Maya: HERE'S WHAT HAPPENED ON GIRL MEETS WORLD.
BROTHER AND SISTER?
RILEY AND I ARE BROTHER AND SISTER NOW?
WHAT DOES THAT EVEN MEAN?
MAYA LIKES YOU.
LOOK, IF I HAD FEELINGS FOR YOU,
DON'T YOU THINK I'D JUST COME RIGHT OUT AND SAY IT?
WELL, I DON'T. SO WHAT I DO SAY IS HAR-HAR--
Maya: RILEY, I HAVE TO TELL YOU SOMETHING.
-Riley: I DON'T WANT TO KNOW. -(school bell rings)
-RILES, SOMETHING HAPPENED. -I DON'T NEED TO KNOW WHAT HAPPENED.
NO, I NEED TO TELL YOU.
YOU NEED TO KNOW.
MAYA, I KNOW A LOT OF THINGS ARE GOING TO HAPPEN.
YOU KNOW WHAT ELSE I KNOW?
I LIKED THE NEW BOY AND YOU STEPPED BACK FOR ME...
AND THEN I SAW HOW SCARED YOU WERE FOR HIM.
YOU NEED TO FEEL WHATEVER YOU FEEL.
HOW COULD I EVER KEEP THAT FROM YOU?
WHATEVER HAPPENS, HAPPENS.
MY BROTHER!
HEY! HI. HEY, RILEY.
YOU KNOW, UM...
I WANT TO THANK YOU AGAIN FOR BELIEVING IN ME
AND GIVING ME THE CONFIDENCE THAT I WOULD BE OKAY.
I WILL ALWAYS BELIEVE IN YOU.
AND I WILL ALWAYS BE HERE.
THANK YOU, RILEY.
HI.
HEY.
HI.
WOW.
HEY, RILEY.
HI, CHARLIE.
-CHARLIE GARDNER! -STOP IT.
CHEESE SOUFFLE!
MAYA, WE JUST GOT BACK.
WHAT COULD HE POSSIBLY KNOW?
WHO COULD HAVE POSSIBLY SAID ANYTHING?
HE MADE ME.
HOW DID HE MAKE YOU?
I WAS LIKE, "YOU WANNA HEAR A GREAT RILEY STORY?"
HE SAID, "YES."
I HEARD YOU AND LUCAS ARE JUST GONNA BE FRIENDS.
YEAH, ACTUALLY, WHAT WE'RE DOING IS--
I HEARD YOU'RE FREE.
ARE YOU FREE?
(theme music playing)
♪ I'VE BEEN WAITING ♪
♪ FOR A DAY ♪
♪ LIKE THIS TO COME ♪
♪ STRUCK LIKE LIGHTNING ♪
♪ MY HEART'S BEATING LIKE A DRUM ♪
♪ ON THE EDGE ♪
♪ OF SOMETHING WONDERFUL ♪
♪ FACE TO FACE WITH CHANGES ♪
♪ WHAT'S IT ALL ABOUT? ♪
♪ LIFE IS CRAZY ♪
♪ BUT I KNOW ♪
♪ I CAN WORK IT OUT ♪
♪ 'CAUSE I GOT YOU ♪
♪ TO LIVE IT WITH ME ♪
♪ I FEEL ALL RIGHT, I'M GONNA TAKE ON THE WORLD ♪
♪ LIGHT UP THE STARS, I'VE GOT SOME PAGES TO TURN ♪
♪ I'M SINGING "GO-O-O" ♪
♪ OH, OH, OH, OH ♪
♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪
♪ TAKE ON THE WORLD ♪
♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪
♪ TAKE ON THE WORLD ♪
-I DON'T WANT THIS. -WE'RE CONFUSED.
-I DON'T WANT THIS EITHER. -WE'RE GOING INTO HIGH SCHOOL.
DO YOU KNOW WHAT YOUR PRIORITY IS IN HIGH SCHOOL?
-HIGH SCHOOL. -IT'S WHERE YOU FURTHER
-YOUR MINDS AND YOU GET AN EDUCATION. -YOU KNOW WHY?
SO THAT YOU'RE SMART ENOUGH TO NOT FIND YOURSELF
IN A SITUATION LIKE THIS.
WE'RE NOT IN A SITUATION.
-EVERYTHING'S FINE. -MAYA?
WE'RE IN A SITUATION.
WHY DO WE HAVE TO HAVE FEELINGS?
YOU DON'T. GET RID OF 'EM.
YOU THINK YOU LIKE LUCAS?
HOW CAN YOU NOT LIKE HIM?
I DIDN'T THINK YOU LIKED ANYBODY.
IT'S MY FACADE.
DON'T USE BIG WORDS CORRECTLY.
IT'S NOT WHO YA ARE.
-WE'RE RILEY AND MAYA. -WE KNOW OUR PRIORITIES...
AND NOTHIN' AND NOBODY COULD EVER COME BETWEEN US.
YOU ARE TWO CONFUSED KIDS WHO THINK YOU KNOW WHAT YOU'RE DOING.
BUT YOU DON'T.
SO, DON'T DO ANYTHING.
NOTHING IS AS EASY AS IT SEEMS
WHEN FEELINGS ARE INVOLVED.
MOM, IT IS EASY.
LUCAS IS LIKE MY BROTHER AND...
I WANT MAYA TO BE HAPPY.
YOU THINK BEING THE MASTER OF TOMBSTONE THE BULL IS HARD?
THAT IS NOTHING COMPARED
TO BEING THE MASTER OF YOUR FEELINGS, RILEY.
THEY WILL SHAKE YOU AROUND AND THEY WILL SEND YOU FLYING.
SOMETIMES YOU HOLD ON AND SOMETIMES YOU LET GO.
IT'S THE SCARIEST RIDE THERE IS.
WELL, WHAT DO YOU WANT US TO DO?
DON'T FEEL.
I WANT YOU NOT TO FEEL.
DO THEY HAVE TO GO TO HIGH SCHOOL?
NO! I HAVE THE POWER.
I CAN HOLD THEM BACK.
DAD, YOU CAN'T HOLD US BACK.
WE'RE GROWING UP.
CAN I HOLD THEM BACK?
NO.
CAN ANYTHING HOLD THEM BACK?
NO.
ARE YOU OKAY, RILEY?
I'M GOING TO NEED TO FIGURE THAT OUT.
ARE YOU OKAY?
I'M GONNA NEED TO LET HER FIGURE THAT OUT.
OH, NO...
THEY'RE GONNA FIGURE IT OUT.
WHAT DO WE DO?
WE TRUST THEM.
THAT'S THE WORST IDEA I'VE EVER HEARD.
THE HOOVER DAM ON THE ARIZONA/NEVADA BORDER
HOLDS BACK TEN TRILLION GALLONS OF CONFUSED 14-YEAR-OLD FEELINGS
THAT LOOK TO SMACK DOWN THE CONCRETE STRUCTURE
OF YOUR LIFE AND MY LIFE,
AND IT CAN'T TAKE IT AND I DON'T WANT IT,
SO EVERYBODY SIT HERE AND NOBODY MOVE! STYLE ::cue(.speaker) ::cue(.speakerTop)
BECAUSE AS STRONG AS THE STRUCTURAL INTEGRITY
OF THE HOOVER DAM MIGHT BE,
JUST ONE LITTLE, TINY DROP OF WATER
THAT MAKES ITS WAY THROUGH THIS BARRIER
WILL CHIP AWAY AT THE STRUCTURAL INTEGRITY
OF OUR LIVES AS WE KNOW THEM,
AND THE IMMEDIATE RESULT IS THE END
OF MY PERSONAL HAPPINESS!
SO, YOUR ASSIGNMENT
IS TO HOLD EVERYTHING BACK UNTIL I DIE
AND NOT LET ANYTHING THROUGH!
RILEY, WHAT'S THAT?
NOTHING.
RILEY...
DID SOMETHING GET THROUGH?
RILEY, SOMETHING HAPPENED BETWEEN ME AND LUCAS.
OH, BOY.
YES, CHARLIE.
I WILL GO OUT WITH YOU.
HOOVER DAM.
ISN'T IT AMAZING
HOW COMFORTABLE WE ARE WITH EACH OTHER?
NO!
I DON'T FEEL COMFORTABLE AT ALL.
THIS IS THE KIND OF THING THAT WE COULD NEVER DO,
LUCAS, WHEN WE WERE JUST...
"HI." "HOWDY."
"HEY." "HI."
NOW YOU KNOW WHAT WE ARE? POOM!
COULD YOU MAYBE NOT HIT ME ANYMORE?
YOU'RE MY BROTHER. BE MY BROTHER.
GIVE ME ADVICE, FEEL GOOD ABOUT IT,
AND NOTHING WILL EVER BE UNCOMFORTABLE AT ALL.
OKAY, LET'S TRY.
WHAT DO YOU NEED ADVICE ON--
THE CHARLIE GARDNER OF IT ALL.
WHAT DOES A FIRST DATE MEAN IN THE LANGUAGE OF "BOY"?
I WANT TO BREAK YOUR CODE.
WHAT DOES HE WANT? TELL ME! WHAT?
YEAH... CHARLIE GARDNER.
I'M NOT UNCOMFORTABLE AT ALL.
WHERE IS YOUR DAD?
WHY ISN'T HE KICKING ME OUT?
I'M IN YOUR DAUGHTER'S ROOM!
YEAH, I SEE YA!
YOU SURE THIS ISN'T JUST SO HE GETS TO SIT THERE
AND BE THERE WITH HER LIKE THAT?
NO, THIS IS REAL.
WHY DO YOU NEED ANOTHER BROTHER?
I'M JUST TRYING TO DO EVERYTHING BEST
FOR EVERYBODY CONCERNED.
I'M CONCERNED.
MATTHEWS, WE KNOW THAT EVERYTHING YOU TEACH
IS ALWAYS ABOUT US, BUT THIS IS JUST LAZY!
I DON'T HAVE THE TIME!
I'M GOING RIGHT FOR IT!
YOU DON'T THINK I COULD MASH THIS UP
WITH THE END OF WORLD WAR II IF I WANTED TO?
AMERICA LOVES RUSSIA!
THEN AMERICA DOESN'T LOVE RUSSIA!
JAPAN LOVES FRANCE NOW!
JAPAN ASKS FRANCE TO GO BOWLING!
SO THEY GO ON A COUPLE OF DATES,
BUT THEN JAPAN SAYS TO FRANCE,
"I JUST WANT TO BE FRIENDS."
SO FRANCE SAYS, "I GOT ENOUGH FRIENDS."
SO THEY TRY TO BE CIVIL WITH EACH OTHER,
BUT THERE'S A CERTAIN CHILL WHILE THEY'RE HANGING OUT BY THE LOCKERS.
THERE'S A CHILL!
YOU DON'T THINK EVERYONE IN THIS ROOM IS GOING BOWLING
WITH EVERYBODY ELSE AT SOME POINT?
RILEY, MAYA, AND LUCAS IS ALL ABOUT EVERYBODY
IN THIS ROOM, IN EVERY ROOM,
IN THE WHOLE WORLD, AND THE UNIVERSE!
THEY JUST GOT THERE FIRST!
THE JERKS!
DAD!
YOU'RE GOING TO HIGH SCHOOL.
YOU ARE GROWING UP IN SPITE OF MY WISHES.
IT'S REAL NOW.
WHAT'S HAPPENED ALREADY IS NOTHING COMPARED
TO WHAT'S GONNA HAPPEN TO YOU NOW.
I JUST DON'T WANT ANYTHING BAD TO HAPPEN TO YOU.
DON'T LET ANYTHING BAD HAPPEN TO YOU!
THE CLASS ISN'T OVER YET, SIR.
NAH, I'VE HAD IT.
HEY, YOU WANTED TO SEE ME?
SIT DOWN.
THIS CHAIR? ALL RIGHT.
OKAY.
RILEY HAS ONE BROTHER IN HER LIFE,
AND IT ISN'T YOU.
-OH, AUGGIE, I DON'T-- -DID I FINISH SPEAKING?
NO, SIR. I JUST DON'T SEE HOW
YOU COULD POSSIBLY UNDERSTAND RELATIONSHIPS
OR ANYTHING THAT HAPPENS TO US.
I'VE BEEN MARRIED TO AVA MORGENSTERN FOR 52 YEARS.
IT CHANGES A MAN.
KILL ME.
RILEY'S MY SISTER.
I'M HER ONLY BROTHER.
AND HER ONLY BROTHER IS TELLING YOU
WHATEVER HAPPENS, DON'T HURT MY SISTER.
NOW GET OUT OF MY ROOM. I'M DOING MY PODCAST.
YEAH, THAT'S RIGHT.
I'M CALLIN' FARKLE TIME.
YOU KNOW WHY?
BECAUSE EVERY TIME IT'S FARKLE TIME,
WE LEARN SOMETHIN'.
AND I NEED TO LEARN SOMETHIN'.
BECAUSE YOU WERE IN TEXAS AND I WASN'T.
YES, I WAS, SIR.
AND WOULD YOU AGREE THAT SOMETHIN' HAPPENED
IN TEXAS THAT'S CHANGING EVERYTHING?
YES, SIR.
DO YOU KNOW WHAT IT IS
AND DO YOU KNOW HOW TO FIX IT?
-NO, SIR. -WHY NOT?
BECAUSE I'M A SCIENTIST, SIR.
THIS IS ALL ABOUT FEELINGS.
FEELINGS THAT ARE NEW AND HARD TO DESCRIBE.
LOOK, I'M A GENIUS, BUT WHEN ISADORA SMACKLE LOOKS
IN MY EYES WITH THAT BEAUTIFUL,
GOOFY FACE OF HERS, I GET A FEELING
WHICH I CAN ONLY DESCRIBE AS BLOYLAHHLAHLOWWW! STYLE ::cue(.speaker) ::cue(.speakerTop)
YOU FEEL ME?
YEAH, I FEEL YOU, FARKLE.
LISTEN...
YOU ARE FARKLE.
THESE PEOPLE HAVE ALWAYS BEEN IMPORTANT TO YOU.
I NEED YOU TO FIGURE OUT WHAT'S GOING ON
WITH THE THREE OF THEM AND MAKE EVERYTHING BETTER.
I'M ON IT, SIR.
I LIKE US JUST THE WAY WE ARE.
I DON'T WANT ANYTHING TO CHANGE EITHER.
GOOD.
BECAUSE I HAVE NO IDEA WHAT'S GONNA HAPPEN NEXT.
SO? (chuckles)
SO... (chuckles)
WHAT?
SO, WHERE ARE WE GOING ON THE DATE?
DO YOU WANT TO GO BOWLING LIKE JAPAN AND FRANCE?
-SURE. -OR MAYBE WE JUST HAVE DINNER AND TALK?
-NO TALKING. -WHAT?
I JUST MEAN THAT WE DON'T HAVE TO TALK.
-OH. THEN DO YOU WANT TO GO TO THE MOVIES? -PERFECT.
THE MOVIES ARE PERFECT.
WE CAN JUST SIT THERE.
YOU'RE NOT GONNA TRY AND HOLD MY HAND, ARE YOU?
UH, HEY, I JUST FOUND OUT THAT WE'RE GOING TO THE MOVIES.
I HAD BOWLING PLANNED, BUT THAT'S OUT THE WINDOW.
OKAY. WELL, I'M LOOKING FORWARD TO OUR DATE.
ME TOO.
NO TALKING, NO HOLDING HANDS.
YAY.
HUH.
SO THIS IS OUR NEW RELATIONSHIP?
YEAH.
HOW'S IT GOING SO FAR?
WEIRD, MAN.
YOU DON'T HAVE TO WATCH.
I CAN'T LOOK AWAY!
HOW'S IT GOIN'?
LOOK AT 'EM!
Farkle: YOU THINK HEY LIKE EACH OTHER?
I DO.
BUT I THINK THEY LIKED EACH OTHER BETTER
WHEN SHE WAS YELLING AT HIM ALL THE TIME.
WHAT ABOUT RILEY AND LUCAS?
WELL, I ONLY KNEW LUCAS BEFORE I CAME HERE,
BUT THEN I MET RILEY, AND SHE'S JUST LIKE HIM.
HOW?
WELL, THE THING WE ALL KNEW ABOUT LUCAS
IS LUCAS WOULD DO ANYTHING FOR HIS FRIENDS.
AND I NEVER THOUGHT THERE COULD BE ANYBODY ELSE LIKE THAT,
BUT RILEY IS.
SO YOU THINK THEY ARE LIKE BROTHER AND SISTER?
NO, I JUST THINK THEY HAVE A LOT IN COMMON.
I MEAN, RILEY WOULD DO ANYTHING FOR HER FRIENDS, TOO.
YEAH.
AND I THINK SHE DID.
SO... WHAT ARE YOU THINKIN'?
OH, NOW? OH, IT'S SO FUNNY YOU MENTION THAT.
ACTUALLY, RIGHT NOW, IN THIS EXACT MOMENT,
WHAT I WAS THINKING, WHAT WAS RUNNING
THROUGH MY HEAD WAS ACTUALLY, IF YOU DON'T START
TALKING TO ME, I'M GONNA POUR THIS SMOOTHIE RIGHT OVER YOUR HEAD.
SO, WHY DON'T YOU GIVE ME THE BEST YOU GOT?
DID I EVER TELL YOU ONCE, I DELIVERED A BABY HORSE?
ACTUALLY, IT LOOKED KIND OF LIKE THIS.
THE MIRACLE OF LIFE.
-MOM? -HONEY?
I'M GOING ON A DATE WITH CHARLIE GARDNER
AND MAYA IS GOING OUT WITH LUCAS.
WHAT DO YOU DO WHEN YOU THINK
YOU'RE DOING WHAT'S RIGHT, BUT YOU'RE REALLY JUST CONFUSED
AND YOU FEEL LIKE LIFE IS TRYING
TO THROW YOU ON THE GROUND?
YOU HANG ON, RILEY.
I'M A LITTLE TIRED.
PLEASE DON'T GO ANYWHERE.
I WON'T.
I'M GONNA BE HERE A LONG TIME.
OKAY.
(grunts)
HONEY?
SWEETIE?
UM, I LOVE YOU AND I LOVE YOUR TEEN ANGST,
BUT I HAVE TO GO TO WORK SO THAT I CAN AFFORD YOU.
OH, THANK GOODNESS.
(grunts)
OKAY, SHE'S ALL YOURS.
SHE DROOLS A LITTLE.
GO TO SCHOOL. BRUSH YOUR TEETH.
-COMB YOUR HAIR. -MMM.
-YOU'RE NOT MY MOTHER. -NO, IT'S ME.
(both laugh nervously)
HOW DID YOU TIME WITH LUCAS GO?
IT-- WE SAT THERE WITH ABSOLUTELY NOTHING TO SAY.
-BEEN THERE, DONE THAT. -YEAH, WELL...
YOU GUYS WON'T HAVE TO WORRY ABOUT THAT ANYMORE
-NOW THAT YOU'RE BROTHER AND SISTER, YOU KNOW. -MM-HMM.
YOU GUYS HAVE LOADS TO-- TO TALK ABOUT.
I LOVE TALKING TO HIM.
I LOVE MAKING FUN OF HIM.
WHY? STYLE ::cue(.speaker) ::cue(.speakerTop)
-WHY DO I LOVE TO MAKE FUN OF HIM? -YEAH.
BECAUSE HE'S GREAT.
YEAH.
AND HE NEEDS SOMEONE LIKE ME TO TAKE HIM DOWN.
-AND HE NEEDS SOMEONE LIKE YOU-- -FOR WHY?
FOR WHY DOES HE NEED ME?
TO BUILD HIM UP,
TO TELL HIS RANGER RICK STORIES TO,
-AND MAKE HIM FEEL LIKE A HERO. -(both laugh)
YOU LIKE HIS STORIES AND-- AND HE LIKES YOURS.
YEAH.
-HI, RILEY. -HI, CHARLIE.
-RILEY, I CAN'T BE YOUR BROTHER ANYMORE. -HEY, FRIAR.
DO YOU THINK YOU CAN PICK A BETTER TIME FOR THIS BIG ANNOUNCEMENT?
RILEY AND I ARE GONNA GO ON A DATE.
YOU ARE?
NO HOLDING HANDS OR TALKING.
BEST DATE EVER.
I KNOW IT'S NOT, BUT IT'S WHAT I GOT.
THOSE ARE THE RULES?
WHO GOES ON A DATE AND DOESN'T TALK TO EACH OTHER?
OH, YEAH. WE DO.
HI.
HELLO.
HEY RILEY, CAN WE GO?
I LIKE TO BE THERE
FOR THE PREVIEWS OF COMING ATTRACTIONS.
WHEN I'M NOT THERE FOR THE PREVIEWS
OF COMING ATTRACTIONS, I FEEL LIKE I DIDN'T SEE THE WHOLE MOVIE.
HEY RILEY, WHAT DO YOU DO
WHEN YOU SIT NEXT TO HUCKLEBERRY?
MAYA, I CAN'T GIVE YOU ADVICE LIKE THAT.
SURE YOU CAN. YOU'RE HIS SISTER, RIGHT?
NOPE. NOT ANYMORE.
-WHY? -AUGGIE SAYS WE CAN'T.
-HEY, FRIAR-- -AND YOU KNOW WHAT?
I THINK HE'S RIGHT. YOU ALREADY HAVE A GREAT BROTHER.
HEY, FRIAR!
THEN WHAT WILL YOU BE?
HE'LL BE ME, BECAUSE IT'S ME NOW.
YEAH. SORRY. YOU HAVE EVERY RIGHT.
I ALSO WANT TO BE THERE EARLY TO GET SNACKS
'CAUSE IF WE'RE NOT TALKING OR HOLDING HANDS,
I WAS GONNA BUY SOME POPCORN AND LICORICE.
YOU MEAN POPCORN AND CHOCOLATE.
-I'M NOT YOU! -OKAY!
ANYWAY, AUGGIE LOVES YOU, RILEY.
SO, I'M GONNA STEP BACK FROM BEING YOUR BROTHER.
-SAY "ME NOW." -ME NOW.
YOU HAVE EVERY RIGHT.
I BREAK THE LICORICE INTO LITTLE PIECES
SO EVERY TIME I TAKE A HANDFUL OF POPCORN,
I GET A SURPRISE.
I'M ADORABLE.
HOW ARE YOU NOT SEEING THIS?
Zay: YOU SEE?
LUCAS DOES ANYTHING FOR ANYBODY.
I MEAN, HE SACRIFICES BEING RILEY'S BROTHER
SO HE DOESN'T HURT AUGGIE'S FEELINGS.
WELL, SAME WITH RILEY. SHE'S STEPPING BACK
FROM LUCAS BECAUSE SHE'S DOING EXACTLY THE SAME THING.
-FARKLE, STOP. -BUT I THOUGHT SHE DIDN'T LIKE HIM LIKE THAT ANYMORE.
NO, RILEY'S STEPPING BACK FROM LUCAS BECAUSE SHE DOESN'T--
OKAY, SHE ENDS UP WITH FARKLE.
HOW DID WE NOT SEE THAT COMING?
FARKLE, YOU DON'T KNOW WHAT'S GOING ON.
-STOP THINKING. -I KNOW AUGGIE'S RIGHT.
HE'S YOUR ONLY BROTHER.
I'VE SEEN THE WAY YOU LOOK AT AUGGIE,
AND I'VE SEEN THE WAY YOU LOOK AT LUCAS.
IT'S NOT THE SAME.
I-- I THINK I KNOW MY OWN FEELINGS.
-YOU'RE A LIAR. -FARKLE.
YOU'RE LYING TO YOURSELF.
LUCAS AND I DON'T MAKE A GOOD COUPLE.
THANK YOU VERY MUCH, LUCAS.
I HAD A WONDERFUL TIME.
YOU'RE WELCOME, RILEY. I ALSO HAD
A WONDERFUL TIME AS WELL.
YOU WERE BOTH JUST NERVOUS BECAUSE THAT'S NOT WHO YOU ARE.
I GUESS THE THING I MISS MOST ABOUT TEXAS
ARE THE PETS THAT I USED TO HAVE.
I HAD A HAMSTER.
I HAD 24 HORSES.
YOU WIN.
TELL ME ABOUT THEM.
OKAY, OKAY.
BUT WHAT ABOUT MAYA?
HUH-HURR.
HAR-HAR!
HUH-HURR!
I'M NOT REALLY SURE HOW MAYA FEELS.
YOU'RE NOT SURE?
HOW CAN YOU NOT BE SURE?
THIS ISN'T ABOUT HER.
I'M TALKING ABOUT HOW YOU FEEL.
FARKLE, HOW DO YOU EVEN KNOW ABOUT THAT?
-YOU WEREN'T EVEN THERE. -DOESN'T MATTER.
WHAT YOU'RE THINKING IS HOW YOU REALLY FEEL.
I DON'T CARE.
FARKLE, MAYA IS MY BEST FRIEND.
SHE CARES ABOUT HIM AND HE CARES ABOUT HER TOO.
YOU QUESTIONING MY LEADERSHIP, HOP-ALONG?
OKAY, THESE NAMES YOU'RE CALLING ME ARE
KILLING MY STREET CRED.
YOU ACTUALLY PUT THOUGHT INTO OUR LITTLE GAME, DON'T YOU?
I ACTUALLY DO.
(shudders)
OH, NO.
HELLO.
I'M BUCKY MCBOING BOING.
I WANT MAYA TO BE HAPPY.
HEY, MAYA, IT LOOKS LIKE LUCAS HERE'S GETTIN' ALL
FIRED UP ON YOUR BEHALF.
THANK YOU, LUCAS.
BUT IT'S JUST AN ART CLASS.
I FEEL BAD.
THEY'RE TAKING AWAY SOMETHING YOU'RE VERY GOOD AT.
-YOU'VE NEVER SAID THAT TO ME BEFORE. -I HAVE SAID IT.
YEAH, BUT NOT, LIKE, RIGHT TO MY FACE WHEN YOU WERE LOOKING AT ME.
-I CAN'T REMEMBER YOU ACTUALLY-- -YOU'RE A GREAT ARTIST, MAYA.
HE MIGHT, BUT WE KNOW HE LIKES YOU. STYLE ::cue(.speaker) ::cue(.speakerTop)
WHAT'S THE MATTER?
HI.
EVEN THOUGH THIS JUST HAPPENED,
THERE ARE SOME MOMENTS YOU KNOW YOU'RE GONNA REMEMBER FOREVER.
THIS IS ONE OF 'EM.
(sniffs)
YOU WERE THE FIRST
BOY I EVER LIKED.
THAT'S BIG DEAL FOR ME. ARE YOU WORTH IT?
TELL ME, AND I'LL BELIEVE YOU.
I WANT TO BELIEVE YOU. ARE YOU WORTH IT?
YES.
(screams)
HI.
WE WERE JUST TALKING ABOUT YOU.
HI, I'M RILEY.
WE WERE JUST TALKING ABOUT YOU.
(chuckles) I'M LUCAS.
I LOVE IT.
YOU CAN'T TELL ANYBODY.
-I WILL, UNLESS YOU DO. -WHY?
BECAUSE WE ARE GROWING UP.
AND I DON'T KNOW HOW TO HANDLE
THESE FEELINGS WE'RE FEELING.
BUT I DO KNOW THAT WE DON'T LIE TO EACH OTHER.
WE DON'T LIE TO EACH OTHER, RILEY.
YOU'RE RIGHT.
THIS IS REALLY HARD AND MAYBE I JUST NEED SOME TIME.
I'M ALWAYS HERE FOR YOU.
I LOVE YOU, FARKLE.
AND I LOVE YOU.
NOW GO ON YOUR DATE.
READY?
FOR THE PREVIEWS OF COMING ATTRACTIONS?
YEAH.
I'M SURE WE'RE ALL WONDERING WHAT HAPPENS NOW.
HOW WAS YOUR DATE?
I DON'T KNOW.
HOW WAS YOUR DATE?
I DON'T KNOW.
DO WE KNOW ANYTHING?
RING POWER.
-THUNDER. -LIGHTNING.
A LITTLE SCARED.