1 00:00:00,250 --> 00:00:02,333 Maya: HERE'S WHAT HAPPENED ON GIRL MEETS WORLD. 2 00:00:02,333 --> 00:00:03,750 BROTHER AND SISTER? 3 00:00:03,750 --> 00:00:06,125 RILEY AND I ARE BROTHER AND SISTER NOW? 4 00:00:06,125 --> 00:00:07,708 WHAT DOES THAT EVEN MEAN? 5 00:00:07,708 --> 00:00:09,500 MAYA LIKES YOU. 6 00:00:09,500 --> 00:00:10,833 LOOK, IF I HAD FEELINGS FOR YOU, 7 00:00:10,833 --> 00:00:12,458 DON'T YOU THINK I'D JUST COME RIGHT OUT AND SAY IT? 8 00:00:12,458 --> 00:00:14,708 WELL, I DON'T. SO WHAT I DO SAY IS HAR-HAR-- 9 00:00:20,291 --> 00:00:22,208 Maya: RILEY, I HAVE TO TELL YOU SOMETHING. 10 00:00:22,208 --> 00:00:24,208 -Riley: I DON'T WANT TO KNOW. -(school bell rings) 11 00:00:25,625 --> 00:00:27,708 -RILES, SOMETHING HAPPENED. -I DON'T NEED TO KNOW WHAT HAPPENED. 12 00:00:27,708 --> 00:00:28,750 NO, I NEED TO TELL YOU. 13 00:00:28,750 --> 00:00:30,000 YOU NEED TO KNOW. 14 00:00:30,000 --> 00:00:33,833 MAYA, I KNOW A LOT OF THINGS ARE GOING TO HAPPEN. 15 00:00:35,000 --> 00:00:36,750 YOU KNOW WHAT ELSE I KNOW? 16 00:00:36,750 --> 00:00:40,875 I LIKED THE NEW BOY AND YOU STEPPED BACK FOR ME... 17 00:00:40,875 --> 00:00:44,000 AND THEN I SAW HOW SCARED YOU WERE FOR HIM. 18 00:00:45,750 --> 00:00:47,750 YOU NEED TO FEEL WHATEVER YOU FEEL. 19 00:00:47,750 --> 00:00:49,875 HOW COULD I EVER KEEP THAT FROM YOU? 20 00:00:49,875 --> 00:00:51,708 WHATEVER HAPPENS, HAPPENS. 21 00:00:55,166 --> 00:00:57,000 MY BROTHER! 22 00:00:57,000 --> 00:00:58,875 HEY! HI. HEY, RILEY. 23 00:00:58,875 --> 00:01:00,083 YOU KNOW, UM... 24 00:01:00,083 --> 00:01:01,708 I WANT TO THANK YOU AGAIN FOR BELIEVING IN ME 25 00:01:01,708 --> 00:01:03,958 AND GIVING ME THE CONFIDENCE THAT I WOULD BE OKAY. 26 00:01:03,958 --> 00:01:05,875 I WILL ALWAYS BELIEVE IN YOU. 27 00:01:05,875 --> 00:01:08,000 AND I WILL ALWAYS BE HERE. 28 00:01:08,000 --> 00:01:09,958 THANK YOU, RILEY. 29 00:01:09,958 --> 00:01:11,208 HI. 30 00:01:12,625 --> 00:01:13,708 HEY. 31 00:01:13,708 --> 00:01:15,000 HEY. 32 00:01:16,583 --> 00:01:17,583 HI. 33 00:01:19,708 --> 00:01:20,708 WOW. 34 00:01:24,000 --> 00:01:25,125 HEY, RILEY. 35 00:01:25,125 --> 00:01:26,333 HI, CHARLIE. 36 00:01:26,333 --> 00:01:27,958 -CHARLIE GARDNER! -STOP IT. 37 00:01:27,958 --> 00:01:29,458 CHEESE SOUFFLE! 38 00:01:29,458 --> 00:01:31,375 MAYA, WE JUST GOT BACK. 39 00:01:31,375 --> 00:01:32,583 WHAT COULD HE POSSIBLY KNOW? 40 00:01:32,583 --> 00:01:34,416 WHO COULD HAVE POSSIBLY SAID ANYTHING? 41 00:01:37,958 --> 00:01:39,875 HE MADE ME. 42 00:01:39,875 --> 00:01:41,083 HOW DID HE MAKE YOU? 43 00:01:41,083 --> 00:01:44,083 I WAS LIKE, "YOU WANNA HEAR A GREAT RILEY STORY?" 44 00:01:44,083 --> 00:01:45,750 HE SAID, "YES." 45 00:01:45,750 --> 00:01:48,500 I HEARD YOU AND LUCAS ARE JUST GONNA BE FRIENDS. 46 00:01:48,500 --> 00:01:50,875 YEAH, ACTUALLY, WHAT WE'RE DOING IS-- 47 00:01:50,875 --> 00:01:52,000 I HEARD YOU'RE FREE. 48 00:01:53,000 --> 00:01:54,250 ARE YOU FREE? 49 00:01:55,708 --> 00:01:57,833 (theme music playing) 50 00:02:02,208 --> 00:02:04,208 ♪ I'VE BEEN WAITING ♪ 51 00:02:04,208 --> 00:02:05,500 ♪ FOR A DAY ♪ 52 00:02:05,500 --> 00:02:06,583 ♪ LIKE THIS TO COME ♪ 53 00:02:06,583 --> 00:02:08,125 ♪ STRUCK LIKE LIGHTNING ♪ 54 00:02:08,125 --> 00:02:10,708 ♪ MY HEART'S BEATING LIKE A DRUM ♪ 55 00:02:10,708 --> 00:02:12,375 ♪ ON THE EDGE ♪ 56 00:02:12,375 --> 00:02:14,625 ♪ OF SOMETHING WONDERFUL ♪ 57 00:02:14,625 --> 00:02:17,750 ♪ FACE TO FACE WITH CHANGES ♪ 58 00:02:17,750 --> 00:02:18,708 ♪ WHAT'S IT ALL ABOUT? ♪ 59 00:02:18,708 --> 00:02:20,875 ♪ LIFE IS CRAZY ♪ 60 00:02:20,875 --> 00:02:21,875 ♪ BUT I KNOW ♪ 61 00:02:21,875 --> 00:02:22,958 ♪ I CAN WORK IT OUT ♪ 62 00:02:22,958 --> 00:02:24,375 ♪ 'CAUSE I GOT YOU ♪ 63 00:02:24,375 --> 00:02:27,166 ♪ TO LIVE IT WITH ME ♪ 64 00:02:27,166 --> 00:02:31,250 ♪ I FEEL ALL RIGHT, I'M GONNA TAKE ON THE WORLD ♪ 65 00:02:31,250 --> 00:02:34,708 ♪ LIGHT UP THE STARS, I'VE GOT SOME PAGES TO TURN ♪ 66 00:02:34,708 --> 00:02:36,458 ♪ I'M SINGING "GO-O-O" ♪ 67 00:02:36,458 --> 00:02:39,583 ♪ OH, OH, OH, OH ♪ 68 00:02:39,583 --> 00:02:42,583 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 69 00:02:42,583 --> 00:02:43,833 ♪ TAKE ON THE WORLD ♪ 70 00:02:43,833 --> 00:02:46,583 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 71 00:02:46,583 --> 00:02:48,166 ♪ TAKE ON THE WORLD ♪ 72 00:02:52,333 --> 00:02:54,416 -I DON'T WANT THIS. -WE'RE CONFUSED. 73 00:02:54,416 --> 00:02:56,458 -I DON'T WANT THIS EITHER. -WE'RE GOING INTO HIGH SCHOOL. 74 00:02:56,458 --> 00:02:58,125 DO YOU KNOW WHAT YOUR PRIORITY IS IN HIGH SCHOOL? 75 00:02:58,125 --> 00:02:59,708 -HIGH SCHOOL. -IT'S WHERE YOU FURTHER 76 00:02:59,708 --> 00:03:02,000 -YOUR MINDS AND YOU GET AN EDUCATION. -YOU KNOW WHY? 77 00:03:02,000 --> 00:03:03,875 SO THAT YOU'RE SMART ENOUGH TO NOT FIND YOURSELF 78 00:03:03,875 --> 00:03:04,708 IN A SITUATION LIKE THIS. 79 00:03:04,708 --> 00:03:06,166 WE'RE NOT IN A SITUATION. 80 00:03:06,166 --> 00:03:07,875 -EVERYTHING'S FINE. -MAYA? 81 00:03:07,875 --> 00:03:09,333 WE'RE IN A SITUATION. 82 00:03:09,333 --> 00:03:11,000 WHY DO WE HAVE TO HAVE FEELINGS? 83 00:03:11,000 --> 00:03:12,875 YOU DON'T. GET RID OF 'EM. 84 00:03:12,875 --> 00:03:14,750 YOU THINK YOU LIKE LUCAS? 85 00:03:14,750 --> 00:03:15,875 HOW CAN YOU NOT LIKE HIM? 86 00:03:15,875 --> 00:03:17,416 I DIDN'T THINK YOU LIKED ANYBODY. 87 00:03:17,416 --> 00:03:18,500 IT'S MY FACADE. 88 00:03:18,500 --> 00:03:20,000 DON'T USE BIG WORDS CORRECTLY. 89 00:03:20,000 --> 00:03:21,458 IT'S NOT WHO YA ARE. 90 00:03:21,458 --> 00:03:24,083 -WE'RE RILEY AND MAYA. -WE KNOW OUR PRIORITIES... 91 00:03:24,083 --> 00:03:26,708 AND NOTHIN' AND NOBODY COULD EVER COME BETWEEN US. 92 00:03:26,708 --> 00:03:29,625 YOU ARE TWO CONFUSED KIDS WHO THINK YOU KNOW WHAT YOU'RE DOING. 93 00:03:29,625 --> 00:03:31,166 BUT YOU DON'T. 94 00:03:31,166 --> 00:03:32,250 SO, DON'T DO ANYTHING. 95 00:03:32,250 --> 00:03:33,875 NOTHING IS AS EASY AS IT SEEMS 96 00:03:33,875 --> 00:03:35,000 WHEN FEELINGS ARE INVOLVED. 97 00:03:35,000 --> 00:03:36,833 MOM, IT IS EASY. 98 00:03:36,833 --> 00:03:38,750 LUCAS IS LIKE MY BROTHER AND... 99 00:03:38,750 --> 00:03:40,250 I WANT MAYA TO BE HAPPY. 100 00:03:40,250 --> 00:03:43,750 YOU THINK BEING THE MASTER OF TOMBSTONE THE BULL IS HARD? 101 00:03:43,750 --> 00:03:45,000 THAT IS NOTHING COMPARED 102 00:03:45,000 --> 00:03:47,125 TO BEING THE MASTER OF YOUR FEELINGS, RILEY. 103 00:03:47,125 --> 00:03:50,500 THEY WILL SHAKE YOU AROUND AND THEY WILL SEND YOU FLYING. 104 00:03:50,500 --> 00:03:53,333 SOMETIMES YOU HOLD ON AND SOMETIMES YOU LET GO. 105 00:03:53,333 --> 00:03:55,500 IT'S THE SCARIEST RIDE THERE IS. 106 00:03:57,083 --> 00:03:59,500 WELL, WHAT DO YOU WANT US TO DO? 107 00:03:59,500 --> 00:04:00,875 DON'T FEEL. 108 00:04:00,875 --> 00:04:02,750 I WANT YOU NOT TO FEEL. 109 00:04:02,750 --> 00:04:04,375 DO THEY HAVE TO GO TO HIGH SCHOOL? 110 00:04:04,375 --> 00:04:06,416 NO! I HAVE THE POWER. 111 00:04:06,416 --> 00:04:07,583 I CAN HOLD THEM BACK. 112 00:04:07,583 --> 00:04:09,333 DAD, YOU CAN'T HOLD US BACK. 113 00:04:09,333 --> 00:04:10,500 WE'RE GROWING UP. 114 00:04:11,583 --> 00:04:13,250 CAN I HOLD THEM BACK? 115 00:04:13,250 --> 00:04:14,583 NO. 116 00:04:14,583 --> 00:04:16,291 CAN ANYTHING HOLD THEM BACK? 117 00:04:16,291 --> 00:04:17,458 NO. 118 00:04:18,750 --> 00:04:19,833 ARE YOU OKAY, RILEY? 119 00:04:21,333 --> 00:04:23,708 I'M GOING TO NEED TO FIGURE THAT OUT. 120 00:04:23,708 --> 00:04:25,083 ARE YOU OKAY? 121 00:04:25,083 --> 00:04:27,083 I'M GONNA NEED TO LET HER FIGURE THAT OUT. 122 00:04:27,083 --> 00:04:28,583 OH, NO... 123 00:04:28,583 --> 00:04:29,958 THEY'RE GONNA FIGURE IT OUT. 124 00:04:29,958 --> 00:04:31,250 WHAT DO WE DO? 125 00:04:31,250 --> 00:04:33,708 WE TRUST THEM. 126 00:04:37,750 --> 00:04:39,500 THAT'S THE WORST IDEA I'VE EVER HEARD. 127 00:04:47,750 --> 00:04:50,375 THE HOOVER DAM ON THE ARIZONA/NEVADA BORDER 128 00:04:50,375 --> 00:04:54,291 HOLDS BACK TEN TRILLION GALLONS OF CONFUSED 14-YEAR-OLD FEELINGS 129 00:04:54,291 --> 00:04:56,125 THAT LOOK TO SMACK DOWN THE CONCRETE STRUCTURE 130 00:04:56,125 --> 00:04:57,625 OF YOUR LIFE AND MY LIFE, 131 00:04:57,625 --> 00:04:58,958 AND IT CAN'T TAKE IT AND I DON'T WANT IT, 132 00:04:58,958 --> 00:05:01,416 SO EVERYBODY SIT HERE AND NOBODY MOVE! STYLE ::cue(.speaker) ::cue(.speakerTop) 133 00:05:04,250 --> 00:05:06,333 BECAUSE AS STRONG AS THE STRUCTURAL INTEGRITY 134 00:05:06,333 --> 00:05:07,583 OF THE HOOVER DAM MIGHT BE, 135 00:05:07,583 --> 00:05:09,625 JUST ONE LITTLE, TINY DROP OF WATER 136 00:05:09,625 --> 00:05:11,250 THAT MAKES ITS WAY THROUGH THIS BARRIER 137 00:05:11,250 --> 00:05:13,458 WILL CHIP AWAY AT THE STRUCTURAL INTEGRITY 138 00:05:13,458 --> 00:05:14,875 OF OUR LIVES AS WE KNOW THEM, 139 00:05:14,875 --> 00:05:16,583 AND THE IMMEDIATE RESULT IS THE END 140 00:05:16,583 --> 00:05:18,625 OF MY PERSONAL HAPPINESS! 141 00:05:18,625 --> 00:05:20,416 SO, YOUR ASSIGNMENT 142 00:05:20,416 --> 00:05:23,750 IS TO HOLD EVERYTHING BACK UNTIL I DIE 143 00:05:23,750 --> 00:05:25,833 AND NOT LET ANYTHING THROUGH! 144 00:05:31,708 --> 00:05:33,625 RILEY, WHAT'S THAT? 145 00:05:33,625 --> 00:05:35,708 NOTHING. 146 00:05:35,708 --> 00:05:37,375 RILEY... 147 00:05:37,375 --> 00:05:38,875 DID SOMETHING GET THROUGH? 148 00:05:40,333 --> 00:05:43,000 RILEY, SOMETHING HAPPENED BETWEEN ME AND LUCAS. 149 00:05:45,291 --> 00:05:46,708 OH, BOY. 150 00:05:53,000 --> 00:05:54,708 YES, CHARLIE. 151 00:05:54,708 --> 00:05:56,333 I WILL GO OUT WITH YOU. 152 00:05:57,958 --> 00:05:59,958 HOOVER DAM. 153 00:06:09,833 --> 00:06:11,250 ISN'T IT AMAZING 154 00:06:11,250 --> 00:06:13,333 HOW COMFORTABLE WE ARE WITH EACH OTHER? 155 00:06:13,333 --> 00:06:15,583 NO! 156 00:06:15,583 --> 00:06:18,583 I DON'T FEEL COMFORTABLE AT ALL. 157 00:06:18,583 --> 00:06:20,750 THIS IS THE KIND OF THING THAT WE COULD NEVER DO, 158 00:06:20,750 --> 00:06:22,583 LUCAS, WHEN WE WERE JUST... 159 00:06:22,583 --> 00:06:23,875 "HI." "HOWDY." 160 00:06:23,875 --> 00:06:25,166 "HEY." "HI." 161 00:06:25,166 --> 00:06:26,750 NOW YOU KNOW WHAT WE ARE? POOM! 162 00:06:26,750 --> 00:06:29,333 COULD YOU MAYBE NOT HIT ME ANYMORE? 163 00:06:29,333 --> 00:06:31,583 YOU'RE MY BROTHER. BE MY BROTHER. 164 00:06:31,583 --> 00:06:33,083 GIVE ME ADVICE, FEEL GOOD ABOUT IT, 165 00:06:33,083 --> 00:06:35,458 AND NOTHING WILL EVER BE UNCOMFORTABLE AT ALL. 166 00:06:35,458 --> 00:06:37,708 OKAY, LET'S TRY. 167 00:06:37,708 --> 00:06:39,333 WHAT DO YOU NEED ADVICE ON-- 168 00:06:39,333 --> 00:06:40,833 THE CHARLIE GARDNER OF IT ALL. 169 00:06:40,833 --> 00:06:43,583 WHAT DOES A FIRST DATE MEAN IN THE LANGUAGE OF "BOY"? 170 00:06:43,583 --> 00:06:44,875 I WANT TO BREAK YOUR CODE. 171 00:06:44,875 --> 00:06:46,750 WHAT DOES HE WANT? TELL ME! WHAT? 172 00:06:46,750 --> 00:06:49,166 YEAH... CHARLIE GARDNER. 173 00:06:49,166 --> 00:06:51,083 I'M NOT UNCOMFORTABLE AT ALL. 174 00:06:51,083 --> 00:06:52,833 WHERE IS YOUR DAD? 175 00:06:52,833 --> 00:06:54,208 WHY ISN'T HE KICKING ME OUT? 176 00:06:54,208 --> 00:06:56,625 I'M IN YOUR DAUGHTER'S ROOM! 177 00:06:56,625 --> 00:06:58,708 YEAH, I SEE YA! 178 00:06:58,708 --> 00:07:01,000 YOU SURE THIS ISN'T JUST SO HE GETS TO SIT THERE 179 00:07:01,000 --> 00:07:03,000 AND BE THERE WITH HER LIKE THAT? 180 00:07:03,000 --> 00:07:05,583 NO, THIS IS REAL. 181 00:07:05,583 --> 00:07:07,458 WHY DO YOU NEED ANOTHER BROTHER? 182 00:07:07,458 --> 00:07:09,375 I'M JUST TRYING TO DO EVERYTHING BEST 183 00:07:09,375 --> 00:07:11,625 FOR EVERYBODY CONCERNED. 184 00:07:11,625 --> 00:07:12,875 I'M CONCERNED. 185 00:07:20,708 --> 00:07:22,291 MATTHEWS, WE KNOW THAT EVERYTHING YOU TEACH 186 00:07:22,291 --> 00:07:24,416 IS ALWAYS ABOUT US, BUT THIS IS JUST LAZY! 187 00:07:24,416 --> 00:07:25,708 I DON'T HAVE THE TIME! 188 00:07:25,708 --> 00:07:26,583 I'M GOING RIGHT FOR IT! 189 00:07:26,583 --> 00:07:27,875 YOU DON'T THINK I COULD MASH THIS UP 190 00:07:27,875 --> 00:07:29,416 WITH THE END OF WORLD WAR II IF I WANTED TO? 191 00:07:29,416 --> 00:07:31,708 AMERICA LOVES RUSSIA! 192 00:07:31,708 --> 00:07:32,833 THEN AMERICA DOESN'T LOVE RUSSIA! 193 00:07:32,833 --> 00:07:33,958 JAPAN LOVES FRANCE NOW! 194 00:07:33,958 --> 00:07:35,458 JAPAN ASKS FRANCE TO GO BOWLING! 195 00:07:35,458 --> 00:07:36,708 SO THEY GO ON A COUPLE OF DATES, 196 00:07:36,708 --> 00:07:38,083 BUT THEN JAPAN SAYS TO FRANCE, 197 00:07:38,083 --> 00:07:40,208 "I JUST WANT TO BE FRIENDS." 198 00:07:40,208 --> 00:07:42,958 SO FRANCE SAYS, "I GOT ENOUGH FRIENDS." 199 00:07:42,958 --> 00:07:44,708 SO THEY TRY TO BE CIVIL WITH EACH OTHER, 200 00:07:44,708 --> 00:07:46,875 BUT THERE'S A CERTAIN CHILL WHILE THEY'RE HANGING OUT BY THE LOCKERS. 201 00:07:46,875 --> 00:07:47,875 THERE'S A CHILL! 202 00:07:49,333 --> 00:07:51,125 YOU DON'T THINK EVERYONE IN THIS ROOM IS GOING BOWLING 203 00:07:51,125 --> 00:07:52,291 WITH EVERYBODY ELSE AT SOME POINT? 204 00:07:52,291 --> 00:07:55,083 RILEY, MAYA, AND LUCAS IS ALL ABOUT EVERYBODY 205 00:07:55,083 --> 00:07:56,708 IN THIS ROOM, IN EVERY ROOM, 206 00:07:56,708 --> 00:07:58,875 IN THE WHOLE WORLD, AND THE UNIVERSE! 207 00:07:58,875 --> 00:08:00,375 THEY JUST GOT THERE FIRST! 208 00:08:00,375 --> 00:08:02,208 THE JERKS! 209 00:08:02,208 --> 00:08:03,375 DAD! 210 00:08:03,375 --> 00:08:04,708 YOU'RE GOING TO HIGH SCHOOL. 211 00:08:04,708 --> 00:08:07,583 YOU ARE GROWING UP IN SPITE OF MY WISHES. 212 00:08:07,583 --> 00:08:08,833 IT'S REAL NOW. 213 00:08:08,833 --> 00:08:10,750 WHAT'S HAPPENED ALREADY IS NOTHING COMPARED 214 00:08:10,750 --> 00:08:11,833 TO WHAT'S GONNA HAPPEN TO YOU NOW. 215 00:08:11,833 --> 00:08:14,333 I JUST DON'T WANT ANYTHING BAD TO HAPPEN TO YOU. 216 00:08:14,333 --> 00:08:16,583 DON'T LET ANYTHING BAD HAPPEN TO YOU! 217 00:08:19,291 --> 00:08:20,750 THE CLASS ISN'T OVER YET, SIR. 218 00:08:20,750 --> 00:08:21,833 NAH, I'VE HAD IT. 219 00:08:29,875 --> 00:08:31,708 HEY, YOU WANTED TO SEE ME? 220 00:08:31,708 --> 00:08:32,875 SIT DOWN. 221 00:08:37,708 --> 00:08:39,500 THIS CHAIR? ALL RIGHT. 222 00:08:39,500 --> 00:08:40,875 OKAY. 223 00:08:47,583 --> 00:08:49,708 RILEY HAS ONE BROTHER IN HER LIFE, 224 00:08:49,708 --> 00:08:51,416 AND IT ISN'T YOU. 225 00:08:51,416 --> 00:08:53,333 -OH, AUGGIE, I DON'T-- -DID I FINISH SPEAKING? 226 00:08:53,333 --> 00:08:55,375 NO, SIR. I JUST DON'T SEE HOW 227 00:08:55,375 --> 00:08:57,458 YOU COULD POSSIBLY UNDERSTAND RELATIONSHIPS 228 00:08:57,458 --> 00:08:59,083 OR ANYTHING THAT HAPPENS TO US. 229 00:08:59,083 --> 00:09:02,833 I'VE BEEN MARRIED TO AVA MORGENSTERN FOR 52 YEARS. 230 00:09:02,833 --> 00:09:05,166 IT CHANGES A MAN. 231 00:09:05,166 --> 00:09:06,416 KILL ME. 232 00:09:07,958 --> 00:09:09,750 RILEY'S MY SISTER. 233 00:09:09,750 --> 00:09:13,750 I'M HER ONLY BROTHER. 234 00:09:13,750 --> 00:09:15,958 AND HER ONLY BROTHER IS TELLING YOU 235 00:09:15,958 --> 00:09:20,500 WHATEVER HAPPENS, DON'T HURT MY SISTER. 236 00:09:21,500 --> 00:09:23,708 NOW GET OUT OF MY ROOM. I'M DOING MY PODCAST. 237 00:09:29,458 --> 00:09:30,708 YEAH, THAT'S RIGHT. 238 00:09:30,708 --> 00:09:31,708 I'M CALLIN' FARKLE TIME. 239 00:09:31,708 --> 00:09:32,833 YOU KNOW WHY? 240 00:09:32,833 --> 00:09:34,833 BECAUSE EVERY TIME IT'S FARKLE TIME, 241 00:09:34,833 --> 00:09:35,583 WE LEARN SOMETHIN'. 242 00:09:35,583 --> 00:09:37,250 AND I NEED TO LEARN SOMETHIN'. 243 00:09:37,250 --> 00:09:40,000 BECAUSE YOU WERE IN TEXAS AND I WASN'T. 244 00:09:40,000 --> 00:09:41,208 YES, I WAS, SIR. 245 00:09:41,208 --> 00:09:43,291 AND WOULD YOU AGREE THAT SOMETHIN' HAPPENED 246 00:09:43,291 --> 00:09:45,583 IN TEXAS THAT'S CHANGING EVERYTHING? 247 00:09:45,583 --> 00:09:46,708 YES, SIR. 248 00:09:46,708 --> 00:09:47,708 DO YOU KNOW WHAT IT IS 249 00:09:47,708 --> 00:09:49,291 AND DO YOU KNOW HOW TO FIX IT? 250 00:09:49,291 --> 00:09:51,583 -NO, SIR. -WHY NOT? 251 00:09:51,583 --> 00:09:53,125 BECAUSE I'M A SCIENTIST, SIR. 252 00:09:53,125 --> 00:09:54,583 THIS IS ALL ABOUT FEELINGS. 253 00:09:54,583 --> 00:09:56,583 FEELINGS THAT ARE NEW AND HARD TO DESCRIBE. 254 00:09:56,583 --> 00:09:59,083 LOOK, I'M A GENIUS, BUT WHEN ISADORA SMACKLE LOOKS 255 00:09:59,083 --> 00:10:00,166 IN MY EYES WITH THAT BEAUTIFUL, 256 00:10:00,166 --> 00:10:01,875 GOOFY FACE OF HERS, I GET A FEELING 257 00:10:01,875 --> 00:10:04,750 WHICH I CAN ONLY DESCRIBE AS BLOYLAHHLAHLOWWW! STYLE ::cue(.speaker) ::cue(.speakerTop) 258 00:10:07,833 --> 00:10:08,625 YOU FEEL ME? 259 00:10:08,625 --> 00:10:11,458 YEAH, I FEEL YOU, FARKLE. 260 00:10:11,458 --> 00:10:13,625 LISTEN... 261 00:10:13,625 --> 00:10:15,750 YOU ARE FARKLE. 262 00:10:15,750 --> 00:10:18,958 THESE PEOPLE HAVE ALWAYS BEEN IMPORTANT TO YOU. 263 00:10:20,500 --> 00:10:21,833 I NEED YOU TO FIGURE OUT WHAT'S GOING ON 264 00:10:21,833 --> 00:10:24,000 WITH THE THREE OF THEM AND MAKE EVERYTHING BETTER. 265 00:10:24,000 --> 00:10:25,458 I'M ON IT, SIR. 266 00:10:25,458 --> 00:10:26,875 I LIKE US JUST THE WAY WE ARE. 267 00:10:26,875 --> 00:10:28,750 I DON'T WANT ANYTHING TO CHANGE EITHER. 268 00:10:28,750 --> 00:10:30,291 GOOD. 269 00:10:30,291 --> 00:10:33,083 BECAUSE I HAVE NO IDEA WHAT'S GONNA HAPPEN NEXT. 270 00:10:43,416 --> 00:10:44,500 SO? (chuckles) 271 00:10:44,500 --> 00:10:45,583 SO... (chuckles) 272 00:10:45,583 --> 00:10:46,625 WHAT? 273 00:10:46,625 --> 00:10:49,708 SO, WHERE ARE WE GOING ON THE DATE? 274 00:10:49,708 --> 00:10:51,833 DO YOU WANT TO GO BOWLING LIKE JAPAN AND FRANCE? 275 00:10:51,833 --> 00:10:54,625 -SURE. -OR MAYBE WE JUST HAVE DINNER AND TALK? 276 00:10:54,625 --> 00:10:57,000 -NO TALKING. -WHAT? 277 00:10:57,000 --> 00:10:58,875 I JUST MEAN THAT WE DON'T HAVE TO TALK. 278 00:10:58,875 --> 00:11:01,083 -OH. THEN DO YOU WANT TO GO TO THE MOVIES? -PERFECT. 279 00:11:01,083 --> 00:11:02,500 THE MOVIES ARE PERFECT. 280 00:11:02,500 --> 00:11:05,000 WE CAN JUST SIT THERE. 281 00:11:05,000 --> 00:11:07,708 YOU'RE NOT GONNA TRY AND HOLD MY HAND, ARE YOU? 282 00:11:07,708 --> 00:11:11,250 UH, HEY, I JUST FOUND OUT THAT WE'RE GOING TO THE MOVIES. 283 00:11:11,250 --> 00:11:13,458 I HAD BOWLING PLANNED, BUT THAT'S OUT THE WINDOW. 284 00:11:13,458 --> 00:11:15,875 OKAY. WELL, I'M LOOKING FORWARD TO OUR DATE. 285 00:11:15,875 --> 00:11:17,208 ME TOO. 286 00:11:17,208 --> 00:11:19,000 NO TALKING, NO HOLDING HANDS. 287 00:11:19,000 --> 00:11:20,083 YAY. 288 00:11:29,875 --> 00:11:30,833 HUH. 289 00:11:30,833 --> 00:11:31,958 HUH. 290 00:11:43,500 --> 00:11:46,083 SO THIS IS OUR NEW RELATIONSHIP? 291 00:11:47,500 --> 00:11:48,708 YEAH. 292 00:11:50,208 --> 00:11:51,750 HOW'S IT GOING SO FAR? 293 00:11:51,750 --> 00:11:53,875 WEIRD, MAN. 294 00:11:53,875 --> 00:11:55,333 YOU DON'T HAVE TO WATCH. 295 00:11:55,333 --> 00:11:56,750 I CAN'T LOOK AWAY! 296 00:11:58,625 --> 00:11:59,708 HOW'S IT GOIN'? 297 00:11:59,708 --> 00:12:00,708 LOOK AT 'EM! 298 00:12:00,708 --> 00:12:03,000 Farkle: YOU THINK HEY LIKE EACH OTHER? 299 00:12:03,000 --> 00:12:04,416 I DO. 300 00:12:04,416 --> 00:12:05,625 BUT I THINK THEY LIKED EACH OTHER BETTER 301 00:12:05,625 --> 00:12:08,000 WHEN SHE WAS YELLING AT HIM ALL THE TIME. 302 00:12:08,000 --> 00:12:09,958 WHAT ABOUT RILEY AND LUCAS? 303 00:12:09,958 --> 00:12:12,458 WELL, I ONLY KNEW LUCAS BEFORE I CAME HERE, 304 00:12:12,458 --> 00:12:15,208 BUT THEN I MET RILEY, AND SHE'S JUST LIKE HIM. 305 00:12:15,208 --> 00:12:16,458 HOW? 306 00:12:16,458 --> 00:12:17,875 WELL, THE THING WE ALL KNEW ABOUT LUCAS 307 00:12:17,875 --> 00:12:19,750 IS LUCAS WOULD DO ANYTHING FOR HIS FRIENDS. 308 00:12:19,750 --> 00:12:22,166 AND I NEVER THOUGHT THERE COULD BE ANYBODY ELSE LIKE THAT, 309 00:12:22,166 --> 00:12:23,708 BUT RILEY IS. 310 00:12:23,708 --> 00:12:25,750 SO YOU THINK THEY ARE LIKE BROTHER AND SISTER? 311 00:12:25,750 --> 00:12:28,208 NO, I JUST THINK THEY HAVE A LOT IN COMMON. 312 00:12:28,208 --> 00:12:31,000 I MEAN, RILEY WOULD DO ANYTHING FOR HER FRIENDS, TOO. 313 00:12:31,000 --> 00:12:32,291 YEAH. 314 00:12:33,875 --> 00:12:35,333 AND I THINK SHE DID. 315 00:12:36,708 --> 00:12:39,083 SO... WHAT ARE YOU THINKIN'? 316 00:12:39,083 --> 00:12:41,583 OH, NOW? OH, IT'S SO FUNNY YOU MENTION THAT. 317 00:12:41,583 --> 00:12:42,958 ACTUALLY, RIGHT NOW, IN THIS EXACT MOMENT, 318 00:12:42,958 --> 00:12:44,333 WHAT I WAS THINKING, WHAT WAS RUNNING 319 00:12:44,333 --> 00:12:46,125 THROUGH MY HEAD WAS ACTUALLY, IF YOU DON'T START 320 00:12:46,125 --> 00:12:48,333 TALKING TO ME, I'M GONNA POUR THIS SMOOTHIE RIGHT OVER YOUR HEAD. 321 00:12:48,333 --> 00:12:49,625 SO, WHY DON'T YOU GIVE ME THE BEST YOU GOT? 322 00:12:58,208 --> 00:13:01,125 DID I EVER TELL YOU ONCE, I DELIVERED A BABY HORSE? 323 00:13:15,000 --> 00:13:17,708 ACTUALLY, IT LOOKED KIND OF LIKE THIS. 324 00:13:18,875 --> 00:13:20,125 THE MIRACLE OF LIFE. 325 00:13:26,750 --> 00:13:28,583 -MOM? -HONEY? 326 00:13:29,875 --> 00:13:32,708 I'M GOING ON A DATE WITH CHARLIE GARDNER 327 00:13:32,708 --> 00:13:35,875 AND MAYA IS GOING OUT WITH LUCAS. 328 00:13:37,500 --> 00:13:38,583 WHAT DO YOU DO WHEN YOU THINK 329 00:13:38,583 --> 00:13:40,958 YOU'RE DOING WHAT'S RIGHT, BUT YOU'RE REALLY JUST CONFUSED 330 00:13:40,958 --> 00:13:42,458 AND YOU FEEL LIKE LIFE IS TRYING 331 00:13:42,458 --> 00:13:44,458 TO THROW YOU ON THE GROUND? 332 00:13:44,458 --> 00:13:45,875 YOU HANG ON, RILEY. 333 00:13:50,458 --> 00:13:52,833 I'M A LITTLE TIRED. 334 00:13:52,833 --> 00:13:54,625 PLEASE DON'T GO ANYWHERE. 335 00:13:54,625 --> 00:13:56,333 I WON'T. 336 00:13:57,708 --> 00:13:59,833 I'M GONNA BE HERE A LONG TIME. 337 00:14:01,416 --> 00:14:02,833 OKAY. 338 00:14:17,625 --> 00:14:19,208 (grunts) 339 00:14:19,208 --> 00:14:20,750 HONEY? 340 00:14:20,750 --> 00:14:22,083 SWEETIE? 341 00:14:22,083 --> 00:14:25,708 UM, I LOVE YOU AND I LOVE YOUR TEEN ANGST, 342 00:14:25,708 --> 00:14:28,000 BUT I HAVE TO GO TO WORK SO THAT I CAN AFFORD YOU. 343 00:14:29,166 --> 00:14:31,083 OH, THANK GOODNESS. 344 00:14:31,083 --> 00:14:32,750 (grunts) 345 00:14:32,750 --> 00:14:35,000 OKAY, SHE'S ALL YOURS. 346 00:14:35,000 --> 00:14:36,833 SHE DROOLS A LITTLE. 347 00:14:40,708 --> 00:14:42,625 GO TO SCHOOL. BRUSH YOUR TEETH. 348 00:14:42,625 --> 00:14:44,833 -COMB YOUR HAIR. -MMM. 349 00:14:44,833 --> 00:14:47,333 -YOU'RE NOT MY MOTHER. -NO, IT'S ME. 350 00:14:48,958 --> 00:14:50,708 (both laugh nervously) 351 00:14:50,708 --> 00:14:52,458 HOW DID YOU TIME WITH LUCAS GO? 352 00:14:52,458 --> 00:14:56,458 IT-- WE SAT THERE WITH ABSOLUTELY NOTHING TO SAY. 353 00:14:56,458 --> 00:14:58,750 -BEEN THERE, DONE THAT. -YEAH, WELL... 354 00:14:58,750 --> 00:15:00,416 YOU GUYS WON'T HAVE TO WORRY ABOUT THAT ANYMORE 355 00:15:00,416 --> 00:15:02,125 -NOW THAT YOU'RE BROTHER AND SISTER, YOU KNOW. -MM-HMM. 356 00:15:02,125 --> 00:15:04,000 YOU GUYS HAVE LOADS TO-- TO TALK ABOUT. 357 00:15:04,000 --> 00:15:05,250 I LOVE TALKING TO HIM. 358 00:15:05,250 --> 00:15:06,958 I LOVE MAKING FUN OF HIM. 359 00:15:06,958 --> 00:15:08,083 WHY? STYLE ::cue(.speaker) ::cue(.speakerTop) 360 00:15:08,083 --> 00:15:10,250 -WHY DO I LOVE TO MAKE FUN OF HIM? -YEAH. 361 00:15:10,250 --> 00:15:12,583 BECAUSE HE'S GREAT. 362 00:15:12,583 --> 00:15:13,708 YEAH. 363 00:15:13,708 --> 00:15:17,875 AND HE NEEDS SOMEONE LIKE ME TO TAKE HIM DOWN. 364 00:15:17,875 --> 00:15:20,625 -AND HE NEEDS SOMEONE LIKE YOU-- -FOR WHY? 365 00:15:20,625 --> 00:15:22,125 FOR WHY DOES HE NEED ME? 366 00:15:23,583 --> 00:15:24,875 TO BUILD HIM UP, 367 00:15:24,875 --> 00:15:26,750 TO TELL HIS RANGER RICK STORIES TO, 368 00:15:26,750 --> 00:15:30,166 -AND MAKE HIM FEEL LIKE A HERO. -(both laugh) 369 00:15:30,166 --> 00:15:33,833 YOU LIKE HIS STORIES AND-- AND HE LIKES YOURS. 370 00:15:36,166 --> 00:15:37,291 YEAH. 371 00:15:48,125 --> 00:15:49,875 -HI, RILEY. -HI, CHARLIE. 372 00:15:49,875 --> 00:15:52,416 -RILEY, I CAN'T BE YOUR BROTHER ANYMORE. -HEY, FRIAR. 373 00:15:52,416 --> 00:15:54,583 DO YOU THINK YOU CAN PICK A BETTER TIME FOR THIS BIG ANNOUNCEMENT? 374 00:15:54,583 --> 00:15:55,875 RILEY AND I ARE GONNA GO ON A DATE. 375 00:15:55,875 --> 00:15:56,875 YOU ARE? 376 00:15:58,000 --> 00:15:59,125 NO HOLDING HANDS OR TALKING. 377 00:15:59,125 --> 00:16:00,458 BEST DATE EVER. 378 00:16:00,458 --> 00:16:02,458 I KNOW IT'S NOT, BUT IT'S WHAT I GOT. 379 00:16:02,458 --> 00:16:04,583 THOSE ARE THE RULES? 380 00:16:04,583 --> 00:16:07,000 WHO GOES ON A DATE AND DOESN'T TALK TO EACH OTHER? 381 00:16:10,958 --> 00:16:12,250 OH, YEAH. WE DO. 382 00:16:12,250 --> 00:16:13,500 HI. 383 00:16:13,500 --> 00:16:14,500 HELLO. 384 00:16:15,875 --> 00:16:17,833 HEY RILEY, CAN WE GO? 385 00:16:17,833 --> 00:16:18,625 I LIKE TO BE THERE 386 00:16:18,625 --> 00:16:20,166 FOR THE PREVIEWS OF COMING ATTRACTIONS. 387 00:16:20,166 --> 00:16:21,708 WHEN I'M NOT THERE FOR THE PREVIEWS 388 00:16:21,708 --> 00:16:24,083 OF COMING ATTRACTIONS, I FEEL LIKE I DIDN'T SEE THE WHOLE MOVIE. 389 00:16:24,083 --> 00:16:25,250 HEY RILEY, WHAT DO YOU DO 390 00:16:25,250 --> 00:16:26,416 WHEN YOU SIT NEXT TO HUCKLEBERRY? 391 00:16:26,416 --> 00:16:28,375 MAYA, I CAN'T GIVE YOU ADVICE LIKE THAT. 392 00:16:28,375 --> 00:16:30,375 SURE YOU CAN. YOU'RE HIS SISTER, RIGHT? 393 00:16:30,375 --> 00:16:31,833 NOPE. NOT ANYMORE. 394 00:16:31,833 --> 00:16:33,708 -WHY? -AUGGIE SAYS WE CAN'T. 395 00:16:33,708 --> 00:16:35,208 -HEY, FRIAR-- -AND YOU KNOW WHAT? 396 00:16:35,208 --> 00:16:36,958 I THINK HE'S RIGHT. YOU ALREADY HAVE A GREAT BROTHER. 397 00:16:36,958 --> 00:16:38,833 HEY, FRIAR! 398 00:16:38,833 --> 00:16:40,458 THEN WHAT WILL YOU BE? 399 00:16:40,458 --> 00:16:42,875 HE'LL BE ME, BECAUSE IT'S ME NOW. 400 00:16:44,583 --> 00:16:47,500 YEAH. SORRY. YOU HAVE EVERY RIGHT. 401 00:16:47,500 --> 00:16:50,708 I ALSO WANT TO BE THERE EARLY TO GET SNACKS 402 00:16:50,708 --> 00:16:53,000 'CAUSE IF WE'RE NOT TALKING OR HOLDING HANDS, 403 00:16:53,000 --> 00:16:55,458 I WAS GONNA BUY SOME POPCORN AND LICORICE. 404 00:16:55,458 --> 00:16:56,875 YOU MEAN POPCORN AND CHOCOLATE. 405 00:16:56,875 --> 00:16:58,833 -I'M NOT YOU! -OKAY! 406 00:16:58,833 --> 00:17:00,875 ANYWAY, AUGGIE LOVES YOU, RILEY. 407 00:17:00,875 --> 00:17:02,958 SO, I'M GONNA STEP BACK FROM BEING YOUR BROTHER. 408 00:17:02,958 --> 00:17:04,708 -SAY "ME NOW." -ME NOW. 409 00:17:04,708 --> 00:17:06,166 YOU HAVE EVERY RIGHT. 410 00:17:07,625 --> 00:17:09,583 I BREAK THE LICORICE INTO LITTLE PIECES 411 00:17:09,583 --> 00:17:11,416 SO EVERY TIME I TAKE A HANDFUL OF POPCORN, 412 00:17:11,416 --> 00:17:12,583 I GET A SURPRISE. 413 00:17:14,208 --> 00:17:15,583 I'M ADORABLE. 414 00:17:15,583 --> 00:17:17,291 HOW ARE YOU NOT SEEING THIS? 415 00:17:17,291 --> 00:17:18,750 Zay: YOU SEE? 416 00:17:18,750 --> 00:17:20,625 LUCAS DOES ANYTHING FOR ANYBODY. 417 00:17:20,625 --> 00:17:22,500 I MEAN, HE SACRIFICES BEING RILEY'S BROTHER 418 00:17:22,500 --> 00:17:23,708 SO HE DOESN'T HURT AUGGIE'S FEELINGS. 419 00:17:23,708 --> 00:17:25,375 WELL, SAME WITH RILEY. SHE'S STEPPING BACK 420 00:17:25,375 --> 00:17:27,208 FROM LUCAS BECAUSE SHE'S DOING EXACTLY THE SAME THING. 421 00:17:27,208 --> 00:17:30,750 -FARKLE, STOP. -BUT I THOUGHT SHE DIDN'T LIKE HIM LIKE THAT ANYMORE. 422 00:17:30,750 --> 00:17:33,125 NO, RILEY'S STEPPING BACK FROM LUCAS BECAUSE SHE DOESN'T-- 423 00:17:35,000 --> 00:17:37,500 OKAY, SHE ENDS UP WITH FARKLE. 424 00:17:37,500 --> 00:17:38,708 HOW DID WE NOT SEE THAT COMING? 425 00:17:40,125 --> 00:17:42,458 FARKLE, YOU DON'T KNOW WHAT'S GOING ON. 426 00:17:42,458 --> 00:17:44,583 -STOP THINKING. -I KNOW AUGGIE'S RIGHT. 427 00:17:44,583 --> 00:17:45,750 HE'S YOUR ONLY BROTHER. 428 00:17:45,750 --> 00:17:47,125 I'VE SEEN THE WAY YOU LOOK AT AUGGIE, 429 00:17:47,125 --> 00:17:48,583 AND I'VE SEEN THE WAY YOU LOOK AT LUCAS. 430 00:17:48,583 --> 00:17:49,583 IT'S NOT THE SAME. 431 00:17:49,583 --> 00:17:51,875 I-- I THINK I KNOW MY OWN FEELINGS. 432 00:17:51,875 --> 00:17:53,458 -YOU'RE A LIAR. -FARKLE. 433 00:17:53,458 --> 00:17:54,625 YOU'RE LYING TO YOURSELF. 434 00:17:54,625 --> 00:17:56,708 LUCAS AND I DON'T MAKE A GOOD COUPLE. 435 00:18:00,500 --> 00:18:01,875 THANK YOU VERY MUCH, LUCAS. 436 00:18:01,875 --> 00:18:03,750 I HAD A WONDERFUL TIME. 437 00:18:05,208 --> 00:18:06,750 YOU'RE WELCOME, RILEY. I ALSO HAD 438 00:18:06,750 --> 00:18:08,250 A WONDERFUL TIME AS WELL. 439 00:18:10,708 --> 00:18:13,875 YOU WERE BOTH JUST NERVOUS BECAUSE THAT'S NOT WHO YOU ARE. 440 00:18:13,875 --> 00:18:16,000 I GUESS THE THING I MISS MOST ABOUT TEXAS 441 00:18:16,000 --> 00:18:17,416 ARE THE PETS THAT I USED TO HAVE. 442 00:18:17,416 --> 00:18:19,958 I HAD A HAMSTER. 443 00:18:19,958 --> 00:18:21,708 I HAD 24 HORSES. 444 00:18:21,708 --> 00:18:23,000 YOU WIN. 445 00:18:25,000 --> 00:18:26,833 TELL ME ABOUT THEM. 446 00:18:26,833 --> 00:18:28,583 OKAY, OKAY. 447 00:18:28,583 --> 00:18:30,125 BUT WHAT ABOUT MAYA? 448 00:18:31,708 --> 00:18:32,833 HUH-HURR. 449 00:18:32,833 --> 00:18:34,708 HAR-HAR! 450 00:18:34,708 --> 00:18:39,083 HUH-HURR! 451 00:18:42,000 --> 00:18:44,708 I'M NOT REALLY SURE HOW MAYA FEELS. 452 00:18:44,708 --> 00:18:46,333 YOU'RE NOT SURE? 453 00:18:46,333 --> 00:18:48,375 HOW CAN YOU NOT BE SURE? 454 00:18:48,375 --> 00:18:50,000 THIS ISN'T ABOUT HER. 455 00:18:50,000 --> 00:18:51,625 I'M TALKING ABOUT HOW YOU FEEL. 456 00:18:58,708 --> 00:19:00,500 FARKLE, HOW DO YOU EVEN KNOW ABOUT THAT? 457 00:19:00,500 --> 00:19:02,583 -YOU WEREN'T EVEN THERE. -DOESN'T MATTER. 458 00:19:02,583 --> 00:19:04,708 WHAT YOU'RE THINKING IS HOW YOU REALLY FEEL. 459 00:19:06,208 --> 00:19:07,875 I DON'T CARE. 460 00:19:07,875 --> 00:19:10,458 FARKLE, MAYA IS MY BEST FRIEND. 461 00:19:10,458 --> 00:19:12,708 SHE CARES ABOUT HIM AND HE CARES ABOUT HER TOO. 462 00:19:18,708 --> 00:19:20,583 YOU QUESTIONING MY LEADERSHIP, HOP-ALONG? 463 00:19:20,583 --> 00:19:22,458 OKAY, THESE NAMES YOU'RE CALLING ME ARE 464 00:19:22,458 --> 00:19:23,708 KILLING MY STREET CRED. 465 00:19:23,708 --> 00:19:25,875 YOU ACTUALLY PUT THOUGHT INTO OUR LITTLE GAME, DON'T YOU? 466 00:19:25,875 --> 00:19:28,125 I ACTUALLY DO. 467 00:19:28,125 --> 00:19:29,958 (shudders) 468 00:19:29,958 --> 00:19:31,583 OH, NO. 469 00:19:35,208 --> 00:19:37,500 HELLO. 470 00:19:37,500 --> 00:19:39,625 I'M BUCKY MCBOING BOING. 471 00:19:40,958 --> 00:19:42,625 I WANT MAYA TO BE HAPPY. 472 00:19:44,250 --> 00:19:46,333 HEY, MAYA, IT LOOKS LIKE LUCAS HERE'S GETTIN' ALL 473 00:19:46,333 --> 00:19:47,875 FIRED UP ON YOUR BEHALF. 474 00:19:49,083 --> 00:19:50,166 THANK YOU, LUCAS. 475 00:19:50,166 --> 00:19:51,291 BUT IT'S JUST AN ART CLASS. 476 00:19:51,291 --> 00:19:52,583 I FEEL BAD. 477 00:19:52,583 --> 00:19:54,166 THEY'RE TAKING AWAY SOMETHING YOU'RE VERY GOOD AT. 478 00:19:54,166 --> 00:19:56,625 -YOU'VE NEVER SAID THAT TO ME BEFORE. -I HAVE SAID IT. 479 00:19:56,625 --> 00:19:58,875 YEAH, BUT NOT, LIKE, RIGHT TO MY FACE WHEN YOU WERE LOOKING AT ME. 480 00:19:58,875 --> 00:20:01,833 -I CAN'T REMEMBER YOU ACTUALLY-- -YOU'RE A GREAT ARTIST, MAYA. 481 00:20:04,250 --> 00:20:06,708 HE MIGHT, BUT WE KNOW HE LIKES YOU. STYLE ::cue(.speaker) ::cue(.speakerTop) 482 00:20:08,625 --> 00:20:10,333 WHAT'S THE MATTER? 483 00:20:18,375 --> 00:20:19,750 HI. 484 00:20:19,750 --> 00:20:21,875 EVEN THOUGH THIS JUST HAPPENED, 485 00:20:21,875 --> 00:20:24,625 THERE ARE SOME MOMENTS YOU KNOW YOU'RE GONNA REMEMBER FOREVER. 486 00:20:24,625 --> 00:20:26,333 THIS IS ONE OF 'EM. 487 00:20:28,500 --> 00:20:30,000 (sniffs) 488 00:20:36,708 --> 00:20:38,125 YOU WERE THE FIRST 489 00:20:38,125 --> 00:20:39,458 BOY I EVER LIKED. 490 00:20:39,458 --> 00:20:41,458 THAT'S BIG DEAL FOR ME. ARE YOU WORTH IT? 491 00:20:41,458 --> 00:20:42,750 TELL ME, AND I'LL BELIEVE YOU. 492 00:20:42,750 --> 00:20:45,500 I WANT TO BELIEVE YOU. ARE YOU WORTH IT? 493 00:20:45,500 --> 00:20:46,833 YES. 494 00:20:46,833 --> 00:20:48,708 (screams) 495 00:20:51,750 --> 00:20:53,000 HI. 496 00:20:53,000 --> 00:20:55,750 WE WERE JUST TALKING ABOUT YOU. 497 00:20:59,083 --> 00:21:01,333 HI, I'M RILEY. 498 00:21:01,333 --> 00:21:02,958 WE WERE JUST TALKING ABOUT YOU. 499 00:21:02,958 --> 00:21:05,416 (chuckles) I'M LUCAS. 500 00:21:05,416 --> 00:21:06,708 I LOVE IT. 501 00:21:10,625 --> 00:21:12,125 YOU CAN'T TELL ANYBODY. 502 00:21:22,708 --> 00:21:24,750 -I WILL, UNLESS YOU DO. -WHY? 503 00:21:24,750 --> 00:21:26,583 BECAUSE WE ARE GROWING UP. 504 00:21:26,583 --> 00:21:27,875 AND I DON'T KNOW HOW TO HANDLE 505 00:21:27,875 --> 00:21:29,708 THESE FEELINGS WE'RE FEELING. 506 00:21:29,708 --> 00:21:31,208 BUT I DO KNOW THAT WE DON'T LIE TO EACH OTHER. 507 00:21:32,375 --> 00:21:33,875 WE DON'T LIE TO EACH OTHER, RILEY. 508 00:21:35,500 --> 00:21:36,750 YOU'RE RIGHT. 509 00:21:38,875 --> 00:21:42,208 THIS IS REALLY HARD AND MAYBE I JUST NEED SOME TIME. 510 00:21:43,750 --> 00:21:45,166 I'M ALWAYS HERE FOR YOU. 511 00:21:48,166 --> 00:21:49,750 I LOVE YOU, FARKLE. 512 00:21:50,958 --> 00:21:52,458 AND I LOVE YOU. 513 00:21:53,875 --> 00:21:55,208 NOW GO ON YOUR DATE. 514 00:21:58,625 --> 00:22:00,125 READY? 515 00:22:02,000 --> 00:22:04,083 FOR THE PREVIEWS OF COMING ATTRACTIONS? 516 00:22:04,083 --> 00:22:05,291 YEAH. 517 00:22:05,291 --> 00:22:07,291 I'M SURE WE'RE ALL WONDERING WHAT HAPPENS NOW. 518 00:22:27,708 --> 00:22:28,958 HOW WAS YOUR DATE? 519 00:22:30,000 --> 00:22:31,458 I DON'T KNOW. 520 00:22:32,708 --> 00:22:33,833 HOW WAS YOUR DATE? 521 00:22:34,708 --> 00:22:36,125 I DON'T KNOW. 522 00:22:43,166 --> 00:22:44,750 DO WE KNOW ANYTHING? 523 00:22:50,708 --> 00:22:52,291 RING POWER. 524 00:22:55,000 --> 00:22:56,250 RING POWER. 525 00:22:57,708 --> 00:22:59,458 -THUNDER. -LIGHTNING. 526 00:23:00,708 --> 00:23:02,416 A LITTLE SCARED.