1 00:00:05,333 --> 00:00:08,708 THE JOHN QUINCY ADAMS HONOR BOARD STANDS IN SESSION. 2 00:00:08,708 --> 00:00:10,208 CASE NUMBER 42 3 00:00:10,208 --> 00:00:12,208 ISAIAH BABINEAUX STANDS ACCUSED 4 00:00:12,208 --> 00:00:13,875 OF BOOSTING SOMEBODY'S LUNCH. 5 00:00:13,875 --> 00:00:14,875 PROVE IT. 6 00:00:15,958 --> 00:00:17,458 UH, ZAY. 7 00:00:17,458 --> 00:00:18,250 YO. 8 00:00:18,250 --> 00:00:21,291 EVERYBODY ELSE IN YOUR FAMILY SEEMS SO DECENT AND KIND. 9 00:00:21,291 --> 00:00:23,833 OH, THANK YOU, MR. TEACH. THEY SAY NICE THINGS ABOUT YOU TOO. 10 00:00:23,833 --> 00:00:24,958 SO WHAT HAPPENED TO YOU? 11 00:00:25,958 --> 00:00:27,500 WE'RE WAITING ON A LOT OF RESULTS. 12 00:00:28,750 --> 00:00:30,625 PUNISHMENT MUST SERVE A PURPOSE. 13 00:00:30,625 --> 00:00:33,458 WHAT DO YOU GUYS THINK WILL TEACH MR. BABINEAUX HERE A LESSON? 14 00:00:34,583 --> 00:00:35,708 CAFETERIA DUTY. 15 00:00:35,708 --> 00:00:36,708 I DON'T LIKE IT. 16 00:00:37,750 --> 00:00:38,875 WELL I LIKE IT. 17 00:00:38,875 --> 00:00:40,583 YOU TOOK EVERYBODY'S LUNCH AWAY 18 00:00:40,583 --> 00:00:42,375 AND NOW YOU SHOULD GIVE EVERYBODY THEIR LUNCH. 19 00:00:42,375 --> 00:00:44,000 I DO GIVE EVERYBODY THEIR LUNCH. 20 00:00:44,000 --> 00:00:44,708 WHAT? 21 00:00:44,708 --> 00:00:47,375 HE GIVES ROAST BEEFS TO THE P-B AND Js. 22 00:00:47,375 --> 00:00:49,583 HE GIVES MEATBALL SUBS TO THE BALONEYS. 23 00:00:49,583 --> 00:00:50,375 HAH? 24 00:00:50,375 --> 00:00:52,708 EVERYBODY HAS THE RIGHT TO A DELICIOUS LUNCH. 25 00:00:52,708 --> 00:00:54,208 ALL RIGHT, THESE ARE MY BELIEFS. 26 00:00:54,208 --> 00:00:55,708 WOULD YOU ATTACK ME ON MY BELIEFS? 27 00:00:55,708 --> 00:00:57,708 THAT'S NOT YOUR MEATBALL SUB. 28 00:00:57,708 --> 00:01:00,625 BUT I BELIEVE IT'S BETTER THAN MY P-B AND J. 29 00:01:02,000 --> 00:01:04,000 SO, I ROBIN HOODED MYSELF. 30 00:01:04,000 --> 00:01:05,250 YOU'RE ROBIN HOOD? 31 00:01:05,250 --> 00:01:06,416 I'M ROBIN LUNCH. 32 00:01:07,875 --> 00:01:08,833 CAFETERIA. 33 00:01:08,833 --> 00:01:10,208 YOU CAN PUNISH ME. 34 00:01:10,208 --> 00:01:12,416 BUT THE FOREST PEOPLE LOVE ME. 35 00:01:17,750 --> 00:01:18,625 BAILIFF YOGI, 36 00:01:18,625 --> 00:01:20,583 WILL YOU STOP EATING THE EVIDENCE 37 00:01:20,583 --> 00:01:22,625 AND PLEASE OPEN THE DOOR FOR THE NEXT CASE? 38 00:01:23,833 --> 00:01:24,708 THANK YOU. 39 00:01:26,166 --> 00:01:28,250 I GOT THIS JUDGEY THING DOWN. 40 00:01:28,250 --> 00:01:30,291 I GOT THE HANG OF PUNISHING PEOPLE 41 00:01:30,291 --> 00:01:31,875 AND I LIKE IT. 42 00:01:31,875 --> 00:01:33,625 I THINK THE KEY TO THIS WHOLE THING IS TO 43 00:01:33,625 --> 00:01:37,291 CONSIDER THE FACTS AND NOT GET EMOTIONALLY INVOLVED. 44 00:01:41,000 --> 00:01:43,708 PEACHES! WHAT HAVE YOU DONE? 45 00:01:45,000 --> 00:01:48,000 (theme music playing) 46 00:01:50,750 --> 00:01:52,750 ♪ I'VE BEEN WAITING ♪ 47 00:01:52,750 --> 00:01:54,125 ♪ FOR A DAY ♪ 48 00:01:54,125 --> 00:01:55,166 ♪ LIKE THIS TO COME ♪ 49 00:01:55,166 --> 00:01:56,708 ♪ STRUCK LIKE LIGHTNING ♪ 50 00:01:56,708 --> 00:01:59,458 ♪ MY HEART'S BEATING LIKE A DRUM ♪ 51 00:01:59,458 --> 00:02:01,000 ♪ ON THE EDGE ♪ 52 00:02:01,000 --> 00:02:03,500 ♪ OF SOMETHING WONDERFUL ♪ 53 00:02:03,500 --> 00:02:06,416 ♪ FACE TO FACE WITH CHANGES ♪ 54 00:02:06,416 --> 00:02:07,583 ♪ WHAT'S IT ALL ABOUT? ♪ 55 00:02:07,583 --> 00:02:09,750 ♪ LIFE IS CRAZY ♪ 56 00:02:09,750 --> 00:02:10,833 ♪ BUT I KNOW ♪ 57 00:02:10,833 --> 00:02:11,875 ♪ I CAN WORK IT OUT ♪ 58 00:02:11,875 --> 00:02:13,000 ♪ 'CAUSE I GOT YOU ♪ 59 00:02:13,000 --> 00:02:15,833 ♪ TO LIVE IT WITH ME ♪ 60 00:02:15,833 --> 00:02:19,958 ♪ I FEEL ALL RIGHT, I'M GONNA TAKE ON THE WORLD ♪ 61 00:02:19,958 --> 00:02:23,416 ♪ LIGHT UP THE STARS, I'VE GOT SOME PAGES TO TURN ♪ 62 00:02:23,416 --> 00:02:25,208 ♪ I'M SINGING "GO-O-O" ♪ 63 00:02:25,208 --> 00:02:28,291 ♪ OH, OH, OH, OH ♪ 64 00:02:28,291 --> 00:02:31,291 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 65 00:02:31,291 --> 00:02:32,708 ♪ TAKE ON THE WORLD ♪ 66 00:02:32,708 --> 00:02:35,250 ♪ TAKE ON THE WORLD, TAKE ON THE WORLD ♪ 67 00:02:35,250 --> 00:02:36,625 ♪ TAKE ON THE WORLD ♪ 68 00:02:42,000 --> 00:02:45,500 MY BUDS. TELL ME YOU'RE JUST HERE TO PICK ME UP 69 00:02:45,500 --> 00:02:46,708 BECAUSE YOU'RE MY BUDS. 70 00:02:46,708 --> 00:02:48,833 YEAH. BUDS. YOU WANT TO KNOW WHAT WE DID OR WHAT? 71 00:02:49,833 --> 00:02:51,250 CASE NUMBER 43. 72 00:02:52,416 --> 00:02:54,458 MAYA HART STANDS ACCUSED OF CHEATING 73 00:02:54,458 --> 00:02:56,875 OFF OF FARKLE MINKUS ON THE LAST HISTORY EXAM. 74 00:02:56,875 --> 00:02:58,250 MAYA, IS THIS TRUE? 75 00:02:58,250 --> 00:02:59,583 FARKLE, HOW DO I ANSWER THIS? 76 00:03:00,875 --> 00:03:03,416 I'M SORRY, RILEY. SHE DONE DID IT. 77 00:03:03,416 --> 00:03:05,458 I LEARN BETTER THIS WAY, MR. MATTHEWS. 78 00:03:05,458 --> 00:03:07,708 WHEN I SEE THE ANSWERS FARKLE CHOOSES 79 00:03:07,708 --> 00:03:10,291 IT HELPS ME CIRCLE THE RIGHT THING. 80 00:03:10,291 --> 00:03:12,750 YOU CAN'T JUST STEAL HIS ANSWERS, MAYA. 81 00:03:12,750 --> 00:03:15,583 WHY NOT? I'M FINALLY LEARNING WHAT YOU'VE BEEN TRYING TO TEACH ME. 82 00:03:15,583 --> 00:03:17,750 YOU'VE TRIED EVERYTHING AND I'M REALLY GRATEFUL, 83 00:03:17,750 --> 00:03:18,958 BUT I FOUND A WAY. 84 00:03:18,958 --> 00:03:21,875 FARKLE, HOW COULD YOU RAT OUT MAYA FOR CHEATING OFF OF YOU? 85 00:03:21,875 --> 00:03:23,083 I DIDN'T RAT HER OUT. 86 00:03:23,083 --> 00:03:24,708 MAYA CAN DO WHATEVER SHE WANTS WITH ME. 87 00:03:26,375 --> 00:03:28,833 I RATTED HER OUT. 88 00:03:28,833 --> 00:03:30,708 WHY ISN'T ANYBODY TALKING ABOUT WHAT MATTERS? 89 00:03:30,708 --> 00:03:32,166 I GOT MY FIRST A. 90 00:03:32,166 --> 00:03:35,000 OKAY, JUDGEY. YOU GOT A SOLUTION FOR THIS? 91 00:03:37,875 --> 00:03:39,208 YES, I DO. 92 00:03:39,208 --> 00:03:41,458 I SAY WE GIVE OUR FRIENDS 93 00:03:41,458 --> 00:03:42,833 SPECIAL TREATMENT. 94 00:03:42,833 --> 00:03:45,291 AND NOT JUST ANY SPECIAL TREATMENT, 95 00:03:45,291 --> 00:03:47,083 WE LET THEM COMPLETELY OFF THE HOOK. 96 00:03:47,083 --> 00:03:50,000 THERE'S NO LESSON AND NOBODY LEARNS NOTHING. 97 00:03:50,000 --> 00:03:52,708 HOW ABOUT WE DO ONE OF THOSE THIS TIME? 98 00:03:52,708 --> 00:03:55,750 SEE YA NEXT WEEK. GOOD NIGHT, EVERYBODY! 99 00:04:01,250 --> 00:04:03,750 WE CAN'T JUST GIVE OUR FRIENDS SPECIAL TREATMENT. 100 00:04:03,750 --> 00:04:05,583 I SAID GOOD NIGHT, SIR! 101 00:04:06,750 --> 00:04:08,375 RILES, I ACCEPT MY PUNISHMENT. 102 00:04:08,375 --> 00:04:09,750 DON'T SPIN OUT OF CONTROL. 103 00:04:09,750 --> 00:04:12,875 WE'RE PUT UNDER ALL OF THIS PRESSURE TO EARN THE HIGHEST GRADES. 104 00:04:12,875 --> 00:04:15,000 SHE DID IT. MAYA LEARNED, DADDY. 105 00:04:15,000 --> 00:04:16,708 SHE DIDN'T LEARN, RILEY. 106 00:04:16,708 --> 00:04:19,208 MAYA, CAN YOU TELL THEM WHAT YOU LEARNED? 107 00:04:19,208 --> 00:04:21,375 I ACTUALLY CAN. THAT'S NEW. 108 00:04:21,375 --> 00:04:22,875 THAT'S NEW. IT DOESN'T MATTER 109 00:04:22,875 --> 00:04:25,000 HOW SHE LEARNED. IT'S NEW. 110 00:04:25,000 --> 00:04:26,875 SHE CHEATED! 111 00:04:26,875 --> 00:04:28,708 (incredulously) THAT WAS LOUD. 112 00:04:31,416 --> 00:04:34,625 "CHEATED" IS A WORD. YOU KNOW WHAT ELSE IS A WORD? 113 00:04:34,625 --> 00:04:37,833 "SHARED." READ A QUESTION FROM THE TEST. 114 00:04:37,833 --> 00:04:41,291 "THE TRANSCONTINENTAL RAILROAD WAS BUILT FROM THE WEST AND THE EAST 115 00:04:41,291 --> 00:04:42,625 "IN THE SAME TIME. 116 00:04:42,625 --> 00:04:44,583 IN WHICH CITY DID THE TRACKS MEET?" 117 00:04:48,166 --> 00:04:49,375 C. 118 00:04:51,375 --> 00:04:53,750 RILEY, WE'RE NOT ON THE SAME TEAM THIS TIME. 119 00:04:53,750 --> 00:04:55,583 FARKLE, ARE WE ON THE SAME TEAM? 120 00:04:55,583 --> 00:04:56,583 ALWAYS. 121 00:04:56,583 --> 00:04:57,458 DAD? 122 00:04:57,458 --> 00:04:58,708 NO, I'M WITH LUCAS, RILEY. 123 00:04:58,708 --> 00:05:00,583 YOU CAN'T COMPROMISE YOUR VALUES STYLE ::cue(.speaker) ::cue(.speakerTop) 124 00:05:00,583 --> 00:05:01,958 JUST BECAUSE THESE ARE YOUR FRIENDS. 125 00:05:01,958 --> 00:05:02,958 WATCH ME. 126 00:05:02,958 --> 00:05:04,750 NO. WRONG IS WRONG. 127 00:05:04,750 --> 00:05:06,458 SHE DIDN'T LEARN ANYTHING. 128 00:05:06,458 --> 00:05:09,125 IF SHE HAD LEARNED SOMETHING, YOU MIGHT HAVE A POINT. 129 00:05:09,125 --> 00:05:11,458 THEY DROVE IN THE GOLDEN SPIKE WHEN THE TRACKS CONNECTED 130 00:05:11,458 --> 00:05:12,708 AT PROMONTORY, UTAH. 131 00:05:12,708 --> 00:05:15,208 QUICK, MAKE A DECISION BEFORE SHE SAYS OTHER GOOD STUFF. 132 00:05:15,208 --> 00:05:16,833 LOUISIANA PURCHASE. MANIFEST DESTINY. 133 00:05:16,833 --> 00:05:19,500 C, C, A, D, FALSE, FALSE, TRUE! 134 00:05:19,500 --> 00:05:21,708 SHE'S A STINKING GENIUS. 135 00:05:21,708 --> 00:05:23,833 CHEATING WORKS FOR HER. 136 00:05:23,833 --> 00:05:25,208 NO. 137 00:05:25,208 --> 00:05:28,166 DAD, IT'S MAYA. YOU KNOW I'M GOING TO TURN THIS WORLD 138 00:05:28,166 --> 00:05:30,416 UPSIDE DOWN UNTIL I MAKE THIS RIGHT. 139 00:05:30,416 --> 00:05:32,208 I KNOW YOU'LL TRY. 140 00:05:32,208 --> 00:05:35,000 WELL, I STAND WITH THEM. 141 00:05:36,625 --> 00:05:39,000 YAY! 142 00:05:40,291 --> 00:05:41,708 I DON'T NEED THIS. 143 00:05:47,500 --> 00:05:50,416 (moaning) 144 00:05:50,416 --> 00:05:51,708 NOTHING TO DO, AUGGIE? 145 00:05:51,708 --> 00:05:54,083 I'VE DONE EVERYTHING THERE IS TO DO IN LIFE. 146 00:05:55,083 --> 00:05:56,708 (moans) 147 00:05:56,708 --> 00:05:58,083 OKAY... 148 00:05:58,083 --> 00:06:00,875 WELL, DO YOU WANT TO TAKE PIANO LESSONS? 149 00:06:00,875 --> 00:06:02,708 DOES IT TAKE WORK? 150 00:06:02,708 --> 00:06:04,625 ANYTHING WORTH DOING TAKES WORK. 151 00:06:04,625 --> 00:06:07,333 THEN I'D RATHER JUST BECOME A LAWYER LIKE YOU. 152 00:06:08,583 --> 00:06:10,583 YOU DON'T JUST GET TO BECOME A LAWYER. 153 00:06:10,583 --> 00:06:12,708 DO YOU WANT TO KNOW WHAT I HAD TO DO TO BECOME A LAWYER? 154 00:06:12,708 --> 00:06:13,625 PLEASE, NO. 155 00:06:15,375 --> 00:06:18,583 IT'LL JUST HAPPEN. I'M A CHIP OFF THE OLD BLOCK. 156 00:06:18,583 --> 00:06:20,458 YOU'RE THE OLD BLOCK. 157 00:06:22,208 --> 00:06:23,708 OH, WELL, THANK YOU. 158 00:06:23,708 --> 00:06:26,000 BUT JUST BECAUSE YOU COME FROM ME 159 00:06:26,000 --> 00:06:27,875 DOESN'T MEAN YOU JUST GET TO BE ME. 160 00:06:27,875 --> 00:06:29,875 YOU HAVE TO FIND OUT WHO YOU ARE. 161 00:06:29,875 --> 00:06:31,208 AND IF YOU RUN INTO ANY TROUBLE, 162 00:06:31,208 --> 00:06:33,708 MAYBE YOU'LL RECONSIDER THOSE PIANO LESSONS. 163 00:06:37,416 --> 00:06:38,875 (moans) 164 00:06:44,708 --> 00:06:47,000 ARE YOU NOW OR HAVE YOU EVER BEEN 165 00:06:47,000 --> 00:06:49,291 A MEMBER OF THE COMMUNIST PARTY? 166 00:06:49,291 --> 00:06:52,000 THE COLD WAR, SIR. DEMOCRACY VERSUS COMMUNISM. 167 00:06:52,000 --> 00:06:54,083 YOU GET WHAT YOU EARN VERSUS EVERYBODY GETS THE SAME THING. 168 00:06:54,083 --> 00:06:56,958 VERY GOOD, FARKLE. I DIDN'T EVEN SEE YOUR LIPS MOVE. 169 00:06:56,958 --> 00:06:58,458 BECAUSE MAYA ANSWERED HERSELF, SIR. 170 00:06:58,458 --> 00:06:59,625 SHE REMEMBERED THE INFORMATION. 171 00:06:59,625 --> 00:07:03,416 IT ONLY MAKES SENSE TO ME WHEN I CAN GET IN TROUBLE FOR IT. 172 00:07:03,416 --> 00:07:05,375 WAIT, SO YOU'RE TELLING ME 173 00:07:05,375 --> 00:07:08,125 THAT IN COMMUNISM EVERYBODY SHARES WITH EVERYBODY ELSE? 174 00:07:08,125 --> 00:07:08,750 Farkle: YES, RILEY. 175 00:07:08,750 --> 00:07:10,875 THE COMMUNIST PHILOSOPHY IS THAT EVERYBODY'S THE SAME 176 00:07:10,875 --> 00:07:12,458 AND EVERYBODY GETS THE SAME THING. 177 00:07:12,458 --> 00:07:14,000 AND IT'S A PARTY? 178 00:07:15,875 --> 00:07:18,750 I WANT SO DESPERATELY TO BE PROUD OF YOU. 179 00:07:18,750 --> 00:07:19,625 SO, YOU MEAN 180 00:07:19,625 --> 00:07:21,875 WHEN SOMEBODY DOESN'T KNOW SOMETHING ON A TEST 181 00:07:21,875 --> 00:07:23,458 AND SOMEBODY DOES, 182 00:07:23,458 --> 00:07:25,583 YOU'RE SUPPOSED TO SHARE THAT INFORMATION? 183 00:07:25,583 --> 00:07:26,708 YEAH. 184 00:07:26,708 --> 00:07:27,875 THAT'S COMMUNISM. 185 00:07:27,875 --> 00:07:30,375 BUT IT'S A LITTLE MORE COMPLICATED THAN THAT. 186 00:07:30,375 --> 00:07:31,583 YOU KNOW THE AMERICAN DREAM? 187 00:07:31,583 --> 00:07:32,291 YEAH. 188 00:07:32,291 --> 00:07:33,583 WELL, THIS IS THE OTHER THING. 189 00:07:33,583 --> 00:07:35,458 WHAT DO YOU ALL WANT TO BE WHEN YOU GROW UP? 190 00:07:35,458 --> 00:07:36,583 I HAVEN'T DECIDED YET. 191 00:07:36,583 --> 00:07:38,000 I SEE YOU AS A FACTORY WORKER. 192 00:07:38,000 --> 00:07:39,416 WELL WHAT IF I DON'T WANT TO BE-- 193 00:07:39,416 --> 00:07:41,250 I WANT TO BE A FACTORY WORKER. 194 00:07:41,250 --> 00:07:42,875 I SEE YOU AS A POTATO FARMER. 195 00:07:42,875 --> 00:07:44,875 BUT I PREFER THE WARMTH OF THE FACTORY. 196 00:07:46,333 --> 00:07:47,708 CAN I STILL TAKE OVER THE WORLD? 197 00:07:47,708 --> 00:07:48,625 YOU SURE CAN. 198 00:07:48,625 --> 00:07:50,708 JUST AS LONG AS EVERYBODY CAN TAKE OVER THE WORLD WITH YOU. 199 00:07:50,708 --> 00:07:53,333 I'M NOT TAKING OVER THE WORLD WITH FACTORY GIRL AND POTATO HEAD. 200 00:07:54,458 --> 00:07:55,875 YOUR INDIVIDUAL GOALS 201 00:07:55,875 --> 00:07:56,875 DON'T MATTER. 202 00:07:56,875 --> 00:07:58,458 YOU'RE ONE OF MANY. 203 00:07:58,458 --> 00:08:01,208 THERE ARE NO SOCIAL CLASSES. 204 00:08:01,208 --> 00:08:02,208 NOBODY 205 00:08:02,208 --> 00:08:05,125 IS MORE OR LESS SUCCESSFUL THAN ANYBODY ELSE. 206 00:08:06,208 --> 00:08:07,208 THAT'S COMMUNISM. 207 00:08:07,208 --> 00:08:09,708 OH, THAT'S COMMUNISM. 208 00:08:09,708 --> 00:08:12,708 I THOUGHT IT WAS WHEN THEY SCARED THE DEMONS OUT OF YOU. 209 00:08:12,708 --> 00:08:14,708 THAT'S EXORCISM. 210 00:08:14,708 --> 00:08:16,708 OH, YEAH. THAT'S THE ONE I HAD. 211 00:08:18,875 --> 00:08:19,875 HE'S KIDDING. 212 00:08:19,875 --> 00:08:20,875 YEAH, I'M KIDDING. 213 00:08:20,875 --> 00:08:21,875 AHH! 214 00:08:26,833 --> 00:08:28,458 OH, IT DIDN'T WORK. 215 00:08:30,000 --> 00:08:33,208 ANYWAY, WHOEVER I AM, I'M NOT DOWN WITH COMMUNISM. 216 00:08:33,208 --> 00:08:34,125 SURE YOU ARE. 217 00:08:34,125 --> 00:08:36,708 YOU'RE ROBIN HOOD. TAKE FROM THE RICH, GIVE TO THE POOR. 218 00:08:36,708 --> 00:08:38,125 DID YOU GUYS HEAR THAT? 219 00:08:38,125 --> 00:08:39,708 DID YOU HEAR WHAT MAYA JUST SAID? 220 00:08:39,708 --> 00:08:41,208 I MEAN, SHE ACTUALLY GETS THIS STUFF. 221 00:08:41,208 --> 00:08:42,000 MAYA. 222 00:08:42,000 --> 00:08:44,291 YOU REALLY DID LEARN SOMETHING. 223 00:08:44,291 --> 00:08:46,708 DOESN'T THIS MAKE YOU WANT TO STUDY BY YOURSELF? 224 00:08:46,708 --> 00:08:49,208 NO, IT MAKES ME WANT TO CHEAT OFF OF EVERYBODY EQUALLY. 225 00:08:50,833 --> 00:08:51,708 YEAH. 226 00:08:51,708 --> 00:08:54,625 WHY SHOULD WE BE IN COMPETITION WITH EACH OTHER? 227 00:08:54,625 --> 00:08:57,416 WHY SHOULD WE BE MOTIVATED BY REPORT CARDS? 228 00:08:57,416 --> 00:08:59,375 WHY SHOULDN'T WE ALL HELP EACH OTHER OUT 229 00:08:59,375 --> 00:09:01,458 TO KNOW EXACTLY THE SAME THING? 230 00:09:01,458 --> 00:09:02,166 RILEY... 231 00:09:03,250 --> 00:09:04,750 LOOK AT THIS. 232 00:09:04,750 --> 00:09:07,708 AND CHOOSE YOUR NEXT WORDS VERY CAREFULLY. 233 00:09:07,708 --> 00:09:09,250 COMRADES! 234 00:09:09,250 --> 00:09:10,875 I PLEDGE ALLEGIANCE-- 235 00:09:10,875 --> 00:09:13,500 COMRADES OF JOHN QUINCY ADAMS UNITE! 236 00:09:13,500 --> 00:09:14,708 LIGHTNING! 237 00:09:14,708 --> 00:09:15,500 THUNDER! 238 00:09:15,500 --> 00:09:16,250 DARKNESS! 239 00:09:16,250 --> 00:09:17,291 BUNNY RABBITS! 240 00:09:19,000 --> 00:09:20,583 FROM EACH ACCORDING TO HIS ABILITY. 241 00:09:20,583 --> 00:09:22,458 TO EACH ACCORDING TO HIS NEED! 242 00:09:23,458 --> 00:09:27,833 Both: WHOA! WE'RE COMMIES. IT WORKED! YAY! 243 00:09:32,958 --> 00:09:35,708 ANYTHING INTERESTING HAPPEN AT SCHOOL TODAY? 244 00:09:35,708 --> 00:09:37,500 NOTHING OUT OF THE ORDINARY. 245 00:09:39,458 --> 00:09:41,125 WANT TO EXPLAIN RILEY'S OUTFIT? 246 00:09:41,125 --> 00:09:42,875 OH YEAH, SHE'S A COMMIE NOW. 247 00:09:44,208 --> 00:09:45,583 CAN YOU PASS THE POTATOES? 248 00:09:45,583 --> 00:09:47,416 OH, THANK GOODNESS. 249 00:09:47,416 --> 00:09:49,708 I THOUGHT SHE WAS A MIME. 250 00:09:49,708 --> 00:09:51,208 MAYA CHEATED OFF OF FARKLE 251 00:09:51,208 --> 00:09:53,000 AND ALL OF A SUDDEN, SHE KNOW STUFF. 252 00:09:53,000 --> 00:09:54,375 SO, YOU'RE A COMMUNIST? 253 00:09:54,375 --> 00:09:55,083 YEAH. 254 00:09:55,083 --> 00:09:57,416 DO I NEED TO KNOW THE MIDDLE OF THE STORY? 255 00:09:57,416 --> 00:09:58,333 YOU WANT TO BE PROUD OF HER? 256 00:09:58,333 --> 00:09:59,000 -YEAH. -THEN NO. 257 00:10:00,125 --> 00:10:01,375 HONEY, MAYA DOESN'T KNOW STUFF STYLE ::cue(.speaker) ::cue(.speakerTop) 258 00:10:01,375 --> 00:10:02,750 IF SHE CHEATED OFF OF FARKLE. 259 00:10:02,750 --> 00:10:04,708 MOM, YOU CAN'T CRUSH MY HOPES FOR HER. 260 00:10:04,708 --> 00:10:07,416 IN THE WORDS OF THE PRESIDENT OF COMMUNISM, 261 00:10:07,416 --> 00:10:09,875 "YOU MAY SAY, 'HEY, HEY I'M A DREAMER,' 262 00:10:09,875 --> 00:10:10,958 "BUT I'M NOT THE-- 263 00:10:12,375 --> 00:10:13,833 BUT I'M NOT THE--" 264 00:10:15,375 --> 00:10:17,750 SHH. GO TO SLEEP, RILEY. 265 00:10:19,750 --> 00:10:22,416 RILEY, JOHN LENNON WAS A BEATLE. 266 00:10:22,416 --> 00:10:25,458 MOM, JUST BECAUSE HIS BELIEFS ARE DIFFERENT THAN YOURS, 267 00:10:25,458 --> 00:10:27,333 DOES NOT MEAN YOU GET TO CALL HIM A BUG. 268 00:10:29,208 --> 00:10:31,000 TEACHER OF THE YEAR! 269 00:10:31,000 --> 00:10:32,875 LOOK WHAT I'M WORKING WITH! 270 00:10:34,083 --> 00:10:36,583 DOES THE REST OF THE HONOR BOARD SHARE YOUR POSITION ON THIS? 271 00:10:36,583 --> 00:10:37,250 NO. 272 00:10:37,250 --> 00:10:39,833 AND MAYA AND FARKLE ARE GOING ON TRIAL TOMORROW. 273 00:10:39,833 --> 00:10:41,875 AND THEY'RE GOING TO NEED SOMEBODY REALLY GOOD 274 00:10:41,875 --> 00:10:44,750 TO REPRESENT THEM BECAUSE WHEN SOMETHING'S THIS IMPORTANT 275 00:10:44,750 --> 00:10:45,625 YOU NEED THE BEST POSSIBLE-- 276 00:10:45,625 --> 00:10:46,500 PIANO PLAYER? 277 00:10:46,500 --> 00:10:47,125 LAWYER. 278 00:10:48,125 --> 00:10:49,958 WELL, THAT'S IT THEN. 279 00:10:51,500 --> 00:10:53,708 RILEY, YOU'RE NOT GOING TO FIND A LAWYER 280 00:10:53,708 --> 00:10:55,708 TO DEFEAT DEMOCRACY. 281 00:10:55,708 --> 00:10:57,750 I MEAN, NOT EVEN IF YOU FOUND SOME 282 00:10:57,750 --> 00:11:01,125 HYPER-COMPETITIVE, FREAK OF NATURE, SUPER LAWYER. 283 00:11:01,125 --> 00:11:02,250 (Cory chuckles) 284 00:11:02,250 --> 00:11:04,416 (bones cracking) 285 00:11:07,708 --> 00:11:08,833 OKAY. 286 00:11:12,500 --> 00:11:13,833 I'M SORRY YOU HAD TO SEE THIS. 287 00:11:15,333 --> 00:11:16,458 LET'S GO. 288 00:11:16,458 --> 00:11:17,708 (patriotic music plays) 289 00:11:24,583 --> 00:11:26,166 WHY ARE YOU DRESSED LIKE THAT, AUGGIE? 290 00:11:26,166 --> 00:11:28,250 WHY ARE YOU DRESSED LIKE THAT, AUGGIE? 291 00:11:28,250 --> 00:11:30,875 I ASKED HIM FIRST, EMMA WEATHERSBEE. 292 00:11:30,875 --> 00:11:34,125 WELL, I CAN ASK HIM THE SAME AS YOU CAN, 293 00:11:34,125 --> 00:11:36,625 AVA MORGENSTERN. 294 00:11:39,291 --> 00:11:40,833 HELLO, FRANKIE. 295 00:11:42,708 --> 00:11:44,250 THE AUGSTER. 296 00:11:44,250 --> 00:11:47,125 WHY WOULD YOU INTERRUPT ME DURING MY GRAPE JUICE TIME? 297 00:11:47,125 --> 00:11:48,958 I KNOW YOU MIGHT GET IN TROUBLE 298 00:11:48,958 --> 00:11:51,500 FOR PUSHING DOMINIC FALCONE OFF THE SWINGS. 299 00:11:51,500 --> 00:11:52,833 YOU'VE HEARD ABOUT THAT? 300 00:11:52,833 --> 00:11:54,708 EVERYBODY'S TALKING ABOUT IT. 301 00:11:54,708 --> 00:11:56,875 I'D LIKE TO REPRESENT YOU. 302 00:11:56,875 --> 00:11:58,708 YOU WANT TO BE MY MOUTHPIECE? 303 00:11:58,708 --> 00:12:00,250 I NEVER LOST A CASE. 304 00:12:01,500 --> 00:12:02,625 MRS. DUCKSBERRY. 305 00:12:02,625 --> 00:12:05,708 AUGGIE, WELL, DON'T YOU LOOK HANDSOME. 306 00:12:05,708 --> 00:12:08,875 AW, THANKS. SO DO YOU. 307 00:12:08,875 --> 00:12:11,250 I MEAN, I'M PRETTY BUT YOU-- YOU'RE-- 308 00:12:11,250 --> 00:12:12,708 YOU'RE-- YOU'RE PRETTY. 309 00:12:12,708 --> 00:12:14,500 I-- I'M HANDSOME, 310 00:12:14,500 --> 00:12:15,250 YOU'RE PRETTY. 311 00:12:15,250 --> 00:12:16,083 I'M GORGEOUS. 312 00:12:16,083 --> 00:12:17,500 BUT I DON'T KNOW HOW TO STOP. 313 00:12:18,625 --> 00:12:20,333 SOMEWHERE IN THERE WAS A COMPLIMENT. 314 00:12:20,333 --> 00:12:21,625 SO THANK YOU, AUGUST. 315 00:12:21,625 --> 00:12:24,625 MY CLIENT, FRANKIE BIG HANDS, IS INNOCENT. 316 00:12:24,625 --> 00:12:27,458 HE MAY HAVE PUSHED DOMINIC FALCONE OFF THE SWINGS. 317 00:12:27,458 --> 00:12:28,125 BUT-- 318 00:12:28,125 --> 00:12:30,416 YOU PUSHED ANOTHER BOY OFF THE SWINGS? 319 00:12:32,083 --> 00:12:36,500 FRANKIE-- YOU, ME, PRINCIPAL'S OFFICE RIGHT NOW. 320 00:12:36,500 --> 00:12:40,000 I'LL SEE YOU LATER. 321 00:12:40,000 --> 00:12:42,416 ENJOY YOUR LIFE TILL THEN. 322 00:12:42,416 --> 00:12:44,833 'CAUSE THAT'S ALL YOU GOT LEFT. 323 00:12:52,250 --> 00:12:54,000 THE PURPOSE OF THIS HONOR BOARD HEARING 324 00:12:54,000 --> 00:12:56,708 IS TO DETERMINE THE GUILT OR INNOCENCE 325 00:12:56,708 --> 00:12:58,708 OF MAYA HART AND FARKLE MINKUS, 326 00:12:58,708 --> 00:13:01,708 WHO STAND ACCUSED OF SHARING INFORMATION DURING AN EXAM. 327 00:13:01,708 --> 00:13:03,875 WE'LL BEGIN THE QUESTIONING WITH LUCAS FRIAR. 328 00:13:03,875 --> 00:13:04,875 THANK YOU. 329 00:13:04,875 --> 00:13:07,000 MS. HART. MR. MINKUS. 330 00:13:07,000 --> 00:13:09,708 ARE YOU NOW OR HAVE YOU EVER BEEN 331 00:13:09,708 --> 00:13:10,708 A CHEATER? 332 00:13:10,708 --> 00:13:11,458 OBJECTION. 333 00:13:11,458 --> 00:13:12,208 YOU'RE ON OUR SIDE. 334 00:13:12,208 --> 00:13:13,625 BUT WHO'S ON THEIR SIDE? 335 00:13:13,625 --> 00:13:15,708 WHAT KIND OF SYSTEM IS IT WHERE PEOPLE ARE... 336 00:13:15,708 --> 00:13:16,708 JUDGED BY? 337 00:13:16,708 --> 00:13:17,833 OTHER PEOPLE. 338 00:13:17,833 --> 00:13:18,458 LIKE A JURY? 339 00:13:18,458 --> 00:13:20,208 WHO ARE STUDENTS LIKE THEM. 340 00:13:20,208 --> 00:13:21,083 A JURY OF THEIR PEERS? 341 00:13:21,083 --> 00:13:22,583 YEAH, WHAT DO YOU CALL THAT? 342 00:13:22,583 --> 00:13:23,750 THE JUSTICE SYSTEM. 343 00:13:23,750 --> 00:13:25,416 YOU AND YOUR ANSWERS. 344 00:13:25,416 --> 00:13:26,291 WELL. 345 00:13:26,291 --> 00:13:28,708 I GUESS I DON'T HAVE ANYMORE MOVES, DO I? 346 00:13:28,708 --> 00:13:30,708 BY THE WAY, DEFENSE CALLS MY MOMMY. 347 00:13:30,708 --> 00:13:32,291 (patriotic music playing) 348 00:13:35,375 --> 00:13:36,250 I WIN. 349 00:13:36,250 --> 00:13:38,708 (all gasp) TOPANGA! 350 00:13:39,875 --> 00:13:41,708 HONEY, YOU CAN'T JUST COME IN HERE 351 00:13:41,708 --> 00:13:43,708 AND INTERRUPT OUR VERY FORMAL PROCEDURE. 352 00:13:43,708 --> 00:13:45,458 I MEAN, THIS IS THE HIGHEST COURT 353 00:13:45,458 --> 00:13:47,875 OF THE JOHN QUINCY ADAMS MIDDLE SCHOOL LEGAL SYSTEM. 354 00:13:47,875 --> 00:13:50,708 AND WE TAKE OUR PROCEEDINGS VERY SERIOUSLY! 355 00:13:51,708 --> 00:13:52,625 (gavel squeaks) 356 00:13:53,708 --> 00:13:54,416 ALL RIGHT. 357 00:13:54,416 --> 00:13:56,708 EVERYBODY SIT WHERE YOU WOULD NORMALLY SIT. 358 00:13:56,708 --> 00:13:58,000 WHAT I'M INTERESTED IN IS HOW MAYA 359 00:13:58,000 --> 00:14:00,708 COULD'VE CHEATED OFF OF FARKLE ALL BY HERSELF 360 00:14:00,708 --> 00:14:02,583 IN THE FIRST PLACE. 361 00:14:02,583 --> 00:14:05,333 BECAUSE AS YOU CAN SEE BY THE CONFIGURATION OF THE DESKS, 362 00:14:05,333 --> 00:14:06,583 IT WOULD BE IMPOSSIBLE FOR MAYA 363 00:14:06,583 --> 00:14:09,375 TO SEE FARKLE'S PAPER FROM THAT DISTANCE UNLESS... 364 00:14:09,375 --> 00:14:10,958 SHE HAD SOME HELP. 365 00:14:10,958 --> 00:14:11,875 MR. MATTHEWS. 366 00:14:11,875 --> 00:14:12,708 YES, DARLING? 367 00:14:12,708 --> 00:14:15,166 WHAT IS IT YOU DO WHILE THEY TAKE THEIR TESTS? 368 00:14:15,166 --> 00:14:16,708 WHO? ME? I SIT HERE, 369 00:14:16,708 --> 00:14:18,000 I GET SAD, 370 00:14:18,000 --> 00:14:19,708 I THINK ABOUT THE WAY THINGS COULD HAVE BEEN. 371 00:14:19,708 --> 00:14:20,625 CORY! 372 00:14:20,625 --> 00:14:21,625 I'M UP HERE! 373 00:14:21,625 --> 00:14:23,458 YOU KNOW, I-- I-- I READ A BOOK BECAUSE... 374 00:14:23,458 --> 00:14:25,166 YOU KNOW, I-- I TRUST THEM. 375 00:14:25,166 --> 00:14:25,875 UH-HUH. 376 00:14:25,875 --> 00:14:27,291 INTERESTING. 377 00:14:27,291 --> 00:14:28,583 WHAT HAPPENS NEXT? 378 00:14:28,583 --> 00:14:31,000 WELL, I LOOK AT THE FIRST QUESTION OF THE TEST, 379 00:14:31,000 --> 00:14:32,958 THEN I MAKE THIS KIND OF FACE... 380 00:14:35,083 --> 00:14:36,708 THEN I'LL LOOK AT RILEY WHO'S ALL LIKE... 381 00:14:36,708 --> 00:14:38,083 (humming a tune) 382 00:14:39,250 --> 00:14:41,083 THEN I LOOK AT FARKLE WHO'S ALL LIKE... 383 00:14:41,083 --> 00:14:41,625 DONE! 384 00:14:42,625 --> 00:14:45,708 BUT FOR THE FIRST TIME EVER, I MIGHT HAVE LOOKED AT FARKLE LIKE... 385 00:14:50,291 --> 00:14:51,875 AND FARKLE KIND OF MIGHT HAVE WENT... 386 00:14:54,083 --> 00:14:55,291 (mouthing) I LOVE YOU. 387 00:14:57,750 --> 00:14:59,083 INTERESTING. 388 00:14:59,083 --> 00:15:02,583 BUT FROM THIS ANGLE, THERE'S STILL SOMETHING BLOCKING YOUR VIEW. STYLE ::cue(.speaker) ::cue(.speakerTop) 389 00:15:02,583 --> 00:15:05,708 YES. SO IT'S POSSIBLE RILEY MIGHT HAVE WENT... 390 00:15:05,708 --> 00:15:09,833 (humming a tune) 391 00:15:10,875 --> 00:15:13,500 WELL, WE KNEW THAT FARKLE WAS AN ACCOMPLICE. 392 00:15:13,500 --> 00:15:15,250 I'LL DO ANYTHING FOR MY FRIENDS. 393 00:15:15,250 --> 00:15:16,875 I ACCEPT MY PUNISHMENT. 394 00:15:16,875 --> 00:15:19,333 BUT I THINK THAT MRS. MATTHEWS 395 00:15:19,333 --> 00:15:21,208 JUST PROVED THAT HE WAS NOT ALONE. 396 00:15:21,208 --> 00:15:24,333 YEAH, UH, MY WORK HERE IS DONE. 397 00:15:24,333 --> 00:15:25,708 CASE NUMBER 44. 398 00:15:25,708 --> 00:15:26,625 OH BOY. 399 00:15:26,625 --> 00:15:27,583 RILEY. 400 00:15:27,583 --> 00:15:29,875 I WAS KIND OF AN ACCOMPLICE TOO. 401 00:15:29,875 --> 00:15:31,750 RILEY, HOW COULD YOU? 402 00:15:31,750 --> 00:15:34,458 FARKLE PUT HIMSELF IN JEOPARDY FOR MAYA. 403 00:15:34,458 --> 00:15:35,583 HOW COULD I NOT? 404 00:15:35,583 --> 00:15:38,500 I THOUGHT MAYBE IF FARKLE SHARED HIS KNOWLEDGE WITH MAYA, 405 00:15:38,500 --> 00:15:41,458 AND SHE GOT A GOOD GRADE, SHE MIGHT WANT TO KEEP ON LEARNING. 406 00:15:41,458 --> 00:15:42,625 AND SHE DOES, 407 00:15:42,625 --> 00:15:45,833 SO IF THAT MAKES US COMMUNISTS, THEN I GUESS THAT'S WHAT WE REALLY ARE. 408 00:15:45,833 --> 00:15:47,833 YEAH? WELL, YOU CERTAINLY LOOK LIKE 409 00:15:47,833 --> 00:15:49,583 YOU'RE ALL IN THE SAME LITTLE GROUP NOW. 410 00:15:49,583 --> 00:15:52,458 SO WHAT IF MAYBE WE DRESS A LITTLE BIT ALIKE? 411 00:15:52,458 --> 00:15:55,083 AND MAYBE SOME OF MY STUDY METHODS HAVE RUBBED OFF ON HER. 412 00:15:55,083 --> 00:15:56,583 YOU KNOW FARKLE'S METHODS? 413 00:15:57,708 --> 00:15:59,291 DAD, WHAT'S GOING ON HERE? 414 00:15:59,291 --> 00:16:00,875 IT'S JUST WHAT YOU WANTED, RILEY. 415 00:16:00,875 --> 00:16:02,500 COMMUNISM. 416 00:16:02,500 --> 00:16:04,625 FARKLE SHARING HIS KNOWLEDGE WITH MAYA. 417 00:16:06,458 --> 00:16:09,750 KARL MARX-- THE FATHER OF COMMUNISM. 418 00:16:09,750 --> 00:16:13,375 VLADIMIR LENIN LED THE REVOLUTION. 419 00:16:15,333 --> 00:16:18,458 THESE GUYS DON'T SEEM ANYWHERE NEAR AS MUCH FUN AS THE OTHER GUYS. 420 00:16:18,458 --> 00:16:20,708 YEAH, WELL, MAYBE THAT'S BECAUSE THE OTHER GUYS-- 421 00:16:20,708 --> 00:16:23,291 JOHN LENNON AND GROUCHO MARX-- 422 00:16:23,291 --> 00:16:26,208 WERE TWO INCREDIBLY TALENTED, WHAT? 423 00:16:27,750 --> 00:16:28,416 MAYA? 424 00:16:28,416 --> 00:16:30,208 (mimicking Farkle) INDIVIDUALS, SIR. THE POINT YOU'RE 425 00:16:30,208 --> 00:16:32,083 TRYING TO MAKE IS THAT A FREE SOCIETY BREEDS INDIVIDUALS. 426 00:16:32,083 --> 00:16:34,583 AND HOW DO YOU FEEL YOU'RE DEVELOPING AS AN INDIVIDUAL? 427 00:16:34,583 --> 00:16:36,416 MAYA, WHY DON'T YOU SOUND LIKE YOU? 428 00:16:36,416 --> 00:16:38,000 WHAT DO YOU MEAN? WHO WOULD I SOUND LIKE BESIDES ME? 429 00:16:38,000 --> 00:16:39,500 I'M STILL ME, RILEY. I'VE ALWAYS BEEN ME, 430 00:16:39,500 --> 00:16:41,000 AND I'LL NEVER BE ANYBODY ELSE BUT ME. HA! 431 00:16:42,000 --> 00:16:43,000 HA! 432 00:16:44,583 --> 00:16:45,416 HUH. 433 00:16:54,000 --> 00:16:55,750 Auggie: YOU THINK THIS IS GOING TO WORK? 434 00:16:55,750 --> 00:16:57,208 IT'S GOT TO WORK. 435 00:16:57,208 --> 00:16:58,708 OTHERWISE, FRANKIE BIG HANDS 436 00:16:58,708 --> 00:17:00,583 WILL TAKE YOU ON A LITTLE SWING RIDE. 437 00:17:00,583 --> 00:17:02,583 IF YOU KNOW WHAT WE MEAN. 438 00:17:02,583 --> 00:17:04,958 ALL RIGHT, FRANKIE BIG HANDS, 439 00:17:04,958 --> 00:17:07,583 YOU APOLOGIZE TO DOMINIC. 440 00:17:07,583 --> 00:17:10,375 AND YOUR NEXT INCIDENT WILL RESULT IN A THREE-DAY SUSPENSION. 441 00:17:10,375 --> 00:17:11,375 DOMINIC, 442 00:17:11,375 --> 00:17:14,458 IT'S ME, NOT YOU. 443 00:17:14,458 --> 00:17:19,125 NOW, WHERE IS MY NEXT APPOINTMENT? 444 00:17:24,833 --> 00:17:25,875 WELL, HELLO. 445 00:17:36,250 --> 00:17:37,750 OKAY, WHAT'S THIS? 446 00:17:37,750 --> 00:17:40,583 WE ARE PUTTING UP A WALL TO PROTECT OURSELVES FROM THEM. 447 00:17:41,875 --> 00:17:43,500 DON'T YOU THINK THAT'S A LITTLE EXTREME? 448 00:17:43,500 --> 00:17:45,125 IT'S THE JUDGMENT OF THE HONOR BOARD 449 00:17:45,125 --> 00:17:46,375 TO SEPARATE THOSE WHO CHEAT-- 450 00:17:46,375 --> 00:17:47,708 All: SHARE! 451 00:17:47,708 --> 00:17:50,625 HEY! WE ALL SAID THAT AT THE SAME TIME! 452 00:17:50,625 --> 00:17:51,875 I'M HUNGRY. 453 00:17:51,875 --> 00:17:55,333 All: WHAT IS HAPPENING TO US? 454 00:17:55,333 --> 00:17:56,125 WHOA. 455 00:17:58,166 --> 00:17:59,833 WE DON'T WANT TO BECOME LIKE THEM. 456 00:17:59,833 --> 00:18:02,458 WE'D RATHER REMAIN A FREE SOCIETY OF INDIVIDUALS. 457 00:18:02,458 --> 00:18:04,583 INSTEAD OF WHATEVER THE HECK THAT WAS. 458 00:18:05,583 --> 00:18:07,708 BUT ISN'T THE BEST PART OF A FREE SOCIETY 459 00:18:07,708 --> 00:18:11,708 THE FACT THAT IT ALLOWS ITS PEOPLE TO CONSIDER ALL BELIEFS? 460 00:18:11,708 --> 00:18:14,583 YEAH, BUT I WANT MY FRIENDS BACK, MR. MATTHEWS. 461 00:18:14,583 --> 00:18:15,875 CAN YOU FIX THIS? 462 00:18:15,875 --> 00:18:19,708 YOU KNOW, I GRADED YOUR RECENT EXAMS. 463 00:18:19,708 --> 00:18:21,000 MR. FRIAR. 464 00:18:21,000 --> 00:18:22,583 ONE HUNDRED PERCENT. 465 00:18:22,583 --> 00:18:23,625 YOU GET AN A. 466 00:18:25,000 --> 00:18:26,708 MR. BABINEAUX, 467 00:18:26,708 --> 00:18:29,083 ONE HUNDRED PERCENT. YOU GET AN A. 468 00:18:30,458 --> 00:18:31,583 MS. HART, 469 00:18:31,583 --> 00:18:33,208 MS. MATTHEWS, 470 00:18:33,208 --> 00:18:33,750 FARKLE, 471 00:18:34,833 --> 00:18:36,625 ONE HUNDRED PERCENT. 472 00:18:36,625 --> 00:18:37,708 YOU GET A C. 473 00:18:38,708 --> 00:18:39,583 WHAT? 474 00:18:39,583 --> 00:18:41,583 WE GET A WHAT'S-THAT-YOU-SAY NOW? 475 00:18:42,708 --> 00:18:44,708 HOW DID WE GET A HUNDRED PERCENT AND GET A C? 476 00:18:44,708 --> 00:18:47,458 BECAUSE WHEN YOU GET EVERYTHING RIGHT, 477 00:18:47,458 --> 00:18:51,250 BUT YOU DON'T DO IT YOURSELVES, IT MAKES YOU AVERAGE. 478 00:18:52,291 --> 00:18:54,291 A DIVIDED BY THREE 479 00:18:54,291 --> 00:18:55,583 IS A C. 480 00:18:55,583 --> 00:18:58,000 Cory: LOOK AT YOU, YOU'RE ALL THE SAME. 481 00:18:58,000 --> 00:18:59,708 YOU'RE AVERAGE. 482 00:19:00,833 --> 00:19:02,166 YOU'RE COMMON. 483 00:19:03,833 --> 00:19:04,958 COMMONISM. 484 00:19:04,958 --> 00:19:06,625 THIS IS WHY IT FELL? 485 00:19:06,625 --> 00:19:08,458 PEOPLE DIDN'T WANT TO ALL BE THE SAME? 486 00:19:08,458 --> 00:19:09,875 WITHOUT INCENTIVE, 487 00:19:09,875 --> 00:19:11,833 THERE'S NO MOTIVATION. 488 00:19:11,833 --> 00:19:14,750 WITHOUT MOTIVATION, THERE'S NO ADVANCEMENT. 489 00:19:14,750 --> 00:19:17,333 IN A TRULY FREE SOCIETY, 490 00:19:17,333 --> 00:19:20,333 WE SHARE THE BEST PARTS OF OURSELVES WITHOUT CHEATING. 491 00:19:21,750 --> 00:19:24,458 BECAUSE WE GET TO LEARN WHO WE ARE INDIVIDUALLY. 492 00:19:24,458 --> 00:19:27,458 COME ON, GUYS. SEPARATELY, YOU'RE THE BEST INDIVIDUALS 493 00:19:27,458 --> 00:19:28,625 I KNOW. 494 00:19:28,625 --> 00:19:29,500 I MISS YOU. 495 00:19:30,583 --> 00:19:32,000 PLEASE COME BACK. 496 00:19:33,708 --> 00:19:35,250 MAYA? 497 00:19:35,250 --> 00:19:35,833 YEAH. 498 00:19:36,833 --> 00:19:39,458 I THINK I'D LIKE IT BETTER IF I WAS DOING WELL BECAUSE 499 00:19:39,458 --> 00:19:41,000 I WAS DOING WELL. 500 00:19:48,333 --> 00:19:49,458 BUT NOW YOU'RE NOT ME. 501 00:19:49,458 --> 00:19:51,375 THERE'S ONLY ONE OF YOU, FARKLE. 502 00:19:57,708 --> 00:19:59,416 THERE'S ONLY ONE OF ALL OF US. 503 00:19:59,416 --> 00:20:01,416 IT'S BETTER THAT WAY, ISN'T IT? 504 00:20:01,416 --> 00:20:03,875 WE WERE FOUNDED ON THE CONCEPT OF WELCOMING STYLE ::cue(.speaker) ::cue(.speakerTop) 505 00:20:03,875 --> 00:20:07,125 ALL PEOPLE FROM ALL DIFFERENT PARTS OF THE WORLD. 506 00:20:07,125 --> 00:20:09,125 AND ENCOURAGING EACH OF THEM 507 00:20:09,125 --> 00:20:10,583 TO FIND OUT WHO THEY ARE. 508 00:20:10,583 --> 00:20:11,500 WHY? 509 00:20:11,500 --> 00:20:14,000 BECAUSE THE INDIVIDUAL IS VALUED HERE. 510 00:20:14,000 --> 00:20:16,458 YEAH, THAT'S PRETTY GOOD. 511 00:20:25,375 --> 00:20:26,583 THERE YOU ARE! 512 00:20:28,166 --> 00:20:29,250 WELCOME BACK, GUYS. 513 00:20:36,583 --> 00:20:37,250 RILEY? 514 00:20:39,208 --> 00:20:40,500 I'M PROUD OF YOU. 515 00:20:42,583 --> 00:20:43,833 MR. FRIAR, 516 00:20:43,833 --> 00:20:45,833 TEAR DOWN THIS WALL. 517 00:20:55,458 --> 00:20:56,708 TODAY WAS GOOD. 518 00:20:56,708 --> 00:20:59,250 ONCE AGAIN, FREEDOM AND LIBERTY HAVE TRIUMPHED. 519 00:20:59,250 --> 00:21:01,833 I WAS JUST EXPLAINING THE SAME THING TO AUGGIE. 520 00:21:01,833 --> 00:21:03,958 MAKING INDIVIDUAL CHOICES ISN'T EASY. 521 00:21:03,958 --> 00:21:05,625 THE IMPORTANT ONES TAKE WORK. 522 00:21:05,625 --> 00:21:08,625 BUT ONCE YOU REALIZE IT, EVERYTHING TURNS OUT ALL RIGHT. 523 00:21:08,625 --> 00:21:10,583 AND THAT'S WHEN YOU DISCOVER WHO YOU ARE. 524 00:21:10,583 --> 00:21:11,750 BECAUSE HE'S AUGGIE. 525 00:21:11,750 --> 00:21:13,375 HE ISN'T ME. 526 00:21:16,750 --> 00:21:19,000 FINE, I'LL TAKE PIANO LESSONS. 527 00:21:24,750 --> 00:21:25,583 CAN WE DEAL WITH THIS TOMORROW?