1
00:00:00,250 --> 00:00:02,333
Maya:
HERE'S WHAT HAPPENED
ON GIRL MEETS WORLD.
2
00:00:02,333 --> 00:00:03,750
BROTHER AND SISTER?
3
00:00:03,750 --> 00:00:06,125
RILEY AND I ARE
BROTHER AND SISTER NOW?
4
00:00:06,125 --> 00:00:07,708
WHAT DOES THAT EVEN MEAN?
5
00:00:07,708 --> 00:00:09,500
MAYA LIKES YOU.
6
00:00:09,500 --> 00:00:10,833
LOOK, IF I HAD
FEELINGS FOR YOU,
7
00:00:10,833 --> 00:00:12,458
DON'T YOU THINK I'D
JUST COME RIGHT OUT AND SAY IT?
8
00:00:12,458 --> 00:00:14,708
WELL, I DON'T.
SO WHAT I DO SAY IS HAR-HAR--
9
00:00:20,291 --> 00:00:22,208
Maya:
RILEY, I HAVE TO
TELL YOU SOMETHING.
10
00:00:22,208 --> 00:00:24,208
-Riley: I DON'T WANT TO KNOW.
-(school bell rings)
11
00:00:25,625 --> 00:00:27,708
-RILES, SOMETHING HAPPENED.
-I DON'T NEED TO KNOW
WHAT HAPPENED.
12
00:00:27,708 --> 00:00:28,750
NO, I NEED TO TELL YOU.
13
00:00:28,750 --> 00:00:30,000
YOU NEED TO KNOW.
14
00:00:30,000 --> 00:00:33,833
MAYA, I KNOW
A LOT OF THINGS
ARE GOING TO HAPPEN.
15
00:00:35,000 --> 00:00:36,750
YOU KNOW WHAT ELSE I KNOW?
16
00:00:36,750 --> 00:00:40,875
I LIKED THE NEW BOY
AND YOU STEPPED BACK FOR ME...
17
00:00:40,875 --> 00:00:44,000
AND THEN I SAW
HOW SCARED YOU WERE FOR HIM.
18
00:00:45,750 --> 00:00:47,750
YOU NEED TO FEEL
WHATEVER YOU FEEL.
19
00:00:47,750 --> 00:00:49,875
HOW COULD I EVER
KEEP THAT FROM YOU?
20
00:00:49,875 --> 00:00:51,708
WHATEVER HAPPENS, HAPPENS.
21
00:00:55,166 --> 00:00:57,000
MY BROTHER!
22
00:00:57,000 --> 00:00:58,875
HEY! HI.
HEY, RILEY.
23
00:00:58,875 --> 00:01:00,083
YOU KNOW, UM...
24
00:01:00,083 --> 00:01:01,708
I WANT TO THANK YOU AGAIN
FOR BELIEVING IN ME
25
00:01:01,708 --> 00:01:03,958
AND GIVING ME THE CONFIDENCE
THAT I WOULD BE OKAY.
26
00:01:03,958 --> 00:01:05,875
I WILL ALWAYS BELIEVE IN YOU.
27
00:01:05,875 --> 00:01:08,000
AND I WILL ALWAYS BE HERE.
28
00:01:08,000 --> 00:01:09,958
THANK YOU, RILEY.
29
00:01:09,958 --> 00:01:11,208
HI.
30
00:01:12,625 --> 00:01:13,708
HEY.
31
00:01:13,708 --> 00:01:15,000
HEY.
32
00:01:16,583 --> 00:01:17,583
HI.
33
00:01:19,708 --> 00:01:20,708
WOW.
34
00:01:24,000 --> 00:01:25,125
HEY, RILEY.
35
00:01:25,125 --> 00:01:26,333
HI, CHARLIE.
36
00:01:26,333 --> 00:01:27,958
-CHARLIE GARDNER!
-STOP IT.
37
00:01:27,958 --> 00:01:29,458
CHEESE SOUFFLE!
38
00:01:29,458 --> 00:01:31,375
MAYA, WE JUST GOT BACK.
39
00:01:31,375 --> 00:01:32,583
WHAT COULD HE POSSIBLY KNOW?
40
00:01:32,583 --> 00:01:34,416
WHO COULD HAVE
POSSIBLY SAID ANYTHING?
41
00:01:37,958 --> 00:01:39,875
HE MADE ME.
42
00:01:39,875 --> 00:01:41,083
HOW DID HE MAKE YOU?
43
00:01:41,083 --> 00:01:44,083
I WAS LIKE,
"YOU WANNA HEAR
A GREAT RILEY STORY?"
44
00:01:44,083 --> 00:01:45,750
HE SAID, "YES."
45
00:01:45,750 --> 00:01:48,500
I HEARD YOU AND LUCAS
ARE JUST GONNA BE FRIENDS.
46
00:01:48,500 --> 00:01:50,875
YEAH, ACTUALLY,
WHAT WE'RE DOING IS--
47
00:01:50,875 --> 00:01:52,000
I HEARD YOU'RE FREE.
48
00:01:53,000 --> 00:01:54,250
ARE YOU FREE?
49
00:01:55,708 --> 00:01:57,833
(theme music playing)
50
00:02:02,208 --> 00:02:04,208
♪ I'VE BEEN WAITING ♪
51
00:02:04,208 --> 00:02:05,500
♪ FOR A DAY ♪
52
00:02:05,500 --> 00:02:06,583
♪ LIKE THIS TO COME ♪
53
00:02:06,583 --> 00:02:08,125
♪ STRUCK LIKE LIGHTNING ♪
54
00:02:08,125 --> 00:02:10,708
♪ MY HEART'S BEATING LIKE
A DRUM ♪
55
00:02:10,708 --> 00:02:12,375
♪ ON THE EDGE ♪
56
00:02:12,375 --> 00:02:14,625
♪ OF SOMETHING WONDERFUL ♪
57
00:02:14,625 --> 00:02:17,750
♪ FACE TO FACE WITH CHANGES ♪
58
00:02:17,750 --> 00:02:18,708
♪ WHAT'S IT ALL ABOUT? ♪
59
00:02:18,708 --> 00:02:20,875
♪ LIFE IS CRAZY ♪
60
00:02:20,875 --> 00:02:21,875
♪ BUT I KNOW ♪
61
00:02:21,875 --> 00:02:22,958
♪ I CAN WORK IT OUT ♪
62
00:02:22,958 --> 00:02:24,375
♪ 'CAUSE I GOT YOU ♪
63
00:02:24,375 --> 00:02:27,166
♪ TO LIVE IT WITH ME ♪
64
00:02:27,166 --> 00:02:31,250
♪ I FEEL ALL RIGHT,
I'M GONNA TAKE ON THE WORLD ♪
65
00:02:31,250 --> 00:02:34,708
♪ LIGHT UP THE STARS,
I'VE GOT SOME PAGES TO TURN ♪
66
00:02:34,708 --> 00:02:36,458
♪ I'M SINGING "GO-O-O" ♪
67
00:02:36,458 --> 00:02:39,583
♪ OH, OH, OH, OH ♪
68
00:02:39,583 --> 00:02:42,583
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
69
00:02:42,583 --> 00:02:43,833
♪ TAKE ON THE WORLD ♪
70
00:02:43,833 --> 00:02:46,583
♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
71
00:02:46,583 --> 00:02:48,166
♪ TAKE ON THE WORLD ♪
72
00:02:52,333 --> 00:02:54,416
-I DON'T WANT THIS.
-WE'RE CONFUSED.
73
00:02:54,416 --> 00:02:56,458
-I DON'T WANT THIS EITHER.
-WE'RE GOING INTO HIGH SCHOOL.
74
00:02:56,458 --> 00:02:58,125
DO YOU KNOW WHAT
YOUR PRIORITY IS
IN HIGH SCHOOL?
75
00:02:58,125 --> 00:02:59,708
-HIGH SCHOOL.
-IT'S WHERE YOU FURTHER
76
00:02:59,708 --> 00:03:02,000
-YOUR MINDS AND YOU GET
AN EDUCATION.
-YOU KNOW WHY?
77
00:03:02,000 --> 00:03:03,875
SO THAT YOU'RE SMART ENOUGH
TO NOT FIND YOURSELF
78
00:03:03,875 --> 00:03:04,708
IN A SITUATION LIKE THIS.
79
00:03:04,708 --> 00:03:06,166
WE'RE NOT IN A SITUATION.
80
00:03:06,166 --> 00:03:07,875
-EVERYTHING'S FINE.
-MAYA?
81
00:03:07,875 --> 00:03:09,333
WE'RE IN A SITUATION.
82
00:03:09,333 --> 00:03:11,000
WHY DO WE HAVE TO
HAVE FEELINGS?
83
00:03:11,000 --> 00:03:12,875
YOU DON'T.
GET RID OF 'EM.
84
00:03:12,875 --> 00:03:14,750
YOU THINK YOU LIKE LUCAS?
85
00:03:14,750 --> 00:03:15,875
HOW CAN YOU NOT LIKE HIM?
86
00:03:15,875 --> 00:03:17,416
I DIDN'T THINK
YOU LIKED ANYBODY.
87
00:03:17,416 --> 00:03:18,500
IT'S MY FACADE.
88
00:03:18,500 --> 00:03:20,000
DON'T USE BIG WORDS CORRECTLY.
89
00:03:20,000 --> 00:03:21,458
IT'S NOT WHO YA ARE.
90
00:03:21,458 --> 00:03:24,083
-WE'RE RILEY AND MAYA.
-WE KNOW OUR PRIORITIES...
91
00:03:24,083 --> 00:03:26,708
AND NOTHIN' AND NOBODY COULD
EVER COME BETWEEN US.
92
00:03:26,708 --> 00:03:29,625
YOU ARE TWO CONFUSED KIDS
WHO THINK YOU KNOW
WHAT YOU'RE DOING.
93
00:03:29,625 --> 00:03:31,166
BUT YOU DON'T.
94
00:03:31,166 --> 00:03:32,250
SO, DON'T DO ANYTHING.
95
00:03:32,250 --> 00:03:33,875
NOTHING IS AS EASY
AS IT SEEMS
96
00:03:33,875 --> 00:03:35,000
WHEN FEELINGS ARE INVOLVED.
97
00:03:35,000 --> 00:03:36,833
MOM, IT IS EASY.
98
00:03:36,833 --> 00:03:38,750
LUCAS IS LIKE MY BROTHER AND...
99
00:03:38,750 --> 00:03:40,250
I WANT MAYA TO BE HAPPY.
100
00:03:40,250 --> 00:03:43,750
YOU THINK BEING THE MASTER
OF TOMBSTONE THE BULL IS HARD?
101
00:03:43,750 --> 00:03:45,000
THAT IS NOTHING COMPARED
102
00:03:45,000 --> 00:03:47,125
TO BEING THE MASTER
OF YOUR FEELINGS, RILEY.
103
00:03:47,125 --> 00:03:50,500
THEY WILL SHAKE YOU AROUND
AND THEY WILL SEND YOU FLYING.
104
00:03:50,500 --> 00:03:53,333
SOMETIMES YOU HOLD ON
AND SOMETIMES YOU LET GO.
105
00:03:53,333 --> 00:03:55,500
IT'S THE SCARIEST
RIDE THERE IS.
106
00:03:57,083 --> 00:03:59,500
WELL, WHAT DO
YOU WANT US TO DO?
107
00:03:59,500 --> 00:04:00,875
DON'T FEEL.
108
00:04:00,875 --> 00:04:02,750
I WANT YOU NOT TO FEEL.
109
00:04:02,750 --> 00:04:04,375
DO THEY HAVE TO GO
TO HIGH SCHOOL?
110
00:04:04,375 --> 00:04:06,416
NO! I HAVE THE POWER.
111
00:04:06,416 --> 00:04:07,583
I CAN HOLD THEM BACK.
112
00:04:07,583 --> 00:04:09,333
DAD, YOU CAN'T HOLD US BACK.
113
00:04:09,333 --> 00:04:10,500
WE'RE GROWING UP.
114
00:04:11,583 --> 00:04:13,250
CAN I HOLD THEM BACK?
115
00:04:13,250 --> 00:04:14,583
NO.
116
00:04:14,583 --> 00:04:16,291
CAN ANYTHING HOLD THEM BACK?
117
00:04:16,291 --> 00:04:17,458
NO.
118
00:04:18,750 --> 00:04:19,833
ARE YOU OKAY, RILEY?
119
00:04:21,333 --> 00:04:23,708
I'M GOING TO NEED
TO FIGURE THAT OUT.
120
00:04:23,708 --> 00:04:25,083
ARE YOU OKAY?
121
00:04:25,083 --> 00:04:27,083
I'M GONNA NEED
TO LET HER FIGURE THAT OUT.
122
00:04:27,083 --> 00:04:28,583
OH, NO...
123
00:04:28,583 --> 00:04:29,958
THEY'RE GONNA FIGURE IT OUT.
124
00:04:29,958 --> 00:04:31,250
WHAT DO WE DO?
125
00:04:31,250 --> 00:04:33,708
WE TRUST THEM.
126
00:04:37,750 --> 00:04:39,500
THAT'S THE WORST IDEA
I'VE EVER HEARD.
127
00:04:47,750 --> 00:04:50,375
THE HOOVER DAM
ON THE ARIZONA/NEVADA BORDER
128
00:04:50,375 --> 00:04:54,291
HOLDS BACK TEN TRILLION GALLONS
OF CONFUSED 14-YEAR-OLD FEELINGS
129
00:04:54,291 --> 00:04:56,125
THAT LOOK TO SMACK DOWN
THE CONCRETE STRUCTURE
130
00:04:56,125 --> 00:04:57,625
OF YOUR LIFE
AND MY LIFE,
131
00:04:57,625 --> 00:04:58,958
AND IT CAN'T TAKE IT
AND I DON'T WANT IT,
132
00:04:58,958 --> 00:05:01,416
SO EVERYBODY SIT HERE
AND NOBODY MOVE!
STYLE
::cue(.speaker)
::cue(.speakerTop)
133
00:05:04,250 --> 00:05:06,333
BECAUSE AS STRONG
AS THE STRUCTURAL INTEGRITY
134
00:05:06,333 --> 00:05:07,583
OF THE HOOVER DAM MIGHT BE,
135
00:05:07,583 --> 00:05:09,625
JUST ONE LITTLE,
TINY DROP OF WATER
136
00:05:09,625 --> 00:05:11,250
THAT MAKES ITS WAY
THROUGH THIS BARRIER
137
00:05:11,250 --> 00:05:13,458
WILL CHIP AWAY
AT THE STRUCTURAL INTEGRITY
138
00:05:13,458 --> 00:05:14,875
OF OUR LIVES
AS WE KNOW THEM,
139
00:05:14,875 --> 00:05:16,583
AND THE IMMEDIATE RESULT
IS THE END
140
00:05:16,583 --> 00:05:18,625
OF MY PERSONAL HAPPINESS!
141
00:05:18,625 --> 00:05:20,416
SO, YOUR ASSIGNMENT
142
00:05:20,416 --> 00:05:23,750
IS TO HOLD EVERYTHING BACK
UNTIL I DIE
143
00:05:23,750 --> 00:05:25,833
AND NOT LET ANYTHING THROUGH!
144
00:05:31,708 --> 00:05:33,625
RILEY, WHAT'S THAT?
145
00:05:33,625 --> 00:05:35,708
NOTHING.
146
00:05:35,708 --> 00:05:37,375
RILEY...
147
00:05:37,375 --> 00:05:38,875
DID SOMETHING GET THROUGH?
148
00:05:40,333 --> 00:05:43,000
RILEY, SOMETHING HAPPENED
BETWEEN ME AND LUCAS.
149
00:05:45,291 --> 00:05:46,708
OH, BOY.
150
00:05:53,000 --> 00:05:54,708
YES, CHARLIE.
151
00:05:54,708 --> 00:05:56,333
I WILL GO OUT WITH YOU.
152
00:05:57,958 --> 00:05:59,958
HOOVER DAM.
153
00:06:09,833 --> 00:06:11,250
ISN'T IT AMAZING
154
00:06:11,250 --> 00:06:13,333
HOW COMFORTABLE WE ARE
WITH EACH OTHER?
155
00:06:13,333 --> 00:06:15,583
NO!
156
00:06:15,583 --> 00:06:18,583
I DON'T FEEL
COMFORTABLE AT ALL.
157
00:06:18,583 --> 00:06:20,750
THIS IS THE KIND OF THING
THAT WE COULD NEVER DO,
158
00:06:20,750 --> 00:06:22,583
LUCAS, WHEN WE WERE JUST...
159
00:06:22,583 --> 00:06:23,875
"HI."
"HOWDY."
160
00:06:23,875 --> 00:06:25,166
"HEY."
"HI."
161
00:06:25,166 --> 00:06:26,750
NOW YOU KNOW
WHAT WE ARE? POOM!
162
00:06:26,750 --> 00:06:29,333
COULD YOU MAYBE
NOT HIT ME ANYMORE?
163
00:06:29,333 --> 00:06:31,583
YOU'RE MY BROTHER.
BE MY BROTHER.
164
00:06:31,583 --> 00:06:33,083
GIVE ME ADVICE,
FEEL GOOD ABOUT IT,
165
00:06:33,083 --> 00:06:35,458
AND NOTHING WILL EVER
BE UNCOMFORTABLE AT ALL.
166
00:06:35,458 --> 00:06:37,708
OKAY, LET'S TRY.
167
00:06:37,708 --> 00:06:39,333
WHAT DO YOU NEED
ADVICE ON--
168
00:06:39,333 --> 00:06:40,833
THE CHARLIE GARDNER
OF IT ALL.
169
00:06:40,833 --> 00:06:43,583
WHAT DOES A FIRST DATE MEAN
IN THE LANGUAGE OF "BOY"?
170
00:06:43,583 --> 00:06:44,875
I WANT TO BREAK YOUR CODE.
171
00:06:44,875 --> 00:06:46,750
WHAT DOES HE WANT?
TELL ME! WHAT?
172
00:06:46,750 --> 00:06:49,166
YEAH... CHARLIE GARDNER.
173
00:06:49,166 --> 00:06:51,083
I'M NOT UNCOMFORTABLE AT ALL.
174
00:06:51,083 --> 00:06:52,833
WHERE IS YOUR DAD?
175
00:06:52,833 --> 00:06:54,208
WHY ISN'T HE KICKING ME OUT?
176
00:06:54,208 --> 00:06:56,625
I'M IN YOUR DAUGHTER'S ROOM!
177
00:06:56,625 --> 00:06:58,708
YEAH, I SEE YA!
178
00:06:58,708 --> 00:07:01,000
YOU SURE THIS ISN'T
JUST SO HE GETS TO SIT THERE
179
00:07:01,000 --> 00:07:03,000
AND BE THERE
WITH HER LIKE THAT?
180
00:07:03,000 --> 00:07:05,583
NO, THIS IS REAL.
181
00:07:05,583 --> 00:07:07,458
WHY DO YOU NEED
ANOTHER BROTHER?
182
00:07:07,458 --> 00:07:09,375
I'M JUST TRYING
TO DO EVERYTHING BEST
183
00:07:09,375 --> 00:07:11,625
FOR EVERYBODY CONCERNED.
184
00:07:11,625 --> 00:07:12,875
I'M CONCERNED.
185
00:07:20,708 --> 00:07:22,291
MATTHEWS, WE KNOW
THAT EVERYTHING YOU TEACH
186
00:07:22,291 --> 00:07:24,416
IS ALWAYS ABOUT US,
BUT THIS IS JUST LAZY!
187
00:07:24,416 --> 00:07:25,708
I DON'T HAVE THE TIME!
188
00:07:25,708 --> 00:07:26,583
I'M GOING RIGHT FOR IT!
189
00:07:26,583 --> 00:07:27,875
YOU DON'T THINK
I COULD MASH THIS UP
190
00:07:27,875 --> 00:07:29,416
WITH THE END
OF WORLD WAR II
IF I WANTED TO?
191
00:07:29,416 --> 00:07:31,708
AMERICA LOVES RUSSIA!
192
00:07:31,708 --> 00:07:32,833
THEN AMERICA DOESN'T
LOVE RUSSIA!
193
00:07:32,833 --> 00:07:33,958
JAPAN LOVES FRANCE NOW!
194
00:07:33,958 --> 00:07:35,458
JAPAN ASKS FRANCE
TO GO BOWLING!
195
00:07:35,458 --> 00:07:36,708
SO THEY GO
ON A COUPLE OF DATES,
196
00:07:36,708 --> 00:07:38,083
BUT THEN
JAPAN SAYS TO FRANCE,
197
00:07:38,083 --> 00:07:40,208
"I JUST WANT TO BE FRIENDS."
198
00:07:40,208 --> 00:07:42,958
SO FRANCE SAYS,
"I GOT ENOUGH FRIENDS."
199
00:07:42,958 --> 00:07:44,708
SO THEY TRY TO BE CIVIL
WITH EACH OTHER,
200
00:07:44,708 --> 00:07:46,875
BUT THERE'S A CERTAIN CHILL
WHILE THEY'RE HANGING OUT
BY THE LOCKERS.
201
00:07:46,875 --> 00:07:47,875
THERE'S A CHILL!
202
00:07:49,333 --> 00:07:51,125
YOU DON'T THINK EVERYONE
IN THIS ROOM IS GOING BOWLING
203
00:07:51,125 --> 00:07:52,291
WITH EVERYBODY ELSE
AT SOME POINT?
204
00:07:52,291 --> 00:07:55,083
RILEY, MAYA, AND LUCAS
IS ALL ABOUT EVERYBODY
205
00:07:55,083 --> 00:07:56,708
IN THIS ROOM,
IN EVERY ROOM,
206
00:07:56,708 --> 00:07:58,875
IN THE WHOLE WORLD,
AND THE UNIVERSE!
207
00:07:58,875 --> 00:08:00,375
THEY JUST GOT THERE FIRST!
208
00:08:00,375 --> 00:08:02,208
THE JERKS!
209
00:08:02,208 --> 00:08:03,375
DAD!
210
00:08:03,375 --> 00:08:04,708
YOU'RE GOING TO HIGH SCHOOL.
211
00:08:04,708 --> 00:08:07,583
YOU ARE GROWING UP
IN SPITE OF MY WISHES.
212
00:08:07,583 --> 00:08:08,833
IT'S REAL NOW.
213
00:08:08,833 --> 00:08:10,750
WHAT'S HAPPENED ALREADY
IS NOTHING COMPARED
214
00:08:10,750 --> 00:08:11,833
TO WHAT'S GONNA
HAPPEN TO YOU NOW.
215
00:08:11,833 --> 00:08:14,333
I JUST DON'T WANT
ANYTHING BAD TO HAPPEN TO YOU.
216
00:08:14,333 --> 00:08:16,583
DON'T LET ANYTHING BAD
HAPPEN TO YOU!
217
00:08:19,291 --> 00:08:20,750
THE CLASS ISN'T OVER YET, SIR.
218
00:08:20,750 --> 00:08:21,833
NAH, I'VE HAD IT.
219
00:08:29,875 --> 00:08:31,708
HEY, YOU WANTED TO SEE ME?
220
00:08:31,708 --> 00:08:32,875
SIT DOWN.
221
00:08:37,708 --> 00:08:39,500
THIS CHAIR? ALL RIGHT.
222
00:08:39,500 --> 00:08:40,875
OKAY.
223
00:08:47,583 --> 00:08:49,708
RILEY HAS ONE BROTHER
IN HER LIFE,
224
00:08:49,708 --> 00:08:51,416
AND IT ISN'T YOU.
225
00:08:51,416 --> 00:08:53,333
-OH, AUGGIE, I DON'T--
-DID I FINISH SPEAKING?
226
00:08:53,333 --> 00:08:55,375
NO, SIR. I JUST
DON'T SEE HOW
227
00:08:55,375 --> 00:08:57,458
YOU COULD POSSIBLY
UNDERSTAND RELATIONSHIPS
228
00:08:57,458 --> 00:08:59,083
OR ANYTHING
THAT HAPPENS TO US.
229
00:08:59,083 --> 00:09:02,833
I'VE BEEN MARRIED
TO AVA MORGENSTERN
FOR 52 YEARS.
230
00:09:02,833 --> 00:09:05,166
IT CHANGES A MAN.
231
00:09:05,166 --> 00:09:06,416
KILL ME.
232
00:09:07,958 --> 00:09:09,750
RILEY'S MY SISTER.
233
00:09:09,750 --> 00:09:13,750
I'M HER ONLY BROTHER.
234
00:09:13,750 --> 00:09:15,958
AND HER ONLY BROTHER
IS TELLING YOU
235
00:09:15,958 --> 00:09:20,500
WHATEVER HAPPENS,
DON'T HURT MY SISTER.
236
00:09:21,500 --> 00:09:23,708
NOW GET OUT OF MY ROOM.
I'M DOING MY PODCAST.
237
00:09:29,458 --> 00:09:30,708
YEAH, THAT'S RIGHT.
238
00:09:30,708 --> 00:09:31,708
I'M CALLIN' FARKLE TIME.
239
00:09:31,708 --> 00:09:32,833
YOU KNOW WHY?
240
00:09:32,833 --> 00:09:34,833
BECAUSE EVERY TIME
IT'S FARKLE TIME,
241
00:09:34,833 --> 00:09:35,583
WE LEARN SOMETHIN'.
242
00:09:35,583 --> 00:09:37,250
AND I NEED
TO LEARN SOMETHIN'.
243
00:09:37,250 --> 00:09:40,000
BECAUSE YOU WERE IN TEXAS
AND I WASN'T.
244
00:09:40,000 --> 00:09:41,208
YES, I WAS, SIR.
245
00:09:41,208 --> 00:09:43,291
AND WOULD YOU AGREE
THAT SOMETHIN' HAPPENED
246
00:09:43,291 --> 00:09:45,583
IN TEXAS
THAT'S CHANGING EVERYTHING?
247
00:09:45,583 --> 00:09:46,708
YES, SIR.
248
00:09:46,708 --> 00:09:47,708
DO YOU KNOW
WHAT IT IS
249
00:09:47,708 --> 00:09:49,291
AND DO YOU KNOW
HOW TO FIX IT?
250
00:09:49,291 --> 00:09:51,583
-NO, SIR.
-WHY NOT?
251
00:09:51,583 --> 00:09:53,125
BECAUSE I'M A SCIENTIST, SIR.
252
00:09:53,125 --> 00:09:54,583
THIS IS ALL ABOUT FEELINGS.
253
00:09:54,583 --> 00:09:56,583
FEELINGS THAT ARE NEW
AND HARD TO DESCRIBE.
254
00:09:56,583 --> 00:09:59,083
LOOK, I'M A GENIUS,
BUT WHEN ISADORA SMACKLE LOOKS
255
00:09:59,083 --> 00:10:00,166
IN MY EYES
WITH THAT BEAUTIFUL,
256
00:10:00,166 --> 00:10:01,875
GOOFY FACE OF HERS,
I GET A FEELING
257
00:10:01,875 --> 00:10:04,750
WHICH I CAN ONLY DESCRIBE
AS BLOYLAHHLAHLOWWW!
STYLE
::cue(.speaker)
::cue(.speakerTop)
258
00:10:07,833 --> 00:10:08,625
YOU FEEL ME?
259
00:10:08,625 --> 00:10:11,458
YEAH, I FEEL YOU, FARKLE.
260
00:10:11,458 --> 00:10:13,625
LISTEN...
261
00:10:13,625 --> 00:10:15,750
YOU ARE FARKLE.
262
00:10:15,750 --> 00:10:18,958
THESE PEOPLE HAVE ALWAYS
BEEN IMPORTANT TO YOU.
263
00:10:20,500 --> 00:10:21,833
I NEED YOU TO FIGURE OUT
WHAT'S GOING ON
264
00:10:21,833 --> 00:10:24,000
WITH THE THREE OF THEM
AND MAKE EVERYTHING BETTER.
265
00:10:24,000 --> 00:10:25,458
I'M ON IT, SIR.
266
00:10:25,458 --> 00:10:26,875
I LIKE US
JUST THE WAY WE ARE.
267
00:10:26,875 --> 00:10:28,750
I DON'T WANT ANYTHING
TO CHANGE EITHER.
268
00:10:28,750 --> 00:10:30,291
GOOD.
269
00:10:30,291 --> 00:10:33,083
BECAUSE I HAVE NO IDEA
WHAT'S GONNA HAPPEN NEXT.
270
00:10:43,416 --> 00:10:44,500
SO? (chuckles)
271
00:10:44,500 --> 00:10:45,583
SO... (chuckles)
272
00:10:45,583 --> 00:10:46,625
WHAT?
273
00:10:46,625 --> 00:10:49,708
SO, WHERE ARE WE GOING
ON THE DATE?
274
00:10:49,708 --> 00:10:51,833
DO YOU WANT TO GO BOWLING
LIKE JAPAN AND FRANCE?
275
00:10:51,833 --> 00:10:54,625
-SURE.
-OR MAYBE WE JUST
HAVE DINNER AND TALK?
276
00:10:54,625 --> 00:10:57,000
-NO TALKING.
-WHAT?
277
00:10:57,000 --> 00:10:58,875
I JUST MEAN
THAT WE DON'T HAVE TO TALK.
278
00:10:58,875 --> 00:11:01,083
-OH. THEN DO YOU WANT
TO GO TO THE MOVIES?
-PERFECT.
279
00:11:01,083 --> 00:11:02,500
THE MOVIES ARE PERFECT.
280
00:11:02,500 --> 00:11:05,000
WE CAN JUST SIT THERE.
281
00:11:05,000 --> 00:11:07,708
YOU'RE NOT GONNA TRY
AND HOLD MY HAND, ARE YOU?
282
00:11:07,708 --> 00:11:11,250
UH, HEY, I JUST FOUND OUT
THAT WE'RE GOING TO THE MOVIES.
283
00:11:11,250 --> 00:11:13,458
I HAD BOWLING PLANNED,
BUT THAT'S OUT THE WINDOW.
284
00:11:13,458 --> 00:11:15,875
OKAY. WELL, I'M LOOKING
FORWARD TO OUR DATE.
285
00:11:15,875 --> 00:11:17,208
ME TOO.
286
00:11:17,208 --> 00:11:19,000
NO TALKING,
NO HOLDING HANDS.
287
00:11:19,000 --> 00:11:20,083
YAY.
288
00:11:29,875 --> 00:11:30,833
HUH.
289
00:11:30,833 --> 00:11:31,958
HUH.
290
00:11:43,500 --> 00:11:46,083
SO THIS IS OUR
NEW RELATIONSHIP?
291
00:11:47,500 --> 00:11:48,708
YEAH.
292
00:11:50,208 --> 00:11:51,750
HOW'S IT GOING SO FAR?
293
00:11:51,750 --> 00:11:53,875
WEIRD, MAN.
294
00:11:53,875 --> 00:11:55,333
YOU DON'T HAVE TO WATCH.
295
00:11:55,333 --> 00:11:56,750
I CAN'T LOOK AWAY!
296
00:11:58,625 --> 00:11:59,708
HOW'S IT GOIN'?
297
00:11:59,708 --> 00:12:00,708
LOOK AT 'EM!
298
00:12:00,708 --> 00:12:03,000
Farkle:
YOU THINK
HEY LIKE EACH OTHER?
299
00:12:03,000 --> 00:12:04,416
I DO.
300
00:12:04,416 --> 00:12:05,625
BUT I THINK THEY LIKED
EACH OTHER BETTER
301
00:12:05,625 --> 00:12:08,000
WHEN SHE WAS YELLING
AT HIM ALL THE TIME.
302
00:12:08,000 --> 00:12:09,958
WHAT ABOUT RILEY AND LUCAS?
303
00:12:09,958 --> 00:12:12,458
WELL, I ONLY KNEW LUCAS
BEFORE I CAME HERE,
304
00:12:12,458 --> 00:12:15,208
BUT THEN I MET RILEY,
AND SHE'S JUST LIKE HIM.
305
00:12:15,208 --> 00:12:16,458
HOW?
306
00:12:16,458 --> 00:12:17,875
WELL, THE THING
WE ALL KNEW ABOUT LUCAS
307
00:12:17,875 --> 00:12:19,750
IS LUCAS WOULD DO ANYTHING
FOR HIS FRIENDS.
308
00:12:19,750 --> 00:12:22,166
AND I NEVER THOUGHT THERE COULD
BE ANYBODY ELSE LIKE THAT,
309
00:12:22,166 --> 00:12:23,708
BUT RILEY IS.
310
00:12:23,708 --> 00:12:25,750
SO YOU THINK THEY ARE
LIKE BROTHER AND SISTER?
311
00:12:25,750 --> 00:12:28,208
NO, I JUST THINK
THEY HAVE A LOT IN COMMON.
312
00:12:28,208 --> 00:12:31,000
I MEAN, RILEY WOULD DO
ANYTHING FOR HER FRIENDS, TOO.
313
00:12:31,000 --> 00:12:32,291
YEAH.
314
00:12:33,875 --> 00:12:35,333
AND I THINK SHE DID.
315
00:12:36,708 --> 00:12:39,083
SO... WHAT ARE YOU THINKIN'?
316
00:12:39,083 --> 00:12:41,583
OH, NOW?
OH, IT'S SO FUNNY
YOU MENTION THAT.
317
00:12:41,583 --> 00:12:42,958
ACTUALLY, RIGHT NOW,
IN THIS EXACT MOMENT,
318
00:12:42,958 --> 00:12:44,333
WHAT I WAS THINKING,
WHAT WAS RUNNING
319
00:12:44,333 --> 00:12:46,125
THROUGH MY HEAD WAS ACTUALLY,
IF YOU DON'T START
320
00:12:46,125 --> 00:12:48,333
TALKING TO ME,
I'M GONNA POUR THIS SMOOTHIE
RIGHT OVER YOUR HEAD.
321
00:12:48,333 --> 00:12:49,625
SO, WHY DON'T YOU GIVE ME
THE BEST YOU GOT?
322
00:12:58,208 --> 00:13:01,125
DID I EVER TELL YOU ONCE,
I DELIVERED A BABY HORSE?
323
00:13:15,000 --> 00:13:17,708
ACTUALLY, IT LOOKED
KIND OF LIKE THIS.
324
00:13:18,875 --> 00:13:20,125
THE MIRACLE OF LIFE.
325
00:13:26,750 --> 00:13:28,583
-MOM?
-HONEY?
326
00:13:29,875 --> 00:13:32,708
I'M GOING ON A DATE
WITH CHARLIE GARDNER
327
00:13:32,708 --> 00:13:35,875
AND MAYA IS GOING OUT
WITH LUCAS.
328
00:13:37,500 --> 00:13:38,583
WHAT DO YOU DO
WHEN YOU THINK
329
00:13:38,583 --> 00:13:40,958
YOU'RE DOING WHAT'S RIGHT,
BUT YOU'RE REALLY JUST CONFUSED
330
00:13:40,958 --> 00:13:42,458
AND YOU FEEL LIKE
LIFE IS TRYING
331
00:13:42,458 --> 00:13:44,458
TO THROW YOU
ON THE GROUND?
332
00:13:44,458 --> 00:13:45,875
YOU HANG ON, RILEY.
333
00:13:50,458 --> 00:13:52,833
I'M A LITTLE TIRED.
334
00:13:52,833 --> 00:13:54,625
PLEASE DON'T GO ANYWHERE.
335
00:13:54,625 --> 00:13:56,333
I WON'T.
336
00:13:57,708 --> 00:13:59,833
I'M GONNA BE HERE
A LONG TIME.
337
00:14:01,416 --> 00:14:02,833
OKAY.
338
00:14:17,625 --> 00:14:19,208
(grunts)
339
00:14:19,208 --> 00:14:20,750
HONEY?
340
00:14:20,750 --> 00:14:22,083
SWEETIE?
341
00:14:22,083 --> 00:14:25,708
UM, I LOVE YOU
AND I LOVE YOUR TEEN ANGST,
342
00:14:25,708 --> 00:14:28,000
BUT I HAVE TO GO TO WORK
SO THAT I CAN AFFORD YOU.
343
00:14:29,166 --> 00:14:31,083
OH, THANK GOODNESS.
344
00:14:31,083 --> 00:14:32,750
(grunts)
345
00:14:32,750 --> 00:14:35,000
OKAY, SHE'S ALL YOURS.
346
00:14:35,000 --> 00:14:36,833
SHE DROOLS A LITTLE.
347
00:14:40,708 --> 00:14:42,625
GO TO SCHOOL.
BRUSH YOUR TEETH.
348
00:14:42,625 --> 00:14:44,833
-COMB YOUR HAIR.
-MMM.
349
00:14:44,833 --> 00:14:47,333
-YOU'RE NOT MY MOTHER.
-NO, IT'S ME.
350
00:14:48,958 --> 00:14:50,708
(both laugh nervously)
351
00:14:50,708 --> 00:14:52,458
HOW DID YOU TIME
WITH LUCAS GO?
352
00:14:52,458 --> 00:14:56,458
IT-- WE SAT THERE
WITH ABSOLUTELY
NOTHING TO SAY.
353
00:14:56,458 --> 00:14:58,750
-BEEN THERE, DONE THAT.
-YEAH, WELL...
354
00:14:58,750 --> 00:15:00,416
YOU GUYS WON'T HAVE TO WORRY
ABOUT THAT ANYMORE
355
00:15:00,416 --> 00:15:02,125
-NOW THAT YOU'RE BROTHER
AND SISTER, YOU KNOW.
-MM-HMM.
356
00:15:02,125 --> 00:15:04,000
YOU GUYS HAVE LOADS
TO-- TO TALK ABOUT.
357
00:15:04,000 --> 00:15:05,250
I LOVE TALKING TO HIM.
358
00:15:05,250 --> 00:15:06,958
I LOVE MAKING FUN OF HIM.
359
00:15:06,958 --> 00:15:08,083
WHY?
STYLE
::cue(.speaker)
::cue(.speakerTop)
360
00:15:08,083 --> 00:15:10,250
-WHY DO I LOVE
TO MAKE FUN OF HIM?
-YEAH.
361
00:15:10,250 --> 00:15:12,583
BECAUSE HE'S GREAT.
362
00:15:12,583 --> 00:15:13,708
YEAH.
363
00:15:13,708 --> 00:15:17,875
AND HE NEEDS SOMEONE
LIKE ME TO TAKE HIM DOWN.
364
00:15:17,875 --> 00:15:20,625
-AND HE NEEDS
SOMEONE LIKE YOU--
-FOR WHY?
365
00:15:20,625 --> 00:15:22,125
FOR WHY
DOES HE NEED ME?
366
00:15:23,583 --> 00:15:24,875
TO BUILD HIM UP,
367
00:15:24,875 --> 00:15:26,750
TO TELL HIS
RANGER RICK STORIES TO,
368
00:15:26,750 --> 00:15:30,166
-AND MAKE HIM FEEL LIKE A HERO.
-(both laugh)
369
00:15:30,166 --> 00:15:33,833
YOU LIKE HIS STORIES
AND-- AND HE LIKES YOURS.
370
00:15:36,166 --> 00:15:37,291
YEAH.
371
00:15:48,125 --> 00:15:49,875
-HI, RILEY.
-HI, CHARLIE.
372
00:15:49,875 --> 00:15:52,416
-RILEY, I CAN'T BE
YOUR BROTHER ANYMORE.
-HEY, FRIAR.
373
00:15:52,416 --> 00:15:54,583
DO YOU THINK YOU CAN
PICK A BETTER TIME
FOR THIS BIG ANNOUNCEMENT?
374
00:15:54,583 --> 00:15:55,875
RILEY AND I ARE
GONNA GO ON A DATE.
375
00:15:55,875 --> 00:15:56,875
YOU ARE?
376
00:15:58,000 --> 00:15:59,125
NO HOLDING HANDS
OR TALKING.
377
00:15:59,125 --> 00:16:00,458
BEST DATE EVER.
378
00:16:00,458 --> 00:16:02,458
I KNOW IT'S NOT,
BUT IT'S WHAT I GOT.
379
00:16:02,458 --> 00:16:04,583
THOSE ARE THE RULES?
380
00:16:04,583 --> 00:16:07,000
WHO GOES ON A DATE
AND DOESN'T TALK
TO EACH OTHER?
381
00:16:10,958 --> 00:16:12,250
OH, YEAH. WE DO.
382
00:16:12,250 --> 00:16:13,500
HI.
383
00:16:13,500 --> 00:16:14,500
HELLO.
384
00:16:15,875 --> 00:16:17,833
HEY RILEY,
CAN WE GO?
385
00:16:17,833 --> 00:16:18,625
I LIKE TO BE THERE
386
00:16:18,625 --> 00:16:20,166
FOR THE PREVIEWS
OF COMING ATTRACTIONS.
387
00:16:20,166 --> 00:16:21,708
WHEN I'M NOT THERE
FOR THE PREVIEWS
388
00:16:21,708 --> 00:16:24,083
OF COMING ATTRACTIONS,
I FEEL LIKE I DIDN'T
SEE THE WHOLE MOVIE.
389
00:16:24,083 --> 00:16:25,250
HEY RILEY,
WHAT DO YOU DO
390
00:16:25,250 --> 00:16:26,416
WHEN YOU SIT
NEXT TO HUCKLEBERRY?
391
00:16:26,416 --> 00:16:28,375
MAYA, I CAN'T GIVE
YOU ADVICE LIKE THAT.
392
00:16:28,375 --> 00:16:30,375
SURE YOU CAN.
YOU'RE HIS SISTER, RIGHT?
393
00:16:30,375 --> 00:16:31,833
NOPE. NOT ANYMORE.
394
00:16:31,833 --> 00:16:33,708
-WHY?
-AUGGIE SAYS WE CAN'T.
395
00:16:33,708 --> 00:16:35,208
-HEY, FRIAR--
-AND YOU KNOW WHAT?
396
00:16:35,208 --> 00:16:36,958
I THINK HE'S RIGHT.
YOU ALREADY HAVE
A GREAT BROTHER.
397
00:16:36,958 --> 00:16:38,833
HEY, FRIAR!
398
00:16:38,833 --> 00:16:40,458
THEN WHAT WILL YOU BE?
399
00:16:40,458 --> 00:16:42,875
HE'LL BE ME,
BECAUSE IT'S ME NOW.
400
00:16:44,583 --> 00:16:47,500
YEAH. SORRY.
YOU HAVE EVERY RIGHT.
401
00:16:47,500 --> 00:16:50,708
I ALSO WANT TO BE THERE
EARLY TO GET SNACKS
402
00:16:50,708 --> 00:16:53,000
'CAUSE IF WE'RE NOT TALKING
OR HOLDING HANDS,
403
00:16:53,000 --> 00:16:55,458
I WAS GONNA BUY
SOME POPCORN AND LICORICE.
404
00:16:55,458 --> 00:16:56,875
YOU MEAN POPCORN
AND CHOCOLATE.
405
00:16:56,875 --> 00:16:58,833
-I'M NOT YOU!
-OKAY!
406
00:16:58,833 --> 00:17:00,875
ANYWAY, AUGGIE LOVES YOU, RILEY.
407
00:17:00,875 --> 00:17:02,958
SO, I'M GONNA STEP BACK
FROM BEING YOUR BROTHER.
408
00:17:02,958 --> 00:17:04,708
-SAY "ME NOW."
-ME NOW.
409
00:17:04,708 --> 00:17:06,166
YOU HAVE EVERY RIGHT.
410
00:17:07,625 --> 00:17:09,583
I BREAK THE LICORICE
INTO LITTLE PIECES
411
00:17:09,583 --> 00:17:11,416
SO EVERY TIME I TAKE
A HANDFUL OF POPCORN,
412
00:17:11,416 --> 00:17:12,583
I GET A SURPRISE.
413
00:17:14,208 --> 00:17:15,583
I'M ADORABLE.
414
00:17:15,583 --> 00:17:17,291
HOW ARE YOU NOT SEEING THIS?
415
00:17:17,291 --> 00:17:18,750
Zay:
YOU SEE?
416
00:17:18,750 --> 00:17:20,625
LUCAS DOES ANYTHING
FOR ANYBODY.
417
00:17:20,625 --> 00:17:22,500
I MEAN, HE SACRIFICES
BEING RILEY'S BROTHER
418
00:17:22,500 --> 00:17:23,708
SO HE DOESN'T
HURT AUGGIE'S FEELINGS.
419
00:17:23,708 --> 00:17:25,375
WELL, SAME WITH RILEY.
SHE'S STEPPING BACK
420
00:17:25,375 --> 00:17:27,208
FROM LUCAS BECAUSE SHE'S
DOING EXACTLY THE SAME THING.
421
00:17:27,208 --> 00:17:30,750
-FARKLE, STOP.
-BUT I THOUGHT SHE DIDN'T
LIKE HIM LIKE THAT ANYMORE.
422
00:17:30,750 --> 00:17:33,125
NO, RILEY'S STEPPING BACK
FROM LUCAS BECAUSE SHE DOESN'T--
423
00:17:35,000 --> 00:17:37,500
OKAY, SHE ENDS UP
WITH FARKLE.
424
00:17:37,500 --> 00:17:38,708
HOW DID WE NOT SEE
THAT COMING?
425
00:17:40,125 --> 00:17:42,458
FARKLE, YOU DON'T KNOW
WHAT'S GOING ON.
426
00:17:42,458 --> 00:17:44,583
-STOP THINKING.
-I KNOW AUGGIE'S RIGHT.
427
00:17:44,583 --> 00:17:45,750
HE'S YOUR ONLY BROTHER.
428
00:17:45,750 --> 00:17:47,125
I'VE SEEN THE WAY
YOU LOOK AT AUGGIE,
429
00:17:47,125 --> 00:17:48,583
AND I'VE SEEN THE WAY
YOU LOOK AT LUCAS.
430
00:17:48,583 --> 00:17:49,583
IT'S NOT THE SAME.
431
00:17:49,583 --> 00:17:51,875
I-- I THINK I KNOW
MY OWN FEELINGS.
432
00:17:51,875 --> 00:17:53,458
-YOU'RE A LIAR.
-FARKLE.
433
00:17:53,458 --> 00:17:54,625
YOU'RE LYING TO YOURSELF.
434
00:17:54,625 --> 00:17:56,708
LUCAS AND I DON'T
MAKE A GOOD COUPLE.
435
00:18:00,500 --> 00:18:01,875
THANK YOU VERY MUCH, LUCAS.
436
00:18:01,875 --> 00:18:03,750
I HAD A WONDERFUL TIME.
437
00:18:05,208 --> 00:18:06,750
YOU'RE WELCOME, RILEY.
I ALSO HAD
438
00:18:06,750 --> 00:18:08,250
A WONDERFUL TIME AS WELL.
439
00:18:10,708 --> 00:18:13,875
YOU WERE BOTH JUST NERVOUS
BECAUSE THAT'S NOT WHO YOU ARE.
440
00:18:13,875 --> 00:18:16,000
I GUESS THE THING
I MISS MOST ABOUT TEXAS
441
00:18:16,000 --> 00:18:17,416
ARE THE PETS
THAT I USED TO HAVE.
442
00:18:17,416 --> 00:18:19,958
I HAD A HAMSTER.
443
00:18:19,958 --> 00:18:21,708
I HAD 24 HORSES.
444
00:18:21,708 --> 00:18:23,000
YOU WIN.
445
00:18:25,000 --> 00:18:26,833
TELL ME ABOUT THEM.
446
00:18:26,833 --> 00:18:28,583
OKAY, OKAY.
447
00:18:28,583 --> 00:18:30,125
BUT WHAT ABOUT MAYA?
448
00:18:31,708 --> 00:18:32,833
HUH-HURR.
449
00:18:32,833 --> 00:18:34,708
HAR-HAR!
450
00:18:34,708 --> 00:18:39,083
HUH-HURR!
451
00:18:42,000 --> 00:18:44,708
I'M NOT REALLY SURE
HOW MAYA FEELS.
452
00:18:44,708 --> 00:18:46,333
YOU'RE NOT SURE?
453
00:18:46,333 --> 00:18:48,375
HOW CAN YOU NOT BE SURE?
454
00:18:48,375 --> 00:18:50,000
THIS ISN'T ABOUT HER.
455
00:18:50,000 --> 00:18:51,625
I'M TALKING
ABOUT HOW YOU FEEL.
456
00:18:58,708 --> 00:19:00,500
FARKLE, HOW DO YOU
EVEN KNOW ABOUT THAT?
457
00:19:00,500 --> 00:19:02,583
-YOU WEREN'T EVEN THERE.
-DOESN'T MATTER.
458
00:19:02,583 --> 00:19:04,708
WHAT YOU'RE THINKING
IS HOW YOU REALLY FEEL.
459
00:19:06,208 --> 00:19:07,875
I DON'T CARE.
460
00:19:07,875 --> 00:19:10,458
FARKLE, MAYA IS MY BEST FRIEND.
461
00:19:10,458 --> 00:19:12,708
SHE CARES ABOUT HIM
AND HE CARES ABOUT HER TOO.
462
00:19:18,708 --> 00:19:20,583
YOU QUESTIONING
MY LEADERSHIP, HOP-ALONG?
463
00:19:20,583 --> 00:19:22,458
OKAY, THESE NAMES
YOU'RE CALLING ME ARE
464
00:19:22,458 --> 00:19:23,708
KILLING MY STREET CRED.
465
00:19:23,708 --> 00:19:25,875
YOU ACTUALLY PUT THOUGHT
INTO OUR LITTLE GAME, DON'T YOU?
466
00:19:25,875 --> 00:19:28,125
I ACTUALLY DO.
467
00:19:28,125 --> 00:19:29,958
(shudders)
468
00:19:29,958 --> 00:19:31,583
OH, NO.
469
00:19:35,208 --> 00:19:37,500
HELLO.
470
00:19:37,500 --> 00:19:39,625
I'M BUCKY MCBOING BOING.
471
00:19:40,958 --> 00:19:42,625
I WANT MAYA TO BE HAPPY.
472
00:19:44,250 --> 00:19:46,333
HEY, MAYA, IT LOOKS LIKE
LUCAS HERE'S GETTIN' ALL
473
00:19:46,333 --> 00:19:47,875
FIRED UP ON YOUR BEHALF.
474
00:19:49,083 --> 00:19:50,166
THANK YOU, LUCAS.
475
00:19:50,166 --> 00:19:51,291
BUT IT'S JUST AN ART CLASS.
476
00:19:51,291 --> 00:19:52,583
I FEEL BAD.
477
00:19:52,583 --> 00:19:54,166
THEY'RE TAKING AWAY
SOMETHING YOU'RE VERY GOOD AT.
478
00:19:54,166 --> 00:19:56,625
-YOU'VE NEVER SAID
THAT TO ME BEFORE.
-I HAVE SAID IT.
479
00:19:56,625 --> 00:19:58,875
YEAH, BUT NOT, LIKE,
RIGHT TO MY FACE
WHEN YOU WERE LOOKING AT ME.
480
00:19:58,875 --> 00:20:01,833
-I CAN'T REMEMBER YOU ACTUALLY--
-YOU'RE A GREAT ARTIST, MAYA.
481
00:20:04,250 --> 00:20:06,708
HE MIGHT,
BUT WE KNOW HE LIKES YOU.
STYLE
::cue(.speaker)
::cue(.speakerTop)
482
00:20:08,625 --> 00:20:10,333
WHAT'S THE MATTER?
483
00:20:18,375 --> 00:20:19,750
HI.
484
00:20:19,750 --> 00:20:21,875
EVEN THOUGH
THIS JUST HAPPENED,
485
00:20:21,875 --> 00:20:24,625
THERE ARE SOME MOMENTS
YOU KNOW YOU'RE GONNA
REMEMBER FOREVER.
486
00:20:24,625 --> 00:20:26,333
THIS IS ONE OF 'EM.
487
00:20:28,500 --> 00:20:30,000
(sniffs)
488
00:20:36,708 --> 00:20:38,125
YOU WERE THE FIRST
489
00:20:38,125 --> 00:20:39,458
BOY I EVER LIKED.
490
00:20:39,458 --> 00:20:41,458
THAT'S BIG DEAL FOR ME.
ARE YOU WORTH IT?
491
00:20:41,458 --> 00:20:42,750
TELL ME,
AND I'LL BELIEVE YOU.
492
00:20:42,750 --> 00:20:45,500
I WANT TO BELIEVE YOU.
ARE YOU WORTH IT?
493
00:20:45,500 --> 00:20:46,833
YES.
494
00:20:46,833 --> 00:20:48,708
(screams)
495
00:20:51,750 --> 00:20:53,000
HI.
496
00:20:53,000 --> 00:20:55,750
WE WERE JUST
TALKING ABOUT YOU.
497
00:20:59,083 --> 00:21:01,333
HI, I'M RILEY.
498
00:21:01,333 --> 00:21:02,958
WE WERE JUST
TALKING ABOUT YOU.
499
00:21:02,958 --> 00:21:05,416
(chuckles)
I'M LUCAS.
500
00:21:05,416 --> 00:21:06,708
I LOVE IT.
501
00:21:10,625 --> 00:21:12,125
YOU CAN'T TELL ANYBODY.
502
00:21:22,708 --> 00:21:24,750
-I WILL, UNLESS YOU DO.
-WHY?
503
00:21:24,750 --> 00:21:26,583
BECAUSE WE ARE GROWING UP.
504
00:21:26,583 --> 00:21:27,875
AND I DON'T KNOW
HOW TO HANDLE
505
00:21:27,875 --> 00:21:29,708
THESE FEELINGS
WE'RE FEELING.
506
00:21:29,708 --> 00:21:31,208
BUT I DO KNOW THAT
WE DON'T LIE TO EACH OTHER.
507
00:21:32,375 --> 00:21:33,875
WE DON'T LIE
TO EACH OTHER, RILEY.
508
00:21:35,500 --> 00:21:36,750
YOU'RE RIGHT.
509
00:21:38,875 --> 00:21:42,208
THIS IS REALLY HARD
AND MAYBE I JUST
NEED SOME TIME.
510
00:21:43,750 --> 00:21:45,166
I'M ALWAYS HERE FOR YOU.
511
00:21:48,166 --> 00:21:49,750
I LOVE YOU, FARKLE.
512
00:21:50,958 --> 00:21:52,458
AND I LOVE YOU.
513
00:21:53,875 --> 00:21:55,208
NOW GO ON YOUR DATE.
514
00:21:58,625 --> 00:22:00,125
READY?
515
00:22:02,000 --> 00:22:04,083
FOR THE PREVIEWS
OF COMING ATTRACTIONS?
516
00:22:04,083 --> 00:22:05,291
YEAH.
517
00:22:05,291 --> 00:22:07,291
I'M SURE WE'RE ALL WONDERING
WHAT HAPPENS NOW.
518
00:22:27,708 --> 00:22:28,958
HOW WAS YOUR DATE?
519
00:22:30,000 --> 00:22:31,458
I DON'T KNOW.
520
00:22:32,708 --> 00:22:33,833
HOW WAS YOUR DATE?
521
00:22:34,708 --> 00:22:36,125
I DON'T KNOW.
522
00:22:43,166 --> 00:22:44,750
DO WE KNOW ANYTHING?
523
00:22:50,708 --> 00:22:52,291
RING POWER.
524
00:22:55,000 --> 00:22:56,250
RING POWER.
525
00:22:57,708 --> 00:22:59,458
-THUNDER.
-LIGHTNING.
526
00:23:00,708 --> 00:23:02,416
A LITTLE SCARED.