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THE JOHN QUINCY
ADAMS HONOR BOARD
STANDS IN SESSION.
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CASE NUMBER 42
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ISAIAH BABINEAUX
STANDS ACCUSED
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OF BOOSTING
SOMEBODY'S LUNCH.
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PROVE IT.
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UH, ZAY.
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YO.
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EVERYBODY ELSE
IN YOUR FAMILY SEEMS
SO DECENT AND KIND.
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OH, THANK YOU, MR. TEACH.
THEY SAY NICE THINGS
ABOUT YOU TOO.
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SO WHAT HAPPENED
TO YOU?
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WE'RE WAITING
ON A LOT OF RESULTS.
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PUNISHMENT
MUST SERVE
A PURPOSE.
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WHAT DO YOU GUYS THINK
WILL TEACH MR. BABINEAUX
HERE A LESSON?
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CAFETERIA DUTY.
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I DON'T LIKE IT.
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WELL I LIKE IT.
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YOU TOOK EVERYBODY'S
LUNCH AWAY
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AND NOW YOU SHOULD
GIVE EVERYBODY
THEIR LUNCH.
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I DO GIVE EVERYBODY
THEIR LUNCH.
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WHAT?
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HE GIVES ROAST BEEFS
TO THE P-B AND Js.
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00:00:47,375 --> 00:00:49,583
HE GIVES MEATBALL
SUBS TO THE BALONEYS.
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HAH?
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EVERYBODY HAS THE RIGHT
TO A DELICIOUS LUNCH.
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ALL RIGHT, THESE
ARE MY BELIEFS.
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WOULD YOU ATTACK
ME ON MY BELIEFS?
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THAT'S NOT YOUR
MEATBALL SUB.
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BUT I BELIEVE
IT'S BETTER THAN
MY P-B AND J.
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SO, I ROBIN HOODED MYSELF.
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YOU'RE ROBIN HOOD?
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I'M ROBIN LUNCH.
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CAFETERIA.
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YOU CAN PUNISH ME.
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BUT THE FOREST PEOPLE
LOVE ME.
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BAILIFF YOGI,
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WILL YOU STOP EATING
THE EVIDENCE
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AND PLEASE OPEN THE DOOR
FOR THE NEXT CASE?
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THANK YOU.
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I GOT THIS
JUDGEY THING DOWN.
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I GOT THE HANG
OF PUNISHING PEOPLE
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AND I LIKE IT.
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I THINK THE KEY
TO THIS WHOLE THING IS TO
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CONSIDER THE FACTS AND NOT GET
EMOTIONALLY INVOLVED.
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PEACHES!
WHAT HAVE YOU DONE?
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(theme music playing)
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♪ I'VE BEEN WAITING ♪
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♪ FOR A DAY ♪
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♪ LIKE THIS TO COME ♪
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♪ STRUCK LIKE LIGHTNING ♪
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♪ MY HEART'S BEATING
LIKE A DRUM ♪
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♪ ON THE EDGE ♪
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♪ OF SOMETHING WONDERFUL ♪
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♪ FACE TO FACE WITH CHANGES ♪
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♪ WHAT'S IT ALL ABOUT? ♪
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♪ LIFE IS CRAZY ♪
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♪ BUT I KNOW ♪
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♪ I CAN WORK IT OUT ♪
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♪ 'CAUSE I GOT YOU ♪
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♪ TO LIVE IT WITH ME ♪
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♪ I FEEL ALL RIGHT,
I'M GONNA TAKE ON THE WORLD ♪
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♪ LIGHT UP THE STARS,
I'VE GOT SOME PAGES TO TURN ♪
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♪ I'M SINGING "GO-O-O" ♪
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♪ OH, OH, OH, OH ♪
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♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
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♪ TAKE ON THE WORLD ♪
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♪ TAKE ON THE WORLD,
TAKE ON THE WORLD ♪
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♪ TAKE ON THE WORLD ♪
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MY BUDS. TELL ME
YOU'RE JUST HERE TO
PICK ME UP
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BECAUSE YOU'RE
MY BUDS.
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YEAH. BUDS.
YOU WANT TO KNOW
WHAT WE DID OR WHAT?
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CASE NUMBER 43.
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MAYA HART STANDS
ACCUSED OF CHEATING
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OFF OF FARKLE MINKUS
ON THE LAST HISTORY EXAM.
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MAYA, IS THIS TRUE?
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FARKLE, HOW DO I
ANSWER THIS?
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I'M SORRY, RILEY.
SHE DONE DID IT.
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I LEARN BETTER
THIS WAY, MR. MATTHEWS.
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WHEN I SEE THE
ANSWERS FARKLE CHOOSES
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IT HELPS ME CIRCLE
THE RIGHT THING.
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YOU CAN'T JUST
STEAL HIS ANSWERS, MAYA.
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WHY NOT? I'M FINALLY
LEARNING WHAT YOU'VE
BEEN TRYING TO TEACH ME.
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YOU'VE TRIED EVERYTHING
AND I'M REALLY GRATEFUL,
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BUT I FOUND A WAY.
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FARKLE, HOW COULD YOU
RAT OUT MAYA FOR
CHEATING OFF OF YOU?
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I DIDN'T RAT
HER OUT.
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MAYA CAN DO
WHATEVER SHE
WANTS WITH ME.
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I RATTED HER OUT.
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WHY ISN'T ANYBODY
TALKING ABOUT
WHAT MATTERS?
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I GOT MY FIRST A.
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OKAY, JUDGEY.
YOU GOT A SOLUTION FOR THIS?
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YES, I DO.
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I SAY WE GIVE
OUR FRIENDS
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SPECIAL TREATMENT.
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AND NOT JUST
ANY SPECIAL
TREATMENT,
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WE LET THEM
COMPLETELY OFF
THE HOOK.
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THERE'S NO LESSON
AND NOBODY LEARNS
NOTHING.
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HOW ABOUT WE DO
ONE OF THOSE
THIS TIME?
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SEE YA NEXT WEEK.
GOOD NIGHT, EVERYBODY!
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00:04:01,250 --> 00:04:03,750
WE CAN'T JUST
GIVE OUR FRIENDS
SPECIAL TREATMENT.
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I SAID GOOD NIGHT, SIR!
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RILES, I ACCEPT
MY PUNISHMENT.
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DON'T SPIN
OUT OF CONTROL.
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WE'RE PUT UNDER
ALL OF THIS PRESSURE
TO EARN THE HIGHEST GRADES.
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SHE DID IT.
MAYA LEARNED, DADDY.
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SHE DIDN'T LEARN, RILEY.
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MAYA, CAN YOU
TELL THEM WHAT
YOU LEARNED?
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I ACTUALLY CAN.
THAT'S NEW.
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THAT'S NEW.
IT DOESN'T MATTER
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HOW SHE LEARNED.
IT'S NEW.
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SHE CHEATED!
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(incredulously)
THAT WAS LOUD.
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"CHEATED" IS A WORD.
YOU KNOW WHAT ELSE
IS A WORD?
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"SHARED."
READ A QUESTION
FROM THE TEST.
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"THE TRANSCONTINENTAL
RAILROAD WAS BUILT FROM
THE WEST AND THE EAST
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"IN THE SAME TIME.
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IN WHICH CITY
DID THE TRACKS MEET?"
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C.
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RILEY, WE'RE NOT
ON THE SAME TEAM
THIS TIME.
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FARKLE, ARE WE
ON THE SAME TEAM?
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ALWAYS.
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DAD?
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NO, I'M WITH
LUCAS, RILEY.
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YOU CAN'T
COMPROMISE
YOUR VALUES
STYLE
::cue(.speaker)
::cue(.speakerTop)
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JUST BECAUSE
THESE ARE YOUR
FRIENDS.
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WATCH ME.
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NO. WRONG IS WRONG.
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SHE DIDN'T
LEARN ANYTHING.
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00:05:06,458 --> 00:05:09,125
IF SHE HAD LEARNED
SOMETHING, YOU MIGHT
HAVE A POINT.
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00:05:09,125 --> 00:05:11,458
THEY DROVE IN THE
GOLDEN SPIKE WHEN
THE TRACKS CONNECTED
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AT PROMONTORY, UTAH.
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QUICK, MAKE A DECISION
BEFORE SHE SAYS
OTHER GOOD STUFF.
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LOUISIANA PURCHASE.
MANIFEST DESTINY.
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C, C, A, D,
FALSE, FALSE, TRUE!
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SHE'S A
STINKING GENIUS.
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CHEATING WORKS
FOR HER.
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NO.
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DAD, IT'S MAYA. YOU
KNOW I'M GOING TO
TURN THIS WORLD
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UPSIDE DOWN
UNTIL I MAKE
THIS RIGHT.
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I KNOW YOU'LL TRY.
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WELL, I STAND
WITH THEM.
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YAY!
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I DON'T NEED THIS.
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(moaning)
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NOTHING TO DO, AUGGIE?
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I'VE DONE
EVERYTHING THERE
IS TO DO IN LIFE.
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(moans)
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OKAY...
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WELL, DO YOU WANT
TO TAKE PIANO LESSONS?
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DOES IT TAKE WORK?
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ANYTHING WORTH
DOING TAKES WORK.
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THEN I'D RATHER JUST BECOME
A LAWYER LIKE YOU.
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00:06:08,583 --> 00:06:10,583
YOU DON'T JUST
GET TO BECOME
A LAWYER.
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DO YOU WANT TO KNOW
WHAT I HAD TO DO
TO BECOME A LAWYER?
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PLEASE, NO.
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IT'LL JUST HAPPEN.
I'M A CHIP OFF
THE OLD BLOCK.
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YOU'RE THE OLD BLOCK.
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OH, WELL, THANK YOU.
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00:06:23,708 --> 00:06:26,000
BUT JUST BECAUSE
YOU COME FROM ME
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DOESN'T MEAN
YOU JUST GET
TO BE ME.
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YOU HAVE
TO FIND OUT
WHO YOU ARE.
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AND IF YOU RUN
INTO ANY TROUBLE,
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MAYBE YOU'LL RECONSIDER
THOSE PIANO LESSONS.
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(moans)
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ARE YOU NOW
OR HAVE YOU EVER BEEN
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A MEMBER OF THE
COMMUNIST PARTY?
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THE COLD WAR, SIR.
DEMOCRACY VERSUS
COMMUNISM.
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YOU GET WHAT YOU
EARN VERSUS EVERYBODY
GETS THE SAME THING.
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VERY GOOD, FARKLE.
I DIDN'T EVEN SEE
YOUR LIPS MOVE.
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BECAUSE MAYA
ANSWERED HERSELF, SIR.
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SHE REMEMBERED
THE INFORMATION.
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IT ONLY MAKES SENSE
TO ME WHEN I CAN
GET IN TROUBLE FOR IT.
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WAIT, SO YOU'RE
TELLING ME
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THAT IN COMMUNISM
EVERYBODY SHARES
WITH EVERYBODY ELSE?
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00:07:08,125 --> 00:07:08,750
Farkle:
YES, RILEY.
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00:07:08,750 --> 00:07:10,875
THE COMMUNIST
PHILOSOPHY IS THAT
EVERYBODY'S THE SAME
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00:07:10,875 --> 00:07:12,458
AND EVERYBODY
GETS THE SAME THING.
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AND IT'S A PARTY?
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I WANT SO
DESPERATELY TO
BE PROUD OF YOU.
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00:07:18,750 --> 00:07:19,625
SO, YOU MEAN
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00:07:19,625 --> 00:07:21,875
WHEN SOMEBODY DOESN'T
KNOW SOMETHING ON A TEST
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AND SOMEBODY DOES,
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YOU'RE SUPPOSED
TO SHARE THAT
INFORMATION?
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00:07:25,583 --> 00:07:26,708
YEAH.
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00:07:26,708 --> 00:07:27,875
THAT'S COMMUNISM.
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00:07:27,875 --> 00:07:30,375
BUT IT'S A LITTLE
MORE COMPLICATED
THAN THAT.
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00:07:30,375 --> 00:07:31,583
YOU KNOW
THE AMERICAN DREAM?
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00:07:31,583 --> 00:07:32,291
YEAH.
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00:07:32,291 --> 00:07:33,583
WELL, THIS IS
THE OTHER THING.
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00:07:33,583 --> 00:07:35,458
WHAT DO YOU
ALL WANT TO BE
WHEN YOU GROW UP?
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00:07:35,458 --> 00:07:36,583
I HAVEN'T
DECIDED YET.
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00:07:36,583 --> 00:07:38,000
I SEE YOU AS
A FACTORY WORKER.
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00:07:38,000 --> 00:07:39,416
WELL WHAT IF I
DON'T WANT TO BE--
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00:07:39,416 --> 00:07:41,250
I WANT TO BE
A FACTORY WORKER.
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00:07:41,250 --> 00:07:42,875
I SEE YOU AS
A POTATO FARMER.
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00:07:42,875 --> 00:07:44,875
BUT I PREFER
THE WARMTH OF THE FACTORY.
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00:07:46,333 --> 00:07:47,708
CAN I STILL TAKE
OVER THE WORLD?
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00:07:47,708 --> 00:07:48,625
YOU SURE CAN.
198
00:07:48,625 --> 00:07:50,708
JUST AS LONG AS
EVERYBODY CAN TAKE
OVER THE WORLD WITH YOU.
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00:07:50,708 --> 00:07:53,333
I'M NOT TAKING OVER
THE WORLD WITH FACTORY GIRL
AND POTATO HEAD.
200
00:07:54,458 --> 00:07:55,875
YOUR INDIVIDUAL GOALS
201
00:07:55,875 --> 00:07:56,875
DON'T MATTER.
202
00:07:56,875 --> 00:07:58,458
YOU'RE ONE OF MANY.
203
00:07:58,458 --> 00:08:01,208
THERE ARE NO
SOCIAL CLASSES.
204
00:08:01,208 --> 00:08:02,208
NOBODY
205
00:08:02,208 --> 00:08:05,125
IS MORE OR LESS
SUCCESSFUL THAN
ANYBODY ELSE.
206
00:08:06,208 --> 00:08:07,208
THAT'S COMMUNISM.
207
00:08:07,208 --> 00:08:09,708
OH, THAT'S COMMUNISM.
208
00:08:09,708 --> 00:08:12,708
I THOUGHT IT WAS WHEN
THEY SCARED THE DEMONS
OUT OF YOU.
209
00:08:12,708 --> 00:08:14,708
THAT'S EXORCISM.
210
00:08:14,708 --> 00:08:16,708
OH, YEAH.
THAT'S THE ONE I HAD.
211
00:08:18,875 --> 00:08:19,875
HE'S KIDDING.
212
00:08:19,875 --> 00:08:20,875
YEAH, I'M KIDDING.
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00:08:20,875 --> 00:08:21,875
AHH!
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00:08:26,833 --> 00:08:28,458
OH, IT DIDN'T WORK.
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00:08:30,000 --> 00:08:33,208
ANYWAY, WHOEVER I AM,
I'M NOT DOWN WITH COMMUNISM.
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00:08:33,208 --> 00:08:34,125
SURE YOU ARE.
217
00:08:34,125 --> 00:08:36,708
YOU'RE ROBIN HOOD.
TAKE FROM THE RICH,
GIVE TO THE POOR.
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00:08:36,708 --> 00:08:38,125
DID YOU GUYS
HEAR THAT?
219
00:08:38,125 --> 00:08:39,708
DID YOU HEAR
WHAT MAYA JUST SAID?
220
00:08:39,708 --> 00:08:41,208
I MEAN, SHE
ACTUALLY GETS
THIS STUFF.
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00:08:41,208 --> 00:08:42,000
MAYA.
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00:08:42,000 --> 00:08:44,291
YOU REALLY DID
LEARN SOMETHING.
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00:08:44,291 --> 00:08:46,708
DOESN'T THIS MAKE
YOU WANT TO STUDY
BY YOURSELF?
224
00:08:46,708 --> 00:08:49,208
NO, IT MAKES ME
WANT TO CHEAT OFF
OF EVERYBODY EQUALLY.
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00:08:50,833 --> 00:08:51,708
YEAH.
226
00:08:51,708 --> 00:08:54,625
WHY SHOULD WE
BE IN COMPETITION
WITH EACH OTHER?
227
00:08:54,625 --> 00:08:57,416
WHY SHOULD WE BE
MOTIVATED BY REPORT CARDS?
228
00:08:57,416 --> 00:08:59,375
WHY SHOULDN'T WE
ALL HELP EACH OTHER OUT
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00:08:59,375 --> 00:09:01,458
TO KNOW EXACTLY
THE SAME THING?
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00:09:01,458 --> 00:09:02,166
RILEY...
231
00:09:03,250 --> 00:09:04,750
LOOK AT THIS.
232
00:09:04,750 --> 00:09:07,708
AND CHOOSE YOUR NEXT WORDS
VERY CAREFULLY.
233
00:09:07,708 --> 00:09:09,250
COMRADES!
234
00:09:09,250 --> 00:09:10,875
I PLEDGE ALLEGIANCE--
235
00:09:10,875 --> 00:09:13,500
COMRADES OF
JOHN QUINCY ADAMS
UNITE!
236
00:09:13,500 --> 00:09:14,708
LIGHTNING!
237
00:09:14,708 --> 00:09:15,500
THUNDER!
238
00:09:15,500 --> 00:09:16,250
DARKNESS!
239
00:09:16,250 --> 00:09:17,291
BUNNY RABBITS!
240
00:09:19,000 --> 00:09:20,583
FROM EACH
ACCORDING TO HIS ABILITY.
241
00:09:20,583 --> 00:09:22,458
TO EACH
ACCORDING TO HIS NEED!
242
00:09:23,458 --> 00:09:27,833
Both:
WHOA! WE'RE COMMIES.
IT WORKED! YAY!
243
00:09:32,958 --> 00:09:35,708
ANYTHING INTERESTING
HAPPEN AT SCHOOL TODAY?
244
00:09:35,708 --> 00:09:37,500
NOTHING OUT
OF THE ORDINARY.
245
00:09:39,458 --> 00:09:41,125
WANT TO EXPLAIN
RILEY'S OUTFIT?
246
00:09:41,125 --> 00:09:42,875
OH YEAH, SHE'S
A COMMIE NOW.
247
00:09:44,208 --> 00:09:45,583
CAN YOU PASS
THE POTATOES?
248
00:09:45,583 --> 00:09:47,416
OH, THANK GOODNESS.
249
00:09:47,416 --> 00:09:49,708
I THOUGHT SHE
WAS A MIME.
250
00:09:49,708 --> 00:09:51,208
MAYA CHEATED
OFF OF FARKLE
251
00:09:51,208 --> 00:09:53,000
AND ALL OF A SUDDEN,
SHE KNOW STUFF.
252
00:09:53,000 --> 00:09:54,375
SO, YOU'RE A COMMUNIST?
253
00:09:54,375 --> 00:09:55,083
YEAH.
254
00:09:55,083 --> 00:09:57,416
DO I NEED
TO KNOW THE MIDDLE
OF THE STORY?
255
00:09:57,416 --> 00:09:58,333
YOU WANT TO
BE PROUD OF HER?
256
00:09:58,333 --> 00:09:59,000
-YEAH.
-THEN NO.
257
00:10:00,125 --> 00:10:01,375
HONEY, MAYA
DOESN'T KNOW STUFF
STYLE
::cue(.speaker)
::cue(.speakerTop)
258
00:10:01,375 --> 00:10:02,750
IF SHE CHEATED
OFF OF FARKLE.
259
00:10:02,750 --> 00:10:04,708
MOM, YOU CAN'T
CRUSH MY HOPES
FOR HER.
260
00:10:04,708 --> 00:10:07,416
IN THE WORDS
OF THE PRESIDENT
OF COMMUNISM,
261
00:10:07,416 --> 00:10:09,875
"YOU MAY SAY, 'HEY, HEY
I'M A DREAMER,'
262
00:10:09,875 --> 00:10:10,958
"BUT I'M NOT THE--
263
00:10:12,375 --> 00:10:13,833
BUT I'M NOT THE--"
264
00:10:15,375 --> 00:10:17,750
SHH. GO TO SLEEP, RILEY.
265
00:10:19,750 --> 00:10:22,416
RILEY, JOHN LENNON
WAS A BEATLE.
266
00:10:22,416 --> 00:10:25,458
MOM, JUST BECAUSE
HIS BELIEFS ARE
DIFFERENT THAN YOURS,
267
00:10:25,458 --> 00:10:27,333
DOES NOT MEAN YOU
GET TO CALL HIM A BUG.
268
00:10:29,208 --> 00:10:31,000
TEACHER OF THE YEAR!
269
00:10:31,000 --> 00:10:32,875
LOOK WHAT I'M
WORKING WITH!
270
00:10:34,083 --> 00:10:36,583
DOES THE REST OF THE
HONOR BOARD SHARE
YOUR POSITION ON THIS?
271
00:10:36,583 --> 00:10:37,250
NO.
272
00:10:37,250 --> 00:10:39,833
AND MAYA AND FARKLE
ARE GOING ON TRIAL
TOMORROW.
273
00:10:39,833 --> 00:10:41,875
AND THEY'RE GOING
TO NEED SOMEBODY
REALLY GOOD
274
00:10:41,875 --> 00:10:44,750
TO REPRESENT THEM
BECAUSE WHEN SOMETHING'S
THIS IMPORTANT
275
00:10:44,750 --> 00:10:45,625
YOU NEED
THE BEST POSSIBLE--
276
00:10:45,625 --> 00:10:46,500
PIANO PLAYER?
277
00:10:46,500 --> 00:10:47,125
LAWYER.
278
00:10:48,125 --> 00:10:49,958
WELL, THAT'S IT THEN.
279
00:10:51,500 --> 00:10:53,708
RILEY, YOU'RE NOT
GOING TO FIND A LAWYER
280
00:10:53,708 --> 00:10:55,708
TO DEFEAT DEMOCRACY.
281
00:10:55,708 --> 00:10:57,750
I MEAN, NOT EVEN
IF YOU FOUND SOME
282
00:10:57,750 --> 00:11:01,125
HYPER-COMPETITIVE,
FREAK OF NATURE,
SUPER LAWYER.
283
00:11:01,125 --> 00:11:02,250
(Cory chuckles)
284
00:11:02,250 --> 00:11:04,416
(bones cracking)
285
00:11:07,708 --> 00:11:08,833
OKAY.
286
00:11:12,500 --> 00:11:13,833
I'M SORRY YOU
HAD TO SEE THIS.
287
00:11:15,333 --> 00:11:16,458
LET'S GO.
288
00:11:16,458 --> 00:11:17,708
(patriotic music plays)
289
00:11:24,583 --> 00:11:26,166
WHY ARE YOU
DRESSED LIKE
THAT, AUGGIE?
290
00:11:26,166 --> 00:11:28,250
WHY ARE YOU
DRESSED LIKE
THAT, AUGGIE?
291
00:11:28,250 --> 00:11:30,875
I ASKED HIM FIRST,
EMMA WEATHERSBEE.
292
00:11:30,875 --> 00:11:34,125
WELL, I CAN ASK
HIM THE SAME AS
YOU CAN,
293
00:11:34,125 --> 00:11:36,625
AVA MORGENSTERN.
294
00:11:39,291 --> 00:11:40,833
HELLO, FRANKIE.
295
00:11:42,708 --> 00:11:44,250
THE AUGSTER.
296
00:11:44,250 --> 00:11:47,125
WHY WOULD YOU
INTERRUPT ME DURING
MY GRAPE JUICE TIME?
297
00:11:47,125 --> 00:11:48,958
I KNOW YOU MIGHT
GET IN TROUBLE
298
00:11:48,958 --> 00:11:51,500
FOR PUSHING
DOMINIC FALCONE
OFF THE SWINGS.
299
00:11:51,500 --> 00:11:52,833
YOU'VE HEARD
ABOUT THAT?
300
00:11:52,833 --> 00:11:54,708
EVERYBODY'S
TALKING ABOUT IT.
301
00:11:54,708 --> 00:11:56,875
I'D LIKE TO
REPRESENT YOU.
302
00:11:56,875 --> 00:11:58,708
YOU WANT TO BE
MY MOUTHPIECE?
303
00:11:58,708 --> 00:12:00,250
I NEVER LOST A CASE.
304
00:12:01,500 --> 00:12:02,625
MRS. DUCKSBERRY.
305
00:12:02,625 --> 00:12:05,708
AUGGIE, WELL, DON'T
YOU LOOK HANDSOME.
306
00:12:05,708 --> 00:12:08,875
AW, THANKS.
SO DO YOU.
307
00:12:08,875 --> 00:12:11,250
I MEAN, I'M PRETTY
BUT YOU-- YOU'RE--
308
00:12:11,250 --> 00:12:12,708
YOU'RE--
YOU'RE PRETTY.
309
00:12:12,708 --> 00:12:14,500
I-- I'M HANDSOME,
310
00:12:14,500 --> 00:12:15,250
YOU'RE PRETTY.
311
00:12:15,250 --> 00:12:16,083
I'M GORGEOUS.
312
00:12:16,083 --> 00:12:17,500
BUT I DON'T KNOW
HOW TO STOP.
313
00:12:18,625 --> 00:12:20,333
SOMEWHERE IN THERE
WAS A COMPLIMENT.
314
00:12:20,333 --> 00:12:21,625
SO THANK YOU, AUGUST.
315
00:12:21,625 --> 00:12:24,625
MY CLIENT,
FRANKIE BIG HANDS,
IS INNOCENT.
316
00:12:24,625 --> 00:12:27,458
HE MAY HAVE PUSHED
DOMINIC FALCONE
OFF THE SWINGS.
317
00:12:27,458 --> 00:12:28,125
BUT--
318
00:12:28,125 --> 00:12:30,416
YOU PUSHED
ANOTHER BOY
OFF THE SWINGS?
319
00:12:32,083 --> 00:12:36,500
FRANKIE-- YOU, ME,
PRINCIPAL'S OFFICE
RIGHT NOW.
320
00:12:36,500 --> 00:12:40,000
I'LL SEE YOU LATER.
321
00:12:40,000 --> 00:12:42,416
ENJOY YOUR LIFE
TILL THEN.
322
00:12:42,416 --> 00:12:44,833
'CAUSE THAT'S
ALL YOU GOT LEFT.
323
00:12:52,250 --> 00:12:54,000
THE PURPOSE
OF THIS HONOR
BOARD HEARING
324
00:12:54,000 --> 00:12:56,708
IS TO DETERMINE
THE GUILT OR
INNOCENCE
325
00:12:56,708 --> 00:12:58,708
OF MAYA HART
AND FARKLE MINKUS,
326
00:12:58,708 --> 00:13:01,708
WHO STAND ACCUSED
OF SHARING INFORMATION
DURING AN EXAM.
327
00:13:01,708 --> 00:13:03,875
WE'LL BEGIN
THE QUESTIONING
WITH LUCAS FRIAR.
328
00:13:03,875 --> 00:13:04,875
THANK YOU.
329
00:13:04,875 --> 00:13:07,000
MS. HART.
MR. MINKUS.
330
00:13:07,000 --> 00:13:09,708
ARE YOU NOW
OR HAVE YOU EVER BEEN
331
00:13:09,708 --> 00:13:10,708
A CHEATER?
332
00:13:10,708 --> 00:13:11,458
OBJECTION.
333
00:13:11,458 --> 00:13:12,208
YOU'RE ON OUR SIDE.
334
00:13:12,208 --> 00:13:13,625
BUT WHO'S ON
THEIR SIDE?
335
00:13:13,625 --> 00:13:15,708
WHAT KIND OF SYSTEM
IS IT WHERE PEOPLE ARE...
336
00:13:15,708 --> 00:13:16,708
JUDGED BY?
337
00:13:16,708 --> 00:13:17,833
OTHER PEOPLE.
338
00:13:17,833 --> 00:13:18,458
LIKE A JURY?
339
00:13:18,458 --> 00:13:20,208
WHO ARE STUDENTS
LIKE THEM.
340
00:13:20,208 --> 00:13:21,083
A JURY OF
THEIR PEERS?
341
00:13:21,083 --> 00:13:22,583
YEAH, WHAT DO
YOU CALL THAT?
342
00:13:22,583 --> 00:13:23,750
THE JUSTICE SYSTEM.
343
00:13:23,750 --> 00:13:25,416
YOU AND YOUR ANSWERS.
344
00:13:25,416 --> 00:13:26,291
WELL.
345
00:13:26,291 --> 00:13:28,708
I GUESS I DON'T
HAVE ANYMORE MOVES, DO I?
346
00:13:28,708 --> 00:13:30,708
BY THE WAY,
DEFENSE CALLS MY MOMMY.
347
00:13:30,708 --> 00:13:32,291
(patriotic music playing)
348
00:13:35,375 --> 00:13:36,250
I WIN.
349
00:13:36,250 --> 00:13:38,708
(all gasp)
TOPANGA!
350
00:13:39,875 --> 00:13:41,708
HONEY, YOU CAN'T
JUST COME IN HERE
351
00:13:41,708 --> 00:13:43,708
AND INTERRUPT
OUR VERY FORMAL
PROCEDURE.
352
00:13:43,708 --> 00:13:45,458
I MEAN, THIS IS
THE HIGHEST COURT
353
00:13:45,458 --> 00:13:47,875
OF THE JOHN QUINCY ADAMS
MIDDLE SCHOOL LEGAL SYSTEM.
354
00:13:47,875 --> 00:13:50,708
AND WE TAKE OUR
PROCEEDINGS VERY SERIOUSLY!
355
00:13:51,708 --> 00:13:52,625
(gavel squeaks)
356
00:13:53,708 --> 00:13:54,416
ALL RIGHT.
357
00:13:54,416 --> 00:13:56,708
EVERYBODY SIT
WHERE YOU WOULD
NORMALLY SIT.
358
00:13:56,708 --> 00:13:58,000
WHAT I'M INTERESTED IN
IS HOW MAYA
359
00:13:58,000 --> 00:14:00,708
COULD'VE CHEATED OFF
OF FARKLE ALL BY HERSELF
360
00:14:00,708 --> 00:14:02,583
IN THE FIRST PLACE.
361
00:14:02,583 --> 00:14:05,333
BECAUSE AS YOU CAN SEE
BY THE CONFIGURATION
OF THE DESKS,
362
00:14:05,333 --> 00:14:06,583
IT WOULD BE IMPOSSIBLE
FOR MAYA
363
00:14:06,583 --> 00:14:09,375
TO SEE FARKLE'S PAPER
FROM THAT DISTANCE
UNLESS...
364
00:14:09,375 --> 00:14:10,958
SHE HAD SOME HELP.
365
00:14:10,958 --> 00:14:11,875
MR. MATTHEWS.
366
00:14:11,875 --> 00:14:12,708
YES, DARLING?
367
00:14:12,708 --> 00:14:15,166
WHAT IS IT YOU DO
WHILE THEY TAKE
THEIR TESTS?
368
00:14:15,166 --> 00:14:16,708
WHO? ME?
I SIT HERE,
369
00:14:16,708 --> 00:14:18,000
I GET SAD,
370
00:14:18,000 --> 00:14:19,708
I THINK ABOUT
THE WAY THINGS
COULD HAVE BEEN.
371
00:14:19,708 --> 00:14:20,625
CORY!
372
00:14:20,625 --> 00:14:21,625
I'M UP HERE!
373
00:14:21,625 --> 00:14:23,458
YOU KNOW, I-- I--
I READ A BOOK BECAUSE...
374
00:14:23,458 --> 00:14:25,166
YOU KNOW, I--
I TRUST THEM.
375
00:14:25,166 --> 00:14:25,875
UH-HUH.
376
00:14:25,875 --> 00:14:27,291
INTERESTING.
377
00:14:27,291 --> 00:14:28,583
WHAT HAPPENS NEXT?
378
00:14:28,583 --> 00:14:31,000
WELL, I LOOK
AT THE FIRST QUESTION
OF THE TEST,
379
00:14:31,000 --> 00:14:32,958
THEN I MAKE THIS
KIND OF FACE...
380
00:14:35,083 --> 00:14:36,708
THEN I'LL LOOK
AT RILEY WHO'S ALL LIKE...
381
00:14:36,708 --> 00:14:38,083
(humming a tune)
382
00:14:39,250 --> 00:14:41,083
THEN I LOOK AT FARKLE
WHO'S ALL LIKE...
383
00:14:41,083 --> 00:14:41,625
DONE!
384
00:14:42,625 --> 00:14:45,708
BUT FOR THE FIRST TIME EVER,
I MIGHT HAVE LOOKED
AT FARKLE LIKE...
385
00:14:50,291 --> 00:14:51,875
AND FARKLE KIND OF
MIGHT HAVE WENT...
386
00:14:54,083 --> 00:14:55,291
(mouthing)
I LOVE YOU.
387
00:14:57,750 --> 00:14:59,083
INTERESTING.
388
00:14:59,083 --> 00:15:02,583
BUT FROM THIS ANGLE,
THERE'S STILL SOMETHING
BLOCKING YOUR VIEW.
STYLE
::cue(.speaker)
::cue(.speakerTop)
389
00:15:02,583 --> 00:15:05,708
YES. SO IT'S POSSIBLE
RILEY MIGHT HAVE WENT...
390
00:15:05,708 --> 00:15:09,833
(humming a tune)
391
00:15:10,875 --> 00:15:13,500
WELL, WE KNEW THAT
FARKLE WAS AN ACCOMPLICE.
392
00:15:13,500 --> 00:15:15,250
I'LL DO ANYTHING
FOR MY FRIENDS.
393
00:15:15,250 --> 00:15:16,875
I ACCEPT MY PUNISHMENT.
394
00:15:16,875 --> 00:15:19,333
BUT I THINK THAT
MRS. MATTHEWS
395
00:15:19,333 --> 00:15:21,208
JUST PROVED
THAT HE WAS NOT ALONE.
396
00:15:21,208 --> 00:15:24,333
YEAH, UH,
MY WORK HERE IS DONE.
397
00:15:24,333 --> 00:15:25,708
CASE NUMBER 44.
398
00:15:25,708 --> 00:15:26,625
OH BOY.
399
00:15:26,625 --> 00:15:27,583
RILEY.
400
00:15:27,583 --> 00:15:29,875
I WAS KIND OF
AN ACCOMPLICE TOO.
401
00:15:29,875 --> 00:15:31,750
RILEY, HOW COULD YOU?
402
00:15:31,750 --> 00:15:34,458
FARKLE PUT HIMSELF
IN JEOPARDY FOR MAYA.
403
00:15:34,458 --> 00:15:35,583
HOW COULD I NOT?
404
00:15:35,583 --> 00:15:38,500
I THOUGHT MAYBE
IF FARKLE SHARED HIS
KNOWLEDGE WITH MAYA,
405
00:15:38,500 --> 00:15:41,458
AND SHE GOT A GOOD GRADE,
SHE MIGHT WANT TO KEEP ON
LEARNING.
406
00:15:41,458 --> 00:15:42,625
AND SHE DOES,
407
00:15:42,625 --> 00:15:45,833
SO IF THAT MAKES US
COMMUNISTS, THEN I GUESS
THAT'S WHAT WE REALLY ARE.
408
00:15:45,833 --> 00:15:47,833
YEAH? WELL, YOU
CERTAINLY LOOK LIKE
409
00:15:47,833 --> 00:15:49,583
YOU'RE ALL IN THE
SAME LITTLE GROUP NOW.
410
00:15:49,583 --> 00:15:52,458
SO WHAT IF MAYBE
WE DRESS A LITTLE
BIT ALIKE?
411
00:15:52,458 --> 00:15:55,083
AND MAYBE SOME
OF MY STUDY METHODS
HAVE RUBBED OFF ON HER.
412
00:15:55,083 --> 00:15:56,583
YOU KNOW
FARKLE'S METHODS?
413
00:15:57,708 --> 00:15:59,291
DAD, WHAT'S
GOING ON HERE?
414
00:15:59,291 --> 00:16:00,875
IT'S JUST WHAT
YOU WANTED, RILEY.
415
00:16:00,875 --> 00:16:02,500
COMMUNISM.
416
00:16:02,500 --> 00:16:04,625
FARKLE SHARING HIS
KNOWLEDGE WITH MAYA.
417
00:16:06,458 --> 00:16:09,750
KARL MARX--
THE FATHER OF COMMUNISM.
418
00:16:09,750 --> 00:16:13,375
VLADIMIR LENIN
LED THE REVOLUTION.
419
00:16:15,333 --> 00:16:18,458
THESE GUYS DON'T SEEM
ANYWHERE NEAR AS MUCH
FUN AS THE OTHER GUYS.
420
00:16:18,458 --> 00:16:20,708
YEAH, WELL, MAYBE THAT'S
BECAUSE THE OTHER GUYS--
421
00:16:20,708 --> 00:16:23,291
JOHN LENNON
AND GROUCHO MARX--
422
00:16:23,291 --> 00:16:26,208
WERE TWO INCREDIBLY
TALENTED, WHAT?
423
00:16:27,750 --> 00:16:28,416
MAYA?
424
00:16:28,416 --> 00:16:30,208
(mimicking Farkle)
INDIVIDUALS, SIR.
THE POINT YOU'RE
425
00:16:30,208 --> 00:16:32,083
TRYING TO MAKE IS
THAT A FREE SOCIETY
BREEDS INDIVIDUALS.
426
00:16:32,083 --> 00:16:34,583
AND HOW DO YOU FEEL
YOU'RE DEVELOPING
AS AN INDIVIDUAL?
427
00:16:34,583 --> 00:16:36,416
MAYA, WHY DON'T
YOU SOUND LIKE YOU?
428
00:16:36,416 --> 00:16:38,000
WHAT DO YOU MEAN?
WHO WOULD I SOUND LIKE
BESIDES ME?
429
00:16:38,000 --> 00:16:39,500
I'M STILL ME, RILEY.
I'VE ALWAYS BEEN ME,
430
00:16:39,500 --> 00:16:41,000
AND I'LL NEVER BE
ANYBODY ELSE BUT ME.
HA!
431
00:16:42,000 --> 00:16:43,000
HA!
432
00:16:44,583 --> 00:16:45,416
HUH.
433
00:16:54,000 --> 00:16:55,750
Auggie:
YOU THINK THIS IS
GOING TO WORK?
434
00:16:55,750 --> 00:16:57,208
IT'S GOT TO WORK.
435
00:16:57,208 --> 00:16:58,708
OTHERWISE,
FRANKIE BIG HANDS
436
00:16:58,708 --> 00:17:00,583
WILL TAKE YOU ON
A LITTLE SWING RIDE.
437
00:17:00,583 --> 00:17:02,583
IF YOU KNOW
WHAT WE MEAN.
438
00:17:02,583 --> 00:17:04,958
ALL RIGHT,
FRANKIE BIG HANDS,
439
00:17:04,958 --> 00:17:07,583
YOU APOLOGIZE
TO DOMINIC.
440
00:17:07,583 --> 00:17:10,375
AND YOUR NEXT INCIDENT
WILL RESULT IN A THREE-DAY
SUSPENSION.
441
00:17:10,375 --> 00:17:11,375
DOMINIC,
442
00:17:11,375 --> 00:17:14,458
IT'S ME, NOT YOU.
443
00:17:14,458 --> 00:17:19,125
NOW, WHERE IS
MY NEXT APPOINTMENT?
444
00:17:24,833 --> 00:17:25,875
WELL, HELLO.
445
00:17:36,250 --> 00:17:37,750
OKAY, WHAT'S THIS?
446
00:17:37,750 --> 00:17:40,583
WE ARE PUTTING UP
A WALL TO PROTECT
OURSELVES FROM THEM.
447
00:17:41,875 --> 00:17:43,500
DON'T YOU THINK
THAT'S A LITTLE EXTREME?
448
00:17:43,500 --> 00:17:45,125
IT'S THE JUDGMENT
OF THE HONOR BOARD
449
00:17:45,125 --> 00:17:46,375
TO SEPARATE
THOSE WHO CHEAT--
450
00:17:46,375 --> 00:17:47,708
All:
SHARE!
451
00:17:47,708 --> 00:17:50,625
HEY! WE ALL SAID
THAT AT THE SAME TIME!
452
00:17:50,625 --> 00:17:51,875
I'M HUNGRY.
453
00:17:51,875 --> 00:17:55,333
All:
WHAT IS HAPPENING
TO US?
454
00:17:55,333 --> 00:17:56,125
WHOA.
455
00:17:58,166 --> 00:17:59,833
WE DON'T WANT
TO BECOME LIKE THEM.
456
00:17:59,833 --> 00:18:02,458
WE'D RATHER REMAIN
A FREE SOCIETY
OF INDIVIDUALS.
457
00:18:02,458 --> 00:18:04,583
INSTEAD OF WHATEVER
THE HECK THAT WAS.
458
00:18:05,583 --> 00:18:07,708
BUT ISN'T THE BEST PART
OF A FREE SOCIETY
459
00:18:07,708 --> 00:18:11,708
THE FACT THAT
IT ALLOWS ITS PEOPLE
TO CONSIDER ALL BELIEFS?
460
00:18:11,708 --> 00:18:14,583
YEAH, BUT I WANT
MY FRIENDS BACK,
MR. MATTHEWS.
461
00:18:14,583 --> 00:18:15,875
CAN YOU FIX THIS?
462
00:18:15,875 --> 00:18:19,708
YOU KNOW, I GRADED
YOUR RECENT EXAMS.
463
00:18:19,708 --> 00:18:21,000
MR. FRIAR.
464
00:18:21,000 --> 00:18:22,583
ONE HUNDRED PERCENT.
465
00:18:22,583 --> 00:18:23,625
YOU GET AN A.
466
00:18:25,000 --> 00:18:26,708
MR. BABINEAUX,
467
00:18:26,708 --> 00:18:29,083
ONE HUNDRED PERCENT.
YOU GET AN A.
468
00:18:30,458 --> 00:18:31,583
MS. HART,
469
00:18:31,583 --> 00:18:33,208
MS. MATTHEWS,
470
00:18:33,208 --> 00:18:33,750
FARKLE,
471
00:18:34,833 --> 00:18:36,625
ONE HUNDRED PERCENT.
472
00:18:36,625 --> 00:18:37,708
YOU GET A C.
473
00:18:38,708 --> 00:18:39,583
WHAT?
474
00:18:39,583 --> 00:18:41,583
WE GET
A WHAT'S-THAT-YOU-SAY NOW?
475
00:18:42,708 --> 00:18:44,708
HOW DID WE GET
A HUNDRED PERCENT
AND GET A C?
476
00:18:44,708 --> 00:18:47,458
BECAUSE WHEN YOU
GET EVERYTHING RIGHT,
477
00:18:47,458 --> 00:18:51,250
BUT YOU DON'T DO IT YOURSELVES,
IT MAKES YOU AVERAGE.
478
00:18:52,291 --> 00:18:54,291
A DIVIDED BY THREE
479
00:18:54,291 --> 00:18:55,583
IS A C.
480
00:18:55,583 --> 00:18:58,000
Cory:
LOOK AT YOU,
YOU'RE ALL THE SAME.
481
00:18:58,000 --> 00:18:59,708
YOU'RE AVERAGE.
482
00:19:00,833 --> 00:19:02,166
YOU'RE COMMON.
483
00:19:03,833 --> 00:19:04,958
COMMONISM.
484
00:19:04,958 --> 00:19:06,625
THIS IS WHY IT FELL?
485
00:19:06,625 --> 00:19:08,458
PEOPLE DIDN'T WANT TO
ALL BE THE SAME?
486
00:19:08,458 --> 00:19:09,875
WITHOUT INCENTIVE,
487
00:19:09,875 --> 00:19:11,833
THERE'S NO MOTIVATION.
488
00:19:11,833 --> 00:19:14,750
WITHOUT MOTIVATION,
THERE'S NO ADVANCEMENT.
489
00:19:14,750 --> 00:19:17,333
IN A TRULY
FREE SOCIETY,
490
00:19:17,333 --> 00:19:20,333
WE SHARE THE BEST
PARTS OF OURSELVES
WITHOUT CHEATING.
491
00:19:21,750 --> 00:19:24,458
BECAUSE WE GET TO
LEARN WHO WE ARE
INDIVIDUALLY.
492
00:19:24,458 --> 00:19:27,458
COME ON, GUYS.
SEPARATELY, YOU'RE
THE BEST INDIVIDUALS
493
00:19:27,458 --> 00:19:28,625
I KNOW.
494
00:19:28,625 --> 00:19:29,500
I MISS YOU.
495
00:19:30,583 --> 00:19:32,000
PLEASE COME BACK.
496
00:19:33,708 --> 00:19:35,250
MAYA?
497
00:19:35,250 --> 00:19:35,833
YEAH.
498
00:19:36,833 --> 00:19:39,458
I THINK I'D LIKE
IT BETTER IF I WAS
DOING WELL BECAUSE
499
00:19:39,458 --> 00:19:41,000
I WAS DOING WELL.
500
00:19:48,333 --> 00:19:49,458
BUT NOW YOU'RE NOT ME.
501
00:19:49,458 --> 00:19:51,375
THERE'S ONLY
ONE OF YOU, FARKLE.
502
00:19:57,708 --> 00:19:59,416
THERE'S ONLY ONE
OF ALL OF US.
503
00:19:59,416 --> 00:20:01,416
IT'S BETTER THAT WAY,
ISN'T IT?
504
00:20:01,416 --> 00:20:03,875
WE WERE FOUNDED
ON THE CONCEPT
OF WELCOMING
STYLE
::cue(.speaker)
::cue(.speakerTop)
505
00:20:03,875 --> 00:20:07,125
ALL PEOPLE FROM
ALL DIFFERENT PARTS
OF THE WORLD.
506
00:20:07,125 --> 00:20:09,125
AND ENCOURAGING
EACH OF THEM
507
00:20:09,125 --> 00:20:10,583
TO FIND OUT
WHO THEY ARE.
508
00:20:10,583 --> 00:20:11,500
WHY?
509
00:20:11,500 --> 00:20:14,000
BECAUSE THE INDIVIDUAL
IS VALUED HERE.
510
00:20:14,000 --> 00:20:16,458
YEAH, THAT'S
PRETTY GOOD.
511
00:20:25,375 --> 00:20:26,583
THERE YOU ARE!
512
00:20:28,166 --> 00:20:29,250
WELCOME BACK, GUYS.
513
00:20:36,583 --> 00:20:37,250
RILEY?
514
00:20:39,208 --> 00:20:40,500
I'M PROUD OF YOU.
515
00:20:42,583 --> 00:20:43,833
MR. FRIAR,
516
00:20:43,833 --> 00:20:45,833
TEAR DOWN THIS WALL.
517
00:20:55,458 --> 00:20:56,708
TODAY WAS GOOD.
518
00:20:56,708 --> 00:20:59,250
ONCE AGAIN, FREEDOM
AND LIBERTY HAVE TRIUMPHED.
519
00:20:59,250 --> 00:21:01,833
I WAS JUST EXPLAINING
THE SAME THING TO AUGGIE.
520
00:21:01,833 --> 00:21:03,958
MAKING INDIVIDUAL
CHOICES ISN'T EASY.
521
00:21:03,958 --> 00:21:05,625
THE IMPORTANT
ONES TAKE WORK.
522
00:21:05,625 --> 00:21:08,625
BUT ONCE YOU REALIZE IT,
EVERYTHING TURNS OUT ALL RIGHT.
523
00:21:08,625 --> 00:21:10,583
AND THAT'S WHEN
YOU DISCOVER WHO YOU ARE.
524
00:21:10,583 --> 00:21:11,750
BECAUSE HE'S AUGGIE.
525
00:21:11,750 --> 00:21:13,375
HE ISN'T ME.
526
00:21:16,750 --> 00:21:19,000
FINE, I'LL TAKE PIANO LESSONS.
527
00:21:24,750 --> 00:21:25,583
CAN WE DEAL WITH THIS
TOMORROW?