 --> 00:14:42,833 IT'S YOU AND ME UNTIL THE TIME WE... 325 00:14:42,833 --> 00:14:44,833 YOU KNOW... 326 00:14:44,833 --> 00:14:45,875 Both: BLEH. 327 00:14:48,375 --> 00:14:50,333 -ZAY. -VANESSA? 328 00:14:50,333 --> 00:14:52,708 PAPPY JOE TOLD ME YOU WERE OUT HERE. 329 00:14:52,708 --> 00:14:53,875 YOU WERE LOOKING FOR ME? 330 00:14:53,875 --> 00:14:56,625 I WANTED TO TELL YOU I WAS SORRY. 331 00:14:56,625 --> 00:15:00,208 -WHAT'D YOU DO? -I NEVER REALLY GAVE YOU A CHANCE. 332 00:15:00,208 --> 00:15:02,708 NOW I'M TOO LATE BECAUSE I COULD NEVER 333 00:15:02,708 --> 00:15:05,375 STEAL YOU AWAY FROM YOUR NEW FRIENDS... 334 00:15:05,375 --> 00:15:06,625 COULD I? 335 00:15:10,583 --> 00:15:11,958 STEAL ME FROM THESE PEOPLE? 336 00:15:13,125 --> 00:15:14,500 HMPH. STYLE ::cue(.speaker) ::cue(.speakerTop) 337 00:15:14,500 --> 00:15:17,333 NO. NO, YOU COULDN'T. 338 00:15:17,333 --> 00:15:19,125 WHAT IF I BOUGHT YOU ICE CREAM? 339 00:15:19,125 --> 00:15:20,583 (sighs) 340 00:15:20,583 --> 00:15:22,208 YOU KNOW, VANESSA... 341 00:15:22,208 --> 00:15:25,708 THEY'RE NOT REALLY BOTH MY GIRLFRIENDS. 342 00:15:27,458 --> 00:15:29,000 OR EITHER OF 'EM. 343 00:15:29,000 --> 00:15:30,750 I THINK I KNEW THAT. 344 00:15:30,750 --> 00:15:32,583 THAT'S NOT WHAT IMPRESSED ME. 345 00:15:32,583 --> 00:15:34,875 THEY'RE YOUR FRIENDS WHO STUCK UP FOR YOU, 346 00:15:34,875 --> 00:15:37,458 SO I MUST HAVE MISSED SOMETHING... 347 00:15:37,458 --> 00:15:39,458 OR YOU MUST HAVE CHANGED. 348 00:15:39,458 --> 00:15:42,625 WELL, I'VE LEARNED THAT PEOPLE CHANGE PEOPLE. 349 00:15:42,625 --> 00:15:45,375 HM, FROM BEYOND THE GRAVE, HE'S TEACHING US. 350 00:15:46,708 --> 00:15:48,583 WE'RE BREAKING UP WITH YOU, HONEY NUGGET. 351 00:15:48,583 --> 00:15:50,708 LET HER BUY YOU ICE CREAM. 352 00:15:52,708 --> 00:15:55,625 VANESSA, YOU MADE A MISTAKE WITH THIS ONE. 353 00:15:55,625 --> 00:15:57,000 HE'S PRETTY WONDERFUL. 354 00:15:57,000 --> 00:15:59,416 WELL, LET'S GO SEE. 355 00:16:11,708 --> 00:16:13,333 DO YOU WANT ME TO BUY YOU ICE CREAM, FARKLE? 356 00:16:13,333 --> 00:16:14,416 WHAT? 357 00:16:14,416 --> 00:16:16,833 DO YOU WANT ME TO BUY YOU ICE CREAM? 358 00:16:16,833 --> 00:16:18,708 -OH. ARE YOU SURE? -YEAH. LET'S GO. 359 00:16:18,708 --> 00:16:20,375 RILES, WHERE ARE YOU GOING? 360 00:16:21,958 --> 00:16:24,375 YOU NEED TO FEEL WHATEVER YOU FEEL, MAYA. 361 00:16:26,000 --> 00:16:28,083 IT'S YOU AND ME FOREVER. 362 00:16:28,083 --> 00:16:31,708 THERE IS NOTHING THAT YOU COULD EVER DO TO CHANGE THAT. 363 00:16:40,708 --> 00:16:42,458 -MAYA LIKES YOU. -RILEY! 364 00:16:42,458 --> 00:16:44,166 SHE'S BEEN HIDING IT ALL THIS TIME. 365 00:16:44,166 --> 00:16:45,750 THAT'S WHY SHE COULDN'T WATCH YOU AT THE RODEO. 366 00:16:45,750 --> 00:16:47,000 WHAT ARE YOU DOING? 367 00:16:47,000 --> 00:16:48,500 I SAW YOU, MAYA. 368 00:16:48,500 --> 00:16:50,750 I SAW HOW MUCH YOU CARED. 369 00:16:53,625 --> 00:16:56,000 IT'S WHY SHE MAKES FUN OF YOU, I THINK. 370 00:16:56,000 --> 00:16:58,750 RILEY, WHAT ARE WE? 371 00:16:58,750 --> 00:17:00,708 I TOLD YOU WHAT WE ARE. 372 00:17:00,708 --> 00:17:02,333 WHAT IF THAT'S NOT WHAT I THINK WE ARE? 373 00:17:04,708 --> 00:17:08,208 WELL, THEN YOU BETTER START THINKING OF US LIKE THAT. 374 00:17:10,250 --> 00:17:12,708 -RILEY, I-- -LUCAS... 375 00:17:12,708 --> 00:17:15,625 WE WILL ALWAYS BE THERE FOR EACH OTHER. 376 00:17:18,458 --> 00:17:19,750 YOU STEPPED BACK. 377 00:17:21,750 --> 00:17:23,500 I KNOW THAT YOU STEPPED BACK. 378 00:17:32,833 --> 00:17:34,333 WHAT'S GOING ON? 379 00:17:34,333 --> 00:17:36,750 I DON'T KNOW. 380 00:17:38,125 --> 00:17:40,166 I'M HER BROTHER NOW? 381 00:17:40,166 --> 00:17:41,833 APPARENTLY. 382 00:17:45,416 --> 00:17:47,583 -YOU LIKE ME? -NO. 383 00:17:47,583 --> 00:17:50,250 MAYA, WHY DIDN'T YOU WANT ME TO RIDE IN THE RODEO? 384 00:17:52,583 --> 00:17:55,000 BECAUSE I DIDN'T WANT YOU TO WIN 385 00:17:55,000 --> 00:17:57,250 AND GET ALL CONCEITED. 386 00:17:57,250 --> 00:17:59,708 I DON'T THINK THAT'S IT. 387 00:18:01,250 --> 00:18:02,875 (speaking with a drawl) I DON'T THINK THAT'S IT. 388 00:18:02,875 --> 00:18:05,500 I DON'T TALK LIKE THAT. I JUST DON'T. 389 00:18:05,500 --> 00:18:08,583 -WHY DO YOU SEE ME LIKE THAT? -OF COURSE I DON'T SEE YOU LIKE THAT. 390 00:18:08,583 --> 00:18:10,583 CAN WE JUST... 391 00:18:10,583 --> 00:18:12,625 CAN WE JUST LOOK AT THIS FIRE, PLEASE? 392 00:18:12,625 --> 00:18:14,125 YES. 393 00:18:20,833 --> 00:18:21,833 STOP. 394 00:18:31,458 --> 00:18:32,708 CAN WE JUST STOP? 395 00:18:32,708 --> 00:18:34,291 I JUST WANT EVERYTHING TO STOP. 396 00:18:34,291 --> 00:18:37,083 IT'S BEEN BAD ENOUGH I'VE BEEN KEEPING THIS SECRET FROM RILEY ALL THIS TIME. 397 00:18:37,083 --> 00:18:38,583 WHAT SECRET? 398 00:18:41,833 --> 00:18:43,708 YOU GUYS ARE SO MUCH ALIKE. 399 00:18:45,625 --> 00:18:48,583 I THOUGHT YOU WERE JUST LIKE BROTHER AND SISTER, TOO. 400 00:18:48,583 --> 00:18:49,583 WHY? 401 00:18:52,458 --> 00:18:55,500 YOU'RE AT YOUR BEST WHEN YOU'RE JUST TALKING TO EACH OTHER. 402 00:18:55,500 --> 00:18:57,583 LOOKING OUT FOR EACH OTHER. 403 00:18:57,583 --> 00:19:00,875 THAT'S WHAT I BELIEVED, BUT I KEPT IT A SECRET. 404 00:19:03,750 --> 00:19:06,708 AND NOW THE SECRET'S OUT, SO I DON'T HAVE TO CARRY IT AROUND WITH ME ANYMORE. 405 00:19:09,291 --> 00:19:12,708 I JUST DON'T WANT TO HAVE ANYMORE SECRETS FROM HER. 406 00:19:15,958 --> 00:19:19,833 SO YOU DON'T MAKE FUN OF ME BECAUSE YOU LIKE ME? 407 00:19:22,625 --> 00:19:24,375 I'M JUST GONNA WATCH THIS FIRE. 408 00:19:24,375 --> 00:19:26,750 MAYA, WHY DO YOU MAKE FUN OF ME? 409 00:19:28,208 --> 00:19:30,583 -BECAUSE YOU'RE EASY TO MAKE FUN OF. -OKAY, THEN STOP. 410 00:19:30,583 --> 00:19:32,875 BECAUSE YOU'RE A HUCKLEBERRY. BECAUSE YOU'RE A RANGER-- 411 00:19:32,875 --> 00:19:34,708 -WOULD YOU STOP? -LOOK, IF I HAD FEELINGS FOR YOU, 412 00:19:34,708 --> 00:19:36,458 DON'T YOU THINK I'D JUST COME RIGHT OUT AND SAY IT? 413 00:19:36,458 --> 00:19:38,708 WELL, I DON'T. SO WHAT I DO SAY IS HAR-HAR-- 414 00:19:49,416 --> 00:19:50,708 WHY DID YOU DO THAT? 415 00:19:50,708 --> 00:19:53,708 I DON'T KNOW. I JUST... WANTED YOU TO STOP. 416 00:19:55,125 --> 00:19:56,875 PLEASE DON'T TELL MY SISTER. 417 00:19:59,333 --> 00:20:01,458 YOU COULDN'T THINK OF ANOTHER WAY TO STOP ME? 418 00:20:01,458 --> 00:20:03,750 NOT AT THE TIME. NO. 419 00:20:03,750 --> 00:20:05,333 I'M SORRY. 420 00:20:08,000 --> 00:20:11,416 YOU DON'T HAVE TO BE SORRY, HUCKLEBERRY. 421 00:20:11,416 --> 00:20:13,166 OF COURSE I LIKE YOU. STYLE ::cue(.speaker) ::cue(.speakerTop) 422 00:20:15,000 --> 00:20:16,208 YOU'RE A GOOD GUY. 423 00:20:19,166 --> 00:20:21,875 IF YOU GOT HURT, I DON'T KNOW WHAT I WOULD'VE DONE. 424 00:20:33,833 --> 00:20:36,458 I DON'T WANT TO HAVE ANY MORE SECRETS FROM HER. 425 00:20:50,125 --> 00:20:52,375 I NEED TO TALK TO BOTH OF YOU. 426 00:20:53,750 --> 00:20:55,625 YOU ARE GENTLE... 427 00:20:55,625 --> 00:20:58,708 BUT WHEN I FIRST MET YOU, I WAS SCARED OF YOU. 428 00:20:59,875 --> 00:21:01,500 I NEVER TOLD YOU THAT. 429 00:21:01,500 --> 00:21:03,583 YOU WOULDN'T THINK THAT SOMEONE COULD BE 430 00:21:03,583 --> 00:21:06,250 SCARED OF YOU, BUT... 431 00:21:06,250 --> 00:21:07,625 I WAS. 432 00:21:10,458 --> 00:21:12,458 AND YOU... 433 00:21:12,458 --> 00:21:14,625 NOW, YOU ALWAYS SCARED ME. 434 00:21:14,625 --> 00:21:18,375 YOU GAVE ME NIGHTMARES FROM THE DAY I FIRST LOOKED AT YOU. 435 00:21:18,375 --> 00:21:22,000 THEN WHEN I FOUND OUT THAT I WAS GONNA HAVE A CHANCE WITH YOU, WELL... 436 00:21:23,625 --> 00:21:25,708 THAT WAS ABOUT THE SCARIEST MOMENT OF MY LIFE. 437 00:21:28,125 --> 00:21:30,250 ANYWAY, I... 438 00:21:30,250 --> 00:21:32,166 I WANT YOU TO KNOW THAT YOU'RE BOTH AN IMPORTANT PART 439 00:21:32,166 --> 00:21:33,875 OF MY GROWING UP. 440 00:21:33,875 --> 00:21:38,333 I WOULDN'T BE WHO I AM TODAY WITHOUT EITHER ONE OF YOU, SO... 441 00:21:38,333 --> 00:21:40,000 THANK YOU. 442 00:21:40,000 --> 00:21:41,708 BUT... 443 00:21:41,708 --> 00:21:43,625 YOU GUYS ARE NOTHING... 444 00:21:43,625 --> 00:21:45,500 COMPARED TO RILEY AND MAYA. 445 00:21:45,500 --> 00:21:47,708 -(snorts) -(bleats) 446 00:21:53,708 --> 00:21:54,875 YOU READY? 447 00:21:56,208 --> 00:21:57,750 YEAH. 448 00:21:57,750 --> 00:21:59,250 THANK YOU. 449 00:21:59,250 --> 00:22:01,166 FOR EVERYTHING.